Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite antiques experts... £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Testing, testing! | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Isn't that really odd? | 0:00:12 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:14 | 0:00:18 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:18 | 0:00:22 | |
Oh, no! | 0:00:22 | 0:00:23 | |
So, will it be the highway to success or the B-road to bankruptcy? | 0:00:23 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Oh, look James! Bluebells! Look at them! | 0:00:37 | 0:00:40 | |
This week, we're in stunning Scotland | 0:00:40 | 0:00:42 | |
and out on the antiques trail with Kate Bliss and James Lewis. | 0:00:42 | 0:00:46 | |
Wearing short trousers, James Lewis made his first auction bid at just six years old. | 0:00:46 | 0:00:51 | |
He's been honing his expertise ever since, but he still has an Achilles heel. | 0:00:51 | 0:00:56 | |
I can see lots of tribal art. I am going to stop myself, before I get carried away. | 0:00:56 | 0:01:01 | |
Kate comes from an arty family. | 0:01:01 | 0:01:03 | |
Her father was an auctioneer. | 0:01:03 | 0:01:05 | |
She's grown into a fine protege, but has occasional lapses of confidence. | 0:01:05 | 0:01:10 | |
There's got to be a profit in that, hasn't there? | 0:01:10 | 0:01:13 | |
# Oh, Flower of Scotland... # | 0:01:15 | 0:01:17 | |
Oh, please! That's quite enough of that, thank you. | 0:01:17 | 0:01:20 | |
James and Kate started their week in Helmsdale | 0:01:22 | 0:01:27 | |
and are taking the roads, both high and low, to the delights of Ayr. | 0:01:27 | 0:01:31 | |
Today, the road trip takes them from Buckie in Banffshire to a crunch auction in Dundee. | 0:01:32 | 0:01:39 | |
But first, the Love Bug arrives in Cullen, | 0:01:39 | 0:01:43 | |
where our experts can search within, before searching the town. | 0:01:43 | 0:01:47 | |
-Wow, look at this place. -Looks good, doesn't it? | 0:01:47 | 0:01:49 | |
-Should get a good view from up here. -We should. | 0:01:49 | 0:01:52 | |
Kate needs all the help she can get. The first auction was quite scary for her. | 0:01:52 | 0:01:56 | |
Kate did well in Buckie on yesterday's show, | 0:01:57 | 0:02:01 | |
increasing her fighting fund from its initial £200 | 0:02:01 | 0:02:04 | |
to a proud £303.29 to start today's show. | 0:02:04 | 0:02:09 | |
But James did really well with his first crack of the auction whip. | 0:02:09 | 0:02:13 | |
Technically, Mr Lewis needs a right good smacking, | 0:02:13 | 0:02:16 | |
for using his business contacts to attract the right buyers. | 0:02:16 | 0:02:19 | |
But, boy, did it work! | 0:02:19 | 0:02:22 | |
-There you have it, then. -Oh, my God. Fantastic! | 0:02:22 | 0:02:26 | |
James has rocketed into a whopping lead, | 0:02:26 | 0:02:29 | |
with a thoroughly intimidating £603.57 to spend today. | 0:02:29 | 0:02:34 | |
James' profits will all go to charity and whilst he won't share | 0:02:34 | 0:02:39 | |
his profitable success, he could at least share some tactics. | 0:02:39 | 0:02:42 | |
What I would certainly go for is things that you can't look up in a book. That's always my plan. | 0:02:42 | 0:02:48 | |
-OK. -If it is something that has a set price and emotions aren't going to take over, | 0:02:48 | 0:02:52 | |
-then I think we have very little chance. -I know what you mean. | 0:02:52 | 0:02:55 | |
You want something that's a one-off or something that, | 0:02:55 | 0:02:58 | |
"Oh, wow" - never seen one of those. | 0:02:58 | 0:03:00 | |
Even if it's stupid, like a horse's muzzle. | 0:03:00 | 0:03:03 | |
If that makes profit, anything will. | 0:03:03 | 0:03:05 | |
So, here's Cullen. | 0:03:05 | 0:03:06 | |
Soft, sandy beaches and sea water so clean it gets the OK from the EU year after year. | 0:03:06 | 0:03:13 | |
And if like me, you're a sucker for a handsome viaduct or two, then Cullen has some fantastic | 0:03:13 | 0:03:20 | |
19th-Century engineering bestriding its pretty streets and tempting antiques shops. | 0:03:20 | 0:03:25 | |
Could Kate find the killer items she needs to catch up with the mighty Mr Lewis? | 0:03:25 | 0:03:30 | |
James is starting off in Tom's Shop, full of strange, wonderful oddities from around the world. | 0:03:30 | 0:03:36 | |
Sometimes you have a feel when you walk in somewhere and your fingers | 0:03:36 | 0:03:40 | |
start to tingle, because there are interesting things everywhere. | 0:03:40 | 0:03:44 | |
It's good to hear James' hushed tones and proper respect for a well-maintained shop. | 0:03:44 | 0:03:49 | |
Testing! Testing! Oh, blimey. | 0:03:49 | 0:03:53 | |
Yep, it's definitely working! Tom's shop has just the right mixture of peculiar | 0:03:53 | 0:03:59 | |
and potentially profitable, to get James really excited. | 0:03:59 | 0:04:03 | |
Now this is a gadget. | 0:04:03 | 0:04:04 | |
-This is a quill cutter, so you take a quill from a goose or a swan. -Swans were the best, weren't they? | 0:04:04 | 0:04:11 | |
-Not only were the swans the best, but the young male swan was called...a pen. -Yeah, of course. | 0:04:11 | 0:04:15 | |
And that's why that's called a penknife. | 0:04:15 | 0:04:19 | |
-Ah! -And you cut the quill at an angle and you put the end in there and then you press that down. | 0:04:19 | 0:04:26 | |
There's a crunching sound and what comes out is a pen nib, | 0:04:26 | 0:04:30 | |
with a slit in it. | 0:04:30 | 0:04:31 | |
I've made quite a few, actually. It's an incredible gadget. | 0:04:31 | 0:04:36 | |
That's 1820. | 0:04:36 | 0:04:37 | |
What a fascinating item, the genesis of the ink pen and the pen knife, | 0:04:37 | 0:04:41 | |
something the Swiss Army would salute. | 0:04:41 | 0:04:44 | |
-I mean, for me this is why the antiques business is so interesting. -Of course, it is. | 0:04:44 | 0:04:48 | |
Because I have to say, anything like the Dalton figures or the Beswick dogs, they just leave me so cold. | 0:04:48 | 0:04:55 | |
It comes up for sale, you flick through the book, "Oh, yeah that's worth £30 pounds, I'll bid £20." | 0:04:57 | 0:05:02 | |
And there's no heart or passion in it, is there? | 0:05:02 | 0:05:04 | |
Following his heart, James finds something for his head. And it's African. | 0:05:04 | 0:05:09 | |
The African bush is not a great place to sleep. | 0:05:09 | 0:05:13 | |
Believe me, I've done it and you get some very strange things | 0:05:13 | 0:05:16 | |
crawling in places that you don't want them to crawl. | 0:05:16 | 0:05:19 | |
And the way of stopping nasty little bugs crawling into your ears is to have one of these. | 0:05:19 | 0:05:24 | |
And you would use this as a neck rest or a pillow and the technique | 0:05:24 | 0:05:27 | |
would be to smear goat fat or goat grease down the uprights. | 0:05:27 | 0:05:32 | |
This makes it sticky, it makes it slightly smelly, but it also prevents | 0:05:32 | 0:05:36 | |
any nasty little bugs crawling up it, because they get their feet stuck. | 0:05:36 | 0:05:39 | |
So, an interesting object. it's £35. | 0:05:39 | 0:05:42 | |
Most people haven't got a clue what they are, so in a general sale, | 0:05:42 | 0:05:47 | |
a difficult thing to sell but for me, | 0:05:47 | 0:05:50 | |
if I'm buying from the heart, this is what I'd go for. | 0:05:50 | 0:05:53 | |
I love it. I love it, but I just don't think it gives me a chance of a profit. | 0:05:53 | 0:05:58 | |
James is finding it hard to let go. | 0:05:58 | 0:06:00 | |
Has he found something for his head and his heart? And his wallet? | 0:06:00 | 0:06:04 | |
Across town, today's underdog contender is just limbering up. | 0:06:04 | 0:06:09 | |
This is a great place. | 0:06:09 | 0:06:11 | |
It really reminds me of my dad's sale room when I was really small, | 0:06:11 | 0:06:15 | |
cos he had a sale room in a church, just like this. | 0:06:15 | 0:06:17 | |
In fact, it's even got the same sort of churchy smell. | 0:06:17 | 0:06:20 | |
There's something special about Kate. | 0:06:20 | 0:06:22 | |
Some irrepressible charm she has, a certain way with antique sellers, | 0:06:22 | 0:06:28 | |
but I just can't quite put my finger on it. | 0:06:28 | 0:06:31 | |
# She's a lady | 0:06:31 | 0:06:33 | |
# Oh, whoa, who, she's a lady... # | 0:06:33 | 0:06:37 | |
That's a bit different, isn't it? Quite decorative, isn't it? | 0:06:37 | 0:06:40 | |
I like the fact that it's slightly misshapen, which shows that it's | 0:06:40 | 0:06:44 | |
hand blown and you've go the pontil mark on the base there. But no name. | 0:06:44 | 0:06:51 | |
Very pretty, Kate, but it is £65... | 0:06:51 | 0:06:55 | |
What could you do that for? | 0:06:55 | 0:06:56 | |
-45. -45. Mmm. | 0:06:56 | 0:07:00 | |
It's very much in the Loetz style, | 0:07:00 | 0:07:02 | |
but without the name... | 0:07:02 | 0:07:05 | |
Johan Loetz began his Bohemian glassworks company in 1840, | 0:07:05 | 0:07:10 | |
producing world-renowned and beautiful pieces. | 0:07:10 | 0:07:13 | |
Along with Tiffany and Galle, Loetz showed at the Paris Exhibition | 0:07:13 | 0:07:17 | |
of 1889 - the hallowed birthplace of Art Nouveau. | 0:07:17 | 0:07:21 | |
But this piece is only a Loetz lookalike. | 0:07:21 | 0:07:24 | |
Can the lady get a good price in her own style? | 0:07:24 | 0:07:28 | |
Can I be really cheeky and say £20? | 0:07:28 | 0:07:30 | |
HE LAUGHS | 0:07:30 | 0:07:32 | |
25. Go on. | 0:07:32 | 0:07:34 | |
25? | 0:07:34 | 0:07:36 | |
I'd really like £20...if you can. | 0:07:36 | 0:07:39 | |
Wow, Kate. You're really holding fast at 20. | 0:07:39 | 0:07:42 | |
You're a hard, hard dealer. | 0:07:42 | 0:07:45 | |
Go on, then. | 0:07:45 | 0:07:47 | |
-£20. -Yeah. | 0:07:47 | 0:07:49 | |
OK, lovely. Thank you very much, indeed. | 0:07:49 | 0:07:51 | |
Look at that. Kate's off to a flyer with her first purchase. | 0:07:51 | 0:07:55 | |
Can she turn a faux Loetz into real money? | 0:07:55 | 0:07:59 | |
Back with James, he's found a 19th-Century Japanese bonsai | 0:07:59 | 0:08:04 | |
watering can...of all things(!) | 0:08:04 | 0:08:09 | |
If it was really bargain basement, you want to get rid of it. | 0:08:09 | 0:08:12 | |
-15 quid. -15 quid. OK. | 0:08:12 | 0:08:16 | |
That is a possibility. | 0:08:16 | 0:08:18 | |
After writing his own future, James finds a scroll holder. Also 19th century, also Japanese. | 0:08:18 | 0:08:26 | |
What an unusual thing. | 0:08:26 | 0:08:27 | |
The decoration is really interesting. That's 18. OK, hang on. | 0:08:27 | 0:08:30 | |
Suddenly, the £35 Ethiopian hardwood headrest is back in the picture too. | 0:08:30 | 0:08:36 | |
James clearly wants a repeat of his auction success on yesterday's show. | 0:08:36 | 0:08:41 | |
A global package, bought for £60, made a rather cool £340. | 0:08:41 | 0:08:47 | |
Who wouldn't want a sequel to that? | 0:08:47 | 0:08:49 | |
Plus, a tribal war mask from Mali added to the mix, at £88. | 0:08:49 | 0:08:54 | |
-What would be your best? -£85 and that's the end. | 0:08:54 | 0:08:58 | |
85. | 0:08:58 | 0:08:59 | |
Argh. | 0:09:01 | 0:09:02 | |
Don't quibble, James. You've got over £600 to play with. Go wild! | 0:09:02 | 0:09:08 | |
All right. Pound off for luck. £84. | 0:09:08 | 0:09:10 | |
-£84. -Thank you. | 0:09:10 | 0:09:11 | |
Not a rock bottom price, but this is an interesting global bundle and another high stakes bulk purchase. | 0:09:11 | 0:09:18 | |
If anyone's playing the game here, it's James. | 0:09:18 | 0:09:21 | |
-OK, I need to pay you some money. -Jolly good. -I've got it somewhere. | 0:09:21 | 0:09:24 | |
Here we go. | 0:09:24 | 0:09:26 | |
And just as the money is about to change hands, James' eye is drawn | 0:09:26 | 0:09:30 | |
to one of his usual suspects - a handsome snuff box, at £14. | 0:09:30 | 0:09:35 | |
-How much is that? -Oh, well, let's see. | 0:09:35 | 0:09:39 | |
-It's £14. -Do it for nine? | 0:09:39 | 0:09:41 | |
No, no, I couldn't do that. | 0:09:41 | 0:09:43 | |
You're crucifying me again, but I'll do it for ten, because I like you. | 0:09:43 | 0:09:47 | |
-There you go. -Deal. Thank you. Have a good day. | 0:09:47 | 0:09:51 | |
Cheers. Bye. | 0:09:51 | 0:09:53 | |
Aware of the current vast profit chasm with James, | 0:09:53 | 0:09:56 | |
Kate has hurried on to another shop and another would-be profit turner. | 0:09:56 | 0:10:00 | |
It's interesting because some of the sheep are quietly nicely done, | 0:10:00 | 0:10:04 | |
but this one, I think, is quite amateurish. | 0:10:04 | 0:10:07 | |
He looks not very well, does he? | 0:10:07 | 0:10:08 | |
That one there. | 0:10:08 | 0:10:10 | |
Maybe they looked more like that 100 years ago. | 0:10:10 | 0:10:13 | |
-Maybe. Yeah, it's certainly a period canvas, isn't it? -Oh, yeah. | 0:10:13 | 0:10:16 | |
-How much has that got to be, Harry? -Well, I have £100 on it. | 0:10:16 | 0:10:19 | |
-Sharp intake of breath! -Yeah, but... -Ouch. | 0:10:22 | 0:10:25 | |
Can you feel it? I think Harry here is about to experience the Bliss effect - | 0:10:25 | 0:10:30 | |
part winning charm, part steely resolve, part highwaywoman! | 0:10:30 | 0:10:34 | |
How much does it have to be? | 0:10:34 | 0:10:37 | |
How much does it "have" to be? | 0:10:37 | 0:10:39 | |
How much does it HAVE to be? | 0:10:39 | 0:10:40 | |
-Well, let's say we could let it go at £75. -Yeah. | 0:10:40 | 0:10:44 | |
I can't see it at that. | 0:10:44 | 0:10:46 | |
No? What do you see it at? | 0:10:46 | 0:10:50 | |
£30. Go on, Harry. | 0:10:50 | 0:10:52 | |
That's giving it to you! | 0:10:52 | 0:10:55 | |
Wow, even I think £30 is quite low. | 0:10:55 | 0:10:58 | |
Could there soon be some wanted posters of this highwaywoman around Cullen? | 0:10:58 | 0:11:02 | |
-55. -30. -55. | 0:11:02 | 0:11:06 | |
It's got to be £30, I think. | 0:11:09 | 0:11:10 | |
It's got to be £30? | 0:11:10 | 0:11:11 | |
Wow. Well, it's the worst £30 I've ever earned, but OK. | 0:11:11 | 0:11:17 | |
-OK! -OK. It's a deal. | 0:11:17 | 0:11:19 | |
Thank you very much, indeed. | 0:11:19 | 0:11:21 | |
Well done, Kate, although I doubt poor Harry will be dining out tonight. | 0:11:21 | 0:11:25 | |
I don't know what to make of that I hope I've done the right thing. | 0:11:25 | 0:11:29 | |
£30 doesn't sound like a lot of money for a Victorian oil, even though it does need a bit | 0:11:29 | 0:11:35 | |
of a clean. It's a great Scottish subject, so I hope the people of Dundee like Scottish sheep. | 0:11:35 | 0:11:41 | |
James has also moved on to a new shop and a new object of interest. | 0:11:41 | 0:11:46 | |
Golly... What an odd thing. | 0:11:46 | 0:11:50 | |
Isn't that really odd? | 0:11:50 | 0:11:53 | |
But not so odd that you're putting it straight back down. | 0:11:54 | 0:11:57 | |
You can see a little bit of damage around his neck there, but he's a strange object, that one. | 0:11:57 | 0:12:02 | |
Priced at £45, the figurine is silver plated and looks a bit like | 0:12:02 | 0:12:06 | |
a St George and the Dragon, but then, it also looks like a lot of things. | 0:12:06 | 0:12:11 | |
It's what you call, 'interesting to look at'. | 0:12:11 | 0:12:14 | |
Made in Hungary, so it's not that early, | 0:12:14 | 0:12:17 | |
but certainly different. | 0:12:17 | 0:12:20 | |
I don't like the casting, I don't like the quality. I like the stones. | 0:12:20 | 0:12:23 | |
Nice mahogany base. | 0:12:23 | 0:12:25 | |
So there's a lot James doesn't like about this odd item, | 0:12:25 | 0:12:28 | |
but surely anything worthless wouldn't have a nice mahogany base? | 0:12:28 | 0:12:33 | |
I hate the fact that it says 'Made in Hungary' on the sword. | 0:12:33 | 0:12:36 | |
Methinks, Lewis doth protest too much! | 0:12:36 | 0:12:40 | |
Interestingly, the George and the Dragon myth | 0:12:40 | 0:12:42 | |
also exists in old Hungarian folklore. | 0:12:42 | 0:12:46 | |
Plus, this statue does have some possibly interesting encrustations. | 0:12:46 | 0:12:50 | |
Oh, I don't know. | 0:12:50 | 0:12:52 | |
Well, let's put it this way, after you've run it down, | 0:12:52 | 0:12:55 | |
if you don't buy it, I'll probably throw it away! | 0:12:55 | 0:12:58 | |
There are loads of things in its favour and I don't want to run it down. | 0:12:58 | 0:13:01 | |
I actually think it's really nice. No, I don't. | 0:13:01 | 0:13:04 | |
I think it's really saleable, although I don't know who to. | 0:13:04 | 0:13:08 | |
Oh, I don't know. 25 quid. | 0:13:08 | 0:13:11 | |
Do you want to sell it? | 0:13:11 | 0:13:13 | |
Ah, defamation, followed by a very low offer. | 0:13:13 | 0:13:16 | |
Nice tactic, James. | 0:13:16 | 0:13:19 | |
Meanwhile, the Love Bug is taking Kate on an important date. | 0:13:20 | 0:13:25 | |
# She's a lady Whoa, whoa, whoa, she's a lady... # | 0:13:25 | 0:13:30 | |
Kate is a qualified expert on jewellery and silver, | 0:13:30 | 0:13:34 | |
so she's backtracking on the road trip to Banff, in search of treasure. | 0:13:34 | 0:13:39 | |
Banff has a kooky mix of architectural styles. | 0:13:39 | 0:13:42 | |
Once a town of silversmithing, | 0:13:42 | 0:13:45 | |
which, in the 19th century, probably supplied the Highland Lairds | 0:13:45 | 0:13:50 | |
who would spend their winter in warmer Banff. | 0:13:50 | 0:13:52 | |
Hi. You must be David. How do you do? | 0:13:52 | 0:13:54 | |
-Welcome to Banff Museum. -Great to be here. Lovely. | 0:13:54 | 0:13:57 | |
Curator David Bertie is here to show Kate the best of the Banff Museum. | 0:13:57 | 0:14:03 | |
Just behind the front door, the jewel in their collection is this silver teapot. | 0:14:03 | 0:14:09 | |
It's dated from around 1720, but the maker is unknown. | 0:14:09 | 0:14:13 | |
It's a bullet-shaped teapot. | 0:14:13 | 0:14:15 | |
-Is that right? -That's correct. | 0:14:15 | 0:14:16 | |
And typical of that very early period, really early 18th century. | 0:14:16 | 0:14:21 | |
That's correct. If you look on the bottom of it, the mark for Banff | 0:14:21 | 0:14:25 | |
is very clear but unfortunately the maker's mark is very unclear. | 0:14:25 | 0:14:30 | |
Famous Banff silversmiths, like George Elder and John Keith, | 0:14:30 | 0:14:34 | |
were known as hammermen | 0:14:34 | 0:14:36 | |
because of the makers' marks they left on their wares. | 0:14:36 | 0:14:39 | |
John Keith is interesting because he used a fish | 0:14:39 | 0:14:42 | |
in addition to his initials, and B for Banff. | 0:14:42 | 0:14:47 | |
Oh, yes, I can see there. | 0:14:47 | 0:14:49 | |
B for Banff. And it's quite clearly a fish, isn't it? | 0:14:49 | 0:14:53 | |
And that was his symbol? | 0:14:53 | 0:14:56 | |
He used that symbol. It seems to be unique to him. | 0:14:56 | 0:14:59 | |
Kate's got an auction mountain to climb to beat her travelling partner | 0:14:59 | 0:15:03 | |
so a nice piece of Banff silverware could set her up nicely. | 0:15:03 | 0:15:07 | |
Too bad she can't afford any! | 0:15:07 | 0:15:09 | |
That teapot was acquired | 0:15:10 | 0:15:12 | |
about, um...25 years ago, | 0:15:12 | 0:15:16 | |
and at that time was £9,500. | 0:15:16 | 0:15:20 | |
£9,500. And I would have thought it would be significantly more now. | 0:15:20 | 0:15:24 | |
It would be very much more now. | 0:15:24 | 0:15:26 | |
Kate's still in love with this fabulous Scottish silver. | 0:15:26 | 0:15:30 | |
And the bizarre Hungarian silver is still troubling and exciting James. | 0:15:30 | 0:15:34 | |
Well, will you take 25 quid for it? What do you think? | 0:15:34 | 0:15:38 | |
-Up to you. -£25, there you go. Deal. | 0:15:38 | 0:15:41 | |
Well, let's make it £28. | 0:15:41 | 0:15:44 | |
£28, yeah? | 0:15:44 | 0:15:45 | |
Raising your offer? James is more optimistic than he's letting on. | 0:15:45 | 0:15:49 | |
I don't know. It might make 25 quid, it might make 200 quid. I really don't know. | 0:15:49 | 0:15:53 | |
If it does do well, come and see me and I'll buy you lunch. | 0:15:53 | 0:15:56 | |
-We might take you up on that. -If it makes 24 quid, don't bother! | 0:15:56 | 0:16:00 | |
We'll buy YOU lunch! | 0:16:00 | 0:16:02 | |
You can buy me lunch! | 0:16:02 | 0:16:04 | |
I mean, it's totally grotesque, isn't it? | 0:16:06 | 0:16:08 | |
You can say it now, I've bought it. | 0:16:08 | 0:16:10 | |
Yes, but one man's grotesque is another man's strangely attractive. | 0:16:10 | 0:16:15 | |
And James clearly sees potential for a profit. | 0:16:15 | 0:16:18 | |
And before we offend any more shopkeepers, | 0:16:19 | 0:16:21 | |
the day is drawing to an end, our experts need shelter. | 0:16:21 | 0:16:24 | |
And James needs to warm his cockles. | 0:16:24 | 0:16:26 | |
Hey, James! | 0:16:26 | 0:16:28 | |
-Brrrr! -Oh, are you absolutely perished? | 0:16:28 | 0:16:31 | |
If it's like this in the summer, what's it like in the winter? | 0:16:31 | 0:16:34 | |
We'd better get you a cup of tea or something. Get you warmed up. | 0:16:34 | 0:16:38 | |
Next day, they leave the Highlands behind them | 0:16:47 | 0:16:50 | |
and our pair head further south on their antiques search. | 0:16:50 | 0:16:53 | |
-Lovely countryside, isn't it? -Yeah. It's so different from the Highlands, isn't it? | 0:16:53 | 0:16:58 | |
They're admiring the Perthshire scenery | 0:17:00 | 0:17:02 | |
en route to the village of Dunkeld | 0:17:02 | 0:17:05 | |
with some auction booty in the boot to sell in Dundee. | 0:17:05 | 0:17:09 | |
So far Kate's spent £50 on two items - | 0:17:10 | 0:17:13 | |
the Art Nouveau glassware and the landscape oil painting. | 0:17:13 | 0:17:16 | |
She's got £253.29 to play with today. | 0:17:16 | 0:17:21 | |
James has gone wild again and spent £122 on three lots. | 0:17:23 | 0:17:28 | |
The global bundle, the handsome snuff box | 0:17:28 | 0:17:31 | |
and the interesting silver statue. | 0:17:31 | 0:17:33 | |
But he's got buckets of money left, with a whopping £481.57 at his disposal. | 0:17:33 | 0:17:38 | |
Cheers, bye. | 0:17:38 | 0:17:40 | |
The name Dunkeld comes from the Gaelic for "fort in the wood". | 0:17:42 | 0:17:46 | |
In the 9th century it was an important religious centre | 0:17:46 | 0:17:50 | |
for the early Celtic church, and today, | 0:17:50 | 0:17:52 | |
it's one of the most complete 18th century towns in Scotland | 0:17:52 | 0:17:56 | |
thanks to a vigorous restoration project | 0:17:56 | 0:17:59 | |
by the National Trust of Scotland in the 1950s and '60s. | 0:17:59 | 0:18:03 | |
It's a new town, and guess what? | 0:18:03 | 0:18:05 | |
-Kate's in an antique shop. -Oh, the clocks are working. | 0:18:05 | 0:18:08 | |
David, the owner, sources his stock from around the world | 0:18:08 | 0:18:12 | |
but he also has some more familiar local items. | 0:18:12 | 0:18:15 | |
And this, in terms of tartan ware, | 0:18:16 | 0:18:18 | |
this really is a Rolls-Royce piece, isn't it? | 0:18:18 | 0:18:20 | |
Queen Victoria's fondness for all things Scottish helped establish | 0:18:20 | 0:18:25 | |
tartan ware as sought-after souvenirs in the 19th century. | 0:18:25 | 0:18:29 | |
Everyday items were tartan-ed up. | 0:18:29 | 0:18:32 | |
Sewing boxes, pen trays and in this case, a tea caddy. | 0:18:32 | 0:18:36 | |
Beautifully painted on the top. | 0:18:36 | 0:18:38 | |
Not transfer printed but actually hand-painted, | 0:18:38 | 0:18:41 | |
and the light in that landscape is just beautiful. | 0:18:41 | 0:18:44 | |
And then you've got the tartan, | 0:18:44 | 0:18:46 | |
which is... well, it was paper, wasn't it? | 0:18:46 | 0:18:49 | |
Put onto usually box wood and then lacquered to preserve it. | 0:18:49 | 0:18:52 | |
And then you've got the traces of the lead lining on the inside | 0:18:52 | 0:18:56 | |
which shows that it was for tea. I think they're absolutely lovely. | 0:18:56 | 0:19:00 | |
But how much are you charging for that, David? | 0:19:00 | 0:19:03 | |
-That is £2,200. -Right. | 0:19:03 | 0:19:06 | |
How much?! | 0:19:06 | 0:19:08 | |
This won't be a souvenir for Kate to invest in, | 0:19:08 | 0:19:11 | |
but David kindly takes her to the bargain basement, | 0:19:11 | 0:19:14 | |
where antiques road trippers can usually be found. | 0:19:14 | 0:19:17 | |
I like that knocker. That's lovely, isn't it? | 0:19:17 | 0:19:20 | |
Polished steel with a lovely, um... | 0:19:20 | 0:19:23 | |
-You can have that for £30. -£30 doesn't sound good to Kate. | 0:19:23 | 0:19:28 | |
-Here comes that ruthless charm. Just look at her look. -15? | 0:19:28 | 0:19:32 | |
Yes! Well, you may as well steal something from me. | 0:19:32 | 0:19:35 | |
You're a good man. Thank you very much. | 0:19:35 | 0:19:37 | |
Great. We've got something lovely. | 0:19:37 | 0:19:40 | |
James, meanwhile, is a man on a mission. | 0:19:40 | 0:19:43 | |
I need to buy something rather quickly. | 0:19:43 | 0:19:46 | |
He's actually bought six separate items already, | 0:19:46 | 0:19:49 | |
but James clearly needs his daily shopping fix. | 0:19:49 | 0:19:53 | |
So he's backtracking slightly in search of an antique shop | 0:19:53 | 0:19:57 | |
nearby, but not in, the town of Blair Atholl. | 0:19:57 | 0:20:00 | |
This doesn't look good. We're in the middle of nowhere again, | 0:20:00 | 0:20:04 | |
we're certainly not in Blair Atholl any more. | 0:20:04 | 0:20:06 | |
Oh dear. The final buy might prove elusive. | 0:20:06 | 0:20:09 | |
Well, if it's not easy to find, let's hope nobody else has found it. | 0:20:09 | 0:20:14 | |
Chance would be a fine thing, James! | 0:20:14 | 0:20:16 | |
Oh, no! | 0:20:16 | 0:20:18 | |
Oh, my word. | 0:20:18 | 0:20:21 | |
This is American tourist heaven. | 0:20:21 | 0:20:24 | |
Oh, no! | 0:20:24 | 0:20:26 | |
That's rather snobby, James! | 0:20:26 | 0:20:27 | |
Just because it's not your idea of heaven, | 0:20:27 | 0:20:30 | |
doesn't mean it can't be fun for all our treasured visitors | 0:20:30 | 0:20:33 | |
to these inclusive Isles. | 0:20:33 | 0:20:35 | |
Tut tut! | 0:20:35 | 0:20:37 | |
-Hello there. -Hi. Good morning. -Nice to see you. | 0:20:37 | 0:20:40 | |
So this wasn't what I was expecting. | 0:20:40 | 0:20:43 | |
I was expecting some really highly polished, | 0:20:43 | 0:20:46 | |
lots of big fancy glitzy furniture. | 0:20:46 | 0:20:48 | |
Well, I'm sure Duncan here will be thrilled with your glowing endorsement, James! | 0:20:48 | 0:20:53 | |
That's very kind of you. I start at £5 and go up from there. | 0:20:53 | 0:20:56 | |
-No, it's a good mix. -Thanks. | 0:20:56 | 0:20:59 | |
There's a little Sampson Mordan pencil, | 0:21:00 | 0:21:05 | |
without the pencil! | 0:21:05 | 0:21:06 | |
But it's, uh... You can get them to fit into those little slots. | 0:21:06 | 0:21:11 | |
But it's a nice example. | 0:21:12 | 0:21:15 | |
19th century silversmith Sampson Mordan is now highly collectible | 0:21:15 | 0:21:21 | |
so this letter opener-cum-pencil holder is worth a second glance. | 0:21:21 | 0:21:25 | |
75, I could do that for 45 if that's of any use? | 0:21:26 | 0:21:31 | |
-45. -I'm sorry we don't have the pencil. | 0:21:31 | 0:21:34 | |
We need to find one of these little silver ones, | 0:21:34 | 0:21:37 | |
don't we, and put it in there! 45, OK. | 0:21:37 | 0:21:40 | |
James is not convinced, but back in Dunkeld, is Kate going for gold? | 0:21:40 | 0:21:45 | |
What could you do for me on that? | 0:21:47 | 0:21:49 | |
-£80. -Hmm. | 0:21:49 | 0:21:52 | |
I'm sure there's a profit left in that. | 0:21:52 | 0:21:54 | |
It's nine carat gold, lovely citrine. | 0:21:54 | 0:21:57 | |
Citrine is a variety of smoky quartz. | 0:21:57 | 0:22:00 | |
Scottish citrine also goes by the name Cairngorm | 0:22:00 | 0:22:03 | |
as that's where it comes from. | 0:22:03 | 0:22:05 | |
And some even believe that the stone symbolises prosperity. | 0:22:05 | 0:22:09 | |
Here's hoping. | 0:22:09 | 0:22:12 | |
I think it's just slightly bent there. | 0:22:12 | 0:22:14 | |
Just a tiny bit of damage there. | 0:22:16 | 0:22:18 | |
Oh, yeah. | 0:22:18 | 0:22:19 | |
Hmm, really? Still, it's a good tactical ploy to point out the faults. | 0:22:19 | 0:22:24 | |
However small! | 0:22:24 | 0:22:26 | |
I'd really like 55. | 0:22:26 | 0:22:28 | |
I would really like 95! | 0:22:28 | 0:22:30 | |
Or in fact if I could, I'd really like 120 for it, but... | 0:22:30 | 0:22:35 | |
It is a nice piece, but I think it's 55 for me. | 0:22:35 | 0:22:40 | |
OK. | 0:22:40 | 0:22:41 | |
-Just for me? -Go on, all right. | 0:22:43 | 0:22:46 | |
-55? -Yeah. There you go, 55. | 0:22:46 | 0:22:49 | |
Thank you very much indeed. I think that will give me a chance. | 0:22:49 | 0:22:53 | |
I'm sure it'll give you a big chance. I'm certain. | 0:22:53 | 0:22:55 | |
We'll find out soon enough if the citrine will bring prosperity Kate's way. | 0:22:55 | 0:23:00 | |
And along the road, James has found something which really floats his boat. | 0:23:00 | 0:23:05 | |
How about the nef? | 0:23:05 | 0:23:07 | |
Now that is Dutch silver, it is a 20th century one. | 0:23:07 | 0:23:12 | |
God, if that was original! Gee! | 0:23:12 | 0:23:15 | |
I know. I had to buy it, it was just decoration. | 0:23:15 | 0:23:19 | |
Yeah, great object. | 0:23:19 | 0:23:21 | |
Original 18th century one like that, £20,000. | 0:23:22 | 0:23:25 | |
Even as a 20th century copy, the nef has a £2,200 price tag. | 0:23:26 | 0:23:32 | |
James probably needs to adjust his sights somewhat. | 0:23:32 | 0:23:35 | |
-How about some nice Scottish, Dundee, provincial silver. -Aaah! | 0:23:35 | 0:23:40 | |
It's a classic Scottish silver teaspoon shape, isn't it? | 0:23:40 | 0:23:43 | |
-We are going to Dundee. -Well... | 0:23:43 | 0:23:45 | |
We've got a bit of wear on that one | 0:23:45 | 0:23:47 | |
and obviously it's been redone but that one's lovely and crisp. | 0:23:47 | 0:23:51 | |
Still got its tip. | 0:23:51 | 0:23:52 | |
-Nice. The tip usually gets worn away. -Yeah. | 0:23:52 | 0:23:56 | |
When I'm doing house clearances, | 0:23:56 | 0:23:58 | |
you often find one teaspoon in the kitchen drawer. | 0:23:58 | 0:24:01 | |
The lady's living on her own so she's put one in the kitchen drawer | 0:24:01 | 0:24:05 | |
and the other five are put away in the dining room and kept crisp. | 0:24:05 | 0:24:09 | |
She's got her favourite one... | 0:24:09 | 0:24:11 | |
-And I bet that was the kitchen drawer one! -Probably. | 0:24:11 | 0:24:14 | |
The ticket price on the spoons is a solid £110. | 0:24:14 | 0:24:18 | |
It's not like James can't afford it. | 0:24:18 | 0:24:20 | |
He still has close to £500 to spend, should he so choose. | 0:24:20 | 0:24:24 | |
How much are they? | 0:24:24 | 0:24:26 | |
I can knock these down now for £90. There you are. | 0:24:26 | 0:24:29 | |
£90. Well, I have to say, it doesn't seem a lot. | 0:24:29 | 0:24:31 | |
Hang on. James has stopped haggling. | 0:24:31 | 0:24:34 | |
Is this an attack of conscience or a whole new tactic emerging? | 0:24:34 | 0:24:38 | |
The pencil holder and letter opener still has allure, but it is an incomplete item. | 0:24:38 | 0:24:43 | |
As it hasn't got a pencil in it at all... | 0:24:43 | 0:24:46 | |
-35. -35. OK. | 0:24:48 | 0:24:51 | |
35... | 0:24:51 | 0:24:53 | |
Hmm. Is that going to be a killer without the pencil? | 0:24:53 | 0:24:57 | |
I think we're all waiting for negotiations to start, | 0:24:57 | 0:25:01 | |
but no sign from James yet. | 0:25:01 | 0:25:03 | |
What would you sell the whole little package for? | 0:25:03 | 0:25:06 | |
-The spoons and the pencil? -Yeah. | 0:25:06 | 0:25:08 | |
110 and that's it. I can't do any better. | 0:25:08 | 0:25:12 | |
I'm not going to haggle. You've been very fair. | 0:25:12 | 0:25:15 | |
-Thank you very much. -You're welcome. | 0:25:15 | 0:25:17 | |
No real negotiating. A sure sign James knows he's onto something. | 0:25:17 | 0:25:23 | |
Reunited, our keen antiques shoppers are now changing tack a little. | 0:25:23 | 0:25:27 | |
Better get some juice. | 0:25:27 | 0:25:29 | |
Some Beetle juice. | 0:25:29 | 0:25:31 | |
Beetle juice! | 0:25:31 | 0:25:33 | |
They're heading westward to the small village of Aberfeldy, | 0:25:33 | 0:25:37 | |
situated on the River Tay, a stone's throw from Loch Tay. | 0:25:37 | 0:25:42 | |
James is satisfied with his buys but Kate's not sure she has enough | 0:25:42 | 0:25:47 | |
in her shopping basket and is keen to check out one more opportunity. | 0:25:47 | 0:25:51 | |
Let's hope there's a fusty old antiques shop owner, | 0:25:51 | 0:25:54 | |
preferably male, for her to use her charms on. | 0:25:54 | 0:25:57 | |
Ah! It's Olivia. Good luck, Kate! | 0:25:59 | 0:26:01 | |
Now this is really unusual. What is this? | 0:26:01 | 0:26:05 | |
If you strike this down the side you'll get a spark, | 0:26:05 | 0:26:09 | |
and that will enable you to light whatever it is. | 0:26:09 | 0:26:13 | |
But this is the selling point, isn't it? It's beautifully enamelled | 0:26:13 | 0:26:18 | |
and of course, half-naked ladies do sell well. | 0:26:18 | 0:26:21 | |
She's the only one in the shop. | 0:26:21 | 0:26:24 | |
What could you do that for? | 0:26:24 | 0:26:26 | |
It's 24, but I could do it for 20. | 0:26:26 | 0:26:31 | |
I don't think we can go any lower than that | 0:26:31 | 0:26:35 | |
because it's rather special, isn't it? | 0:26:35 | 0:26:38 | |
20 pounds, that's what it's got to be? | 0:26:38 | 0:26:40 | |
-Yeah. -OK. | 0:26:40 | 0:26:42 | |
Well, either Olivia has cut the wind from Kate's haggling sails, | 0:26:42 | 0:26:47 | |
or maybe Kate's conscience says that £20 is a fair price? | 0:26:47 | 0:26:52 | |
I'm going with option one, frankly. | 0:26:52 | 0:26:54 | |
Now the travelling companions must reveal the fruits of their days' searching. | 0:26:56 | 0:27:00 | |
It's show and tell time. | 0:27:00 | 0:27:03 | |
This is an awful lot. I really wish I hadn't... | 0:27:03 | 0:27:06 | |
Come on, get it out, I want to see... Oh, goodness. | 0:27:06 | 0:27:09 | |
Hey, I love the bamboo handles. | 0:27:09 | 0:27:11 | |
-I liked it, it was Japanese. -Lovely bamboo. | 0:27:11 | 0:27:13 | |
-I thought it had a tactile feel. And... -Don't tell me... | 0:27:13 | 0:27:16 | |
Now I know what this is. | 0:27:16 | 0:27:18 | |
-Head rest. -Yeah. -What do you think? How's the look? | 0:27:18 | 0:27:23 | |
Well, it's not my thing. | 0:27:23 | 0:27:25 | |
It's not my thing either! Oh, don't! | 0:27:25 | 0:27:27 | |
-What's this? -Well, that's a little scroll holder. | 0:27:27 | 0:27:31 | |
That's nice. How much? | 0:27:31 | 0:27:33 | |
It was 84 pounds as a group. | 0:27:33 | 0:27:35 | |
Bought as a single lot, these four will be sold as one lot. | 0:27:35 | 0:27:40 | |
And from global artefacts to Art Nouveau. | 0:27:40 | 0:27:43 | |
Austrian glass. Yeah, I like that. | 0:27:43 | 0:27:45 | |
-Well, I think that would make 40 to 60 at auction. -OK. | 0:27:45 | 0:27:50 | |
You paid like 20 or 25, didn't you? | 0:27:50 | 0:27:52 | |
-20. -Did you? Well, that's a really good buy. | 0:27:52 | 0:27:54 | |
What will Kate's expert eye make of James' silver figurine? | 0:27:54 | 0:27:59 | |
-What do you think? -I think it's lovely. | 0:27:59 | 0:28:01 | |
I do. I wasn't sure in the shop, and it's grown on me and grown on me. | 0:28:01 | 0:28:05 | |
It's very, very, highly decorative, isn't it? | 0:28:05 | 0:28:09 | |
And you can imagine that in a big Bond Street gallery | 0:28:09 | 0:28:12 | |
with some horrendously high price on it. | 0:28:12 | 0:28:15 | |
-How much? -28 quid. | 0:28:15 | 0:28:16 | |
NO! That's a steal! | 0:28:16 | 0:28:19 | |
Really? Certainly this statue is interesting because it's so unusual. | 0:28:19 | 0:28:24 | |
And James did advise Kate to go for items you can't look up in a book! | 0:28:24 | 0:28:29 | |
I can see 100, 150. | 0:28:29 | 0:28:30 | |
It might be more. | 0:28:30 | 0:28:33 | |
Kate's oil painting is next to be scrutinised. | 0:28:33 | 0:28:36 | |
-What did you pay? -I paid 30. | 0:28:36 | 0:28:39 | |
-Oh, that's fine. -Do you think? | 0:28:39 | 0:28:41 | |
-You're not going to lose anything. -Well, that's the one I was slightly worried about. | 0:28:41 | 0:28:46 | |
You think it's OK? I just was worried about this chap down here. | 0:28:46 | 0:28:50 | |
-I didn't think he looked very good. -Well, put the lot number over him! | 0:28:50 | 0:28:54 | |
-Your go. -Yes, OK. Now I know I'm predictable. | 0:28:54 | 0:28:57 | |
BOTH: A snuff box! | 0:28:57 | 0:28:59 | |
-You like your snuff boxes. -I know I do. -Let's have a look. | 0:28:59 | 0:29:03 | |
Well, I like the embossing. | 0:29:03 | 0:29:05 | |
It wasn't expensive. It was £14 reduced to a tenner. | 0:29:05 | 0:29:07 | |
Well, there we go, for a tenner... | 0:29:07 | 0:29:10 | |
This is a...19th century, steel, | 0:29:10 | 0:29:16 | |
-door knocker. -No, I like it. How much? | 0:29:16 | 0:29:20 | |
-Well, it's a fun piece, it was £15 so I think... -There's no loss there. | 0:29:20 | 0:29:25 | |
And now for James' letter opener-cum-pencil holder... minus the pencil. | 0:29:25 | 0:29:30 | |
Oh, I like that, that's really stylish with the initials and 1934. | 0:29:30 | 0:29:35 | |
I don't think it matters the pencil isn't there. | 0:29:35 | 0:29:38 | |
-Hopefully not. -Oh, it is in there! It's wedged in. Yes, it's wedged in. | 0:29:38 | 0:29:41 | |
There, look! | 0:29:41 | 0:29:43 | |
-Oh, you brilliant thing! -Well done! | 0:29:43 | 0:29:46 | |
Kate clearly has the keenest eyes on this road trip. | 0:29:46 | 0:29:50 | |
Shame she didn't go to James' shop instead. | 0:29:50 | 0:29:52 | |
I never noticed that. I said, "If only the pencil was in there," | 0:29:54 | 0:29:58 | |
and he said "Yes, I've been looking for ages." | 0:29:58 | 0:30:00 | |
It's come out of its little holder. How much? | 0:30:00 | 0:30:03 | |
Well, now with the pencil, it seems really cheap. | 0:30:03 | 0:30:06 | |
I bought that... I was going to split them up...and these. | 0:30:06 | 0:30:10 | |
Effectively the pencil holder only cost him £35 | 0:30:10 | 0:30:14 | |
because he paid £110 for that and the teaspoons. | 0:30:14 | 0:30:18 | |
And either selling these in Dundee is going to be a master stroke | 0:30:18 | 0:30:22 | |
or a complete failure. | 0:30:22 | 0:30:23 | |
And you bought them with this. | 0:30:23 | 0:30:25 | |
-110 for the two. -For the two?! | 0:30:25 | 0:30:27 | |
If I make a profit I owe you one. | 0:30:27 | 0:30:30 | |
OK, what next? | 0:30:30 | 0:30:32 | |
Kate's potential prosperity brooch, that's what. | 0:30:32 | 0:30:35 | |
Scottish, citrine, in a gold little... | 0:30:35 | 0:30:41 | |
Tiny bit of damage here. | 0:30:41 | 0:30:43 | |
Well, if you don't spot a bargain, in gemstones then nobody will. | 0:30:43 | 0:30:47 | |
Whether it was a bargain at £55 remains to be seen. | 0:30:47 | 0:30:51 | |
Last to be revealed is Kate's enamelled topless lady lighter. | 0:30:51 | 0:30:55 | |
Everlasting match. | 0:30:55 | 0:30:57 | |
Is that what it's called? | 0:30:57 | 0:31:00 | |
So this strikes along here and there you have a match, | 0:31:00 | 0:31:04 | |
and this is soaked in something to make it strike? | 0:31:04 | 0:31:07 | |
Yeah, fuel's in there. It's been well worn, strike it there, bingo. | 0:31:07 | 0:31:13 | |
The everlasting match. | 0:31:13 | 0:31:15 | |
Now that's got a bit of potential. | 0:31:15 | 0:31:17 | |
-How much was it? -20. -Oooh! | 0:31:17 | 0:31:21 | |
-That's cheap. -Well, they said quirky sells well. | 0:31:21 | 0:31:25 | |
And let's hope it does! | 0:31:25 | 0:31:27 | |
-I'm getting excited now. -Let's pack up. I'm getting eaten. | 0:31:27 | 0:31:30 | |
Is it the midges? | 0:31:30 | 0:31:31 | |
Kate might be itching to get to auction | 0:31:31 | 0:31:33 | |
but how does she feel about James' buys? | 0:31:33 | 0:31:36 | |
I have to say I'm not a huge fan of his snuff box | 0:31:36 | 0:31:39 | |
or his tribal art, it's really not my thing. | 0:31:39 | 0:31:41 | |
But I am seriously worried about his St George and the Dragon, | 0:31:41 | 0:31:45 | |
I think it's a really chancey thing. | 0:31:45 | 0:31:47 | |
I don't know how old it is but I think it might do well. | 0:31:47 | 0:31:50 | |
Not surprised with that little citrine, | 0:31:50 | 0:31:52 | |
it's a lovely thing and if Kate says it's cheap then it is. | 0:31:52 | 0:31:56 | |
Um...me and jewellery, they don't go. | 0:31:56 | 0:31:58 | |
I wouldn't know a good citrine if it hit me between the eyes. | 0:31:58 | 0:32:01 | |
But that little everlasting match, I think that's her star buy. | 0:32:01 | 0:32:05 | |
And that could really do 50-80 pounds, | 0:32:05 | 0:32:08 | |
possibly even a bit more, so I think she's done well. | 0:32:08 | 0:32:11 | |
Today's finale is upon us, | 0:32:11 | 0:32:13 | |
so James and Kate head east, to the sweet city of Dundee. | 0:32:13 | 0:32:18 | |
Sometimes famous for its fruitcake, | 0:32:18 | 0:32:20 | |
Dundee is also the birthplace of Desperate Dan | 0:32:20 | 0:32:24 | |
from the world's longest-running comic, The Dandy. | 0:32:24 | 0:32:27 | |
Publishers DC Thomson are based here. | 0:32:27 | 0:32:30 | |
And back where she was built is Scott of the Antarctic's vessel, the RSS Discovery. | 0:32:30 | 0:32:36 | |
About to boldly step out in their own icy, uncertain future | 0:32:36 | 0:32:41 | |
are Kate and James, as the Love Bug arrives in town. | 0:32:41 | 0:32:45 | |
I suppose I have got expectations, if you ask me honestly. | 0:32:45 | 0:32:48 | |
I'm hoping secretly that I'm going to make a bit of profit | 0:32:48 | 0:32:52 | |
and I actually feel a bit more confident about these items | 0:32:52 | 0:32:56 | |
than I did about the first lot. | 0:32:56 | 0:32:58 | |
-I think we bought better things. -I think we have too. | 0:32:58 | 0:33:01 | |
At the auction house, Curr and Dewar, what are auctioneer Stephen Dewar's hit picks? | 0:33:01 | 0:33:07 | |
There are collectors for Dundee silver. | 0:33:07 | 0:33:09 | |
You find once these collectors have them, | 0:33:09 | 0:33:11 | |
they keep hold of them, they are scarce and sell very well. | 0:33:11 | 0:33:14 | |
There's a small, striker lighter, that's a pretty thing, collectible item, | 0:33:14 | 0:33:20 | |
not desperately valuable, but a nice collectible piece. | 0:33:20 | 0:33:23 | |
Kate started today's show with £303.29 | 0:33:25 | 0:33:29 | |
and boldly spent £140 on five auction lots. | 0:33:29 | 0:33:33 | |
James started with his full £603.57 | 0:33:33 | 0:33:37 | |
and cautiously spent just £232, on five lots. | 0:33:37 | 0:33:42 | |
Up first is James' four-piece global menagerie. | 0:33:42 | 0:33:46 | |
Nice group lot. | 0:33:46 | 0:33:48 | |
Interest starts me at 25 pounds. | 0:33:48 | 0:33:50 | |
Not a good start. | 0:33:50 | 0:33:52 | |
45, 50, five, 60, five, | 0:33:52 | 0:33:56 | |
70, five, 80, five, 90, five. | 0:33:56 | 0:34:01 | |
-Nice profit, isn't it? -No. | 0:34:01 | 0:34:04 | |
At 95, any advance? We will sell. | 0:34:04 | 0:34:08 | |
After the auction house takes commission, that's a loss for James. | 0:34:09 | 0:34:13 | |
I paid too much, simple as that. | 0:34:13 | 0:34:15 | |
The snuff box bought from the same dealer is up next. | 0:34:15 | 0:34:19 | |
At £15, opening commission at £15. | 0:34:19 | 0:34:21 | |
Wow, James really looks worried. That's a first! | 0:34:21 | 0:34:24 | |
Any advance on £30? | 0:34:24 | 0:34:29 | |
A gentlemanly profit there. | 0:34:29 | 0:34:31 | |
That wipes out the loss from lot one. | 0:34:31 | 0:34:34 | |
Will the Sampson Mordan pencil holder and letter opener | 0:34:34 | 0:34:38 | |
also cut a dash? | 0:34:38 | 0:34:39 | |
I think it ought to make 120. | 0:34:39 | 0:34:42 | |
That's exactly what I thought, 100, 110 something like that. | 0:34:42 | 0:34:46 | |
And a £60 start, £60 is bid. | 0:34:46 | 0:34:48 | |
70, 80, 90, 100, and ten. | 0:34:48 | 0:34:52 | |
In the room on my left-hand side at 110... | 0:34:52 | 0:34:56 | |
-Well done him. -That you paid for that and the spoons! | 0:34:56 | 0:35:01 | |
To be fair, Kate deserves a finder's fee | 0:35:01 | 0:35:04 | |
for spotting the lead in that pencil. | 0:35:04 | 0:35:06 | |
Kate's first lot is the attractive everlasting match. | 0:35:06 | 0:35:09 | |
It's got flair, it's got style, it's got... | 0:35:09 | 0:35:12 | |
Well, look! | 0:35:12 | 0:35:15 | |
-I'm really nervous now. -Come on, it's got to do well. | 0:35:15 | 0:35:19 | |
Interest starts me off on this one at £30. | 0:35:19 | 0:35:22 | |
35, sir? 40, five, 50, five, | 0:35:22 | 0:35:27 | |
£55 on the left. | 0:35:27 | 0:35:29 | |
For 55, your last chance. | 0:35:29 | 0:35:31 | |
Oh! Thank goodness for that. | 0:35:31 | 0:35:34 | |
A buxom profit for Kate. | 0:35:34 | 0:35:36 | |
And now it's her single French knocker. | 0:35:36 | 0:35:39 | |
£15 bid, at £15 it is for the door knocker, | 0:35:39 | 0:35:42 | |
at £15 is bid, 22, 25, 28. | 0:35:42 | 0:35:46 | |
-At £28. -Come on! -Any advance on £28? | 0:35:46 | 0:35:50 | |
It's your last chance at 28 now. | 0:35:50 | 0:35:53 | |
A small profit is still a profit, | 0:35:53 | 0:35:56 | |
but Kate really needs a miracle | 0:35:56 | 0:35:58 | |
to have any chance of catching up with James' strong lead. | 0:35:58 | 0:36:02 | |
The Hungarian figure is his next lot, | 0:36:03 | 0:36:06 | |
and James has just spotted the dealer who sold it to him. | 0:36:06 | 0:36:10 | |
She wished me luck beforehand, but now I really don't want it to make | 0:36:10 | 0:36:13 | |
too much money or I might feel guilty! | 0:36:13 | 0:36:15 | |
Interest on this one opens me up at £100. | 0:36:15 | 0:36:18 | |
At 100 it is, 120 sir, 140, 160, 180, 200 new bidder, 220, | 0:36:18 | 0:36:26 | |
at £220 now. | 0:36:26 | 0:36:29 | |
Fantastic. £200 profit! | 0:36:29 | 0:36:34 | |
192 to be precise, James. | 0:36:34 | 0:36:36 | |
Congratulations! | 0:36:36 | 0:36:38 | |
And it looks like you owe someone lunch - a big one! | 0:36:38 | 0:36:41 | |
Kate's Art Nouveau is next to take the stage. | 0:36:41 | 0:36:44 | |
Let's hope it brings the house down for her. | 0:36:44 | 0:36:47 | |
35 pounds it is, the iridescent vase at 35. | 0:36:47 | 0:36:50 | |
40, five, 50, five, | 0:36:50 | 0:36:53 | |
-60. At £60, are you all done? -There's no swaying him. | 0:36:53 | 0:36:58 | |
A nice profit for Kate, but she needed more of a song there. | 0:36:58 | 0:37:03 | |
Three times what you paid for it, amazing. | 0:37:03 | 0:37:05 | |
Will James' silver spoons play the tune he wants to hear? | 0:37:05 | 0:37:10 | |
Dundee hallmarks. Interest starts me off at £150. | 0:37:10 | 0:37:14 | |
160, 180, 200, 220. | 0:37:14 | 0:37:18 | |
Wow, this is looking pretty good. | 0:37:18 | 0:37:20 | |
The bidders of Dundee clearly love their Dundee silver. | 0:37:20 | 0:37:24 | |
At £220 now. | 0:37:24 | 0:37:26 | |
Another roaring crowd-pleaser for James. | 0:37:26 | 0:37:30 | |
Surely his lead is untouchable now? | 0:37:30 | 0:37:33 | |
I've got to go to the shops you're going to, I think. | 0:37:33 | 0:37:36 | |
Kate's next hopeful is the citrine brooch. | 0:37:36 | 0:37:39 | |
Can this mystic stone bring fortune in abundance? | 0:37:39 | 0:37:43 | |
-A lowly start at £15. -Ohh! | 0:37:43 | 0:37:47 | |
20, 22, 25, 30, 32. | 0:37:47 | 0:37:51 | |
This is really cheap. | 0:37:51 | 0:37:53 | |
Last chance. | 0:37:53 | 0:37:55 | |
A crushing result and an ill-timed loss. | 0:37:55 | 0:37:59 | |
Kate's hit a slump in every sense. | 0:37:59 | 0:38:02 | |
Can the oil painting bring her back to life? | 0:38:02 | 0:38:05 | |
It looks good from here, doesn't it? | 0:38:05 | 0:38:08 | |
Because you're not close up. | 0:38:08 | 0:38:11 | |
20 pounds is bid. | 0:38:11 | 0:38:12 | |
-At 20 now, any advance? -Oh, come on. | 0:38:12 | 0:38:15 | |
22, 25. Are you sure? Go on! | 0:38:15 | 0:38:19 | |
-Go on... -It's for nothing! | 0:38:19 | 0:38:21 | |
28, £28, any advance on £28 now? | 0:38:21 | 0:38:27 | |
Last chance... 30, sir, thank you. | 0:38:27 | 0:38:29 | |
At £30 on the left-hand side. | 0:38:29 | 0:38:33 | |
At £30 now, any advance? | 0:38:33 | 0:38:35 | |
Oh, Kate, once the commission comes off, that's another loss for you. | 0:38:37 | 0:38:41 | |
And today's been another massive success for mighty Mr Lewis. | 0:38:41 | 0:38:46 | |
James started this leg with a hefty £603.57 and made a great profit, | 0:38:46 | 0:38:53 | |
after commission, of £324.04. | 0:38:53 | 0:38:56 | |
He now has an eye-popping £927.61 to splash about tomorrow. | 0:38:56 | 0:39:03 | |
Kate began round two with £303.29 | 0:39:03 | 0:39:07 | |
and made a shy, retiring profit of £28.86. | 0:39:07 | 0:39:12 | |
So she sets out tomorrow still lagging way behind with £332.15. | 0:39:12 | 0:39:19 | |
That's a third of James' budget. | 0:39:19 | 0:39:21 | |
is there any way back from here? | 0:39:21 | 0:39:24 | |
The thing is with this game, you can just find one object | 0:39:24 | 0:39:28 | |
that can transform the whole thing. | 0:39:28 | 0:39:30 | |
We're not even halfway through this road trip, | 0:39:30 | 0:39:33 | |
and I've got fighting spirit left in me. | 0:39:33 | 0:39:36 | |
In fact I haven't even started yet. | 0:39:36 | 0:39:38 | |
-Both in profit. That's the key. -Both in profit. Onwards and upwards! | 0:39:38 | 0:39:43 | |
Next time on the Antiques Road Trip, | 0:39:43 | 0:39:45 | |
Kate and James head for round three at auction in Edinburgh. | 0:39:45 | 0:39:49 | |
Kate tries to make friends. | 0:39:49 | 0:39:52 | |
-20?! -20. | 0:39:52 | 0:39:55 | |
James tries our patience. | 0:39:55 | 0:39:57 | |
I'm feeling very sorry for myself. | 0:39:57 | 0:39:59 | |
And they both try their best on the antiques trail. | 0:39:59 | 0:40:02 | |
Subtitles by Red Bee Media Ltd | 0:40:16 | 0:40:19 |