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The nation's favourite antiques experts, | 0:00:01 | 0:00:04 | |
-£200 each and one big challenge. -Testing, testing! | 0:00:04 | 0:00:07 | |
Who can make the most money buying and selling antiques | 0:00:07 | 0:00:10 | |
as they scour the UK? | 0:00:10 | 0:00:11 | |
Do you want to sit down? | 0:00:11 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:18 | |
It's not as easy as it sounds and there can only be one winner! | 0:00:18 | 0:00:20 | |
No! No, no. Don't listen! Don't listen! | 0:00:20 | 0:00:23 | |
So, will it be the highway to success or the B-road to bankruptcy? | 0:00:23 | 0:00:26 | |
-£30 isn't going to buy it, is it? -I'm afraid not. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:30 | |
This week, two of our favourite antiques, | 0:00:36 | 0:00:38 | |
Charlie Ross and Mark Stacey, and their '65 Pagoda | 0:00:38 | 0:00:42 | |
are travelling from Bridgnorth in the Midlands to Wales, | 0:00:42 | 0:00:45 | |
then on to Chippenham in Wiltshire. | 0:00:45 | 0:00:48 | |
Along the way, they've discovered many a bargain... | 0:00:48 | 0:00:51 | |
I've already bought that chair. You can't have it, my friend. | 0:00:51 | 0:00:55 | |
Get it out of here! | 0:00:55 | 0:00:56 | |
..and endured many a crushing blow. | 0:00:56 | 0:00:58 | |
-You've lost a little bit. -Yeah. -Isn't that awful(!) | 0:00:58 | 0:01:01 | |
But now, they're about to take it to the limit one more time. | 0:01:01 | 0:01:06 | |
Charlie Ross is a respected auctioneer | 0:01:08 | 0:01:10 | |
and often donates his skills to charity. | 0:01:10 | 0:01:13 | |
Amongst his many successes, he can even boast a 15 million sale of Jimi Hendrix songs. | 0:01:14 | 0:01:20 | |
Thank you very much. | 0:01:20 | 0:01:21 | |
Bad luck. | 0:01:21 | 0:01:23 | |
Mind you, on this show, his returns are a little lower. | 0:01:23 | 0:01:26 | |
I reckon it's about £3 profit! | 0:01:26 | 0:01:29 | |
Meanwhile, Mark Stacey has a quarter of a century in the business, | 0:01:29 | 0:01:32 | |
having worked as an auctioneer, a dealer and a valuer. | 0:01:32 | 0:01:35 | |
Though, on this leg of the journey, what he really wants people to know is he's also from...Wales. | 0:01:35 | 0:01:41 | |
-We're fighting for the land of our fathers, here. -Righty-o! | 0:01:41 | 0:01:44 | |
And something we're hearing... | 0:01:44 | 0:01:46 | |
let's see now... about every five minutes. | 0:01:46 | 0:01:48 | |
I'm sure that she's the sort of person that will support a fellow Welshman. | 0:01:48 | 0:01:53 | |
I do come from this part of the world, as you know. | 0:01:53 | 0:01:56 | |
Having arrived in Wales, today's leg of the journey | 0:01:56 | 0:01:59 | |
will take us from the market town of Cowbridge, | 0:01:59 | 0:02:01 | |
right through to the capital city, Cardiff. | 0:02:01 | 0:02:04 | |
Final destination, the Chippenham Auction Rooms, | 0:02:04 | 0:02:07 | |
for the boys' ultimate showdown. | 0:02:07 | 0:02:09 | |
-It's our last auction. -I'm feeling rather sad. | 0:02:09 | 0:02:12 | |
-The end is in sight, isn't it? -It is! | 0:02:12 | 0:02:14 | |
But let's recap. | 0:02:14 | 0:02:16 | |
They started the week with £200 each | 0:02:16 | 0:02:18 | |
and, so far, Mark has more than doubled his money, | 0:02:18 | 0:02:21 | |
giving him a total of £404.54 and, as we all know now, he's a Welshman in Wales. | 0:02:21 | 0:02:27 | |
Will he use this to his advantage? | 0:02:27 | 0:02:30 | |
-My father was a coal miner, you know. -What do you think, boyo? | 0:02:30 | 0:02:33 | |
Charlie, on the other hand, is an Englishman trailing dangerously behind. | 0:02:33 | 0:02:37 | |
After a week of many lows, and the odd high, | 0:02:37 | 0:02:40 | |
he has just £286.80, so this leg is his last chance. | 0:02:40 | 0:02:46 | |
-Well, profit, that's the name of the game, Charlie. -Absolutely! | 0:02:46 | 0:02:49 | |
Round five begins in Cowbridge, | 0:02:49 | 0:02:52 | |
a picture-skew little town in the Vale of Glamorgan, | 0:02:52 | 0:02:55 | |
which is built on the site of a Roman settlement, | 0:02:55 | 0:02:58 | |
dating back to the first century. | 0:02:58 | 0:03:01 | |
Remember, I'm part of the land of their fathers. | 0:03:01 | 0:03:05 | |
Today, Cowbridge is affectionately known as "The Bond Street of Wales". | 0:03:06 | 0:03:11 | |
But first, Charlie and Mark want to try their luck at the local car-boot sale. | 0:03:11 | 0:03:15 | |
I know how you like a boot fair. | 0:03:15 | 0:03:16 | |
Actually, I'm not a boot fair person. | 0:03:16 | 0:03:18 | |
-Oh, but it's your sort of quality. -Oh! Now...! | 0:03:18 | 0:03:21 | |
Ooh! Only problem is, the real bargains were snapped up | 0:03:23 | 0:03:27 | |
about two hours ago, while our experts were fast asleep at the hotel. | 0:03:27 | 0:03:31 | |
Still, if anyone can spot an opportunity, it's you-know-who. | 0:03:31 | 0:03:35 | |
Oh, look, it's an original Vincent Van Gogh Sunflowers here in Cowbridge. | 0:03:35 | 0:03:39 | |
Can you believe it? | 0:03:39 | 0:03:41 | |
I reckon that's worth about £20 million. | 0:03:41 | 0:03:43 | |
If I can get that for about 50p, | 0:03:43 | 0:03:44 | |
I think I might have beaten Charlie Ross, don't you?(!) | 0:03:44 | 0:03:47 | |
And if you think that reeks of desperation, | 0:03:47 | 0:03:50 | |
take a look at Charlie in action. | 0:03:50 | 0:03:51 | |
-Oh, that's old! -Yeah, take it. | 0:03:51 | 0:03:53 | |
-You can't get rid of it? -No. | 0:03:53 | 0:03:55 | |
How much do you want for it? £1? | 0:03:55 | 0:03:57 | |
-£30. -£30! -Go on. -Oh, come on! | 0:03:57 | 0:04:00 | |
Thanks to the Industrial Revolution, items such as this | 0:04:01 | 0:04:04 | |
could suddenly be mass produced so, throughout the 19th century, | 0:04:04 | 0:04:09 | |
the Victorian cast-iron fireplace became incredibly popular everywhere. | 0:04:09 | 0:04:13 | |
Lovely shell backplate! | 0:04:13 | 0:04:16 | |
Today, it's still popular, but is it worth £30? | 0:04:16 | 0:04:20 | |
That's absolutely extortionate, isn't it, madam? | 0:04:20 | 0:04:23 | |
Would you take a fiver for it? | 0:04:23 | 0:04:24 | |
-No! -Are you sure? -No. | 0:04:24 | 0:04:27 | |
I'm really quite interested in it. | 0:04:27 | 0:04:28 | |
Am I the first person to ask? | 0:04:28 | 0:04:30 | |
No, no. It's gone down in price. | 0:04:30 | 0:04:32 | |
-What did it start at? -It started at £50. | 0:04:32 | 0:04:34 | |
Tell you what, I'll see you an hour later, it'll be a fiver. | 0:04:34 | 0:04:36 | |
Or, failing that... | 0:04:36 | 0:04:38 | |
-Would you take a tenner? -I can't! | 0:04:38 | 0:04:41 | |
Come on, Charlie, give her another fiver. | 0:04:41 | 0:04:43 | |
-£15, yeah. -£15, yes? | 0:04:43 | 0:04:44 | |
I'll have that! | 0:04:44 | 0:04:46 | |
Have you got a fiver for me? I'll pick it up later. | 0:04:46 | 0:04:49 | |
While Charlie's off to an interesting start, | 0:04:49 | 0:04:52 | |
Mark's forgotten the auction completely and is buying himself a little something. | 0:04:52 | 0:04:56 | |
Oh, some boxer shorts. | 0:04:56 | 0:04:58 | |
"An amusing Santa Surprise." | 0:04:58 | 0:05:01 | |
-Well, we all need a Santa Surprise at Christmas, don't we? -Absolutely! | 0:05:01 | 0:05:04 | |
These fashionable knickers also come with their very own jungle bells. | 0:05:04 | 0:05:10 | |
Oh, the bells can be removed, apparently. | 0:05:10 | 0:05:13 | |
-How much are they? -50p. | 0:05:13 | 0:05:14 | |
There we are. Well, I'll keep them for Christmas. | 0:05:14 | 0:05:17 | |
Moral of the story? | 0:05:17 | 0:05:18 | |
Thank you very much. | 0:05:18 | 0:05:20 | |
If Mark Stacey invites you to a Christmas soiree, run. | 0:05:20 | 0:05:24 | |
And if Charlie's doing the music, run even faster. | 0:05:24 | 0:05:27 | |
HE PLAYS TUNELESSLY | 0:05:27 | 0:05:30 | |
Sorry! | 0:05:30 | 0:05:32 | |
-Lovely! -Works well, doesn't it? -It does! | 0:05:32 | 0:05:34 | |
But while the pickings are slim in the final minutes | 0:05:34 | 0:05:36 | |
of the Cowbridge car-boot sale, Mark has managed to spot something with his name on it. | 0:05:36 | 0:05:41 | |
Where did you get them from? | 0:05:41 | 0:05:43 | |
They're just in the family, been handed down. What would they be made of? | 0:05:43 | 0:05:46 | |
These are just nickel. They're very light, you see. | 0:05:46 | 0:05:49 | |
There's not even...um, I don't think there's any silver content. | 0:05:49 | 0:05:53 | |
Medals often attract strong interest at auction but the big money | 0:05:53 | 0:05:58 | |
is for military medals, which can be linked back to a particular battle. | 0:05:58 | 0:06:02 | |
These, on the other hand, are simply ceremonial | 0:06:02 | 0:06:05 | |
and they're worth a lot less. | 0:06:05 | 0:06:06 | |
What were you hoping to get for them? | 0:06:06 | 0:06:08 | |
-£25? -£25?! -Yeah. | 0:06:08 | 0:06:10 | |
There's no harm in hoping, is there? | 0:06:11 | 0:06:13 | |
-Well, what do you reckon, then? -Well, a lot less than that. | 0:06:13 | 0:06:16 | |
-£20. -No! I said, "a lot less!" | 0:06:16 | 0:06:19 | |
Looking to do anything for a good price, | 0:06:20 | 0:06:23 | |
Mark starts as he means to go on. | 0:06:23 | 0:06:25 | |
Bearing in mind, I do have to beat that Englishman... | 0:06:25 | 0:06:29 | |
-Well, now you're talking. They'll come right down, now. -Yes. | 0:06:29 | 0:06:31 | |
-A fiver for the three? -Tenner. | 0:06:31 | 0:06:34 | |
-Eight. Cash. -£9.50. -£8.50, you've got a deal. | 0:06:34 | 0:06:39 | |
I'm not going to argue over 50p. | 0:06:39 | 0:06:40 | |
Three medals for £8.50. | 0:06:40 | 0:06:42 | |
Do you know, Charlie, I sniff a profit, there. | 0:06:42 | 0:06:44 | |
So, today, we've learned - A, it pays to be local, | 0:06:44 | 0:06:49 | |
and B, that it wasn't a good day to have a cheeky lie-in. | 0:06:49 | 0:06:52 | |
I did try knocking on your door but you were dead to the world. | 0:06:52 | 0:06:55 | |
I was, I was asleep. I'm now regretting it. | 0:06:55 | 0:06:57 | |
Yes, I know. The snoring kept me awake half the night! | 0:06:57 | 0:07:00 | |
And I was in the next room. | 0:07:00 | 0:07:01 | |
Right, then. Let's see how the boys fare on the high street. | 0:07:01 | 0:07:05 | |
Mark's first stop is the local antique centre | 0:07:07 | 0:07:09 | |
and, immediately, something special has caught his eye. | 0:07:09 | 0:07:12 | |
Well, I've found a lovely pair of pottery vases here. | 0:07:12 | 0:07:17 | |
I mean, they're Wedgwood type, with this jasper ware. | 0:07:17 | 0:07:21 | |
Jasper ware was first developed by Josiah Wedgwood in the 1770s, | 0:07:21 | 0:07:25 | |
taking thousands of trials to perfect. | 0:07:25 | 0:07:28 | |
Today, it's a classic and is still very much in production. | 0:07:28 | 0:07:32 | |
As for its name, this was inspired by the resemblance to the mineral, jasper, | 0:07:32 | 0:07:36 | |
an opaque form of quartz. | 0:07:36 | 0:07:39 | |
Now, judging by the imagery on these vases | 0:07:39 | 0:07:40 | |
and the direct references to Nelson, they commemorate | 0:07:40 | 0:07:44 | |
the Battle of Trafalgar and could be early 19th century. | 0:07:44 | 0:07:48 | |
I have a feeling that they're going to be beyond our budget | 0:07:48 | 0:07:53 | |
but they are charming. | 0:07:53 | 0:07:54 | |
So let's meet the Welshman's next opponent. They call him...John. | 0:07:54 | 0:07:59 | |
The lowest. | 0:07:59 | 0:08:01 | |
-Death! As David Harper would say. -Death! | 0:08:01 | 0:08:03 | |
MOCK CHOKING | 0:08:03 | 0:08:05 | |
-My cost back, £145. -DRAMATIC MUSIC PLAYS | 0:08:05 | 0:08:09 | |
£145?! Go easy, Mark, he's a pensioner! | 0:08:09 | 0:08:13 | |
It's a bit cheeky, really, of me, is to say... | 0:08:13 | 0:08:15 | |
-You can be as cheeky as you like. I will give you three answers. -Yes? | 0:08:15 | 0:08:19 | |
"No", "Yes" and "Go away!" | 0:08:19 | 0:08:23 | |
Oh, well, I don't want the latter one! | 0:08:23 | 0:08:25 | |
Because I have to keep my end up, as it were... | 0:08:25 | 0:08:28 | |
That is why I have offered them to you at a wholesale, discounted price! | 0:08:28 | 0:08:33 | |
I know! I hate this! I hate this! I hate this! | 0:08:33 | 0:08:36 | |
I think, in John, Mark Stacey has finally found his match. This should be good! | 0:08:36 | 0:08:41 | |
Allow us senior citizens to make a little bit of profit! | 0:08:41 | 0:08:45 | |
Oh, no! | 0:08:45 | 0:08:47 | |
Otherwise we can't be here tomorrow when you come again! | 0:08:47 | 0:08:50 | |
I know! I can't compete with this. | 0:08:50 | 0:08:53 | |
-We'll be starved. We'll be in our coffins. -Oh, no! | 0:08:53 | 0:08:57 | |
Well, if it's a sob story John wants, Mark wrote the book. | 0:08:57 | 0:09:00 | |
I think you'd agree with this, John, the market is not like it was. | 0:09:00 | 0:09:03 | |
If we were ten years ago, it would have been different, | 0:09:03 | 0:09:06 | |
because there would have been specialist buyers and collectors out there all the time. | 0:09:06 | 0:09:10 | |
The market for quality has never changed. | 0:09:10 | 0:09:13 | |
Tell you what, you have got a line for everything, John, | 0:09:13 | 0:09:17 | |
and I love you for it. | 0:09:17 | 0:09:19 | |
Here is an opportunity to double your money. | 0:09:19 | 0:09:23 | |
No! No, no. Don't listen, don't listen. Don't listen, Mark! | 0:09:23 | 0:09:27 | |
So, John's standing firm at £145 | 0:09:29 | 0:09:31 | |
and Mark's final act of desperation starts now. | 0:09:31 | 0:09:35 | |
A fellow Welshman, you're a fellow Welshman, you cannot see me | 0:09:35 | 0:09:38 | |
lose against an Englishman. | 0:09:38 | 0:09:40 | |
So, I've got a sum of money in my hand, plus your business card | 0:09:40 | 0:09:44 | |
and I'll promise that I'll tell all my friends, | 0:09:44 | 0:09:47 | |
if they're ever coming to this part of the world, they have to go in and say, | 0:09:47 | 0:09:51 | |
to my new best friend, John, and have a look at your antiques centre. | 0:09:51 | 0:09:55 | |
Oh, gawd. Pass me a bucket. | 0:09:55 | 0:09:57 | |
-I'm afraid, unless it's £145... -I've lost it. -..you've lost it. | 0:09:57 | 0:10:02 | |
As for Charlie, he thinks he's found | 0:10:04 | 0:10:06 | |
a winning formula - buy silver, beat Stacey, which is why, | 0:10:06 | 0:10:09 | |
right now, he's clutching at this Art-Deco silver vase. | 0:10:09 | 0:10:12 | |
Bearing in mind what happened before when I bought a bit of silver, | 0:10:12 | 0:10:15 | |
I had a bit of luck. | 0:10:15 | 0:10:17 | |
At the last auction, it was the silver that wiped the smile | 0:10:18 | 0:10:22 | |
off Mark's face and, of course, gave Charlie his first win of the week. | 0:10:22 | 0:10:26 | |
-That's £55 profit. -You are clawing it back, aren't you? | 0:10:26 | 0:10:31 | |
Are we due, therefore, a repeat performance? | 0:10:31 | 0:10:34 | |
Well, Charlie seems to think so. | 0:10:34 | 0:10:35 | |
It's a good, I should think, 14 inches high, so it's impressive. | 0:10:35 | 0:10:40 | |
It's got a pretty clear hallmark. | 0:10:40 | 0:10:42 | |
I can see it's Chester. People like collecting Chester. | 0:10:42 | 0:10:45 | |
But, don't be fooled. | 0:10:47 | 0:10:48 | |
It is solid silver but with lead in the base to make it more stable. | 0:10:48 | 0:10:53 | |
So, if you're using the scrap weight as an indication of value, | 0:10:54 | 0:10:58 | |
you might be paying too much. | 0:10:58 | 0:11:00 | |
It's got some damage, it's got a little bit of denting. | 0:11:00 | 0:11:04 | |
There's just one fly in the ointment, the price tag, | 0:11:05 | 0:11:09 | |
which reads 135. | 0:11:09 | 0:11:10 | |
Something Charlie's only too happy to ignore. | 0:11:10 | 0:11:13 | |
My brain's thinking, "60?" | 0:11:13 | 0:11:16 | |
May have cost him £100, of course. | 0:11:18 | 0:11:20 | |
And so, with never-ending supply of cheek... | 0:11:20 | 0:11:22 | |
Do you want to sit down? | 0:11:22 | 0:11:24 | |
..Charlie tries it on with the shop's owners, Sue and John. | 0:11:25 | 0:11:28 | |
Do you have carte blanche to kick me out of the shop | 0:11:28 | 0:11:31 | |
-if I make you a rude offer? -I do. | 0:11:31 | 0:11:34 | |
-Would I be the first person you've ever kicked out of your shop? -No. | 0:11:34 | 0:11:38 | |
I'm going to say I'd love to buy it for £60. | 0:11:38 | 0:11:41 | |
We can't, John, can we? | 0:11:41 | 0:11:43 | |
We can't possibly sell it for that. | 0:11:43 | 0:11:45 | |
I can hear the oracle speaking from the inside room, there. | 0:11:45 | 0:11:49 | |
Remember the scrap value of silver, it's... | 0:11:49 | 0:11:51 | |
I certainly wouldn't forget the scrap value, John. | 0:11:51 | 0:11:54 | |
Quite difficult to tell, though, because it's got a lump of lead in the bottom. | 0:11:54 | 0:11:57 | |
-Did you put the lead in the bottom? -I hadn't seen that! -CHARLIE LAUGHS | 0:11:57 | 0:12:02 | |
Would you take £60 for it? | 0:12:02 | 0:12:03 | |
Very, very best price today is going to have to be £70. | 0:12:03 | 0:12:07 | |
That's my very best price. | 0:12:07 | 0:12:10 | |
-Today's special offer is £70? -It is. | 0:12:10 | 0:12:12 | |
-You happy with that in the back, John? -Yes. | 0:12:12 | 0:12:16 | |
-In which case, I shall shake on it. -Good! -Thank you very much, indeed. | 0:12:16 | 0:12:19 | |
That's sweet of you. Wrap away! | 0:12:19 | 0:12:21 | |
While Charlie's obsessed with silver, | 0:12:21 | 0:12:23 | |
Mark's head over heels in love with those jasper ware vases | 0:12:23 | 0:12:27 | |
and has called the auctioneer in Chippenham for a second opinion. | 0:12:27 | 0:12:30 | |
He likes them, he thought the same as me, £200 to £300. | 0:12:30 | 0:12:33 | |
I don't think there's anything I need to worry about, do you? | 0:12:33 | 0:12:36 | |
So, it's a quickish call to John. | 0:12:36 | 0:12:38 | |
I really would like to buy the vases. | 0:12:38 | 0:12:40 | |
I'm just so passionate about them, I don't mind what happens. | 0:12:40 | 0:12:44 | |
And after one more hopeless attempt at negotiation... | 0:12:44 | 0:12:47 | |
And I can't tweak you down at all on that 145, John? | 0:12:47 | 0:12:50 | |
Mark agrees, pay what John's been asking for since the beginning, | 0:12:50 | 0:12:54 | |
145. | 0:12:54 | 0:12:57 | |
Thank you so much, John. | 0:12:57 | 0:12:59 | |
Take care. | 0:12:59 | 0:13:01 | |
Having gotten the better of one of our experts, | 0:13:01 | 0:13:05 | |
now let's see if John can make it two. Charlie Ross has just arrived at the antiques centre | 0:13:05 | 0:13:09 | |
and is about to try a little charm to get a good price on this Victorian sampler. | 0:13:09 | 0:13:14 | |
Anne Davis. Worked, age 16 years, 1882. Adam and Eve. | 0:13:14 | 0:13:19 | |
The oldest surviving English sampler was made by Jane Bostock in 1598 | 0:13:23 | 0:13:26 | |
to celebrate the birth of her cousin, Alice. | 0:13:26 | 0:13:30 | |
What started as a tradition, carried out by grown women, | 0:13:30 | 0:13:34 | |
by the 18th century became an almost compulsory part of a young girl's education. | 0:13:34 | 0:13:39 | |
Today, samplers are highly collectable | 0:13:39 | 0:13:41 | |
but the early examples are, by far, the most valuable. | 0:13:41 | 0:13:44 | |
-Colours are still strong. -Charlie likes what he sees. | 0:13:44 | 0:13:48 | |
As does John. | 0:13:48 | 0:13:50 | |
So, let the dance begin. | 0:13:50 | 0:13:52 | |
How much is said item, sir? | 0:13:52 | 0:13:54 | |
-It's £80. -Is it? | 0:13:54 | 0:13:57 | |
-My £30 isn't going to buy it, is it? -No. | 0:13:57 | 0:14:01 | |
-I'm afraid not. -No. I'm not being rude, by the way. | 0:14:01 | 0:14:03 | |
Well, that's a matter of opinion. | 0:14:03 | 0:14:06 | |
I like it, I don't...I don't pretend not to like it. | 0:14:06 | 0:14:09 | |
I think, at auction, it would probably make £50 or £60. | 0:14:09 | 0:14:13 | |
So, if I pay £80 for it, | 0:14:13 | 0:14:15 | |
that old Stacey's going to really knock me into a cocked hat, isn't he? | 0:14:15 | 0:14:18 | |
I couldn't possibly comment. But if it's a help... | 0:14:18 | 0:14:22 | |
how about £95? | 0:14:22 | 0:14:23 | |
-It's gone up! -Yes. | 0:14:24 | 0:14:26 | |
If I stay here another hour, it could go up to £120! | 0:14:27 | 0:14:31 | |
-Yes. -You're supposed to be going the other way. | 0:14:31 | 0:14:35 | |
-Well, it's to encourage you. -That didn't encourage me at all, it made me run for the door. | 0:14:35 | 0:14:39 | |
But it made you laugh, it made you think about it again. | 0:14:39 | 0:14:42 | |
You're lulling me into a false sense of security. | 0:14:42 | 0:14:45 | |
You will make a more realistic offer. | 0:14:45 | 0:14:48 | |
Charlie knows when he's been beaten and so starts begging. | 0:14:48 | 0:14:51 | |
-It's hard, isn't it? Would you take £50 from me, sir? -Nope! | 0:14:54 | 0:14:58 | |
I will pay £60, if it's any good to you, sir. | 0:14:58 | 0:15:02 | |
-Come up a fiver and I'll do a deal with you. -On £65? | 0:15:02 | 0:15:05 | |
-Yes, I'll do a deal. -Oh, sir. Put your hand there. | 0:15:05 | 0:15:08 | |
Despite everything, then, | 0:15:08 | 0:15:11 | |
Charlie and Mark are still full of their usual bluster. | 0:15:11 | 0:15:15 | |
-I've had such a good day. -Have you? | 0:15:15 | 0:15:17 | |
-Yeah. -Should I be worried? | 0:15:17 | 0:15:20 | |
I think you should be very, very worried! | 0:15:20 | 0:15:22 | |
ENGINE STRUGGLES | 0:15:22 | 0:15:24 | |
-Oh, dear. It's just not their day. -Boot it man, boot it! | 0:15:26 | 0:15:30 | |
ENGINE STRUGGLES | 0:15:30 | 0:15:31 | |
ENGINE ROARS | 0:15:33 | 0:15:36 | |
Get the revs up! | 0:15:36 | 0:15:37 | |
I could do a nice European tour with you in this, old chap. | 0:15:39 | 0:15:42 | |
It would be rather nice, wouldn't it? | 0:15:42 | 0:15:45 | |
With just one day left to outdo each other, | 0:15:48 | 0:15:51 | |
Charlie and Mark waste no time in getting this show on the road. | 0:15:51 | 0:15:55 | |
The next stop, the capital city of Cardiff. | 0:15:55 | 0:15:57 | |
There will be unlimited opportunities in Cardiff. | 0:15:57 | 0:16:01 | |
Perhaps a very good place for Mark to mention he's from Wales. | 0:16:01 | 0:16:04 | |
I do come from this part of the world, as you know. | 0:16:04 | 0:16:07 | |
You're so geographically well-read. | 0:16:07 | 0:16:09 | |
As for Mark's spending on this leg, | 0:16:10 | 0:16:13 | |
he's so far parted with £153.50, most of which was on one item, | 0:16:13 | 0:16:16 | |
those jasper ware vases, leaving him a sizable £251 in the kitty. | 0:16:16 | 0:16:22 | |
Charlie, meanwhile, has spent £150 on the fireplace, | 0:16:24 | 0:16:26 | |
the vase and the sampler, | 0:16:26 | 0:16:28 | |
which leaves the old charmer £136.80 still at his disposal. | 0:16:28 | 0:16:34 | |
-So, I'm right on your heels, Stacey. -You're very close behind me, Charlie. | 0:16:34 | 0:16:38 | |
But, who knows? | 0:16:38 | 0:16:40 | |
A shopping spree in the capital could change everything. | 0:16:40 | 0:16:43 | |
Beside the many antique shops, it's also home to Cardiff Castle and its latest guest | 0:16:43 | 0:16:48 | |
is one Mr Mark Stacey, who's managed to get a free tour from Matthew, the curator. | 0:16:48 | 0:16:55 | |
-There's only one Cardiff Castle. -Absolutely, absolutely. | 0:16:55 | 0:16:57 | |
During its 2,000 years of history, the castle has been a Roman garrison, | 0:16:57 | 0:17:03 | |
a Norman stronghold and the property of Henry VIII. | 0:17:03 | 0:17:07 | |
Then, in Victorian times, it was transformed into what only can be called a gothic fairytale | 0:17:07 | 0:17:12 | |
by its owner, the 3rd Marquess of Bute and his architect, William Burges. | 0:17:12 | 0:17:19 | |
Mark's first stop, the banqueting hall. | 0:17:19 | 0:17:21 | |
HE GASPS | 0:17:21 | 0:17:22 | |
It's quite spectacular, isn't it? | 0:17:22 | 0:17:25 | |
It's amazing. Look at those wonderful colours. | 0:17:25 | 0:17:27 | |
It's the biggest room we've got in Cardiff Castle | 0:17:27 | 0:17:30 | |
and it was actually created by knocking seven bedrooms into one, | 0:17:30 | 0:17:35 | |
just so Lord Bute, who owned the castle, | 0:17:35 | 0:17:37 | |
could have a, sort of, entertaining space for his visitors. | 0:17:37 | 0:17:40 | |
I think it's completely over the top. | 0:17:40 | 0:17:43 | |
-I could live here! -You could? -Yes. -Right, OK, well. | 0:17:43 | 0:17:47 | |
In that case, Mark, you may want to inspect the rest of the house, | 0:17:47 | 0:17:51 | |
starting with the winter smoking room. | 0:17:51 | 0:17:54 | |
Oh, yes. I could come and have a cigarette here. | 0:17:54 | 0:17:57 | |
-No, you can't. We have a strict no-smoking policy! -Not any more. | 0:17:57 | 0:18:00 | |
I'd be thrown in the tower, probably. | 0:18:00 | 0:18:02 | |
But in a smoking room in the 19th century, actually, | 0:18:02 | 0:18:04 | |
it wasn't just cigars and it wasn't just cigarettes or pipe tobacco. | 0:18:04 | 0:18:08 | |
-They smoked opium, as well. -Of course they did, yes. | 0:18:08 | 0:18:11 | |
And with this being a room with many uses, | 0:18:11 | 0:18:14 | |
the architect designed the furniture accordingly. | 0:18:14 | 0:18:17 | |
This is a Burges piece. This is where you kept your wines and spirits and, can you see, | 0:18:17 | 0:18:22 | |
there are all different things there? | 0:18:22 | 0:18:24 | |
There are hops, barley, a vine leaf, | 0:18:24 | 0:18:26 | |
he's sticking out his tongue, he's had too much to drink, | 0:18:26 | 0:18:29 | |
and a beehive, representing mead. | 0:18:29 | 0:18:32 | |
And then there was more wine in there. | 0:18:32 | 0:18:34 | |
It's a big, sliding cellarette that would take 40 bottles of wine. | 0:18:34 | 0:18:39 | |
Then, when you wanted to smoke afterwards, | 0:18:39 | 0:18:41 | |
you have cigar drawers up here. | 0:18:41 | 0:18:44 | |
But all of this is nothing compared with the summer smoking room. | 0:18:45 | 0:18:49 | |
Oh, my good lord! That is amazing! | 0:18:49 | 0:18:53 | |
-I'm speechless, you know. -Well, there's a first then. | 0:18:53 | 0:18:57 | |
Climbing out of the top of the column, | 0:18:57 | 0:18:59 | |
you've got two almost life-size figures of the North Winds. | 0:18:59 | 0:19:02 | |
But, again, the quality of it. | 0:19:02 | 0:19:05 | |
Completely over the top, Matthew, isn't it? Everywhere. | 0:19:05 | 0:19:08 | |
William Burges's friend, Oscar Wilde, said, | 0:19:08 | 0:19:11 | |
"If a thing's worth doing, it's worth doing to excess." | 0:19:11 | 0:19:14 | |
-I think Burges really took it to heart. -He certainly did. | 0:19:14 | 0:19:16 | |
Across town, Charlie is a man on a mission. | 0:19:18 | 0:19:20 | |
-Good afternoon. -Though, by the look of things, | 0:19:20 | 0:19:23 | |
Louis is one shop owner who shouldn't be messed with! | 0:19:23 | 0:19:26 | |
A couple of feet of cold, British steel. | 0:19:26 | 0:19:28 | |
They don't like it up 'em! | 0:19:28 | 0:19:30 | |
THEY LAUGH | 0:19:30 | 0:19:32 | |
But, rather than steel, it's silver Charlie's once again pinning his hopes on. | 0:19:32 | 0:19:36 | |
Aren't they sweet. Knife rests. | 0:19:36 | 0:19:40 | |
If you went out for dinner, in a posh house like Mark Stacey's, | 0:19:40 | 0:19:44 | |
you'd probably have one of these to rest your knife. | 0:19:44 | 0:19:47 | |
Two or three centuries back, it wasn't uncommon | 0:19:47 | 0:19:49 | |
for the gentry to enjoy a meal of up to 12 courses | 0:19:49 | 0:19:53 | |
but only have one knife and fork per person. | 0:19:53 | 0:19:55 | |
Thus, the knife rest was created to save soiling the table. | 0:19:55 | 0:20:00 | |
By the late 19th century, they became more upmarket, looking like this. | 0:20:01 | 0:20:05 | |
They're silver, silver bases. | 0:20:05 | 0:20:07 | |
With very nice gadroon decoration around the edge | 0:20:08 | 0:20:11 | |
and mother-of-pearl rests coming out of them. | 0:20:11 | 0:20:14 | |
They're very high quality. | 0:20:14 | 0:20:17 | |
But are they the sort of thing the average person will be going for? | 0:20:17 | 0:20:20 | |
Probably not. It's something, like me, that just takes your eye. | 0:20:20 | 0:20:25 | |
-I like those. -And so, Charlie scours the store for something else, | 0:20:26 | 0:20:30 | |
only to end up with an item even more obscure, | 0:20:30 | 0:20:34 | |
a set of 12 silver teaspoons with a golfing motif. | 0:20:34 | 0:20:38 | |
Now, I'm slightly concerned about the fact that these aren't in their original box | 0:20:38 | 0:20:43 | |
but there are plenty of people that like golf. | 0:20:43 | 0:20:45 | |
Quick peep at the hallmark. | 0:20:47 | 0:20:48 | |
I can see they're made by Walker & Hall, you don't get a better maker than that, do you? | 0:20:48 | 0:20:52 | |
That's right. | 0:20:52 | 0:20:53 | |
Walker & Hall were established in the mid-1800s | 0:20:53 | 0:20:57 | |
and went on to be one of the biggest manufacturers and retailers of silver | 0:20:57 | 0:21:02 | |
for more than 100 years, with branches as far afield as Cape Town and Australia. | 0:21:02 | 0:21:07 | |
Needless to say, they were renowned for quality | 0:21:07 | 0:21:09 | |
and most of their products, just like this set of teaspoons, were produced in Sheffield. | 0:21:09 | 0:21:15 | |
Would £50 buy those? Cash. | 0:21:15 | 0:21:16 | |
Unfortunately not. I could probably scrap them for more than that! | 0:21:16 | 0:21:21 | |
I'd hate you to do that. | 0:21:21 | 0:21:22 | |
-I'll tell you what I'll do... -Yeah? -..I'll give you a real good deal, I'll do them for £60. | 0:21:22 | 0:21:27 | |
5 x 12 = 60. I can't honestly say no, can I? | 0:21:29 | 0:21:33 | |
And so, with silver being his item du jour, | 0:21:33 | 0:21:36 | |
Mr Ross is going to take these and the knife rests as well. | 0:21:36 | 0:21:41 | |
-I'm going to spend £90 with you, if I may? -That's good. -In real cash. | 0:21:41 | 0:21:46 | |
What concerns me is I'm leaving you to go out with some money left! | 0:21:46 | 0:21:51 | |
Only a smidgen, don't worry. | 0:21:51 | 0:21:53 | |
-I'll buy Mark a drink on the way home. -Oh, right. | 0:21:53 | 0:21:56 | |
If you believe that, you'll believe anything. | 0:21:56 | 0:21:58 | |
Actually, I think Mark may have started drinking already. | 0:21:58 | 0:22:01 | |
He's being strangely nostalgic. | 0:22:01 | 0:22:04 | |
I've just spotted this plate, which really takes me back | 0:22:04 | 0:22:07 | |
to when I was about five years old, just over. | 0:22:07 | 0:22:11 | |
The moon landing of 1969, the Apollo missions. | 0:22:11 | 0:22:15 | |
I remember, huddled around the television set with my family | 0:22:15 | 0:22:18 | |
and we were allowed to watch it live, happening. | 0:22:18 | 0:22:20 | |
It was an amazing time. | 0:22:20 | 0:22:22 | |
Like the vases Mark bought earlier, | 0:22:23 | 0:22:25 | |
this commemorative plate is also jasper ware, | 0:22:25 | 0:22:27 | |
this time, in the range's distinctive colour, Wedgwood Blue. | 0:22:27 | 0:22:31 | |
Still, it sounds like an emotional purchase to me, this. | 0:22:31 | 0:22:34 | |
Where's that old penny-pincher we all know and love? | 0:22:34 | 0:22:37 | |
If it's the right price, of course, my profit's going to skyrocket to the moon. | 0:22:37 | 0:22:42 | |
Ah, there he is. | 0:22:42 | 0:22:44 | |
Now, he's going to work his magic on Rita, | 0:22:44 | 0:22:46 | |
who's acting on behalf of the dealer. | 0:22:46 | 0:22:49 | |
I think it's a really wacky item. | 0:22:49 | 0:22:52 | |
-I've got to sell it at auction, you see. Try and make a profit. -Right. | 0:22:52 | 0:22:56 | |
And it's marked up at £10 and there's a slight rim chip. | 0:22:56 | 0:22:59 | |
It's such a shame, isn't it? | 0:23:01 | 0:23:04 | |
Which, loosely translated, means Mark only wants to pay a fiver at the very most. | 0:23:04 | 0:23:09 | |
Now, you've kindly found out what the best price on this is for me, haven't you? | 0:23:09 | 0:23:13 | |
-Yes. -What is that? -£8. | 0:23:13 | 0:23:16 | |
-£8?! -Cash. -Cash?! | 0:23:18 | 0:23:21 | |
Did you hear this? £8 and she wants cash and it's got a chip and no fish. | 0:23:21 | 0:23:27 | |
-What shall I do? -Buy it. -Oh, you would say that. | 0:23:28 | 0:23:31 | |
While the dealer's nowhere to be found and Rita can't drop | 0:23:31 | 0:23:35 | |
the price any further, Mark still can't help himself. | 0:23:35 | 0:23:39 | |
If only I could phone her | 0:23:40 | 0:23:42 | |
and explain my plight and my dilemma to her. | 0:23:42 | 0:23:45 | |
I'm sure that she's the sort of person that will support a fellow Welshman, | 0:23:45 | 0:23:50 | |
trying to beat an Englishman on this competition, you see. | 0:23:50 | 0:23:54 | |
Now, he's out scurrying around another part of Cardiff, | 0:23:54 | 0:23:57 | |
-possibly, I don't know where, looking for bargains as well. -Right. | 0:23:57 | 0:24:02 | |
I've got to put this into auction, pay all the commissions | 0:24:02 | 0:24:05 | |
and then still make a profit. | 0:24:05 | 0:24:08 | |
Does the profit go to me after all this hard work? No. | 0:24:08 | 0:24:11 | |
It's not fair, is it? It's not fair at all. | 0:24:11 | 0:24:15 | |
Get your hankies ready, here comes the big finish. | 0:24:15 | 0:24:17 | |
This is a stratospheric price we're talking here, madam. | 0:24:17 | 0:24:21 | |
You know, this could be the difference for me | 0:24:21 | 0:24:23 | |
winning the whole week or being shot down to Mars. | 0:24:23 | 0:24:27 | |
And you don't care, you're not giving me any help at all, are you? Thank you very much(!) | 0:24:28 | 0:24:33 | |
After much drama, Mark finally accepts reality. | 0:24:33 | 0:24:37 | |
-£8, you said? -Thank you very much. -£2 change, please. | 0:24:37 | 0:24:40 | |
Not far from this tragic display, on the outskirts of Cardiff, | 0:24:43 | 0:24:46 | |
is Saint Fagan's Natural History Museum, | 0:24:46 | 0:24:48 | |
which endeavours to keep traditional Welsh crafts alive. | 0:24:48 | 0:24:53 | |
Charlie has finished shopping and, with a little time to kill, | 0:24:53 | 0:24:57 | |
Emma is helping him to discover his inner Welshness, | 0:24:57 | 0:25:01 | |
through the very Welsh tradition of love spoons. | 0:25:01 | 0:25:03 | |
-Well, here's the case showing some of our love spoons. -How wonderful! | 0:25:03 | 0:25:08 | |
Simply put, this is a tradition dating back at least 350 years, | 0:25:10 | 0:25:14 | |
whereby boy meets girl, girl likes boy, | 0:25:14 | 0:25:18 | |
boy carves girl a spoon to declare his love. | 0:25:18 | 0:25:20 | |
The more you loved somebody, the more carving you put into it. | 0:25:20 | 0:25:23 | |
I think it is, it shows how much affection would have been thought of towards the girl, | 0:25:23 | 0:25:28 | |
carving possibly her initials and the date | 0:25:28 | 0:25:30 | |
and some symbols which would have meant something to the carver. | 0:25:30 | 0:25:33 | |
So they're all unique. | 0:25:33 | 0:25:35 | |
The oldest surviving Welsh love spoon was carved in 1667, | 0:25:35 | 0:25:40 | |
though judging by its elaborate nature, | 0:25:40 | 0:25:42 | |
it's thought the tradition might go back even further than that. | 0:25:42 | 0:25:46 | |
It seems to me that there's a crown shape at the top. | 0:25:46 | 0:25:49 | |
Any history of royalty being given a love spoon? | 0:25:49 | 0:25:53 | |
Nowadays, you have commissions for spoons. | 0:25:53 | 0:25:56 | |
I think Elton John was given a spoon for his wedding. | 0:25:56 | 0:25:59 | |
Oh, was he? | 0:25:59 | 0:26:01 | |
Elton John's nearly royalty. | 0:26:01 | 0:26:04 | |
Charlie's tour also includes learning how to carve his very own love spoon. Watch out, ladies! | 0:26:04 | 0:26:09 | |
I'm probably trying to cut too much at a time, aren't I? | 0:26:09 | 0:26:13 | |
You seem to be able to get a nice scrolling shave each time you did it. | 0:26:13 | 0:26:17 | |
-Practice, see? -Ah, I'm just chipping it all over the place. | 0:26:17 | 0:26:21 | |
But in true Ross style, he's delegating the real work to young Bob, here. | 0:26:21 | 0:26:26 | |
When will that be finished? | 0:26:26 | 0:26:28 | |
Um... | 0:26:28 | 0:26:29 | |
I don't know. | 0:26:30 | 0:26:33 | |
-Perhaps next week? -I'll come back then. | 0:26:33 | 0:26:35 | |
Back in the city centre, it's Mark's turn to pit wits with Louis. | 0:26:35 | 0:26:39 | |
Come on, you must have got something lurking in your cupboards there | 0:26:39 | 0:26:43 | |
that you can do me something ultra-special on? | 0:26:43 | 0:26:46 | |
-Cheap and cheerful? -Well, cheap and profitable, I'd like to call it. | 0:26:46 | 0:26:49 | |
Obviously a wink's as good as a nudge down here in Cardiff, | 0:26:49 | 0:26:52 | |
because what Louis' pulling out of the cabinet is a silver fruit stand, | 0:26:52 | 0:26:57 | |
made by the German company WMF. | 0:26:57 | 0:27:00 | |
What they're really well-known for is those wonderful sort of maidens. | 0:27:00 | 0:27:04 | |
You know, very Art Nouveau. | 0:27:04 | 0:27:05 | |
With a history dating back to the mid-1800s and a reputation for pioneering techniques | 0:27:05 | 0:27:10 | |
in both silver plating and finishing, | 0:27:10 | 0:27:13 | |
this is a name synonymous with quality. | 0:27:13 | 0:27:15 | |
Quite like it, because it's got that sort of star design there, | 0:27:15 | 0:27:18 | |
and I love the basket of fruits and things. | 0:27:18 | 0:27:21 | |
And, if that one had maidens on it, | 0:27:21 | 0:27:23 | |
it would be worth a few hundred pounds. | 0:27:23 | 0:27:25 | |
What ridiculously over-the-top price have you got on it now, then? | 0:27:25 | 0:27:28 | |
I don't think it's ridiculously over the top. £35. | 0:27:28 | 0:27:31 | |
£35? Now, you start thinking about what a very, very good price you could let me have that for. | 0:27:31 | 0:27:38 | |
Bearing in mind that we're on the same side, you know. | 0:27:38 | 0:27:40 | |
-We're fighting for the land of our fathers here. -Righty-o. | 0:27:40 | 0:27:45 | |
-See how cheeky you can be. -A tenner. -No. | 0:27:45 | 0:27:49 | |
-That's far too cheeky. -Oh, come on. | 0:27:49 | 0:27:52 | |
-It can't be THAT too cheeky, surely? -It is. -£12. | 0:27:52 | 0:27:54 | |
I think it cost me a little bit more than that. | 0:27:54 | 0:27:57 | |
£15 and I might make a couple of quid profit. | 0:27:57 | 0:28:01 | |
-£15? -That is cheeky. | 0:28:01 | 0:28:04 | |
Actually, Louis, brace yourself. Mark's not done yet. | 0:28:04 | 0:28:07 | |
-Well, I'll tell you what. -What? -I'll do you a deal. | 0:28:07 | 0:28:09 | |
If I pay you £15 for it, can you supply me with a little Mark memento for my journey? | 0:28:09 | 0:28:16 | |
-I'll tell you what I'll do with you. -Tell me. -I've got a... | 0:28:16 | 0:28:19 | |
I'm moving away, now, because I'm worried that spear is going to come out. | 0:28:19 | 0:28:22 | |
Just to make you feel homesick... | 0:28:22 | 0:28:25 | |
-Wonderful. -How appropriate, an old miner's lamp. | 0:28:30 | 0:28:34 | |
Did you know that Mark's from Wales? | 0:28:34 | 0:28:36 | |
Because my father was a coal miner, you know. | 0:28:36 | 0:28:39 | |
So I can have that to put into the auction and help me beat Charlie Ross? | 0:28:39 | 0:28:43 | |
-With my pleasure. -Well, I think I've just dug a good profit up there. | 0:28:43 | 0:28:48 | |
Louis, you are a star. Thank you so much. | 0:28:48 | 0:28:51 | |
And now Mark's squeezed as much mileage as is humanly possible | 0:28:53 | 0:28:57 | |
out of being a Welshman, it's time for this week's final show-and-tell. | 0:28:57 | 0:29:01 | |
-Oh, I say. -Tall. -Tall. | 0:29:01 | 0:29:04 | |
-And silver. -And silver. -Chester. -And Chester. | 0:29:04 | 0:29:07 | |
-Quite nice hallmarks. -Yeah. | 0:29:07 | 0:29:08 | |
-How much did you pay for it? -I paid £70. -70, not 75? -No, 70. | 0:29:08 | 0:29:14 | |
Do you think I've gone for silver because it did well last time? | 0:29:14 | 0:29:16 | |
-Yes, I think you have. -Yes. | 0:29:16 | 0:29:18 | |
Bear in mind Mark thinks anything over a fiver is a small fortune. | 0:29:18 | 0:29:21 | |
Case in point, his medals. | 0:29:21 | 0:29:23 | |
-We settled on a compromise of £8.50. -What, for all three? -All three. | 0:29:25 | 0:29:30 | |
Oh, Mr Stacey. Yet again. You can't go wrong! | 0:29:30 | 0:29:31 | |
I mean, they're fun, aren't they? But they might make... | 0:29:31 | 0:29:35 | |
-They're worth a fiver each. -You think so? -Yeah, fiver each. | 0:29:35 | 0:29:37 | |
Put them away. | 0:29:37 | 0:29:39 | |
As for Charlie's next item, well, it's a bit of a curveball and it cost £15. | 0:29:39 | 0:29:46 | |
-Oh, good lord. -What do you mean? | 0:29:46 | 0:29:49 | |
It's quite nice, isn't it? | 0:29:49 | 0:29:51 | |
Well, it's all right, and it wasn't much money. | 0:29:51 | 0:29:53 | |
It's got to make a bit at £15, hasn't it? | 0:29:53 | 0:29:56 | |
-I was hoping there'd be two people doing up the house who might get excited about it. -Yeah. | 0:29:56 | 0:30:00 | |
-Shall I put it back where it came from? -Please. | 0:30:00 | 0:30:02 | |
HE GRUNTS WITH EFFORT | 0:30:02 | 0:30:03 | |
I was rather pleased that you weren't horrified by that purchase. | 0:30:03 | 0:30:06 | |
No, I quite like it. I quite like it, actually, Charlie. | 0:30:06 | 0:30:09 | |
-Right, come on. -I'm going to show you my next purchase. | 0:30:09 | 0:30:11 | |
-I just loved it. -Yep. | 0:30:11 | 0:30:12 | |
-Because it celebrates the moon landing. -Oh, right. -By Wedgwood in 1969. | 0:30:12 | 0:30:16 | |
I remember, you know, as a five-year-old, | 0:30:16 | 0:30:19 | |
watching that on the television with my family. | 0:30:19 | 0:30:21 | |
-Look at them, playing golf on the moon. -I think it's great fun. -Yeah. | 0:30:21 | 0:30:24 | |
And it was only £8. So, you know... | 0:30:24 | 0:30:27 | |
-Can't go wrong. You've been playing safe, haven't you? -Kind of. -Yeah. | 0:30:27 | 0:30:31 | |
Meanwhile, Charlie's still taking chances, like his Victorian sampler for £65. | 0:30:31 | 0:30:35 | |
-Shall we put it the right way up? -It might help. | 0:30:37 | 0:30:40 | |
Yes. | 0:30:40 | 0:30:43 | |
-It's not in good condition, Charlie. -You can get the staining out. | 0:30:43 | 0:30:46 | |
It is late, though, Charlie. | 0:30:46 | 0:30:48 | |
Of course it's late but, you know, if it was an 18th-century one, | 0:30:48 | 0:30:52 | |
it would be worth way beyond my budget. | 0:30:52 | 0:30:55 | |
Well, I mean, it's a popular field but I wish you luck with it. | 0:30:55 | 0:30:59 | |
How terribly sincere(!) | 0:30:59 | 0:31:01 | |
Still, Mark's charming demeanour did get him | 0:31:01 | 0:31:03 | |
a great deal from Louis, the fruit stand for £15. | 0:31:03 | 0:31:08 | |
-I think there's a small profit in it. -Yeah. -Not a huge profit. -No. | 0:31:08 | 0:31:10 | |
-I think there's a small profit in it. -A working profit. -A working profit. | 0:31:10 | 0:31:16 | |
-But did that come with something? -Yes. -They weakened. | 0:31:16 | 0:31:18 | |
-They kindly gave me... -For nothing?! -..the 1860s miner's lantern. | 0:31:18 | 0:31:23 | |
They've been asking £20-£30 for those. | 0:31:24 | 0:31:27 | |
Mind you, Charlie also did very well to pick up those silver knife rests. | 0:31:28 | 0:31:33 | |
Cleaned up and on a table, they look, I think, really quite stunning. | 0:31:33 | 0:31:37 | |
-I like the shape of them. -And they were £75. | 0:31:37 | 0:31:40 | |
And I said, "I'm going to shoot you across the bows, I'll give you £30." | 0:31:40 | 0:31:43 | |
Oh, Charlie, you didn't get it for £30. | 0:31:43 | 0:31:45 | |
And he said, "I'll take it!" | 0:31:45 | 0:31:47 | |
I should have started at £20. | 0:31:47 | 0:31:48 | |
But just when Charlie is feeling quietly confident, | 0:31:48 | 0:31:51 | |
out come Mark's jasper ware vases, | 0:31:51 | 0:31:53 | |
which the auctioneer thinks could go for up to £300. | 0:31:53 | 0:31:57 | |
They're probably the best thing we've bought on tour. | 0:31:57 | 0:31:59 | |
-I think they are, actually. -Oh! -Careful. | 0:31:59 | 0:32:02 | |
They deserve to make a decent profit, in my opinion, but... | 0:32:02 | 0:32:06 | |
In my opinion, they deserve to make a thumping loss. | 0:32:06 | 0:32:09 | |
Of course. | 0:32:09 | 0:32:10 | |
Well, I've gone a bit ordinary at the end. | 0:32:10 | 0:32:14 | |
-Where's your imagination, man? -What? In there. | 0:32:14 | 0:32:18 | |
And what ridiculous price did you get those? | 0:32:18 | 0:32:21 | |
-I offered him £50. -That's a bit mean. | 0:32:21 | 0:32:23 | |
Well, it was, but he took £60. | 0:32:23 | 0:32:25 | |
-Well, it's a fiver a spoon, isn't it? -Yeah. Must get half an ounce each. | 0:32:25 | 0:32:29 | |
-You know I'm quite good at selling silver by weight. -Oh, well, yes. | 0:32:29 | 0:32:33 | |
-But, you know, Charlie, you're just a one-trick pony. -Oh, no! | 0:32:33 | 0:32:37 | |
I'm so glad to see the boys are still pretending to be friends | 0:32:38 | 0:32:42 | |
but, going into their final auction, what do they really think? | 0:32:42 | 0:32:45 | |
Charlie's pulled out a few surprises again, I must admit. | 0:32:45 | 0:32:50 | |
The problem is, he's quite a traditionalist and he remembers things | 0:32:50 | 0:32:53 | |
that were really popular in the saleroom ten years ago. | 0:32:53 | 0:32:56 | |
I feel pretty confident about getting a profit | 0:32:56 | 0:33:00 | |
and getting fairly close up to Mark | 0:33:00 | 0:33:02 | |
but I've got to make up over £100, which is not going to be easy. | 0:33:02 | 0:33:06 | |
He could finish me off in one fell swoop with those vases. | 0:33:06 | 0:33:10 | |
If the vases make £300, I'm sunk. | 0:33:10 | 0:33:13 | |
Starting in Bridgnorth in the Midlands, | 0:33:13 | 0:33:16 | |
then buying and selling their way to Cardiff, | 0:33:16 | 0:33:18 | |
the boys have now arrived at their final destination, | 0:33:18 | 0:33:21 | |
Chippenham in Wiltshire. | 0:33:21 | 0:33:23 | |
Here we are, coming into Chippenham now. | 0:33:23 | 0:33:25 | |
"Historic market town"! | 0:33:25 | 0:33:27 | |
-It's our last auction. -I'm feeling rather sad. | 0:33:27 | 0:33:32 | |
Charlie Ross and Mark Stacey will do battle one last time | 0:33:32 | 0:33:35 | |
in the general sale at the Chippenham auction rooms. | 0:33:35 | 0:33:38 | |
You've got the devil in you today, haven't you, Mr Ross? Eh? | 0:33:38 | 0:33:41 | |
-The end is in sight, isn't it? -It is! | 0:33:41 | 0:33:43 | |
Well, Charlie, this is it. | 0:33:46 | 0:33:47 | |
The sun is out to greet my profits! | 0:33:49 | 0:33:52 | |
At the final sale, you think you are going to make some, do you? | 0:33:52 | 0:33:55 | |
It's a bit like the gunfight at the OK Corral, isn't it? | 0:33:55 | 0:33:58 | |
You know, I am over 100 bullets up on you. | 0:33:58 | 0:34:00 | |
Ah, but you can only go one way. Downwards! | 0:34:00 | 0:34:04 | |
-Up! Up! -No, no, no. -Upwards. | 0:34:04 | 0:34:05 | |
I'll leave you to go in the downward direction, Charlie. | 0:34:05 | 0:34:08 | |
You've got more experience at it. | 0:34:08 | 0:34:11 | |
Tensions are running high, a keen crowd has gathered | 0:34:11 | 0:34:15 | |
but before auctioneer Richard Edmonds calls lot number one... | 0:34:15 | 0:34:18 | |
Selling at 30... | 0:34:18 | 0:34:21 | |
..let's see how he rates the chances of our two contenders. | 0:34:21 | 0:34:24 | |
I think Charlie, overall, has got a better chance. | 0:34:24 | 0:34:28 | |
Mark has got the jasper ware vases, which are very nice. | 0:34:28 | 0:34:31 | |
But overall, Charlie may just do best because he's gone for silver, | 0:34:31 | 0:34:35 | |
which is very good at the moment. It's very good for sellers. | 0:34:35 | 0:34:39 | |
Mark started this leg of the journey with an impressive £404.54 | 0:34:39 | 0:34:44 | |
and has gone on to spend £176.50 on five auction lots. | 0:34:44 | 0:34:49 | |
Thank you. | 0:34:49 | 0:34:50 | |
But Charlie's had a slightly more turbulent time of things. | 0:34:50 | 0:34:53 | |
He started tonight's leg with just £286.80 and is going out in a blaze of glory, | 0:34:53 | 0:34:59 | |
having spent £240 of it on his five items. | 0:34:59 | 0:35:04 | |
Time to see who's really in the money. | 0:35:04 | 0:35:06 | |
Let the auction begin! | 0:35:06 | 0:35:08 | |
First to go under the hammer is Mark's Wedgwood plate, | 0:35:08 | 0:35:10 | |
commemorating the Apollo moon landing. | 0:35:10 | 0:35:13 | |
Ah, here it is. | 0:35:13 | 0:35:15 | |
Let's hope the residents of Chippenham are keen on space travel. | 0:35:16 | 0:35:21 | |
And I've got two commission bids and I start at 10. 12. 15 bid. | 0:35:21 | 0:35:24 | |
At 15. Is there 18? At 18. 20. And 2. At 22. 25 anywhere? | 0:35:24 | 0:35:30 | |
At 22 standing, against the commission. | 0:35:30 | 0:35:32 | |
22. Is there 5 anywhere else? | 0:35:32 | 0:35:34 | |
I was told they had taste in Chippenham! | 0:35:34 | 0:35:36 | |
Well, they have. They're buying it for £22. | 0:35:36 | 0:35:38 | |
1045, thank you. | 0:35:38 | 0:35:40 | |
Not a bad result and, of course, Stacey's over the moon. | 0:35:40 | 0:35:44 | |
Oh, cleared a good tenner on that. | 0:35:44 | 0:35:47 | |
Next up, it's Mark's piece de resistance, | 0:35:47 | 0:35:50 | |
the jasper ware vases, which are already causing a bit of a buzz. | 0:35:50 | 0:35:54 | |
They're Chetham & Woolley, circa 1795 to 1820, | 0:35:54 | 0:35:58 | |
so four commission bids and I'm starting here, with me at 100. | 0:35:58 | 0:36:03 | |
10. 120. 130. 140. With me at 140 bid. Is there 150? | 0:36:03 | 0:36:07 | |
It's a great start, but the figure Mark's banking on is closer to 300. | 0:36:07 | 0:36:12 | |
I'll come to the phone now, 150 if you like? 150. 160. | 0:36:12 | 0:36:16 | |
170. 180. 190 takes me out, sir. 190. I am out. | 0:36:16 | 0:36:20 | |
Any profit? They cost 145? | 0:36:20 | 0:36:23 | |
200. Super things, these. At 190. | 0:36:23 | 0:36:26 | |
-At 190, on the telephone, then. -Quite enough for me! | 0:36:26 | 0:36:30 | |
190, all done? | 0:36:30 | 0:36:32 | |
Yours, sir, on the telephone. 190. | 0:36:32 | 0:36:35 | |
Oh, dear. There's nothing worse than watching a grown man cry! | 0:36:35 | 0:36:39 | |
You're disappointed, aren't you? | 0:36:39 | 0:36:40 | |
But it does mean Charlie still has a fighting chance. | 0:36:40 | 0:36:43 | |
And here's his first lot... | 0:36:43 | 0:36:45 | |
Large-framed and glazed Victorian needlework sampler by Ann Davies. | 0:36:45 | 0:36:49 | |
..which seems to have attracted some very welcome attention. | 0:36:49 | 0:36:53 | |
And one, two, three commission bids and we'll start at 45, | 0:36:53 | 0:36:55 | |
looking for 50. 50. 5. | 0:36:55 | 0:36:58 | |
60, I'm out, George. At 60. | 0:36:58 | 0:37:00 | |
This surely isn't it? | 0:37:00 | 0:37:01 | |
-65, fresh place. 70. 75. 80. £75, then. -Come on! | 0:37:01 | 0:37:07 | |
Back of the room, then. It sells, then, at 75. | 0:37:07 | 0:37:11 | |
670, thank you. | 0:37:11 | 0:37:13 | |
Oh, dear. Not a great start for Charlie's fightback. | 0:37:13 | 0:37:16 | |
He needs to do better if he's going to win! | 0:37:16 | 0:37:19 | |
That did considerably more than I thought it would. | 0:37:19 | 0:37:22 | |
Let's hope his Victorian fireplace does the trick. | 0:37:22 | 0:37:25 | |
-Would you hold my hand through this? -No, I wouldn't. | 0:37:25 | 0:37:28 | |
Commission bid on this and I start with me at 10. | 0:37:28 | 0:37:31 | |
12. 15 bid. At 15. 18, anywhere? 18. 20. And 2. At 22. | 0:37:31 | 0:37:37 | |
Come on, 25, 30, 35, 40. | 0:37:37 | 0:37:40 | |
Oh, it's so cheap, sir. | 0:37:40 | 0:37:41 | |
-25 anywhere else? -Come on, sir. -Oh, Charlie. | 0:37:41 | 0:37:45 | |
253, thank you. | 0:37:45 | 0:37:47 | |
Well, I hate to be a merchant of doom, | 0:37:47 | 0:37:49 | |
but this isn't looking good, is it? | 0:37:49 | 0:37:52 | |
-I reckon it's about £3 profit! -At £45. | 0:37:52 | 0:37:54 | |
And, as if to rub salt in Charlie's wounds, Mark's freebie is up next. | 0:37:54 | 0:37:59 | |
One miner's lamp, circa 1860. | 0:37:59 | 0:38:02 | |
-Don't you dare let this make £25. -A couple of commission bids. | 0:38:02 | 0:38:06 | |
Lot of interest, I have three commission bids | 0:38:06 | 0:38:08 | |
and I start at 15, 18, 20 and 2 with me. | 0:38:08 | 0:38:12 | |
At 22. 25 now. At 22. 25. 28. 30. At £30, seated. | 0:38:12 | 0:38:18 | |
Commission's out at 30. 2 anywhere else, then? | 0:38:18 | 0:38:21 | |
£30, lady's bid. Selling at £30. | 0:38:21 | 0:38:26 | |
-The jammy old devil's done it again. -They liked that! -Don't care. | 0:38:27 | 0:38:32 | |
And with profits on the up, | 0:38:32 | 0:38:34 | |
Mark also has high hopes for his silver-plated fruit stand. | 0:38:34 | 0:38:37 | |
I start at 40. 5. 50. 5, anywhere? | 0:38:37 | 0:38:41 | |
At 50 bid, is there 5? At 50. At £50. | 0:38:41 | 0:38:44 | |
That's more than a working profit, isn't it? £50. | 0:38:44 | 0:38:48 | |
-At 50, then, it sells. -That's all right. -All done at 50? | 0:38:48 | 0:38:52 | |
I think I was lucky with that, Charlie. | 0:38:52 | 0:38:54 | |
That was a very good price for that. | 0:38:54 | 0:38:55 | |
Mark's lead is only getting bigger but this auction isn't over yet. | 0:38:55 | 0:39:00 | |
Charlie's wisely bought three separate pieces of silver, | 0:39:00 | 0:39:03 | |
which could be his salvation. | 0:39:03 | 0:39:04 | |
This is it, Charlie. Looks pretty, they've cleaned it. | 0:39:04 | 0:39:07 | |
-And I'm bid... -Ooh! -..50. 5. 60. 5. 70. 75. 80. 5. | 0:39:07 | 0:39:15 | |
80, here. At 80, is there 5 now? | 0:39:15 | 0:39:17 | |
At 80. On the commission at 80. | 0:39:17 | 0:39:19 | |
I'm not very good at this, am I? | 0:39:19 | 0:39:21 | |
80. £80, then. It goes and sells at 80. | 0:39:21 | 0:39:24 | |
Oh, my. It's a tragedy. | 0:39:26 | 0:39:28 | |
-Sorry. -Have you a handkerchief? | 0:39:28 | 0:39:32 | |
Right, then. Let's say a quick prayer for the teaspoons | 0:39:32 | 0:39:34 | |
and hope that at least one of these people is a golfing nut. | 0:39:34 | 0:39:38 | |
Lot 470 is a cased set of 12 silver teaspoons. | 0:39:38 | 0:39:40 | |
-Right, here we go. -Here we are. | 0:39:40 | 0:39:43 | |
30. 5. 40, anywhere? | 0:39:43 | 0:39:44 | |
At 35, looking for 40 now. | 0:39:44 | 0:39:47 | |
There's 12 of them! | 0:39:47 | 0:39:48 | |
At the back of the room at 40. 45, there, then. | 0:39:48 | 0:39:51 | |
Oh, for God's sake, how can you sell 12 silver spoons for £45?! | 0:39:51 | 0:39:56 | |
-Yours, sir. 45, thank you. -Another loss. | 0:39:56 | 0:39:59 | |
Yes, I'm afraid it is, Charlie. | 0:39:59 | 0:40:01 | |
But if you can bear to soldier on, | 0:40:01 | 0:40:03 | |
your silver and pearl knife rests are up next. | 0:40:03 | 0:40:07 | |
I've got three commission bids. | 0:40:07 | 0:40:09 | |
I'm bid here 30, 5, 40, 5, 50 anywhere? | 0:40:09 | 0:40:13 | |
Ah, this could be it. Charlie Ross's rise from the ashes! | 0:40:13 | 0:40:17 | |
-Bucking the trend. -£45, then. | 0:40:17 | 0:40:20 | |
All done at 45? | 0:40:20 | 0:40:21 | |
No, hang on. False alarm. | 0:40:21 | 0:40:24 | |
Nothing I can do now can wrest the victory from you. | 0:40:24 | 0:40:29 | |
So, even though the auction isn't quite over, Charlie is conceding defeat. | 0:40:31 | 0:40:36 | |
I've got something for you. | 0:40:36 | 0:40:38 | |
-What is this, you silly sausage? -A medal. I'm going to pin it to you | 0:40:38 | 0:40:43 | |
for your superb performance. | 0:40:43 | 0:40:46 | |
-Well, I shall wear it with pride. -I hope you will. | 0:40:46 | 0:40:49 | |
Speaking of medals, Mark's final lot looks set | 0:40:49 | 0:40:54 | |
to make him more money, which is why he looks like he's about to burst. | 0:40:54 | 0:40:57 | |
25. Is there 28? Is there 28? 28? There is. | 0:40:57 | 0:41:01 | |
-There's a bid over there. -Is there 30? I saw the bid. Is there 30? | 0:41:01 | 0:41:05 | |
This is amazing. | 0:41:05 | 0:41:06 | |
28, I have. 30, I'm looking for. At £28. | 0:41:06 | 0:41:09 | |
This is the icing on that enormous cake. | 0:41:09 | 0:41:13 | |
You made a profit on every lot today? | 0:41:14 | 0:41:16 | |
-Um...have I? -I think so. -I think I probably have, actually. -You have! | 0:41:16 | 0:41:19 | |
So, Mark Stacey has done it again. | 0:41:19 | 0:41:22 | |
But how does this affect the final tally? | 0:41:22 | 0:41:25 | |
Well, Charlie started the leg with £286.80 but, after commission, | 0:41:25 | 0:41:31 | |
actually made a loss of £20.06, leaving him with just £266.74. | 0:41:31 | 0:41:38 | |
Well, that was a bit high and low, wasn't it, Charlie? | 0:41:38 | 0:41:41 | |
Well, high for you and low for me! | 0:41:41 | 0:41:43 | |
Mark, meanwhile, started with £404.54 | 0:41:44 | 0:41:48 | |
and made a profit of £87.11, | 0:41:48 | 0:41:51 | |
giving him the winning total of £491.65. | 0:41:51 | 0:41:57 | |
# The winner takes it all | 0:41:57 | 0:41:59 | |
# The loser's standing small... # | 0:42:01 | 0:42:04 | |
Well, what a week it's been. After coming third last year, | 0:42:04 | 0:42:08 | |
Mark has shown us this series, he'll do whatever it takes to be number one! | 0:42:08 | 0:42:13 | |
Will you get out? | 0:42:13 | 0:42:14 | |
-It's too late, Charlie. -You've bought it? -I've already bought that chair. | 0:42:14 | 0:42:18 | |
Even cheat a fellow Welshman. | 0:42:18 | 0:42:20 | |
-We're fighting for the land of our fathers here. -Righty-o. | 0:42:20 | 0:42:23 | |
And while Charlie hasn't had such a good run with the actual antiques... | 0:42:23 | 0:42:27 | |
I'm not very good at this, am I? | 0:42:27 | 0:42:29 | |
-..and that's putting it mildly... -That did more than I thought it would. | 0:42:29 | 0:42:33 | |
..this suave old gent certainly knows how to charm the ladies. | 0:42:33 | 0:42:38 | |
Absolute angel! Mwah! Mwah! | 0:42:38 | 0:42:40 | |
He can even charm old Stacey. | 0:42:40 | 0:42:42 | |
-They're probably the best thing we've bought on tour. -I think they are. | 0:42:42 | 0:42:46 | |
-Oh! -Careful. | 0:42:46 | 0:42:48 | |
So, as the week comes to an exciting close... | 0:42:48 | 0:42:51 | |
I couldn't do it without you, honestly. | 0:42:51 | 0:42:53 | |
..Mark Stacey couldn't kick Charles Hanson of the top | 0:42:53 | 0:42:57 | |
of our leader board and slots into second place, | 0:42:57 | 0:42:59 | |
while Charlie brings up the rear in fourth | 0:42:59 | 0:43:02 | |
but there are many more miles to go and antiques to buy. | 0:43:02 | 0:43:06 | |
-I think that's amazing, and do you know what? -What? -I couldn't have done it without you. | 0:43:06 | 0:43:10 | |
-You've been fabulous. Take me home! -Back to the drawing board! | 0:43:10 | 0:43:14 | |
Next week, it's the turn of mighty James Lewis... | 0:43:14 | 0:43:18 | |
What on earth is that? | 0:43:18 | 0:43:21 | |
..and the lovely Kate Bliss. | 0:43:21 | 0:43:23 | |
-20?! -20. | 0:43:23 | 0:43:26 | |
They'll be battling it out, scouring the highlands and lowlands of Scotland | 0:43:26 | 0:43:30 | |
for antiques to make them the biggest profit. | 0:43:30 | 0:43:33 | |
-Yes! -Well done. | 0:43:33 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 | |
E-mail [email protected] | 0:43:56 | 0:44:00 |