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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:08 | |
-Who can make the most money buying and selling antiques as they scour the UK? -It's a deal! | 0:00:08 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:22 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
I'm feeling very sorry for myself. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
We're in Edinburgh today, on the road and the pavements with auctioneer James Lewis. | 0:00:37 | 0:00:43 | |
And fine art valuer Kate Bliss. | 0:00:43 | 0:00:45 | |
You made me jump out of my skin. | 0:00:45 | 0:00:47 | |
-How are you? -Welcome back -What a warm welcome. | 0:00:47 | 0:00:50 | |
These must be our cosiest competitors. | 0:00:50 | 0:00:52 | |
-I felt awful not being here. -I missed you. | 0:00:52 | 0:00:54 | |
-It was a good auction though wasn't it? -It seemed fantastic. | 0:00:54 | 0:00:57 | |
James missed it but Kate made the most money at yesterday's auction here at Edinburgh. | 0:00:57 | 0:01:03 | |
She'd taken a gamble on a pair of candelabrum. | 0:01:03 | 0:01:06 | |
They weren't cheap but made a great profit. | 0:01:06 | 0:01:09 | |
At 380 last call at 380 and I'm selling them at 380. | 0:01:09 | 0:01:14 | |
380? Yes! | 0:01:14 | 0:01:16 | |
Kate was miles behind James in terms of buying power but now the gap is closing | 0:01:16 | 0:01:21 | |
and she has £497.55 in her purse today | 0:01:21 | 0:01:25 | |
thanks to the candelabrum success and James doubted her on them. | 0:01:25 | 0:01:29 | |
I remember showing you and you sort of went, "How much?!" | 0:01:29 | 0:01:34 | |
I thought we were going to both crash and burn. | 0:01:34 | 0:01:36 | |
Er, perhaps a touch of false modesty there James. | 0:01:36 | 0:01:39 | |
It would take a lot for him to crash and burn at this stage. | 0:01:39 | 0:01:42 | |
James has been well out in front profit-wise all week. | 0:01:42 | 0:01:46 | |
His pockets are bulging with £1,006.95 to spend on this leg of the journey. | 0:01:46 | 0:01:53 | |
They're staying put in Edinburgh today for more antique searching. | 0:01:53 | 0:01:57 | |
I'm quite excited, because I think there is going to be some | 0:01:59 | 0:02:01 | |
really good things here but it could be quite expensive being Edinburgh. | 0:02:01 | 0:02:05 | |
I agree, it's going to be very expensive here. | 0:02:05 | 0:02:08 | |
James and Kate started their week in Helmsdale | 0:02:08 | 0:02:11 | |
and are taking the roads both high and low to the delights of Ayr. | 0:02:11 | 0:02:16 | |
On this leg they'll ferret out bargains in the Scottish capital | 0:02:16 | 0:02:20 | |
and the village of Croftamie and then head for auction in Hamilton. | 0:02:20 | 0:02:25 | |
Edinburgh's sometimes fondly called Auld Reekie, that's Scots for Old Smoky | 0:02:26 | 0:02:32 | |
because there was smoke aplenty back in the day of coal and wood fires. | 0:02:32 | 0:02:37 | |
These days it's a tourist mecca so antique prices might be high and there's another challenge. | 0:02:37 | 0:02:44 | |
Their next auction in Hamilton will be quite different from the Edinburgh one. | 0:02:44 | 0:02:48 | |
The word from the auction house there is that it's a general household sale with only a small antique section. | 0:02:48 | 0:02:55 | |
-So what's James's strategy? -There's nothing I love more than spending money, I love it, | 0:02:55 | 0:03:01 | |
but if we're going to take these things to this auction room | 0:03:01 | 0:03:05 | |
it means really that I can't buy the very finest things. | 0:03:05 | 0:03:10 | |
I've got to be sensible. I can't spend a lot of money here, it would be suicide. | 0:03:10 | 0:03:15 | |
So melodramatic, old chap. | 0:03:15 | 0:03:16 | |
It's a competition, not a matter of life or death! | 0:03:16 | 0:03:19 | |
But if you're going to play it safe, maybe Kate can win this leg as well as the last. | 0:03:19 | 0:03:25 | |
She's starting her search today in an antique shop with a difference. | 0:03:25 | 0:03:28 | |
Frenchman Cedric sells antiques at the back but the front of the shop | 0:03:28 | 0:03:33 | |
is his own little tea emporium with 65 flavours on offer. | 0:03:33 | 0:03:37 | |
Let's hope Kate doesn't look for her fortune in the tea leaves. | 0:03:37 | 0:03:40 | |
-Morning. -Morning. -How are you? | 0:03:40 | 0:03:43 | |
Hi, I'm Kate. How do you do? | 0:03:43 | 0:03:44 | |
I'm Cedric. Pleased to meet you. | 0:03:44 | 0:03:46 | |
Is the mild-mannered Cedric Kate's next victim in the bargaining charm offensive? | 0:03:46 | 0:03:52 | |
She's learned fast this week how to parlez her charms into bargaining power. | 0:03:52 | 0:03:57 | |
Couldn't you do just a nice round figure of 20. | 0:03:57 | 0:04:00 | |
Just for me? | 0:04:02 | 0:04:05 | |
-55? -And she's not above using emotional manipulation. | 0:04:05 | 0:04:09 | |
I've just got to beat the other guy, the problem is James is just | 0:04:09 | 0:04:13 | |
streaking ahead and I've got to try my very best. | 0:04:13 | 0:04:18 | |
Now she's spotted a cafe au lait set. | 0:04:18 | 0:04:21 | |
It was the French who first added milk to coffee. | 0:04:23 | 0:04:26 | |
They didn't care for the Turkish style of drinking it black. | 0:04:26 | 0:04:29 | |
So coffee and hot milk. | 0:04:29 | 0:04:31 | |
-That's correct yes. -The French way? | 0:04:31 | 0:04:33 | |
And you would have to pour them together. | 0:04:33 | 0:04:36 | |
Ah, is that very important? | 0:04:36 | 0:04:38 | |
Well, some people think it's important. | 0:04:38 | 0:04:40 | |
It's a bit like would you put milk first or... | 0:04:40 | 0:04:44 | |
In tea? I'm definitely a milk afterwards person. Are you milk first? | 0:04:44 | 0:04:49 | |
-I don't do milk at all. -You don't do milk at all. Typically French. | 0:04:49 | 0:04:51 | |
It's always my problem. | 0:04:51 | 0:04:53 | |
Is our English rose flirting with the Frenchman over coffee? | 0:04:53 | 0:04:58 | |
The jugs are late Victorian and silver-plated but priced at £75. | 0:04:58 | 0:05:03 | |
OK, I'll have a think on those. | 0:05:03 | 0:05:06 | |
As luck would have it, James might have picked the right shop for a general household sale, | 0:05:06 | 0:05:12 | |
but what's he made a beeline for? | 0:05:12 | 0:05:14 | |
-Top hats! -With these silk top hats | 0:05:14 | 0:05:17 | |
occasionally if you get a big one and it's right for the modern day big heads like mine | 0:05:17 | 0:05:23 | |
they make quite a lot of money - £500 to £800. Small one - 20 quid. | 0:05:23 | 0:05:28 | |
Absolute nightmare to sell but for those of you who go to Ascot | 0:05:28 | 0:05:33 | |
or Royal Ascot, these things can be £3,000, £4,000 from a retailer | 0:05:33 | 0:05:39 | |
so keep your eyes open in the antiques shops and if it's a big size, buy it if it's cheap. | 0:05:39 | 0:05:44 | |
Top tip, James. | 0:05:44 | 0:05:46 | |
Better diet these days means bigger bones, so there's money in finding | 0:05:46 | 0:05:50 | |
an antique top hat to fit the modern head. | 0:05:50 | 0:05:54 | |
And thoughts of Ascot lead James in the direction of champagne - a champagne bucket, to be precise. | 0:05:54 | 0:06:01 | |
It's not great quality but at the end of the day, it's a tenner. | 0:06:04 | 0:06:07 | |
This champagne bucket is a classic campana shape, | 0:06:07 | 0:06:10 | |
inspired by the shape of lots of artefacts excavated from Pompeii. | 0:06:10 | 0:06:15 | |
A similar silver plated example from say 1800 might fetch | 0:06:15 | 0:06:20 | |
around £500 at auction but this a very recent and cheap reproduction. | 0:06:20 | 0:06:25 | |
-It's glitzy. -Correct me if I'm wrong but is this not the ANTIQUE Road Trip? | 0:06:25 | 0:06:31 | |
That's more like it, a cast iron door knocker with an un-engraved brass plaque. | 0:06:35 | 0:06:40 | |
-How much is the door knocker? -£25. | 0:06:40 | 0:06:43 | |
25? Blimey! | 0:06:43 | 0:06:45 | |
That's not expensive. | 0:06:45 | 0:06:47 | |
It's a nice early thing. | 0:06:47 | 0:06:49 | |
Gosh. | 0:06:51 | 0:06:54 | |
The difficulty is for me I love this door knocker - it's got everything about it, it's architectural, | 0:06:54 | 0:07:00 | |
it's a good, solid casting, it's got a plaque at the top to engrave the name of the house. | 0:07:00 | 0:07:05 | |
I guess it's about 1850, lovely. | 0:07:05 | 0:07:09 | |
That would really set off a fine Edinburgh town house, it really would. | 0:07:09 | 0:07:14 | |
Alas, the auction's in Hamilton but it's only £25 and you do have over £1,000 to spend. | 0:07:14 | 0:07:22 | |
Kate's moved on from a pair of coffee pots to a pair of table lamps. | 0:07:22 | 0:07:27 | |
They've got a bit of a look about them, I think. | 0:07:27 | 0:07:31 | |
But she's also veered off the antique track. | 0:07:31 | 0:07:34 | |
I don't think they're very old at all. | 0:07:35 | 0:07:38 | |
These things can be knocked out quite quickly but | 0:07:38 | 0:07:41 | |
I think it's quite nice to have the pair. | 0:07:43 | 0:07:45 | |
They're antique in style but as Kate suspects, the lamps are a very recent reproduction and the high | 0:07:45 | 0:07:52 | |
polish finish suggests they're not a good quality English alabaster, which tends to be more matte. | 0:07:52 | 0:07:58 | |
These are probably a white soapstone so if Kate's going to buy them | 0:07:58 | 0:08:02 | |
she doesn't want to pay Cedric's asking price of £60. | 0:08:02 | 0:08:06 | |
Let's hope the flirting over coffee has softened him up. | 0:08:06 | 0:08:09 | |
The best I could do on those is £40 for the pair. That's the really... | 0:08:09 | 0:08:16 | |
That is the lowest. I was really hoping for - it's really cheeky - I was thinking around 20. | 0:08:16 | 0:08:22 | |
That is very low. I couldn't really do that, sorry. | 0:08:22 | 0:08:26 | |
That's a lot. | 0:08:30 | 0:08:33 | |
Could you help any more at all? | 0:08:33 | 0:08:36 | |
Erm, I could go halfway and I could do 30. | 0:08:36 | 0:08:40 | |
You could do 30. | 0:08:40 | 0:08:42 | |
But that's... | 0:08:42 | 0:08:43 | |
the very, very best I can do. | 0:08:45 | 0:08:49 | |
Mm-hm. Let me have another look at them. | 0:08:49 | 0:08:51 | |
On the road this week, as well as bargaining with ladylike charm, | 0:08:51 | 0:08:55 | |
Kate's also played the uncomfortable silence tactic to good effect, but usually the dealer is present. | 0:08:55 | 0:09:02 | |
I'm not sure out-silencing the lamp bases on your own is going to work. | 0:09:02 | 0:09:07 | |
Cedric. Final offer, can you do 25 cash? | 0:09:16 | 0:09:21 | |
HE LAUGHS | 0:09:23 | 0:09:25 | |
-You're very hard. -Just for me. | 0:09:25 | 0:09:27 | |
Just for you? | 0:09:27 | 0:09:28 | |
-Right, OK. -Could you? | 0:09:28 | 0:09:32 | |
-In this particular case, yes. -I'll buy a cup of tea from you. | 0:09:32 | 0:09:35 | |
That's very kind of you. | 0:09:35 | 0:09:37 | |
That would be brilliant, all right, thank you very much indeed. | 0:09:37 | 0:09:41 | |
Put a premium on that cup of tea, Cedric! | 0:09:41 | 0:09:44 | |
Across town I sense James is gearing up for some negotiation. | 0:09:44 | 0:09:48 | |
Owner Bobby is only asking for £25 for the door knocker | 0:09:48 | 0:09:52 | |
and £10 for the glitzy champagne bucket. Let's see what happens. | 0:09:52 | 0:09:57 | |
OK. | 0:09:59 | 0:10:01 | |
What would you do the two for? | 0:10:01 | 0:10:03 | |
If only Bobby realised just how much money James actually has. | 0:10:03 | 0:10:08 | |
I'll take a tenner off the two. | 0:10:08 | 0:10:10 | |
At that you've got a deal. | 0:10:11 | 0:10:13 | |
You've got a deal. | 0:10:13 | 0:10:16 | |
Well, there we go, I don't know if I've made a complete and utter howler or done a really good deal. | 0:10:16 | 0:10:22 | |
-So we'll see. -What do you mean, a howler? You spent £25, | 0:10:22 | 0:10:26 | |
with the warm champagne thrown in as well! That's brilliant. | 0:10:26 | 0:10:29 | |
Kate's moved on to her next shop. | 0:10:29 | 0:10:32 | |
It's got all sorts of treasures and it seems another one is on the way. | 0:10:32 | 0:10:37 | |
-Hello. -Hey, what are you doing here? | 0:10:37 | 0:10:40 | |
Of all the places, of all the antiques shops in all of Edinburgh you had to come into mine. | 0:10:40 | 0:10:45 | |
Enough of the Bogart impressions, Kate upstairs, James down. | 0:10:45 | 0:10:50 | |
MUSIC: "As Time Goes By" | 0:10:50 | 0:10:54 | |
Yeah, there's some brilliant things in this shop. Absolutely brilliant. | 0:10:56 | 0:11:00 | |
Ooh, Kate has tripped over a bargain already. | 0:11:00 | 0:11:04 | |
They're obviously some kind of medical instruments but I don't know what on earth they're for. | 0:11:04 | 0:11:10 | |
Anyway, they're all stamped. | 0:11:10 | 0:11:13 | |
Has James found anything as intriguing? | 0:11:13 | 0:11:16 | |
No, I'd say not. | 0:11:16 | 0:11:19 | |
But Kate has found owner Lewis to enlighten her on the strange surgical instruments. | 0:11:19 | 0:11:26 | |
-They're forceps for delivering babies. -Are they? They're forceps. | 0:11:26 | 0:11:30 | |
And they're all different sizes. | 0:11:30 | 0:11:33 | |
Gosh, that makes me wince. | 0:11:33 | 0:11:36 | |
Hmm, and probably not something that would do well for you in a general sale. | 0:11:36 | 0:11:40 | |
I'm not finding this very easy at all. | 0:11:42 | 0:11:46 | |
Loads of stuff, | 0:11:46 | 0:11:48 | |
some interesting, but the interesting things are really very well priced. | 0:11:48 | 0:11:53 | |
They're worth it, it's not a rip off, | 0:11:53 | 0:11:56 | |
but there is certainly quite a way to go before I can even start to | 0:11:56 | 0:12:00 | |
think about negotiating with it. | 0:12:00 | 0:12:03 | |
Oh, come on, James, you've got stacks of cash. Live a little. | 0:12:03 | 0:12:06 | |
-Aren't they fun? -That's more like it. | 0:12:10 | 0:12:13 | |
Fancy dress outfits, 19th century or Edwardian. | 0:12:15 | 0:12:20 | |
My friends normally get me dressed up as Henry VIII when we go to a fancy dress party. | 0:12:20 | 0:12:25 | |
I don't have to make much effort to look like Henry VIII. | 0:12:25 | 0:12:29 | |
Henry VIII downstairs and is that a French schoolgirl upstairs? | 0:12:29 | 0:12:34 | |
Is the bow meant to be at the back? | 0:12:34 | 0:12:36 | |
The hat's just the start of it for Kate. | 0:12:36 | 0:12:39 | |
Vintage clothing and accessories are all the rage these days and there are decades' worth to choose from. | 0:12:39 | 0:12:47 | |
Even men are getting in on the act. | 0:12:47 | 0:12:49 | |
Is James looking for a cardigan, perhaps? | 0:12:49 | 0:12:52 | |
-Hi! What do you think? -Suits you. | 0:12:52 | 0:12:55 | |
Do you want to swap? | 0:12:55 | 0:12:57 | |
Yep, ready to swap. I could spend a fortune on clothes up here. | 0:12:57 | 0:13:01 | |
-Do you know there's a jacket that might just suit you in there? -Oh, really? | 0:13:01 | 0:13:05 | |
-She clearly means this one. -Well, you'd hope but who knows how Kate mentally dresses you? | 0:13:10 | 0:13:17 | |
Well, I hope she means this one, all the others are women's. | 0:13:17 | 0:13:20 | |
Mmm, I don't think I want to know. | 0:13:20 | 0:13:22 | |
Kate's now spotted an umbrella with a little eye-catching extra. | 0:13:24 | 0:13:28 | |
Hmm. | 0:13:30 | 0:13:32 | |
Now that, to me, says 18 carat, | 0:13:32 | 0:13:35 | |
which is rather smart | 0:13:35 | 0:13:37 | |
and you've got the name inside. | 0:13:37 | 0:13:41 | |
It says Paragon | 0:13:41 | 0:13:44 | |
and then it says S Fox and Co Ltd, made in England | 0:13:44 | 0:13:48 | |
and there's a little symbol of a running fox. | 0:13:48 | 0:13:51 | |
Fox and Paragon are among the oldest and most famous names in umbrellas. | 0:13:51 | 0:13:56 | |
Samuel Fox revolutionised umbrella manufacturing in the mid-1850s | 0:13:56 | 0:14:01 | |
with the U-shaped Paragon steel rib design. | 0:14:01 | 0:14:05 | |
So I would say in date this is probably '40s. | 0:14:05 | 0:14:10 | |
It's a lovely bit of vintage accoutrement, if you like. | 0:14:10 | 0:14:15 | |
This accoutrement, or accessory, used to be just for ladies. | 0:14:15 | 0:14:21 | |
Men were considered wet if they used an umbrella but thankfully | 0:14:21 | 0:14:23 | |
the brolly caught on in Britain as a unisex item in the mid-18th century. | 0:14:23 | 0:14:28 | |
Well, the price tag is £45 | 0:14:28 | 0:14:33 | |
which I don't think is too bad. | 0:14:33 | 0:14:35 | |
Maybe not if it were going to a vintage specialist sale, Kate, but it isn't. | 0:14:35 | 0:14:41 | |
I don't know, it's a real gamble. I certainly wouldn't want to pay £45 | 0:14:41 | 0:14:44 | |
so I think it's all down to what I can negotiate. | 0:14:44 | 0:14:47 | |
Let's go and have a chat. | 0:14:51 | 0:14:53 | |
I'm beaten, I think I'm beaten. | 0:14:54 | 0:14:58 | |
I hate being beaten. | 0:15:00 | 0:15:02 | |
Beaten? A jam-packed shop and close to £1,000 in your pocket? | 0:15:02 | 0:15:08 | |
Surely he can find something here. | 0:15:08 | 0:15:10 | |
Kate has. And just what technique will she try on Lewis? | 0:15:10 | 0:15:14 | |
£45. | 0:15:14 | 0:15:17 | |
-£25. -Here we go... | 0:15:17 | 0:15:19 | |
Hmm. Let me put you in the picture. | 0:15:19 | 0:15:22 | |
My opponent is streaking ahead of me at auction in that he's | 0:15:22 | 0:15:28 | |
got double my profit almost, in fact I think he's got a bit more. | 0:15:28 | 0:15:32 | |
So I really am in desperate straits. | 0:15:32 | 0:15:35 | |
So I could do with a really, really | 0:15:35 | 0:15:39 | |
good price. | 0:15:39 | 0:15:41 | |
-If possible. -20? | 0:15:41 | 0:15:45 | |
It's a very nice handle | 0:15:45 | 0:15:48 | |
-and it even works. -Mmm. | 0:15:49 | 0:15:51 | |
Could we say ten? | 0:15:53 | 0:15:55 | |
Just for me? | 0:15:55 | 0:15:57 | |
We could say 15. | 0:15:57 | 0:16:00 | |
-12? -Yeah. OK. -Thank you very much. | 0:16:00 | 0:16:04 | |
Poor Lewis didn't stand a chance against Kate's sob story and big doe eyes. | 0:16:04 | 0:16:10 | |
She really milked it! | 0:16:10 | 0:16:13 | |
And heavens above, has James finally found something suitable for his self-imposed stingy strategy? | 0:16:13 | 0:16:20 | |
That is a classic bit of Art Deco ceramics. | 0:16:24 | 0:16:28 | |
Made around 1925, 1935 everything about that screams Deco. | 0:16:28 | 0:16:34 | |
Its shape, with these buttress legs, these great big mad, meant to be | 0:16:34 | 0:16:39 | |
fruits I guess, or stylised flower heads but mad colours. | 0:16:39 | 0:16:44 | |
And it all clashes, one thing after another. | 0:16:44 | 0:16:47 | |
The shape clashes with the colour, the colours clash with one another. | 0:16:47 | 0:16:51 | |
Maker, Myatt and Sons, made in England. | 0:16:51 | 0:16:56 | |
Hmm... it's not a great maker but it's got a bit of a look to it. | 0:16:56 | 0:17:01 | |
Myatt and Sons' Staffordshire pottery was more the poor man's version of Art Deco. | 0:17:01 | 0:17:06 | |
They tended to be slightly behind the times with their designs. | 0:17:06 | 0:17:11 | |
This globular style vase was popular in the mid-1920s | 0:17:11 | 0:17:15 | |
but Myatt and sons didn't produce their own Bulb Bowl until 1933. | 0:17:15 | 0:17:20 | |
Lewis. | 0:17:20 | 0:17:22 | |
How much is that, please? | 0:17:22 | 0:17:24 | |
£10 for that. | 0:17:24 | 0:17:27 | |
I don't think there's any cracks in it. | 0:17:27 | 0:17:30 | |
-RINGS -No that's absolutely fine. | 0:17:30 | 0:17:34 | |
If the vase was cracked, it would make a flat sound but this one rings clear, so not bad for a tenner. | 0:17:34 | 0:17:41 | |
I'll take that. | 0:17:41 | 0:17:43 | |
Thank you very much, that's very reasonable indeed. | 0:17:43 | 0:17:46 | |
Lovely. Thank you so much and I hope I don't drop it. | 0:17:46 | 0:17:51 | |
Please don't drop it. I couldn't go through this whole routine again. | 0:17:51 | 0:17:56 | |
There is absolutely no chance of me spending a lot of money. | 0:17:56 | 0:17:59 | |
I'm happy to take a gamble, I'm not happy to commit suicide, that's the difference. | 0:17:59 | 0:18:05 | |
Oh, there you go again with the life and death thing, it's only a game, loosen up! | 0:18:05 | 0:18:11 | |
Kate must be feeling confident about the two buys under her belt. | 0:18:11 | 0:18:15 | |
She's headed to Edinburgh's Royal Mile to meet Rosalyn Harkness at the camera obscura. | 0:18:15 | 0:18:22 | |
-Hi. -Kate? Hello. Nice to see you. | 0:18:24 | 0:18:26 | |
-Hi, thanks for having me. -Not a problem. | 0:18:26 | 0:18:28 | |
Come along and I'll show you inside. | 0:18:28 | 0:18:30 | |
-Great. It's such a great building. -It's beautiful, isn't it? | 0:18:30 | 0:18:33 | |
Camera obscura is the name given to an optical device which creates an | 0:18:33 | 0:18:37 | |
inverted image of an outside scene by letting light rays pass through a pinhole into a darkened room. | 0:18:37 | 0:18:45 | |
Edinburgh does the camera obscura on a grand scale. | 0:18:45 | 0:18:49 | |
So this is where it all happens, is it, Roslyn? | 0:18:49 | 0:18:52 | |
Yes, this is the camera obscura, Kate, it's essentially like walking | 0:18:52 | 0:18:56 | |
inside a giant camera, same sort of principle. | 0:18:56 | 0:19:00 | |
It's not a camera in the modern sense because it only projects images, in this case three lenses and a mirror | 0:19:00 | 0:19:05 | |
in a periscope at the top of the tower reflect a 360 degree panorama of Edinburgh city. | 0:19:05 | 0:19:13 | |
It might take your eyes a couple of minutes to adjust, as you can see. | 0:19:13 | 0:19:16 | |
Wow! It's great it's such a clear day isn't it, that we can see so far. | 0:19:16 | 0:19:20 | |
Ooh there's a seagull. | 0:19:20 | 0:19:22 | |
Gosh. it's amazing, you can see the flag blowing in the wind up there. | 0:19:22 | 0:19:27 | |
Look at that, it just brings it alive, doesn't it? | 0:19:27 | 0:19:29 | |
It really makes you realise what you're looking at. | 0:19:29 | 0:19:33 | |
Edinburgh's camera obscura exists thanks to Maria Short. | 0:19:33 | 0:19:38 | |
She set this up in the 1850s and it's been open to the public ever since. | 0:19:38 | 0:19:43 | |
In Victorian times, when she started it here in 1853, | 0:19:43 | 0:19:46 | |
people could come and look as they do today. | 0:19:46 | 0:19:48 | |
Absolutely, and they were terrified, some of them. | 0:19:48 | 0:19:51 | |
Obviously, Victorians, some of them hadn't even seen a photograph | 0:19:51 | 0:19:55 | |
so when ladies saw these live, moving, colour images, | 0:19:55 | 0:19:58 | |
some of them were absolutely terrified and were known to faint. | 0:19:58 | 0:20:02 | |
Improved lenses in the 19th century saw grand-scale camera obscuras | 0:20:02 | 0:20:07 | |
like this one become popular as entertainment, especially in picturesque areas. | 0:20:07 | 0:20:12 | |
-This is the castle, then? -That's correct. Edinburgh Castle. | 0:20:12 | 0:20:15 | |
But in the 17th and 18th centuries, small, portable devices were used as drawing aids. | 0:20:15 | 0:20:21 | |
The reason I know the camera obscura is the way it was used in art | 0:20:21 | 0:20:25 | |
many centuries ago, because a lot of the old masters - | 0:20:25 | 0:20:28 | |
and even before that - used the camera obscura | 0:20:28 | 0:20:30 | |
-when they were doing their paintings. -Absolutely. | 0:20:30 | 0:20:33 | |
They used them essentially for perspective | 0:20:33 | 0:20:36 | |
but there is some evidence now that points to cave paintings, | 0:20:36 | 0:20:40 | |
for example, in south-western France, and they believe | 0:20:40 | 0:20:43 | |
that the cave people used the same sort of principle because a lot of the images are upside down. | 0:20:43 | 0:20:49 | |
Light coming in through the rock, | 0:20:49 | 0:20:51 | |
and they saw what was going on outside and painted what they could | 0:20:51 | 0:20:54 | |
-see from there, so it might even go back as far as 30,000 years. -Wow, that's amazing! | 0:20:54 | 0:20:58 | |
While Kate's been learning obscura facts, James has been window shopping. | 0:20:58 | 0:21:04 | |
He's looking in the window of a shop trading mainly in old toys. | 0:21:04 | 0:21:08 | |
I'm not getting the general household sale vibe here at all, but hang on... | 0:21:08 | 0:21:12 | |
Unlike Kate's lamps, this is not a repro. | 0:21:12 | 0:21:16 | |
Most likely French alabaster from the 1920s. | 0:21:16 | 0:21:20 | |
Alabaster comes in a variety of colours and is softer | 0:21:20 | 0:21:23 | |
and easier to carve than marble. | 0:21:23 | 0:21:26 | |
These cockatoos are a touch grimy and owner David has £100 on the ticket price. | 0:21:26 | 0:21:32 | |
I think, in perfect order, it's £70. | 0:21:38 | 0:21:41 | |
James must be thinking it's worth a punt as he's doing the usual | 0:21:41 | 0:21:44 | |
and pointing out the flaws to bring the price down. | 0:21:44 | 0:21:47 | |
That's there as well. | 0:21:47 | 0:21:49 | |
That doesn't worry me too much, that little bit at the back, | 0:21:49 | 0:21:53 | |
but there's a big chunk out of the front as well. Hmmm. | 0:21:53 | 0:21:57 | |
No... It's sort of 30 quid, damaged. | 0:22:00 | 0:22:05 | |
Is that any good to you? | 0:22:05 | 0:22:07 | |
I'd let it go for 50. | 0:22:07 | 0:22:09 | |
I could do 35... | 0:22:12 | 0:22:15 | |
If that was any good to you. | 0:22:15 | 0:22:16 | |
Hmmm... | 0:22:18 | 0:22:20 | |
-OK. -Deal. | 0:22:20 | 0:22:22 | |
£35. Thank you very much. | 0:22:22 | 0:22:25 | |
-And... -I'll miss them. | 0:22:25 | 0:22:28 | |
-Oh, have you had them a long time? -Not that long but, you know... | 0:22:28 | 0:22:33 | |
Oh, dear. Make it a quick farewell then, James. | 0:22:33 | 0:22:37 | |
Edinburgh's played host to our experts who have had an excellent rummage with patchy results. | 0:22:40 | 0:22:46 | |
So time for a kip, I think. | 0:22:46 | 0:22:48 | |
We've finally got the Scottish weather everybody's been telling us about. | 0:22:57 | 0:23:01 | |
Come rain or shine, though, the antique deals have to be found. | 0:23:01 | 0:23:04 | |
James is winning the war but Kate won yesterday's show | 0:23:04 | 0:23:07 | |
and she's keen to find that big buy to beat James on this leg as well. | 0:23:07 | 0:23:12 | |
Their next auction will be in Hamilton and today our pair | 0:23:12 | 0:23:16 | |
are heading west from Edinburgh to just outside the village of Killearn. | 0:23:16 | 0:23:21 | |
Yesterday, Kate used her charms to buy a 1940s umbrella | 0:23:21 | 0:23:26 | |
and a pair of table lamps of indeterminate age. | 0:23:26 | 0:23:29 | |
She spent £37 in total, leaving her with £460.55 today. | 0:23:29 | 0:23:35 | |
James bought four items in the end - | 0:23:35 | 0:23:38 | |
the Champagne bucket, the cast iron door knocker, an art deco bulb bowl and the alabaster cockatoo lamp. | 0:23:38 | 0:23:45 | |
He spent a canny £70 and has £936.95 still to play with if he wants. | 0:23:45 | 0:23:52 | |
But it seems he doesn't. | 0:23:52 | 0:23:55 | |
Fantastic. I've been looking forward to this. | 0:23:56 | 0:23:59 | |
-Have a lovely time. -I feel like a naughty boy. | 0:23:59 | 0:24:01 | |
You are a naughty boy. Tomorrow is the last leg of their road trip | 0:24:01 | 0:24:04 | |
and James clearly wants to hang on to his massive lead. | 0:24:04 | 0:24:07 | |
Talk about competitive. But a man's got to do what a man's got to do. | 0:24:07 | 0:24:11 | |
And this man wants to visit a distillery. | 0:24:11 | 0:24:14 | |
They've been making whisky at Glengoyne for nearly 200 years but not always legally. | 0:24:14 | 0:24:19 | |
In the early 19th century the Government taxed spirit production | 0:24:19 | 0:24:23 | |
heavily to fund the war against France, so lots of whisky makers operated under the radar. | 0:24:23 | 0:24:30 | |
A law change in the 1820s reduced the tax and the cost of a licence, | 0:24:30 | 0:24:36 | |
so Glengoyne went legal in 1833. | 0:24:36 | 0:24:39 | |
Arthur is James's guide today. | 0:24:39 | 0:24:42 | |
-Goodness me. -This is our still house, James, and this is where | 0:24:42 | 0:24:47 | |
we do the whole production process within this building. | 0:24:47 | 0:24:51 | |
They produce around three million bottles of whisky here a year. | 0:24:53 | 0:24:56 | |
And along with some barley and yeast, it takes 100 litres of water to make the one bottle. | 0:24:56 | 0:25:02 | |
Just as well there's a waterfall on the premises. | 0:25:02 | 0:25:06 | |
The name "whisky" actually comes from the Gaelic "uisge beatha", meaning "water of life". | 0:25:06 | 0:25:11 | |
Uisge beatha got shortened to "uisge", which then became whisky in English, | 0:25:11 | 0:25:16 | |
if you see what I mean. | 0:25:16 | 0:25:17 | |
Is this a Highland malt here? | 0:25:17 | 0:25:19 | |
Yes, yes, by our finger tips. | 0:25:19 | 0:25:21 | |
We've got five whisky regions - Speyside, Islay, Campbeltown, the Highlands and the Lowlands. | 0:25:21 | 0:25:28 | |
The border between the Highlands and the Lowlands is the road that you crossed to get in here today. | 0:25:28 | 0:25:33 | |
-Oh, OK, so you're just Highlands. -Yes. | 0:25:33 | 0:25:35 | |
So we distil here in the Highlands and then we send it underneath the road and into the Lowlands. | 0:25:35 | 0:25:39 | |
-To store it. -To store it. And they lie in the Lowlands in our warehouses to mature. | 0:25:39 | 0:25:44 | |
At Glengoyne, all whisky is aged for at least ten years, | 0:25:46 | 0:25:49 | |
but for any whisky to earn the label "Scotch whisky", | 0:25:49 | 0:25:53 | |
it has to be aged for a minimum of three years and one day. | 0:25:53 | 0:25:57 | |
Gosh, you almost feel high on those fumes. Wow! | 0:25:57 | 0:26:02 | |
Single malts are the creme de la creme of whiskies | 0:26:02 | 0:26:04 | |
but distilleries also make the cheaper, blended variety. | 0:26:04 | 0:26:09 | |
-Right, James. -Oh, wow, this looks like a laboratory. | 0:26:09 | 0:26:12 | |
This is the Glengoyne sample room. | 0:26:12 | 0:26:14 | |
Purists might look on them with disdain, but around 90% | 0:26:14 | 0:26:18 | |
of whisky produced in Scotland is blended, so someone must like it! | 0:26:18 | 0:26:22 | |
James is going to try his hand at this subtle art. | 0:26:22 | 0:26:25 | |
And if you nose that... | 0:26:25 | 0:26:28 | |
OK, let the fun begin. | 0:26:28 | 0:26:30 | |
You need to start your blend with a base of grain whiskey. | 0:26:30 | 0:26:33 | |
It's produced far more quickly and cheaply than a malt. | 0:26:33 | 0:26:36 | |
Then you add malts to build up the flavour. | 0:26:36 | 0:26:39 | |
Nose it. | 0:26:41 | 0:26:43 | |
-Different again. -Yes. | 0:26:45 | 0:26:47 | |
The trick is in choosing ones which complement each other | 0:26:47 | 0:26:51 | |
rather than compete. | 0:26:51 | 0:26:52 | |
You see how the flavour's beginning to develop? | 0:26:53 | 0:26:57 | |
A good quality blend will have 25 to 30 different malts in it | 0:26:57 | 0:27:01 | |
but we don't have all day. | 0:27:01 | 0:27:03 | |
-Well done. -Fantastic. | 0:27:05 | 0:27:07 | |
You have to think of a name. This is the difficult part, James. | 0:27:07 | 0:27:11 | |
In admiration of my worthy travel companion, | 0:27:11 | 0:27:17 | |
-Glen Bliss. -Oh, lovely. Yes. | 0:27:17 | 0:27:21 | |
Well, that will be a nice surprise for Kate when she finally finishes her antique search. | 0:27:21 | 0:27:27 | |
Kate's still in buying mode | 0:27:27 | 0:27:29 | |
and she's headed a couple of miles along the road to Croftamie. | 0:27:29 | 0:27:34 | |
It's not like the crammed, rummagey shops of yesterday, | 0:27:34 | 0:27:37 | |
which should make things easier to spot. | 0:27:37 | 0:27:40 | |
I do really like your lamp. | 0:27:43 | 0:27:45 | |
Yes, it's nice. It's a Victorian one - there's nothing wrong with that. | 0:27:45 | 0:27:49 | |
It's a nice lamp. | 0:27:49 | 0:27:50 | |
The Victorian brass oil lamp is extendable and has a cast base. | 0:27:50 | 0:27:55 | |
Ten years ago it might have been worth £400-£500, but the popularity of Victoriana | 0:27:55 | 0:28:01 | |
has plummeted and dealer Bruce has a price of £100 on it. | 0:28:01 | 0:28:05 | |
OK, OK. I might come back to that. Let's have another little look. | 0:28:05 | 0:28:10 | |
You've got some Poole. | 0:28:10 | 0:28:12 | |
Well, this is Poole pottery, | 0:28:15 | 0:28:18 | |
which used to sell really well. The market's gone down a bit. | 0:28:18 | 0:28:22 | |
The Poole posy vase and sugar bowl are from what some people think of | 0:28:22 | 0:28:27 | |
as Poole's bland period - the '40s, '50s and '60s. | 0:28:27 | 0:28:30 | |
The most sought-after Poole pieces are from the '20s and '30s, | 0:28:30 | 0:28:35 | |
and then from the '70s, like this piece. | 0:28:35 | 0:28:38 | |
Would you sell the three bits all together? | 0:28:38 | 0:28:41 | |
Yeah, yeah, I'll do that for you. That's not a problem. | 0:28:41 | 0:28:44 | |
The ticket price on all three is only £15, | 0:28:44 | 0:28:48 | |
but Kate is keen on the lamp, too, it seems. | 0:28:48 | 0:28:51 | |
So, if I took the three pieces of Poole as one lot | 0:28:51 | 0:28:56 | |
and the lamp, what sort of price are we talking about, Bruce? | 0:28:56 | 0:28:59 | |
I'll do the whole lot for £90. | 0:28:59 | 0:29:02 | |
-OK, for the two...? -For the four pieces, yeah. | 0:29:02 | 0:29:05 | |
Will it be silence, sob story, which? | 0:29:05 | 0:29:10 | |
I think done. Lovely. | 0:29:10 | 0:29:12 | |
That's definitely the quickest deal Kate's done all week. | 0:29:12 | 0:29:15 | |
She must be in a hurry to catch up with James. | 0:29:15 | 0:29:18 | |
It's that time again when each experts' buys have to be scrutinised by each other. | 0:29:18 | 0:29:23 | |
Well, in the spirit of things, why don't we just continue on the drinking theme? | 0:29:27 | 0:29:31 | |
-There we go. -Oh, my goodness. | 0:29:31 | 0:29:34 | |
One reproduction, silver-plated, junkie ice bucket. | 0:29:34 | 0:29:39 | |
-So how much? -With that. | 0:29:39 | 0:29:41 | |
-Well, it depends what people's tastes are. -Fabulous, isn't it? | 0:29:41 | 0:29:45 | |
Well, I paid a fiver. | 0:29:45 | 0:29:48 | |
-Oh, my goodness! -Well, it's cheap. -You can't go wrong. | 0:29:48 | 0:29:51 | |
There we go, that's the first thing. How about yours? | 0:29:51 | 0:29:55 | |
Dah, dah! | 0:29:56 | 0:29:58 | |
I'm just going to break all the rules here. I'm just going to do this. | 0:29:58 | 0:30:02 | |
Oh, it's not the same! | 0:30:06 | 0:30:08 | |
Don't tell me it's the same. | 0:30:08 | 0:30:09 | |
-Well, it's pretty... -Similar sort of thing. | 0:30:09 | 0:30:12 | |
Two alabaster table lamps. | 0:30:12 | 0:30:14 | |
No, actually... | 0:30:14 | 0:30:17 | |
Three alabaster table lamps. You've got another one. | 0:30:17 | 0:30:20 | |
I love the budgerigars. | 0:30:20 | 0:30:22 | |
-I think cockatoos. -Or canaries or whatever. | 0:30:22 | 0:30:24 | |
Canaries! Oh, dear. | 0:30:24 | 0:30:26 | |
You have those and I'm going to have a look at this. | 0:30:26 | 0:30:29 | |
That's nice, isn't it? | 0:30:29 | 0:30:30 | |
But it's not very old, is it? | 0:30:30 | 0:30:32 | |
I think it's 1920s, Art Deco. | 0:30:32 | 0:30:35 | |
That's nice, James. | 0:30:35 | 0:30:37 | |
-Don't tell me you paid a fiver for that. -No, £35 I paid for that. | 0:30:37 | 0:30:41 | |
£35. It's fun. I like it. | 0:30:41 | 0:30:43 | |
-OK, these. -Yes. | 0:30:43 | 0:30:45 | |
They're brand new, aren't they? | 0:30:45 | 0:30:46 | |
-Yeah. -What did you pay? -25. | 0:30:46 | 0:30:48 | |
-Brilliant. -Do you think? | 0:30:48 | 0:30:50 | |
Yeah, I do. | 0:30:50 | 0:30:51 | |
Kate's 1940s umbrella is next. | 0:30:51 | 0:30:53 | |
That really lifts it, doesn't it? | 0:30:53 | 0:30:56 | |
The gold? Hmmm. Just makes it really classy. | 0:30:56 | 0:30:58 | |
£20-£30 of scrap gold there, isn't there? | 0:30:58 | 0:31:02 | |
Absolutely. 18 carat, especially with gold prices the way they are. | 0:31:02 | 0:31:05 | |
I paid 12. | 0:31:05 | 0:31:07 | |
12 quid? | 0:31:07 | 0:31:09 | |
£12?! | 0:31:09 | 0:31:10 | |
That's monstrous. | 0:31:10 | 0:31:13 | |
That has got to make at least £30-£40 profit. It has to. | 0:31:13 | 0:31:17 | |
-Your turn. -This next one is from the same shop... | 0:31:17 | 0:31:20 | |
James's Art Deco vase is actually something Kate looked at herself. | 0:31:20 | 0:31:24 | |
There it is. You've seen it, you picked it up... | 0:31:24 | 0:31:26 | |
-You know why I put it back. -Why? -It's got a big crack. | 0:31:26 | 0:31:29 | |
Ah... That's why it rings so nicely. | 0:31:29 | 0:31:33 | |
I checked! You are mean. | 0:31:35 | 0:31:37 | |
You're learning from me. | 0:31:37 | 0:31:39 | |
I am, I am! It's too long on the road with you. | 0:31:39 | 0:31:42 | |
It's got something about it, I thought. | 0:31:42 | 0:31:45 | |
-It was a tenner. -That's pretty good, isn't it? | 0:31:45 | 0:31:48 | |
Kate also took a punt on some ceramics. | 0:31:48 | 0:31:51 | |
Hers is an assortment of Poole pottery. | 0:31:51 | 0:31:53 | |
OK. That is so 1970s, isn't it? | 0:31:53 | 0:31:56 | |
-That is such a great shape. What did you pay? -Ten. | 0:31:56 | 0:31:59 | |
It's got to be worth that. There's got to be a profit there. | 0:31:59 | 0:32:03 | |
Right, your go. | 0:32:03 | 0:32:05 | |
-Right. -A door knocker. How much? | 0:32:05 | 0:32:08 | |
20. What do you think...? | 0:32:08 | 0:32:11 | |
I think it's got potential, yeah. | 0:32:11 | 0:32:13 | |
That's four items for James. Time for Kate's last buy. | 0:32:13 | 0:32:18 | |
Well, you know my thing about lamp bases and candelabras? | 0:32:18 | 0:32:21 | |
Well, why not get a standard lamp? | 0:32:21 | 0:32:25 | |
I like it... | 0:32:25 | 0:32:27 | |
But what does James think it might make at auction? | 0:32:28 | 0:32:30 | |
-50 to 80? -Oh! I hope a bit more. | 0:32:30 | 0:32:34 | |
-60 to 100. -Well, I paid 80. | 0:32:34 | 0:32:37 | |
Did you? | 0:32:37 | 0:32:39 | |
£80 is a gamble. It's spending quite a lot on one piece again, | 0:32:39 | 0:32:43 | |
and I said that I wouldn't do it again. | 0:32:43 | 0:32:46 | |
But it worked last time. It depends on the auction, doesn't it? | 0:32:46 | 0:32:50 | |
It needs a couple of private buyers to fight over it. | 0:32:50 | 0:32:53 | |
-Your gut feeling was 50 to 80. This is worrying. -Hmm. | 0:32:53 | 0:32:56 | |
Don't know. | 0:32:56 | 0:32:58 | |
Oh, Kate! Maybe James's special whisky blend will cheer you up. | 0:32:58 | 0:33:02 | |
There you go, you can unwrap that one. | 0:33:02 | 0:33:04 | |
See what you think. | 0:33:04 | 0:33:06 | |
And turn it over. | 0:33:08 | 0:33:10 | |
Look what it's called. | 0:33:10 | 0:33:12 | |
-Glen Bliss. -Yeah. | 0:33:12 | 0:33:15 | |
Most girls have a rose named after them - you've got a malt whisky. | 0:33:15 | 0:33:19 | |
-Fantastic. -That was what I was blending this morning. | 0:33:19 | 0:33:22 | |
Do you know, I looked at it, turned it over and it said "sample", | 0:33:22 | 0:33:26 | |
and I nearly put it down. | 0:33:26 | 0:33:27 | |
THEY LAUGH | 0:33:27 | 0:33:29 | |
Enough hilarity These two are always so nice to each other. | 0:33:29 | 0:33:33 | |
Let's find out what they really think of each other's lots. | 0:33:33 | 0:33:37 | |
The first thing I think I'm really surprised about | 0:33:37 | 0:33:40 | |
is that James had £1,000 in his pocket and he spent less than £100. | 0:33:40 | 0:33:44 | |
Some things he's got have been a real steal, | 0:33:44 | 0:33:47 | |
so I think potentially he could make a lot of profit there. | 0:33:47 | 0:33:50 | |
As for my things, well... I'm pleased with some and not so pleased with others. | 0:33:50 | 0:33:55 | |
After those candelabra did so well, she's got a pair of table lamps | 0:33:55 | 0:33:58 | |
and a standard lamp and she's done exactly what I did at the beginning of the week | 0:33:58 | 0:34:03 | |
when my tribal art spear did so well but then I bought more tribal art and it made a loss. | 0:34:03 | 0:34:09 | |
But I have to say I can't see the table lamps making a loss, but the standard lamp... | 0:34:09 | 0:34:16 | |
I just don't... She's been brave. | 0:34:16 | 0:34:17 | |
I don't know if it's the right sale for it. | 0:34:17 | 0:34:20 | |
For the all-important auction, our pair have Beetled | 0:34:24 | 0:34:27 | |
slightly southeast from Killearn to Hamilton. | 0:34:27 | 0:34:30 | |
You'll find Hamilton close to a point where a Scottish River Avon meets the mighty Clyde. | 0:34:32 | 0:34:38 | |
The town has some fine looking buildings, but one thing | 0:34:38 | 0:34:41 | |
that can be seen for miles in every direction is the Hamilton Mausoleum. | 0:34:41 | 0:34:45 | |
It might look like a giant pepper pot but apparently it has the longest echo of any building in the world. | 0:34:45 | 0:34:51 | |
Here we go, in there. | 0:34:51 | 0:34:54 | |
Will Kate hear the echo of success here at auction? | 0:34:54 | 0:34:58 | |
Well done. | 0:34:58 | 0:35:00 | |
Auction mart. It's quite a nice old building, isn't it? | 0:35:00 | 0:35:04 | |
-You see, you never know what these places are going to be like. -Well, fingers crossed. | 0:35:04 | 0:35:09 | |
I'm really hoping I can catch you up a bit more, James. | 0:35:09 | 0:35:13 | |
-You did all right last time. -It's just... It's luck, isn't it? -It is to a degree. | 0:35:13 | 0:35:17 | |
Auction Mart LS Smellie & Sons | 0:35:17 | 0:35:19 | |
does hold regular specialist sales every three months, | 0:35:19 | 0:35:23 | |
but today it's a general household sale with only a small antique and collectibles section. | 0:35:23 | 0:35:29 | |
It could be touch and go profit-wise, so what are auctioneer | 0:35:29 | 0:35:32 | |
Andrew Smellie's thoughts on Kate and James's items? | 0:35:32 | 0:35:36 | |
A bit of a mixed bag, I would say. | 0:35:36 | 0:35:38 | |
From some of the lots there. The brass lamp's quite nice. | 0:35:38 | 0:35:42 | |
-Oh, do you think? -Yeah, seems quite nice and... | 0:35:42 | 0:35:45 | |
And what isn't? | 0:35:45 | 0:35:47 | |
The ice bucket, to be honest. It's seen better days. | 0:35:47 | 0:35:49 | |
What's wrong with that? Don't you laugh! | 0:35:49 | 0:35:51 | |
Even if his champagne number falls flat, James is hardly going to lose big today. He didn't spend big. | 0:35:51 | 0:35:57 | |
He began this leg with £1006.95 and bought four items for only £70. | 0:35:57 | 0:36:05 | |
Kate was slightly more cavalier with her cash. | 0:36:05 | 0:36:08 | |
She started with £497.55 and has also bought four items but paid out £127. | 0:36:08 | 0:36:15 | |
James's lead may seem large but there's every chance Kate can repeat | 0:36:15 | 0:36:21 | |
her Edinburgh auction success and win this round as well. | 0:36:21 | 0:36:25 | |
How will her production line alabaster lamps perform? | 0:36:25 | 0:36:28 | |
Nice ones there. 50 for these? 30? 20 for a start, surely? | 0:36:28 | 0:36:33 | |
15 I'm bid. | 0:36:33 | 0:36:36 | |
15, at 16, 18, 20, | 0:36:36 | 0:36:40 | |
22, 24, 26... | 0:36:40 | 0:36:44 | |
28, 30. On the rail at 30, I'm at £30. | 0:36:44 | 0:36:50 | |
I'm at £30. All finished? £30. | 0:36:50 | 0:36:53 | |
-Aww. £30. That's a tiny, tiny profit, isn't it? -Yeah. | 0:36:57 | 0:37:01 | |
Not a great return but they were a risk. | 0:37:01 | 0:37:04 | |
Will her vintage umbrella find the right buyer? | 0:37:04 | 0:37:08 | |
And, it clearly is a family business when it comes to portering | 0:37:08 | 0:37:11 | |
and displaying the items here at Smellie & Sons...and daughters. | 0:37:11 | 0:37:16 | |
50 for this, 40, 30 for a start, | 0:37:16 | 0:37:21 | |
20 I'm bid at the back. | 0:37:21 | 0:37:23 | |
20 I'm bid, £20, I'm at 20. I'm at 22, | 0:37:23 | 0:37:25 | |
24, 26, 28... | 0:37:25 | 0:37:28 | |
30, 32, 34, | 0:37:28 | 0:37:32 | |
36, 38, 38. | 0:37:32 | 0:37:34 | |
38. I'm bid 40. | 0:37:34 | 0:37:36 | |
-Well done. -Out on the right, 40 I'm bid, 40, I'm at £40. | 0:37:36 | 0:37:41 | |
I'm at £40. | 0:37:41 | 0:37:42 | |
That's better. The buyers here clearly have taste. | 0:37:42 | 0:37:46 | |
What's that going to mean for James's glitzy Champagne bucket | 0:37:46 | 0:37:50 | |
he got for a fiver? | 0:37:50 | 0:37:51 | |
One ice bucket there, £40. | 0:37:51 | 0:37:53 | |
-Come on. -He's showing it with the dent side, look. | 0:37:53 | 0:37:56 | |
He's showing it on the wrong side. | 0:37:56 | 0:37:58 | |
20 on the right, 20 I'm bid, 20 I'm bid for the ice bucket, | 0:37:58 | 0:38:02 | |
22, 24, 26, | 0:38:02 | 0:38:06 | |
28, 28 I'm bid, 28, | 0:38:06 | 0:38:09 | |
£28, and we're all finished here? | 0:38:09 | 0:38:11 | |
£28. | 0:38:11 | 0:38:13 | |
Chin-chin to that! | 0:38:13 | 0:38:16 | |
28, you weren't far off. | 0:38:16 | 0:38:18 | |
-His more substantial door knocker is next. -I love this. | 0:38:19 | 0:38:23 | |
I think it's got real potential. | 0:38:23 | 0:38:25 | |
And with that brass plaque at the top, it's such a classy thing. | 0:38:25 | 0:38:29 | |
Door knocker there, collectible lot. | 0:38:29 | 0:38:32 | |
40 for this? 30? | 0:38:32 | 0:38:35 | |
Interest here. Start the bidding at £20. 20, I'm bid. | 0:38:35 | 0:38:38 | |
20 I'm bid, 20 I'm bid... | 0:38:38 | 0:38:40 | |
22, 24, 26... | 0:38:40 | 0:38:44 | |
28, 30... | 0:38:44 | 0:38:46 | |
32, I'm at £32. | 0:38:46 | 0:38:49 | |
All finished? £32. | 0:38:49 | 0:38:52 | |
It's not a loss but not as much as James would have liked. | 0:38:52 | 0:38:57 | |
The three pieces of the Poole-ware. | 0:38:59 | 0:39:02 | |
Three pieces there, | 0:39:02 | 0:39:04 | |
collectible pieces. | 0:39:04 | 0:39:06 | |
£40? 30 or 20 for these? | 0:39:06 | 0:39:09 | |
10 for a start? | 0:39:09 | 0:39:11 | |
10, 12, 14... | 0:39:11 | 0:39:13 | |
16, 18, 20... | 0:39:13 | 0:39:15 | |
22, 24, 26... | 0:39:15 | 0:39:18 | |
26, I'm bid 28... | 0:39:18 | 0:39:20 | |
30? 30 in front, £30. I'm at 30, 32, new bidder, 32. | 0:39:20 | 0:39:27 | |
32. On my right. All finished? | 0:39:27 | 0:39:31 | |
34, 36, 38... | 0:39:31 | 0:39:34 | |
40, 42, 44... | 0:39:34 | 0:39:37 | |
46, 48, 50... | 0:39:37 | 0:39:41 | |
50, I'm bid. Front have it, all finished? £50. | 0:39:41 | 0:39:45 | |
Kate's ceramics did the deed nicely. | 0:39:45 | 0:39:47 | |
Can the bulb bowl deliver as much for James? | 0:39:47 | 0:39:50 | |
Art Deco Myatt & Son globe vase. | 0:39:52 | 0:39:55 | |
Good clean lot there. | 0:39:55 | 0:39:57 | |
40 for this? 30? 20 then? | 0:39:57 | 0:40:00 | |
20 I'm bid, | 0:40:00 | 0:40:02 | |
£20, I'm at 20, I'm at 20, I'm at 20... | 0:40:02 | 0:40:04 | |
22, 24, 26, | 0:40:04 | 0:40:07 | |
28, 28 I'm bid, £28... | 0:40:07 | 0:40:11 | |
30, 30 I'm bid. Left have it. | 0:40:11 | 0:40:14 | |
30 I'm bid. All finished? £30. | 0:40:14 | 0:40:18 | |
A round £20 profit before commission for James. | 0:40:18 | 0:40:21 | |
Let's see how Kate's risky brass standard lamp does. | 0:40:21 | 0:40:26 | |
Lot 405 now - the Victorian brass telescopic standard lamp. | 0:40:29 | 0:40:34 | |
Nice one there. | 0:40:34 | 0:40:35 | |
200 for this? 150? 100 for a start, surely? | 0:40:35 | 0:40:40 | |
100 I'm bid. | 0:40:40 | 0:40:43 | |
100 at the back, 100 I'm bid. | 0:40:43 | 0:40:45 | |
100, 110... | 0:40:45 | 0:40:46 | |
120, 130... | 0:40:46 | 0:40:48 | |
140, 140 bid at the back... | 0:40:48 | 0:40:51 | |
140 I'm bid. 140, 140, 140... All done? 140. | 0:40:51 | 0:40:58 | |
Hello, Hamilton! | 0:41:01 | 0:41:03 | |
It's a good return, and with all her lots sold, | 0:41:03 | 0:41:06 | |
Kate's well in the lead with £133 profit today. | 0:41:06 | 0:41:09 | |
James has one more item to go - the cockatoo lamp. | 0:41:09 | 0:41:12 | |
He does have form with unexpected flyers, | 0:41:12 | 0:41:16 | |
but to beat Kate today, the lamp will need to make him over £110. | 0:41:16 | 0:41:21 | |
150 for this? | 0:41:21 | 0:41:22 | |
100 for it? 80 for a start, surely? | 0:41:24 | 0:41:27 | |
80 I'm bid on my right. | 0:41:27 | 0:41:28 | |
85, 90... | 0:41:28 | 0:41:31 | |
I'm at five... | 0:41:31 | 0:41:32 | |
100... | 0:41:32 | 0:41:35 | |
100, I'm at five. | 0:41:35 | 0:41:36 | |
110, on my right. | 0:41:36 | 0:41:39 | |
110, 110... | 0:41:39 | 0:41:40 | |
115, 120 I'm bid... | 0:41:40 | 0:41:44 | |
Finished? 120 I'm bid. | 0:41:44 | 0:41:46 | |
All done? 120. | 0:41:46 | 0:41:48 | |
-Yes! -Well done. | 0:41:48 | 0:41:49 | |
It was neck and neck for the winner's sash on this round, | 0:41:49 | 0:41:53 | |
but in the end, James edged out ahead by less than a tenner. | 0:41:53 | 0:41:57 | |
Kate's consolation prize is her own malt blend. | 0:41:57 | 0:42:00 | |
James started today's trip with £1006.95 and after commission | 0:42:00 | 0:42:07 | |
he made a profit of £102.99, which means he's got a total of £1109.94 | 0:42:07 | 0:42:14 | |
to spend on the last leg tomorrow. | 0:42:14 | 0:42:18 | |
Kate's starting total of £497.55 | 0:42:18 | 0:42:22 | |
increases by £87.18, giving her £584.73 to spend. | 0:42:22 | 0:42:29 | |
Nothing to be ashamed of there, oh, no! | 0:42:29 | 0:42:32 | |
Hey, you know, it's a good end result for both of us. | 0:42:32 | 0:42:36 | |
I'm really pleased about the standard lamp because that was a major gamble and it paid off. | 0:42:36 | 0:42:40 | |
But, on the other hand, I'm disappointed about | 0:42:40 | 0:42:43 | |
my table lamps because I really thought they might do £40-£60 and they are what's cost me. | 0:42:43 | 0:42:49 | |
-I don't know about you but I'm absolutely drained. -Me too! | 0:42:49 | 0:42:53 | |
It's all that nervous tension. And well done, you. | 0:42:53 | 0:42:56 | |
I mean, that's fantastic. | 0:42:56 | 0:42:57 | |
You're flying, well over £1,000 profit. 1,100 now, it must be. | 0:42:57 | 0:43:01 | |
-Yeah, but you're getting a bit closer - 600. -Maybe. | 0:43:01 | 0:43:05 | |
I'm not closing the gap. | 0:43:05 | 0:43:07 | |
The gap's certainly not grown. | 0:43:07 | 0:43:09 | |
Kate's still got every chance of closing that gap. | 0:43:09 | 0:43:11 | |
There's everything to play for on the final leg of the trip. | 0:43:11 | 0:43:15 | |
Tomorrow, James finally spends big... | 0:43:17 | 0:43:20 | |
180, 190, 192. | 0:43:20 | 0:43:22 | |
Am I mad? | 0:43:22 | 0:43:24 | |
Will it pay off? | 0:43:24 | 0:43:26 | |
Or does Kate win the last round? | 0:43:26 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:51 | |
E-mail [email protected] | 0:43:51 | 0:43:54 |