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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:07 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:07 | 0:00:12 | |
I don't mean to drive a hard bargain. | 0:00:12 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:16 | |
But it's not as easy as it sounds, and there can only be one winner. | 0:00:16 | 0:00:20 | |
Punching the air! | 0:00:20 | 0:00:22 | |
So, will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
I'm going to be like Rocky, come from behind. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
We're racing through the week and still on the road with antiques | 0:00:35 | 0:00:39 | |
-experts James Braxton and Thomas Plant. -This is motoring. | 0:00:39 | 0:00:43 | |
You're amongst the elements. And what about the Indian head massage? | 0:00:43 | 0:00:47 | |
Well, that is lovely. | 0:00:47 | 0:00:49 | |
-Massages the follicles. -Promotes growth, which we need. | 0:00:49 | 0:00:52 | |
Auctioneer, James Braxton, has a serious eye for great | 0:00:52 | 0:00:55 | |
furniture and design as well as a keen eye on his reputation... | 0:00:55 | 0:01:01 | |
My success has brought responsibilities. | 0:01:01 | 0:01:04 | |
Thomas Plant knows an awful lot about jewellery, | 0:01:04 | 0:01:06 | |
and he's a great negotiator, but gets the occasional telling off. | 0:01:06 | 0:01:10 | |
£12.50? | 0:01:10 | 0:01:12 | |
No, 15. I said no arguing! | 0:01:12 | 0:01:14 | |
James and Thomas each began the week with their £200 starter packs, | 0:01:15 | 0:01:19 | |
and both lost money with great style on yesterday's show. | 0:01:19 | 0:01:22 | |
-So, highlights... There's no highlights! -One profit. | 0:01:22 | 0:01:26 | |
-One profit? -One profit of £2. | 0:01:26 | 0:01:28 | |
Yesterday's slump notwithstanding, James is making a pretty good start to the week. | 0:01:28 | 0:01:34 | |
From his original £200 he now has a thoroughly healthy £374.96. | 0:01:34 | 0:01:42 | |
I'm not going to move up the table by making 30 quid at the next auction. | 0:01:42 | 0:01:47 | |
-I've got to make 200 quid. -It's been rotten luck for Thomas so far. | 0:01:47 | 0:01:50 | |
He buys really nice items and they keep selling for next to nothing. | 0:01:50 | 0:01:55 | |
But at least he's not bitter! | 0:01:55 | 0:01:57 | |
-So how do you feel about the last auction? -Disappointing. | 0:01:57 | 0:02:01 | |
I really did really badly by buying antiques. | 0:02:01 | 0:02:04 | |
That's where I went wrong! | 0:02:04 | 0:02:06 | |
From his £200, Thomas has slipped backwards to a mildly worrying £184.50. | 0:02:06 | 0:02:14 | |
There's no point in changing strategy because I've tried that and it went wrong. | 0:02:14 | 0:02:18 | |
So, I'm just going to carry on as I see fit. | 0:02:18 | 0:02:20 | |
This week's Road Trip takes in the treasures of North East England, | 0:02:20 | 0:02:24 | |
from Berwick Upon Tweed to Driffield. | 0:02:24 | 0:02:27 | |
And on today's show, James and Thomas are leaving Bedale, | 0:02:27 | 0:02:30 | |
North Yorkshire, heading for an auction in Baildon, West Yorkshire. | 0:02:30 | 0:02:34 | |
First stop, Whitby. | 0:02:34 | 0:02:35 | |
I made quite a big loss, but hey, you know, I'm just going to play it cool, relax, how much worse can it get? | 0:02:37 | 0:02:45 | |
Well, considerably worse. | 0:02:45 | 0:02:48 | |
Sucking the life blood from a new town, our experts have found their | 0:02:48 | 0:02:53 | |
way to gorgeous, atmospheric Whitby, once home to novelist Bram Stoker in the early 19th century, | 0:02:53 | 0:02:59 | |
and birthplace to his fictional Count Dracula. | 0:02:59 | 0:03:03 | |
The real Dracula was born in Transylvania, obviously. | 0:03:08 | 0:03:12 | |
-Whitby, Thomas. -Yes, I love being by the coast... -It's glorious, isn't it? | 0:03:12 | 0:03:16 | |
It just sort of fills you with optimism, hope. | 0:03:16 | 0:03:18 | |
A new future, a new world. | 0:03:18 | 0:03:23 | |
Yes, and interestingly my forbears came from Scarborough, so further down the coast. | 0:03:23 | 0:03:28 | |
-They were captains, sea captains. -So we're doing a Braxton magical mystery tour, are we? | 0:03:28 | 0:03:31 | |
Very interesting! So, are you going to spend some money? | 0:03:31 | 0:03:35 | |
Yeah, I really want to spend some money. Let's get on it. Come on. | 0:03:35 | 0:03:39 | |
Time to get going. Time to get spending. | 0:03:39 | 0:03:41 | |
Time to hit the antiques shops... | 0:03:41 | 0:03:44 | |
-Hello, I'm James. -Hello, I'm Frank. | 0:03:44 | 0:03:47 | |
-Nice to meet you. Mind if I look around? -No, have a look. | 0:03:47 | 0:03:51 | |
Clearly no need to ask, James. | 0:03:51 | 0:03:54 | |
Well done for getting stuck in straight away. | 0:03:54 | 0:03:56 | |
Stag's horn handle, plated pewter, with a very sort of Art Deco ribbed top, very unusual. | 0:03:59 | 0:04:07 | |
Bit bashed - it's had some use... | 0:04:07 | 0:04:09 | |
Frank, I like the look of those lions. | 0:04:09 | 0:04:13 | |
These blue meanies are guardian lions. | 0:04:15 | 0:04:19 | |
Large, imposing versions carved of stone were put outside imperial palaces, around the time of the | 0:04:19 | 0:04:26 | |
ancient Han Dynasty, to ward off invaders, evil spirits | 0:04:26 | 0:04:31 | |
and flying ninja assassins. OK, I made up the last one! | 0:04:31 | 0:04:35 | |
Well, I just think they're very stylish, very sculptural, aren't they? I love the blue. | 0:04:35 | 0:04:39 | |
So, they must have just had some bashes, mighty bash there and a mighty bash there. | 0:04:39 | 0:04:45 | |
I suppose they're a pair though, aren't they? | 0:04:45 | 0:04:48 | |
They must be, mustn't they? | 0:04:48 | 0:04:50 | |
Generally, lions like this come in pairs, the male holding a ball and the female with a cub. | 0:04:50 | 0:04:56 | |
Would you take 50 for them, Frank? | 0:04:57 | 0:04:59 | |
I never thought I'd sell them, I was thinking about 120. | 0:04:59 | 0:05:04 | |
-Oh, you're a tough man. -You need to be tough when James is in town! | 0:05:04 | 0:05:09 | |
What about 60 then, Frank, with the damage and all? | 0:05:09 | 0:05:12 | |
-What about 70? -70... | 0:05:12 | 0:05:14 | |
Will you meet me halfway, 65, Frank? | 0:05:14 | 0:05:18 | |
-OK. -65, go on. | 0:05:18 | 0:05:21 | |
Well, done, thank you. | 0:05:21 | 0:05:23 | |
Strange choice, James. These Lions are a bit damaged and, well, on the peculiar side. | 0:05:24 | 0:05:29 | |
But, then no-one's perfect... Thomas Plant, for example! | 0:05:29 | 0:05:33 | |
I'm going to be quite relaxed about it and I'm going to try and let the items find me, not me find the items. | 0:05:33 | 0:05:39 | |
So I'll go and have a good look. | 0:05:39 | 0:05:41 | |
Really, Thomas? It sounds like you're creating a | 0:05:41 | 0:05:44 | |
recipe for disaster before you've even looked at any antiques! | 0:05:44 | 0:05:49 | |
That said, you're nearly £200 behind James. | 0:05:49 | 0:05:53 | |
So if your system works for you, then carry on. | 0:05:53 | 0:05:57 | |
This is a pencil case. | 0:05:57 | 0:05:59 | |
Look at that, you put your pens in there and then | 0:05:59 | 0:06:03 | |
you can put other pens and pencils in there, in the base, as well. | 0:06:03 | 0:06:07 | |
And the whole thing folds in on itself like this, and there is meant to be a little brass handle, | 0:06:08 | 0:06:14 | |
but that's no longer with us. | 0:06:14 | 0:06:16 | |
Clearly. Thomas seems to have pens on the brain and I'm not surprised. | 0:06:16 | 0:06:22 | |
His small clutch from Alston, two auctions ago, is the | 0:06:22 | 0:06:25 | |
only lot to have actually turned him in a decent profit so far. | 0:06:25 | 0:06:29 | |
It's quite sweet though, but it's not all there, so I think I might pass on that. | 0:06:29 | 0:06:36 | |
Not the only thing that's not all there! | 0:06:36 | 0:06:38 | |
Meanwhile, James is keeping a very close eye on any future investments... | 0:06:38 | 0:06:43 | |
I tell you what I've been doing very well with, I've been doing very well with copper. | 0:06:43 | 0:06:48 | |
Unbelievably, James is looking at yet another big metal pot. | 0:06:48 | 0:06:53 | |
Like a gentleman rag and bone man, James has gone not-quite 'any old iron?' | 0:06:53 | 0:06:58 | |
but certainly 'any great big lumps of old copper | 0:06:58 | 0:07:02 | |
'he can get his hands on.' | 0:07:02 | 0:07:04 | |
And I don't think it's just the scrap value he has in mind, even though copper prices are sky high. | 0:07:04 | 0:07:10 | |
James just loves the decorative, country house appeal of metalwork. | 0:07:10 | 0:07:15 | |
You should always look for this, want a nice flat bottom. | 0:07:15 | 0:07:19 | |
This more rounded bottom, as desirable in a lady, but not necessarily in a pan. | 0:07:19 | 0:07:26 | |
Speak for yourself, James! | 0:07:26 | 0:07:28 | |
Or maybe just keep your comments for a more appropriate hour. | 0:07:28 | 0:07:33 | |
-How much is on there? -£30. | 0:07:33 | 0:07:36 | |
You can have it cheaper than that, if you want it. | 0:07:36 | 0:07:39 | |
No, I'm going to resist you there, Frank. | 0:07:39 | 0:07:41 | |
Give us 25 for it. | 0:07:41 | 0:07:44 | |
25? I'm not sure I want to even buy it, that's the problem! | 0:07:44 | 0:07:48 | |
Oh, James! You're playing really hard to get, here. | 0:07:48 | 0:07:53 | |
Come on, Mr B, you know you really want it. It's brass! | 0:07:53 | 0:07:58 | |
It's a really good one, the weight, and the handle's lovely, you see. | 0:07:58 | 0:08:03 | |
It's just been eroded by wear. | 0:08:03 | 0:08:05 | |
I don't know, I can see you're keen to sell this, Frank. | 0:08:05 | 0:08:08 | |
15 and you've got a deal. | 0:08:08 | 0:08:10 | |
-15? -OK. 15 then. | 0:08:10 | 0:08:12 | |
See, there we are. I came in here a poor man and... | 0:08:12 | 0:08:15 | |
How much are you giving me for this? | 0:08:15 | 0:08:18 | |
-15. -You've just given me 25. | 0:08:18 | 0:08:21 | |
Oh, dear, give me £10 back then. Blimey, I'm losing my head as well. | 0:08:21 | 0:08:24 | |
-You've taken my brain. -Oh, James! | 0:08:24 | 0:08:26 | |
Buying antiques you're not really sure you want, and you give Frank an extra tenner. | 0:08:26 | 0:08:32 | |
Come on, wakey, wakey, sunshine! | 0:08:32 | 0:08:36 | |
Why I bought the preserve pan only, I think only Frank knows, you know. | 0:08:36 | 0:08:41 | |
I think there's a touch of Open All Hours about this shop, | 0:08:41 | 0:08:44 | |
and I've bought the most appalling, appalling preserve pan. | 0:08:44 | 0:08:48 | |
But made of bell metal - who knows. | 0:08:48 | 0:08:51 | |
There's still time for James to get back on his game. | 0:08:51 | 0:08:54 | |
Let's hope Thomas is shopping with more caution. | 0:08:54 | 0:08:58 | |
-Hello, I'm Thomas. -Hi, Phil Smith. -Hi Phil, nice to meet you. | 0:08:58 | 0:09:01 | |
-Anything that you've bought for a song which you're willing to let go? -I don't know. | 0:09:01 | 0:09:06 | |
Depends what you fancy. | 0:09:06 | 0:09:08 | |
This is quite good fun, isn't it? With the clown and the dogs. | 0:09:08 | 0:09:12 | |
With the dogs, circa 1900. | 0:09:12 | 0:09:15 | |
With a lot of advertising, particularly, condition's always | 0:09:15 | 0:09:16 | |
crucial to collectors and the condition is exceptional on those. | 0:09:16 | 0:09:19 | |
I love the Dalmatian. He's great, isn't he? | 0:09:19 | 0:09:22 | |
Derby dog biscuits. | 0:09:22 | 0:09:24 | |
So do you reckon this came from the factory where the dog biscuits were made? | 0:09:24 | 0:09:26 | |
Yes, I think so, yes. | 0:09:26 | 0:09:29 | |
The factory had a famous owner actually, it was Edwin Mosley? | 0:09:29 | 0:09:32 | |
Oh, really, the blackshirt, Oswald Mosley, was it? | 0:09:32 | 0:09:37 | |
Yes, he was the son as far as I know. | 0:09:37 | 0:09:38 | |
How interesting! So it seems that the Greensmith's | 0:09:38 | 0:09:42 | |
factory was owned by the father of Oswald Mosley, the British fascist leader from the 1920s and '30s. | 0:09:42 | 0:09:49 | |
Although I'm sure these biscuits were intended for pooches of all political persuasions! | 0:09:49 | 0:09:55 | |
You've got £68 on there, this is not a reproduction. | 0:09:55 | 0:10:00 | |
Well, I put that on because a lot of people look at it and | 0:10:00 | 0:10:02 | |
think that it is a reproduction, because the condition's so good. | 0:10:02 | 0:10:05 | |
-What's the very best on that. -I can do 55 on that. | 0:10:05 | 0:10:10 | |
No more? £30? | 0:10:10 | 0:10:12 | |
-I can't do it, I'm sorry. -No, you couldn't go any lower? | 0:10:12 | 0:10:15 | |
OK, if you make me an offer I'll consider it, make it a bit better than the last one. | 0:10:15 | 0:10:18 | |
Do you think I was quite harsh? | 0:10:18 | 0:10:20 | |
-I think maybe you were. -40? | 0:10:20 | 0:10:22 | |
Go on then. | 0:10:24 | 0:10:26 | |
-40? You'll do it for me? -I'll do it at 40 quid. | 0:10:26 | 0:10:30 | |
It looks lovely. | 0:10:30 | 0:10:32 | |
I'm really pleased that I've bought it. | 0:10:34 | 0:10:36 | |
It's £40, yes, it's a risk but I think at this stage I've got to play that game. | 0:10:36 | 0:10:43 | |
There's a lot of dog lovers out there so hopefully they'll go for this. | 0:10:43 | 0:10:47 | |
Fingers crossed, Thomas, and well done for letting an interesting prospect find you. | 0:10:47 | 0:10:52 | |
James is still feeling panned from his preserve pan blunder, | 0:10:55 | 0:11:00 | |
so has gone searching for inspiration. | 0:11:00 | 0:11:02 | |
Whitby is a beautiful but mysterious town. | 0:11:04 | 0:11:07 | |
Not just the birthplace of Count Dracula, but also home to some | 0:11:07 | 0:11:11 | |
strange devices which once changed the world. | 0:11:11 | 0:11:14 | |
-Hello, Tony. -How do you do? -Hello. James. | 0:11:20 | 0:11:24 | |
-Nice to meet you. -Now take me to your lab. | 0:11:24 | 0:11:26 | |
Tony is the passionate creator of Whitby's fantastic Museum of Victorian Science. | 0:11:26 | 0:11:34 | |
Whilst working in aeronautical engineering, | 0:11:34 | 0:11:37 | |
Tony began renovating these peculiar electronic instruments purely for the love of it. | 0:11:37 | 0:11:43 | |
Today, he has a fine collection in a cosy, packed museum. | 0:11:43 | 0:11:48 | |
Tony, what an amazing room. | 0:11:48 | 0:11:51 | |
Well, it's taken 30-odd years of collecting to put it together. | 0:11:51 | 0:11:55 | |
How can you ease me into this fabulous display of items? | 0:11:55 | 0:11:58 | |
What do you want to show me first? | 0:11:58 | 0:12:00 | |
This is the Wimshurst machine, amazing that two plastic wheels or glass in the days when it was | 0:12:00 | 0:12:06 | |
invented in 1877, they go in opposite directions | 0:12:06 | 0:12:10 | |
and they produce endless volts and you just turn on.... | 0:12:10 | 0:12:15 | |
I can see you're being very... | 0:12:15 | 0:12:17 | |
oh, goodness me! | 0:12:17 | 0:12:18 | |
That's why you're being careful. | 0:12:18 | 0:12:21 | |
I'm not touching any part of it with my hand because... | 0:12:21 | 0:12:26 | |
-That's quite a thump, isn't it? -Shocking. | 0:12:26 | 0:12:29 | |
James Wimshurst made important refinements to these electrostatic | 0:12:29 | 0:12:33 | |
generators in the 1850s and so they have since taken his name. | 0:12:33 | 0:12:38 | |
These Victorian, demonstration instruments are certainly not mere | 0:12:38 | 0:12:42 | |
curiosities, but led to innovations and inventions in use today. | 0:12:42 | 0:12:47 | |
They're also desirable to specialist collectors. | 0:12:47 | 0:12:50 | |
19th century Wimshurst machines can make thousands of pounds at auction. | 0:12:50 | 0:12:55 | |
So how many volts would be charging through that? | 0:12:55 | 0:12:58 | |
Well, at it's maximum, getting on for 100,000 volts. | 0:12:58 | 0:13:04 | |
So our domestic supply is what 240 volts? | 0:13:04 | 0:13:08 | |
Er, yes, but this is a different thing, it's static, it's lightning. | 0:13:08 | 0:13:11 | |
Nature's electricity and um... | 0:13:11 | 0:13:14 | |
it hurts, but it won't kill you. | 0:13:14 | 0:13:16 | |
Careful, James. | 0:13:16 | 0:13:18 | |
A shock here could make your hair stand on end. Both of them! | 0:13:18 | 0:13:23 | |
Actually, Tony does very well to display his works and keep safe in this fairly compact space. | 0:13:23 | 0:13:31 | |
-Working in cramped... -I have no space. | 0:13:31 | 0:13:34 | |
-Shall I hold something? -Well, I'll put those on there. | 0:13:34 | 0:13:37 | |
-Do you want me to? -Is there room on there? -You've got space for one. | 0:13:37 | 0:13:41 | |
-That needs to go away safely. -Oh, dear. | 0:13:41 | 0:13:44 | |
Shall we do the cathode rays then? | 0:13:46 | 0:13:49 | |
A chap called Sir William Crookes was investigating cathode rays. That is high voltage in a tube. | 0:13:49 | 0:13:54 | |
They didn't know what it was, so he had his glass blower make a thing like this up. | 0:13:54 | 0:13:58 | |
Switches on the cathode rays and there's a cathode ray shooting across the screen. | 0:13:58 | 0:14:03 | |
He applies a magnet to see if it would have an effect and it pulls it down. | 0:14:03 | 0:14:07 | |
But interestingly if you turn the magnet round, will it push it away? | 0:14:07 | 0:14:11 | |
-There it does. -A cathode ray tube contains a | 0:14:11 | 0:14:14 | |
vacuum, creating simple line images | 0:14:14 | 0:14:17 | |
when an electron beam hits a phosphorescent surface. Got it? | 0:14:17 | 0:14:22 | |
Following on with that, his famous Maltese cross. | 0:14:22 | 0:14:26 | |
I've got three lights here, the top brass one and | 0:14:26 | 0:14:30 | |
the left and the right, so that's it. | 0:14:30 | 0:14:33 | |
So we'll set these up to see if these cathode rays could penetrate metal. | 0:14:33 | 0:14:37 | |
-There, you see the cross, it's not penetrating the metal. -I see. | 0:14:37 | 0:14:42 | |
These tubes are the founding blocks of what would become the television set. | 0:14:42 | 0:14:47 | |
In 1897, the German physicist, Karl Braun, | 0:14:47 | 0:14:50 | |
developed his Oscilloscope, | 0:14:50 | 0:14:53 | |
another tube capable of producing patterns of light | 0:14:53 | 0:14:57 | |
so that more complex transmitted pictures were possible. | 0:14:57 | 0:15:00 | |
Sadly, these brave men of science | 0:15:00 | 0:15:02 | |
did not live to see their primary innovations | 0:15:02 | 0:15:06 | |
develop into the TV sets you're watching now. | 0:15:06 | 0:15:09 | |
We must always look to the past to see the future. | 0:15:09 | 0:15:13 | |
Exactly. I couldn't have put it better! | 0:15:13 | 0:15:16 | |
Now James needs to look to the future and think about buying some antiques that he actually wants. | 0:15:17 | 0:15:23 | |
However, he's too late for any more shopping today. | 0:15:23 | 0:15:27 | |
Anyone feeling peckish? Yum yum. | 0:15:27 | 0:15:30 | |
Very, very good chips and very good fish, I must say. | 0:15:30 | 0:15:32 | |
Mmm. You can't beat a pickled egg. | 0:15:32 | 0:15:37 | |
I've bought two items today | 0:15:37 | 0:15:38 | |
and I've spent the most amount of money I've... | 0:15:38 | 0:15:41 | |
-Really? -Yup, over £50. -So game's on! -Game's on. | 0:15:41 | 0:15:45 | |
Game on, indeed! | 0:15:45 | 0:15:47 | |
But as the sun sets over this picturesque harbour and beautiful town, | 0:15:47 | 0:15:53 | |
our experts must push off with their fish suppers to bed. | 0:15:53 | 0:15:58 | |
Toodle-oo. | 0:15:58 | 0:15:59 | |
Dawn breaks, spilling sunlight everywhere, | 0:16:02 | 0:16:05 | |
and finds our boys already out on the road, mustard-keen for some more antiques action. | 0:16:05 | 0:16:11 | |
Obviously, you've been doing very well, rich fame. | 0:16:11 | 0:16:14 | |
Yeah, but I have come unstuck. | 0:16:14 | 0:16:16 | |
Oh, yeah, but still. | 0:16:16 | 0:16:17 | |
I'm treading in plant territory now. | 0:16:17 | 0:16:21 | |
So far, James Braxton of East Sussex has spent £80 on two items. | 0:16:21 | 0:16:28 | |
The two lions and the brass preserve pan. | 0:16:28 | 0:16:30 | |
James has £294.96 to flash in the pan today. | 0:16:30 | 0:16:34 | |
I'm doing very well with base metals and I know in this fourth leg I've got to play a larger game. | 0:16:38 | 0:16:43 | |
Thomas Plant, on the other hand, has spent just 40 British pounds | 0:16:43 | 0:16:47 | |
on one solitary item, the dog biscuit advertising board. | 0:16:47 | 0:16:51 | |
Thomas has £144.50 to wave in people's faces. | 0:16:51 | 0:16:57 | |
So, let's get cracking. | 0:16:57 | 0:17:00 | |
I've done so badly in that last auction that my luck has got to change. | 0:17:00 | 0:17:06 | |
Whitby is now a strange dream, half remembered, | 0:17:08 | 0:17:11 | |
as our experts head 21 miles south-west | 0:17:11 | 0:17:15 | |
to lovely, lovely Pickering. | 0:17:15 | 0:17:17 | |
However, for a much-needed break from each other, | 0:17:17 | 0:17:20 | |
James takes his time in his vintage car, whilst Thomas has decided to take the train. | 0:17:20 | 0:17:25 | |
Last one to Pickering's a big sissy! | 0:17:25 | 0:17:28 | |
I'm really excited, because a steam train's going to come by any second | 0:17:28 | 0:17:32 | |
and it goes straight to Pickering and there's some antiques shops there. | 0:17:32 | 0:17:36 | |
I'm looking forward to my train journey. | 0:17:36 | 0:17:40 | |
The North Yorkshire Moors Railway is one of the oldest in Britain, | 0:17:40 | 0:17:44 | |
engineered in 1836 by railway superstar, George Stephenson, | 0:17:44 | 0:17:50 | |
originally as a horse-drawn line. | 0:17:50 | 0:17:53 | |
Steam power was introduced by the other great man of British railways, | 0:17:53 | 0:17:56 | |
George Hudson, when he acquired the line in 1845. | 0:17:56 | 0:18:01 | |
Thank you, steam. | 0:18:01 | 0:18:03 | |
This will be a real treat for me, I think. A real treat on this train. | 0:18:03 | 0:18:08 | |
As Tank-Engine Thomas chuffs his way south-east, under steam power, | 0:18:08 | 0:18:13 | |
James' sometimes reliable motor has amazingly won the race. | 0:18:13 | 0:18:20 | |
Gosh. Brownie points to James Braxton. | 0:18:20 | 0:18:22 | |
Now, can he use his advantage to get the drop on the Pickering shops? | 0:18:22 | 0:18:26 | |
Here we go. | 0:18:26 | 0:18:27 | |
Time is off the essence today, so James' antiques hunt needs to ignite. | 0:18:27 | 0:18:31 | |
It's a little ashtray. Classic design and this looks Art Deco but it's '50s. | 0:18:31 | 0:18:37 | |
1955. | 0:18:37 | 0:18:39 | |
This propeller ash tray was made in Birmingham in 1955, although it has a classic 1930s, Art Deco look. | 0:18:39 | 0:18:47 | |
World War Two really interrupted everything, not just trade and manufacturing, | 0:18:47 | 0:18:52 | |
but the progress of modern design. | 0:18:52 | 0:18:55 | |
So many items from the 1950s looked no different from the pre-war era. | 0:18:55 | 0:19:01 | |
First of all of, Britain has a very Art Deco look, | 0:19:01 | 0:19:04 | |
so it was really only '50s that everything started going again. | 0:19:04 | 0:19:08 | |
They took off where they left off. | 0:19:08 | 0:19:12 | |
Still smouldering, James moves on to a handsome | 0:19:12 | 0:19:15 | |
silver match box, a possible companion piece to the ash tray. | 0:19:15 | 0:19:19 | |
Music trades convention. | 0:19:19 | 0:19:21 | |
Buxton, 1913. | 0:19:21 | 0:19:23 | |
There's the striker. Rather fun - it's a spring loaded top, | 0:19:23 | 0:19:28 | |
which is unusual. I suppose sprung so the matches didn't fall out. | 0:19:28 | 0:19:31 | |
This is very much like a cigar match. | 0:19:31 | 0:19:34 | |
You'd have to hunt high and low to find one and when you've found one, they'd be safety matches. | 0:19:34 | 0:19:39 | |
If that was £30, I might have a go at it, but it's 110! | 0:19:39 | 0:19:44 | |
The Deco smoking items have failed to catch on with James, | 0:19:44 | 0:19:48 | |
but he's still got much to say about his shopping so far. | 0:19:48 | 0:19:53 | |
He just loves to blow his own hooter. | 0:19:53 | 0:19:56 | |
Meanwhile, old slow coach, Thomas, has finally arrived in town. | 0:19:56 | 0:20:00 | |
Oh, that was great, great fun. | 0:20:02 | 0:20:04 | |
Thomas Plant feels pretty chuffed with himself today. | 0:20:04 | 0:20:07 | |
Oh! And now he's here, Thomas won't waste any time hitting the shops. | 0:20:07 | 0:20:11 | |
-Oh, for crying out loud, this is a Museum! -Hello. | 0:20:11 | 0:20:15 | |
Good morning, Thomas. I'm Gordon Clitheroe, curator of Beck Isle. | 0:20:15 | 0:20:19 | |
Pickering's Beck Isle Museum is the brain child | 0:20:19 | 0:20:22 | |
of passionate local enthusiasts like Gordon. | 0:20:22 | 0:20:27 | |
This lovingly curated collection began in 1967 with a simple, | 0:20:27 | 0:20:31 | |
noble mission statement - to preserve, record | 0:20:31 | 0:20:35 | |
and provide access to the heritage, history and cultural life of the Pickering and District area. | 0:20:35 | 0:20:41 | |
We're going into the Blacksmith shop and you'll see John the blacksmith hard at work. | 0:20:41 | 0:20:45 | |
You'll see he's making some hooks for a harness. | 0:20:45 | 0:20:48 | |
It's mesmerising, really, watching the metal being bent and forged. | 0:20:48 | 0:20:52 | |
It's quite exhausting seeing somebody work so hard. | 0:20:52 | 0:20:55 | |
-It's a craft. -Pickering once had a very busy local printing firm | 0:20:55 | 0:20:59 | |
or two, producing local papers, posters and advertisements. | 0:20:59 | 0:21:04 | |
Beck Isle Museum acquired this fabulous old press when the company closed in 1970. | 0:21:04 | 0:21:10 | |
-This is Mike and Derek. -Hello, I won't shake your hand | 0:21:10 | 0:21:13 | |
because it looks like it could be quite inky. Is that right? | 0:21:13 | 0:21:16 | |
Mike and Derek are local enthusiasts who volunteer their time to keep | 0:21:16 | 0:21:21 | |
the press going, providing posters for local schools and events. | 0:21:21 | 0:21:25 | |
Both had worked in newspapers and printing, so are seasoned masters of ink and font. | 0:21:25 | 0:21:32 | |
There are a 155,000 different type faces. | 0:21:32 | 0:21:36 | |
Every type's for a specific purpose originally. | 0:21:36 | 0:21:39 | |
You see the Victorian Christmas Fayre poster? | 0:21:39 | 0:21:42 | |
-Yeah. -Well, to me that's the wrong type for Victorian. | 0:21:42 | 0:21:45 | |
That's the type that you would use for, "Wanted - Billy the Kid." It's the wrong type. | 0:21:45 | 0:21:51 | |
The Columbian Press was invented in the United States, hence the enormous eagle, | 0:21:51 | 0:21:57 | |
by George E. Clymer, in the early 19th century. | 0:21:57 | 0:22:01 | |
His innovation was the ease and speed of printing | 0:22:01 | 0:22:04 | |
an entire newspaper page or poster in one single press. | 0:22:04 | 0:22:09 | |
It was designed to be worked by 12 to 14-year-old children. | 0:22:09 | 0:22:13 | |
I'd rather be on here than down the pits. | 0:22:13 | 0:22:15 | |
I would, or up a chimney. | 0:22:15 | 0:22:16 | |
-I wouldn't fit up a chimney, actually. -Nor would I! | 0:22:16 | 0:22:19 | |
We'll give you a quick print if you would like and see what it looks like. | 0:22:19 | 0:22:23 | |
Look at that. | 0:22:23 | 0:22:24 | |
BBC Antiques Road Trip. That's brilliant, isn't it? Chaps, can I take that away with me? | 0:22:24 | 0:22:31 | |
Of course you can. You're welcome. | 0:22:31 | 0:22:33 | |
How very kind. Although I think a Wanted poster would be more apt for you, Thomas! | 0:22:33 | 0:22:38 | |
And now you're wanted back on the shopping trip. | 0:22:39 | 0:22:42 | |
Why not join James for a final gunfight at the OK Antiques Centre? | 0:22:42 | 0:22:48 | |
Where's that Thomas? | 0:22:48 | 0:22:50 | |
Thomas, come on! I'm itching to get in here. I've drawn a blank. | 0:22:52 | 0:22:55 | |
Really? So we're going to fight over what's in here. | 0:22:55 | 0:22:58 | |
We definitely are. We'll have to do separate courses and arm wrestle for the end. | 0:22:58 | 0:23:04 | |
Go on, you go in. Age before beauty. | 0:23:04 | 0:23:07 | |
Time is of the essence now, chaps. | 0:23:07 | 0:23:09 | |
And you must do whatever it takes to win. | 0:23:09 | 0:23:11 | |
Hello? I need help. | 0:23:11 | 0:23:15 | |
I need to beat Braxton. Can you give me some tips? | 0:23:15 | 0:23:17 | |
It's Mark Stacey, he beat him last year! | 0:23:17 | 0:23:20 | |
And he's not doing too badly with you this year, Thomas. | 0:23:20 | 0:23:23 | |
Get shopping! | 0:23:23 | 0:23:25 | |
Look at you! | 0:23:25 | 0:23:28 | |
This is what auctioneers will be wearing in 2011. | 0:23:28 | 0:23:32 | |
-I think I look... -Irresistible. -Irresistible. | 0:23:32 | 0:23:36 | |
-It is lovely. -Does it sort of frame my round face? | 0:23:36 | 0:23:39 | |
Do you know, politeness precludes me from saying that. | 0:23:39 | 0:23:42 | |
However, I am perfectly happy to tell you, "Yes, Thomas, | 0:23:42 | 0:23:46 | |
"it does! Positively oriental." Now, time is pushing on. | 0:23:46 | 0:23:50 | |
James and Thomas, you both need to find some items for auction. | 0:23:50 | 0:23:54 | |
I've seen something already and there's a significance about what I have seen. | 0:23:54 | 0:23:59 | |
It's this necklace. It's costume jewellery and if I buy it, | 0:23:59 | 0:24:03 | |
I will tell you why I've bought it, but I won't let on right now. | 0:24:03 | 0:24:07 | |
How exciting, Thomas. I'm all ears! | 0:24:07 | 0:24:11 | |
1930's silver Hungarian, £65. | 0:24:11 | 0:24:15 | |
What could you do that for me for? | 0:24:15 | 0:24:19 | |
For this dealer, I can do that for 58. | 0:24:19 | 0:24:21 | |
58. OK, so they go down as 58. Is there anything more they would do? | 0:24:21 | 0:24:26 | |
A phone call or...? | 0:24:26 | 0:24:28 | |
Well, I'll push it a little bit more to 55. | 0:24:28 | 0:24:31 | |
We don't really phone the dealers. | 0:24:31 | 0:24:34 | |
You wouldn't go as low as 50? | 0:24:34 | 0:24:37 | |
Shall I try her? | 0:24:37 | 0:24:38 | |
-Do you mind? -No problem at all. | 0:24:38 | 0:24:41 | |
OK. There's three colours in there, aren't there? | 0:24:41 | 0:24:44 | |
You've got the green, the mauve, | 0:24:44 | 0:24:47 | |
and the white of the mother of pearl. Those colours are the colours | 0:24:47 | 0:24:50 | |
of the Suffragettes. It's a Suffragette pendant. | 0:24:50 | 0:24:53 | |
What started as a covert mission, | 0:24:53 | 0:24:56 | |
finished with the desired effect, ie votes for women. | 0:24:56 | 0:25:01 | |
The original members of the Women's Social and Political Union | 0:25:01 | 0:25:04 | |
chose these colours as a kind of secret code | 0:25:04 | 0:25:07 | |
to signal like-minded campaigners that they were part of the cause. | 0:25:07 | 0:25:12 | |
You'd wear that as a mark as a woman, to say, I am a supporter of the Suffragettes. | 0:25:13 | 0:25:18 | |
Almost like wearing a badge. But you didn't want everybody to know. | 0:25:18 | 0:25:21 | |
It wasn't the right thing to tell people that you were a Suffragette. | 0:25:21 | 0:25:24 | |
The term Suffragette was coined by The Daily Mail newspaper, | 0:25:24 | 0:25:28 | |
originally in a derogatory sense, describing militant women. | 0:25:28 | 0:25:33 | |
As is often the way, progressive campaigners reclaimed the word and | 0:25:33 | 0:25:37 | |
the movement gathered momentum and popularity | 0:25:37 | 0:25:40 | |
through to the early 1900s. | 0:25:40 | 0:25:42 | |
Now, what's it worth? Well, it's worth 80 to 120 quid | 0:25:45 | 0:25:48 | |
to any Suffragette collector, definitely. | 0:25:48 | 0:25:51 | |
So, we'll put it over there. | 0:25:51 | 0:25:53 | |
Whilst Thomas awaits a vote on his offer, James has spotted something | 0:25:53 | 0:25:58 | |
-rather familiar for £58, something shiny. -Isn't that lovely? | 0:25:58 | 0:26:02 | |
So, this is all solid copper. | 0:26:02 | 0:26:05 | |
Sorry, James, just to be absolutely crystal clear, exactly what metal is that tray forged from? | 0:26:05 | 0:26:11 | |
It's solid copper. There's a lot of copper there. | 0:26:12 | 0:26:16 | |
Ah, yes, copper. | 0:26:16 | 0:26:17 | |
Copper? | 0:26:17 | 0:26:19 | |
I'm sure I've heard copper mentioned somewhere before. | 0:26:19 | 0:26:23 | |
That's a great item. I like that. It has integrity. | 0:26:23 | 0:26:25 | |
It's Indian, all done with little nails, hammered out, | 0:26:25 | 0:26:29 | |
and a sort of lotus leaf edge here. | 0:26:29 | 0:26:32 | |
Benares brass tray. | 0:26:32 | 0:26:33 | |
Actually, James, it's copper. | 0:26:33 | 0:26:35 | |
Benares is a pilgrimage site in India, | 0:26:35 | 0:26:38 | |
believed to be the home of Hindu god, Shiva. | 0:26:38 | 0:26:42 | |
It's also famed for its metal wares. | 0:26:42 | 0:26:45 | |
So perhaps a future holiday destination for our James! | 0:26:45 | 0:26:49 | |
Benares has centuries' old trade guilds and a recently established school | 0:26:49 | 0:26:55 | |
to nurture and pass on the fine artisan skills | 0:26:55 | 0:26:59 | |
involved in creating these metal items. | 0:26:59 | 0:27:03 | |
They're great occasional tables, coffee tables. | 0:27:03 | 0:27:06 | |
The weight of a small dog, that is. | 0:27:10 | 0:27:13 | |
Tina, can you work a bit of magic for me? | 0:27:13 | 0:27:17 | |
HE LAUGHS | 0:27:17 | 0:27:19 | |
I'll try! | 0:27:19 | 0:27:20 | |
Found in a corner. | 0:27:20 | 0:27:22 | |
I've always had a passion for Indian stuff. This Benares brass tray... | 0:27:22 | 0:27:26 | |
What is that? Mr B. Can you offer him £30 for it? | 0:27:26 | 0:27:30 | |
Try your best, Tina, you're looking nervous. Anxious. | 0:27:30 | 0:27:33 | |
-I can do it at 40. -40? | 0:27:33 | 0:27:36 | |
Fabulous, isn't it? It's a fabulous piece of copper. | 0:27:36 | 0:27:39 | |
-What about 35? -No. Straight 40. | 0:27:39 | 0:27:41 | |
No middle ground at all? Tina, thank you very much, indeed. Thank you. | 0:27:41 | 0:27:46 | |
Well, I think you've got just about enough metalwork now, James. | 0:27:46 | 0:27:50 | |
If your lots don't sell, at least you could melt it all down | 0:27:50 | 0:27:54 | |
and maybe rewire Tony's Victorian Science Museum! | 0:27:54 | 0:27:58 | |
Meanwhile, Thomas has moved on from the Suffragette movement to... | 0:27:58 | 0:28:03 | |
scantily clad women. Lovely. | 0:28:03 | 0:28:06 | |
This is the way the Victorians could view ladies. It's quite interesting. | 0:28:06 | 0:28:11 | |
You couldn't just look at them naked full stop. I mean, that wasn't allowed, really. | 0:28:11 | 0:28:15 | |
So what they did, they put them in these sort of pseudo classical scenes. | 0:28:15 | 0:28:21 | |
She's a very shapely, pretty girl and, you know, slightly falling off, | 0:28:21 | 0:28:26 | |
so your Victorian could look at that | 0:28:26 | 0:28:28 | |
in the knowledge that it was OK. It's a classical scene, it's historic. | 0:28:28 | 0:28:33 | |
OK, so that's how the Victorians looked at women. | 0:28:33 | 0:28:37 | |
What about 21st century antiques experts? | 0:28:37 | 0:28:41 | |
Here is a little figure of a lady in stockings, a bit saucy. | 0:28:42 | 0:28:48 | |
There I was buying a piece of Suffragette, now I'm buying a bit of porn! | 0:28:48 | 0:28:52 | |
As the buttoned-up Victorian era passed into the Edwardian and roaring '20s, | 0:28:52 | 0:28:58 | |
a market developed for naughty novelties and ceramics of women | 0:28:58 | 0:29:02 | |
in revealing outfits, like this saucy little number. | 0:29:02 | 0:29:06 | |
Erotic figurines are rare and highly collectable and expensive, | 0:29:06 | 0:29:11 | |
but this one, however, is not erotic. Just sexy. | 0:29:11 | 0:29:14 | |
So on here, she's got £25. | 0:29:14 | 0:29:18 | |
What would they do that for? | 0:29:20 | 0:29:22 | |
Usually it's 10% but I'll do it for 20. | 0:29:22 | 0:29:25 | |
Do you reckon she'd go a bit lower? | 0:29:25 | 0:29:28 | |
Well, I've been generous. | 0:29:28 | 0:29:30 | |
Yeah, but I've got to beat James. | 0:29:33 | 0:29:35 | |
I've gotta beat James! | 0:29:37 | 0:29:38 | |
Well, it seems that women's rights can go out of the window when Thomas sees a good investment. | 0:29:38 | 0:29:45 | |
It's all about the bottom line for Thomas! | 0:29:45 | 0:29:49 | |
Really? Brilliant, thank you very much. | 0:29:49 | 0:29:52 | |
I think he'll jump at that. OK. | 0:29:52 | 0:29:55 | |
-£12. -Get in there! | 0:29:55 | 0:29:59 | |
Get in there, indeed! | 0:29:59 | 0:30:01 | |
And lucky Thomas also got his Suffragette necklace for £50. | 0:30:01 | 0:30:06 | |
It seems all the dealers of Pickering want to help him beat James! | 0:30:06 | 0:30:11 | |
I knew it would find me. I knew they would find me. | 0:30:11 | 0:30:13 | |
Well, Thomas certainly feels that his tactics have paid off, but we won't know till auction. | 0:30:15 | 0:30:20 | |
Now, James, Thomas, come with me, it's Show and Tell time. | 0:30:20 | 0:30:25 | |
On the tee is Mr Braxton. | 0:30:25 | 0:30:27 | |
Da-da-da da! | 0:30:27 | 0:30:29 | |
OK, we've got a dog, a fu or a temple dog, Chinese. | 0:30:29 | 0:30:33 | |
Unfortunately they're not Chinese. | 0:30:33 | 0:30:36 | |
I was going to say they're not Chinese. They're continental, aren't they? | 0:30:36 | 0:30:39 | |
I think so, but they're a lovely colour. | 0:30:39 | 0:30:41 | |
-So crucial, crucial, payment, how much? -65. | 0:30:41 | 0:30:45 | |
-I don't think that's too bad. -I don't know. It's in the lap of the gods, that one. | 0:30:45 | 0:30:48 | |
So this is my first purchase. | 0:30:48 | 0:30:52 | |
I thought this was a rather fun thing. | 0:30:52 | 0:30:56 | |
-It's for Greensmiths Derby Dog biscuits and I like the sort of dogs leaping through. -Little pug, is it? | 0:30:56 | 0:31:02 | |
-Little puggy wug. -How much? | 0:31:02 | 0:31:03 | |
£40, what do you think? | 0:31:03 | 0:31:07 | |
-Yeah. -Well, what's wrong with it? | 0:31:07 | 0:31:09 | |
Why are you laughing? | 0:31:09 | 0:31:11 | |
I think it's all right - £40, nice bit of printed cardboard. | 0:31:11 | 0:31:14 | |
That should stay. | 0:31:14 | 0:31:16 | |
Very supportive, James. | 0:31:16 | 0:31:18 | |
Now, have you got anything for Thomas to laugh at? | 0:31:18 | 0:31:22 | |
I'm rather embarrassed about this, I really am. | 0:31:22 | 0:31:25 | |
40/30, I though it had a bit of age but when I bought it, I regretted it immediately. | 0:31:25 | 0:31:32 | |
So how much did you pay for it? | 0:31:32 | 0:31:34 | |
15. I don't think there's anything really wrong with paying £15 for a preserve pan. | 0:31:34 | 0:31:37 | |
If you're a jam maker, it's what you want. | 0:31:37 | 0:31:40 | |
It's a piece of jewellery. | 0:31:42 | 0:31:43 | |
And you paid... | 0:31:45 | 0:31:48 | |
£30 for that. | 0:31:48 | 0:31:50 | |
I paid a bit more for it actually. I paid 50. | 0:31:50 | 0:31:52 | |
You paid £50 for that. | 0:31:52 | 0:31:54 | |
Yeah, but there's a reason I paid £50 for that. | 0:31:54 | 0:31:56 | |
-Can you think about that reason? -It isn't marcasite, it's diamond? | 0:31:56 | 0:32:01 | |
No, not diamonds, no, no, no. It's the colours. | 0:32:01 | 0:32:04 | |
-Now do these colours mean anything to you? -No. | 0:32:04 | 0:32:08 | |
Those are the colours of the Suffragettes. | 0:32:08 | 0:32:10 | |
-Suffragettes, is it? -Yeah. | 0:32:10 | 0:32:12 | |
Very good. | 0:32:12 | 0:32:13 | |
I always like something that you find and you find a whole new market for. | 0:32:13 | 0:32:18 | |
-You're adding your knowledge and value to that. -Trying to. | 0:32:18 | 0:32:21 | |
You're making me worried now, Thomas. | 0:32:21 | 0:32:24 | |
What are you doing? Oh, oh, what a surprise! | 0:32:24 | 0:32:28 | |
James has bought some copper! | 0:32:28 | 0:32:29 | |
I know! Unbelievable, isn't it? | 0:32:29 | 0:32:32 | |
In fact really I'm not an auctioneer, I'm a scrap metal dealer. | 0:32:32 | 0:32:36 | |
There we are, | 0:32:36 | 0:32:38 | |
look at that, that is a Benares tray. | 0:32:38 | 0:32:42 | |
I quite like Benares trays. I think one should have one in every house. | 0:32:42 | 0:32:46 | |
I imagine on there you should have hummus, few stuffed vine leaves. | 0:32:46 | 0:32:51 | |
Yeah, nice mint tea glasses there. | 0:32:51 | 0:32:54 | |
Yeah, quite like that. £40 there definitely. What did you pay for it? 30? | 0:32:54 | 0:32:57 | |
-40. -You paid scrap. | 0:32:57 | 0:33:01 | |
-Show me your last thing. -OK, I've gone from one extreme to the other. | 0:33:01 | 0:33:05 | |
From the Suffragettes. | 0:33:05 | 0:33:07 | |
To a sort of dancing girl. | 0:33:08 | 0:33:10 | |
Well, it's a little naked lady. | 0:33:10 | 0:33:12 | |
So there she is in her stockings. | 0:33:12 | 0:33:15 | |
Who can resist a woman in stockings? | 0:33:15 | 0:33:18 | |
How much did you pay for that? Fiver? | 0:33:18 | 0:33:21 | |
No, a bit more than that, it was 12. | 0:33:21 | 0:33:24 | |
You know people like them and in a funny sort of way, sex sells. | 0:33:24 | 0:33:29 | |
Well, quite possibly, but we're not going to that sort of auction! | 0:33:29 | 0:33:34 | |
The preserve pan, I mean I think that's just a joke, to be honest with you. | 0:33:34 | 0:33:38 | |
Oh, surprise, he's bought some copper. Well, you know change the record. | 0:33:38 | 0:33:43 | |
Lovely Benares copper tray, very fashionable, I like it. | 0:33:43 | 0:33:48 | |
I think I'll do well with it at £40. | 0:33:48 | 0:33:50 | |
And then his dogs. Buying damaged ceramics - it's professional suicide, damaged. | 0:33:50 | 0:33:57 | |
My other items look a bit weak and fragile and I think, Thomas, the balance of power has shifted. | 0:33:57 | 0:34:03 | |
Don't give up hope just yet, James. | 0:34:03 | 0:34:06 | |
Auctions can do strange and surprising things. | 0:34:06 | 0:34:10 | |
Time will tell whether power is truly shifting. | 0:34:10 | 0:34:12 | |
Auction day is finally upon us and it's been an amazing journey from wonderful Whitby, | 0:34:12 | 0:34:18 | |
to pretty Pickering, ending up in Baildon for an auction showdown. | 0:34:18 | 0:34:22 | |
The town awaits the arrival of our boys. | 0:34:24 | 0:34:27 | |
So talk me through this Thomas, the cardboard advertising... | 0:34:30 | 0:34:34 | |
Don't mock the cardboard. The proof will be in the eating of the pudding, won't it? | 0:34:34 | 0:34:40 | |
Baildon's Halfway Auctions has an unusual setting, | 0:34:40 | 0:34:44 | |
not quite inside a pub, but attached to the side of one. | 0:34:44 | 0:34:47 | |
Auctioneer Andrew McLaughlin has possibly shunned a good game of darts | 0:34:47 | 0:34:54 | |
to tell us about James and Thomas's swag bag of treats. | 0:34:54 | 0:34:57 | |
Rather nice little piece, the bathing belle, German piece, | 0:34:57 | 0:35:02 | |
perhaps anything from £10 to £30. | 0:35:02 | 0:35:04 | |
The copper tray's very nice, very heavy but the base is damaged and repaired, repaired not very well. | 0:35:04 | 0:35:10 | |
The Suffragette pendant. | 0:35:10 | 0:35:13 | |
Gold ones you would expect to sell in excess of £200. | 0:35:13 | 0:35:16 | |
With this, we're hoping we'll generate some interest between £40 and £60. | 0:35:16 | 0:35:20 | |
The dog biscuit sign, that could go from anything from £20 to £200. | 0:35:20 | 0:35:25 | |
It depends who's there on the night. | 0:35:25 | 0:35:27 | |
Left, left, left. Well done, Thomas. | 0:35:27 | 0:35:30 | |
Very good, very good. | 0:35:30 | 0:35:31 | |
Right brace yourself - let's get in there. | 0:35:31 | 0:35:34 | |
James started this leg of the road trip with £374.96 and spent £120 on three items. | 0:35:34 | 0:35:43 | |
Thomas took his £184.50 and spent £102, also on three items. | 0:35:45 | 0:35:51 | |
With their hopeful investments up for sale, our boys need a bit of luck | 0:35:54 | 0:35:58 | |
and something a whole lot more successful than the Auction Horror of Bedale on yesterday's show. | 0:35:58 | 0:36:04 | |
Oh, my winning luck has disappeared. | 0:36:04 | 0:36:10 | |
So, finish your drinks, phones off, sit back and away we go. | 0:36:10 | 0:36:14 | |
First up are James' Chinese lions from Whitby. | 0:36:16 | 0:36:21 | |
Roaaargh! | 0:36:21 | 0:36:23 | |
I don't want to look. | 0:36:25 | 0:36:28 | |
Be a man. How much did you pay for them? | 0:36:28 | 0:36:31 | |
A lot of money, Thomas. £65. | 0:36:31 | 0:36:34 | |
-Both whacked as well. -Both whacked as well. | 0:36:34 | 0:36:36 | |
Well, let's hope the auctioneer doesn't draw attention to it! | 0:36:36 | 0:36:40 | |
-Slight damage to both pieces. -Ooh! | 0:36:40 | 0:36:42 | |
So where do we start? £50, there they are 40 anywhere, 30 will do, 20 anywhere? | 0:36:42 | 0:36:50 | |
Come on, surely, start me at £10. | 0:36:50 | 0:36:52 | |
No interest? | 0:36:52 | 0:36:55 | |
-£5. -Don't sell it for that. | 0:36:55 | 0:36:57 | |
£5 we say, six, eight, ten, | 0:36:57 | 0:37:01 | |
12, 14? This is for nothing for the pair at £14. | 0:37:01 | 0:37:06 | |
Nothing, go on, keep going. | 0:37:06 | 0:37:09 | |
The lions have clearly not fulfilled their promise | 0:37:11 | 0:37:15 | |
and that's a poor start for James. | 0:37:15 | 0:37:17 | |
Time for something saucy. | 0:37:18 | 0:37:20 | |
Thomas' figurine is next to reveal all. | 0:37:22 | 0:37:25 | |
I think I've bought a wrong 'un, | 0:37:25 | 0:37:26 | |
I really do. I was under pressure. I didn't look at it properly. | 0:37:26 | 0:37:30 | |
I think you could be the winner on this one, | 0:37:30 | 0:37:32 | |
I think you're looking good. | 0:37:32 | 0:37:34 | |
100 is the art deco German porcelain bathing belle, a nude wearing black stockings. | 0:37:34 | 0:37:41 | |
Yeah, we all love black stockings. | 0:37:41 | 0:37:44 | |
Speak for yourself. | 0:37:44 | 0:37:45 | |
There's nothing wrong with a nice twin-set and pearls. | 0:37:45 | 0:37:48 | |
£10, are we, at ten get me started, six I'm bid, seven I'm bid, | 0:37:48 | 0:37:52 | |
eight I'm bid, nine now, | 0:37:52 | 0:37:57 | |
10 I'm bid, 11 we're there. | 0:37:57 | 0:37:59 | |
They seem to like you, Thomas. | 0:37:59 | 0:38:02 | |
At 12, I'm selling at 12. | 0:38:02 | 0:38:04 | |
Come on, one more, one more. | 0:38:04 | 0:38:06 | |
Slightly better, but that's a loss after commission. | 0:38:06 | 0:38:10 | |
Still, someone got a cheeky bargain here today! | 0:38:10 | 0:38:12 | |
Now. James Braxton, man of "metal", has done it again and brought another big lump to auction. | 0:38:14 | 0:38:19 | |
Can he continue his rag and bone run? | 0:38:19 | 0:38:24 | |
£20 anywhere? | 0:38:24 | 0:38:26 | |
15, start me a tenner, £10 then, £5 I'm bid, six, seven, eight. | 0:38:26 | 0:38:33 | |
Oh, they're obviously jam makers. | 0:38:33 | 0:38:35 | |
12 I'm bid, selling to you, sir at £12. | 0:38:35 | 0:38:39 | |
James' auction machinery is rusting up. | 0:38:39 | 0:38:43 | |
£12. Thomas, I'm going to hand over the baton to you. | 0:38:43 | 0:38:46 | |
Thank you. Do I get the pen? | 0:38:46 | 0:38:48 | |
Is that the baton, the pen? | 0:38:48 | 0:38:50 | |
I can feel another crisis point coming on. Can you? | 0:38:50 | 0:38:54 | |
What our boys need to get back on track is a man's best friend. | 0:38:54 | 0:38:59 | |
And here he is. | 0:38:59 | 0:39:01 | |
Vintage advertising boards are often highly sought after, so paws crossed! | 0:39:01 | 0:39:07 | |
I'm yet to be convinced. It looks very handsome, I give you that. | 0:39:07 | 0:39:11 | |
-Handsome. -£50 to get me going? | 0:39:11 | 0:39:13 | |
50 start me surely at 50? 40? 30? | 0:39:13 | 0:39:17 | |
10 I'm bid to start, do we have 12 anywhere? | 0:39:17 | 0:39:20 | |
12, 14, 16, 18, 20, 22, 25, 28, | 0:39:20 | 0:39:25 | |
30, at 32, 35, 38, 40, at £40. | 0:39:25 | 0:39:33 | |
Well, that could have gone worse, | 0:39:33 | 0:39:36 | |
but it's still not anything you could call a real profit. | 0:39:36 | 0:39:39 | |
Copper again, everyone! | 0:39:41 | 0:39:43 | |
With a bit of damage. | 0:39:43 | 0:39:45 | |
Well, if this makes under £40, I'm weeping. | 0:39:45 | 0:39:49 | |
I'm hoping there might be a metal Mickey in the audience. | 0:39:49 | 0:39:52 | |
Lovely piece - where are we going to start? | 0:39:52 | 0:39:54 | |
I have a commission bid - is it worth £50 to anybody? | 0:39:54 | 0:39:56 | |
40 anywhere, 30? | 0:39:56 | 0:39:59 | |
20 then to start. | 0:39:59 | 0:40:01 | |
It's like tumbleweed. | 0:40:01 | 0:40:04 | |
10 I'm bid, 12 on commission, 14, 16, 18, 20, 22, 24. | 0:40:04 | 0:40:08 | |
At £24 all finished, on commission. | 0:40:08 | 0:40:13 | |
My word, another wounding blow for James. | 0:40:13 | 0:40:17 | |
The bidders of Baildon are certainly getting some good deals! | 0:40:17 | 0:40:20 | |
So all that work is going to disappear. | 0:40:20 | 0:40:24 | |
It's not going well for our chaps. | 0:40:24 | 0:40:26 | |
Maybe Thomas' so-called Suffragette pendant will save the day. | 0:40:26 | 0:40:30 | |
It's got design, style, history, | 0:40:32 | 0:40:36 | |
and it did cost Thomas £50! | 0:40:36 | 0:40:39 | |
The drama, drama's killing me. | 0:40:39 | 0:40:43 | |
I can start with my commission bid here of £30. | 0:40:43 | 0:40:46 | |
Do I have 32 anywhere? 34, 36, 38, 40, 42, 46, 46. | 0:40:46 | 0:40:54 | |
-I'm bid 48. -A few more. | 0:40:54 | 0:40:57 | |
£46 are we finished at £46? | 0:40:57 | 0:41:00 | |
This is a cheap lot at £46. | 0:41:00 | 0:41:03 | |
So, Thomas is suffering now. | 0:41:03 | 0:41:06 | |
On the other hand, | 0:41:06 | 0:41:08 | |
someone, somewhere, some time will wear it with pride. | 0:41:08 | 0:41:12 | |
Thomas, you deserved more for that. | 0:41:12 | 0:41:15 | |
A disappointing auction for our experts. | 0:41:15 | 0:41:17 | |
And this special, beautiful moment is appropriately finished off | 0:41:17 | 0:41:20 | |
damply, with a dose of British rainfall. | 0:41:20 | 0:41:24 | |
James started today's ordeal with £374.96, | 0:41:28 | 0:41:33 | |
and after paying commission, made a wounding loss of £78.81. | 0:41:33 | 0:41:38 | |
But still has a fairly healthy £296.15 to help wipe away the tears. | 0:41:38 | 0:41:45 | |
Thomas started this fiasco with £184.50 and made yet another loss of £21.27. | 0:41:49 | 0:41:58 | |
He's still sliding down the snake of chance, with only £163.23 to maybe help him back up the ladder. | 0:41:58 | 0:42:07 | |
Pretty disappointing, really. | 0:42:10 | 0:42:12 | |
It was a disappointing auction for me, I'm afraid, you know. | 0:42:12 | 0:42:15 | |
Along the road trip occasionally you get hurdles, | 0:42:15 | 0:42:18 | |
but on this particular hurdle, not only did I trip over it, but I fell flat on my face. | 0:42:18 | 0:42:24 | |
So good thing James, the car's working so we've got | 0:42:24 | 0:42:27 | |
to think about a positive note, the old vehicle is doing well. | 0:42:27 | 0:42:31 | |
The vehicle's doing very well but on a slightly negative note, you'll notice that it's raining. | 0:42:31 | 0:42:35 | |
I would not like to moan! | 0:42:35 | 0:42:38 | |
Well, never let bad weather or auction disaster dampen your spirits. | 0:42:41 | 0:42:45 | |
Our experts must be getting used to some disappointment by now, especially Thomas! | 0:42:45 | 0:42:51 | |
Next time on the Antiques Road Trip, James and Thomas head for their | 0:42:54 | 0:42:57 | |
dramatic, final auction in Driffield, North Humberside. | 0:42:57 | 0:43:01 | |
Thomas lays his cards on the table. | 0:43:01 | 0:43:04 | |
I don't want any change left. This is all or nothing. | 0:43:04 | 0:43:07 | |
This is go hard or go home! | 0:43:07 | 0:43:10 | |
James lays down the law. | 0:43:10 | 0:43:12 | |
Time's up, leave the building! | 0:43:12 | 0:43:14 | |
And they both need a bit of a lie down! | 0:43:14 | 0:43:18 | |
That's not very fair, is it? | 0:43:18 | 0:43:19 | |
20 anywhere? £20. | 0:43:19 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:34 | |
E-mail [email protected] | 0:43:34 | 0:43:36 |