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The nation's favourite antiques experts, | 0:00:02 | 0:00:03 | |
£200 each and one big challenge. | 0:00:03 | 0:00:05 | |
Testing, testing... | 0:00:05 | 0:00:07 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:07 | 0:00:11 | |
£35 cash. | 0:00:11 | 0:00:13 | |
The aim is to trade up and hope each item turns a profit. | 0:00:13 | 0:00:16 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:16 | 0:00:20 | |
Could you sell me two for a tenner? | 0:00:20 | 0:00:21 | |
Two for a tenner?! | 0:00:21 | 0:00:22 | |
So will it be the highway to success or the B road to bankruptcy? | 0:00:22 | 0:00:27 | |
I'm on my knees already. | 0:00:27 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
On the road this week two 'grands fromages' of the antique world - | 0:00:38 | 0:00:42 | |
David Barby and Philip Serrell. | 0:00:42 | 0:00:44 | |
I cannot believe we are doing 60 in this car. | 0:00:44 | 0:00:46 | |
I can't believe we are doing half that! | 0:00:46 | 0:00:48 | |
They're living it up in a 1971 Morris Minor Convertible. | 0:00:50 | 0:00:54 | |
Philip, could you get that scarf out of my face? Thank you. | 0:00:54 | 0:00:58 | |
Last Series David and Philip came fifth and sixth respectively. | 0:00:58 | 0:01:03 | |
Now, with £200 lining each of their pockets, they're both here to win. | 0:01:03 | 0:01:09 | |
If you could be less theatrical | 0:01:09 | 0:01:11 | |
and keep both hands on the steering wheel. | 0:01:11 | 0:01:13 | |
David, I would only ever criticise you | 0:01:13 | 0:01:16 | |
if your driving wasn't up to it... | 0:01:16 | 0:01:18 | |
and it isn't - you've got your foot on the clutch. | 0:01:18 | 0:01:20 | |
David Barby has been antiques-obsessed since a nipper. | 0:01:22 | 0:01:26 | |
A leading valuer and auctioneer, he's a dab hand at slashing prices. | 0:01:26 | 0:01:30 | |
Is that the very best you can do? | 0:01:30 | 0:01:33 | |
Honestly, definitely. | 0:01:33 | 0:01:35 | |
His opponent Philip Serrell is the ex-school teacher from Worcester. | 0:01:35 | 0:01:39 | |
He's not done badly as an auctioneer either. | 0:01:39 | 0:01:43 | |
On this trip he's praying for success. | 0:01:43 | 0:01:46 | |
Dearly beloved, we are gathered here today for the buying of antiques. | 0:01:46 | 0:01:50 | |
Pitted against each other in their search for antique gems, | 0:01:50 | 0:01:53 | |
they'll go head-to-head at auction at the end of every episode... | 0:01:53 | 0:01:57 | |
-55. -..so it's all about snaffling up profits. | 0:01:57 | 0:02:01 | |
-I'm staggered. -So am I, so am I. | 0:02:02 | 0:02:05 | |
This week's journey, | 0:02:09 | 0:02:10 | |
a race from Lincoln to Wotton-Under- Edge in Gloucestershire. | 0:02:10 | 0:02:13 | |
Our first leg begins in Lincoln then onto Horncastle with an auction face-off in Leicester. | 0:02:16 | 0:02:23 | |
What do you think of the car, Barbs? | 0:02:23 | 0:02:25 | |
It's wonderful. My Aunt Amy used to have a car like this. | 0:02:25 | 0:02:28 | |
I think we should call her Amy. | 0:02:28 | 0:02:30 | |
Amy it is. Red Amy. | 0:02:30 | 0:02:31 | |
-TO THE TUNE OF "Lady In Red": -# Amy in red... # | 0:02:31 | 0:02:34 | |
Lincoln is a city immersed in history. | 0:02:37 | 0:02:40 | |
Its cathedral is the third largest in England, | 0:02:40 | 0:02:44 | |
while the castle contains one of the last four remaining copies of the Magna Carta. | 0:02:44 | 0:02:49 | |
It's also home to some fine antiques, | 0:02:49 | 0:02:52 | |
so our dapper duo better have those fivers at the ready. | 0:02:52 | 0:02:56 | |
Gosh this looks stunning, doesn't it? | 0:02:56 | 0:02:59 | |
-Oh, dear me, Barbs. Come on, out we jump. -Ah! | 0:02:59 | 0:03:02 | |
-Come on, Barby. -Oh, that's a welcome break, Phil. | 0:03:02 | 0:03:04 | |
-Where are you going to go? -I think I'll head up here. What about you? | 0:03:04 | 0:03:08 | |
-Steep hill... -Oh, there's a rather nice wine shop down there. | 0:03:08 | 0:03:11 | |
-You are looking for antiques. -Vintage! -Best of luck! -Cheers! | 0:03:11 | 0:03:14 | |
And the prize for reaching the antiques first goes to David. | 0:03:16 | 0:03:22 | |
This is rather exciting this is my first shop... | 0:03:22 | 0:03:25 | |
hope they've got some decent stuff. | 0:03:25 | 0:03:28 | |
David's a bit of an old...hand when it comes to buying. | 0:03:28 | 0:03:32 | |
I'm looking right across the board... something that takes my eye. | 0:03:32 | 0:03:36 | |
Anything that is cheap enough or reasonable enough | 0:03:36 | 0:03:41 | |
that is going to sell at auction and make a profit. | 0:03:41 | 0:03:45 | |
Of course that means dealers beware! | 0:03:45 | 0:03:48 | |
His tactic - intimidation. | 0:03:48 | 0:03:50 | |
I'll do 30. | 0:03:50 | 0:03:52 | |
Using the Barby Stare... | 0:03:52 | 0:03:54 | |
DRAMATIC MUSIC PLAYS | 0:03:54 | 0:03:56 | |
Excuse me? | 0:04:03 | 0:04:05 | |
Could I trouble you to have this cabinet opened? | 0:04:05 | 0:04:08 | |
Oh, oh! Here we go. | 0:04:08 | 0:04:10 | |
And what sort of negotiating power do you have? And what's the sort of rule? | 0:04:10 | 0:04:16 | |
Well, the standard is usually dealers 10%. But... | 0:04:16 | 0:04:22 | |
SHE LAUGHS | 0:04:22 | 0:04:24 | |
How did I know you were going to do that? | 0:04:24 | 0:04:26 | |
Cos my next remark is going to be is that the very best you can do? | 0:04:28 | 0:04:31 | |
Last series that phrase was the scourge of antiques shops across the land. | 0:04:33 | 0:04:38 | |
Is that your very best? Is that the very best you can do? | 0:04:38 | 0:04:41 | |
What's your very best? Is that your very best? | 0:04:41 | 0:04:43 | |
And yes, he's about to start it all over again. | 0:04:43 | 0:04:47 | |
Oh, is that fun! | 0:04:47 | 0:04:49 | |
A table lighter in the form of a crocodile. | 0:04:49 | 0:04:51 | |
Can you just check on the very best you can do on that one? | 0:04:51 | 0:04:56 | |
If you don't haggle, I'll do it for £12. | 0:04:56 | 0:04:59 | |
Go on, agree with me. | 0:05:01 | 0:05:02 | |
It looks like you've been rumbled, David. | 0:05:02 | 0:05:05 | |
What a strange thing. | 0:05:05 | 0:05:07 | |
When smoking was fashionable, table lighters popped up everywhere. | 0:05:07 | 0:05:12 | |
Big in the '20s and '30s, stylish Deco versions were a must-have. | 0:05:12 | 0:05:18 | |
This is a snappy little novelty from the 1950s. | 0:05:18 | 0:05:21 | |
£18.50 down to £12 - not bad. | 0:05:21 | 0:05:25 | |
But he'll want more off it. You watch. | 0:05:25 | 0:05:28 | |
At ten it would be reasonable. | 0:05:28 | 0:05:29 | |
Yeah, OK. All right. | 0:05:33 | 0:05:35 | |
-And that would be at £10? -Yeah, OK. -OK. | 0:05:35 | 0:05:37 | |
You're definitely off the Christmas card list. | 0:05:37 | 0:05:40 | |
Across town Philip is about to do something very rash. | 0:05:42 | 0:05:46 | |
-Is everything for sale in your window? -Everything. -Everything is for sale? | 0:05:46 | 0:05:49 | |
Yup he's having a butcher's in the butcher's. | 0:05:49 | 0:05:51 | |
-How much are the ostrich eggs? -Ostrich eggs, £15, sir. | 0:05:51 | 0:05:54 | |
Get out of here! Get out of here! | 0:05:54 | 0:05:56 | |
OK. So he's gone a little off-menu. | 0:05:56 | 0:05:59 | |
But ostrich eggs are popular when they've been emptied out like these ones. | 0:05:59 | 0:06:04 | |
Even more so when they've been hand-painted. | 0:06:04 | 0:06:06 | |
They also make rather striking trophies and decorative pieces. | 0:06:06 | 0:06:11 | |
But just on their own at auction... Well, Philip could end up with egg on his face. | 0:06:11 | 0:06:18 | |
-Could you sell me two for a tenner? -Two for a tenner?! -Yeah. | 0:06:18 | 0:06:21 | |
I'm here to make money, mate, not friends. | 0:06:21 | 0:06:23 | |
Yeah, but you'd make a lifelong friend. Can you do two for a tenner? | 0:06:23 | 0:06:27 | |
-Two for £15, how's that? -Two for a tenner? | 0:06:27 | 0:06:30 | |
Two for £15 like we stated! | 0:06:30 | 0:06:32 | |
-I'll take 'em. -I bet you want a carrier bag as well. | 0:06:32 | 0:06:35 | |
-I do. -That's a fiver. -Get out of here! | 0:06:35 | 0:06:37 | |
Go and get me a new fiver. | 0:06:37 | 0:06:38 | |
I don't quite know what I am doing here but these things do sell at auction. | 0:06:38 | 0:06:42 | |
So, you know 15 quid for the two, | 0:06:42 | 0:06:45 | |
I might double my money. | 0:06:45 | 0:06:47 | |
You might have a double yoker. It all depends on if you are going to do something clever with them. | 0:06:47 | 0:06:52 | |
David is still hunting for knock-down booty. | 0:06:54 | 0:06:57 | |
He's befriended dealer Jennifer Davidson in an attempt to seduce a profit. | 0:06:57 | 0:07:02 | |
Can I have a quick look at that? | 0:07:02 | 0:07:04 | |
-Oh, I love the cockerel on it. -Hmm, me too. | 0:07:04 | 0:07:07 | |
It's really different, isn't it? What was that for, do you think? | 0:07:08 | 0:07:11 | |
-It's got that sort of almost lemon squeeze-type thing, hasn't it? -Yeah. | 0:07:11 | 0:07:17 | |
The origin of the cocktail is hotly disputed. | 0:07:18 | 0:07:21 | |
But it's probably all to do with the tail of a cockerel. | 0:07:21 | 0:07:25 | |
Those different coloured feathers | 0:07:25 | 0:07:27 | |
represent the many ingredients combined to make a unique blend. | 0:07:27 | 0:07:31 | |
This cocktail decanter is from the 1920s, priced at £55. | 0:07:31 | 0:07:38 | |
I like that, what's the very best on it? | 0:07:38 | 0:07:40 | |
Um, I'll do 32 on that. | 0:07:40 | 0:07:43 | |
I just think it's really cracking, it's unusual. | 0:07:43 | 0:07:47 | |
Good sales pitch, Jennifer. | 0:07:47 | 0:07:49 | |
-Is that the very best you can do on it? -Definitely. | 0:07:49 | 0:07:52 | |
I wouldn't dream of letting it go for less than that, honestly. | 0:07:52 | 0:07:56 | |
Jennifer's tough. | 0:07:57 | 0:07:58 | |
So David's next ploy is to push for a double deal on the croc and the decanter. | 0:07:58 | 0:08:04 | |
35 for the two. | 0:08:04 | 0:08:06 | |
-No. -35 cash. | 0:08:06 | 0:08:08 | |
I can't do it, honestly. No, it's got to be 40. | 0:08:08 | 0:08:11 | |
Not even £39, it's got to be 40. | 0:08:11 | 0:08:15 | |
I am on my knees already. | 0:08:15 | 0:08:17 | |
SHE LAUGHS | 0:08:17 | 0:08:18 | |
You are so cruel! | 0:08:18 | 0:08:20 | |
No, I'm not. I've been really generous to you. I wouldn't do it for anybody else. | 0:08:20 | 0:08:25 | |
OK. | 0:08:25 | 0:08:27 | |
What have I done?! OK... | 0:08:27 | 0:08:28 | |
-What have -I -done, more like! | 0:08:28 | 0:08:32 | |
Thank you. | 0:08:32 | 0:08:34 | |
Smoothie. That's £10 for the crocodile and £30 for the glass decanter. | 0:08:34 | 0:08:39 | |
Oh, he's such a hard man. | 0:08:39 | 0:08:41 | |
Philip's finally on the hunt for a real antiques shop. | 0:08:44 | 0:08:47 | |
But after the eggs debacle, what's he scrambling for? | 0:08:47 | 0:08:50 | |
You've got to just try and buy four or five small lots, | 0:08:50 | 0:08:54 | |
and hope to double your money on each one. If I can find something interesting | 0:08:54 | 0:08:58 | |
and think laterally - I think that's the plan, think laterally. | 0:08:58 | 0:09:01 | |
Phew. So there is a game plan. | 0:09:01 | 0:09:04 | |
Hello! I'm Philip how are you? | 0:09:04 | 0:09:06 | |
-Pleased to meet you. -You're name is? | 0:09:06 | 0:09:08 | |
-Anne. -Anne and...? -Nice to see you, Philip. -Good to see you. -My name is Bob. -Bob. | 0:09:08 | 0:09:12 | |
-You like rocking horses, don't you? -We breed them! | 0:09:12 | 0:09:15 | |
You breed them? Can I go and have a look? | 0:09:15 | 0:09:18 | |
-Go on then, off you go. -Goodness me, look at this. | 0:09:18 | 0:09:20 | |
Looking at the reams of stuff Bob Warner has amassed, | 0:09:20 | 0:09:25 | |
Philip's lateral thinking would probably come in handy any time about now. | 0:09:25 | 0:09:31 | |
Lord above. | 0:09:31 | 0:09:32 | |
-We try to achieve the Aladdin's cave effect. -I think you've done that. | 0:09:32 | 0:09:36 | |
It's actually difficult shopping in a shop like this - you're surrounded by so much stuff | 0:09:40 | 0:09:44 | |
that often you can't see the wood for the trees. There's stuff everywhere. | 0:09:44 | 0:09:48 | |
Look, it's like the start to the Grand National. | 0:09:48 | 0:09:51 | |
There's another three or four of them outside, two more in the hallway. | 0:09:51 | 0:09:54 | |
I don't know where he gets it all from. | 0:09:54 | 0:09:57 | |
So it's nay to a horse then. | 0:09:57 | 0:09:59 | |
Onto David and a spot of porcelain. | 0:09:59 | 0:10:02 | |
That Royal Worcester plate at £38 but it's got to be under £30. | 0:10:02 | 0:10:07 | |
Royal Worcester is famous for porcelain. | 0:10:08 | 0:10:11 | |
This 1909 plate has a high quality translucency which comes from firing | 0:10:11 | 0:10:17 | |
fine white clay and ground feldspar rock called petuntse, | 0:10:17 | 0:10:22 | |
with added ingredients such as bone ash. | 0:10:22 | 0:10:26 | |
In a high temperature kiln this produces a fusion like opaque glass which makes it translucent. | 0:10:26 | 0:10:31 | |
The sad thing about Worcester at the moment is that | 0:10:31 | 0:10:34 | |
production has ceased, | 0:10:34 | 0:10:36 | |
so these objects in time will become very sought after. | 0:10:36 | 0:10:39 | |
Jennifer thinks it's Victorian. | 0:10:41 | 0:10:43 | |
But the porcelain master is not convinced. | 0:10:43 | 0:10:45 | |
He's checking the date code of dots on the back. | 0:10:45 | 0:10:49 | |
There's 12 dots on the top, | 0:10:49 | 0:10:50 | |
12, 13, 14, 15, 16, 17 dots which brings it into the early 20th century. | 0:10:50 | 0:10:57 | |
So it's not 19th, so what would the price be on that? | 0:10:57 | 0:11:01 | |
Why should that make any difference? | 0:11:01 | 0:11:03 | |
Because it's not as early as I anticipated. | 0:11:03 | 0:11:06 | |
-SHE SIGHS -Oh! | 0:11:06 | 0:11:09 | |
Yes, he is a pain. | 0:11:09 | 0:11:10 | |
-25. -24. | 0:11:12 | 0:11:14 | |
24. | 0:11:16 | 0:11:18 | |
Aren't I good to you? | 0:11:18 | 0:11:20 | |
You've got to remember me in your will. | 0:11:20 | 0:11:23 | |
That's what Philip Serrell says. | 0:11:23 | 0:11:24 | |
SHE LAUGHS | 0:11:24 | 0:11:26 | |
Oh dear. Talking of whom, has Philip actually found anything yet? | 0:11:26 | 0:11:31 | |
We've got Mauchline Ware which is this Scottish | 0:11:31 | 0:11:34 | |
-transfer-printed ware from about 1900-1910. -Yes. | 0:11:34 | 0:11:38 | |
And, I mean, I think at auction | 0:11:38 | 0:11:41 | |
these are like £10 or £15 a piece, | 0:11:41 | 0:11:43 | |
which is a bit more than...or a bit less, rather, than you've got them priced up at. | 0:11:43 | 0:11:49 | |
Mauchline, in Ayrshire, had a thriving souvenir industry in the late-19th and early-20th centuries. | 0:11:49 | 0:11:56 | |
Transferred patterns of famous land- marks were printed onto sycamore, | 0:11:56 | 0:12:01 | |
making a vast range of delightful storage boxes for snuff, jewellery, needles and bobbins. | 0:12:01 | 0:12:07 | |
I think that on five pieces I'd want about £75, that's about the death. | 0:12:07 | 0:12:13 | |
You couldn't do 60 quid? | 0:12:13 | 0:12:15 | |
-Make it 70 and we have a deal. -65. -Go on then. -You are a gentleman I'll have those of you. | 0:12:15 | 0:12:20 | |
David's done with his shopathon, so he's indulging in a spot of history at Lincoln Castle. | 0:12:21 | 0:12:28 | |
In 1068 William the Conqueror built fortifications here. | 0:12:28 | 0:12:33 | |
And by Norman times, thanks to its wealth, this was the third city of the realm. | 0:12:33 | 0:12:39 | |
For over 900 years the castle has also been a courthouse and a prison. | 0:12:39 | 0:12:45 | |
So not surprisingly it's had a bit of a gruesome past. | 0:12:45 | 0:12:49 | |
Peter Tomlinson is a Cultural Services Advisor. | 0:12:49 | 0:12:53 | |
Gosh, Peter, what a fantastic structure! What is this? | 0:12:53 | 0:12:56 | |
It is. This building is called Cobb Hall and it's a 13th-century defensive tower. | 0:12:56 | 0:13:02 | |
Down there, it's a steep ladder, isn't it? | 0:13:02 | 0:13:04 | |
It is. This is a dungeon area of the medieval tower and it's called | 0:13:04 | 0:13:09 | |
an oubliette and that is from the French word oublier meaning to forget. | 0:13:09 | 0:13:14 | |
So in fact they put people down there and forgot. | 0:13:14 | 0:13:17 | |
What was their life expectancy? | 0:13:17 | 0:13:19 | |
How long would they have survived? | 0:13:19 | 0:13:21 | |
If they were thrown down there and they were injured | 0:13:21 | 0:13:24 | |
probably a matter of days, if that. | 0:13:24 | 0:13:26 | |
If they were fed they might have lasted a little bit longer. | 0:13:26 | 0:13:29 | |
-Dear, dear! Thank goodness we live in the 21st century. -Quite horrific. | 0:13:29 | 0:13:32 | |
What else have you got to show me? | 0:13:32 | 0:13:34 | |
It's even worse upstairs. | 0:13:34 | 0:13:37 | |
One of the most famous hangmen in Britain wielded his rope here. | 0:13:37 | 0:13:41 | |
William Marwood created the long drop | 0:13:41 | 0:13:45 | |
which ensured a prisoner's neck broke instantly. | 0:13:45 | 0:13:49 | |
The length of rope required for a more humane clean break | 0:13:49 | 0:13:54 | |
was calculated from the prisoner's height and weight. | 0:13:54 | 0:13:57 | |
Before the 1820s all hangings had to be public. | 0:13:57 | 0:14:00 | |
So the people outside had to see executions taking place. | 0:14:00 | 0:14:04 | |
The point we're standing on was where the scaffold was situated so it would have been 20-feet. | 0:14:04 | 0:14:09 | |
Goodness me, that would have projected it high. Anybody infamous? | 0:14:09 | 0:14:13 | |
The first person to be hanged on this site was in fact a woman who was found guilty of poisoning | 0:14:13 | 0:14:18 | |
her daughter and she was brought into the prison and executed on this spot. | 0:14:18 | 0:14:22 | |
Oh dear, oh dear. Right, Let's go onto something happier, I think. | 0:14:22 | 0:14:26 | |
I agree, it's all got very gory. | 0:14:26 | 0:14:30 | |
But visitors to the castle cannot leave | 0:14:30 | 0:14:34 | |
without seeing its original copy of the 1215 Magna Carta. | 0:14:34 | 0:14:39 | |
My word, Peter, this is the holy of holies, isn't it? | 0:14:39 | 0:14:43 | |
This single document, devised by a group of medieval barons, | 0:14:43 | 0:14:48 | |
was created to stop King John exploiting his people and his power. | 0:14:48 | 0:14:53 | |
The King agreed to the terms at Runnymede near Windsor Castle. | 0:14:53 | 0:14:57 | |
It reduced his power, created a strong parliament | 0:14:57 | 0:15:00 | |
and became the basis of citizens' rights. | 0:15:00 | 0:15:05 | |
Only three other original copies exist, two in the British Library and one at Salisbury Cathedral. | 0:15:05 | 0:15:11 | |
Bishop Hugh of Lincoln was present when it was drawn up | 0:15:11 | 0:15:14 | |
and it's thought he brought this copy home with him. | 0:15:14 | 0:15:17 | |
Although what happened to it after that became a bit of a mystery. | 0:15:17 | 0:15:21 | |
It was lost in the cathedral for quite a number of years. | 0:15:21 | 0:15:26 | |
The story goes that they were doing some restoration work in the cathedral, | 0:15:26 | 0:15:30 | |
one of the workmen opened a drawer to move it out of the way | 0:15:30 | 0:15:34 | |
and they found folded up in the drawer the Magna Carta. | 0:15:34 | 0:15:37 | |
Goodness me! | 0:15:37 | 0:15:39 | |
This is a modern translation of the Magna Carta. | 0:15:39 | 0:15:43 | |
And these four points that we see here are the clauses | 0:15:43 | 0:15:48 | |
that were eventually written into English law which still apply today. | 0:15:48 | 0:15:52 | |
It's freedom of the church. | 0:15:52 | 0:15:53 | |
That one is trial by jury. | 0:15:53 | 0:15:55 | |
This one states that no man shall be taken, imprisoned or outlawed or banished. | 0:15:55 | 0:16:01 | |
-And this one states, "To no-one we will sell or deny the right of justice." -The rights of man. | 0:16:01 | 0:16:07 | |
But what about the rights of antiques dealers? | 0:16:07 | 0:16:12 | |
That naughty Philip Serrell is about to get cheekier. | 0:16:12 | 0:16:15 | |
If that's possible. | 0:16:15 | 0:16:17 | |
That's a little Edwardian hanging shelf... | 0:16:17 | 0:16:21 | |
date's about 1910, something like that. | 0:16:21 | 0:16:25 | |
Bob's got that priced at £60. | 0:16:25 | 0:16:27 | |
It's split there, look, you can just see that split down there. | 0:16:27 | 0:16:31 | |
These could in fact date anywhere between 1890 and 1910. | 0:16:32 | 0:16:38 | |
Made of satin birch, they held books, porcelain plates or figurines - | 0:16:38 | 0:16:43 | |
a platform to show off prized possessions. | 0:16:43 | 0:16:46 | |
I'd want to buy that for 20 or 30 quid. | 0:16:46 | 0:16:49 | |
I'm going to put that down there. | 0:16:49 | 0:16:51 | |
Philip wants Bob to knock the price down. Ha! | 0:16:51 | 0:16:54 | |
Can we do a bit of a deal, in fact a large discount on those, Bob? | 0:16:54 | 0:16:57 | |
What are you offering? | 0:16:57 | 0:16:59 | |
I think at auction they're 20 to 40 pounds' worth so I need to buy them at 20 quid. | 0:16:59 | 0:17:03 | |
-No. -What can you do them for? -I'll do them for 30. | 0:17:03 | 0:17:07 | |
Let me have another look at them. What about 25? | 0:17:07 | 0:17:10 | |
No, 30. Leave me a little bit. | 0:17:10 | 0:17:13 | |
Remember those cracks? Philip does. | 0:17:14 | 0:17:16 | |
Look at that. | 0:17:16 | 0:17:17 | |
Oh, Bob, this is teaching me to look more carefully. | 0:17:17 | 0:17:21 | |
Look at that split down there, and another there, and another there. | 0:17:21 | 0:17:25 | |
And that peg's not original. | 0:17:25 | 0:17:27 | |
What have I done? | 0:17:27 | 0:17:28 | |
-Come on, Bob, 25 quid. -Go on then. -You are an excellent man. Thank you, Bob. | 0:17:28 | 0:17:32 | |
Gosh. Meanwhile David's being a clever boy. | 0:17:33 | 0:17:37 | |
He's phoning the auction house for a heads-up on what else to buy for the upcoming sale. | 0:17:37 | 0:17:42 | |
Ok, you think there'll be a market for silver. | 0:17:42 | 0:17:45 | |
So I go for small items of silver? | 0:17:45 | 0:17:47 | |
I can buy four or five objects. | 0:17:47 | 0:17:50 | |
Silver boxes, something like that? | 0:17:50 | 0:17:52 | |
And you. Bye-bye. Bye-bye. | 0:17:52 | 0:17:54 | |
So it looks like it's all about buying silver. | 0:17:54 | 0:17:57 | |
I don't suppose David will be telling Philip that. | 0:17:57 | 0:18:01 | |
With money spent and booty bought it's time to skip town. | 0:18:02 | 0:18:06 | |
-It's a hot old day, isn't it? -Isn't it wonderful? | 0:18:06 | 0:18:09 | |
-Are we going where the wild road takes us now? -I think so. We'll head north. | 0:18:09 | 0:18:13 | |
Drive on, Barby, drive on! | 0:18:13 | 0:18:15 | |
A well-earned rest is on the cards. | 0:18:15 | 0:18:17 | |
Who knows what they'll turn up tomorrow. | 0:18:17 | 0:18:20 | |
Day two. It's a gorgeous morning and David is at the wheel of the newly-christened Morris Minor. | 0:18:23 | 0:18:30 | |
Come on, Amy, God bless you, my love. | 0:18:30 | 0:18:32 | |
# Perhaps, perhaps, perhaps. # | 0:18:32 | 0:18:36 | |
The gents are motoring 21 miles east to Horncastle. | 0:18:39 | 0:18:44 | |
Out of their £200 starter packs... | 0:18:44 | 0:18:48 | |
they've each bought three sets of goodies. | 0:18:48 | 0:18:51 | |
David's spent £64 while Philip has forked out £105. | 0:18:51 | 0:18:56 | |
-Are you pleased with what you bought, Barbs? -Reasonably so. | 0:18:56 | 0:19:00 | |
-What about you? -Pretty much the same. | 0:19:00 | 0:19:03 | |
Horncastle is an established honey pot for the antiques trade, | 0:19:04 | 0:19:07 | |
so there are plenty of places to have a nosey about. | 0:19:07 | 0:19:11 | |
It's also a picturesque market town lying between the rivers Bain | 0:19:11 | 0:19:16 | |
and Waring on the edge of the Fens. | 0:19:16 | 0:19:18 | |
Right, let's hop out, Barbs. | 0:19:18 | 0:19:20 | |
-Have you got a plan, Barby? -Yes, do you want your scarf? -No. I've got a plan. | 0:19:20 | 0:19:25 | |
We've got East Street, South Street, North Street. | 0:19:25 | 0:19:29 | |
As yet I can't find West Street. | 0:19:29 | 0:19:30 | |
But I am going to head north up to East Street and then come back south down to West Street. | 0:19:30 | 0:19:35 | |
Then I might go west across to East Street and then South Street... | 0:19:35 | 0:19:39 | |
You are confusing, aren't you? | 0:19:39 | 0:19:41 | |
All confusing. | 0:19:41 | 0:19:43 | |
Actually, this is the wrong way. | 0:19:43 | 0:19:45 | |
David, fresh with titbits on what sells at the Leicester auction rooms, | 0:19:45 | 0:19:50 | |
is shaping up to be the one who really does have a plan. | 0:19:50 | 0:19:54 | |
I'm going to look for something a little bit special, | 0:19:54 | 0:19:56 | |
something which has that little bit of sparkle, | 0:19:56 | 0:19:59 | |
something a little bit different. | 0:19:59 | 0:20:03 | |
Possibly in silver. And it's one of those situations that, | 0:20:03 | 0:20:06 | |
when I see the object I'll want to buy it. | 0:20:06 | 0:20:10 | |
For Philip, there's a lesson to be learned on why not to show off about map-reading. | 0:20:11 | 0:20:16 | |
I used to teach geography and at the minute I am just trying to work out whether this map goes... | 0:20:16 | 0:20:22 | |
that way or that way. | 0:20:22 | 0:20:24 | |
Or whether I should be... or should I be going...? | 0:20:24 | 0:20:27 | |
Um... | 0:20:28 | 0:20:30 | |
There's an answer to this, hold on just a minute. | 0:20:32 | 0:20:34 | |
That way. | 0:20:36 | 0:20:38 | |
Could Philip be on the right track this time? Let's hope so. | 0:20:40 | 0:20:43 | |
Now what's David up to? | 0:20:43 | 0:20:45 | |
I have got to find something which appeals to me, | 0:20:45 | 0:20:49 | |
would appeal to a collector (and at a very reasonable price). | 0:20:49 | 0:20:52 | |
But in true David Barby fashion he spots something pricey. | 0:20:52 | 0:20:56 | |
That's very nice. | 0:20:56 | 0:20:57 | |
At £135 the label says it's a case for a thermometer. | 0:20:57 | 0:21:02 | |
Well, at least it's silver. | 0:21:02 | 0:21:04 | |
It's very nice. Sampson Mordan, good name. | 0:21:04 | 0:21:07 | |
But is it going to sell at that auction? | 0:21:07 | 0:21:10 | |
Sampson Mordan and Co specialised in silver boxes, | 0:21:10 | 0:21:15 | |
propelling pencils and retractable pens. | 0:21:15 | 0:21:18 | |
This is more likely to be a pen or pencil case created between 1890 and 1910. | 0:21:18 | 0:21:24 | |
The chains allowed it to hang decoratively | 0:21:24 | 0:21:27 | |
from an ornamental clasp around your belt called a chatelaine. | 0:21:27 | 0:21:32 | |
What's the very best you can do on that, please? | 0:21:32 | 0:21:35 | |
Well, we normally do 10% but I can telephone the person and find out | 0:21:35 | 0:21:39 | |
-if they can do better. -Could you? Thanks awfully. | 0:21:39 | 0:21:42 | |
Meanwhile Philip has at last found an antiques shop. | 0:21:44 | 0:21:47 | |
Well done, old fruit. | 0:21:47 | 0:21:49 | |
Be methodical. | 0:21:49 | 0:21:50 | |
The ostrich eggs prove Philip's tendency to think outside the box. | 0:21:50 | 0:21:55 | |
So what next? | 0:21:55 | 0:21:57 | |
I'm going to buy a chimney pot. People buy these, put them in their gardens. | 0:21:57 | 0:22:01 | |
What they're good for is you can have these out, it's a glorious sunny day, | 0:22:01 | 0:22:05 | |
you've got your barbeque going and just at the side of the barbeque | 0:22:05 | 0:22:09 | |
you've got this wonderful planter, cos that's what it's going to become, a garden planter. | 0:22:09 | 0:22:13 | |
45... Need to get the price down to about 20 quid for one. | 0:22:13 | 0:22:17 | |
It's back inside for a haggle! | 0:22:17 | 0:22:20 | |
How much discount can you give on those? | 0:22:20 | 0:22:22 | |
The rule is 10% over £10, that's usually what we have to stick to. | 0:22:22 | 0:22:25 | |
Meaning Philip won't be getting a chimney pot for £20. What about a cocktail shaker instead? | 0:22:25 | 0:22:31 | |
It's a bit of a pity here that this one's engraved. | 0:22:31 | 0:22:34 | |
"Pannal Open Meeting Best Net Score". Is that golf? Who knows? | 0:22:34 | 0:22:40 | |
But the important thing is it is by a good maker, Walker and Hall. | 0:22:40 | 0:22:43 | |
If you look at the little flag at the bottom it has a W and H on there | 0:22:43 | 0:22:47 | |
and it tells you it's by Walker and Hall. | 0:22:47 | 0:22:49 | |
Established by George Walker and joined by Henry Hall in 1853, | 0:22:50 | 0:22:55 | |
Walker and Hall were a successful Sheffield silver manufacturers. | 0:22:55 | 0:23:00 | |
Their staple output - tea services, cutlery and trophies. | 0:23:00 | 0:23:05 | |
It isn't silver, it's plated but, um... | 0:23:05 | 0:23:08 | |
..it's not the best in the world, | 0:23:10 | 0:23:12 | |
it'd be nice if the engraving wasn't on it but that's OK for a tenner. | 0:23:12 | 0:23:16 | |
What's the best you could do that for, my dear? | 0:23:16 | 0:23:18 | |
-On that one it would be nine. -I just think that's quite nice. | 0:23:18 | 0:23:21 | |
-Did you say £8? -I said nine. | 0:23:21 | 0:23:23 | |
Did you? It's terrible, my hearing has gone all... It's just an age thing, honestly. | 0:23:23 | 0:23:27 | |
-It wasn't eight? -It wasn't, no, sorry. | 0:23:27 | 0:23:30 | |
-Could it be eight? -No, it couldn't, it could be nine. | 0:23:30 | 0:23:32 | |
-Thank you very much, you're very kind. -Hurts, that does. I'm hurt. | 0:23:32 | 0:23:36 | |
I'm actually really hurt. Yeah. | 0:23:36 | 0:23:39 | |
I'm sure you'll get over it, Phil. | 0:23:39 | 0:23:40 | |
Across town David's awaiting a final price for his silver case. | 0:23:40 | 0:23:46 | |
Just listening in at the moment, see whether it can come down in price. | 0:23:46 | 0:23:49 | |
£105, David, is the best. | 0:23:49 | 0:23:51 | |
Could they tuck it under £100, please? | 0:23:51 | 0:23:53 | |
No, she says she wouldn't earn anything. She can't take £35 off. | 0:23:53 | 0:23:58 | |
I couldn't budge her. Sorry, David, it's difficult. | 0:23:58 | 0:24:02 | |
I'm sticking my neck out if I buy that. But... | 0:24:02 | 0:24:05 | |
my strategy is that someone might go along to that saleroom | 0:24:05 | 0:24:10 | |
hoping to find something of that ilk | 0:24:10 | 0:24:13 | |
and be prepared to pay over the £105, which I think is reasonable. | 0:24:13 | 0:24:18 | |
I don't want to leave here empty-handed. | 0:24:18 | 0:24:21 | |
I tried twisting her arm. | 0:24:22 | 0:24:24 | |
Oh, dear, dear, dear. 105. | 0:24:24 | 0:24:27 | |
Decisions, decisions, David. | 0:24:27 | 0:24:31 | |
Yeah. OK, that's fine. | 0:24:31 | 0:24:33 | |
The heart has ruled the head. | 0:24:33 | 0:24:35 | |
Do you want a tissue? | 0:24:35 | 0:24:37 | |
-I'd like a receipt, thank you. -Thank you very much. -Thank you very much. | 0:24:38 | 0:24:42 | |
Well, done it. I know what Serrell's going to say, he'll say I've blown it. | 0:24:42 | 0:24:46 | |
But I like it. Something of quality and hopefully my reputation is intact! | 0:24:46 | 0:24:53 | |
As David prepares for that all-important show and tell, | 0:24:54 | 0:24:58 | |
Philip is about to enjoy a once-in- a-lifetime opportunity to get up close and personal | 0:24:58 | 0:25:04 | |
with one of the few remaining Lancaster Bombers, at Lincolnshire Aviation Centre. | 0:25:04 | 0:25:09 | |
Do you know, I am just so excited today | 0:25:09 | 0:25:11 | |
because you look at all the heroes of the Second World War | 0:25:11 | 0:25:14 | |
and you look at what they flew, | 0:25:14 | 0:25:16 | |
it's sort of quite humbling in a way. | 0:25:16 | 0:25:19 | |
The museum is owned by two local farmers. | 0:25:19 | 0:25:22 | |
They've dedicated it to their eldest brother whose plane was shot down in 1944. | 0:25:22 | 0:25:28 | |
It's also a tribute to the 55,000 men of Bomber Command who lost their lives during the war. | 0:25:28 | 0:25:36 | |
-Hi, Phil, I'm Ian. -Ian, how are you? | 0:25:36 | 0:25:39 | |
-Not too bad. -This is just wonderful. | 0:25:39 | 0:25:41 | |
Engineer Ian Hickling is bringing 'Just Jane' onto the apron. | 0:25:46 | 0:25:52 | |
Built in 1945, she narrowly missed seeing any action in the Second World War. | 0:25:52 | 0:25:57 | |
But thousands of Lancasters like her did, helping Bomber Command win the war in the air. | 0:25:57 | 0:26:05 | |
There were over 7,500 built. Half of them were shot down during the war. | 0:26:05 | 0:26:11 | |
-It's just awesome, isn't it? -Yeah. -It's like being in the presence of some history. | 0:26:11 | 0:26:16 | |
It is. Unfortunately now there are only about 17 left in the world. | 0:26:16 | 0:26:20 | |
One of their most famous sorties | 0:26:20 | 0:26:22 | |
was in May 1943, when 19 Lancasters unleashed the bouncing bomb. | 0:26:22 | 0:26:29 | |
A unique cylindrical explosive, | 0:26:29 | 0:26:31 | |
it had to be dropped at a precise height and speed | 0:26:31 | 0:26:34 | |
so it would bounce along the water and hit its target. | 0:26:34 | 0:26:38 | |
Many of us know about that night thanks to the film Dambusters. | 0:26:38 | 0:26:42 | |
Those brave aircrews breached the Moehne and Eder Dams bringing chaos to the industrial Ruhr Valley. | 0:26:42 | 0:26:51 | |
-What was the life expectancy of a Lancaster pilot? -About four trips. | 0:26:53 | 0:26:56 | |
Four trips and you were gone. | 0:26:56 | 0:26:58 | |
Yeah, that was it. And the average age of the crew was 22 years old. | 0:26:58 | 0:27:03 | |
Philip knows only too well the precariousness of flying planes like this into battle. | 0:27:04 | 0:27:11 | |
A dear friend won the DSO medal for bravery after flying his Lancaster home on just two of four engines, | 0:27:11 | 0:27:18 | |
following a harrowing 1944 bombing raid on Berlin. | 0:27:18 | 0:27:23 | |
When under attack the most dangerous position on board was the rear gunner. | 0:27:23 | 0:27:28 | |
They lost twice as many rear gunners than any other position on the aeroplane. | 0:27:28 | 0:27:32 | |
-So he was strapped in there? -Yeah. | 0:27:32 | 0:27:34 | |
This is the most vulnerable bit because this is where the Messerschmitt | 0:27:34 | 0:27:37 | |
would have come and attacked you from behind. So how did this guy get out? | 0:27:37 | 0:27:41 | |
His parachute was actually outside the turret, | 0:27:41 | 0:27:44 | |
so he has to unstrap, climb out the turret, put his parachute on, | 0:27:44 | 0:27:48 | |
get back into the turret, turn the turret through 90 degrees and fall out through the side. | 0:27:48 | 0:27:54 | |
If you can imagine it. It's just unbelievable. | 0:27:54 | 0:27:57 | |
-Would it be possible to look inside? -Of course. | 0:27:57 | 0:27:59 | |
Thank you, this is fabulous. | 0:27:59 | 0:28:01 | |
I tell you what, Ian, I don't mean to be rude | 0:28:06 | 0:28:09 | |
but I had a look at your behind earlier | 0:28:09 | 0:28:12 | |
and thought, "If he can get in there, I can." I'm now not so sure! | 0:28:12 | 0:28:15 | |
-Ha ha! -Is this that girl expression - does my bum look big in this? | 0:28:15 | 0:28:18 | |
You're home and dry now. | 0:28:18 | 0:28:21 | |
Would you like to get in the pilot's seat so we can start it up and run it? | 0:28:23 | 0:28:27 | |
-Start it? -Absolutely. -You're joking? -No. | 0:28:27 | 0:28:30 | |
-Pull yourself up, that's it. -Yeah. | 0:28:30 | 0:28:32 | |
That's it, then sit in the seat. | 0:28:32 | 0:28:35 | |
So that's it now. | 0:28:35 | 0:28:36 | |
-Oh, I can fly one of these now! -That's it. | 0:28:36 | 0:28:39 | |
Mag switches on. | 0:28:39 | 0:28:40 | |
-Right, you ready? -How cool is this? | 0:28:40 | 0:28:42 | |
Right, here we go. | 0:28:42 | 0:28:44 | |
In their service during the Second World War, | 0:28:56 | 0:29:00 | |
Lancasters dropped over 608,000 tonnes of bombs | 0:29:00 | 0:29:05 | |
on more than 156,000 missions. | 0:29:05 | 0:29:08 | |
-For Philip this is an incredible chance to experience a vital part of our national heritage. | 0:29:08 | 0:29:14 | |
That's just the best day ever. | 0:29:16 | 0:29:17 | |
Honestly, I can't thank you enough. It's been one of the best days of my life. | 0:29:17 | 0:29:21 | |
-Good. -Come on, I'll buy you a tea. -Good man! | 0:29:21 | 0:29:24 | |
They've pondered. They've haggled. They've parted with their cash. | 0:29:31 | 0:29:35 | |
Now Philip and David must reveal what they've bought to one another. | 0:29:35 | 0:29:40 | |
-Hiya, Phil. -Barbs, where have you been? | 0:29:40 | 0:29:43 | |
Have you had a good day? You haven't been waiting that long have you? | 0:29:43 | 0:29:46 | |
Hours and hours and hours... No, I've had an awesome day. | 0:29:46 | 0:29:49 | |
Discussion topic number one - Philip's cocktail shaker. | 0:29:49 | 0:29:54 | |
-That is extraordinary. -Why? Have you got some gin? | 0:29:54 | 0:29:56 | |
-No. -I know it's no great shakes. | 0:29:56 | 0:29:59 | |
Ha ha, no great shakes... Well, look on the bottom, it's Walker and Hall. | 0:29:59 | 0:30:03 | |
-Yeah, nice make. -Nine quid. | 0:30:03 | 0:30:05 | |
That's very, very good, actually. | 0:30:05 | 0:30:07 | |
Why I say "how extraordinary..." I think that's quite cheap. | 0:30:07 | 0:30:10 | |
Extraordinary because I have bought something very similar. | 0:30:10 | 0:30:14 | |
That's lovely, isn't it? | 0:30:14 | 0:30:16 | |
Now that is a cocktail decanter. | 0:30:16 | 0:30:18 | |
If you were going to buy a new decanter like that, what would that cost you? | 0:30:18 | 0:30:22 | |
-Oh, a fantastic amount. -£100, £150, £200? -Yeah. | 0:30:22 | 0:30:25 | |
-Do you like that? -Yeah, I do. I do. | 0:30:25 | 0:30:27 | |
Now for the Mauchline Ware boxes priced at £65. | 0:30:27 | 0:30:32 | |
They might make £20-£25 each, and I thought if I was unlucky they might make 15 quid a piece. | 0:30:34 | 0:30:38 | |
I think you're right, that is a very good speculation. | 0:30:38 | 0:30:41 | |
I wanted to buy something quirky. | 0:30:41 | 0:30:44 | |
-I bought that. -Yeah, well, that's, um, quirky, isn't it? | 0:30:44 | 0:30:48 | |
-Isn't it quirky! -Yeah. -What do you think? | 0:30:48 | 0:30:50 | |
-How much did you pay for that? -Cost a lot of money actually. -A pound? -Tenner. | 0:30:52 | 0:30:55 | |
Those ostrich eggs are up next. | 0:30:55 | 0:30:58 | |
Nothing antique about them apart from the pong. | 0:30:58 | 0:31:01 | |
Can you imagine sitting on one of those for...? | 0:31:02 | 0:31:05 | |
-Oh, have you smelt them? -No, I don't want to. | 0:31:05 | 0:31:07 | |
Watch out, David, Philip has indeed come up with a cunning use for them and it involves you. | 0:31:07 | 0:31:13 | |
For me one of the highlights of this trip has been working with you. | 0:31:13 | 0:31:18 | |
Because I'd really value this. | 0:31:18 | 0:31:20 | |
-I'd like you... Could you sign that one for me? -I don't think so. | 0:31:20 | 0:31:23 | |
-No, no, honestly, please sign it for me. -You are selling this. | 0:31:23 | 0:31:26 | |
-Well, yeah. -I don't want it to have an enhanced value. | 0:31:26 | 0:31:29 | |
I'd never thought of that. | 0:31:29 | 0:31:31 | |
Oh, yes, you had! | 0:31:31 | 0:31:32 | |
-I'll sign it afterwards. There. -So you're happy to sign it afterwards? | 0:31:32 | 0:31:36 | |
Excellent, thank you. That's on camera now and we can put in the catalogue, | 0:31:36 | 0:31:40 | |
"David J Barby will sign this afterwards". Isn't he a lovely man? | 0:31:40 | 0:31:43 | |
In fact, I'm going to sign one now, Barbs. Give me a pen. | 0:31:43 | 0:31:46 | |
I'm going to sign it, "Best wishes, Philip Serrell." | 0:31:46 | 0:31:49 | |
-And I shall ask you to do the same. -After the sale. | 0:31:49 | 0:31:53 | |
Another item, David's plate, | 0:31:53 | 0:31:55 | |
and it's bound to impress the man from Worcester. | 0:31:55 | 0:31:58 | |
Do you know, this stuff is so undervalued. | 0:31:58 | 0:32:01 | |
That plate was making £30 to £50 probably...25 years ago. | 0:32:01 | 0:32:07 | |
-That's at auction. -Yeah, and we would get for that today £30 to £50. | 0:32:07 | 0:32:11 | |
-How much did you pay for it? -£24. | 0:32:11 | 0:32:13 | |
£24. Yeah, you should make a profit. | 0:32:13 | 0:32:16 | |
But what about Philip's satin birch bookshelves for 25? | 0:32:16 | 0:32:22 | |
The thing I like about these is you can either have them free-standing | 0:32:22 | 0:32:25 | |
on top of a chest of drawers or you can hang them, can't you? | 0:32:25 | 0:32:29 | |
I have several of those at home with porcelain on. | 0:32:29 | 0:32:32 | |
-Do you want another one? -No, thank you. -Right. | 0:32:32 | 0:32:34 | |
They are very nice. I think that's a good buy. | 0:32:34 | 0:32:36 | |
The most expensive buy so far, costing David over half his cash... | 0:32:36 | 0:32:42 | |
the Sampson Mordan silver case. | 0:32:42 | 0:32:45 | |
-Little pencil holder. -Pencil holder. | 0:32:45 | 0:32:47 | |
I think they had it as a thermometer holder, | 0:32:47 | 0:32:50 | |
but I think really it's too fancy for a thermometer. | 0:32:50 | 0:32:53 | |
-A bit of a thick old thermometer. You wouldn't want that put anywhere, would you? -No. | 0:32:53 | 0:32:57 | |
If you had told me that was £30 or £300 I couldn't argue with you | 0:32:57 | 0:33:00 | |
-because I've never seen one sold before. What did you pay for that? -£105. | 0:33:00 | 0:33:04 | |
-Really? -Yeah, a lot of money. -I think you bought well. | 0:33:04 | 0:33:07 | |
I think out of everything you and I have bought | 0:33:07 | 0:33:09 | |
-that's the best quality item. -Do you really think so? -I do. | 0:33:09 | 0:33:13 | |
That was all very polite. | 0:33:13 | 0:33:14 | |
But what's the real verdict? | 0:33:14 | 0:33:17 | |
The crocodile or alligator... if I had put any money on Barby NOT buying anything | 0:33:17 | 0:33:22 | |
it would have been on not buying that, | 0:33:22 | 0:33:24 | |
I would have thought that's not his thing at all, I can't get that. | 0:33:24 | 0:33:27 | |
He bought the ostrich eggs, | 0:33:27 | 0:33:29 | |
something I would never have thought of buying, | 0:33:29 | 0:33:31 | |
they are brand spanking new. | 0:33:31 | 0:33:33 | |
They stink cos they've just been blown | 0:33:33 | 0:33:36 | |
and some person might pay...oh, maybe £20 for them, I don't know. | 0:33:36 | 0:33:42 | |
I think his pencil holder or whatever it is, | 0:33:42 | 0:33:45 | |
I think that is a brave call - £105 for that? | 0:33:45 | 0:33:47 | |
That's the winner or the looser. | 0:33:47 | 0:33:49 | |
If he goes and loses £60 or £70, I think I might be up on him | 0:33:49 | 0:33:53 | |
but if he doesn't... Well, you can never be sure where Barby is. | 0:33:53 | 0:33:57 | |
So far our boys have legged it across Lincolnshire in hot pursuit of money-spinning treasures. | 0:33:59 | 0:34:05 | |
They've gone from Lincoln, out east to Horncastle. | 0:34:05 | 0:34:09 | |
Now it's a 75-mile beeline south to Leicester. | 0:34:09 | 0:34:13 | |
It's here the gents go head- to-head at auction to gain the first financial advantage of the week. | 0:34:14 | 0:34:21 | |
An industrial hotspot in the 18th and 19th centuries, Leicester has burgeoning boot and shoe industries. | 0:34:23 | 0:34:31 | |
But it's engineering that it's most well known for, a business that still thrives here today. | 0:34:31 | 0:34:37 | |
For our intrepid trippers though, there's a different agenda. | 0:34:37 | 0:34:40 | |
Your driving is atrocious. Will you not hold my hand? | 0:34:41 | 0:34:45 | |
Don't hold my hand. | 0:34:45 | 0:34:47 | |
Churchgate Auctions have been in business for 30 years. | 0:34:48 | 0:34:53 | |
Today it's a general sale, although collectibles and quirky items do well here. | 0:34:53 | 0:34:59 | |
Auctioneer Dickon Dearman is in charge of the proceedings. | 0:34:59 | 0:35:03 | |
-How are we going to do today? -I think it's going to be a good sale. | 0:35:03 | 0:35:07 | |
-Really? -We had a good viewing yesterday, a lot of public, a lot of trade buyers in, | 0:35:07 | 0:35:10 | |
a lot of collectors and, fingers crossed, we are going to have a good sale today. | 0:35:10 | 0:35:13 | |
-What is the best thing today? -In today's sale? | 0:35:13 | 0:35:16 | |
-Not our lot... -What he's trying to prompt you here is to say the best lot is that wonderful... | 0:35:16 | 0:35:22 | |
-Hush your mouth, honey child! -..that wonderful silver pencil case, | 0:35:22 | 0:35:25 | |
-that's what he's really trying to get you to say. -I see! | 0:35:25 | 0:35:28 | |
Funnily enough, that has tickled his fancy. | 0:35:28 | 0:35:32 | |
After all, silver was the hot tip David got from this very auction house. | 0:35:32 | 0:35:36 | |
My favourite piece has to be the pencil case. | 0:35:36 | 0:35:39 | |
And the estimate for that is in the region of £60 to £80. | 0:35:39 | 0:35:42 | |
So that's a nice piece, I'm anticipating that'll do quite well. | 0:35:42 | 0:35:45 | |
David has spent a considerable £169 on four lots - the croc lighter, | 0:35:48 | 0:35:54 | |
the cocktail decanter, | 0:35:54 | 0:35:56 | |
the Worcester plate and the silver pen or pencil holder. | 0:35:56 | 0:36:00 | |
Thank you very much. | 0:36:00 | 0:36:01 | |
While Philip has forked out £114 on five lots - | 0:36:02 | 0:36:06 | |
the ostrich eggs, two sets of Mauchline boxes, the bookshelves | 0:36:06 | 0:36:12 | |
and the cocktail shaker. | 0:36:12 | 0:36:14 | |
I'll have those off you. | 0:36:14 | 0:36:16 | |
It's all to play for, and as ever with an auction anything can happen. | 0:36:16 | 0:36:21 | |
Out of the starters' gate | 0:36:23 | 0:36:24 | |
is Philip's silver-plated cocktail shaker. | 0:36:24 | 0:36:27 | |
£20 only for it. | 0:36:27 | 0:36:28 | |
£20 bid, do I see £22 now? | 0:36:28 | 0:36:30 | |
22, 22, 24, 26, 28, £30. | 0:36:30 | 0:36:35 | |
I don't believe that. I do not believe that. | 0:36:35 | 0:36:39 | |
-Sold for £28. -I'm staggered. | 0:36:39 | 0:36:41 | |
So am I, so am I. | 0:36:41 | 0:36:43 | |
With a surprising profit of £19 before commission | 0:36:43 | 0:36:47 | |
the crowd's won over, for now anyway. | 0:36:47 | 0:36:51 | |
-That is a very good result. -Luck! | 0:36:51 | 0:36:53 | |
Next up, Philip's ostrich eggs. | 0:36:54 | 0:36:57 | |
He's signed one already. The other awaits the scroll of David Barby. | 0:36:57 | 0:37:01 | |
What shall we say for these then? £20 for them? | 0:37:01 | 0:37:04 | |
£20, £20 being bid, thank you, 22 now. | 0:37:04 | 0:37:07 | |
-22. -For heaven's sake. -25, 27, £30 I'm bid, 32 now... | 0:37:07 | 0:37:13 | |
It's the only thing I put my name to that won't bounce! | 0:37:13 | 0:37:16 | |
-Thank you, sir. -£30. | 0:37:16 | 0:37:18 | |
You've doubled your money. You've doubled your money. | 0:37:18 | 0:37:21 | |
That's right, David, Philip's made a good profit on those... | 0:37:21 | 0:37:24 | |
putting him way out in front. | 0:37:24 | 0:37:26 | |
I hope it goes the same with me. | 0:37:26 | 0:37:29 | |
You'll do well, Barby. You've got more to double because you bought good things. | 0:37:29 | 0:37:32 | |
Let' see if that rings true with David's 1920s cocktail decanter, | 0:37:34 | 0:37:38 | |
with the lemon-squeezing stopper. | 0:37:38 | 0:37:41 | |
Lot number 30, interesting piece there now. Commission bid... | 0:37:41 | 0:37:44 | |
-£30. -Well done, well done. -Straight in. | 0:37:44 | 0:37:47 | |
32, 32, 35, 37, | 0:37:47 | 0:37:50 | |
-£40, 42, 45, 47, -Well done, Barbs. -47 do I see now? | 0:37:50 | 0:37:56 | |
Selling for £45... | 0:37:56 | 0:37:59 | |
Well done, Barbs, well done. | 0:37:59 | 0:38:01 | |
That's a £15 profit... a great start. | 0:38:02 | 0:38:06 | |
He'll lose a little of that to the auction house... | 0:38:06 | 0:38:09 | |
as our two experts know only too well. | 0:38:09 | 0:38:12 | |
All these auctioneers charge commission. It's never right, is it? | 0:38:12 | 0:38:15 | |
That's why you drive an Aston Martin. | 0:38:15 | 0:38:18 | |
Shhh. Don't tell anybody that! | 0:38:18 | 0:38:20 | |
Now for the Royal Worcester plate... | 0:38:21 | 0:38:23 | |
It's a nice piece, but will it clean up for David? | 0:38:23 | 0:38:27 | |
And lot number 40. The Royal Worcester plate, 1909, bluish-green. | 0:38:27 | 0:38:31 | |
Oh, isn't that beautiful? Isn't that lovely? It's extraordinary. | 0:38:31 | 0:38:36 | |
£20 straight in, £20, 22 now, 22... | 0:38:36 | 0:38:40 | |
-Come on... -..25, 27, £30, 32, 35, 35 do I see now? | 0:38:40 | 0:38:46 | |
-Come on, come on, come on. -£32. | 0:38:46 | 0:38:48 | |
32. Oh, well that's not bad. | 0:38:48 | 0:38:51 | |
An £8 profit. | 0:38:51 | 0:38:52 | |
But it should have faired better. | 0:38:52 | 0:38:54 | |
That was all right. | 0:38:54 | 0:38:55 | |
It's not brilliant but it's all right, isn't it? | 0:38:55 | 0:38:58 | |
Will the bidders get more excited about | 0:38:59 | 0:39:01 | |
Philip's late-19th century book shelves? | 0:39:01 | 0:39:04 | |
£10 is being bid, is there 12? | 0:39:05 | 0:39:07 | |
14, 16, 18, £20, 22, 25, 25, 27, | 0:39:07 | 0:39:12 | |
27, £30, 30 I have, £32, 32 anywhere? | 0:39:12 | 0:39:17 | |
Selling to you, sir, for £30. | 0:39:17 | 0:39:19 | |
£30. What's a fiver, Barbs? | 0:39:19 | 0:39:21 | |
-You haven't made a loss on it. -Not till you take the commission off. | 0:39:21 | 0:39:24 | |
Indeed, after commission that will be a small loss. | 0:39:24 | 0:39:28 | |
Next up the first batch of Mauchline Ware boxes. | 0:39:28 | 0:39:31 | |
Philip has split his five Mauchline Ware boxes into two lots. | 0:39:31 | 0:39:36 | |
Here are the first two boxes. | 0:39:36 | 0:39:39 | |
-£20 on these. -That's good, 22. | 0:39:39 | 0:39:42 | |
25, 27, £30 is my bid, £32, I have it, 35, 35 anywhere? | 0:39:42 | 0:39:49 | |
Selling for £32. | 0:39:49 | 0:39:51 | |
-That was OK. -Respectable. | 0:39:51 | 0:39:53 | |
The crowd has seen the first batch - | 0:39:54 | 0:39:56 | |
has it whet their whistles for Philip's second lot of pretty boxes? | 0:39:56 | 0:40:01 | |
-Another commission bid. I'm opening at £30. -That's good. | 0:40:01 | 0:40:04 | |
32, 35, 37, £40, 42, 45, 47, £50 now, 50 do I see? | 0:40:04 | 0:40:12 | |
Selling for £47. | 0:40:12 | 0:40:13 | |
-Well, that's good, Philip. -That's all right, Barbs, isn't it? | 0:40:13 | 0:40:16 | |
That's a respectable profit of eight pounds. | 0:40:16 | 0:40:19 | |
Splitting up the Mauchline Ware was a definite advantage. | 0:40:19 | 0:40:23 | |
That's good, that's good, that's good. You are doing very well. | 0:40:23 | 0:40:27 | |
Now for David's bronze-finished metal crocodile lighter... | 0:40:27 | 0:40:32 | |
Philip couldn't believe he'd bought it, so could it lead to regrets? | 0:40:32 | 0:40:36 | |
The alligator... This'll do all right. | 0:40:36 | 0:40:39 | |
-Crocodile cigarette lighter. -Yes! -I have a bid of £22, is there 22? | 0:40:39 | 0:40:44 | |
22, 25, 27, | 0:40:44 | 0:40:46 | |
£30, 32... No. | 0:40:46 | 0:40:48 | |
-32, 32... -Come on, come on, come on. | 0:40:48 | 0:40:51 | |
35... No. £35? | 0:40:51 | 0:40:53 | |
-That's a hell of a profit. -Come on... | 0:40:53 | 0:40:55 | |
At £30. Thank you. | 0:40:55 | 0:40:57 | |
That's a hell of a profit, Barbs. | 0:40:57 | 0:40:59 | |
A £20 profit, proving that sometimes | 0:41:00 | 0:41:02 | |
the more quirky the item, the better. | 0:41:02 | 0:41:05 | |
-Well done, you. -Oh... -I'm really pleased for you. I'm really, really pleased for you. | 0:41:05 | 0:41:10 | |
Now for the final lot. | 0:41:10 | 0:41:12 | |
The silver Sampson Mordan pen or pencil case. If this bombs, | 0:41:12 | 0:41:17 | |
it could be curtains for David. | 0:41:17 | 0:41:19 | |
-And the scarce Sampson Mordan pen or pencil case. -Well, here we are... | 0:41:19 | 0:41:23 | |
How's it going to do how's it going to do, how's it going to do? | 0:41:23 | 0:41:26 | |
What shall we say for this now, £100 for this piece? | 0:41:26 | 0:41:29 | |
Any interest at 100? Do I see £100...? | 0:41:29 | 0:41:31 | |
I'm going to open the bidding here at £50, commission bid. | 0:41:31 | 0:41:34 | |
55, 60, 65, | 0:41:34 | 0:41:37 | |
70, 75, | 0:41:37 | 0:41:38 | |
80, 85... | 0:41:38 | 0:41:40 | |
No. £85? 85... 85... | 0:41:40 | 0:41:43 | |
90 from this lady. 95... | 0:41:43 | 0:41:45 | |
£100... | 0:41:45 | 0:41:47 | |
-The bids keep rolling in... -110, 120, 130... | 0:41:47 | 0:41:50 | |
-And again. -140... -And again. -150... | 0:41:50 | 0:41:53 | |
-150, sir. 160... -Well done, Barbs, that's a real good price. -170? No. | 0:41:53 | 0:41:58 | |
£170...? 170, do I see? | 0:41:58 | 0:42:00 | |
No further interest. Selling to this lady for £160. | 0:42:00 | 0:42:03 | |
-Oh, yes! -Well done, Barbs. Well done. | 0:42:03 | 0:42:06 | |
That's the biggest profit of the day. | 0:42:07 | 0:42:09 | |
No wonder he's delighted! | 0:42:09 | 0:42:11 | |
You've done really well with that. | 0:42:11 | 0:42:13 | |
You can give me a kiss. | 0:42:13 | 0:42:15 | |
I'm pleased, but I am actually not THAT pleased for you. | 0:42:15 | 0:42:18 | |
Well - at least he signed your ostrich egg, Philip. | 0:42:18 | 0:42:21 | |
It's been a positive start to the week for both our boys. | 0:42:21 | 0:42:26 | |
Out of his original pot of £200, | 0:42:28 | 0:42:31 | |
after paying the auction costs Philip has made a profit of £23.57. | 0:42:31 | 0:42:36 | |
Which gives him a stand up total of £223.57 | 0:42:36 | 0:42:41 | |
to shop with tomorrow. | 0:42:41 | 0:42:43 | |
But David has beaten Philip to the finish line. | 0:42:43 | 0:42:46 | |
After paying commission, | 0:42:46 | 0:42:48 | |
he's made a profit of £52.59 | 0:42:48 | 0:42:50 | |
which sees him leaving with £252.59. | 0:42:50 | 0:42:55 | |
So - will Philip let him celebrate? Probably not. | 0:42:55 | 0:42:59 | |
-Now, don't gloat! -I want to go and spend it all at our next one! | 0:42:59 | 0:43:04 | |
-Have you got the map...? -Don't put your arm around me. | 0:43:04 | 0:43:06 | |
-I am a demonstrative person, Philip. -I'm getting wet. | 0:43:06 | 0:43:09 | |
Get in the car, for Christopher Columbus! | 0:43:09 | 0:43:13 | |
Next time on the Antiques Road Trip... | 0:43:16 | 0:43:18 | |
Philip takes haggling to a whole new height. | 0:43:18 | 0:43:21 | |
I'm trying to start sowing the seed of doubt in Richard's mind | 0:43:21 | 0:43:24 | |
as to how little this is really worth... | 0:43:24 | 0:43:27 | |
I can feel one of my headaches coming on. | 0:43:27 | 0:43:28 | |
And could there be a surprise in store at auction for David? | 0:43:28 | 0:43:32 | |
Look at the little look on his face! | 0:43:32 | 0:43:34 | |
Subtitles by Red Bee Media Ltd | 0:43:55 | 0:43:57 | |
E-mail [email protected] | 0:43:57 | 0:43:59 |