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The nation's favourite antiques experts | 0:00:01 | 0:00:03 | |
£200 each, and one big challenge. | 0:00:03 | 0:00:05 | |
Testing! Testing! | 0:00:05 | 0:00:07 | |
Who can make the most money | 0:00:07 | 0:00:09 | |
buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:12 | |
Can I see 80? 75? | 0:00:12 | 0:00:14 | |
The aim is trade up and hope each antique turns a profit. | 0:00:14 | 0:00:18 | |
But it's not as easy as it sounds. There can only be one winner. | 0:00:18 | 0:00:22 | |
So will it be the highway to success or the B road to bankruptcy? | 0:00:22 | 0:00:26 | |
Job done. I'm now broke. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
Our two antiques experts this week are Charles Hanson and Jonathan Pratt. | 0:00:38 | 0:00:42 | |
Auctioneer Charles Hanson is our youngest Road Trip expert | 0:00:42 | 0:00:45 | |
and keen to ingratiate himself with the locals. Cheesy! | 0:00:45 | 0:00:49 | |
What's the best price on it, between friends? | 0:00:49 | 0:00:52 | |
Between friends... Between friends... Between friends... | 0:00:52 | 0:00:56 | |
Between friends, Jonathan Pratt, whose expertise is in jewellery, | 0:00:56 | 0:01:01 | |
has an encyclopaedic knowledge of all things hallmarked. | 0:01:01 | 0:01:04 | |
It's a capital D which is... | 0:01:04 | 0:01:07 | |
..1924. | 0:01:08 | 0:01:09 | |
F... A, B, C, D, E, F... | 0:01:09 | 0:01:13 | |
1905. | 0:01:13 | 0:01:14 | |
Both experts started this week with £200 | 0:01:17 | 0:01:20 | |
and there's still everything to play for | 0:01:20 | 0:01:23 | |
after the auction in Belfast on yesterday's show. | 0:01:23 | 0:01:27 | |
Jonathan started well and walked away slightly up with £218.29. | 0:01:27 | 0:01:33 | |
Charles, however, made the fatal mistake of not listening to his gut instinct. | 0:01:34 | 0:01:39 | |
70, 80, 90... | 0:01:39 | 0:01:41 | |
At £30, cheap lot now at £30. | 0:01:41 | 0:01:43 | |
Cheap lot. Cheap lot. | 0:01:43 | 0:01:45 | |
HE SIGHS | 0:01:45 | 0:01:46 | |
So, Charles starts today's show a bit down with £194.16. | 0:01:46 | 0:01:52 | |
This week's Road Trip is around gorgeous Northern Ireland | 0:01:57 | 0:02:00 | |
and north-west England. | 0:02:00 | 0:02:02 | |
On today's show, Charles and Jonathan | 0:02:03 | 0:02:05 | |
are hitting the antiques trail, starting in Londonderry, | 0:02:05 | 0:02:09 | |
or Derry as it's known, and heading for auction in Omagh. | 0:02:09 | 0:02:13 | |
The names of these cities are familiar because of the Troubles, | 0:02:13 | 0:02:17 | |
but Northern Ireland has now put its recent unhappy past behind it. | 0:02:17 | 0:02:21 | |
Derry is the country's second-biggest city | 0:02:24 | 0:02:27 | |
and the only walled city in the country to survive intact. | 0:02:27 | 0:02:31 | |
As a result, it's known as the Maiden City, because its walls were never breached. | 0:02:31 | 0:02:36 | |
But more of that later. | 0:02:36 | 0:02:38 | |
I wonder if the city is ready for its next assault? | 0:02:38 | 0:02:41 | |
-Go right? -That way? | 0:02:41 | 0:02:43 | |
-That way? -That way. | 0:02:44 | 0:02:47 | |
First stop for Jonathan is antiques dealer Simon O'Dowd. | 0:02:51 | 0:02:55 | |
-Nice to meet you, Jonathan Pratt. -Jonathan. How are you? | 0:02:55 | 0:02:58 | |
Very good, thank you. | 0:02:58 | 0:03:00 | |
Pretty much anything and everything in here. | 0:03:00 | 0:03:03 | |
Bit of everything, yeah. | 0:03:03 | 0:03:04 | |
When a shop's as stuffed as this, where does a chap start? | 0:03:04 | 0:03:07 | |
If you walk around looking at the table tops and stuff, | 0:03:07 | 0:03:10 | |
you don't see above your head. | 0:03:10 | 0:03:12 | |
You look up, you're not necessarily looking in the cabinets. | 0:03:12 | 0:03:16 | |
Finally, something does catch his eye, though. | 0:03:16 | 0:03:19 | |
-Is that a pocket watch stand? -It is. | 0:03:19 | 0:03:21 | |
-The style of them is quite pretty. -30 quid. | 0:03:21 | 0:03:24 | |
Dating from around 1890, | 0:03:24 | 0:03:27 | |
the pocket watch stand is a splendid example of Arts and Crafts. | 0:03:27 | 0:03:31 | |
You stand this on your mantelpiece. | 0:03:31 | 0:03:33 | |
You hang your pocket watch from the back, and the little dial | 0:03:33 | 0:03:36 | |
appears in this aperture, and you've got a mantel clock. | 0:03:36 | 0:03:40 | |
When you go out, take it off, | 0:03:40 | 0:03:42 | |
put it in your pocket on the end of the chain. Nice little thing. | 0:03:42 | 0:03:45 | |
Just the job for the modern man about town. | 0:03:45 | 0:03:48 | |
What would be your best on that? | 0:03:48 | 0:03:50 | |
30... I would say 25. | 0:03:50 | 0:03:53 | |
OK. Right, well, that's... | 0:03:53 | 0:03:55 | |
-I'll have a think. -Sure. -I might make you an offer in a minute. | 0:03:55 | 0:03:59 | |
An offer I can't refuse? | 0:03:59 | 0:04:00 | |
Well, you probably will. | 0:04:00 | 0:04:03 | |
BELL CHIMES | 0:04:03 | 0:04:05 | |
There are only a few antiques shops in this part of Ireland, | 0:04:08 | 0:04:12 | |
so Charles is heading south of Derry | 0:04:12 | 0:04:14 | |
towards the pretty little village of Lack. | 0:04:14 | 0:04:17 | |
Good Lack, Charles! | 0:04:17 | 0:04:18 | |
-Good morning, sir. -Hello, how are you? | 0:04:20 | 0:04:22 | |
-Good to see you. -Welcome to Lack. | 0:04:22 | 0:04:24 | |
I'm looking for... | 0:04:24 | 0:04:27 | |
a bargain. | 0:04:27 | 0:04:28 | |
With Jonathan taking the lead after yesterday's auction, | 0:04:29 | 0:04:33 | |
Charles has a lot to prove. | 0:04:33 | 0:04:35 | |
This... When we think of what the Irish like, we think of glitz, of glamour. | 0:04:35 | 0:04:40 | |
This, to me, is delightful. | 0:04:40 | 0:04:43 | |
We've got this hanging oil lamp with a glass opaque shade. | 0:04:43 | 0:04:49 | |
It's in good condition. Delightful bell flower design. | 0:04:49 | 0:04:52 | |
What we call semi-lobed. | 0:04:52 | 0:04:54 | |
This lamp is either late Victorian or Edwardian. | 0:04:54 | 0:04:58 | |
Dating, I suppose, to around 1890 to 1900. | 0:05:00 | 0:05:03 | |
Most people might say it's vulgar. | 0:05:03 | 0:05:06 | |
It's over the top. | 0:05:06 | 0:05:08 | |
Look at the colour. | 0:05:08 | 0:05:10 | |
It's not for me, | 0:05:10 | 0:05:12 | |
but the market here I think will like it. | 0:05:12 | 0:05:15 | |
Hmm. The market won't like you insulting them, Charles! | 0:05:15 | 0:05:18 | |
-And is the lamp even in your budget? -What's it worth, Paul? -170. | 0:05:18 | 0:05:23 | |
Yeah. What's your absolute best on it, Paul? | 0:05:23 | 0:05:26 | |
-The rock bottom? -Rock bottom. | 0:05:26 | 0:05:29 | |
-150. -That's probably over two-thirds of my budget. | 0:05:29 | 0:05:33 | |
And can I really risk it all on that one item? I can't. But I like it. | 0:05:33 | 0:05:37 | |
Back in Derry, a modest little job catches Jonathan's eye. | 0:05:37 | 0:05:42 | |
That's quite sweet. | 0:05:42 | 0:05:43 | |
-Page-turner. -A little page-turner. | 0:05:43 | 0:05:46 | |
Ladies in the 19th century were far too delicate to leaf through books, | 0:05:46 | 0:05:50 | |
so to protect their gloved hands from becoming soiled by printing ink, | 0:05:50 | 0:05:55 | |
they used page-turners like these. | 0:05:55 | 0:05:57 | |
Only £6, though. | 0:05:57 | 0:05:59 | |
That's another possibility. | 0:05:59 | 0:06:01 | |
Suddenly, Jonathan spots something shiny. | 0:06:01 | 0:06:03 | |
It's pewter, silvered pewter. | 0:06:03 | 0:06:06 | |
It's WMF, which is, um, | 0:06:06 | 0:06:09 | |
a recognised manufacturer of quality metalware. | 0:06:09 | 0:06:15 | |
WMF stands for Wurttembergische Metallwarenfabrik. | 0:06:15 | 0:06:20 | |
That is "Wurttemberg's metal goods factory" to me and you. | 0:06:20 | 0:06:24 | |
They were the world's largest producer of Art-Nouveau metalware in the early 1900s. | 0:06:24 | 0:06:30 | |
How much is that chap? Don't bother looking at the bottom! | 0:06:30 | 0:06:33 | |
-30 quid as well. -Best price is? -27. | 0:06:33 | 0:06:37 | |
-27. -And you can clean it yourself. | 0:06:37 | 0:06:41 | |
£25... | 0:06:41 | 0:06:43 | |
Call that haggling, Jonathan? | 0:06:43 | 0:06:45 | |
-For that? -Yeah. -OK. We can do that. | 0:06:45 | 0:06:48 | |
Thank you very much. That's another one bought. | 0:06:48 | 0:06:51 | |
I quite like... Just as a novelty and a curiosity, | 0:06:51 | 0:06:54 | |
because it's got some age and it's a page-turner. It's a little bit worn. | 0:06:54 | 0:06:59 | |
-£4. -£4. | 0:06:59 | 0:07:01 | |
OK. OK. Two things, there we go. Thank you very much. | 0:07:01 | 0:07:05 | |
Can I pinch a bit? | 0:07:05 | 0:07:06 | |
Give it some elbow grease! | 0:07:06 | 0:07:09 | |
There you are. Isn't that lovely? | 0:07:11 | 0:07:14 | |
It's scrubbed up nicely, Jonathan, like you! | 0:07:14 | 0:07:17 | |
So, 2-0 to Jonathan. Hadn't you better get a move on, Charles? | 0:07:17 | 0:07:21 | |
I think Jonathan's strategy will be to really spend. | 0:07:24 | 0:07:28 | |
We think alike, we work alike, we enjoy each other's company, | 0:07:28 | 0:07:32 | |
but at the same time, we are really at it together to win. | 0:07:32 | 0:07:37 | |
Then stop chatting and start spending. | 0:07:37 | 0:07:40 | |
-I want to show you an interesting piece. -OK, come and show me, Paul. | 0:07:40 | 0:07:44 | |
-Is that...? -That's Regency. -Isn't that nice? | 0:07:44 | 0:07:46 | |
I can do a deal on that one. | 0:07:46 | 0:07:48 | |
Isn't that gorgeous? So, Paul, tell me, is that a face screen? | 0:07:48 | 0:07:51 | |
I'd call it a fire screen. | 0:07:51 | 0:07:53 | |
A fire screen made out of glass may not seem the most obvious way | 0:07:53 | 0:07:58 | |
of protecting ladies from the glare of the fire, | 0:07:58 | 0:08:01 | |
but that's what they were used for in the early 19th century. | 0:08:01 | 0:08:05 | |
This screen would in fact protect the female face. | 0:08:05 | 0:08:09 | |
I suppose ladies back in those days, when make-up | 0:08:09 | 0:08:13 | |
was fairly intensely used, to hide all those imperfections... | 0:08:13 | 0:08:18 | |
Steady, Charles! | 0:08:18 | 0:08:20 | |
Although make-up then, made of beeswax, | 0:08:22 | 0:08:24 | |
was prone to running in the heat. | 0:08:24 | 0:08:26 | |
You've got this here for your tea, obviously. I presume this is for... | 0:08:26 | 0:08:30 | |
What's the best price, Paul? | 0:08:30 | 0:08:32 | |
-Rock bottom? -Rock bottom. | 0:08:32 | 0:08:34 | |
Between friends. | 0:08:34 | 0:08:37 | |
-120. -120, gosh. | 0:08:37 | 0:08:41 | |
120, Paul. You're talking my language. I like it! | 0:08:41 | 0:08:45 | |
Back in Derry, Jonathan is at the first shop he visited, | 0:08:46 | 0:08:50 | |
but this time with an intriguing new tactic up his sleeve. | 0:08:50 | 0:08:54 | |
-I've still got some time left. I'm going to keep looking around. -Sure. | 0:08:55 | 0:08:58 | |
I'm so competitive with Charlie. I just love to be able, to sort of, | 0:08:58 | 0:09:03 | |
see if I can find maybe what he might buy as well. | 0:09:03 | 0:09:05 | |
I'd be very surprised if he didn't buy something like this. | 0:09:07 | 0:09:11 | |
Little silver strut clock, with orange enamel on it. | 0:09:11 | 0:09:14 | |
That's a portable timepiece with a strut | 0:09:14 | 0:09:17 | |
that hinges out to support it, and dates from 1936. | 0:09:17 | 0:09:21 | |
Completely silver apart from a base metal case for the movement. | 0:09:21 | 0:09:25 | |
Ticking away beautifully. | 0:09:25 | 0:09:27 | |
A little bit of damage on the top. | 0:09:30 | 0:09:32 | |
I think that's rather sweet. | 0:09:32 | 0:09:34 | |
I might have to beat him to it on that one. | 0:09:34 | 0:09:37 | |
-It was at 85. -It was at £85. | 0:09:37 | 0:09:39 | |
Would you take a little bit on that? | 0:09:39 | 0:09:42 | |
I can do a fiver on that for you. | 0:09:42 | 0:09:46 | |
So it would be £80. | 0:09:46 | 0:09:48 | |
Yes, indeed. | 0:09:48 | 0:09:49 | |
85 minus five is in fact 80. | 0:09:49 | 0:09:53 | |
I can't just can go round buying everything I think Charlie might buy! | 0:09:53 | 0:09:58 | |
That would be silly! | 0:09:58 | 0:10:00 | |
But I really like it. | 0:10:00 | 0:10:03 | |
Go on, then! | 0:10:05 | 0:10:06 | |
All right, OK. | 0:10:06 | 0:10:08 | |
That's it. I will leave and I shall never return. | 0:10:08 | 0:10:11 | |
-Are you sure now? -Yes, definitely. | 0:10:11 | 0:10:13 | |
£80. | 0:10:13 | 0:10:15 | |
-Thank you. -Bye-bye. -Take care. | 0:10:15 | 0:10:17 | |
Good luck. | 0:10:17 | 0:10:19 | |
Jonathan is off to a flying start. | 0:10:19 | 0:10:22 | |
Down the road in Lack, however, Charles is still lacking. | 0:10:22 | 0:10:25 | |
Here we've got a delightful gentleman's hatbox, isn't it? | 0:10:25 | 0:10:29 | |
-That's correct. -The lid opens up like so. | 0:10:29 | 0:10:32 | |
It's leather and tooled inside. | 0:10:32 | 0:10:34 | |
And here's your hat. | 0:10:34 | 0:10:36 | |
-Look at that for quality, isn't that nice? -Yes. | 0:10:36 | 0:10:39 | |
If you're a gentleman, I suppose, from this period, | 0:10:39 | 0:10:41 | |
you would not be seen without a fine top hat | 0:10:41 | 0:10:44 | |
in a wonderful Morocco box like this. | 0:10:44 | 0:10:48 | |
How lucky can I be on this, Paul? | 0:10:48 | 0:10:51 | |
65. That's it. | 0:10:51 | 0:10:53 | |
Paul, what I might do, on a really serious note, what I might do... | 0:10:53 | 0:10:59 | |
I like the hatbox very much and the screen over there. | 0:10:59 | 0:11:03 | |
I'd buy them both...probably... with your blessing, | 0:11:03 | 0:11:09 | |
for around £120? | 0:11:09 | 0:11:12 | |
-No. -No. OK. Doesn't matter. | 0:11:12 | 0:11:14 | |
If you don't ask the question, you never know. | 0:11:14 | 0:11:16 | |
What's the best if I bought them both together? | 0:11:16 | 0:11:19 | |
-150. -150. I'll think about it for a second. | 0:11:20 | 0:11:23 | |
Do you mind? | 0:11:23 | 0:11:26 | |
-I'll think about it. -But a good dealer buys right away. | 0:11:26 | 0:11:29 | |
-A good dealer buys right away? -He knows... | 0:11:29 | 0:11:32 | |
Well, I know too. | 0:11:32 | 0:11:34 | |
But you know, Paul, sometimes life is a bit pressurised. | 0:11:34 | 0:11:38 | |
Charles may just have met his match here! | 0:11:38 | 0:11:40 | |
140. | 0:11:40 | 0:11:43 | |
-40... -With a luck's penny? | 0:11:43 | 0:11:45 | |
As Charles feels the strain, Paul offers to throw in a luck's penny - | 0:11:45 | 0:11:49 | |
money and good luck given back as a gesture when a price is agreed upon. | 0:11:49 | 0:11:54 | |
I'm going to give you 125, | 0:11:55 | 0:11:57 | |
and a luck's penny. It's called an Irish luck's penny, isn't it? | 0:11:57 | 0:12:01 | |
-There you are. -That's a deal! Have £3 back. | 0:12:01 | 0:12:05 | |
That makes it 128. | 0:12:05 | 0:12:06 | |
-Thank you very much. -I really appreciate your time. | 0:12:06 | 0:12:09 | |
His shopping in Derry is now complete. | 0:12:09 | 0:12:12 | |
Jonathan is heading south to the pretty little village | 0:12:12 | 0:12:15 | |
of Ballinamallard, | 0:12:15 | 0:12:17 | |
where he gets stuck in what passes as a traffic jam in rural Ireland. | 0:12:17 | 0:12:21 | |
I think the small one's going to win. He'd really pushing them along. | 0:12:21 | 0:12:25 | |
Oh, love, that way. | 0:12:25 | 0:12:26 | |
Back a bit, back a bit. | 0:12:26 | 0:12:28 | |
Go on, in you go. There's a good girl. | 0:12:28 | 0:12:31 | |
I don't think they're listening. They don't give an udder. | 0:12:31 | 0:12:34 | |
OK... | 0:12:34 | 0:12:36 | |
Go on, in you go. Stop flapping your arms, mate! | 0:12:39 | 0:12:42 | |
Right, there we go. | 0:12:45 | 0:12:47 | |
Good luck. | 0:12:47 | 0:12:48 | |
With three items already in the bag, | 0:12:55 | 0:12:57 | |
Jonathan is easily distracted. | 0:12:57 | 0:13:00 | |
Didgeridoo... | 0:13:04 | 0:13:05 | |
Never even been to Australia. | 0:13:09 | 0:13:11 | |
Just comes naturally to people like me. | 0:13:11 | 0:13:14 | |
I don't know what you had for breakfast, | 0:13:14 | 0:13:16 | |
but Rolf Harris wouldn't like this. | 0:13:16 | 0:13:17 | |
You pick up these things occasionally just because you never know. | 0:13:17 | 0:13:21 | |
They might just have missed out the fact that it might... | 0:13:22 | 0:13:25 | |
It's not plated silver. It's not likely. | 0:13:25 | 0:13:28 | |
Not this time, though. | 0:13:28 | 0:13:30 | |
It is plated silver and costs just £9. | 0:13:30 | 0:13:34 | |
If that was silver, you'd probably be getting | 0:13:34 | 0:13:37 | |
£300 for it at auction. | 0:13:37 | 0:13:39 | |
The silver market itself is in a funny state of affairs. | 0:13:39 | 0:13:42 | |
The metal is actually outstripping the value of the object now. | 0:13:42 | 0:13:46 | |
It's getting to a point where people | 0:13:46 | 0:13:48 | |
are having to really think long and hard now. | 0:13:48 | 0:13:50 | |
When you've got a tea service which at auction's making 350, and the metal's worth 500. | 0:13:50 | 0:13:56 | |
It's breaking their hearts, but people are doing it. | 0:13:56 | 0:13:58 | |
Scrapping it because, crikey, if you don't, someone else will. | 0:13:58 | 0:14:02 | |
It's a shame, but it's going on. | 0:14:02 | 0:14:04 | |
St Charles is taking a break from the world of antiques | 0:14:05 | 0:14:09 | |
to visit an oasis of calm back in Derry. | 0:14:09 | 0:14:12 | |
St Columb's cathedral was named after Columba, | 0:14:12 | 0:14:15 | |
a leading religious figure from the 6th century | 0:14:15 | 0:14:18 | |
who converted much of Scotland and northern England to Christianity. | 0:14:18 | 0:14:22 | |
Charles is off to find out more from Daphne Gillick, senior tour guide. | 0:14:22 | 0:14:28 | |
Hello, you must be Charles. I'm expecting you here today. | 0:14:28 | 0:14:31 | |
-Nice to meet you. -Welcome to St Columb's Cathedral. | 0:14:31 | 0:14:34 | |
What a magnificent building. | 0:14:34 | 0:14:35 | |
It normally is wonderful. | 0:14:35 | 0:14:37 | |
At the moment, we're in the middle of major restoration, | 0:14:37 | 0:14:40 | |
so it's a bit different from normal. | 0:14:40 | 0:14:42 | |
I suppose after 400 years, one expects it. | 0:14:42 | 0:14:45 | |
-Well, it's like your own house, it needs a lot of work. -Exactly. | 0:14:45 | 0:14:48 | |
Finally completed in 1633, | 0:14:49 | 0:14:53 | |
the cathedral is the city's oldest building | 0:14:53 | 0:14:56 | |
and the first Protestant cathedral to be built after the Reformation in the British Isles. | 0:14:56 | 0:15:02 | |
Its most valuable object is stored safely away under lock and key | 0:15:02 | 0:15:06 | |
and tells the story not just of the cathedral, | 0:15:06 | 0:15:09 | |
but the origins of Derry itself. | 0:15:09 | 0:15:12 | |
Now, this is it. | 0:15:12 | 0:15:14 | |
This is the Promise Chalice. | 0:15:14 | 0:15:17 | |
This is no replica? | 0:15:17 | 0:15:19 | |
No replica, no. This is the real thing. | 0:15:19 | 0:15:21 | |
It was sent over from London by the Honourable The Irish Society, | 0:15:23 | 0:15:27 | |
who provided the money and manpower to build the city, | 0:15:27 | 0:15:31 | |
which is why it's called Londonderry. | 0:15:31 | 0:15:34 | |
It was the first thing to come across from London | 0:15:34 | 0:15:38 | |
before they built the church. | 0:15:38 | 0:15:40 | |
That's why it's called the Promise Chalice, it was sent as a promise. | 0:15:40 | 0:15:43 | |
This is 1613. To think that this was manufactured | 0:15:43 | 0:15:48 | |
50 or so years before the Great Fire of London... | 0:15:48 | 0:15:51 | |
And it's still used to celebrate Holy Communion. | 0:15:51 | 0:15:54 | |
You can see over time, where hands have held here, | 0:15:54 | 0:15:57 | |
to reveal the silver underneath. | 0:15:57 | 0:15:59 | |
Even on the rim, where mouths have drunk from it. | 0:15:59 | 0:16:03 | |
If it's worth whatever, it doesn't matter. | 0:16:03 | 0:16:06 | |
It's what it stood for. | 0:16:06 | 0:16:08 | |
And what it did for the oldest building, of course, in Londonderry. | 0:16:08 | 0:16:13 | |
And there's still more to see. | 0:16:13 | 0:16:16 | |
So, we go forward how many years from 1613? | 0:16:16 | 0:16:19 | |
This is up to 1688,89. | 0:16:19 | 0:16:22 | |
This is a mortar shell from the time of the Siege of Derry. | 0:16:22 | 0:16:26 | |
In March 1689, the exiled British Catholic monarch James II | 0:16:26 | 0:16:32 | |
arrived in Ireland to reclaim the throne. | 0:16:32 | 0:16:35 | |
But Londonderry had always been a Protestant stronghold | 0:16:35 | 0:16:39 | |
and refused to accept his authority. | 0:16:39 | 0:16:42 | |
James lay siege to the city | 0:16:42 | 0:16:44 | |
in an attempt to starve its inhabitants into submission. | 0:16:44 | 0:16:48 | |
Towards the end of the 105-day siege, | 0:16:48 | 0:16:52 | |
this mortar shell was fired into the city. | 0:16:52 | 0:16:55 | |
It weighs 270lbs in weight. | 0:16:55 | 0:16:57 | |
This is hollow inside, as you can feel. | 0:16:57 | 0:17:00 | |
These would normally have been filled with explosives. | 0:17:00 | 0:17:03 | |
This one didn't have explosives. | 0:17:03 | 0:17:04 | |
Instead, this one had a letter inside, | 0:17:04 | 0:17:07 | |
asking the people in the city to surrender, | 0:17:07 | 0:17:10 | |
giving them favourable terms for surrender, | 0:17:10 | 0:17:12 | |
to which they said no. That's where the term "no surrender" came from. | 0:17:12 | 0:17:16 | |
And that was just outside here? | 0:17:16 | 0:17:18 | |
-In the graveyard, yes. -And then transported what, ten yards inside? | 0:17:18 | 0:17:21 | |
And here it's been for the last 400 years. | 0:17:21 | 0:17:24 | |
-Thanks ever so much for the tour. -You're welcome. | 0:17:24 | 0:17:27 | |
To have had these hands handle two such important objects | 0:17:27 | 0:17:31 | |
really has made my trip so, so worthwhile. | 0:17:31 | 0:17:34 | |
Jonathan, however, isn't ready to say his goodbyes just yet. | 0:17:36 | 0:17:39 | |
He's still poking about. | 0:17:39 | 0:17:42 | |
I just picked up | 0:17:42 | 0:17:43 | |
quite a modern glass vase and I'm thinking to myself, | 0:17:43 | 0:17:47 | |
there are plenty of modern glass factories which are quite saleable, | 0:17:47 | 0:17:51 | |
like Merano and Whitefriars are popular. Modern glass is attractive. | 0:17:51 | 0:17:55 | |
And when it's hand-made and fashionable like this vase, it's eminently saleable. | 0:17:55 | 0:17:59 | |
It's the sort of thing someone would just walk into | 0:17:59 | 0:18:03 | |
a department store and go and buy. | 0:18:03 | 0:18:05 | |
And looking at that barcode on the bottom, | 0:18:05 | 0:18:08 | |
it looks as if they did just that, yesterday. | 0:18:08 | 0:18:10 | |
However, the wear on its base suggests | 0:18:10 | 0:18:13 | |
that it's at least around 30 years old. | 0:18:13 | 0:18:17 | |
-You've got £24 on it. -That's right. | 0:18:17 | 0:18:19 | |
Yes? | 0:18:20 | 0:18:21 | |
Yes?! Would you... | 0:18:21 | 0:18:24 | |
consider £15? You'd consider £15. | 0:18:24 | 0:18:28 | |
£15, yeah. We'll go for 15. | 0:18:28 | 0:18:31 | |
Deal. | 0:18:32 | 0:18:34 | |
£15. Thanks very much. | 0:18:34 | 0:18:37 | |
Well, £9 off, eh? Not bad at all. | 0:18:37 | 0:18:41 | |
Is our Road Trip rookie finally learning the dark art of haggling? | 0:18:41 | 0:18:46 | |
Over in Derry, Charles is... | 0:18:46 | 0:18:49 | |
Hello, haven't we been here before? | 0:18:49 | 0:18:51 | |
-I'm Charles Hanson. -Very pleased to meet you. | 0:18:51 | 0:18:54 | |
-Great to be here. -Welcome to Derry. -Thank you very much. | 0:18:54 | 0:18:57 | |
And you're open to a bit of negotiation? | 0:18:59 | 0:19:01 | |
A little bit, yeah. | 0:19:01 | 0:19:03 | |
-Between friends, a bit more? -A little bit more. | 0:19:03 | 0:19:06 | |
-You seem like a nice chap. -Oh, thank you. You too. You too. | 0:19:06 | 0:19:09 | |
But you'll only be able to negotiate | 0:19:09 | 0:19:11 | |
if Jonathan's left you anything to buy, Charles! | 0:19:11 | 0:19:14 | |
-I love this big, what appears to be some sort of blotter. -Yeah. | 0:19:14 | 0:19:20 | |
The embossed work is very good. | 0:19:20 | 0:19:22 | |
Hopefully it's hallmarked. | 0:19:22 | 0:19:24 | |
It's there. 1894. | 0:19:24 | 0:19:27 | |
Heavy, beautifully embossed, with its repousse design. | 0:19:27 | 0:19:31 | |
-Is that your price, there? -That's us. | 0:19:31 | 0:19:33 | |
That's 345. | 0:19:33 | 0:19:36 | |
Yes, Charles. That's 345. | 0:19:36 | 0:19:38 | |
And just a little out of your price range, | 0:19:38 | 0:19:41 | |
given that you've only got £66.16 to spend. | 0:19:41 | 0:19:44 | |
Our chap Jonathan, though, is racing off towards an antique shop in Drumduff. | 0:19:46 | 0:19:51 | |
It's a little village in deepest County Fermanagh. | 0:19:51 | 0:19:56 | |
Yet it's proving very hard for him to find. | 0:19:56 | 0:20:00 | |
Where exactly are these roads leading to? | 0:20:00 | 0:20:05 | |
Are you sure there's an antiques shop around here? | 0:20:05 | 0:20:08 | |
-Jonathan Pratt, nice to meet you. -How are you? -Good, thank you. | 0:20:10 | 0:20:13 | |
I didn't believe my satellite navigation when it sent me here. | 0:20:13 | 0:20:17 | |
And you've got this amazing stock here. | 0:20:17 | 0:20:20 | |
Yes, we're always pleasantly surprised | 0:20:20 | 0:20:23 | |
by the reaction of people when they come in. | 0:20:23 | 0:20:26 | |
But will Jonathan, who has only £94.29 left, | 0:20:27 | 0:20:31 | |
find anything he can afford? | 0:20:31 | 0:20:33 | |
Obviously I can stand in here and say it's unlikely | 0:20:33 | 0:20:36 | |
that, in my budget, I'll be able to buy anything. | 0:20:36 | 0:20:39 | |
No, certainly. We'll show you a few other things. | 0:20:39 | 0:20:41 | |
-We will always try and get into your budget. -I'm sure, of course. | 0:20:41 | 0:20:45 | |
You're a businessman. | 0:20:45 | 0:20:47 | |
-I will show you a definite bargain. -I like a good bargain. | 0:20:47 | 0:20:50 | |
Oh, yes. Within your budget. | 0:20:50 | 0:20:52 | |
Where is he taking you, Jonathan? | 0:20:52 | 0:20:54 | |
Beautiful. | 0:20:54 | 0:20:55 | |
Untouched. | 0:20:55 | 0:20:58 | |
Walnut, Victorian. | 0:20:58 | 0:21:01 | |
How bizarre is that? | 0:21:01 | 0:21:03 | |
Would you believe it? | 0:21:03 | 0:21:05 | |
A fire screen, just like Charles bought earlier. | 0:21:05 | 0:21:08 | |
Synchronicity or what? | 0:21:08 | 0:21:11 | |
It looks like a dressing mirror except that instead of a mirror, | 0:21:11 | 0:21:14 | |
it's got two sheets of clear glass. | 0:21:14 | 0:21:16 | |
I would be inclined to say it was perhaps stuffed with little stuffed birds. | 0:21:16 | 0:21:21 | |
Not very PC now, nor much fun for the birds when you think about it. | 0:21:21 | 0:21:26 | |
But back then, all forms of taxidermy were wildly fashionable. | 0:21:26 | 0:21:30 | |
There's half a moth in here. | 0:21:30 | 0:21:32 | |
-Yes. -You won't charge me for that, will you? | 0:21:32 | 0:21:36 | |
No, we never charge for extras. | 0:21:36 | 0:21:39 | |
I will take off you today, for that, £80. | 0:21:42 | 0:21:46 | |
Blimey. | 0:21:46 | 0:21:48 | |
If that hasn't possibilities... | 0:21:48 | 0:21:51 | |
As much as that? Ooh, dear. | 0:21:51 | 0:21:53 | |
-No, no. -Bless me! | 0:21:53 | 0:21:55 | |
Where do I get my heart tablets? | 0:21:55 | 0:21:58 | |
We shall see | 0:22:02 | 0:22:04 | |
at the auction. Go on, then. | 0:22:04 | 0:22:07 | |
-I wish you luck. -Thank you very much. -I wish you luck. | 0:22:08 | 0:22:12 | |
It's now the end of a rather frenetic first day. But so much fun. | 0:22:13 | 0:22:18 | |
Time for our chaps to put their feet up and reflect on their purchases. | 0:22:18 | 0:22:22 | |
It's the second leg of the road trip and our experts are raring to go. | 0:22:29 | 0:22:34 | |
-What have you bought so far? -A complete secret for you to see tonight. | 0:22:34 | 0:22:39 | |
When I show you my hoard, | 0:22:39 | 0:22:42 | |
you will be impressed by Hanson's hoard. | 0:22:42 | 0:22:45 | |
Maybe I'll be impressed by Pratt's package. | 0:22:46 | 0:22:48 | |
So far, Charles has spent an impressive £128 on two items. | 0:22:50 | 0:22:55 | |
A 19th century rosewood fire screen and top hat, complete with box. | 0:22:55 | 0:23:01 | |
-There y'are. -That's a deal. | 0:23:01 | 0:23:03 | |
So, he's left with a respectable £66.16 to shop with. | 0:23:03 | 0:23:09 | |
Jonathan, meanwhile, has gone for broke and spent a staggering £204 on five items. | 0:23:10 | 0:23:15 | |
Like I'm a compulsive buyer or something. | 0:23:15 | 0:23:18 | |
You sure are. A decorated page-turner, | 0:23:18 | 0:23:20 | |
a silver jar, a sweet little enamel strut clock, | 0:23:20 | 0:23:24 | |
an Italian glass vase and, finally, another fire screen. | 0:23:24 | 0:23:29 | |
And he's left with the princely sum of £14.29.... | 0:23:29 | 0:23:32 | |
How do you blow these things? | 0:23:32 | 0:23:34 | |
..and sore lips. | 0:23:36 | 0:23:37 | |
Today, our two young blades are heading confidently for Enniskillen. | 0:23:42 | 0:23:47 | |
It's a town whose name is familiar because of its recent troubled past. | 0:23:47 | 0:23:52 | |
These days, though, this picturesque little town | 0:23:52 | 0:23:55 | |
on the banks of the River Erne is better known | 0:23:55 | 0:23:58 | |
for more tranquil pursuits, | 0:23:58 | 0:24:00 | |
such as hosting the Water Ski World Cup. Wow! | 0:24:00 | 0:24:04 | |
What makes Crannog Antiques so special | 0:24:09 | 0:24:13 | |
is that it's also the owner's home. | 0:24:13 | 0:24:15 | |
LOUD DRONE | 0:24:15 | 0:24:16 | |
Cor, blimey. That's going to wake the dead, isn't it? | 0:24:16 | 0:24:19 | |
-Good morning. -Hello, good morning. | 0:24:19 | 0:24:21 | |
-Charles Hanson. -Nice to meet you. -Hi, Jonathan Pratt. | 0:24:21 | 0:24:25 | |
It looks just like a home, rather than a shop. | 0:24:25 | 0:24:28 | |
And that's because it is. | 0:24:28 | 0:24:30 | |
David and Evelyn Hassard actually live here. | 0:24:30 | 0:24:33 | |
Although they're quite happy to let people come in for a few hours a day | 0:24:33 | 0:24:37 | |
and buy furniture. Extraordinary! | 0:24:37 | 0:24:39 | |
I can't afford to hang around in each room. | 0:24:39 | 0:24:42 | |
I need to be quick and scan. | 0:24:42 | 0:24:44 | |
If I'm not, JP is around before I am. | 0:24:44 | 0:24:46 | |
And he will unearth those really star treasures. | 0:24:46 | 0:24:49 | |
Haven't got time, OK? | 0:24:49 | 0:24:50 | |
Treasures, Charles? | 0:24:50 | 0:24:52 | |
Doesn't really fit, does it? | 0:24:54 | 0:24:57 | |
Focus, Jonathan, please. | 0:24:57 | 0:25:00 | |
This is rather groovy. | 0:25:01 | 0:25:02 | |
People aren't really buying decanters any more. | 0:25:02 | 0:25:05 | |
You've got blue flash glass over a clear glass bottle. | 0:25:05 | 0:25:08 | |
£69. | 0:25:08 | 0:25:09 | |
It would cost a hell of a lot more in a department store to buy this. | 0:25:09 | 0:25:13 | |
It's got more colour than ordinary cut-glass. | 0:25:13 | 0:25:16 | |
I think Charles has spotted something. | 0:25:16 | 0:25:18 | |
What I like are the objects inside. | 0:25:18 | 0:25:21 | |
There he is, look. Jonathan, will you stop looking? | 0:25:21 | 0:25:24 | |
Get out of here! Close that door. I can't go anywhere, and there he is. | 0:25:24 | 0:25:29 | |
David, that's a nice little meerschaum pipe. | 0:25:29 | 0:25:31 | |
-Yes. -Isn't that sweet? | 0:25:31 | 0:25:33 | |
Very interesting character, carved in meerschaum. This would be, what, 1880? 1885? | 0:25:33 | 0:25:39 | |
Meerschaum is a soft, white stone which looks like sea foam. | 0:25:39 | 0:25:43 | |
In fact, it's what it means in German. | 0:25:43 | 0:25:46 | |
It's soft when first extracted, but hardened when exposed to heat. | 0:25:46 | 0:25:51 | |
Put that in your pipe and smoke it, Charles. | 0:25:51 | 0:25:54 | |
And back in the 1880s, 1890s, you'll smoke it like so. | 0:25:54 | 0:25:57 | |
What I like so much | 0:25:57 | 0:25:59 | |
is the fact that this face | 0:25:59 | 0:26:02 | |
-is so well carved, isn't it? -It is. | 0:26:02 | 0:26:04 | |
That's nice as well. Carved late Victorian one. | 0:26:04 | 0:26:08 | |
That is a nice skull one. Look at that skull. | 0:26:08 | 0:26:11 | |
-Aren't they sweet? Look at his glass eyes. -A scary one. | 0:26:11 | 0:26:14 | |
Imagine smoking him. | 0:26:14 | 0:26:16 | |
I quite like them, David. They might do quite well at auction. | 0:26:16 | 0:26:19 | |
Jonathan doesn't see anything in his budget, | 0:26:21 | 0:26:24 | |
so he's leaving Charles to get on with it. | 0:26:24 | 0:26:26 | |
This is very traditional. It's a very, very nice tray | 0:26:26 | 0:26:29 | |
-which, I hope, is certainly 19th century, isn't it? -Definitely. | 0:26:29 | 0:26:33 | |
Mahogany, what we what we call this piecrust border. I think it's great. | 0:26:33 | 0:26:38 | |
It tells a whole story. The etiquette of tea-drinking or dining. | 0:26:38 | 0:26:43 | |
Back in the late 18th century, all tea was a treat. | 0:26:44 | 0:26:48 | |
It was exotic and expensive, the preserve of the upper classes, | 0:26:48 | 0:26:52 | |
and tea trays like this were all the rage. | 0:26:52 | 0:26:55 | |
It's a snip at £70. | 0:26:57 | 0:26:59 | |
I'll be honest, my budget is £66. | 0:26:59 | 0:27:02 | |
My tactics, really, are to buy two items for around £30 each. | 0:27:02 | 0:27:06 | |
Could I take your money from you | 0:27:06 | 0:27:08 | |
if I were to give you the collection of pipes and the tray for 60? | 0:27:08 | 0:27:14 | |
David, you are a good man. | 0:27:14 | 0:27:17 | |
I'll think about it for the time being. | 0:27:17 | 0:27:19 | |
That's a really good offer. | 0:27:19 | 0:27:20 | |
Thank you, David. I'll have a think. | 0:27:21 | 0:27:24 | |
I love my job. | 0:27:27 | 0:27:28 | |
It's intrigue, | 0:27:28 | 0:27:30 | |
the suspense, the fascination with history. | 0:27:30 | 0:27:34 | |
But, also, do I or don't I? | 0:27:34 | 0:27:36 | |
Who knows, Charles? Will you or won't you? | 0:27:36 | 0:27:39 | |
As Charles deliberates, Jonathan's off to visit a very big house in the country. | 0:27:41 | 0:27:45 | |
# He lives in a house, a very big house in the country... | 0:27:45 | 0:27:50 | |
-Nice to meet you. -Pleased to meet you. | 0:27:52 | 0:27:54 | |
-Welcome to Florence Court. -Thank you very much. | 0:27:54 | 0:27:56 | |
Jonathan's guide for the day is Martin Storey. | 0:27:56 | 0:28:00 | |
Florence Court House, built in the mid-18th century, | 0:28:00 | 0:28:04 | |
was the ancestral seat of the Cole family. | 0:28:04 | 0:28:08 | |
I'm glad you didn't unleash one of these on me | 0:28:08 | 0:28:11 | |
as I was coming up the driveway. | 0:28:11 | 0:28:12 | |
Some people suggest it's a bit aggressive pointing down towards the main entrance driveway. | 0:28:12 | 0:28:17 | |
They were won in a bet from a local family just over 100 years ago. | 0:28:17 | 0:28:21 | |
-Goodness me. -It's an impressive sight, isn't it? | 0:28:26 | 0:28:30 | |
William Cole, a peer and politician, was given the title | 0:28:30 | 0:28:35 | |
Earl of Enniskillen in 1789. | 0:28:35 | 0:28:37 | |
Five generations of the family would live here, | 0:28:37 | 0:28:40 | |
until falling agricultural prices | 0:28:40 | 0:28:42 | |
and rising wage costs made it too expensive to maintain. | 0:28:42 | 0:28:47 | |
It was given to the National Trust in 1953. | 0:28:47 | 0:28:50 | |
This is my favourite room. This is the library. | 0:28:50 | 0:28:53 | |
Isn't this lovely? It's not unlike mine at home, actually, I have to say. | 0:28:54 | 0:28:57 | |
Very much a man's room, really. | 0:28:57 | 0:28:59 | |
A bit like something out of a Hercule Poirot murder mystery. | 0:28:59 | 0:29:03 | |
"The family gathered in the library", | 0:29:03 | 0:29:05 | |
perfect for something like that. | 0:29:05 | 0:29:07 | |
Even in such a grand room, there are still traces of the Cole family, | 0:29:07 | 0:29:11 | |
such as this measuring stick in the corner. | 0:29:11 | 0:29:14 | |
Children's names, dates, ages and heights recorded, | 0:29:14 | 0:29:17 | |
-going back over the last century. -So, where am I, then? | 0:29:17 | 0:29:20 | |
I've got my heels on. | 0:29:20 | 0:29:22 | |
Have I shrunk? Just about six foot, I suppose. | 0:29:22 | 0:29:25 | |
I like to think, anyway. | 0:29:25 | 0:29:26 | |
There's just time for a quick squint upstairs. | 0:29:27 | 0:29:31 | |
And this is the Countess's bedroom. | 0:29:32 | 0:29:35 | |
And the last thing in here, just wanted to point out, the chamber pot. | 0:29:35 | 0:29:40 | |
-Crikey. -Yes. | 0:29:42 | 0:29:44 | |
-Who's this chap, then? -Gladstone. -This is Gladstone, is it? | 0:29:44 | 0:29:48 | |
William Gladstone, Prime Minister of Britain in the late 19th century, | 0:29:48 | 0:29:52 | |
had antagonised many aristocratic families | 0:29:52 | 0:29:55 | |
over his support for Irish Home Rule. | 0:29:55 | 0:29:58 | |
It threatened their supremacy and this was certainly | 0:29:58 | 0:30:01 | |
one of the more imaginative ways they expressed their disapproval - | 0:30:01 | 0:30:05 | |
urinating on him. | 0:30:05 | 0:30:06 | |
That will wipe the smile off his face, won't it? | 0:30:06 | 0:30:09 | |
That's quite a rare object. | 0:30:09 | 0:30:11 | |
Enough of chamber pots, | 0:30:11 | 0:30:13 | |
Jonathan has something rather more pressing to do. | 0:30:13 | 0:30:17 | |
This is why, on a nice sunny day, | 0:30:19 | 0:30:22 | |
you want to have bought all your stuff early. | 0:30:22 | 0:30:25 | |
I guess Charlie's not going to be having this luxury. | 0:30:25 | 0:30:28 | |
# In the country | 0:30:28 | 0:30:30 | |
# In the country | 0:30:31 | 0:30:33 | |
# In the country! # | 0:30:34 | 0:30:36 | |
Charles is making one final dash for a bargain. | 0:30:36 | 0:30:39 | |
DOORBELL | 0:30:39 | 0:30:41 | |
Hello, Charles. | 0:30:44 | 0:30:46 | |
You're welcome back. | 0:30:46 | 0:30:48 | |
The tray, I like. I also like, on my tray, to take away... | 0:30:48 | 0:30:54 | |
-A nice little collection of pipes? -And my offer... | 0:30:55 | 0:30:58 | |
..is £50. | 0:31:00 | 0:31:01 | |
I would be very sad if I turned you away without a deal, | 0:31:01 | 0:31:05 | |
because you mightn't make any money at the auction. | 0:31:05 | 0:31:08 | |
-So I'm going to deal with you and hope... -Are you sure, David? | 0:31:08 | 0:31:12 | |
It's a very good price to pay. | 0:31:12 | 0:31:15 | |
I really appreciate it. Thanks again, bye. Pleasure, bye. | 0:31:15 | 0:31:19 | |
With only £16.16 left, Charles finally calls it a day. | 0:31:19 | 0:31:24 | |
I've now finally got something to play with. | 0:31:26 | 0:31:29 | |
Something to really cherish. | 0:31:29 | 0:31:32 | |
Something to stand by. | 0:31:32 | 0:31:35 | |
And, Jonathan, watch out. Because... | 0:31:35 | 0:31:39 | |
..I'm coming to get you. | 0:31:40 | 0:31:43 | |
Almost! | 0:31:43 | 0:31:44 | |
Now the buying is over, it's time for our chaps | 0:31:49 | 0:31:52 | |
to show off their purchases. | 0:31:52 | 0:31:55 | |
But have they spent wisely? | 0:31:55 | 0:31:57 | |
-I thought you had a pretty busy day. -It's been fraught. | 0:31:57 | 0:32:00 | |
But I hope for the right reasons. | 0:32:00 | 0:32:02 | |
-What have you bought? -Can I go first? -Please. | 0:32:02 | 0:32:05 | |
-I like it. -It's Victorian, walnut, circa... | 0:32:05 | 0:32:10 | |
1840. 1850. Well, 1860. The quality is very nice. | 0:32:10 | 0:32:14 | |
What I think you've bought there is a magnificent structure. | 0:32:14 | 0:32:18 | |
-What did you pay for it? -£80. -Oh, well played! | 0:32:18 | 0:32:21 | |
-There we go. -Oh, very nice. Has it got a hat in there, though? | 0:32:21 | 0:32:26 | |
OK, a little top hat. | 0:32:26 | 0:32:29 | |
Leather case. Christie's of London. | 0:32:29 | 0:32:31 | |
Actually, a very good maker. I get these down in my saleroom. | 0:32:31 | 0:32:34 | |
With less moth on it, though. | 0:32:34 | 0:32:37 | |
Isn't the box lovely? | 0:32:37 | 0:32:38 | |
-It's a slightly small hat. -It's all right. Good top hat. | 0:32:38 | 0:32:42 | |
-First half of the 19th century. -I would have thought 1880. | 0:32:42 | 0:32:45 | |
-I paid £43 for it. -That's very good. | 0:32:45 | 0:32:48 | |
You either like it or you hate it. Glass vase. | 0:32:48 | 0:32:51 | |
I can see some wear. It's not new. It's got some age. | 0:32:51 | 0:32:54 | |
-What is it? 1950s? '60s? -I would say so. | 0:32:54 | 0:32:56 | |
It's a great decorative piece. | 0:32:56 | 0:32:58 | |
-Thank you. -When I use the word decorative, I mean it very loosely. | 0:32:58 | 0:33:02 | |
-I mean it loosely. How much? -15. | 0:33:02 | 0:33:05 | |
OK. Oh, perfect. Perfect. | 0:33:05 | 0:33:08 | |
Next up, Charles's fire stand. | 0:33:08 | 0:33:09 | |
But is Jonathan impressed? | 0:33:09 | 0:33:12 | |
-How bizarre. -Look at that. | 0:33:12 | 0:33:14 | |
-How bizarre. -That goes up for your face screen. | 0:33:14 | 0:33:17 | |
You've got the little rest here as well. | 0:33:17 | 0:33:20 | |
Very well made, I'll give you that. How much did you pay? | 0:33:20 | 0:33:23 | |
-£85. -Bang on, Charlie. | 0:33:23 | 0:33:26 | |
Oh, nice. | 0:33:26 | 0:33:29 | |
I'm hoping it's silver-backed. | 0:33:29 | 0:33:30 | |
-Have a look, Charlie. -It is silver. London. What year would this be? | 0:33:30 | 0:33:35 | |
-1912, 13? -Later, about 20-something. | 0:33:35 | 0:33:39 | |
-Can't remember the date. -Gorgeous quality. | 0:33:39 | 0:33:41 | |
-I paid £80 for it. -Did you? | 0:33:41 | 0:33:43 | |
I love it. I really like it. | 0:33:43 | 0:33:45 | |
I saw that, you bought that at that chap's house this morning. | 0:33:45 | 0:33:48 | |
I just think it's good quality. | 0:33:48 | 0:33:50 | |
-Got some age to it. -I reckon you paid £40. | 0:33:50 | 0:33:52 | |
-30. Not so keen, are you, on that? -I don't like it, no. Sorry, Charlie. | 0:33:52 | 0:33:56 | |
That's nice. | 0:33:56 | 0:33:59 | |
A little page-turner. | 0:33:59 | 0:34:01 | |
-It's got some age to it. -Yeah. | 0:34:01 | 0:34:03 | |
Could be 1900, 1910. | 0:34:03 | 0:34:05 | |
-I reckon this may have cost you £20. -No. | 0:34:05 | 0:34:09 | |
-More? -No. | 0:34:09 | 0:34:11 | |
-A lot less? -Lot less. -How much? | 0:34:11 | 0:34:13 | |
-£4. -You're joking. | 0:34:13 | 0:34:14 | |
£4? I like it very much. | 0:34:14 | 0:34:17 | |
-Look. -Cool. That's cool. | 0:34:20 | 0:34:22 | |
That one's worth a tenner. | 0:34:22 | 0:34:25 | |
OK. | 0:34:25 | 0:34:27 | |
-These are the ones you should buy for a few pence. -Correct. | 0:34:27 | 0:34:30 | |
Dig up the garden. I found a few at home. | 0:34:30 | 0:34:32 | |
A couple of quid for that one. | 0:34:32 | 0:34:34 | |
She's worth... | 0:34:34 | 0:34:36 | |
£20, £25. | 0:34:36 | 0:34:39 | |
The skull, he's got a chunk out the top, another 10 for that. | 0:34:39 | 0:34:42 | |
How much did you pay? | 0:34:42 | 0:34:43 | |
-£20. -You're on a winner there, definite winner. | 0:34:43 | 0:34:46 | |
I think so. | 0:34:46 | 0:34:48 | |
Golly. Is it WMF? | 0:34:49 | 0:34:52 | |
Have a look. | 0:34:52 | 0:34:54 | |
It is, isn't it? | 0:34:54 | 0:34:55 | |
That's nice quality. | 0:34:55 | 0:34:58 | |
So we're very much in and around 1905, 1910. | 0:34:58 | 0:35:03 | |
-Original liner? -I think it is, yeah. And this banding. | 0:35:03 | 0:35:06 | |
-I love this Liberty style design. -Yeah, that's what I liked about it. | 0:35:06 | 0:35:10 | |
-I spent £25 on it. -Bargain. -I think so. I think so. | 0:35:10 | 0:35:15 | |
But what do the two chaps really think? | 0:35:16 | 0:35:20 | |
There's probably two items which I would not ever touch. | 0:35:20 | 0:35:23 | |
One would be the glass vase, because it's fairly nondescript. | 0:35:23 | 0:35:27 | |
It's fairly boring. | 0:35:27 | 0:35:29 | |
Piecrust shape mahogany tray, George III style. | 0:35:29 | 0:35:32 | |
But 19th century made. To be honest with you, I was being polite. | 0:35:32 | 0:35:36 | |
I didn't like it at all. | 0:35:36 | 0:35:37 | |
The fire screen also. It's really crisp, really well carved, | 0:35:37 | 0:35:41 | |
but again, it wouldn't be to my liking. | 0:35:41 | 0:35:45 | |
Hate saying it, I think I'm going to win. | 0:35:45 | 0:35:47 | |
Brave words indeed from our Road Trip novice! | 0:35:47 | 0:35:51 | |
But has he spoken too soon? | 0:35:51 | 0:35:53 | |
It's been a fabulous road trip. | 0:35:56 | 0:35:58 | |
Our two chaps started off in scenic Londonderry, | 0:35:58 | 0:36:00 | |
and stopped off in Lack, | 0:36:00 | 0:36:02 | |
Ballinamallard | 0:36:02 | 0:36:04 | |
and finally, Enniskillen. | 0:36:04 | 0:36:06 | |
Today, Charles and Jonathan are rolling in to Omagh for auction day. | 0:36:06 | 0:36:11 | |
Ah, well done. We're here! | 0:36:13 | 0:36:14 | |
Viewback Antiques was established in the early 1970s by Geoffrey Simpson. | 0:36:14 | 0:36:20 | |
He started his career in London's Portobello Road, | 0:36:20 | 0:36:23 | |
before moving back to his native Omagh. | 0:36:23 | 0:36:26 | |
Geoffrey sells everything, from furniture, to ceramics, to jewellery. | 0:36:26 | 0:36:31 | |
Plus everything in between. | 0:36:31 | 0:36:33 | |
But what does he think of our chaps' purchases? | 0:36:33 | 0:36:36 | |
The first fire screen, the rosewood one, it's a quality item. | 0:36:36 | 0:36:40 | |
I could see it making £120 to £140. | 0:36:40 | 0:36:43 | |
I think the WMF piece is a reproduction item. | 0:36:43 | 0:36:48 | |
I'm just not happy with the article, | 0:36:48 | 0:36:50 | |
it seems to be a little bit too fresh. But that's only my opinion. | 0:36:50 | 0:36:54 | |
£30 to £40, perhaps. | 0:36:54 | 0:36:55 | |
Charles started this leg slightly down, with £194.16, | 0:36:58 | 0:37:03 | |
and spent a confident £178 on four items. | 0:37:03 | 0:37:07 | |
Jonathan started with a respectable £218.29, | 0:37:09 | 0:37:14 | |
and blew it all, bar £14.29, on five items. | 0:37:14 | 0:37:18 | |
As a nervous hush descends, our two chaps can barely contain themselves. | 0:37:20 | 0:37:24 | |
-Oh, dear! -Here we go! | 0:37:24 | 0:37:26 | |
Be doing a jig by the end of the night! | 0:37:27 | 0:37:29 | |
-Can we have a wee bit of hush, please? -Sorry, sorry. | 0:37:29 | 0:37:33 | |
Do behave, boys. | 0:37:33 | 0:37:35 | |
First up is the decorated page-turner, | 0:37:37 | 0:37:39 | |
which Jonathan bought for a whopping £4. | 0:37:39 | 0:37:42 | |
Start me at ten. £10 bid. | 0:37:43 | 0:37:45 | |
15 over here in the middle. | 0:37:45 | 0:37:47 | |
Come on, keep going, keep going. 15, 18, 18 something? | 0:37:47 | 0:37:50 | |
Keep it low! | 0:37:50 | 0:37:51 | |
I'm going to sell at 15, if we can't... | 0:37:51 | 0:37:54 | |
£20 over here. | 0:37:54 | 0:37:55 | |
£20 it is once, then. | 0:37:55 | 0:37:57 | |
-£20 twice, then. -Get it sold, get it sold! | 0:37:57 | 0:38:00 | |
-£20. Sold to the lady. -Get in there! -No, no! | 0:38:00 | 0:38:03 | |
Well done, Jonathan. The first profit of the day. But can it last? | 0:38:03 | 0:38:07 | |
Next is Jonathan's WMF silver jar, which cost him £25. | 0:38:07 | 0:38:13 | |
£20 bid. I have 25. | 0:38:13 | 0:38:15 | |
At 25. At 30, at 30. | 0:38:15 | 0:38:17 | |
-Bit more, bit more. -Keep it low. | 0:38:17 | 0:38:18 | |
Down the back, at 35. | 0:38:18 | 0:38:20 | |
Come on, 40 something. | 0:38:20 | 0:38:22 | |
At 40. At 40, at 45. | 0:38:22 | 0:38:24 | |
45, who'll give me 50? | 0:38:24 | 0:38:26 | |
-Come on, someone. -All finished? Everybody happy, at 45 for the WMF. | 0:38:26 | 0:38:31 | |
Sold at £45, BP. | 0:38:31 | 0:38:33 | |
Are you starting to worry, Charles? | 0:38:33 | 0:38:36 | |
Seems like I know what I'm talking about, doesn't it? | 0:38:37 | 0:38:39 | |
Jonathan didn't like it, | 0:38:39 | 0:38:42 | |
but will Charles's £30 mahogany tray help him stay in the race? | 0:38:42 | 0:38:46 | |
-£30 bid here. 30. -No way! | 0:38:46 | 0:38:49 | |
At 35, at 35. At 40, at 40. | 0:38:49 | 0:38:51 | |
At 45. Any advance on 45? | 0:38:51 | 0:38:53 | |
It's the lady's bid of 45. | 0:38:53 | 0:38:55 | |
All finished and done at 45. | 0:38:55 | 0:38:57 | |
£45, Charlie boy. | 0:38:57 | 0:38:58 | |
Not bad, Charles. Not bad at all. | 0:38:58 | 0:39:01 | |
Now for Jonathan's enamelled strut timepiece, | 0:39:01 | 0:39:04 | |
which cost a respectable £80. | 0:39:04 | 0:39:06 | |
£40 bid. At £40. | 0:39:06 | 0:39:08 | |
-It's got to be worth another 45 or 50. -At 60, right at the back. At 60. | 0:39:08 | 0:39:12 | |
60. We've got a long way to go here. | 0:39:12 | 0:39:14 | |
65. 70. At 75. 75. All finished, all done at 75. | 0:39:14 | 0:39:19 | |
Sold at 75. | 0:39:19 | 0:39:20 | |
JONATHAN GROANS | 0:39:20 | 0:39:22 | |
Oh, Jonathan. Is it time's up for your profits? | 0:39:22 | 0:39:26 | |
Jonathan's hoping to reclaim his winning streak | 0:39:26 | 0:39:29 | |
with this Italian vase, which he hopes was a bargain at £15. | 0:39:29 | 0:39:33 | |
20. £20 bid. At 25 down here. | 0:39:33 | 0:39:36 | |
At 25. At 30 over here. At 35. | 0:39:36 | 0:39:38 | |
At 35. At 40 in the middle. | 0:39:38 | 0:39:41 | |
-At 40, at 40 it is. 45, new blood. -No! | 0:39:41 | 0:39:44 | |
At 45, 45. | 0:39:44 | 0:39:46 | |
All finished and done at 45. | 0:39:46 | 0:39:48 | |
-Get in there! -Well played. Good price. -Thank you. | 0:39:48 | 0:39:52 | |
Next up, Charles's job lot of meerschaum pipes, | 0:39:52 | 0:39:55 | |
which he bought for £20. | 0:39:55 | 0:39:57 | |
40. 30. | 0:39:57 | 0:39:59 | |
Start me at 20. £20 bid. At £20. | 0:40:00 | 0:40:03 | |
£20 bid? | 0:40:03 | 0:40:04 | |
At 25. 30. | 0:40:04 | 0:40:06 | |
-At 30, 35. -Yes! | 0:40:06 | 0:40:08 | |
At 35. | 0:40:08 | 0:40:10 | |
At 40, at 40. | 0:40:10 | 0:40:11 | |
-At £40, it's the lady's bid. -Time for the lady. | 0:40:11 | 0:40:15 | |
At £40... | 0:40:15 | 0:40:17 | |
Another profit for Charles. | 0:40:17 | 0:40:19 | |
But it's still too close to call. | 0:40:19 | 0:40:22 | |
Now it's time for the battle of the fire screens to begin. | 0:40:22 | 0:40:25 | |
Jonathan's walnut fire screen cost a tidy £80, | 0:40:25 | 0:40:29 | |
and it needs to do well if he's to stay in the race. | 0:40:29 | 0:40:32 | |
Here we go. This is it. | 0:40:32 | 0:40:34 | |
Oh, man. | 0:40:34 | 0:40:36 | |
Start me at £50. £50 bid, instantly. At 50. At 60, down the back. At 60. | 0:40:36 | 0:40:40 | |
At 70 here at the front. At 70. | 0:40:40 | 0:40:42 | |
£80 over here. £90 at the front. | 0:40:42 | 0:40:45 | |
Keep going, keep going. | 0:40:45 | 0:40:46 | |
And £90, then. £100. | 0:40:46 | 0:40:49 | |
-Thank you. -£100. -That's good. | 0:40:49 | 0:40:51 | |
No, it's not, it's not enough! Keep going! | 0:40:51 | 0:40:54 | |
-At 100, I cannot get more money! -Of course you can! | 0:40:54 | 0:40:57 | |
Is there another bid? All finished and done at £100. | 0:40:57 | 0:41:01 | |
-Broke even on that baby. -A £20 profit. | 0:41:01 | 0:41:03 | |
But Jonathan had hoped for more. | 0:41:03 | 0:41:05 | |
Next up, the rosewood fire screen, which Charles bought for £85. | 0:41:05 | 0:41:12 | |
This is the moment when the second auction will be decided. | 0:41:12 | 0:41:16 | |
It's that simple. | 0:41:16 | 0:41:17 | |
-£100 bid instantly. At 110. -£100?! -110. 110. | 0:41:17 | 0:41:22 | |
No! | 0:41:22 | 0:41:23 | |
At £110. 120. At 120, any advance on 120? | 0:41:23 | 0:41:27 | |
Charlie, Charlie, Charlie. 130. | 0:41:27 | 0:41:29 | |
-You jammy so-and-so. -Sold to Mr W. | 0:41:30 | 0:41:33 | |
-How much did you pay for that? -130. | 0:41:33 | 0:41:35 | |
-£85. -Makes £130. | 0:41:35 | 0:41:37 | |
He's cooking, Hanson! He's in that car, he's cruising into fifth gear. | 0:41:37 | 0:41:41 | |
-Hanson's cooking! -Argh! | 0:41:41 | 0:41:44 | |
As Charles surges ahead, next up is his hat and box, a snip at £43. | 0:41:44 | 0:41:51 | |
And there's a sudden change of auctioneer, too. | 0:41:51 | 0:41:53 | |
Shut your eyes, Charlie. Sounds like you're at the races! | 0:41:53 | 0:41:56 | |
I'm praying. I'm praying! | 0:41:56 | 0:41:59 | |
At 20, I'm bid. 30 now. | 0:41:59 | 0:42:01 | |
40, seated. Now at 40. | 0:42:01 | 0:42:04 | |
-Aw! -Yes! Keep going. -£50 bid. | 0:42:04 | 0:42:08 | |
No, no, no. | 0:42:08 | 0:42:10 | |
Yes! £70! | 0:42:10 | 0:42:11 | |
75 now. 80 bid. 80 it is. | 0:42:11 | 0:42:15 | |
-At £80. -Thank you! | 0:42:15 | 0:42:18 | |
And that's a handsome profit of £37 for Mr Hanson. | 0:42:18 | 0:42:22 | |
-Well done, Charlie. -Well played. -Well done. | 0:42:22 | 0:42:25 | |
A triumphant Charles steals the lead from Jonathan. | 0:42:25 | 0:42:29 | |
He started today's show with £194.16. | 0:42:29 | 0:42:33 | |
After paying the auctioneer's commission, | 0:42:33 | 0:42:35 | |
he's made a tidy profit of £65 and a penny. | 0:42:35 | 0:42:38 | |
And takes £259.17 forward to tomorrow's show. | 0:42:38 | 0:42:44 | |
Jonathan didn't do quite as well. | 0:42:45 | 0:42:47 | |
He started today's show with £218.29. | 0:42:47 | 0:42:52 | |
He made a profit of just £30.78, after commission, | 0:42:52 | 0:42:56 | |
and takes £249.07 forward to tomorrow's show. | 0:42:56 | 0:43:01 | |
So, just £10 and a few pence between them. | 0:43:01 | 0:43:04 | |
The competition is still too close to call. | 0:43:04 | 0:43:08 | |
-Back to England? -Let's go, come on. | 0:43:08 | 0:43:09 | |
-The Mother Country? -I'll be back. | 0:43:09 | 0:43:12 | |
In the next show, Jonathan hits new heights. | 0:43:16 | 0:43:19 | |
Get in there! | 0:43:19 | 0:43:20 | |
And Charles hits one height too many. | 0:43:20 | 0:43:24 | |
I could be in trouble. | 0:43:24 | 0:43:26 | |
Subtitles by Red Bee Media | 0:43:37 | 0:43:40 | |
Email [email protected] | 0:43:40 | 0:43:43 |