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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
-I don't mean to drive a hard bargain. -The aim is to trade up and hope each antique turns a profit. | 0:00:12 | 0:00:17 | |
But it's not as easy as it sounds and there can only be one winner! | 0:00:17 | 0:00:20 | |
Punching the air! | 0:00:20 | 0:00:22 | |
So will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
-I'm going to be like Rocky. I'm going to come from behind. -This is the Antiques Road Trip. | 0:00:26 | 0:00:31 | |
Today it's the last hurrah for antiques experts James Braxton and Thomas Plant. | 0:00:36 | 0:00:42 | |
They're out on the open road and James' vintage 1952 MG has been reaching near... | 0:00:42 | 0:00:48 | |
average speeds | 0:00:48 | 0:00:50 | |
as they skip from town to town. | 0:00:50 | 0:00:53 | |
-You're leading, you're streets ahead. -Thomas still struggling. | 0:00:53 | 0:00:56 | |
Why doesn't somebody help me? | 0:00:56 | 0:00:59 | |
James Braxton is a seasoned auctioneer and surveyor | 0:00:59 | 0:01:02 | |
with one eye on the antiques market and one on the whims of fashion. | 0:01:02 | 0:01:06 | |
This is what auctioneers will be wearing in 2011. | 0:01:06 | 0:01:10 | |
The auctioneer, the legend, the Bristolian, Thomas Plant | 0:01:10 | 0:01:14 | |
knows a great piece of jewellery when he sees one. | 0:01:14 | 0:01:17 | |
And he also knows what he likes! | 0:01:17 | 0:01:19 | |
There I was buying a piece of suffragette, | 0:01:19 | 0:01:22 | |
now I'm buying a bit of porn! | 0:01:22 | 0:01:23 | |
Our boys started this week with £200 each and, well, fate has not entirely smiled on either of them. | 0:01:23 | 0:01:31 | |
James has been following a simple, market-driven formula. | 0:01:31 | 0:01:34 | |
I'm going for a sort of Country House style the whole time. | 0:01:34 | 0:01:38 | |
From his original £200, | 0:01:38 | 0:01:40 | |
James now has a not-to-be-sniffed-at £296.15 to begin his last show. | 0:01:40 | 0:01:48 | |
Just sort of steady jabs, steady jabs. | 0:01:48 | 0:01:51 | |
Thomas, bless him, has tried his very best. | 0:01:51 | 0:01:54 | |
He's shown great heart, shopping with passion and intelligence. | 0:01:54 | 0:01:58 | |
And it hasn't worked. | 0:01:58 | 0:02:00 | |
I buy an antique, you buy tat, I LOSE money on it. | 0:02:00 | 0:02:04 | |
Thomas' £200 has been cruelly shrunken by fate, | 0:02:04 | 0:02:09 | |
leaving just £163.23 to take him once more unto the breach. | 0:02:09 | 0:02:15 | |
You've made profit on your items, maybe I should be buying a bit more wisely. | 0:02:15 | 0:02:20 | |
A line needs to be drawn. | 0:02:20 | 0:02:22 | |
-I think we need to move on. -Yeah, I think so. | 0:02:22 | 0:02:24 | |
Oh, I've lost my hat. | 0:02:24 | 0:02:27 | |
This week's route has taken our experts | 0:02:27 | 0:02:30 | |
from Berwick-upon-Tweed, zigzagging across Northumberland and Yorkshire, | 0:02:30 | 0:02:35 | |
to their final auction in Driffield. | 0:02:35 | 0:02:38 | |
On today's final Northeast journey, James and Thomas are leaving Baildon. | 0:02:38 | 0:02:43 | |
First pin in the map is Keighley, West Yorkshire. | 0:02:43 | 0:02:48 | |
Thomas has managed to rescue his hat, but can he rescue his fortunes today? | 0:02:48 | 0:02:52 | |
-Last leg, James. -Last leg, Thomas. -Any plans? | 0:02:52 | 0:02:55 | |
-Well, I'm going to buy some meaty bits, silver I think. -Really? | 0:02:55 | 0:02:59 | |
-Silver, do you think that's advisable? -Yeah, definitely. | 0:02:59 | 0:03:02 | |
-With your record on silver? -THEY LAUGH | 0:03:02 | 0:03:05 | |
What's a hall mark? | 0:03:05 | 0:03:07 | |
Anyway, let's go. | 0:03:08 | 0:03:10 | |
Let's find some bargains. | 0:03:12 | 0:03:15 | |
Sure. | 0:03:16 | 0:03:17 | |
Keighley has played an important historical role | 0:03:17 | 0:03:21 | |
in Britain's textile production and the wider Industrial Revolution. | 0:03:21 | 0:03:25 | |
But, the town is more famed for its favourite daughter, | 0:03:25 | 0:03:29 | |
actress Mollie Sugden, or Mrs Slocombe, of Are You Being Served fame. | 0:03:29 | 0:03:34 | |
Now, side-stepping the perfumery department and men's tailoring, | 0:03:34 | 0:03:39 | |
our experts arrive to get antiques shopping. | 0:03:39 | 0:03:42 | |
James, Thomas, are you free?! | 0:03:42 | 0:03:44 | |
-This looks good. -Looks very good. -Very smart. | 0:03:45 | 0:03:48 | |
Oh, I see silver and jewellery winking at you there. | 0:03:48 | 0:03:51 | |
-Can I take that side? -Course you can. -And we'll swap. | 0:03:51 | 0:03:54 | |
So our boys divide the territory to get busy. There are treasures to be found, | 0:03:54 | 0:03:59 | |
only a few shops left and just one last chance for auction victory. | 0:03:59 | 0:04:04 | |
I have to say, I think this is the best antique shop we've been into. | 0:04:07 | 0:04:11 | |
Look at it, it's just wonderful, it's full of great things. | 0:04:11 | 0:04:15 | |
It's a case of buying well. I've got to beat James. | 0:04:17 | 0:04:20 | |
That's the spirit! | 0:04:20 | 0:04:22 | |
And, whilst James watches his back, something's caught his eye for £125. | 0:04:22 | 0:04:27 | |
It looks like a tea caddy, doesn't it, but it's very well engineered, | 0:04:28 | 0:04:33 | |
it's very heavy, and it slightly reminds me of maybe a cheese scoop. | 0:04:33 | 0:04:38 | |
I think it's a cheese scoop too! | 0:04:38 | 0:04:40 | |
Specialised dining utensils became essential in the mid 19th century | 0:04:41 | 0:04:46 | |
when touching food with your naked hands was seriously frowned upon. | 0:04:46 | 0:04:51 | |
In print, The Habits Of Good Society, from 1859, recommends, | 0:04:51 | 0:04:55 | |
"Never touch anything edible with your fingers." | 0:04:55 | 0:04:59 | |
One can only imagine how terribly cumbersome was the Victorian picnic! | 0:04:59 | 0:05:04 | |
Very good weight. Pretty heavy fellow, that. | 0:05:04 | 0:05:07 | |
Rather nice. | 0:05:07 | 0:05:09 | |
And now Thomas has found something strict and military for £12.50. | 0:05:10 | 0:05:15 | |
Mississauga Horse Battalion, Canada. | 0:05:15 | 0:05:19 | |
Oh, that's Canadian. | 0:05:19 | 0:05:22 | |
Canadian swagger stick, | 0:05:22 | 0:05:24 | |
probably from the First World War or something. | 0:05:24 | 0:05:26 | |
Canadian Mounties. | 0:05:26 | 0:05:28 | |
Swagger sticks were originally functional, rather than decorative, | 0:05:28 | 0:05:32 | |
used to direct military manoeuvres or give physical punishment. | 0:05:32 | 0:05:38 | |
Ouch! But also to keep officers | 0:05:38 | 0:05:40 | |
from putting their hands in their pockets whilst on parade. Naughty. | 0:05:40 | 0:05:44 | |
I might walk around with this, | 0:05:44 | 0:05:47 | |
pointing things out, hitting James. | 0:05:47 | 0:05:50 | |
Very good. | 0:05:50 | 0:05:52 | |
As you were, Plant! | 0:05:52 | 0:05:55 | |
Meanwhile, James has been drawn to another piece of silver, | 0:05:55 | 0:05:59 | |
priced again at £125. | 0:05:59 | 0:06:02 | |
Will someone be pushing the boat out soon? | 0:06:02 | 0:06:05 | |
Your cigar sleeve. Is that silver? | 0:06:05 | 0:06:08 | |
Very clever things because you can | 0:06:08 | 0:06:10 | |
just put them in your top pocket and they just protect them, don't they? | 0:06:10 | 0:06:15 | |
-Nice. -Saves getting all the cigar bits in the bottom of your jacket. | 0:06:15 | 0:06:19 | |
Yeah. Has that got a fancy maker? | 0:06:19 | 0:06:21 | |
Mappin & Webb. | 0:06:21 | 0:06:23 | |
Well, if you're going to buy cigars for £10-15 a shot | 0:06:23 | 0:06:27 | |
-you want to keep them safe, don't you? -Absolutely. | 0:06:27 | 0:06:31 | |
Wonderfully, James looks like he could be buying some antiques soon. | 0:06:31 | 0:06:36 | |
However, Thomas might be trying to hide his money away. | 0:06:36 | 0:06:39 | |
I've just seen something. I love this. What do you think it is? | 0:06:39 | 0:06:43 | |
What does it look like? | 0:06:43 | 0:06:45 | |
I dunno. | 0:06:45 | 0:06:46 | |
Bzzz, bzzz. | 0:06:46 | 0:06:47 | |
Er, entry-phone system? | 0:06:47 | 0:06:49 | |
No, come on. Don't be so silly. What is it? | 0:06:49 | 0:06:52 | |
Er, doorbell? Cheap alarm clock? | 0:06:52 | 0:06:55 | |
Bzzz, bzzz. Beehive. Busy bees. | 0:06:55 | 0:06:57 | |
Busy bees. | 0:06:57 | 0:06:59 | |
-WHISPERS: -It's a money box. | 0:06:59 | 0:07:01 | |
Oh, a money box! | 0:07:01 | 0:07:03 | |
This beehive money box is lovely, but it's also £58! | 0:07:03 | 0:07:08 | |
I like the shape. You know, if you were a busy bee saving | 0:07:08 | 0:07:11 | |
you would get your money at the end of the season, | 0:07:11 | 0:07:14 | |
like if you were a bee keeper. | 0:07:14 | 0:07:16 | |
And now James is pulling out all the stops. | 0:07:16 | 0:07:19 | |
Lovely corkscrew. | 0:07:19 | 0:07:21 | |
See, these things were engineered... | 0:07:21 | 0:07:24 | |
That's been a corkscrew from about 1860, 1880. | 0:07:24 | 0:07:27 | |
That's done 100 years of service | 0:07:27 | 0:07:29 | |
and funny enough it's still got it's tip on. | 0:07:29 | 0:07:32 | |
That's when steel was steel. | 0:07:32 | 0:07:35 | |
Really nicely made. | 0:07:35 | 0:07:36 | |
And it's horn here. | 0:07:36 | 0:07:39 | |
I think that's a wild boar. | 0:07:39 | 0:07:41 | |
Grrr, like that, wild boar, and then it's been beautifully capped. | 0:07:41 | 0:07:44 | |
Very nice! If you're not a boar. Now, talking of bores, here's Thomas... | 0:07:44 | 0:07:49 | |
with a travelling item for his road trip. | 0:07:49 | 0:07:51 | |
Look at that lovely leather-coated box | 0:07:51 | 0:07:55 | |
and this unscrews and you either put scent in there or...something. | 0:07:55 | 0:08:00 | |
£29. | 0:08:00 | 0:08:03 | |
See, that's more my budget, really, when thinking about it. | 0:08:03 | 0:08:07 | |
Lansdowne Luggage, London, so that's really quite nicely done, isn't it? | 0:08:07 | 0:08:11 | |
Lansdowne Row, | 0:08:12 | 0:08:14 | |
in London's ultra-fashionable, uber-expensive Mayfair, | 0:08:14 | 0:08:18 | |
is home to some rather exclusive boutiques | 0:08:18 | 0:08:21 | |
and purveyors of luxury goods. | 0:08:21 | 0:08:23 | |
Lansdowne Luggage is most likely an eponymous fine leather goods shop | 0:08:23 | 0:08:28 | |
from this stylish street in the 1930s. | 0:08:28 | 0:08:31 | |
Michael, I've got a little collection of items I've found. | 0:08:32 | 0:08:36 | |
Can I put them on the counter and have a chat? | 0:08:36 | 0:08:39 | |
With a great luxury bundle already assembled, | 0:08:39 | 0:08:42 | |
Thomas spots another item winking at him for £58. Tick-tock! | 0:08:42 | 0:08:47 | |
What's that funny old stick? | 0:08:47 | 0:08:50 | |
-A silver watch key, clock key. -Look at that. | 0:08:50 | 0:08:53 | |
That's for somebody that has everything. | 0:08:53 | 0:08:56 | |
Thing is, clocks are great | 0:08:56 | 0:08:58 | |
and people who collect clocks like to have things about them. | 0:08:58 | 0:09:01 | |
It would be some clock to have a solid-silver key. | 0:09:01 | 0:09:04 | |
I always see something at the very last minute. | 0:09:04 | 0:09:06 | |
So what have you got on that? | 0:09:06 | 0:09:08 | |
It's £50 on it, 40 to you. | 0:09:09 | 0:09:12 | |
Now Thomas has the mother of all antique bundles. | 0:09:12 | 0:09:16 | |
I've only got 160 quid. | 0:09:16 | 0:09:17 | |
So I want to spend 100 quid, cos you're the best shop. | 0:09:17 | 0:09:21 | |
-What about my little bottle there? -That's 20, you can have that for 15. | 0:09:21 | 0:09:24 | |
And then...the busy bees? | 0:09:24 | 0:09:26 | |
That's 50, you can have that for 40. | 0:09:26 | 0:09:29 | |
-And then the swagger stick... -For a fiver. | 0:09:29 | 0:09:33 | |
So we've got £100 there. | 0:09:33 | 0:09:34 | |
I think that is four quality items. | 0:09:34 | 0:09:37 | |
Shake on it? Hundred pounds. | 0:09:37 | 0:09:40 | |
Well done, Thomas, not so much a haggle as an agreement. | 0:09:40 | 0:09:44 | |
Are you sure you haven't spent too much? | 0:09:44 | 0:09:48 | |
I don't want any change left. This is all or nothing. | 0:09:48 | 0:09:51 | |
This is go hard or go home. | 0:09:51 | 0:09:53 | |
Fine words, sir! Now, James has his three favourite items | 0:09:54 | 0:09:58 | |
on the counter, with an eye-watering combined asking price of £298. | 0:09:58 | 0:10:02 | |
Now, Michael, could you do the lot at 200? | 0:10:04 | 0:10:07 | |
You're going to have to give me another tenner. | 0:10:07 | 0:10:11 | |
210. | 0:10:11 | 0:10:13 | |
I can do that. | 0:10:14 | 0:10:15 | |
Thank you very much indeed, Michael. | 0:10:15 | 0:10:17 | |
Hmm. Again, that was really an agreement | 0:10:17 | 0:10:20 | |
rather than a rock-hard haggle. | 0:10:20 | 0:10:23 | |
I hope our experts haven't gone soft and spendthrift on their final voyage. | 0:10:23 | 0:10:27 | |
They're good quality items. Hopefully... It's over to the auctioneer now. | 0:10:27 | 0:10:31 | |
He's got to get out there, market them, and sell them well. | 0:10:31 | 0:10:35 | |
Well, at least our boys seem happy with their bumper buys. | 0:10:35 | 0:10:39 | |
Why pay less when you can pay more? So let's move on. | 0:10:39 | 0:10:43 | |
On a literary mission, the Road Trip is taking us four miles southwest | 0:10:43 | 0:10:48 | |
to the landmark village of Haworth. | 0:10:48 | 0:10:50 | |
Along the way, Yorkshire's scenery gets more dramatic, more beautiful. | 0:10:54 | 0:11:00 | |
The kind of windswept heather and wild moors | 0:11:02 | 0:11:05 | |
that inspired Haworth's three favourite daughters, | 0:11:05 | 0:11:10 | |
Charlotte, Emily and Anne Bronte. | 0:11:10 | 0:11:12 | |
Thomas arrives at the Bronte Parsonage Museum | 0:11:14 | 0:11:17 | |
to meet collections manager Ann Dinsdale | 0:11:17 | 0:11:21 | |
and experience this fascinating yet tragic tale. | 0:11:21 | 0:11:24 | |
This is the dining room where the Brontes did a lot of their writing | 0:11:24 | 0:11:28 | |
and it's all set out with their own belongings and furniture. | 0:11:28 | 0:11:32 | |
Ill health plagued the family and Patrick Bronte, Haworth's vicar, | 0:11:32 | 0:11:37 | |
sadly outlived all his talented children. | 0:11:37 | 0:11:40 | |
He used to call in here at nine o'clock and tell the girls not to stay up too late, | 0:11:40 | 0:11:44 | |
and that's when they'd put away their sewing or whatever they'd been working on | 0:11:44 | 0:11:49 | |
and talk about their writing. | 0:11:49 | 0:11:50 | |
And the mother wasn't here, was she? | 0:11:50 | 0:11:52 | |
The mother had died within 18 months of their arrival in Howarth. | 0:11:52 | 0:11:55 | |
But I think that combination of the power of their writing | 0:11:55 | 0:11:59 | |
and the kind of dramatic landscape of Howarth | 0:11:59 | 0:12:03 | |
and the sad story of their lives is kind of...quite a potent mix. | 0:12:03 | 0:12:07 | |
This building was bought by the dedicated Bronte Society in 1928, | 0:12:07 | 0:12:12 | |
to curate the sisters' artefacts. | 0:12:12 | 0:12:15 | |
After moving around Northern England, the Brontes lived here from 1820 | 0:12:15 | 0:12:20 | |
and did much of their writing in the family dining room. | 0:12:20 | 0:12:23 | |
We've got Anne's writing desk on the table | 0:12:23 | 0:12:26 | |
and we know that every evening, when their family prayers were over, | 0:12:26 | 0:12:29 | |
they'd actually walk round the table discussing their writing and reading aloud. | 0:12:29 | 0:12:34 | |
-Quite sort of secretive. -Yeah, and we know that after Emily died, | 0:12:34 | 0:12:38 | |
the year after Wuthering Heights was published, | 0:12:38 | 0:12:41 | |
Charlotte and Anne continued this nightly ritual of walking round the table. | 0:12:41 | 0:12:45 | |
And then, when Anne died, Charlotte continued on her own. | 0:12:45 | 0:12:50 | |
Success didn't come easily to the industrious Bronte girls. | 0:12:50 | 0:12:54 | |
This was the 19th century after all, | 0:12:54 | 0:12:57 | |
no votes for women and precious few careers either. | 0:12:57 | 0:13:01 | |
It's true that they didn't publish under their own names, their female names. | 0:13:01 | 0:13:05 | |
No, they used assumed names, | 0:13:05 | 0:13:07 | |
they published under the names Currer, Ellis and Acton Bell | 0:13:07 | 0:13:10 | |
but I think the idea was more that they would disguise their gender. | 0:13:10 | 0:13:14 | |
They wanted to be judged as writers, not particularly women writers. | 0:13:14 | 0:13:19 | |
Each of them produced a novel | 0:13:19 | 0:13:21 | |
and they would send them to one publisher after another who rejected them. | 0:13:21 | 0:13:25 | |
Charlotte wrote the famous novel Jane Eyre, | 0:13:25 | 0:13:29 | |
and Emily the wonderfully romantic Wuthering Heights. | 0:13:29 | 0:13:33 | |
Lesser-known Anne wrote The Tenant Of Wildfell Hall. | 0:13:33 | 0:13:37 | |
All three girls began their literary careers | 0:13:37 | 0:13:41 | |
with a collective volume of poetry in 1846. | 0:13:41 | 0:13:44 | |
It sold two copies, despite some quite good reviews. | 0:13:44 | 0:13:48 | |
-Only two copies? -Yeah. | 0:13:48 | 0:13:49 | |
-They were obviously all quite well educated, the father made sure of that. -Yes. | 0:13:49 | 0:13:54 | |
He encouraged the girls to read whatever they wanted, which was quite unusual. | 0:13:54 | 0:13:58 | |
-That was unusual, wasn't it? -So they were steeped in the works of Byron, | 0:13:58 | 0:14:02 | |
-for example, which was usually deemed to be very unsuitable. -Absolutely. | 0:14:02 | 0:14:07 | |
Of course, that all fed into their novels. | 0:14:07 | 0:14:10 | |
The Brontes' genius writing couldn't be ignored forever. | 0:14:11 | 0:14:15 | |
But only Charlotte lived long enough to enjoy her success, with the immediate popularity of Jane Eyre. | 0:14:15 | 0:14:21 | |
Ann shows us the museum's earliest testament to this talented family. | 0:14:21 | 0:14:25 | |
This is actually a poetry manuscript by Charlotte Bronte, | 0:14:25 | 0:14:30 | |
in the guise of the Marquis of Douro, | 0:14:30 | 0:14:33 | |
one of her kind of characters. | 0:14:33 | 0:14:35 | |
You can see the tiny, tiny writing | 0:14:35 | 0:14:38 | |
and Charlotte's signature down here, June 28th 1830. | 0:14:38 | 0:14:43 | |
So she'd have been 14, | 0:14:43 | 0:14:45 | |
and the idea was that these tiny books | 0:14:45 | 0:14:48 | |
looked as much like printed books as possible. | 0:14:48 | 0:14:50 | |
How amazing that a 19th-century 14-year-old | 0:14:50 | 0:14:54 | |
had the talent and confidence to create such an item. | 0:14:54 | 0:14:58 | |
Recently, the Bronte Society acquired a similar, extremely rare manuscript | 0:14:58 | 0:15:04 | |
-at a New York auction for around £33,000. -It's quite sweet. | 0:15:04 | 0:15:09 | |
There's this wonderful naivety and innocence about it, | 0:15:09 | 0:15:14 | |
of a young girl at 14 making these things to while away the time, | 0:15:14 | 0:15:18 | |
I don't know, take her mind off losing her mother. | 0:15:18 | 0:15:21 | |
They created a fictional world in which they had the power to bring the dead to life again. | 0:15:21 | 0:15:26 | |
The Brontes' novels are truly loved and venerated the world over, | 0:15:35 | 0:15:39 | |
and I think they may have just acquired a brand-new fan. | 0:15:39 | 0:15:43 | |
I came in, not knowing anything about the family, | 0:15:44 | 0:15:47 | |
and I've come away with a new-found passion. | 0:15:47 | 0:15:51 | |
-Thank you very much. -It's been a pleasure showing you them. | 0:15:51 | 0:15:54 | |
Thomas has been thoroughly indulged for the last time this week | 0:15:54 | 0:15:58 | |
and it really is nose to the grindstone for him, from now on. | 0:15:58 | 0:16:02 | |
But, actually, antiques shopping will have to wait, | 0:16:02 | 0:16:05 | |
as this first day of the last voyage draws to an end. | 0:16:05 | 0:16:09 | |
I'm having the time of my life. | 0:16:09 | 0:16:11 | |
I am thoroughly enjoying this. | 0:16:11 | 0:16:13 | |
So everything to play for on this last one. | 0:16:13 | 0:16:16 | |
Oh, I'm really looking forward to... I've lost my hat again! | 0:16:16 | 0:16:18 | |
-Oh, no, not again. -Yeah, I've lost my hat again. | 0:16:18 | 0:16:21 | |
Better stop and pick it up, then. | 0:16:21 | 0:16:23 | |
Night, night. | 0:16:23 | 0:16:24 | |
Excitement and a gnawing sense of trepidation greet James and Thomas' final dash of shopping together. | 0:16:26 | 0:16:32 | |
We don't yet know what the day holds in store but its going to be emotional. | 0:16:32 | 0:16:36 | |
My trusty motoring hat has been under a 16-wheeler, I'm afraid to say. | 0:16:36 | 0:16:43 | |
Let's hope our boys can keep a better hold on their antiques shopping today. | 0:16:43 | 0:16:47 | |
So far, James has spent a daring £210 on three items, | 0:16:47 | 0:16:51 | |
the silver cheese spoon, the silver cigar sleeve | 0:16:51 | 0:16:56 | |
and the bone corkscrew, with a bit of silver on the end. | 0:16:56 | 0:16:59 | |
He's got £86.15 left to burn. | 0:16:59 | 0:17:04 | |
Go-Hard Thomas has splashed out £100 on four items. | 0:17:05 | 0:17:08 | |
The Canadian swagger stick, the cologne case, | 0:17:08 | 0:17:12 | |
the beehive money box and the handsome clock key. | 0:17:12 | 0:17:15 | |
He's got £63.23 left to blow and he doesn't want any change. | 0:17:15 | 0:17:21 | |
Game on! | 0:17:21 | 0:17:23 | |
Good luck. | 0:17:23 | 0:17:25 | |
Heading west, our boys are splitting up, to get the best of the rest of the Northeast. | 0:17:25 | 0:17:30 | |
Endlessly curious James is heading nine miles from Haworth | 0:17:30 | 0:17:34 | |
to the big, ballsy city of Bradford. | 0:17:34 | 0:17:37 | |
Thomas has done well, so he won the last leg. | 0:17:37 | 0:17:40 | |
I failed miserably, so I'm going for broke. | 0:17:40 | 0:17:44 | |
James has a keen eye on treasures from the near and far East, so he's giving himself a little treat today. | 0:17:44 | 0:17:50 | |
This area was built by Bradford's wealthy wool merchants in the 1850s. | 0:17:52 | 0:17:57 | |
Today this handsome Victorian terrace is home to Bradford's Masjid Doha, | 0:17:57 | 0:18:03 | |
established in 1980. | 0:18:03 | 0:18:06 | |
-Ah, hello. -Hello. James. -Nafees. | 0:18:06 | 0:18:09 | |
Nafees, good to meet you. Now, I hear you have some goodies here. | 0:18:09 | 0:18:13 | |
We have just through here, in the mosque. | 0:18:13 | 0:18:15 | |
The Masjid Doha is regularly attended by 700 people from 20 different countries for Friday prayers. | 0:18:15 | 0:18:24 | |
Masjid is the correct Islamic name for mosque, | 0:18:24 | 0:18:27 | |
as mosque is a French Orientalist term from the 17th century. | 0:18:27 | 0:18:33 | |
It's a big space, isn't it? | 0:18:33 | 0:18:34 | |
It is when it's full, particularly on Fridays, the day of congregation. | 0:18:34 | 0:18:38 | |
I must say it's very plush, isn't it? There's quite a spring here. | 0:18:38 | 0:18:42 | |
There is, it was well put down. I've sat on here many hours. | 0:18:42 | 0:18:46 | |
Nafees is a volunteer here and passionate about his own collection of antiques. | 0:18:46 | 0:18:51 | |
More recently, he's focused on Islamic arts and crafts | 0:18:51 | 0:18:55 | |
from Arabia, Persia and beyond. | 0:18:55 | 0:18:58 | |
We've got an inkwell, a tray, which I think is for sweetmeats, | 0:19:00 | 0:19:03 | |
and a bowl, probably for fruit. | 0:19:03 | 0:19:05 | |
And were they made for people who were constantly on the move? | 0:19:05 | 0:19:08 | |
In the medieval period there was a lot of movement of populations. | 0:19:08 | 0:19:12 | |
I think it's a sweetmeat tray. | 0:19:12 | 0:19:14 | |
-Offering of hospitality... -Yes, certainly. | 0:19:14 | 0:19:17 | |
And is this emblematic, | 0:19:17 | 0:19:19 | |
this stylised lotus? | 0:19:19 | 0:19:21 | |
It's loosely, I think, representing the endless knot. | 0:19:21 | 0:19:23 | |
The endless knot is a real universal symbol, | 0:19:23 | 0:19:27 | |
appearing across widespread and diverse cultures, | 0:19:27 | 0:19:30 | |
from Celtic to Persian lands. | 0:19:30 | 0:19:32 | |
However, it's thought to originate in ancient Tibetan traditions, | 0:19:32 | 0:19:37 | |
representing the infinite wisdom of the Buddha. | 0:19:37 | 0:19:40 | |
It's a bowl, and again I would imagine it was for fruit. | 0:19:40 | 0:19:44 | |
It's a wonderful piece, because not everybody | 0:19:44 | 0:19:47 | |
would have been able to afford a piece like this. | 0:19:47 | 0:19:49 | |
These patterns were used in the Byzantine and Sassanian tradition | 0:19:49 | 0:19:53 | |
so there's a lot of interaction between the cultures and the traditions and the artists. | 0:19:53 | 0:19:58 | |
It's not unknown for Muslims to make items for Christians | 0:19:58 | 0:20:03 | |
who were living within the Muslim lands, and vice versa. | 0:20:03 | 0:20:07 | |
Business, isn't it? | 0:20:07 | 0:20:08 | |
These three curious artefacts are difficult to date, | 0:20:08 | 0:20:11 | |
but could very well be 12th-century Islamic brassware from Khorasan, | 0:20:11 | 0:20:15 | |
a prosperous merchant province | 0:20:15 | 0:20:18 | |
straddling modern-day northeast Iran and western Afghanistan. | 0:20:18 | 0:20:23 | |
This is the first piece I bought. | 0:20:23 | 0:20:24 | |
The inkwell was a travelling inkwell. | 0:20:24 | 0:20:27 | |
You could imagine the ink sloshing around in there | 0:20:27 | 0:20:30 | |
but I think the idea was they'd put some kind of felt or material inside | 0:20:30 | 0:20:34 | |
and the ink would be soaked up by that, | 0:20:34 | 0:20:37 | |
-and it's covered in calligraphy, even the underside is. -Very nice. | 0:20:37 | 0:20:41 | |
It's the harpies, the mythological beasts. | 0:20:41 | 0:20:44 | |
A woman's head, I think lion's body... | 0:20:44 | 0:20:46 | |
and the three hunting dogs, Saluki. | 0:20:46 | 0:20:49 | |
-Right, Salukis, yeah. -Yes, yes. | 0:20:49 | 0:20:52 | |
Contrary to popular belief, there are many figurative and animal depictions | 0:20:52 | 0:20:56 | |
in ancient Islamic decorative arts. | 0:20:56 | 0:20:59 | |
And many motifs, like these harpies and Salukis, | 0:20:59 | 0:21:02 | |
crossed into arts from other medieval cultures. | 0:21:02 | 0:21:06 | |
Thank you very much indeed...Naseef. | 0:21:06 | 0:21:08 | |
This is the first mosque I've ever been into. And, well done, Bradford. | 0:21:08 | 0:21:12 | |
Excellent, nice one. | 0:21:12 | 0:21:13 | |
-Tea's getting cold. -Tea's getting cold. Go on. | 0:21:13 | 0:21:16 | |
And now our fully refreshed James must return to the antiques fray | 0:21:18 | 0:21:22 | |
and get unearthing his last treasures of the week. | 0:21:22 | 0:21:27 | |
The journey so far is now consigned to Road Trip history. | 0:21:27 | 0:21:31 | |
With the taste of final auction in the air, | 0:21:32 | 0:21:35 | |
an expectant wind blows our experts ten miles due east from Bradford | 0:21:35 | 0:21:40 | |
to the great Northern city of Leeds. | 0:21:40 | 0:21:43 | |
Today, Leeds is home to the Henry Moore Institute, | 0:21:43 | 0:21:47 | |
named after Leeds Art School's most celebrated graduate. | 0:21:47 | 0:21:51 | |
Fortunate enough to return from the First World War, | 0:21:51 | 0:21:55 | |
Henry Moore came to the city on an ex-serviceman's grant in 1919, | 0:21:55 | 0:22:00 | |
before great success and fame came his way. | 0:22:00 | 0:22:03 | |
You've got how many items? | 0:22:03 | 0:22:05 | |
-Three. -I've got four. I'm going to buy one more item. | 0:22:05 | 0:22:08 | |
I may as well spend it all. | 0:22:08 | 0:22:13 | |
This is a momentous occasion. | 0:22:13 | 0:22:15 | |
-Last leg. -You never know what we might find. | 0:22:15 | 0:22:18 | |
It's the final showdown for our boys, today. | 0:22:18 | 0:22:20 | |
They've got money to burn, antiques to buy and precious little time left. | 0:22:20 | 0:22:24 | |
So let's keep silly shenanigans to an absolute minimum, please. | 0:22:24 | 0:22:29 | |
I feel like a cyber man. | 0:22:30 | 0:22:33 | |
Oh, dear, sadly this shop looks like it's full of far too much fun and distraction. | 0:22:35 | 0:22:39 | |
Owner, John, also rents out his stock as props for the film industry. | 0:22:39 | 0:22:44 | |
In fact, wasn't that candelabra in Gosford Park? | 0:22:44 | 0:22:50 | |
It's a piece of art deco glass with these opalescent bits in there. | 0:22:50 | 0:22:54 | |
It's quite nice, it's quite lush, isn't it? | 0:22:54 | 0:22:56 | |
Most important thing is it's in good condition. | 0:22:56 | 0:22:59 | |
Opalescent glass was developed in England in the mid 19th century, | 0:22:59 | 0:23:03 | |
but became more popular as an art deco style in the 1930s. | 0:23:03 | 0:23:06 | |
These bowls are slow cooled to create the milky effect and colouring | 0:23:06 | 0:23:12 | |
in thicker areas of the glass. | 0:23:12 | 0:23:15 | |
-90 quid, and we all know how much money I've got - £62 and something pence! | 0:23:15 | 0:23:22 | |
No, Thomas. Silly Billy, you've got £63.23. | 0:23:22 | 0:23:27 | |
Now, keep a careful eye on your money, like James does. | 0:23:27 | 0:23:30 | |
Oh, I like that, a nice bit of Indian silver, beautifully embossed | 0:23:30 | 0:23:35 | |
and then the interior is of a different skin so it's double walled, so a sign of quality. | 0:23:35 | 0:23:41 | |
Smells like silver. | 0:23:41 | 0:23:44 | |
What's that smell like, then? | 0:23:45 | 0:23:47 | |
James is once again drawn to Indian, crafted metal goods, as he has been all week. | 0:23:47 | 0:23:51 | |
He clearly loves their decoration but is also | 0:23:51 | 0:23:54 | |
shrewd about desirable objects for wealthy buyers in emerging economies. | 0:23:54 | 0:23:59 | |
Clever boy, James, clever boy. | 0:23:59 | 0:24:02 | |
It's 1860, 1880, I'd say, but lovely quality. | 0:24:02 | 0:24:05 | |
I'd better get looking. | 0:24:05 | 0:24:08 | |
This is a bit of 1960s, 70s Italian glass, from Murano, in Venice. | 0:24:11 | 0:24:18 | |
Well spotted, Thomas, how did you know? | 0:24:18 | 0:24:22 | |
There's a sticker! | 0:24:22 | 0:24:25 | |
There's a sticker which says it's Murano. | 0:24:25 | 0:24:27 | |
Oh, yeah, you can read, well done! | 0:24:27 | 0:24:29 | |
This has been made by hand, blown, by a man in Murano. | 0:24:29 | 0:24:35 | |
It's just lovely, it's gorgeous. | 0:24:35 | 0:24:37 | |
If you buy that in Murano it's £300. | 0:24:37 | 0:24:41 | |
Murano glass has a fascinating and long, long history. | 0:24:43 | 0:24:46 | |
In 1291, the Venetian government moved all glass-making furnaces from Venice, to the nearby island | 0:24:46 | 0:24:52 | |
of Murano, due to their fire hazard in a city made of wood. | 0:24:52 | 0:24:56 | |
In the 1930s, artist Ercole Barovier took over Murano glass and in 1996 | 0:24:56 | 0:25:02 | |
the Baroviers were recognised as being the oldest glass-making family in the world. | 0:25:02 | 0:25:08 | |
I'm going to ask about those two items and see what the price is. | 0:25:10 | 0:25:14 | |
And then I'm going to carry on looking. | 0:25:14 | 0:25:16 | |
And whilst Thomas plays the long game... | 0:25:16 | 0:25:18 | |
Boxwood chess set. Staunton, Rolls Royce of chess pieces. | 0:25:18 | 0:25:23 | |
Howard Staunton was the famous reigning World Chess Champion of 1849, lending his name | 0:25:23 | 0:25:30 | |
to games manufacturers John Jaques of London, for a new, universally recognized playing set. | 0:25:30 | 0:25:37 | |
John, how about this, and the bowl, for... | 0:25:37 | 0:25:43 | |
-Don't look at me like that, you worry me when you look at me like that. -How about the two, 25? | 0:25:43 | 0:25:47 | |
-No. -Definitely not. -£35 the pair. | 0:25:47 | 0:25:53 | |
Which means you're getting that for nothing and that thrown in with the bowl. | 0:25:57 | 0:26:01 | |
Hmm... Hmm. | 0:26:01 | 0:26:05 | |
James, where are you going? That's a bit queer. | 0:26:07 | 0:26:10 | |
Could you do 30? | 0:26:10 | 0:26:12 | |
Yes, I'll do 30 on the pair. | 0:26:12 | 0:26:14 | |
Go on, I'm not going to drag it out. | 0:26:14 | 0:26:16 | |
Much obliged to you, James. | 0:26:16 | 0:26:18 | |
What would make a profit? | 0:26:18 | 0:26:20 | |
Would it be this? | 0:26:20 | 0:26:22 | |
Or would it be that? | 0:26:22 | 0:26:24 | |
Why did I buy four items in the first shop? | 0:26:24 | 0:26:28 | |
Thomas, last chance for purchases, three minutes. | 0:26:28 | 0:26:33 | |
Thank you James, no pressure. | 0:26:33 | 0:26:35 | |
There's your warning, Thomas. | 0:26:35 | 0:26:37 | |
Final auction is beckoning, so make up your mind fast! | 0:26:37 | 0:26:41 | |
What's the best on that? I mean really looking for a really good deal. | 0:26:41 | 0:26:44 | |
-70 quid. -OK. | 0:26:44 | 0:26:46 | |
-And on that one? -35 quid. | 0:26:46 | 0:26:49 | |
You wouldn't do that one for 30? | 0:26:49 | 0:26:51 | |
Yeah, I'll do that one for 30. | 0:26:51 | 0:26:53 | |
Would you do that for 60? | 0:26:53 | 0:26:55 | |
Yeah, OK, 90 quid the pair, yeah. | 0:26:55 | 0:26:57 | |
Oh, dear Thomas, you went mad in Keighley, now you've | 0:26:57 | 0:27:00 | |
found two bits that you love and you've really not got enough money. | 0:27:00 | 0:27:04 | |
I've got to go and think about this. | 0:27:04 | 0:27:06 | |
Thomas, where are you going now? | 0:27:06 | 0:27:09 | |
One minute please. | 0:27:09 | 0:27:11 | |
This is very peculiar. | 0:27:12 | 0:27:14 | |
-Right. -Go on. | 0:27:14 | 0:27:17 | |
This is really cheeky. | 0:27:17 | 0:27:21 | |
-Yes. -And I could understand if you're going to say no immediately. | 0:27:21 | 0:27:26 | |
-The thing is I like them both so much... -Yes. | 0:27:26 | 0:27:29 | |
-..but I haven't got the £90. -Right. | 0:27:29 | 0:27:32 | |
I've got £62 and 14 pence. | 0:27:35 | 0:27:39 | |
No, Thomas! You've got £63 and 23 pence. | 0:27:39 | 0:27:43 | |
Although I'm not sure the extra £1 and 9 pence would help much here. | 0:27:43 | 0:27:49 | |
-And that's it, that's me done, end of, that's me cleared out. -£62 and 14... Where's 14 pence come from? | 0:27:49 | 0:27:55 | |
Well, it's just all I've got left. | 0:27:55 | 0:27:56 | |
The problem is I want them both, but I can't have them both unless I buy them as one lot. | 0:27:56 | 0:28:01 | |
-So it's got to be £62.14. -That's it. | 0:28:01 | 0:28:05 | |
Give me £62.14 then. | 0:28:05 | 0:28:07 | |
Really? You're a star. | 0:28:07 | 0:28:09 | |
Congratulations, Thomas. You're getting me confused. | 0:28:09 | 0:28:12 | |
But for the record you've actually paid £62.14 for both items. | 0:28:12 | 0:28:16 | |
Time's up! Leave the building. | 0:28:16 | 0:28:18 | |
It certainly is. It's time to go and, for the last time this week, reveal your hand. | 0:28:18 | 0:28:23 | |
What I've really enjoyed is seeing this part of the world. | 0:28:23 | 0:28:28 | |
-I must say North Yorkshire... -The car was a little bit dodgy then. -Yeah, it wasn't on top form. | 0:28:28 | 0:28:33 | |
So in this picturesque setting, our boys have picked, er, a park bench | 0:28:33 | 0:28:39 | |
for today's Show And Tell. | 0:28:39 | 0:28:42 | |
I'm sitting here rather uncomfortably because I've put one | 0:28:42 | 0:28:44 | |
my items... This is part of a lot and I've been trying to hide it. | 0:28:44 | 0:28:48 | |
A swagger stick to go with this and the swagger stick is from an overseas Canadian... | 0:28:48 | 0:28:53 | |
Oh, I see, yeah, yeah. | 0:28:53 | 0:28:55 | |
And I thought, that and that would go quite well together. | 0:28:55 | 0:28:59 | |
Lansdowne Luggage of London, good bottle within a leather case. | 0:28:59 | 0:29:03 | |
-Oh, that's rather nice, isn't it? Tell me how much? -20 quid. | 0:29:03 | 0:29:06 | |
Yeah, I'm sure somebody will buy it. | 0:29:06 | 0:29:08 | |
Don't be so rude! | 0:29:08 | 0:29:09 | |
Laughter, James? Hardly encouraging, is it? | 0:29:09 | 0:29:12 | |
-You're going to have a jolly good laugh with this. -Go on, go on. | 0:29:12 | 0:29:15 | |
-There we are. -OK, this is a cigar holder, it's Sheffield, Mappin and Webb, 1912. | 0:29:15 | 0:29:21 | |
So we're getting some gentlemanly items here, aren't we? | 0:29:21 | 0:29:24 | |
What did you pay for that? Let me guess, £85. | 0:29:24 | 0:29:28 | |
Lower, I did pay lower. | 0:29:28 | 0:29:30 | |
65? | 0:29:30 | 0:29:32 | |
No, in the middle, 75. | 0:29:32 | 0:29:34 | |
-Well, shall I show you something that might make you feel a bit better? -OK, fire away. | 0:29:34 | 0:29:38 | |
-A stupid impulse buy. -What is that Thomas, a key? | 0:29:38 | 0:29:42 | |
Well, it's a silver clock key, Sheffield, 1929. | 0:29:42 | 0:29:48 | |
It's a rather interesting fun item. | 0:29:48 | 0:29:50 | |
That's rather nice. How much did you pay for that? | 0:29:50 | 0:29:53 | |
-40. -40? | 0:29:53 | 0:29:55 | |
That's why. Yeah! | 0:29:55 | 0:29:57 | |
James! Calm yourself down and show Thomas your cheese scoop. | 0:29:57 | 0:30:02 | |
It's my most expensive lot. | 0:30:02 | 0:30:04 | |
-OK, and it's a... -Well, I sort of picked it up and I thought tea caddy, but then I | 0:30:07 | 0:30:12 | |
felt the weight of it and thought | 0:30:12 | 0:30:14 | |
-it's slightly over engineered for a tea caddy, isn't it? -Yeah. | 0:30:14 | 0:30:18 | |
No, no, no, we definitely decided this was a cheese scoop! | 0:30:18 | 0:30:21 | |
-So how much did you pay? -£86. -You've really been spending some money, haven't you? | 0:30:21 | 0:30:26 | |
-I have. -Right, I like this. | 0:30:26 | 0:30:28 | |
Now this is a honey pot, but a money box. | 0:30:28 | 0:30:33 | |
You are busy saving like busy bumble bees and then at the end of your savings you reap the rewards. | 0:30:33 | 0:30:39 | |
-How much? -£40. -OK. | 0:30:39 | 0:30:43 | |
That's a very nice tusk that, isn't it? What did you pay for that, £100? | 0:30:43 | 0:30:48 | |
-£49. -No? That's a really nice thing. | 0:30:48 | 0:30:52 | |
So this is my fourth item, art deco opalescent bowl. | 0:30:52 | 0:30:55 | |
That's very nice, how much did you pay for that? | 0:30:55 | 0:30:58 | |
£31.20. | 0:30:58 | 0:31:02 | |
I think you've used some quite good buying tactics along your way, haven't you? | 0:31:02 | 0:31:05 | |
-Well, it's only fair. -You're a bit of a smoothie. | 0:31:05 | 0:31:08 | |
Here it is, my last item. | 0:31:08 | 0:31:10 | |
Another Indian bowl. Is it lined in silver? Yes, it is. | 0:31:10 | 0:31:12 | |
Rather good fun. | 0:31:12 | 0:31:15 | |
OK how much did you pay for that? | 0:31:15 | 0:31:16 | |
-£25. -Home and dry. -OK, last item. Now, this looks really splendid. | 0:31:16 | 0:31:21 | |
Yes, and again I've used my knowledge on the decorative arts | 0:31:21 | 0:31:26 | |
-to buy a piece of Murano glass. -That is very splendid. | 0:31:26 | 0:31:28 | |
It does look very Venetian | 0:31:28 | 0:31:30 | |
and I've got an inkling how much you paid for that. £31.20. | 0:31:30 | 0:31:35 | |
-Absolutely. -My final throw of the die, | 0:31:35 | 0:31:38 | |
it's not worthy of the same company as your bowl. | 0:31:38 | 0:31:42 | |
-Staunton boxwood chess set. -I paid £5 for that item. | 0:31:42 | 0:31:46 | |
I think that's got a good chance of making £10-£12. | 0:31:46 | 0:31:48 | |
Good luck with your items. I think you've bought really well. | 0:31:48 | 0:31:51 | |
Didn't he? Didn't he do well? | 0:31:51 | 0:31:53 | |
I think, James, as I knew he would do, would get over confident. | 0:31:53 | 0:31:57 | |
He's bought the cigar sleeve for £75, the cheese scoop for another | 0:31:57 | 0:32:04 | |
£86, and that's a lot of money wrapped up in two bits of silver. | 0:32:04 | 0:32:08 | |
I thought the swagger stick and the little box, bit of a filler. | 0:32:08 | 0:32:12 | |
Am I going to beat him? | 0:32:12 | 0:32:14 | |
I've got a very good chance. | 0:32:14 | 0:32:16 | |
Is Thomas any threat to the master? | 0:32:16 | 0:32:20 | |
Actually, yes. | 0:32:20 | 0:32:21 | |
I think Thomas could be pretty dangerous at this last sale. | 0:32:21 | 0:32:25 | |
It's been a tumultuous voyage | 0:32:25 | 0:32:27 | |
for our two excited experts, | 0:32:27 | 0:32:29 | |
from Keighley, to Haworth and | 0:32:29 | 0:32:31 | |
switching east through the northern lights of Bradford and Leeds. | 0:32:31 | 0:32:36 | |
Auction day is here and it's the final showdown for James and Thomas | 0:32:36 | 0:32:40 | |
in Driffield, East Yorkshire. | 0:32:40 | 0:32:42 | |
I'm hearing good things. | 0:32:42 | 0:32:43 | |
Wherever I go, they say Driffield auction room is good news. | 0:32:43 | 0:32:48 | |
Good. Well, I'm hoping, I'm hoping. | 0:32:48 | 0:32:52 | |
The auction rooms at Dee, Atkinson and Harrison have | 0:32:52 | 0:32:55 | |
been selling property, livestock, fine art and antiques since 1885. | 0:32:55 | 0:32:59 | |
Auctioneer Pippa Whiteley has a word or two to say about our experts' chances. | 0:32:59 | 0:33:07 | |
I think Thomas's items are a little bit risky, | 0:33:07 | 0:33:11 | |
with the exception of the Murano glass bowl. | 0:33:11 | 0:33:13 | |
I think that will do well. | 0:33:13 | 0:33:14 | |
So let's hope he makes lots of money on that one. | 0:33:14 | 0:33:17 | |
I think James has bought better things, | 0:33:17 | 0:33:20 | |
a bit more saleable, but you never know what'll happen on the day. | 0:33:20 | 0:33:24 | |
James started this leg of the road trip with £296.15 | 0:33:24 | 0:33:29 | |
and spent an impressive £240 on five auction lots. | 0:33:29 | 0:33:33 | |
Thomas nearly delivered on his bold promise to spend every penny. | 0:33:35 | 0:33:40 | |
He took his £163.23, bought five lots for £162.40, | 0:33:41 | 0:33:48 | |
leaving a missing 83p. | 0:33:48 | 0:33:51 | |
Personally, I'd check the back of the sofa! | 0:33:51 | 0:33:55 | |
Our experts have suffered two near fatal auctions in a row this week. | 0:33:56 | 0:34:01 | |
-Last and final. -A risky day. -Shall we go? -Yes. | 0:34:01 | 0:34:04 | |
Go-hard Thomas has pulled out all the stops for one last shot at success. | 0:34:04 | 0:34:09 | |
So let's sit up straight, eyes front and no talking at the back. | 0:34:09 | 0:34:13 | |
The auction is about to begin. | 0:34:13 | 0:34:15 | |
The first whiff of auction drama | 0:34:17 | 0:34:19 | |
comes from James's silver cheese scoop. | 0:34:19 | 0:34:22 | |
I'm starting the bidding at £65. | 0:34:22 | 0:34:25 | |
Is there 70 anywhere? | 0:34:25 | 0:34:27 | |
£70 anywhere? | 0:34:27 | 0:34:30 | |
70. 75, 80, 85, 90? No? | 0:34:30 | 0:34:35 | |
90 anywhere else? | 0:34:35 | 0:34:37 | |
No? Are we all done? £85. | 0:34:37 | 0:34:40 | |
That did well, but not quite well enough. | 0:34:40 | 0:34:43 | |
Next up we have the first item | 0:34:43 | 0:34:45 | |
from Thomas's amazing, last-minute Leeds deal. | 0:34:45 | 0:34:48 | |
The Murano glass has its chance to shine now. | 0:34:48 | 0:34:53 | |
-This is it. -Good luck. -Thank you. | 0:34:53 | 0:34:55 | |
Don't drop it! | 0:34:56 | 0:34:59 | |
A fair bit of interest in viewing in this one | 0:34:59 | 0:35:00 | |
and I have to start the bidding here on my sheet at £85. | 0:35:00 | 0:35:04 | |
Is there 90 in the room anywhere? | 0:35:04 | 0:35:07 | |
£90 anywhere in the room? | 0:35:07 | 0:35:10 | |
No? It's too rich for you. | 0:35:10 | 0:35:11 | |
We're all done, then. Commission bids get that one for £85. | 0:35:11 | 0:35:17 | |
Fantastic! If ever a beleaguered antiques expert needed a result | 0:35:17 | 0:35:22 | |
like that, it was Thomas Plant today. | 0:35:22 | 0:35:24 | |
Well done, sir! | 0:35:24 | 0:35:26 | |
Now, another shrewd investment from James - | 0:35:27 | 0:35:30 | |
an Indian silver bowl with decorative appeal. | 0:35:30 | 0:35:33 | |
Where do you want to be on this one, £50? 30 anywhere? | 0:35:33 | 0:35:37 | |
Let's start at 20. 22 anywhere now? | 0:35:37 | 0:35:40 | |
25, 28? | 0:35:40 | 0:35:43 | |
No, we all done? | 0:35:43 | 0:35:44 | |
Sorry, James. | 0:35:44 | 0:35:46 | |
£3 profit minus the commission is... | 0:35:46 | 0:35:50 | |
not a whole lot! | 0:35:50 | 0:35:51 | |
-How do you feel? -Yeah, fine. | 0:35:51 | 0:35:54 | |
No coins to save today, but Thomas's money box will face the bidders next. | 0:35:56 | 0:36:01 | |
I have to start the bidding here | 0:36:01 | 0:36:03 | |
at £45. Is there 50 anywhere? | 0:36:03 | 0:36:06 | |
50 I'm bid, £50. | 0:36:06 | 0:36:07 | |
55 with me, £60 I'm bid. | 0:36:07 | 0:36:10 | |
-65 anywhere else? -£60. -All done, all finished. | 0:36:10 | 0:36:14 | |
Another good result and things are looking fairly rosy | 0:36:15 | 0:36:18 | |
for Thomas right now. | 0:36:18 | 0:36:20 | |
For me, this is exciting, this is profits. | 0:36:20 | 0:36:23 | |
This is what you've been feeling like. | 0:36:23 | 0:36:25 | |
James really needs some strategic play | 0:36:25 | 0:36:28 | |
and his Staunton chess set pieces are | 0:36:28 | 0:36:31 | |
looking for a worthy grand master. | 0:36:31 | 0:36:33 | |
30 anywhere? | 0:36:33 | 0:36:35 | |
How does 20 sound, then? Any interest at £20? | 0:36:35 | 0:36:39 | |
I'm going to have to go down to a tenner. | 0:36:39 | 0:36:42 | |
£10 I'm bid, £10. | 0:36:42 | 0:36:46 | |
12, 15, 18? 18 I have. | 0:36:46 | 0:36:49 | |
Really good! | 0:36:49 | 0:36:51 | |
All done? All finished at 18. | 0:36:51 | 0:36:54 | |
Checkmate and a slightly healthier profit for James. | 0:36:54 | 0:36:58 | |
That's amazing! | 0:36:58 | 0:37:00 | |
Next on parade are the Canadian swagger stick | 0:37:00 | 0:37:03 | |
and handsome cologne bottle, selling together. | 0:37:03 | 0:37:07 | |
Two nice items here - £50? | 0:37:07 | 0:37:10 | |
30 anywhere? | 0:37:10 | 0:37:11 | |
20 anywhere? | 0:37:11 | 0:37:14 | |
22, 25, 28, 30, 35, 40. | 0:37:14 | 0:37:19 | |
All done? All finished, £40. | 0:37:19 | 0:37:22 | |
He's still doing it. | 0:37:22 | 0:37:24 | |
Watch your back, James! | 0:37:24 | 0:37:26 | |
What's going on, James? | 0:37:26 | 0:37:28 | |
If my two bits of silver crash and burn, you could take me. | 0:37:28 | 0:37:33 | |
The suave cigar sleeve cost James £75 | 0:37:33 | 0:37:37 | |
and is now looking for the right pocket. | 0:37:37 | 0:37:40 | |
I'm going to start the bidding at £60. Is there 65 anywhere? | 0:37:40 | 0:37:44 | |
65, 70, 75, 80. | 0:37:44 | 0:37:48 | |
85? No? 85 anywhere else? All done. | 0:37:48 | 0:37:53 | |
Close, but no... | 0:37:53 | 0:37:55 | |
Well, you get the idea! | 0:37:55 | 0:37:57 | |
Now the second item from Thomas's last-minute Leeds deal, | 0:37:58 | 0:38:02 | |
the opalescent bowl. | 0:38:02 | 0:38:04 | |
£60? | 0:38:04 | 0:38:06 | |
40 anywhere? Let's go to 20, then. | 0:38:06 | 0:38:09 | |
Any interest at £20? 20 I'm bid. | 0:38:09 | 0:38:12 | |
22 anywhere now? | 0:38:12 | 0:38:14 | |
I have one bid at £20. | 0:38:14 | 0:38:16 | |
Are we all done? All finished... 22! | 0:38:16 | 0:38:20 | |
-25. -Go on. -All done? | 0:38:20 | 0:38:24 | |
All finished. | 0:38:24 | 0:38:25 | |
Not so good there. | 0:38:25 | 0:38:27 | |
Thomas's profit motor is possibly running out of juice. | 0:38:27 | 0:38:30 | |
James needs to pull out all the stops with his last item. | 0:38:30 | 0:38:35 | |
The silver horn corkscrew needs a strong tweak. | 0:38:35 | 0:38:39 | |
Let's start at 20 on this one. | 0:38:39 | 0:38:40 | |
Nice. £20 I'm bid. | 0:38:40 | 0:38:42 | |
£20, 22 anywhere now? | 0:38:42 | 0:38:45 | |
-Come on. -£22 anywhere? | 0:38:45 | 0:38:48 | |
-I sold one for 150 quid. -Are we all done? £20. | 0:38:48 | 0:38:51 | |
Oh, that's a shame. | 0:38:51 | 0:38:53 | |
James's final item gets corked, and no surprise | 0:38:53 | 0:38:56 | |
he's a bit cheesed off! | 0:38:56 | 0:38:58 | |
Bad luck, James. | 0:38:58 | 0:39:00 | |
That's not very fair, is it? | 0:39:00 | 0:39:02 | |
AUCTIONEER CONTINUES IN BACKGROUND | 0:39:02 | 0:39:06 | |
So time is of the essence. | 0:39:07 | 0:39:09 | |
If Thomas can double his money on the silver clock key, | 0:39:09 | 0:39:12 | |
he could actually beat James this week. | 0:39:12 | 0:39:15 | |
Here goes. | 0:39:15 | 0:39:17 | |
Where do you want to start on this one, £60? | 0:39:17 | 0:39:20 | |
-40 anywhere? -Go on. | 0:39:20 | 0:39:23 | |
-20? -I told you. -£20? Any interest at £20? | 0:39:23 | 0:39:29 | |
Is the silver not worth £20? Let's start at 15, then. | 0:39:29 | 0:39:32 | |
15 I'm bid, £15, 18 anywhere else? | 0:39:32 | 0:39:37 | |
-Can't believe it. Are we all done? -Go on. | 0:39:37 | 0:39:40 | |
All finished at £15. | 0:39:40 | 0:39:43 | |
Oh dear, oh dear. | 0:39:43 | 0:39:45 | |
Thomas was doing so well and then it all fell apart again. | 0:39:45 | 0:39:49 | |
However, someone got a lovely piece of silver for a great price. | 0:39:49 | 0:39:52 | |
A bit of a yo-yo for Thomas Plant, | 0:39:52 | 0:39:54 | |
-backwards and forwards. -Yeah. -And for poor old James it's been... | 0:39:54 | 0:39:58 | |
It's been a gradual descent after... | 0:39:58 | 0:40:00 | |
After those heady heights. | 0:40:00 | 0:40:02 | |
James started this leg with a clear lead and £296.15 to his name. | 0:40:04 | 0:40:10 | |
But, after paying commission, he's made another bruising loss of £52.18. | 0:40:10 | 0:40:15 | |
James has a final total of £243.97. | 0:40:15 | 0:40:20 | |
Thomas started down, with just £163.23, | 0:40:22 | 0:40:27 | |
and made a small profit of £22.95, | 0:40:27 | 0:40:31 | |
giving him a final total, | 0:40:31 | 0:40:34 | |
including the missing 83p, of £186.18. | 0:40:34 | 0:40:39 | |
Sadly, Thomas actually managed to finish with less money than he started with. | 0:40:39 | 0:40:45 | |
And that's just not enough to knock James off this week's top spot. | 0:40:45 | 0:40:50 | |
Let's see where our chaps lie in the leader board. | 0:40:51 | 0:40:54 | |
Still comfortably in the top spot is the mighty James Lewis. | 0:40:54 | 0:40:59 | |
There ain't no touching him! | 0:40:59 | 0:41:00 | |
In second place, Kate Bliss, followed closely behind in third position by Charles Hanson. | 0:41:00 | 0:41:06 | |
In fourth place is Mark Stacey and | 0:41:06 | 0:41:09 | |
in fifth position is Jonathan Pratt. | 0:41:09 | 0:41:12 | |
Charlie Ross is sixth | 0:41:12 | 0:41:14 | |
and, out of this week's road trippers, James Braxton | 0:41:14 | 0:41:18 | |
is in seventh place whilst | 0:41:18 | 0:41:20 | |
Thomas Plant brings up the rear - somebody's got to - in eighth position. | 0:41:20 | 0:41:26 | |
-So James, that's it. -That's it. | 0:41:33 | 0:41:34 | |
The final nail in the coffin. | 0:41:34 | 0:41:36 | |
Yes, I think the suit was very apt, in fact. | 0:41:36 | 0:41:38 | |
I think it was another funeral. | 0:41:38 | 0:41:40 | |
-Well, disappointment reigned supreme yet again... -I know. | 0:41:40 | 0:41:45 | |
..on our fifth and final auction. | 0:41:45 | 0:41:46 | |
Anyway it's been a good trip. Shall we have one last motor? | 0:41:46 | 0:41:49 | |
Oh, please. | 0:41:49 | 0:41:51 | |
Well, what a week's it's been! | 0:41:51 | 0:41:54 | |
SONG: "Je Ne Regrette Rien" | 0:41:54 | 0:41:56 | |
Since leaving Berwick-upon-Tweed, James and Thomas have bravely fought | 0:41:56 | 0:42:00 | |
their way across the North East of England... | 0:42:00 | 0:42:03 | |
Oh, I've lost my hat! | 0:42:03 | 0:42:04 | |
From town to town, shop to shop, | 0:42:04 | 0:42:07 | |
and auction to auction. | 0:42:07 | 0:42:10 | |
Neither expert has made massive profits, to say the very least, | 0:42:10 | 0:42:14 | |
and they've found many new and exciting headwear options. | 0:42:14 | 0:42:17 | |
Does it sort of frame my round face? | 0:42:17 | 0:42:21 | |
Thomas has fallen in love with some delicate jewellery... | 0:42:21 | 0:42:24 | |
-If you don't buy it, you'll regret it. -You're right. | 0:42:24 | 0:42:28 | |
James has lost his heart to some big hunks of metal. | 0:42:28 | 0:42:31 | |
That's a lovely bit of copper. | 0:42:31 | 0:42:33 | |
There's a lot of copper there. | 0:42:33 | 0:42:35 | |
That's a mighty fellow, isn't it? | 0:42:35 | 0:42:38 | |
The weight of a small dog. | 0:42:38 | 0:42:40 | |
And they've both expressed a new-found admiration for each other. | 0:42:40 | 0:42:44 | |
I need to walk with giants. | 0:42:44 | 0:42:45 | |
I'll give you that - handsome! | 0:42:45 | 0:42:47 | |
Come on. Off we go! | 0:42:51 | 0:42:55 | |
The final hurrah. | 0:42:55 | 0:42:56 | |
No... | 0:42:58 | 0:43:00 | |
The police might let us go. No, of course not. | 0:43:00 | 0:43:03 | |
Couple of WPCs! | 0:43:05 | 0:43:07 | |
Next time on the Antiques Road Trip, it's a whole new week | 0:43:10 | 0:43:14 | |
and a brand new pair of experts - David Barby and Philip Serrell. | 0:43:14 | 0:43:18 | |
David struggles to get up... | 0:43:18 | 0:43:20 | |
I'm on my knees already! | 0:43:20 | 0:43:22 | |
Philip struggles for sympathy... | 0:43:22 | 0:43:24 | |
I'm actually really hurt! | 0:43:24 | 0:43:26 | |
And they both struggle with each other's company. | 0:43:26 | 0:43:29 | |
Could you get that scarf out of my face? Thank you. | 0:43:29 | 0:43:32 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:52 |