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-The nation's favourite antiques experts, £200 each and one big challenge... -Testing! Testing! | 0:00:02 | 0:00:07 | |
-Who can make the most money buying and selling antiques as they scour the UK. -Lord, above. | 0:00:07 | 0:00:13 | |
The aim is trade up and hope each antique turns a profit. | 0:00:13 | 0:00:16 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:16 | 0:00:20 | |
-What a dilemma. -So will it be the highway to success or the B-road to bankruptcy? | 0:00:20 | 0:00:26 | |
If I wasn't in the same car as you I'd let your tyres down. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Our two experts this week are those two stalwarts of the antiques trade, Philip Serrell and David Barby. | 0:00:36 | 0:00:43 | |
Get your hand off my knee! | 0:00:43 | 0:00:45 | |
Look that's what you do. When you start criticising my driving. | 0:00:45 | 0:00:50 | |
-I wasn't criticising your driving. Just keep your hand off my knee. -I wouldn't want to touch it. | 0:00:50 | 0:00:55 | |
Auctioneer Philip Serrell adores all periods of antiques, | 0:00:56 | 0:01:00 | |
and particularly enjoys the social history aspect of his job. | 0:01:00 | 0:01:05 | |
Well, you can clearly see it was a truncheon. | 0:01:05 | 0:01:09 | |
-But these aren't for beating up your local antique dealer? -No. | 0:01:09 | 0:01:12 | |
David Barby was a precocious talent. His interest in antiques started when he was just 12. | 0:01:12 | 0:01:19 | |
Ever since then, he's used that knowledge to his pecuniary advantage. | 0:01:19 | 0:01:25 | |
# Money, money, money... # | 0:01:25 | 0:01:26 | |
But it's hard to believe that they've had the time to buy any antiques at all. | 0:01:26 | 0:01:32 | |
What with all this mucking about. Look at them. Dear oh, dear. | 0:01:32 | 0:01:37 | |
I've got a small head... | 0:01:39 | 0:01:42 | |
What do I look like aye? | 0:01:44 | 0:01:47 | |
-Caesar Augustus. -Thank goodness you can't see me. | 0:01:47 | 0:01:50 | |
Do I look like Gladiator? | 0:01:50 | 0:01:52 | |
Both experts started this week with £200. | 0:01:53 | 0:01:56 | |
David surged into the lead early on. | 0:01:56 | 0:01:59 | |
He did very well with his buttons and he's in the lead. | 0:01:59 | 0:02:02 | |
Auctioneer One bidder on the counter at 150 and selling away. | 0:02:02 | 0:02:07 | |
He starts this leg with a handsome £483.22. | 0:02:07 | 0:02:12 | |
Philip also did splendidly. His £6 tyre spreader made a staggering £74 profit. | 0:02:15 | 0:02:21 | |
£80, still at 80 on my right today. | 0:02:21 | 0:02:24 | |
That's brilliant. Brilliant, brilliant... | 0:02:24 | 0:02:27 | |
His spending money for the day is a very respectable £262.53. | 0:02:27 | 0:02:33 | |
But David's still ahead by more than £200. | 0:02:33 | 0:02:36 | |
And Philip's going to have to work hard to stay in the race. | 0:02:36 | 0:02:39 | |
This week's road trip is a leisurely stroll from the east to the west of England | 0:02:42 | 0:02:47 | |
from Lincoln to Wotton-Under-Edge. | 0:02:47 | 0:02:49 | |
Today's leg kicks off in Brightlingsea | 0:02:49 | 0:02:52 | |
and ends in St Ives for auction. | 0:02:52 | 0:02:55 | |
Do you know what Barbs? I'm looking forward to today. | 0:02:55 | 0:02:58 | |
Why's that, give me three good reasons. | 0:02:58 | 0:03:01 | |
The sea. The side. That's two good reasons. I like the sea side. | 0:03:01 | 0:03:05 | |
-Me too. -I'm going to get a kiss-me-quick hat. | 0:03:05 | 0:03:07 | |
What is it with you guys and your matching outfits? | 0:03:12 | 0:03:17 | |
Brightlingsea was renowned for its shipbuilding and fishing industries - particularly oysters. | 0:03:17 | 0:03:23 | |
These days, it's better known as a popular destination for tourists. | 0:03:23 | 0:03:26 | |
Just the ticket for our day-trippers. | 0:03:26 | 0:03:29 | |
Lovely pair, aren't they? | 0:03:29 | 0:03:31 | |
Phil's first stop is Cellar Antiques And Clocks. | 0:03:33 | 0:03:37 | |
Right, man on a mission. I'm going to be really mean because I've got to be mean. | 0:03:37 | 0:03:43 | |
I'm not even going to look at prices. I'm just bidding. | 0:03:43 | 0:03:48 | |
-I like them goats. How much is your goat? -How much is it? -Yeah. | 0:03:48 | 0:03:52 | |
-Can I make you a silly offer on this? -A silly offer? | 0:03:52 | 0:03:56 | |
-Well, it's going to be ever so silly. -He's 170. | 0:03:56 | 0:03:59 | |
I'm going to insult you. I was going to offer you like 35-40 quid. | 0:03:59 | 0:04:03 | |
That's why it was silly. He's quite fun, isn't he? | 0:04:03 | 0:04:07 | |
Yes, he is, but he'd also take up most of you budget, you old goat! | 0:04:07 | 0:04:12 | |
I keep looking at ship's wheels everywhere I go. | 0:04:12 | 0:04:15 | |
Yes, you do, you bought one in the last show. | 0:04:15 | 0:04:17 | |
What's that off? | 0:04:19 | 0:04:21 | |
That's off a 28-foot river cruiser. Built on the River Thames, just before the turn of the century. | 0:04:21 | 0:04:26 | |
And it costs a reasonable £52 if you like that sort of thing. | 0:04:26 | 0:04:30 | |
I'm not sure what you could ever do with that. I suppose you could always scrap it. | 0:04:30 | 0:04:35 | |
I think what people use those for are coat hangers. | 0:04:35 | 0:04:38 | |
They put a shaft in the centre | 0:04:38 | 0:04:41 | |
and you can hang your coats on it. | 0:04:41 | 0:04:44 | |
What a man! Is £20 any good on that? | 0:04:44 | 0:04:46 | |
Yeah. I might be having that then, let's put it down there for a minute. | 0:04:46 | 0:04:50 | |
As Philip haggles, David leaves Brightlingsea and heads north to Colchester. | 0:04:53 | 0:04:58 | |
This beautiful 15th century timber-framed house | 0:04:58 | 0:05:02 | |
was built by William Gilberd, physician to Elizabeth I. | 0:05:02 | 0:05:07 | |
Today, it houses Tymperley's Clock Museum. | 0:05:07 | 0:05:11 | |
It's one of the largest collections of clocks in the country, | 0:05:11 | 0:05:15 | |
which were bequeathed by local businessman and philanthropist Bernard Mason. | 0:05:15 | 0:05:20 | |
David's guide is Catherine Newley. | 0:05:20 | 0:05:23 | |
-Hello, very pleased to meet you. -Hello, I'm Catherine. | 0:05:25 | 0:05:28 | |
-Would you like to come in and see the collection? -I can't wait. | 0:05:28 | 0:05:32 | |
Bernard Mason began collecting Colchester-made clocks in 1927. | 0:05:32 | 0:05:36 | |
Although Colchester was not one of the biggest manufacturers of clocks, | 0:05:36 | 0:05:41 | |
the collection is interesting from a social history perspective. | 0:05:41 | 0:05:46 | |
It shows the evolution of clock production in the town over a period of several hundred years. | 0:05:46 | 0:05:53 | |
Are these the earliest clocks in the collection? | 0:05:53 | 0:05:57 | |
These are the earliest and they're lantern clocks, mainly because they look like lanterns. | 0:05:57 | 0:06:02 | |
They date from the middle of the 17th century? | 0:06:02 | 0:06:05 | |
Some are, some are slightly later, beginning of the 18th century. | 0:06:05 | 0:06:09 | |
Lantern clocks started going out of fashion with the introduction | 0:06:09 | 0:06:13 | |
of long-case clocks in the 18th century. | 0:06:13 | 0:06:17 | |
So here, we've got a clock that dates from the 1730s and you can see the lacquer work on it | 0:06:17 | 0:06:21 | |
but what's interesting is on the clock face we've got different cities around the world | 0:06:21 | 0:06:26 | |
that were presumably part of the trade route | 0:06:26 | 0:06:29 | |
so we've got, Jerusalem, Boston Newfoundland, San Salvadore, Lisbon... | 0:06:29 | 0:06:34 | |
How do you tell what the time is let's say in Jerusalem? Or Boston? | 0:06:34 | 0:06:39 | |
-When the hour hand points towards the city in question that means it's noon in that city. -Oh, right. | 0:06:39 | 0:06:45 | |
It's very simple, isn't it? | 0:06:45 | 0:06:48 | |
It's the early version of London, New York, Tokyo. | 0:06:48 | 0:06:50 | |
What an advance in clock design and manufacture from lantern clocks to this. | 0:06:50 | 0:06:57 | |
Ah, I was always told that that section there could be secured with a peg inside | 0:07:01 | 0:07:08 | |
and that would stop the servants from taking the clock or anybody else round | 0:07:08 | 0:07:14 | |
and they'd finish their labours, let say a quarter of an hour, half an hour, even an hour earlier. | 0:07:14 | 0:07:21 | |
Simultaneously with the development of static, lantern | 0:07:21 | 0:07:24 | |
and long-case clocks, travelling timepieces or watches developed. | 0:07:24 | 0:07:29 | |
This is the inner sanctum, isn't it? | 0:07:29 | 0:07:32 | |
This is a couple of the pocket watches from our collection. | 0:07:32 | 0:07:36 | |
The one on the left is the 1725 one, and the one on the right is a later one, 1775. | 0:07:36 | 0:07:43 | |
They're both pair cases? | 0:07:43 | 0:07:45 | |
Pair case, as the name implies - two cases. The outer one was for protection. | 0:07:45 | 0:07:50 | |
It's hard to believe now, but the pocket watch revolutionised the way we live. | 0:07:50 | 0:07:55 | |
For the first time ever, a time-keeper was available, | 0:07:55 | 0:08:01 | |
which was both accurate and portable. | 0:08:01 | 0:08:03 | |
What I like about this | 0:08:03 | 0:08:06 | |
is the actual movement itself... | 0:08:06 | 0:08:09 | |
wonderful structure. | 0:08:09 | 0:08:11 | |
Beautifully pierced. | 0:08:11 | 0:08:13 | |
But time is of the essence, David, and you should start shopping. | 0:08:13 | 0:08:17 | |
I've had an exciting day. Thank you very much indeed. | 0:08:17 | 0:08:20 | |
Back in Brightlingsea, and still in Paul's shop, Philip spots something else to tickle his fancy. | 0:08:23 | 0:08:30 | |
-Paul, can I have a look at this scribe? -Most certainly. | 0:08:30 | 0:08:34 | |
A scribe scores a fixed line in the timber, | 0:08:34 | 0:08:38 | |
so that you have a straight line to cut. And this one costs £15. | 0:08:38 | 0:08:43 | |
What you would do is adjust this here up and down here. | 0:08:44 | 0:08:48 | |
Then you would run that down the timber | 0:08:48 | 0:08:51 | |
and these little nails would score the timber. | 0:08:51 | 0:08:54 | |
Early tools could be hugely collectable, and sought after. | 0:08:54 | 0:08:58 | |
And with the maker's stamp on there.. and it's a beautifully made thing if you look at this it's rosewood. | 0:08:58 | 0:09:04 | |
I think it's a really nice thing. | 0:09:04 | 0:09:07 | |
-You want the ship's wheel? -I'll give you 25 quid for the two. | 0:09:07 | 0:09:10 | |
-26. -25, and I'll take 'em done deal and walk away. -Is it cash? | 0:09:10 | 0:09:15 | |
-It'll be cash. -All right done. -I have been! Thank you ever so much. | 0:09:15 | 0:09:20 | |
So that's £20 for the ship's wheel and £5 for the scribe. | 0:09:20 | 0:09:24 | |
That's not dear. Well, more than nine pence. | 0:09:24 | 0:09:29 | |
His sightseeing over, | 0:09:29 | 0:09:30 | |
David leaves Colchester and heads towards Halstead. His next stop, | 0:09:30 | 0:09:34 | |
Halstead Antiques Centre. | 0:09:34 | 0:09:37 | |
Which looks to me as if it's stuffed with...stuff. | 0:09:37 | 0:09:41 | |
Hello. David Barby. | 0:09:41 | 0:09:43 | |
-Good to meet you. Ken Hewitt. -I'm looking for silver. | 0:09:43 | 0:09:46 | |
Unusual pieces, quirky... | 0:09:46 | 0:09:50 | |
And I hope that we can negotiate on price in certain things. | 0:09:50 | 0:09:55 | |
Yes, David, those magic words - "negotiate" and "price" your favourites. | 0:09:55 | 0:10:01 | |
Who are you up against, Philip, Philip Serrell? | 0:10:01 | 0:10:04 | |
Dear Philip. Yes, nice, nice, nice guy. | 0:10:04 | 0:10:07 | |
We rag each other, but we're old friends. | 0:10:09 | 0:10:13 | |
Till after the show. | 0:10:13 | 0:10:14 | |
David soon sniffs out a cabinet full of silver. | 0:10:18 | 0:10:23 | |
The dealer who owns the items has emigrated, leaving unpaid debts. | 0:10:23 | 0:10:29 | |
And Ken is able to be flexible on price. | 0:10:29 | 0:10:32 | |
Now, just give me an example. | 0:10:32 | 0:10:34 | |
This is priced at £125, | 0:10:34 | 0:10:38 | |
-what sort of price are we looking at on that? -Everything in there I'll go half on. | 0:10:38 | 0:10:44 | |
-50%. -That really is quite encouraging. | 0:10:44 | 0:10:47 | |
If you want to pick out the pieces you like, we'll put them on the desk and... Like that? | 0:10:47 | 0:10:52 | |
This is a glass jar. | 0:10:54 | 0:10:56 | |
I think somewhere along the line, | 0:10:56 | 0:10:59 | |
it's had a new base to it because I can feel the putty inside. | 0:10:59 | 0:11:04 | |
So I think that's a new base. | 0:11:04 | 0:11:06 | |
So, that goes back in the cabinet! | 0:11:06 | 0:11:10 | |
This is a Victorian silver sauce boat. | 0:11:10 | 0:11:14 | |
It's by Charles Sunnock. | 0:11:14 | 0:11:17 | |
This is London 1899. | 0:11:17 | 0:11:20 | |
It started off life basically as a simple Georgian design, | 0:11:20 | 0:11:24 | |
and then during the 19th century they put more embellishment in | 0:11:24 | 0:11:29 | |
like all this sort of punchwork and Repousse decoration. | 0:11:29 | 0:11:34 | |
But if they'd left it plain and simple, being an exact copy of the Georgian one | 0:11:34 | 0:11:40 | |
it would have been worth more. | 0:11:40 | 0:11:42 | |
David knows a bargain and he's not finished yet - saucy! | 0:11:42 | 0:11:46 | |
A little quaich. | 0:11:46 | 0:11:49 | |
A quaich is a shallow two handled drinking cup, which originated in Scotland. | 0:11:49 | 0:11:54 | |
Good weight, isn't it. | 0:11:54 | 0:11:56 | |
I like that. | 0:11:56 | 0:11:57 | |
Right. | 0:11:57 | 0:11:59 | |
Useful for the whiskey. | 0:11:59 | 0:12:01 | |
-I think we may do some business on one or two pieces. -Good, excellent. | 0:12:03 | 0:12:09 | |
Philip's finished in Brightlingsea, | 0:12:11 | 0:12:13 | |
and heads into Halstead, where David's also been buying antiques. | 0:12:13 | 0:12:18 | |
On the way, he stumbles upon Old And Modern Furniture. | 0:12:18 | 0:12:23 | |
Jo, the dealer behind the counter, is a bit camera shy, | 0:12:23 | 0:12:27 | |
you won't see her, but you'll certainly hear her. | 0:12:27 | 0:12:32 | |
I'm going to have a good look at this pine desk. | 0:12:32 | 0:12:37 | |
The top doesn't lift up at all, it's got a drawer, | 0:12:37 | 0:12:40 | |
looks fairly old, | 0:12:40 | 0:12:42 | |
replacement wooden handles. | 0:12:42 | 0:12:45 | |
It's priced up at £65. | 0:12:45 | 0:12:47 | |
What's the very best you can do on this for me? | 0:12:47 | 0:12:52 | |
£65. | 0:12:52 | 0:12:54 | |
She's quite elderly. | 0:12:54 | 0:12:57 | |
I don't quite think she's got the hang of this business really. | 0:12:57 | 0:13:00 | |
Is that it? The price is what it is, is it? | 0:13:00 | 0:13:03 | |
Steady! | 0:13:03 | 0:13:04 | |
I can see why she doesn't want to be on camera. | 0:13:04 | 0:13:07 | |
60. | 0:13:07 | 0:13:09 | |
Yeah! | 0:13:09 | 0:13:11 | |
-Do you want to have another think about that? -No. | 0:13:11 | 0:13:13 | |
There you go. | 0:13:13 | 0:13:15 | |
Try harder! Get heavy with her! | 0:13:15 | 0:13:17 | |
What of these weights? They're £20 is that all of the weights here, yeah? | 0:13:17 | 0:13:24 | |
No, that's that one on it's own. | 0:13:24 | 0:13:26 | |
-That one on it's own? -Yeah. -Cor! | 0:13:26 | 0:13:28 | |
You'd better sit down, cos I'm going to be mean. | 0:13:28 | 0:13:31 | |
I'm going to bid you a fiver for the weights. | 0:13:31 | 0:13:35 | |
How much? Oh, no! | 0:13:35 | 0:13:37 | |
SILENCE | 0:13:37 | 0:13:40 | |
How much do you want for them? | 0:13:40 | 0:13:42 | |
-15. -Oh, come on Jo! | 0:13:42 | 0:13:45 | |
Perhaps you'll have more luck with Jo's husband, Mike. Who we also don't see. | 0:13:45 | 0:13:50 | |
How often do you leave her in charge of this shop? | 0:13:50 | 0:13:53 | |
Oh, dear me! She's blooming like a dragon trying to deal with. | 0:13:53 | 0:13:57 | |
I'm asking if you'll take a fiver for these weights. Good man. | 0:13:57 | 0:14:02 | |
You've got to buy Mike a beer when you see him. | 0:14:02 | 0:14:04 | |
-Have I got them? -Buy him a beer next time. -Thank you, my love. | 0:14:04 | 0:14:08 | |
Hang on, off camera, this. | 0:14:08 | 0:14:10 | |
< (Thank you so much, thank you. Mwah!) | 0:14:10 | 0:14:12 | |
Oh, she's not so elderly. | 0:14:12 | 0:14:15 | |
Moving swiftly on... Back to that half-price silverware in Halstead. | 0:14:15 | 0:14:21 | |
This is quite a nice little copy | 0:14:21 | 0:14:24 | |
of a Georgian helmet-shaped cream jug. If I turn it upside down, | 0:14:24 | 0:14:30 | |
there's the helmet. | 0:14:30 | 0:14:32 | |
With all this silver at half price, it's a snip at £62.50. | 0:14:32 | 0:14:38 | |
This is quite a nice Scottish origin piece | 0:14:38 | 0:14:41 | |
although it was made in Birmingham. | 0:14:41 | 0:14:43 | |
it's a Scottish quaich, and it was intended for gruel, porridge, liquids... | 0:14:43 | 0:14:50 | |
anything which you could sup out of a tin like this... | 0:14:50 | 0:14:57 | |
So that would be £62.50. | 0:14:59 | 0:15:02 | |
Finally, the sauce boat | 0:15:02 | 0:15:04 | |
even at half price, it's still £122.50. | 0:15:04 | 0:15:08 | |
The three items together would cost £247.50. | 0:15:08 | 0:15:14 | |
I'm going to offer you £180 for the three. | 0:15:17 | 0:15:19 | |
It's not enough, I'm afraid. | 0:15:21 | 0:15:23 | |
£200 for the lot. | 0:15:23 | 0:15:27 | |
-Can we split the difference at 190? -200's good. -190. | 0:15:27 | 0:15:30 | |
200's good, come on. | 0:15:30 | 0:15:32 | |
Would you do £190 for me, please, please? | 0:15:32 | 0:15:37 | |
You're a very hard man. | 0:15:37 | 0:15:38 | |
-But I like you. Go on. 190. -Thank you very much. | 0:15:38 | 0:15:42 | |
So, the sauce boat cost £90, and the other two items, £50 each. | 0:15:42 | 0:15:49 | |
Now, can I have your name and address in case they don't sell? | 0:15:49 | 0:15:52 | |
BOTH LAUGH | 0:15:52 | 0:15:54 | |
Philip Serrell. | 0:15:54 | 0:15:56 | |
-Is he coming tomorrow? -You've taken all the good things. There'll be nothing left for him. | 0:15:58 | 0:16:03 | |
Poor Philip... | 0:16:03 | 0:16:05 | |
Their shopping for the day now over, it's time for our chaps to put their feet up. | 0:16:06 | 0:16:12 | |
Let's hope they don't get too comfortable... | 0:16:12 | 0:16:15 | |
It's the second leg of Philip and David's trip across Essex and Suffolk. | 0:16:26 | 0:16:30 | |
And both our chaps are eager to spend, spend, spend. | 0:16:30 | 0:16:35 | |
It's a pleasure to work with someone who's got so much experience. | 0:16:35 | 0:16:38 | |
You mean "as old as I am" - is that what you're trying to get at? | 0:16:38 | 0:16:43 | |
I don't know anyone who's been alive that long. | 0:16:43 | 0:16:47 | |
So far, Philip's been cautious with his money, and has spent a mere £30 on three items. | 0:16:47 | 0:16:53 | |
He's left with £232.53 to spend. | 0:16:53 | 0:16:59 | |
David, on the other hand, has been a bit more extravagant. | 0:16:59 | 0:17:03 | |
He spent £190 on three items of silver. | 0:17:03 | 0:17:06 | |
His spending money for the day is £293.22. | 0:17:06 | 0:17:11 | |
This morning, our two chaps are still in Halstead. | 0:17:15 | 0:17:18 | |
It's a pretty little village in rural Essex, | 0:17:18 | 0:17:21 | |
and regular competitor in annual flower shows. Blooming marvellous! | 0:17:21 | 0:17:26 | |
Halstead is also where they used to film Lovejoy, so it's perfect hunting ground for our boys. | 0:17:26 | 0:17:34 | |
First stop for Philip, Halstead Antiques Centre. | 0:17:34 | 0:17:38 | |
That is, if David's left him anything. | 0:17:38 | 0:17:41 | |
A ship's wheel! And as we know they're really rare things. | 0:17:45 | 0:17:50 | |
-Can I buy three? -No, you can't, Philip! | 0:17:51 | 0:17:55 | |
But Ken has something you might be interested in - a Wedgwood dinner service. | 0:17:55 | 0:18:00 | |
The trouble with that is, if you're going to buy a part service. | 0:18:00 | 0:18:04 | |
It's difficult for people to know what to do with it and I think that you and I are of a certain age. | 0:18:04 | 0:18:10 | |
Young people don't collect things that. | 0:18:10 | 0:18:12 | |
I think these things are a bit like Black Forest gateau and Berni Inns. They've had their day. | 0:18:12 | 0:18:17 | |
David, however, has exhausted Halstead, | 0:18:20 | 0:18:23 | |
and is on his way to the delightful village of Steeple Bumpstead. | 0:18:23 | 0:18:28 | |
Well, I think I spent quite a lot of money yesterday, so I'll be a little bit careful. | 0:18:28 | 0:18:34 | |
First stop, Bumpstead Antiques and Interiors. | 0:18:34 | 0:18:38 | |
-Good morning to you. Graham Hessel. -Hello, Graham, pleased to meet you. | 0:18:40 | 0:18:44 | |
Can I afford anything? | 0:18:44 | 0:18:46 | |
It depends how hard you're going to bargain, but I'm sure we'll find something for you. | 0:18:46 | 0:18:50 | |
-I hate bargaining. -Well, that's OK then. | 0:18:50 | 0:18:53 | |
Lying toad! Come along then. | 0:18:53 | 0:18:55 | |
In particular, I noticed the card case. | 0:18:55 | 0:18:58 | |
Ivory card case, 19th century. Quite a nice one. It has a little bit of damage to it. | 0:18:58 | 0:19:03 | |
If you take that off you'll see the damage. | 0:19:05 | 0:19:08 | |
That has to fit exactly as pagoda roof there, | 0:19:10 | 0:19:16 | |
otherwise when people put it back and they've forced it down, it doesn't fit. | 0:19:16 | 0:19:21 | |
Isn't that lovely? So what's the price? | 0:19:23 | 0:19:26 | |
The price would be 550, so probably a little bit higher than you've got. | 0:19:26 | 0:19:32 | |
You're quite correct. It's beyond my price range. | 0:19:32 | 0:19:36 | |
Back in Halstead, Philip finds something that is within his price range. | 0:19:36 | 0:19:42 | |
Ken, can I have a look at this truncheon, please? | 0:19:42 | 0:19:45 | |
23000 keys. | 0:19:45 | 0:19:47 | |
-You're the Halstead jailer, are you, Ken? -There we go, help yourself. | 0:19:47 | 0:19:53 | |
You can clearly see it's a truncheon. | 0:19:53 | 0:19:56 | |
-But these aren't for beating up your local antique dealer. -No. | 0:19:56 | 0:20:00 | |
These are very much ceremonial. | 0:20:00 | 0:20:03 | |
A Victorian period, decorated truncheon with hand painted crown. "VR"... Victoria Regina. | 0:20:03 | 0:20:08 | |
That's Queen Victoria, there's the crown. | 0:20:08 | 0:20:12 | |
Ken at £65 it's just too much money for me. It's a lovely thing. | 0:20:12 | 0:20:15 | |
I'd like to buy it at £30/35. If I have to go to £40, I would. | 0:20:15 | 0:20:19 | |
Let me give him a call, and see what he can do. | 0:20:19 | 0:20:23 | |
But there's no reply from the dealer, so Ken does the negotiating himself. | 0:20:23 | 0:20:29 | |
I wanna buy it off you for £30 that's what I really want to do. | 0:20:29 | 0:20:32 | |
What's he got? 65 on it, that's more than half price. | 0:20:32 | 0:20:37 | |
I know. Can I do £35? 35 and I'll have it here and now. | 0:20:37 | 0:20:42 | |
I'll get my money out of my pocket, if that'll tempt you. | 0:20:42 | 0:20:45 | |
-If you do £40, I'll shake hands. -I'll have it. Thank you so much. | 0:20:45 | 0:20:49 | |
Up the road in Bumpstead, | 0:20:49 | 0:20:52 | |
David hones in on something for the suave man about town. | 0:20:52 | 0:20:57 | |
It's a hat box. | 0:20:57 | 0:21:00 | |
Hawkes & Co. Piccadilly, London - it's got the right address. | 0:21:00 | 0:21:08 | |
There's nothing inside it. | 0:21:08 | 0:21:10 | |
But what a very nice decorative item. | 0:21:10 | 0:21:15 | |
And a nice price too. £225. | 0:21:15 | 0:21:19 | |
It's got to be really, really, really cheap. £50. | 0:21:19 | 0:21:25 | |
Time to put your negotiating hat on, David. | 0:21:25 | 0:21:28 | |
What's the best you can do on that? | 0:21:28 | 0:21:31 | |
What would you like to offer me? | 0:21:31 | 0:21:34 | |
I don't want to be insulting, but I think it's got to be well under £100. | 0:21:34 | 0:21:40 | |
The very best I can do on that... | 0:21:40 | 0:21:42 | |
And it is the very, very best. £125, and you're getting it virtually at cost price. | 0:21:42 | 0:21:50 | |
But even at cost price, it's still too much for David, who leaves without buying anything. | 0:21:50 | 0:21:58 | |
Back at Ken's, Philip discovers the treasure trove of cut-price silver that David found earlier. | 0:21:58 | 0:22:03 | |
At least what's left of it. | 0:22:03 | 0:22:04 | |
That is a piece of silver, 1944, sort of, almost late Art Deco. | 0:22:04 | 0:22:12 | |
This is it looks a real plain Jane, | 0:22:12 | 0:22:15 | |
and it says here it's dated 1895 and it's a silver dipper, | 0:22:15 | 0:22:21 | |
or a little tumbler. I quite like that. | 0:22:21 | 0:22:24 | |
Hang on, isn't that the jar that David rejected? | 0:22:24 | 0:22:29 | |
Out of the three, that's very decorative and I like that one. | 0:22:29 | 0:22:33 | |
-What's she got on that? -£85. | 0:22:33 | 0:22:37 | |
And as I said I'm keen to get something back on these to recover my cost | 0:22:37 | 0:22:41 | |
so knowing that you need to make some money last and final offer I'll do that for half price. | 0:22:41 | 0:22:48 | |
-That's very good is that 40 quid. -£42.50. -I don't do 50s. -£43. | 0:22:48 | 0:22:53 | |
-40 quid. I'll have them both at £40. -£40. -Good man, you've got a deal. | 0:22:53 | 0:22:58 | |
Thank you very much. I'm really pleased with both of those. | 0:22:58 | 0:23:02 | |
So that's £40 for the truncheon, | 0:23:02 | 0:23:04 | |
and £40 for the silver jar. | 0:23:04 | 0:23:08 | |
And that's a result, Philip. | 0:23:08 | 0:23:11 | |
David's now finished in Steeple Bumpstead, | 0:23:11 | 0:23:14 | |
and is off to the quintessentially English town of Saffron Walden. | 0:23:14 | 0:23:18 | |
It's one of the best preserved examples of a medieval market town | 0:23:18 | 0:23:23 | |
with every style of architecture from the 12th to the 21st century. | 0:23:23 | 0:23:28 | |
Next stop, dealer Paul Lankester. | 0:23:28 | 0:23:31 | |
-Good afternoon. -Very pleased to meet you. | 0:23:31 | 0:23:34 | |
-And you, welcome. -I'm looking for the elusive bargain. | 0:23:34 | 0:23:37 | |
Well, I almost hope you don't find it. | 0:23:37 | 0:23:39 | |
That's a terrible thing to say. | 0:23:39 | 0:23:41 | |
-It means I've made a mistake somewhere. -No! Not at all. There's always bargains to be had. | 0:23:41 | 0:23:46 | |
David's panicking because he's only got two hours left to shop. | 0:23:46 | 0:23:51 | |
I'm still looking. | 0:23:51 | 0:23:52 | |
I'm still looking. Getting more and more despondent. | 0:23:52 | 0:23:57 | |
But David's eagle eye soon swoops upon something glassy, but not classy. | 0:23:57 | 0:24:02 | |
This is a Murano glass... | 0:24:02 | 0:24:06 | |
dish, 1950s, '60s... | 0:24:06 | 0:24:09 | |
Tinted glass with gold fleck inclusions and this green band | 0:24:09 | 0:24:16 | |
is on the periphery of this glass which is spun by hand. | 0:24:16 | 0:24:22 | |
At £12.50, that's not a bad buy. | 0:24:22 | 0:24:25 | |
When you're looking at glass, you always look at the base | 0:24:27 | 0:24:30 | |
see the amount of wear, because if it's an old piece | 0:24:30 | 0:24:34 | |
it would have been put on a table and moved around | 0:24:34 | 0:24:36 | |
so you would have scratch marks on the bottom. | 0:24:36 | 0:24:39 | |
This has scratch marks that I don't think has been reproduced. | 0:24:39 | 0:24:43 | |
Somehow the colour appeals. | 0:24:43 | 0:24:45 | |
But can he buy at the right price? | 0:24:45 | 0:24:48 | |
Panic. | 0:24:48 | 0:24:49 | |
Panic. Don't panic, Mr Mainwearing! | 0:24:49 | 0:24:53 | |
I'm panicking. What's the best you can do on that?. | 0:24:55 | 0:24:58 | |
-Are you struggling at the moment to buy something that you need to buy. -Yes, struggling. | 0:24:58 | 0:25:03 | |
If I'm very generous to you I'd let you have it for £10. | 0:25:03 | 0:25:06 | |
Could you go under £10? £8? | 0:25:06 | 0:25:08 | |
-£8... -£8. | 0:25:08 | 0:25:12 | |
-Even I could make a profit on it for £8. -It's still here. | 0:25:12 | 0:25:16 | |
But I like it. | 0:25:16 | 0:25:17 | |
But you don't have things in your shop that you don't want to sell. | 0:25:17 | 0:25:21 | |
I want to sell it, was rather hoping for a bit more | 0:25:21 | 0:25:24 | |
than the £8 you seem to be offering me. | 0:25:24 | 0:25:27 | |
£9 and we'll come to a gentleman's agreement. | 0:25:27 | 0:25:30 | |
I would like that for £8. | 0:25:30 | 0:25:34 | |
Against my better judgment, I will agree. | 0:25:34 | 0:25:39 | |
-Thank you very much. -It's my pleasure. | 0:25:39 | 0:25:43 | |
Philip is taking a break from shopping, and is off to visit Layer Marney Tower. | 0:25:44 | 0:25:50 | |
At 80 feet, it's England's tallest Tudor gatehouse. | 0:25:50 | 0:25:55 | |
His guide is current owner Nick Charrington. | 0:25:55 | 0:25:59 | |
-Nick, how are you? -Very well, Philip. | 0:25:59 | 0:26:01 | |
-Good to see you. -This is just wonderful. -It is, it's great. | 0:26:01 | 0:26:04 | |
Nick's parents paid a mere £8,750 for the house. | 0:26:04 | 0:26:09 | |
They bought it on a whim back in 1959, when nobody wanted to buy old properties like these. | 0:26:09 | 0:26:16 | |
Although the house is open to the public for six months a year, it's still very much a family home. | 0:26:16 | 0:26:21 | |
It's sort of a mad Tudor building. | 0:26:23 | 0:26:25 | |
They were very competitive in those days about who could build the tallest, the biggest | 0:26:25 | 0:26:30 | |
I think Henry Marney quite keen to do his stuff. | 0:26:30 | 0:26:33 | |
Let's go and have a look. | 0:26:33 | 0:26:35 | |
Lord Henry Marney, as Lord Privy Seal and Captain of the Bodyguard, | 0:26:35 | 0:26:40 | |
was one of Henry VIII's most important and influential courtiers. | 0:26:40 | 0:26:45 | |
Although the house was never completed, it still has over 100 rooms and 400 windows. | 0:26:45 | 0:26:52 | |
It was built around 1518-1520 that sort of time. | 0:26:52 | 0:26:57 | |
Did you two decide the dress code beforehand? | 0:26:57 | 0:27:00 | |
It was a time when all the courtiers were building like crazy. | 0:27:00 | 0:27:04 | |
They were encouraged by Henry VIII. | 0:27:04 | 0:27:06 | |
He believed that if you were a significant person, you had to have a significant building. | 0:27:06 | 0:27:11 | |
And as the king, of course he had the most of them | 0:27:11 | 0:27:13 | |
and he inherited the throne and took over 24 royal palaces | 0:27:13 | 0:27:17 | |
and when he died, he left 67. | 0:27:17 | 0:27:20 | |
In fact, one of the very first visitors to the house | 0:27:20 | 0:27:24 | |
was Henry VIII, who stayed for a couple of nights in 1522. | 0:27:24 | 0:27:29 | |
So your records show that Henry VIII stopped here and the probability is that this was his room. | 0:27:31 | 0:27:38 | |
Yes, either this room, or possibly the one below. | 0:27:38 | 0:27:41 | |
The idea was you had the King's set of apartments. | 0:27:41 | 0:27:45 | |
Then on the floor below, the Queen's set of apartments. | 0:27:45 | 0:27:48 | |
A visit from the King and his wife, Catherine of Aragon, was a great honour. | 0:27:48 | 0:27:53 | |
It was his way of thanking Lord Marney for a lifetime of service to the Crown. | 0:27:53 | 0:27:59 | |
And the tour's not over quite yet. Next, a visit to the roof. | 0:27:59 | 0:28:04 | |
This is the original staircase we're on now | 0:28:04 | 0:28:07 | |
and so you've got the original oak posts and then the oak treads. | 0:28:07 | 0:28:11 | |
-I love those boards there. -It's terrific. Lovely big gaps to look through. | 0:28:11 | 0:28:15 | |
They're not lovely to look through. I don't have a head for heights. | 0:28:15 | 0:28:19 | |
OK, we're now on the roof. We're about 70 or so feet up. | 0:28:21 | 0:28:26 | |
-Sorry that was not very clever. -Thanks very much indeed. | 0:28:26 | 0:28:30 | |
-DIRECTOR: -Are you all right, Phil? -Yeah, terrific(!) | 0:28:30 | 0:28:33 | |
You might not want to take in the stupendous views, Philip, but we do. | 0:28:33 | 0:28:40 | |
Drinking wine and eating sweetmeats on the roof was a favourite Tudor pastime. | 0:28:40 | 0:28:46 | |
But it's clearly not one of Philip's. | 0:28:46 | 0:28:48 | |
I'm going back down now. Thank you very much indeed. | 0:28:48 | 0:28:53 | |
As Philip recovers from his dizzy spell, back in Saffron Walden, David works up a sweat - | 0:28:53 | 0:28:59 | |
not a pretty sight. | 0:28:59 | 0:29:01 | |
They're very butch, aren't they? | 0:29:14 | 0:29:16 | |
I remember when I was in the Boys' Brigade, | 0:29:16 | 0:29:20 | |
we had such equipment like this and they were heavy then, | 0:29:20 | 0:29:23 | |
although I can't remember them being as heavy as they are now. | 0:29:23 | 0:29:27 | |
I think these are Victorian dumbbells. | 0:29:28 | 0:29:32 | |
And they're cast iron and they're £15. | 0:29:33 | 0:29:37 | |
Let me have a word with Paul and I'll see if I can get them reduced. | 0:29:37 | 0:29:41 | |
Ah yes, David. It wouldn't do to pay the price on the label. | 0:29:43 | 0:29:47 | |
Interestingly, I was looking through a book, | 0:29:47 | 0:29:50 | |
the other day, and I discovered a picture of the Boys' Brigade. | 0:29:50 | 0:29:53 | |
-I was in the Boys' Brigade. -Were you? | 0:29:53 | 0:29:55 | |
Boys' Brigade were exercising using these exact dumbbells. | 0:29:55 | 0:29:59 | |
-Rugby Baptist Church. -Would you like to have a look? "Boys' Brigade at drill." | 0:29:59 | 0:30:03 | |
1890 and look they're all holding the dumbbells. | 0:30:03 | 0:30:08 | |
That's not you, is it? | 0:30:08 | 0:30:10 | |
1890. Thank you very much(!) That is extraordinary and yes, those are the actual dumbbells. | 0:30:10 | 0:30:17 | |
But at £15, they're more than David wants to pay. Let's dumb 'em down. | 0:30:17 | 0:30:21 | |
-I tell you what I'll do, ten quid. -What about eight. | 0:30:21 | 0:30:25 | |
-No, no... -You let me have the other one for eight. | 0:30:25 | 0:30:28 | |
I know, but these, look... | 0:30:28 | 0:30:30 | |
Look these are 15 and I think they're worth £10. | 0:30:30 | 0:30:37 | |
I can't let them go for less than that. | 0:30:37 | 0:30:40 | |
-That's your very best? -Very, very best. -OK, £10. | 0:30:41 | 0:30:45 | |
That's a deal. I can't shake. | 0:30:45 | 0:30:47 | |
Will you gift-wrap them for me? | 0:30:47 | 0:30:49 | |
DAVID LAUGHS | 0:30:49 | 0:30:52 | |
Ha ha ha, blooming ha-ha(!) | 0:30:52 | 0:30:54 | |
The shops are shut, and it's time for Philip and David to reveal what they've bought. | 0:30:54 | 0:30:58 | |
But what will be good enough to win at the auction? | 0:30:58 | 0:31:01 | |
Let's lean over, shall we? | 0:31:01 | 0:31:03 | |
-Oh, that's lovely. -Good weight. -What you me or it? | 0:31:05 | 0:31:09 | |
Both of us. It's Birmingham, 1938. That was £50. | 0:31:09 | 0:31:14 | |
-Oh, that's cheap, isn't it? -That's reasonable. | 0:31:14 | 0:31:17 | |
Secondly, it's the ship's wheel. | 0:31:17 | 0:31:20 | |
-This is rather like deja vu, but everything's reduced. -It's a bit of a recurring theme! | 0:31:20 | 0:31:25 | |
Oh, I think this is better than the last one. | 0:31:25 | 0:31:27 | |
Do you? Well, it's 1898, River Thames. | 0:31:27 | 0:31:33 | |
-Well, I think it's fantastic. -It was £20. -This is quality. | 0:31:33 | 0:31:37 | |
Oh, those are good. | 0:31:38 | 0:31:40 | |
Have you got the other one? | 0:31:40 | 0:31:42 | |
I quite like these dumbbells. | 0:31:44 | 0:31:46 | |
I remember using similar ones when I was in Boys' Brigade. | 0:31:46 | 0:31:50 | |
-£10. -Those are all right aren't they? | 0:31:50 | 0:31:52 | |
-I think they're OK. -I bought this. -Ah! I know where you got that from. | 0:31:52 | 0:31:57 | |
I gave him £40 and I thought I've never seen anything like that before | 0:31:57 | 0:32:01 | |
and there's a reason why I've never seen anything like it. It's got all this new plaster. | 0:32:01 | 0:32:07 | |
That's good value. It's worth it for the silver, isn't it? | 0:32:07 | 0:32:11 | |
Now, for David's next item, the Murano dish. | 0:32:11 | 0:32:14 | |
Well, I like this because of its colour. It looks to be Murano. | 0:32:14 | 0:32:19 | |
I think we're looking at probably 1950s-'60s. | 0:32:19 | 0:32:23 | |
This was probably one of my more expensive items actually. | 0:32:23 | 0:32:27 | |
-This was a fiver was it? -Ah £8. | 0:32:27 | 0:32:29 | |
Next up, the weights. | 0:32:29 | 0:32:31 | |
Oooh, that is heavy, isn't it? | 0:32:31 | 0:32:33 | |
Yours were a lot heavier. | 0:32:33 | 0:32:36 | |
-Do you like that? -Yeah. | 0:32:36 | 0:32:39 | |
-I bought them for a fiver, the lot. -That I think is worth £20 on its own. | 0:32:39 | 0:32:43 | |
That is lovely I like that a lot. | 0:32:43 | 0:32:44 | |
More silverware from David - his helmet-shaped jug. | 0:32:44 | 0:32:49 | |
I tend to go for a lot of silver. | 0:32:49 | 0:32:51 | |
That's a nice thing, isn't it? | 0:32:51 | 0:32:53 | |
It's 1911, | 0:32:53 | 0:32:56 | |
London hallmark. I just thought it was so, so beautiful. For £50 I couldn't resist it. | 0:32:56 | 0:33:01 | |
-I just think it's a lovely thing. -I think so. | 0:33:01 | 0:33:03 | |
I really like this because this is simplicity in itself. | 0:33:03 | 0:33:07 | |
Rosewood. You turn it, look. | 0:33:07 | 0:33:11 | |
We've got a maker's stamp just there and it's for marking timber, isn't it? | 0:33:11 | 0:33:18 | |
-That is very elegant, I love that. You didn't pay a lot for that did you? -No, a fiver. | 0:33:18 | 0:33:22 | |
-That is cheap for something beautiful. -It is. Let me guess. Another bit of silver. | 0:33:22 | 0:33:27 | |
Yes, Philip, you're right, | 0:33:27 | 0:33:29 | |
another item of silverware from Ken's cut-price cabinet in Halstead. | 0:33:29 | 0:33:34 | |
-And you got there before me, correct? -Oh, dear oh, dear! Yes. | 0:33:34 | 0:33:41 | |
And I don't blame you at all. What did you pay for that? A hundred and what? | 0:33:41 | 0:33:45 | |
-No, no. I paid 90. -I think that's a very, very, well-made thing. | 0:33:45 | 0:33:51 | |
-Would you honestly have bought that? -I would have. | 0:33:51 | 0:33:54 | |
I'm awfully tempted to use the next one that I've bought. | 0:33:54 | 0:33:58 | |
I just thought it was a really nice, Victorian ceremonial truncheon and I think it's a bit of fun. | 0:33:58 | 0:34:03 | |
-Yes, lovely old chap. -And I think that was cheap. | 0:34:03 | 0:34:06 | |
-How much? -40 quid. | 0:34:06 | 0:34:08 | |
-Oh, that is cheap. -And I think there might be £50 profit in that. -It's worn at the top there. | 0:34:08 | 0:34:14 | |
It might be worn a bit more in a minute! | 0:34:14 | 0:34:16 | |
I wouldn't do that to you, Barbs. | 0:34:16 | 0:34:18 | |
I think your cream jug is just the best by a distance. | 0:34:18 | 0:34:23 | |
-Sauce boat. -What did I say? -"Cream jug". | 0:34:23 | 0:34:27 | |
See brain's going now. | 0:34:27 | 0:34:28 | |
It's age, don't worry. It'll happen to me eventually. | 0:34:28 | 0:34:32 | |
It's all very good humoured now. | 0:34:36 | 0:34:39 | |
But what do they really think about their rival's purchases? | 0:34:39 | 0:34:43 | |
His best bit's undoubtedly the silver sauce boat. | 0:34:43 | 0:34:46 | |
If I'd got in the shop before him, I'd have bought it. | 0:34:46 | 0:34:49 | |
I didn't like the weights. Unless somebody wants a good doorstop. | 0:34:49 | 0:34:53 | |
I'm not quire sure that I can see David and dumbbells. Barby and dumbbells? | 0:34:53 | 0:34:58 | |
That jar, that blue jar, which I rejected... | 0:34:58 | 0:35:01 | |
There's an awful fear that it might go for about £80 and I rejected it. | 0:35:01 | 0:35:06 | |
You're laughing now, David. But you won't be if Philip beats you. | 0:35:06 | 0:35:14 | |
So far on this road trip, our two chaps started off in Brightlingsea, | 0:35:14 | 0:35:18 | |
and haggled their way to Saffron Walden via Colchester, | 0:35:18 | 0:35:22 | |
Halstead, and Steeple Bumpstead. | 0:35:22 | 0:35:25 | |
Today, they're heading into the ancient town of St Ives - | 0:35:25 | 0:35:29 | |
the one in Cambridgeshire, not Cornwall. | 0:35:29 | 0:35:31 | |
You talk about St Ives and I'm sure most people think of Cornwall. | 0:35:31 | 0:35:35 | |
I'm sure they do, I'm sure they do. | 0:35:35 | 0:35:38 | |
For the past thousand years, it has been home to some of the biggest markets in the country | 0:35:38 | 0:35:44 | |
held under the watchful eye of its most famous resident. | 0:35:44 | 0:35:49 | |
Oliver Cromwell. | 0:35:49 | 0:35:51 | |
-Are you a Roundhead or a Cavalier? -A cavalier. | 0:35:51 | 0:35:55 | |
-I've always thought you took a fairly cavalier approach to things! -Haha! | 0:35:55 | 0:36:00 | |
Hyperion Auctions was founded in 1995, and hold sales | 0:36:00 | 0:36:04 | |
every two weeks of antiques, furniture and collectables. | 0:36:04 | 0:36:08 | |
But how does auctioneer Lester Day think our chaps will do? | 0:36:08 | 0:36:13 | |
Now, what about our lots? Mine in particular. | 0:36:16 | 0:36:19 | |
This sauce boat, | 0:36:19 | 0:36:21 | |
I would say that we're probably going to be looking at around for one £140-150 mark. | 0:36:21 | 0:36:26 | |
And have you had any muscle-bound men coming into the sale room | 0:36:26 | 0:36:33 | |
as I bought those dumbbells. | 0:36:33 | 0:36:35 | |
We have had a lot of interest in them. Probably... | 0:36:35 | 0:36:38 | |
..£10-£20. | 0:36:40 | 0:36:42 | |
-I bought that lovely scribe, the woodworking tool in rosewood -It's very nice. Nice condition. | 0:36:42 | 0:36:48 | |
-What do you think it'll make? -I think £20/30. | 0:36:48 | 0:36:52 | |
The truncheon is fantastic. We're probably looking at around the around £100 mark. | 0:36:52 | 0:36:57 | |
Encouraging words indeed! | 0:36:57 | 0:36:59 | |
Especially as Philip has some catching up to do. | 0:36:59 | 0:37:03 | |
He started this leg with £262.53, and spent £110 on five items. | 0:37:03 | 0:37:10 | |
David, however, had £483.22 spending money, | 0:37:10 | 0:37:14 | |
and spent just £208, also on five items. | 0:37:14 | 0:37:19 | |
The auction is about to start and an expectant hush descends. | 0:37:21 | 0:37:26 | |
First up, David's dumbbells. | 0:37:26 | 0:37:30 | |
They brought back happy memories but will they pull their weight? | 0:37:30 | 0:37:34 | |
A pair of cast iron Boys' Brigade dumbbells. Showing here as modelled, | 0:37:34 | 0:37:39 | |
we'll leave him for a little while, might build his muscles up. | 0:37:39 | 0:37:43 | |
-I have commissions in at 15. -Well done, Barbs. | 0:37:43 | 0:37:47 | |
Do I see 18? 18. Do I see 20? | 0:37:47 | 0:37:51 | |
At 18... GAVEL BANGS | 0:37:51 | 0:37:53 | |
At last that made a profit, eight pounds. | 0:37:53 | 0:37:56 | |
And that's one up for David! | 0:37:56 | 0:37:59 | |
Next up, Philips wheel. | 0:37:59 | 0:38:01 | |
It's the second he's bought, but will it help him to victory? | 0:38:01 | 0:38:06 | |
Little bit of interest in this, | 0:38:06 | 0:38:09 | |
I have 30, do I see 32? | 0:38:09 | 0:38:12 | |
30, do I see 32? | 0:38:12 | 0:38:16 | |
at 30 pounds. GAVEL BANGS | 0:38:16 | 0:38:19 | |
Start as you mean to go on! That's a £10 profit to you. | 0:38:19 | 0:38:23 | |
David paid £8 for his green glass dish. | 0:38:23 | 0:38:28 | |
But what will the bidders think? | 0:38:28 | 0:38:29 | |
Starting down at ten pounds. £12? | 0:38:29 | 0:38:32 | |
This is David Barby looking wounded again. | 0:38:32 | 0:38:35 | |
Do I see 18? 20, 22? | 0:38:35 | 0:38:37 | |
Selling at 22 pounds. GAVEL BANGS | 0:38:37 | 0:38:40 | |
-Well done, Barby. | 0:38:40 | 0:38:41 | |
And it's a decent little profit of £14, but David is not happy. | 0:38:41 | 0:38:46 | |
Barbs, you do make me laugh. You do wounded better than anybody I know. | 0:38:46 | 0:38:51 | |
Now Philip's brass bell weights. He paid a fiver for them. | 0:38:51 | 0:38:56 | |
I have, ten pounds bid do I see 12? I've got 12, 15, | 0:38:56 | 0:39:01 | |
18, do I see 20? | 0:39:01 | 0:39:04 | |
At 18 pounds. GAVEL BANGS | 0:39:04 | 0:39:06 | |
Well, they certainly helped you punch above your weight. | 0:39:06 | 0:39:09 | |
-I'm creeping in, Barbs, creeping in... -That's brilliant. | 0:39:09 | 0:39:13 | |
At £90, the sauce boat is David's most expensive item. | 0:39:13 | 0:39:18 | |
But will it make the most profit? | 0:39:18 | 0:39:21 | |
We have 70 do I see 75? | 0:39:21 | 0:39:23 | |
75, 80, 85? | 0:39:23 | 0:39:26 | |
I've got 85, do I see 90? £85, do I see 90? | 0:39:26 | 0:39:30 | |
At 85 pounds. GAVEL BANGS | 0:39:30 | 0:39:33 | |
Oh, no! That's the first loss of the day of £5. | 0:39:33 | 0:39:38 | |
-Oh, David... -I saw you smile. | 0:39:38 | 0:39:41 | |
Not at all. | 0:39:41 | 0:39:43 | |
I was so happy for you to make a profit. | 0:39:43 | 0:39:46 | |
At last! | 0:39:46 | 0:39:47 | |
You're such a rat. | 0:39:49 | 0:39:50 | |
Next up, Philip's rosewood scribe. | 0:39:50 | 0:39:54 | |
Let's hope it's not a write-off. | 0:39:54 | 0:39:56 | |
I start you down at 12 pounds, do I see 15? | 0:39:56 | 0:39:59 | |
Got 15, do I see 18? | 0:39:59 | 0:40:02 | |
Selling at 15 pounds. GAVEL BANGS | 0:40:02 | 0:40:04 | |
Philip hoped for more than a £10 profit, | 0:40:04 | 0:40:07 | |
but David seems more upset than he is! | 0:40:07 | 0:40:10 | |
Oh, that's disappointing. That really was disappointing... | 0:40:10 | 0:40:13 | |
-You look heart-broken I must say. -Yes, I feel for you. | 0:40:13 | 0:40:16 | |
NOT! Can David redeem himself with his second piece of silver, | 0:40:16 | 0:40:21 | |
the George V quaich? | 0:40:21 | 0:40:22 | |
Right in on commissions at 50, | 0:40:22 | 0:40:24 | |
do I see 52? 50, at 52? | 0:40:24 | 0:40:27 | |
55, 58? We've got 58, do I see 60? | 0:40:27 | 0:40:31 | |
At 58 pounds? GAVEL BANGS | 0:40:31 | 0:40:33 | |
It's made a profit, but only £8. | 0:40:33 | 0:40:36 | |
Well, done, Barbs. That's put you back where you started. | 0:40:36 | 0:40:41 | |
Don't rub it in, Philip... | 0:40:41 | 0:40:43 | |
It's time for Philip's Victorian jar, which David saw first, | 0:40:43 | 0:40:48 | |
and rejected. | 0:40:48 | 0:40:50 | |
19th century, Bristol blue glass rouge or powder pot. | 0:40:50 | 0:40:54 | |
That's a lot of rouge! | 0:40:54 | 0:40:56 | |
I have commissions down at 30, do I see 32? | 0:40:56 | 0:41:01 | |
32, 35, 38? I've got 38, do I see 40? | 0:41:01 | 0:41:05 | |
40, 42, 45, 48? | 0:41:05 | 0:41:08 | |
-I'm staggered. -At 48, do I see 50? | 0:41:08 | 0:41:11 | |
Selling at 48 pounds. GAVEL BANGS | 0:41:11 | 0:41:15 | |
It's another small profit, but a profit nonetheless. | 0:41:15 | 0:41:19 | |
Next up, David's final piece of silver - his £50 cream jug. | 0:41:19 | 0:41:24 | |
Silverware hasn't been selling well today can this do any better? | 0:41:24 | 0:41:30 | |
I have commission bids here at 40, | 0:41:30 | 0:41:32 | |
42, 45, 48, 50, 52. | 0:41:32 | 0:41:35 | |
At 52 pounds? GAVEL BANGS | 0:41:35 | 0:41:39 | |
And the profits just seem to be getting smaller. | 0:41:39 | 0:41:42 | |
Has your Midas touch deserted you? | 0:41:42 | 0:41:46 | |
The auctioneers had high hopes for Philip's ceremonial truncheon. | 0:41:46 | 0:41:50 | |
But can it live up to expectations? | 0:41:50 | 0:41:53 | |
50 do I see 55?, 55, 60, 65, | 0:41:53 | 0:41:57 | |
70, 75, 80, 85, | 0:41:57 | 0:41:59 | |
90, 95. | 0:41:59 | 0:42:01 | |
Selling at £95. GAVEL BANGS | 0:42:01 | 0:42:03 | |
-That was so good. -That's all right! | 0:42:03 | 0:42:05 | |
You can be excited, Philip! | 0:42:05 | 0:42:09 | |
You've just made a profit of £55, the biggest of the day. | 0:42:09 | 0:42:13 | |
Shall I drive you down to the bridge? | 0:42:13 | 0:42:16 | |
-I will drive and throw myself over! -Really, is it that bad? | 0:42:16 | 0:42:19 | |
Oh, terrible. | 0:42:19 | 0:42:21 | |
Cheer up, David! Philip may have won this leg's auction, | 0:42:21 | 0:42:26 | |
but let's see who's in the lead. | 0:42:26 | 0:42:28 | |
Philip started the day with £262.53. | 0:42:28 | 0:42:31 | |
After paying auction costs and commission, he made a profit | 0:42:31 | 0:42:35 | |
of £59.70 and takes £322.23 forward to tomorrow's show. | 0:42:35 | 0:42:43 | |
Do I see 20, got 22. | 0:42:43 | 0:42:47 | |
David did less well. | 0:42:47 | 0:42:49 | |
He had £483.22 spending money. | 0:42:49 | 0:42:53 | |
After commission, he made a loss of £14.42. | 0:42:53 | 0:42:58 | |
He takes £468.80 forward to tomorrow's show. | 0:42:58 | 0:43:03 | |
But with only one leg to go, he still has a commanding lead. | 0:43:03 | 0:43:07 | |
We all right for fuel, Barbs? | 0:43:12 | 0:43:14 | |
-Which one's the fuel tank? -You do worry me. | 0:43:14 | 0:43:17 | |
-You never stop. Did you know you never stop talking? -Well, you can't with you. | 0:43:17 | 0:43:22 | |
Even in your sleep, you never stop talking. | 0:43:22 | 0:43:25 | |
On tomorrow's show, Philip picks up tips from the master in an effort to catch up, | 0:43:25 | 0:43:30 | |
Is that your very, very best? | 0:43:30 | 0:43:33 | |
While David's had enough of antiques buying for one day. | 0:43:33 | 0:43:37 | |
I'm going to sit in the car and sulk. | 0:43:37 | 0:43:39 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 | |
E-mail us at [email protected] | 0:43:56 | 0:43:59 |