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The nation's favourite antiques experts, £200 each, | 0:00:02 | 0:00:04 | |
-and one big challenge... -Testing, testing. | 0:00:04 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Do I see 80? 75? | 0:00:12 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit - | 0:00:14 | 0:00:17 | |
but it's not as easy as it sounds, | 0:00:17 | 0:00:19 | |
-and there can only be one winner. -Come on - let's go! | 0:00:19 | 0:00:22 | |
So, will it be highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
Job done. | 0:00:26 | 0:00:28 | |
I'm now broke! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week, we kick off with our first duo of antique trippers, | 0:00:39 | 0:00:44 | |
and they're two young guns who just happen to be the best of friends. | 0:00:44 | 0:00:48 | |
Whoo! | 0:00:48 | 0:00:49 | |
Charles "Hands On" Hanson is an auctioneer, | 0:00:50 | 0:00:55 | |
whose great passion is early English porcelain. | 0:00:55 | 0:00:58 | |
He also has a lot to prove. | 0:00:58 | 0:01:00 | |
He came bottom in the last series, finishing with a paltry £98.66, | 0:01:00 | 0:01:04 | |
and he's determined to redeem himself this time. | 0:01:04 | 0:01:08 | |
£85. Do I see 80? 75? 70? 65? 60? | 0:01:08 | 0:01:14 | |
Jonathan Pratt hails from Sussex | 0:01:14 | 0:01:16 | |
and runs one of the county's leading auction houses. | 0:01:16 | 0:01:19 | |
The reason he became an auctioneer is Lovejoy. | 0:01:19 | 0:01:23 | |
Yep, that's right - the 1980s series about a dodgy antiques dealer, | 0:01:23 | 0:01:27 | |
with an even dodgier mullet. | 0:01:27 | 0:01:29 | |
I'll give you a £200 deposit and pay the rest next week? | 0:01:29 | 0:01:32 | |
-Well, that'd do. -OK, brilliant! | 0:01:32 | 0:01:34 | |
We start the first leg of the trip with Charles and Jonathan | 0:01:35 | 0:01:38 | |
zipping through Northern Ireland to the north-west of England. | 0:01:38 | 0:01:42 | |
The first leg of the competition starts in Greyabbey, | 0:01:42 | 0:01:45 | |
ending with an auction showdown in Belfast. | 0:01:45 | 0:01:47 | |
And they're driving this sporty little number, | 0:01:47 | 0:01:51 | |
an Alfa Romeo Spider Kamm Tail. | 0:01:51 | 0:01:53 | |
-Is it '71, this vehicle? -'77. -'77? | 0:01:53 | 0:01:57 | |
A year before I was born. | 0:01:57 | 0:01:59 | |
-And yourself? -I was five. | 0:01:59 | 0:02:02 | |
So you've got experience. | 0:02:02 | 0:02:05 | |
Five years more of wearing flares and stupid tank-tops than you! | 0:02:05 | 0:02:10 | |
Our chaps are in picturesque County Down, | 0:02:13 | 0:02:16 | |
heading towards their first shopping stop, Greyabbey. | 0:02:16 | 0:02:20 | |
It's called Greyabbey because of - surprise, surprise - | 0:02:20 | 0:02:24 | |
this stunning 12th Century Cistercian abbey, | 0:02:24 | 0:02:27 | |
but it was almost completely destroyed just over a century later | 0:02:27 | 0:02:32 | |
by Edward, the younger and less famous brother of Robert the Bruce. | 0:02:32 | 0:02:36 | |
You know - the one who gave the English a drubbing | 0:02:36 | 0:02:39 | |
at the Battle of Bannockburn. | 0:02:39 | 0:02:42 | |
I wonder if the village is ready for its next invasion. | 0:02:42 | 0:02:46 | |
Yee-ha, boy! | 0:02:46 | 0:02:47 | |
There we go. | 0:02:49 | 0:02:50 | |
Nice dismount, Charlie! | 0:02:52 | 0:02:54 | |
-Good luck, mate. -Yeah, good luck. Don't spend all your money. | 0:02:54 | 0:02:57 | |
-Take your time and look after your money. See you later. -Oh! | 0:02:57 | 0:03:01 | |
Right, here we go. | 0:03:01 | 0:03:02 | |
Do stop jumping everywhere, Jonathan! You're not Zebedee. | 0:03:06 | 0:03:10 | |
You must be fit guys, jumping over the fence like that! | 0:03:10 | 0:03:13 | |
Thank you very much. I've got to remember my back, actually. | 0:03:13 | 0:03:18 | |
This is quite an impressive place you've got here. A nice selection of stuff. | 0:03:18 | 0:03:22 | |
Not only is Jonathan a Road Trip novice, | 0:03:22 | 0:03:25 | |
he's also buying for a market he doesn't know. | 0:03:25 | 0:03:29 | |
Well, there's nothing like taking a chap out of his comfort zone, what? | 0:03:29 | 0:03:33 | |
This is actually the first antiques shop I've been in outside England. | 0:03:35 | 0:03:38 | |
Outside my neck of the woods, really. | 0:03:38 | 0:03:42 | |
Meanwhile, Charles hopes that tapping into Janet Greeves' insider knowledge | 0:03:42 | 0:03:46 | |
will give him an advantage over his rival. | 0:03:46 | 0:03:49 | |
We're going to an auction house in Belfast, looking for things which really are going to make some money. | 0:03:49 | 0:03:55 | |
So something local, which might just have the right ingredients for success. | 0:03:55 | 0:04:01 | |
And success is what Charles is after, | 0:04:01 | 0:04:04 | |
given his poor showing in the first series. | 0:04:04 | 0:04:07 | |
-A few things to point you at - Irish silver. -A-ha. | 0:04:07 | 0:04:09 | |
-Have you got a certain amount of money you can spend? What is it? -£200. -Oh, dear! | 0:04:09 | 0:04:14 | |
What makes Irish silver so sought-after is both its rarity | 0:04:14 | 0:04:19 | |
and quirky design features, | 0:04:19 | 0:04:21 | |
such as the splendid engraving you see on this fine silver platter | 0:04:21 | 0:04:25 | |
that Jonathan's admiring next door. | 0:04:25 | 0:04:28 | |
168 ounces. Dublin 1870. | 0:04:28 | 0:04:31 | |
-That's the biggest salver I've ever actually seen. -That's a big one. | 0:04:31 | 0:04:35 | |
It's a weighty old thing. | 0:04:35 | 0:04:37 | |
Hibernia, Dublin. | 0:04:39 | 0:04:41 | |
Jonathan's a man who knows his hallmarks. | 0:04:41 | 0:04:44 | |
Jewellery is his particular area of expertise, | 0:04:44 | 0:04:47 | |
but even the £6,500 price tag hasn't out our young blade off this joker. | 0:04:47 | 0:04:52 | |
-I'll give you a £200 deposit and pay the rest next week? -That would do! | 0:04:52 | 0:04:57 | |
Brilliant! I might owe you a lot more money, then. | 0:04:57 | 0:05:00 | |
-We'll not charge you interest. -Good. | 0:05:00 | 0:05:02 | |
Yes, Jonathan, probably safer to put that one back in the cabinet. | 0:05:02 | 0:05:07 | |
Meanwhile, Charles is fantasising about his perfect purchase. | 0:05:07 | 0:05:11 | |
What I'm hoping to find is something which really describes history, | 0:05:12 | 0:05:17 | |
is full of heritage, full of age, | 0:05:17 | 0:05:19 | |
which, with those ingredients and condition, really will make money at auction. | 0:05:19 | 0:05:23 | |
That's my game plan - buy a genuine antique. | 0:05:23 | 0:05:26 | |
Here's a very fine teapot - around 1775, 1780. | 0:05:26 | 0:05:31 | |
It's evocative of the neo-classical movement. | 0:05:31 | 0:05:34 | |
OK, we've got a lid which has had some restoration... | 0:05:34 | 0:05:37 | |
Just by giving it a small... | 0:05:37 | 0:05:38 | |
Feeling a bit peckish, Charles? | 0:05:40 | 0:05:42 | |
Actually, he reason he's doing this is that porcelain usually has | 0:05:42 | 0:05:45 | |
a hard, dense, cold feel to the tooth, | 0:05:45 | 0:05:49 | |
but this teapot has a softness and warmth, which points to Restoration. | 0:05:49 | 0:05:54 | |
But even so, it's elegant, desirable and, at £78, it isn't bad. | 0:05:54 | 0:06:00 | |
But the heart is ruling the commercial mind. | 0:06:00 | 0:06:04 | |
I must put it down and walk away. | 0:06:04 | 0:06:07 | |
But Jonathan isn't quite ready to walk away from his first shop. | 0:06:07 | 0:06:11 | |
Bridge On The Logan by George Kirk, is that? | 0:06:11 | 0:06:14 | |
Er, not quite, Jonathan. | 0:06:14 | 0:06:17 | |
The Lagan. That's Belfast, so it is. | 0:06:17 | 0:06:19 | |
The Lagan is Belfast's most important river. | 0:06:19 | 0:06:23 | |
Whilst it looks deceptively rural in this engraving, | 0:06:23 | 0:06:26 | |
it supported a major shipbuilding industry in the city itself, | 0:06:26 | 0:06:30 | |
and it's on offer to Jonathan for a mere £20. | 0:06:30 | 0:06:33 | |
I really do love engravings. | 0:06:33 | 0:06:35 | |
The amount of work that goes into producing something like this | 0:06:35 | 0:06:38 | |
is the same as a watercolour and as an oil painting. | 0:06:38 | 0:06:42 | |
Engraving is a technique that's almost 600 years old. | 0:06:42 | 0:06:45 | |
An image is cut onto a metal plate and ink is applied and wiped off, | 0:06:45 | 0:06:49 | |
so the ink stays only in the engraved lines. | 0:06:49 | 0:06:53 | |
Press paper onto the plate and you're left with this. | 0:06:53 | 0:06:56 | |
-This would be done around 1900, 1910 again? -Yes. | 0:06:56 | 0:07:00 | |
We're going to Belfast, | 0:07:00 | 0:07:03 | |
and this is such a major part of Belfast. I like that. 15? | 0:07:03 | 0:07:08 | |
-20! -It's 20? -Yeah. | 0:07:08 | 0:07:11 | |
It's worth that all day long. | 0:07:11 | 0:07:14 | |
20 quid. Thank you very much, job done. | 0:07:15 | 0:07:17 | |
I've gone for something which is Belfast - | 0:07:17 | 0:07:21 | |
identifiable as a Belfast subject - and not a lot of money. | 0:07:21 | 0:07:25 | |
I think it's perfect, actually! | 0:07:25 | 0:07:26 | |
£20. Very happy. | 0:07:26 | 0:07:29 | |
Congratulations, Jonathan - | 0:07:29 | 0:07:32 | |
the first decisive purchase of the week. | 0:07:32 | 0:07:35 | |
Just across the courtyard, Charles is still trying to sniff out his first bargain. | 0:07:35 | 0:07:40 | |
-Nice table, isn't it? -It is lovely. -Very Irish in inspiration. | 0:07:40 | 0:07:44 | |
This front is so typical of the 1870 period, it really is. | 0:07:44 | 0:07:49 | |
How it lobed and falls in is so evocative of high Victorian furniture. | 0:07:49 | 0:07:55 | |
This late 19th Century, Regency style, mahogany side table | 0:07:55 | 0:07:59 | |
has been made in the manner of the Regency designer Thomas Hope. | 0:07:59 | 0:08:03 | |
He was a man with a vision, | 0:08:03 | 0:08:04 | |
determined to reform contemporary taste by imbuing it | 0:08:04 | 0:08:07 | |
with the spirit of classical purity. | 0:08:07 | 0:08:09 | |
-What's your best price on it, between friends? -About 200. -£200. | 0:08:11 | 0:08:15 | |
That's the top of Charles's budget. | 0:08:15 | 0:08:18 | |
We can see we're missing some of the beading, the moulding, on the frieze. | 0:08:18 | 0:08:23 | |
It's a gamble at £200, isn't it, in a saleroom? | 0:08:23 | 0:08:27 | |
I would probably say to you, "Look, here's £100." | 0:08:27 | 0:08:30 | |
-Done deal. -Really? | 0:08:30 | 0:08:32 | |
Absolutely. | 0:08:32 | 0:08:34 | |
Am I being a bit too keen? | 0:08:34 | 0:08:36 | |
Yes, Charles, you are! | 0:08:36 | 0:08:38 | |
Meanwhile, Jonathan's on the hunt for his next lucky purchase. | 0:08:38 | 0:08:43 | |
I'm not going to buy paintings. | 0:08:43 | 0:08:45 | |
What's this one? | 0:08:47 | 0:08:48 | |
That's the toilets! HE CHUCKLES | 0:08:52 | 0:08:54 | |
Oh, dear. Try spending a penny in an antique shop, Jonathan! | 0:08:54 | 0:08:59 | |
Charles, who's still in shop number two, | 0:08:59 | 0:09:02 | |
is in a quandary over his table. | 0:09:02 | 0:09:04 | |
I should really stay away from it but I like it because of this decorative lump. | 0:09:04 | 0:09:09 | |
Charles's impulsive nature has led to trouble in the past, but will he learn from his mistakes? | 0:09:09 | 0:09:15 | |
Can I just take these bits off and have a quick look at it? | 0:09:15 | 0:09:18 | |
Well played, Charles. | 0:09:18 | 0:09:20 | |
If you really want to have a closer look, take everything off first. | 0:09:20 | 0:09:24 | |
You never know what might be hiding underneath. | 0:09:24 | 0:09:27 | |
We've got some... | 0:09:27 | 0:09:29 | |
woodworm and losses to the veneer. | 0:09:29 | 0:09:33 | |
-What's absolutely the best price? -Say 75. | 0:09:33 | 0:09:36 | |
From an opening £200 down to £75. Good work, Charles. | 0:09:36 | 0:09:41 | |
Would you take... | 0:09:41 | 0:09:43 | |
£40 for it? | 0:09:45 | 0:09:47 | |
-OK. -Lovely. Thank you very much. | 0:09:47 | 0:09:49 | |
No problem at all. | 0:09:49 | 0:09:51 | |
Wow! You really turned the tables on him there. | 0:09:51 | 0:09:54 | |
Impressive haggling, Hanson! | 0:09:54 | 0:09:57 | |
In another of Greyabbey's little antique shops, | 0:09:58 | 0:10:01 | |
Jonathan's distracted by something ticking. | 0:10:01 | 0:10:04 | |
And the Omega Constellation's in at 100? | 0:10:04 | 0:10:07 | |
Yeah. It's just gold-plated. | 0:10:07 | 0:10:11 | |
I think it's about 1970. | 0:10:11 | 0:10:13 | |
The Sea Master is Omega's iconic water-resistant watch range, | 0:10:13 | 0:10:17 | |
worn by - amongst others - British Royal Navy divers, | 0:10:17 | 0:10:21 | |
the pioneering marine conservationist Jacques Cousteau | 0:10:21 | 0:10:24 | |
and, of course, James Bond. | 0:10:24 | 0:10:27 | |
That's a possibility for the auction you're going to. | 0:10:28 | 0:10:31 | |
They have a lot of watch collectors. | 0:10:31 | 0:10:34 | |
Do they? What's the price on that? | 0:10:34 | 0:10:37 | |
-80. -80? That's the very best? -Mm-hm. | 0:10:37 | 0:10:39 | |
It's ticking away nicely. | 0:10:39 | 0:10:42 | |
You wouldn't do it for 70? | 0:10:42 | 0:10:44 | |
-I can't. Sorry, I really can't. -That's possible. OK, that is possible. | 0:10:47 | 0:10:51 | |
Next door, Charles makes a surprising discovery. | 0:10:51 | 0:10:56 | |
Derek, is that a watercolour down there, the picture? | 0:10:56 | 0:10:58 | |
Do I recognise that? I know! | 0:10:58 | 0:11:02 | |
-May I say...? -Yes. -James Lewis... | 0:11:02 | 0:11:05 | |
He bought this on the last Antique Road Trip. | 0:11:05 | 0:11:09 | |
-There you go. -Great head of hair. | 0:11:09 | 0:11:11 | |
Yeah, I wish! I feel quite envious. | 0:11:11 | 0:11:14 | |
When I was younger I had a head of hair like that. | 0:11:14 | 0:11:16 | |
Are you sure, James? | 0:11:16 | 0:11:18 | |
Would you take 65? | 0:11:18 | 0:11:19 | |
No, honestly. No, it won't happen. | 0:11:19 | 0:11:22 | |
We'll call it 70 and have a deal. | 0:11:22 | 0:11:24 | |
James paid £70 for this picture in the last series. | 0:11:24 | 0:11:28 | |
How much is it now priced at? | 0:11:28 | 0:11:30 | |
-280. -Isn't that amazing? | 0:11:30 | 0:11:32 | |
Yes, Charles, the world of antiques is a small one. | 0:11:32 | 0:11:36 | |
Meanwhile, the clock is ticking for Jonathan. | 0:11:36 | 0:11:39 | |
I will take the Omega, please, at... What did we agree? | 0:11:39 | 0:11:45 | |
Good question! | 0:11:45 | 0:11:47 | |
£80, wasn't it? | 0:11:47 | 0:11:50 | |
-I think I said 85. -You did say 85. | 0:11:50 | 0:11:52 | |
No, it was definitely £80. | 0:11:52 | 0:11:55 | |
Do it for around 80? | 0:11:55 | 0:11:57 | |
It's so well priced at that - it really kills me to do more. | 0:11:57 | 0:12:00 | |
I'll split it with you. | 0:12:00 | 0:12:02 | |
-OK. -82. | 0:12:02 | 0:12:04 | |
-OK, £82. -Now you're haggling upwards. | 0:12:04 | 0:12:06 | |
You've not got the hang of this, have you, Jonathan? | 0:12:06 | 0:12:10 | |
-I'll take it. Thank you very much. -You're welcome. | 0:12:10 | 0:12:13 | |
What I'm going to do is wear it for the next couple of days | 0:12:13 | 0:12:16 | |
and I bet you Charlie doesn't notice. | 0:12:16 | 0:12:19 | |
-Cos he's all go, isn't he? -He's all go. -And he won't... | 0:12:19 | 0:12:23 | |
-There we go. -OK. Best of luck. | 0:12:23 | 0:12:25 | |
-Thank you very, very much. -Hope it works out for you. -Fantastic. | 0:12:25 | 0:12:29 | |
It's Charles, now, who can't drag himself away from Derek's shop. | 0:12:29 | 0:12:33 | |
-This mug here. -Little Chinese mug. | 0:12:36 | 0:12:38 | |
-How early is that? -About 1810, 1820s? | 0:12:38 | 0:12:42 | |
-Might be a bit earlier. -What's the best price on that, Derek? | 0:12:42 | 0:12:45 | |
-£30 to you. -Would you take... | 0:12:46 | 0:12:49 | |
£20 for it? | 0:12:49 | 0:12:51 | |
DEREK CHUCKLES | 0:12:51 | 0:12:53 | |
-I'd buy them all day long at 25. -Would you? | 0:12:53 | 0:12:55 | |
25 - split it with you. | 0:12:55 | 0:12:58 | |
Why is porcelain expert Charles | 0:12:58 | 0:13:00 | |
so reticent to tell us anything about this mug? | 0:13:00 | 0:13:04 | |
I want 60 for it and you're having it for 25. | 0:13:04 | 0:13:07 | |
Derek... | 0:13:08 | 0:13:10 | |
Thanks ever so much. I'll buy it. | 0:13:10 | 0:13:12 | |
-Bought. Happy. Thanks, Derek. -No problem. | 0:13:12 | 0:13:16 | |
What's that cunning look in Charles's eye, then? | 0:13:16 | 0:13:19 | |
The clock strikes. | 0:13:19 | 0:13:21 | |
That's my second buy. | 0:13:21 | 0:13:23 | |
I'm very happy. Derek, could you wrap it for me? | 0:13:23 | 0:13:28 | |
I'll have a word shortly on what we've got. | 0:13:28 | 0:13:32 | |
Thanks, Derek. Cheers. | 0:13:32 | 0:13:33 | |
Charles looks suspiciously pleased with himself. | 0:13:33 | 0:13:36 | |
I'm quite happy with this. | 0:13:36 | 0:13:38 | |
Derek sold it to me as being early 19th Century Chinese. | 0:13:38 | 0:13:42 | |
In fact, what we do have here | 0:13:42 | 0:13:44 | |
is probably a late Kangxi piece of porcelain, or what they call | 0:13:44 | 0:13:48 | |
Chinese Yongzheng, which would date this mug to around 1700, 1720. | 0:13:48 | 0:13:54 | |
So, in fact, it's probably 180 years earlier than Derek thinks. | 0:13:54 | 0:13:58 | |
Charles, I wonder if your expertise has helped you choose a cheeky winner. | 0:13:58 | 0:14:03 | |
The morning has gone and our two young blades have already bought two items each. | 0:14:04 | 0:14:09 | |
Now it's time to crack on to the next destination. | 0:14:09 | 0:14:12 | |
-You ready? -Yep, go now. Let's go. | 0:14:12 | 0:14:14 | |
They're heading south to the ferry, crossing in the picturesque town | 0:14:19 | 0:14:23 | |
of Portaferry on the banks of Strangford Lough. | 0:14:23 | 0:14:28 | |
It's just idyllic, isn't it? | 0:14:28 | 0:14:29 | |
Absolutely. You can smell as smell the sea air now. | 0:14:29 | 0:14:32 | |
For our young road trippers, not even paying for the ferry crossing | 0:14:32 | 0:14:37 | |
-is as straightforward as it should be. -£5.80. | 0:14:37 | 0:14:40 | |
-Come on! -Any discount? | 0:14:40 | 0:14:42 | |
-£5.80. -Between friends? | 0:14:42 | 0:14:45 | |
-No. -Well, thank you. | 0:14:45 | 0:14:47 | |
It looks like Charles has met his match. | 0:14:47 | 0:14:49 | |
-£5.80. -This is coming out of my spending money, you know. | 0:14:49 | 0:14:52 | |
-That's the idea. -60, 80... | 0:14:52 | 0:14:54 | |
Cheers. Thank you very much. | 0:14:54 | 0:14:56 | |
And we're off. | 0:15:04 | 0:15:06 | |
Having left Greyabbey | 0:15:06 | 0:15:08 | |
and taken the ferry over to Strangford, | 0:15:08 | 0:15:11 | |
they're now heading north to Saintfield, | 0:15:11 | 0:15:14 | |
their next stop. | 0:15:14 | 0:15:15 | |
Saintfield dates back to the early 18th Century, | 0:15:15 | 0:15:18 | |
and it was then known for its corn, flour and flax mills. | 0:15:18 | 0:15:22 | |
Today, however, it's better known for its antiques. | 0:15:22 | 0:15:25 | |
Good news for our boys. | 0:15:25 | 0:15:27 | |
With two shops to choose from, | 0:15:27 | 0:15:29 | |
our guys decide in time-honoured tradition who goes where. | 0:15:29 | 0:15:32 | |
-OK, ready? -One, two, three... | 0:15:32 | 0:15:36 | |
-Blunts the scissors. -Your choice. -See you later. | 0:15:36 | 0:15:39 | |
Thank you very much. | 0:15:41 | 0:15:42 | |
Hiya. | 0:15:42 | 0:15:44 | |
-How are you? -Very good. How are you? | 0:15:44 | 0:15:46 | |
-Not too bad. -This looks very nice. | 0:15:46 | 0:15:48 | |
It might look nice, but the prices are a bit rich for Jonathan. | 0:15:48 | 0:15:51 | |
82, I've spent 100 and something. | 0:15:51 | 0:15:54 | |
So I've got just under £100 left. | 0:15:54 | 0:15:56 | |
Everything... Look at that - that's really sweet. | 0:15:56 | 0:15:59 | |
It's the sort of thing I know will sell well, but he's asking 248. | 0:15:59 | 0:16:02 | |
Way over the money. Not even worth looking at, to be honest. | 0:16:02 | 0:16:05 | |
£95. | 0:16:07 | 0:16:09 | |
Ooh, careful, Jonathan. | 0:16:19 | 0:16:21 | |
Where there's no sense, there's no feeling. | 0:16:21 | 0:16:23 | |
Next door, Charles is trying awfully hard not to break anything. | 0:16:23 | 0:16:26 | |
They're nice, aren't they? | 0:16:26 | 0:16:28 | |
-They are nice. -Very, very stylish. | 0:16:28 | 0:16:30 | |
They're very pink, they're very pretty. Like you are, madam. | 0:16:30 | 0:16:34 | |
-Thank you. -Very, very pretty, OK. | 0:16:34 | 0:16:37 | |
-How much are they? I'm not trying to sweet-talk you at all. -Right, OK. | 0:16:37 | 0:16:40 | |
Yes, you are, Charles! | 0:16:40 | 0:16:42 | |
-85 for the pair. -Do I see 80? 75? 70? | 0:16:42 | 0:16:47 | |
65? 60? | 0:16:47 | 0:16:48 | |
Are you selling at 60? | 0:16:48 | 0:16:50 | |
-Well, I will sell them at 60. -£60. | 0:16:50 | 0:16:53 | |
I think at auction, they're probably worth between £50 and £80. | 0:16:53 | 0:16:56 | |
I might have a chance. | 0:16:56 | 0:16:58 | |
-You just might. -I'll think about it. | 0:16:58 | 0:17:00 | |
-Thanks for your help. -That's fine. -I might come back. -OK. | 0:17:00 | 0:17:04 | |
Hi, Charlie. | 0:17:05 | 0:17:07 | |
-Did you find anything in there? -No. | 0:17:07 | 0:17:10 | |
-There's nice things, but it's all quite expensive. -In here, much the same. | 0:17:10 | 0:17:13 | |
Very, very nice, quite expensive. | 0:17:13 | 0:17:16 | |
Our two young chaps swap shops | 0:17:16 | 0:17:20 | |
and immediately, Charles is drawn to another vase. | 0:17:20 | 0:17:22 | |
These are interesting because these, | 0:17:22 | 0:17:25 | |
to all intents and purposes, | 0:17:25 | 0:17:27 | |
look to be Worcester first period from around 1775, | 0:17:27 | 0:17:32 | |
but, in fact, these were made by an imitator or a forger or a faker | 0:17:32 | 0:17:37 | |
who was Emile Samson, based in Paris in the 1880s, | 0:17:37 | 0:17:42 | |
and you wouldn't know by looking at them. | 0:17:42 | 0:17:45 | |
The only way you do know is by the paste, by the body. | 0:17:45 | 0:17:48 | |
-What are they worth? -I would need £180 for those. | 0:17:48 | 0:17:52 | |
180. You know your stuff. Yeah. | 0:17:52 | 0:17:54 | |
If they were the real things, £3,000 or £4,000, | 0:17:54 | 0:17:57 | |
but they're not - they're fakes but for the right reasons. | 0:17:57 | 0:18:01 | |
That's quite fun. A pigeon clock. | 0:18:01 | 0:18:04 | |
Presumably, a clock for timing your pigeons when you're racing them. | 0:18:05 | 0:18:09 | |
Rubber rings with unique serial numbers are attached | 0:18:09 | 0:18:13 | |
around the pigeon's leg before it's sent off to race. | 0:18:13 | 0:18:17 | |
The clock is set and when the bird returns, | 0:18:17 | 0:18:19 | |
its trainer removes the ring and puts it back in a specific slot | 0:18:19 | 0:18:23 | |
inside the clock, marking the official time the bird arrived home. | 0:18:23 | 0:18:27 | |
This pigeon clock, it says £48. What would you do it for? | 0:18:27 | 0:18:30 | |
-I could do it for round about 35. -£35. | 0:18:30 | 0:18:33 | |
And it's... It's just a novelty. | 0:18:33 | 0:18:36 | |
It is a novelty, yes. Some people do collect... | 0:18:36 | 0:18:39 | |
pigeon "mobilia". | 0:18:39 | 0:18:41 | |
Pigeon "mobilia" - that's a new one on me. Sounds like a car, doesn't it? | 0:18:41 | 0:18:46 | |
I'm in the Pigeon Mobile today. | 0:18:46 | 0:18:48 | |
This pigeon clock isn't coming home to roost for Jonathan. | 0:18:48 | 0:18:52 | |
It's now the end of the first day. | 0:18:52 | 0:18:54 | |
This is our first day, hopefully, of many. | 0:18:54 | 0:18:57 | |
-Raring to go? -Raring to go. -Happy? | 0:18:57 | 0:19:00 | |
-I'm very happy. I've had a good day, a really good day. It's been... -What? -..a really good experience. | 0:19:00 | 0:19:05 | |
Time for our experts to speed off to bustling Belfast. | 0:19:05 | 0:19:09 | |
And given that our boys have another strenuous day's shopping ahead of them tomorrow, | 0:19:09 | 0:19:13 | |
I'm hoping that they'll get some rest. | 0:19:13 | 0:19:16 | |
It's the start of the second day and our experts are raring to go. | 0:19:21 | 0:19:26 | |
Today, they're in Northern Ireland's capital, Belfast. | 0:19:26 | 0:19:31 | |
It's a city which once had the UK's biggest thread and tobacco factories. | 0:19:31 | 0:19:35 | |
It's also home to the historic Harland and Wolff shipyards, | 0:19:35 | 0:19:39 | |
which is where the last century's most iconic ship was built, the Titanic. | 0:19:39 | 0:19:45 | |
So far, Charles has spent a respectable £65 on two items - | 0:19:47 | 0:19:51 | |
a Regency style mahogany side table | 0:19:51 | 0:19:55 | |
and a Chinese porcelain blue-and-white mug. | 0:19:55 | 0:19:58 | |
My second buy. | 0:19:58 | 0:20:00 | |
I'm very happy. | 0:20:00 | 0:20:01 | |
So, he's left with a handsome £135 to shop. | 0:20:01 | 0:20:05 | |
Jonathan, meanwhile, has spent an impressive £102, also on two items. | 0:20:05 | 0:20:11 | |
An early 20th century engraving of the bridge over the Lagan... | 0:20:11 | 0:20:15 | |
-20 quid. -Thank you very much. Job done. | 0:20:15 | 0:20:17 | |
..and a racy Omega Seamaster gentleman's watch. | 0:20:17 | 0:20:21 | |
He's left with just £98. | 0:20:21 | 0:20:24 | |
While Charles swans off to see the sights, Jonathan hits the shops. | 0:20:24 | 0:20:29 | |
-Good morning. -Good morning. | 0:20:31 | 0:20:32 | |
How are you? Nice to meet you. | 0:20:32 | 0:20:35 | |
-Would you like to have a look round? -Thank you. This is a nice big shop. | 0:20:35 | 0:20:38 | |
Just like yesterday, | 0:20:38 | 0:20:39 | |
Jonathan's keen to find items of local interest, with the shop owner's help. | 0:20:39 | 0:20:44 | |
It's a little map of Ulster, which, really... Just from a local aspect. | 0:20:45 | 0:20:50 | |
-There's a couple of options. Obviously, you're your own... -Yeah. | 0:20:50 | 0:20:54 | |
I don't want to buy a map, though that's very kind of you to show me that. | 0:20:54 | 0:20:57 | |
I don't know - are you familiar with Killarney work? | 0:20:57 | 0:21:01 | |
A whole souvenir industry arose around the prime tourist destination | 0:21:01 | 0:21:05 | |
of Killarney in south-west Ireland. | 0:21:05 | 0:21:07 | |
A little needle holder and a little cylindrical box, | 0:21:07 | 0:21:12 | |
but a real touristy thing. It's late 19th, early 20th Century. | 0:21:12 | 0:21:16 | |
A big collectors' market for such things. | 0:21:16 | 0:21:19 | |
This might look like ebony, but actually, it's bog oak. | 0:21:19 | 0:21:22 | |
Entire forests lie perfectly preserved | 0:21:22 | 0:21:25 | |
underneath Ireland's many bogs. | 0:21:25 | 0:21:28 | |
The lack of oxygen in waterlogged peat | 0:21:30 | 0:21:32 | |
prevents the natural process of decay, | 0:21:32 | 0:21:34 | |
giving bog oak strength and durability | 0:21:34 | 0:21:37 | |
and its characteristic black colour. | 0:21:37 | 0:21:40 | |
That piece could be £60. | 0:21:40 | 0:21:43 | |
-And £70 for that. -60 and 70? -Yes. | 0:21:43 | 0:21:46 | |
-That would be... -Right. | 0:21:46 | 0:21:47 | |
Well, that's got a harp on, as well. | 0:21:48 | 0:21:50 | |
-Is this the sort of thing that would sell at the local auctioneers'? -I would think they would fly out, yes. | 0:21:50 | 0:21:56 | |
Would you do it for 65? | 0:21:56 | 0:21:58 | |
What about 68 and we'll have a deal? | 0:22:00 | 0:22:04 | |
That will leave me £30. | 0:22:04 | 0:22:06 | |
That will leave an even £30. | 0:22:06 | 0:22:08 | |
-Go on. -OK. -And that's mine. | 0:22:08 | 0:22:11 | |
-That's good. The luck of the Irish. -Yes, indeed. | 0:22:13 | 0:22:15 | |
While Jonathan's on a mission to spend, spend, spend, | 0:22:15 | 0:22:19 | |
Charles is seeing the sights of Belfast. | 0:22:19 | 0:22:23 | |
Belfast City Hall is the city's most iconic building. | 0:22:24 | 0:22:29 | |
It was planned when Queen Victoria gave Belfast city status in 1888 | 0:22:29 | 0:22:35 | |
and finally opened in 1906. | 0:22:35 | 0:22:38 | |
Today, it's the civic building of the city council. | 0:22:41 | 0:22:44 | |
If you want to register a birth or death, | 0:22:44 | 0:22:47 | |
apply for a wedding licence or even get married, | 0:22:47 | 0:22:50 | |
the City Hall is where you do it. | 0:22:50 | 0:22:52 | |
Wow! | 0:22:52 | 0:22:54 | |
The grandeur, the opulence. When you look around, | 0:22:54 | 0:22:58 | |
you see the ornate plasterwork, | 0:22:58 | 0:23:00 | |
the wonderful marble slabs mounted on every conceivable wall. | 0:23:00 | 0:23:05 | |
In the centre we can see this wonderful cupola. | 0:23:05 | 0:23:07 | |
It goes up so many tiers, like a big icing cake. | 0:23:07 | 0:23:12 | |
-Good morning. -Good morning. | 0:23:12 | 0:23:14 | |
What a grand staircase you have. Charles Hanson. | 0:23:14 | 0:23:17 | |
-Cindy. Welcome to Belfast City Hall. -Nice to meet you. | 0:23:17 | 0:23:19 | |
-What do you think of our wonderful building? -I think it's incredible. | 0:23:19 | 0:23:23 | |
I... Cindy, to me, it's evidently so classic of a great Roman past. | 0:23:23 | 0:23:28 | |
The rooms are full of precious antiques, | 0:23:28 | 0:23:32 | |
and one piece in particular catches Charles's eye. | 0:23:32 | 0:23:36 | |
So this over here, to me, | 0:23:36 | 0:23:38 | |
looks a very, very nice | 0:23:38 | 0:23:42 | |
early 20th Century Edwardian cum George V mahogany sideboard, | 0:23:42 | 0:23:46 | |
but we all know in the business of auctioneering and | 0:23:46 | 0:23:50 | |
the value of antiques, pedigree, provenance, where it came from, | 0:23:50 | 0:23:54 | |
who it belonged to is everything. | 0:23:54 | 0:23:57 | |
-It's actually walnut. -Oh, it's walnut? Right, sorry. | 0:23:57 | 0:24:00 | |
It's a beautiful walnut sideboard specially commissioned | 0:24:00 | 0:24:03 | |
to go on to the Titanic, to the captain of the Titanic's quarters. | 0:24:03 | 0:24:07 | |
It wasn't finished in time. The ship had sailed. | 0:24:07 | 0:24:11 | |
This ought to now be resting on the seabed. Can we value it, Cindy? | 0:24:11 | 0:24:16 | |
Well, we've had it valued at over £100,000. | 0:24:16 | 0:24:21 | |
Because of that provenance - | 0:24:21 | 0:24:23 | |
-the pedigree, the romance, the drama. -Very much so. | 0:24:23 | 0:24:26 | |
Don't get too carried away by the sideboard, Charles. | 0:24:26 | 0:24:29 | |
Remember, there's still shopping to be done. | 0:24:29 | 0:24:33 | |
Meanwhile, Jonathan's remaining £30 is burning in hole in his pocket. | 0:24:34 | 0:24:39 | |
What are these two little chaps here? | 0:24:39 | 0:24:41 | |
-Those are little spirit measures. -OK. | 0:24:41 | 0:24:44 | |
They've been given out for music festivals. | 0:24:44 | 0:24:47 | |
"Londonderry junior piano." | 0:24:47 | 0:24:50 | |
-They're like trophies? -Yeah. -OK. | 0:24:50 | 0:24:52 | |
Let's hope these juniors were old enough to drink their shots. | 0:24:52 | 0:24:57 | |
They're Birmingham hallmarks. | 0:24:57 | 0:25:00 | |
It's a capital D, which is... | 0:25:01 | 0:25:04 | |
-1924. There's an element of the Deco about it with the fins. -Yeah. | 0:25:04 | 0:25:09 | |
It's almost reminiscent of, er... | 0:25:09 | 0:25:12 | |
It's like a bomb, you know. You know, the, er... | 0:25:12 | 0:25:15 | |
the rocket sort of thing. | 0:25:15 | 0:25:17 | |
And on sale for £50 for the pair. | 0:25:17 | 0:25:20 | |
They're quite sweet. | 0:25:20 | 0:25:22 | |
Early. Nice design. | 0:25:22 | 0:25:24 | |
Made of silver. | 0:25:24 | 0:25:26 | |
Local interest. | 0:25:26 | 0:25:28 | |
You'll let me have these for...? | 0:25:28 | 0:25:31 | |
-£30. -£30, that's basically what I've got left. | 0:25:31 | 0:25:35 | |
OK. I'll take it. | 0:25:35 | 0:25:37 | |
Thank you very much. Job done. | 0:25:37 | 0:25:40 | |
I'm now broke. | 0:25:40 | 0:25:42 | |
Asset rich and cash poor, I think I am. | 0:25:42 | 0:25:44 | |
It's the first leg of the road trip and already, | 0:25:44 | 0:25:48 | |
Jonathan's blown all his money. | 0:25:48 | 0:25:50 | |
Is it a brave or a foolhardy move? | 0:25:50 | 0:25:52 | |
Only time will tell. | 0:25:52 | 0:25:54 | |
This is a really steep learning curve. | 0:25:54 | 0:25:57 | |
I'm hoping I'm going to come out at the end of it | 0:25:57 | 0:26:00 | |
with £200, at least, in my pocket. | 0:26:00 | 0:26:01 | |
I'd be very pleased | 0:26:01 | 0:26:02 | |
and I'll have learned something for the next auction. | 0:26:02 | 0:26:05 | |
If I come out with a loss, after I've finished crying, | 0:26:05 | 0:26:08 | |
I'm going to...pull myself together and rethink my strategy. | 0:26:08 | 0:26:14 | |
With only two items for auction and £135 still to spend, | 0:26:21 | 0:26:25 | |
the pressure's on for Charles. | 0:26:25 | 0:26:27 | |
However, there's just one problem. | 0:26:29 | 0:26:31 | |
Well, I'm in downtown Belfast, | 0:26:34 | 0:26:36 | |
trying to find an antique shop or two. | 0:26:36 | 0:26:38 | |
-Trying to find an antique shop round here, can you help me at all? -No. -Antiques? | 0:26:38 | 0:26:42 | |
-No. -No? Er... | 0:26:42 | 0:26:45 | |
Belleek or Dublin silver, I'm trying to find. | 0:26:45 | 0:26:48 | |
-No. -Thank you, sir. Nice seeing you. All the best to you. Take care. | 0:26:48 | 0:26:51 | |
Fortunately, Charles decides to stop harassing passers-by | 0:26:51 | 0:26:55 | |
and look for the shop himself. | 0:26:55 | 0:26:58 | |
Hello? | 0:26:58 | 0:26:59 | |
Hello? No. | 0:27:01 | 0:27:02 | |
Oh! "Enquiries, number 88." This way. | 0:27:02 | 0:27:05 | |
-Afternoon to you, sir. -How are you, sir? | 0:27:05 | 0:27:08 | |
-Very well. -Nice to see you. | 0:27:08 | 0:27:09 | |
From England, I wish you well. | 0:27:09 | 0:27:12 | |
But it's his other shop that Charles is interested in. | 0:27:12 | 0:27:14 | |
We'll go for a wander. | 0:27:14 | 0:27:16 | |
I think one sold in Salisbury. | 0:27:20 | 0:27:23 | |
That's pretty, isn't it? | 0:27:23 | 0:27:25 | |
I like that. It's a nice silver | 0:27:25 | 0:27:29 | |
bonbon dish. | 0:27:29 | 0:27:31 | |
Birmingham 1920. | 0:27:31 | 0:27:33 | |
And it's £48. | 0:27:33 | 0:27:35 | |
Can Charles sweet-talk him into a deal? | 0:27:35 | 0:27:38 | |
Would you take £30 for this? | 0:27:38 | 0:27:40 | |
That will give me a chance. | 0:27:42 | 0:27:45 | |
35 and I'll do you a deal. | 0:27:45 | 0:27:48 | |
I'll pay you £30 for it between friends. | 0:27:48 | 0:27:50 | |
It'll give me a great start. | 0:27:50 | 0:27:53 | |
-OK. -Lawrence, you're a good sport. | 0:27:53 | 0:27:56 | |
As Charles wheels and deals, Jonathan's spent all his money | 0:27:56 | 0:28:01 | |
and is in the pub. But it's not just any old pub. | 0:28:01 | 0:28:05 | |
The 200-year-old Duke of York was blown up in 1972. | 0:28:05 | 0:28:10 | |
Since then, owner Willie Jack has tried to refurbish the pub | 0:28:10 | 0:28:15 | |
as it was in the 1950s and recreate a Belfast that no longer exists. | 0:28:15 | 0:28:21 | |
The mirrors, the murals, the bottles, the stained-glass windows | 0:28:21 | 0:28:25 | |
all go back to a time when the city was a strong industrial centre - | 0:28:25 | 0:28:30 | |
and knew how to distil its whiskies. | 0:28:30 | 0:28:33 | |
We walk through here to an individual collection of Dunville's Distillery, | 0:28:33 | 0:28:37 | |
the largest whisky-producing distillery in the world at one stage, | 0:28:37 | 0:28:41 | |
until too much was exported to America and Prohibition came along. | 0:28:41 | 0:28:47 | |
During Prohibition, low-quality bootlegged liquor | 0:28:47 | 0:28:51 | |
found its way into bottles labelled "Irish whisky". | 0:28:51 | 0:28:55 | |
Its reputation never really recovered and the whole whisky industry | 0:28:55 | 0:28:58 | |
was soon overtaken by the Scots. | 0:28:58 | 0:29:01 | |
We come into, er, | 0:29:01 | 0:29:03 | |
perhaps the nicest bit of the Duke of York. | 0:29:03 | 0:29:06 | |
All these things here are all Belfast companies, long since gone. | 0:29:09 | 0:29:14 | |
What we have never found out is some of these languages. | 0:29:14 | 0:29:17 | |
We think it's Moroccan. | 0:29:17 | 0:29:19 | |
Perhaps you can pronounce that. | 0:29:19 | 0:29:21 | |
I don't know. | 0:29:21 | 0:29:22 | |
JONATHAN READS THE SIGN | 0:29:22 | 0:29:25 | |
Maybe Moroccan. | 0:29:28 | 0:29:29 | |
Actually, Willie, it's a lot closer to home. | 0:29:29 | 0:29:32 | |
It's the native language of Jersey. | 0:29:32 | 0:29:35 | |
While Jonathan enjoys a pint... | 0:29:37 | 0:29:39 | |
Very nice. | 0:29:40 | 0:29:42 | |
..Charles, who still has £105 left to spend, | 0:29:42 | 0:29:45 | |
is following in his old mate's footsteps, literally. | 0:29:45 | 0:29:49 | |
-Look at that. So this... What we've got here... -The province of Ulster. | 0:29:50 | 0:29:54 | |
..is a Huntingdon engraving map of Ulster. | 0:29:54 | 0:29:58 | |
Thanks, Charles. Jonathan's already told us that. | 0:29:58 | 0:30:02 | |
1676. We're talking 10 years after the Great Fire of London. | 0:30:02 | 0:30:07 | |
I like it very much, I really do. It's the sort of thing which could make £150 | 0:30:07 | 0:30:11 | |
or it could make £40. I think if I bought this, | 0:30:11 | 0:30:14 | |
I'd have to spend...about £50. | 0:30:14 | 0:30:19 | |
To buy it from you. | 0:30:20 | 0:30:22 | |
Yes, yes. No, unfortunately, that wouldn't happen. | 0:30:22 | 0:30:25 | |
£90 would be the price on it. | 0:30:25 | 0:30:26 | |
I just think it tells a great story about my journey I've had so far, with Mr Pratt. | 0:30:26 | 0:30:31 | |
It's lovely to roll back time | 0:30:31 | 0:30:34 | |
and to be adventurous with objects that are so early. | 0:30:34 | 0:30:36 | |
Could it be that Charles is letting his art rule his head...again? | 0:30:36 | 0:30:42 | |
Put your hand out and clinch the deal. | 0:30:42 | 0:30:44 | |
You're a good salesman and I'm so, so keen. | 0:30:44 | 0:30:48 | |
I just... I just KNOW that will sell. | 0:30:48 | 0:30:52 | |
-I really, really know that will sell. -Do you? -I'm so confident. | 0:30:52 | 0:30:55 | |
I like it because it tells the story of my trip so far, | 0:30:55 | 0:30:59 | |
so I'll buy it. I've only got £15 left. | 0:30:59 | 0:31:03 | |
That doesn't matter. There's a long way to go. | 0:31:03 | 0:31:06 | |
-Isn't there, Donald? -Yep, absolutely. -A long way to go. | 0:31:06 | 0:31:09 | |
So...life's too short. | 0:31:09 | 0:31:11 | |
Let me wrap that and get you a receipt. | 0:31:11 | 0:31:13 | |
-Thanks so much. -Keep the books right. -That's a real gamble. | 0:31:13 | 0:31:16 | |
No point in having second thoughts now, Charles. | 0:31:16 | 0:31:19 | |
Now the buying's over, it's time for our chaps to show off their purchases. | 0:31:19 | 0:31:24 | |
But have they spent wisely? | 0:31:24 | 0:31:26 | |
I've had a great day - a really, really good day. | 0:31:26 | 0:31:29 | |
-How about you? -I've had a full 24 hours without you. It's amazing. I feel fresh again now. | 0:31:29 | 0:31:33 | |
-THEY CHUCKLE -Come on, let's go for it. | 0:31:33 | 0:31:36 | |
Oh, very nice. | 0:31:38 | 0:31:39 | |
A little engraving, early 20th Century, signed by the artist down the bottom there. | 0:31:39 | 0:31:44 | |
-George Kirk, is it? My valuation is between £30 and £50. -Oh, brilliant. | 0:31:44 | 0:31:48 | |
-What did you pay for it? -£20. | 0:31:48 | 0:31:50 | |
Oh, no! Good, I like it. I like it! | 0:31:50 | 0:31:54 | |
I've shown you mine, you show me yours. | 0:31:54 | 0:31:57 | |
Look at that. Do you like it? | 0:31:57 | 0:32:00 | |
Er, yeah, it's all right, actually. | 0:32:00 | 0:32:03 | |
I think it's quite nice because, in fact, it was sold as being early 19th Century. | 0:32:03 | 0:32:07 | |
To me, it's earlier. | 0:32:07 | 0:32:09 | |
I think it's late, late Kangxi, early Yongzheng, | 0:32:09 | 0:32:12 | |
which would make it around 1720. What's it worth? | 0:32:12 | 0:32:16 | |
-Those nibbles on there. -Age. | 0:32:16 | 0:32:18 | |
-We all over time get a few bruises. -Yeah, but, you know. £30-£40. | 0:32:18 | 0:32:23 | |
-That's OK. It cost me £25. -OK. | 0:32:23 | 0:32:25 | |
This is my next one. | 0:32:25 | 0:32:27 | |
-Tension, isn't it? -It is tense. | 0:32:27 | 0:32:30 | |
-Is it bog oak? -It is bog oak. | 0:32:30 | 0:32:32 | |
Rather than being ebony. | 0:32:32 | 0:32:34 | |
I would say it's worth between £30 and £40. | 0:32:34 | 0:32:36 | |
-Ooh! -What did you pay for it? | 0:32:36 | 0:32:39 | |
-68 quid. -Oh, no! | 0:32:39 | 0:32:41 | |
Ooh, a bit of silver. | 0:32:41 | 0:32:44 | |
Feel the weight of it. | 0:32:44 | 0:32:46 | |
HE CHUCKLES | 0:32:46 | 0:32:47 | |
It's going to blow out of my hand! | 0:32:47 | 0:32:49 | |
Do you know who it's by? | 0:32:49 | 0:32:50 | |
-No. -It's by Zimmerman. -Is it? | 0:32:50 | 0:32:53 | |
Birmingham. About 1915, I think. | 0:32:53 | 0:32:56 | |
If that came at the counter at the saleroom, I'd say it's worth £40-£60. | 0:32:56 | 0:33:00 | |
-Yes, yes. £30. -Very good. | 0:33:00 | 0:33:03 | |
Small profits but long-term gain. | 0:33:03 | 0:33:06 | |
Oh, nice. Now these are good. They're explosive, aren't they? | 0:33:06 | 0:33:10 | |
-Futuristic. -Absolutely. | 0:33:10 | 0:33:11 | |
-They are for shots, measures, something like that. -OK. | 0:33:11 | 0:33:15 | |
-Nice weight. -Feel the weight of those. -Feel the weight. Oh, my God. | 0:33:15 | 0:33:19 | |
I would say they're nice. Between £40 and £60 for the pair. | 0:33:19 | 0:33:23 | |
-Paid £30 for them. -Good, excellent. | 0:33:25 | 0:33:27 | |
My next item... | 0:33:27 | 0:33:28 | |
I must admit, if I'm going to come a cropper, it's this. | 0:33:28 | 0:33:31 | |
Because I was swung by the dealer completely. | 0:33:31 | 0:33:36 | |
Just look at that. | 0:33:36 | 0:33:38 | |
It's not my area of expertise. I could have blown a bomb here. | 0:33:38 | 0:33:41 | |
I could have completely wiped my profit out. I'm a bit concerned. | 0:33:41 | 0:33:45 | |
-I actually saw this as well. -Oh, right! | 0:33:45 | 0:33:47 | |
-I turned it down. -Oh, right! For me, it's a souvenir for you and I | 0:33:47 | 0:33:52 | |
and I'm hoping for me it will make some money. | 0:33:52 | 0:33:55 | |
-If it doesn't sell, you can keep it at the end. -What's it worth? | 0:33:55 | 0:33:59 | |
I know what you'll say. "If it came to my auction room, between £30 and £40." | 0:33:59 | 0:34:02 | |
I might be a little bit more generous than that, | 0:34:02 | 0:34:05 | |
but I know what he was asking for. I might say £50 to £70. | 0:34:05 | 0:34:08 | |
It cost me 90. Have I paid too much? | 0:34:08 | 0:34:12 | |
Possibly. | 0:34:12 | 0:34:13 | |
But I think it's worth it. | 0:34:13 | 0:34:16 | |
-My fourth object. -Where is it? | 0:34:16 | 0:34:18 | |
-No! You bought a watch? -Yeah, I've been wearing it. | 0:34:19 | 0:34:23 | |
Is that the one you wore yesterday? I said, "Nice watch," in the car. | 0:34:23 | 0:34:26 | |
-You told me it was for your sale room. -I didn't. I said I bought it. | 0:34:26 | 0:34:31 | |
-Omega Seamaster. -Is it gold? | 0:34:31 | 0:34:34 | |
I bought it as being gold plated. | 0:34:34 | 0:34:36 | |
Oh, yes? It's marked 18K, isn't it? So it is gold. | 0:34:36 | 0:34:40 | |
-JP, this is your trump card. -Yeah, it could be. -I've gone all quiet now, have you noticed? | 0:34:40 | 0:34:45 | |
-I paid £82. -Oh, you're joking. | 0:34:45 | 0:34:47 | |
What's it worth? | 0:34:48 | 0:34:50 | |
I really think I could get £150 for it now. On a good day. | 0:34:50 | 0:34:54 | |
That's a very, very good watch. | 0:34:54 | 0:34:55 | |
I'm envious. I think that's your trump card. | 0:34:55 | 0:34:58 | |
I think you could be the victor. | 0:34:58 | 0:35:00 | |
Don't know. Get to your final piece, then. | 0:35:00 | 0:35:02 | |
It looks like you've got a piano, Charlie. | 0:35:02 | 0:35:06 | |
-You know, they say big is bold. -Big IS bold. -I'm a bold guy. | 0:35:06 | 0:35:09 | |
-Look at that. -Now, you might say, "Hanson, what have you done?" | 0:35:09 | 0:35:13 | |
I might say the same. | 0:35:13 | 0:35:14 | |
It's a very, very nice shape. | 0:35:14 | 0:35:16 | |
What I like so much are these wonderful cabriole legs. What's it worth? | 0:35:16 | 0:35:20 | |
I reckon you'll get 90 quid for it. | 0:35:20 | 0:35:23 | |
Cost me £40. | 0:35:23 | 0:35:25 | |
-Very, very good. -Yes! | 0:35:25 | 0:35:27 | |
They're shaking hands now, but let's see what they really think. | 0:35:27 | 0:35:31 | |
I think his biggest loss out of that lot is very likely the map. | 0:35:31 | 0:35:35 | |
I think the pin box or the small dressing-table jar and cover at £68, | 0:35:35 | 0:35:41 | |
a lot of money. | 0:35:41 | 0:35:43 | |
If it had been £48, I wouldn't have bought it. | 0:35:43 | 0:35:45 | |
£28, I wouldn't have bought it. | 0:35:45 | 0:35:48 | |
£10, maybe. | 0:35:48 | 0:35:50 | |
The little tatza. | 0:35:50 | 0:35:52 | |
Yeah, no, I mean, it's... It's pretty boring, really. | 0:35:52 | 0:35:55 | |
Again, he hasn't paid a lot of money for it, but that's possibly because not many people want to buy it. | 0:35:55 | 0:36:00 | |
It's been a fabulous road trip. | 0:36:02 | 0:36:05 | |
Our two chaps started off in scenic Greyabbey, | 0:36:05 | 0:36:08 | |
stopped off in Saintfield, | 0:36:08 | 0:36:10 | |
before finally arriving in Belfast. | 0:36:10 | 0:36:13 | |
And once again, | 0:36:13 | 0:36:14 | |
our two experts roll back into the city for auction day. | 0:36:14 | 0:36:18 | |
-Best of luck to you. -You might need it, anyway. | 0:36:18 | 0:36:21 | |
-Don't get too upset about it. -I won't. You going first? -No, ladies first. After you. | 0:36:21 | 0:36:26 | |
Aww, charming. Belfast Auctions first opened its doors 25 years ago, | 0:36:26 | 0:36:32 | |
and it sells everything from antiques and collectibles | 0:36:32 | 0:36:35 | |
to jewellery, furniture and household goods. Perfect, therefore, for our boys' varied collection. | 0:36:35 | 0:36:40 | |
And before the start, our chaps want to find out from auctioneer David | 0:36:42 | 0:36:47 | |
what will sell and what won't. | 0:36:47 | 0:36:49 | |
I bought that Omega wristwatch. | 0:36:49 | 0:36:50 | |
The back of it's 18-carat gold. | 0:36:50 | 0:36:53 | |
Yeah, it's in reasonably good order as well. | 0:36:53 | 0:36:56 | |
I think that will do well at auction, there's no doubt. | 0:36:56 | 0:36:58 | |
18 carat, as you say. Reasonably good order. | 0:36:58 | 0:37:02 | |
There's always a good interest in wristwatches. | 0:37:02 | 0:37:05 | |
My biggest concern overall - I spent £90 on a map of Ulster. | 0:37:05 | 0:37:10 | |
What's it going to make? | 0:37:10 | 0:37:12 | |
It's one of the ones I would worry about, to be honest. | 0:37:12 | 0:37:16 | |
That would be truthful. I have seen them before | 0:37:16 | 0:37:19 | |
and they tend not to get a great deal of money. | 0:37:19 | 0:37:22 | |
Nobody seems impressed with your map so far, Charles. | 0:37:22 | 0:37:27 | |
Charles started this leg with his full allowance of £200 | 0:37:27 | 0:37:31 | |
and spent a confident £180 on four items. | 0:37:31 | 0:37:34 | |
With his £200 starter pack, Jonathan blew it all, also on four items. | 0:37:35 | 0:37:41 | |
A clever or risky strategy? | 0:37:41 | 0:37:43 | |
Only time will tell. | 0:37:43 | 0:37:46 | |
The time for talking is over. | 0:37:46 | 0:37:47 | |
An expectant hush descends. | 0:37:47 | 0:37:51 | |
The auction's about to begin. | 0:37:51 | 0:37:54 | |
I've been dreading this moment. | 0:37:54 | 0:37:56 | |
First up is the Omega Seamaster watch, | 0:37:56 | 0:37:58 | |
which Jonathan bought for £82. | 0:37:58 | 0:38:00 | |
-Here we go. -JONATHAN SIGHS | 0:38:00 | 0:38:03 | |
-£60? -Here we go, JP. -Someone bid £60. | 0:38:03 | 0:38:05 | |
Five. 80. 85. 90. | 0:38:05 | 0:38:08 | |
-Oh, thank you. -100. 110. | 0:38:08 | 0:38:12 | |
120. 130. | 0:38:12 | 0:38:14 | |
£140. 150. Back in again. | 0:38:14 | 0:38:17 | |
-160. -Yes! | 0:38:17 | 0:38:18 | |
With Paul at £160. | 0:38:18 | 0:38:20 | |
Well played, JP, well played. | 0:38:23 | 0:38:25 | |
Beginners' luck pushes Jonathan into the lead | 0:38:25 | 0:38:28 | |
with a convincing £78 profit. | 0:38:28 | 0:38:30 | |
But how long can it last? | 0:38:30 | 0:38:32 | |
Welcome to Road Trip, as they say. That's a cracking start. | 0:38:32 | 0:38:36 | |
Next up is Charles's map of Ulster. | 0:38:36 | 0:38:38 | |
A gamble at £90. | 0:38:38 | 0:38:41 | |
Hello, sir. | 0:38:41 | 0:38:43 | |
How are you? There's a nice map for sale next, coming up. | 0:38:43 | 0:38:46 | |
A map of Ulster. Could be yours for £90, if you're lucky. | 0:38:46 | 0:38:51 | |
Interesting wee lot. £60? | 0:38:51 | 0:38:53 | |
-40? -Come on. -£20 start. | 0:38:53 | 0:38:56 | |
Come on, David, let's push this. | 0:38:56 | 0:38:57 | |
-25. -Come on, let's go! -£30. | 0:38:57 | 0:39:01 | |
The site is still now at £30. Cheap lot. | 0:39:01 | 0:39:04 | |
It's a cheap lot. | 0:39:04 | 0:39:05 | |
That's one gamble that didn't pay off, | 0:39:05 | 0:39:08 | |
and an unwelcome loss to kick-start Charles's auction. | 0:39:08 | 0:39:11 | |
Will Jonathan hold onto his lead | 0:39:11 | 0:39:14 | |
with the lucky bog oak trinket box at £68? | 0:39:14 | 0:39:18 | |
..to really get my mind focused. | 0:39:18 | 0:39:20 | |
I've set the ball rolling now. I'm down and you're up. | 0:39:20 | 0:39:24 | |
Hey, guys. | 0:39:24 | 0:39:25 | |
14. 16. | 0:39:25 | 0:39:26 | |
Exactly. I'm going to be complacent from now on. | 0:39:26 | 0:39:29 | |
-Exactly. -Shouldn't you be paying attention? | 0:39:29 | 0:39:32 | |
I need the added value of pressure now to prove a point. | 0:39:32 | 0:39:35 | |
For goodness' sake, stop talking. | 0:39:35 | 0:39:37 | |
-You're a fighter, are you? -I'm a fighter. -At £30. | 0:39:37 | 0:39:43 | |
-When I'm on the ropes and JP's knocking for six... -£30. | 0:39:43 | 0:39:45 | |
That'll teach you two to chat. | 0:39:45 | 0:39:48 | |
Lot number 93A, has it been sold? The Irish bog oak box? | 0:39:48 | 0:39:52 | |
-It has been sold. How much for, please, sir? -30. | 0:39:52 | 0:39:55 | |
£30. | 0:39:55 | 0:39:57 | |
Thank you. | 0:39:57 | 0:39:59 | |
But the not-so-lucky Irish trinket box has just made Jonathan | 0:39:59 | 0:40:02 | |
a loss of £38 and decimated his lead. | 0:40:02 | 0:40:06 | |
Charles is hoping to redeem himself | 0:40:08 | 0:40:11 | |
with his silver bonbon dish, a snip at £30. | 0:40:11 | 0:40:14 | |
I need this to pay dividends. Come on. | 0:40:14 | 0:40:16 | |
-£50. -Come on. -£50. -Let's keep going. | 0:40:16 | 0:40:21 | |
-55. 60. -Yes. -65. | 0:40:21 | 0:40:23 | |
70. Selling this one for £70. | 0:40:23 | 0:40:28 | |
-Hanson's back. -Well done, mate. £40 on that baby. | 0:40:28 | 0:40:32 | |
-I'm delighted. -So you should be. | 0:40:32 | 0:40:35 | |
That's a tidy £40 profit, Mr Hanson. | 0:40:35 | 0:40:38 | |
Jonathan's hoping to reclaim his winning streak | 0:40:38 | 0:40:41 | |
with these silver shot glasses. £30 for the pair. | 0:40:41 | 0:40:46 | |
£20? | 0:40:46 | 0:40:47 | |
20 I'm bid. 25. 30. 35. 40. | 0:40:47 | 0:40:52 | |
-45. -I'm getting competitive, Charlie. | 0:40:52 | 0:40:54 | |
All out for the pair at £47.50. | 0:40:54 | 0:40:57 | |
And Jonathan's streaking ahead, with another cheeky little profit. | 0:40:57 | 0:41:01 | |
Next up, Charles's porcelain mug. A bargain at £25. | 0:41:01 | 0:41:06 | |
Even more so because Charles was right | 0:41:06 | 0:41:08 | |
in dating it to the early 18th, rather than the early 19th century. | 0:41:08 | 0:41:13 | |
-Come on. -Circa around 1720, a very early peace. £30. | 0:41:13 | 0:41:18 | |
35. £40. 45. | 0:41:18 | 0:41:21 | |
-£47.50. -I'm happy. | 0:41:21 | 0:41:24 | |
Another profit, but Charles is still struggling | 0:41:24 | 0:41:27 | |
to claw his way back into the race after such a heavy loss on the map. | 0:41:27 | 0:41:32 | |
It's time for Jonathan's final lot, the engraving of the Lagan. | 0:41:32 | 0:41:35 | |
A snip at £20, but will it do well | 0:41:35 | 0:41:38 | |
or has Jonathan been sold down the river? Ha! | 0:41:38 | 0:41:41 | |
20 I'm bid. 25. 27.50. | 0:41:42 | 0:41:44 | |
Bid's at the back at 27.50. | 0:41:44 | 0:41:46 | |
Come on, someone. | 0:41:46 | 0:41:48 | |
Any offers for it now? 27.50. | 0:41:48 | 0:41:50 | |
But it's enough profit for Jonathan to maintain | 0:41:50 | 0:41:53 | |
a convincing lead over Charles, | 0:41:53 | 0:41:55 | |
who, with three items, has made a paltry £2.50 profit. Oh, dear. | 0:41:55 | 0:42:00 | |
I just wonder - Hanson's been on this great voyage. | 0:42:00 | 0:42:03 | |
A massive loss but he's back. | 0:42:03 | 0:42:05 | |
He's bigger, he's better. | 0:42:05 | 0:42:07 | |
-The Great Escape, you know. -HE WHISTLES "The Great Escape" | 0:42:07 | 0:42:11 | |
Charles is banking everything | 0:42:11 | 0:42:14 | |
on his Regency-style table to stay in the race. | 0:42:14 | 0:42:17 | |
A steal at £40. | 0:42:17 | 0:42:20 | |
£40. £50. | 0:42:20 | 0:42:22 | |
-It's cheap, it's cheap at that. -60, new bidder. 70. | 0:42:22 | 0:42:25 | |
At the back now at £70. | 0:42:25 | 0:42:27 | |
All done for it. All finished at £70. | 0:42:27 | 0:42:31 | |
That's OK. Happy with that. | 0:42:31 | 0:42:33 | |
-Well done. -It's been a great start. | 0:42:33 | 0:42:35 | |
After my disaster, I've proved a point - | 0:42:35 | 0:42:38 | |
-we're back in business. -Well done. | 0:42:38 | 0:42:40 | |
It's the end of the first auction | 0:42:43 | 0:42:45 | |
and Jonathan goes straight into the lead. | 0:42:45 | 0:42:47 | |
He started off with £200 and after paying the auctioneer's commission, | 0:42:47 | 0:42:51 | |
he's made a tidy profit of £18.29. | 0:42:51 | 0:42:55 | |
After commission, Charles has gone from £200 down to £194.16, | 0:42:57 | 0:43:02 | |
his spending money for the next day's shopping. | 0:43:02 | 0:43:06 | |
But it's early days yet and anything could happen. | 0:43:06 | 0:43:10 | |
-Well, one-nil to me, I'm afraid. -In the end, it was quite close. | 0:43:10 | 0:43:13 | |
-It was. -I think that's how it's going to be throughout the journey. | 0:43:13 | 0:43:16 | |
In the next show, Charles drives a hard bargain. | 0:43:20 | 0:43:24 | |
You know, I want a nibble of the profit. I want to... | 0:43:24 | 0:43:26 | |
You've been nibbling since you came through the door. | 0:43:26 | 0:43:29 | |
And Jonathan's lead comes under threat. | 0:43:29 | 0:43:33 | |
JONATHAN GROANS | 0:43:33 | 0:43:34 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 | |
E-mail [email protected] | 0:43:56 | 0:43:59 |