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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing! | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
It's a deal. | 0:00:12 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:13 | 0:00:17 | |
but it's not as easy as it sounds and there can only be one winner. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:22 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
I'm feeling very sorry for myself. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
All this week, we're out on the road with antiques experts, Kate Bliss and James Lewis. | 0:00:38 | 0:00:43 | |
I'm hoping there's going to be something really special. | 0:00:43 | 0:00:47 | |
I'm hoping I'll find it. | 0:00:47 | 0:00:48 | |
THEY LAUGH | 0:00:48 | 0:00:50 | |
Kate's been in the business for 15 years, | 0:00:50 | 0:00:53 | |
with a unique approach to haggling... | 0:00:53 | 0:00:56 | |
-# Who's that lady? -Who's that lady? | 0:00:56 | 0:00:59 | |
# Beautiful lady... # | 0:00:59 | 0:01:00 | |
Unleashing feminine charm... | 0:01:00 | 0:01:02 | |
-Just for me? -Go on! | 0:01:02 | 0:01:04 | |
..followed by deadly silence. | 0:01:04 | 0:01:07 | |
MUSIC STOPS ABRUPTLY | 0:01:07 | 0:01:09 | |
From Nottingham, with 20 years in the trade, James has some finely-honed tactics. | 0:01:09 | 0:01:15 | |
-Point out the faults... -I just don't know who on Earth would want it. | 0:01:15 | 0:01:20 | |
..then go for the killer offer. | 0:01:20 | 0:01:22 | |
Oh, I don't know. 25 quid. Do you want to sell it? | 0:01:22 | 0:01:26 | |
Playing it safe has brought Kate some modest success. | 0:01:28 | 0:01:31 | |
From her original £200, | 0:01:31 | 0:01:34 | |
she's making steady progress, with £332.15 to start today's show. | 0:01:34 | 0:01:39 | |
Well, I have a few tricks up my sleeve. | 0:01:39 | 0:01:42 | |
-Oh, yeah? Tell me all. -No, I'm not going to tell you. | 0:01:42 | 0:01:45 | |
-Why? -No way. | 0:01:45 | 0:01:46 | |
James, meanwhile, has taken success to a new level, with some shrewd choices. | 0:01:46 | 0:01:52 | |
His £200 has mushroomed to a thumpingly huge £927.61. | 0:01:54 | 0:02:00 | |
What I would certainly go for is things you can't look up in a book. | 0:02:00 | 0:02:04 | |
That's always my plan. | 0:02:04 | 0:02:06 | |
This week' journey takes Kate and James from Helmsdale, through | 0:02:06 | 0:02:10 | |
stunning Highlands and Lowlands | 0:02:10 | 0:02:12 | |
to their final auction in Ayr. | 0:02:12 | 0:02:15 | |
And today, they're leaving Dundee, heading for auction in Edinburgh. | 0:02:15 | 0:02:19 | |
First stop is Blairgowrie. | 0:02:19 | 0:02:21 | |
Oh, it's very pretty down here. | 0:02:21 | 0:02:25 | |
Great place for a picnic, as well. | 0:02:25 | 0:02:27 | |
Blairgowrie was granted a town charter by Charles I in 1634, | 0:02:28 | 0:02:34 | |
15 years before he lost the Civil War - and his head. | 0:02:34 | 0:02:39 | |
Charles gave the local baron judicial powers, | 0:02:39 | 0:02:41 | |
"for the trial of thieves and other characters disgraceful to society..." | 0:02:41 | 0:02:45 | |
Certainly something to bear in mind, | 0:02:45 | 0:02:48 | |
as the Love Bug brings our experts into town. | 0:02:48 | 0:02:51 | |
Best behaviour, please, chaps! | 0:02:51 | 0:02:53 | |
-It was the river that helped the flax industry, that's what Blairgowrie was built on. -Is that right? | 0:02:53 | 0:02:58 | |
Well, I heard that it was known for its raspberries. | 0:02:58 | 0:03:01 | |
They used to send the raspberries down to Covent Garden in London. | 0:03:01 | 0:03:04 | |
-You're thinking of your stomach again. -Well, you're just trying | 0:03:04 | 0:03:07 | |
to bamboozle me. I'm focused today. | 0:03:07 | 0:03:09 | |
That's quite enough competitive banter. | 0:03:09 | 0:03:11 | |
Now, how about some antiques one-upmanship? It's a new day and the shops are open. | 0:03:11 | 0:03:16 | |
Gosh. What a lovely shop. | 0:03:16 | 0:03:20 | |
I think I need... There he is, old Sherlock, I need his help. | 0:03:20 | 0:03:24 | |
Help me find some bargains, matey. | 0:03:24 | 0:03:27 | |
Elementary, my dear Lewis. | 0:03:27 | 0:03:29 | |
You've just got to know where to look. (In the writing desk!) | 0:03:29 | 0:03:32 | |
Now, that's interesting, cos that's Welsh. | 0:03:36 | 0:03:41 | |
At £25, this pretty carved rack was used either for displaying pipes or spoons. | 0:03:41 | 0:03:47 | |
I suppose it depends on which you're most proud of. | 0:03:47 | 0:03:49 | |
Look at the quality of these carvings. | 0:03:49 | 0:03:52 | |
You have a stylised corn flower there, on the end. | 0:03:52 | 0:03:56 | |
And imagine that in a | 0:03:56 | 0:03:58 | |
country cottage somewhere in Wales. It could be a Scottish one, I've not seen them in Scotland before. | 0:03:58 | 0:04:04 | |
But can you imagine that next to a big inglenook fire place, | 0:04:04 | 0:04:08 | |
you know, with clay pipes hanging or maybe those Welsh carved love spoons? A token of love and affection. | 0:04:08 | 0:04:14 | |
Love is a strong emotion. | 0:04:14 | 0:04:16 | |
Love it enough to take a chance at £25, James? | 0:04:16 | 0:04:19 | |
A love sign. That's quite sweet. | 0:04:19 | 0:04:21 | |
Our other chancer, Kate Bliss, has gone searching across town. | 0:04:24 | 0:04:29 | |
She needs some Premiership antiques to launch her up the auction league table. | 0:04:29 | 0:04:33 | |
This is really lovely, I really fancy this. | 0:04:33 | 0:04:36 | |
This is made of pewter. | 0:04:38 | 0:04:40 | |
A pewter wall-hanging doesn't say Antiques Premiership to me, | 0:04:40 | 0:04:45 | |
but it does have an interesting mix of Scottish motif and art nouveau flourishes. | 0:04:45 | 0:04:50 | |
Pewter is an alloy, formed of mostly tin, and has been popular in Britain | 0:04:50 | 0:04:55 | |
since the early 15th century, for kitchenware and decorative items - and tankards. | 0:04:55 | 0:05:01 | |
However, this "antique" is in rather too good condition. | 0:05:01 | 0:05:05 | |
Now, the price is 95 and the date her on the ticket says 1900, | 0:05:05 | 0:05:13 | |
but you can tell a lot by looking at the back of things like this. | 0:05:13 | 0:05:16 | |
If I turn it over, it's a little bit scratched, | 0:05:16 | 0:05:20 | |
but the pewter looks very clean. | 0:05:20 | 0:05:22 | |
There aren't any signs of dimples or dents. | 0:05:22 | 0:05:26 | |
So, to me, that looks a lot later than 1900 | 0:05:26 | 0:05:30 | |
and it's just the sort of thing that, if it was a modern piece, | 0:05:30 | 0:05:33 | |
it wouldn't make much money at auction. | 0:05:33 | 0:05:36 | |
Smart move, Kate. | 0:05:36 | 0:05:38 | |
It's good, but it's not right. | 0:05:38 | 0:05:40 | |
Back with James, he's found Roy to haggle with. | 0:05:40 | 0:05:43 | |
As well as nice piece of Road Trip favourite, Clarice Cliff. | 0:05:43 | 0:05:47 | |
It's a pretty bowl, with a ticket price of £48, but it's not in mint condition. | 0:05:47 | 0:05:53 | |
Well, I always buy them, even if they are damaged, because there are people who will restore them. | 0:05:53 | 0:05:59 | |
You can't just go past them, because if they get thrown out, that's them lost and gone forever. | 0:05:59 | 0:06:04 | |
With bright, hand-painted designs and unconventional patterns, Claris Cliff was ahead of the game. | 0:06:05 | 0:06:11 | |
Her popularity peaked in the 1930s, with ceramics that look as much 1960s today. | 0:06:11 | 0:06:17 | |
Certain mint-condition pieces can fetch thousands at auction, | 0:06:17 | 0:06:22 | |
but I'm not sure about this little joker. | 0:06:22 | 0:06:24 | |
It's a funny little chap that, isn't it? | 0:06:25 | 0:06:28 | |
It's absolutely covered in this pink emulsion paint. | 0:06:28 | 0:06:32 | |
It hasn't been restored, has it? | 0:06:32 | 0:06:34 | |
It's just been painted, which is bizarre. | 0:06:34 | 0:06:38 | |
I'll make it the bargain of the day. I'll do it for 30, if you'd really like it. | 0:06:38 | 0:06:42 | |
I'm not going to argue with you over a price, because I think it's a fair price. | 0:06:43 | 0:06:47 | |
Did I hear that right, James? | 0:06:47 | 0:06:48 | |
TAPE REWINDING | 0:06:48 | 0:06:50 | |
I'm not going to argue with you over a price, because I think it's a fair price. | 0:06:50 | 0:06:54 | |
I'm not going to try and knock you down. That's fair. | 0:06:54 | 0:06:56 | |
James, what on earth is the matter? | 0:06:56 | 0:06:58 | |
Where's the tough haggle? | 0:06:58 | 0:07:00 | |
Something's not right! | 0:07:00 | 0:07:03 | |
Kate, meanwhile, has defaulted to her speciality of silverware | 0:07:03 | 0:07:08 | |
and discovered some sugar tongs, from Dublin. | 0:07:08 | 0:07:11 | |
Irish silver is quite rare and these tongs feature | 0:07:11 | 0:07:15 | |
one of the most popular Irish patterns, the Celtic Point. | 0:07:15 | 0:07:19 | |
I'll just have a little look... at the hallmarks. | 0:07:19 | 0:07:24 | |
It is also what is known as Bright Cut, | 0:07:24 | 0:07:26 | |
where facets are cut out of the silver surface, to create a reflective appearance. | 0:07:26 | 0:07:32 | |
And the ticket price is a glossy £48. | 0:07:32 | 0:07:35 | |
What could you do for me on those? | 0:07:35 | 0:07:37 | |
-35... 30. -Mmm...20? | 0:07:40 | 0:07:46 | |
Split the difference - 25. | 0:07:47 | 0:07:49 | |
Ah, she's interested. | 0:07:50 | 0:07:52 | |
Will Kate deploy Plan A, the uncomfortable silence? | 0:07:52 | 0:07:55 | |
(Yup, this is her technique, this is awkward, isn't it?) | 0:08:03 | 0:08:06 | |
(How long's she going to go on for?) | 0:08:08 | 0:08:12 | |
-22? -Oh, ho, ho! | 0:08:13 | 0:08:16 | |
-Final offer. -22? I can't, Kate. | 0:08:16 | 0:08:19 | |
-Only a couple of pounds. -I know, would you lose it for 22? | 0:08:19 | 0:08:23 | |
I'm not sure the silence lark is working. Time for Plan B, Kate. | 0:08:23 | 0:08:28 | |
I mean it's £48. I've come down quite a way. | 0:08:28 | 0:08:31 | |
I know, I've just got to beat the other guy. | 0:08:31 | 0:08:34 | |
The problem is James is just streaking ahead and I've got to try my very best. | 0:08:34 | 0:08:39 | |
-VIOLIN PLAYS -Could this be the new secret weapon? Playing the sympathy card? | 0:08:39 | 0:08:45 | |
-Go on, then, Kate, 20. -20? | 0:08:50 | 0:08:54 | |
And it worked!! | 0:08:54 | 0:08:56 | |
It's a deal! | 0:08:56 | 0:08:57 | |
-Thank you very much. OK, done. -I think I have been! | 0:08:59 | 0:09:04 | |
An excellent first buy and a rather good price, too. | 0:09:04 | 0:09:07 | |
Could these tongs turn Kate's fortunes around? | 0:09:07 | 0:09:10 | |
-And I hope you win. -Lovely. Thank you very much. | 0:09:10 | 0:09:13 | |
I'll need a bit of luck. | 0:09:13 | 0:09:15 | |
And back with James, he's been drawn to the spoon rack again, | 0:09:15 | 0:09:19 | |
priced at £25. | 0:09:19 | 0:09:21 | |
-Erm...how about 15? -15. | 0:09:21 | 0:09:25 | |
Again, I'm not going to argue on price. | 0:09:25 | 0:09:27 | |
He's doing it again! "Not arguing over price." | 0:09:27 | 0:09:31 | |
I really am getting worried. Do you think he's all right? | 0:09:31 | 0:09:34 | |
-15? -A shadow of his former self, I'd say. | 0:09:34 | 0:09:38 | |
James is hanging in there and still has the Clarice Cliff bowl on his mind. | 0:09:38 | 0:09:43 | |
You've got the name, you've got the shape, you've got the design... | 0:09:43 | 0:09:47 | |
-And it's collectible. -And collectible. | 0:09:47 | 0:09:49 | |
Complimenting the item in front of the dealer? | 0:09:49 | 0:09:52 | |
Oh, James, you poor, stricken fellow! | 0:09:52 | 0:09:55 | |
Will you take 40 quid for the two? | 0:09:55 | 0:09:58 | |
Yeah, yeah, no problem. Deal done. | 0:09:58 | 0:10:01 | |
Even with his lack of form, James has still chopped a full £25 off the asking price. | 0:10:01 | 0:10:08 | |
You can't keep a good man down, and James Lewis is no exception. | 0:10:08 | 0:10:11 | |
Irrespective of car sickness, our experts our moving on again. | 0:10:12 | 0:10:16 | |
-Ah, it's lovely with the sun shining. -Isn't it? | 0:10:16 | 0:10:20 | |
For James, that next stop is due south, | 0:10:20 | 0:10:23 | |
as the road trip gets him shopping on the outer fringes of Perth. | 0:10:23 | 0:10:27 | |
I feel really dodgy. | 0:10:27 | 0:10:29 | |
I shouldn't have had those prawns for lunch. Cor, dear me! | 0:10:29 | 0:10:33 | |
So that's it! | 0:10:33 | 0:10:35 | |
James is off-colour and off his game from some ill-mannered prawns. | 0:10:35 | 0:10:41 | |
What is the strange connection between dodgy seafood and confident haggling? We may never know! | 0:10:41 | 0:10:46 | |
-Wow! -I thought you'd like that. | 0:10:46 | 0:10:50 | |
Luckily, James hasn't lost his appetite for the weird and wonderful. | 0:10:50 | 0:10:54 | |
Gee! | 0:10:54 | 0:10:55 | |
What a fantastic snuff mull! | 0:10:55 | 0:10:59 | |
This incredible, terrifying item | 0:10:59 | 0:11:02 | |
is a very Scottish take on an oversized, outlandish snuff box | 0:11:02 | 0:11:06 | |
called a snuff mull. | 0:11:06 | 0:11:08 | |
James has a bit of a penchant for a nice snuff box, but he's not going to get this one in his pocket. | 0:11:08 | 0:11:14 | |
What a cover. | 0:11:14 | 0:11:16 | |
That is the best you will ever see. | 0:11:17 | 0:11:20 | |
Snuff-taking took a long time to become popular in Europe | 0:11:20 | 0:11:24 | |
and was once seriously frowned upon. | 0:11:24 | 0:11:27 | |
In the early 17th century, Pope Urban VIII threatened excommunication, | 0:11:27 | 0:11:32 | |
and Tsar Michael of Russia set the punishment of nose removal for taking snuff. Ouch! | 0:11:32 | 0:11:38 | |
This would have been, probably, a regimental mascot. | 0:11:38 | 0:11:42 | |
Do you know, I don't think I've ever seen one better. | 0:11:42 | 0:11:45 | |
£6,500 - beyond my budget. | 0:11:45 | 0:11:49 | |
Back to reality, then. | 0:11:49 | 0:11:50 | |
How about something for £18, like this candle holder? | 0:11:50 | 0:11:55 | |
This is a funny thing, really, because it's made of bronze | 0:11:55 | 0:11:59 | |
and it's dark patinated, 19th century, | 0:11:59 | 0:12:02 | |
probably French, a little boy holding a sconce for a wax taper. | 0:12:02 | 0:12:07 | |
And these are known as so-to-beds, which is an awful name, | 0:12:07 | 0:12:11 | |
I hate the name, but also known as chamber sticks. | 0:12:11 | 0:12:14 | |
As a rule, few classic chamber candlesticks have survived in good condition. | 0:12:14 | 0:12:19 | |
The earliest examples you're likely to find will date from the beginning of the 18th century. | 0:12:19 | 0:12:24 | |
This one's from the mid 19th century. | 0:12:24 | 0:12:26 | |
Can James get it for anything less than £18? | 0:12:26 | 0:12:29 | |
-Couple of pounds. -Couple of pounds, well that's part of the way. | 0:12:31 | 0:12:35 | |
Got to have a bit of a bargain. | 0:12:37 | 0:12:39 | |
-16 quid. Right, let me have a think on that one. -Thank you. -Thank you. | 0:12:39 | 0:12:44 | |
James, you've got about £900 in your pocket! | 0:12:44 | 0:12:48 | |
What exactly is there to think about, pray? | 0:12:48 | 0:12:51 | |
Well, at least James is still shopping. | 0:12:51 | 0:12:54 | |
Kate's risking precious buying time to indulge a passion for antique furniture. | 0:12:54 | 0:12:59 | |
She's headed north to Pitscandly Farm to meet antique furniture restoration specialist Jeremy Gow. | 0:12:59 | 0:13:07 | |
Hi, you must be Jeremy. Pleased to meet you. Come in. | 0:13:07 | 0:13:10 | |
Thank you for having us. I've been looking forward to this. | 0:13:10 | 0:13:13 | |
Jeremy's been mad keen on antiques and fine woodwork since his teens. | 0:13:13 | 0:13:18 | |
After training in Austria and France, | 0:13:18 | 0:13:20 | |
he's now one of only two certified antique furniture restorers in Scotland. | 0:13:20 | 0:13:25 | |
It's amazing, it's like a lesson in antique furniture up here. | 0:13:25 | 0:13:28 | |
You've got examples from every period. | 0:13:28 | 0:13:30 | |
Nothing is wasted in this delicate craft, | 0:13:30 | 0:13:34 | |
and certainly no quick visits to a DIY superstore. | 0:13:34 | 0:13:38 | |
Using new wood to fix something old is avoided whenever possible. | 0:13:38 | 0:13:42 | |
For Jeremy, it's all about re-using and rejuvenating. | 0:13:42 | 0:13:47 | |
We keep everything. There's chest of drawers | 0:13:47 | 0:13:49 | |
that are full of all the brass, the veneers, tortoiseshell, ivory, all the sort of things that we need. | 0:13:49 | 0:13:56 | |
And a lot of it is recuperating bits of furniture, or recuperating bits | 0:13:56 | 0:14:00 | |
that we use to repair other bits, and that's the secret of how it's done. | 0:14:00 | 0:14:04 | |
It's like taking marzipan off a sponge cake. | 0:14:07 | 0:14:09 | |
Jeremy combines using modern restoration techniques with centuries-old materials. | 0:14:09 | 0:14:17 | |
Currently on the slab are a pair of card tables from 1790 with severe flood damage. | 0:14:17 | 0:14:23 | |
It's a painstaking process as all the veneer has to be removed first. | 0:14:23 | 0:14:28 | |
And that is the veneer coming off. | 0:14:28 | 0:14:30 | |
Gosh, you can really see the thinness of it now, can't you? | 0:14:30 | 0:14:33 | |
And the whole table needs this treatment done to it. Everything will come off. | 0:14:33 | 0:14:38 | |
Patience, great care and a delicate touch are required | 0:14:38 | 0:14:42 | |
to bring these fine pieces back to their glory days. | 0:14:42 | 0:14:46 | |
Kate's had an enriching experience, but its time to head off in search of great riches. | 0:14:46 | 0:14:52 | |
Back in James's corner of the world, something else large and outlandish has caught his eye. | 0:14:52 | 0:14:58 | |
It's a rather busy ornamental vase, a piece of 20th-century Satsuma ware - | 0:15:00 | 0:15:04 | |
nothing to do with seasonal oranges, | 0:15:04 | 0:15:07 | |
but a type of Japanese earthenware with distinctive, dense patterning. | 0:15:07 | 0:15:12 | |
I think the size is good, it's decorative, | 0:15:12 | 0:15:15 | |
it's got the warriors on there, it's got a look to it, hasn't it? It's got a look. | 0:15:15 | 0:15:20 | |
Following major success at the 1867 Paris Exhibition, | 0:15:20 | 0:15:25 | |
Satsuma was mostly produced for a European market | 0:15:25 | 0:15:29 | |
with a slightly gaudier look than before. | 0:15:29 | 0:15:32 | |
This one even comes with its own stand. | 0:15:32 | 0:15:35 | |
The stand is horrible. | 0:15:35 | 0:15:37 | |
I hate the stand. I hate it. | 0:15:39 | 0:15:41 | |
I don't like the vase either, | 0:15:43 | 0:15:45 | |
but it's big. | 0:15:45 | 0:15:48 | |
And it has a big asking price too - 195 British pounds. | 0:15:48 | 0:15:53 | |
And so far, James hasn't done badly with items he's claimed not to like. | 0:15:55 | 0:16:00 | |
It's totally grotesque, isn't it? | 0:16:00 | 0:16:02 | |
You can say it now, I've bought it. | 0:16:02 | 0:16:05 | |
Yesterday's peculiar figurine made a cool £200 at auction. | 0:16:05 | 0:16:10 | |
-200. -Fantastic! | 0:16:10 | 0:16:13 | |
-The vase is the better lump. -Yes. | 0:16:16 | 0:16:19 | |
Don't worry, lump is just a technical term for a great find. | 0:16:19 | 0:16:23 | |
James is checking this lump from all angles, | 0:16:23 | 0:16:26 | |
but still avoiding his usual critical tactics. | 0:16:26 | 0:16:30 | |
Oh, I don't know. | 0:16:30 | 0:16:31 | |
I'm normally decisive. | 0:16:35 | 0:16:37 | |
Those prawns have much to answer for! | 0:16:39 | 0:16:43 | |
I'm feeling very sorry for myself. | 0:16:43 | 0:16:47 | |
I hate prawns. | 0:16:47 | 0:16:49 | |
I shouldn't have eaten the prawns. | 0:16:49 | 0:16:51 | |
Oh, dear, we need to get this poor expert back on his feet. | 0:16:53 | 0:16:57 | |
Maybe some focus and a bit of tough haggling can pull him back from the brink? | 0:16:57 | 0:17:02 | |
The vase has got potential, the stand has no potential. | 0:17:06 | 0:17:10 | |
Ah, good. James is back to his old self - | 0:17:10 | 0:17:13 | |
an old tactic of rubbishing the item. | 0:17:13 | 0:17:16 | |
Those dodgy prawns have thankfully stopped worrying our James! | 0:17:16 | 0:17:20 | |
Now, where were we? I think the asking price here was £195. | 0:17:20 | 0:17:25 | |
I'd rather have the vase on its own for 70 than the vase and the stand for 100. | 0:17:25 | 0:17:30 | |
It's the cheapest export Satsuma pottery you can get | 0:17:30 | 0:17:34 | |
and the stand is just awful. | 0:17:34 | 0:17:38 | |
90 for the both. | 0:17:38 | 0:17:41 | |
James is back on form. | 0:17:41 | 0:17:42 | |
The asking price is tumbling and he hasn't finished yet. | 0:17:42 | 0:17:46 | |
My natural instincts would say meet me halfway and say 80. | 0:17:46 | 0:17:50 | |
But how about 85? | 0:17:50 | 0:17:52 | |
-Are you happy with that? -Yeah. | 0:17:53 | 0:17:55 | |
You have just sold me the most revolting stand in the world. | 0:17:57 | 0:18:01 | |
And it's just kit form, isn't it, put together with screws? | 0:18:03 | 0:18:06 | |
-Awful! -Ha! | 0:18:06 | 0:18:08 | |
You're more pleased with this than me, aren't you? | 0:18:08 | 0:18:13 | |
It's been an eventful and emotional day. | 0:18:13 | 0:18:16 | |
There's been movement of prices and a miraculous, gutsy recovery for poor James - not before time. | 0:18:16 | 0:18:23 | |
As the shops close, the day draws to an end and our experts need shelter for the night. | 0:18:23 | 0:18:28 | |
The next day brings bright sunshine in Perthshire. | 0:18:32 | 0:18:35 | |
James and Kate have a full day's shopping ahead of them | 0:18:35 | 0:18:40 | |
and money to burn - some more than others! | 0:18:40 | 0:18:43 | |
James spent £125 yesterday £125 on three items - the Clarice Cliff bowl, | 0:18:43 | 0:18:48 | |
the carved spoon rack and the Satsuma vase. | 0:18:48 | 0:18:51 | |
He's got a cracking £802.61p left to play with. | 0:18:51 | 0:18:55 | |
Kate spent just £20 on one item, the Dublin silver tongs. | 0:18:55 | 0:19:00 | |
She's now completely behind both in the profit stakes | 0:19:00 | 0:19:03 | |
and on the shopping front, so she needs to buy wisely and buck up. | 0:19:03 | 0:19:08 | |
This leg's auction will take place in Edinburgh | 0:19:08 | 0:19:11 | |
and today our pair are headed away from Perth, | 0:19:11 | 0:19:13 | |
going somewhat south-west to the outskirts of Doune. | 0:19:13 | 0:19:17 | |
This is it, James? | 0:19:21 | 0:19:22 | |
-That's it, antiques and art centre. -It does look pretty big, James. | 0:19:22 | 0:19:26 | |
You go in first, go whichever way you want and I'll go the other way. | 0:19:26 | 0:19:30 | |
Go on, lead the way. | 0:19:30 | 0:19:33 | |
Let's hope this fine emporium is big enough for the two of them. | 0:19:33 | 0:19:38 | |
Kate and James can divide the territory, but the main challenge | 0:19:38 | 0:19:42 | |
will be the strict maximum 10% discount. | 0:19:42 | 0:19:45 | |
This is a general rule in large antiques centres with multiple dealers. | 0:19:45 | 0:19:50 | |
All right, thank you. Thanks very much. | 0:19:50 | 0:19:52 | |
That is one of the biggest problems with an antique centre, that there isn't as much negotiation as usual, | 0:19:52 | 0:19:58 | |
but the advantage is that you've got all these different dealers under one roof. | 0:19:58 | 0:20:03 | |
So it's swings and roundabouts. | 0:20:03 | 0:20:05 | |
Of course, rules were made to be broken, weren't they? | 0:20:05 | 0:20:08 | |
Kate's doing plenty of looking and lots of thinking, | 0:20:08 | 0:20:12 | |
but she could really do with a stint of buying, ASAP. | 0:20:12 | 0:20:16 | |
Our James is honing in on his next bargain and it might be this odd Royal Doulton smoking pair. | 0:20:16 | 0:20:23 | |
It's a ceramic match holder at £60, and matching tobacco jar. | 0:20:23 | 0:20:28 | |
How much is that? That's £95? | 0:20:28 | 0:20:31 | |
Ah, someone's getting their appetite back! | 0:20:37 | 0:20:40 | |
If you nibble the edge, sometimes it feels a little soft if it's had any restoration, but that feels fine. | 0:20:40 | 0:20:46 | |
So we've got the tobacco jar | 0:20:46 | 0:20:48 | |
and logically we've also got the match striker, | 0:20:48 | 0:20:52 | |
so two smoking pieces together. | 0:20:52 | 0:20:54 | |
Smoking not the most fashionable of things today. | 0:20:54 | 0:20:57 | |
Dalton, again, not very fashionable, going down in value. | 0:20:57 | 0:21:00 | |
I don't think you're convincing anyone, here, James! | 0:21:00 | 0:21:04 | |
There might be another cause for concern, though. | 0:21:04 | 0:21:07 | |
James needs to sell at auction in Edinburgh and this item rather celebrates a historical Englishman. | 0:21:07 | 0:21:13 | |
If I bought two, would you do more than 10%? | 0:21:13 | 0:21:16 | |
Because that would bring it way, way up to over 150 quid. | 0:21:16 | 0:21:21 | |
95 plus 60. | 0:21:21 | 0:21:23 | |
-I'd have to contact the dealer. -Would you? | 0:21:23 | 0:21:25 | |
To do anything other than what we're supposed to do. | 0:21:25 | 0:21:28 | |
Would you ask him for me what his best would be | 0:21:28 | 0:21:33 | |
from a very big, grovelling, grovelling, grovelling auctioneer? | 0:21:33 | 0:21:39 | |
Kate's still just browsing. It's not looking very positive at all. | 0:21:39 | 0:21:43 | |
Now we expect James to do his duty. | 0:21:43 | 0:21:47 | |
From the initial £155 for both pieces, the dealer's called back | 0:21:47 | 0:21:50 | |
with an absolute, definite final price of £138.40 for the pair. | 0:21:50 | 0:21:56 | |
That was a good move. £138.40. | 0:21:56 | 0:22:01 | |
-Is it as strict as that? -Yeah. | 0:22:02 | 0:22:04 | |
Even for the 40p? | 0:22:04 | 0:22:06 | |
-Yeah. -You're not going to charge me the 40p, are you? -Yeah. | 0:22:06 | 0:22:10 | |
You really are going to charge me the 40p? | 0:22:10 | 0:22:12 | |
They can be that picky. | 0:22:12 | 0:22:14 | |
Let's just test how much they want to do a deal. | 0:22:16 | 0:22:19 | |
£138? | 0:22:19 | 0:22:22 | |
-All right then, OK. -Wahey! | 0:22:22 | 0:22:24 | |
Since it's you. | 0:22:24 | 0:22:27 | |
Wow, an amazing 40p reduction! | 0:22:27 | 0:22:29 | |
And whilst James has wrestled with his Nelson, Kate's just upped and gone. | 0:22:29 | 0:22:33 | |
She's desperate for some auction slayers in her arsenal, and Doune's not doing it for her! | 0:22:33 | 0:22:40 | |
As shopping time begins running out and the hour of auction approaches, | 0:22:42 | 0:22:47 | |
James is finally on a roll and wants to buy more. | 0:22:47 | 0:22:50 | |
He's still burning a candle for that lovely chamber stick in Blairgowrie yesterday, | 0:22:50 | 0:22:55 | |
so calls the shop to seal the deal. | 0:22:55 | 0:22:57 | |
Would it be OK to have that for the £16? | 0:22:57 | 0:23:01 | |
Lovely, that's very kind. | 0:23:04 | 0:23:06 | |
The chamber stick will get dispatched to the auction house in Edinburgh, | 0:23:06 | 0:23:11 | |
and James now has five strong items to sell. | 0:23:11 | 0:23:14 | |
Kate, meanwhile, has only got the silver sugar tongs. | 0:23:14 | 0:23:17 | |
She's now racing off course and off plan, with a desperate detour north to the town of Comrie. | 0:23:17 | 0:23:25 | |
Let's hope it can work some magic for her. | 0:23:25 | 0:23:29 | |
-Hello there. Nice to meet you. I'm Kate. -And you, Kate. -Hi. | 0:23:29 | 0:23:32 | |
This is pretty much Kate's last chance today, | 0:23:33 | 0:23:37 | |
but she's straight into bargaining for a 1939 Art Deco christening mug. | 0:23:37 | 0:23:41 | |
It's silver, again, and it's £85 - well, currently! | 0:23:41 | 0:23:45 | |
Could you do 50? | 0:23:45 | 0:23:47 | |
-No, not on that, no. I'm sorry. -No? | 0:23:47 | 0:23:50 | |
-What would be your absolute rock bottom? -65 and that's it. -OK. | 0:23:53 | 0:23:58 | |
Leaving it a bit late to play the long game, Kate moves on to some 19th-century brass candelabrum | 0:24:00 | 0:24:07 | |
with black marble bases - | 0:24:07 | 0:24:09 | |
candelabrum being the wonderful collective noun for candelabra, don't you know? | 0:24:09 | 0:24:15 | |
They're a lovely pair but would normally be grouped with a matching mantle-clock. | 0:24:15 | 0:24:20 | |
The clock is absent, and so is time for Kate. | 0:24:20 | 0:24:23 | |
What could you do on those? | 0:24:23 | 0:24:25 | |
220. | 0:24:25 | 0:24:27 | |
I'm thinking 150. | 0:24:27 | 0:24:29 | |
-No, I couldn't do that, they cost me more than that. -Did they? | 0:24:29 | 0:24:32 | |
They did indeed, yes, honestly. | 0:24:32 | 0:24:34 | |
Perhaps Kate could try pulling heart strings again? | 0:24:34 | 0:24:38 | |
The problem I have is I'm up against my colleague | 0:24:38 | 0:24:42 | |
and he's streaking ahead at the moment with £900 in his pocket, and I've only got 300. | 0:24:42 | 0:24:49 | |
Oh, no joy for the sob story. | 0:24:50 | 0:24:53 | |
Got anything else, Kate? | 0:24:53 | 0:24:56 | |
If I took this little cup and I took this pair here, | 0:24:56 | 0:25:04 | |
what would be your absolute rock bottom for me? | 0:25:04 | 0:25:07 | |
250. | 0:25:07 | 0:25:09 | |
How about the deathly silence attack? It's worked before. | 0:25:09 | 0:25:13 | |
Ooh. | 0:25:15 | 0:25:16 | |
I don't know, this is getting to that awkward moment again. | 0:25:19 | 0:25:22 | |
It's a long pause this time. | 0:25:24 | 0:25:27 | |
What about a nice round £200? | 0:25:27 | 0:25:29 | |
Couldn't do it, I'm sorry. Impossible, absolutely impossible. | 0:25:29 | 0:25:34 | |
Hell's bells, this is awkward! | 0:25:34 | 0:25:37 | |
All the Bliss tactics are dying. | 0:25:37 | 0:25:39 | |
What she needs is a classic Lewis manoeuvre - just point out all the faults! | 0:25:41 | 0:25:46 | |
I'm worried about a couple of things - the damage on the bases, | 0:25:47 | 0:25:51 | |
because I think private people will want them | 0:25:51 | 0:25:54 | |
-in really good condition and I think those nicks around the marble bases could put some people off. -Yes. | 0:25:54 | 0:26:00 | |
And I am worried about the price, yes. They're slightly ecclesiastical | 0:26:00 | 0:26:04 | |
in their look and that's not particularly in vogue at the moment, | 0:26:04 | 0:26:09 | |
so that makes me slightly cautious, too, | 0:26:09 | 0:26:12 | |
which is why I am being a bit mean on my price. | 0:26:12 | 0:26:15 | |
I think 200 has got to be my final offer, I'm afraid. | 0:26:18 | 0:26:21 | |
-No, I couldn't do it, I'm sorry. -You can't do that? | 0:26:21 | 0:26:24 | |
Impossible. | 0:26:24 | 0:26:26 | |
Andy's turning out to be Kate's toughest adversary yet. | 0:26:26 | 0:26:31 | |
Who's going to crumble in Comrie first? | 0:26:31 | 0:26:34 | |
I don't know, she's trying that...silence thing again. | 0:26:37 | 0:26:42 | |
This is awkward. | 0:26:49 | 0:26:51 | |
I'm going to gamble. | 0:26:57 | 0:26:58 | |
-OK, so 210? -Yes. | 0:26:58 | 0:27:02 | |
-The cup and the candle sticks, 210? -Mmm. | 0:27:02 | 0:27:07 | |
-OK. -Yes? | 0:27:07 | 0:27:09 | |
We've got a deal, fantastic. | 0:27:09 | 0:27:12 | |
Let's shake on it... | 0:27:12 | 0:27:13 | |
before I change my mind and you change your mind. | 0:27:13 | 0:27:17 | |
Wow, all that for a movement of just £10! | 0:27:17 | 0:27:20 | |
Still, that's a deal done in the nick of time. | 0:27:20 | 0:27:24 | |
The hour is here for a Stirling rendezvous and the all-important show and tell. | 0:27:24 | 0:27:30 | |
-Here we are. -How did you get on? | 0:27:30 | 0:27:32 | |
This is probably the thing that I am most pleased with. | 0:27:32 | 0:27:35 | |
-It's not great, I know, but... -Pipe rack or spoon rack? | 0:27:35 | 0:27:39 | |
Well, they called it a pipe rack and I thought it was a Welsh spoon rack. | 0:27:39 | 0:27:43 | |
-I really like this carving. -I liked it. | 0:27:43 | 0:27:45 | |
It's quite fine, isn't it? | 0:27:45 | 0:27:47 | |
For a country piece where things were quite crudely made, when you think of Welsh spoon racks, | 0:27:47 | 0:27:53 | |
I think of quite plain, oak pieces and this is really decorative, isn't it? | 0:27:53 | 0:27:58 | |
-Tenner. -It's got to be good, hasn't it? -That's what I'm pleased with. How about you? | 0:27:58 | 0:28:03 | |
-A very uncommercial object. -OK. | 0:28:03 | 0:28:06 | |
Oh, they're lovely, though. Aren't they? | 0:28:06 | 0:28:09 | |
-They're in super condition and they've got lovely little scallop ends to them. -What did you pay? | 0:28:09 | 0:28:14 | |
-I paid £20. -Oh, that's cheap! That's a guaranteed profit. | 0:28:14 | 0:28:17 | |
-Can I have that in writing, Mr Lewis? -I will. | 0:28:17 | 0:28:21 | |
-I like it. -What's next? -OK. | 0:28:21 | 0:28:23 | |
I know it's totally predictable, but it's not really me. | 0:28:23 | 0:28:26 | |
A piece of Clarice Cliff? | 0:28:26 | 0:28:29 | |
-That's not really you, is it? -No. | 0:28:29 | 0:28:32 | |
It's a funny shape. It's a bit mucky, isn't it? | 0:28:32 | 0:28:35 | |
-How much? -30 quid. | 0:28:35 | 0:28:37 | |
-Hmm. -As I said, I found it more difficult this time. | 0:28:37 | 0:28:40 | |
What do you think to that fabulous stand? | 0:28:40 | 0:28:43 | |
It's not really you, James. | 0:28:43 | 0:28:45 | |
Isn't it horrible? | 0:28:45 | 0:28:49 | |
I'll tell you the why. I bought it for this. | 0:28:49 | 0:28:51 | |
Oh, right, you got the two together? It's a great size, isn't it? | 0:28:51 | 0:28:56 | |
I know it's a very standard Japanese export lump. | 0:28:56 | 0:29:01 | |
-It's pretty dirty, isn't it, which doesn't help. -Hmm. | 0:29:01 | 0:29:05 | |
-What did you pay? -I paid £85 for it. | 0:29:05 | 0:29:08 | |
I can see an interior designer buying that. | 0:29:08 | 0:29:11 | |
An interior designer who wants an impressive sized piece, | 0:29:11 | 0:29:15 | |
very decorative, would easily pay £80 for that. | 0:29:15 | 0:29:18 | |
-Quite a gamble. -I know. I struggled. I really struggled. | 0:29:18 | 0:29:23 | |
-Next. -A little chamber stick. -Hmm. | 0:29:23 | 0:29:27 | |
-How much? -16 quid. | 0:29:27 | 0:29:29 | |
Well, for 16, fun. | 0:29:29 | 0:29:32 | |
I don't know what to say about that. | 0:29:32 | 0:29:34 | |
Will James find something more to say about Kate's rather more OTT candle holders? | 0:29:34 | 0:29:39 | |
These look great. | 0:29:39 | 0:29:41 | |
Well, I've been completely rash and impetuous, which is very unlike me. | 0:29:41 | 0:29:46 | |
Ha-ha! | 0:29:46 | 0:29:47 | |
Mmm. | 0:29:48 | 0:29:50 | |
I think they're lovely, I like them. | 0:29:50 | 0:29:52 | |
The damage puts me off slightly with this big chunk out. | 0:29:52 | 0:29:55 | |
-How much did you pay? -I bought them together with this. -Go on. | 0:29:55 | 0:29:59 | |
210. | 0:29:59 | 0:30:01 | |
Ooh. | 0:30:01 | 0:30:02 | |
-It's a lot, isn't it? -For that with that. | 0:30:02 | 0:30:05 | |
-What's that going to make? £60? -Which makes these 160ish. | 0:30:06 | 0:30:12 | |
You've really had guts to buy them. I mean, I hope... | 0:30:12 | 0:30:16 | |
-So you can't see a profit at all? -They should have, | 0:30:16 | 0:30:19 | |
and I think you're going to say | 0:30:19 | 0:30:21 | |
exactly the same thing about my final lot. | 0:30:21 | 0:30:24 | |
I have to say I struggled with more than any of the others. | 0:30:24 | 0:30:28 | |
Doulton...and Nelson. | 0:30:28 | 0:30:30 | |
And, of course, I thought, "Great, Nelson, always really popular." | 0:30:30 | 0:30:35 | |
And it says, "England expects every man will do his duty." | 0:30:35 | 0:30:39 | |
But we're not in England, we're in Scotland, | 0:30:39 | 0:30:43 | |
and how popular that statement will be in Edinburgh, I really don't know. | 0:30:43 | 0:30:48 | |
-Right, so you're going to tell me you paid 30 for them? -No. No, no, no. I paid £138 for them. | 0:30:48 | 0:30:55 | |
OK. | 0:30:55 | 0:30:56 | |
So you've got a chance. | 0:30:56 | 0:30:59 | |
Fingers crossed. | 0:30:59 | 0:31:01 | |
OK, gloves off time, what do they really think of each other's chances? | 0:31:01 | 0:31:06 | |
Winning and losing all depends, I think, on Kate's candlesticks. | 0:31:06 | 0:31:09 | |
If somebody has the vision, then they might do well, but they also might lose. | 0:31:09 | 0:31:15 | |
I think on this occasion we both might lose. | 0:31:15 | 0:31:18 | |
Well, James, for the first time seems quite anxious about his items, | 0:31:18 | 0:31:23 | |
genuinely, and I don't think he has bought as well as he has in the past. | 0:31:23 | 0:31:27 | |
And when he said he struggled, I think he really did. | 0:31:27 | 0:31:30 | |
It's been a roller-coaster ride from Blairgowrie to Perth | 0:31:30 | 0:31:34 | |
through dashing Doune, Comrie and Stirling. | 0:31:34 | 0:31:37 | |
Auction day is here and the road trip arrives | 0:31:37 | 0:31:39 | |
in Scotland's fair capital city, Edinburgh. | 0:31:39 | 0:31:42 | |
She's a good looking city, is Edinburgh. Set around an old volcano | 0:31:43 | 0:31:47 | |
and wonderful Edinburgh Castle, it's a stand-off between medieval and Georgian architecture. | 0:31:47 | 0:31:53 | |
Holiday-makers of the world just can't get enough of it. | 0:31:53 | 0:31:56 | |
Sadly, James is not going to make the auction today. | 0:31:56 | 0:32:00 | |
He is accompanying a relative to hospital in Nottingham. | 0:32:00 | 0:32:05 | |
I'm here in Edinburgh, but I'm here on my own | 0:32:05 | 0:32:09 | |
because poor old James has been called to a really important family commitment, | 0:32:09 | 0:32:14 | |
so I am finding my way by myself. I'm quite excited, really. | 0:32:14 | 0:32:19 | |
-BAGPIPES PLAY -Oh, great bagpipes! | 0:32:19 | 0:32:22 | |
Going solo, Kate will keep errant James in the loop via her amazing 21st-century mobile telephone. | 0:32:22 | 0:32:29 | |
James has six lots going under the hammer, and Kate just three. | 0:32:30 | 0:32:34 | |
The Ramsay Cornish auction house is down a wee lane in the Leith area, | 0:32:34 | 0:32:38 | |
and auctioneer Martin Cornish has a few thoughts on today's outcome. | 0:32:38 | 0:32:43 | |
The Satsuma vase, I think he bought well. | 0:32:43 | 0:32:45 | |
It's maybe not the most fashionable style these days | 0:32:45 | 0:32:47 | |
but it's in good condition and the stand adds a certain sort of poise to it, if you like. | 0:32:47 | 0:32:52 | |
At least someone likes the stand! | 0:32:52 | 0:32:54 | |
I think the candlesticks possibly will do best. | 0:32:54 | 0:32:56 | |
They're lovely, fantastic quality. They were a great buy, | 0:32:56 | 0:32:59 | |
the figures are in wonderful condition | 0:32:59 | 0:33:01 | |
and they'd look wonderful in any drawing or dining room, a feature for anybody that bought them. | 0:33:01 | 0:33:06 | |
Let's hope the candelabra steal the show - Kate needs a boost, but time alone will tell. | 0:33:06 | 0:33:12 | |
PHONE RINGS | 0:33:12 | 0:33:14 | |
-Hello? -Hi, James, it's your Doulton tobacco jar coming up. | 0:33:14 | 0:33:20 | |
James bought this Royal Doulton tobacco jar and matchstick holder together, | 0:33:20 | 0:33:24 | |
but they're being sold separately. | 0:33:24 | 0:33:26 | |
First up is the tobacco jar. | 0:33:28 | 0:33:31 | |
50 to start it off? 30? 30, I'm bid. | 0:33:33 | 0:33:36 | |
30 I'm bid for this, 35, 40. | 0:33:36 | 0:33:39 | |
Five, 50, five, 55. | 0:33:39 | 0:33:41 | |
60. At £60? At £60? | 0:33:41 | 0:33:44 | |
Last call at 60 and I'm selling it. | 0:33:44 | 0:33:47 | |
Oh, dear, £24 down, and that's James's first loss this week. | 0:33:47 | 0:33:53 | |
You don't sell something plastered with England all over it in Scotland. | 0:33:53 | 0:33:57 | |
My fault, stupid buy. | 0:33:57 | 0:33:58 | |
Will the match holder do any better? | 0:33:58 | 0:34:01 | |
30 I'm bid, 30 I'm bid for this. 35? | 0:34:01 | 0:34:05 | |
-35. -40, five, at 45? | 0:34:05 | 0:34:10 | |
I've got a phone bid coming in, at £45? | 0:34:10 | 0:34:11 | |
Oh, it's 45, but he says there's a phone bid. | 0:34:11 | 0:34:14 | |
Ooh, phone bid, phone bid, phone bid! | 0:34:14 | 0:34:17 | |
50, five, 60, five. | 0:34:17 | 0:34:21 | |
-65. -70, five, 80, five. 90. | 0:34:21 | 0:34:26 | |
-90. -95? | 0:34:26 | 0:34:28 | |
At 95... | 0:34:30 | 0:34:31 | |
-He's shaking his head. -At 95... | 0:34:31 | 0:34:33 | |
I'm selling it at 95. | 0:34:33 | 0:34:35 | |
£95, James! | 0:34:35 | 0:34:37 | |
'95, well done, auction room.' | 0:34:37 | 0:34:40 | |
Cor, that's a bit more like it. | 0:34:40 | 0:34:42 | |
Now, Kate's first lot are the silver sugar tongs. | 0:34:42 | 0:34:46 | |
-20 for them, 20 I'm bid. -Come on. | 0:34:46 | 0:34:48 | |
At £20 I'm bid. 25, 30. | 0:34:48 | 0:34:51 | |
At £30 on the right, now. | 0:34:51 | 0:34:53 | |
-35. -Oh, go on! -Still cheap at 35 to me. At 35, at 35? | 0:34:53 | 0:34:58 | |
A good profit for Kate, but James is still way ahead. | 0:34:59 | 0:35:02 | |
How will his Clarice Cliff bowl perform? | 0:35:02 | 0:35:06 | |
-Hi, James, it's me again. -Hi, Kate. | 0:35:06 | 0:35:10 | |
-Now this is your Clarice Cliff piece. -40 for this? 20? | 0:35:10 | 0:35:13 | |
20 I'm bid. 25, 30? | 0:35:13 | 0:35:16 | |
30 at the back, at £30 for the lot? | 0:35:16 | 0:35:18 | |
35. 40, £40, gentleman standing at the back. | 0:35:18 | 0:35:23 | |
At £40 for the lot, nobody else, and I'm selling it at £40, at 40? | 0:35:23 | 0:35:29 | |
-You have it. -A small profit, but not an amazing performance. | 0:35:29 | 0:35:33 | |
Maybe James's candle stick will deliver more? | 0:35:35 | 0:35:38 | |
50? 30 for this to start it off? | 0:35:38 | 0:35:40 | |
30 I'm bid. 35, 40, five, | 0:35:40 | 0:35:42 | |
50. Five, 55 on my left. | 0:35:42 | 0:35:46 | |
60, five, at 65 again. | 0:35:46 | 0:35:49 | |
Lady's bid on the left at £65 and I'm selling it at 65, last call. | 0:35:49 | 0:35:54 | |
Looks like James could be marching into a strong lead again. | 0:35:57 | 0:36:00 | |
Let's hope the christening cup can help Kate's fortunes. | 0:36:00 | 0:36:04 | |
-62, the Sheffield silver-plated... -It's not silver plated. | 0:36:04 | 0:36:08 | |
-Sorry, Sheffield silver, tapered tankard. -Thank goodness for that! | 0:36:08 | 0:36:12 | |
30 for it? 30 I'm bid. 35, 40, five, 50. | 0:36:12 | 0:36:17 | |
-Five, 60. At £60. -Come on! -At £60, a lovely christening present. | 0:36:17 | 0:36:22 | |
65, the lady's bid. At 65, | 0:36:22 | 0:36:24 | |
at 65, last call and I'm selling it at 65, at 65. | 0:36:24 | 0:36:30 | |
A modest return and no loss at least, | 0:36:31 | 0:36:34 | |
but James has two more items to sell. | 0:36:34 | 0:36:37 | |
Next is the Welsh wooden spoon rack. | 0:36:37 | 0:36:39 | |
50, 30 for it, 20 to start it off? | 0:36:39 | 0:36:41 | |
20 I'm bid. | 0:36:41 | 0:36:43 | |
20 I'm bid for the spoon rack. | 0:36:43 | 0:36:45 | |
22, 24, 26, 28, 30. | 0:36:45 | 0:36:48 | |
32, 34, 36, 38, 40. | 0:36:48 | 0:36:52 | |
42, 44, 46, 48, 50. | 0:36:52 | 0:36:57 | |
-50. -Five, 55 in the back. | 0:36:57 | 0:36:59 | |
-55. -At 55 in the back. At 55, last call. | 0:36:59 | 0:37:02 | |
At 55 and I'm selling it. | 0:37:02 | 0:37:05 | |
-Thank you. -Brilliant, that's a tidy profit for you. | 0:37:05 | 0:37:09 | |
That's good, that's good. | 0:37:09 | 0:37:10 | |
With a lump in his throat and a lump on display, | 0:37:11 | 0:37:15 | |
James's Japanese Satsuma vase is next. | 0:37:15 | 0:37:17 | |
Phew, I've got this horrible Satsuma vase coming up | 0:37:17 | 0:37:20 | |
and if they can sell that they can sell anything. | 0:37:20 | 0:37:23 | |
The auctioneer thought it might do well. | 0:37:23 | 0:37:25 | |
It's got the stand as well. 100? | 0:37:25 | 0:37:27 | |
100 I'm bid. £100 I'm bid for the large Satsuma vase and stand. | 0:37:27 | 0:37:31 | |
110, 120. | 0:37:31 | 0:37:33 | |
At 120, for the large vase, at 120. | 0:37:33 | 0:37:37 | |
Nobody else going? At 120, and I'm selling it at 120. | 0:37:37 | 0:37:42 | |
'120. Well...' | 0:37:43 | 0:37:46 | |
85, it's a small profit, but, hey, that's great. | 0:37:46 | 0:37:49 | |
Expectations for the vase weren't quite lived up to. | 0:37:49 | 0:37:52 | |
Is this an omen? | 0:37:52 | 0:37:54 | |
The auctioneer had high hopes for Kate's candelabrum too. | 0:37:54 | 0:37:58 | |
This is my star item coming up, at least I hope it is. | 0:37:58 | 0:38:01 | |
The thing is, if these don't do well then I'm really stuffed. | 0:38:01 | 0:38:06 | |
200 for them? 100? 100 I'm bid. | 0:38:06 | 0:38:08 | |
110, 120, 130, 140, 150. | 0:38:08 | 0:38:12 | |
160, 170, 180, 190, 200. | 0:38:12 | 0:38:16 | |
220, 240, 260, 280, 300. | 0:38:16 | 0:38:20 | |
At £300. 320, 340, 360, 380. | 0:38:20 | 0:38:25 | |
At 380, at 380. At 380, last call, | 0:38:25 | 0:38:29 | |
at 380, and I'm selling them at 380. | 0:38:29 | 0:38:33 | |
380, yes! | 0:38:33 | 0:38:34 | |
That's a major boost to Kate's fortunes, | 0:38:36 | 0:38:38 | |
and for once she's made more profit at auction than James. | 0:38:38 | 0:38:42 | |
380! Shall I call James? | 0:38:42 | 0:38:45 | |
£380! | 0:38:46 | 0:38:48 | |
Oh, my goodness. | 0:38:48 | 0:38:50 | |
380. Oh, what a gamble! | 0:38:50 | 0:38:54 | |
Although, sadly, not nearly enough to catch him. | 0:38:54 | 0:38:57 | |
380! | 0:38:57 | 0:38:59 | |
'That is fantastic!' | 0:38:59 | 0:39:00 | |
Oh, well done. | 0:39:00 | 0:39:03 | |
James started today's show with £927.61p. | 0:39:04 | 0:39:09 | |
His profit after commission is just £79.34, | 0:39:09 | 0:39:12 | |
but it's sent him up into four figures | 0:39:12 | 0:39:15 | |
with a dazzling total of £1006.95p to carry forward. | 0:39:15 | 0:39:21 | |
Kate had £332.15p in the kitty, and her profit after commission | 0:39:21 | 0:39:28 | |
was a marvellous £165.40p, | 0:39:28 | 0:39:31 | |
so she's bounded up to £497.55p. Well done! | 0:39:31 | 0:39:37 | |
Although James is still in the overall lead, | 0:39:37 | 0:39:40 | |
Kate is the rather ecstatic winner of today's auction. | 0:39:40 | 0:39:44 | |
What a result! | 0:39:44 | 0:39:46 | |
Next time on the Antiques Road Trip, | 0:39:46 | 0:39:48 | |
our experts smarten up for a first-class auction in Hamilton. | 0:39:48 | 0:39:54 | |
James tries something old. | 0:39:54 | 0:39:55 | |
My friends normally get me dressed up as Henry VIII. | 0:39:55 | 0:39:58 | |
Kate tries something new. | 0:39:58 | 0:40:01 | |
Is the bow meant to be at the back, do you think? | 0:40:01 | 0:40:03 | |
And they both head into the great blue yonder. | 0:40:03 | 0:40:06 | |
Subtitles by Red Bee Media Ltd | 0:40:11 | 0:40:15 |