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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job. -..with £200 each... | 0:00:04 | 0:00:06 | |
-You with me? -..a classic car... | 0:00:06 | 0:00:08 | |
-Buckle up. -..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
-Ooh, sorry! -Ha-ha! | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
CAR HORN BLARES | 0:00:35 | 0:00:37 | |
Hark the sound of the noble Triumph Stag | 0:00:37 | 0:00:40 | |
bearing our seasoned antiques hunters | 0:00:40 | 0:00:43 | |
Charles Hanson and Anita Manning, | 0:00:43 | 0:00:45 | |
and another day of rambunctious rivalry on the Caledonian roads. | 0:00:45 | 0:00:49 | |
I'm now a stag next to my deer. | 0:00:49 | 0:00:53 | |
Hello, DEER. | 0:00:53 | 0:00:55 | |
Anita, like, you're stalking these lanes now, | 0:00:55 | 0:00:58 | |
looking for my antique kill and hopefully, on the chosen two, | 0:00:58 | 0:01:02 | |
it'll be our time. | 0:01:02 | 0:01:04 | |
What is he on, eh? | 0:01:04 | 0:01:06 | |
Charles set out with £200 and made a modest profit last time, | 0:01:06 | 0:01:09 | |
giving him a new budget of £223.86. | 0:01:09 | 0:01:14 | |
While Anita began with the same amount, but streaked ahead | 0:01:15 | 0:01:18 | |
in the last saleroom and starts out in front today with £332.26. | 0:01:18 | 0:01:24 | |
But who will wear the crown this time? | 0:01:24 | 0:01:27 | |
Well, I'll tell you, Charlie, I love your bonnet! | 0:01:28 | 0:01:31 | |
Well, Anita, you know, just, you know, | 0:01:32 | 0:01:34 | |
I obviously admire your head dress | 0:01:34 | 0:01:36 | |
and I thought I'll wear my hat today as well. | 0:01:36 | 0:01:38 | |
Do you think we're the glam couple of the Antiques Road Trip? | 0:01:38 | 0:01:43 | |
Yes, yes! Yes, you are. | 0:01:43 | 0:01:45 | |
Our debonair duo began in Kilbarchan, | 0:01:46 | 0:01:50 | |
and will zigzag north and south, crossing and re-crossing the border | 0:01:50 | 0:01:53 | |
before a final auction in North Shields. | 0:01:53 | 0:01:56 | |
-Onwards and upwards. -Yes! -Yes. | 0:01:56 | 0:01:59 | |
Today, they're setting forth from the Kingdom of Fife | 0:01:59 | 0:02:02 | |
before wending their way by the banks of the Tay | 0:02:02 | 0:02:05 | |
and the Tweed, to auction in Dumfries. | 0:02:05 | 0:02:08 | |
First, to Dunfermline. | 0:02:08 | 0:02:10 | |
The local abbey and palace was once the favoured residence | 0:02:10 | 0:02:13 | |
and last resting place of the medieval Scottish monarchs. | 0:02:13 | 0:02:17 | |
Today, our king and queen of antiques | 0:02:17 | 0:02:19 | |
are proceeding to Anita's first shop, | 0:02:19 | 0:02:21 | |
the enigmatically named Secret Door. | 0:02:21 | 0:02:24 | |
Have a great time. Bye! | 0:02:24 | 0:02:25 | |
-Hello. -Hi! | 0:02:32 | 0:02:34 | |
-I'm Anita. -Hi, Anita. My name's Stuart. | 0:02:35 | 0:02:37 | |
-Oh, lovely, lovely, lovely to meet you. -Pleased to meet you. | 0:02:37 | 0:02:39 | |
-Welcome to The Secret Door. -And to be in Dunfermline. | 0:02:39 | 0:02:42 | |
-This is my very first time in this historic town. -Oh, well, | 0:02:42 | 0:02:46 | |
a lot of history here, a lot of history. | 0:02:46 | 0:02:48 | |
-Yeah. Can I have a good look around? -Absolutely. | 0:02:48 | 0:02:50 | |
-A good rummage. -I want you to. | 0:02:50 | 0:02:52 | |
What treasures await our regal one here? | 0:02:56 | 0:02:59 | |
I love these, it's a flutter of butterflies. | 0:03:00 | 0:03:04 | |
Mid-20th century, Scandinavian, enamelled brooches. | 0:03:04 | 0:03:10 | |
They're absolutely lovely. They're priced up at £35. | 0:03:10 | 0:03:13 | |
Not dear, but I wouldn't want to buy just one, | 0:03:13 | 0:03:16 | |
I'd want to buy the whole lot! | 0:03:16 | 0:03:19 | |
A flutter for another day, eh? | 0:03:19 | 0:03:22 | |
Moving on... | 0:03:22 | 0:03:23 | |
I can't resist cabinets with jewellery and silver. | 0:03:23 | 0:03:28 | |
And there's a bit of Oriental silver there. | 0:03:28 | 0:03:31 | |
Now, Oriental items are hot in today's market. | 0:03:31 | 0:03:37 | |
There's a set of spoons here. | 0:03:37 | 0:03:40 | |
They are very, very light. | 0:03:40 | 0:03:42 | |
They have a mark on the back, an Oriental mark. | 0:03:43 | 0:03:48 | |
I can't read it. | 0:03:48 | 0:03:50 | |
I don't know the date. | 0:03:50 | 0:03:52 | |
I think that these are possibly not terribly old, | 0:03:52 | 0:03:55 | |
but they do come from China. | 0:03:55 | 0:03:57 | |
I've given it a wee bend and silver always has | 0:03:59 | 0:04:02 | |
a little bit of give in it, so I know that they are silver. | 0:04:02 | 0:04:05 | |
I know that they are Oriental. | 0:04:05 | 0:04:07 | |
They're priced up at £55. | 0:04:08 | 0:04:11 | |
I would need to get them reduced from that price, | 0:04:11 | 0:04:15 | |
but I'm going to have a go at them. | 0:04:15 | 0:04:17 | |
-That's the spirit. -Stuart! -Hello? | 0:04:17 | 0:04:20 | |
Do you know anything about the background of them? | 0:04:20 | 0:04:23 | |
I know that the person that they came from, | 0:04:23 | 0:04:25 | |
his great-auntie was a missionary in China before the war. | 0:04:25 | 0:04:29 | |
-Wow! -So, she picked up little bits when she was out there, | 0:04:29 | 0:04:34 | |
so they're definitely pre-war, I would say. | 0:04:34 | 0:04:36 | |
I was wondering if I could buy them in the roundabout the £30 mark? | 0:04:36 | 0:04:42 | |
Er, if we said 35, how's that? | 0:04:42 | 0:04:45 | |
-35 would be absolutely fine with me. -That OK with you? | 0:04:45 | 0:04:48 | |
-You put them on the counter. -Will do. -I'm going to rummage further. | 0:04:48 | 0:04:51 | |
-Keep going. -Spoons which could surely grace a royal table, eh? | 0:04:51 | 0:04:56 | |
Lovely. Meanwhile, His Lordship has made his way | 0:04:56 | 0:04:59 | |
to the lovely seaside village of Aberdour, | 0:04:59 | 0:05:02 | |
which faces south across the islands of the Firth of Forth. | 0:05:02 | 0:05:06 | |
His first shopping destination is Blakes Vintage & Collectables. | 0:05:06 | 0:05:09 | |
So, stand by. | 0:05:09 | 0:05:11 | |
-Good morning. -Hello, Charles. -How are you? -I'm very well. | 0:05:12 | 0:05:15 | |
-How do you do? I'm Debbie. -Hi, Debbie. What a lovely shop. | 0:05:15 | 0:05:17 | |
What I'm looking for, Debbie, | 0:05:17 | 0:05:19 | |
are the more interesting, sleepy objects. | 0:05:19 | 0:05:22 | |
I'm a man who likes real antiques. | 0:05:22 | 0:05:24 | |
So, anything with a big, capital A, I'm after. | 0:05:24 | 0:05:26 | |
Well... | 0:05:30 | 0:05:31 | |
that looks like balls with a capital B. | 0:05:31 | 0:05:34 | |
Oh! For heaven's sake, Charles. | 0:05:37 | 0:05:40 | |
-I lost a ball. Sorry! -Oh, blimey! Moving swiftly on... | 0:05:40 | 0:05:43 | |
Isn't he cute? This little bear. | 0:05:48 | 0:05:50 | |
I say a small bear. | 0:05:51 | 0:05:53 | |
Take his ribbon off. | 0:05:55 | 0:05:57 | |
He's OK. | 0:06:00 | 0:06:02 | |
I quite like this bear, he's got this slight hump | 0:06:02 | 0:06:05 | |
on the back of his shoulder, | 0:06:05 | 0:06:08 | |
which takes us back to the early teddy bears of... | 0:06:08 | 0:06:11 | |
..maybe Chad Valley Chilton or, of course, German bears, | 0:06:12 | 0:06:17 | |
which go back to Steiff. | 0:06:17 | 0:06:19 | |
And you're looking a bit miserable, | 0:06:19 | 0:06:21 | |
in that his button nose is slightly tired, but he's got character. | 0:06:21 | 0:06:27 | |
He's early. This bear, I suspect, is certainly 1930s, | 0:06:27 | 0:06:32 | |
probably feeling inside, he appears to be wood-shaven | 0:06:32 | 0:06:38 | |
or even straw-filled. | 0:06:38 | 0:06:40 | |
He's priced at... | 0:06:40 | 0:06:42 | |
..£45. | 0:06:43 | 0:06:45 | |
Time to talk to Debbie. | 0:06:45 | 0:06:47 | |
I like him. What's the best you could do? | 0:06:47 | 0:06:50 | |
-20? -How much? -20. -£20? -Yes. | 0:06:50 | 0:06:54 | |
If you don't ask, you don't get. | 0:06:54 | 0:06:56 | |
-Give him a kiss goodbye. -Aw! -There we go. He's off. | 0:06:56 | 0:06:58 | |
Thanks, Debbie. If I can put him behind your counter, | 0:06:58 | 0:07:01 | |
I'll let you take him away | 0:07:01 | 0:07:03 | |
-and I'll keep on my little circuit around the shop. -OK. | 0:07:03 | 0:07:07 | |
And Teddy was very happy, because he was chosen to go to the auction. | 0:07:07 | 0:07:13 | |
Stay tuned, boys and girls, to find out how Teddy gets on. | 0:07:13 | 0:07:17 | |
And now, over to Auntie Anita in Dunfermline for the next story. | 0:07:17 | 0:07:22 | |
A lovely pair of volumes of the works of Shakespeare. | 0:07:22 | 0:07:27 | |
The outsides are just divine. | 0:07:27 | 0:07:31 | |
They are bound in this wonderful tan leather, | 0:07:31 | 0:07:35 | |
with gilded tool work on the front cover. | 0:07:35 | 0:07:41 | |
In this volume, the title is "The Works Of Shakespeare, | 0:07:41 | 0:07:45 | |
"With Notes By Charles Knight." | 0:07:45 | 0:07:47 | |
Charles Knight was one of the most prestigious publishers | 0:07:47 | 0:07:52 | |
in the 18th and 19th century. | 0:07:52 | 0:07:54 | |
And we have a lovely selection of engravings. | 0:07:54 | 0:07:59 | |
Macbeth, with Macbeth's dagger. | 0:07:59 | 0:08:04 | |
And Lady Macbeth egging him on. | 0:08:04 | 0:08:07 | |
The other volume contains comedies and stories. | 0:08:07 | 0:08:12 | |
-Stuart. I'm not a book specialist. -No. -I've fallen in love with these. | 0:08:12 | 0:08:17 | |
I was looking for sort of around about 150 for the pair. | 0:08:17 | 0:08:22 | |
I could do them for about 100? | 0:08:24 | 0:08:27 | |
How round about 100? | 0:08:27 | 0:08:28 | |
I mean, just give me it straight, Stuart. | 0:08:29 | 0:08:31 | |
-Give me it straight. -90 would be the best that I can do on them. | 0:08:31 | 0:08:35 | |
Let's go for it. Let's take a chance. | 0:08:35 | 0:08:37 | |
I'm delighted with them and I hope they bring a smile to my face | 0:08:37 | 0:08:41 | |
-and don't end in tragedy! -No, no! | 0:08:41 | 0:08:43 | |
Exit, Anita. | 0:08:44 | 0:08:47 | |
All's well that ends well, eh? | 0:08:47 | 0:08:48 | |
Now, wherefore art thou, Derbyshire man? | 0:08:49 | 0:08:52 | |
I'm a long way away from home, | 0:08:54 | 0:08:56 | |
I really am. And then, suddenly, you see a view of Tissington, | 0:08:56 | 0:08:59 | |
which is near Ashbourne, | 0:08:59 | 0:09:01 | |
about eight miles from where I live in Derbyshire. | 0:09:01 | 0:09:04 | |
It's made at my local factory, Royal Crown Derby, there's the mark. | 0:09:04 | 0:09:10 | |
Royal Crown Derby date code, probably about 1928. | 0:09:10 | 0:09:14 | |
You've also got a small artist signature. WEJ Dean | 0:09:14 | 0:09:21 | |
is for William Edward James Dean, a good local artist at Derby | 0:09:21 | 0:09:27 | |
in the early 20th century. How nice. | 0:09:27 | 0:09:30 | |
And quite simply, it's purely a decorative little picture, | 0:09:30 | 0:09:35 | |
which is on this porcelain rocky outcropped back | 0:09:35 | 0:09:40 | |
and I quite like it. Debbie. | 0:09:40 | 0:09:44 | |
-I can see on the back here a small label, it says 30. -Yes. | 0:09:44 | 0:09:48 | |
-And the best price would be? -22. -Yeah, I think it's good. | 0:09:48 | 0:09:52 | |
For £22, I can't say no. I'll take it. | 0:09:52 | 0:09:55 | |
£22, thank you so much. | 0:09:55 | 0:09:57 | |
Two items in the old bag and he's still hunting. | 0:09:57 | 0:10:00 | |
There's some really interesting medals in here and mainly, | 0:10:01 | 0:10:04 | |
they're all World War II. | 0:10:04 | 0:10:05 | |
And you wonder what stories they could tell. | 0:10:05 | 0:10:07 | |
What's quite interesting though is there is a very young-looking | 0:10:07 | 0:10:11 | |
serviceman here and it says, on the exterior, | 0:10:11 | 0:10:17 | |
"Kindest regards, Gordon. Cairo, 1942." | 0:10:17 | 0:10:22 | |
And there he is. And in fact, with the small card of him | 0:10:22 | 0:10:28 | |
is this interesting little brooch. | 0:10:28 | 0:10:31 | |
It reads... | 0:10:31 | 0:10:32 | |
"Gertrude, with love, from Gordon." | 0:10:34 | 0:10:38 | |
It's quite simply a decorative brooch. | 0:10:38 | 0:10:43 | |
On the inside of the star there, you've got to the date, 1941, | 0:10:43 | 0:10:49 | |
and on the bottom, very indistinct, | 0:10:49 | 0:10:53 | |
but on that yellow gilt tablet, it reads "Iraq". | 0:10:53 | 0:10:58 | |
-Debbie? Sorry to be a pain again and bother you. -Hi! | 0:10:58 | 0:11:02 | |
There's perhaps a lovely story here, which you might tell me more about. | 0:11:02 | 0:11:06 | |
There's an image here of a young man called Gordon. | 0:11:06 | 0:11:08 | |
I think he was about 17. | 0:11:08 | 0:11:10 | |
He made the brooch for his girlfriend | 0:11:10 | 0:11:14 | |
and it's a sweetheart brooch. | 0:11:14 | 0:11:16 | |
It's difficult, Debbie, to put a price on this. | 0:11:16 | 0:11:20 | |
I'd probably want to pay, | 0:11:20 | 0:11:22 | |
because it's purely decorative and the value is the emotion, £15? | 0:11:22 | 0:11:28 | |
-I'm happy with that. -So, I'll take this for £15. | 0:11:28 | 0:11:31 | |
-Yes. -I'll also, obviously, take the plaque, which is reserved, | 0:11:31 | 0:11:34 | |
-and also the teddy bear. -Monty. | 0:11:34 | 0:11:37 | |
Which makes a grand total of £57 | 0:11:37 | 0:11:40 | |
and concludes a fruitful visit to Aberdour for Charles. | 0:11:40 | 0:11:43 | |
Anita's next stop is ten miles up the Fife coast | 0:11:48 | 0:11:52 | |
and the ancient borough of Kirkcaldy. | 0:11:52 | 0:11:54 | |
Once a busy North Sea port thriving on industries like salt, | 0:11:55 | 0:11:59 | |
whaling and linoleum. Into this muck and tar world of the 18th century | 0:11:59 | 0:12:04 | |
came one of the most influential thinkers of his age, | 0:12:04 | 0:12:07 | |
whose ideas are still hotly debated today. | 0:12:07 | 0:12:11 | |
At Kirkcaldy Galleries, Anita is meeting Gavin Grant | 0:12:11 | 0:12:15 | |
and a moral philosopher still very visible in everyday transactions. | 0:12:15 | 0:12:19 | |
Gavin, I've got a £20 note in my pocket. | 0:12:19 | 0:12:23 | |
On the back, there is an image of our Kirkcaldy man. | 0:12:23 | 0:12:27 | |
Who was he and what did he do? | 0:12:27 | 0:12:29 | |
Well, that's Adam Smith, who we can see on the note, | 0:12:29 | 0:12:32 | |
and he's one of the greatest thinkers of all time. | 0:12:32 | 0:12:35 | |
He was born here in Kirkcaldy in 1723, | 0:12:35 | 0:12:38 | |
was educated at the local school here | 0:12:38 | 0:12:40 | |
and went on to get further education at Glasgow and Oxford. | 0:12:40 | 0:12:43 | |
And he really developed ideas about philosophy, | 0:12:43 | 0:12:46 | |
economics and politics as well, | 0:12:46 | 0:12:48 | |
that have influenced generations since the mid-18th century. | 0:12:48 | 0:12:52 | |
The Scottish Enlightenment, with its flowering of scientific | 0:12:52 | 0:12:55 | |
and intellectual thought, was part of a wider, European | 0:12:55 | 0:12:59 | |
philosophical movement and Smith was a trailblazer. | 0:12:59 | 0:13:02 | |
He wrote his most famous book, which was published in 1776, | 0:13:02 | 0:13:06 | |
which is The Wealth Of Nations. | 0:13:06 | 0:13:08 | |
It was published in London, in two volumes, and it sold, at the time, | 0:13:08 | 0:13:12 | |
for £2 and two shillings. | 0:13:12 | 0:13:14 | |
-That's a lot of money at that time. -A lot of money then. | 0:13:14 | 0:13:16 | |
There were 750 copies sold then, | 0:13:16 | 0:13:18 | |
so we are fortunate to have one of them here. | 0:13:18 | 0:13:20 | |
And it went on to become a bestseller. | 0:13:20 | 0:13:22 | |
By the time that Smith died in 1790, | 0:13:22 | 0:13:24 | |
it had gone through further editions and it was a bestseller. | 0:13:24 | 0:13:27 | |
Are you telling me that a book on economics was a bestseller? | 0:13:27 | 0:13:30 | |
-That's right. -A sell-out! -Doesn't happen very often, | 0:13:30 | 0:13:33 | |
but it happened then. | 0:13:33 | 0:13:34 | |
The Wealth Of Nations, ten years in the writing, | 0:13:34 | 0:13:37 | |
analysed the creation and uses of wealth and capital within society | 0:13:37 | 0:13:41 | |
for the first time, | 0:13:41 | 0:13:43 | |
and gave birth to the social science of political economy. | 0:13:43 | 0:13:46 | |
He really was against tariffs and a lot of taxation. | 0:13:46 | 0:13:50 | |
He was more in favour of freer trade across countries, | 0:13:50 | 0:13:54 | |
breaking down boundaries. | 0:13:54 | 0:13:56 | |
He wasn't a total advocate of the free market. | 0:13:56 | 0:13:58 | |
He was in favour of some government regulation. | 0:13:58 | 0:14:02 | |
But he really argued to have deregulation, as far as possible. | 0:14:02 | 0:14:06 | |
Smith's invisible hand theory, | 0:14:06 | 0:14:09 | |
that self-interest frequently promotes the interests of society, | 0:14:09 | 0:14:13 | |
is often used to paint him as the father of modern capitalism. | 0:14:13 | 0:14:17 | |
But Smith was a moral philosopher, | 0:14:17 | 0:14:19 | |
who also believed that no society could flourish | 0:14:19 | 0:14:22 | |
in the face of widespread poverty. | 0:14:22 | 0:14:24 | |
His ideas have influenced people | 0:14:24 | 0:14:26 | |
across a whole range of political spectrums, from left to right. | 0:14:26 | 0:14:29 | |
Indeed, Mrs Thatcher and Kirkcaldy's own Gordon Brown | 0:14:31 | 0:14:34 | |
are two Prime Ministers | 0:14:34 | 0:14:36 | |
who have each claimed Smith as an inspiration. | 0:14:36 | 0:14:39 | |
Today, the hand of the great man | 0:14:40 | 0:14:42 | |
can quite literally be seen in this book, | 0:14:42 | 0:14:45 | |
part of the museum's collection. | 0:14:45 | 0:14:47 | |
It's by John Locke, the philosopher. Adam Smith owned it | 0:14:47 | 0:14:51 | |
and inside the book, on page 15, I can show you especially | 0:14:51 | 0:14:55 | |
where there are handwritten notes. | 0:14:55 | 0:14:57 | |
Now, it's only in the last couple of years that we found out | 0:14:57 | 0:15:00 | |
that these notes were actually written by Adam Smith himself. | 0:15:00 | 0:15:04 | |
So, he would have been sitting at his desk, with his inkwell, his pen, | 0:15:04 | 0:15:10 | |
and his writing paraphernalia, studying that book | 0:15:10 | 0:15:14 | |
and writing The Wealth Of Nations. | 0:15:14 | 0:15:16 | |
And still earning a place in politics and economics | 0:15:16 | 0:15:20 | |
more than two centuries later. | 0:15:20 | 0:15:22 | |
I'll never look at a £20 note in the same way again! | 0:15:22 | 0:15:26 | |
Meanwhile, Charles is travelling north through Fife, | 0:15:27 | 0:15:30 | |
turning eastwards at Perth, | 0:15:30 | 0:15:31 | |
alongside the banks of the silvery Tay. | 0:15:31 | 0:15:34 | |
This road runs through the Carse of Gowrie. | 0:15:34 | 0:15:37 | |
In the summertime, a land of strawberries and raspberries, | 0:15:37 | 0:15:41 | |
but it's a fine crop of antiques at Michael Young's shop in Glencarse | 0:15:41 | 0:15:46 | |
that Charles is hoping for today. | 0:15:46 | 0:15:48 | |
-Hello, sir. -Hello. You must be Charles. | 0:15:48 | 0:15:51 | |
-I am, your name is? -Michael. | 0:15:51 | 0:15:53 | |
Established, I see outside, since 1887. | 0:15:53 | 0:15:55 | |
We were established in Aberdeen in 1887. | 0:15:55 | 0:15:58 | |
-You deal in real antiques? -We try to. | 0:15:58 | 0:16:01 | |
-What they called the proper stuff. -Thank you. | 0:16:01 | 0:16:03 | |
I can't wait to go for a wander around. | 0:16:03 | 0:16:05 | |
-I'll report back to you, sir. -Excellent. Feel free to look around. | 0:16:05 | 0:16:08 | |
-Thank you. -Well, here's those antiques with a capital A. | 0:16:08 | 0:16:12 | |
Just under the chandelier here - I'm often called Hawk-Eye Hanson | 0:16:12 | 0:16:17 | |
and these might be eagles, in fact, but goodness me! | 0:16:17 | 0:16:20 | |
They are so substantial. I suspect these eagles are probably late 18th, | 0:16:20 | 0:16:25 | |
if not early 19th century. | 0:16:25 | 0:16:27 | |
Very much made for a grand tourist. | 0:16:27 | 0:16:30 | |
A pair of eagles, probably Italian, price... | 0:16:30 | 0:16:33 | |
To you, £18,000. | 0:16:33 | 0:16:37 | |
-I'd better fly away and keep dreaming! -Wakey, wakey! | 0:16:37 | 0:16:40 | |
There must be something with your name on it. | 0:16:40 | 0:16:42 | |
On this top shelf is a very attractive pendant, 15 carats, | 0:16:42 | 0:16:48 | |
almost got a suffragette feel to it, | 0:16:48 | 0:16:51 | |
because you've got the seed pearls, | 0:16:51 | 0:16:55 | |
the opals and the amethyst. | 0:16:55 | 0:16:58 | |
And this would date to around 1910. It's very organic, | 0:16:58 | 0:17:02 | |
it's very Art Nouveau | 0:17:02 | 0:17:04 | |
and I think it's a beautiful pendant, | 0:17:04 | 0:17:07 | |
which, you can see, has also been converted, | 0:17:07 | 0:17:11 | |
so it can be a pendant worn like that, for a lady, | 0:17:11 | 0:17:15 | |
but also, it's been mounted, perhaps with a later bar, | 0:17:15 | 0:17:20 | |
to form a bar brooch as well. | 0:17:20 | 0:17:23 | |
It's not labelled. There's no ticket price to it. | 0:17:23 | 0:17:27 | |
But it's 15-carat gold. | 0:17:28 | 0:17:29 | |
I'm going to find Michael | 0:17:29 | 0:17:31 | |
and find out just how much his Art Nouveau brooch might be. | 0:17:31 | 0:17:35 | |
Michael, hello. | 0:17:36 | 0:17:37 | |
I saw earlier on, I've gone back to it, this very, | 0:17:37 | 0:17:40 | |
very nice Art Nouveau...pendant-cum-brooch. | 0:17:40 | 0:17:45 | |
I like it because it's got the Art Nouveau whiplash form. | 0:17:45 | 0:17:49 | |
-How much is it, please? -I'm wanting £95 for it. | 0:17:49 | 0:17:52 | |
Yes. Fine. I'll take it. | 0:17:52 | 0:17:54 | |
Thank you very much. That's very kind of you. | 0:17:54 | 0:17:56 | |
£95. I think it's a beauty | 0:17:56 | 0:17:59 | |
and quality has to rule the mind, | 0:17:59 | 0:18:01 | |
and this is an object of great quality. | 0:18:01 | 0:18:03 | |
Now, don't go without your hat, | 0:18:03 | 0:18:05 | |
because that's, I'm sure, a treasure for you. | 0:18:05 | 0:18:07 | |
-Here you are, sir. -That's very kind. | 0:18:07 | 0:18:09 | |
-Well caught! Take care. -Goodbye now. -Bye. | 0:18:09 | 0:18:12 | |
Somewhere over the rainbow, Anita's waiting. | 0:18:12 | 0:18:15 | |
So, how has it been so far? | 0:18:16 | 0:18:18 | |
It's a journey, you know, it's the right place, right time | 0:18:18 | 0:18:21 | |
-and hopefully you find that pot of gold. -Yes. | 0:18:21 | 0:18:24 | |
And you still have tomorrow to find that treasure. | 0:18:24 | 0:18:27 | |
See you in the morning, munchkins. Nighty-night. | 0:18:27 | 0:18:31 | |
The sun is up and our early birds have flown the coop, | 0:18:33 | 0:18:37 | |
landing in the rolling hills of the Scottish Borders. | 0:18:37 | 0:18:39 | |
Look at that, it's just awe-inspiring. | 0:18:40 | 0:18:43 | |
It's wonderful. | 0:18:43 | 0:18:44 | |
Talk about being lost in the most beautiful and poetic landscapes, | 0:18:44 | 0:18:49 | |
this is it. | 0:18:49 | 0:18:50 | |
Oh, Charlie, you're inspired to poetry! | 0:18:50 | 0:18:53 | |
Will you be inspired to make profit today? | 0:18:53 | 0:18:57 | |
All I will say is that my heart is beating more and more. | 0:18:57 | 0:19:00 | |
Yesterday, Anita was swept away by two leather-bound volumes | 0:19:01 | 0:19:05 | |
of Shakespeare and a set of Chinese silver spoons... | 0:19:05 | 0:19:08 | |
I hope they bring a smile to my face. | 0:19:08 | 0:19:10 | |
..leaving her with £207.27 to spend. | 0:19:10 | 0:19:14 | |
While Charles sailed off on a tide of nostalgia, for a teddy bear, | 0:19:14 | 0:19:18 | |
a Crown Derby easel plaque, a wartime sweetheart brooch | 0:19:18 | 0:19:23 | |
and an Art Nouveau pendant. | 0:19:23 | 0:19:25 | |
-Give him a kiss goodbye. -Aw! -There we go. He's off. | 0:19:25 | 0:19:27 | |
Ah! | 0:19:27 | 0:19:29 | |
And that leaves £71.86 in his piggy. | 0:19:29 | 0:19:32 | |
The Borders is famed for its fishing, Charlie. | 0:19:33 | 0:19:36 | |
And we've got the marvellous River Tweed, | 0:19:36 | 0:19:39 | |
where you can fish for salmon and trout. | 0:19:39 | 0:19:42 | |
Are you a fisherman yourself? | 0:19:42 | 0:19:44 | |
Anita, I'm not a fisherman, but I must say, you're a good catch. | 0:19:44 | 0:19:47 | |
Charlie, have you ever tickled a trout? | 0:19:49 | 0:19:51 | |
And I don't mean an old trout! | 0:19:51 | 0:19:52 | |
Ahem! Moving on... | 0:19:53 | 0:19:56 | |
Today, our pair are wending their way to Hawick, | 0:19:56 | 0:19:59 | |
a town built on textiles. | 0:19:59 | 0:20:01 | |
The first knitting machine arrived in 1771 | 0:20:01 | 0:20:04 | |
and the town still produces luxury cashmere and Merino wool goods | 0:20:04 | 0:20:09 | |
for export around the world. | 0:20:09 | 0:20:11 | |
Anita and Charles will hunt for their particular golden fleece | 0:20:11 | 0:20:14 | |
at the Borders Antiques Centre. | 0:20:14 | 0:20:17 | |
I'll take the high road and you take the low road. | 0:20:17 | 0:20:21 | |
Sounds fine to me. Good luck. | 0:20:21 | 0:20:23 | |
-I'll see you later. -OK. | 0:20:23 | 0:20:25 | |
Deer, deer! | 0:20:32 | 0:20:33 | |
Time for some serious browsing. | 0:20:34 | 0:20:36 | |
I like buying pictures. | 0:20:43 | 0:20:44 | |
This pair of late 19th, early 20th-century pictures... | 0:20:46 | 0:20:52 | |
..they've grabbed my attention. | 0:20:53 | 0:20:55 | |
Now, they're presented very well, but the actual work, | 0:20:55 | 0:21:00 | |
the actual painting is not of any quality. | 0:21:00 | 0:21:05 | |
But at that time, we had what was called itinerant artists | 0:21:05 | 0:21:10 | |
or painters, who would travel about the country, painting local scenes | 0:21:10 | 0:21:15 | |
to be sold to the local people. | 0:21:15 | 0:21:17 | |
They were people who had some facility in painting, | 0:21:17 | 0:21:21 | |
but they weren't trained artists. | 0:21:21 | 0:21:23 | |
They're priced up at £65. | 0:21:23 | 0:21:26 | |
If I can get a reasonable chunk off of that, | 0:21:26 | 0:21:30 | |
this might be my lot in the Border Antiques. | 0:21:30 | 0:21:34 | |
Well, that sounds promising. Now, where did Mr Hanson go? | 0:21:34 | 0:21:37 | |
On tiptoes. | 0:21:37 | 0:21:38 | |
-It's all right, it's all right! Sorry, sorry. -Charlie. -Yes, Anita. | 0:21:40 | 0:21:44 | |
-I was lucky with my picture before. -Oh, yes? | 0:21:44 | 0:21:46 | |
So, I've been kind of drawn to pictures again. | 0:21:46 | 0:21:49 | |
Yeah. Looking at the companion on the wall, | 0:21:49 | 0:21:52 | |
I thought we could maybe buy one each? | 0:21:52 | 0:21:54 | |
Go in halves, I'll have one, you have the other one. | 0:21:54 | 0:21:56 | |
Nope! You're companions, but no companion pieces allowed. | 0:21:56 | 0:22:00 | |
Yes, go find your own antiques. | 0:22:03 | 0:22:05 | |
These are nice, I quite like these Chinese bowls | 0:22:09 | 0:22:12 | |
because, in fact, they're early. | 0:22:12 | 0:22:13 | |
This Chinese bowl is completely beaten, | 0:22:13 | 0:22:16 | |
but it was clearly admired in its heyday, | 0:22:16 | 0:22:19 | |
because back in the 1920s or '30s, | 0:22:19 | 0:22:21 | |
somebody has put these rivet staples into the body of the bowl | 0:22:21 | 0:22:27 | |
to keep it secure and to keep it alive. | 0:22:27 | 0:22:30 | |
On the exterior of the bowl, you've got this predominant green, | 0:22:30 | 0:22:35 | |
which is what we know as being famille-verte. | 0:22:35 | 0:22:38 | |
And that was a palette of Chinese colour | 0:22:38 | 0:22:41 | |
introduced at the end of the Kangxi period. | 0:22:41 | 0:22:44 | |
So, we know it's about 1700, 1720. | 0:22:44 | 0:22:47 | |
The other one, that's attractive, | 0:22:47 | 0:22:49 | |
this is what we call Chinese export market porcelain. | 0:22:49 | 0:22:53 | |
This is Qianlong in period and would date to around 1770. | 0:22:53 | 0:22:57 | |
So, this one is later, but they're quite nice. | 0:22:57 | 0:23:00 | |
The ticket price for both is £60. | 0:23:01 | 0:23:03 | |
Time for a word with shop owner, Morris. | 0:23:03 | 0:23:06 | |
-I've spotted these bowls. -OK. | 0:23:06 | 0:23:09 | |
They are beaten, they are a bit bashed. | 0:23:09 | 0:23:12 | |
How much could they be for the pair? | 0:23:12 | 0:23:14 | |
The very best price would be 35. | 0:23:14 | 0:23:17 | |
Is that your very best? | 0:23:17 | 0:23:18 | |
-Cash? -It'll be cash. | 0:23:18 | 0:23:20 | |
-Oh, yes... -£30. -Really? | 0:23:20 | 0:23:23 | |
I mean, they just are survivors, aren't they? | 0:23:23 | 0:23:26 | |
Like you and me, Morris! They're alive still. | 0:23:26 | 0:23:28 | |
Morris, I'll take them for £30. | 0:23:28 | 0:23:30 | |
And with that gentleman's agreement, Charles' shopping is concluded. | 0:23:30 | 0:23:34 | |
But has Anita made a decision? | 0:23:35 | 0:23:37 | |
You have wonderful furniture in here | 0:23:38 | 0:23:41 | |
and I have fallen in love with at least half a dozen pieces. | 0:23:41 | 0:23:45 | |
-Very good. -But I don't think I can get them | 0:23:45 | 0:23:47 | |
-in the back-seat of the Stag. -OK. | 0:23:47 | 0:23:50 | |
But these two pictures have caught my eye. | 0:23:50 | 0:23:53 | |
These are not what I would call works of art, | 0:23:53 | 0:23:57 | |
they are decorative pictures. | 0:23:57 | 0:23:59 | |
I would be looking to buy them, say, in the region of £30? | 0:23:59 | 0:24:03 | |
Is there a possibility that you could come near there? | 0:24:03 | 0:24:06 | |
-Can we get a bit nearer 40? -How near? | 0:24:06 | 0:24:09 | |
-35? -Let's go for 35. | 0:24:11 | 0:24:13 | |
Bravo! | 0:24:13 | 0:24:15 | |
And while Anita puts her booty in the boot... | 0:24:15 | 0:24:17 | |
..Charles is off down the road now to Hawick Museum, | 0:24:20 | 0:24:23 | |
for the story of Jimmy Guthrie, | 0:24:23 | 0:24:25 | |
a local man turned legendary sportsman. | 0:24:25 | 0:24:28 | |
This is a recording of his voice from 1937, | 0:24:28 | 0:24:31 | |
when he shares the thrill of his success. | 0:24:31 | 0:24:34 | |
Charles is flagging down Richard White, | 0:24:45 | 0:24:47 | |
to tell us about this Borderer | 0:24:47 | 0:24:50 | |
who was once the fastest man in the world on two wheels. | 0:24:50 | 0:24:53 | |
Who was Jimmy Guthrie? | 0:24:53 | 0:24:55 | |
Jimmy Guthrie was a local guy, born in 1897, | 0:24:55 | 0:24:59 | |
who went on to become a classic motorcycling legend | 0:24:59 | 0:25:03 | |
in the '20s and '30s. | 0:25:03 | 0:25:05 | |
His father was a famous pedal cyclist who also had motorcycles | 0:25:05 | 0:25:09 | |
and Jimmy became a dispatch rider in the trenches | 0:25:09 | 0:25:12 | |
in the Western Front in the First World War. | 0:25:12 | 0:25:14 | |
Their job was to take written information | 0:25:14 | 0:25:17 | |
between officers and commanders, possibly under shell fire. | 0:25:17 | 0:25:21 | |
And the bikes they had, although they were built lighter, | 0:25:21 | 0:25:25 | |
were still heavy to pick up and get out of a trench or whatever. | 0:25:25 | 0:25:28 | |
You had to learn how to handle those bikes to be a good dispatch rider. | 0:25:28 | 0:25:32 | |
Guthrie survived the war | 0:25:32 | 0:25:34 | |
and returned home to a family business in motor engineering. | 0:25:34 | 0:25:37 | |
But he was hooked on two wheels and joined the Hawick Motorcycle Club. | 0:25:38 | 0:25:43 | |
A teetotaller, he kept himself very fit | 0:25:43 | 0:25:45 | |
and developed his own style of riding, | 0:25:45 | 0:25:48 | |
bent far forward for maximum velocity. | 0:25:48 | 0:25:51 | |
He bought a motorbike and started sand racing. | 0:25:51 | 0:25:55 | |
-Sand racing? -Yeah. Well, on the east coast of Britain, | 0:25:55 | 0:25:59 | |
there are some famous sand racing tracks - | 0:25:59 | 0:26:01 | |
Redcar, St Andrews, Aberdeenshire - | 0:26:01 | 0:26:04 | |
and he made his name there first. | 0:26:04 | 0:26:06 | |
Was he a daredevil? | 0:26:06 | 0:26:07 | |
Well, I think he was. He was famous for his handling of Norton bikes | 0:26:07 | 0:26:12 | |
and he took corners at amazing speed. | 0:26:12 | 0:26:14 | |
He used to ride with his spanner in his boot, | 0:26:14 | 0:26:16 | |
-which was quite dangerous if you came off. -A spanner in his boot? | 0:26:16 | 0:26:19 | |
-Why? -There's photographs of him. | 0:26:19 | 0:26:20 | |
I suppose in case he had to stop and adjust the bike, I don't know. | 0:26:20 | 0:26:24 | |
But it's a dangerous thing to do. | 0:26:24 | 0:26:26 | |
In 1928, Jimmy became part of the Norton motorcycle team | 0:26:26 | 0:26:30 | |
and in 1930, won his first Isle Of Man TT, | 0:26:30 | 0:26:34 | |
which stands for Tourist Trophy, with an average speed of 64mph. | 0:26:34 | 0:26:38 | |
I can see in this room there's a tremendous number of trophies. | 0:26:40 | 0:26:43 | |
Statuettes of mercury, TT trophies won by Jimmy Guthrie | 0:26:43 | 0:26:47 | |
and two from the Spanish TT in 1933. | 0:26:47 | 0:26:51 | |
And a pewter flagon and cups from the Swiss Grand Prix in 1936. | 0:26:51 | 0:26:56 | |
We're seeing the trophies and, of course, just behind me | 0:26:56 | 0:26:59 | |
-is an actual bike... -Owned by... | 0:26:59 | 0:27:02 | |
-Owned by Guthrie. -And ridden by him. Tuned up by his brother, Archie. | 0:27:02 | 0:27:06 | |
So, this bike is probably the bike that led him into the big time. | 0:27:06 | 0:27:10 | |
A family affair, with his brother, tuned up, | 0:27:10 | 0:27:12 | |
"There you go, brother, off you go. | 0:27:12 | 0:27:14 | |
"Your fortune, your legacy, your fame awaits." | 0:27:14 | 0:27:19 | |
Guthrie was king of the race tracks through the 1930s. | 0:27:19 | 0:27:22 | |
An unassuming man, he even became the poster boy for cocoa! | 0:27:22 | 0:27:27 | |
In 1936, his success at the German Grand Prix | 0:27:27 | 0:27:30 | |
brought him perhaps his most dubious admirer. | 0:27:30 | 0:27:33 | |
The cup we have here was presented to him by Adolf Hitler, | 0:27:34 | 0:27:37 | |
the German leader at the time, | 0:27:37 | 0:27:39 | |
who we assume had wanted to give it to a German rider, | 0:27:39 | 0:27:42 | |
but that wasn't to be. | 0:27:42 | 0:27:43 | |
Adolf Hitler was a fan? | 0:27:43 | 0:27:45 | |
-I would have said so. -And, obviously, in '37, | 0:27:45 | 0:27:48 | |
that was only two years before the outbreak of another war, | 0:27:48 | 0:27:51 | |
-which of course he never saw. -No. | 0:27:51 | 0:27:53 | |
Well, in the last race, his bike crashed into trees. | 0:27:53 | 0:27:58 | |
They think it ran out of oil and he had severe injuries, | 0:27:58 | 0:28:01 | |
including a head injury. | 0:28:01 | 0:28:03 | |
Had he been leading the race? | 0:28:03 | 0:28:04 | |
He was expected to win and he was lapping a slow rider. | 0:28:04 | 0:28:09 | |
And after he died... | 0:28:09 | 0:28:11 | |
..a uniformed guard was arranged to take him to the German border, | 0:28:13 | 0:28:17 | |
escort him to the German border, | 0:28:17 | 0:28:18 | |
such was the regard that they had for him. | 0:28:18 | 0:28:20 | |
-And the esteem and honour they held him in. -Yeah. -Amazing. | 0:28:20 | 0:28:24 | |
And at home in Hawick, | 0:28:24 | 0:28:26 | |
a three-mile funeral procession paid its own tribute | 0:28:26 | 0:28:29 | |
to the town's sporting superstar. | 0:28:29 | 0:28:31 | |
Back on the road now, and stomachs are rumbling. | 0:28:35 | 0:28:38 | |
There's only one dish to eat in this countryside. | 0:28:38 | 0:28:43 | |
-Let me guess, hold on... Salmon. -Yes, that's right! | 0:28:43 | 0:28:46 | |
Or trout, Charlie! | 0:28:48 | 0:28:49 | |
So, we'll have a lovely fish to eat tonight. | 0:28:51 | 0:28:54 | |
Anita is off to her last shop of the day | 0:28:56 | 0:28:58 | |
and Charles has made a request stop by the River Tweed. | 0:28:58 | 0:29:01 | |
Anita told me she'd really like fish for dinner tonight | 0:29:03 | 0:29:06 | |
and she wants some salmon. | 0:29:06 | 0:29:08 | |
OK, I'm going in! | 0:29:08 | 0:29:10 | |
Oh, I do like to be beside the river. | 0:29:10 | 0:29:14 | |
Fishy, fishy, fishy! | 0:29:15 | 0:29:16 | |
That is not how you guddle a fish, Charles. | 0:29:16 | 0:29:19 | |
I can't see any fish. The water is so clear, | 0:29:19 | 0:29:22 | |
I can't even see a tiddler let alone a minnow. | 0:29:22 | 0:29:26 | |
It might be boring old crumpet tonight for Anita. | 0:29:28 | 0:29:32 | |
I'm sorry, Anita. | 0:29:32 | 0:29:33 | |
We'll leave Charles looking for supper, then. | 0:29:35 | 0:29:37 | |
Where's Anita got to and what's her plan? | 0:29:37 | 0:29:40 | |
I bought three items, I'm happy with all three of them. | 0:29:40 | 0:29:45 | |
I've got plenty of dosh in my pocket and I want to spend big! | 0:29:45 | 0:29:51 | |
Our big spender is headed for Innerleithen, | 0:29:51 | 0:29:55 | |
a town nestled close to the mighty River Tweed, | 0:29:55 | 0:29:58 | |
which is Walter Scott country | 0:29:58 | 0:30:00 | |
and the 19th-century writer was a frequent visitor to the spa here | 0:30:00 | 0:30:03 | |
at St Ronan's well. | 0:30:03 | 0:30:05 | |
He even used the name as the title of one of his novels. | 0:30:05 | 0:30:08 | |
No spa time for Anita though, her destination is Lulu's emporium. | 0:30:08 | 0:30:12 | |
-Hello, are you Lulu? -Hello, Anita! | 0:30:14 | 0:30:16 | |
Hi! It's lovely to meet you. | 0:30:16 | 0:30:18 | |
-And it's lovely to be back in Innerleithen. -Good. | 0:30:18 | 0:30:22 | |
Time is marching on. | 0:30:22 | 0:30:24 | |
Anita has £172 and 26p left in her purse, | 0:30:24 | 0:30:29 | |
and she needs to find auction gold. | 0:30:29 | 0:30:31 | |
Do you know, Lulu, when I was a wee girl, I had a budgie called Joey | 0:30:34 | 0:30:37 | |
and it was the spitting image of that one there. | 0:30:37 | 0:30:40 | |
This is quite interesting. This is made by the same factory, | 0:30:40 | 0:30:44 | |
the same German factory, as little Hummel figures. | 0:30:44 | 0:30:48 | |
-Oh, really? I didn't know that. -Yeah. | 0:30:48 | 0:30:51 | |
They produced the Hummel figures in 1930 | 0:30:51 | 0:30:54 | |
and it was a nun who designed, | 0:30:54 | 0:30:58 | |
who drew and designed all these little figures, | 0:30:58 | 0:31:01 | |
-and they became hugely collectable. -OK. | 0:31:01 | 0:31:04 | |
This is much later. | 0:31:04 | 0:31:06 | |
But, you know, I like it. | 0:31:06 | 0:31:08 | |
And the pretty boy is priced at £25. | 0:31:08 | 0:31:12 | |
If I was looking to buy it, | 0:31:12 | 0:31:16 | |
£25 is a bit expensive | 0:31:16 | 0:31:18 | |
and I would really be looking, you know, to maybe go about... | 0:31:18 | 0:31:22 | |
..halfway there, which would be about £12. | 0:31:23 | 0:31:27 | |
-OK. -Is that at all possible? | 0:31:27 | 0:31:30 | |
Yes, he's been sitting on his shelf for a little while, | 0:31:30 | 0:31:33 | |
so I think he can fly off to a new home. | 0:31:33 | 0:31:36 | |
-In Dumfries? -Yes! | 0:31:36 | 0:31:38 | |
-Is that OK with you, Joey? -SHE SQUAWKS | 0:31:38 | 0:31:40 | |
-Yeah, sure it is. OK, thank you very much. -Thank you! | 0:31:40 | 0:31:44 | |
This little birdie still needs one more shiny thing. | 0:31:44 | 0:31:47 | |
Happily, she can cast her beady eyes around Keepsakes Antiques, | 0:31:47 | 0:31:52 | |
just a few doors down. | 0:31:52 | 0:31:54 | |
-Margaret. Lovely to see you again. -Great to see you again! | 0:31:54 | 0:31:57 | |
Lovely to see you! | 0:31:57 | 0:31:59 | |
-I love this shop. -Aw, it's nice to have you back. | 0:31:59 | 0:32:03 | |
Can I look around and give you a wee shout? | 0:32:03 | 0:32:05 | |
-Absolutely. -Terrific. -Have a good look. | 0:32:05 | 0:32:07 | |
Margaret, I love this cabinet of silver. | 0:32:12 | 0:32:16 | |
You've got good Victorian pieces, | 0:32:17 | 0:32:21 | |
you've got a beautiful Art Nouveau dressing table set, | 0:32:21 | 0:32:25 | |
you have the first electric kettle, | 0:32:25 | 0:32:28 | |
so there's a wide range of things here. | 0:32:28 | 0:32:31 | |
But do you know what caught my eye? | 0:32:31 | 0:32:33 | |
This little photo frame. | 0:32:34 | 0:32:36 | |
When I saw it, I thought of modernist design, | 0:32:36 | 0:32:40 | |
I thought of abstract art. | 0:32:40 | 0:32:43 | |
-It is, yeah. -What is the very best that you can do? | 0:32:43 | 0:32:48 | |
-Well, will we say 25? -25? | 0:32:50 | 0:32:54 | |
Is there a wee tiny more movement on that? | 0:32:55 | 0:32:58 | |
-About 20. -20 would be absolutely fabulous. | 0:32:58 | 0:33:04 | |
That's fine. | 0:33:04 | 0:33:05 | |
It's closing time and that's our auction lots all gathered in. | 0:33:05 | 0:33:09 | |
I think she might have the budgie in her bonnet! | 0:33:09 | 0:33:13 | |
Are you exhausted, my darling? | 0:33:14 | 0:33:17 | |
I think it's all that mental energy, | 0:33:17 | 0:33:18 | |
looking at all those wonderful objects and taking it all in. | 0:33:18 | 0:33:22 | |
And they'll all be off to auction | 0:33:22 | 0:33:25 | |
and we've got that to look forward to. | 0:33:25 | 0:33:27 | |
After that catch of the day, eh? | 0:33:27 | 0:33:29 | |
And some shut-eye. | 0:33:30 | 0:33:32 | |
Robert Burns' old stamping ground of Dumfries | 0:33:35 | 0:33:38 | |
is the next stop on our road trip. | 0:33:38 | 0:33:41 | |
Charlie, our second auction. | 0:33:41 | 0:33:43 | |
I can't believe it. I know! | 0:33:43 | 0:33:46 | |
-Are you feeling excited? -Yeah, I'm always excited at an auction. | 0:33:46 | 0:33:50 | |
Anita and Charles went forth from Dunfermline, through Fife, | 0:33:51 | 0:33:55 | |
and north to Tayside, | 0:33:55 | 0:33:56 | |
before heading southwards through the Scottish Borders. | 0:33:56 | 0:34:00 | |
But will the best-laid plans for Charles and Anita | 0:34:00 | 0:34:02 | |
go awry at Dumfries auction hall today? | 0:34:02 | 0:34:05 | |
Well, Anita splashed out a total of £192 on five auction lots. | 0:34:05 | 0:34:10 | |
And Charles shelled out a wee bit less on his five lots, £182. | 0:34:12 | 0:34:17 | |
So, how do they like each other's buys? Anita? | 0:34:17 | 0:34:21 | |
This teddy bear's a darling, just like Charlie. | 0:34:21 | 0:34:25 | |
Just as cuddly. | 0:34:25 | 0:34:26 | |
At £20, he's got to make a profit on that. | 0:34:26 | 0:34:31 | |
This is Anita's silver photo frame | 0:34:31 | 0:34:33 | |
and it actually gives me the heebie-greebies. | 0:34:33 | 0:34:36 | |
The monogram concerns me, it might be something quite important | 0:34:36 | 0:34:41 | |
and might make some serious money. | 0:34:41 | 0:34:43 | |
What does today's auctioneer, David Hill, | 0:34:43 | 0:34:46 | |
think of what they bought? | 0:34:46 | 0:34:47 | |
The Chinese spoons are my particular favourite item. | 0:34:47 | 0:34:51 | |
Clearly silver, so they should sell quite well. | 0:34:52 | 0:34:56 | |
The 15-carat gold Art Nouveau brooch, that's a popular item | 0:34:56 | 0:35:00 | |
and has been looked at by a number of people. | 0:35:00 | 0:35:03 | |
I estimate that that should fetch between £50 and £100. | 0:35:03 | 0:35:08 | |
So, park yourselves and off we go. | 0:35:09 | 0:35:12 | |
OK, Charlie, here we are! A packed room. | 0:35:12 | 0:35:15 | |
This is the moment, isn't it? Hold tight, enjoy the ride, OK? | 0:35:15 | 0:35:18 | |
First up, Anita's 19th-century rural landscapes. | 0:35:20 | 0:35:24 | |
Any interest at 11, 12? | 0:35:24 | 0:35:25 | |
-Yes! -12, 13, 14, 15, 16. | 0:35:25 | 0:35:30 | |
-Is that a profit? -No. | 0:35:30 | 0:35:32 | |
-Sorry! -19, 20. | 0:35:32 | 0:35:34 | |
£20. 22? | 0:35:34 | 0:35:38 | |
-24, at the very back. -Yes. | 0:35:38 | 0:35:40 | |
He's doing well. | 0:35:40 | 0:35:42 | |
28 at the back. 29. | 0:35:42 | 0:35:43 | |
-Yes, yes, yes! -Selling for £29 only. | 0:35:43 | 0:35:46 | |
There's no further interest. | 0:35:46 | 0:35:48 | |
The oils slipped away. £6 lost there. | 0:35:50 | 0:35:54 | |
In your bag, I think that was your weakest lot | 0:35:54 | 0:35:56 | |
and I think that's not bad. | 0:35:56 | 0:35:58 | |
-Well, onwards and upwards, Charlie. -Exactly, Anita. | 0:35:58 | 0:36:01 | |
Who will enlist for Charles' wartime sweetheart brooch | 0:36:01 | 0:36:05 | |
and photograph? | 0:36:05 | 0:36:06 | |
Do we have 13? 13. 14, 14. | 0:36:06 | 0:36:09 | |
15, 15. | 0:36:09 | 0:36:10 | |
16, 17. | 0:36:10 | 0:36:12 | |
Do we have a 17? Going at 17. | 0:36:12 | 0:36:14 | |
-Go on. -18? 18. | 0:36:14 | 0:36:16 | |
-19, 19. -One for the road, sir. | 0:36:16 | 0:36:18 | |
Do we have 20? No, no. 19. | 0:36:18 | 0:36:21 | |
Selling for £19 only, on my left. | 0:36:21 | 0:36:24 | |
True love always triumphs, forever. | 0:36:26 | 0:36:28 | |
-That's life. -Well done, Charlie. | 0:36:28 | 0:36:30 | |
-Quite happy about that. -And a wee profit. -Exactly. | 0:36:30 | 0:36:33 | |
Who's a pretty boy, then? | 0:36:33 | 0:36:35 | |
What do we bid for Joey? | 0:36:35 | 0:36:37 | |
11 anywhere? 11, 11. | 0:36:37 | 0:36:39 | |
New bid at 12, 13, 14, 15, | 0:36:39 | 0:36:42 | |
16, 17, 18, 19, 20, 22, 24, 26. | 0:36:42 | 0:36:48 | |
28, 30, 32. | 0:36:48 | 0:36:50 | |
-Selling for 32, at the back of the hall. -What do I know about birds? | 0:36:51 | 0:36:55 | |
Oh, for the wings of a budgie! | 0:36:55 | 0:36:57 | |
£20 profit for Anita, well done. | 0:36:57 | 0:36:59 | |
Well, there you are, Charlie. | 0:36:59 | 0:37:01 | |
Anita, I kid you not, that bird was not cheap, cheap! | 0:37:01 | 0:37:04 | |
Cheeps to chips. | 0:37:05 | 0:37:06 | |
It's Charles' 18th-century Chinese bowls now. | 0:37:06 | 0:37:09 | |
Any interest at 32? | 0:37:09 | 0:37:11 | |
-Hello. -32. 35 with me. -Go on! | 0:37:11 | 0:37:14 | |
36, anyone? 36 at the back. | 0:37:14 | 0:37:17 | |
38. 40. Do we have 40? | 0:37:17 | 0:37:19 | |
41. 42, 42. 43. Would you bid 43? | 0:37:19 | 0:37:24 | |
-42. -Oh, it's tough, Anita. | 0:37:24 | 0:37:26 | |
I'm happy, I can't grumble with that. | 0:37:26 | 0:37:28 | |
No further bidders. | 0:37:28 | 0:37:30 | |
No, you can't. £12 to you, sir. | 0:37:30 | 0:37:33 | |
-Well done, Charlie. Well done. -Anita, it's one big... | 0:37:33 | 0:37:36 | |
-You bought with your heart and it paid off. -Yeah, exactly. | 0:37:36 | 0:37:39 | |
Will there be much ado about Anita's | 0:37:39 | 0:37:42 | |
leather-bound volumes of Shakespeare now? | 0:37:42 | 0:37:44 | |
Looking for 35 anywhere. 35. 38. | 0:37:44 | 0:37:48 | |
-Go on. -40, do we have 40? -That's OK. | 0:37:48 | 0:37:50 | |
45. 50. Do we have 50? | 0:37:50 | 0:37:52 | |
50, 55, 60, 65. | 0:37:52 | 0:37:57 | |
Selling for £65, at the very back. | 0:37:57 | 0:38:00 | |
Love's labour's lost Anita £25, methinks. | 0:38:00 | 0:38:04 | |
Well, again, I've made a loss, but it could have been a lot worse. | 0:38:04 | 0:38:10 | |
A lot worse! | 0:38:10 | 0:38:11 | |
Next up, will the Crown Derby plaque, | 0:38:11 | 0:38:14 | |
which reminded Charles of home, appeal in Dumfries? | 0:38:14 | 0:38:17 | |
Start the bidding at £10. Any interest at 10? | 0:38:17 | 0:38:20 | |
A bid at 10. 11, anyone? 11. | 0:38:20 | 0:38:22 | |
-Let's go! -12, 13, 14, 15, 16. | 0:38:22 | 0:38:25 | |
No? 15 at the back. | 0:38:25 | 0:38:28 | |
Looking for 16 anywhere. | 0:38:28 | 0:38:30 | |
New bidder, 16. | 0:38:30 | 0:38:31 | |
-17, 18, 19, 20, 22, 24. -Come on! | 0:38:31 | 0:38:35 | |
A bid at 24. | 0:38:35 | 0:38:38 | |
-26, 28. -Here we go, we're moving a bit now. | 0:38:38 | 0:38:41 | |
-30. 32. 35, 35. -Go on! | 0:38:41 | 0:38:45 | |
-38, 40. -Go on. -45, 50. | 0:38:45 | 0:38:49 | |
45. | 0:38:49 | 0:38:51 | |
Selling for £45 only. | 0:38:51 | 0:38:53 | |
He's doubled his money! There's no place like home. | 0:38:54 | 0:38:57 | |
I'm really happy because it was such quality, hand-painted by Dean, | 0:38:57 | 0:39:03 | |
I'm over the moon. | 0:39:03 | 0:39:05 | |
Time now for Anita's silver teaspoons to stir up some interest. | 0:39:05 | 0:39:09 | |
20, 22. | 0:39:09 | 0:39:11 | |
24. | 0:39:11 | 0:39:13 | |
26, 28. 30, 32. | 0:39:13 | 0:39:17 | |
-Well done. -Come on, come on. | 0:39:17 | 0:39:19 | |
38, 40. Do we have 40 anywhere? | 0:39:19 | 0:39:21 | |
40. Selling for £40 only. | 0:39:22 | 0:39:25 | |
A modest £5 profit there. | 0:39:27 | 0:39:29 | |
Well, it's licked its face. | 0:39:29 | 0:39:32 | |
Well, the next lot is Charles's Art Nouveau pendant or brooch. | 0:39:32 | 0:39:36 | |
-Auction gold? -Start the bidding with me at £5, looking for £6 anywhere. | 0:39:36 | 0:39:40 | |
-Six. -Oh, it's tough. -Seven, eight, nine, ten, 11, 12, 13, 14. | 0:39:40 | 0:39:45 | |
-Now with you, sir, for 14. 15. -We've got a long way to go! | 0:39:45 | 0:39:49 | |
16, 17, 18, 19, 20. | 0:39:49 | 0:39:53 | |
22, 24. | 0:39:53 | 0:39:54 | |
-Keep going... -26, 28. | 0:39:54 | 0:39:57 | |
New bidder, 30. | 0:39:57 | 0:39:58 | |
32, 35, 38, 40, 45, | 0:39:58 | 0:40:04 | |
50, 55, 60. | 0:40:04 | 0:40:06 | |
It's with you now, sir, for 60. | 0:40:06 | 0:40:08 | |
-New bidder. -Come on, keep going! -65, 70. | 0:40:08 | 0:40:12 | |
-Come on, Charlie. -70, at the front here. | 0:40:12 | 0:40:14 | |
All done now, selling for £70 at the front. | 0:40:14 | 0:40:17 | |
It glittered, but not brightly enough. | 0:40:19 | 0:40:21 | |
Oh, Charlie, that was... | 0:40:21 | 0:40:23 | |
Frenetic. | 0:40:23 | 0:40:25 | |
That was very stressful. | 0:40:26 | 0:40:28 | |
I feel good! I feel as though I came out the other end in one piece | 0:40:28 | 0:40:32 | |
-and that's key. I'm alive still. -Yeah. | 0:40:32 | 0:40:35 | |
Anita's photo frame is next under the gavel. | 0:40:35 | 0:40:38 | |
Any bids at £10? | 0:40:38 | 0:40:40 | |
-At 10. -All these hands going up. | 0:40:40 | 0:40:43 | |
£11, 11 at the back. | 0:40:43 | 0:40:44 | |
12, 13, 14, 15, 16, 17, 18, 19, 20. | 0:40:44 | 0:40:50 | |
22, 24, 26, 28. | 0:40:50 | 0:40:53 | |
30, 32. 38, 38. | 0:40:54 | 0:40:58 | |
40, 45, | 0:40:58 | 0:41:01 | |
50, 55. | 0:41:01 | 0:41:04 | |
Selling for £50. | 0:41:05 | 0:41:07 | |
What a picture! £30 profit, eh? | 0:41:07 | 0:41:11 | |
-You've doubled up. -Look at me! | 0:41:11 | 0:41:13 | |
I'm really impressed. | 0:41:13 | 0:41:15 | |
At last, it was teddy's turn. | 0:41:15 | 0:41:17 | |
He hoped that someone would think he was a very, | 0:41:17 | 0:41:20 | |
very valuable bear indeed. | 0:41:20 | 0:41:21 | |
-Honey, anyone? -£10 for a teddy bear. | 0:41:21 | 0:41:24 | |
Give him a life, go on, he's over there. | 0:41:24 | 0:41:26 | |
13, 13. £13. | 0:41:26 | 0:41:28 | |
14, 15, 16, 17, 18, 19, 20. | 0:41:28 | 0:41:32 | |
New bidder, 22, 24. | 0:41:32 | 0:41:34 | |
-Go on! -26, 28. 28, 30, 32, 35. | 0:41:34 | 0:41:39 | |
Go on. He's gorgeous! | 0:41:39 | 0:41:40 | |
Selling for £38 for the teddy bear. | 0:41:40 | 0:41:43 | |
Teddy looks solemn, but inside, he was a very, very happy bear. | 0:41:44 | 0:41:49 | |
Charlie, we've worked hard this morning. | 0:41:49 | 0:41:52 | |
-I'm hoping we've both come out smelling of roses. -Yeah. | 0:41:52 | 0:41:56 | |
-HE SNIFFS -It's a bit musty in here. | 0:41:56 | 0:41:58 | |
-Shall we go for a cup of tea? Come on! -Let's go for a cup of tea. | 0:41:58 | 0:42:02 | |
Builder's strength with extra sugar, I think. | 0:42:02 | 0:42:05 | |
Anita started with £332.26, | 0:42:05 | 0:42:09 | |
but after fees, she made a loss today of £14.88. | 0:42:09 | 0:42:13 | |
This leaves her with £317.38. | 0:42:13 | 0:42:17 | |
While Charles set off with £223.86. | 0:42:19 | 0:42:23 | |
He lost the least today, ie £6.52 after auction costs. | 0:42:23 | 0:42:30 | |
We declare him the winner this time with £217.34. | 0:42:30 | 0:42:35 | |
-I think this was Charlie's auction. -Get out of here. -Pipped to the post. | 0:42:35 | 0:42:39 | |
Follow my lead. You're buying the tea. | 0:42:39 | 0:42:41 | |
Come on, Anita, a little skip and a hop. | 0:42:41 | 0:42:44 | |
A little twirl as well! | 0:42:44 | 0:42:46 | |
And the merry dance will continue on another antiques adventure. | 0:42:46 | 0:42:50 | |
Breathe in the smell of the countryside | 0:42:51 | 0:42:54 | |
as the journey continues. | 0:42:54 | 0:42:55 | |
-Oh! -Have you passed wind?! | 0:42:55 | 0:42:59 | |
Take me back to the city. | 0:42:59 | 0:43:00 | |
I can't breathe! | 0:43:00 | 0:43:02 | |
Charles goes native in Lakeland. | 0:43:02 | 0:43:04 | |
Oh! | 0:43:06 | 0:43:07 | |
And Anita gets her hands on the man of her dreams...or nightmares. | 0:43:07 | 0:43:12 | |
I usually like men with a bit more meat on their bones. | 0:43:12 | 0:43:16 | |
But I kind of like this guy, he's fun! | 0:43:16 | 0:43:19 |