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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:11 | |
Lord above! | 0:00:11 | 0:00:13 | |
The hope is that each antique turns a profit. | 0:00:13 | 0:00:15 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:15 | 0:00:20 | |
What a dilemma. | 0:00:20 | 0:00:21 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:21 | 0:00:26 | |
If I wasn't in the same car as you, I'd let your tyres down. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Our two antiques experts this week are old friends, David Barby and Philip Serrell. | 0:00:40 | 0:00:46 | |
Just keep straight on this road. | 0:00:46 | 0:00:49 | |
I'm fearful every time your hands hit that wheel. | 0:00:49 | 0:00:51 | |
-Fearful? -I'm more fearful when they're off the wheel. -Pardon? | 0:00:51 | 0:00:55 | |
David Barby drives a hard bargain. | 0:00:57 | 0:01:00 | |
The very, very, very best is 120. | 0:01:00 | 0:01:04 | |
I have a wife and child to feed, sir. I have to make some profit. | 0:01:04 | 0:01:07 | |
Let's split the difference at 100. | 0:01:07 | 0:01:08 | |
And here we reveal the secret behind the infamous Barby stare. | 0:01:08 | 0:01:12 | |
Lots of practice! | 0:01:12 | 0:01:15 | |
DRAMATIC MUSIC | 0:01:15 | 0:01:17 | |
Philip Serrell had many jobs before becoming an auctioneer. | 0:01:17 | 0:01:21 | |
His first was clearing out sheep pens for the local livestock auctions. | 0:01:21 | 0:01:25 | |
Elementary, my dear Barby. | 0:01:25 | 0:01:28 | |
These days, he appreciates the finer things of life. | 0:01:28 | 0:01:32 | |
You've some interesting things in here. You've some nice things. | 0:01:32 | 0:01:35 | |
He's got some beautiful things in there. | 0:01:35 | 0:01:38 | |
Both experts started this week with £200. | 0:01:38 | 0:01:41 | |
David did fantastically well at yesterday's auction. | 0:01:43 | 0:01:45 | |
His £5 tray made a staggering £195 profit. Wow! | 0:01:45 | 0:01:51 | |
200 in the front, then. £200 and done then. | 0:01:51 | 0:01:56 | |
Oh, what a splendid day. I really have enjoyed it. | 0:01:56 | 0:01:58 | |
He starts this leg with a very handsome £426.92. | 0:02:00 | 0:02:05 | |
Philip, however, struggled to keep up with David and did rather less well. | 0:02:07 | 0:02:12 | |
At £12 and done then... | 0:02:12 | 0:02:15 | |
It's like the Wall Street crash. | 0:02:15 | 0:02:17 | |
He starts today with £196.71. | 0:02:17 | 0:02:22 | |
What are you going to buy, what are your tactics? | 0:02:22 | 0:02:25 | |
Because you haven't really got much option, have you? | 0:02:25 | 0:02:27 | |
Such a ratbag. | 0:02:27 | 0:02:29 | |
You really are a ratbag. | 0:02:29 | 0:02:32 | |
This week's Road Trip is a gentle meander | 0:02:34 | 0:02:37 | |
from the east to the west of England, from Lincoln to Wotton-Under-Edge. | 0:02:37 | 0:02:42 | |
Today's leg kicks off in Bury St Edmunds. | 0:02:42 | 0:02:46 | |
Then our two chaps visit Clare, Cavendish, and Sudbury, | 0:02:46 | 0:02:50 | |
before ending up in Campsea Ashe for auction. | 0:02:50 | 0:02:53 | |
First stop for both our experts is Risby Barn Antiques Centre. | 0:02:53 | 0:02:58 | |
It's a 15th-century converted barn, stuffed to the rafters with antiques | 0:02:58 | 0:03:03 | |
and collectibles from over 40 dealers. | 0:03:03 | 0:03:06 | |
So there should be something to tempt both Philip and David. | 0:03:06 | 0:03:11 | |
Where do you want to go? Do you fancy the barn? | 0:03:11 | 0:03:14 | |
I quite fancy the barn because it looks a bit car-y, doesn't it? | 0:03:14 | 0:03:17 | |
You're keen on automobiles, aren't you? Go on then, I'm going to the other one. | 0:03:17 | 0:03:21 | |
Past and present, that suits me. Best of luck. | 0:03:21 | 0:03:24 | |
I'm going to be very canny and careful today. | 0:03:25 | 0:03:28 | |
I think Philip has resolved to have a big blow-out! | 0:03:28 | 0:03:31 | |
No need to be personal! | 0:03:31 | 0:03:34 | |
It doesn't take long for our ceramics expert to sniff out something. | 0:03:34 | 0:03:38 | |
Those are immensely interesting. | 0:03:38 | 0:03:42 | |
This is Wedgewood cream ware. | 0:03:42 | 0:03:45 | |
And Wedgewood made his fortune from producing cream ware. | 0:03:45 | 0:03:51 | |
It was when Josiah Wedgewood gave Queen Charlotte a tea set in 1765 that his business really took off. | 0:03:51 | 0:03:59 | |
He instinctively knew that everyone would want the same cups and saucers as the Queen. | 0:03:59 | 0:04:05 | |
And this pierced decoration is typical of cream ware. | 0:04:05 | 0:04:09 | |
There is some damage but £245 for the pair for that little bolt of history. Wonderful. | 0:04:09 | 0:04:14 | |
Philip, however, seems to be missing his day job. | 0:04:14 | 0:04:18 | |
This would make a wonderful auctioneer's rostrum, | 0:04:19 | 0:04:22 | |
lot 47, pulpit, where do you start me? | 0:04:22 | 0:04:25 | |
1,000, 1,500, 2,000, ha-ha, would be brilliant, wouldn't it? | 0:04:25 | 0:04:29 | |
Some hopes. | 0:04:29 | 0:04:31 | |
Maybe he'll have more luck inside. | 0:04:33 | 0:04:36 | |
I do think this is very David Barby. | 0:04:39 | 0:04:42 | |
I can just see him in that on the Norfolk beaches. | 0:04:42 | 0:04:45 | |
Actually I'd rather not see him in that on the Norfolk beaches. | 0:04:45 | 0:04:48 | |
Do try and focus, Philip! | 0:04:48 | 0:04:49 | |
David, on the other hand, has seen something that intrigues him. | 0:04:52 | 0:04:56 | |
What's this, please? | 0:04:56 | 0:04:58 | |
That's for strawberries. | 0:04:58 | 0:05:01 | |
-A strawberry eater? -Yes! | 0:05:01 | 0:05:03 | |
How old is that? | 0:05:03 | 0:05:06 | |
20, 30 years. | 0:05:06 | 0:05:08 | |
-That's quite quirky. -Quirky, we do. | 0:05:08 | 0:05:10 | |
A strawberry holder. | 0:05:10 | 0:05:12 | |
It works by pushing the spike into the strawberry, then squeezing the sides, to remove the stalk. | 0:05:13 | 0:05:19 | |
It's called a huller. | 0:05:19 | 0:05:21 | |
So silly, isn't it, that you have one special thing for eating strawberries? | 0:05:21 | 0:05:25 | |
That's at £15. | 0:05:25 | 0:05:27 | |
I can't say I like the thing, or that I would use it, but it's such a novelty piece. | 0:05:27 | 0:05:32 | |
Can you put it on one side for me? I'll have a look at it later. | 0:05:32 | 0:05:35 | |
Thank you very much. | 0:05:35 | 0:05:37 | |
I like that ship's wheel. I think they're a quite good decorator's item. | 0:05:38 | 0:05:42 | |
They look quite nice with a piece of circular glass cut out and made into a coffee table. | 0:05:42 | 0:05:47 | |
Ships' wheels are bizarrely quite collectable. | 0:05:47 | 0:05:50 | |
But all of a sudden, you get loads and loads imported from the Far East. | 0:05:50 | 0:05:54 | |
But that's £65. | 0:05:54 | 0:05:56 | |
I would want to buy it for sort of half that. | 0:05:56 | 0:05:59 | |
On the other side of the shop, another piece of pottery catches David's eye. | 0:05:59 | 0:06:04 | |
This piece here is the last-but-one Prime Minister. | 0:06:09 | 0:06:13 | |
Tony Blair, with his traditional smile, slightly sticky-out ears. | 0:06:13 | 0:06:18 | |
And the beautiful handle is modelled as Mr Mandelson. | 0:06:18 | 0:06:24 | |
It's made by Bairstow Manor Pottery, in association with Carlton Ware. | 0:06:24 | 0:06:29 | |
It's priced at £48. | 0:06:29 | 0:06:32 | |
I don't like it... | 0:06:32 | 0:06:33 | |
..but I think it has a potential market if I can get it at the right price. | 0:06:34 | 0:06:38 | |
Ah yes, David. Those magic words, "the right price". | 0:06:38 | 0:06:44 | |
Jo? | 0:06:44 | 0:06:46 | |
Richard, can I borrow you for a second, do you think? | 0:06:46 | 0:06:50 | |
Can I have a look at that walking stick? | 0:06:50 | 0:06:51 | |
It's actually a stick for measuring horses. | 0:06:56 | 0:07:00 | |
And you pull a little thing out of a handle | 0:07:00 | 0:07:04 | |
and then this pulls out here. | 0:07:04 | 0:07:06 | |
And that would go on the shoulder of a horse and tells you how many hands high it is. | 0:07:10 | 0:07:14 | |
I like that, but I'd like to pay a whole lot less than the price on it. | 0:07:14 | 0:07:18 | |
Ah, why does that not surprise me? | 0:07:18 | 0:07:19 | |
He's more than £200 down and the pressure's beginning to tell. | 0:07:19 | 0:07:25 | |
Let me just tell you a story, this might take some time. | 0:07:25 | 0:07:29 | |
I'm in real trouble, cos at our last auction, | 0:07:29 | 0:07:32 | |
Barby completely paralysed me, he's got double the money I've got left, and I'm really up against it. | 0:07:32 | 0:07:38 | |
I've got to be really be brutal and try and pinch things off you. I'd like to give you £40 for that. | 0:07:38 | 0:07:43 | |
I'd have to have a word with the dealer and double check with him. | 0:07:43 | 0:07:47 | |
Oh, no! > | 0:07:47 | 0:07:48 | |
Your horse-measuring walking stick. | 0:07:48 | 0:07:50 | |
What's the very best you can do on it? | 0:07:50 | 0:07:52 | |
Righty-oh, then, OK, bye. Even though you are a poor auctioneer, he couldn't manage that sort of amount. | 0:07:52 | 0:07:59 | |
He would stretch to 50, special offer for you. | 0:07:59 | 0:08:01 | |
Well, I'm going to have to buy something else and net all this off, haven't I? | 0:08:03 | 0:08:07 | |
He needs a hand, poor Philip. | 0:08:07 | 0:08:09 | |
David, however, prepares for battle. | 0:08:09 | 0:08:12 | |
I try to choose things which are interesting, slightly quirky. | 0:08:12 | 0:08:18 | |
Do you think that Mr Blair would sell as a quirky object? | 0:08:18 | 0:08:22 | |
-Without doubt. -What's the very best? I think the price is quite heavy. | 0:08:22 | 0:08:26 | |
-I'll do you that for £25. -Is that the very best you can do? | 0:08:26 | 0:08:30 | |
-I'm trying very hard for you here, David. -Yes, I know. | 0:08:30 | 0:08:33 | |
Where would you like to be? | 0:08:33 | 0:08:35 | |
-Under 20. -I'll do it for £20. | 0:08:35 | 0:08:38 | |
Can you do under 20? Just tuck it under the 20. | 0:08:38 | 0:08:41 | |
-£18. -18? | 0:08:41 | 0:08:43 | |
It gives me great satisfaction to buy Mr Blair for £18. It really does. | 0:08:45 | 0:08:51 | |
But he's not quite finished yet. | 0:08:51 | 0:08:54 | |
What I find so fascinating is that they actually produced in silver, | 0:08:54 | 0:08:59 | |
an object for eating strawberries. | 0:08:59 | 0:09:01 | |
It was for the ladies at the time, so they didn't get | 0:09:01 | 0:09:04 | |
their delicate little hands covered in strawberry juice. | 0:09:04 | 0:09:07 | |
I don't know how you can refuse it for £10. | 0:09:07 | 0:09:12 | |
Is that the best? | 0:09:12 | 0:09:14 | |
Why did I know you were going to say that? £8. | 0:09:14 | 0:09:18 | |
What about a fiver? | 0:09:18 | 0:09:19 | |
Yeah, go on. Two objects for £23. | 0:09:19 | 0:09:23 | |
Can you round them off at 20? | 0:09:25 | 0:09:28 | |
This is getting quite painful! | 0:09:28 | 0:09:29 | |
-Yeah, go on. -Oi! | 0:09:31 | 0:09:34 | |
Joe, thank you very much indeed. | 0:09:34 | 0:09:37 | |
-Thank you. -It's a pleasure. | 0:09:38 | 0:09:39 | |
No wonder you're smiling, David. The poor man didn't stand a chance. | 0:09:39 | 0:09:44 | |
I have enjoyed it. | 0:09:44 | 0:09:45 | |
Is Philip having as much success, I wonder? | 0:09:46 | 0:09:50 | |
Richard, this is the ship's wheel I was looking at. | 0:09:50 | 0:09:53 | |
It's priced at £65. I don't know why, I just think it's a bit of fun. | 0:09:53 | 0:09:57 | |
I'd like to buy it at £20, £25. | 0:09:57 | 0:10:00 | |
I was going to say 45 and come down to 40. | 0:10:00 | 0:10:03 | |
Philip's already agreed on £50 for the walking stick. | 0:10:03 | 0:10:07 | |
If he bought the wheel as well, they would cost £90. | 0:10:07 | 0:10:10 | |
I'll give you £80 for the two. | 0:10:10 | 0:10:12 | |
I might just encourage you a little bit, look. | 0:10:12 | 0:10:15 | |
-I'm going to meet you halfway at £85. -Look, there's £80. | 0:10:15 | 0:10:18 | |
Barby stands there. | 0:10:18 | 0:10:20 | |
He looks at you and he goes, "Is that your very, very best?" | 0:10:20 | 0:10:24 | |
And I will do this and say yes. | 0:10:24 | 0:10:26 | |
-He just keeps a straight face. -85. -Go on then, all right. | 0:10:26 | 0:10:30 | |
So that's the measuring stick for £50, and the ship's wheel for £35. | 0:10:30 | 0:10:36 | |
I mean, the thing is, am I gonna look like a right Charlie Chaplin with this stick? I hope not. | 0:10:36 | 0:10:41 | |
His shopping for the day now over, Philip heads towards Moyse's Hall, in Bury St Edmunds. | 0:10:44 | 0:10:50 | |
It's a local history museum with a wonderfully eclectic collection, reflecting life in rural Suffolk. | 0:10:53 | 0:10:58 | |
His guide for the day is Alex McWhirter. | 0:10:58 | 0:11:02 | |
You must be Alex, good to see you. | 0:11:02 | 0:11:06 | |
Moyse's Hall was built in the 12th century. | 0:11:08 | 0:11:10 | |
It's been a tavern, a family home, and even a jail. | 0:11:10 | 0:11:13 | |
As a result, the museum is home to some of the grisliest exhibits. | 0:11:13 | 0:11:20 | |
Alex, this is something else, isn't it? | 0:11:20 | 0:11:23 | |
-Gibbet cage! -Gibbet cage? | 0:11:23 | 0:11:25 | |
Probably the only bespoke suit this man had made for him. | 0:11:25 | 0:11:29 | |
A man called John Nichols, found guilty of murdering his daughter, | 0:11:29 | 0:11:33 | |
sentenced to be hanged, and then further to hang in irons. | 0:11:33 | 0:11:37 | |
Nichols was executed in 1794. They built this cage around his body | 0:11:37 | 0:11:41 | |
after they cut him down from the scaffold. | 0:11:41 | 0:11:44 | |
Then they hung his corpse in the gibbet cage from the crossroads. | 0:11:44 | 0:11:50 | |
Basically, the punishment was twofold. | 0:11:50 | 0:11:52 | |
On the one hand, it helps the authorities to illustrate to the rest of the community, | 0:11:52 | 0:11:57 | |
this is what you get if you plan to murder somebody. | 0:11:57 | 0:11:59 | |
Also, as a murderer, Nichols was denied the right to a burial in consecrated ground, | 0:11:59 | 0:12:06 | |
and his corpse was left to rot. | 0:12:06 | 0:12:09 | |
It wasn't until around 130 years later, that his remains | 0:12:09 | 0:12:13 | |
were discovered by American airmen just before the Second World War. | 0:12:13 | 0:12:18 | |
They found the gibbet cage buried in undergrowth, still containing the skeleton and boots of John Nichols. | 0:12:18 | 0:12:25 | |
Gee! | 0:12:25 | 0:12:26 | |
What's that? | 0:12:27 | 0:12:28 | |
That's a mortlock or mortsafe. | 0:12:28 | 0:12:31 | |
A mortsafe was a device made of wrought iron, | 0:12:31 | 0:12:34 | |
which was placed around a grave to prevent the body being stolen. | 0:12:34 | 0:12:39 | |
Effectively, that would have been used to stop the trade in body snatching. | 0:12:39 | 0:12:43 | |
Medical students in the 18th and 19th centuries learned anatomy | 0:12:43 | 0:12:48 | |
by attending dissections of corpses and there was a shortage of bodies. | 0:12:48 | 0:12:53 | |
So the medical profession, bless their souls, needed bodies | 0:12:53 | 0:12:57 | |
-to practice on, so people used to pinch bodies and this stopped them pinching bodies. -That's right, yes. | 0:12:57 | 0:13:01 | |
If you go around churchyards today, you can still see them. | 0:13:01 | 0:13:04 | |
-Really? -Yeah. Variants of. | 0:13:04 | 0:13:07 | |
While Philip sees the sights... | 0:13:09 | 0:13:11 | |
BELL TOLLS | 0:13:11 | 0:13:13 | |
..David leaves Bury St Edmunds and heads south to Clare | 0:13:13 | 0:13:17 | |
to continue shopping, not just for antiques! | 0:13:17 | 0:13:21 | |
-Gosh, I love the look of that jacket. -Well, would you like to try it? -Yeah! | 0:13:25 | 0:13:29 | |
# He is a dedicated follower of fashion... # | 0:13:32 | 0:13:36 | |
You don't do jackets up these days! | 0:13:44 | 0:13:47 | |
Oh, what fun. This is just too small. | 0:13:47 | 0:13:51 | |
Antiques, David, think antiques! | 0:13:51 | 0:13:55 | |
A wonderful set of spoons here by the leading silversmith... | 0:13:55 | 0:14:02 | |
of the pre-war years, called Omar Ramsden. | 0:14:02 | 0:14:07 | |
Ramsden marketed the idea that any of his clients could commission | 0:14:07 | 0:14:12 | |
a unique piece to his own specifications, no matter how humble. | 0:14:12 | 0:14:17 | |
As soon as you see a spoon by Omar Ramsden, | 0:14:17 | 0:14:19 | |
you'll never want to look at anything else. | 0:14:19 | 0:14:22 | |
They've got £350 each or £1,200 for the four. | 0:14:22 | 0:14:27 | |
I would dearly like to buy those but I haven't got enough money. Oh! | 0:14:27 | 0:14:30 | |
This is a lovely suitcase. | 0:14:33 | 0:14:35 | |
It is leather and leather suitcases are quite collectable. | 0:14:35 | 0:14:40 | |
I think that's quite smart. | 0:14:40 | 0:14:42 | |
It's the sort of thing I'd buy to put my gubbins in there. | 0:14:42 | 0:14:45 | |
And it looks impressive. | 0:14:45 | 0:14:48 | |
But can he buy at the right price? | 0:14:48 | 0:14:50 | |
I don't think there's any name on this one, is there? | 0:14:50 | 0:14:53 | |
I don't think so. Unfortunately, it doesn't have a key either. | 0:14:53 | 0:14:56 | |
No. This is a problem. It's a bit battered and well used. | 0:14:56 | 0:14:59 | |
It's really scuffed. | 0:14:59 | 0:15:01 | |
A bit like you. And that's another very effective bargaining ploy. | 0:15:01 | 0:15:05 | |
Pointing out all the faults before negotiating. | 0:15:05 | 0:15:09 | |
She's got £35. I can do £30. | 0:15:09 | 0:15:14 | |
What were you looking at? | 0:15:15 | 0:15:17 | |
-Well. I was hoping for a greater reduction actually. -How much? | 0:15:17 | 0:15:20 | |
-I was looking for something in the region of about 20. -Oh, my word! | 0:15:20 | 0:15:24 | |
-Can you just check how much she's prepared to accept? -Sure, I'll give her a buzz for you, by all means. | 0:15:24 | 0:15:28 | |
OK, the very best she'll do is £28. | 0:15:29 | 0:15:33 | |
Sorry. She wouldn't go anywhere near £20. | 0:15:33 | 0:15:39 | |
-That's her very best, is it? -It is. | 0:15:39 | 0:15:42 | |
I don't think I'm going to make a profit on that. | 0:15:43 | 0:15:46 | |
It looks as if the infamous Barby stare hasn't worked this time, David. | 0:15:47 | 0:15:53 | |
Both our chaps have bought two items apiece. | 0:15:53 | 0:15:55 | |
And there's another frenetic day's shopping ahead of them tomorrow. | 0:15:55 | 0:15:59 | |
Let's hope they have a restful evening. Ahhh... | 0:15:59 | 0:16:03 | |
It's the second leg of Philip and David's jaunt through East Anglia | 0:16:08 | 0:16:13 | |
and both our chaps can't wait to start shopping. | 0:16:13 | 0:16:17 | |
So far, Philip's spent the grand total of £85 on two items, | 0:16:17 | 0:16:23 | |
a horse-measuring walking stick and a 19th-century ship's wheel. | 0:16:23 | 0:16:28 | |
He's left with just £111.71 to spend. | 0:16:28 | 0:16:32 | |
David's been rather more cautious with his money, | 0:16:32 | 0:16:36 | |
and spent a trifling £20 on a Tony Blair character jug | 0:16:36 | 0:16:39 | |
and a silver strawberry-eater. | 0:16:39 | 0:16:42 | |
It's so silly, isn't it? | 0:16:42 | 0:16:43 | |
He's left with the commanding sum of £406.92 to spend. | 0:16:44 | 0:16:50 | |
This morning, David's still in Clare. | 0:16:50 | 0:16:54 | |
It's an old wool town and wool was one of the most important commodities in medieval England. | 0:16:54 | 0:17:00 | |
These days, however, Clare is better known as Suffolk Village of the Year, 2010. | 0:17:00 | 0:17:08 | |
Praise indeed. | 0:17:08 | 0:17:10 | |
David's first stop - Market Hill Antiques. | 0:17:10 | 0:17:14 | |
Morning. Hello! David Barby, very pleased to meet you. | 0:17:14 | 0:17:18 | |
-Roy, pleased to meet you. -Right, I'm here to buy some antiques. | 0:17:18 | 0:17:22 | |
What have you got you can put me in touch with? | 0:17:22 | 0:17:28 | |
-Oh, I like that toy. -That's quite nice. -So what's it do? | 0:17:28 | 0:17:31 | |
It's an acrobat. Wind him up... | 0:17:31 | 0:17:33 | |
..and then you just give him a helping hand. | 0:17:33 | 0:17:36 | |
Gosh. | 0:17:39 | 0:17:41 | |
-He's made of celluloid. -Celluloid, yeah. | 0:17:41 | 0:17:44 | |
The first celluloid toys were produced in Japan in the late 19th century. | 0:17:44 | 0:17:49 | |
These delicate toys were easily damaged. | 0:17:49 | 0:17:52 | |
One of the main reasons why they're so desirable today. | 0:17:52 | 0:17:56 | |
How much is that? | 0:17:56 | 0:17:59 | |
-I've got £110... -Oh! -£110 on it. | 0:17:59 | 0:18:03 | |
What's the very best you can do on that? | 0:18:04 | 0:18:06 | |
Probably get somewhere near 60. | 0:18:08 | 0:18:10 | |
40 would be better. | 0:18:10 | 0:18:12 | |
-Who for? -Me! | 0:18:13 | 0:18:15 | |
Yeah. I'll do a deal at £40. | 0:18:15 | 0:18:17 | |
At 40, OK. | 0:18:17 | 0:18:20 | |
David, however, isn't finished dealing just yet. | 0:18:20 | 0:18:25 | |
I like those, but not at £220. | 0:18:25 | 0:18:27 | |
Obviously, I can do you a good deal on those. | 0:18:27 | 0:18:30 | |
-I'll do them for 140. -That's too much. | 0:18:30 | 0:18:33 | |
You know they're not just an ordinary set of silver buttons. | 0:18:33 | 0:18:38 | |
They're stunning Nouveau buttons. | 0:18:38 | 0:18:41 | |
What's the very best you can do on those? | 0:18:41 | 0:18:43 | |
Very, very, very best and that will be 120. | 0:18:43 | 0:18:46 | |
I can't touch them. Could you do them at 90 please? | 0:18:46 | 0:18:50 | |
I really can't, the very, very, very best is 120. | 0:18:50 | 0:18:54 | |
I have a wife and child to feed, sir. I have to make some profit. | 0:18:54 | 0:18:57 | |
Let's split the difference at 100. | 0:18:57 | 0:18:58 | |
100 on the buttons. | 0:19:00 | 0:19:02 | |
Poor man, David. That's less than half the original price. | 0:19:02 | 0:19:06 | |
Philip is leaving Clare and heading towards Cavendish. | 0:19:06 | 0:19:10 | |
His next port of call is the Old Forge Shop. | 0:19:10 | 0:19:14 | |
Ideal for the old codger. | 0:19:14 | 0:19:16 | |
Hello. | 0:19:16 | 0:19:17 | |
Philip. Good to see you. | 0:19:17 | 0:19:19 | |
-Is it all right if I have a quick flick round? -Please do. | 0:19:19 | 0:19:22 | |
You've got some nice things in here. | 0:19:22 | 0:19:24 | |
That's kind of you to say, thank you very much. | 0:19:24 | 0:19:26 | |
Well, I just think that's wonderful. | 0:19:26 | 0:19:29 | |
Yeah, a little glove box. | 0:19:29 | 0:19:30 | |
The thing about timber is that they talk about property and the most important thing about property | 0:19:30 | 0:19:35 | |
is location, location, location, and when they talk about timber, the most important thing is colour | 0:19:35 | 0:19:40 | |
and the second most important thing is colour and the third is colour. | 0:19:40 | 0:19:44 | |
Now when we talk about colour and patina, patina is the lines | 0:19:44 | 0:19:47 | |
on your hands and the wrinkles on your face and I've plenty of those. | 0:19:47 | 0:19:51 | |
That's got patina and that is just absolutely beautiful. | 0:19:51 | 0:19:54 | |
It's almost like chewed coffee and it's a bit sad to get that excited | 0:19:54 | 0:19:58 | |
about a bit of timber, isn't it? But I just think that's absolutely glorious. | 0:19:58 | 0:20:04 | |
But at £145, it's beyond Philip's reach, | 0:20:04 | 0:20:09 | |
who has only £111.71 left to spend. | 0:20:09 | 0:20:13 | |
Need a bank loan to buy that. | 0:20:13 | 0:20:15 | |
Back in Clare, something military catches David's eye. | 0:20:16 | 0:20:22 | |
These cards are by Bruce Bairnsfather... | 0:20:22 | 0:20:24 | |
Captain Bairnsfather was stationed in France until 1915, when he was hospitalised with shell shock. | 0:20:24 | 0:20:32 | |
He went on to become a household name | 0:20:32 | 0:20:34 | |
for his cartoons of life at the front. | 0:20:34 | 0:20:37 | |
This was almost propaganda | 0:20:37 | 0:20:40 | |
to alleviate the misery of the trenches. | 0:20:40 | 0:20:45 | |
So this made light of the circumstances. | 0:20:45 | 0:20:48 | |
There's a man's history on the back of them, sir. | 0:20:48 | 0:20:50 | |
"They call me jam, raspberry jam I am." | 0:20:52 | 0:20:55 | |
And this one here - "London's a better 'ole than it was a week ago" - so says T Holland. | 0:20:57 | 0:21:02 | |
They're £72. | 0:21:02 | 0:21:05 | |
Approximately £6 a card, isn't it? | 0:21:05 | 0:21:06 | |
- Yes. - Would £4 a card do any good? | 0:21:06 | 0:21:09 | |
I'd like those at £30 please. | 0:21:09 | 0:21:12 | |
35. So it's 165, then we can strike a deal on the three pieces. | 0:21:12 | 0:21:18 | |
- How much? - Pardon? | 0:21:18 | 0:21:19 | |
- Hundred and what? - 165 on that. What was we on this one? | 0:21:19 | 0:21:23 | |
100. | 0:21:23 | 0:21:25 | |
40. | 0:21:25 | 0:21:28 | |
- 175. - I'll go for the 165 you suggested. | 0:21:28 | 0:21:31 | |
170, we've got a deal then. | 0:21:31 | 0:21:33 | |
So you're doing those at 30 for me? | 0:21:35 | 0:21:37 | |
Thank you very much. | 0:21:37 | 0:21:38 | |
- Yeah, basically. - All right. | 0:21:38 | 0:21:40 | |
Thank you. | 0:21:40 | 0:21:42 | |
Can I count my fingers when we're finished just in case you've stolen one of them?! | 0:21:42 | 0:21:46 | |
Ha-ha-ha! | 0:21:46 | 0:21:48 | |
I don't think I have! Oh, I'm pleased actually that I've bought those. | 0:21:48 | 0:21:53 | |
Because it's good social history. | 0:21:53 | 0:21:55 | |
And that's £170 for the lot. | 0:21:55 | 0:21:58 | |
As David admires his purchases, | 0:22:00 | 0:22:04 | |
Philip glimpses something shiny - four napkin rings. | 0:22:04 | 0:22:09 | |
Ah, these are silver, and they were assayed in Birmingham. | 0:22:09 | 0:22:12 | |
There's been plenty of silver in this series with the Birmingham hallmark. | 0:22:12 | 0:22:17 | |
The city's Assay Office was founded in 1773, and is now the largest in the world. | 0:22:17 | 0:22:22 | |
It's where 12m articles of gold, silver and platinum are tested | 0:22:22 | 0:22:27 | |
every year to make sure they contain the legal amount of precious metal. | 0:22:27 | 0:22:31 | |
They match. | 0:22:33 | 0:22:35 | |
-But they're different hallmarks. -Different dates. -I don't think these have got any age at all. | 0:22:35 | 0:22:39 | |
-No. -Because they look like mid-1950s. | 0:22:39 | 0:22:42 | |
-They've got no age... -No, I agree. -They're not a set. | 0:22:42 | 0:22:45 | |
The label says precisely that. | 0:22:45 | 0:22:47 | |
Absolutely. And what I think has happened to these, I'm sure before you got them, | 0:22:47 | 0:22:51 | |
is that someone's cleaned these with something really abrasive. | 0:22:51 | 0:22:55 | |
You can almost see that there are abrasive marks on each one of them. | 0:22:55 | 0:23:00 | |
-I would see these as having an auction estimate of between £25 and £35 for the four in auction. -Right. | 0:23:00 | 0:23:06 | |
So I've got to buy them at the bottom end of that if I can. | 0:23:06 | 0:23:09 | |
-We can't go that low. -What can you do? | 0:23:09 | 0:23:11 | |
Sorry. I mean, we've got a price tag there of 55 for the set. | 0:23:11 | 0:23:16 | |
Erm, bearing in mind your situation, and strapped for cash and everything else, | 0:23:16 | 0:23:21 | |
and all the sob stories you've given me already... | 0:23:21 | 0:23:24 | |
No, it is true, trust me, I tell you. | 0:23:24 | 0:23:26 | |
..I'm prepared to do those at 40. | 0:23:26 | 0:23:28 | |
If you'll meet me at £35, I'll have them. | 0:23:28 | 0:23:30 | |
Well, you're asking me to almost go by 40% trade. | 0:23:32 | 0:23:36 | |
Yep. And I'll have 'em for sure. | 0:23:36 | 0:23:38 | |
And I'll shake your hand and I'll buy you coffee, tea and send you Christmas cards, birthday cards... | 0:23:38 | 0:23:43 | |
Well, on that basis I'll give you my address and look forward to receiving Christmas cards. | 0:23:43 | 0:23:47 | |
Ha-ha-ha! You're a good man. Graham, thank you so much. | 0:23:47 | 0:23:50 | |
David has finished shopping in Clare, and is heading south | 0:23:52 | 0:23:56 | |
towards Sudbury, the birthplace of one of England's most famous artists. | 0:23:56 | 0:24:01 | |
Thomas Gainsborough was a firm favourite with British royalty, | 0:24:01 | 0:24:05 | |
and painted portraits of George III and Queen Charlotte. | 0:24:05 | 0:24:09 | |
And this is where it all began - Gainsborough's childhood home, where David's guide is Emma Dearing. | 0:24:09 | 0:24:16 | |
Thomas Gainsborough was born here in 1727, | 0:24:16 | 0:24:18 | |
and spent the first 13 years of his life in the surrounding areas. | 0:24:18 | 0:24:22 | |
Gainsborough was one of the great masters of 18th-century painting. | 0:24:22 | 0:24:27 | |
He was best known for his portraits, and painted about 800 of England's aristocrats. | 0:24:27 | 0:24:34 | |
This house displays more of the artist's work at any one time | 0:24:34 | 0:24:39 | |
than any other museum in the world. | 0:24:39 | 0:24:42 | |
This is the cabinet that he used to mix his paints. | 0:24:42 | 0:24:46 | |
-Now, do we lift it up? -Yes, we do. | 0:24:46 | 0:24:49 | |
-Tell me about this. -Well, we have a marble slate in the centre, | 0:24:50 | 0:24:54 | |
which is where Gainsborough would have mixed his pigments. | 0:24:54 | 0:24:58 | |
So these would have been, what, for brushes? | 0:24:58 | 0:25:00 | |
Er, yes, presumably for brushes or palettes. | 0:25:00 | 0:25:02 | |
When you see something like this and you actually pass your hands | 0:25:02 | 0:25:05 | |
over this, you really feel part and parcel of that period, don't you? | 0:25:05 | 0:25:09 | |
-Absolutely, yes. -And also the artist. I think this is a wonderful piece. | 0:25:09 | 0:25:13 | |
And this is an example here of his early work? | 0:25:13 | 0:25:15 | |
Yes, an early group portrait known as a conversation piece. | 0:25:15 | 0:25:20 | |
Two of the gentlemen in this painting, we believe, | 0:25:20 | 0:25:22 | |
were school friends of Thomas Gainsborough. | 0:25:22 | 0:25:25 | |
-It always amazes me when I look at portraits of that period, they always look so arrogant and disdainful! -Yes! | 0:25:25 | 0:25:32 | |
You know, they're looking out at you and saying, what are you interlopers here for? | 0:25:32 | 0:25:37 | |
You speak for yourself! When he was 32 and ambitious to win | 0:25:40 | 0:25:44 | |
more commissions, Gainsborough moved to the fashionable spa town of Bath. | 0:25:44 | 0:25:48 | |
He soon discovered there was a ready market for his portraits. | 0:25:48 | 0:25:51 | |
-I can see why this is your favourite picture. -Yes, she's stunning. | 0:25:53 | 0:25:56 | |
Isn't she stunning? | 0:25:56 | 0:25:57 | |
This is a portrait of Harriet, Viscountess Tracy. | 0:25:57 | 0:26:02 | |
So she was watering at Bath, was she? | 0:26:02 | 0:26:04 | |
Yes. | 0:26:04 | 0:26:06 | |
She was one of many aristocratic visitors that would have spent | 0:26:06 | 0:26:10 | |
their time in Bath visiting pump houses and taking tours of the town. | 0:26:10 | 0:26:15 | |
From a distance, it looks exceptionally rich, | 0:26:15 | 0:26:18 | |
you've got the creases and the folds, the lace is wonderfully done. | 0:26:18 | 0:26:21 | |
Close up, you can see the spontaneity of the brush work, and it's quite rough. | 0:26:21 | 0:26:27 | |
Yes, yes. Gainsborough was quite particular, he would often write to his clients about the correct way | 0:26:27 | 0:26:34 | |
to view his portraits, and encourage them to stand further away | 0:26:34 | 0:26:39 | |
to truly appreciate the detail in the work. | 0:26:39 | 0:26:43 | |
Gainsborough claimed to prefer painting landscapes to portraits. | 0:26:43 | 0:26:47 | |
But it was his portraits which made him famous. | 0:26:47 | 0:26:49 | |
It's been an absolute pleasure to have you here. | 0:26:49 | 0:26:53 | |
Thank you very much indeed. Bye-bye. | 0:26:53 | 0:26:54 | |
Thank you. Bye-bye. | 0:26:54 | 0:26:56 | |
Now it's Philip's turn to pay a visit to dealer Robin Stone. | 0:26:58 | 0:27:02 | |
-Hi, how are you doing? -Morning. | 0:27:04 | 0:27:06 | |
But can he bear the strain of another road-tripper, so soon after David's hard bargaining? | 0:27:06 | 0:27:12 | |
I like that car print, and it's quite apt since we're in a car, isn't it? | 0:27:12 | 0:27:16 | |
What is it, about 1920? 1930? | 0:27:16 | 0:27:19 | |
I think it's 1927, that one. | 0:27:19 | 0:27:22 | |
1926, October 1926. I haven't looked at the price yet. | 0:27:22 | 0:27:25 | |
I don't even want to look at the price, and I'm going to make you an offer for things. | 0:27:25 | 0:27:28 | |
-I've only got £45 on it to start with, sir. -Oh, really? | 0:27:28 | 0:27:32 | |
See, I think that's £10 or £15 worth at auction. | 0:27:32 | 0:27:35 | |
Give me £15 and that's yours. | 0:27:35 | 0:27:38 | |
Well, I might do that in a minute. I'll tell you why I think that. | 0:27:38 | 0:27:42 | |
It's a page, can I just take it off here? | 0:27:42 | 0:27:44 | |
Yeah, just lift it down. | 0:27:44 | 0:27:46 | |
It's a page that's been cut out of a magazine. | 0:27:46 | 0:27:49 | |
And this here is very evocative of almost like an elite car mascot, isn't it? | 0:27:49 | 0:27:54 | |
I like that, but I'm conscious that I'm not buying a work | 0:27:54 | 0:27:59 | |
of art off you, I'm buying a page that's been cut out of a magazine. | 0:27:59 | 0:28:04 | |
A page cut out of a magazine in a period frame. | 0:28:04 | 0:28:08 | |
Very, very, very strong Art Deco influence. | 0:28:08 | 0:28:10 | |
Let me just tell you this, he is a lovely man, but he is something of a salesman. | 0:28:10 | 0:28:14 | |
I'll give you a tenner, and that's me finished. Truthfully. | 0:28:14 | 0:28:18 | |
-£10 cash. -Yeah, yeah. | 0:28:18 | 0:28:19 | |
-I've just been done, I think here, quietly. -And we have been suckered. | 0:28:19 | 0:28:22 | |
Yeah, absolutely right. Thank you ever so much. | 0:28:22 | 0:28:25 | |
Huh! Not bad, Philip, not bad at all. | 0:28:25 | 0:28:27 | |
That's a reduction of £35. | 0:28:27 | 0:28:30 | |
And he's not finished yet. | 0:28:30 | 0:28:31 | |
-What on earth is that? -It's a Rolls-Royce tyre spreader. | 0:28:33 | 0:28:36 | |
-Oh, can I have a look at it, please? -You can, sir. | 0:28:36 | 0:28:39 | |
This is literally a device which opens up a punctured tyre, | 0:28:39 | 0:28:43 | |
so that you can see what has caused the damage, and where to mend it. | 0:28:43 | 0:28:48 | |
That holds the tyre open. | 0:28:48 | 0:28:50 | |
I think that's quite a cool thing. | 0:28:50 | 0:28:53 | |
It's the sort of lunatic thing I'd like to buy. | 0:28:53 | 0:28:56 | |
-So the wall of the tyre sits there and there, with the tread over the top there. -Yep. | 0:28:56 | 0:29:01 | |
So you've got it like that, | 0:29:01 | 0:29:03 | |
and then you spread it like that - what could you do that for? | 0:29:03 | 0:29:09 | |
I've got 18 on it. I'd be really and truly looking around 15. | 0:29:09 | 0:29:13 | |
-No, I couldn't do that. -What have you got? | 0:29:13 | 0:29:15 | |
I don't know, I... | 0:29:15 | 0:29:17 | |
-For me it's like something between two and five quid... -Oh, no. | 0:29:17 | 0:29:19 | |
Because I think if you put it in a general sale, which is my problem, | 0:29:19 | 0:29:24 | |
-I think 90% of the world... -Wouldn't know what it was. | 0:29:24 | 0:29:26 | |
..wouldn't know what it was, but you're just gambling that two people there might take a shine to it. | 0:29:26 | 0:29:31 | |
I'll do it for £10. | 0:29:31 | 0:29:32 | |
-Got to be a fiver. -What about eight? | 0:29:32 | 0:29:34 | |
No, it's got to be a fiver. It's got to be a fiver. | 0:29:34 | 0:29:38 | |
Make it six, come on. You've got to move a little bit. | 0:29:38 | 0:29:40 | |
You're a gentleman. Thank you ever so much, you're a star. | 0:29:40 | 0:29:44 | |
I feel quite pleased with that, actually. | 0:29:44 | 0:29:47 | |
And so you should be, Philip, given that you've bargained two-thirds off the price! | 0:29:47 | 0:29:51 | |
The day's shopping is now over, and it's time for our two chaps to show off their purchases. | 0:29:54 | 0:30:00 | |
But have they spent wisely? | 0:30:00 | 0:30:02 | |
-I'll go for starters. Are you ready for this? -This is very exciting. I love this bit. Oh, it's a poster. | 0:30:02 | 0:30:07 | |
Well, it's a page out of, I suppose, the French equivalent to the London Illustrated News. | 0:30:07 | 0:30:11 | |
And it was cut out in 1926. | 0:30:11 | 0:30:14 | |
-Oh, I love the car. What did you pay, £15? -No, 10 quid. | 0:30:14 | 0:30:18 | |
-Do you think it's all right? -Oh, for heaven's sake, the frame's worth more than that! This is solid oak. | 0:30:18 | 0:30:22 | |
Next, David's character jug - what a character! | 0:30:22 | 0:30:26 | |
Oh, my life. Who is it? | 0:30:26 | 0:30:29 | |
Oh, come on, that big smile and sticky-out ears! | 0:30:29 | 0:30:32 | |
Well, it's not... | 0:30:32 | 0:30:34 | |
It's Tony Blair. | 0:30:34 | 0:30:35 | |
-You have bought a Tony Blair jug. -A Tony Blair mug. | 0:30:35 | 0:30:37 | |
It's, er, Carlton ware, | 0:30:37 | 0:30:40 | |
and this is limited edition, there were 500 of these made, I paid 15 for it. | 0:30:40 | 0:30:44 | |
But look, I found this on the second shelf in a cupboard. | 0:30:44 | 0:30:48 | |
You could hardly see it. | 0:30:48 | 0:30:50 | |
I think that's probably the best place for it, Barbs. | 0:30:50 | 0:30:53 | |
-I'll let you disclose this one. -Oh, come on! | 0:30:53 | 0:30:56 | |
-It's lovely! -Well, there's no age to them, Barbs. In fact, they're the same age as me. | 0:30:57 | 0:31:01 | |
Gosh, made in 1920? | 0:31:01 | 0:31:03 | |
Oh, shut it, you! They're 1950s. | 0:31:03 | 0:31:06 | |
So you paid what, £40? | 0:31:06 | 0:31:08 | |
-I paid £35 for the four. So you think that's all right? -I think that's marvellous. | 0:31:08 | 0:31:12 | |
Now for the strawberry eater - and Philip's confused. | 0:31:12 | 0:31:17 | |
-Silver, import mark... -Yes. -What's that for, is it...? | 0:31:17 | 0:31:21 | |
Do you do that with it? | 0:31:21 | 0:31:23 | |
You haven't got a "Barby" doll have you that I could just...? | 0:31:23 | 0:31:27 | |
Actually, it's creating a wax figure of Philip Serrell. | 0:31:27 | 0:31:31 | |
-What's it for, Barbs? -And then you know, bang, bang, bang, bang! | 0:31:31 | 0:31:34 | |
-What's it for? -This is a strawberry eater. | 0:31:34 | 0:31:38 | |
But it's such fun. | 0:31:38 | 0:31:40 | |
I paid a lot of money for it because it was so unusual. | 0:31:40 | 0:31:43 | |
-Yeah, so you paid a fiver. -Yeah. -Yeah. | 0:31:43 | 0:31:44 | |
This is such a mystery object, Barby. | 0:31:44 | 0:31:48 | |
Right... This was made in about 1910. | 0:31:48 | 0:31:53 | |
-And when you bought your new Rolls-Royce Phantom... -Yes. | 0:31:53 | 0:31:57 | |
..you went out in it and you might have had a puncture. | 0:31:57 | 0:31:59 | |
And you put the tread there and the wall there and you opened it up like that and you plugged the puncture. | 0:31:59 | 0:32:05 | |
I heard that the auction room like quirky things and I thought, | 0:32:05 | 0:32:09 | |
well, there's nothing comes quirkier than that. It was a very poorly octopus. | 0:32:09 | 0:32:13 | |
-How much? -Six quid. -Oh, well, you're going to make a profit on that. | 0:32:13 | 0:32:16 | |
Who knows? | 0:32:16 | 0:32:17 | |
Next up, the postcards. | 0:32:17 | 0:32:19 | |
They're certainly not saucy. | 0:32:19 | 0:32:22 | |
-Oh, I do like them, are they Bruce Bairnsfather? -Yeah. | 0:32:22 | 0:32:24 | |
Yeah, no, I do like those, I think Bruce Bairnsfather is hugely collectible, | 0:32:24 | 0:32:28 | |
and I think he's also incredibly evocative, isn't he? | 0:32:28 | 0:32:31 | |
I think those are quite nice, actually. | 0:32:31 | 0:32:33 | |
-These were £30. -Yeah, they're a fiver each aren't they? | 0:32:33 | 0:32:36 | |
-I'm very happy about that, because... -You paid a tenner for them. | 0:32:36 | 0:32:39 | |
No, I've got six more. | 0:32:39 | 0:32:40 | |
-You're fine, aren't you? -I paid £30 for the 12. | 0:32:40 | 0:32:43 | |
Yeah, no, they're fine, absolutely fine. | 0:32:43 | 0:32:45 | |
It's Philip's turn next with his horse-measuring stick. | 0:32:45 | 0:32:49 | |
Yes, oh, it's lovely. | 0:32:49 | 0:32:51 | |
Very, very nice. | 0:32:51 | 0:32:53 | |
-I bought it for £50. -I think that stands a chance. | 0:32:53 | 0:32:55 | |
Oh, those are lovely. | 0:32:55 | 0:32:57 | |
Art Nouveau buttons. And how much were those, Barbs? Truthfully... | 0:32:57 | 0:33:01 | |
These were the most expensive item. | 0:33:01 | 0:33:03 | |
These were £100. | 0:33:03 | 0:33:05 | |
Well, I think you'll get out of those. Ready? | 0:33:05 | 0:33:07 | |
Yeah. | 0:33:07 | 0:33:09 | |
I think that's absolutely fabulous. | 0:33:12 | 0:33:13 | |
I paid £35 for that. | 0:33:13 | 0:33:17 | |
I think that's very good. | 0:33:17 | 0:33:19 | |
Next up, David's acrobat toy. | 0:33:19 | 0:33:22 | |
Oh, I like those, I've seen those. | 0:33:22 | 0:33:24 | |
There's something about that figure, Barbs, that I find very spooky! | 0:33:26 | 0:33:30 | |
Ha-ha-ha-ha! | 0:33:30 | 0:33:33 | |
It's wonderful! Look at it. | 0:33:33 | 0:33:35 | |
Well, that's eerie, that is. | 0:33:35 | 0:33:37 | |
Now look, you see, it looks like he's... | 0:33:37 | 0:33:39 | |
It's almost hypnotic, isn't it? | 0:33:39 | 0:33:41 | |
Oh, my god, did you see that? | 0:33:41 | 0:33:44 | |
Oooh! | 0:33:44 | 0:33:46 | |
How much did I pay for it? Come on. | 0:33:48 | 0:33:49 | |
-15 quid? -No! -30 quid? -No. | 0:33:49 | 0:33:52 | |
Fiver? | 0:33:52 | 0:33:54 | |
I paid £40 for it. | 0:33:54 | 0:33:56 | |
Cor, Philip doesn't look impressed with David's toy. | 0:33:56 | 0:33:58 | |
But what do they really think about each other's purchases? Go on, dish the dirt. | 0:33:58 | 0:34:03 | |
I think the tyre-changer implement is fascinating. | 0:34:03 | 0:34:07 | |
And those buttons are just beautiful quality, he'll double his money and perhaps make 150/160. | 0:34:07 | 0:34:12 | |
The print I'm not so keen on, because it does look like a cutting from a newspaper. | 0:34:12 | 0:34:19 | |
Barby and Tony Blair - now there is two strange bedfellows. | 0:34:19 | 0:34:23 | |
But which of our two strange bedfellows will win this leg's auction? | 0:34:26 | 0:34:31 | |
It's been a splendid Road Trip so far. | 0:34:31 | 0:34:34 | |
Our two chaps started off in Bury St Edmunds, stopping off in Clare, | 0:34:34 | 0:34:39 | |
Cavendish and Sudbury along the way. | 0:34:39 | 0:34:42 | |
Today, they're heading into the picturesque little village | 0:34:42 | 0:34:45 | |
of Campsea Ashe for auction day. | 0:34:45 | 0:34:47 | |
I'm pretty sure they could do with a horse-measuring stick! | 0:34:50 | 0:34:52 | |
Well, we're quite early, there's hardly anybody here yet. | 0:34:54 | 0:34:57 | |
None of your namby pamby silver buttons! | 0:34:57 | 0:34:59 | |
Abbotts Auction Rooms have been holding weekly sales here since the early 1920s. | 0:35:00 | 0:35:05 | |
It still feels like a traditional rural market. | 0:35:05 | 0:35:09 | |
Every Monday morning, stallholders set up outside the rooms, | 0:35:09 | 0:35:14 | |
selling everything from seafood to slippers. | 0:35:14 | 0:35:17 | |
That's enough messing about, lads. Time to start work! | 0:35:26 | 0:35:30 | |
The weekly auction attracts everyone from the browser to the serious collector. | 0:35:30 | 0:35:35 | |
How does auctioneer, Geoffrey Barfoot, think our chaps will do? | 0:35:35 | 0:35:39 | |
The horse measuring stick... | 0:35:40 | 0:35:42 | |
We're in Suffolk, a lot of local horse breeders, so that may just take off. | 0:35:42 | 0:35:46 | |
The Japanese toy in its original box, I think that could do quite well. | 0:35:46 | 0:35:50 | |
We've got a few toy collectors here today. | 0:35:50 | 0:35:53 | |
The one lot I do have doubts about is the Art Deco framed advert, | 0:35:53 | 0:35:58 | |
which I think is really just a page out of a magazine. | 0:35:58 | 0:36:03 | |
The stand-out item is probably the case set of Edwardian silver Art Nouveau buttons. | 0:36:03 | 0:36:07 | |
And that's good news for David. | 0:36:07 | 0:36:09 | |
He started this leg ahead of Philip, with £426.92, | 0:36:09 | 0:36:14 | |
and spent just £190 on five items. | 0:36:14 | 0:36:17 | |
Philip started with a rather less impressive £196.71, | 0:36:19 | 0:36:24 | |
and spent £136, also on five items. | 0:36:24 | 0:36:27 | |
David's more than £200 ahead of him. | 0:36:27 | 0:36:30 | |
If he's to stay in the race, Philip needs to "wrench" out a profit. | 0:36:30 | 0:36:34 | |
Let's hope we don't "tyre" of these puns! | 0:36:34 | 0:36:37 | |
The tension is rising and here's our auctioneers. | 0:36:37 | 0:36:39 | |
Darling and Miliband lookalikes. | 0:36:39 | 0:36:42 | |
This is all building up a sense of drama now, a sense of theatre. | 0:36:42 | 0:36:47 | |
Yes, it is. My stomach is churning. | 0:36:47 | 0:36:49 | |
First up is Philip's Art Deco print. | 0:36:53 | 0:36:55 | |
David wasn't impressed, nor was the auctioneer. | 0:36:55 | 0:36:58 | |
-But what do the buyers think? -At twenty pounds with me... | 0:36:58 | 0:37:01 | |
I'm absolutely staggered. | 0:37:01 | 0:37:03 | |
Are we all done then at 20? Five in the front row now. | 0:37:03 | 0:37:07 | |
Off the book and in the room at 25. | 0:37:07 | 0:37:09 | |
I'm absolutely staggered.. | 0:37:09 | 0:37:10 | |
And I sell... | 0:37:10 | 0:37:12 | |
That's brilliant. That is brilliant. | 0:37:12 | 0:37:14 | |
And that's a great start for Philip, who's more than doubled his money. | 0:37:14 | 0:37:20 | |
Now, it's David's first item - his Tony Blair character jug. | 0:37:20 | 0:37:24 | |
But will it win over the bidders? As opposed to the voters. | 0:37:24 | 0:37:27 | |
I can tell you one thing, I bet the buyer's name won't be Gordon Brown! | 0:37:27 | 0:37:31 | |
There we are. | 0:37:32 | 0:37:33 | |
Could be an antique of the future. | 0:37:33 | 0:37:36 | |
10 with the lady. Down here at 10 only, 12 in the middle. | 0:37:36 | 0:37:38 | |
14, 16, 18, 20. And 2, 25. | 0:37:38 | 0:37:44 | |
25, I'm bid here and still cheap. | 0:37:44 | 0:37:47 | |
-It is cheap. -In the middle of the room then, at 25 only. | 0:37:47 | 0:37:49 | |
-Still a cheap lot. -That's a tenner profit, isn't it? | 0:37:49 | 0:37:52 | |
And it's not a vote of no confidence for David's first item. | 0:37:52 | 0:37:56 | |
Next up, it's the ship wheel. | 0:37:57 | 0:38:00 | |
Philip bought it for £35, but will it sink or swim? | 0:38:00 | 0:38:05 | |
£20 I'm bid in the middle. Bargain. | 0:38:05 | 0:38:07 | |
25. At 25, another bid at 30, seated. | 0:38:07 | 0:38:12 | |
35, 40. | 0:38:12 | 0:38:16 | |
Are we all done then at 40? In profit. | 0:38:16 | 0:38:18 | |
I thought it would have done a bit more. | 0:38:18 | 0:38:19 | |
A small profit, not enough to make a dent in David's lead. | 0:38:19 | 0:38:24 | |
Next item to go under the hammer is David's £5 strawberry huller. | 0:38:24 | 0:38:29 | |
There we are, something for you to take along to Wimbledon | 0:38:29 | 0:38:32 | |
and eat your own individual strawberries. | 0:38:32 | 0:38:34 | |
10, I'm bid. At 12 in the corner. | 0:38:34 | 0:38:36 | |
-14, 16, 18... -That's a good price, Barbs, I think. | 0:38:36 | 0:38:42 | |
18 and I sell. Any other bids, then? 20 and 2. | 0:38:42 | 0:38:46 | |
24, 26... With the hat at 26, and I sell. | 0:38:46 | 0:38:53 | |
-Yes! -That's a good price, isn't it? | 0:38:53 | 0:38:55 | |
And that's another sweet profit for David. | 0:38:55 | 0:38:58 | |
The auctioneer's never sold one like it before, | 0:39:00 | 0:39:04 | |
but what will the bidders think of Philip's £6 tyre clamp? | 0:39:04 | 0:39:08 | |
Anyone start me at 20? £20 with you. | 0:39:08 | 0:39:10 | |
At 25 there. 30, 5. | 0:39:10 | 0:39:14 | |
40, in the middle here at £40. | 0:39:14 | 0:39:15 | |
-Are we all done? -That's a result! -In the middle of the room at 40. | 0:39:15 | 0:39:19 | |
And the bids keep rolling on! | 0:39:19 | 0:39:21 | |
45. 50, 5. 60, 5. | 0:39:21 | 0:39:26 | |
70, 5. 80, £80. | 0:39:26 | 0:39:30 | |
I'm staggered. That's brilliant. Brilliant, brilliant, brilliant. | 0:39:30 | 0:39:33 | |
Lucky, isn't it? Brilliant. | 0:39:33 | 0:39:35 | |
That's more like it. A £74 profit on a £6 item. | 0:39:35 | 0:39:40 | |
Next up, it's David's "spooky" Japanese toy. | 0:39:40 | 0:39:46 | |
Interest on the book and I open at £30. At £30 I'm bid. | 0:39:46 | 0:39:49 | |
You're home with this, Barbs! | 0:39:49 | 0:39:51 | |
Do I see 2 anywhere? 32, 35, 38, 40. | 0:39:51 | 0:39:57 | |
42, 45, 48, 50. 52, 55, 58. | 0:39:57 | 0:40:04 | |
Are we all done? | 0:40:04 | 0:40:05 | |
I think that's a good price, don't you? | 0:40:05 | 0:40:07 | |
It's a profit, but not as much as David had hoped, greedy guts! | 0:40:07 | 0:40:11 | |
Give me that, "Is that your very, very best?" Go on, do it for me. | 0:40:11 | 0:40:16 | |
Give me the look as well. I'm ready for it. OK, go. | 0:40:16 | 0:40:19 | |
Is that the very best you can do? | 0:40:19 | 0:40:22 | |
You see, and that is what wins, because you can't... That just has you. | 0:40:22 | 0:40:26 | |
And you've got to keep dropping the price when he does that to you. This is so unfair. I can't... | 0:40:26 | 0:40:30 | |
The art, which you won't be able to do, is to keep the mouth shut when you've said it. | 0:40:30 | 0:40:35 | |
Philip has high hopes for his horse-measuring walking stick here, | 0:40:35 | 0:40:39 | |
in deepest rural Suffolk. | 0:40:39 | 0:40:41 | |
Oh-arr! | 0:40:41 | 0:40:42 | |
30 I'm bid down here, at 30. 5. 40, 5. 50, 5. | 0:40:42 | 0:40:47 | |
60, down here at 60, any other bids? | 0:40:47 | 0:40:50 | |
All done then at 60. | 0:40:50 | 0:40:52 | |
And it's first past the post for Philip, with a profit of £10. | 0:40:52 | 0:40:57 | |
Next up, David's piece of social history | 0:40:57 | 0:41:01 | |
with his set of twelve comic postcards. | 0:41:01 | 0:41:04 | |
I open the bidding at £12. At £20 I'm bid. At 20, 2. | 0:41:04 | 0:41:07 | |
25, 28, 30. 2, 35, 40. | 0:41:07 | 0:41:12 | |
£40 in the corner now, any other bids? | 0:41:12 | 0:41:14 | |
-One more, please. -40 in the corner then... | 0:41:14 | 0:41:16 | |
-Oh, no! -And I sell at 40. | 0:41:16 | 0:41:20 | |
And that's another modest little profit. | 0:41:20 | 0:41:22 | |
Don't be childish, Philip. | 0:41:24 | 0:41:27 | |
I've told you! | 0:41:27 | 0:41:29 | |
Philip's last item for auction are his four matching napkin rings, | 0:41:31 | 0:41:36 | |
which he bought for £35. | 0:41:36 | 0:41:37 | |
I open the bidding at £30. | 0:41:37 | 0:41:39 | |
32, 35, 36, 38, 40. On the far right at 40, any other bids? | 0:41:39 | 0:41:44 | |
And I shall sell. Your bid, sir. | 0:41:44 | 0:41:47 | |
It's been a good auction for Philip, and he's gaining ground on David. | 0:41:47 | 0:41:52 | |
But there's still David's set of six Art Nouveau design buttons, | 0:41:54 | 0:41:59 | |
his final lot. | 0:41:59 | 0:42:00 | |
50 to go then. 50, 60, 70, 80, 90, 100. | 0:42:00 | 0:42:05 | |
And 10. 120, 130, 140. | 0:42:05 | 0:42:08 | |
-On the far right at 140, any other bids? -Oh, no. | 0:42:08 | 0:42:11 | |
140, then. 150, he's back in. 150. | 0:42:11 | 0:42:17 | |
Brand new bidder on the counter at 150, and selling away. | 0:42:17 | 0:42:21 | |
All buttoned up. And that £50 profit means that | 0:42:21 | 0:42:24 | |
you've now even with Philip. | 0:42:24 | 0:42:26 | |
You've each made £109 profit before commission. Well done. | 0:42:26 | 0:42:30 | |
-Well done, Barbs. -Well done. | 0:42:30 | 0:42:32 | |
-It's been a good sale, hasn't it? -Yeah. | 0:42:32 | 0:42:34 | |
But who's the overall winner? | 0:42:35 | 0:42:38 | |
Although both men did equally well at auction, David's still in the lead. | 0:42:38 | 0:42:43 | |
He started this leg with £426.92. | 0:42:43 | 0:42:46 | |
After paying auction costs and commission, | 0:42:46 | 0:42:49 | |
he made a profit of £56.30 and takes £483.22 forward to tomorrow's show. | 0:42:49 | 0:42:57 | |
Philip started this leg with £196.71. | 0:42:59 | 0:43:03 | |
As the items he bought cost less than David, | 0:43:03 | 0:43:07 | |
his profit after commission is £65.82. | 0:43:07 | 0:43:11 | |
He takes £262.53 forward to tomorrow's show. | 0:43:11 | 0:43:16 | |
Philip's back in the game! | 0:43:16 | 0:43:18 | |
-Well, that was a good sale, wasn't it? Happy now? -Sort of relieved! | 0:43:18 | 0:43:22 | |
In tomorrow's show, Philip acts the goat... | 0:43:26 | 0:43:29 | |
He's quite fun, isn't he? | 0:43:29 | 0:43:31 | |
Can I make you a silly offer on it? | 0:43:31 | 0:43:32 | |
And David finds a treasure trove of silver... | 0:43:32 | 0:43:36 | |
I'm going to offer you £180 for the three. | 0:43:36 | 0:43:39 | |
Subtitles by Red Bee Media | 0:43:57 | 0:44:00 | |
Email [email protected] | 0:44:00 | 0:44:04 |