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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
-Testing, testing. -Who can make the most money buying and selling antiques as they scour the UK? | 0:00:05 | 0:00:11 | |
Do I see 80? 75? | 0:00:11 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:14 | 0:00:17 | |
but it's not as easy as it sounds, and there can only be one winner. | 0:00:17 | 0:00:21 | |
-Come on, let's go. -So will it be the highway to success | 0:00:21 | 0:00:24 | |
-or the B road to bankruptcy? -Job done. | 0:00:24 | 0:00:28 | |
-I'm now broke. -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Our two antiques experts this week are Charles Hanson and Jonathan Pratt. | 0:00:41 | 0:00:46 | |
Charles Hanson began his career at Christie's and is passionate about early English porcelain. | 0:00:58 | 0:01:04 | |
That's a nice little piece of Crown Devon. Crown Devon, lustre, you think of Wedgwood. | 0:01:06 | 0:01:11 | |
Same sort of period. £12. | 0:01:11 | 0:01:13 | |
It's such a bargain. | 0:01:13 | 0:01:15 | |
CRASHING | 0:01:15 | 0:01:17 | |
Lordy! | 0:01:17 | 0:01:18 | |
It WAS a bargain. | 0:01:19 | 0:01:20 | |
Auctioneer and gemologist Jonathan Pratt doesn't mind getting dirty in the pursuit of hidden treasures. | 0:01:20 | 0:01:26 | |
He likes a laugh and he's also extremely thin. | 0:01:26 | 0:01:33 | |
There we go. Soot. | 0:01:33 | 0:01:36 | |
Both experts started this week with £200, and the competition's | 0:01:36 | 0:01:41 | |
still too close to call after the auction in Omagh on yesterday's show. | 0:01:41 | 0:01:46 | |
-Charles made a profit on every single one of his items... -130. | 0:01:46 | 0:01:49 | |
Hanson is in that car, he's cruising into fifth gear. | 0:01:49 | 0:01:54 | |
..and starts today with a very respectable £259.17. | 0:01:54 | 0:02:01 | |
-Go on, then. -Jonathan, | 0:02:01 | 0:02:03 | |
however, came a right cropper when he radically changed tactics. | 0:02:03 | 0:02:07 | |
I can't just go around and buy everything I think Charlie might buy! | 0:02:07 | 0:02:12 | |
So, Jonathan starts today | 0:02:12 | 0:02:14 | |
just behind Charles with £249.07. | 0:02:14 | 0:02:18 | |
This week's Road Trip is around spectacular Northern Ireland and Northwest England. | 0:02:24 | 0:02:29 | |
On today's show, Charles and Jonathan are back | 0:02:29 | 0:02:32 | |
in Blighty, starting at Liverpool and heading for auction in Runcorn. | 0:02:32 | 0:02:36 | |
Today, Liverpool is better known as the birthplace of... | 0:02:40 | 0:02:44 | |
Yes, you've guessed it, those four lovable mop tops, the Beatles. | 0:02:44 | 0:02:50 | |
But during the 19th century, it was the second-most important city | 0:02:50 | 0:02:54 | |
of the British Empire, after London. | 0:02:54 | 0:02:56 | |
40% of the world's trade passed through its docks. | 0:02:56 | 0:03:01 | |
So our two chaps have come along to its most famous, Albert Dock. | 0:03:01 | 0:03:05 | |
A World Heritage Site with the largest single collection | 0:03:05 | 0:03:10 | |
of Grade 1 listed buildings anywhere in Britain. | 0:03:10 | 0:03:14 | |
But our boys seem more interested in mucking about than in Liverpool's | 0:03:17 | 0:03:21 | |
rich heritage. | 0:03:21 | 0:03:23 | |
Enough mucking about, chaps, time to work. Like girls. | 0:03:26 | 0:03:30 | |
First stop for Charles is aptly named Tunnel Antiques. | 0:03:33 | 0:03:38 | |
This is like the golden age of the antiques market, 30 years ago. | 0:03:38 | 0:03:42 | |
Things are stacked really high, it's dark, | 0:03:42 | 0:03:46 | |
you can't quite make out what you're buying, but all the better to find the real bargains. | 0:03:46 | 0:03:50 | |
It's called the Tunnel. We can see why. | 0:03:50 | 0:03:52 | |
Across town, Jonathan is wondering where he should start. | 0:03:55 | 0:04:00 | |
Is everything for sale, even like bits of metalware and things like that? | 0:04:00 | 0:04:03 | |
-Yes. All these items. -If I saw like a really good looking door knocker or something... | 0:04:03 | 0:04:08 | |
-Yes, they're there... -They're there to be sold. | 0:04:08 | 0:04:10 | |
Circa 1900, mahogany with chequered banding on the edges. | 0:04:13 | 0:04:16 | |
Could be used for a piano stool. | 0:04:16 | 0:04:19 | |
Although the auctioneer has said | 0:04:19 | 0:04:23 | |
best not to buy furniture. | 0:04:23 | 0:04:25 | |
Anyway. | 0:04:25 | 0:04:27 | |
Good thinking, Jonathan, for planning ahead and finding out | 0:04:27 | 0:04:32 | |
from the auctioneer at Runcorn what sells and what doesn't. | 0:04:32 | 0:04:36 | |
I'm not going to go and buy three things in the first shop this time. | 0:04:36 | 0:04:39 | |
I'm going to be more savvy. | 0:04:39 | 0:04:43 | |
A little bit more thinking involved. | 0:04:43 | 0:04:46 | |
-Thinking's dangerous. -Certainly is, Batman. | 0:04:46 | 0:04:48 | |
Now, speaking of dangerous thinking, | 0:04:48 | 0:04:51 | |
back in the Tunnel, something polished catches Charles' eye. | 0:04:51 | 0:04:55 | |
I like this, Paul. | 0:04:55 | 0:04:57 | |
-Great colour, love the dish-top, Paul, and of course, it's a snap top, isn't it? -Snap top. | 0:04:57 | 0:05:02 | |
So what you do, snap top table, like that, | 0:05:02 | 0:05:04 | |
up it goes. Look at that. | 0:05:04 | 0:05:06 | |
The snap top table is on a latch, allowing it to be tilted up | 0:05:08 | 0:05:12 | |
after the tea ceremony and the table put away until the following day. | 0:05:12 | 0:05:16 | |
And it's a snip, or a snap, at £150. | 0:05:16 | 0:05:21 | |
So we're talking 1775. We're going back to mad King George III. | 0:05:21 | 0:05:24 | |
It just oozes quality and age, doesn't it? | 0:05:24 | 0:05:28 | |
I'll take £100. Not even a pound a year. | 0:05:28 | 0:05:30 | |
Paul, I'm very tempted with that table because | 0:05:30 | 0:05:34 | |
I like it. And my taste, sometimes, has to outweigh commercial gain. | 0:05:34 | 0:05:38 | |
Isn't this a competition, Charles? | 0:05:38 | 0:05:42 | |
-Paul, you know the Ashanti table? -The Ashanti stool can be £50. | 0:05:42 | 0:05:46 | |
-Is that period? -That's a period one. | 0:05:46 | 0:05:48 | |
-So, Paul, tell me about it. -It's an Ashanti stool. | 0:05:51 | 0:05:54 | |
From? | 0:05:56 | 0:05:58 | |
Africa. | 0:05:58 | 0:06:00 | |
Yes. Allow me to enlighten you. | 0:06:00 | 0:06:01 | |
Geography lesson number one. | 0:06:01 | 0:06:04 | |
The Ashanti are a major ethnic group in Ghana. | 0:06:04 | 0:06:07 | |
By the 18th century, their kingdom covered most of the country. | 0:06:07 | 0:06:11 | |
To them, a stool was spiritual as well as practical. | 0:06:11 | 0:06:15 | |
Literally, the seat of the owner's soul. | 0:06:15 | 0:06:19 | |
The sale room we're going to, I don't know if their sale's online. If the sale is online, | 0:06:19 | 0:06:22 | |
this is going to appeal to your London tribal buyers. | 0:06:22 | 0:06:25 | |
If it's not online, this stool, which is a real find, could go to auction, | 0:06:25 | 0:06:29 | |
make a huge loss. Best price? | 0:06:29 | 0:06:32 | |
50 quid. | 0:06:32 | 0:06:34 | |
While Charles ponders, Jonathan sets his sights high. | 0:06:37 | 0:06:41 | |
Chimney pots are always quite fun. Architectural, flowers on, | 0:06:43 | 0:06:47 | |
perhaps a little clean. | 0:06:47 | 0:06:49 | |
Old chimney pots, you can see all the soot in there. | 0:06:49 | 0:06:51 | |
There we go. Soot. | 0:06:51 | 0:06:54 | |
Thanks to a building boom, an astonishing variety of chimney pots | 0:06:54 | 0:06:58 | |
were manufactured during the Victorian era. | 0:06:58 | 0:07:02 | |
It led to a new pastime, | 0:07:02 | 0:07:04 | |
pot spotting. | 0:07:04 | 0:07:06 | |
Yeah, that's right, like train spotting but with chimneys. | 0:07:06 | 0:07:10 | |
They're quite pretty and they make good planters. You just plonk them in the flowerbed and grow stuff. | 0:07:10 | 0:07:15 | |
And they've got flowers on the side so you can put margaritas, ox eye daisies, something like that. | 0:07:15 | 0:07:20 | |
Ooh-ar, you've gone all horticultural on me, Jonathan. | 0:07:20 | 0:07:25 | |
Across town, Charles spots something else to tempt him. | 0:07:25 | 0:07:29 | |
That's a good chair, isn't it? | 0:07:29 | 0:07:31 | |
From 1830. | 0:07:31 | 0:07:33 | |
-£25, is that right? -It can be 20 quid. | 0:07:33 | 0:07:35 | |
£20? For a William IV chair. | 0:07:35 | 0:07:37 | |
-It's nothing, is it? -It's nothing. -You say a leg's been...? -A leg's been glued on. | 0:07:37 | 0:07:42 | |
Goodness gracious me, Paul. See, I think that's a fairly safe bet, but I want to buy something bigger. | 0:07:42 | 0:07:48 | |
-Something chancy and not safe? -Exactly. I want to, Paul, | 0:07:48 | 0:07:51 | |
either go out in a blaze of glory or go out...in a blaze of glory. | 0:07:51 | 0:07:56 | |
But Jonathan isn't quite ready to throw caution to the wind. | 0:07:58 | 0:08:02 | |
I've honed in on this because it sells where I am quite well. It's a small, functional piece of furniture. | 0:08:02 | 0:08:07 | |
It's got some age. It's about 100 years old, thereabouts. | 0:08:07 | 0:08:11 | |
Furniture made out of bamboo | 0:08:11 | 0:08:12 | |
first became fashionable in the 18th century. | 0:08:12 | 0:08:15 | |
It appeals because it's exotic. | 0:08:15 | 0:08:18 | |
Westerners have long had a passion for all things oriental. | 0:08:18 | 0:08:22 | |
This could be one of those that some people say, "What a load of junk". | 0:08:24 | 0:08:28 | |
But the price label on that says £22. | 0:08:28 | 0:08:32 | |
This, down in my saleroom, would make £50 to £60. | 0:08:32 | 0:08:37 | |
"Don't buy furniture, don't buy furniture. Don't buy furniture." | 0:08:37 | 0:08:42 | |
That's right, Jonathan, that's exactly what the auctioneer said. | 0:08:42 | 0:08:47 | |
But Charles doesn't seem to know that because what he's doing is... | 0:08:47 | 0:08:52 | |
So if I bought the mahogany table and the stool... | 0:08:52 | 0:08:56 | |
I'll do you the two for £120. | 0:08:56 | 0:08:59 | |
OK... | 0:09:05 | 0:09:07 | |
He's my friend. Paul, you're a mate. | 0:09:07 | 0:09:09 | |
-I'll think about it. Bye. -Oh, it's not like you to dither, Charles. | 0:09:11 | 0:09:16 | |
I do like the stool, I like the table. They're two lovely items, | 0:09:16 | 0:09:19 | |
and they'll stand well in the the saleroom, but in Runcorn, who knows? | 0:09:19 | 0:09:23 | |
I will give the auctioneer a call next and just get his line of thought | 0:09:23 | 0:09:27 | |
on what sells well. | 0:09:27 | 0:09:29 | |
Good idea, Charles. | 0:09:29 | 0:09:31 | |
A few streets away, Jonathan is being decisive. | 0:09:33 | 0:09:37 | |
I quite like these two chimney pots. | 0:09:37 | 0:09:39 | |
Very decorative, flowers on the side. | 0:09:39 | 0:09:42 | |
This is going to hurt you, because I'm afraid they have been saved for | 0:09:42 | 0:09:46 | |
ages and I've got a use for them. | 0:09:46 | 0:09:49 | |
You wouldn't even take | 0:09:49 | 0:09:50 | |
-£40 for them? -I'm afraid I would not take £40. -Oh, what a pain. | 0:09:50 | 0:09:54 | |
-So this chap here, this is my next one. -I'm happy to sell that. | 0:09:54 | 0:09:59 | |
Your price on there is £22, and so your very best price...? | 0:09:59 | 0:10:02 | |
18. | 0:10:02 | 0:10:04 | |
18... 15. | 0:10:04 | 0:10:07 | |
I think 18 is quite reasonable, considering I started off at 22. | 0:10:07 | 0:10:11 | |
-I think 15's even more reasonable. -You're bound to say that, aren't you? | 0:10:11 | 0:10:15 | |
-15 cos I let you down. -Brilliant, thank you very much. | 0:10:15 | 0:10:17 | |
Before you change your mind. Great, thank you very much. | 0:10:17 | 0:10:20 | |
Well done, Jonathan, the first purchase of the day. | 0:10:20 | 0:10:23 | |
Now it's time for our two chaps to swap shops, if you know what I mean. | 0:10:23 | 0:10:27 | |
-Are you all right? -I've just been to an amazing shop. | 0:10:27 | 0:10:30 | |
Unbelievable shop. You will love it. | 0:10:30 | 0:10:32 | |
It is just stacked high, it is rolling back to the '70s. | 0:10:32 | 0:10:36 | |
-You will go wild. -I think you'll enjoy this place. -I can't wait. | 0:10:36 | 0:10:39 | |
But it's not quite the antiques shop that Charles was expecting. | 0:10:39 | 0:10:44 | |
It's actually quite eerie. It's remarkably quiet. | 0:10:50 | 0:10:53 | |
There's no whispers to come and get me. | 0:10:55 | 0:10:57 | |
Nothing's jumping out and saying, "Come on, handsome, look at me now." Where are you? | 0:10:58 | 0:11:03 | |
And Jonathan's having exactly the same problem. | 0:11:04 | 0:11:08 | |
In a place like this, you'll find they're not that bothered about presentation. | 0:11:08 | 0:11:15 | |
If you give the person | 0:11:15 | 0:11:20 | |
who's looking around the shop or the saleroom the feeling that they might | 0:11:20 | 0:11:24 | |
unearth something, you'll get a lot | 0:11:24 | 0:11:26 | |
more people wanting to go through and look in the little boxes and things. | 0:11:26 | 0:11:29 | |
It's that sort of thing, there might be something in it. | 0:11:29 | 0:11:32 | |
But when a shop's as crammed as this one, you do spend longer | 0:11:32 | 0:11:38 | |
unearthing those gems. | 0:11:38 | 0:11:39 | |
Sometimes you find things. | 0:11:39 | 0:11:42 | |
I mean, what can you do with a giant figure of Popeye The Sailor Man? | 0:11:42 | 0:11:45 | |
I was hoping there would be a head attached to it. | 0:11:45 | 0:11:49 | |
Isn't there anything to tempt you to part with your £234.70, Jonathan? | 0:11:52 | 0:11:57 | |
-There's a fertility mask up there. -Hmm? -That's a fertility mask. | 0:11:57 | 0:12:01 | |
I don't really need that, I've got four children already. | 0:12:01 | 0:12:04 | |
Bragging. Across town, Charles is still looking for his first purchase. | 0:12:04 | 0:12:09 | |
A late Victorian examination couch. Isn't it great? | 0:12:11 | 0:12:14 | |
120 years old and if you had to be examined, for whatever reason, | 0:12:14 | 0:12:18 | |
you might be on this. And you dread to think what would have happened. | 0:12:20 | 0:12:24 | |
Oh, Lord. | 0:12:24 | 0:12:25 | |
Actually, Charles, it's early 19th century. | 0:12:25 | 0:12:28 | |
But you're right about one thing, | 0:12:28 | 0:12:30 | |
it wasn't a good time to be sick back then. | 0:12:30 | 0:12:33 | |
Medicines were often preparations of mercury, arsenic and iron, | 0:12:33 | 0:12:38 | |
while bleeding and leeches were routinely prescribed. | 0:12:38 | 0:12:42 | |
Not much fun, eh? | 0:12:42 | 0:12:44 | |
It's period, it's mahogany. For £125, | 0:12:44 | 0:12:49 | |
it isn't bad really, is it? | 0:12:49 | 0:12:52 | |
Are you actually thinking of buying something, Charles? | 0:12:52 | 0:12:55 | |
-What have I got on it? -125. What's the best price on it? | 0:12:55 | 0:13:00 | |
I'll take 100. | 0:13:00 | 0:13:02 | |
The woodwork's in good nick. It's not loose, it's not broken. | 0:13:02 | 0:13:05 | |
-There are no tears in the material. -Yes, yes. | 0:13:05 | 0:13:07 | |
So if you're going to try any harder, no, sorry, that's it. | 0:13:07 | 0:13:10 | |
-That the death. -And when a man says the death, | 0:13:10 | 0:13:13 | |
that's the death, isn't it? | 0:13:13 | 0:13:15 | |
-It is. -I was hoping for a figure nearer 60, and I'd love to buy it, | 0:13:15 | 0:13:20 | |
-but I've got to hold out for a bit less. -It has been here for a year. | 0:13:20 | 0:13:24 | |
If we can settle at 90, you will have squeezed me like very few people ever manage to do. | 0:13:24 | 0:13:28 | |
£90 is a very good offer. | 0:13:28 | 0:13:30 | |
I'm likely, tomorrow, to give you a call and inquire, OK? | 0:13:30 | 0:13:34 | |
So, the Young Pretender still can't make up his mind. | 0:13:34 | 0:13:38 | |
Come on, Hanson, where's your | 0:13:38 | 0:13:41 | |
hardened edge in buying antiques? Where is your decisiveness? | 0:13:41 | 0:13:46 | |
Yes, Carlos, that's exactly what I was thinking. | 0:13:46 | 0:13:49 | |
Down the road, Jonathan's not having much luck either. | 0:13:52 | 0:13:57 | |
I'd like to see some, I don't know, a lot more small stuff. | 0:13:59 | 0:14:02 | |
You know, you just can't make money out of this sort of thing at auction, so... | 0:14:04 | 0:14:08 | |
Unable to come to a decision over four potential buys, | 0:14:10 | 0:14:14 | |
Charles takes some time out to visit one of Liverpool's | 0:14:14 | 0:14:17 | |
more sophisticated venues. | 0:14:17 | 0:14:19 | |
Whilst Jonathan is hopefully panic buying, hopefully spending freely, | 0:14:19 | 0:14:24 | |
hopefully buying really, really unwisely, I'm going | 0:14:24 | 0:14:27 | |
to check out some refined company. | 0:14:27 | 0:14:29 | |
This is the Philharmonic Dining Rooms, | 0:14:33 | 0:14:35 | |
or, as it's known locally, the Phil. | 0:14:35 | 0:14:40 | |
It opened in 1898 opposite Liverpool's Philharmonic Hall | 0:14:40 | 0:14:43 | |
and quickly became a popular venue for concert-goers. | 0:14:43 | 0:14:47 | |
John Lennon once complained that | 0:14:49 | 0:14:52 | |
not being able to drink here was one of the prices of fame. | 0:14:52 | 0:14:56 | |
Today, it's still a restaurant and bar and Charles has managed to sneak in before it opens | 0:14:56 | 0:15:00 | |
to have a quick look. | 0:15:00 | 0:15:01 | |
But there's no-one here except Ruth Roberts, the cleaner. | 0:15:01 | 0:15:06 | |
And she offers to show him around and give him a quick polish up while | 0:15:06 | 0:15:10 | |
Charles gives her a history lesson. | 0:15:10 | 0:15:13 | |
-The adornment is unbelievable. -It's beautiful. | 0:15:13 | 0:15:16 | |
To think that these have been, I suppose, hand-touched and polished | 0:15:16 | 0:15:19 | |
over the last 110 years, and they're all hand embossed with the fish here. | 0:15:19 | 0:15:24 | |
The design is all so evocative of a return to nature. | 0:15:24 | 0:15:29 | |
As art nouveau designers adapted motifs from the natural world, | 0:15:29 | 0:15:33 | |
nature and modernity came to mean almost the same thing. | 0:15:33 | 0:15:39 | |
-And there's more to see. -And these names on here? | 0:15:39 | 0:15:43 | |
They're composers names, but I'm not sure. There's Liszt and Brahms | 0:15:43 | 0:15:46 | |
but I'm not sure what the connection is, to be honest with you. | 0:15:46 | 0:15:49 | |
Brahms and Liszt? Isn't that cockney rhyming slang for... | 0:15:51 | 0:15:55 | |
having one too many? | 0:15:55 | 0:15:56 | |
I suppose when the building was built in the late 19th century, you can see the | 0:15:58 | 0:16:03 | |
grandeur, can't you? No expense spared. Look at the floor here. | 0:16:03 | 0:16:06 | |
I love this floor. | 0:16:06 | 0:16:08 | |
Mosaic, I suppose, really encapsulating great Roman taste. | 0:16:08 | 0:16:13 | |
But the most spectacular thing about the dining rooms | 0:16:13 | 0:16:16 | |
is not its chandeliers or its sumptuous bar, | 0:16:16 | 0:16:20 | |
but an altogether more modest little room. In fact, the smallest room in the Phil. | 0:16:20 | 0:16:26 | |
These are the listed toilets you were talking about. | 0:16:26 | 0:16:29 | |
I can smell it. The urinals really are something, aren't they? | 0:16:29 | 0:16:32 | |
These are Grade 1 listed loos. | 0:16:32 | 0:16:36 | |
You might think that only a stately home could be considered to have | 0:16:36 | 0:16:40 | |
loos of exceptional architectural and historic interest, but in fact, | 0:16:40 | 0:16:46 | |
any element in a building can be listed, even these...bogs. | 0:16:46 | 0:16:53 | |
You look at the marble, it really is... | 0:16:53 | 0:16:55 | |
quite different. It's of that late Victorian art nouveau grandeur. | 0:16:55 | 0:16:59 | |
-Look at the cistern! -I know, yeah. -Look at that. | 0:16:59 | 0:17:03 | |
And you've also got the original... Oops, almost fell in then, crikey! | 0:17:03 | 0:17:07 | |
It's a bit slippy down here. | 0:17:07 | 0:17:09 | |
And if I was an Edwardian gent... | 0:17:09 | 0:17:11 | |
I would want to come in here all the time. | 0:17:13 | 0:17:15 | |
As interesting as the loos are, Charles, | 0:17:15 | 0:17:17 | |
it's time for Ruth to get back to work. | 0:17:17 | 0:17:19 | |
I think she's a bit flushed. | 0:17:19 | 0:17:22 | |
It's now the end of a rather long and emotional day | 0:17:25 | 0:17:27 | |
and time for our two young chaps to reflect on their purchases. | 0:17:27 | 0:17:31 | |
Or should I say it lack of them? | 0:17:31 | 0:17:33 | |
The boys awake to blue skies and can't wait to get started. | 0:17:43 | 0:17:47 | |
So far, Jonathan has spent a trifling £15 on a bamboo bookcase. | 0:17:47 | 0:17:53 | |
This could be one of those that some people say, "What a load of junk." | 0:17:53 | 0:17:58 | |
So he's left with a substantial £234.07 to spend. | 0:17:58 | 0:18:04 | |
Even though a few objects peaked his interest, | 0:18:04 | 0:18:09 | |
Charles has spent absolutely nothing. | 0:18:09 | 0:18:11 | |
So he still has the princely sum of £259.17. | 0:18:11 | 0:18:16 | |
Today, Jonathan's leaving Charles behind in Liverpool | 0:18:19 | 0:18:22 | |
and heading towards the pretty seaside town of Southport. | 0:18:22 | 0:18:26 | |
Yesterday morning, I was nervous because I was nervous about coming in, Charlie £10 ahead of me. | 0:18:30 | 0:18:35 | |
Now, I'm... I'm more nervous because I don't like the pressure of actually having | 0:18:35 | 0:18:42 | |
to commit myself to objects that I don't necessarily want to buy! | 0:18:42 | 0:18:48 | |
Antiques dealer John Nolan has been in the business for 46 years, | 0:18:48 | 0:18:52 | |
which makes him half an antique himself. | 0:18:52 | 0:18:54 | |
-Hello. -Hello there. Are you all right? -Very good. You've got some old stuff in here, apparently. | 0:18:54 | 0:18:59 | |
Yes, in the antique department. | 0:18:59 | 0:19:01 | |
Thank you very much. | 0:19:01 | 0:19:03 | |
-Ah, here we are. -Yeah, yeah. Have a wander round, see what you think. | 0:19:03 | 0:19:07 | |
Almost immediately, Jonathan spots something. | 0:19:07 | 0:19:10 | |
What I want to look at, what catches my eye, is that there. | 0:19:10 | 0:19:14 | |
This is 18th century, John Pitt of Leeds. | 0:19:16 | 0:19:23 | |
It's an etui, or small case, as it's more commonly known. | 0:19:23 | 0:19:29 | |
This is shagreen, which is believed to be green-stained sharkskin but | 0:19:29 | 0:19:33 | |
they used various different | 0:19:33 | 0:19:36 | |
things like catfish and ray, whatever, just to produce it. | 0:19:36 | 0:19:41 | |
It probably belonged to a draughtsman. | 0:19:41 | 0:19:43 | |
Mm, very nice. | 0:19:43 | 0:19:45 | |
In here you've got a compass and a little ivory ruler. | 0:19:45 | 0:19:53 | |
It's a pretty little thing. | 0:19:53 | 0:19:54 | |
I bet you that's... | 0:19:54 | 0:19:56 | |
Crikey, I bet he's asking over £300 for that. | 0:19:56 | 0:19:59 | |
These things are really quite collectible. What would I get for that at auction? I'd probably get... | 0:19:59 | 0:20:05 | |
Well, £200-£300, I suppose. | 0:20:05 | 0:20:10 | |
How much is it? | 0:20:10 | 0:20:11 | |
Normally I'd ask like 125 for that. | 0:20:11 | 0:20:13 | |
-Oh, right, OK. -But I'd probably do a deal with you, around what, say £80? | 0:20:13 | 0:20:19 | |
£80?! | 0:20:19 | 0:20:21 | |
And you thought he thought he'd want £300 for it, Jonathan. | 0:20:21 | 0:20:26 | |
70, you've got a deal? | 0:20:26 | 0:20:28 | |
-You've got yourself a deal. -There we go. -Let's hope you do well with it. | 0:20:28 | 0:20:33 | |
Thank you very much. I like that, actually. | 0:20:33 | 0:20:36 | |
-Yeah, it's beautiful. -Cor! No wonder you're smiling, matey. | 0:20:36 | 0:20:40 | |
Back in Liverpool, Charles's first stop is dealer Trevor Duswell. | 0:20:40 | 0:20:45 | |
Let's hope he does well for Charles. | 0:20:45 | 0:20:47 | |
Wow! What an antiques centre, there's great balls of light. | 0:20:50 | 0:20:55 | |
There's a growing plantation down there. | 0:20:55 | 0:20:57 | |
It has a great Far Eastern theme, which is my area of interest, | 0:20:57 | 0:21:01 | |
oriental, Japanese, Chinese artefacts, ceramics, glassware... | 0:21:01 | 0:21:07 | |
Very nice. It's a jug. | 0:21:07 | 0:21:12 | |
It's made by Maling, who were an important factory. | 0:21:12 | 0:21:16 | |
After you. Nice jug, like it? | 0:21:16 | 0:21:18 | |
-Yeah! -Good. It's a nice art deco Maling ware jug. | 0:21:18 | 0:21:23 | |
It's £32 but look, a nibble here, a chip there, two chips and it's | 0:21:23 | 0:21:29 | |
going to affect market value. | 0:21:29 | 0:21:31 | |
So I'm leaving it. | 0:21:33 | 0:21:35 | |
Jonathan, who's still in Southport, is on the hunt for another bargain. | 0:21:35 | 0:21:42 | |
They may interest you, these perfume bottles. | 0:21:42 | 0:21:45 | |
They always do well in auction. | 0:21:45 | 0:21:47 | |
Oh, I didn't see those. | 0:21:47 | 0:21:49 | |
Coty. So it's Chypre de Coty. | 0:21:49 | 0:21:53 | |
The French company Coty has been in business for more than 100 years | 0:21:53 | 0:21:59 | |
and built its success on offering perfume, then considered a luxury | 0:21:59 | 0:22:03 | |
product, to the mass market. | 0:22:03 | 0:22:05 | |
Because these would be around the '30s. | 0:22:05 | 0:22:08 | |
Yes, I would imagine the '30s. | 0:22:08 | 0:22:10 | |
-Still smells nice. -It does, actually. How much is this? | 0:22:15 | 0:22:18 | |
I could let you have that for £40. | 0:22:18 | 0:22:21 | |
-I think it's certainly... You can see there was one in the middle. -Yes. | 0:22:21 | 0:22:25 | |
They most definitely would've had three bottles the same height. | 0:22:25 | 0:22:28 | |
-But then you'd be asking like £150 for something like that. -Yeah. | 0:22:28 | 0:22:32 | |
Time to put those haggling skills | 0:22:32 | 0:22:35 | |
-into practice, Jonathan. -Unless you'll do | 0:22:35 | 0:22:38 | |
the etui and the bottles for £100, | 0:22:39 | 0:22:43 | |
I'll just take the etui. | 0:22:43 | 0:22:46 | |
-OK, we'll do it for £100. Why not? -Yeah, that makes it nice and simple, there you go. -OK. | 0:22:46 | 0:22:50 | |
Great, Jonathan's now bought the draftsman's case and the bottles. | 0:22:50 | 0:22:54 | |
Charles has yet to buy anything. | 0:22:54 | 0:22:59 | |
What we've got here is a tiny... I think it's a spoon tray, isn't it? It is a spoon tray. | 0:22:59 | 0:23:03 | |
Part of the tea ceremony when you'd obviously take your expensive, | 0:23:03 | 0:23:06 | |
exotic, mystical, magical cup of tea or tea ball of tea, | 0:23:06 | 0:23:11 | |
and of course you'd rest your silver spoon in here once you've obviously | 0:23:11 | 0:23:15 | |
stirred the magical formula. | 0:23:15 | 0:23:17 | |
This spoon tray is Chinese and was made around 1700. | 0:23:17 | 0:23:23 | |
We in England didn't discover making porcelain until about 1745 at Bow | 0:23:23 | 0:23:27 | |
and at Chelsea in London and this secret had been the secret of the Chinese | 0:23:27 | 0:23:31 | |
for 1,000 years previous. There we go, that's history, isn't it? | 0:23:31 | 0:23:36 | |
Manufactured probably only 30 years after the Great Fire of London. | 0:23:36 | 0:23:40 | |
Is that your favourite date, Charles? | 0:23:40 | 0:23:42 | |
We're talking ten years after the Great Fire of London, for example. | 0:23:42 | 0:23:46 | |
-Mm-hmm. -To think that this was... | 0:23:46 | 0:23:47 | |
manufactured 50 or so years before the Great Fire of London. | 0:23:47 | 0:23:51 | |
Manufactured probably only 30 years after the Great Fire of London. | 0:23:51 | 0:23:55 | |
If this could talk, | 0:23:55 | 0:23:57 | |
wok it tell us? | 0:23:57 | 0:23:59 | |
It would tell you, Carlos, to get a move on and start spending. | 0:23:59 | 0:24:04 | |
-What's the best price on him, please? -What price on there? -£25 is the asking price. | 0:24:04 | 0:24:08 | |
Very best for you today, £18. | 0:24:08 | 0:24:12 | |
£18, it's history, and you know what, I'll buy it. Thanks for the memories. | 0:24:12 | 0:24:19 | |
Well done, you finally made up your mind about something. | 0:24:19 | 0:24:22 | |
But you still have £241.17 left to spend. Walk tall. | 0:24:22 | 0:24:28 | |
Jonathan, who still has £134.07 left, | 0:24:29 | 0:24:34 | |
has abandoned shopping in favour of some sightseeing. | 0:24:34 | 0:24:38 | |
He's off to Speke Hall in Liverpool and Lisa Downes | 0:24:39 | 0:24:43 | |
is going to show him round. | 0:24:43 | 0:24:44 | |
-Good morning. -Good morning, welcome to Speke Hall. | 0:24:44 | 0:24:47 | |
Thank you very much. What a wonderful place. | 0:24:47 | 0:24:49 | |
This rare Tudor manor house now belongs to the National Trust. | 0:24:49 | 0:24:56 | |
It was built by the Norris family in the 16th century, devout Catholics | 0:24:58 | 0:25:03 | |
who wanted to impress visitors with the grandeur of their home. | 0:25:03 | 0:25:06 | |
William Norris made his fortune as a soldier | 0:25:06 | 0:25:09 | |
and built Speke Hall with money accrued from the spoils of war. | 0:25:09 | 0:25:14 | |
So this is the oak parlour. And you can see the plasterwork ceiling. | 0:25:14 | 0:25:21 | |
-This is the section that has pomegranates and we also have grapes. -Yes. | 0:25:21 | 0:25:24 | |
It's from approximately 1612. | 0:25:24 | 0:25:27 | |
It's very impressive, actually. | 0:25:27 | 0:25:28 | |
-I like the way that some of these are hanging down. -I know. | 0:25:28 | 0:25:31 | |
It makes you want to touch them. | 0:25:31 | 0:25:34 | |
The genealogical over mantle, dating from around 1567, | 0:25:34 | 0:25:39 | |
is the only representation there is of the Norris family. | 0:25:39 | 0:25:43 | |
In the centre is William Norris. | 0:25:43 | 0:25:46 | |
He seems to be surrounded by | 0:25:46 | 0:25:48 | |
an enormous amount of what look like children. | 0:25:48 | 0:25:51 | |
Yes. He had 19 children. | 0:25:51 | 0:25:53 | |
-His first wife died... -I'm not surprised! | 0:25:53 | 0:25:56 | |
..after giving birth to 11 children, | 0:25:56 | 0:25:58 | |
which I don't blame her, for giving up the ghost. | 0:25:58 | 0:26:01 | |
-No, I suppose. -And then his second wife had a further eight children, | 0:26:01 | 0:26:05 | |
-so he had 19 children. -Blimey! | 0:26:05 | 0:26:06 | |
So we like to joke that's why they had to build | 0:26:06 | 0:26:09 | |
extra sections onto the house. | 0:26:09 | 0:26:11 | |
It wasn't just extensions they were building. | 0:26:11 | 0:26:14 | |
The family who lived here remained Catholic | 0:26:14 | 0:26:17 | |
during the reign of Elizabeth I. | 0:26:17 | 0:26:19 | |
It was a dangerous time to be a Catholic then. | 0:26:19 | 0:26:23 | |
Elizabeth had inherited a nation divided by religion. | 0:26:23 | 0:26:26 | |
She protected herself against Catholic radicals, | 0:26:26 | 0:26:30 | |
who doubted her claim to the throne, by persecuting all Catholics. | 0:26:30 | 0:26:35 | |
If discovered, priests and those who sheltered | 0:26:35 | 0:26:39 | |
them were found guilty of treason. | 0:26:39 | 0:26:43 | |
So they had to hide their Catholicism and the priest | 0:26:43 | 0:26:46 | |
hole was where the priest would hide. | 0:26:46 | 0:26:48 | |
Luckily, this house was built during that period | 0:26:48 | 0:26:50 | |
so they incorporated it into the original building of the house, it's not an add-on. | 0:26:50 | 0:26:54 | |
We've just added this so that people can see. | 0:26:54 | 0:26:57 | |
The entrance was originally through a wardrobe in the bedroom. | 0:26:57 | 0:27:01 | |
There's a ladder in here so if you want to go in, you're quite welcome. | 0:27:01 | 0:27:05 | |
This is the entrance. | 0:27:05 | 0:27:06 | |
So this would've been a completely solid wall, panelled. | 0:27:06 | 0:27:09 | |
-And they would have accessed it from this side, not where I've come in here. -Yes. -So you'd go up here? | 0:27:09 | 0:27:14 | |
-You go up the ladder. -Right. | 0:27:14 | 0:27:15 | |
And then around the chimney piece. | 0:27:15 | 0:27:17 | |
On the other side of the chimney piece is a small room. | 0:27:17 | 0:27:21 | |
This is just one of the many priest holes in Speke Hall. | 0:27:21 | 0:27:25 | |
It retains so many of its original | 0:27:25 | 0:27:28 | |
features because the family couldn't afford to modernise it. | 0:27:28 | 0:27:31 | |
So that's good news for us. | 0:27:31 | 0:27:34 | |
Thank you very much. Absolutely beautiful place. | 0:27:34 | 0:27:37 | |
-I'll show you the way. -Thank you. Stunning place. | 0:27:37 | 0:27:40 | |
Jonathan takes it easy, Charles makes one | 0:27:42 | 0:27:45 | |
final dash before the shops shut. | 0:27:45 | 0:27:47 | |
But he still hasn't phoned the auctioneer. | 0:27:47 | 0:27:51 | |
My time is now quite critical, I am panicking, I'm running... | 0:27:51 | 0:27:55 | |
I literally have half an hour to find... | 0:27:55 | 0:27:59 | |
I want three objects and | 0:27:59 | 0:28:01 | |
I'm going back to where it all began, in the Tunnel. | 0:28:01 | 0:28:05 | |
Ah, Paul. What I like in your boutique is the mahogany table. | 0:28:08 | 0:28:15 | |
Nice table, isn't it? Sorry. | 0:28:15 | 0:28:18 | |
That's the table there, Paul, one sec. | 0:28:18 | 0:28:20 | |
I also like that small chair. | 0:28:20 | 0:28:23 | |
Paul, that's the chair there. | 0:28:27 | 0:28:29 | |
All right. | 0:28:29 | 0:28:30 | |
-That's a chair. And the other thing I like is the stool, of course. -Right. | 0:28:30 | 0:28:34 | |
£140. | 0:28:44 | 0:28:46 | |
-140 quid. -£140. | 0:28:46 | 0:28:50 | |
Nice lots, would you do it all in for 120? | 0:28:53 | 0:28:55 | |
-Sold. -Sold, done, deal. 120. Sold. | 0:28:55 | 0:28:58 | |
And he's not done yet. | 0:28:58 | 0:29:00 | |
Keep trotting. | 0:29:00 | 0:29:02 | |
The plan now is coming together. | 0:29:02 | 0:29:04 | |
I've bought three items for £120. | 0:29:04 | 0:29:07 | |
I spent £18 on my Chinese spoon tray, 148. | 0:29:07 | 0:29:11 | |
My last purchase will be the £90 examination table. Hi, Selwyn. | 0:29:11 | 0:29:17 | |
-Oh, hiya. -Here's £90. -Marvellous. | 0:29:17 | 0:29:21 | |
Make sure it's all here. | 0:29:21 | 0:29:23 | |
-OK, marvellous. -And you've saved me. Hopefully... -Hopefully you'll do well with it. | 0:29:23 | 0:29:27 | |
Isn't there something that you've forgotten to do, Charles? | 0:29:30 | 0:29:33 | |
I'm going to give the auctioneer a call, | 0:29:33 | 0:29:35 | |
just to find out obviously what's going to sell well in Runcorn. | 0:29:35 | 0:29:39 | |
So whatever I do, don't bring furniture. | 0:29:39 | 0:29:42 | |
Absolutely not. | 0:29:44 | 0:29:46 | |
Right. | 0:29:51 | 0:29:53 | |
And the only other thing is don't buy oriental ceramics. Fine. | 0:29:53 | 0:29:57 | |
So buy anything apart from oriental ceramics or furniture. | 0:29:57 | 0:30:02 | |
Great. I can't wait. Mr Bain, the auctioneer, said, "Charles, one thing | 0:30:02 | 0:30:07 | |
"you must stay away from, which don't sell at all well, there's two things, | 0:30:07 | 0:30:12 | |
"only two things - oriental ceramics | 0:30:12 | 0:30:16 | |
"and furniture." | 0:30:16 | 0:30:18 | |
And what have I bought? | 0:30:18 | 0:30:20 | |
Four items of furniture and an oriental dish. | 0:30:20 | 0:30:24 | |
I could be in trouble. | 0:30:25 | 0:30:27 | |
I can't believe it. | 0:30:27 | 0:30:29 | |
Oh, I can't bear it, Charles. | 0:30:29 | 0:30:32 | |
Talk about shutting the stable door after the horse has bolted. | 0:30:32 | 0:30:37 | |
Now the buying's over, it's time for our chaps | 0:30:37 | 0:30:41 | |
to show off their purchases. | 0:30:41 | 0:30:43 | |
But have they spent wisely or are they heading for disaster? | 0:30:43 | 0:30:49 | |
-How many bits have you got? -Five. | 0:30:49 | 0:30:51 | |
-No way! -Don't... Who's going to need it? -You may as well start, then. | 0:30:51 | 0:30:56 | |
JP, sometimes you need to think about things, sit back, relax | 0:30:56 | 0:31:00 | |
and have a cure. | 0:31:00 | 0:31:03 | |
-Look at that. What do you think? -Very nice. | 0:31:03 | 0:31:06 | |
What we've got is a very nice, I believe, | 0:31:06 | 0:31:09 | |
early Victorian examination mahogany and leather upholstered table. | 0:31:09 | 0:31:16 | |
It's a niche market. You know, I've gone beyond now just buying the mundane. | 0:31:16 | 0:31:20 | |
-I'm now going to beat you, OK? -What's it worth? | 0:31:20 | 0:31:23 | |
If you've spent more than 100 on it you're going to struggle. | 0:31:23 | 0:31:28 | |
-JP, it cost me £90. -OK. You're the high risk investment, aren't you? -So you like it? | 0:31:28 | 0:31:33 | |
-No, I think it's dreadful! -Get over there, show me yours. -It's dreadful. | 0:31:33 | 0:31:37 | |
Wonderful, artistic bamboo bookcase. | 0:31:37 | 0:31:41 | |
You know what, I really, really don't like it. | 0:31:41 | 0:31:45 | |
Early 20th century, it cost me 15 quid. | 0:31:47 | 0:31:51 | |
£15. I reckon there's at least £25 in that straightaway. | 0:31:51 | 0:31:54 | |
You've been had. Just look at this. | 0:31:54 | 0:31:56 | |
George III, 1765, 1770. | 0:31:56 | 0:32:01 | |
You've got a dished top. | 0:32:01 | 0:32:03 | |
This is very nice. The downside, likely is it's had a repair. | 0:32:03 | 0:32:06 | |
-Correct. -But I reckon that the legs downward are off a different table. | 0:32:06 | 0:32:10 | |
-Do you really? -Yeah. -It cost me £60. I think it's a great table. | 0:32:10 | 0:32:14 | |
All right, your turn. | 0:32:14 | 0:32:16 | |
-I'm going to take your table, OK, and I'm going to put the wind up your sails here. -Oh, God. That's too good. | 0:32:16 | 0:32:24 | |
Oh, you... | 0:32:24 | 0:32:26 | |
You're a plonker, that's what you are. You're a plonker, JP. | 0:32:26 | 0:32:29 | |
It's shagreen, isn't it? | 0:32:29 | 0:32:31 | |
It's around 1790, 1780. | 0:32:31 | 0:32:33 | |
Yep, 1790, I reckon. | 0:32:33 | 0:32:35 | |
Is it an etui inside? Oh, don't you dare. | 0:32:35 | 0:32:38 | |
-Draughtsman's tools. -Oh, dear, dear, dear. | 0:32:38 | 0:32:40 | |
It's too good. | 0:32:40 | 0:32:42 | |
What did it cost you? | 0:32:42 | 0:32:44 | |
£70. | 0:32:44 | 0:32:45 | |
Oh, you're joking. You've done it with that. | 0:32:45 | 0:32:49 | |
Look at that nice chair. | 0:32:49 | 0:32:53 | |
-The auctioneer said, "OK, best to avoid furniture." -This chair is 1830. | 0:32:53 | 0:32:57 | |
This chair's 180 years old. And OK, you'll pick up the leg being broken. | 0:32:57 | 0:33:02 | |
You might get 25 quid for it. | 0:33:02 | 0:33:04 | |
It cost me £20. I'm speculating. | 0:33:04 | 0:33:06 | |
That's nice, isn't it? | 0:33:06 | 0:33:08 | |
Period, what? 1925? | 0:33:08 | 0:33:11 | |
I just love those little tops. It's just so Lalique | 0:33:11 | 0:33:15 | |
with that sort of bramble pattern, residue of a bit of a coloured paste on it. | 0:33:15 | 0:33:18 | |
I quite like it because these are highly popular. | 0:33:18 | 0:33:21 | |
I reckon it cost you £25. | 0:33:21 | 0:33:24 | |
-30. -Good. So, you know, to compound | 0:33:24 | 0:33:27 | |
your abuse of my furniture, I phoned the auctioneer, I just | 0:33:27 | 0:33:31 | |
thought I'd get ahead, have a little chat, see what he was telling me. | 0:33:31 | 0:33:35 | |
Really I should have called him the day before, but I forgot. | 0:33:35 | 0:33:39 | |
"Charles, stay away from two things." | 0:33:39 | 0:33:41 | |
He said, "We have no furniture buyers". | 0:33:41 | 0:33:43 | |
I said, "Well, hopefully my commercial eye will outweigh your furniture buyers". | 0:33:43 | 0:33:47 | |
He then said, "Charles, stay away from Chinese porcelain. | 0:33:47 | 0:33:50 | |
"We have no buyers." So just to add on interest | 0:33:50 | 0:33:57 | |
I bought a very, very nice Chinese porcelain | 0:33:57 | 0:34:02 | |
spoon bowl. Look at that. That, JP, is Chinese and dates to around | 0:34:02 | 0:34:08 | |
-anything from 1690 to about 1730. -It does amaze me, I must say. | 0:34:08 | 0:34:14 | |
It is big money. It can be really big money now. | 0:34:14 | 0:34:17 | |
-It cost me £18. -18? -18. | 0:34:17 | 0:34:19 | |
OK. I think that's all right, actually. | 0:34:19 | 0:34:22 | |
I just rate it, JP. | 0:34:22 | 0:34:24 | |
This is the thing that may redeem all your purchases. | 0:34:27 | 0:34:31 | |
It could make you money on the end of this one. | 0:34:31 | 0:34:34 | |
It's got that sort of regional, tribal feel. | 0:34:34 | 0:34:37 | |
It's an Ashanti table, African. | 0:34:37 | 0:34:39 | |
It's circa 1900, so we're going back | 0:34:39 | 0:34:41 | |
to the Boer War days and all of that. What did it cost me? | 0:34:41 | 0:34:45 | |
It cost you £35. | 0:34:45 | 0:34:48 | |
You're not far off, plus five pounds makes 40. Cost me £40. | 0:34:48 | 0:34:52 | |
The race is between these two. These are the two. | 0:34:52 | 0:34:55 | |
Absolutely. | 0:34:55 | 0:34:57 | |
But how honest have our chaps actually been with one another? | 0:34:57 | 0:35:02 | |
Charlie's purchases, crikey... | 0:35:02 | 0:35:04 | |
I think with regard to the bamboo cabinet, I wouldn't touch it. | 0:35:07 | 0:35:11 | |
I'm just hoping up here it won't do very well. | 0:35:11 | 0:35:14 | |
I think that bench is going to crash and burn, I really do. | 0:35:14 | 0:35:19 | |
My goodness me. Jonathan Pratt has bought one beauty. | 0:35:19 | 0:35:22 | |
That's the etui. His blew me away. That's life. You win some, you lose some. | 0:35:22 | 0:35:27 | |
But has he blown you away? | 0:35:27 | 0:35:29 | |
Only time will tell. | 0:35:29 | 0:35:31 | |
It's been a most enjoyable road trip. | 0:35:36 | 0:35:39 | |
Our two chaps started off in bustling Liverpool and stopped off | 0:35:39 | 0:35:43 | |
in scenic Southport. | 0:35:43 | 0:35:45 | |
Today Charles and Jonathan are | 0:35:45 | 0:35:46 | |
rolling in to Runcorn for auction day. | 0:35:46 | 0:35:50 | |
OK, well done. | 0:35:52 | 0:35:54 | |
This is where it happens. | 0:35:54 | 0:35:56 | |
This is where | 0:35:56 | 0:35:58 | |
the theatre of dreams begin. | 0:35:58 | 0:36:01 | |
Where does he get these lines from? | 0:36:01 | 0:36:04 | |
Lloyd Cameron And Partners | 0:36:04 | 0:36:06 | |
are one of Cheshire's leading auction houses. | 0:36:06 | 0:36:09 | |
Auctioneer Michael Bain | 0:36:11 | 0:36:13 | |
dabbled in antiques before he set up the business just four years ago. | 0:36:13 | 0:36:18 | |
He firmly believes that quality sells, so how well | 0:36:18 | 0:36:22 | |
does he think our chaps will fare? | 0:36:22 | 0:36:25 | |
It's described as a Chinese spoon rest. | 0:36:25 | 0:36:29 | |
It's not the sort of thing that I can see doing very | 0:36:29 | 0:36:32 | |
well at our auction. The next item is one of my favourites, actually. | 0:36:32 | 0:36:36 | |
It's shagreen covered, silver mounted, it's in very good condition. | 0:36:36 | 0:36:40 | |
This is probably a really good purchase and should do well. | 0:36:40 | 0:36:43 | |
Now we come to Charles' star lot. | 0:36:43 | 0:36:45 | |
I did look at past auction results for doctors' examination couches. | 0:36:45 | 0:36:50 | |
They tend to fetch something like £10-20 on a good day. | 0:36:50 | 0:36:55 | |
Oh, dear, Charles. Let's hope he's wrong. | 0:36:55 | 0:36:58 | |
The auction is about to begin and the tension is palpable. | 0:37:00 | 0:37:04 | |
First up is Charles' William IV | 0:37:06 | 0:37:08 | |
mahogany chair, which cost a trifling £20. | 0:37:08 | 0:37:11 | |
Up she goes. That's the one there. | 0:37:11 | 0:37:14 | |
Start me at 20. | 0:37:14 | 0:37:15 | |
20 I'm bid, thank you. 22 over there. | 0:37:15 | 0:37:18 | |
25, 28, 30, | 0:37:18 | 0:37:20 | |
32, 35, are we all in at 35? | 0:37:20 | 0:37:24 | |
Selling at 35... | 0:37:24 | 0:37:25 | |
Not bad, Charles. Not bad at all. Who says furniture doesn't sell? | 0:37:25 | 0:37:31 | |
I have confidence, as I said. | 0:37:31 | 0:37:34 | |
Next is the bamboo bookcase. | 0:37:35 | 0:37:37 | |
Charles didn't like it, but what will the bidders think? | 0:37:37 | 0:37:39 | |
£30 to start me. | 0:37:39 | 0:37:41 | |
-Steady. Steady. -Come on. | 0:37:41 | 0:37:43 | |
Start me at 10, then. 10. | 0:37:43 | 0:37:46 | |
A tenner I've got. | 0:37:46 | 0:37:47 | |
£12 next. | 0:37:47 | 0:37:48 | |
12 over there. 15. 18. | 0:37:48 | 0:37:51 | |
20. £20. Anyone else joining in? | 0:37:51 | 0:37:56 | |
Selling at 20... | 0:37:56 | 0:37:58 | |
And that's one up to you, Jonathan. | 0:38:00 | 0:38:04 | |
A small profit after commission, but a profit nevertheless. | 0:38:04 | 0:38:09 | |
-That's a £1.50 profit for me. -That's OK. | 0:38:09 | 0:38:11 | |
Can Charles prove the auctioneer wrong once again | 0:38:13 | 0:38:16 | |
with his George III tripod table? | 0:38:16 | 0:38:19 | |
£50, it's got to be worth £50. | 0:38:19 | 0:38:22 | |
55, 60, 65, 70 with the lady. | 0:38:22 | 0:38:28 | |
75 at the back, thank you, sir. 80. | 0:38:28 | 0:38:31 | |
85, keep it going. 90. | 0:38:31 | 0:38:34 | |
Selling at 90, then. | 0:38:34 | 0:38:36 | |
-Good auctioneer. -Well done, Charlie. | 0:38:36 | 0:38:38 | |
-I'm pleased. -And that's another handsome profit for you, Mr Hanson. | 0:38:38 | 0:38:42 | |
Will this be third time lucky for Charles with his £90 couch? | 0:38:42 | 0:38:46 | |
Or will he, as Jonathan thinks, crash and burn? | 0:38:48 | 0:38:51 | |
This is a star lot, I suppose. | 0:38:51 | 0:38:54 | |
Quite right, well said. | 0:38:54 | 0:38:56 | |
Start me at £80. 80 anywhere? | 0:38:56 | 0:38:58 | |
Start me at 50, then. | 0:38:58 | 0:39:00 | |
-Come on, it's worth 50. -No, it's not. | 0:39:00 | 0:39:03 | |
30, if you wish. | 0:39:03 | 0:39:04 | |
30 I've got, 30 I've got. | 0:39:04 | 0:39:07 | |
-Oh, dear. -They're all looking at the floor. | 0:39:07 | 0:39:09 | |
I'm going to lie down. | 0:39:09 | 0:39:10 | |
I need a lie down. | 0:39:10 | 0:39:12 | |
-30 I've got. Last chance. -Please. -32. -Thank you. | 0:39:12 | 0:39:16 | |
-40, 42, 45, 48. What do you mean, "No"? Let's keep it going. -Come on. | 0:39:16 | 0:39:23 | |
50 with the lady. | 0:39:23 | 0:39:25 | |
55, 60, | 0:39:25 | 0:39:27 | |
60 I've got. | 0:39:27 | 0:39:29 | |
There, you see, 60. It's yours, madam. | 0:39:29 | 0:39:31 | |
Ouch! Charles, that's completely wiped out your profit on the | 0:39:33 | 0:39:36 | |
tea table. Quick, take some tablets. | 0:39:36 | 0:39:39 | |
I don't think I should've bought it. | 0:39:39 | 0:39:42 | |
After Charles' poor showing, Jonathan's hoping for the sweet | 0:39:42 | 0:39:45 | |
smell of success | 0:39:45 | 0:39:47 | |
with his Coty perfume bottles. | 0:39:47 | 0:39:49 | |
20 I'm bid. Thank you, madam. 20 I've got. We're away. | 0:39:49 | 0:39:52 | |
22 in the corner. 25. 28. | 0:39:52 | 0:39:55 | |
30. 32. 35. 38. | 0:39:55 | 0:39:59 | |
That was a bid, yes. | 0:39:59 | 0:40:00 | |
40. I'm on a roll. 40 I've got. | 0:40:00 | 0:40:03 | |
Are you sure, at £40, all done? | 0:40:03 | 0:40:05 | |
-That's £10. -It is £10. | 0:40:05 | 0:40:08 | |
And that's another small profit for Jonathan. | 0:40:08 | 0:40:12 | |
Next up, Charles' Ashanti stool, which he's counting on. | 0:40:14 | 0:40:17 | |
And even Jonathan thinks it could do well. | 0:40:17 | 0:40:20 | |
My stool. What do you think? | 0:40:20 | 0:40:22 | |
-No chance. -He says no chance. | 0:40:22 | 0:40:25 | |
Interesting thing. | 0:40:25 | 0:40:26 | |
30? Start me at 20, then. | 0:40:26 | 0:40:28 | |
-Don't all rush at once. -Can't believe this. | 0:40:28 | 0:40:30 | |
Start me at 10, then. 10 I'm bid over here. 12 there. | 0:40:30 | 0:40:33 | |
15 over there. 18 there. | 0:40:33 | 0:40:35 | |
-He'll carry it to the car for you. -I'll carry it to the car for you. | 0:40:35 | 0:40:38 | |
£18. Last chance, selling at 18... | 0:40:38 | 0:40:41 | |
Oh, no. | 0:40:41 | 0:40:44 | |
-£18. -And that's Charles' second loss of the day. | 0:40:44 | 0:40:48 | |
But can Charles redeem himself with his rare Chinese spoon rest, | 0:40:50 | 0:40:54 | |
despite the auctioneer telling him not to buy Chinese porcelain? | 0:40:54 | 0:40:59 | |
Start me at 30, then. | 0:40:59 | 0:41:00 | |
30 bid. 30 I have. | 0:41:00 | 0:41:01 | |
32 there, 35. | 0:41:01 | 0:41:04 | |
38. 40. | 0:41:04 | 0:41:06 | |
42 over there. 45. You have competition. | 0:41:06 | 0:41:09 | |
48. 50. | 0:41:09 | 0:41:11 | |
50 at the front, then. Are we all done at £50? | 0:41:11 | 0:41:14 | |
Selling at 50... | 0:41:14 | 0:41:16 | |
-Thank you very much. -Well played. -And there's nothing wrong | 0:41:16 | 0:41:20 | |
with that profit. | 0:41:20 | 0:41:22 | |
Now it's Jonathan's etui case. | 0:41:22 | 0:41:24 | |
He bought it for £70 and thinks it is worth four times that. | 0:41:24 | 0:41:30 | |
But is that just wishful thinking? | 0:41:30 | 0:41:32 | |
-Here we go. -Are you nervous? | 0:41:32 | 0:41:34 | |
I'm very, very nervous. | 0:41:34 | 0:41:36 | |
110. 120. 130. 140. | 0:41:36 | 0:41:40 | |
150. 160. 170. 180. | 0:41:40 | 0:41:44 | |
190. 200. 210. 200... | 0:41:44 | 0:41:47 | |
-Keep going, keep going, keep going. -Who's not bid yet today? | 0:41:47 | 0:41:51 | |
Stick your hand up, someone! | 0:41:51 | 0:41:52 | |
200 over here. 210, new bidder. | 0:41:52 | 0:41:56 | |
220. 230. 240. | 0:41:56 | 0:41:59 | |
250. 260. All done at 260? | 0:41:59 | 0:42:03 | |
-Get in there! -Well played. Brilliant. Well played. | 0:42:04 | 0:42:06 | |
And that's a staggering profit of £190, | 0:42:08 | 0:42:12 | |
the biggest of the week so far, propelling Jonathan into the lead. | 0:42:12 | 0:42:16 | |
30. 32. 35. 38... | 0:42:16 | 0:42:18 | |
A jubilant Jonathan started today's show with £249.07. | 0:42:18 | 0:42:24 | |
After paying the auctioneer's commission, he's made a substantial | 0:42:24 | 0:42:28 | |
profit of £148.61 and takes | 0:42:28 | 0:42:31 | |
£397.68 forward to tomorrow's show. | 0:42:31 | 0:42:36 | |
Charles certainly paid for not calling the auctioneer earlier. | 0:42:42 | 0:42:47 | |
He started today's show with £259.17. | 0:42:47 | 0:42:51 | |
He made a loss of £19.59 after commission and takes | 0:42:51 | 0:42:56 | |
£239.58 forward to tomorrow's show. | 0:42:56 | 0:43:01 | |
But your etui completely ruined my day for the right reasons. | 0:43:01 | 0:43:05 | |
Jonathan has now taken a commanding lead. | 0:43:08 | 0:43:10 | |
But with two more days to go, | 0:43:10 | 0:43:12 | |
there's still everything to play for. | 0:43:12 | 0:43:14 | |
Tomorrow, for Jonathan, it's no more Mr Nice Guy. | 0:43:16 | 0:43:19 | |
I'm going to put it back in unless you say £75. | 0:43:19 | 0:43:22 | |
While Charles tries out some new moves. | 0:43:22 | 0:43:25 | |
It's hands around like that. | 0:43:25 | 0:43:27 | |
I may just, say... | 0:43:27 | 0:43:30 | |
-And they both find time for a bit of R'n'R. -And that's a goal! | 0:43:30 | 0:43:35 | |
And that's Hanson one, Pratt nil. | 0:43:35 | 0:43:37 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:53 |