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-It's the nation's favourite antiques experts... -What a job! | 0:00:03 | 0:00:05 | |
-..With £200 each... -You with me? -..a classic car... | 0:00:05 | 0:00:07 | |
-Buckle up. -..And a goal, to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
-Ooh, sorry! -Ha-ha! | 0:00:11 | 0:00:14 | |
The aim, to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat - | 0:00:16 | 0:00:18 | |
-there'll be worthy winners... -Yes! -..and valiant losers. | 0:00:18 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today, we are all over Avalon, and Arthurian legend. | 0:00:37 | 0:00:41 | |
Look, that's Glastonbury Tor. | 0:00:41 | 0:00:43 | |
-Where? -Over there, south-south-west. -HE CHUCKLES | 0:00:43 | 0:00:46 | |
It's quite an unusual thing, isn't it? | 0:00:46 | 0:00:49 | |
Certainly is, isn't it? But then, | 0:00:49 | 0:00:50 | |
there is very little that's usual about Charlie Ross, | 0:00:51 | 0:00:53 | |
-or his good friend, James Braxton. -See what I mean? | 0:00:53 | 0:00:56 | |
-You'll need a map! -I've got a map. -Can you read a map? | 0:00:56 | 0:00:58 | |
Of course I can read a map, I did geography A-level, for goodness' sake! | 0:00:58 | 0:01:02 | |
-Did you pass? -Of course I did. -You didn't! -Yeah, with a D. | 0:01:02 | 0:01:05 | |
Ha-ha! Our two auctioneers and their little red Alfa have somehow found their | 0:01:07 | 0:01:11 | |
way to the Somerset levels. | 0:01:11 | 0:01:13 | |
Historic part of the world - and quite remote. | 0:01:13 | 0:01:16 | |
Perhaps they followed the ley lines, | 0:01:16 | 0:01:18 | |
they do say the place is thick with them, music, too, | 0:01:18 | 0:01:21 | |
because Glastonbury is known the world over for what Charlie would | 0:01:21 | 0:01:24 | |
call a pop festival. | 0:01:24 | 0:01:26 | |
What are the Rolling Stones, are they pop or rock? | 0:01:26 | 0:01:28 | |
-They're rock, aren't they? -I would have called them a pop group, you see, in my day. | 0:01:28 | 0:01:33 | |
Have you seen your mother, baby, standing in the shadows? | 0:01:33 | 0:01:36 | |
No, but my old man's a dustman. Hoo-hoo! | 0:01:37 | 0:01:40 | |
It's the third time this pair have tripped together. | 0:01:40 | 0:01:43 | |
-I'm very excited. -Are you? What, really excited? -Very excited! | 0:01:43 | 0:01:46 | |
And as we approach auction number four, with successes... | 0:01:46 | 0:01:50 | |
200, I'm bid - the room bids 200. | 0:01:50 | 0:01:52 | |
..and shellacking on both sides, an American term, I'm told. | 0:01:52 | 0:01:56 | |
-Erm, that's not good, is it? -They remain nip and tuck. | 0:01:56 | 0:01:59 | |
-It means tight. -We're still within 10%, aren't we? | 0:01:59 | 0:02:02 | |
-I know. -I'm still trailing, though. -Only just! | 0:02:02 | 0:02:06 | |
James has thus far managed to transform his starting £200 | 0:02:06 | 0:02:10 | |
into £299.52, bravo! | 0:02:10 | 0:02:14 | |
While Charlie, who also began with £200, has acquired a little more, | 0:02:15 | 0:02:19 | |
and currently has £328 exactly. | 0:02:19 | 0:02:22 | |
So, Charlie, your empathy with rock and pop, | 0:02:22 | 0:02:26 | |
will you be using the ley lines, in your antique buying? | 0:02:26 | 0:02:31 | |
-Probably not. -I think we might have guessed that. | 0:02:31 | 0:02:34 | |
After kicking off from Chart Sutton in Kent, | 0:02:34 | 0:02:38 | |
Charlie and James motored mostly around the South East, | 0:02:38 | 0:02:42 | |
then they moseyed up towards the Midlands before heading both South | 0:02:42 | 0:02:45 | |
and West. They will eventually make Dorset their destination with a | 0:02:45 | 0:02:49 | |
D-Day in Dorchester. Today's endeavours will wind up at | 0:02:49 | 0:02:52 | |
an auction in Frome, but we start out, of course, in Glastonbury. | 0:02:52 | 0:02:57 | |
SOUTH WEST ACCENT: And there 'er be! | 0:02:57 | 0:03:00 | |
Also famous for its ruined abbey, | 0:03:00 | 0:03:02 | |
where the monks used to allege that they found the bones of King Arthur. | 0:03:02 | 0:03:07 | |
So, who knows what treasures can be unearthed in their first shop? | 0:03:07 | 0:03:11 | |
-You do like joint shops. -I quite enjoyed joint shops with you, | 0:03:11 | 0:03:15 | |
because you're not sort of thrusting and competitive and hiding around the corner. | 0:03:15 | 0:03:19 | |
They're a bit like an old married couple now, aren't they? | 0:03:19 | 0:03:22 | |
Welcome to Glastonbury Reclamation. | 0:03:22 | 0:03:25 | |
-COUGHING Oh, dear. -Ah, fabulous. | 0:03:25 | 0:03:27 | |
-You need a gentleman's gentleman. -He's already got one. | 0:03:27 | 0:03:30 | |
It's all heavy, it's heavy. | 0:03:30 | 0:03:33 | |
-It is heavy. Heavy and rusty. -Ideal for Serrell, though! | 0:03:33 | 0:03:36 | |
-Hello! -Ah! -Hello, James. -James, Simon. | 0:03:37 | 0:03:40 | |
-Good to meet you. -Hello, James. He's James, you're James! | 0:03:40 | 0:03:42 | |
-Lordy. -I think James had better not go with James. | 0:03:42 | 0:03:45 | |
-I'll go with James. -That's very confusing. Will you be my personal shopper? | 0:03:45 | 0:03:48 | |
-I can be your man. -Well done. Tape measure... | 0:03:48 | 0:03:51 | |
-Excellent. -I'm armed! -Cheerio, chaps. -Bye! | 0:03:51 | 0:03:53 | |
Nice place, this, they've got all sorts here. | 0:03:54 | 0:03:57 | |
Look at those! Those are scaffolding boards with a vengeance, aren't they? | 0:03:57 | 0:04:01 | |
Those have been popular, yeah. Table tops. | 0:04:01 | 0:04:03 | |
Table tops! Those are great! | 0:04:03 | 0:04:05 | |
What are they, sort of two inches or something? | 0:04:05 | 0:04:07 | |
I'm metric, so we say 65 mil, I think. | 0:04:07 | 0:04:09 | |
He's much better off with a guide. | 0:04:09 | 0:04:13 | |
-This is a cheese press. -Oh, fabulous! | 0:04:13 | 0:04:16 | |
So, Cheddar, just down the road, you would have had a cheese mould full of curds, | 0:04:16 | 0:04:20 | |
which would have been placed underneath this screw section here. | 0:04:20 | 0:04:23 | |
-And then this would have been tightened to... -And this comes down? | 0:04:23 | 0:04:26 | |
..condense the cheese and press it. | 0:04:26 | 0:04:28 | |
That's lovely Victorian craftsmanship. | 0:04:28 | 0:04:31 | |
There's no need for all this decoration whatsoever. | 0:04:31 | 0:04:34 | |
-Is it all dairy farming around here? -A huge chunk of it is, yeah. | 0:04:34 | 0:04:37 | |
-And you sold it. -Yes, we did. Got a good price, I think we got about 1,500. | 0:04:37 | 0:04:41 | |
-Too rich for me! -Hard cheese, old boy. Ha! | 0:04:41 | 0:04:44 | |
Meanwhile, Charlie is flying solo, but reclamation is hardly his game. | 0:04:45 | 0:04:49 | |
Aye, aye. | 0:04:49 | 0:04:51 | |
What about that! | 0:04:51 | 0:04:54 | |
A pulpit! Could you conduct an auction on that! | 0:04:54 | 0:04:58 | |
I think it's marvellous! | 0:04:58 | 0:05:01 | |
With wonderful turnings, good panelling... | 0:05:01 | 0:05:04 | |
And it's only £375. | 0:05:04 | 0:05:06 | |
I haven't got £375 but I think if I still had an auction room, | 0:05:06 | 0:05:11 | |
I would buy that. | 0:05:11 | 0:05:13 | |
-James, what about this? -Yes! -Wouldn't it make a fantastic auctioneer's rostrum? | 0:05:13 | 0:05:18 | |
Either that, or a DJ's booth. | 0:05:18 | 0:05:20 | |
Like they have at those pop festivals, Charlie. | 0:05:20 | 0:05:22 | |
Is there much leeway in the price at all, or is it...? | 0:05:22 | 0:05:25 | |
-There's a...yeah, there's a bit. -Crikey, is he serious? | 0:05:25 | 0:05:28 | |
-How is James faring? -Ah! Look. | 0:05:28 | 0:05:30 | |
Hands off that bike, I've got to get home this evening. | 0:05:30 | 0:05:33 | |
Oh, right! That's very good, isn't it? | 0:05:33 | 0:05:35 | |
-What about that, though? -The bird cage? -Yes. It's got a nice weight to it. | 0:05:35 | 0:05:40 | |
No door, though, decorative but hardly practical, the bird has flown. | 0:05:40 | 0:05:44 | |
Yeah, nice piece, I had my eye on it myself, actually. | 0:05:44 | 0:05:46 | |
Oh! | 0:05:46 | 0:05:48 | |
I think it is brass, it would shine up nicely, wouldn't it? | 0:05:48 | 0:05:51 | |
I personally I wouldn't clean it up too much, just leave that patina. | 0:05:51 | 0:05:54 | |
As long as you can tell it is brass, that's good enough, as far as I'm concerned. | 0:05:54 | 0:05:58 | |
-That's enough. -Really nice. What could that be? | 0:05:58 | 0:06:00 | |
We've got 65 on that one. But I could do you a bit on that, actually. | 0:06:00 | 0:06:03 | |
Shall we say £50 on that one? | 0:06:03 | 0:06:04 | |
-What about 40? -That's squeezing me a bit too hard. | 0:06:04 | 0:06:08 | |
45 and it's yours. | 0:06:08 | 0:06:10 | |
-45 - I'll have it. -OK. -Thank you very much indeed, Simon. | 0:06:10 | 0:06:13 | |
No problem, a pleasure. | 0:06:13 | 0:06:15 | |
-Erm, there's one other item, if we could just leave that... -OK. | 0:06:15 | 0:06:17 | |
So, with one deal in hand, he's got his eye on this altar rail. | 0:06:17 | 0:06:21 | |
It is thin work, isn't it? I think I'd need to lose a couple of pounds. | 0:06:21 | 0:06:25 | |
You could always buy another painting for a big loss... | 0:06:25 | 0:06:27 | |
There's one item I think needs rescuing in this reclamation. | 0:06:27 | 0:06:32 | |
-You like this, don't you? -Sometimes, a little rail, like a screen, is a notional divine. | 0:06:32 | 0:06:37 | |
-Yes. -You know, you can make a little private table in a pub. -Yeah. | 0:06:37 | 0:06:41 | |
-It's not too heavy, either, is it? -No - and it's got that return, so structurally, it's fine, | 0:06:41 | 0:06:46 | |
-just needs a jolly good sand, doesn't it? -Yeah. | 0:06:46 | 0:06:48 | |
-A light sand, perhaps. -Light sand my foot! | 0:06:48 | 0:06:52 | |
-What have we got, 95 on it? -A very reasonable 95. | 0:06:52 | 0:06:55 | |
-Could that be even more reasonable? -Go on, try me. -Could it be 50? | 0:06:55 | 0:06:59 | |
Oh... | 0:06:59 | 0:07:01 | |
I's been there a while. 60 quid and it's yours. | 0:07:01 | 0:07:04 | |
Thank you very much indeed, Simon, really kind. | 0:07:05 | 0:07:08 | |
We are removing £105 from that wad, | 0:07:08 | 0:07:11 | |
for the rail and the brass bird cage. | 0:07:11 | 0:07:14 | |
I'll send my man for this. | 0:07:14 | 0:07:16 | |
-Thanks a lot, Simon. -No worries. -So, the big lad departs. | 0:07:16 | 0:07:20 | |
What about Charlie, still keen on that pulpit? | 0:07:20 | 0:07:22 | |
Got this out of the corner of my eye, I wondered what on earth it was, | 0:07:22 | 0:07:25 | |
when I first saw it I thought it was a tennis post, | 0:07:25 | 0:07:29 | |
then I realised it did something. | 0:07:29 | 0:07:30 | |
It is a cart jack, as in a four-wheeled cart, | 0:07:30 | 0:07:34 | |
this would go under the axle so you can change the wheel. | 0:07:34 | 0:07:37 | |
Great! It's just a bit of history, isn't it? | 0:07:37 | 0:07:39 | |
It's probably not mass produced, probably home-made, local blacksmith. | 0:07:39 | 0:07:43 | |
Yeah. How much is it? £38. | 0:07:43 | 0:07:45 | |
I think we might be past the pulpit. | 0:07:45 | 0:07:47 | |
What are those bricks? They don't look like ordinary building bricks. | 0:07:47 | 0:07:51 | |
A, they are a different size. | 0:07:51 | 0:07:53 | |
This is a bath brick, made in Bridgwater, just down the road, | 0:07:53 | 0:07:56 | |
you would break a bit of, mix it with water, | 0:07:56 | 0:07:59 | |
turn it into an abrasive paste, and use it like modern Brasso was used. | 0:07:59 | 0:08:03 | |
-For cleaning. -Good grief! It's a bar of soap, really, in a way, but more abrasive, obviously. | 0:08:03 | 0:08:08 | |
-But for polishing items, I suppose. -Yes! -Yeah. | 0:08:08 | 0:08:11 | |
Patented in 1824, | 0:08:11 | 0:08:13 | |
these Bridgwater bricks were sold throughout the British Empire. | 0:08:13 | 0:08:17 | |
And we bought about 500 off of one bloke, | 0:08:17 | 0:08:20 | |
who...his garage was actually built out of them! | 0:08:20 | 0:08:25 | |
We clean them up and just sell them as souvenirs. | 0:08:25 | 0:08:27 | |
And I think they are made from the silt of the slow part of a river where | 0:08:27 | 0:08:31 | |
it goes around the bend, where the silt is incredibly fine and settled, | 0:08:31 | 0:08:34 | |
-so that is the silt make to use these. -That is really, really interesting! | 0:08:34 | 0:08:39 | |
-And they are priced individually? -£3. | 0:08:39 | 0:08:41 | |
-Have you ever seen one at auction? -Never seen one at auction, | 0:08:41 | 0:08:44 | |
-no, I doubt anyone has seen one at auction. -Could be a world first! | 0:08:44 | 0:08:47 | |
-It could be. -But what about the jack? | 0:08:47 | 0:08:50 | |
I'm pretty keen on that, I make no bones about it. | 0:08:50 | 0:08:53 | |
I mean, I want to pay about 20 quid for it... | 0:08:53 | 0:08:55 | |
But I don't know whether that's possible. | 0:08:55 | 0:08:57 | |
-How about £25? -I've got a final really cheeky counter-offer here. | 0:08:57 | 0:09:02 | |
-If I bought your Jack... -Yeah? | 0:09:02 | 0:09:05 | |
..could I have a brick? | 0:09:05 | 0:09:07 | |
-You could indeed. -That is the most extraordinary buy-one-get-one-free offer... | 0:09:07 | 0:09:11 | |
-That's today's special offer. Well, we'll call that a pound. -Yeah. -And that's £24. | 0:09:11 | 0:09:15 | |
I think that's fab, that's very kind of you. | 0:09:15 | 0:09:18 | |
So, with the brick thrown in, it's time to pack the trunk. | 0:09:18 | 0:09:21 | |
Perfect fit. Oh! | 0:09:21 | 0:09:24 | |
Ha-ha! Oh, dear! | 0:09:24 | 0:09:27 | |
Meanwhile, James has come here, | 0:09:27 | 0:09:29 | |
to one Britain's most beautiful cathedrals, | 0:09:29 | 0:09:32 | |
close to the Mendip Hills in the city of Wells | 0:09:32 | 0:09:35 | |
to learn some of the architectural secrets in this amazing building | 0:09:35 | 0:09:38 | |
from historian, Elsa van der Zee. | 0:09:38 | 0:09:42 | |
-Hello, James. -Hello, I'm Elsa. | 0:09:42 | 0:09:45 | |
This is a very small door for such a large building, isn't it? | 0:09:45 | 0:09:49 | |
I suppose it is but it's a great deal bigger inside. | 0:09:49 | 0:09:52 | |
-Do come in. -Thank you. | 0:09:52 | 0:09:55 | |
CHOIR SINGS | 0:09:55 | 0:09:57 | |
Construction began in the 12th century, | 0:09:57 | 0:09:59 | |
and took over 200 years to complete. | 0:09:59 | 0:10:02 | |
It was the first cathedral in England and perhaps the world to be | 0:10:02 | 0:10:05 | |
built entirely in the Gothic style. | 0:10:05 | 0:10:08 | |
One of the most striking features are the so-called scissor arches, | 0:10:08 | 0:10:11 | |
added at the end, to serve a very practical purpose. | 0:10:11 | 0:10:15 | |
In the second phase of the building, | 0:10:15 | 0:10:18 | |
they heightened the tower ten times higher than the original, | 0:10:18 | 0:10:21 | |
and on top of that they put a spire, covered in lead... | 0:10:21 | 0:10:24 | |
-OK! -HE LAUGHS | 0:10:24 | 0:10:26 | |
..and because we're on limestone, lots of underground water... | 0:10:26 | 0:10:29 | |
-OK. -..and the pillars started to bed into the ground. | 0:10:29 | 0:10:33 | |
So, great cracks appeared in the tower structure. | 0:10:33 | 0:10:36 | |
And that is the final solution of quite a number | 0:10:36 | 0:10:41 | |
of internal buttressing they tried. | 0:10:41 | 0:10:42 | |
The arches were the work of the master mason of the time, | 0:10:42 | 0:10:46 | |
William Joy. Whilst they are not unique, | 0:10:46 | 0:10:48 | |
they are the largest and strongest of any still in existence. | 0:10:48 | 0:10:52 | |
This is William Joy's legacy, and an icon now of the whole building. | 0:10:52 | 0:10:58 | |
That is amazing, what became of William Joy? | 0:10:58 | 0:11:02 | |
Well, we don't totally know, his name just disappears from all the records, | 0:11:02 | 0:11:07 | |
and we think he died in 1348, when these were just finished, | 0:11:07 | 0:11:12 | |
the year of the plague, and Wells lost about 50% of its population. | 0:11:12 | 0:11:17 | |
So we assume, since he is never heard of again, | 0:11:17 | 0:11:21 | |
that he was one of the victims. | 0:11:21 | 0:11:23 | |
-Oh! -But I like to think that he died knowing he had saved his beloved building. | 0:11:23 | 0:11:30 | |
Just off the central knave, | 0:11:30 | 0:11:31 | |
is another of the cathedral's treasures, the astronomical clock, | 0:11:31 | 0:11:35 | |
which was still being wound by hand up until 2010. | 0:11:35 | 0:11:39 | |
And it is one of the oldest surviving mechanical clocks, | 0:11:39 | 0:11:44 | |
and certainly the oldest we think with its original medieval clock face. | 0:11:44 | 0:11:49 | |
It depicts the universe, in the way they thought about it at the time. | 0:11:49 | 0:11:54 | |
The little brown knob in the centre is us, is the Earth. | 0:11:54 | 0:11:58 | |
-And the sun, the moon and the stars all rotate around the Earth. -How lovely! | 0:11:58 | 0:12:02 | |
You've also got a quarter jack, up there. | 0:12:02 | 0:12:04 | |
His job is to bang the quarter hours with his heels... | 0:12:04 | 0:12:06 | |
-And the hours with the bell. -Yes, as well as the quarters. -Wow! | 0:12:06 | 0:12:11 | |
So he'll go ding-dong four times on the hour, and hit the hammer. | 0:12:11 | 0:12:16 | |
But Wells is also renowned for its collection of | 0:12:17 | 0:12:20 | |
medieval stained glass, this window, at the east end of the choir, | 0:12:20 | 0:12:23 | |
was installed at the Cathedral's completion | 0:12:23 | 0:12:26 | |
and remains its crowning glory. | 0:12:26 | 0:12:29 | |
-It survived... -Yeah. -..the Reformation, the Civil War, | 0:12:29 | 0:12:33 | |
and then, neglect, for a couple of centuries. | 0:12:33 | 0:12:35 | |
-Yeah, yeah. -And then, of course, the two world wars. | 0:12:35 | 0:12:40 | |
And in the Second World War, they took the whole window out to preserve it. | 0:12:40 | 0:12:44 | |
It's amazing, it's very bright and bejewelled, what does it depict? | 0:12:44 | 0:12:48 | |
Well, it's called a Jesse window, | 0:12:49 | 0:12:51 | |
because Jesse was the founder of Christ's family. | 0:12:51 | 0:12:55 | |
And he is right down the bottom. So, he's the trunk of the family tree. | 0:12:55 | 0:12:58 | |
And out of him are all these branches that are wound round all the figures. | 0:13:00 | 0:13:05 | |
-You have the Virgin and Child... -Yeah. -..Christ crucified... -Right. | 0:13:05 | 0:13:09 | |
..and the cross is actually growing out of the main vine branch. | 0:13:09 | 0:13:13 | |
And then right in the apex, is a white bird, to represent the Holy Spirit. | 0:13:13 | 0:13:19 | |
It really is splendid. Elsa, thank you. | 0:13:19 | 0:13:21 | |
It's been a great pleasure, James. | 0:13:21 | 0:13:23 | |
And I will look out for those scissor arches. | 0:13:23 | 0:13:26 | |
Oh, well, you won't find them anywhere as good as here, you know. | 0:13:26 | 0:13:29 | |
That's him told, then. | 0:13:29 | 0:13:31 | |
But while James has been cloistered in Wells... | 0:13:31 | 0:13:35 | |
Ha! Charlie has been out on the levels. | 0:13:35 | 0:13:37 | |
Go on, level with us, Charlie. | 0:13:37 | 0:13:40 | |
It's quite nice to be ahead of James at the moment but only by what you | 0:13:40 | 0:13:43 | |
would call in voting terms a "canvas". There's no clear water. | 0:13:43 | 0:13:48 | |
Well, let's hope he doesn't catch a crab, | 0:13:48 | 0:13:51 | |
in the market town of Shepton Mallet. | 0:13:51 | 0:13:53 | |
Noted for its brewing, including cider, of course, | 0:13:53 | 0:13:56 | |
but also champagne perry and what is claimed to be the first lager ever | 0:13:56 | 0:14:00 | |
produced in England, and that Charlie, he is no lout. | 0:14:00 | 0:14:03 | |
-You must be Pauline. -I am indeed! | 0:14:03 | 0:14:06 | |
-Pauline, lovely to meet you. I'm Charlie. -Lovely to meet you. | 0:14:06 | 0:14:09 | |
-I'm going to have a good look round. -Yes, please do! -Thank you very much. | 0:14:09 | 0:14:12 | |
Good job too, Parkways seems an impressive place, | 0:14:12 | 0:14:14 | |
especially for furniture. | 0:14:14 | 0:14:16 | |
You will probably hear me talking to myself, Pauline, but it's just the way I am. | 0:14:16 | 0:14:19 | |
Don't worry, it's just what she would expect, Charlie. | 0:14:19 | 0:14:22 | |
Look at this, does that bring back memories? | 0:14:22 | 0:14:25 | |
The twin of the table that I had in the last auction. | 0:14:25 | 0:14:29 | |
This is probably even nicer than mine. | 0:14:29 | 0:14:32 | |
Resist the temptation. | 0:14:32 | 0:14:33 | |
He has still got quite a bit of cash you know, £303, to be precise. | 0:14:33 | 0:14:38 | |
-These are quite fun. -Yes, they are nice. | 0:14:38 | 0:14:40 | |
A couple of brass jugs. | 0:14:40 | 0:14:42 | |
Look at that, that's about as Art Nouveau as a decoration can get. | 0:14:42 | 0:14:46 | |
Solid brass. You would expect it to be solid brass, wouldn't you, really? | 0:14:46 | 0:14:51 | |
Old-fashioned antiques, but aren't they pleasant? | 0:14:51 | 0:14:53 | |
-They are, they are a very nice shape, I think. -They ARE a nice shape. -Mm. | 0:14:53 | 0:14:57 | |
And I suspect there were three, once upon a time, wouldn't you? | 0:14:57 | 0:15:00 | |
-I would imagine there was three, yes. -Or even four. | 0:15:00 | 0:15:03 | |
D'you know the best thing about these, Pauline? | 0:15:03 | 0:15:05 | |
There's no price on them, so they're free. | 0:15:05 | 0:15:08 | |
THEY LAUGH | 0:15:08 | 0:15:10 | |
She jests, of course, actually, £75 for those two. | 0:15:10 | 0:15:13 | |
-The search goes on. -Is that for skimming? | 0:15:13 | 0:15:16 | |
I would think so, yes. | 0:15:16 | 0:15:18 | |
Skimming off the top of milk, possibly? | 0:15:18 | 0:15:21 | |
-Somebody might tell me otherwise. -Somerset lager, perhaps? | 0:15:21 | 0:15:25 | |
It's a modest £24 - and rather nice. | 0:15:25 | 0:15:29 | |
So, Pauline has copper, brass and silver. | 0:15:29 | 0:15:32 | |
Nice pair of Adam style candlesticks. | 0:15:32 | 0:15:35 | |
Yes, they are, I thought they were rather attractive. | 0:15:35 | 0:15:37 | |
-They are attractive. Are they silver? -Yes, they are. | 0:15:37 | 0:15:40 | |
SOUTH WEST ACCENT: Birmingham, 1908. Definitely worth thinking about. | 0:15:40 | 0:15:44 | |
Over the years they have had a bit of a go at those, haven't they? | 0:15:44 | 0:15:47 | |
Yes. It's a shame, the other one is perfect, actually. | 0:15:47 | 0:15:50 | |
-Less and less people have these, of course. -It's dreadful, isn't it? -They don't want to clean them! | 0:15:50 | 0:15:54 | |
-I know! -And more and more people eat in the kitchen now and | 0:15:54 | 0:15:57 | |
-you wouldn't put them in the kitchen. -No. -You'd put them in your | 0:15:57 | 0:16:00 | |
-dining room. -Exactly. -Our dining room gets used at Easter and Christmas time. | 0:16:00 | 0:16:03 | |
-Same here. -You must come for Christmas! | 0:16:03 | 0:16:06 | |
-Bring your candlesticks with you. -Dear, oh, dear. -You and me, bottle of wine. | 0:16:06 | 0:16:10 | |
-That would be lovely. -Blimey. -Delightful. | 0:16:10 | 0:16:13 | |
-I'm getting quite excited. -Calm yourself down, take a shower. | 0:16:13 | 0:16:16 | |
£180, for the pair, remember. | 0:16:16 | 0:16:19 | |
If I tickled you with an offer on those, you'd probably show me the door. | 0:16:19 | 0:16:22 | |
I can do a little bit better on them because it has got a dent in one. | 0:16:22 | 0:16:26 | |
Loin-girding time, everyone. | 0:16:26 | 0:16:29 | |
Can you take £80 for your candlesticks? | 0:16:29 | 0:16:31 | |
I'm afraid I can't. | 0:16:31 | 0:16:33 | |
-You can't. -I can take 100 for them, if that's any help to you. | 0:16:33 | 0:16:36 | |
What a teaser you are! | 0:16:36 | 0:16:38 | |
Is there any chance you could do them for £90? | 0:16:38 | 0:16:41 | |
How about 95? | 0:16:41 | 0:16:43 | |
Ah, Pauline! Oh! It's like an arrow through the heart! | 0:16:43 | 0:16:47 | |
What about the skimmer? If we put that in with it? | 0:16:47 | 0:16:50 | |
Oh! You're a good dealer, aren't you? | 0:16:50 | 0:16:52 | |
Skimmers are very collectable. | 0:16:52 | 0:16:54 | |
Cor, she's good. | 0:16:54 | 0:16:56 | |
-Ha! How dare you! -Very collectable. -Yes. | 0:16:56 | 0:16:58 | |
-If you give me 105... -Yes. -..you can have the candlesticks and the skimmer. | 0:16:58 | 0:17:03 | |
-Ooh, ho-ho-ho! -There you go, there's a bargain for you. | 0:17:03 | 0:17:07 | |
Oh, ho-ho, Pauline, you've got yourself a deal. | 0:17:07 | 0:17:09 | |
-Well done. -Thank you. | 0:17:09 | 0:17:12 | |
-Well, that was fun, wasn't it? -Look, I've two vulgar notes for you. | 0:17:12 | 0:17:16 | |
Ooh, lovely. | 0:17:16 | 0:17:18 | |
Time to go and find his good friend. | 0:17:18 | 0:17:20 | |
We are ending up very near Minehead this evening. | 0:17:20 | 0:17:22 | |
-I've packed my trunks. -You haven't? -I have! -Well I haven't. | 0:17:22 | 0:17:25 | |
-My green ones. -Do you think Minehead is ready for my skinny-dipping? | 0:17:25 | 0:17:29 | |
I think skinny-dipping is to be encouraged. | 0:17:29 | 0:17:32 | |
THEY LAUGH | 0:17:32 | 0:17:34 | |
Well! What they do in their own time, I suppose... | 0:17:34 | 0:17:36 | |
Nighty night. | 0:17:36 | 0:17:38 | |
Next day, apparently... | 0:17:40 | 0:17:42 | |
-First time we've had weather like this. -I know. | 0:17:43 | 0:17:47 | |
-Really is pouring, isn't it? -I think the sea is down there but I can't see it. | 0:17:47 | 0:17:50 | |
Yesterday the sun shone while Charlie made hay, | 0:17:51 | 0:17:54 | |
picking up silver candlesticks, a skimming spoon, | 0:17:54 | 0:17:57 | |
a cart jack, | 0:17:57 | 0:18:00 | |
-a bath brick... -Have you ever seen one at auction? | 0:18:00 | 0:18:02 | |
-I doubt anyone has ever seen one at auction. -It could be a world first! -It could be. | 0:18:02 | 0:18:06 | |
..leaving him with just under £200 in his wallet. | 0:18:06 | 0:18:09 | |
Whereas James reclaimed a brass bird cage and an altar rail, as you do. | 0:18:09 | 0:18:12 | |
Light sand my foot! | 0:18:14 | 0:18:16 | |
Which means he has about the same sum for anything he might spot today | 0:18:16 | 0:18:20 | |
and he's just got to drop Charlie off before heading to his shop. | 0:18:20 | 0:18:25 | |
-I can see the sea! -No! | 0:18:25 | 0:18:27 | |
Yes. We've got to go down about 4,000 feet before we get to the sea. | 0:18:27 | 0:18:31 | |
-I know. -How are the brakes on the Alpha? | 0:18:31 | 0:18:33 | |
Good question. Later they'll be heading east for an auction in Frome, | 0:18:33 | 0:18:36 | |
but our first stop today is beside the Bristol "Chanel", at Minehead. | 0:18:36 | 0:18:39 | |
The ever popular tourist spot which might have inspired a hymn. | 0:18:42 | 0:18:46 | |
Is that the purple-headed mountain | 0:18:46 | 0:18:48 | |
from "All Things Bright and Beautiful"? | 0:18:48 | 0:18:52 | |
Just what James will be looking for, I'm sure, | 0:18:52 | 0:18:54 | |
although he may wish to append weighty... | 0:18:54 | 0:18:57 | |
Ooh, out of the cold. James. | 0:18:57 | 0:18:59 | |
-I'm Derek. Pleased to meet you. -Hello, Derek. | 0:18:59 | 0:19:02 | |
-Well, this looks rather fun. -Yeah! Plenty of miscellaneous articles. | 0:19:02 | 0:19:05 | |
They don't call this place Paraphernalia for nothing. | 0:19:05 | 0:19:08 | |
Although, maybe not another one of those, James. | 0:19:08 | 0:19:11 | |
Here's a rather fun thing, it is a novelty item, it is a matchbook cover. | 0:19:12 | 0:19:16 | |
So years ago, every hotel, restaurant, would have these in a dish. | 0:19:16 | 0:19:21 | |
They would be free things that people would collect and take away | 0:19:21 | 0:19:24 | |
with them. And it was a very cheap form of advertising. | 0:19:24 | 0:19:27 | |
What's this? Greyhound buses... | 0:19:27 | 0:19:29 | |
So, America's famous form of transport. | 0:19:29 | 0:19:31 | |
This is chromium plated, which would suggest the 1930s, | 0:19:31 | 0:19:35 | |
but most likely to be the 1950s. | 0:19:35 | 0:19:38 | |
But, brought alive by the fact that we have a map of the British Isles, | 0:19:38 | 0:19:43 | |
and we have London, Birmingham, Glasgow and Dublin. | 0:19:43 | 0:19:46 | |
Poor old Edinburgh! I'll put that back. | 0:19:46 | 0:19:49 | |
Let's leave him rummaging and catch up with his chum. | 0:19:49 | 0:19:52 | |
Not him! Hoo-hoo! | 0:19:53 | 0:19:55 | |
A few miles along the coast in Watchet, | 0:19:55 | 0:19:57 | |
the harbour here was once a bit of a smugglers' haunt. | 0:19:57 | 0:20:01 | |
What did I say? Ha! | 0:20:01 | 0:20:03 | |
-Shop! Ah. -Nice to meet you again. | 0:20:03 | 0:20:05 | |
-It's Simon isn't it? -That's right, yes. | 0:20:05 | 0:20:07 | |
-How are you? -Very good thank you. -Yeah, aren't we all? | 0:20:07 | 0:20:11 | |
Interested in anything maritime? | 0:20:11 | 0:20:13 | |
Car badges. | 0:20:13 | 0:20:15 | |
-Oh, well... -Aren't they fun! | 0:20:15 | 0:20:17 | |
Look, Wimbledon Speedway - Dons you see. | 0:20:17 | 0:20:20 | |
Middlesex County Automobile Club - that's rather splendid. | 0:20:20 | 0:20:23 | |
Look at that wonderful old car, that's an Edwardian car. | 0:20:23 | 0:20:27 | |
-Where did you find those? -Screwed to a wall of a garage. | 0:20:27 | 0:20:30 | |
They're a bargain, they're £65. | 0:20:30 | 0:20:32 | |
£65? There's only five of them. I should want 65 of them for 65 quid. | 0:20:32 | 0:20:37 | |
Cheeky monkey. | 0:20:37 | 0:20:38 | |
-They're quite collectible. -Well, they've got age! | 0:20:38 | 0:20:40 | |
In fact, they never stay here very long. | 0:20:40 | 0:20:43 | |
-How long have you had these? -I got them on Monday. | 0:20:43 | 0:20:46 | |
I'm all for taking a gamble, you know me. | 0:20:46 | 0:20:48 | |
-That's what it's about. That's what it's about. -Life is a gamble. | 0:20:48 | 0:20:51 | |
Yeah, if it was all certainty, we wouldn't bother getting up, would we? | 0:20:51 | 0:20:54 | |
I suppose we wouldn't! | 0:20:54 | 0:20:57 | |
-Let alone come to work! -Crikey. Deep thinkers around here. | 0:20:57 | 0:21:00 | |
65 quid. | 0:21:00 | 0:21:03 | |
Crumbs, Bunter. | 0:21:03 | 0:21:05 | |
Anything else catch his eye? | 0:21:05 | 0:21:06 | |
Good grief, Simon, an elephant chair. | 0:21:06 | 0:21:10 | |
Yeah, it's free today. | 0:21:10 | 0:21:11 | |
-Free? -If you can pick it up with one hand, or two hands above your head. | 0:21:11 | 0:21:16 | |
Gosh, that's some heffalump, right down to the wooden tusks. | 0:21:16 | 0:21:19 | |
I can't even get it off the ground, let alone above my head! | 0:21:19 | 0:21:22 | |
-Like the sword in the stone... -Hello, sir, how are you? | 0:21:22 | 0:21:25 | |
I bet he didn't expect to see that in the window! | 0:21:25 | 0:21:28 | |
-Pass him a truss. -Well, you'll 50% discount on it. | 0:21:28 | 0:21:32 | |
You put a lot of effort into that. | 0:21:32 | 0:21:35 | |
50% of 175, £87.50. | 0:21:35 | 0:21:39 | |
-How far is Froome? -It's a long way to carry it. | 0:21:39 | 0:21:42 | |
He's got the cash, almost £200 left. | 0:21:42 | 0:21:45 | |
Where was it made, any ideas? | 0:21:46 | 0:21:48 | |
I would say Africa. It's got very big ears. | 0:21:48 | 0:21:51 | |
Car badges, elephant. I'm going to keep looking round. | 0:21:51 | 0:21:55 | |
-OK. -There's definitely a chance with one of those two. | 0:21:55 | 0:21:59 | |
Meanwhile, back in Minehead, what's James up to? | 0:21:59 | 0:22:03 | |
This is rather splendid. | 0:22:03 | 0:22:05 | |
So we've got a...silver-plated here, turn it round... | 0:22:05 | 0:22:07 | |
On the back here, we've got James Dixon and Sons. | 0:22:09 | 0:22:13 | |
Big, big makers, Birmingham, Sheffield, making sort of table wares, cutlery. | 0:22:13 | 0:22:18 | |
This is a bread board. | 0:22:18 | 0:22:21 | |
A rather smart bread board in a silver plated dish. | 0:22:21 | 0:22:25 | |
Bread boards are made from sycamore, | 0:22:25 | 0:22:28 | |
and sycamore wood has anti-bacterial properties. | 0:22:28 | 0:22:31 | |
Do you know, he's right! The name derives from the ancient Greek meaning | 0:22:31 | 0:22:35 | |
fig mulberry. | 0:22:35 | 0:22:37 | |
Nice weight. Probably given on the occasion of a wedding or something, | 0:22:37 | 0:22:42 | |
and this has lain in somebody's sideboard and never been used. | 0:22:42 | 0:22:46 | |
There isn't a single cut mark on it. | 0:22:46 | 0:22:48 | |
Probably just before the Second World War or just after, | 0:22:48 | 0:22:52 | |
so it's got some age. It's at least 60 years old. | 0:22:52 | 0:22:54 | |
What a nice wide collar, perfect for a wedding inscription. | 0:22:55 | 0:22:58 | |
It's got £18 on it. | 0:22:58 | 0:23:00 | |
-Let's see how much we can get this for. -Time to talk to the shopkeeper. | 0:23:00 | 0:23:04 | |
Derek. I have found an item I like. | 0:23:04 | 0:23:07 | |
Something of weight and merit. | 0:23:07 | 0:23:10 | |
Every antique shop is full of the unwanted gift, isn't it? | 0:23:10 | 0:23:13 | |
I'm afraid you're right, yes. | 0:23:13 | 0:23:15 | |
-It's lovely, isn't it? And such a bargain! -Don't go that far! | 0:23:15 | 0:23:18 | |
What can you do with this mighty bread board? | 0:23:18 | 0:23:21 | |
I think as it's you, James, we can do it for £10. | 0:23:21 | 0:23:24 | |
-Good job - mind-reader! Give me your hand. -Chop-chop. | 0:23:24 | 0:23:27 | |
-There's a tenner, very kind. -Thank you very much. | 0:23:27 | 0:23:31 | |
So, with James having made one modest purchase... | 0:23:31 | 0:23:34 | |
..is Charlie any closer in Watchet, we wonder? | 0:23:37 | 0:23:39 | |
There's the car badges of course, and don't forget the heffalump. | 0:23:39 | 0:23:43 | |
Oh, no... | 0:23:43 | 0:23:46 | |
There's a bit of the moulding missing. | 0:23:46 | 0:23:49 | |
This is a mirror that is Edwardian that purports to be Georgian. | 0:23:49 | 0:23:54 | |
It's not in the best of condition. | 0:23:54 | 0:23:57 | |
You'd have to buy it for next to nothing, really. | 0:23:57 | 0:23:59 | |
Well, ticket price is £45, let's see what Simon says, poor chap. | 0:23:59 | 0:24:04 | |
There is an old mirror - it's not that old, | 0:24:04 | 0:24:06 | |
Edwardian mirror on the floor over there, is that yours? | 0:24:06 | 0:24:09 | |
No... I was going to offer you a tenner for it, but it's not much good. | 0:24:09 | 0:24:12 | |
How much is on it? | 0:24:12 | 0:24:14 | |
-45 quid. -Oh... -It's all bashed and there's a bit off it. | 0:24:14 | 0:24:18 | |
-And it's knackered round the bottom. -It sounds like its owner! | 0:24:18 | 0:24:22 | |
HE LAUGHS | 0:24:22 | 0:24:25 | |
So, while Simon calls the mirror man, Charlie takes another peek. | 0:24:25 | 0:24:29 | |
It's your lucky day, £10, it's yours. | 0:24:29 | 0:24:32 | |
-Ha! Really? -Yeah, you've caught him in a very generous mood. | 0:24:33 | 0:24:36 | |
-Did he get cross? -No. | 0:24:36 | 0:24:39 | |
Not exactly spend, spend, spend today, is it? | 0:24:39 | 0:24:41 | |
What's the best on the old elephant seat? | 0:24:41 | 0:24:45 | |
-80. -80? -Yeah. -Not much per ounce, is it? | 0:24:45 | 0:24:48 | |
No! | 0:24:48 | 0:24:50 | |
-And your car badges? -£50 for those... | 0:24:50 | 0:24:54 | |
And I will throw in some cleaner. | 0:24:54 | 0:24:58 | |
You're all heart, you are. It's carpet cleaner! | 0:24:58 | 0:25:01 | |
It's multipurpose. | 0:25:01 | 0:25:03 | |
I will buy your car badges, on condition that you take the cleaner back. | 0:25:03 | 0:25:09 | |
-Thank you. -So, dead droll, £60 spent in total for mirror and badges. | 0:25:09 | 0:25:15 | |
Nearly forgot them. | 0:25:16 | 0:25:19 | |
Mirror, mirror on the wall, who's the fairest of them all? | 0:25:19 | 0:25:23 | |
Braxton. | 0:25:23 | 0:25:25 | |
Ha-ha! So, oblivious to his friend's final purchases, | 0:25:25 | 0:25:28 | |
James has now left the coast and is gearing up for his last push. | 0:25:28 | 0:25:33 | |
I need to find an item I can buy cheaply, and sell for a lot of money. | 0:25:33 | 0:25:39 | |
Well, it's not exactly a novel approach, is it? | 0:25:39 | 0:25:41 | |
We've been at this lark for years. | 0:25:41 | 0:25:44 | |
The great thing about Somerset is it's a big agricultural county. | 0:25:44 | 0:25:47 | |
We've got cider, we've got cheese, we've got lots of dairy. | 0:25:47 | 0:25:50 | |
Well, Dulverton is near the Devon border, so all the above may apply. | 0:25:50 | 0:25:55 | |
There may be milking stools, another cheese press perhaps, | 0:25:55 | 0:25:59 | |
but will he find it at Acorn Antiques? | 0:25:59 | 0:26:02 | |
-Hello, James. -Hello, there. -This is very cosy, isn't it? | 0:26:02 | 0:26:06 | |
-What a lovely cushion. -We like cosy. | 0:26:06 | 0:26:09 | |
Oh... | 0:26:09 | 0:26:11 | |
-Very good. -Listen to that, you might not get up again. | 0:26:11 | 0:26:14 | |
Never mind, the shop's contents will get him going. | 0:26:14 | 0:26:17 | |
-Get ahead, eh? -You wouldn't want him leaping at you. | 0:26:17 | 0:26:22 | |
Lovely weight. Crisp casting and crisp finishing. | 0:26:22 | 0:26:25 | |
Don't forget, he's still got almost £190 left to spend. | 0:26:25 | 0:26:29 | |
This is quite nice. What've we got? £75 on it. | 0:26:29 | 0:26:32 | |
It's got a nice ebonised stand, nicely gilded brass, a bit of wear. | 0:26:32 | 0:26:38 | |
Often these were made of plaster and then they're papered over, | 0:26:38 | 0:26:42 | |
as the countries changed ownership or borders they might reissue new | 0:26:42 | 0:26:46 | |
papers, so you would buy new papers for a ten inch globe and you'd just | 0:26:46 | 0:26:50 | |
-stick them over. -Judging by a few of those names, it could be pre-war but which war? | 0:26:50 | 0:26:53 | |
-It's a possibility. -Warmed up now. | 0:26:53 | 0:26:56 | |
Here's a big lump of brass. | 0:26:57 | 0:26:59 | |
Ooh. Well, that's passed the Braxton weight test. | 0:26:59 | 0:27:03 | |
Quite. Probably dairy as well. | 0:27:03 | 0:27:05 | |
I like this, we've got a copper band here and a copper band at the base. | 0:27:05 | 0:27:09 | |
Very unusual, isn't it? | 0:27:09 | 0:27:11 | |
Nice shape. Nice shouldered body. | 0:27:11 | 0:27:14 | |
I'm going to ask Peter. I haven't a clue about that. | 0:27:14 | 0:27:16 | |
Peter, can you illuminate me, what is this mighty beast? | 0:27:16 | 0:27:20 | |
-I think it's a milk churn. -Would it be zinc coated inside? | 0:27:20 | 0:27:24 | |
It does look as though it might be a bit zinced. | 0:27:24 | 0:27:26 | |
-It's not English, is it? -French. | 0:27:26 | 0:27:29 | |
You'd have to be a big heavy farmer to lift that, | 0:27:29 | 0:27:31 | |
wouldn't you, eh? | 0:27:31 | 0:27:34 | |
I'm quite interested in that, what have you got on it, Peter? | 0:27:34 | 0:27:37 | |
-85. -85. I get terribly enthusiastic about big things like this. | 0:27:37 | 0:27:41 | |
But the only problem is to find another enthusiast. | 0:27:41 | 0:27:45 | |
-Let alone two of them. -I like the globe as well. They're beautiful objects, aren't they? | 0:27:45 | 0:27:49 | |
-Yes, lovely. -They add tone to the home. | 0:27:49 | 0:27:53 | |
If I said to you, Peter, £100 for the two? | 0:27:53 | 0:27:56 | |
-OK. -Thank you very much indeed, Peter. | 0:27:57 | 0:28:00 | |
Really kind. Thank you. | 0:28:00 | 0:28:02 | |
So a nice round figure seals the deal. | 0:28:02 | 0:28:04 | |
Off we hop. | 0:28:04 | 0:28:06 | |
Looks rather pleased with himself, doesn't he? Quite right. | 0:28:07 | 0:28:11 | |
Meanwhile, Charlie's about to get his feet wet down by the sea at | 0:28:14 | 0:28:18 | |
Porlock Bay, where he's come to get close | 0:28:18 | 0:28:21 | |
to a local delicacy and Roger Hall. | 0:28:21 | 0:28:23 | |
-Charlie. Welcome to Porlock. -Thank you very much. As I arrived, the sun came out. | 0:28:25 | 0:28:29 | |
-Can't beat that. -Absolutely, | 0:28:29 | 0:28:31 | |
just getting the wellies on to harvest those oysters. | 0:28:31 | 0:28:34 | |
-That's right. -Roger belongs to a group of volunteers who recently revived | 0:28:34 | 0:28:38 | |
oyster farming at Porlock after a gap of over a century. | 0:28:38 | 0:28:42 | |
Here's an example of an oyster shell. | 0:28:42 | 0:28:45 | |
We buy them in where they're seed oysters, | 0:28:45 | 0:28:47 | |
-about the size of your little finger now... -Right. | 0:28:47 | 0:28:51 | |
and the oysters that we grow here take about three years to get to restaurant size. | 0:28:51 | 0:28:55 | |
Some say the bigger the oyster the better the taste. | 0:28:55 | 0:28:58 | |
And some say, no, you want the really sweet small ones. | 0:28:58 | 0:29:01 | |
-What's the answer? -I think the answer is probably neither of those. | 0:29:01 | 0:29:04 | |
-Ah! -I think it depends on the water in which they're grown, | 0:29:04 | 0:29:07 | |
because a little oyster like that will get through five litres of sea | 0:29:07 | 0:29:11 | |
water a day. So its flavour is going to be determined by the flavour of | 0:29:11 | 0:29:15 | |
the sea water. A river estuary would be a completely different taste to | 0:29:15 | 0:29:18 | |
open water in the Bristol Channel. | 0:29:18 | 0:29:21 | |
So when did the history of oysters start here? | 0:29:21 | 0:29:23 | |
Originally it was back in the 1800s, | 0:29:23 | 0:29:25 | |
because there is a huge tidal flow here, | 0:29:25 | 0:29:28 | |
so the harbours are dry and empty for half the day, | 0:29:28 | 0:29:32 | |
and then they fill up with water. | 0:29:32 | 0:29:34 | |
Porlock's highly nutritious produce was soon in great demand. | 0:29:34 | 0:29:37 | |
We are told that, by the 1850s, they were pulling out 1,200 oysters a day. | 0:29:37 | 0:29:43 | |
Then in 1874, a railway line was opened up in Minehead, | 0:29:43 | 0:29:47 | |
which gave direct access to London. | 0:29:47 | 0:29:49 | |
Oysters pulled out of the water a few feet from where we are standing... | 0:29:49 | 0:29:53 | |
-Yeah. -..were on London restaurant tables the same day. | 0:29:53 | 0:29:56 | |
Unfortunately, smacks from the east coast ports soon arrived, | 0:29:57 | 0:30:01 | |
and began dredging, so that by the turn of the century, | 0:30:01 | 0:30:04 | |
the oyster beds around here had been exhausted. | 0:30:04 | 0:30:07 | |
But now, they're back! | 0:30:07 | 0:30:09 | |
This whole area here is called Oyster Perch, | 0:30:09 | 0:30:11 | |
and as you look around, you will see stone walls, | 0:30:11 | 0:30:14 | |
which we believe, in medieval times, | 0:30:14 | 0:30:16 | |
were a bit higher, and these were used as fish pens. | 0:30:16 | 0:30:18 | |
When they started harvesting oysters in the 1800s, | 0:30:18 | 0:30:22 | |
they would bring them in and hold them here before they sent them on | 0:30:22 | 0:30:24 | |
-to market. -Right. -So it's rather nice that we're building on the old | 0:30:24 | 0:30:28 | |
heritage. So, in a sack like this, | 0:30:28 | 0:30:30 | |
you'd have about 5,000 to 10,000 little baby sea oysters. | 0:30:30 | 0:30:33 | |
What?! | 0:30:33 | 0:30:35 | |
And then, as they grow, you split one bag into two bags into four | 0:30:35 | 0:30:38 | |
bags, until you get to restaurant size, | 0:30:38 | 0:30:40 | |
when there would be about 250 oysters in a bag. | 0:30:40 | 0:30:43 | |
-Gosh! -These trestles are capable of holding about 80,000 restaurant size | 0:30:43 | 0:30:47 | |
-oysters. -80,000 oysters! Marvellous. That would keep me going for the rest of my life. | 0:30:47 | 0:30:51 | |
And we've actually got three quarters of a million oysters in the | 0:30:51 | 0:30:54 | |
-pipeline. -Well, in that case, there might be a one or two spare. | 0:30:54 | 0:30:58 | |
The art of extracting them is called shucking. | 0:30:58 | 0:31:00 | |
Look at this, I've got to shuck around the edge here. | 0:31:00 | 0:31:03 | |
Here I go, I'm shucking. | 0:31:03 | 0:31:05 | |
Oh! Look at the size of the oyster! | 0:31:05 | 0:31:09 | |
This is as fresh as it gets! | 0:31:09 | 0:31:13 | |
Here we go. | 0:31:13 | 0:31:15 | |
-Oh, my goodness me! -Is it good? -I think it is! | 0:31:19 | 0:31:23 | |
What's more, I think James might feel much the same way. | 0:31:23 | 0:31:26 | |
Hello, hello, on cue. | 0:31:27 | 0:31:29 | |
Well, their shopping's done, so why not? | 0:31:29 | 0:31:32 | |
-The gourmand emerges. -Mr Braxton. -Ah, look at this. | 0:31:32 | 0:31:35 | |
Have I a treat for you! | 0:31:35 | 0:31:37 | |
-What are you bearing? -Fruits of the sea. | 0:31:37 | 0:31:40 | |
-Fruits de mer. -Shucks, they do look nice. | 0:31:40 | 0:31:43 | |
-Have you ever shucked? -Yeah, once. | 0:31:43 | 0:31:45 | |
-Have you...? -Lost a finger! | 0:31:45 | 0:31:47 | |
There's six in one dish, and seven in the other. | 0:31:47 | 0:31:50 | |
-OK. -I'd like to give you the seven. | 0:31:50 | 0:31:52 | |
Charlie, I prefer my oysters with shalotts, lemon, and Tabasco. | 0:31:52 | 0:31:55 | |
Do you know? I read your mind. | 0:31:55 | 0:31:58 | |
-HE CLICKS FINGERS -Not a problem. | 0:31:58 | 0:32:00 | |
-Who's this angel?! -THEY LAUGH | 0:32:00 | 0:32:02 | |
Thank you. Marvellous. | 0:32:02 | 0:32:04 | |
-Madam, un autre? -No, not un autre, you're driving. | 0:32:04 | 0:32:07 | |
-Cheers. -Ah, well, clear head for the auction, eh, James? | 0:32:07 | 0:32:10 | |
I think it's the best road trip I've ever had. | 0:32:10 | 0:32:13 | |
Oh, come away with you! | 0:32:13 | 0:32:15 | |
-Come on, we've got to get going, Charlie. -One more sip. -No. | 0:32:15 | 0:32:18 | |
As I'm not drinking, no more sipping. | 0:32:19 | 0:32:21 | |
CHARLIE LAUGHS | 0:32:21 | 0:32:24 | |
Off for some shut eye. | 0:32:24 | 0:32:26 | |
Morning. This is Cheap Street, one of medieval Frome's prettiest byways. | 0:32:28 | 0:32:34 | |
Leads straight to the saleroom, by the way. | 0:32:34 | 0:32:36 | |
Hello, here's our pair of pilgrims. | 0:32:36 | 0:32:39 | |
What time does the auction start? | 0:32:39 | 0:32:42 | |
That's oyster power for you! | 0:32:42 | 0:32:44 | |
After stopping their tour back in Glastonbury, | 0:32:44 | 0:32:47 | |
Charlie and James' Somerset stretch concludes at Frome, | 0:32:47 | 0:32:51 | |
where there's been an auctioneer's in Vicarage Street since 1868. | 0:32:51 | 0:32:55 | |
Welcome to the Gothic surrounds of Dore & Rees. | 0:32:55 | 0:32:59 | |
Charlie, come and look at this. Look... Admire the hog. | 0:32:59 | 0:33:02 | |
-It's not one of your lots, is it? -No. -I bet you wish... | 0:33:02 | 0:33:05 | |
I would have bought that. If I had seen and that, I would have bought it. | 0:33:05 | 0:33:09 | |
-One more bid. -James parted with £215 for his five auction lots... | 0:33:09 | 0:33:14 | |
Well, that's passed the Braxton weight test. | 0:33:16 | 0:33:18 | |
while Charlie spent a little bit less, £190, on his five lots. | 0:33:18 | 0:33:22 | |
I'm getting quite excited. | 0:33:22 | 0:33:26 | |
So, how did they rate each other's purchases? | 0:33:26 | 0:33:29 | |
-Any pearls? -Charlie reliably informs me that this is a cart jack. | 0:33:29 | 0:33:33 | |
It's a novel item, it's totally intact. | 0:33:33 | 0:33:36 | |
This is heavy. For under £30... | 0:33:36 | 0:33:37 | |
..I think it's another bargain to Charlie Ross. | 0:33:38 | 0:33:41 | |
I see before me... a very tatty globe. | 0:33:41 | 0:33:46 | |
But actually, I rather like it. | 0:33:46 | 0:33:48 | |
I think looking at the brass work and the base, this has got some age, | 0:33:48 | 0:33:52 | |
and I think he might do all right. | 0:33:52 | 0:33:55 | |
Now, we all know there is no such thing as poor copper. | 0:33:55 | 0:33:57 | |
Copper is good, and it's the most lovely colour, the most lovely feel, | 0:33:57 | 0:34:01 | |
and a lovely weight to it. | 0:34:01 | 0:34:04 | |
And I understand Charlie bought that for absolutely nothing, | 0:34:04 | 0:34:06 | |
and he paid even less for this bath brick. | 0:34:06 | 0:34:10 | |
This is a charming bird cage. | 0:34:10 | 0:34:13 | |
If it were cleaned up, it would look absolutely magnificent, | 0:34:13 | 0:34:15 | |
because under all this grime is brass. | 0:34:15 | 0:34:19 | |
It's a shame it hasn't got a door. | 0:34:19 | 0:34:20 | |
Do you think all the potential profit will fly out of the cage? | 0:34:20 | 0:34:26 | |
Fly by night, more like. | 0:34:26 | 0:34:28 | |
I wonder what the guy in charge thinks, | 0:34:28 | 0:34:30 | |
as in auctioneer Guy Taylor. | 0:34:30 | 0:34:31 | |
I personally like the silver candlesticks. | 0:34:31 | 0:34:33 | |
I just think they are a very elegant shape. | 0:34:33 | 0:34:35 | |
I always like them with the oval bases, and I think they will do well. | 0:34:35 | 0:34:39 | |
Brass churn's a really nice thing. Like the copper banding to it. | 0:34:39 | 0:34:42 | |
The fact that it's still got the lid with it makes it a very desirable item. | 0:34:42 | 0:34:46 | |
Really like the brick made with Bridgwater mud. | 0:34:46 | 0:34:48 | |
One of those things, got no idea what it will make. | 0:34:48 | 0:34:51 | |
It will either crash and burn, or two people will love it, | 0:34:51 | 0:34:53 | |
and it will go on and do well. | 0:34:53 | 0:34:56 | |
Almost ready. Time for bums on seats. | 0:34:56 | 0:34:59 | |
-I've got a... -What? -.. feeling this is going to be hard work. | 0:34:59 | 0:35:02 | |
-You've got a twinge? -I have. | 0:35:02 | 0:35:03 | |
Gentlemen of your age often have twinges. | 0:35:03 | 0:35:07 | |
Very true. I'm not sure anyone can predict, though, | 0:35:07 | 0:35:10 | |
how his copper skimmer and bath brick will fare. | 0:35:10 | 0:35:12 | |
-12 I'm bid. -Oh, 12, well done. | 0:35:12 | 0:35:15 | |
14, I have a bid. | 0:35:15 | 0:35:17 | |
16, 18. | 0:35:17 | 0:35:19 | |
-18! -20 now? | 0:35:19 | 0:35:20 | |
-This is riches indeed! -£18? | 0:35:20 | 0:35:23 | |
All done at £18. | 0:35:23 | 0:35:25 | |
-Well done, Charlie. -Lunch is on me. Lunch is on you, excellent! | 0:35:26 | 0:35:30 | |
Lots of nice places in Frome, of course. | 0:35:30 | 0:35:33 | |
Well, my main course is going to be £18, my starter will be £9... | 0:35:33 | 0:35:37 | |
Perhaps they can go Dutch! James' altar rail is next. | 0:35:37 | 0:35:40 | |
20 I'm bid here, 22 now, if you want it in the room. | 0:35:41 | 0:35:44 | |
Go on. Go on, money. | 0:35:44 | 0:35:46 | |
It's going to be sold on its maiden bid at the desk at £20... | 0:35:46 | 0:35:49 | |
22 I have. | 0:35:49 | 0:35:51 | |
-24. 26 now. -Oh! -Oh. | 0:35:51 | 0:35:54 | |
It's going to be sold at £24 on the desk. | 0:35:54 | 0:35:56 | |
Selling at £24... | 0:35:56 | 0:35:58 | |
Blessed are these losses... | 0:35:58 | 0:36:01 | |
Because they will make the meek stronger. | 0:36:01 | 0:36:04 | |
Good to see him taking it so well. | 0:36:04 | 0:36:07 | |
Not everybody's cup of tea, I know I'm a bit of a rail freak. | 0:36:07 | 0:36:09 | |
Charlie's cart jack is also a teensy-weensy bit niche. | 0:36:10 | 0:36:15 | |
12, I have. 14, 16, 18. | 0:36:15 | 0:36:19 | |
20. 22. 24. 26 now? | 0:36:19 | 0:36:24 | |
-26, your... -It cost 24! | 0:36:24 | 0:36:26 | |
All done at 24? | 0:36:26 | 0:36:27 | |
Right result! | 0:36:29 | 0:36:31 | |
-That's a right result. -Yeah, quite a relief, too. | 0:36:31 | 0:36:33 | |
The energy in the room is palpable. | 0:36:34 | 0:36:36 | |
It is. It's electric, isn't it? | 0:36:36 | 0:36:39 | |
-It is electric. -Anticipation. Have you seen people run through the door? | 0:36:39 | 0:36:42 | |
Has the bird cage come up yet? | 0:36:42 | 0:36:44 | |
Enough scoffing! James' open-plan bird cage next. | 0:36:44 | 0:36:48 | |
£10 I'm bid on the desk now. | 0:36:48 | 0:36:51 | |
-Pieces of eight, pieces of eight. -12 I have. 14 now? | 0:36:51 | 0:36:53 | |
-14. -Here it goes. | 0:36:55 | 0:36:57 | |
16? 16. | 0:36:57 | 0:36:58 | |
18... 20... | 0:36:58 | 0:37:00 | |
18, oh, we're going along, aren't we? | 0:37:00 | 0:37:03 | |
22? All done at 20? | 0:37:03 | 0:37:05 | |
Oh, no! | 0:37:05 | 0:37:07 | |
More muck than brass. | 0:37:07 | 0:37:09 | |
-What can we do? -Easy come, easy go, Charlie. | 0:37:09 | 0:37:12 | |
Absolutely. You've done with your losses, now my turn. | 0:37:12 | 0:37:16 | |
Yes, it's Charlie's biggest buy, the silver candlesticks. | 0:37:16 | 0:37:20 | |
-Tell me what you think they'll make. -I think they'll hover. | 0:37:20 | 0:37:23 | |
£80. | 0:37:25 | 0:37:27 | |
65. | 0:37:27 | 0:37:29 | |
55 here on the desk. | 0:37:29 | 0:37:32 | |
60 now if you want them in the room. | 0:37:32 | 0:37:34 | |
60, 65, 70... | 0:37:34 | 0:37:37 | |
75, 80, 85... | 0:37:37 | 0:37:40 | |
90, fresh place. | 0:37:40 | 0:37:43 | |
95, 100, 105, 110... | 0:37:43 | 0:37:46 | |
115... 120... | 0:37:49 | 0:37:52 | |
125. 130 now? 130. | 0:37:52 | 0:37:55 | |
135? | 0:37:55 | 0:37:57 | |
James! | 0:37:57 | 0:37:59 | |
-You get the £2. -All right, put it down, now! | 0:37:59 | 0:38:02 | |
-155? 160. -You're right! -165. | 0:38:02 | 0:38:05 | |
-That's very good, Charlie. -170 now? | 0:38:05 | 0:38:07 | |
The bid is with me on the desk at £165. | 0:38:07 | 0:38:10 | |
Are we all done? At 165... | 0:38:10 | 0:38:12 | |
-Well done. -£165! | 0:38:14 | 0:38:17 | |
It looks as if it might be his day today. | 0:38:17 | 0:38:20 | |
-He's careering ahead. -I feel a tear coming on! | 0:38:20 | 0:38:23 | |
Might James' globe turn the tide, we wonder? | 0:38:25 | 0:38:28 | |
If you have a globe in your house, people are going to think, oh, | 0:38:28 | 0:38:31 | |
-we are in the presence of brains here. -Yes. | 0:38:31 | 0:38:34 | |
35 on the way on that one. | 0:38:34 | 0:38:37 | |
-Well done! -40 now if you want it. | 0:38:37 | 0:38:38 | |
40 on a hand. | 0:38:38 | 0:38:41 | |
45, 50... | 0:38:41 | 0:38:42 | |
-55, 60... -Come on! | 0:38:42 | 0:38:44 | |
65, 70... | 0:38:44 | 0:38:47 | |
75, 80... | 0:38:47 | 0:38:48 | |
85, 90... | 0:38:48 | 0:38:51 | |
-95. -Yes, Braxton! -100... | 0:38:51 | 0:38:53 | |
105, I have. | 0:38:53 | 0:38:56 | |
-110. 115. -This is fantastic. | 0:38:57 | 0:39:01 | |
120 now? The bid is with me on the desk at £115. | 0:39:01 | 0:39:04 | |
-115! -115... | 0:39:04 | 0:39:06 | |
All done at 115? | 0:39:06 | 0:39:09 | |
-I wasn't expecting that! -That is a thumper. | 0:39:09 | 0:39:11 | |
Yes, he's right back on track now. | 0:39:11 | 0:39:14 | |
There's no middle ground with Braxton, is there? | 0:39:14 | 0:39:16 | |
-No. It's a mixed bag. -Mm. | 0:39:16 | 0:39:18 | |
As are Charlie's car badges. Could be interesting, these. | 0:39:18 | 0:39:21 | |
Do you ever instantly regret a purchase? | 0:39:22 | 0:39:25 | |
Ten on the way here. 12 now if you want them. | 0:39:25 | 0:39:28 | |
12, I have. 14 now? | 0:39:28 | 0:39:30 | |
14, 16... | 0:39:31 | 0:39:33 | |
-18. -Stop! | 0:39:33 | 0:39:35 | |
20, 22 now? | 0:39:35 | 0:39:36 | |
Bid's in the far corner at £20. | 0:39:36 | 0:39:38 | |
-Put it down, sir. -All done at 20? | 0:39:38 | 0:39:40 | |
Oh, no. | 0:39:40 | 0:39:42 | |
-Oh, no! -Like the man said, mixed bag. | 0:39:42 | 0:39:46 | |
I don't like taking any pleasure in a friend's losses. | 0:39:46 | 0:39:51 | |
-50! -But In this particular instance... | 0:39:51 | 0:39:54 | |
James could catch up further with his brass churn. | 0:39:56 | 0:39:59 | |
-We're in Somerset. Cider! -Scrumpy! | 0:39:59 | 0:40:01 | |
-Get a few pints in that one! -Couple of gallons! | 0:40:02 | 0:40:04 | |
-SOUTH WEST ACCENT: -That would make you quite relaxed, wouldn't it? | 0:40:04 | 0:40:08 | |
It would make me all squiffy! | 0:40:08 | 0:40:10 | |
That would make you forget your thumping losses. | 0:40:10 | 0:40:12 | |
35 on the way on that one. | 0:40:12 | 0:40:15 | |
40 now, if you want it. 40 I have. 45? | 0:40:15 | 0:40:18 | |
-You've got a bid of 40! -50, fresh place. | 0:40:18 | 0:40:20 | |
55, 60... | 0:40:20 | 0:40:22 | |
65, 70... | 0:40:22 | 0:40:25 | |
-Braxton! -75, 80, 85... | 0:40:25 | 0:40:28 | |
90 now? | 0:40:28 | 0:40:31 | |
The bid is with me on the desk at £85. | 0:40:31 | 0:40:33 | |
-£85! -Are we all done at 85? | 0:40:33 | 0:40:36 | |
-James Braxton! -That's better. | 0:40:37 | 0:40:39 | |
Well, he did predict that agricultural would do well in Frome. | 0:40:39 | 0:40:44 | |
I'm very pleased with that. 85, I'm back in the room now. | 0:40:44 | 0:40:47 | |
You are, you are right there. | 0:40:47 | 0:40:48 | |
Time for Charlie's tatty old mirror now. | 0:40:48 | 0:40:51 | |
10 I'm bid on the desk. 12 now, if you want it, in the room. | 0:40:51 | 0:40:55 | |
The bid is with me at £10. | 0:40:55 | 0:40:57 | |
12 if you want it in the room. | 0:40:57 | 0:41:00 | |
-What? -It's going to be sold at £10 on its maiden bid. | 0:41:00 | 0:41:03 | |
-Oh, no! -All done at £10? | 0:41:03 | 0:41:05 | |
12, I'm bid. | 0:41:05 | 0:41:07 | |
14? 16 now? | 0:41:07 | 0:41:09 | |
The bid is with me at £14. | 0:41:09 | 0:41:12 | |
All done at 14? | 0:41:12 | 0:41:14 | |
-That's a profit! -That's a profit! -See? | 0:41:14 | 0:41:16 | |
With age comes wisdom. | 0:41:16 | 0:41:18 | |
Yeah. Not always. | 0:41:18 | 0:41:20 | |
So much for his twinges. | 0:41:20 | 0:41:22 | |
HE SNEEZES | 0:41:22 | 0:41:25 | |
Excuse me. | 0:41:25 | 0:41:26 | |
-That answers... -That's how Black Death was spread. | 0:41:26 | 0:41:29 | |
Actually, I think that was rats. | 0:41:29 | 0:41:32 | |
Better stick with sycamore, like James' breadboard. | 0:41:32 | 0:41:35 | |
Do you know? I only buy antibacterial items. | 0:41:35 | 0:41:38 | |
It's got to be either sycamore or copper, | 0:41:40 | 0:41:42 | |
that's all I'm interested in. | 0:41:42 | 0:41:45 | |
10 on the way on that one. | 0:41:45 | 0:41:47 | |
-12 now if you want it. -Go on! | 0:41:47 | 0:41:48 | |
Well done, madam. Well done, madam. | 0:41:49 | 0:41:51 | |
Steady. It's 14! | 0:41:52 | 0:41:54 | |
16? 18 now? | 0:41:54 | 0:41:56 | |
-Lovely, unused. -The bid is in the room at £16. | 0:41:56 | 0:41:59 | |
All done at 16? | 0:41:59 | 0:42:02 | |
Do you think I've gone into uncharted territory? | 0:42:02 | 0:42:05 | |
-300? -I don't know. I think you're right on the cusp. | 0:42:05 | 0:42:07 | |
-On the boundary. -On the cusp. | 0:42:07 | 0:42:09 | |
I'm not giving it away just yet, but they remain neck and neck. | 0:42:09 | 0:42:13 | |
-Follow me. -Follow me. | 0:42:13 | 0:42:15 | |
You heard the man. Still barely a sheet of Bronco between them. | 0:42:15 | 0:42:19 | |
James started out with £299.52. | 0:42:20 | 0:42:24 | |
And after auction costs, he made a loss of £1.80. | 0:42:24 | 0:42:28 | |
So he now has £297.72. | 0:42:28 | 0:42:32 | |
While Charlie, who began with £328 exactly, | 0:42:34 | 0:42:39 | |
made, after costs, a profit of £7.62, | 0:42:39 | 0:42:43 | |
so he's still our leader with £335.62. | 0:42:43 | 0:42:48 | |
-Oh! -Pffft! -Well done, well done. -That was... -Was that very close? | 0:42:48 | 0:42:51 | |
..a very close run thing. | 0:42:53 | 0:42:55 | |
I think I may have just sneaked ahead half a smidgen. | 0:42:55 | 0:42:58 | |
Half a smidgen, well done. | 0:42:59 | 0:43:02 | |
Next on the Antiques Road Trip, slugs. | 0:43:02 | 0:43:05 | |
-Well, snails... -Escargot won the Grand National once. | 0:43:05 | 0:43:08 | |
-That's quite an achievement for a snail. -For a snail! | 0:43:08 | 0:43:10 | |
Puppy dog tails... | 0:43:10 | 0:43:12 | |
Never underestimate the power of cute. | 0:43:12 | 0:43:14 | |
-Other nursery rhymes are available. -Oh, yes, there's the pig! | 0:43:14 | 0:43:18 | |
# Stole a pig and away he run! # | 0:43:18 | 0:43:21 | |
We'll find out exactly what these boys are made of. | 0:43:21 | 0:43:24 |