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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job. -..with £200 each, | 0:00:04 | 0:00:06 | |
a classic car... | 0:00:06 | 0:00:08 | |
-Buckle up. -..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
Oh, sorry. | 0:00:12 | 0:00:13 | |
Ha-ha! | 0:00:13 | 0:00:14 | |
The aim, to make the biggest profit at auction. | 0:00:14 | 0:00:17 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:36 | |
-Charlie? -Yes. -Where do you think this wee lane is taking us to? | 0:00:36 | 0:00:39 | |
I think it's taking us to, maybe, a manure heap, | 0:00:39 | 0:00:41 | |
because that smell, Anita. | 0:00:41 | 0:00:43 | |
Oh, Charlie. | 0:00:43 | 0:00:45 | |
Have you passed wind? | 0:00:45 | 0:00:47 | |
-Take me back to the city! -I can't breathe! | 0:00:47 | 0:00:50 | |
Pinch your noses. | 0:00:50 | 0:00:52 | |
Anita Manning and Charles Hanson, | 0:00:52 | 0:00:54 | |
our fragrant finders of antiques gold, | 0:00:54 | 0:00:57 | |
are back on the road, hoping for the sweet smell of success. | 0:00:57 | 0:01:01 | |
I'm not complacent, Charlie. | 0:01:01 | 0:01:03 | |
-No. -But I could be tempted to be a bit adventurous. | 0:01:03 | 0:01:08 | |
If I was an antique, and you looked at me, what would you think of me? | 0:01:08 | 0:01:11 | |
Would you buy me, for example? | 0:01:11 | 0:01:12 | |
I think I'd say, I'd have him! | 0:01:12 | 0:01:15 | |
THEY LAUGH | 0:01:15 | 0:01:16 | |
He's caught my eye. | 0:01:16 | 0:01:18 | |
A bit unusual. A wee bit quirky. | 0:01:18 | 0:01:21 | |
And I'd say you're full of colour. | 0:01:21 | 0:01:24 | |
In nice condition. | 0:01:24 | 0:01:25 | |
Oh, Charlie, we're like a mutual admiration society. | 0:01:25 | 0:01:30 | |
Mirror, mirror, on the wall... | 0:01:30 | 0:01:32 | |
Charles made a small loss in the saleroom last time, | 0:01:35 | 0:01:37 | |
and is still on the back foot with £217.34. | 0:01:37 | 0:01:41 | |
Anita also had a wee hiccup at the last auction, | 0:01:43 | 0:01:47 | |
but is still ahead with a healthy £317.38 to spend this time. | 0:01:47 | 0:01:52 | |
Our 1972 Triumph Stag is looking good, and by their own admission, | 0:01:54 | 0:01:59 | |
so are our experts. | 0:01:59 | 0:02:01 | |
I love that suit there. Is that out of the movies? | 0:02:02 | 0:02:05 | |
Do you like my suit, seriously? | 0:02:05 | 0:02:06 | |
Charlie, I think you're absolutely lovely today. | 0:02:06 | 0:02:10 | |
-Are you being serious? -Your mammy would be proud of you. | 0:02:10 | 0:02:13 | |
THEY LAUGH | 0:02:13 | 0:02:15 | |
Aw, look at that, Charles and Anita were waved off from Kilbarchan, | 0:02:15 | 0:02:20 | |
and are touring the byways of the Scottish Borders and Cumbria | 0:02:20 | 0:02:23 | |
before a final auction in North Shields. | 0:02:23 | 0:02:26 | |
Today, they are circling the Lakes, | 0:02:26 | 0:02:28 | |
and skirting the Solway | 0:02:28 | 0:02:29 | |
before heading north to auction in Rosewell, | 0:02:29 | 0:02:32 | |
near Edinburgh. But the first port of call is Keswick, | 0:02:32 | 0:02:35 | |
where Anita has dropped off Charles for his first shop of the day. | 0:02:35 | 0:02:40 | |
Now, this Lakeland town | 0:02:40 | 0:02:42 | |
is associated with romantic writers and artists. | 0:02:42 | 0:02:46 | |
In the 19th century, this was the centre of pencil manufacturing. | 0:02:46 | 0:02:50 | |
Hopefully, Charles will be drawing inspiration today, | 0:02:50 | 0:02:53 | |
from his first shop, | 0:02:53 | 0:02:54 | |
Keswick Collectables. | 0:02:54 | 0:02:56 | |
-Good morning. -Hello. | 0:02:56 | 0:02:59 | |
-How are you? -What a fine day. | 0:02:59 | 0:03:00 | |
It's Keswick, it's always like this. | 0:03:01 | 0:03:03 | |
Oh, the sun shines on the righteous, eh? | 0:03:03 | 0:03:06 | |
What's the plan then, Charles? | 0:03:06 | 0:03:08 | |
At the moment, I am feeling the pressure. | 0:03:08 | 0:03:10 | |
Anita is ahead. | 0:03:10 | 0:03:13 | |
And I've got to try and catch her. | 0:03:13 | 0:03:17 | |
Am I feeling confident? | 0:03:18 | 0:03:19 | |
It could happen like that. | 0:03:19 | 0:03:21 | |
Suddenly, out of nowhere, can be that object, | 0:03:21 | 0:03:25 | |
that can be very much a story of rags to riches. | 0:03:25 | 0:03:28 | |
I'm hoping it might happen. | 0:03:28 | 0:03:31 | |
Dreams do come true. | 0:03:31 | 0:03:33 | |
They do. | 0:03:33 | 0:03:34 | |
Mark, being in Keswick, of course, | 0:03:34 | 0:03:37 | |
what Keswick is renowned for is things like this, isn't it? | 0:03:37 | 0:03:41 | |
The Keswick School of Art, yeah. | 0:03:41 | 0:03:42 | |
Keswick School of Art. | 0:03:42 | 0:03:43 | |
The Keswick School of Art, I suppose, goes back to, what? | 0:03:43 | 0:03:47 | |
The period of the Art Nouveau? | 0:03:47 | 0:03:49 | |
-Oh, yeah, yeah. -The 1890s, 1900s? | 0:03:49 | 0:03:52 | |
Yeah, if you're wanting an expert | 0:03:52 | 0:03:53 | |
you're probably not talking to quite the right chap, | 0:03:53 | 0:03:55 | |
but I know quite a bit about it. | 0:03:55 | 0:03:58 | |
The school itself was about, just a few hundred yards down the street. | 0:03:58 | 0:04:01 | |
This was the sort of stuff they made. | 0:04:01 | 0:04:03 | |
Copper being one of the more popular, | 0:04:03 | 0:04:05 | |
slightly more popular than brass. | 0:04:05 | 0:04:07 | |
It's lovely, but at £225, it's a tad expensive for Charles. | 0:04:07 | 0:04:12 | |
Any other shiny things with his name on them? | 0:04:12 | 0:04:15 | |
Mark, this old napkin ring here, I quite like. | 0:04:15 | 0:04:17 | |
-Not a problem. I'll just get... -May I just fish it out? | 0:04:17 | 0:04:21 | |
And it's Birmingham, 1890 something. | 0:04:21 | 0:04:23 | |
What happened in 1897, I'll test you? | 0:04:23 | 0:04:25 | |
You're talking to... | 0:04:26 | 0:04:27 | |
If I give you a clue, 60 years for Queen and country. | 0:04:27 | 0:04:30 | |
Oh, is it sort of commemorative, by any chance? | 0:04:30 | 0:04:32 | |
Well, Queen Victoria. | 0:04:32 | 0:04:33 | |
-I should know these things, really. -Are you an Englishman? -Yes. | 0:04:33 | 0:04:36 | |
Queen Victoria celebrated 60 years on the throne. | 0:04:36 | 0:04:38 | |
Of course, I was just about to say that. | 0:04:38 | 0:04:41 | |
The reason I like it is, we are going to Edinburgh, | 0:04:41 | 0:04:43 | |
and I suspect these might be | 0:04:43 | 0:04:45 | |
little Scottish cornelian and different agate stones. | 0:04:45 | 0:04:49 | |
Inset onto silver. | 0:04:49 | 0:04:52 | |
It may have been one of six, | 0:04:52 | 0:04:54 | |
but the quality of this napkin ring is exquisite. | 0:04:54 | 0:04:56 | |
It's hallmarked Birmingham, with the anchor, it's 1897. | 0:04:56 | 0:05:00 | |
It is priced at £75. | 0:05:00 | 0:05:03 | |
Again... | 0:05:03 | 0:05:04 | |
Start to get a feel for where I am. | 0:05:05 | 0:05:07 | |
What would be the best price on that, out of interest? | 0:05:07 | 0:05:09 | |
Well, we've had Anita in before, | 0:05:09 | 0:05:11 | |
so I don't know where my allegiances lie. | 0:05:11 | 0:05:12 | |
But... As you're in with me this time, | 0:05:12 | 0:05:14 | |
and I want you to have a good chance, | 0:05:14 | 0:05:16 | |
you can have it for 35. | 0:05:16 | 0:05:17 | |
And I'm going to have 90% of Scotland against me | 0:05:17 | 0:05:20 | |
for saying that, but... | 0:05:20 | 0:05:21 | |
Can I mental-note it? Yes, you can. | 0:05:21 | 0:05:23 | |
Put it onto your desk? | 0:05:23 | 0:05:24 | |
-I'll put it on my desk. -For food for thought, that would be kind, | 0:05:24 | 0:05:27 | |
thank you very much, Mark, I'll come back to you. | 0:05:27 | 0:05:30 | |
Sterling work, eh? | 0:05:30 | 0:05:31 | |
Now, what's the story with our Silver Darling out and about, | 0:05:32 | 0:05:36 | |
soaking up the glorious scenery? | 0:05:36 | 0:05:38 | |
I love the Lake District. | 0:05:39 | 0:05:42 | |
Land of the Romantic poets and Beatrix Potter. | 0:05:42 | 0:05:45 | |
And a wonderful landscape. | 0:05:45 | 0:05:48 | |
The sun is shining, the sky is blue, the wee car is driving like a dream. | 0:05:48 | 0:05:55 | |
You couldn't get much better than this. | 0:05:55 | 0:05:57 | |
No, you couldn't. Anita's travelling south to Kendal. | 0:05:57 | 0:06:01 | |
And her first stop today is The Antiques Emporium. | 0:06:01 | 0:06:05 | |
Hello. I'm Anita. | 0:06:07 | 0:06:08 | |
How nice to see you. | 0:06:08 | 0:06:10 | |
This looks fabulous. | 0:06:10 | 0:06:11 | |
-Thank you. -You've got a bit of everything here. | 0:06:11 | 0:06:14 | |
Oh, we hope so. | 0:06:14 | 0:06:16 | |
And a little bit of what you fancy does you good, eh? | 0:06:16 | 0:06:19 | |
Zut alors! How about a verse of The Marseillaise? | 0:06:21 | 0:06:26 | |
Come on, now, let's get serious. | 0:06:29 | 0:06:31 | |
I usually like men with a bit more meat on their bones, | 0:06:33 | 0:06:37 | |
but I kind of like this guy. | 0:06:37 | 0:06:40 | |
He's fun. Headless, unfortunately. | 0:06:40 | 0:06:44 | |
This isn't a real skeleton, of course. | 0:06:44 | 0:06:46 | |
And it would possibly have been a teaching aid at medical school. | 0:06:46 | 0:06:52 | |
The sale of human skeletons is strictly prohibited these days, | 0:06:52 | 0:06:56 | |
thank goodness. | 0:06:56 | 0:06:57 | |
But as the science of osteology developed in the 17th century, | 0:06:57 | 0:07:01 | |
there grew up a thriving trade. | 0:07:01 | 0:07:04 | |
Gruesome. | 0:07:04 | 0:07:05 | |
Wouldn't he make an interesting conversation piece | 0:07:05 | 0:07:10 | |
at your dinner parties? | 0:07:10 | 0:07:11 | |
I don't know what sort of dinner parties she goes to. | 0:07:12 | 0:07:16 | |
He is priced | 0:07:16 | 0:07:18 | |
at £125. | 0:07:18 | 0:07:21 | |
I think I would like to take him to the auction. | 0:07:21 | 0:07:25 | |
But I've got to get the price down. | 0:07:25 | 0:07:27 | |
Cue Chris. | 0:07:27 | 0:07:29 | |
I'd like to pay... | 0:07:29 | 0:07:30 | |
..in the region of £50 or £60. | 0:07:32 | 0:07:36 | |
-Now, I know that's a big jump down. -It is a big jump down. | 0:07:36 | 0:07:39 | |
So you've got to... | 0:07:39 | 0:07:40 | |
You've got to tell me. | 0:07:41 | 0:07:43 | |
I'll have to go and ask the dealer. | 0:07:43 | 0:07:44 | |
Right, can Anita secure the skeleton for half price from dealer Denise? | 0:07:44 | 0:07:49 | |
I like him. I know that he isn't the real deal, | 0:07:49 | 0:07:52 | |
that he hasn't been dug up by Burke and Hare. | 0:07:52 | 0:07:55 | |
But I would like to pay between £50 and £60. | 0:07:55 | 0:07:58 | |
Is that too far down? | 0:07:58 | 0:08:01 | |
-TELEPHONE: -It is a bit. | 0:08:01 | 0:08:03 | |
I'll tell you what, Anita. You can have it at 65. | 0:08:03 | 0:08:07 | |
65, Denise, you are wonderful. | 0:08:07 | 0:08:10 | |
You're wonderful. And I'd love to meet you, | 0:08:10 | 0:08:12 | |
because we've obviously got the same taste in men. | 0:08:12 | 0:08:16 | |
What? I don't fancy yours much, love. | 0:08:16 | 0:08:19 | |
Denise was lovely. £65. | 0:08:19 | 0:08:21 | |
She is smashing. | 0:08:21 | 0:08:23 | |
And I've got a new boyfriend! | 0:08:23 | 0:08:25 | |
Looks like she's not done yet, though. | 0:08:26 | 0:08:28 | |
What we have are a pair of little salt dishes. | 0:08:28 | 0:08:33 | |
They are in the form of little oak tubs, | 0:08:33 | 0:08:36 | |
and they are bound by silver plate. | 0:08:36 | 0:08:38 | |
It would be lovely if it was silver. | 0:08:38 | 0:08:42 | |
But I think they would be a lot more expensive | 0:08:42 | 0:08:44 | |
if they were hallmarked silver. | 0:08:44 | 0:08:47 | |
What makes them especially sweet, are the little spoons | 0:08:47 | 0:08:52 | |
in the form of a shovel. | 0:08:52 | 0:08:55 | |
They are probably late 19th, early 20th century. | 0:08:55 | 0:08:59 | |
And we've got a pair, so that one can sit at each end of the table. | 0:08:59 | 0:09:05 | |
Price ticket is £68. | 0:09:05 | 0:09:07 | |
Maybe a wee bit dear. | 0:09:09 | 0:09:11 | |
But if I can get a wee bit off, well... | 0:09:11 | 0:09:14 | |
They are so unusual that, um, | 0:09:14 | 0:09:18 | |
I might be in with a chance. | 0:09:18 | 0:09:19 | |
Chris, I thought these were lovely. | 0:09:19 | 0:09:21 | |
I noticed them earlier on. | 0:09:21 | 0:09:23 | |
My eye was drawn to them. | 0:09:23 | 0:09:24 | |
They are quite unusual. | 0:09:24 | 0:09:26 | |
They are, they're sweet, aren't they? | 0:09:26 | 0:09:27 | |
-They're very, very sweet. -Yes. | 0:09:27 | 0:09:29 | |
Is there anything we can do on the price? | 0:09:29 | 0:09:31 | |
I have a little bit of movement on them. | 0:09:31 | 0:09:35 | |
What about 60? | 0:09:35 | 0:09:37 | |
Is 50 possible? | 0:09:37 | 0:09:38 | |
I think that's a bit too far. | 0:09:38 | 0:09:40 | |
Too far? 55. | 0:09:40 | 0:09:42 | |
Mm, I would have liked 60, but, go on, as it's you. | 0:09:42 | 0:09:46 | |
We'll do 55. They are so sweet, they're irresistible. | 0:09:46 | 0:09:50 | |
-They are. -So I'll collect my new boyfriend on the way out. | 0:09:50 | 0:09:54 | |
OK, I'd treat him to a meal if I was you! | 0:09:54 | 0:09:56 | |
-Thanks, Chris. -He could do with fattening up. | 0:09:56 | 0:09:59 | |
Anita's purse is now £120 lighter, | 0:09:59 | 0:10:02 | |
and with her passenger safely strapped in... | 0:10:02 | 0:10:04 | |
OK, darling, buckle up. | 0:10:04 | 0:10:07 | |
..she's back off up north. | 0:10:07 | 0:10:09 | |
Meanwhile, time to see | 0:10:12 | 0:10:13 | |
how our other lean machine is getting on in Keswick. | 0:10:13 | 0:10:16 | |
I quite like the little bowl. | 0:10:16 | 0:10:18 | |
That's quite interesting, isn't it? | 0:10:18 | 0:10:20 | |
You've got a good eye, there, Charles. | 0:10:20 | 0:10:21 | |
Is it... Do you think so? | 0:10:21 | 0:10:23 | |
I think it's a really nice piece, yeah. | 0:10:23 | 0:10:24 | |
-Yeah. -The reason I like this is, it's well-chiselled. | 0:10:24 | 0:10:28 | |
And if you look at the depth of detail, | 0:10:28 | 0:10:31 | |
we've got this almost design in relief, | 0:10:31 | 0:10:34 | |
which is florid, it's organic. | 0:10:34 | 0:10:35 | |
We've got these beautiful sprays on this fairly, | 0:10:35 | 0:10:39 | |
what you might call matt-textured ground. | 0:10:39 | 0:10:42 | |
Over the years, it's become quite dirty, and that's quite nice to see. | 0:10:42 | 0:10:46 | |
I suspect this is probably Indian silver. It could be 1895, | 0:10:46 | 0:10:51 | |
it could be as late as 1905. | 0:10:51 | 0:10:54 | |
I would sell it to you for £40. | 0:10:54 | 0:10:56 | |
-Would you really? -Mm. | 0:10:56 | 0:10:57 | |
Yeah, I like that. | 0:10:57 | 0:10:59 | |
I will put him with my napkin ring... | 0:10:59 | 0:11:02 | |
-Excellent. -..as a maybe. | 0:11:02 | 0:11:04 | |
-Thank you. -No problem. -Do you mind if I keep digging? | 0:11:04 | 0:11:07 | |
-No, no. -I'm digging for victory, quite literally. | 0:11:07 | 0:11:10 | |
Finding my treasure. | 0:11:10 | 0:11:11 | |
One thing, one thing, I quite like, Mark, is this here. | 0:11:11 | 0:11:14 | |
I picked this out of the box, because this is probably Art Deco. | 0:11:14 | 0:11:18 | |
-Yeah. -1920s. | 0:11:18 | 0:11:19 | |
Yeah. | 0:11:19 | 0:11:21 | |
I'll tell you what. If you are taking those two for 35 and 40, | 0:11:22 | 0:11:27 | |
I'll throw you that one in. | 0:11:27 | 0:11:28 | |
Very generous! But what is it? | 0:11:28 | 0:11:31 | |
You've got a thimble... | 0:11:31 | 0:11:33 | |
end, like that, and, of course, inside, | 0:11:33 | 0:11:37 | |
you've got the reel for your different cottons, | 0:11:37 | 0:11:40 | |
although that is silver-plated. | 0:11:40 | 0:11:45 | |
Ah, so a sewing kit? | 0:11:45 | 0:11:48 | |
You'll see the engine-turned... | 0:11:48 | 0:11:50 | |
..silver casing, and the enamel that, sadly, has dissipated. | 0:11:51 | 0:11:56 | |
Although the remnants of the enamel are still on there. | 0:11:56 | 0:12:00 | |
But just on the outer edge here, very indistinct, | 0:12:00 | 0:12:04 | |
there's a silver hallmark. | 0:12:04 | 0:12:05 | |
I feel now it's time to make some decisions. | 0:12:05 | 0:12:08 | |
The best you said on the bowl was 40. | 0:12:08 | 0:12:11 | |
40 on that one, yeah. | 0:12:11 | 0:12:12 | |
The napkin ring, 35. | 0:12:12 | 0:12:15 | |
And would you throw that one in, as well? | 0:12:15 | 0:12:17 | |
-Yeah. -Are you happy with that? -75 for the three, yeah. | 0:12:17 | 0:12:20 | |
So what I might do then, for auction, is make two lots. | 0:12:20 | 0:12:24 | |
I might put the Scottish napkin ring together, | 0:12:24 | 0:12:28 | |
and thread through my little sewing requisite lot. | 0:12:28 | 0:12:32 | |
It is silver, so that's two lots at £75. | 0:12:32 | 0:12:37 | |
-That's business. -Smashing. | 0:12:37 | 0:12:39 | |
-Going, going... -Gone. -Sold! | 0:12:39 | 0:12:41 | |
That's great. | 0:12:41 | 0:12:42 | |
Two silvery lots for auction for a bit of a song. | 0:12:42 | 0:12:46 | |
Nice work. | 0:12:46 | 0:12:47 | |
HE HUMS | 0:12:47 | 0:12:49 | |
In the meanwhile, Anita has driven north to Penrith, | 0:12:49 | 0:12:53 | |
a route trodden by Romans 2,000 years ago. | 0:12:53 | 0:12:56 | |
The roads might not be so straight these days, | 0:12:56 | 0:12:58 | |
but they are a lot less bumpy, | 0:12:58 | 0:13:00 | |
as she heads to her next antiques emporium. | 0:13:00 | 0:13:03 | |
The Brunswick Yard. | 0:13:03 | 0:13:05 | |
-Hi, I'm Anita. -Hi, there. I'm Adam. | 0:13:05 | 0:13:07 | |
-Welcome. -This is a fascinating antiques centre. | 0:13:07 | 0:13:10 | |
There's plenty going on here. | 0:13:10 | 0:13:12 | |
Everything from a few hundred, even thousand pounds, down to 50p. | 0:13:12 | 0:13:16 | |
Something for 50p would be good. | 0:13:16 | 0:13:17 | |
This is quite an interesting little child's chair. | 0:13:20 | 0:13:23 | |
It's a nice wee thing. It is a child's potty chair. | 0:13:23 | 0:13:27 | |
For potty training. | 0:13:27 | 0:13:29 | |
This would date from the early part of the 20th century, | 0:13:29 | 0:13:32 | |
late part of the 19th century. | 0:13:32 | 0:13:34 | |
And look at this here. | 0:13:34 | 0:13:36 | |
The poor wee soul was locked into the potty chair, | 0:13:36 | 0:13:42 | |
until he or she performed. | 0:13:42 | 0:13:45 | |
I don't know if I like that, but it's quite interesting. | 0:13:45 | 0:13:48 | |
I wonder how many "p" that would be! | 0:13:48 | 0:13:51 | |
Oh, she's moving on. | 0:13:51 | 0:13:53 | |
I've spotted this pair of candlesticks. | 0:13:53 | 0:13:55 | |
I think they are silver plate, could be aluminium. | 0:13:55 | 0:13:58 | |
They are in that case, and they are very much in the modernist style. | 0:13:58 | 0:14:05 | |
They are not to everyone's taste, | 0:14:05 | 0:14:07 | |
but I think that they've got a lot of style. | 0:14:07 | 0:14:09 | |
They are priced at £30, which is not a lot of money. | 0:14:09 | 0:14:13 | |
We're going to have a look at them. | 0:14:13 | 0:14:15 | |
Adam's your man. | 0:14:15 | 0:14:17 | |
I thought that they might appeal to the younger set. | 0:14:17 | 0:14:20 | |
Because they have that modernist look. | 0:14:20 | 0:14:22 | |
But they could be from, maybe, the 1930s, '40s. | 0:14:24 | 0:14:27 | |
They've got that kind of look about them, haven't they? | 0:14:27 | 0:14:29 | |
They've got that kind of look. They've got that kind of look. | 0:14:29 | 0:14:32 | |
Can these be bought... | 0:14:32 | 0:14:33 | |
..for £18? | 0:14:36 | 0:14:38 | |
The simple answer is no. | 0:14:38 | 0:14:39 | |
27 would be dead best. | 0:14:39 | 0:14:41 | |
I think I'm going to go for them. | 0:14:41 | 0:14:43 | |
-27, thank you very much. -Deal. | 0:14:43 | 0:14:45 | |
Thank you. | 0:14:45 | 0:14:46 | |
Well, they are not Liberace, | 0:14:46 | 0:14:48 | |
but they might shine for you at auction. | 0:14:48 | 0:14:51 | |
CAR SCREECHES | 0:14:51 | 0:14:53 | |
Oh, that will be her off then! | 0:14:53 | 0:14:54 | |
Meanwhile, Charles has also made his way to Penrith, | 0:14:56 | 0:14:59 | |
where he's about to get to grips with a sport | 0:14:59 | 0:15:01 | |
people in these parts take great pride in - | 0:15:01 | 0:15:04 | |
Cumberland, or Westmorland wrestling. | 0:15:04 | 0:15:07 | |
In Victorian times, | 0:15:07 | 0:15:08 | |
this form of combat became a hugely popular alternative | 0:15:08 | 0:15:12 | |
to bare knuckle fighting and boxing. | 0:15:12 | 0:15:14 | |
At Penrith and Eden Museum our very own Big Daddy | 0:15:14 | 0:15:19 | |
is going to get the lowdown from curator Corinna Leenen. | 0:15:19 | 0:15:22 | |
What was unique about this form of wrestling? | 0:15:22 | 0:15:24 | |
It was always played on grass. | 0:15:24 | 0:15:26 | |
And then the opponents would face each other, | 0:15:26 | 0:15:29 | |
and then hold each other around the waist, like this. | 0:15:29 | 0:15:31 | |
-OK. -Interlock their hands | 0:15:31 | 0:15:34 | |
-around the back. -Yes. | 0:15:34 | 0:15:35 | |
And then try and topple each other. | 0:15:35 | 0:15:37 | |
So I would, literally, try and do that, and try and push you over? | 0:15:37 | 0:15:40 | |
Yes. Yes, you want a nice, tight grip, | 0:15:40 | 0:15:42 | |
because that was one of the rules, | 0:15:42 | 0:15:44 | |
you would lose if your hand slips and your grip opens. | 0:15:44 | 0:15:48 | |
The other way you could lose during the match | 0:15:48 | 0:15:51 | |
was if any of your body parts, other than your feet, touched the ground. | 0:15:51 | 0:15:54 | |
The real Big Daddy of this wrestling was local man William Jameson, | 0:15:54 | 0:15:58 | |
a Penrith joiner by trade, | 0:15:58 | 0:16:00 | |
who reigned supreme from the 1850s to the 1870s, | 0:16:00 | 0:16:04 | |
when betting on big-prize bouts attracted huge crowds. | 0:16:04 | 0:16:07 | |
He was very tall. He weighed about 17st, so a very heavy guy. | 0:16:09 | 0:16:16 | |
Newspaper articles commented on his size a lot, | 0:16:16 | 0:16:19 | |
saying he looked like a polar bear | 0:16:19 | 0:16:21 | |
standing up on his hind legs. | 0:16:21 | 0:16:23 | |
He won loads of trophies. | 0:16:23 | 0:16:25 | |
Loads of belts, so | 0:16:25 | 0:16:28 | |
traditionally a belt would be awarded | 0:16:28 | 0:16:30 | |
for winning the wrestling match. | 0:16:30 | 0:16:33 | |
And it was custom that people would wear it to church on Sundays | 0:16:33 | 0:16:37 | |
to show they had won. | 0:16:37 | 0:16:39 | |
Jameson won this fine belt in 1860. | 0:16:39 | 0:16:42 | |
Gosh, that's amazing. | 0:16:42 | 0:16:44 | |
It is quite heavy, as well. | 0:16:44 | 0:16:46 | |
And it's in this beautiful condition, isn't it? | 0:16:46 | 0:16:49 | |
Patinated, polished, and just cherished over the years. | 0:16:49 | 0:16:54 | |
I feel quite inspired by Jameson. | 0:16:54 | 0:16:56 | |
I feel, you know, quite beefed up now. | 0:16:56 | 0:17:00 | |
Well, that's a good thing, because we actually booked you in | 0:17:00 | 0:17:02 | |
for a wrestling match later on, in Hesket. | 0:17:02 | 0:17:05 | |
-So... -I'd love to watch one. | 0:17:05 | 0:17:08 | |
No, you are actually competing. | 0:17:08 | 0:17:10 | |
So... I hope you've been listening. | 0:17:10 | 0:17:12 | |
Get ready to place your bets. | 0:17:12 | 0:17:14 | |
They are waiting for Charles at Hesket Newmarket Agricultural Show, | 0:17:14 | 0:17:18 | |
where he's going to take on | 0:17:18 | 0:17:19 | |
local wrestling hero John Harrington. | 0:17:19 | 0:17:22 | |
-Is it John? -Yes. | 0:17:22 | 0:17:23 | |
Now, John, I understand | 0:17:23 | 0:17:24 | |
you're eight-times wrestling world champion. | 0:17:24 | 0:17:28 | |
-Yes, that's right. -And you're a local lad. | 0:17:28 | 0:17:30 | |
-Yeah. -Born and bred. | 0:17:30 | 0:17:32 | |
-How should I feel? -Nervous. | 0:17:32 | 0:17:34 | |
Scared. Very, very scared. | 0:17:34 | 0:17:36 | |
-I've got this for you to put on. -What's this? | 0:17:36 | 0:17:38 | |
This is the costume to put on. | 0:17:38 | 0:17:40 | |
A pair of stockings, a pair of... | 0:17:40 | 0:17:42 | |
What are they? Shorts. | 0:17:42 | 0:17:45 | |
-They are pants, aren't they? -Yeah. | 0:17:45 | 0:17:46 | |
-We'll wear those as well? -That's what you call the centrepiece. | 0:17:46 | 0:17:49 | |
THEY LAUGH | 0:17:49 | 0:17:51 | |
This is the centrepiece. | 0:17:51 | 0:17:53 | |
OK, be careful. | 0:17:53 | 0:17:55 | |
And then I've obviously got here, what's that? | 0:17:55 | 0:17:57 | |
-A vest? -Some long johns and a vest. | 0:17:57 | 0:17:59 | |
Oh, my goodness me. | 0:17:59 | 0:18:00 | |
Yeah, OK. I'm all set. | 0:18:02 | 0:18:04 | |
I can't wait to see Charles in that get-up. | 0:18:04 | 0:18:06 | |
And look, Anita's arrived to cheer him on. | 0:18:06 | 0:18:09 | |
Are you angry? I want to see you angry. | 0:18:09 | 0:18:11 | |
-OK, I'm angry, Anita. -Are you angry? | 0:18:11 | 0:18:13 | |
-Yeah, I'm angry. -Come on! Angrier. | 0:18:13 | 0:18:15 | |
OK, this is it. | 0:18:15 | 0:18:17 | |
-ANNOUNCER: -We've got in the ring | 0:18:17 | 0:18:18 | |
two very well-matched wrestlers. | 0:18:18 | 0:18:20 | |
Oh, no. We're not at all. | 0:18:20 | 0:18:22 | |
On the one hand, our local expert, John Harrington, | 0:18:22 | 0:18:26 | |
reigning champion from Bewaldeth. | 0:18:26 | 0:18:28 | |
APPLAUSE | 0:18:28 | 0:18:30 | |
-And against him... -Come on! -..an aspiring wrestler, Charles Hanson, | 0:18:30 | 0:18:35 | |
from the Antiques Road Trip. | 0:18:35 | 0:18:38 | |
Go on, Charlie. Charlie! Charlie! | 0:18:38 | 0:18:41 | |
Oh, nice! He knows how to take hold. | 0:18:41 | 0:18:45 | |
Charlie, you're doing wonderful. | 0:18:45 | 0:18:48 | |
OK, Charlie. Ooh! Come on, Charles, atta boy. | 0:18:48 | 0:18:51 | |
I felt that! | 0:18:55 | 0:18:56 | |
-Well done, Charles. -Ah! | 0:18:58 | 0:19:01 | |
He is so good, then he falls on his back. | 0:19:01 | 0:19:04 | |
He's a good man. I can't beat the world champion. | 0:19:04 | 0:19:06 | |
But it was a good try, you are a good sport. | 0:19:06 | 0:19:09 | |
-You're my hero. -Oh, Anita, don't say that. | 0:19:09 | 0:19:12 | |
I'm now weak at the knees in more ways than one. | 0:19:12 | 0:19:15 | |
Hey, time to retire. | 0:19:15 | 0:19:17 | |
Dignity intact. | 0:19:17 | 0:19:19 | |
Nighty-night. | 0:19:19 | 0:19:20 | |
The sun is up and our Stag is off and running. | 0:19:24 | 0:19:27 | |
Our experts are rested, and reflecting on the trip so far. | 0:19:27 | 0:19:31 | |
Have you bought any more broken plates? | 0:19:31 | 0:19:34 | |
Anita, you know, my heart grows fond for the battered and bruised, | 0:19:34 | 0:19:38 | |
because we are survivors. | 0:19:38 | 0:19:40 | |
We are, Charlie. | 0:19:40 | 0:19:42 | |
-Together! -We are. | 0:19:42 | 0:19:44 | |
How was your day? Did you get lucky? | 0:19:44 | 0:19:47 | |
I had a great time. | 0:19:47 | 0:19:48 | |
I got a bit lonely, yesterday, Charlie, without you in the car. | 0:19:48 | 0:19:52 | |
Thanks, Anita. | 0:19:52 | 0:19:53 | |
So I bought a little travelling companion. | 0:19:53 | 0:19:57 | |
-Did you? -Yes, I did. -Did you? | 0:19:57 | 0:20:00 | |
It's true. Yesterday Anita met the man of her dreams. | 0:20:00 | 0:20:04 | |
Or nightmares... | 0:20:04 | 0:20:05 | |
I usually like men with a bit more meat on their bones. | 0:20:05 | 0:20:10 | |
..and picked up two candlesticks, and two salt dishes. | 0:20:10 | 0:20:13 | |
Leaving her with £170.38 still in her purse. | 0:20:13 | 0:20:18 | |
While Charles rummaged around in Keswick, | 0:20:19 | 0:20:21 | |
and turned up a hoard of silver, | 0:20:21 | 0:20:23 | |
a napkin ring, a bowl, and a sewing case... | 0:20:23 | 0:20:25 | |
-Going, going... -Gone. -Sold! | 0:20:25 | 0:20:27 | |
..which means he has a budget today of £142.34. | 0:20:27 | 0:20:33 | |
I think what we've got, Anita, with you and I, with this motor, | 0:20:33 | 0:20:37 | |
is reliability. | 0:20:37 | 0:20:38 | |
And beauty and glamour! | 0:20:39 | 0:20:41 | |
-And beauty and glamour. -Exactly, yeah. | 0:20:41 | 0:20:44 | |
Is there no end to this mutual admiration? | 0:20:44 | 0:20:47 | |
Next stop is Cockermouth, | 0:20:49 | 0:20:50 | |
birthplace of William Wordsworth and of Fletcher Christian, | 0:20:50 | 0:20:54 | |
who led the mutiny on the Bounty. | 0:20:54 | 0:20:56 | |
Hopefully, no mutineering, | 0:20:57 | 0:21:00 | |
but plenty of bounty at Colin Graham Antiques. | 0:21:00 | 0:21:02 | |
-Good luck, Charlie. -You too. | 0:21:02 | 0:21:04 | |
-Which way are you going? -I'll keep my eye on you. | 0:21:04 | 0:21:06 | |
-I'll keep my eye on you, as well. -You go that way. -OK. | 0:21:06 | 0:21:09 | |
I love jewellery cabinets like this. | 0:21:15 | 0:21:18 | |
It's all a jumble. | 0:21:18 | 0:21:21 | |
And you always think that you can find something | 0:21:21 | 0:21:23 | |
which is absolutely perfect to buy. | 0:21:23 | 0:21:26 | |
We're going to Edinburgh, so I have to be mindful of that. | 0:21:26 | 0:21:29 | |
And I found this lovely Scottish pebble brooch. | 0:21:29 | 0:21:34 | |
Now, these brooches would have been made in Edinburgh, in the 1800s. | 0:21:34 | 0:21:40 | |
Queen Victoria loved Scotland, | 0:21:40 | 0:21:43 | |
and she made this type of jewellery very, very popular. | 0:21:43 | 0:21:47 | |
Now, these stones here... | 0:21:47 | 0:21:49 | |
..are made from pebbles | 0:21:51 | 0:21:53 | |
which have been found on the beaches and the burns of Scotland. | 0:21:53 | 0:21:58 | |
But it's got 65 on it. | 0:21:58 | 0:22:01 | |
Although I like it a lot, I don't know though if I like it for £65. | 0:22:01 | 0:22:06 | |
Keep looking then. Now, what's Charles up to? | 0:22:06 | 0:22:09 | |
Look out. | 0:22:09 | 0:22:10 | |
HE BLOWS | 0:22:10 | 0:22:12 | |
Charles, should you really be standing on that chair? | 0:22:12 | 0:22:15 | |
It's a lovely tea caddy. | 0:22:16 | 0:22:18 | |
It's what you call Egg and Dart moulding. | 0:22:18 | 0:22:20 | |
And Egg and Dart moulding was wonderful, | 0:22:20 | 0:22:23 | |
neoclassical ornamentation, | 0:22:23 | 0:22:25 | |
which then went into the Regency period as well. | 0:22:25 | 0:22:27 | |
And this tea caddy... | 0:22:27 | 0:22:28 | |
..in its... Sorry. | 0:22:30 | 0:22:32 | |
In its sarcophagus form, on the bun feet, would date to around 1820. | 0:22:32 | 0:22:37 | |
By 1820, we first saw Indian tea coming into the UK, | 0:22:37 | 0:22:42 | |
so tea caddies became bigger, | 0:22:42 | 0:22:44 | |
as drinking tea became more of a middle-class commodity. | 0:22:44 | 0:22:48 | |
I like it. But it's £85. | 0:22:48 | 0:22:51 | |
It's too much money. | 0:22:51 | 0:22:52 | |
Meanwhile, time waits for no man. | 0:22:52 | 0:22:55 | |
-Or woman. -I love this clock. | 0:22:55 | 0:22:57 | |
When I saw it, I fell in love with it. | 0:22:57 | 0:23:00 | |
But I know... I'm a Glasgow girl, I'm a Glasgow girl. | 0:23:00 | 0:23:04 | |
This was made by a Glasgow girl. | 0:23:04 | 0:23:07 | |
It's a stunning clock, Anita. | 0:23:07 | 0:23:09 | |
Hear that chime. | 0:23:09 | 0:23:10 | |
-CLOCK CHIMES -Look. Silence. | 0:23:10 | 0:23:12 | |
It's that one, the other one chiming! | 0:23:12 | 0:23:13 | |
But that facade, Anita. | 0:23:13 | 0:23:15 | |
I mean, it looks at you, and I think, | 0:23:15 | 0:23:17 | |
"What two amazing-looking Scottish faces together." | 0:23:17 | 0:23:20 | |
-Shut up! -Sorry, sorry, but don't you agree? | 0:23:20 | 0:23:23 | |
Colin, ignore Charlie. | 0:23:24 | 0:23:27 | |
When I walked into the shop, this was the first thing that I saw. | 0:23:27 | 0:23:32 | |
This clock is typical of the style of Art Nouveau design, | 0:23:32 | 0:23:35 | |
which flourished in Glasgow at the turn of the 20th century, | 0:23:35 | 0:23:39 | |
and which often incorporated Celtic motifs. | 0:23:39 | 0:23:42 | |
These artworks are highly prized, and likely to do well at auction | 0:23:42 | 0:23:46 | |
-according to Anita. -I'm frightened to ask how much it costs. | 0:23:46 | 0:23:51 | |
I've got 285 on it. | 0:23:51 | 0:23:52 | |
I would give you all the money that I have to spend, £170.38. | 0:23:52 | 0:23:58 | |
And if you left me 38p, | 0:24:00 | 0:24:03 | |
I would buy that clock, and that's me blowing my whole budget. | 0:24:03 | 0:24:08 | |
And I've never done that before. | 0:24:08 | 0:24:10 | |
But it would be a lovely thing for me to buy. | 0:24:10 | 0:24:13 | |
I'd sell it to her, quick. | 0:24:13 | 0:24:14 | |
It's singing at me. | 0:24:14 | 0:24:15 | |
Oh, thank you, very much. | 0:24:18 | 0:24:19 | |
I'm so pleased. Thank you, Colin. | 0:24:19 | 0:24:22 | |
Aw. Thank you, very much. | 0:24:22 | 0:24:24 | |
There you go. | 0:24:24 | 0:24:25 | |
Thank you very much. Oh, that's lovely. | 0:24:25 | 0:24:28 | |
I hope you do well with it. | 0:24:28 | 0:24:29 | |
Well, it sure had your name on it, Anita. | 0:24:29 | 0:24:32 | |
Lovely, thank you very much. | 0:24:32 | 0:24:33 | |
Excellent. It was terrific. | 0:24:33 | 0:24:35 | |
But I've still got this 38p. | 0:24:35 | 0:24:38 | |
And I couldn't find anything for 38p. | 0:24:38 | 0:24:41 | |
I'll tell you what, put your money in there. | 0:24:41 | 0:24:43 | |
Right. | 0:24:43 | 0:24:44 | |
That's it. 38p. | 0:24:44 | 0:24:46 | |
Don't say I didn't give you owt. | 0:24:46 | 0:24:49 | |
Thank you very much. | 0:24:49 | 0:24:50 | |
-That's great. -Well, that was generous, Colin. | 0:24:50 | 0:24:54 | |
It's a bucket-shaped match striker and ashtray, | 0:24:54 | 0:24:58 | |
dating from around 1910. | 0:24:58 | 0:25:00 | |
So Anita now has five lots for auction. | 0:25:00 | 0:25:02 | |
Success, then, for Anita. | 0:25:05 | 0:25:07 | |
But what about our man who seems to have got behind Colin's counter? | 0:25:07 | 0:25:10 | |
I've just picked up, literally, in the corner, | 0:25:11 | 0:25:14 | |
in between these two books, | 0:25:14 | 0:25:15 | |
quite a nice little silver, what appears to be a scent bottle, | 0:25:15 | 0:25:19 | |
hallmarked late Victorian. | 0:25:19 | 0:25:22 | |
Out of interest, there's no price on it. | 0:25:22 | 0:25:24 | |
-How much is that? -25 quid. | 0:25:24 | 0:25:26 | |
-How much? -25. | 0:25:26 | 0:25:27 | |
Your very best? | 0:25:27 | 0:25:28 | |
-Give us a 20. -I've found a little, late Victorian, silver scent bottle, | 0:25:30 | 0:25:35 | |
we're all happy, put it there. | 0:25:35 | 0:25:36 | |
-Good man. -Fancy a wrestle? | 0:25:36 | 0:25:38 | |
I'm not kissing you! | 0:25:39 | 0:25:40 | |
Ha-ha-ha! | 0:25:40 | 0:25:41 | |
And that concludes our very amicable business here. | 0:25:41 | 0:25:44 | |
-Safe travelling! -Thank you. -Bye. -See you, bye. -See you, bud! | 0:25:44 | 0:25:47 | |
Today, the Borders are a place of tranquillity, | 0:25:49 | 0:25:53 | |
a landscape of rolling hills and farmland, dotted with cattle, | 0:25:53 | 0:25:57 | |
sheep and antique shops. | 0:25:57 | 0:25:59 | |
But these lands were once lawless and deadly. | 0:25:59 | 0:26:02 | |
Anita's in Carlisle, a city buffeted by history, | 0:26:02 | 0:26:06 | |
because of its position on the border, | 0:26:06 | 0:26:08 | |
its mighty castle besieged more than any other in Britain. | 0:26:08 | 0:26:12 | |
Into this chaos rode the border reivers, | 0:26:12 | 0:26:15 | |
in a reign of terror lasting three centuries. | 0:26:15 | 0:26:18 | |
David Gopsill at Tullie House Museum | 0:26:19 | 0:26:22 | |
describes life here in the 13th to 16th centuries. | 0:26:22 | 0:26:26 | |
For the rich, obviously, it would have been quite comfortable. | 0:26:26 | 0:26:31 | |
And, unfortunately, for the poor, it was a very difficult time. | 0:26:31 | 0:26:36 | |
It was a war zone. | 0:26:36 | 0:26:37 | |
The whole area was just trodden down by passing armies, | 0:26:37 | 0:26:41 | |
and, of course, if England invaded Scotland, | 0:26:41 | 0:26:44 | |
or Scotland invaded England, | 0:26:44 | 0:26:46 | |
the first areas that would be hit would be the Borders. | 0:26:46 | 0:26:48 | |
The reivers came from both sides of the border, | 0:26:48 | 0:26:51 | |
families with names like Armstrong, Johnson, Hetherington and Graham. | 0:26:51 | 0:26:56 | |
Taking advantage of political chaos, | 0:26:56 | 0:26:58 | |
they donned their steel bonnets and plundered, | 0:26:58 | 0:27:01 | |
and feuded to the death with their neighbours. | 0:27:01 | 0:27:03 | |
They also would hold protection rackets against people, or places. | 0:27:03 | 0:27:08 | |
And the reivers are actually where we get the term blackmail from. | 0:27:08 | 0:27:13 | |
So in those days, | 0:27:13 | 0:27:14 | |
the green mail was the rent you would pay to your land owner, | 0:27:14 | 0:27:17 | |
and the blackmail would be paid to the people | 0:27:17 | 0:27:19 | |
you were trying to protect yourself from. | 0:27:19 | 0:27:22 | |
The rugged terrain of this war zone | 0:27:22 | 0:27:25 | |
provided a training ground for these expert cattle-rustling bandits. | 0:27:25 | 0:27:28 | |
They were excellent horsemen, incredibly skilled. | 0:27:29 | 0:27:32 | |
They were actually called the finest light cavalry in all of Europe, | 0:27:32 | 0:27:36 | |
for their time, which is incredible. | 0:27:36 | 0:27:39 | |
They would obviously have a rapier, | 0:27:39 | 0:27:42 | |
a lance would be quite popular in those days, | 0:27:42 | 0:27:46 | |
and they would use this, and a very small horse, | 0:27:46 | 0:27:49 | |
to pick their way across the Fells, and appear in the cover of darkness, | 0:27:49 | 0:27:55 | |
murder, pillage, and disappear back into the darkness. | 0:27:55 | 0:28:00 | |
Borderers lived, year in, year out, with the threat of being reived, | 0:28:00 | 0:28:04 | |
and that's where our word "bereaved" comes from. | 0:28:04 | 0:28:07 | |
Those who had most to lose were the best able to defend themselves. | 0:28:07 | 0:28:12 | |
If you had a bit of wealth, | 0:28:12 | 0:28:13 | |
you might have what's called a bastle house. | 0:28:13 | 0:28:15 | |
That would be a fortified house. | 0:28:15 | 0:28:17 | |
The walls would be quite thick, and they'd be up to seven metres tall. | 0:28:17 | 0:28:21 | |
You'd have a large basement underneath, to hide your cattle. | 0:28:21 | 0:28:25 | |
That sounds almost like a castle. | 0:28:25 | 0:28:27 | |
It does. But it doesn't even hold a torch up | 0:28:27 | 0:28:30 | |
to the peel towers of the day. | 0:28:30 | 0:28:32 | |
So a peel tower is a large, fortified tower that had a barmekin, | 0:28:32 | 0:28:37 | |
which is an outside wall that would protect a small area, | 0:28:37 | 0:28:40 | |
like a courtyard. And then there would be the tower, | 0:28:40 | 0:28:43 | |
which would be up to 19 metres tall. | 0:28:43 | 0:28:45 | |
Walls about three metres thick. | 0:28:45 | 0:28:47 | |
That would really protect you against any reiving attacks. | 0:28:47 | 0:28:50 | |
It sounds like dreadful times. | 0:28:50 | 0:28:53 | |
Was there nothing put in place to stop this lawlessness? | 0:28:53 | 0:28:57 | |
The monarchs of both England and Scotland tried to stop it | 0:28:57 | 0:29:00 | |
using Wardens of the Marches, | 0:29:00 | 0:29:02 | |
and these wardens were a bit like the police of the time. | 0:29:02 | 0:29:05 | |
Unfortunately, a lot of these wardens were locals, | 0:29:05 | 0:29:08 | |
so a lot of them either had ties to the reiving families, | 0:29:08 | 0:29:11 | |
or were in fact reivers themselves. | 0:29:11 | 0:29:13 | |
So it didn't really help much, | 0:29:13 | 0:29:15 | |
because you were giving a lot more power to a border reiving family, | 0:29:15 | 0:29:19 | |
and they could use that to their own gain. | 0:29:19 | 0:29:21 | |
In 1603, when James VI of Scotland inherited the throne of England, | 0:29:21 | 0:29:26 | |
this union of the crowns brought some peace | 0:29:26 | 0:29:29 | |
to Anglo-Scottish relations. | 0:29:29 | 0:29:31 | |
Reivers were outlawed, and banished, | 0:29:31 | 0:29:34 | |
leaving behind stories sung in border ballads, | 0:29:34 | 0:29:37 | |
and the towers they attacked and defended in those violent times. | 0:29:37 | 0:29:41 | |
Charles is wending his way now to Maryport, on the Solway Firth, | 0:29:44 | 0:29:48 | |
where a fort once guarded the Roman sea defences west of Hadrian's wall. | 0:29:48 | 0:29:53 | |
It's Charles's last shop, so what's he after? | 0:29:53 | 0:29:57 | |
I'm looking for that next big thing in antiquing terms, it's that rare, | 0:29:57 | 0:30:03 | |
Ming vase, or important undiscovered Faberge. | 0:30:03 | 0:30:07 | |
It's out there. | 0:30:07 | 0:30:08 | |
-I just need some luck. -Faberge and Ming, eh? | 0:30:08 | 0:30:12 | |
That might require more of a miracle than just luck! | 0:30:12 | 0:30:15 | |
But maybe miracles are the order of the day at Maryport Antiques. | 0:30:15 | 0:30:20 | |
Good day. | 0:30:20 | 0:30:22 | |
How are you? Is it your shop? | 0:30:22 | 0:30:23 | |
-Yes. -Your name is? | 0:30:23 | 0:30:25 | |
-Ben. -What a lovely shop. | 0:30:25 | 0:30:27 | |
Now for that Ming vase, Charles? | 0:30:27 | 0:30:29 | |
-Oh! -Butterfingers. | 0:30:32 | 0:30:35 | |
Come on, man, focus! | 0:30:35 | 0:30:37 | |
-What's this? -That's just a pot. | 0:30:37 | 0:30:41 | |
It's peculiar. | 0:30:41 | 0:30:42 | |
We're trying to identify it. | 0:30:42 | 0:30:45 | |
-How much could it be? How much could it be? -£100. | 0:30:45 | 0:30:49 | |
-OK. -We've got this, incise, what we might call grafito decoration | 0:30:49 | 0:30:53 | |
which, in style, is quite difficult to date. | 0:30:53 | 0:30:57 | |
It could be oriental. | 0:30:57 | 0:30:59 | |
Could be African. | 0:30:59 | 0:31:00 | |
The lid, almost when one picks it up, you think, | 0:31:00 | 0:31:05 | |
"Is it lead?" It looks like lead, but it's not. | 0:31:05 | 0:31:08 | |
Again, it's just a really coarse earthenware... | 0:31:08 | 0:31:11 | |
..body. | 0:31:13 | 0:31:14 | |
This pot could date from as far back as the 16th century. | 0:31:14 | 0:31:19 | |
And its geometric pattern suggests | 0:31:19 | 0:31:21 | |
it's probably of South American origin. | 0:31:21 | 0:31:23 | |
Best price would be? | 0:31:23 | 0:31:24 | |
-100? -I think best price would be 100 on that, yeah. | 0:31:26 | 0:31:30 | |
And that's what you call the death, isn't it? | 0:31:30 | 0:31:31 | |
Yeah, I'm afraid so. | 0:31:31 | 0:31:33 | |
That's OK. Yeah. | 0:31:33 | 0:31:35 | |
Well, it might kill me. | 0:31:35 | 0:31:36 | |
-I'll take it. -OK, fantastic. | 0:31:41 | 0:31:43 | |
Very decisive. | 0:31:44 | 0:31:46 | |
-Anything else? -I quite like... | 0:31:46 | 0:31:48 | |
..this little small dog. | 0:31:51 | 0:31:53 | |
It's just sitting, isn't it, Ben, lurking? | 0:31:53 | 0:31:56 | |
Your little guard dog. | 0:31:56 | 0:31:58 | |
It's a very little guard dog. | 0:31:58 | 0:32:00 | |
On your top deck, it's quite a sweet, what we call a toy. | 0:32:00 | 0:32:04 | |
Staffordshire porcelain toy. | 0:32:04 | 0:32:06 | |
Probably 19th century. How much is that? | 0:32:07 | 0:32:09 | |
I think I could probably do that for £15? | 0:32:09 | 0:32:13 | |
-15? -If you found anything else I could maybe do a little bit. | 0:32:13 | 0:32:16 | |
There's one thing I've seen when I walked into the front, | 0:32:16 | 0:32:18 | |
so if I put him down there. | 0:32:18 | 0:32:20 | |
If I go and get it, maybe we can do a deal. | 0:32:20 | 0:32:22 | |
Yeah, of course. | 0:32:22 | 0:32:24 | |
What is it? A Faberge egg? | 0:32:24 | 0:32:27 | |
It's not quite lights out yet. | 0:32:27 | 0:32:29 | |
But, of course, back in the Victorian times, | 0:32:29 | 0:32:31 | |
you had a chamber stick. | 0:32:31 | 0:32:33 | |
-Yes. -I just quite like this, because it's only £5. | 0:32:33 | 0:32:38 | |
Age-wise, we're talking 1860. | 0:32:38 | 0:32:40 | |
And what's lovely, it's all hand-painted. | 0:32:40 | 0:32:43 | |
All hand-painted. | 0:32:43 | 0:32:44 | |
These wonderful, busy, vibrant sprays of flowers. | 0:32:44 | 0:32:48 | |
What we call a dentil gilt rim. | 0:32:48 | 0:32:51 | |
Yes, it's got a crack. | 0:32:51 | 0:32:53 | |
It's a shame, just on the sconce there, there's a small crack. | 0:32:53 | 0:32:56 | |
I'm an... I like buying objects, because, to me, it's a survivor. | 0:32:56 | 0:33:01 | |
So, Ben, If I bought the chamber stick in porcelain Staffordshire, | 0:33:01 | 0:33:05 | |
and I bought the King Charles spaniel with it as well, | 0:33:05 | 0:33:10 | |
what could be the best price? | 0:33:10 | 0:33:11 | |
-I'd do it for 12. -Are you sure? | 0:33:12 | 0:33:14 | |
-I'll do it for 12. -Is there money in it for you, though, on that? | 0:33:14 | 0:33:16 | |
-Yes. -That's five for the chamber stick, and 12 for the dog, | 0:33:16 | 0:33:21 | |
and with the pot, Charles is handing over £117. | 0:33:21 | 0:33:25 | |
And that's him done. | 0:33:26 | 0:33:29 | |
-Take care. -Until next time. -And you. | 0:33:29 | 0:33:30 | |
Bye-bye. | 0:33:30 | 0:33:32 | |
Bye-bye, Maryport. | 0:33:32 | 0:33:34 | |
Time to collect our other priceless prize, Anita, and hit the trail. | 0:33:34 | 0:33:39 | |
What's the direction of travel? | 0:33:39 | 0:33:41 | |
Let's get to the end of this road, | 0:33:41 | 0:33:42 | |
and see if we can see a signpost that says, "To the north." | 0:33:42 | 0:33:46 | |
Exactly, Anita. | 0:33:46 | 0:33:48 | |
It's that simple. | 0:33:48 | 0:33:49 | |
The North, here we come. | 0:33:49 | 0:33:51 | |
Back over the border soon enough, after some shut-eye, eh? | 0:33:51 | 0:33:54 | |
Auction Day has dawned, and the stage is set at Rosewell, | 0:33:57 | 0:34:01 | |
a former mining village south of Edinburgh, | 0:34:01 | 0:34:03 | |
where our irrepressible pair are leading us | 0:34:03 | 0:34:06 | |
a merry Scottish country dance. | 0:34:06 | 0:34:09 | |
-BOTH: -Heel, toe, heel, toe, gallop, gallop, gallop. | 0:34:09 | 0:34:12 | |
We're here, Charlie. | 0:34:12 | 0:34:14 | |
As if by magic, Anita and Charles took the B road | 0:34:14 | 0:34:17 | |
from Keswick on a scenic tour of the lakes, | 0:34:17 | 0:34:19 | |
before crossing the Scottish border and heading for Rosewell. | 0:34:19 | 0:34:23 | |
Our saleroom today is Thomson Roddick, a family firm, | 0:34:23 | 0:34:27 | |
which has been gavel-bashing hereabouts since 1880. | 0:34:27 | 0:34:30 | |
Anita blew her entire budget of £317.38 on five lots. | 0:34:32 | 0:34:39 | |
Charles, who is also very nearly cleaned out, | 0:34:39 | 0:34:42 | |
spending £212 on his five lots. | 0:34:42 | 0:34:46 | |
So, what do they think, honestly? | 0:34:46 | 0:34:49 | |
This is an old crackpot. | 0:34:49 | 0:34:51 | |
And Charlie loves his old crackpots. | 0:34:51 | 0:34:54 | |
But this pot could be something very special. | 0:34:54 | 0:34:58 | |
Over 300 years old, probably South American. | 0:34:58 | 0:35:01 | |
There will be buyers out there who are anxious to get a hold of that. | 0:35:01 | 0:35:05 | |
Crackpot indeed, eh? | 0:35:05 | 0:35:07 | |
This clock looked amazing in the shop, | 0:35:07 | 0:35:09 | |
and Anita, you've hit the jackpot. | 0:35:09 | 0:35:11 | |
It just captures everything you want from the organic, sinuous lines | 0:35:11 | 0:35:15 | |
of the Glaswegian School of handicraft, to the numerals. | 0:35:15 | 0:35:20 | |
I cannot believe it was under £200. | 0:35:20 | 0:35:24 | |
Time will tell, then. | 0:35:24 | 0:35:26 | |
Now, what does auctioneer Sybelle Thomson | 0:35:26 | 0:35:28 | |
think about what Charles and Anita have bought? | 0:35:28 | 0:35:30 | |
Lots of interest in the skeleton. | 0:35:30 | 0:35:33 | |
Just a shame it's headless. | 0:35:33 | 0:35:34 | |
But I think it will do really well here. | 0:35:34 | 0:35:36 | |
The napkin ring and the silver sewing case - | 0:35:36 | 0:35:38 | |
these are always popular. | 0:35:38 | 0:35:40 | |
And particularly will do well in Edinburgh, | 0:35:40 | 0:35:42 | |
as there's lots of collectors for pieces | 0:35:42 | 0:35:44 | |
set with Scottish hard stone. | 0:35:44 | 0:35:46 | |
Please be seated. | 0:35:46 | 0:35:47 | |
I'm looking forward to this, Charlie. | 0:35:47 | 0:35:50 | |
There's a really busy feeling of vibrancy. | 0:35:50 | 0:35:55 | |
First up, and standing to attention, is Anita's skeleton. | 0:35:55 | 0:35:58 | |
Don't lose your head here. Ooh! | 0:35:58 | 0:36:00 | |
Somebody did! | 0:36:00 | 0:36:02 | |
£35, 35, 35, 40, five. | 0:36:02 | 0:36:06 | |
-It's moving. -50, five. 55. -Slow down! | 0:36:06 | 0:36:08 | |
Anyone else? 60. five, | 0:36:08 | 0:36:10 | |
70. Five, 80. | 0:36:10 | 0:36:12 | |
I don't believe this! | 0:36:12 | 0:36:14 | |
Standing at 80. | 0:36:14 | 0:36:15 | |
Five, 90. | 0:36:15 | 0:36:18 | |
Five. £100? | 0:36:18 | 0:36:19 | |
Standing at the back, at £100. | 0:36:19 | 0:36:21 | |
Anyone else? Going on at £100. | 0:36:21 | 0:36:25 | |
A meaty £35 profit on the bones. | 0:36:25 | 0:36:28 | |
It doesn't seem a lot, that, to me. | 0:36:28 | 0:36:29 | |
-I can't believe that! -Has it put me A HEAD? | 0:36:29 | 0:36:32 | |
CHARLES LAUGHS | 0:36:32 | 0:36:35 | |
Next up, Charles' Indian silver bowl. | 0:36:35 | 0:36:38 | |
20, five. 25? 30. | 0:36:38 | 0:36:42 | |
Going on the internet, 35. | 0:36:42 | 0:36:44 | |
-Come on, internet. -35, 40. | 0:36:44 | 0:36:46 | |
£40. 45, on commission at 45. | 0:36:46 | 0:36:50 | |
You are all out on the internet? | 0:36:50 | 0:36:52 | |
At £45? | 0:36:52 | 0:36:55 | |
A profit of £5 sterling to you, sir. | 0:36:55 | 0:36:57 | |
It wasn't bad, Charlie. | 0:36:58 | 0:37:00 | |
Anita, I'm a happy man. | 0:37:00 | 0:37:02 | |
Anita's oak and silver-plated salt dishes now. | 0:37:02 | 0:37:05 | |
Can they serve up a profit? | 0:37:05 | 0:37:06 | |
We start straight in at 20 bid. | 0:37:06 | 0:37:08 | |
20 bid? Everywhere, 25? | 0:37:08 | 0:37:11 | |
-30, five, 40... -Where's the American wave? | 0:37:11 | 0:37:13 | |
..five, 50, five, 55. | 0:37:13 | 0:37:16 | |
60? | 0:37:16 | 0:37:17 | |
-You're in business, girl. -65? | 0:37:17 | 0:37:20 | |
The gentleman seated at 65. | 0:37:20 | 0:37:22 | |
70 online. | 0:37:22 | 0:37:23 | |
-Yes! -70. | 0:37:23 | 0:37:25 | |
-70? 70? -LAUGHTER | 0:37:25 | 0:37:28 | |
Would you like another, sir? Don't be put off. | 0:37:28 | 0:37:31 | |
75, in the room at 75. | 0:37:31 | 0:37:33 | |
At £75. | 0:37:33 | 0:37:36 | |
Another £20 profit in Anita's pocket. | 0:37:36 | 0:37:40 | |
That's what they call a good touch. | 0:37:40 | 0:37:42 | |
-Touch me. -Thank you, very much. | 0:37:42 | 0:37:44 | |
Ha-ha! So will Lady Luck help Charles with his next lot, | 0:37:44 | 0:37:47 | |
the Scottish hard stone inset napkin ring, | 0:37:47 | 0:37:50 | |
and the silver-plated and enamel sewing case? | 0:37:50 | 0:37:53 | |
40, five, 50, five... | 0:37:53 | 0:37:55 | |
-Go on, girl. -Yes! Yes! -60, five. | 0:37:55 | 0:37:57 | |
65, 70. | 0:37:57 | 0:38:00 | |
-75? 80. Five. 90. -Keep going, lass. | 0:38:00 | 0:38:04 | |
Five. At £95? | 0:38:04 | 0:38:08 | |
£60-worth of good fortune there. | 0:38:08 | 0:38:11 | |
Nice one, Charles. | 0:38:11 | 0:38:12 | |
-That's good, isn't it? -Brilliant, Charlie, brilliant. | 0:38:12 | 0:38:16 | |
I feel a bit sweaty now! I'm excited. Sorry. | 0:38:16 | 0:38:19 | |
Time now for Anita's white metal modernist candlesticks. | 0:38:19 | 0:38:23 | |
20? I've got 20 bid. | 0:38:23 | 0:38:24 | |
20? 25. | 0:38:24 | 0:38:26 | |
25? | 0:38:26 | 0:38:27 | |
30, five, 40, five. | 0:38:27 | 0:38:29 | |
Here we go. We're rolling home. | 0:38:29 | 0:38:31 | |
-They're angry. -Five, 55. | 0:38:31 | 0:38:34 | |
At £55? At £55. | 0:38:34 | 0:38:38 | |
Anita's done it again. | 0:38:38 | 0:38:40 | |
She's doubled her money. What a girl! | 0:38:40 | 0:38:42 | |
When you've got it, Anita, you've got it, girl. | 0:38:42 | 0:38:44 | |
Loving your work. | 0:38:45 | 0:38:47 | |
You're not doing too badly yourself, Charles. | 0:38:47 | 0:38:50 | |
Next up, it's his silver scent bottle. | 0:38:50 | 0:38:53 | |
20, five. | 0:38:53 | 0:38:54 | |
30, five. | 0:38:54 | 0:38:55 | |
40, five. | 0:38:55 | 0:38:57 | |
45, 50 online. 55? | 0:38:57 | 0:39:01 | |
Anyone else going on at £55? | 0:39:01 | 0:39:05 | |
Another profit there, our duo definitely on a roll today. | 0:39:05 | 0:39:10 | |
Brilliant, Charlie, brilliant. | 0:39:10 | 0:39:11 | |
Breathe it in, Anita, breathe it in. | 0:39:11 | 0:39:14 | |
Breathe the sweet smell of success. | 0:39:14 | 0:39:17 | |
Exactly, Anita, exactly. | 0:39:17 | 0:39:19 | |
Easy for you to say. | 0:39:19 | 0:39:20 | |
Ha-ha! | 0:39:20 | 0:39:21 | |
Now one of the cheapest items ever bought on the Antiques Road Trip. | 0:39:21 | 0:39:25 | |
The brass bucket Anita bought for 38p. | 0:39:25 | 0:39:30 | |
£10. 15? 20. 20? | 0:39:30 | 0:39:34 | |
In the centre at 20? | 0:39:34 | 0:39:35 | |
Anyone else going on for the match striker at 20? | 0:39:35 | 0:39:39 | |
At £20? | 0:39:39 | 0:39:42 | |
£20, that's a profit of 5,263%. | 0:39:42 | 0:39:47 | |
Oh, yes, I calculated that in my head! | 0:39:47 | 0:39:50 | |
Liar. | 0:39:50 | 0:39:51 | |
If you could buy a few of those for 38p, | 0:39:51 | 0:39:54 | |
and then toss them in for a £20 note, | 0:39:54 | 0:39:56 | |
-incredible business, Anita Manning. -I know. | 0:39:56 | 0:39:59 | |
Can the next lot, | 0:39:59 | 0:40:01 | |
the Staffordshire porcelain candlestick | 0:40:01 | 0:40:02 | |
and the King Charles spaniel top that? | 0:40:02 | 0:40:05 | |
£10? | 0:40:05 | 0:40:06 | |
I've got ten bid. | 0:40:06 | 0:40:08 | |
15? I5. | 0:40:08 | 0:40:09 | |
20? | 0:40:09 | 0:40:10 | |
25? | 0:40:10 | 0:40:11 | |
25, are you bidding? | 0:40:11 | 0:40:13 | |
-30. -Thank you very much! | 0:40:13 | 0:40:15 | |
-Thank you! -£30. | 0:40:15 | 0:40:16 | |
Thank you, thank you. | 0:40:16 | 0:40:18 | |
On the right at 30. Anyone else going on at £30? | 0:40:18 | 0:40:23 | |
Nice work, china! | 0:40:23 | 0:40:25 | |
That's great. Very happy. | 0:40:25 | 0:40:27 | |
Now, will time be kind to our Glasgow gal | 0:40:27 | 0:40:30 | |
and her brass-faced clock? | 0:40:30 | 0:40:33 | |
100 for the nice clock? | 0:40:33 | 0:40:35 | |
-At 100? 110. -It's going to roll. | 0:40:35 | 0:40:36 | |
120. 130. | 0:40:36 | 0:40:38 | |
140. 150. | 0:40:38 | 0:40:40 | |
160, 170, 180. | 0:40:40 | 0:40:44 | |
190, 200. 210. | 0:40:44 | 0:40:47 | |
I have to have another, sir. 220. | 0:40:47 | 0:40:49 | |
230. 240. 250. | 0:40:49 | 0:40:53 | |
Anyone else going on at £250? | 0:40:53 | 0:40:58 | |
£80 profit for Anita. | 0:40:58 | 0:41:01 | |
There's no stopping her today. | 0:41:01 | 0:41:03 | |
That was exciting, though, wasn't it? | 0:41:03 | 0:41:05 | |
Anita, you're flying. You are flying high. | 0:41:05 | 0:41:08 | |
Charles' last lot now, | 0:41:08 | 0:41:10 | |
the earthenware jar and cover. Old and mysterious - | 0:41:10 | 0:41:13 | |
will it be auction gold? | 0:41:13 | 0:41:16 | |
Quite a lot of interest in this, and I can start straight in at 30 bid. | 0:41:16 | 0:41:20 | |
30 bid? 30 bid. | 0:41:20 | 0:41:22 | |
-30 bid. -It's going to run off, or... | 0:41:22 | 0:41:24 | |
At 30, five. | 0:41:24 | 0:41:26 | |
40, five. | 0:41:26 | 0:41:27 | |
50, five. 60, five. | 0:41:27 | 0:41:30 | |
65. | 0:41:30 | 0:41:32 | |
Anyone else going on at 65? | 0:41:32 | 0:41:34 | |
70, five. | 0:41:34 | 0:41:37 | |
80, five. | 0:41:37 | 0:41:39 | |
90, five, 95. | 0:41:39 | 0:41:42 | |
Selling on commission at 95? | 0:41:42 | 0:41:44 | |
At £95? | 0:41:44 | 0:41:47 | |
So close! | 0:41:47 | 0:41:49 | |
But all their other items today HAVE turned a profit. | 0:41:49 | 0:41:53 | |
We had great results. | 0:41:53 | 0:41:54 | |
-Wonderful. Moments. -We had great fun. | 0:41:54 | 0:41:56 | |
We're both exhausted with the excitement. | 0:41:56 | 0:41:59 | |
Now it's time to have a nice cup of tea. | 0:41:59 | 0:42:01 | |
-On you go. -Give me a push. | 0:42:01 | 0:42:03 | |
You deserve refreshment, you two. | 0:42:05 | 0:42:08 | |
Charles started with £217.34 in his piggy, | 0:42:08 | 0:42:12 | |
and his success in the saleroom increased his tally, | 0:42:12 | 0:42:15 | |
after auction costs, | 0:42:15 | 0:42:17 | |
by £50.40 to £267.74. | 0:42:17 | 0:42:22 | |
So, well done, Carlos. | 0:42:22 | 0:42:23 | |
Anita began with £317.38 | 0:42:25 | 0:42:29 | |
and she soared away in Rosewell with a profit, | 0:42:29 | 0:42:33 | |
after auction costs, of £92.62 | 0:42:33 | 0:42:36 | |
so with a new total of £410, | 0:42:36 | 0:42:40 | |
she is leading the dance again. | 0:42:40 | 0:42:42 | |
That was brilliant. | 0:42:43 | 0:42:45 | |
-Absolutely brilliant. -Over the moon. -We both made money. | 0:42:45 | 0:42:48 | |
Exactly, now, listen, give me a Highland Fling. | 0:42:48 | 0:42:50 | |
Jig for joy. | 0:42:50 | 0:42:51 | |
-Jig for joy. -Jig for joy? | 0:42:51 | 0:42:53 | |
Catch her if you can, Charles. | 0:42:53 | 0:42:56 | |
And they are still game next time on Antiques Road Trip. | 0:42:56 | 0:42:59 | |
-It can be a bit like Snakes and Ladders. -Ssss. | 0:43:00 | 0:43:04 | |
You can go up, and you can come down. | 0:43:04 | 0:43:08 | |
Charles certainly gets down with some moves all of his own... | 0:43:08 | 0:43:12 | |
-Like that. -..while Anita channels her inner Chris Hoy. | 0:43:12 | 0:43:16 | |
Oh, Charlie can keep the Stag! | 0:43:16 | 0:43:19 | |
SHE LAUGHS | 0:43:19 | 0:43:21 | |
Dear, oh, dear. | 0:43:21 | 0:43:22 | |
Cheerio, chaps. | 0:43:24 | 0:43:26 |