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The nation's favourite antiques experts, £200 and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:07 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:07 | 0:00:11 | |
Lord above. | 0:00:11 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:16 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:16 | 0:00:20 | |
What a dilemma. | 0:00:20 | 0:00:21 | |
So will it be the highway to success or the B road to bankruptcy? | 0:00:21 | 0:00:26 | |
If I wasn't in your car, I'd let your tyres down. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
On the road this week, antiques stalwarts David Barby and Philip Serrell. | 0:00:37 | 0:00:43 | |
They're driving their newly-christened 1971 Morris Minor convertible. | 0:00:43 | 0:00:48 | |
Come on, Amy. God bless you, my love. | 0:00:48 | 0:00:50 | |
Valuer and auctioneer David Barby has a specialist knowledge of porcelain. | 0:00:50 | 0:00:57 | |
He's also very persuasive when it comes to buying. | 0:00:57 | 0:01:02 | |
-Is that the very best? -That's it. | 0:01:02 | 0:01:04 | |
Self-made man Philip Serrell is also an auctioneer and a valuer. | 0:01:04 | 0:01:09 | |
He runs his own successful business and has a keen eye for the unusual. | 0:01:09 | 0:01:15 | |
Sounds like David Barby breathing, doesn't it? | 0:01:15 | 0:01:17 | |
Both experts started the week with a £200 float. | 0:01:17 | 0:01:22 | |
After buying treasures galore, they went head-to-head at auction in Leicester. | 0:01:22 | 0:01:26 | |
-You have done really well with that. -Give me a kiss. | 0:01:26 | 0:01:30 | |
Now what's in their purses is a different story. | 0:01:32 | 0:01:36 | |
David got off to a cracking start. | 0:01:39 | 0:01:42 | |
He's transformed his original £200 into £252.59. | 0:01:42 | 0:01:47 | |
Philip wasn't so lucky. | 0:01:49 | 0:01:51 | |
His £200 hasn't worked quite so hard. | 0:01:51 | 0:01:54 | |
He begins today's show with just £223.57. | 0:01:54 | 0:01:58 | |
It's the start of a new day and the chaps are already on the road. | 0:02:00 | 0:02:05 | |
This week's road trip, a veritable fling | 0:02:09 | 0:02:12 | |
from Lincoln to Wotton-Under-Edge, | 0:02:12 | 0:02:14 | |
taking in Norfolk and Suffolk along the way. | 0:02:14 | 0:02:17 | |
Today's leg begins with our gents casting off from Leicester. | 0:02:17 | 0:02:21 | |
Then they'll head east to Aylsham in Norfolk for an auction showdown. | 0:02:21 | 0:02:25 | |
The first pin in the map - Sileby. | 0:02:25 | 0:02:29 | |
Nice Victorian villas along here. Not a bad village. | 0:02:29 | 0:02:32 | |
It's very pretty but with a bit of a gruesome past. | 0:02:34 | 0:02:38 | |
The Sileby murder of 1903 saw a young policeman shot | 0:02:38 | 0:02:43 | |
by two drunken ruffians, later sentenced to death for their crime. | 0:02:43 | 0:02:48 | |
Ooh! | 0:02:48 | 0:02:49 | |
But that's not put David off, as he's set to go shopping. | 0:02:49 | 0:02:54 | |
Look, there we are. | 0:02:54 | 0:02:55 | |
There's the antique shop. | 0:02:55 | 0:02:58 | |
Try and be too long. You don't have long left at your age. | 0:02:58 | 0:03:01 | |
-Go on, get out of here. -Bye-bye. | 0:03:01 | 0:03:03 | |
See you, Barbs. | 0:03:03 | 0:03:04 | |
On the first leg of the trip, David triumphed thanks to his quick decision making. | 0:03:07 | 0:03:12 | |
Will he be doing the same today? | 0:03:12 | 0:03:15 | |
I have to look very carefully. I'm not going to make an immediate decision. | 0:03:15 | 0:03:20 | |
Initially when you see dolls like this, | 0:03:20 | 0:03:23 | |
you think more of bric-a-brac than serious antiques. | 0:03:23 | 0:03:26 | |
You can go in, David. | 0:03:26 | 0:03:29 | |
So where's all the treasure? | 0:03:29 | 0:03:30 | |
-At the back? Dotted around. -Dotted, really. A bit of Arts and Crafts. | 0:03:30 | 0:03:34 | |
There's a tray there that could do with some love. | 0:03:34 | 0:03:39 | |
Created using a technique called repousser, | 0:03:39 | 0:03:42 | |
which is French for "to push back", | 0:03:42 | 0:03:45 | |
a relief design is made by hammering out | 0:03:45 | 0:03:48 | |
the reverse side of a metal surface, in this case copper. | 0:03:48 | 0:03:51 | |
This late-19th century tray is from the Arts and Crafts period | 0:03:51 | 0:03:56 | |
where traditional forms of craftsmanship were lauded. | 0:03:56 | 0:04:00 | |
This was probably done at a small studio | 0:04:00 | 0:04:03 | |
or it might have been done at night school. | 0:04:03 | 0:04:06 | |
It has a very sort of William Morris look about it. That's rather nice. | 0:04:06 | 0:04:11 | |
When it's polished up... | 0:04:11 | 0:04:13 | |
Mind you, it'll take a lot of hard work polishing it up, particularly on this. | 0:04:13 | 0:04:18 | |
Oops. But I think it'll be worth it. | 0:04:18 | 0:04:20 | |
If David cleans away all that dirt, | 0:04:20 | 0:04:22 | |
there's no knowing what the old devil might find behind. | 0:04:22 | 0:04:25 | |
-How much is that? -It's a tenner to you. | 0:04:25 | 0:04:28 | |
A tenner? Goodness me. Is that the very, very best? | 0:04:28 | 0:04:32 | |
-It could be seven to you, David. -What about five? | 0:04:32 | 0:04:35 | |
David, you're notoriously hard, but yes. | 0:04:35 | 0:04:38 | |
£5. Oh, I think that's quite good. | 0:04:38 | 0:04:41 | |
-I think it's all right. -Yes. | 0:04:41 | 0:04:43 | |
I said I wasn't going to make an immediate decision! | 0:04:43 | 0:04:46 | |
With a price like that, David, it would be rude not to! | 0:04:46 | 0:04:50 | |
Meanwhile, Philip is still on the road. | 0:04:54 | 0:04:57 | |
He's heading six miles to Loughborough, | 0:04:57 | 0:05:00 | |
the second largest settlement in Leicestershire. | 0:05:00 | 0:05:02 | |
This was the destination of the first package tour in 1841, | 0:05:02 | 0:05:08 | |
organised by a Thomas Cook for a temperance group from Leicester. | 0:05:08 | 0:05:13 | |
It's also home to some rather nice antique shops. | 0:05:13 | 0:05:17 | |
Hi, how are you? All right? | 0:05:17 | 0:05:19 | |
Richard is a jewellery specialist, | 0:05:19 | 0:05:21 | |
so Philip needs a keen eye if he wants something in that category. | 0:05:21 | 0:05:26 | |
A seal. Can I have a look at that? | 0:05:26 | 0:05:28 | |
So what you do, you have all the different seals and waxes here. | 0:05:28 | 0:05:31 | |
Lucky clover on the end as well. | 0:05:31 | 0:05:35 | |
Dating back to ancient times, seals were adopted by royalty, | 0:05:35 | 0:05:40 | |
the Church and the law, and by individuals. | 0:05:40 | 0:05:43 | |
Personal seals bore a crest or coat of arms, | 0:05:43 | 0:05:46 | |
and were often inlayed into a signet ring. | 0:05:46 | 0:05:48 | |
This decorative seal comes with a variety of waxes and a candle to melt them. | 0:05:48 | 0:05:54 | |
It's probably from the 1950s and priced at £15. | 0:05:54 | 0:05:58 | |
What I am trying to do is start sowing the seed of doubt | 0:05:58 | 0:06:01 | |
in my new best friend Richard's mind | 0:06:01 | 0:06:03 | |
as to how little this is really worth. | 0:06:03 | 0:06:06 | |
-I can feel one of my headaches coming on. -They're catching, aren't they? | 0:06:06 | 0:06:10 | |
I think that's quite nice. | 0:06:10 | 0:06:11 | |
I had one in my saleroom not that long ago. It made six quid. | 0:06:11 | 0:06:16 | |
If I can put that with something else, there's a bit of mileage in that. | 0:06:16 | 0:06:20 | |
Back in Sileby, David's getting all pumped up | 0:06:21 | 0:06:25 | |
about another pretty item belonging to dealer Peter Stratton. | 0:06:25 | 0:06:30 | |
This is an atomiser. | 0:06:30 | 0:06:32 | |
You put perfume in there and this is a pump action. | 0:06:32 | 0:06:35 | |
So you don't have one of those rubber things, you just... | 0:06:35 | 0:06:38 | |
pump it away. | 0:06:38 | 0:06:39 | |
In 1888, an atomiser was first developed to dispense medicine. | 0:06:40 | 0:06:46 | |
By the early 1900s, they were adapted to spray perfume | 0:06:46 | 0:06:50 | |
and were highly sought-after by elegant women. | 0:06:50 | 0:06:52 | |
This one from the 1930s is a mix of sterling silver and cut glass | 0:06:52 | 0:06:58 | |
formed into the shape of a cushion. | 0:06:58 | 0:07:01 | |
The question is, will Peter be slashing down that price | 0:07:01 | 0:07:04 | |
just like the copper tray? | 0:07:04 | 0:07:06 | |
How much is that? | 0:07:06 | 0:07:08 | |
Is that a fiver? | 0:07:08 | 0:07:10 | |
-Can't see any mark on it. -It's sterling, isn't it? | 0:07:10 | 0:07:14 | |
-Is it sterling? -Yes, it's marked. | 0:07:14 | 0:07:16 | |
Ah, so it's not... | 0:07:16 | 0:07:17 | |
It's not hallmarked, no. I think that's probably more than a fiver. | 0:07:17 | 0:07:21 | |
I should say so, Peter. | 0:07:21 | 0:07:23 | |
After all, it's all about making a profit, surely? | 0:07:23 | 0:07:27 | |
I sense your disappointment at a tenner. | 0:07:27 | 0:07:30 | |
Is it possibly a little bit less than £10? | 0:07:30 | 0:07:33 | |
-It's a huge mistake, but it's a fiver. -OK. Sold. | 0:07:33 | 0:07:37 | |
Thank you very much, David. | 0:07:37 | 0:07:39 | |
We shall wrap it for you. | 0:07:39 | 0:07:41 | |
Nice one, David. | 0:07:41 | 0:07:42 | |
Something else has caught Philip's eye. | 0:07:42 | 0:07:47 | |
Could I have a look at that little thing there, please? | 0:07:47 | 0:07:49 | |
It's a little brass-bound pen wipe. | 0:07:49 | 0:07:53 | |
You'd get your pen, dip it into your ink and write. | 0:07:53 | 0:07:56 | |
Then you'd wipe the surplus. | 0:07:56 | 0:07:58 | |
Just wipe it along there like that. | 0:07:58 | 0:08:00 | |
People collect writing accoutrements, | 0:08:00 | 0:08:03 | |
they collect pens, blotters. All sorts of things. | 0:08:03 | 0:08:06 | |
The early steel pen had a point that dipped into an inkwell. | 0:08:06 | 0:08:11 | |
As they often dripped, nib or pen wipes were a necessity. | 0:08:11 | 0:08:15 | |
These were anything from a circle out of cut cloth | 0:08:15 | 0:08:20 | |
or stuffed fabric animals, | 0:08:20 | 0:08:22 | |
or brushes like this one from 1900, priced at £10. | 0:08:22 | 0:08:27 | |
I think that, if I can put it with that little desk set, | 0:08:27 | 0:08:30 | |
I might be able to make an interesting lot. | 0:08:30 | 0:08:32 | |
As in everything, it's all down to pounds, shillings and pence. | 0:08:32 | 0:08:36 | |
Your desk set, | 0:08:36 | 0:08:39 | |
and your little ink blotter and ink wiper. | 0:08:39 | 0:08:42 | |
I would estimate those at £10-£20 at auction. | 0:08:42 | 0:08:45 | |
I'm going to be really mean and horrible. | 0:08:45 | 0:08:47 | |
Can I give you a fiver for the two? | 0:08:47 | 0:08:50 | |
-No. -What can I give you for the two? | 0:08:50 | 0:08:52 | |
12. I'll settle at 12. | 0:08:52 | 0:08:54 | |
-That ran off his tongue so quickly, didn't it? -12. | 0:08:54 | 0:08:58 | |
-I can't do 12. -Course you can. | 0:08:58 | 0:08:59 | |
No, honestly I can't. I haven't got any change for a start. | 0:08:59 | 0:09:02 | |
Tenner, and that's the end of it. | 0:09:02 | 0:09:04 | |
Right. We'll settle at a tenner, then. | 0:09:04 | 0:09:06 | |
Good man. You're a gentleman. Thank you. | 0:09:06 | 0:09:09 | |
David's next potential purchase is something a little more sporting. | 0:09:10 | 0:09:14 | |
He's spotted a game of skittles called ninepins. | 0:09:14 | 0:09:18 | |
You just play away. These are the cheeses | 0:09:18 | 0:09:21 | |
that you would roll towards them. | 0:09:21 | 0:09:23 | |
They're not balls, they're not round. They're almost oval. | 0:09:23 | 0:09:27 | |
Flat like a barrel. So they go in one direction. | 0:09:27 | 0:09:31 | |
I think they're probably about 40 years old. | 0:09:31 | 0:09:34 | |
Ninepins has long been played in inns and taverns | 0:09:34 | 0:09:38 | |
across England and beyond. | 0:09:38 | 0:09:40 | |
The cheese is so called because any cheese-shaped lump can be thrown at the pins. | 0:09:40 | 0:09:46 | |
In Germany it was played by monks in the third century. | 0:09:46 | 0:09:50 | |
It was even banned in America in the 1830s | 0:09:50 | 0:09:53 | |
because people were slacking off work to play it. | 0:09:53 | 0:09:56 | |
-I'm going to ask you £15 for the lot. -Will you take a tenner for them, Peter? | 0:09:56 | 0:10:00 | |
Yes, of course. Yes, of course. | 0:10:00 | 0:10:02 | |
You're very obliging, Peter. | 0:10:02 | 0:10:04 | |
Watch David doesn't take advantage. | 0:10:04 | 0:10:06 | |
Is that thrown in as well? | 0:10:06 | 0:10:08 | |
David! You are such a rascal! | 0:10:08 | 0:10:12 | |
-But you can. -Thank you. | 0:10:12 | 0:10:14 | |
Oh, this is wonderful. | 0:10:15 | 0:10:17 | |
-Oh, that's brill. Peter, thank you very much. -You're more than welcome. | 0:10:17 | 0:10:21 | |
Ooh! What a weight. | 0:10:21 | 0:10:23 | |
But when it comes to paying, Peter has another knock-out price cut. | 0:10:23 | 0:10:28 | |
Oh, thank you very much. | 0:10:28 | 0:10:31 | |
That is so generous. Bye-bye. Bye-bye. | 0:10:31 | 0:10:34 | |
Instead of £10 for the ninepins, David's getting them for half price. | 0:10:34 | 0:10:39 | |
Jammy so-and-so! | 0:10:39 | 0:10:40 | |
We ended up having these for £5. Incredible price. | 0:10:40 | 0:10:45 | |
That was a remarkable little establishment. But you had to explore. | 0:10:45 | 0:10:49 | |
Back in Loughborough, Philip is taking some time out. | 0:10:52 | 0:10:54 | |
He's s visiting the historic John Taylor & Company bellfoundry. | 0:10:54 | 0:10:59 | |
-Hi, how are you? -Hello. Pleased to meet you. | 0:10:59 | 0:11:02 | |
Foundry museum manager Alan Berry will ring out the story | 0:11:02 | 0:11:06 | |
of one of the oldest surviving industries still in existence. | 0:11:06 | 0:11:11 | |
So what's a foundry? | 0:11:11 | 0:11:13 | |
A foundry is where they melt metal and cast it into a mould to produce an object. | 0:11:13 | 0:11:19 | |
-And these are the moulds here? -These are the moulds. | 0:11:19 | 0:11:22 | |
# You can ring my bell | 0:11:22 | 0:11:26 | |
# Ring my bell... # | 0:11:26 | 0:11:28 | |
The mould for a bell is made of two parts, | 0:11:28 | 0:11:31 | |
between which molten bronze is poured. | 0:11:31 | 0:11:34 | |
Once it's cooled, the shape of the bell is created. | 0:11:34 | 0:11:38 | |
Part of making the inner mould's shape | 0:11:38 | 0:11:41 | |
is down to some very interesting ingredients. | 0:11:41 | 0:11:44 | |
-That's red sand, black sand, chopped hay and horse manure. -Horse manure? | 0:11:44 | 0:11:50 | |
Any particular horse manure? | 0:11:50 | 0:11:52 | |
No, it doesn't matter which horse! | 0:11:52 | 0:11:54 | |
This company, making bells since the 14th century, | 0:11:54 | 0:11:58 | |
has been in the hands of the Taylor family since 1784. | 0:11:58 | 0:12:02 | |
Nowadays this is the largest bellfoundry in the world, | 0:12:02 | 0:12:07 | |
with only one other like it in the UK. | 0:12:07 | 0:12:09 | |
What would be the biggest bell that you've made? | 0:12:09 | 0:12:13 | |
Great Paul was the largest bell made here. | 0:12:13 | 0:12:16 | |
And is that for St Paul's? | 0:12:16 | 0:12:18 | |
-St Paul's Cathedral. -How big was that? -16 tonnes. | 0:12:18 | 0:12:22 | |
The company's biggest customer is the Church of England, | 0:12:22 | 0:12:25 | |
including York Minster and Great St Mary's in Cambridge. | 0:12:25 | 0:12:30 | |
But one of their more unusual clients is rock group AC/DC. | 0:12:30 | 0:12:34 | |
Their one-tonne bell goes on tour with them all around the world. | 0:12:34 | 0:12:38 | |
Hell's bells! | 0:12:38 | 0:12:40 | |
You can feel the heat of that from here. That is really hot. | 0:12:40 | 0:12:44 | |
Bronze is made out of a mix of copper and tin. | 0:12:44 | 0:12:47 | |
This liquid is 1,200 degrees Celsius. | 0:12:47 | 0:12:50 | |
So it's all about being very careful. | 0:12:50 | 0:12:53 | |
How long does that take before it sets? | 0:12:54 | 0:12:58 | |
You would want it to cool as much as possible, | 0:12:58 | 0:13:00 | |
so it may be a few days before we take it out. | 0:13:00 | 0:13:03 | |
When it comes to the price tag, size matters. | 0:13:03 | 0:13:07 | |
If you look at a bell that size there, | 0:13:07 | 0:13:09 | |
are you looking at thousands of pounds, tens of thousands of pounds? | 0:13:09 | 0:13:14 | |
It would probably cost you eight to ten for a bell that size. | 0:13:14 | 0:13:18 | |
-But then you have all the other fittings to go with it. -We'd better look at those. | 0:13:18 | 0:13:22 | |
The next part of the process is tuning. | 0:13:24 | 0:13:27 | |
The bell is placed upside down and a lathe cuts metal from the inside. | 0:13:27 | 0:13:32 | |
This generates five different musical tones. | 0:13:32 | 0:13:35 | |
Nowadays this is measured by computer, but centuries ago, it was all done by tuning forks. | 0:13:36 | 0:13:42 | |
With the right tuning fork at the right pitch, | 0:13:42 | 0:13:46 | |
we strike the fork. You hear the fork. | 0:13:46 | 0:13:49 | |
AMPLIFIED TONE | 0:13:50 | 0:13:53 | |
That will energise the bell because it's the right pitch. | 0:13:53 | 0:13:56 | |
The bellfoundry here produces up to 100 bells a year. | 0:13:59 | 0:14:02 | |
They also maintain some of the country's most important historic bells in churches, | 0:14:02 | 0:14:08 | |
towers and cathedrals across the land. | 0:14:08 | 0:14:12 | |
A little-known fact, that. | 0:14:12 | 0:14:13 | |
All these things that you go round the countryside looking at | 0:14:13 | 0:14:17 | |
and you take them for granted. | 0:14:17 | 0:14:19 | |
All of a sudden it comes alive. I've had a fabulous time. | 0:14:19 | 0:14:22 | |
I think the horse manure is going to live with me though. | 0:14:22 | 0:14:25 | |
Oh, yes. Well, that's a good one. | 0:14:25 | 0:14:27 | |
Now, what of David? He's keen to squeeze in one last shop. | 0:14:27 | 0:14:33 | |
He's venturing 31 miles east to the town of Stamford in Lincolnshire. | 0:14:33 | 0:14:39 | |
In 1967, this became the first urban conservation area in England. | 0:14:39 | 0:14:45 | |
Not surprising considering most of the buildings are made of lovely Lincolnshire limestone. | 0:14:45 | 0:14:50 | |
Sir Walter Scott described the view of the town | 0:14:50 | 0:14:53 | |
as the finest between London and Edinburgh, | 0:14:53 | 0:14:56 | |
while more recently the BBC filmed the costume drama Middlemarch here. | 0:14:56 | 0:15:01 | |
David's dropping in on one of the town's most well-known | 0:15:02 | 0:15:05 | |
antiques centres, where over 70 dealers showcase their wares. | 0:15:05 | 0:15:09 | |
What I'll try and look for is something specific | 0:15:09 | 0:15:12 | |
like a small item of silver and concentrate on that | 0:15:12 | 0:15:15 | |
when I go in there, so at least I'm not distracted by porcelain | 0:15:15 | 0:15:18 | |
or anything else of that ilk. | 0:15:18 | 0:15:20 | |
On the last leg of the trip, David got lucky | 0:15:20 | 0:15:22 | |
thanks to a silver pencil case which made him a £55 profit. | 0:15:22 | 0:15:27 | |
I'm pleased but I'm actually not that pleased for you. | 0:15:28 | 0:15:31 | |
It looks like he's hoping to repeat that good fortune with something from here. | 0:15:31 | 0:15:37 | |
Right, what I want to see is one... | 0:15:37 | 0:15:41 | |
little item here. This is £26. | 0:15:41 | 0:15:44 | |
Well, this is quite a nice little object. | 0:15:44 | 0:15:47 | |
It was called a swizzle stick. | 0:15:47 | 0:15:48 | |
It's silver, it's stamped silver. | 0:15:48 | 0:15:51 | |
I think possibly continental or even American. | 0:15:51 | 0:15:53 | |
These prongs, which are retractable, | 0:15:53 | 0:15:56 | |
you'd use to take the bubbles out of champagne | 0:15:56 | 0:15:59 | |
or you might want to stir your pink gin. | 0:15:59 | 0:16:02 | |
Then at the other end you've got a little point which you could use for | 0:16:02 | 0:16:06 | |
an olive or anything that you'd have to eat at cocktail hour. | 0:16:06 | 0:16:11 | |
In 1933, engineer Jay Sindler invented the swizzle stick. | 0:16:11 | 0:16:17 | |
He was looking for a way to get the olive out of his Martini | 0:16:17 | 0:16:21 | |
without using his fingers. | 0:16:21 | 0:16:23 | |
In 1935, he was granted a patent. | 0:16:23 | 0:16:26 | |
Ever since the designs have become more and more elaborate, | 0:16:26 | 0:16:30 | |
like this very one from the 1940s. | 0:16:30 | 0:16:33 | |
-What's the very best price, please? -£20. -It's £20. | 0:16:36 | 0:16:39 | |
-Is that your very best? -18. | 0:16:39 | 0:16:42 | |
-15? -Ooh. 16? | 0:16:42 | 0:16:46 | |
No, £15, please. | 0:16:46 | 0:16:48 | |
-Painful. -15. -You can have it. | 0:16:48 | 0:16:50 | |
-Thank you very much. -That's two broken arms I've got! | 0:16:50 | 0:16:53 | |
As the day draws to a close, that's four items in the bag for David. | 0:16:56 | 0:17:00 | |
But he'll be keeping that information close to his chest, | 0:17:00 | 0:17:03 | |
as he and Philip head off for a spot of shut-eye. | 0:17:03 | 0:17:07 | |
Hello, Philip. How I've missed you. | 0:17:07 | 0:17:09 | |
Tell me how you got on first. | 0:17:09 | 0:17:12 | |
-Good day. -I've had a great day. -I haven't bought a great deal. | 0:17:12 | 0:17:15 | |
Liar! | 0:17:15 | 0:17:16 | |
-Are you ready for this? -Careful. You've got valuable cargo in here. | 0:17:16 | 0:17:21 | |
Ohhhh! This poor car. | 0:17:21 | 0:17:24 | |
Poor Amy. | 0:17:24 | 0:17:26 | |
Get some rest, gents. | 0:17:26 | 0:17:28 | |
It's still all to play for tomorrow. | 0:17:28 | 0:17:31 | |
It's a bright and breezy morning in Lincolnshire, | 0:17:31 | 0:17:34 | |
but this classic little Morris Minor is more used to David's sedate pace | 0:17:34 | 0:17:39 | |
than Philip's need for speed. | 0:17:39 | 0:17:41 | |
Amy, Amy doesn't want to go that fast. | 0:17:41 | 0:17:45 | |
-Amy is the same speed as you. -How long is that scarf? | 0:17:45 | 0:17:48 | |
Long enough to throttle you with. | 0:17:48 | 0:17:51 | |
David had a blistering, bargain-filled first day. | 0:17:51 | 0:17:55 | |
He spent just £30 on four items. | 0:17:55 | 0:17:57 | |
That leaves him a bumper £222.59 to play with. | 0:17:57 | 0:18:01 | |
While Philip's shopping was a tad more relaxed, he's spent even less. | 0:18:01 | 0:18:07 | |
£10 on one lot, giving him £213.57 to shop with today. | 0:18:07 | 0:18:13 | |
Good man. You're a gentleman. Thank you ever so much. | 0:18:13 | 0:18:16 | |
Philip has got ground to make up, so he's first to the shops. | 0:18:16 | 0:18:22 | |
Morning. | 0:18:22 | 0:18:23 | |
Visiting the same antiques centre in which David bought his swizzle stick. | 0:18:23 | 0:18:28 | |
As ever, Philip sniffs out something with a whiff of the unusual. | 0:18:28 | 0:18:33 | |
A set of drug jars that have stepped out from a 1920s pharmacy. | 0:18:33 | 0:18:37 | |
The thing that sells these is the labels on them. | 0:18:37 | 0:18:40 | |
Here we have spirit of Vini Meth, whatever Vini Meth is. | 0:18:40 | 0:18:45 | |
Sounds like some sort of... Not Vinnie Jones, is it? | 0:18:45 | 0:18:47 | |
Vini Meth, or methylated spirits, would have fuelled a lamp burner. | 0:18:47 | 0:18:51 | |
Calcium chloride was for skin infections, | 0:18:51 | 0:18:55 | |
while quinine sulphas treated malaria. | 0:18:55 | 0:18:58 | |
But as to why a pharmacist would have aviation fuel is a bit of a mystery. | 0:18:58 | 0:19:04 | |
Philip's interested in eight drug jars. | 0:19:04 | 0:19:07 | |
They can be very collectable. | 0:19:07 | 0:19:09 | |
Early drug jars that date back to the 17th century that are in pottery | 0:19:09 | 0:19:15 | |
with wonderful designs on them, they can be £4,000, £5,000, £6,000. | 0:19:15 | 0:19:19 | |
These aren't going to fall into that bracket. | 0:19:19 | 0:19:22 | |
Peter, can I ask you a question about these? | 0:19:22 | 0:19:24 | |
-Yes. -I've totted them up | 0:19:24 | 0:19:26 | |
and individually it comes out at £36 or £37. | 0:19:26 | 0:19:29 | |
We'll go 25 on those. | 0:19:29 | 0:19:33 | |
-Go on, I'll have them then. -Quick work, Philip. | 0:19:33 | 0:19:35 | |
It's not long before he spots another possibility. | 0:19:35 | 0:19:39 | |
This is quite interesting, because we've got a set of four lignum vitae | 0:19:39 | 0:19:43 | |
bowls here. | 0:19:43 | 0:19:46 | |
It's interesting cos these are numbered one, two, three, four, | 0:19:46 | 0:19:49 | |
and we've got another numbered set here. | 0:19:49 | 0:19:52 | |
They're a set of four bowls, | 0:19:52 | 0:19:55 | |
but actually they're not cos what we have are four pairs of bowls. | 0:19:55 | 0:20:00 | |
So number one and number one are one pair. | 0:20:00 | 0:20:04 | |
So whoever owns this stall has split them up and shouldn't really. | 0:20:04 | 0:20:07 | |
These bowls from the 1900s are made of lignum vitae, known as ironwood. | 0:20:07 | 0:20:14 | |
It was chosen for being hard-wearing and extremely strong. | 0:20:14 | 0:20:18 | |
For four sets of pairs, the price is £50. | 0:20:18 | 0:20:22 | |
What can those be bought for? | 0:20:22 | 0:20:24 | |
We'll say that's 20. | 0:20:24 | 0:20:25 | |
And those 20? That's 40. | 0:20:25 | 0:20:28 | |
So what about £35 for all of them? | 0:20:28 | 0:20:30 | |
-Or £30 for all of them. -35 for all of them. | 0:20:30 | 0:20:32 | |
£35? Yeah, I'm going to have those. | 0:20:32 | 0:20:35 | |
I should argue more but I think those are cheap. | 0:20:35 | 0:20:38 | |
Mental note, buy smaller things. Lord above! | 0:20:38 | 0:20:42 | |
While Philip heads further afield to continue his quest for more bargains, | 0:20:42 | 0:20:48 | |
David's off on an adventure. | 0:20:48 | 0:20:50 | |
He's travelling eight miles west to Rutland Water. | 0:20:50 | 0:20:55 | |
This is home to Europe's largest man-made lake. | 0:20:55 | 0:20:59 | |
-Is this our boat? -It is. -Will you show me round? | 0:20:59 | 0:21:03 | |
-I will, certainly. -After you. | 0:21:03 | 0:21:05 | |
Local historian Bryan Waites is taking David across the water | 0:21:05 | 0:21:09 | |
to find out the incredible story behind the creation of this reservoir. | 0:21:09 | 0:21:15 | |
In the 1970s, there was a need for water | 0:21:15 | 0:21:18 | |
in the growing towns of Corby and Peterborough and Northampton. | 0:21:18 | 0:21:23 | |
So this was one of the most suitable places. | 0:21:23 | 0:21:26 | |
There was even clay nearby to build the dam | 0:21:28 | 0:21:31 | |
and the rivers Welland and Nene were close enough to supply the water. | 0:21:31 | 0:21:36 | |
Were there any farms or villages submerged? | 0:21:36 | 0:21:39 | |
There were about 16 farms that had to be destroyed, really. | 0:21:39 | 0:21:43 | |
There were two smaller villages that were affected. | 0:21:43 | 0:21:47 | |
One disappeared entirely at Lower Hambleton | 0:21:47 | 0:21:50 | |
and Middle Hambleton half disappeared, really. | 0:21:50 | 0:21:53 | |
The other location threatened with submergence | 0:21:53 | 0:21:58 | |
was the stunning Normanton Church. | 0:21:58 | 0:22:01 | |
It was there for many centuries before the water ever came. | 0:22:01 | 0:22:05 | |
In order to protect it, they had to half fill it with cement | 0:22:05 | 0:22:09 | |
because the water level would have flooded the church. | 0:22:09 | 0:22:13 | |
The floor of the church was raised up to window level. | 0:22:13 | 0:22:16 | |
Outside, a bank was built to protect the building | 0:22:16 | 0:22:19 | |
and a new causeway provided access from the shoreline. | 0:22:19 | 0:22:22 | |
Better to keep it in situ than to move it to another site, I think. | 0:22:22 | 0:22:27 | |
The majority of what we see today | 0:22:27 | 0:22:29 | |
was built for the Earl of Ancaster in the 1800s. | 0:22:29 | 0:22:34 | |
-From a distance it looks so Italian. -It does, really. Exactly. | 0:22:34 | 0:22:38 | |
You follow through the Roman architectural detail. | 0:22:38 | 0:22:42 | |
So you've got the Ionic columns at the bottom and then the Corinthian ones at the top. | 0:22:42 | 0:22:47 | |
Yes, well spotted. | 0:22:47 | 0:22:49 | |
Normanton Church was deconsecrated in 1970 | 0:22:49 | 0:22:53 | |
when the trust for its protection was first set up. | 0:22:53 | 0:22:58 | |
Now a museum, it tells the story | 0:22:59 | 0:23:02 | |
of the creation of the reservoir, attracting over 30,000 visitors a year. | 0:23:02 | 0:23:07 | |
It's very, very elegant. | 0:23:07 | 0:23:08 | |
-Like some Venetian building. -It is indeed. | 0:23:08 | 0:23:11 | |
Floating on the water, really. | 0:23:11 | 0:23:13 | |
Meanwhile, Philip's arrived in Wymondham, | 0:23:19 | 0:23:21 | |
following a 16 mile journey north from Stamford. | 0:23:21 | 0:23:25 | |
You've got a fabulous shop here. | 0:23:25 | 0:23:28 | |
Dealer Tina Bryan has everything from tableware and kitchenalia | 0:23:28 | 0:23:32 | |
to furniture, stained glass and brass. | 0:23:32 | 0:23:34 | |
I'm not going to look at price. I'm going to adopt a different policy. | 0:23:34 | 0:23:38 | |
If I walk round and I just bid you for things, you can either | 0:23:38 | 0:23:42 | |
throw me out the shop or say, "Well, we might like to talk a bit more." | 0:23:42 | 0:23:45 | |
I'll have a wander round. | 0:23:45 | 0:23:47 | |
-Lord above. -Indeed, Philip. | 0:23:49 | 0:23:52 | |
Tina's shop is lovely, and judging by her stock, she's got a good eye. | 0:23:52 | 0:23:56 | |
It could be a struggle to get her to lower her prices though. | 0:23:56 | 0:24:00 | |
I can see this is going to be quite tough with you, Madam. | 0:24:00 | 0:24:03 | |
This is like an early vacuum cleaner, isn't it? | 0:24:03 | 0:24:06 | |
You got hold of that, like that. | 0:24:06 | 0:24:08 | |
Then you just created a vacuum like that. | 0:24:08 | 0:24:11 | |
It sounds like David Barby breathing, doesn't it? | 0:24:11 | 0:24:16 | |
Nice gag, but I don't think it's really for you. | 0:24:16 | 0:24:19 | |
Time is pushing on. | 0:24:19 | 0:24:21 | |
-Tina, these are nice, aren't they? -The saucepans. | 0:24:21 | 0:24:24 | |
-Bit old hat, aren't they? -They are. | 0:24:24 | 0:24:26 | |
-Popular. -He said old hat, Tina. | 0:24:26 | 0:24:28 | |
Not must-have. | 0:24:28 | 0:24:30 | |
Lord above! | 0:24:30 | 0:24:32 | |
These brass pans are Victorian. | 0:24:32 | 0:24:35 | |
A modern tip for cleaning pans like these is tomato ketchup. | 0:24:35 | 0:24:39 | |
Leave it on for 30 minutes and bingo. They come up sparkling. | 0:24:39 | 0:24:43 | |
Philip's right though, these are not as popular as they used to be. | 0:24:43 | 0:24:47 | |
At £28 each, he needs to be firm. | 0:24:47 | 0:24:50 | |
-£10 each. -On the brass pans? -Yeah. | 0:24:50 | 0:24:54 | |
-OK. -Yeah? | 0:24:54 | 0:24:56 | |
I want two. Is that all right? | 0:24:56 | 0:24:57 | |
That's all right. That's fine. | 0:24:57 | 0:24:59 | |
Ooh, I'll put these by. | 0:24:59 | 0:25:01 | |
I think Tina's taken pity on you, Philip. | 0:25:01 | 0:25:05 | |
How they land aircraft with these. It's incredible! | 0:25:05 | 0:25:08 | |
This is for getting bread out the oven, isn't it? | 0:25:08 | 0:25:11 | |
-That's right, yes. -I bet the local pizza parlour could still use this. | 0:25:11 | 0:25:15 | |
Yeah, I bet they could actually. | 0:25:15 | 0:25:17 | |
Philip is once again proving he likes to think outside the box. | 0:25:17 | 0:25:21 | |
He's already bagged the pharmacy jars, | 0:25:21 | 0:25:24 | |
and on the last leg of the trip it was ostrich eggs from the butchers. | 0:25:24 | 0:25:28 | |
I think this one's been cut off a bit, hasn't it? | 0:25:28 | 0:25:32 | |
Maybe it was for a short person. | 0:25:32 | 0:25:35 | |
What a saleslady. What a girl! | 0:25:35 | 0:25:37 | |
These are from the 1900s. | 0:25:37 | 0:25:39 | |
The shovel might be French and would have been vital | 0:25:39 | 0:25:42 | |
in the making of bread in a boulangerie. | 0:25:42 | 0:25:45 | |
The rake? Well, ideal for any jobs in the garden, really. | 0:25:45 | 0:25:49 | |
For the two of them, Tina wants £35. | 0:25:49 | 0:25:53 | |
Right, one-off deal. | 0:25:53 | 0:25:54 | |
I'll give you £25 for the two. That's it finished. No more. | 0:25:54 | 0:25:57 | |
OK, right. | 0:25:57 | 0:25:59 | |
-That's fair. -Really? | 0:25:59 | 0:26:01 | |
-Good girl. Pleased with those. -There you are. | 0:26:01 | 0:26:04 | |
You are a good sport, Tina, because Philip's the real rake here, isn't he? | 0:26:04 | 0:26:08 | |
Ha-ha! Couldn't resist it. | 0:26:08 | 0:26:10 | |
David and Amy the Morris Minor are enjoying some peace and quiet in the English countryside. | 0:26:12 | 0:26:17 | |
They're on a quick seven-mile trip to nearby Uppingham. | 0:26:17 | 0:26:22 | |
It's most famous for its rather spiffing independent school | 0:26:22 | 0:26:26 | |
and is a market town in Rutland, the smallest county in England. | 0:26:26 | 0:26:30 | |
David is fitting in one last shop before the chaps reconvene to reveal their wares. | 0:26:30 | 0:26:36 | |
He's immediately attracted to this. | 0:26:36 | 0:26:40 | |
This is for drawing lots. | 0:26:40 | 0:26:42 | |
So you have all the numbers there on the balls. | 0:26:42 | 0:26:45 | |
You give it a turn like that and you operate something underneath here. | 0:26:45 | 0:26:50 | |
Out would drop one of the balls. | 0:26:50 | 0:26:52 | |
That is quite nice. What I like about it, it's all brass | 0:26:52 | 0:26:56 | |
and it's got its original little lot there. | 0:26:56 | 0:26:59 | |
This is Edwardian, an era where craftsmanship was all about a quality finish. | 0:26:59 | 0:27:05 | |
The globe was probably used for drawing lottery numbers locally, | 0:27:05 | 0:27:09 | |
perhaps at a gentlemen's club, perhaps for prizes or even bingo. | 0:27:09 | 0:27:14 | |
I like that. Oh, not so keen on the price though. | 0:27:14 | 0:27:18 | |
That's £195. | 0:27:18 | 0:27:21 | |
But isn't it nice? | 0:27:21 | 0:27:22 | |
True to form, David's going to try and get shop owner Nick Grindley to slash the price. | 0:27:22 | 0:27:28 | |
I really want your very best on that, please. | 0:27:28 | 0:27:31 | |
Right, the very best on it would be 150. | 0:27:31 | 0:27:36 | |
150. That's a bit more than I wanted to pay. | 0:27:36 | 0:27:38 | |
Ah. This will be my last figure, and the last figure is 140. That's it. | 0:27:38 | 0:27:44 | |
What a dilemma. I'm going to make that awful decision | 0:27:44 | 0:27:47 | |
on buying an expensive item and keeping my fingers crossed | 0:27:47 | 0:27:51 | |
and hoping that it's going to make a profit. | 0:27:51 | 0:27:53 | |
And I think I shall go with the... | 0:27:53 | 0:27:57 | |
lottery ball. That is such fun. Thank you very much indeed. | 0:27:57 | 0:28:01 | |
OK. Pleasure. Good doing business with you. | 0:28:01 | 0:28:03 | |
It's been a whale of a tour across Leicestershire, | 0:28:04 | 0:28:08 | |
Lincolnshire and Rutland - all for the purpose of buying antiques. | 0:28:08 | 0:28:12 | |
Now our boys must reveal those wares to one another. | 0:28:12 | 0:28:17 | |
-Come on then, Barbs, surprise me. -This is my first, OK? | 0:28:17 | 0:28:20 | |
-What do you think? -Is it skittles? | 0:28:22 | 0:28:24 | |
It's ninepins. And I've got the original cheeses. Look at that. | 0:28:24 | 0:28:29 | |
-What's a cheese? -This is what you roll at them. | 0:28:29 | 0:28:31 | |
-Is it? Are they not round? -They're not round. | 0:28:31 | 0:28:34 | |
I think that that little lot would make... | 0:28:34 | 0:28:37 | |
£20 to £30. | 0:28:37 | 0:28:39 | |
-Oh. -Go on, what did you pay? -Oh, dear. | 0:28:39 | 0:28:43 | |
-No, you're fine, I know you. Go on, what did you pay? -Fiver. -You're home and hosed! | 0:28:43 | 0:28:48 | |
A little seal, and a little nib wiper. | 0:28:48 | 0:28:52 | |
-Oh, that's sweet. -Go on, how much was that lot then? | 0:28:52 | 0:28:55 | |
The whole lot? | 0:28:55 | 0:28:57 | |
-Yes. -Probably in the region of £8-£10. | 0:28:57 | 0:28:59 | |
I paid a tenner for it, yeah. | 0:28:59 | 0:29:01 | |
What do you think it will make, a profit? | 0:29:01 | 0:29:03 | |
-I think it will make 15-18. -Oh, that'll do. | 0:29:03 | 0:29:06 | |
That's for stirring your cocktail with. | 0:29:06 | 0:29:08 | |
Or getting bubbles out of champagne. | 0:29:08 | 0:29:11 | |
You see we can't afford champagne where I come from. | 0:29:11 | 0:29:14 | |
-I think that's really quite sweet. What did you pay for it? -15. | 0:29:14 | 0:29:17 | |
-Oh, that's all right, isn't it? Are you ready for this, Barbs? -Yep. | 0:29:17 | 0:29:22 | |
-Job lot. -Yeah? -25 quid. What do you think? | 0:29:22 | 0:29:24 | |
I think that's very good actually. | 0:29:24 | 0:29:26 | |
People love collecting these pharmaceuticals. | 0:29:26 | 0:29:29 | |
-Do you think I'll do all right with those? -I think they are quite nice, I like those immensely. | 0:29:29 | 0:29:34 | |
Right, my next object. | 0:29:34 | 0:29:36 | |
-You push it down, it pops up again. -Really? Oh, yeah. | 0:29:36 | 0:29:39 | |
-There's still a vacuum there. -Yeah. Go on, you paid 20 quid for it? | 0:29:39 | 0:29:43 | |
-Five. -Yeah, that's cheap enough. | 0:29:43 | 0:29:45 | |
Rolling on, then, Philip's bowls. | 0:29:45 | 0:29:48 | |
I bought the four pairs for £35, which I thought was really cheap. | 0:29:48 | 0:29:52 | |
-I think that's cheap. It's lignum vitae, isn't it? -Yeah. | 0:29:52 | 0:29:56 | |
It's the wood that is more valuable than the actual bowls themselves. | 0:29:56 | 0:30:00 | |
All polished up, David's copper tray. | 0:30:00 | 0:30:03 | |
-You probably bought that for a fiver? -Yeah. | 0:30:03 | 0:30:06 | |
-It's cheap at a fiver. -Isn't it? | 0:30:06 | 0:30:08 | |
But it was black, but I love those sort of intertwining leaves, very much like William Morris. | 0:30:08 | 0:30:14 | |
It's very nice. Isn't it lovely? | 0:30:14 | 0:30:16 | |
-Oh, it's beautiful, Barbs. -Oh, God, I adore that. | 0:30:16 | 0:30:19 | |
-I'm moved. -How much do you think it's going to make? | 0:30:19 | 0:30:22 | |
-You'll make 30 quid on that one. -Yeah. | 0:30:22 | 0:30:24 | |
Out of everything you've bought, is there one thing that you thought, "I'm not sure?" | 0:30:24 | 0:30:28 | |
-Yeah. -This is mine. When I started, copper kettles were | 0:30:28 | 0:30:31 | |
£90 and £100 or £105, now they're £10 or £15 each, aren't they? | 0:30:31 | 0:30:37 | |
I paid £20 for the two. | 0:30:37 | 0:30:39 | |
I might be in with a bit of a shout, mightn't I? | 0:30:39 | 0:30:42 | |
Those are quite nice. | 0:30:42 | 0:30:43 | |
Could David's lottery ball dispenser be his mistake? | 0:30:43 | 0:30:47 | |
Have a go. | 0:30:47 | 0:30:49 | |
Isn't it wonderful? | 0:30:53 | 0:30:55 | |
And the winning number is number 11! | 0:30:55 | 0:30:59 | |
Look out, Dale Winton. How much was that, Barbs? I wouldn't have a clue. | 0:30:59 | 0:31:03 | |
I think he's daft enough to give 55 or 60 quid for it. | 0:31:03 | 0:31:07 | |
-Ha! Just double it. -You paid £120 for it? -£140. -Oh, well! | 0:31:07 | 0:31:11 | |
Time for Philip's rake and shovel combo. | 0:31:11 | 0:31:15 | |
I think this has had some re-carving. | 0:31:15 | 0:31:17 | |
Well, they would have got burnt. | 0:31:17 | 0:31:19 | |
Well, yeah, I think this was a rectangular one, | 0:31:19 | 0:31:23 | |
and has been made into an oval one. Now this I think is interesting. | 0:31:23 | 0:31:28 | |
-Yeah, it's a rake, isn't it? -Yeah, but it's a combination | 0:31:28 | 0:31:32 | |
of various components actually. | 0:31:32 | 0:31:34 | |
Yeah - it's a wooden rake and a metal rake. | 0:31:34 | 0:31:36 | |
-Well, that's where the metal rake would have been. -Here, yeah. | 0:31:36 | 0:31:39 | |
And they've used the shaft. | 0:31:39 | 0:31:41 | |
-So I think the whole thing has been revamped. -I paid £25 for the two. | 0:31:41 | 0:31:46 | |
Well, I wish you the best of luck. | 0:31:46 | 0:31:48 | |
-I'm sure you'll do well with them. -Yes, I'd like to say the same. | 0:31:48 | 0:31:51 | |
I didn't, but I'd like to. | 0:31:51 | 0:31:53 | |
Oh, he is a rotter! What's the real verdict? | 0:31:53 | 0:31:56 | |
I didn't like the rake, because it had been heavily restored | 0:31:56 | 0:32:00 | |
and cleaned and it didn't have the natural feel about it. | 0:32:00 | 0:32:03 | |
I also think the same with the paddle, which should have been rectangular. | 0:32:03 | 0:32:08 | |
His tombola thing, erm... | 0:32:08 | 0:32:11 | |
I think that's a huge gamble, and he could conceivably lose £100 on that. | 0:32:11 | 0:32:16 | |
I think from Philip's objects, | 0:32:16 | 0:32:18 | |
all of them have a potential profit margin, except for the sealing wax. | 0:32:18 | 0:32:23 | |
But you can never tell. | 0:32:23 | 0:32:25 | |
No, you cannot. This leg of the road trip is now drawing to an end. | 0:32:26 | 0:32:30 | |
Our experts have whizzed around the East Midlands | 0:32:30 | 0:32:33 | |
taking in high spots like Sileby, | 0:32:33 | 0:32:36 | |
Loughborough, Stamford, Rutland Water, | 0:32:36 | 0:32:39 | |
Wymondham and Uppingham. | 0:32:39 | 0:32:41 | |
Now they're zooming way out east to Aylsham in Norfolk for the auction. | 0:32:41 | 0:32:46 | |
Aylsham is slap bang in the middle of the Garden of Norfolk. | 0:32:48 | 0:32:52 | |
It's a thriving rural community that enjoys a busy weekly auction market. | 0:32:52 | 0:32:57 | |
Good news, chaps! | 0:32:57 | 0:33:00 | |
-Well, here we are before your very eyes. -Are you ready, Barbs? | 0:33:00 | 0:33:04 | |
-Yeah. -I'm going to have to get something for my nerves. | 0:33:04 | 0:33:06 | |
It's the custard jacket, isn't it? | 0:33:06 | 0:33:09 | |
Let's hope David doesn't try to sell that! | 0:33:09 | 0:33:12 | |
Keys Auctions, in business since 1953, is a busy sale room. | 0:33:13 | 0:33:19 | |
Today is a general sale, so anything goes. | 0:33:19 | 0:33:21 | |
Auctioneer Henry Hammond is the man in charge, | 0:33:21 | 0:33:24 | |
and he's discovered something interesting. | 0:33:24 | 0:33:27 | |
-Your tray has hope, sir. -Oh, thank goodness for that! | 0:33:27 | 0:33:30 | |
Hope. Keswick School of Industrial Arts, | 0:33:30 | 0:33:33 | |
which you may or may not have noticed at the time of purchase... | 0:33:33 | 0:33:36 | |
It was black when I bought it, absolutely black. | 0:33:36 | 0:33:39 | |
How much do you think? | 0:33:39 | 0:33:40 | |
-We may make £100. -Ah! | 0:33:40 | 0:33:43 | |
Thank you very much, that would be absolutely super! | 0:33:43 | 0:33:46 | |
Keswick School of Industrial Art was highly respected | 0:33:47 | 0:33:51 | |
during the Arts and Crafts period. | 0:33:51 | 0:33:53 | |
It just goes to show that a spot of polish really can unearth a treasure. | 0:33:53 | 0:33:57 | |
Both our gents have bought five lots. David began this leg with £252.59. | 0:34:01 | 0:34:06 | |
He's spent £170 on the atomiser, the ninepins, the swizzle stick, | 0:34:06 | 0:34:11 | |
the brass lottery globe | 0:34:11 | 0:34:13 | |
and what transpires to be a Keswick copper tray. | 0:34:13 | 0:34:17 | |
While Philip started out with £223.57. | 0:34:20 | 0:34:24 | |
He's splashed out £115 on the wax sealing set and pen wipe, | 0:34:24 | 0:34:30 | |
the glass jars, the hardwood bowls, | 0:34:30 | 0:34:33 | |
the brass saucepans and the bread shovel and rake. | 0:34:33 | 0:34:37 | |
What a mixture! | 0:34:37 | 0:34:38 | |
It's eyes to the front for the man with the gavel. | 0:34:38 | 0:34:41 | |
We all know a nod's as good as a wink to him! | 0:34:41 | 0:34:44 | |
Well, this is it, Barbs. This could be trouble. | 0:34:44 | 0:34:46 | |
Philip's bread shovel and rake are up first. | 0:34:46 | 0:34:50 | |
£30 for them? £20 then? | 0:34:50 | 0:34:53 | |
-£10 then anyone? Fiver then anyone? -I think we're up here. | 0:34:53 | 0:34:57 | |
At five, bid now. Six, at six, at eight now, at ten... | 0:34:57 | 0:35:00 | |
At ten, at 12 now. At 12, at 15... | 0:35:00 | 0:35:03 | |
At 15, anybody else at 15, 18 at the front then, at 18. | 0:35:03 | 0:35:07 | |
20, 22, 25. 25? | 0:35:07 | 0:35:11 | |
£25 and done, then. | 0:35:11 | 0:35:13 | |
That's just cost me the commission! | 0:35:13 | 0:35:17 | |
That's right. Philip might have broken even, | 0:35:17 | 0:35:20 | |
but he still has the auction costs to think about. | 0:35:20 | 0:35:23 | |
-Well, that's not too bad. -It's all working out well, isn't it? | 0:35:23 | 0:35:27 | |
-Never mind, the brass saucepans might fair better. -£20 for them? | 0:35:27 | 0:35:33 | |
£10 then... Fiver, then, anyone. Anyone for a fiver? | 0:35:33 | 0:35:36 | |
Five bid now. In the doorway, then. Six now... | 0:35:36 | 0:35:40 | |
Oh, we're racing away. | 0:35:40 | 0:35:42 | |
At 10. Middle row then, at 10. | 0:35:42 | 0:35:44 | |
I should have bought a tin of beans and put it in them! | 0:35:44 | 0:35:47 | |
£10 and done, then. | 0:35:47 | 0:35:49 | |
Crash and burn. | 0:35:49 | 0:35:51 | |
He's lost half their cost - proving items like these | 0:35:51 | 0:35:56 | |
are not as fashionable as they used to be. | 0:35:56 | 0:35:59 | |
Now for David's ninepins. | 0:35:59 | 0:36:02 | |
Then we're onto lot 184... | 0:36:02 | 0:36:04 | |
My lot, my lot. | 0:36:04 | 0:36:06 | |
£10 we're bid to start. At 10 now, | 0:36:06 | 0:36:08 | |
12, 15, 18. | 0:36:08 | 0:36:11 | |
20, 22, 25, 28, 30, | 0:36:11 | 0:36:15 | |
32, 35, 38, | 0:36:15 | 0:36:18 | |
40, 42. | 0:36:18 | 0:36:20 | |
42, 45. 45, 48. 48, 50. | 0:36:20 | 0:36:24 | |
Five, 55, 60, five. | 0:36:24 | 0:36:28 | |
70, five, 75, 80. Five. | 0:36:28 | 0:36:32 | |
90, five, 95, 100. | 0:36:32 | 0:36:36 | |
105. 110. 110 in the front. | 0:36:36 | 0:36:39 | |
Christopher Columbus! | 0:36:39 | 0:36:40 | |
I just don't believe this. | 0:36:40 | 0:36:44 | |
120, five, on the wall, then, at 125... | 0:36:44 | 0:36:47 | |
-On the wall? More like off the wall. -At £125 and done then... | 0:36:47 | 0:36:52 | |
-Oh, my...! -I'm going to shove one of those... | 0:36:52 | 0:36:55 | |
Sorry, could you just remind me what it was? | 0:36:55 | 0:36:58 | |
I lost the will to live at 100 quid. | 0:36:58 | 0:37:00 | |
That's a smashing return of £120 before commission. | 0:37:00 | 0:37:05 | |
Was that good? That was really good! | 0:37:05 | 0:37:08 | |
Time for Philip's sealing set and pen wipe. | 0:37:09 | 0:37:14 | |
Maybe these will change his fortunes. | 0:37:14 | 0:37:16 | |
At £30 for it. £20 then. | 0:37:16 | 0:37:20 | |
Oh, Henry Hell. | 0:37:20 | 0:37:21 | |
10 bid now, 12, 15, 18, 20, two, 25. | 0:37:21 | 0:37:26 | |
Anybody else? In the front. £25 and done then... | 0:37:26 | 0:37:31 | |
A profit, and about time, too. | 0:37:31 | 0:37:34 | |
But he needs a whole lot more to stay in the game. | 0:37:34 | 0:37:38 | |
You've got £15 profit on that, and it will increase, don't worry. | 0:37:38 | 0:37:41 | |
Very generous of him! Anyway, let's hope so. Roll on, David's atomiser. | 0:37:41 | 0:37:47 | |
£20 for it. £10 then. | 0:37:47 | 0:37:50 | |
Fiver, then. £5, at 6 now... At 6. | 0:37:50 | 0:37:54 | |
At 8, at 8, at 10... | 0:37:54 | 0:37:57 | |
At 12 now, in the front then, at 12. | 0:37:57 | 0:38:00 | |
At 15 now. At 15. | 0:38:00 | 0:38:02 | |
18? 18, right in the front. | 0:38:02 | 0:38:04 | |
Anybody else? £18 and done then... | 0:38:04 | 0:38:09 | |
That's disappointing. | 0:38:09 | 0:38:11 | |
"Oh, that's disappointing."(!) | 0:38:11 | 0:38:13 | |
Yes, David! But it's still a profit. | 0:38:13 | 0:38:16 | |
Not to be sniffed at. Ha! | 0:38:16 | 0:38:18 | |
I thought it would have done | 0:38:18 | 0:38:19 | |
-at least 20. -Ha! | 0:38:19 | 0:38:22 | |
Let's see how your swizzle stick tickles the bidders. | 0:38:22 | 0:38:26 | |
£10 for it, at five bid now, at £5, | 0:38:26 | 0:38:29 | |
at six now, at eight, at eight, at 10, | 0:38:29 | 0:38:32 | |
at 12, at 15, at 18, | 0:38:32 | 0:38:36 | |
20, 22, 22 in the front then. | 0:38:36 | 0:38:39 | |
25, 25, anybody else at £25? | 0:38:39 | 0:38:42 | |
That must be awfully disappointing(!) | 0:38:42 | 0:38:45 | |
-It is, actually. -So disappointing. -How much did that make? -£25. | 0:38:45 | 0:38:48 | |
25, thank you. | 0:38:48 | 0:38:50 | |
Now, now, no need for handbags at dawn, girls. | 0:38:50 | 0:38:54 | |
Although David is romping ahead. | 0:38:54 | 0:38:56 | |
Don't worry, you'll rejoice when the hamster cage is up. | 0:38:56 | 0:38:59 | |
That's exactly right. | 0:38:59 | 0:39:01 | |
David's brass lottery globe could go either way. | 0:39:01 | 0:39:05 | |
£100 for it. Very unusual thing. £50 then. | 0:39:05 | 0:39:09 | |
£30, then. 30 bid now. At 30, | 0:39:09 | 0:39:13 | |
at 32 now. | 0:39:13 | 0:39:15 | |
35, 35, in the doorway then at 35. | 0:39:15 | 0:39:19 | |
Anybody else? In the doorway then... | 0:39:19 | 0:39:21 | |
Oh, goodness me. | 0:39:21 | 0:39:23 | |
38, 40, two, 45, 48, 50. | 0:39:23 | 0:39:28 | |
Anybody else? | 0:39:28 | 0:39:29 | |
£50 and done then... | 0:39:29 | 0:39:32 | |
Oh, as I expected. | 0:39:32 | 0:39:34 | |
Yes! | 0:39:39 | 0:39:40 | |
Ha! It's bombed - with a £90 loss. | 0:39:40 | 0:39:45 | |
David's gamble didn't pay off. | 0:39:45 | 0:39:47 | |
That cancels out my gain of 100 earlier on. | 0:39:47 | 0:39:50 | |
Oh, gosh. "That cancels out my gain of 100 earlier on!" Ohhhh! | 0:39:50 | 0:39:56 | |
Mind your Marjory manners, Philip! | 0:39:56 | 0:39:59 | |
No-one likes a Rosemary rude, | 0:39:59 | 0:40:02 | |
especially as your glass jars are on display next. | 0:40:02 | 0:40:06 | |
£30 for them. £20 then. | 0:40:06 | 0:40:09 | |
£10 then anyone. Fiver then, anyone. | 0:40:09 | 0:40:12 | |
-Help! -Five bid now, at £5. | 0:40:12 | 0:40:14 | |
At £5, at six, then. | 0:40:14 | 0:40:17 | |
At six, at eight. At eight, at ten. | 0:40:17 | 0:40:20 | |
At ten, at 12, right in the front then, at 12. | 0:40:20 | 0:40:23 | |
At £12 and done then... | 0:40:23 | 0:40:27 | |
Another loss. Not great. | 0:40:27 | 0:40:30 | |
This just isn't Philip's day. | 0:40:30 | 0:40:33 | |
-How much have I lost today, Barbs? -Erm, so far only £26. | 0:40:33 | 0:40:36 | |
It's like the Wall Street Crash. | 0:40:36 | 0:40:39 | |
Let's hope his hardwood bowls play better. | 0:40:39 | 0:40:42 | |
Lot 389... | 0:40:42 | 0:40:44 | |
Smile, even if you lose. | 0:40:44 | 0:40:46 | |
..together with two jacks there. | 0:40:46 | 0:40:48 | |
All that lot there, £30 for it. | 0:40:48 | 0:40:51 | |
£20 then. £10 then to start... | 0:40:51 | 0:40:53 | |
-Oh, I am staggered. -10 bid now, at £10. £12. 15, 18. | 0:40:53 | 0:40:59 | |
-20... -OK, come on, a bit more. -22. | 0:40:59 | 0:41:02 | |
You two are right together, bidding. | 0:41:02 | 0:41:05 | |
At 22, 25, 28 now. | 0:41:05 | 0:41:07 | |
At 28, anybody else at 28? | 0:41:07 | 0:41:09 | |
30. At 30. | 0:41:09 | 0:41:11 | |
32, 32, 35, 35 - anybody else at 35? | 0:41:11 | 0:41:17 | |
At £35 and done then... | 0:41:17 | 0:41:21 | |
Ah, dear, I'm so disappointed for you, Philip. I really, really am. | 0:41:21 | 0:41:25 | |
It's just a lot of bowls, this - another loss after commission. | 0:41:25 | 0:41:30 | |
If I wasn't in the same car as you, I'd let your tyres down. | 0:41:30 | 0:41:33 | |
Now for the last lot of the day - David's repousser copper tray. | 0:41:33 | 0:41:38 | |
If there's an Arts and Crafts buff out there, this could clean up. | 0:41:38 | 0:41:43 | |
Lot 403 is the late 19th century Arts and Crafts copper tray, | 0:41:43 | 0:41:48 | |
-bearing Keswick School of Industrial Art... -Yes! -..stamp to it. | 0:41:48 | 0:41:53 | |
At 50, bid now, at 50. | 0:41:53 | 0:41:54 | |
-I'm going to go and cry. -Shh, shh. | 0:41:54 | 0:41:57 | |
At the back then, 65... | 0:41:57 | 0:41:59 | |
-Ah, it's been a great day. -Shh! | 0:41:59 | 0:42:00 | |
80, five, 90, five, | 0:42:00 | 0:42:04 | |
100, 105, 110, 115... | 0:42:04 | 0:42:07 | |
Can you stop digging me in the ribs? I can't stand this any more. | 0:42:07 | 0:42:11 | |
I'm going to be ill! | 0:42:11 | 0:42:12 | |
I can't do this any more! | 0:42:12 | 0:42:15 | |
200, 200, in the front then, at 200. | 0:42:15 | 0:42:18 | |
Anybody else? In the front, then... | 0:42:18 | 0:42:20 | |
Surely there's another bid. | 0:42:20 | 0:42:22 | |
£200 and done then... | 0:42:22 | 0:42:24 | |
That's just made my day, it's been perfect all the way round. | 0:42:24 | 0:42:27 | |
Thank you so much! | 0:42:27 | 0:42:28 | |
Ha-ha-ha(!) Before commission, that's an incredible profit. | 0:42:28 | 0:42:33 | |
And it only cost David a fiver. | 0:42:33 | 0:42:36 | |
Oh, what a splendid day, I really have enjoyed it. | 0:42:36 | 0:42:39 | |
-Yes, it's been great fun, hasn't it? -Yeah. Ha-ha! | 0:42:39 | 0:42:43 | |
Ha-ha! What a disappointing auction for Philip, though. | 0:42:43 | 0:42:46 | |
After paying the auction house costs, he's made a loss of £26.86, | 0:42:46 | 0:42:53 | |
leaving him with just £196.71 to go on with. | 0:42:53 | 0:42:57 | |
Champion for the second time this week is David Barby. | 0:43:01 | 0:43:05 | |
After paying commission, he's made a profit of £174.33, | 0:43:05 | 0:43:11 | |
giving him a whopping £426.92 to start the next show. | 0:43:11 | 0:43:16 | |
Never mind, tomorrow is another day. How sweet! | 0:43:19 | 0:43:25 | |
Next time on Antiques Road Trip, | 0:43:25 | 0:43:26 | |
Philip tries to claw back those losses. | 0:43:26 | 0:43:30 | |
I've tried to pull every trick in the book! | 0:43:30 | 0:43:32 | |
And David gets even cheekier, if it's possible, | 0:43:32 | 0:43:34 | |
when it comes to slashing prices. | 0:43:34 | 0:43:37 | |
-Can we round it off at 20?! -HE LAUGHS | 0:43:37 | 0:43:39 | |
This is being quite painful! | 0:43:39 | 0:43:41 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:01 | |
E-mail [email protected] | 0:44:01 | 0:44:03 |