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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing. | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
-I don't mean to drive a hard bargain. -The aim is to trade up | 0:00:12 | 0:00:14 | |
and hope that each antique turns a profit. | 0:00:14 | 0:00:17 | |
But it's not as easy as it sounds, and there can only be one winner. | 0:00:17 | 0:00:20 | |
Punching the air. | 0:00:20 | 0:00:22 | |
So, will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
I'm going to be like Rocky and come from behind. | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. Yeah. | 0:00:28 | 0:00:31 | |
This week, we're out on the road with antiques experts James Braxton and Thomas Plant. | 0:00:36 | 0:00:42 | |
Yeah, the cold wind of change now. None of this spend, spend, spend. | 0:00:42 | 0:00:46 | |
I think the Braxton needs to start spending. | 0:00:46 | 0:00:50 | |
James Braxton is a successful auctioneer with occasional delusions of grandeur. | 0:00:50 | 0:00:55 | |
All I need is some sort of native sceptre of office. | 0:00:55 | 0:00:59 | |
Jewellery expert Thomas Plant knows the ups and downs of the antiques trade | 0:00:59 | 0:01:03 | |
even if he doesn't really know up from down. | 0:01:03 | 0:01:06 | |
Onwards and upwards. | 0:01:06 | 0:01:08 | |
James and Thomas started the week with £200 of pocket money, and it's been a fairly uneven contest so far. | 0:01:11 | 0:01:18 | |
James is striding ahead like a mighty auction giant. | 0:01:18 | 0:01:22 | |
From his original £200, he now has a thumping £385.88. | 0:01:22 | 0:01:27 | |
Coming out smelling of roses again. | 0:01:27 | 0:01:30 | |
Thomas has been buying great items at great prices with great appeal | 0:01:30 | 0:01:34 | |
and they've not actually made him much money at all. | 0:01:34 | 0:01:37 | |
I buy an antique, you buy tat. I lose money on it. | 0:01:37 | 0:01:40 | |
From his £200 starter pack, | 0:01:40 | 0:01:43 | |
he's just crept up to a worryingly-mild £230.25. | 0:01:43 | 0:01:49 | |
Well, James, I need to replicate that tenfold to be up to your level. | 0:01:49 | 0:01:52 | |
I need to walk with giants. | 0:01:52 | 0:01:55 | |
This week's Road Trip is round the stunning Northeast of England. | 0:01:55 | 0:01:59 | |
And on today's show, James and Thomas are leaving Darlington, | 0:01:59 | 0:02:02 | |
County Durham, and hitting the road to auction | 0:02:02 | 0:02:04 | |
in Bedale, North Yorkshire. | 0:02:04 | 0:02:06 | |
-Slow but steady wins the race. -I know. | 0:02:06 | 0:02:09 | |
The way you assault a full English. | 0:02:09 | 0:02:11 | |
Quietly working away, on those sausages, | 0:02:11 | 0:02:15 | |
spreading marmalade and other goodness on them. | 0:02:15 | 0:02:17 | |
We start today's show in Richmond, | 0:02:17 | 0:02:19 | |
a jewel in the heart of North Yorkshire. | 0:02:19 | 0:02:23 | |
These walls arranged around Richmond Castle are the oldest in Britain, | 0:02:23 | 0:02:28 | |
dating back nearly 1,000 years to 1080 AD. | 0:02:28 | 0:02:31 | |
ENGINE SPUTTERS | 0:02:31 | 0:02:33 | |
And here we find James' old motor and the same old problem. | 0:02:33 | 0:02:37 | |
I think it's having real problems in this temperature. I think | 0:02:37 | 0:02:41 | |
as soon as I stop it, I think all the petrol evaporates | 0:02:41 | 0:02:44 | |
in every sort of fuel line possible. | 0:02:44 | 0:02:47 | |
Too hot, too cold, too wet, too dry. | 0:02:50 | 0:02:53 | |
There's just no pleasing James' cantankerous old - | 0:02:53 | 0:02:56 | |
I mean classic - car. | 0:02:56 | 0:02:58 | |
Leaving it for a while is really the only option. | 0:02:58 | 0:03:00 | |
Glorious, isn't it? Look at it. | 0:03:00 | 0:03:03 | |
The town of Richmond there, lovely. | 0:03:03 | 0:03:05 | |
Georgian town of Richmond. Are we going to find Georgian antiques? | 0:03:05 | 0:03:09 | |
At the right price? Lovely diving display there. | 0:03:09 | 0:03:11 | |
It is pretty cool, isn't it? | 0:03:11 | 0:03:14 | |
I hate to think how cold that is. | 0:03:14 | 0:03:16 | |
-Do you fancy a bathe? -Er, not in that, no. | 0:03:16 | 0:03:19 | |
I think you need to freshen up and spend some money, James. | 0:03:19 | 0:03:22 | |
-You've got all that money! -It's burning a hole in my pocket. -Time to spend it! | 0:03:22 | 0:03:27 | |
You both need to get out there and get spending. | 0:03:27 | 0:03:29 | |
James has found his first shop up one of Richmond's back streets. | 0:03:29 | 0:03:34 | |
Lovely snooker cue there. | 0:03:34 | 0:03:36 | |
16.5 ounce cue. | 0:03:36 | 0:03:39 | |
It almost looks like James is reminiscing about his wild, formative | 0:03:39 | 0:03:42 | |
snooker-hustling days on the tough streets of, erm, East Sussex. | 0:03:42 | 0:03:47 | |
No wonder he haggles so well. | 0:03:47 | 0:03:50 | |
Why we have a cork seal here, is I bet you find it's lead, so you just | 0:03:50 | 0:03:55 | |
probably find it's a standard weight | 0:03:55 | 0:03:57 | |
and then they'd adjust it with a lead plug and cover it with a cork. | 0:03:57 | 0:04:02 | |
Snooker derives from a combination of bar billiards and pool, | 0:04:02 | 0:04:05 | |
given its name by a very young Neville Chamberlain | 0:04:05 | 0:04:08 | |
serving in India in 1875. | 0:04:08 | 0:04:11 | |
A young military cadet was known as a snooker. | 0:04:11 | 0:04:15 | |
It's one of those sort of decorative items. | 0:04:15 | 0:04:17 | |
What do you do with it, unless you play snooker? | 0:04:17 | 0:04:20 | |
You know, can it be incorporated in the home | 0:04:20 | 0:04:24 | |
as a sort of decorative feature? | 0:04:24 | 0:04:25 | |
I suppose you could put it on a wall, couldn't you? | 0:04:25 | 0:04:29 | |
Whilst James relives his teenage wild days, Thomas has slipped back | 0:04:29 | 0:04:33 | |
to his childhood and found a new friend at £65. | 0:04:33 | 0:04:37 | |
He's quite a sweet chap, isn't he? | 0:04:37 | 0:04:39 | |
His glass eyes have been replaced, but his mohair's quite good. | 0:04:39 | 0:04:44 | |
The original toy bears were made by German company, Steiff, in the late 19th century. | 0:04:44 | 0:04:49 | |
But the teddy bear originated in America, | 0:04:49 | 0:04:51 | |
from President Theodore "Teddy" Roosevelt | 0:04:51 | 0:04:54 | |
after he humanely refused to shoot a real bear cub, | 0:04:54 | 0:04:58 | |
on a stage-managed hunting trip in Mississippi, in 1902. | 0:04:58 | 0:05:02 | |
Good old Teddy! | 0:05:02 | 0:05:04 | |
What do you think of James' car breaking down all the time? "Yeah, it's fun." | 0:05:04 | 0:05:09 | |
Oh, dear, Thomas has started talking to toy bears now. | 0:05:09 | 0:05:12 | |
I don't think James is too worried about the car turning over. | 0:05:12 | 0:05:16 | |
He's found a more simple contraption. | 0:05:16 | 0:05:18 | |
Put a bit of elbow grease in it, and it's a churn. | 0:05:18 | 0:05:22 | |
William Waide and Sons made these fine oak butter churns for the local | 0:05:22 | 0:05:27 | |
and export market, although they were better known and successful | 0:05:27 | 0:05:30 | |
for their brewing barrels. | 0:05:30 | 0:05:33 | |
Beer-making has been big in this part of the world since the 19th century, | 0:05:33 | 0:05:38 | |
but this spinning butter churn is for sale at £120. | 0:05:38 | 0:05:42 | |
So you would've poured your milk in here, | 0:05:42 | 0:05:44 | |
fastened it up and then you would've got churning. | 0:05:44 | 0:05:48 | |
Look, there we are. | 0:05:48 | 0:05:49 | |
James is clearly enjoying himself today, | 0:05:51 | 0:05:53 | |
but I don't feel he's any closer to buying anything yet. | 0:05:53 | 0:05:56 | |
I hope Thomas' shopping is right on track. | 0:05:56 | 0:06:00 | |
These are British Rail signs, these do quite well. Midland line, 1965. | 0:06:00 | 0:06:06 | |
These would go on the side of wagons, | 0:06:06 | 0:06:09 | |
on the side of tenders, engines. | 0:06:09 | 0:06:11 | |
Railway buffs like these kind of things. | 0:06:11 | 0:06:13 | |
Railwayana is a collecting area for true enthusiasts | 0:06:15 | 0:06:20 | |
of steam and engineering. | 0:06:20 | 0:06:22 | |
Each cast-iron wagon plate tells the story of a particular | 0:06:23 | 0:06:27 | |
engine, carriage and branch line of Britain's once great network. | 0:06:27 | 0:06:32 | |
They've got them in there at £25. | 0:06:34 | 0:06:36 | |
That's not unreasonable, | 0:06:36 | 0:06:37 | |
but I would certainly want them for a lot less than that. | 0:06:37 | 0:06:40 | |
Well, Thomas is finally getting into a buying mood today. | 0:06:40 | 0:06:44 | |
Could James be about to open his wallet too? | 0:06:44 | 0:06:47 | |
He rather liked the butter churn, but it's a risk at £120. | 0:06:47 | 0:06:51 | |
Milk churn's very nice, but they are floor-standing. | 0:06:51 | 0:06:54 | |
That takes commitment to space. | 0:06:54 | 0:06:58 | |
I'm keeping my powder dry. | 0:06:58 | 0:07:00 | |
There's another day and there's another shop. | 0:07:00 | 0:07:02 | |
Nicely done, James. | 0:07:02 | 0:07:04 | |
Liking your style. | 0:07:04 | 0:07:05 | |
So as James heads for an ill-deserved tea break, | 0:07:07 | 0:07:10 | |
our last chance of some ruthless bargaining in Richmond rests on Thomas. | 0:07:10 | 0:07:14 | |
-No tea break for him! -It's a teapot. | 0:07:14 | 0:07:18 | |
This is Chinese, it's famille rose, it's 1920s famille rose. | 0:07:18 | 0:07:22 | |
It's very decorative, isn't it? | 0:07:22 | 0:07:24 | |
In the early 18th century, | 0:07:24 | 0:07:26 | |
the famille rose Chinese porcelain palate | 0:07:26 | 0:07:29 | |
became popular on European imports. | 0:07:29 | 0:07:32 | |
Porcelain imported from China was popular in the previous century. | 0:07:32 | 0:07:36 | |
Chinese manufacturers began copying the Japanese Imari wares, | 0:07:36 | 0:07:41 | |
like James' pretty plate from yesterday's show. | 0:07:41 | 0:07:44 | |
They really are incredibly clever, these Chinese. | 0:07:44 | 0:07:48 | |
-WHISPERING: -I'm going to ask them if they'll take £5 for it. | 0:07:49 | 0:07:52 | |
-WHISPERING: -Good luck, Thomas. | 0:07:52 | 0:07:54 | |
Why are we whispering? | 0:07:54 | 0:07:56 | |
The owners are downstairs. | 0:07:56 | 0:07:58 | |
Armed with his two favourite wagon plates at £25 each | 0:07:58 | 0:08:02 | |
and the Canton teapot at £22, Thomas finally prepares to haggle. | 0:08:02 | 0:08:07 | |
-Hello. -Hello! -I've got some questions. | 0:08:07 | 0:08:10 | |
What will you do as a very good price for these two | 0:08:10 | 0:08:13 | |
and what will you do that for? | 0:08:13 | 0:08:15 | |
-I would say that's about £30, 35, and I'll do that one for 25. -Right. | 0:08:15 | 0:08:21 | |
I'll buy the two of you for 35. | 0:08:21 | 0:08:23 | |
-No way. -No way? | 0:08:23 | 0:08:25 | |
-No way. No way. -No? | 0:08:25 | 0:08:28 | |
-Not a sausage? -Not a sausage, no. | 0:08:28 | 0:08:30 | |
No sausage indeed, Thomas. You've got your work cut out for you here. | 0:08:30 | 0:08:34 | |
And stop thinking about food. | 0:08:34 | 0:08:36 | |
I would look at 45 for those. | 0:08:36 | 0:08:37 | |
I could do you that one, and that's the bottom price, 15. No arguing on that. At all. | 0:08:37 | 0:08:43 | |
-15? -15. That's a good price. | 0:08:43 | 0:08:46 | |
-£12.50? -No, 15 is a good price. I said there's no arguing. | 0:08:46 | 0:08:50 | |
So 45, 15. | 0:08:50 | 0:08:52 | |
You see, that I would like at a little bit less, and those I'd like at a little bit less. | 0:08:52 | 0:08:58 | |
I'll drop another pound, 14. | 0:08:58 | 0:09:00 | |
14. You're hard, aren't you, up here? | 0:09:00 | 0:09:03 | |
-No, not at all. -Tough! | 0:09:03 | 0:09:05 | |
Wow, this is like pulling teeth. | 0:09:05 | 0:09:07 | |
I guess these ladies might actually have got you on the ropes here. | 0:09:07 | 0:09:11 | |
Have you finally met your match? | 0:09:11 | 0:09:12 | |
So you'd go to 14 for that, no lower on those? | 0:09:12 | 0:09:15 | |
Well, it would just be a pound. 44. | 0:09:17 | 0:09:19 | |
-Just a pound? -A pound, yeah. | 0:09:19 | 0:09:20 | |
Just a pound? That's, like, 50p each. | 0:09:20 | 0:09:23 | |
-That's good. -That's good! -No, it's not. | 0:09:23 | 0:09:25 | |
43, but I don't do 53. | 0:09:25 | 0:09:27 | |
And that's it. | 0:09:27 | 0:09:29 | |
Come on, Thomas! | 0:09:30 | 0:09:32 | |
It's £14 on the teapot and £43 on the two wagon plates. | 0:09:32 | 0:09:38 | |
So what's it going to be? Yes or no? | 0:09:38 | 0:09:39 | |
-Go on. -All right. | 0:09:41 | 0:09:43 | |
-Thank you. -Thank you very much. | 0:09:43 | 0:09:45 | |
God, that was hard. | 0:09:48 | 0:09:49 | |
Did I cave in too quickly? | 0:09:49 | 0:09:52 | |
I think we all need a break after that. | 0:09:52 | 0:09:54 | |
Thomas pulled out all the stops and now deserves a nice easy journey. | 0:09:54 | 0:09:57 | |
Let's see if this will start. | 0:09:57 | 0:10:01 | |
ENGINE SPUTTERS...AND STARTS | 0:10:01 | 0:10:04 | |
# The boys are back in town The boys are back in town | 0:10:08 | 0:10:11 | |
# The boys are back in town The boys are back in town. # | 0:10:11 | 0:10:14 | |
Back in the game. | 0:10:14 | 0:10:15 | |
-I'm ready to start fighting. -It's good. | 0:10:15 | 0:10:19 | |
The goodness of my heart says play the game! | 0:10:19 | 0:10:22 | |
Destiny awaits, further up the road. | 0:10:22 | 0:10:25 | |
Heading off on a southwesterly breeze, | 0:10:25 | 0:10:28 | |
James and Thomas set sail for Middleham. | 0:10:28 | 0:10:31 | |
Middleham was the Dallas of the 15th century, with its very own JR Ewing | 0:10:33 | 0:10:39 | |
in Richard, Duke of Gloucester, who became King Richard III. | 0:10:39 | 0:10:44 | |
This was his seat of power from where the North of England was administered. | 0:10:44 | 0:10:49 | |
And speaking of decadence, who's this arriving in town? | 0:10:50 | 0:10:54 | |
-Right, I think this is your resting place. -It is my resting place. | 0:10:54 | 0:10:58 | |
See you soon. | 0:10:58 | 0:10:59 | |
See you, bye. | 0:10:59 | 0:11:00 | |
Er, I'm not sure what Braxton's doing. | 0:11:02 | 0:11:04 | |
I think he's buying a sort of country house look, which is good and it's in fashion, | 0:11:04 | 0:11:08 | |
but I don't want to be seen to be copying him. | 0:11:08 | 0:11:11 | |
I know that copying somebody is the biggest form of flattery, | 0:11:11 | 0:11:15 | |
so one doesn't want to flatter James too much. | 0:11:15 | 0:11:18 | |
Quite right, Thomas. I think the last thing James needs is flattery. | 0:11:18 | 0:11:23 | |
My strategy today is to buy pens, I think. | 0:11:23 | 0:11:27 | |
James, you are a very competitive fellow. | 0:11:27 | 0:11:29 | |
You had Thomas on the ropes at two sales already | 0:11:29 | 0:11:32 | |
and yet you covet his one success so far. | 0:11:32 | 0:11:36 | |
Desperate man, James has found a local enthusiast, | 0:11:38 | 0:11:42 | |
Ray, for a very privileged gander at his fine scribing collection. | 0:11:42 | 0:11:47 | |
-Hello, Ray. -James, pleased to meet you. -Good to meet you. | 0:11:47 | 0:11:51 | |
A passionate amateur collector, Ray has built up this treasured fountain pen collection over 50 years, | 0:11:52 | 0:11:59 | |
from his very first writing tool to working with an auction house | 0:11:59 | 0:12:04 | |
where he developed an interest in pens. | 0:12:04 | 0:12:07 | |
In our second auction of this very nice Northeast leg, | 0:12:07 | 0:12:10 | |
I watched Thomas Plant buy a little clutch of pens from an antique shop. | 0:12:10 | 0:12:15 | |
I think he paid about £14. | 0:12:15 | 0:12:17 | |
It wasn't a lot, and they sold for £110 at Thomas Watson's in | 0:12:17 | 0:12:22 | |
Darlington, so I thought to myself, James, you need to prep up on pens. | 0:12:22 | 0:12:27 | |
Which was the first pen you ever bought? | 0:12:27 | 0:12:31 | |
I surreptitiously acquired this when I was working for a firm of | 0:12:31 | 0:12:34 | |
chartered accountants in my first job in 1960. | 0:12:34 | 0:12:38 | |
I wrote all my college notes with it. | 0:12:38 | 0:12:40 | |
So that's the one that is responsible. | 0:12:40 | 0:12:42 | |
It's an Esterbrook, had a new nib in, | 0:12:42 | 0:12:44 | |
but that's the one that started it all off. | 0:12:44 | 0:12:47 | |
The body of this, is that a sort of early Bakelite or something? | 0:12:47 | 0:12:51 | |
It's a hard rubber body. | 0:12:51 | 0:12:53 | |
That's a lovely pen. And served you well. | 0:12:53 | 0:12:56 | |
Started me going, and here we go. | 0:12:56 | 0:13:00 | |
Now we have this vast array here. | 0:13:00 | 0:13:03 | |
The golden years for the fountain pen were between its invention | 0:13:04 | 0:13:08 | |
in 1884 and the invention of the more practical ballpoint pen | 0:13:08 | 0:13:13 | |
in 1938, although many aficionados and letter-writers | 0:13:13 | 0:13:17 | |
still prefer the subtlety and individuality of the fountain pen. | 0:13:17 | 0:13:22 | |
Have you got my favourite pen in there? Have you got the 51, | 0:13:22 | 0:13:25 | |
-which I use to write? -There's a choice of Parker 51s there for you. | 0:13:25 | 0:13:28 | |
This is a trick question, isn't it? | 0:13:28 | 0:13:30 | |
I better choose one, but I have that one. | 0:13:30 | 0:13:33 | |
That's exactly the same. Very nice. | 0:13:33 | 0:13:34 | |
A lovely nib and it's such a lovely writer, so easy to fill, isn't it? | 0:13:34 | 0:13:39 | |
Just squeeze away. | 0:13:39 | 0:13:41 | |
The Parker 51 was a cutting-edge designed fountain pen, | 0:13:41 | 0:13:45 | |
completed in 1939, Parker's 51st year of business, hence the name. | 0:13:45 | 0:13:50 | |
That was the one that put Parker on the map. | 0:13:50 | 0:13:53 | |
Had they used this style of nib before? The hooded sort of nib? | 0:13:53 | 0:13:56 | |
That became the most successful pen | 0:13:56 | 0:13:59 | |
that was manufactured for the popular market. Parker 51. | 0:13:59 | 0:14:03 | |
It's synonymous with success, really. | 0:14:03 | 0:14:06 | |
You better take this away from me. I'm about to put it in my pocket. | 0:14:06 | 0:14:09 | |
Quite right, James. I don't think stealing Ray's pens will help you on your antiques odyssey today. | 0:14:12 | 0:14:17 | |
Just be happy you've got to experience a stunning and much-loved collection. | 0:14:17 | 0:14:20 | |
James really needs to get on with his shopping now. | 0:14:22 | 0:14:26 | |
Thomas Plant is out there somewhere, | 0:14:26 | 0:14:28 | |
and he'll do anything to take a lead in this race. | 0:14:28 | 0:14:31 | |
-Hello, I'm Thomas. -Oh, hello. | 0:14:31 | 0:14:34 | |
-I'm Richard Green, nice to meet you. -Nice to meet you. | 0:14:34 | 0:14:37 | |
-How long have you been here? -I've been in business for about 20 years, | 0:14:37 | 0:14:40 | |
but we've just moved to this area. | 0:14:40 | 0:14:42 | |
-But you're not from Yorkshire? -No, I'm a Bristol lad. | 0:14:42 | 0:14:44 | |
-Ooh, same as me. -Oh, you're kidding? | 0:14:44 | 0:14:46 | |
No, no, I'm a Bristol boy. | 0:14:46 | 0:14:48 | |
-Oh, my! -Right, this is exciting. | 0:14:48 | 0:14:50 | |
Both from Bristol? A geographical connection. | 0:14:51 | 0:14:54 | |
I can hear the cogs turning in Thomas' mind already. Can you? | 0:14:54 | 0:14:59 | |
Us Bristolians, we have to stick together. | 0:14:59 | 0:15:01 | |
Sideling up to his new West Country best friend, | 0:15:05 | 0:15:08 | |
Thomas spots a lovely piece of desk marble, priced at £28. | 0:15:08 | 0:15:12 | |
This is a great object. | 0:15:12 | 0:15:14 | |
I love it, I love the stone, I'm all into stones. | 0:15:14 | 0:15:18 | |
You'd have it on your desk, on the floor, it's just a good paperweight. | 0:15:18 | 0:15:22 | |
Granite is an igneous rock formed from molten lava. | 0:15:24 | 0:15:28 | |
It's found in many locations in the UK, and the most prized | 0:15:28 | 0:15:32 | |
pieces are brightly coloured, which can then be polished. | 0:15:32 | 0:15:36 | |
Granite from Cornwall in particular was mined to make pieces for visiting tourists. | 0:15:36 | 0:15:41 | |
So, what is your very, very best on that, please? | 0:15:41 | 0:15:46 | |
I think I should probably do that for 18 for you, how does that sound? | 0:15:46 | 0:15:51 | |
18. You couldn't do it for any less? | 0:15:51 | 0:15:53 | |
-16. -Less? | 0:15:54 | 0:15:57 | |
Ooh, you drive a hard bargain. | 0:15:57 | 0:16:01 | |
-I think 15 is my maximum. -15. | 0:16:01 | 0:16:03 | |
Would you, you know, help a fellow Bristolian beat a man from Kent? | 0:16:03 | 0:16:09 | |
Thrash a man from Kent? | 0:16:09 | 0:16:10 | |
Actually, James is from East Sussex, | 0:16:10 | 0:16:12 | |
but I see where you're going with this, you naughty man, Thomas. | 0:16:12 | 0:16:16 | |
-Go on, I'll do it for 12. -12. -That's deadline. | 0:16:16 | 0:16:19 | |
Deadline. Can't squeeze a bit more? | 0:16:19 | 0:16:21 | |
-No. -Not ten? -No. | 0:16:21 | 0:16:23 | |
-Really? -It seems like there is no real rock-bottom price for Thomas. | 0:16:23 | 0:16:28 | |
Go on, for you, ten. | 0:16:28 | 0:16:29 | |
Ooh, God! You're a fellow Bristolian and a hero. Yes, dead! Done. | 0:16:29 | 0:16:33 | |
Brilliant, brilliant. | 0:16:33 | 0:16:35 | |
A little local connection can go a long way, | 0:16:35 | 0:16:37 | |
and the lengths our boys will go to in this increasingly | 0:16:37 | 0:16:40 | |
competitive relationship never ceases to amaze us all. | 0:16:40 | 0:16:44 | |
Time to get a room. | 0:16:44 | 0:16:46 | |
The shops are shutting and this lovely little town | 0:16:46 | 0:16:49 | |
offers our weary experts shelter for the night. | 0:16:49 | 0:16:52 | |
Sweet dreams. | 0:16:52 | 0:16:53 | |
Dawn breaks in Middleham and Thomas is mustard-keen | 0:16:56 | 0:17:00 | |
to hit the antiques trail hard for a full day's shopping. | 0:17:00 | 0:17:03 | |
James is still tempted by the local offerings | 0:17:03 | 0:17:05 | |
and wants to unearth a few Middleham treasures before moving on. | 0:17:05 | 0:17:11 | |
And you really, really ought to start buying some antiques, James. | 0:17:11 | 0:17:15 | |
Time is of the essence today, and so far you've bought zilch. | 0:17:15 | 0:17:20 | |
With nothing in his arsenal yet, | 0:17:20 | 0:17:23 | |
James has his full £385.88 to spend like crazy today. | 0:17:23 | 0:17:29 | |
My success has brought responsibilities. | 0:17:29 | 0:17:32 | |
Thomas, on the other hand, got stuck into day one and has | 0:17:32 | 0:17:35 | |
the Canton teapot, the railway wagon plates and the granite paperweight | 0:17:35 | 0:17:40 | |
to take to auction in Bedale. He's still got £163.25 to throw at the world. | 0:17:40 | 0:17:46 | |
So, today should be all about acquiring antiques and making more money. | 0:17:46 | 0:17:50 | |
Let's see if James can start playing the game. | 0:17:50 | 0:17:54 | |
That's nice, isn't it? | 0:17:54 | 0:17:56 | |
It's just nice to have a really clean set, hardly been used, has it? Look. | 0:17:58 | 0:18:03 | |
Perfect condition. | 0:18:03 | 0:18:06 | |
Instead of plastic, it's all wood, and you've got the original | 0:18:06 | 0:18:09 | |
alloy figures, racing car, top hat, so you've got the six players. | 0:18:09 | 0:18:14 | |
Everybody wants to be the racing car. | 0:18:14 | 0:18:17 | |
Monopoly is a very interesting game, fun to play and does almost exactly | 0:18:17 | 0:18:22 | |
the opposite of what it was intended to do. | 0:18:22 | 0:18:24 | |
Technically, it's an adaptation of The Landlord's Game from 1906, | 0:18:24 | 0:18:29 | |
designed by the American political activist Elizabeth Magie | 0:18:29 | 0:18:33 | |
to highlight the inequities of capitalism, | 0:18:33 | 0:18:36 | |
where monopolies bankrupt the many to make the few very wealthy. | 0:18:36 | 0:18:41 | |
However, shrewd 20th-century children really enjoyed | 0:18:41 | 0:18:44 | |
bankrupting their slower aunts and uncles at family gatherings. | 0:18:44 | 0:18:48 | |
And as James says, everyone wanted to be the racing car, or perhaps the top hat. | 0:18:48 | 0:18:53 | |
This is another board game, it's called Wembley. | 0:18:53 | 0:18:56 | |
It's a rather lovely design, isn't it? | 0:18:56 | 0:18:59 | |
This must be transfers, | 0:18:59 | 0:19:02 | |
so it's based on a Monopoly theory. | 0:19:02 | 0:19:04 | |
From the 1950s, this game was a variation on Monopoly | 0:19:04 | 0:19:08 | |
featuring teams from the old first, second and third divisions. | 0:19:08 | 0:19:13 | |
The aim was to get to Wembley and win the FA Cup, obviously, but also | 0:19:13 | 0:19:17 | |
to generate the most ticket money on the way there and have lots of fun. | 0:19:17 | 0:19:22 | |
It's a rather decorative thing, I've never seen one before. | 0:19:22 | 0:19:25 | |
That's a real possibility for me buying today. | 0:19:25 | 0:19:28 | |
James is still ahead in this week's antiques league table, | 0:19:28 | 0:19:30 | |
but we've still got the Antiques Cup final in Bedale to train for. | 0:19:30 | 0:19:35 | |
New signing Thomas Plant | 0:19:37 | 0:19:39 | |
has gone on ahead and is now heading to Masham, | 0:19:39 | 0:19:43 | |
nine miles southeast of Middleham. | 0:19:43 | 0:19:45 | |
Desperate to get shopping, Thomas heads straight for... | 0:19:45 | 0:19:48 | |
Hang on a minute! That's not an antiques shop. | 0:19:48 | 0:19:51 | |
Thomas is clearly going for a bit of me time in Masham. | 0:19:51 | 0:19:57 | |
Rob and Phil are waiting to meet and greet at the Black Sheep Brewery. | 0:19:57 | 0:20:03 | |
Rob is part of the brewing family here, | 0:20:03 | 0:20:05 | |
where 20 million creamy pints of beer are made each year. | 0:20:05 | 0:20:10 | |
I'm very excited, cos it's my first brewery ever and I like beer. | 0:20:10 | 0:20:16 | |
So, I haven't got long, but I'd really like to see the process. | 0:20:16 | 0:20:19 | |
You're in the visitors' centre, | 0:20:19 | 0:20:21 | |
We've got the brewery there behind, so if you're pressed for time, let's crack on. | 0:20:21 | 0:20:26 | |
Far from being an antique, this brewery is just 18 years old. | 0:20:26 | 0:20:29 | |
But beer has been in the Black Sheep family, | 0:20:29 | 0:20:31 | |
the Theakstons, for six generations, | 0:20:31 | 0:20:33 | |
and much of the machinery used here today | 0:20:33 | 0:20:36 | |
has been rescued from local breweries no longer in business. | 0:20:36 | 0:20:40 | |
So how old is all of this? Is this quite old? | 0:20:40 | 0:20:42 | |
Yes, I think it's round about 80 years old. | 0:20:42 | 0:20:46 | |
It was from a brewery in Cumbria, but it works very well. | 0:20:46 | 0:20:49 | |
Ale has been drunk in Britain for millennia. | 0:20:51 | 0:20:53 | |
Roman invaders tried to introduce wine to no avail. | 0:20:53 | 0:20:58 | |
In the 1400s, merchants began bringing hops over from Flanders. | 0:20:58 | 0:21:02 | |
Added to ye olde ale, these hops left a pleasant bitter taste, and so the British beer was born. | 0:21:02 | 0:21:09 | |
Just coming through, it looks like a huge laboratory, | 0:21:09 | 0:21:12 | |
but as I'm only here for a, you know, half a pint, | 0:21:12 | 0:21:15 | |
can I have a half a pint description? | 0:21:15 | 0:21:17 | |
It is a complex process, but we're effectively mashing in, | 0:21:17 | 0:21:23 | |
producing a sugary liquid, | 0:21:23 | 0:21:25 | |
we're boiling that sugary liquid, adding hops in to give us bitterness. | 0:21:25 | 0:21:30 | |
From that process, we're then cooling what we call wort | 0:21:30 | 0:21:33 | |
down to about 18 degrees into a fermenting vessel, | 0:21:33 | 0:21:38 | |
adding some yeast, letting the yeast do its magic | 0:21:38 | 0:21:41 | |
and converting the sugar into alcohol, | 0:21:41 | 0:21:43 | |
and from that point we're putting it into a cask | 0:21:43 | 0:21:46 | |
and then taking it on a dray, out to the customer to drink and enjoy. | 0:21:46 | 0:21:51 | |
Oooh, there's quite a lot to be done. | 0:21:51 | 0:21:54 | |
So, beer is made by extracting sugar from the starch in malted barley. | 0:21:54 | 0:21:58 | |
This is boiled with hops, cooled and then - well, you get the idea. | 0:21:58 | 0:22:01 | |
Heating, cooling, adding stuff and taking other stuff away. | 0:22:01 | 0:22:04 | |
Then you get this nice frothy stuff at the end which makes your head go all funny. | 0:22:04 | 0:22:11 | |
-Poured by a master! -The fruits of your brewing labour. | 0:22:11 | 0:22:13 | |
-There you go. -Thank you, Phil. | 0:22:13 | 0:22:15 | |
Settled quite well. | 0:22:15 | 0:22:18 | |
And this is the same quality of brew from the same basic process | 0:22:18 | 0:22:22 | |
as was perfected six generations ago and using the very best local British ingredients. | 0:22:22 | 0:22:28 | |
However, I would personally like to distance myself from any views | 0:22:28 | 0:22:32 | |
-Thomas may express after finishing that pint. -Ooh, that's lovely. | 0:22:32 | 0:22:36 | |
-Whets the whistle, does the job. -Oh! | 0:22:36 | 0:22:38 | |
Yeah, I think I could finish that and almost have another one | 0:22:38 | 0:22:41 | |
and then finish that one and think about another one... | 0:22:41 | 0:22:44 | |
Sorry, this is exactly the kind of behaviour we didn't want to see on the road trip today, frankly. | 0:22:44 | 0:22:49 | |
Now, where were we? Oh, yes, that fine gentleman and now designated | 0:22:51 | 0:22:55 | |
driver, James Braxton, was thinking of buying some antiques. | 0:22:55 | 0:22:58 | |
I believe we left him in Middleham. | 0:22:58 | 0:23:00 | |
What I want to do, Angie, is sort of build up a sort of parcel of goods, really. | 0:23:00 | 0:23:06 | |
-That's all right. -The more the merrier? | 0:23:06 | 0:23:10 | |
The almighty copper thing? | 0:23:10 | 0:23:12 | |
Yes, it's a milk can. | 0:23:12 | 0:23:14 | |
That's a lovely bit of copper. | 0:23:14 | 0:23:17 | |
Copper has a strange, almost mystical relationship with food, health and wellbeing, | 0:23:17 | 0:23:22 | |
and we all need a certain amount of it in us. | 0:23:22 | 0:23:26 | |
Copper cooking vessels containing foods for human consumption | 0:23:26 | 0:23:29 | |
are always tinned inside, though, to prevent contamination. | 0:23:29 | 0:23:33 | |
-It would make a lovely ornament or flower pot. -I like that. | 0:23:33 | 0:23:38 | |
That's a lovely item, that. | 0:23:40 | 0:23:42 | |
Football team. People like these old photographs. | 0:23:42 | 0:23:46 | |
Very decorative, good country house look. | 0:23:46 | 0:23:49 | |
This team portrait dates from 1910, the 40th year | 0:23:49 | 0:23:51 | |
of British professional football | 0:23:51 | 0:23:53 | |
and four years before the FA Cup had its five-year suspension whilst | 0:23:53 | 0:23:57 | |
the young men of Britain gave it all on the battlefields of Europe. | 0:23:57 | 0:24:02 | |
Without more specific details, these old photographs make popular | 0:24:02 | 0:24:07 | |
decorative items for the home, | 0:24:07 | 0:24:08 | |
combining a pinch of social history with a dollop of humour. | 0:24:08 | 0:24:12 | |
The only problem is it's missing its glass, | 0:24:12 | 0:24:14 | |
but it's only just been broken, I would've thought, just lost. | 0:24:14 | 0:24:18 | |
Because the gilt slip hasn't deteriorated. | 0:24:18 | 0:24:23 | |
-We'll have that. -He's taken his time, he's sashayed all round the shop and | 0:24:24 | 0:24:29 | |
finally James has an antiques assortment to haggle over. | 0:24:29 | 0:24:33 | |
So, I think 30 and can I have those for a fiver each? The other two? | 0:24:33 | 0:24:39 | |
Make it 50 and it's yours. | 0:24:39 | 0:24:41 | |
All three at 50? | 0:24:41 | 0:24:43 | |
Yes, all the lot at 50. | 0:24:43 | 0:24:45 | |
All the lot at 50. | 0:24:45 | 0:24:47 | |
Angie, thank you. Yup, I'm not going to quibble. | 0:24:47 | 0:24:49 | |
£50 is very kind. There you are, thank you very much indeed. | 0:24:49 | 0:24:53 | |
That wasn't a bad deal, | 0:24:53 | 0:24:54 | |
considering I'm used to dealing with Yorkshiremen. | 0:24:54 | 0:24:57 | |
Well, here's a new one. Someone thinks James is soft on haggling. | 0:25:00 | 0:25:05 | |
Are you losing your touch, James? | 0:25:05 | 0:25:07 | |
I bought three items and the good news is the football photograph | 0:25:07 | 0:25:12 | |
had no glass, but Angela's told me her next-door neighbour | 0:25:12 | 0:25:16 | |
is a handyman, sort of general builder, and he's willing to do it | 0:25:16 | 0:25:20 | |
for me, so I'm just round the corner to go and see him. | 0:25:20 | 0:25:23 | |
A new pane of glass, James? | 0:25:23 | 0:25:25 | |
Well, you've already gone soft in negotiations, | 0:25:25 | 0:25:28 | |
so I hope you're not spending any more money. | 0:25:28 | 0:25:31 | |
Fresh from a powder-room break and bursting with Dutch courage, | 0:25:31 | 0:25:34 | |
Thomas finally heads for the shops with an uncharacteristic swagger. | 0:25:34 | 0:25:38 | |
These are Cecil Aldin prints, | 0:25:38 | 0:25:42 | |
they're lithographs, probably. They're signed by Cecil Aldin. | 0:25:42 | 0:25:47 | |
The monogram signature. | 0:25:47 | 0:25:48 | |
This is lovely, this scene here, this chap, this little boy on his | 0:25:48 | 0:25:52 | |
hobby horse, a little Scottie dog within this Tudor house. | 0:25:52 | 0:25:57 | |
A keen animal illustrator, | 0:25:57 | 0:26:00 | |
Cecil Aldin was born in 1870 and at 21 years old was commissioned to | 0:26:00 | 0:26:06 | |
illustrate Rudyard Kipling's Jungle Stories | 0:26:06 | 0:26:09 | |
before becoming a prominent newspaper illustrator. | 0:26:09 | 0:26:12 | |
Aldin is considered to be one of the best caricature artists | 0:26:12 | 0:26:16 | |
of the 20th century and his prolific works on English country | 0:26:16 | 0:26:19 | |
and sporting life are hugely popular today. | 0:26:19 | 0:26:22 | |
Yeah, 125! | 0:26:22 | 0:26:23 | |
If I could do well on that... | 0:26:23 | 0:26:25 | |
I don't want to buy it for £100, I want to buy it for nothing. | 0:26:25 | 0:26:28 | |
But it's a good thing! | 0:26:30 | 0:26:32 | |
Whilst Thomas hedges his bets, | 0:26:32 | 0:26:34 | |
James is passing hedges as he hurtles on up the road. | 0:26:34 | 0:26:38 | |
Taking a dramatic turn west, James is leaving Middleham and travelling | 0:26:39 | 0:26:44 | |
30 miles into the Yorkshire Dales, to the lovely town of Hawes. | 0:26:44 | 0:26:48 | |
Important for its pivotal role in the industrial revolution and | 0:26:55 | 0:26:59 | |
18th-century cotton production, Hawes is also really famous | 0:26:59 | 0:27:02 | |
and loved for its creamy Wensleydale Cheese. | 0:27:02 | 0:27:06 | |
Legend has it that French monks settled here after | 0:27:06 | 0:27:09 | |
the dissolution of the monasteries in the 16th century. | 0:27:09 | 0:27:12 | |
Their fine fromage skills were then handed down to local farmers | 0:27:12 | 0:27:17 | |
before industrial cheese production began in the 19th century. | 0:27:17 | 0:27:21 | |
And with a smooth, creamy, cheesy texture in mind, | 0:27:21 | 0:27:24 | |
here's James Braxton. | 0:27:24 | 0:27:25 | |
I'm doing quite well on my look at the moment, so I'm going to stick with it. | 0:27:25 | 0:27:30 | |
I hate to put a time limit on your search today, James, | 0:27:30 | 0:27:33 | |
but I'm quite happy to tell you that the clock is ticking | 0:27:33 | 0:27:36 | |
and if you want to take anything else to auction you'd better hurry up! | 0:27:36 | 0:27:40 | |
This is rather nice, isn't it? | 0:27:40 | 0:27:42 | |
Poole Pottery from Poole in Dorset | 0:27:42 | 0:27:45 | |
and it has this rather nice eggshell glaze to it, cos that's a ginger jar. | 0:27:45 | 0:27:51 | |
An ironmonger by trade, Jesse Carter bought a derelict pottery in Poole, Dorset, in 1873. | 0:27:51 | 0:27:59 | |
His business flourished, making tiles and ceramic advertising panels | 0:27:59 | 0:28:03 | |
and, ultimately, decorative pots. | 0:28:03 | 0:28:06 | |
That's a lovely thing! | 0:28:06 | 0:28:08 | |
Unusual pattern as well. | 0:28:10 | 0:28:12 | |
It's got Poole again here, | 0:28:12 | 0:28:14 | |
it's got a pattern number and various workers, so you'd | 0:28:14 | 0:28:18 | |
be paid on what you decorated, you weren't paid by the hour. | 0:28:18 | 0:28:21 | |
The jug's priced at £55. It's got a bit of damage, | 0:28:21 | 0:28:27 | |
but I'll see what I can get for it. | 0:28:27 | 0:28:29 | |
-You mean buy it for. -Yeah. | 0:28:29 | 0:28:30 | |
Due to proprietor shyness, we must keep our distance whilst | 0:28:33 | 0:28:37 | |
tense bargaining takes place within Cellar Antiques, | 0:28:37 | 0:28:40 | |
so talk amongst yourselves. | 0:28:40 | 0:28:41 | |
LIGHT MUSIC | 0:28:41 | 0:28:44 | |
Ah, here he is now. | 0:28:57 | 0:28:59 | |
I've got my little find. | 0:28:59 | 0:29:01 | |
My Poole Pottery piece, very nice, | 0:29:01 | 0:29:04 | |
and he did me a very kind price on it, and I got it for £30. | 0:29:04 | 0:29:07 | |
And if James has left it late with his final purchase, | 0:29:07 | 0:29:11 | |
Thomas is pushing into the 11th hour. | 0:29:11 | 0:29:14 | |
Come along now. | 0:29:14 | 0:29:15 | |
Regency decanter, 1820s. | 0:29:15 | 0:29:19 | |
It's mallet-shaped, you can see that it's been mallet-shaped | 0:29:19 | 0:29:23 | |
with a nice mushroom stopper, well cut. | 0:29:23 | 0:29:27 | |
Amazingly, this Regency, cut-glass mallet decanter | 0:29:27 | 0:29:30 | |
is about 200 years old. | 0:29:30 | 0:29:32 | |
It's never been cracked, chipped or thrown about much | 0:29:32 | 0:29:36 | |
and, Thomas tells us, is a fine example. | 0:29:36 | 0:29:40 | |
What's the very, very best on that, please? | 0:29:40 | 0:29:43 | |
20 quid. | 0:29:44 | 0:29:46 | |
20 quid? You won't do it for any less? | 0:29:46 | 0:29:49 | |
I'll knock it down the price of a pint. | 0:29:49 | 0:29:51 | |
The price of a pint, which is what? | 0:29:51 | 0:29:54 | |
£17.30. | 0:29:54 | 0:29:56 | |
OK, how about two pints? | 0:29:56 | 0:29:58 | |
Nearly, £15. | 0:30:00 | 0:30:02 | |
-Yeah, 15, deal? -Deal. | 0:30:02 | 0:30:03 | |
-Done. -Thanks very much. -It's been a pleasure. | 0:30:03 | 0:30:06 | |
Wow, Thomas is on fire today and got another great item down to rock bottom. | 0:30:06 | 0:30:12 | |
Is he about to become the new king of the auction? | 0:30:12 | 0:30:14 | |
Fourth item, but again, veering off the main track, but it's quality. | 0:30:15 | 0:30:21 | |
What can you by for £15 which is 200 years old, which is beautiful, | 0:30:21 | 0:30:26 | |
which is functional, which is the real antique? | 0:30:26 | 0:30:29 | |
Which indeed, Thomas! | 0:30:29 | 0:30:31 | |
Let's find out. | 0:30:31 | 0:30:33 | |
It's that special time again. You show me yours and I'll show you mine. | 0:30:33 | 0:30:37 | |
Thomas, this is one of my first items. | 0:30:37 | 0:30:40 | |
-This is one of my more expensive items, I would say. -Really? | 0:30:40 | 0:30:44 | |
-Ooh that's rather attractive. -You know me and copper. | 0:30:44 | 0:30:47 | |
I love these handles, the stud work. | 0:30:47 | 0:30:50 | |
-I liked it, I thought it was a very pleasing shape. -It's got a knock in the handle. | 0:30:50 | 0:30:54 | |
-It's comforting, it means it's not reproduction and it's dated 1916, so I'm loving it. -So what did you pay? | 0:30:54 | 0:31:01 | |
-£30. -Well, that's not too bad. | 0:31:01 | 0:31:03 | |
But my item... | 0:31:03 | 0:31:05 | |
-Looks oriental. -It is oriental, it's a famille rose teapot. | 0:31:05 | 0:31:09 | |
-Very pretty, isn't it? -Famille rose teapot, | 0:31:09 | 0:31:12 | |
probably export ware 1920s, handle's slightly gone, I paid £14 for that. | 0:31:12 | 0:31:19 | |
That's nice. I like it. I'm going to show you my second item. | 0:31:19 | 0:31:22 | |
It has a bit of sporting interest, you know me. A figure of a sportsman. | 0:31:22 | 0:31:26 | |
You are, aren't you? So we have a football team. | 0:31:26 | 0:31:29 | |
I love these things, because they're all extraordinary-looking. | 0:31:29 | 0:31:33 | |
Lovely leather ball there, big boots, fabulous country house loo, | 0:31:33 | 0:31:38 | |
cloakroom, somewhere like that. | 0:31:38 | 0:31:40 | |
You've gone for that look again. | 0:31:40 | 0:31:42 | |
-Country house lavatory, tell me. -£15. | 0:31:42 | 0:31:44 | |
-That's not... -It doesn't end there. | 0:31:44 | 0:31:47 | |
It had no glass, so I had to pay another ten, so total cost £25. | 0:31:47 | 0:31:53 | |
-That's quite a lot of money. -I know. | 0:31:53 | 0:31:56 | |
-That's not going to make a profit, really? -Thomas has a point, James. | 0:31:56 | 0:31:59 | |
I think you've possibly shown that picture too much love. | 0:31:59 | 0:32:03 | |
You're not here to enjoy yourself! | 0:32:03 | 0:32:05 | |
-Now, what are these, Thomas? -They're wagon plates. | 0:32:05 | 0:32:08 | |
Cast-iron wagon plaques. | 0:32:08 | 0:32:12 | |
Wagon plaques. | 0:32:12 | 0:32:13 | |
I was quite hopeful that this was an engine plaque, | 0:32:13 | 0:32:16 | |
which is more valuable. | 0:32:16 | 0:32:18 | |
Doesn't look very glam, does it? | 0:32:18 | 0:32:20 | |
It doesn't have to be glam. | 0:32:20 | 0:32:23 | |
-Bedale has the Wensleydale line, so it is quite popular. -Anyway... | 0:32:23 | 0:32:29 | |
Yep! Me and you both, James! | 0:32:29 | 0:32:32 | |
Let me guess - £30? | 0:32:32 | 0:32:35 | |
No, they were a little bit more. | 0:32:35 | 0:32:37 | |
-I paid £43. -Sounds all right. -Oh, I don't know about that. | 0:32:37 | 0:32:42 | |
Onto my next lot, here we are. | 0:32:42 | 0:32:44 | |
-First one. -Yes, Monopoly I can see. | 0:32:44 | 0:32:46 | |
No. A rather nice design, I thought, it's just | 0:32:46 | 0:32:50 | |
a board and it's Wembley. I like the graphics. | 0:32:50 | 0:32:53 | |
-Is it '60s? -I think it's '50s. | 0:32:53 | 0:32:56 | |
With those haircuts. | 0:32:56 | 0:32:58 | |
Yeah, I've never come across it before, | 0:32:58 | 0:33:00 | |
but a rather nice Monopoly set. | 0:33:00 | 0:33:03 | |
The Braxton family are quite good at playing Monopoly. | 0:33:03 | 0:33:06 | |
-Are you? -Yup, lots of tantrums. | 0:33:06 | 0:33:08 | |
Nice and bright, hardly used. Look at the silvering. | 0:33:08 | 0:33:12 | |
-Everybody wants the racing car. -Yep. The racing car. | 0:33:12 | 0:33:15 | |
-Just a nice item. How much? -£5. | 0:33:15 | 0:33:18 | |
-Well done. -Really? | 0:33:18 | 0:33:19 | |
Five English pounds. | 0:33:19 | 0:33:21 | |
-For both of them? -For both of them. | 0:33:21 | 0:33:24 | |
I think there's a profit there. | 0:33:24 | 0:33:25 | |
-And your next? -Well, James I've taken a slight leaf out of your book. | 0:33:25 | 0:33:30 | |
This is an item which I thought maybe could be a country house item. | 0:33:30 | 0:33:35 | |
-I like that. -I thought you'd like that. Well polished. | 0:33:35 | 0:33:39 | |
And undamaged, you would have thought, you know, chunks. | 0:33:39 | 0:33:43 | |
-It's quite angular, isn't it? And how much on that? -How much do you think? | 0:33:43 | 0:33:47 | |
Er, I would pay £25 to 30 for that. | 0:33:47 | 0:33:50 | |
Really? Well, it was marked at that, and I got it for a tenner. | 0:33:50 | 0:33:53 | |
Well done, now this is my piece de resistance, there we are. | 0:33:53 | 0:33:57 | |
We're in Yorkshire. | 0:33:57 | 0:33:59 | |
We're in Yorkshire, so you buy yourself a Poole. | 0:33:59 | 0:34:02 | |
And I thought always better to buy something that is out of kilter | 0:34:02 | 0:34:07 | |
with the mainstream of the shop. | 0:34:07 | 0:34:09 | |
Priced up at £55, and I bought it for £30. | 0:34:09 | 0:34:13 | |
£30 for a bit of Poole pottery. Thank God you didn't pay more. | 0:34:13 | 0:34:17 | |
-I think... -I like it. | 0:34:17 | 0:34:19 | |
It's very attractive from a deco point of view. | 0:34:19 | 0:34:22 | |
I think you might struggle in Yorkshire selling Poole, | 0:34:22 | 0:34:25 | |
but you know... | 0:34:25 | 0:34:27 | |
-What have you got there? -So, this is a mallet-shaped decanter. | 0:34:27 | 0:34:30 | |
-It's a pleasing shape. -Lovely mallet-shaped decanter. | 0:34:30 | 0:34:35 | |
It's got a nice stopper to it, | 0:34:35 | 0:34:37 | |
-lovely body... -Well, let's hope it makes a whacking profit at auction. | 0:34:37 | 0:34:41 | |
-Thomas needs all the success he can muster. -How much? | 0:34:41 | 0:34:44 | |
-£15. -I think that's nice. -James, I think we could be on level pegging | 0:34:44 | 0:34:49 | |
here, so we'll just have to see what happens at the auction. | 0:34:49 | 0:34:54 | |
Indeed. But before we get there, how do you really fancy each other's chances? | 0:34:54 | 0:34:58 | |
I think somebody's got a bit over-confident. | 0:34:58 | 0:35:01 | |
I do think the football photograph at £25 including the glazing | 0:35:01 | 0:35:05 | |
has cost him a lot. | 0:35:05 | 0:35:07 | |
The mallet-shaped decanter, I think even money. | 0:35:07 | 0:35:10 | |
The Poole Pottery at £30. We're in Yorkshire, we're not in Dorset, so that could be a problem. | 0:35:10 | 0:35:16 | |
After showing Thomas my items, I'm beginning to question whether I'm loosing my touch. | 0:35:16 | 0:35:22 | |
# The boys are back in town The boys are back in town | 0:35:22 | 0:35:26 | |
# The boys are back in town The boys are back in town. # | 0:35:26 | 0:35:29 | |
We've had an incredible journey from Richmond | 0:35:29 | 0:35:31 | |
through lovely Middleham, Masham and Hawes. | 0:35:31 | 0:35:35 | |
Auction day is at last upon us as James and Thomas | 0:35:35 | 0:35:37 | |
arrive in Bedale, North Yorkshire. | 0:35:37 | 0:35:39 | |
-I'm a bit nervous about today. -Really? -I think my Achilles heel is my wagon plates. | 0:35:39 | 0:35:44 | |
Mine's the Victorian football pic. | 0:35:44 | 0:35:47 | |
Shall we go and see if they've cracked the glass? | 0:35:47 | 0:35:49 | |
Darwin and Sons have been auctioneering here for over 40 years | 0:35:49 | 0:35:54 | |
and Michael William Darwin is the gavel-wielder du jour. | 0:35:54 | 0:35:57 | |
He has a few thoughts on James and Thomas' swag bag today. | 0:35:57 | 0:36:02 | |
The wagon plates - funny enough, six months ago | 0:36:02 | 0:36:04 | |
they were in this auction, and they did about £10 apiece, so I would expect they'll do the same again. | 0:36:04 | 0:36:10 | |
Good copper jug. Sadly, copper's not as popular as it used to be | 0:36:10 | 0:36:13 | |
because people don't like cleaning things nowadays. | 0:36:13 | 0:36:16 | |
The Chinese teapot, not particularly my cup of tea, | 0:36:16 | 0:36:20 | |
but auctions do have surprises. | 0:36:20 | 0:36:21 | |
James started this leg of the road trip with £385.88 | 0:36:21 | 0:36:27 | |
and spent £90 on four items. | 0:36:27 | 0:36:29 | |
Thomas took his £230.25 and spent £82, also on four items. | 0:36:29 | 0:36:36 | |
Experts get comfy, bidders get ready and young hearts run free. | 0:36:37 | 0:36:42 | |
The auction is about to begin. | 0:36:42 | 0:36:44 | |
Lot 257. | 0:36:44 | 0:36:47 | |
Full of hope and potential is James' copper jug from Middleham | 0:36:47 | 0:36:50 | |
to kick us off. | 0:36:50 | 0:36:51 | |
Tenner, then. 10, 12, 14... | 0:36:51 | 0:36:54 | |
-I've got to start somewhere. -16, 18, 20, | 0:36:54 | 0:36:57 | |
22, 24, 30, | 0:36:57 | 0:37:00 | |
38, 40? At £38 in the centre, 40 anywhere? | 0:37:00 | 0:37:04 | |
All done at £38. | 0:37:04 | 0:37:06 | |
Well done. | 0:37:06 | 0:37:08 | |
I was dead on. | 0:37:08 | 0:37:10 | |
Having a lucky streak at the moment. | 0:37:10 | 0:37:12 | |
You're on a rich vein like a purple patch. | 0:37:12 | 0:37:14 | |
Well, a reasonably good start for James, there. | 0:37:14 | 0:37:17 | |
This could be the beginning of a beautiful auction for our experts. | 0:37:17 | 0:37:20 | |
Thomas's Chinese teapot is next. | 0:37:20 | 0:37:24 | |
Nice little teapot there. £20 for that one, £20. | 0:37:24 | 0:37:28 | |
Tenner. At £10 only, | 0:37:28 | 0:37:31 | |
at £10, 11 if it'll help. | 0:37:31 | 0:37:34 | |
I'm selling it, then, at ten, 11, 12, 13, 14, | 0:37:34 | 0:37:39 | |
15, 16, 17 anywhere? Going at 16. | 0:37:39 | 0:37:45 | |
Oh, dear, £2 profit minus the commission is... | 0:37:45 | 0:37:49 | |
well not an awful lot. | 0:37:49 | 0:37:50 | |
I'm sure it's a just a blip, in an otherwise cracking sale. | 0:37:50 | 0:37:54 | |
So how about James' Poole Pottery jug | 0:37:54 | 0:37:56 | |
to get this auction back on track? | 0:37:56 | 0:37:58 | |
£12 bid, 14 anywhere? | 0:37:58 | 0:38:01 | |
At £12 only bid, 14, | 0:38:01 | 0:38:03 | |
16, 18, 20, 2? | 0:38:03 | 0:38:04 | |
I'm out at 22. 4 anywhere? At £22, | 0:38:04 | 0:38:08 | |
4, 26, 28, 30, | 0:38:08 | 0:38:12 | |
32, 34. | 0:38:12 | 0:38:14 | |
At £32 in front, lady's bid at 32. It's going, then, at 32. | 0:38:14 | 0:38:19 | |
Scraped in £2! | 0:38:21 | 0:38:23 | |
£2 again! I'm worried there's some penny-pinching | 0:38:25 | 0:38:28 | |
in Bedale today. Still, onwards and upwards. | 0:38:28 | 0:38:30 | |
On a brighter note, the auction house has split Thomas' Railway | 0:38:30 | 0:38:34 | |
Wagon Plates into two separate lots, with double chances of success! | 0:38:34 | 0:38:38 | |
Here's the first hopeful contender. | 0:38:38 | 0:38:42 | |
-Tenner for it. At £5 bid here. -Oh, well done. | 0:38:42 | 0:38:44 | |
6, 7, 8? At £9 here, 10 anywhere? | 0:38:44 | 0:38:47 | |
I'm selling it, then, at 9, you're all done at 9. | 0:38:47 | 0:38:50 | |
Ouch, this auction seems to be going off the rails. | 0:38:50 | 0:38:54 | |
That doesn't bode well. | 0:38:54 | 0:38:56 | |
At least Thomas has a second shot at the train spotters. Come on, Bedale. | 0:38:56 | 0:38:59 | |
No-one interested? £5 bid, 6 anywhere? | 0:38:59 | 0:39:01 | |
at 6, 7, 8, | 0:39:01 | 0:39:04 | |
-9? At £8, then, 9 anywhere? -Come on, come on, come on. | 0:39:04 | 0:39:07 | |
I'm selling it, then, at 8. | 0:39:07 | 0:39:09 | |
£8! Honestly, where are the train enthusiasts when you need them? | 0:39:09 | 0:39:14 | |
Time for a new game or two. James' Monopoly and Wembley games | 0:39:15 | 0:39:20 | |
are looking to dominate the market next. | 0:39:20 | 0:39:23 | |
The number of people who've said, "I've got one of them." Fiver? | 0:39:23 | 0:39:25 | |
At £5 bid, 6 anywhere? | 0:39:25 | 0:39:27 | |
At £5 only bid. At 6, | 0:39:27 | 0:39:29 | |
7, 8, 9, | 0:39:29 | 0:39:32 | |
10, 11, 12. | 0:39:32 | 0:39:36 | |
Selling, then, at 11, 12, 13, 14... | 0:39:38 | 0:39:41 | |
You've got to keep going. | 0:39:41 | 0:39:43 | |
Think of those cold winter nights. | 0:39:43 | 0:39:45 | |
16? Definitely? | 0:39:45 | 0:39:48 | |
-No, it's not worth it. -Yours at 15, 668. -Thank you. | 0:39:48 | 0:39:51 | |
At last. We have an antiques expert actually turning a profit. | 0:39:51 | 0:39:55 | |
What a game. | 0:39:55 | 0:39:56 | |
Could this be the turning point in a so-far worrying auction? | 0:39:56 | 0:40:02 | |
Thomas shrewdly used his Bristolian contacts | 0:40:03 | 0:40:05 | |
to get a cracking, knockdown price on this serpentine granite block. | 0:40:05 | 0:40:09 | |
Surely, there's a profit to be got here. | 0:40:09 | 0:40:12 | |
-Deep breaths. -Paperweight. | 0:40:12 | 0:40:14 | |
£20? £10? Fiver? | 0:40:14 | 0:40:17 | |
Nobody interested? £3? | 0:40:17 | 0:40:20 | |
He's looking disappointed. A £3 bid, 4 anywhere? | 0:40:20 | 0:40:23 | |
-At £3 bid, 4 anywhere? Selling at three. -Oh, dear. | 0:40:23 | 0:40:26 | |
Oh, dear, dear, dear. | 0:40:27 | 0:40:29 | |
One and only bid. | 0:40:29 | 0:40:31 | |
£3. | 0:40:31 | 0:40:32 | |
Words cannot express things here, Thomas. You have our condolences. | 0:40:32 | 0:40:37 | |
-Dear, oh, dear. -Wonderful. | 0:40:37 | 0:40:40 | |
Now a risky prospect for James. | 0:40:40 | 0:40:42 | |
A fine, framed footballing photograph, but it's not a local | 0:40:42 | 0:40:45 | |
team and James also spent £10 on new glass. Anyone else worried? | 0:40:45 | 0:40:50 | |
Lovely, what a lovely bit. | 0:40:50 | 0:40:52 | |
£20 for it? Tenner? Fiver, then? | 0:40:52 | 0:40:55 | |
£5 bid, 6 anywhere? | 0:40:55 | 0:40:57 | |
At 5, 6, | 0:40:57 | 0:40:58 | |
7, 8, 9, 10, | 0:40:58 | 0:41:01 | |
-11, 12, at £11. -Where's the 14? | 0:41:01 | 0:41:05 | |
It's going, then, at 11. | 0:41:05 | 0:41:07 | |
I'm just going to come out and say it - | 0:41:07 | 0:41:10 | |
this auction is going really, really badly for our boys. | 0:41:10 | 0:41:13 | |
My winning run has disappeared. | 0:41:13 | 0:41:16 | |
At least the misery is nearly over. | 0:41:16 | 0:41:18 | |
Thomas bought a really lovely item here. | 0:41:18 | 0:41:21 | |
A period cut-glass decanter with great antique appeal. | 0:41:21 | 0:41:24 | |
And it's today's last chance for auction glory. | 0:41:24 | 0:41:27 | |
Beautiful, 200 years old, fine antique. | 0:41:27 | 0:41:31 | |
£20 for it. Tenner? £10, the decanter. | 0:41:32 | 0:41:35 | |
Fiver? £3, the decanter? | 0:41:35 | 0:41:38 | |
4 anywhere? £3 only bid, 4 bid, | 0:41:38 | 0:41:42 | |
5, 6 and £8 only. | 0:41:42 | 0:41:44 | |
-I'm selling it at 8. -200 years old. I'm so pleased. | 0:41:44 | 0:41:47 | |
Thomas, Thomas. | 0:41:47 | 0:41:49 | |
Sometimes the antiques world is a cruel world. | 0:41:49 | 0:41:53 | |
Are you disappointed for me? | 0:41:53 | 0:41:55 | |
I am disappointed for you. It was a nice item. | 0:41:55 | 0:41:57 | |
-Bad day at the office. -Bad day. | 0:41:57 | 0:42:00 | |
Perhaps this is karma for all the merciless hard haggling | 0:42:02 | 0:42:06 | |
our boys have unleashed throughout the Northeast. | 0:42:06 | 0:42:10 | |
James started today's show with £385.88. | 0:42:10 | 0:42:14 | |
After paying commission, the poor old fellow made a sad loss of £10.92. | 0:42:14 | 0:42:18 | |
But still has a fairly healthy £374.96 to fight on with. | 0:42:18 | 0:42:25 | |
Tragic Thomas started with £230.25 | 0:42:25 | 0:42:30 | |
and made a heartbreaking loss of £45.75. | 0:42:30 | 0:42:35 | |
He's now slipped even further behind | 0:42:35 | 0:42:37 | |
with only £184.50 to start the next show. Has anyone got a tissue? | 0:42:37 | 0:42:44 | |
# Everybody hurts sometimes... # | 0:42:44 | 0:42:50 | |
Thomas, Thomas, Thomas! | 0:42:50 | 0:42:53 | |
Do you know, I'm not doing that well. | 0:42:53 | 0:42:55 | |
-Highlights? -There's no highlights. | 0:42:55 | 0:42:57 | |
Oh, I wouldn't say that. | 0:42:57 | 0:42:59 | |
You've both crashed and burned with great panache and effortless style. | 0:42:59 | 0:43:04 | |
If you're going to lose a load of money, it's good to lose loads! | 0:43:04 | 0:43:08 | |
-We're all weepy. -A line needs to be drawn. -We'll just move on. | 0:43:08 | 0:43:12 | |
Next time on the Antiques Road Trip, James and Thomas head for a brighter | 0:43:12 | 0:43:16 | |
future and auction pastures new in Baildon, West Yorkshire. | 0:43:16 | 0:43:20 | |
James has a moment... | 0:43:20 | 0:43:22 | |
I've bought the most appalling, appalling preserve pan. | 0:43:22 | 0:43:26 | |
..Thomas has an idea... | 0:43:26 | 0:43:27 | |
I'm going to try and let the items find me, not me find the items. | 0:43:27 | 0:43:32 | |
..and they both have a turn at driving. | 0:43:32 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:52 | |
E-mail [email protected] | 0:43:52 | 0:43:57 |