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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:11 | |
Eeny, meeny, miny, mo. | 0:00:11 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:22 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
I just haven't used my head at all. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
This week's antiques experts are Kate Bliss and James Lewis. | 0:00:38 | 0:00:42 | |
Always kissing... | 0:00:42 | 0:00:43 | |
Fine art graduate Kate Bliss is a silver and jewellery expert who knows how to play the sympathy card. | 0:00:43 | 0:00:49 | |
Problem is, James is just streaking ahead and I've got to try... | 0:00:49 | 0:00:53 | |
-I can't... -..my very best. | 0:00:53 | 0:00:55 | |
Former saleroom porter James Lewis is now an auctioneer with an eye for the unusual. | 0:00:56 | 0:01:02 | |
He also says exactly what he sees. | 0:01:02 | 0:01:05 | |
I hate the stand... I hate it. | 0:01:05 | 0:01:07 | |
I don't like the vase either! | 0:01:09 | 0:01:11 | |
Brilliant. | 0:01:11 | 0:01:12 | |
Kate and James started Monday's show with £200 each - and frankly, | 0:01:12 | 0:01:17 | |
this week's been like a Caledonian Gold Rush. | 0:01:17 | 0:01:20 | |
-AUCTIONEER: -240... | 0:01:20 | 0:01:21 | |
Kate's been plugging away in the shadow of a prospecting giant... | 0:01:21 | 0:01:25 | |
I'm going to gamble. | 0:01:25 | 0:01:27 | |
..and made a really, really good profit so far. | 0:01:27 | 0:01:30 | |
-You have them. -380. Yes! | 0:01:30 | 0:01:33 | |
From her original £200, Kate has £584.73 to begin her last show. | 0:01:33 | 0:01:41 | |
But - and it's a big but - | 0:01:42 | 0:01:44 | |
Mr Lewis has redefined the whole concept of "auction success". | 0:01:44 | 0:01:49 | |
Fantastic! | 0:01:50 | 0:01:52 | |
Now James' £200 has mushroomed into | 0:01:52 | 0:01:55 | |
a grossly overbearing £1,109.94, to flash about on this last leg. | 0:01:55 | 0:02:02 | |
All right for some, ain't it? | 0:02:02 | 0:02:04 | |
60, 70... | 0:02:05 | 0:02:07 | |
Kate and James have been hitting the high roads and low roads of Scotland all week. | 0:02:10 | 0:02:16 | |
Starting in Helmsdale, and weaving their way through highlands and | 0:02:16 | 0:02:20 | |
lowlands, Kate and James are heading for their final destination in Ayr. | 0:02:20 | 0:02:25 | |
And so, on today's show, they're leaving Hamilton, | 0:02:25 | 0:02:29 | |
aiming to keep their last, important auction date. | 0:02:29 | 0:02:32 | |
First stop is Newton Stewart. | 0:02:32 | 0:02:35 | |
In its long history, Newton Stewart is most famous | 0:02:35 | 0:02:39 | |
as the prime filming location for the cult horror film The Wicker Man. | 0:02:39 | 0:02:44 | |
Hang on to your maypoles(!) | 0:02:44 | 0:02:45 | |
ENGINE FAILS TO START | 0:02:45 | 0:02:48 | |
Sadly, the normally reliable "Lurve Bug" is under the weather. | 0:02:48 | 0:02:52 | |
It's been a dear friend all week, and our experts are all at sea in the Beetle's absence. | 0:02:52 | 0:02:58 | |
So, desperate times call for desperate measures. Coffee, anyone? | 0:02:58 | 0:03:03 | |
-Where are you going to go shopping? -There's a shop down the high street that I noticed earlier, | 0:03:03 | 0:03:07 | |
so I'm going to go and have a look there. | 0:03:07 | 0:03:09 | |
Well, I've heard there's quite a good place down the road about ten minutes | 0:03:09 | 0:03:13 | |
away, so I'm going to jump in a cab as we haven't got our wheels. | 0:03:13 | 0:03:17 | |
Yeah. I expect you to spend all 500, though. | 0:03:17 | 0:03:19 | |
Pressure, pressure. I will if you will! | 0:03:19 | 0:03:22 | |
-Anyway, have fun. -And you. | 0:03:23 | 0:03:24 | |
I know Kate's game, she's trying to put the pressure on me to spend all that £1,000. | 0:03:28 | 0:03:33 | |
It's not going to work. I'm not going to do it. | 0:03:33 | 0:03:35 | |
Nice work, Kate! Leave old moneybags Lewis with the bill. Typical woman. | 0:03:36 | 0:03:41 | |
And then it's a quick taxi ride to the outskirts of town, for Kate's first shop of the day. | 0:03:41 | 0:03:48 | |
Owner Chris keeps his place stacked high | 0:03:48 | 0:03:50 | |
with all manner of wonderful and peculiar items. | 0:03:50 | 0:03:53 | |
Ooh. How much is your top hat, Chris? | 0:03:55 | 0:03:57 | |
I can do £15 on it. It's in the original box. | 0:03:57 | 0:04:01 | |
-Fits ME! -Like a glove. | 0:04:01 | 0:04:03 | |
That'd be quite small for a gent, though. | 0:04:03 | 0:04:05 | |
It is slightly, but then a lot of ladies use them nowadays too. | 0:04:05 | 0:04:09 | |
Um... Fiver? Just for me? | 0:04:09 | 0:04:12 | |
Tenner? | 0:04:12 | 0:04:13 | |
SHE SIGHS I think a fiver considering the size. | 0:04:13 | 0:04:18 | |
Oh, go on then. It's been up there long enough, yes. | 0:04:18 | 0:04:20 | |
-Brilliant. -Thank you very much. -Lovely. | 0:04:20 | 0:04:23 | |
Wonderfully quick decision, Kate. Hats off, eh? | 0:04:23 | 0:04:26 | |
Meanwhile, our James is all exposed... | 0:04:26 | 0:04:28 | |
..to the Newton Stewart elements. | 0:04:29 | 0:04:31 | |
What a day! It's horrible, isn't it? | 0:04:31 | 0:04:35 | |
You poor old wet rag. | 0:04:35 | 0:04:36 | |
Get into a nice, toasty antiques shop, and warm your...cockles! | 0:04:36 | 0:04:42 | |
I love these fish. They're so tacky, but they're brilliant. | 0:04:51 | 0:04:55 | |
The only place you used to see them | 0:04:55 | 0:04:57 | |
was the 1960s chip shops, lined up along the top. | 0:04:57 | 0:05:00 | |
But er...would you want him in your home? I don't know. | 0:05:00 | 0:05:03 | |
Clearly not the CATCH that James was looking for. | 0:05:03 | 0:05:07 | |
Ooh, let's have a look... | 0:05:08 | 0:05:10 | |
Cor, Kate's got the wind up her bloomers. | 0:05:10 | 0:05:12 | |
Some serious rummaging has dredged up a pond yacht, | 0:05:12 | 0:05:15 | |
with a "current" asking price of £20. | 0:05:15 | 0:05:17 | |
That's a shame... So what's your very best? | 0:05:17 | 0:05:20 | |
Er...the VERY best? £15. | 0:05:20 | 0:05:23 | |
Ooh... | 0:05:23 | 0:05:24 | |
-What, with pieces missing? -That's a fiver less than it cost me. | 0:05:24 | 0:05:28 | |
Wow. Pond yachts were a popular, Victorian toy for boys | 0:05:28 | 0:05:32 | |
and the aspirational poorer gentleman. | 0:05:32 | 0:05:35 | |
A handsome model from the early 1900s might fetch around £500, but this specimen is more modern... | 0:05:36 | 0:05:43 | |
and a bit of a wreck! | 0:05:43 | 0:05:45 | |
Could you do a fiver, just to take it off your hands? | 0:05:45 | 0:05:47 | |
-I would do a tenner, and lose a fiver. -Oh... | 0:05:47 | 0:05:51 | |
Kate's employing some literal hand-wringing here. | 0:05:52 | 0:05:56 | |
£7. Final offer. | 0:05:58 | 0:06:01 | |
£8 and you can have it. | 0:06:01 | 0:06:03 | |
-Go on, then, £8. Done. -There we go. | 0:06:04 | 0:06:07 | |
Wow! A yacht for £8 and a top hat for a fiver. | 0:06:07 | 0:06:10 | |
Kate clearly has a taste for the high life - but no intention of paying for it! | 0:06:10 | 0:06:15 | |
And she's not finished yet. | 0:06:15 | 0:06:17 | |
What's that? It's like a small blanket box. | 0:06:17 | 0:06:20 | |
It is, yes. It's a small blanket... | 0:06:20 | 0:06:23 | |
but probably more of a child's blanket box, that size. | 0:06:23 | 0:06:25 | |
25. | 0:06:25 | 0:06:28 | |
25 is too much for me. | 0:06:28 | 0:06:30 | |
I've got to find something that's going to make me a serious profit. | 0:06:30 | 0:06:33 | |
True. But will this blanket box make you the £500 | 0:06:33 | 0:06:37 | |
you need to catch up with James? I doubt it. | 0:06:37 | 0:06:40 | |
£10. Best offer. | 0:06:41 | 0:06:43 | |
That's a fair price - | 0:06:43 | 0:06:45 | |
-I'm buying so much more from you as well though. -You are. | 0:06:45 | 0:06:49 | |
I'm buying two other pieces. | 0:06:49 | 0:06:51 | |
Yes, indeed... A whole £13's worth so far(!) | 0:06:51 | 0:06:55 | |
-Go on, then. -Chuck it in? | 0:06:57 | 0:06:59 | |
-Chuck it in for a tenner. -For a tenner? -Tenner. | 0:06:59 | 0:07:01 | |
Done. Thank you very much. | 0:07:01 | 0:07:03 | |
Kate's taking no prisoners today, and still has the energy for a further rummage. | 0:07:03 | 0:07:09 | |
Ooh, you've got a little shagreen case here underneath. | 0:07:11 | 0:07:15 | |
Shagreen is a term describing shark or stingray skin, dyed green. | 0:07:15 | 0:07:20 | |
It's pleasing to the eye, | 0:07:20 | 0:07:22 | |
and has been used for centuries as an outer cover for cases and boxes. | 0:07:22 | 0:07:26 | |
-What do you want for that? -That could be... | 0:07:27 | 0:07:30 | |
45. | 0:07:30 | 0:07:31 | |
Yeah(!) In your dreams. You'll not get £45 from Kate for THAT... | 0:07:31 | 0:07:36 | |
Could you chuck it in at a tenner? | 0:07:37 | 0:07:40 | |
-Can't do ten. -As I'm being such a good customer? | 0:07:40 | 0:07:42 | |
20, and I'll throw a piece of Ayr history in for you. | 0:07:42 | 0:07:45 | |
Nice manoeuvre, Chris! | 0:07:45 | 0:07:47 | |
Kate's going to auction in Ayr, and this handsome letter opener | 0:07:47 | 0:07:51 | |
was carved from the pulpit of the town's old church. Wow. | 0:07:51 | 0:07:54 | |
That's very kind, but do you think it'll sell? | 0:07:54 | 0:07:57 | |
-Well, you're getting it thrown in for nothing. -Really? -Yes. | 0:07:57 | 0:08:00 | |
Well said, Chris! I'm not sure even James Lewis himself | 0:08:00 | 0:08:04 | |
would quibble over a freebie. | 0:08:04 | 0:08:06 | |
So what's this got to be? | 0:08:06 | 0:08:08 | |
20. 20's the very best on it. | 0:08:08 | 0:08:11 | |
12. I'll go 12. | 0:08:13 | 0:08:16 | |
15 and we have a deal. | 0:08:16 | 0:08:18 | |
No, I don't know... | 0:08:18 | 0:08:20 | |
Go on - take it for the 12, then. | 0:08:23 | 0:08:25 | |
-12? -Yeah, go on then. | 0:08:25 | 0:08:27 | |
Tragically, Chris just had to cave in. | 0:08:27 | 0:08:30 | |
He's got a life to live, after all. | 0:08:30 | 0:08:32 | |
12...five, 17... | 0:08:33 | 0:08:35 | |
17 on that, and the box was... | 0:08:37 | 0:08:40 | |
Oh, the box, I forgot about the box. A tenner, wasn't it? | 0:08:40 | 0:08:43 | |
-It was, that's 27. -27... | 0:08:43 | 0:08:45 | |
-And the boat. -I take it I'm getting 30 quid on the lot, am I? | 0:08:47 | 0:08:51 | |
-How's that sound? -Sounds good to me. | 0:08:51 | 0:08:53 | |
OK, a round total of £30 means a pond yacht got thrown in for just £3. | 0:08:53 | 0:08:58 | |
And I imagine that Chris is now reconsidering any early retirement plans he might have had. | 0:08:58 | 0:09:03 | |
There's a Scottish note back. | 0:09:03 | 0:09:05 | |
But what about our James? | 0:09:05 | 0:09:07 | |
In fact, where IS James? What's he been doing all this time? | 0:09:07 | 0:09:12 | |
I think they had just about every object priced almost exactly right. | 0:09:12 | 0:09:18 | |
Never mind - onwards and upwards, the next shops are going to be | 0:09:18 | 0:09:22 | |
full of bargains. I'm going to spend £1,000 and love every minute. | 0:09:22 | 0:09:25 | |
Huh. Don't get coy with us, Lewis! | 0:09:25 | 0:09:28 | |
We know your long game. | 0:09:28 | 0:09:30 | |
Hold on to the cash and hope your competitor makes a blunder. | 0:09:30 | 0:09:33 | |
Now, let's move on... Literally! | 0:09:34 | 0:09:36 | |
Like an ominous twister, carving wildly through the landscape, | 0:09:36 | 0:09:41 | |
the Road Trip is whirling Kate and James | 0:09:41 | 0:09:44 | |
25 miles south east | 0:09:44 | 0:09:46 | |
to Kirkcudbright. | 0:09:46 | 0:09:48 | |
Kirkcudbright became known as the "Artists' Town" | 0:09:48 | 0:09:53 | |
after celebrated Glasgow Boy Edward Atkinson Hornel moved here in 1901 | 0:09:53 | 0:09:58 | |
and attracted the rest of the gang | 0:09:58 | 0:10:01 | |
to spend summers painting around the handsome harbour and Old Town. | 0:10:01 | 0:10:06 | |
Today, without their trusty motor car, our lucky experts get to share | 0:10:06 | 0:10:10 | |
a fairly inadequate umbrella against the horrific weather! | 0:10:10 | 0:10:14 | |
Oh, here we go, Osborne Antiques. Great. | 0:10:15 | 0:10:19 | |
-Go on, dash in. -OK. | 0:10:19 | 0:10:21 | |
Kate and James today are going to share the one shop. | 0:10:21 | 0:10:24 | |
Luckily, it's got two floors. So they're going to play hide and seek. | 0:10:24 | 0:10:28 | |
I'll count to 20. | 0:10:28 | 0:10:30 | |
One... two... three... | 0:10:30 | 0:10:33 | |
Found you! | 0:10:33 | 0:10:35 | |
Ha! | 0:10:35 | 0:10:36 | |
SHE WHISPERS This is a case of silver spoons and sugar nips. | 0:10:36 | 0:10:40 | |
Priced at £45. Which I don't think is too bad for a dozen. | 0:10:41 | 0:10:45 | |
This spoon and sugar tongs set are English silver but | 0:10:45 | 0:10:49 | |
in a pattern called Hanoverian, with turned-up terminals to the handles. | 0:10:49 | 0:10:54 | |
-I'll do 35. -Mm-hm... | 0:10:57 | 0:10:59 | |
-35. -OK... | 0:10:59 | 0:11:01 | |
Kate's not sure - so she moves on, and finds a rather nice mahogany | 0:11:01 | 0:11:06 | |
Biedermeier cabinet from the early 19th century. | 0:11:06 | 0:11:10 | |
It's far from perfect, but still priced at a chancy £200. | 0:11:10 | 0:11:15 | |
For now! | 0:11:15 | 0:11:17 | |
Have you got any leeway on that? | 0:11:18 | 0:11:20 | |
I'll take 165 for that. | 0:11:20 | 0:11:23 | |
Nice cabinet. I like it. | 0:11:23 | 0:11:25 | |
I am a bit worried about the damage. You couldn't do 120-ish? | 0:11:25 | 0:11:29 | |
No, I can't. | 0:11:29 | 0:11:30 | |
No? | 0:11:31 | 0:11:33 | |
No. Sorry. | 0:11:33 | 0:11:35 | |
Take 150, there you are. | 0:11:35 | 0:11:37 | |
-130? -No. 150. | 0:11:39 | 0:11:41 | |
Really is the lowest I can go. | 0:11:41 | 0:11:43 | |
-Even with the damage? -Yeah. -Oh, I'm stuck... | 0:11:43 | 0:11:46 | |
Well, let's take a break from Kate's indecision. | 0:11:46 | 0:11:49 | |
James has found something quite unusual - | 0:11:49 | 0:11:52 | |
surprise, surprise - from the East. | 0:11:52 | 0:11:54 | |
I've got two panels here, | 0:11:54 | 0:11:56 | |
embroidered in silk, | 0:11:56 | 0:11:59 | |
and these are panels from the cuff. If you can imagine... | 0:11:59 | 0:12:02 | |
..a large Chinese or Japanese gown or kimono, | 0:12:03 | 0:12:07 | |
with a cuff coming down from there and stitched - | 0:12:07 | 0:12:12 | |
that panel is one long rectangle. | 0:12:12 | 0:12:15 | |
And here, we've got two of them - one from each sleeve - | 0:12:15 | 0:12:21 | |
sewn together down the centre, in a panel. | 0:12:21 | 0:12:25 | |
The silk panels have been set into a tray made of Padauk wood, | 0:12:25 | 0:12:29 | |
a hardwood from Africa and Asia, and carved to resemble bamboo. | 0:12:29 | 0:12:34 | |
They're probably... late 18th, early 19th century. | 0:12:34 | 0:12:39 | |
£50... | 0:12:39 | 0:12:41 | |
That's potential. | 0:12:43 | 0:12:44 | |
And with treasures from the East in mind, James spots a big lump | 0:12:45 | 0:12:50 | |
of 18th-century Chinese porcelain. | 0:12:50 | 0:12:53 | |
The price is £200 - but it's badly damaged. | 0:12:53 | 0:12:57 | |
Oh...! Just completely had it - | 0:12:59 | 0:13:02 | |
but what a wonderful thing it WOULD have been. | 0:13:02 | 0:13:04 | |
Yes... I can take 190. | 0:13:04 | 0:13:06 | |
-Oh, is that it? -Aye. You know... | 0:13:06 | 0:13:08 | |
I was hoping that was going to be a lot less. | 0:13:08 | 0:13:11 | |
Aye. No, I can't. | 0:13:11 | 0:13:13 | |
I can't take a lot less than that. | 0:13:13 | 0:13:15 | |
Would 150 be any good? | 0:13:17 | 0:13:19 | |
No. No, sorry, I can't take 150. | 0:13:19 | 0:13:22 | |
-Erm... -But it's just SO badly damaged. | 0:13:22 | 0:13:25 | |
Well, it is - | 0:13:25 | 0:13:27 | |
but the least I'll take, James, is 180 on that. | 0:13:27 | 0:13:30 | |
That really is the best I can do. | 0:13:30 | 0:13:33 | |
In Chairman Mao's early Communist experiment, the people of China had | 0:13:33 | 0:13:38 | |
to renounce the imperial past and its trappings of luxury. | 0:13:38 | 0:13:42 | |
So many such lumps of porcelain were destroyed. | 0:13:42 | 0:13:46 | |
Today, China's successful entrepreneurs and collectors | 0:13:46 | 0:13:51 | |
are keen on ANY surviving items. | 0:13:51 | 0:13:54 | |
160 quid? | 0:13:54 | 0:13:55 | |
170, and you've got a deal. | 0:13:56 | 0:13:58 | |
I love the fact that it's Chinese, | 0:13:58 | 0:14:01 | |
I love the fact the Chinese market is so buoyant at the moment - | 0:14:01 | 0:14:04 | |
but the Chinese market is almost wiped out because of the condition. | 0:14:04 | 0:14:07 | |
Whilst James agonises over imperfection, | 0:14:08 | 0:14:11 | |
David's rejoined Kate to get a firm decision. | 0:14:11 | 0:14:15 | |
Go 25...? | 0:14:16 | 0:14:18 | |
-I'll do 30 on them. 30. -30? -Yeah. | 0:14:20 | 0:14:23 | |
OK... Well, I'll take those. | 0:14:25 | 0:14:28 | |
-OK. Thank you. -Erm... | 0:14:28 | 0:14:30 | |
-but you can't do anything else at all, it's as it stands? -Aye. | 0:14:30 | 0:14:34 | |
So, the cabinet's still available for £150. Can Kate take the risk? | 0:14:34 | 0:14:39 | |
-Hang it, let's do the cabinet. -OK. | 0:14:43 | 0:14:45 | |
-150? -150. -150, done. Thank you very much. | 0:14:45 | 0:14:48 | |
Ooh, that's sweet. | 0:14:48 | 0:14:50 | |
But with her deal done and territory marked, James blunders in, to meddle. | 0:14:50 | 0:14:57 | |
Your opposition has bought that. | 0:14:57 | 0:14:59 | |
Have you really? Have you bought that? | 0:15:01 | 0:15:04 | |
I have. Deal done. | 0:15:04 | 0:15:07 | |
Is it? That's jolly nice. | 0:15:07 | 0:15:10 | |
I had to pay a lot for it. | 0:15:10 | 0:15:12 | |
How much did you pay? | 0:15:12 | 0:15:14 | |
300. | 0:15:14 | 0:15:15 | |
Look at her face, we know it was 150. | 0:15:15 | 0:15:19 | |
Oh, I see, it's a wind up. | 0:15:19 | 0:15:20 | |
-I think it's lovely. -Do you think it's worth 300? | 0:15:20 | 0:15:24 | |
-Yes, I do. -Oh, do you? | 0:15:24 | 0:15:26 | |
-Yes, I do. -Oh, that's all right then. | 0:15:26 | 0:15:29 | |
Kate, you are awful... but I like you! | 0:15:29 | 0:15:31 | |
Meanwhile, James has amassed a gathering of potentials. | 0:15:34 | 0:15:39 | |
James wants the imperfect porcelain at £170, | 0:15:39 | 0:15:44 | |
possibly spurred on by Kate's big, £300 fib. | 0:15:44 | 0:15:48 | |
He's also found a scent flask for £25, and David said | 0:15:48 | 0:15:52 | |
£35 for the silk panel tray. | 0:15:52 | 0:15:56 | |
Plus, James is slightly keen on this 19th century Staffordshire Toby jug at £15. | 0:15:56 | 0:16:02 | |
Well, he was. | 0:16:03 | 0:16:04 | |
Now that's all going down the pan. | 0:16:06 | 0:16:08 | |
It comes to 230. | 0:16:08 | 0:16:11 | |
230, and throw that horrible thing in, and you've got a deal. | 0:16:11 | 0:16:15 | |
OK, deal. | 0:16:15 | 0:16:17 | |
Deal. Thank you. | 0:16:17 | 0:16:19 | |
OK, and 20, 40, 60. | 0:16:19 | 0:16:23 | |
Finally, he's spent some money and now has four items for this week's last auction. | 0:16:23 | 0:16:29 | |
But, £170 on the porcelain is James' biggest spend all week. | 0:16:29 | 0:16:34 | |
So, congratulations to Kate for inspiring this massive risk. | 0:16:34 | 0:16:40 | |
Is it going to make a profit? | 0:16:40 | 0:16:42 | |
I don't know, | 0:16:42 | 0:16:43 | |
it's a wonderful thing and if it was perfect £3,000, £4,000. | 0:16:43 | 0:16:48 | |
Damaged, might be £50, I really don't know. | 0:16:48 | 0:16:52 | |
Oh, yes. A momentous day draws to an end | 0:16:53 | 0:16:57 | |
as James has finally spent big on some antiques. | 0:16:57 | 0:17:00 | |
Now, somewhere behind these clouds the sun is setting over lovely Kirkcudbright. | 0:17:00 | 0:17:07 | |
Our experts must turn in for the night and dream about their blighted Beetle. | 0:17:07 | 0:17:14 | |
Their final day's shopping arrives and our experts are still without their beloved Beetle. | 0:17:16 | 0:17:22 | |
But we have Plan B and classic car number two, | 0:17:22 | 0:17:26 | |
a thoroughly reliable, we hope, Triumph Herald. | 0:17:26 | 0:17:29 | |
With a last-buying frenzy in mind, Kate and James are out on the open road again. | 0:17:31 | 0:17:37 | |
The Road Trip is moving on, | 0:17:40 | 0:17:42 | |
49 miles north-east from Kirkcudbright, | 0:17:42 | 0:17:45 | |
burning rubber all the way to the town of Moffat. | 0:17:45 | 0:17:49 | |
So, Kate and James | 0:17:51 | 0:17:52 | |
are about to arrive in... | 0:17:52 | 0:17:54 | |
-ENGINE SPLUTTERS -Oh, dear! | 0:17:54 | 0:17:57 | |
NO! It's happened again! | 0:17:59 | 0:18:02 | |
-Any shopping we do today is going to have to be pretty quick. -Yeah, it is. It really is. | 0:18:04 | 0:18:08 | |
So, no joy with the Road Trip plan B. | 0:18:08 | 0:18:12 | |
Time for plan C. Taxi! | 0:18:12 | 0:18:15 | |
Moffat has a strong historical link to the Scottish wool trade | 0:18:18 | 0:18:22 | |
and the town is overlooked by the stern statue of a Blackface Ram | 0:18:22 | 0:18:27 | |
sculpted by Aberdonian artist William Brodie in 1875. | 0:18:27 | 0:18:32 | |
Moffat is lovely, cosy and compact, so it looks like our experts | 0:18:32 | 0:18:37 | |
are going to be using the same shop antique again. | 0:18:37 | 0:18:40 | |
OK, so we haven't got long. | 0:18:40 | 0:18:42 | |
Shall we say, half an hour? | 0:18:42 | 0:18:43 | |
-Half an hour. -Half an hour, no later. Quarter past. -Absolutely, let's go. | 0:18:43 | 0:18:47 | |
Just as well they're the caring, sharing types. | 0:18:49 | 0:18:52 | |
Unlike yesterday, James is quick to spot something he likes. | 0:18:52 | 0:18:56 | |
Quite a nice quality little lighthouse-shaped sifter, | 0:18:56 | 0:19:01 | |
for sugar. | 0:19:01 | 0:19:03 | |
Would you take 50? | 0:19:03 | 0:19:04 | |
Make it 60, and it's yours. | 0:19:06 | 0:19:08 | |
55 and you've got a deal. | 0:19:08 | 0:19:10 | |
-OK. -Thank you. | 0:19:10 | 0:19:13 | |
Gosh, do you know, I'm really pleased with this. | 0:19:13 | 0:19:16 | |
Admittedly it's not the most fashionable thing in the world today. | 0:19:16 | 0:19:20 | |
It's a sugar sifter, sort of thing you would use in the back garden while having strawberries and cream. | 0:19:20 | 0:19:25 | |
Dust a bit of sugar on there. But in 15 minutes, found it, dealt with it, bought it and out with it. | 0:19:25 | 0:19:32 | |
That's quick shopping. | 0:19:32 | 0:19:34 | |
May I see the pendant...? | 0:19:34 | 0:19:37 | |
Well, now that James is out of the shop with the silver, Kate's going for gold! | 0:19:37 | 0:19:42 | |
This 19th century pendant is 22 carat gold and has a ticket price of £95. | 0:19:42 | 0:19:48 | |
However, that might change! Watch out. | 0:19:48 | 0:19:51 | |
How much do you want for that one? | 0:19:51 | 0:19:53 | |
Do that for you for 50. | 0:19:53 | 0:19:56 | |
Could you do 40 just for me? | 0:19:56 | 0:19:58 | |
Well, I suppose. Yes, OK. | 0:19:59 | 0:20:03 | |
-Is that all right? -Yes. | 0:20:03 | 0:20:04 | |
Lovely, all right, yes, please at 40. | 0:20:04 | 0:20:06 | |
Lovely. | 0:20:06 | 0:20:08 | |
Thank you. | 0:20:08 | 0:20:10 | |
What we've got here is a stunning piece of jewellery. | 0:20:10 | 0:20:13 | |
Tested as 22 carat gold, a really high carat, | 0:20:13 | 0:20:16 | |
and you can tell from the very yellowness of the gold that it's a high carat, | 0:20:16 | 0:20:20 | |
and then probably white sapphires. | 0:20:20 | 0:20:24 | |
You can also tell that this piece has got some age because of the way it's been set, | 0:20:24 | 0:20:28 | |
the stones have a slightly irregular look to the faceting. | 0:20:28 | 0:20:32 | |
£40, I think that's an absolute bargain. | 0:20:32 | 0:20:35 | |
My only fear is that I'm putting it in a general sale | 0:20:35 | 0:20:39 | |
and will some really good jewellery buyers be there? | 0:20:39 | 0:20:43 | |
Let's hope so, Kate. Too late now! | 0:20:43 | 0:20:46 | |
So with the Triumph deceased and the Beetle recovering from engineering works, | 0:20:46 | 0:20:50 | |
it's time for Classic Car number three. | 0:20:50 | 0:20:54 | |
A suave Mark II Jag, great for a bank robbery | 0:20:54 | 0:20:57 | |
or a spot of sight-seeing, or even an episode of Morse. | 0:20:57 | 0:21:01 | |
Finally travelling in well-earned comfort, | 0:21:03 | 0:21:06 | |
our experts head 50 miles north-west from Moffat, | 0:21:06 | 0:21:10 | |
up and over to the village of Cumnock. | 0:21:10 | 0:21:13 | |
With their fierce competitive edge temporarily dulled, | 0:21:13 | 0:21:17 | |
Kate and James are getting a privileged tour of Dumfries House. | 0:21:17 | 0:21:22 | |
And what a treat this is going to be. | 0:21:22 | 0:21:24 | |
The A-listed building was home to the 5th Earl of Dumfries | 0:21:27 | 0:21:30 | |
and designed by the well-respected architect brothers John and Robert Adams. | 0:21:30 | 0:21:36 | |
In their printed works, from the 1770s, the brothers first introduced the concept of interior design, | 0:21:36 | 0:21:44 | |
fusing architecture with furniture, design and decoration skill. | 0:21:44 | 0:21:48 | |
Many of the main rooms have remained virtually unchanged | 0:21:48 | 0:21:52 | |
since Dumfries House was built 250 years ago. | 0:21:52 | 0:21:56 | |
The 5th Earl of Dumfries commissioned some striking furniture | 0:21:59 | 0:22:04 | |
from a rather famous 18th century designer, | 0:22:04 | 0:22:06 | |
Thomas Chippendale. | 0:22:06 | 0:22:08 | |
-Oh, I say. -You must see the absolute star item of our collection. | 0:22:09 | 0:22:14 | |
Oh, my gosh, that's incredible! | 0:22:14 | 0:22:16 | |
That is really the iconic piece, | 0:22:16 | 0:22:19 | |
summing up Chippendale's early career, | 0:22:19 | 0:22:22 | |
in stylistic terms it's an absolute beauty. | 0:22:22 | 0:22:24 | |
In fact, all of these beautiful pieces were nearly lost, along with the entire estate. | 0:22:24 | 0:22:30 | |
And didn't Prince Charles step in at the 11th hour? | 0:22:30 | 0:22:33 | |
He did. A two-day sale had been scheduled and part of the collection | 0:22:33 | 0:22:39 | |
had already been transported down to the sales room in London. | 0:22:39 | 0:22:44 | |
And literally three weeks before the sale would have gone ahead, | 0:22:44 | 0:22:48 | |
Prince Charles managed to lead a consortium | 0:22:48 | 0:22:51 | |
of organisations and individuals to raise enough funds. | 0:22:51 | 0:22:55 | |
We're in quite a large room here, but its proportions are quite modest, aren't they? | 0:22:55 | 0:23:00 | |
Yeah, you've put your finger on something very important there, | 0:23:00 | 0:23:03 | |
that the bookcase was in fact first purchased for the bedroom. | 0:23:03 | 0:23:07 | |
Now we've seen this that was intended for the bedroom, I'm dying to see the bed. | 0:23:07 | 0:23:11 | |
I'm dying to show you. | 0:23:11 | 0:23:13 | |
-Oh, come on then! -Me too! | 0:23:13 | 0:23:16 | |
This former home, saved by a dramatic financial rescue, | 0:23:16 | 0:23:20 | |
has one final treasure in Thomas Chippendale's spectacular mahogany bed. | 0:23:20 | 0:23:24 | |
Bespoke and made for the 5th Earl, the organic motifs entwining | 0:23:24 | 0:23:29 | |
the four posts were designed to promote fertility. Dirty beast! | 0:23:29 | 0:23:36 | |
The Earl was prepared to splash out on it, it was the most expensive item on his bill. | 0:23:36 | 0:23:40 | |
He calculated any young lady of marriageable age could not resist, | 0:23:40 | 0:23:46 | |
surrounded by such splendour. | 0:23:46 | 0:23:49 | |
Did he get many bees around his honey pot? | 0:23:49 | 0:23:51 | |
Well, he did remarry, but he was rejected by choice number one. | 0:23:51 | 0:23:56 | |
He had to settle with choice number two | 0:23:56 | 0:23:58 | |
and unfortunately an heir never materialised. | 0:23:58 | 0:24:01 | |
There's far too much to see just today. | 0:24:01 | 0:24:03 | |
It's such a shame we haven't got more time. | 0:24:03 | 0:24:06 | |
-You've got to hear the whole story. -I will definitely be coming back. | 0:24:06 | 0:24:10 | |
In the grounds of Dumfries House, one last time, our intrepid duo | 0:24:10 | 0:24:15 | |
must perform their final bout of show and tell. | 0:24:15 | 0:24:18 | |
Well, I don't know about you but I've got a huge variety of objects. | 0:24:19 | 0:24:23 | |
A huge number as well, looking at that pile. What have you got? | 0:24:23 | 0:24:26 | |
This is first, and it's a lovely Biedemeier cabinet in mahogany. | 0:24:26 | 0:24:34 | |
I think that is probably going to do very well. What did you pay for it? | 0:24:34 | 0:24:37 | |
I paid £150. | 0:24:37 | 0:24:40 | |
Did you, indeed? | 0:24:40 | 0:24:42 | |
Because you told me, "I've spent 300 on a cabinet," and made me feel so guilty | 0:24:42 | 0:24:46 | |
-which made me buy this. -Otherwise I wouldn't have half a chance. | 0:24:46 | 0:24:50 | |
What do you think to that? | 0:24:52 | 0:24:54 | |
Cor, that's a lump, isn't it? | 0:24:54 | 0:24:55 | |
Isn't it just? | 0:24:55 | 0:24:57 | |
It is lovely quality but it's just the damage, isn't it? | 0:24:57 | 0:25:00 | |
I know, good order, five grand. | 0:25:00 | 0:25:02 | |
Bad order? | 0:25:04 | 0:25:06 | |
I paid 170. In fact, I didn't. | 0:25:06 | 0:25:08 | |
I paid 230 for four objects, one of which, great, I left it in the shop. | 0:25:08 | 0:25:15 | |
It's a tray with two silk panels. | 0:25:15 | 0:25:18 | |
Careless, but fear not, James' framed kimono sleeves will be joining us for the auction later. | 0:25:18 | 0:25:25 | |
There we go, that's a Toby jug, have a look, put it back. Pretend I didn't buy it, it's horrible. | 0:25:25 | 0:25:30 | |
Yes, it's quite unglamorous but your silver-topped scent flask is rather lovely. | 0:25:30 | 0:25:34 | |
-Right. That's nice. -That's nice, yes. | 0:25:34 | 0:25:37 | |
Have a look at this. | 0:25:37 | 0:25:38 | |
Bit of a dirty box, but it is the original box, | 0:25:38 | 0:25:43 | |
inside you have indeed a very fine hat with the lovely printed label inside. | 0:25:43 | 0:25:49 | |
-That's crazy. -And he threw in... | 0:25:49 | 0:25:52 | |
a letter opener, and it's made of the oak from Ayr Church, | 0:25:52 | 0:25:58 | |
as it says on there, with the date, which is rather nice as we're going to Ayr. | 0:25:58 | 0:26:04 | |
This is the thing that I'm probably most pleased with. | 0:26:04 | 0:26:07 | |
Cor, that's belting, isn't it? | 0:26:07 | 0:26:09 | |
And gilt inside. That's lovely. | 0:26:11 | 0:26:14 | |
Smart, isn't it? £55. | 0:26:14 | 0:26:16 | |
-Ooh, that's a really good buy. -Pleased with that. | 0:26:16 | 0:26:18 | |
Right, next, a set of spoons. | 0:26:18 | 0:26:22 | |
They're Hanoverian, I think 1917 in date, with sugar nips. | 0:26:22 | 0:26:27 | |
-Lovely. -£30. -Oh, that's a gift. | 0:26:27 | 0:26:31 | |
I had a bit of a mad moment. | 0:26:31 | 0:26:33 | |
A pond yacht. It's a modern one, but a nice one. | 0:26:33 | 0:26:37 | |
Yeah. | 0:26:37 | 0:26:38 | |
It's a child size blanket box, for a nursery, and I thought somebody's bound to pay £30 for it. | 0:26:41 | 0:26:46 | |
Definitely. | 0:26:46 | 0:26:48 | |
So that and the pond yacht and the card case and the hat all set me back £30. | 0:26:48 | 0:26:54 | |
-For the lot?! -For the lot. | 0:26:54 | 0:26:56 | |
There's something seriously wrong there. | 0:26:56 | 0:26:58 | |
And the piece de resistance is... | 0:26:58 | 0:27:01 | |
That's very pretty. | 0:27:01 | 0:27:03 | |
And I just thought it was super quality. | 0:27:03 | 0:27:05 | |
-It is, it's lovely, isn't it? -But it's going in a general sale, which I have my fears about. | 0:27:05 | 0:27:10 | |
-Depends how much it was. -Well, I paid £40. | 0:27:10 | 0:27:13 | |
-HE LAUGHS -What are you worried about? | 0:27:13 | 0:27:17 | |
Now, what do our experts REALLY think of each other's purchases? | 0:27:17 | 0:27:21 | |
I'm really not sure now. | 0:27:21 | 0:27:25 | |
Because when I saw that cabinet in the shop, I thought it was fantastic. | 0:27:25 | 0:27:30 | |
I thought it was the best thing either of us have bought on the entire road trip. | 0:27:30 | 0:27:35 | |
Was it worth £150? | 0:27:35 | 0:27:37 | |
Yeah, definitely. | 0:27:37 | 0:27:39 | |
Will it make that £500/400 profit I was predicting? | 0:27:39 | 0:27:42 | |
I don't think it will. | 0:27:42 | 0:27:44 | |
As far as James' items are concerned, it's all about that Chinese vase | 0:27:44 | 0:27:49 | |
and if that flies, then I'm dead in the water. | 0:27:49 | 0:27:52 | |
Well, at least you'll have a pond yacht to keep you company! | 0:27:52 | 0:27:57 | |
Now, great joy as the much-missed Beetle is back at last, to move our experts on in open air style. | 0:27:57 | 0:28:04 | |
Kate and James are heading 16 miles due west from Cumnock. | 0:28:04 | 0:28:08 | |
Auction Day is upon us | 0:28:08 | 0:28:10 | |
as this week's road trip reaches its final stop, | 0:28:10 | 0:28:13 | |
on the west coast, in Ayr. | 0:28:13 | 0:28:15 | |
Their fifth and final auction is at Thomas R Callan's. | 0:28:16 | 0:28:20 | |
Michael Callan is our auctioneer today and has an idea about how Kate and James might fare. | 0:28:24 | 0:28:30 | |
Well, today is a general sale, so what's going to sell well | 0:28:30 | 0:28:34 | |
is really practical, functional items. | 0:28:34 | 0:28:37 | |
Things like the silverware, the teaspoons, lovely sugar caster - | 0:28:37 | 0:28:41 | |
nicest I've seen for a long long time - will do very well. | 0:28:41 | 0:28:44 | |
Kate has a lovely piece of jewellery. | 0:28:44 | 0:28:47 | |
Again, big followers of jewellery, gold at an all time high just now, | 0:28:47 | 0:28:50 | |
so that will probably do very well as well. | 0:28:50 | 0:28:53 | |
Very attractive to both the sort of private buyer and the trade buyer too. | 0:28:53 | 0:28:57 | |
What worries me a wee bit is James. | 0:28:57 | 0:29:00 | |
James has gone for one or two oriental items. | 0:29:00 | 0:29:03 | |
The padauk tray is a nice enough wee piece. | 0:29:03 | 0:29:05 | |
Again, it's functional, that will sell well. | 0:29:05 | 0:29:08 | |
The big temple jar, unfortunately, | 0:29:08 | 0:29:11 | |
has a huge amount of restoration and damage around the lip | 0:29:11 | 0:29:14 | |
and I also think it's maybe a bit too specialised for this particular sale. | 0:29:14 | 0:29:20 | |
If it was in one piece, you would look at maybe four figures, | 0:29:20 | 0:29:23 | |
but with that amount of restoration, I am a bit worried about that one today. | 0:29:23 | 0:29:29 | |
Kate started her last trip with £584.73 | 0:29:29 | 0:29:35 | |
and spent £250 on eight separate items, | 0:29:35 | 0:29:39 | |
combined into five lots for auction. | 0:29:39 | 0:29:42 | |
James started with an eye-watering £1,109.94 | 0:29:44 | 0:29:49 | |
and he actually spent some real money, £285, on five lots for today. | 0:29:49 | 0:29:55 | |
I shouldn't have bought it. I should have bought it and kept it, | 0:29:56 | 0:29:59 | |
I shouldn't even be putting it in here. | 0:29:59 | 0:30:01 | |
It should be on my sideboard at home. | 0:30:01 | 0:30:03 | |
That's where it should be. Damn! | 0:30:03 | 0:30:05 | |
For the last time this week, the hush descends, | 0:30:05 | 0:30:08 | |
the bidders get ready, and our experts steady their nerves. | 0:30:08 | 0:30:12 | |
The auction is about to begin. | 0:30:12 | 0:30:14 | |
Kicking us off today is Kate's first Newton Stewart medley. | 0:30:14 | 0:30:19 | |
The top hat, cigarette case | 0:30:19 | 0:30:21 | |
and Ayr oak letter opener, selling as one lot. | 0:30:21 | 0:30:25 | |
For the three pieces, | 0:30:25 | 0:30:26 | |
60 for them, 60, 40. | 0:30:26 | 0:30:29 | |
£20, 20, 25, 30, | 0:30:29 | 0:30:32 | |
35, 40, 45, 50. | 0:30:32 | 0:30:34 | |
55, 60, 65, 70, 75, 80. | 0:30:34 | 0:30:38 | |
At 80 at the front here, the lady at 80, any advance on 80? | 0:30:38 | 0:30:44 | |
Are you all out, are we finished? | 0:30:44 | 0:30:48 | |
Finished, then, at £80. | 0:30:48 | 0:30:50 | |
Jeez, that's incredible! | 0:30:51 | 0:30:54 | |
Large gasps indeed, | 0:30:54 | 0:30:56 | |
that's a pretty good start for today's contender. | 0:30:56 | 0:30:59 | |
Next up is the free Toby jug from heavyweight defender, Lewis. | 0:30:59 | 0:31:04 | |
Is there 60 for it? 60, £40, 40 for Toby. | 0:31:04 | 0:31:08 | |
£20, 20, 25, 30, | 0:31:09 | 0:31:12 | |
35, 40, 45, 50. | 0:31:12 | 0:31:15 | |
Corner at 50, any advance on 50? | 0:31:15 | 0:31:18 | |
At 50, any advance on 50? | 0:31:18 | 0:31:20 | |
Are we all out, are we all finished? | 0:31:20 | 0:31:22 | |
Far corner at 50, all finished then at £50. | 0:31:22 | 0:31:26 | |
And an excellent start for James, a nifty 50 from a freebie! | 0:31:26 | 0:31:31 | |
£50 is quite a significant profit. | 0:31:31 | 0:31:34 | |
You're getting choosy in your old age. | 0:31:34 | 0:31:36 | |
Now an antique that James actually paid for, | 0:31:36 | 0:31:39 | |
the handsome scent flask. | 0:31:39 | 0:31:40 | |
The silver and glass scent bottle. | 0:31:40 | 0:31:43 | |
Lovely wee scent bottle, with the original stopper, silver-topped. | 0:31:43 | 0:31:48 | |
60 for it, 40, £40. | 0:31:48 | 0:31:52 | |
£40. | 0:31:52 | 0:31:54 | |
20? 20, 25, 30, 35, | 0:31:54 | 0:31:59 | |
40. At 40, 45, | 0:31:59 | 0:32:02 | |
at 45 on my left here at 45, any advance on 45? | 0:32:02 | 0:32:06 | |
At 45, are you all out? | 0:32:06 | 0:32:09 | |
Do another one, go on! | 0:32:09 | 0:32:11 | |
At £45. | 0:32:11 | 0:32:12 | |
Good, steady work again. | 0:32:13 | 0:32:15 | |
James definitely has the eye for appealing pieces. | 0:32:15 | 0:32:18 | |
As does Kate when it comes to jewellery. Her gold pendant is next. | 0:32:18 | 0:32:23 | |
It's not hallmarked but it has been tested for 22 carat gold. | 0:32:23 | 0:32:27 | |
Lovely wee pendant and chain, 100 for it. | 0:32:27 | 0:32:31 | |
£100, 80, £60. | 0:32:31 | 0:32:34 | |
60 I'm bid. Any advance? | 0:32:34 | 0:32:37 | |
65, 70, 75, 80, 85, 90. | 0:32:37 | 0:32:42 | |
At 90, on my left here at 90. | 0:32:42 | 0:32:43 | |
Any advance at £90? At 90. | 0:32:43 | 0:32:47 | |
At 90, are you all finished? | 0:32:47 | 0:32:49 | |
All done at £90. | 0:32:49 | 0:32:52 | |
Wow, another great sale. | 0:32:52 | 0:32:55 | |
Kate's giving Big Lewis a run for his money today. | 0:32:55 | 0:32:57 | |
£90! | 0:32:57 | 0:33:00 | |
James might need a sprinkle of magic dust here as his silver sugar sifter takes the stage. | 0:33:01 | 0:33:08 | |
A lovely late Victorian embossed silver lighthouse sugar caster, | 0:33:08 | 0:33:12 | |
London 1898, lovely piece of silver, never been used, £100 for it. | 0:33:12 | 0:33:20 | |
100, 60, 60 I'm bid, at 60, 65, 70, 75, 80, 85, 90, | 0:33:20 | 0:33:26 | |
95, 100, and ten, at 110, on the book at 110. | 0:33:26 | 0:33:31 | |
At 110, are you all out? | 0:33:31 | 0:33:34 | |
All finished, then, at £110. | 0:33:34 | 0:33:36 | |
A very good investment. James's lead is still looking untouchable. | 0:33:36 | 0:33:41 | |
Can Kate work the same magic with her silverware? | 0:33:41 | 0:33:46 | |
A nice complete set, 12 silver teaspoons with the sugar tongs, | 0:33:46 | 0:33:50 | |
Sheffield 1917. Is there 60 for it? | 0:33:50 | 0:33:54 | |
40, 20 I'm bid, any advance on 20? | 0:33:54 | 0:33:59 | |
25, 30, 35, 40, | 0:33:59 | 0:34:03 | |
45, 50. At 50 behind me, at 50, any advance on 50? At £50. | 0:34:03 | 0:34:09 | |
Go on. Yes, go on. | 0:34:09 | 0:34:13 | |
At 55, at the back at 55. | 0:34:13 | 0:34:15 | |
Any advance on 55? 60 new bidder, at 60. | 0:34:15 | 0:34:20 | |
-It's your mother, so they're bidding against each other. -That's allowed! | 0:34:20 | 0:34:25 | |
That's what I like to see, family feuds. | 0:34:25 | 0:34:27 | |
At 60, any advance on 60? | 0:34:27 | 0:34:29 | |
At the back of the hall at £60. | 0:34:29 | 0:34:32 | |
All finished then at £60. | 0:34:32 | 0:34:35 | |
A good return, double money, | 0:34:35 | 0:34:37 | |
but I don't think the spoons took off like Kate was hoping. | 0:34:37 | 0:34:41 | |
That's called the luck of the Bliss. | 0:34:41 | 0:34:44 | |
Now for something completely different, | 0:34:44 | 0:34:47 | |
two kimono sleeves in a padauk frame. | 0:34:47 | 0:34:49 | |
Is there 100 for it? | 0:34:53 | 0:34:54 | |
£100, 80, £50, £50. | 0:34:54 | 0:35:01 | |
-Come on, guys. -£50, 40? | 0:35:01 | 0:35:04 | |
That is just insane. | 0:35:04 | 0:35:06 | |
£40, the wee tray, | 0:35:06 | 0:35:09 | |
40 I'm bid. At 40, 45, | 0:35:09 | 0:35:12 | |
50, 55, 60, 65. | 0:35:12 | 0:35:15 | |
At 65, any advance on 65? | 0:35:15 | 0:35:18 | |
Are you all out at 65? | 0:35:18 | 0:35:20 | |
At 65. Selling at £65. | 0:35:20 | 0:35:25 | |
James proving again that the unusual sells well. | 0:35:25 | 0:35:30 | |
Now Kate's big gamble. | 0:35:30 | 0:35:32 | |
It's my cabinet next! | 0:35:32 | 0:35:34 | |
This is the biggie. | 0:35:34 | 0:35:36 | |
Not the £300 that she told James, but still a big spend at 150. | 0:35:36 | 0:35:41 | |
Here goes. | 0:35:41 | 0:35:42 | |
Wall-mounted display case, | 0:35:42 | 0:35:45 | |
a nice one with original mirror back as well. | 0:35:45 | 0:35:49 | |
Is there 150 for it? | 0:35:49 | 0:35:51 | |
150... | 0:35:51 | 0:35:53 | |
£150. 100? | 0:35:53 | 0:35:55 | |
80, I'm bid. At 80, any advance on 80? | 0:35:57 | 0:36:00 | |
85, 90, 95, 100, | 0:36:00 | 0:36:03 | |
110, 120, 130, 140. | 0:36:03 | 0:36:08 | |
At 140, any advance on 140? | 0:36:08 | 0:36:11 | |
On my left here at 140. | 0:36:11 | 0:36:14 | |
On the left here at 140, all finished at £140. | 0:36:14 | 0:36:18 | |
Ouch! Bad luck, Kate. | 0:36:21 | 0:36:23 | |
It was worth a gamble, but today was not your day. | 0:36:23 | 0:36:26 | |
Oh, no! | 0:36:26 | 0:36:27 | |
And if that gamble looked dicey, | 0:36:27 | 0:36:29 | |
here comes the rather imperfect temple jar | 0:36:29 | 0:36:32 | |
that James splashed his biggest payment on. | 0:36:32 | 0:36:35 | |
It's a difficult one. | 0:36:35 | 0:36:37 | |
This vase at a good oriental sale is £800/500 any day. | 0:36:37 | 0:36:42 | |
Well, I bet you, after you've been getting so worried, I bet you it makes 500 quid now. | 0:36:42 | 0:36:47 | |
It should make 500 quid. I bet I make less than 100. | 0:36:47 | 0:36:51 | |
There we are then, for the 18th century temple jar | 0:36:51 | 0:36:54 | |
blue, lovely big Chinese jar and cover. | 0:36:54 | 0:36:59 | |
Oh, God, please, come on. | 0:36:59 | 0:37:01 | |
Finial is with it as well, it's off the top, | 0:37:01 | 0:37:04 | |
and you will see it has had a few nicks out of the top | 0:37:04 | 0:37:07 | |
and a bit of restoration as well. | 0:37:07 | 0:37:09 | |
-For the temple jar, then... -A bit? -Is there 300 for it, £300? -Come on! | 0:37:09 | 0:37:15 | |
£200, £100. | 0:37:15 | 0:37:20 | |
It's got to be. | 0:37:20 | 0:37:22 | |
50 then, at 50 I'm in bid. At 50... | 0:37:22 | 0:37:26 | |
60, 70, 80, 90 I'm bid. | 0:37:26 | 0:37:31 | |
100, 110, 120, 130, 140. | 0:37:31 | 0:37:36 | |
-Behind me at 140, any advance on 140? -Come on, it's worth it! | 0:37:36 | 0:37:42 | |
Are you all out? All finished then at £140. | 0:37:42 | 0:37:46 | |
Fortunately not a complete and massive loss! | 0:37:49 | 0:37:53 | |
Kate's last lot is her second Newton Stewart bundle. | 0:37:59 | 0:38:04 | |
The blanket box and pond yacht are selling together. | 0:38:04 | 0:38:08 | |
Is this a magical combo? | 0:38:08 | 0:38:10 | |
Is there 60 for them? 60, | 0:38:10 | 0:38:13 | |
40, 40 I'm bid. | 0:38:13 | 0:38:16 | |
At 40, any advance on 40? Any advance on 40? | 0:38:16 | 0:38:18 | |
45, 50, 55, 60, 65. | 0:38:18 | 0:38:23 | |
At 65, any advance on 65? | 0:38:23 | 0:38:25 | |
Any advance on 65, all finished then at £65. | 0:38:25 | 0:38:30 | |
Excellent work, Kate. And a great, final profit to finish us off. | 0:38:30 | 0:38:34 | |
You have trounced me today. | 0:38:34 | 0:38:36 | |
Well, it makes a change. | 0:38:36 | 0:38:38 | |
With James' losses, Kate made the most money today, | 0:38:41 | 0:38:46 | |
but not the massive profit she needed to beat him. | 0:38:46 | 0:38:49 | |
Kate began her last show with £584.73. | 0:38:49 | 0:38:54 | |
After a lot of hard work and paying a bit of commission, she's made a great profit of £108.34. | 0:38:54 | 0:39:01 | |
Kate ends the week with £693.07. | 0:39:01 | 0:39:07 | |
Which sounds great, until you hear about this guy. | 0:39:07 | 0:39:10 | |
James began his grand finale with a pretty healthy £1,109.94 | 0:39:11 | 0:39:17 | |
and made a small profit, for him, of £52.74. | 0:39:17 | 0:39:22 | |
But James still walks away with a terrifyingly gargantuan total | 0:39:22 | 0:39:26 | |
of £1,162.68. | 0:39:26 | 0:39:30 | |
Well, if the hat fits, wear it. | 0:39:30 | 0:39:33 | |
So, three weeks into the Antiques Road Trip and there are now six names on the leader board. | 0:39:35 | 0:39:40 | |
Straight in at Number One this week, is the new Emperor of the Auction. | 0:39:40 | 0:39:46 | |
Our James Lewis, with a tough total to beat. | 0:39:46 | 0:39:49 | |
Kate nudges into second place with her thoroughly healthy winnings, | 0:39:50 | 0:39:56 | |
just above Charles Hanson. | 0:39:56 | 0:39:58 | |
In fourth position is Mark Stacey, and in fifth is Jonathan Pratt. | 0:39:58 | 0:40:03 | |
Charlie Ross is still holding steady, | 0:40:03 | 0:40:05 | |
at the bottom, in sixth place. | 0:40:05 | 0:40:08 | |
Subtitles by Red Bee Media Ltd | 0:40:26 | 0:40:29 |