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The nations favourite antiques experts, £200 each | 0:00:02 | 0:00:04 | |
-and one big challenge. -Testing, testing. | 0:00:04 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:11 | |
35, cash. | 0:00:11 | 0:00:13 | |
The aim is trade up and hope each antique turns a profit, | 0:00:13 | 0:00:16 | |
but its not as easy as it sounds and there can only be one winner. | 0:00:16 | 0:00:20 | |
-Could you sell me two for a tenner? -Two for a tenner? | 0:00:20 | 0:00:22 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:27 | |
I'm on my knees already. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
All this week we've been out on the road with a pair of old pals. | 0:00:38 | 0:00:43 | |
Antiques experts Philip Serrell and dear David Barby. | 0:00:45 | 0:00:49 | |
-I cannot believe we're doing 60 in this car. -Take it steady old love. | 0:00:49 | 0:00:53 | |
Don't keep touching me! | 0:00:53 | 0:00:55 | |
Philip Serrell is a successful auctioneer and former geography teacher. | 0:00:55 | 0:01:00 | |
He's found his way round the antiques world easily enough, | 0:01:00 | 0:01:04 | |
yet still struggles to find his way around...town. | 0:01:04 | 0:01:07 | |
I'm going to head north up to east street, | 0:01:07 | 0:01:09 | |
then go west across to east street and then south street... | 0:01:09 | 0:01:12 | |
Actually this is the wrong way | 0:01:12 | 0:01:15 | |
The trusted antiques valuer and the legend that is David Barby. | 0:01:15 | 0:01:20 | |
He knows how to sniff out great deals. | 0:01:20 | 0:01:24 | |
And he'll take anything he can from unsuspecting antiques dealers. | 0:01:26 | 0:01:30 | |
Can I check my fingers when you're finished just in case you stole one as well! | 0:01:30 | 0:01:35 | |
Philip and David started the week with £200 each | 0:01:37 | 0:01:40 | |
and it's all been getting a bit heavy for them. | 0:01:40 | 0:01:43 | |
Oh! What a weight! | 0:01:43 | 0:01:46 | |
Lord above! | 0:01:46 | 0:01:47 | |
Anyone for a fiver? | 0:01:47 | 0:01:49 | |
Philip's been using a tough and often painful buying strategy. | 0:01:49 | 0:01:53 | |
-I can feel one of my headaches coming on. -Yeah, they're catching aren't they? | 0:01:53 | 0:01:57 | |
So with some shrewd manoeuvres, Philip has home-grown his £200 | 0:01:57 | 0:02:02 | |
into a flowering £322.23 to begin his last show. | 0:02:02 | 0:02:08 | |
David's been playing a risky game this week and it's really worked quite well for him. | 0:02:12 | 0:02:17 | |
Anybody else at £125? And done then. | 0:02:17 | 0:02:22 | |
From his flimsy £200, David has fully inflated | 0:02:24 | 0:02:28 | |
to a big, bouncy £468.80 for his last shopping spree. | 0:02:28 | 0:02:36 | |
Isn't he a lovely man? | 0:02:36 | 0:02:37 | |
It's their last voyage together and they're still getting on famously. | 0:02:40 | 0:02:44 | |
-Sort of! -Go a little bit slower Philip we're doing... | 0:02:44 | 0:02:48 | |
-Do shut up Barby. -..20 miles an hour. -Do shut up. | 0:02:48 | 0:02:50 | |
Philip and David have thoroughly enjoyed their Middle England odyssey so far, | 0:02:51 | 0:02:56 | |
from Lincoln to final auction in Gloucester. | 0:02:56 | 0:02:59 | |
On today's show, the boys are leaving St Ives in Cambridgeshire. | 0:03:02 | 0:03:06 | |
First pin in the map is the village of Ampthill in Bedfordshire. | 0:03:06 | 0:03:10 | |
Here we are, Ampthill. Georgian market town. That sounds good doesn't it? | 0:03:10 | 0:03:16 | |
They must have known we're coming Barby they've got the bunting out | 0:03:16 | 0:03:20 | |
Gorgeous Ampthill began nearly 1,000 years ago as Anglo-Saxon settlement of Aemethyll, | 0:03:20 | 0:03:27 | |
meaning, literally, ant-infested hill. Charming! | 0:03:27 | 0:03:31 | |
Its famous today for the Alameda, a handsome avenue of lime trees | 0:03:31 | 0:03:37 | |
planted in the 1820s to imitate Portuguese boulevards. | 0:03:37 | 0:03:40 | |
The first antiques port of the day is this exciting, three-floored Emporium. | 0:03:42 | 0:03:48 | |
Libby is here to welcome our two intrepid treasure hunters. | 0:03:48 | 0:03:52 | |
-Morning chaps. Nice to see you. -David Barby. | 0:03:52 | 0:03:55 | |
I'll go upstairs because he wants to remain on the ground floor. | 0:03:55 | 0:03:58 | |
He's got poorly legs. Right, thank you. | 0:03:58 | 0:04:00 | |
This is the David Barby of the antique world. | 0:04:04 | 0:04:07 | |
-An old fossil. -Charming(!) | 0:04:07 | 0:04:11 | |
Actually, despite his earlier sprint, our David is looking... | 0:04:13 | 0:04:17 | |
Oh, I don't know, a bit peaky. | 0:04:17 | 0:04:20 | |
I've got this dreadful cold it's suddenly come about me. | 0:04:20 | 0:04:24 | |
They say I sound like Barry White but I'm not certain | 0:04:24 | 0:04:28 | |
who Barry White is - probably some 50s pop star or something like that. | 0:04:28 | 0:04:32 | |
Anyway, they say it sounds sexy. Just one of those things. | 0:04:32 | 0:04:36 | |
MUSIC: "I'm Gonna Love You Just A Little Bit More" by Barry White | 0:04:36 | 0:04:42 | |
A Greenwheat, an iconic design of the 1950s. | 0:04:48 | 0:04:54 | |
In fact we used it at home until fairly recently. | 0:04:54 | 0:04:56 | |
The best pieces should be signed. | 0:04:56 | 0:04:59 | |
Glyn Colledge. | 0:04:59 | 0:05:01 | |
Denby Greenwheat was created | 0:05:01 | 0:05:04 | |
by Denby's stalwart designer Glyn Colledge in 1956. | 0:05:04 | 0:05:09 | |
Glyn studied under the legendary design tutor Gordon Forsyth at the Burslem School of Art, | 0:05:09 | 0:05:15 | |
the same man who moulded Stoke on Trent's finest, | 0:05:15 | 0:05:20 | |
Susie Cooper, Clarice Cliff and Charlotte Rhead. | 0:05:20 | 0:05:24 | |
Three, four, five... | 0:05:24 | 0:05:27 | |
So basically you can say you've got a breakfast set there. £95 the lot. | 0:05:27 | 0:05:31 | |
That's a possibility. | 0:05:31 | 0:05:33 | |
They're a fairly good prospect and poorly David's still playing the game. | 0:05:33 | 0:05:38 | |
But what of Philip? | 0:05:38 | 0:05:39 | |
If you're going to buy a set of dominoes | 0:05:41 | 0:05:44 | |
you need to know that you've got the complete set. Here goes. | 0:05:44 | 0:05:49 | |
Dominoes derive from an ancient Chinese game | 0:05:49 | 0:05:52 | |
and swept through Europe in the 18th century. | 0:05:52 | 0:05:56 | |
These English 19th century sets were often used to settle disputes over grazing boundaries. | 0:05:56 | 0:06:03 | |
Could they be used to settle a week-old, Serrell-Barby dispute? | 0:06:03 | 0:06:08 | |
-Hey Barbs, how you doing? -That's about the cheapest thing I've seen. | 0:06:08 | 0:06:12 | |
-Go look in the mirror. -He's so unkind, isn't he? Really! | 0:06:12 | 0:06:15 | |
-I shall leave you to play games. -There. Look at that. | 0:06:15 | 0:06:18 | |
They're all there. That's brilliant, isn't it? | 0:06:18 | 0:06:20 | |
I've got to put them all back now. | 0:06:20 | 0:06:22 | |
These were £8, what's the best on these then? | 0:06:22 | 0:06:26 | |
-I think the dealer said three. -Two -Three. -There's a terrible echo in this place, isn't there? | 0:06:26 | 0:06:31 | |
-Two? -No, I can't do it because the dealer is in the building | 0:06:31 | 0:06:34 | |
at the moment and he said he'd be prepared to take three for them. | 0:06:34 | 0:06:38 | |
-Go on. -OK, then, that's fine. | 0:06:38 | 0:06:41 | |
Three whole pounds. Wow(!) | 0:06:41 | 0:06:44 | |
And will David be joining the last of the big spenders? | 0:06:44 | 0:06:47 | |
I'm going to sit in the car and sulk and wait for our Phil. | 0:06:47 | 0:06:51 | |
Poor old David! Let's hope Philip can keep the antiques turning over. | 0:06:51 | 0:06:57 | |
It's a butter churn so your cream would go into here | 0:06:57 | 0:07:00 | |
and that would keep turning the cream to turn it into butter. | 0:07:00 | 0:07:03 | |
These nineteenth century butter churns are literally a barrel of fun. | 0:07:05 | 0:07:10 | |
Especially if you like to make your own butter. | 0:07:10 | 0:07:13 | |
Hand churning separates the fat from the cream | 0:07:13 | 0:07:17 | |
and squeezes out the liquid | 0:07:17 | 0:07:19 | |
leaving the lovely, globulous, buttery lump ready for patting. | 0:07:19 | 0:07:24 | |
See the thing is, Libby, that's coming off there, look. | 0:07:24 | 0:07:27 | |
But if it was in use that would stretch back out. | 0:07:27 | 0:07:30 | |
Do you know, you've got a good sales pitch but see if you can do that for £30 for me. | 0:07:30 | 0:07:34 | |
-I'll go and get him on the phone. -Is he a nice lad? -He's lovely. | 0:07:34 | 0:07:37 | |
-How old is he? -73. -73!? | 0:07:37 | 0:07:41 | |
That's lucky, Philip, you're used to giving the infirm a hard time! | 0:07:41 | 0:07:46 | |
Right, now, Alex I've got £30 I'm doing this programme | 0:07:46 | 0:07:49 | |
with David Barby and he's light years ahead of me and I need all the help | 0:07:49 | 0:07:52 | |
I can get. You will probably go to heaven on this sale. | 0:07:52 | 0:07:55 | |
You're an absolute star. Thank you. | 0:07:55 | 0:07:58 | |
So that's £30 for Alex's butter churn | 0:07:58 | 0:08:01 | |
and £3 for me dominoes, weren't they? | 0:08:01 | 0:08:05 | |
£33 all together, sir. | 0:08:05 | 0:08:07 | |
-Do I get it gift wrapped? -I'm going to try for you. | 0:08:07 | 0:08:09 | |
You're an angel. Thank you so much. | 0:08:09 | 0:08:11 | |
Oh, Libby! He said gift-wrapped, not bubble-wrapped. | 0:08:11 | 0:08:15 | |
David Barby will see right through that | 0:08:15 | 0:08:19 | |
with one of his extra-hard stares. | 0:08:19 | 0:08:22 | |
-Barby you're relaxed. -I've been waiting for you. -Don't you look at these. | 0:08:23 | 0:08:28 | |
-That looks really interesting. I love your backward movement. -Don't you look at these. | 0:08:28 | 0:08:32 | |
Oh, is that my comb? | 0:08:32 | 0:08:34 | |
Oh, for Heaven's sake! Let's just go, shall we? | 0:08:34 | 0:08:37 | |
Back on the road, Philip and David are heading | 0:08:38 | 0:08:41 | |
32 miles west from Ampthill to the ancient town of Brackley. | 0:08:41 | 0:08:46 | |
DAVID BLOWS HIS NOSE That really is a dreadful noise. | 0:08:46 | 0:08:50 | |
-Do you have to keep doing that? -I'm only blowing my nose. | 0:08:50 | 0:08:53 | |
Do you know, I'm not sure you're going to make the rest of this trip. | 0:08:53 | 0:08:57 | |
Now, Philip, play fair today and remember poor Barby's not feeling well. | 0:08:57 | 0:09:02 | |
Anyway may the best man... | 0:09:02 | 0:09:05 | |
I'm not going to catch anything off there am I? | 0:09:05 | 0:09:08 | |
Brackley has tried to hide its best-kept antiques secret under a supermarket. | 0:09:08 | 0:09:14 | |
But our cunning boys still managed to find it. | 0:09:14 | 0:09:18 | |
Good luck, old mate. | 0:09:18 | 0:09:20 | |
-Jim, how are you? -Hello, Philip, pleased to meet you. | 0:09:20 | 0:09:23 | |
-You've got some interesting things here. -He certainly has. | 0:09:23 | 0:09:26 | |
How about this funny little thing for £28? | 0:09:26 | 0:09:30 | |
This is called a go-to-bed | 0:09:30 | 0:09:32 | |
and it's missing, on the bottom, there should be a bit of sand paper. | 0:09:32 | 0:09:36 | |
And so you fill this, full of matches and you take your match out, | 0:09:36 | 0:09:41 | |
strike it on there and you put the match in that little turret there and then you go to bed. | 0:09:41 | 0:09:47 | |
I've got to be really mean on this. What would buy it? | 0:09:47 | 0:09:51 | |
-I'll be honest I think the best we could do on that would be 15. -15? | 0:09:51 | 0:09:54 | |
-It would. -How about 12? | 0:09:54 | 0:09:58 | |
-OK, £12. -You're a star. Thank you so much. | 0:09:58 | 0:10:02 | |
Let's have a look at this. | 0:10:02 | 0:10:03 | |
That's some sort of a perfume bottle isn't it? | 0:10:03 | 0:10:06 | |
That is a really good thing. | 0:10:06 | 0:10:09 | |
Now, Philip found a hobnail cut glass scent bottle for £120. | 0:10:09 | 0:10:13 | |
-What's that one? -That's £90. | 0:10:13 | 0:10:17 | |
It's in good order. There's a little bit of a nibble just there, | 0:10:18 | 0:10:22 | |
which might get it done to 85. | 0:10:22 | 0:10:24 | |
85 done deal, home and host. wrap it, I'll take it. | 0:10:24 | 0:10:27 | |
-You're an absolute gentleman. Thank you so much. -Indeed! | 0:10:27 | 0:10:32 | |
Now, where's that other absolute gentleman got to? | 0:10:32 | 0:10:35 | |
This is the situation which I call panic. | 0:10:38 | 0:10:41 | |
I'm just looking at anything to try and find a bargain. | 0:10:41 | 0:10:44 | |
Oh, dear, someone's got themselves into a bit of a flap! | 0:10:44 | 0:10:49 | |
Excuse me, could I have the key to cabinet 29? | 0:10:49 | 0:10:52 | |
Vesta holder, you put your matches in there | 0:10:52 | 0:10:56 | |
and you strike them on here, | 0:10:56 | 0:10:59 | |
-and then you light your pipe -Very nice. | 0:10:59 | 0:11:02 | |
-Anything else? -I want that one out, please. | 0:11:02 | 0:11:06 | |
Well, this is a silver bottle, toilet water bottle, coaster | 0:11:06 | 0:11:10 | |
and it would have been full of rose water or lavender | 0:11:10 | 0:11:14 | |
and you'd sprinkle it on clothes. That is a possibility, I think. | 0:11:14 | 0:11:19 | |
Anything else? | 0:11:19 | 0:11:21 | |
Now this belongs to me. Someone said it could be Charter House because it's got.. | 0:11:21 | 0:11:25 | |
This is a college one, yes, | 0:11:25 | 0:11:28 | |
Tygs are large English pottery mugs, with several handles for passing around for communal drinking. | 0:11:28 | 0:11:35 | |
Royal Doulton made these commissioned varieties | 0:11:35 | 0:11:39 | |
for colleges and Masonic lodges at the turn of the 20th century. | 0:11:39 | 0:11:43 | |
-This one I really like actually. -Another interesting prospect. | 0:11:43 | 0:11:47 | |
-Anything else? -I like that. | 0:11:47 | 0:11:50 | |
Letter scale. Well, this is what, in the late Victorian period, | 0:11:50 | 0:11:55 | |
you would have assessed how much postage you would pay, so you have | 0:11:55 | 0:11:58 | |
a little scale and you have all the weights there. | 0:11:58 | 0:12:02 | |
This is a nice one because it has a cast metal base. | 0:12:02 | 0:12:05 | |
Well, a little panicking has dredged up a few potentials for Mr Barby. | 0:12:05 | 0:12:11 | |
-Right. Gosh, did I choose all these? -You did indeed. | 0:12:11 | 0:12:14 | |
-What good taste I've got! -And SO modest! -Right the weight... | 0:12:14 | 0:12:18 | |
I'm going to stick my neck out and say £60 on those. | 0:12:18 | 0:12:23 | |
I think I'm going to say yes, to these. What about this unusual...? | 0:12:23 | 0:12:28 | |
The best on that is 28. | 0:12:28 | 0:12:30 | |
And that's the very best at 28. | 0:12:30 | 0:12:32 | |
If you're pushing me, £20. | 0:12:32 | 0:12:36 | |
OK, I'll have that one. This little piece I like, | 0:12:36 | 0:12:39 | |
what's the very best you can do on this one, Debbie? | 0:12:39 | 0:12:43 | |
Um, £45. | 0:12:43 | 0:12:46 | |
Is that the very, very best you can do? | 0:12:46 | 0:12:48 | |
How about 40? | 0:12:48 | 0:12:50 | |
That is the bottom line, £40, I'm afraid. | 0:12:50 | 0:12:52 | |
Poor Debbie, lucky David didn't ask for her very, very, very best! | 0:12:52 | 0:12:58 | |
Right, I love this tyg and often you had soap dishes with coal tar soap in the bottom... | 0:12:58 | 0:13:04 | |
ELECTRIC GUITAR MOBILE RINGTONE PLAYS | 0:13:04 | 0:13:10 | |
Er, David, you appear to be rocking! | 0:13:10 | 0:13:14 | |
That's a bit trendy, isn't it? | 0:13:14 | 0:13:16 | |
Sorry about that, that was my Seattle fan club. | 0:13:18 | 0:13:20 | |
Ah yes, how is Auntie Barbara? | 0:13:20 | 0:13:23 | |
Or, rather, where were we? | 0:13:23 | 0:13:26 | |
-And what's the best you can do on that? -25. | 0:13:26 | 0:13:29 | |
Is that the very best? | 0:13:29 | 0:13:31 | |
-Very, very, very best. -Ooh! | 0:13:31 | 0:13:33 | |
£20. | 0:13:33 | 0:13:34 | |
Proof of the pudding's in the eating. | 0:13:36 | 0:13:39 | |
-Thank you very much. -You're welcome. | 0:13:39 | 0:13:41 | |
Well, the Gods of Rock have helped David to buy four really, really great items there. | 0:13:41 | 0:13:49 | |
And he only had to pay the very, very, very best prices. Gawd! | 0:13:49 | 0:13:54 | |
-Can you just hold that for me? -You... | 0:13:56 | 0:14:01 | |
-What did you just do? -Best place for it, come on. | 0:14:03 | 0:14:06 | |
You're an absolute... | 0:14:06 | 0:14:08 | |
Don't say it! | 0:14:08 | 0:14:09 | |
Finally we're out of here. | 0:14:09 | 0:14:11 | |
Fancying a break and some choice surroundings, | 0:14:19 | 0:14:24 | |
Philip's heading 13 miles due west from Brackley, to gorgeous Broughton. | 0:14:24 | 0:14:29 | |
What a wonderful place this is. | 0:14:32 | 0:14:34 | |
First built as a manor house by artisans working for John de Broughton in 1300, | 0:14:36 | 0:14:42 | |
the property was fortified in 1406 to form battle-ready walls, | 0:14:42 | 0:14:47 | |
turning an Englishman's home into a castle. | 0:14:47 | 0:14:51 | |
Broughton Castle is now home to Lord Saye and his family, the famous Fiennes. | 0:14:51 | 0:14:57 | |
-Sir, good morning -Good morning to you. | 0:14:57 | 0:14:59 | |
-Philip Serrell. -How do you do? Good to meet you. -You've got a fabulous spot here haven't you? | 0:14:59 | 0:15:03 | |
-We think it's pretty good, yes, we do. -Can I ask you a question, Sir? | 0:15:03 | 0:15:07 | |
When does a house become a castle? | 0:15:07 | 0:15:10 | |
This is called a castle, I often think it's a misnomer. It's really a manor house, if you like, | 0:15:10 | 0:15:15 | |
but it's got a moat and its got some battlements and the big gate house. | 0:15:15 | 0:15:18 | |
-Can we have a look inside? -Come on in. -Thank you so much. | 0:15:18 | 0:15:22 | |
From 1451 the house passed to its current hereditary line, the Fiennes family - | 0:15:22 | 0:15:29 | |
as in explorer Sir Ranulph and actors Ralph and Joseph Fiennes. | 0:15:29 | 0:15:35 | |
In fact, Broughton Castle appeared in Joseph's film Shakespeare In Love, | 0:15:35 | 0:15:41 | |
as well as other triumphs of entertainment - The Madness Of King George | 0:15:41 | 0:15:46 | |
and even Noel's House Party. | 0:15:46 | 0:15:50 | |
-Wow, what a ceiling! -Yes, this is the great hall of the original house. | 0:15:50 | 0:15:56 | |
It would have been of these proportions but of course in the 1300s they would have had | 0:15:56 | 0:16:01 | |
no glass, probably wooden shutters an earth floor and a timber ceiling. | 0:16:01 | 0:16:07 | |
So this stonework is all of different ages? | 0:16:07 | 0:16:09 | |
Yes, I think the last building work, if you like to call it that, was this... | 0:16:09 | 0:16:13 | |
A film company covered up some ugly pipes and we thought it looked better than the ugly pipes. | 0:16:13 | 0:16:18 | |
I don't think many of our visiting public would notice that as being plywood and not stone. | 0:16:18 | 0:16:25 | |
Frederick Fiennes, the 16th Lord Saye, rescued this house from decay, | 0:16:25 | 0:16:30 | |
employing the prominent Victorian architect Sir George Gilbert Scott, | 0:16:30 | 0:16:35 | |
the man responsible for the much-loved gothic St Pancras station in London. | 0:16:35 | 0:16:41 | |
The family have continued to restore and furnish this house with great beauty ever since. | 0:16:41 | 0:16:46 | |
This is our library room here as you can see. | 0:16:48 | 0:16:51 | |
Ah! What first takes the eye is these marvellous book cases. | 0:16:51 | 0:16:55 | |
Well, again those are pyramid book cases dated about 1760 and they're very unusual aren't they? | 0:16:55 | 0:17:02 | |
They are absolutely glorious. They're wonderful and incredibly rare. | 0:17:02 | 0:17:10 | |
There was a book shop in Oxford which was demolished about 1946 | 0:17:10 | 0:17:14 | |
and my mother had always admired these in the book shop | 0:17:14 | 0:17:17 | |
and she went in and the bulldozers were operating and she bought the pair for shall we say £10 | 0:17:17 | 0:17:22 | |
from in front of the bulldozer's nose and I think they're worth more than £10 now. | 0:17:22 | 0:17:28 | |
I hope they'll never leave here is all I can say. | 0:17:28 | 0:17:30 | |
I can give you 20 for them, cos I think, this would get me out of trouble, actually! | 0:17:30 | 0:17:35 | |
Nice try, Philip. | 0:17:35 | 0:17:36 | |
This fine pair at auction might just help you beat Barby. | 0:17:36 | 0:17:41 | |
Right, isn't this wonderful panelling? | 0:17:45 | 0:17:48 | |
It's fantastic when you touch something like that which is 500-years-old | 0:17:48 | 0:17:51 | |
and you know this has not been done by computer, it's been done by some chap with a wooden mallet. | 0:17:51 | 0:17:59 | |
Very primitive tools, yes. | 0:17:59 | 0:18:00 | |
And the symmetry there is absolutely perfect, isn't it? It is perfect. | 0:18:00 | 0:18:06 | |
The interiors of Broughton Castle mix the very old with the modern | 0:18:06 | 0:18:10 | |
and even the brand spanking new, to great decorative effect. | 0:18:10 | 0:18:15 | |
-That is clearly, I don't know, 20 or 30 years old. -It was done by a man called Alan Peters. | 0:18:16 | 0:18:23 | |
He designed that table for that position and I hope it will sit there | 0:18:23 | 0:18:27 | |
for a few more hundred years because I think it's just right for that. | 0:18:27 | 0:18:30 | |
It looks absolutely fabulous and houses like this shouldn't just live in the past. | 0:18:30 | 0:18:35 | |
You've got to move on and that is, if you like, your mark for generations to come. | 0:18:35 | 0:18:40 | |
Can I just say to you, Sir, that it's been a huge honour to look around your home | 0:18:42 | 0:18:46 | |
-but it's also been a massive privilege to meet you. -I've enjoyed it very much. Thank you for coming. | 0:18:46 | 0:18:50 | |
-Thank you very much. -What a treat! Phillip you are a very lucky man. | 0:18:50 | 0:18:55 | |
As the rain lashes down, it's time for our experts to find their own fortified shelter for the night. | 0:18:55 | 0:19:01 | |
Tomorrow is their last blast at the shops. | 0:19:01 | 0:19:06 | |
Dawn breaks but their nerves hold true | 0:19:12 | 0:19:16 | |
as Philip and David prepare for the final push forward. | 0:19:16 | 0:19:19 | |
-Where are we, Barby? -Well, I think we should go left, actually. | 0:19:19 | 0:19:23 | |
-Well, I think we should go right. -Go left. -Are you sure? | 0:19:23 | 0:19:26 | |
Yeah, my judgement's always sound. | 0:19:26 | 0:19:27 | |
So far, Philip has spent £130 on four items - the dominoes, | 0:19:31 | 0:19:36 | |
the butter churn, the go-to-bed and the rather expensive scent bottle. | 0:19:36 | 0:19:40 | |
He's got £192.23 left to lose. | 0:19:40 | 0:19:45 | |
I mean spend! | 0:19:45 | 0:19:48 | |
-We are lost, aren't we? -No, there's a main road just coming up. | 0:19:48 | 0:19:51 | |
-No, we're definitely lost. -Just go straight on. -So which way do we go? | 0:19:51 | 0:19:55 | |
David Barby, meanwhile, has spent £140, also on four items - | 0:19:55 | 0:20:01 | |
the postal scales, the elaborate Vesta, | 0:20:01 | 0:20:04 | |
the Doulton tyg and the toilet water bottle. | 0:20:04 | 0:20:08 | |
David has £328.80 left to show us who's boss. | 0:20:08 | 0:20:14 | |
Let shopping commence! | 0:20:14 | 0:20:16 | |
-What's going to happen next? -Two hands on the wheel please. | 0:20:16 | 0:20:19 | |
You're going to go into a shop and do this, "Is that your very, very best?" | 0:20:19 | 0:20:24 | |
Now then, girls! | 0:20:25 | 0:20:27 | |
The Road Trip is moving us on once more, | 0:20:27 | 0:20:30 | |
leaving Broughton in the dust and burning 30 miles west to the village of Deddington. | 0:20:30 | 0:20:37 | |
Over three jam-packed floors, Deddington's Antiques Centre | 0:20:37 | 0:20:40 | |
is the scene for our final shopping showdown of the week. | 0:20:40 | 0:20:44 | |
Front runner, and poor sickly fellow David Barby gets first dibs. | 0:20:47 | 0:20:54 | |
-Hello, David Barby. -Hello, pleased to meet you. | 0:20:56 | 0:20:58 | |
-And your name's...? -Jenny. -Hello, Jenny. | 0:20:58 | 0:21:00 | |
Smooth! David finds his way into the antiques labyrinth, | 0:21:00 | 0:21:05 | |
but will he find his way out? | 0:21:05 | 0:21:06 | |
Just so much, just so much. | 0:21:06 | 0:21:09 | |
Did I look in here? | 0:21:09 | 0:21:12 | |
Well, it's a nice coffee can and saucer. | 0:21:12 | 0:21:15 | |
Copeland & Garrett, late Spode. | 0:21:15 | 0:21:17 | |
On the bottom here, Copeland, late Spode. | 0:21:17 | 0:21:20 | |
The way to check whether it's porcelain or not is by holding it up to the light. | 0:21:20 | 0:21:25 | |
Regular Road Trip viewers will know all about this. | 0:21:25 | 0:21:28 | |
Europe waited 800 years to perfect | 0:21:28 | 0:21:31 | |
its fragile Chinese ceramic using a fine white-stone paste | 0:21:31 | 0:21:36 | |
to give true porcelain its translucence over simple pottery. | 0:21:36 | 0:21:40 | |
If I do the same to the saucer however, there's no light coming through. | 0:21:40 | 0:21:45 | |
That's quite nice actually but at £48 a bit too much. | 0:21:45 | 0:21:50 | |
What have you found? | 0:21:50 | 0:21:53 | |
Well, I was after porcelain | 0:21:53 | 0:21:55 | |
-and I found this Spode coffee can but the saucer is pottery. -Ah! | 0:21:55 | 0:22:01 | |
And at £48 I think it's a little bit heavy. | 0:22:01 | 0:22:05 | |
What's the best you could do on that? | 0:22:05 | 0:22:07 | |
Probably 35. | 0:22:07 | 0:22:10 | |
I'd like to see it at 20. | 0:22:10 | 0:22:12 | |
-Hmm. -They're not matching. | 0:22:12 | 0:22:14 | |
No, I think I couldn't go that low. | 0:22:15 | 0:22:17 | |
What's the very, very best you can do? | 0:22:17 | 0:22:21 | |
-Very best? -25. | 0:22:21 | 0:22:23 | |
I'm going to say 22 which is more than I anticipated to pay. | 0:22:29 | 0:22:34 | |
I'm going to stick to the 25. | 0:22:34 | 0:22:36 | |
-22. -25. | 0:22:36 | 0:22:40 | |
22? 25? | 0:22:40 | 0:22:43 | |
Looks like we got ourselves a stand-off here. | 0:22:43 | 0:22:45 | |
Or maybe a stare-out! | 0:22:45 | 0:22:48 | |
HE SIGHS | 0:22:54 | 0:22:55 | |
22.50 that's my max. | 0:23:00 | 0:23:02 | |
Right, well I think seeing as you said they're not a matching pair | 0:23:04 | 0:23:08 | |
I think we can agree on 22.50. | 0:23:08 | 0:23:10 | |
-What have I done? -SHE LAUGHS | 0:23:10 | 0:23:14 | |
Phew! And breathe. | 0:23:14 | 0:23:15 | |
David's done it again and the chilling Barby stare | 0:23:17 | 0:23:21 | |
had only to relent an additional 50p! | 0:23:21 | 0:23:25 | |
And with David at a century, the field is finally clear | 0:23:26 | 0:23:29 | |
for second place Serrell to make what he can from the final shopping minutes of the day. | 0:23:29 | 0:23:34 | |
I've got two alternatives. There's a plan A and a plan B. | 0:23:34 | 0:23:37 | |
Plan A is that I spend very little money, perhaps £5 or £10, | 0:23:37 | 0:23:42 | |
and hope the other things I bought might catch David up. | 0:23:42 | 0:23:44 | |
Or Plan B, is to go out in a blaze of glory. | 0:23:44 | 0:23:50 | |
Sounds exciting, Philip, but maybe just ask for help first! | 0:23:50 | 0:23:54 | |
-Jenny, can I look at this little butter pat. -Sure, yes. | 0:23:54 | 0:23:57 | |
That's quite sweet, isn't it? | 0:23:57 | 0:23:59 | |
It's shortbread, not butter. And how much is that? | 0:23:59 | 0:24:03 | |
Well, it says ten - seven? | 0:24:03 | 0:24:07 | |
Four? | 0:24:07 | 0:24:09 | |
Six. | 0:24:09 | 0:24:12 | |
-Five. -Six, I'm not shaking. | 0:24:12 | 0:24:14 | |
I'm not shaking either. SHE LAUGHS | 0:24:14 | 0:24:17 | |
I've got it and possession is nine tenths of the law. £5. | 0:24:17 | 0:24:20 | |
-£5.50. -Oh, get out of here! £5. SHE LAUGHS | 0:24:20 | 0:24:25 | |
-I'll do that for five. -OK, I'll have that for a fiver then | 0:24:25 | 0:24:28 | |
Well, so much for the Blaze of Glory, Philip. | 0:24:28 | 0:24:31 | |
But that is a sweet little thing for five whole pounds! | 0:24:31 | 0:24:36 | |
If Barby wins, I am going to buy a one way ticket to somewhere as far away as possible. | 0:24:36 | 0:24:42 | |
It doesn't matter if its inhabited or not because he will be on the phone to me every five minutes, | 0:24:42 | 0:24:46 | |
"Do you remember how that Road Trip went, I've forgotten, did I win?" | 0:24:46 | 0:24:50 | |
-"Yeah, Barbs, you did." -Cheer up! | 0:24:50 | 0:24:53 | |
You might still beat David. Might! | 0:24:53 | 0:24:56 | |
Their final shopping complete, the Road Trip is now heading south, | 0:24:59 | 0:25:03 | |
travelling 12 miles from Deddington and delivering a very lucky Mr Barby | 0:25:03 | 0:25:08 | |
into the sumptuous grounds of Blenheim Palace, near Woodstock. | 0:25:08 | 0:25:13 | |
It's an absolutely incredible building. | 0:25:18 | 0:25:21 | |
It's like some magical landscape in a painting. | 0:25:21 | 0:25:25 | |
You don't think it exists until you arrive here. | 0:25:25 | 0:25:28 | |
Building began in 1705 on land gifted to General John Churchill, | 0:25:30 | 0:25:36 | |
1st Duke of Marlborough, for his battalion's victory at the Battle of Blenheim. | 0:25:36 | 0:25:41 | |
Christopher Columbus! | 0:25:44 | 0:25:46 | |
Just look at that! Wow! | 0:25:46 | 0:25:50 | |
Causing huge controversy, untrained architect John Vanbrugh | 0:25:53 | 0:25:58 | |
designed Blenheim Palace in the short-lived English Baroque style. | 0:25:58 | 0:26:02 | |
David finally arrives to meet John Forster, | 0:26:05 | 0:26:08 | |
archivist to the 11th Duke of Marlborough for the past 20 years. | 0:26:08 | 0:26:13 | |
-John, how very nice to meet you. -Hello, David, welcome to Blenheim Palace. | 0:26:15 | 0:26:19 | |
-Let's have a look inside. -Thank you very much. | 0:26:19 | 0:26:21 | |
We've got some absolutely marvellous pieces to show you. | 0:26:21 | 0:26:24 | |
-Oh, my word! -Isn't it amazing? | 0:26:24 | 0:26:27 | |
-Isn't it superb? -Yes. | 0:26:27 | 0:26:29 | |
-Very theatrical. -Yes, just the word for it. | 0:26:29 | 0:26:33 | |
A unique hybrid of family home and national monument, | 0:26:33 | 0:26:38 | |
Blenheim is famed as the birthplace of the war-time Prime Minister, Winston Churchill. | 0:26:38 | 0:26:43 | |
The Palace's greatest treasure tells the amazing story of this family home. | 0:26:43 | 0:26:50 | |
So this is the most magnificent sculpture, is it not? | 0:26:52 | 0:26:57 | |
What I find so spectacular about this is, first of all, | 0:26:57 | 0:27:01 | |
it was designed by a sculptor called Cotterell | 0:27:01 | 0:27:04 | |
and then Robert Garrard was commissioned to make this wonderful edifice. | 0:27:04 | 0:27:09 | |
This beautiful centre piece was crafted by royal silversmiths Garrard & Co in the 19th century. | 0:27:11 | 0:27:19 | |
It is massive and weighs over 1600 troy ounces | 0:27:19 | 0:27:24 | |
or 110 pounds or 50 kilos | 0:27:24 | 0:27:29 | |
and commemorates the first Duke's victory, over the French army in 1704. | 0:27:29 | 0:27:36 | |
-This symbolises the beginning of Blenheim, does it not? -Yes. | 0:27:43 | 0:27:47 | |
It shows the Duke on horseback just as he's won the seminal battle of Blenheim, | 0:27:47 | 0:27:52 | |
writing the actual message to the Queen, via his wife, to say he's won his favoured victory. | 0:27:52 | 0:27:58 | |
And why it's so important because of where we are and everything around us follows this. | 0:27:58 | 0:28:02 | |
So here you look at it and visually you can think of that moment of victory, can't you? | 0:28:02 | 0:28:07 | |
Yes, Winston Churchill said it changed the political axis of the world. | 0:28:07 | 0:28:11 | |
Louis the 14th in France had dominated Europe for 50 years, | 0:28:11 | 0:28:16 | |
we hadn't beaten them militarily since Agincourt over 300 years earlier | 0:28:16 | 0:28:20 | |
and suddenly at the battle of Blenheim 1704, Louis was completely vanquished. | 0:28:20 | 0:28:26 | |
England became the emergence as a major power | 0:28:26 | 0:28:29 | |
which produced our dominance as a great power over 200 years. | 0:28:29 | 0:28:32 | |
It all starts at that moment. | 0:28:32 | 0:28:35 | |
At that particular moment. | 0:28:35 | 0:28:37 | |
Many treasures were commissioned whilst the palace was being built during the 1710s and 1720s. | 0:28:37 | 0:28:44 | |
And throughout the centuries, great artists and designers have added to its glory, | 0:28:44 | 0:28:50 | |
including Jacob Epstein's stunning bronze bust of the ninth Duke of Marlborough. | 0:28:50 | 0:28:56 | |
This is the most extraordinary piece of work. | 0:28:56 | 0:28:59 | |
Is it greatly admired by the general public? | 0:28:59 | 0:29:01 | |
It's certainly greatly responded to. I think they find it a dramatic piece. | 0:29:01 | 0:29:06 | |
There was a debate between Epstein and His Grace the 9th Duke about how it should be. | 0:29:06 | 0:29:11 | |
I think Epstein was all for, use a word, humanising him. | 0:29:11 | 0:29:17 | |
Moving to Britain in 1905, American sculptor Jacob Epstein | 0:29:18 | 0:29:23 | |
jointly pioneered the practise of direct carving on to stone, | 0:29:23 | 0:29:29 | |
without copying clay models, | 0:29:29 | 0:29:31 | |
and was critically lambasted that his work deliberately lacked beauty. | 0:29:31 | 0:29:35 | |
Epstein retorted that everything is beautiful. | 0:29:35 | 0:29:40 | |
You can't argue with that! | 0:29:40 | 0:29:42 | |
I think it's extraordinary how that hand hangs over the plinth and I find that so dramatic. | 0:29:42 | 0:29:47 | |
I like the sculptural technique. You imagine the clay | 0:29:47 | 0:29:51 | |
as he presses his fingers in to create this sort of drapery image. | 0:29:51 | 0:29:55 | |
-Yes. -That is superb. -The people here in their 20s and 30s, literally they've never heard of him, | 0:29:55 | 0:30:00 | |
-the greatest English sculptor of the first part of the 20th century. -That's perfectly true. | 0:30:00 | 0:30:05 | |
-Well, what a wonderful experience. -I hope you've enjoyed it. | 0:30:05 | 0:30:08 | |
-I have indeed. Thank you very much indeed. -Bye bye. | 0:30:08 | 0:30:11 | |
David's final indulgence of the week | 0:30:11 | 0:30:14 | |
also brings this shopping trip to a suitable, stately end. | 0:30:14 | 0:30:19 | |
Our chaps are now ready for auction departure. | 0:30:21 | 0:30:25 | |
Anything to declare? | 0:30:25 | 0:30:27 | |
My first lot. | 0:30:29 | 0:30:30 | |
Oh, that's sweet, isn't it? | 0:30:30 | 0:30:31 | |
Victorian piece it's 1900-1901 so this would have had lavender water, rose water | 0:30:31 | 0:30:38 | |
-and then you'd sprinkle the lavender water or the rose over your ironing. -How much was that Barbs? -That's £40. | 0:30:38 | 0:30:44 | |
It's more profit for the old Barby machine! | 0:30:44 | 0:30:46 | |
I sincerely hope so. Let's have a look at yours. | 0:30:46 | 0:30:48 | |
Oh, that's a little sweetie pops, isn't it? | 0:30:48 | 0:30:51 | |
Around about 1950s/60s, isn't it? | 0:30:51 | 0:30:53 | |
When kitchenalia was really popular. | 0:30:53 | 0:30:55 | |
Yeah, it cost me a fiver, Barbs. | 0:30:55 | 0:30:57 | |
-That's a real cool thing, isn't it? -I think so. | 0:30:59 | 0:31:01 | |
Vesta case. I love these little bits here. | 0:31:01 | 0:31:04 | |
-So do I. £20. -Well, you're home and host with that, aren't you? | 0:31:04 | 0:31:08 | |
I bought these from dear old Libby. | 0:31:08 | 0:31:12 | |
What I like about them is that they've been used | 0:31:12 | 0:31:14 | |
and they've got sort of cigarette fingers. | 0:31:14 | 0:31:17 | |
-They cost £3. -Well, that's a bargain. | 0:31:17 | 0:31:20 | |
So I'm pleased with those. | 0:31:20 | 0:31:21 | |
Well, there we are. | 0:31:21 | 0:31:23 | |
Oh, that's nice. | 0:31:23 | 0:31:25 | |
This is a tyg. | 0:31:25 | 0:31:27 | |
-Doulton. -Was that £20 knowing you? -Yes. | 0:31:27 | 0:31:30 | |
Was it? That's nothing, is it? | 0:31:30 | 0:31:33 | |
Oh, my life. I thought this was really cool. | 0:31:33 | 0:31:36 | |
J & A Macfarlane. | 0:31:36 | 0:31:38 | |
Yes, I think just that little inscription there for me adds 20 quid to it. | 0:31:38 | 0:31:43 | |
Let's hope we've got some people from Glasgow in the room. | 0:31:43 | 0:31:46 | |
-In Gloucestershire. -In Gloucestershire. -I hadn't thought of that. | 0:31:46 | 0:31:49 | |
That's got DJ Barby written all over it, hasn't it? | 0:31:49 | 0:31:52 | |
Is that a hair crack? | 0:31:52 | 0:31:55 | |
# There may be trouble ahead... # | 0:31:55 | 0:31:58 | |
I just wiped it off. | 0:31:58 | 0:32:00 | |
This is a little go-to-bed. It's absolutely lovely and you'd just light that like that, | 0:32:00 | 0:32:06 | |
put that on there and then off you go to bed. | 0:32:06 | 0:32:10 | |
-And I can see that making... -£40 or £50? -Yeah. | 0:32:10 | 0:32:12 | |
I paid £12 for it So it's for nothing, isn't it? | 0:32:12 | 0:32:15 | |
This is my final object. It is a nice object, it's 1888. | 0:32:15 | 0:32:20 | |
I think here not exceeding one ounce, one penny would refer possibly to the penny black. | 0:32:20 | 0:32:25 | |
I'd put it in at £60-£90. What have I got next? | 0:32:25 | 0:32:29 | |
-Barbs, this is my best thing I've bought all the time I've been here, I think. -That is very nice indeed. | 0:32:29 | 0:32:34 | |
-So what's that going to make at auction, Barbs? -I think that's going to be about £60-£70. | 0:32:34 | 0:32:39 | |
-Really? -Yeah, why? -I'll lose money then, won't I? | 0:32:39 | 0:32:42 | |
-How much did you pay for it? -85. | 0:32:42 | 0:32:44 | |
I think you stand a chance of getting your money back. | 0:32:44 | 0:32:46 | |
-On to the auction then. -Yes, may the best man win. | 0:32:46 | 0:32:49 | |
I'm sure you will, Barbs. | 0:32:49 | 0:32:51 | |
Nice words, gentlemen, | 0:32:51 | 0:32:54 | |
but what do you really think? | 0:32:54 | 0:32:56 | |
I think that phallic root thing of David's might do quite well. He's got high hopes for his scales | 0:32:56 | 0:33:00 | |
but it's the joy of it, we're in the lap of the gods now. | 0:33:00 | 0:33:03 | |
Wasn't so keen on the butter churn or the pats and I think the large bottle he bought, it's very plain. | 0:33:03 | 0:33:10 | |
-Winning's not that important. -Really? | 0:33:10 | 0:33:12 | |
-Really...um... -Really? -Really. -Really? | 0:33:12 | 0:33:16 | |
-Really. -Really? | 0:33:16 | 0:33:17 | |
Well, I hope so, for your sake! Really! | 0:33:20 | 0:33:23 | |
A nervous excitement hits the Road Trip as the inevitable final journey switches wildly. | 0:33:23 | 0:33:29 | |
48 miles from Blenheim to the handsome city of Gloucester | 0:33:29 | 0:33:33 | |
Wotton Auction Rooms have been selling antiques and fine furnishings for about 150 years. | 0:33:36 | 0:33:43 | |
Give me £20 for the lot. Will you bid me 15? | 0:33:43 | 0:33:46 | |
Today's auctioneer, Philip Taubenheim, has a word or two to say. | 0:33:46 | 0:33:51 | |
We have the Doulton Lambeth tyg. | 0:33:51 | 0:33:54 | |
Perhaps it's slightly limited in the number of people who would buy it. | 0:33:54 | 0:33:58 | |
There's some dominoes, for instance, there's always a cut off point for those. | 0:33:58 | 0:34:02 | |
And finally we have a little 19th century, treenware go-to-bed. | 0:34:02 | 0:34:06 | |
Whenever you find one they're always in really good condition | 0:34:06 | 0:34:09 | |
because I don't think anyone ever really used them so they always survive very well. | 0:34:09 | 0:34:13 | |
Philip started this last leg of the Road Trip with £322.23 | 0:34:13 | 0:34:20 | |
and spent £135 on five auction lots. | 0:34:20 | 0:34:23 | |
David began with £468.80 | 0:34:27 | 0:34:30 | |
and eventually spent £162.50, also on five auction lots | 0:34:30 | 0:34:35 | |
It's their last sale together so let's pay our respects | 0:34:38 | 0:34:43 | |
to the uncertain fortunes of Mr Serrell and Mr Barby. | 0:34:43 | 0:34:46 | |
Quiet, please! | 0:34:46 | 0:34:47 | |
First to get a handle on a purchase is David's Doulton tyg. | 0:34:50 | 0:34:55 | |
30 I'll take, 30 if you will? 20 If you must, 20 bid. | 0:34:55 | 0:34:59 | |
Thank you, madam. 20 I'm bid. Bid lies there, right in the middle. | 0:34:59 | 0:35:02 | |
22, at the back. 25, 28, 30 I'm bid. | 0:35:02 | 0:35:05 | |
32 I'm bid. 34 I'm bid. | 0:35:05 | 0:35:10 | |
-At 34. -More, more. -Get over it, what's all this...? | 0:35:10 | 0:35:13 | |
£34, sold. | 0:35:13 | 0:35:16 | |
A profit to start us off! | 0:35:16 | 0:35:20 | |
-I'm really pleased for you, really pleased. -Thank you. | 0:35:20 | 0:35:22 | |
Let's press on with Philip's little shortbread mould. | 0:35:22 | 0:35:26 | |
Quite a sweet little thing. | 0:35:27 | 0:35:29 | |
Just on its own, simple as that. Five to start? | 0:35:29 | 0:35:32 | |
Thank you. Five I'm bid, to start. | 0:35:32 | 0:35:35 | |
At five, you want it now. £6, £8, 14 I'm bid. | 0:35:35 | 0:35:40 | |
With you, madam, at £14. | 0:35:40 | 0:35:42 | |
-Goodness me! -Any advance on that? | 0:35:42 | 0:35:45 | |
-You're happy with that at £14. -Absolutely brilliant. | 0:35:45 | 0:35:49 | |
Next up is David's coffee cup and saucer. | 0:35:51 | 0:35:55 | |
£30 for it? 30 I'll take. 20 I'll take. | 0:35:57 | 0:36:00 | |
At £10 start? Ten I'm bid. 12 I'm bid, the bid's here. | 0:36:00 | 0:36:03 | |
14, 16, 18, 20, 22. | 0:36:03 | 0:36:08 | |
-Five anywhere, at 22 I'm bid. -That's all right, isn't it? | 0:36:08 | 0:36:11 | |
-It's worth more than that. -What, with a crack? | 0:36:11 | 0:36:14 | |
-£22 this time, at 22. -Ah! £22.50...minus £22, is... | 0:36:14 | 0:36:21 | |
not a profit! | 0:36:21 | 0:36:23 | |
The Barby wounded look again! | 0:36:23 | 0:36:25 | |
Now let's improve Philip's turn-over. | 0:36:26 | 0:36:30 | |
If it doesn't sell well drop it on his head. | 0:36:30 | 0:36:34 | |
30 to start? 20 I'm bid, thank you. | 0:36:34 | 0:36:35 | |
22 I'm bid, 24, 26, 28, | 0:36:35 | 0:36:39 | |
30, 32, 34, 36, 38, | 0:36:39 | 0:36:43 | |
-40, 42, 44, 42 it is then. -That's good. | 0:36:43 | 0:36:48 | |
That's good. That's £12 profit that's excellent. | 0:36:48 | 0:36:51 | |
-It's yours, Madame. -Nice work, Philip, | 0:36:51 | 0:36:53 | |
but can you over-take David today? | 0:36:53 | 0:36:55 | |
Can I see that smile? Oh, my God. | 0:36:55 | 0:36:57 | |
Well, let's see. It's the match striker, vesta stand up next! | 0:36:57 | 0:37:03 | |
Gosh, that's unusual. | 0:37:03 | 0:37:05 | |
£20 to start, 20? Ten if you like. | 0:37:05 | 0:37:07 | |
-Come on! -Ten I'm bid, 12? 12 I'm bid. Bid's at the back there. | 0:37:07 | 0:37:12 | |
14, will you? Thank you. 16, 20 I'm bid. | 0:37:12 | 0:37:15 | |
-22 I'm bid, 25 I'm bid. At 25 I'm bid. -Come on! | 0:37:15 | 0:37:19 | |
At 28 I'm bid, 30 anywhere now? 28 this time then, at 28. | 0:37:19 | 0:37:23 | |
I said all the way down the line that | 0:37:23 | 0:37:26 | |
I wouldn't have been at all surprised if that really did take off and fly, | 0:37:26 | 0:37:30 | |
-and it didn't, did it? -No. | 0:37:30 | 0:37:32 | |
So let's go to bed, | 0:37:35 | 0:37:36 | |
as Philip's nocturnal companion faces the bidders | 0:37:36 | 0:37:40 | |
£20 for it? 20 I'll take. | 0:37:40 | 0:37:42 | |
£10, if you like? Ten bid, at ten bid, | 0:37:42 | 0:37:45 | |
12, 14, 16, 18, 20, | 0:37:45 | 0:37:50 | |
25, at 30 I'm bid for it. Anyone coming back in then? | 0:37:50 | 0:37:52 | |
Bid remains there at £30 then. | 0:37:52 | 0:37:56 | |
-Well, Philip will sleep easy tonight. -That was disappointing. | 0:37:56 | 0:38:00 | |
Not for you, Barbs. | 0:38:00 | 0:38:02 | |
And now the toilet water bottle gets to powder its nose. | 0:38:02 | 0:38:07 | |
£100 for it, 100? | 0:38:07 | 0:38:08 | |
50, 30 I'm bid for it, 35. | 0:38:08 | 0:38:11 | |
40 I'm bid, 45. | 0:38:11 | 0:38:13 | |
And 50. Any advance on it? Sold and done then at £50. | 0:38:13 | 0:38:18 | |
Goodness. | 0:38:18 | 0:38:19 | |
This last sale is really going rather well so far. What's next? | 0:38:19 | 0:38:23 | |
Dominoes box. £20 for the dominoes. | 0:38:23 | 0:38:27 | |
20? Ten if you like? At ten bid. Ten I'm only bid, ten. | 0:38:27 | 0:38:31 | |
-12, 14, 16, 18... -Come on, 20. -£20. | 0:38:31 | 0:38:35 | |
-And two? 22 I'm bid. 24 anywhere? -That's all right, Barbs | 0:38:35 | 0:38:39 | |
The dominoes at £22 have I missed anybody, at £22 this time then. | 0:38:39 | 0:38:43 | |
-Philip, you're on fire. -That is incredible. | 0:38:43 | 0:38:47 | |
Your cheapest things have made the biggest profits. | 0:38:47 | 0:38:50 | |
Let's see if David can shift the balance in his favour. | 0:38:50 | 0:38:55 | |
Pretty little lot. What do we say, £50 to start? 40 it is. | 0:38:55 | 0:38:58 | |
45, 50, 55. | 0:38:58 | 0:39:01 | |
60 and five, 70 and five. 80 and five. | 0:39:01 | 0:39:08 | |
And 90 and five, 100. Five I'll take. | 0:39:08 | 0:39:12 | |
100 I'm bid, you're quite happy with that? At £100, then. | 0:39:12 | 0:39:17 | |
-I'm really pleased for you. -Thank you very much. | 0:39:17 | 0:39:22 | |
Good luck with your last item, Philip. | 0:39:22 | 0:39:25 | |
This scent bottle, at £85, was, quite frankly, a bit of a risk. | 0:39:25 | 0:39:32 | |
What do we say £100 for it? 100 for the lot? | 0:39:32 | 0:39:34 | |
£50 I'm bid, 55, and 60 and five. | 0:39:34 | 0:39:37 | |
And 70 and five and 80 and 90 and five. | 0:39:37 | 0:39:42 | |
And 100 I'm bid there. Better, isn't it? | 0:39:42 | 0:39:46 | |
115 I'm bid, 120 I'm bid. | 0:39:46 | 0:39:50 | |
Five I'm bid. 125, then, bid lies there at £125 on the corner | 0:39:50 | 0:39:56 | |
Phew. Good work, but was it good enough? | 0:39:56 | 0:39:59 | |
Barby, well done, old mate. | 0:39:59 | 0:40:01 | |
-Congratulations, you've won this round. -Come on, off we go. | 0:40:01 | 0:40:05 | |
Philip began his last voyage with £322.23 and won the day, | 0:40:08 | 0:40:15 | |
making a healthy profit, after commission, of £56.93 | 0:40:15 | 0:40:19 | |
He ends his week with a mildly triumphant £379.16. | 0:40:21 | 0:40:26 | |
The legend that is David Barby started with £468.80 | 0:40:32 | 0:40:38 | |
and made a reasonable profit of just £30.27. | 0:40:38 | 0:40:42 | |
But David still wins the week with a proud £499.07. | 0:40:42 | 0:40:49 | |
You've completely nailed me, haven't you? | 0:40:49 | 0:40:52 | |
I don't think completely nailed you. | 0:40:52 | 0:40:54 | |
So, let's slot this week's chaps into the Antiques Road Trip Leader Board. | 0:40:54 | 0:41:01 | |
Philip Serrell is now holding sixth place above Jonathan Pratt, | 0:41:02 | 0:41:07 | |
Charlie Ross, James Braxton and Thomas Plant. | 0:41:07 | 0:41:10 | |
New in at Number Four, the triumphant David Barby, | 0:41:10 | 0:41:14 | |
on top of Mark Stacey but beneath Charles Hanson. | 0:41:14 | 0:41:18 | |
However, there's no touching the top two | 0:41:18 | 0:41:22 | |
with Kate Bliss' admirable winnings | 0:41:22 | 0:41:24 | |
and the gargantuan total of James Lewis. | 0:41:24 | 0:41:27 | |
The outcome has been good, hasn't it? | 0:41:27 | 0:41:30 | |
-Absolutely fantastic. -You tried hard to catch up. | 0:41:30 | 0:41:34 | |
Shut up, just shut up. | 0:41:34 | 0:41:36 | |
You'd never guess it from their words, but Philip and David are great friends. | 0:41:37 | 0:41:41 | |
# There may be trouble ahead... | 0:41:41 | 0:41:44 | |
Stop digging me in the ribs! | 0:41:44 | 0:41:46 | |
# But while there's moonlight and music and love and romance... # | 0:41:46 | 0:41:50 | |
And what a week they've had! | 0:41:50 | 0:41:52 | |
Since leaving Lincoln our experts have fought their way across Middle England. | 0:41:52 | 0:41:56 | |
Although, mostly fighting with each other. | 0:41:56 | 0:41:59 | |
Give me a kiss. | 0:41:59 | 0:42:02 | |
I'm pleased but I'm actually not that pleased for you. | 0:42:02 | 0:42:05 | |
David's used his signature, school-ma'am indignance | 0:42:05 | 0:42:09 | |
to crush prices and dealers alike. | 0:42:09 | 0:42:11 | |
-£20. -£40 would be better. -Who for? | 0:42:11 | 0:42:16 | |
Whilst Philip was more up front about being just plain mean! | 0:42:16 | 0:42:21 | |
What I'm trying to do now is start sewing the seed of doubt in my new best friend Richard's mind | 0:42:21 | 0:42:27 | |
as to how little this is really worth. | 0:42:27 | 0:42:29 | |
They've both loved their vintage Morris Minor. | 0:42:29 | 0:42:32 | |
Come on, Amy. God bless you my love. | 0:42:32 | 0:42:36 | |
And, struggling to admit it, | 0:42:38 | 0:42:39 | |
they've thoroughly enjoyed each other's company too! | 0:42:39 | 0:42:42 | |
Barbs, what's been the highlight of the whole trip for you? | 0:42:42 | 0:42:45 | |
Having a companion like yourself, one that's | 0:42:45 | 0:42:47 | |
so entertaining and chatty. It's been marvellous. | 0:42:47 | 0:42:50 | |
# Let's face the music | 0:42:50 | 0:42:54 | |
# And dance! # | 0:42:54 | 0:42:58 | |
Next week on the Antiques Road Trip, we're meeting a whole new pair of experts | 0:42:58 | 0:43:06 | |
The wonderful Anita Manning | 0:43:06 | 0:43:09 | |
and last year's Road Trip Champion, the mighty David Harper. | 0:43:09 | 0:43:14 | |
Painful! | 0:43:16 | 0:43:18 | |
Anita throws herself out... | 0:43:18 | 0:43:21 | |
Throw me out of the shop. | 0:43:21 | 0:43:23 | |
..David throws in the towel... | 0:43:23 | 0:43:26 | |
I might as well just go home now I've done everything I need to do | 0:43:26 | 0:43:29 | |
And they both throw themselves into the Road Trip fray. | 0:43:29 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:52 | 0:43:55 | |
E-mail [email protected] | 0:43:55 | 0:43:58 |