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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:05 | |
Testing, testing! | 0:00:05 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
-I don't mean to drive a hard bargain! -The aim is, trade up and hope each antique turns a profit. | 0:00:12 | 0:00:17 | |
But it's not as easy as it sounds and there can only be one winner. | 0:00:17 | 0:00:20 | |
Punching the air! | 0:00:20 | 0:00:22 | |
Will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:25 | |
I will be like Rocky - I'm going to come from behind. | 0:00:25 | 0:00:28 | |
This is the Antiques Road Trip. Yeah! | 0:00:28 | 0:00:32 | |
Our two antiques experts this week, looking like bandits, are James Braxton and Thomas Plant. | 0:00:36 | 0:00:41 | |
-Glorious day, isn't it? -So where are we off to today? | 0:00:41 | 0:00:44 | |
-Corbridge. -More buying? -More buying. | 0:00:44 | 0:00:47 | |
Auctioneer and surveyor James Braxton loves handsome little items and knows how to get what he wants. | 0:00:47 | 0:00:53 | |
I'm not a hard man, I'm a desperate man. | 0:00:53 | 0:00:57 | |
Art Deco and Art Nouveau expert Thomas Plant has a great eye for objects, | 0:00:57 | 0:01:01 | |
even when they're a bit out of his league. | 0:01:01 | 0:01:04 | |
That's why it's good, that's why it's £350! | 0:01:04 | 0:01:07 | |
And, relatively new to the Road Trip, he's already started tormenting antiques dealers. | 0:01:07 | 0:01:12 | |
-You're a hard man. -I'm not a hard man, I'm quite a nice man. | 0:01:12 | 0:01:18 | |
Both experts started the week with their £200 starter-packs | 0:01:18 | 0:01:21 | |
and we separated the men from the boys at auction in East Boldon on yesterday's show. | 0:01:21 | 0:01:27 | |
James had a strong start and proudly walked away with £318.48 to spend. Not bad! | 0:01:27 | 0:01:34 | |
Thomas, however, made a couple of schoolboy errors. | 0:01:34 | 0:01:38 | |
Well, you'll probably take that to your grave, Thomas, there we are. | 0:01:38 | 0:01:41 | |
So Thomas starts today's show a bit down, with £195.15. | 0:01:41 | 0:01:47 | |
Well, I'm very happy with my strategy because I had a good day. | 0:01:47 | 0:01:51 | |
Do you think it's going to continue? Your roll you're on? | 0:01:51 | 0:01:53 | |
Oh, I very much doubt it! | 0:01:53 | 0:01:56 | |
This week's Road Trip is around England's gorgeous North East. | 0:01:56 | 0:02:00 | |
On today's show, James and Thomas are leaving East Boldon | 0:02:00 | 0:02:04 | |
and hitting the antiques trail, | 0:02:04 | 0:02:06 | |
heading for auction in Darlington, County Durham. | 0:02:06 | 0:02:09 | |
First pin in the map today is Corbridge, Northumberland, | 0:02:09 | 0:02:14 | |
along Hadrian's Roman Wall. | 0:02:14 | 0:02:16 | |
Corbridge is a pretty old town all right, | 0:02:16 | 0:02:19 | |
growing from the original Roman town of Corstopitum. | 0:02:19 | 0:02:22 | |
But most of what we see today is 13th century. Lovely, isn't it? | 0:02:22 | 0:02:27 | |
Just like our experts, really. The shops are open. Time to split up and get spending. | 0:02:27 | 0:02:32 | |
Cor, it's cold out there. | 0:02:32 | 0:02:34 | |
Well, it's British summertime, isn't it? What did you expect, Thomas? | 0:02:34 | 0:02:38 | |
Arts and Crafts copper casket. | 0:02:38 | 0:02:39 | |
Firm attribution, because of the fish. £325. | 0:02:39 | 0:02:44 | |
That sort of money, I'm going to leave it. | 0:02:44 | 0:02:47 | |
I must revert back to type and look at silver and jewellery. | 0:02:47 | 0:02:50 | |
Wise choice, Thomas. Stick to what you know! | 0:02:50 | 0:02:53 | |
Today's shopping has only just begun and you're leading the charge. | 0:02:53 | 0:02:56 | |
These are military bugles for a military bugler but the problem is it's missing its mouthpiece. | 0:02:56 | 0:03:01 | |
-There's no... -AIR RUSHES THROUGH -..piece in it. | 0:03:01 | 0:03:04 | |
On the subject of blowing your own trumpet, how's James getting on? | 0:03:05 | 0:03:09 | |
He's fun. | 0:03:09 | 0:03:11 | |
A little Dachshund. | 0:03:11 | 0:03:13 | |
Running on the success of my mercury resting on a rock yesterday, | 0:03:13 | 0:03:17 | |
this is me, non-ferrous metals. | 0:03:17 | 0:03:20 | |
Lovely bronze fellow, good weight to it. | 0:03:20 | 0:03:22 | |
James clearly wants to emulate his great success with a bronze statue on yesterday's show. | 0:03:22 | 0:03:28 | |
But I don't think this little dog will be coming to the rescue. | 0:03:28 | 0:03:33 | |
Meanwhile, across the road, Thomas is making friends. | 0:03:33 | 0:03:37 | |
Hello, I'm Thomas. Bill? | 0:03:37 | 0:03:39 | |
-Margaret? Nice to meet you. -Harry. | 0:03:39 | 0:03:42 | |
Could I have a look at something? | 0:03:42 | 0:03:44 | |
That's the great thing about the Antiques Road Trip - our experts get to travel around, meet lovely people | 0:03:44 | 0:03:49 | |
and then ruthlessly haggle with them till they drop. | 0:03:49 | 0:03:52 | |
Just have a look at this little funny thing. | 0:03:52 | 0:03:55 | |
This is probably a needle case actually, | 0:03:55 | 0:03:57 | |
a needle bucket, 19th century. | 0:03:57 | 0:03:59 | |
I quite like this bucket, it's quite sweet. | 0:03:59 | 0:04:02 | |
It is ivory. You can see the cross hatching within the grain. | 0:04:02 | 0:04:06 | |
It's a nice bit of work of art, really, isn't it? | 0:04:06 | 0:04:09 | |
Thomas, you really do like some strange little things. | 0:04:09 | 0:04:12 | |
A needle pot, designed as a bucket, made in France from ivory! | 0:04:12 | 0:04:17 | |
Ivory is technically legal to buy and sell | 0:04:17 | 0:04:20 | |
if it's of an appropriate age. | 0:04:20 | 0:04:23 | |
Only items made before 1947, when the conservation of elephants | 0:04:23 | 0:04:26 | |
quite rightly became an issue, are legally tradable. | 0:04:26 | 0:04:30 | |
What's your very best on that? | 0:04:30 | 0:04:32 | |
I've got a figure in mind so you tell me and then I'll tell you. | 0:04:32 | 0:04:35 | |
-Um...20? -No. | 0:04:35 | 0:04:38 | |
A rather interesting new tactic emerging here. | 0:04:38 | 0:04:42 | |
Make them guess what your terribly low offer's going to be. | 0:04:42 | 0:04:45 | |
Very sneaky, Thomas, and I like it! | 0:04:45 | 0:04:48 | |
-25? -Oooh! | 0:04:48 | 0:04:49 | |
-Less. -18? -Less. | 0:04:49 | 0:04:52 | |
Go on - 14? | 0:04:52 | 0:04:53 | |
-£14? -Yes. | 0:04:53 | 0:04:56 | |
It's very nicely done, and 14's a steal, isn't it? | 0:04:56 | 0:05:01 | |
Well, if it's a "steal" then Thomas will definitely take it. | 0:05:01 | 0:05:04 | |
In the meanwhile, any interesting purchases from James? | 0:05:04 | 0:05:08 | |
Nope, doesn't look like it. | 0:05:10 | 0:05:12 | |
Back to you, Thomas! | 0:05:12 | 0:05:14 | |
I'll have a look at that brooch in there if it's possible. | 0:05:14 | 0:05:17 | |
This is like an enamel. | 0:05:17 | 0:05:19 | |
You've got little flowers just there, and silver back. | 0:05:19 | 0:05:22 | |
Brooches are probably the oldest jewellery items known to man, | 0:05:24 | 0:05:27 | |
or indeed woman. | 0:05:27 | 0:05:28 | |
Dating way back to the Bronze Age as fasteners for smocks and cloaks, | 0:05:28 | 0:05:32 | |
they've come a long way to reach the design pinnacle | 0:05:32 | 0:05:35 | |
of a pretty lapel accessory such as this. | 0:05:35 | 0:05:38 | |
And according to Thomas they've got a big future at auction. | 0:05:38 | 0:05:41 | |
-If you don't buy it you'll regret it. -You're right. | 0:05:41 | 0:05:44 | |
Simply because if you walk away, decide to come back and it's gone... | 0:05:44 | 0:05:49 | |
-Yeah, it's gone. -Can't argue with that logic! | 0:05:49 | 0:05:52 | |
It's a thing of beauty. They're getting harder to come by. | 0:05:52 | 0:05:55 | |
They are, absolutely. | 0:05:55 | 0:05:58 | |
You've got 45, what would your best be? | 0:05:58 | 0:06:00 | |
-I would like 30. -Right... | 0:06:00 | 0:06:03 | |
Would you take 25 for it? | 0:06:03 | 0:06:06 | |
I'll take 28. | 0:06:07 | 0:06:09 | |
Not 25? | 0:06:09 | 0:06:11 | |
Well, obviously not, if Margaret's saying "28". Thomas! | 0:06:11 | 0:06:16 | |
Go on then, 25. | 0:06:16 | 0:06:18 | |
-So it's 39 for the two items? -Yes. -Thank you very much. | 0:06:18 | 0:06:21 | |
Another steal! Thomas clearly knows his jewellery and smalls. | 0:06:21 | 0:06:24 | |
He also knows how to pay very little for them. | 0:06:24 | 0:06:28 | |
James had better watch his back today. | 0:06:28 | 0:06:30 | |
Although it looks like he's now wandered into Thomas' marked territory. Risky! | 0:06:30 | 0:06:36 | |
-Have you come to have a look round? -I'm going to have a look round. | 0:06:36 | 0:06:40 | |
-Really? Muscling in on my territory? -Yeah, definitely. | 0:06:40 | 0:06:43 | |
Rather nice Japanese Imari plate - very decorative. | 0:06:45 | 0:06:49 | |
Brings a bit of colour to a room, that. Or you have it on a table. | 0:06:49 | 0:06:54 | |
What's nice about it, you've got this scallop...this low border, | 0:06:54 | 0:06:58 | |
but the nice thing about it, it's a very asymmetric design. | 0:06:58 | 0:07:02 | |
Imari is a generic name for Japanese imported porcelain, | 0:07:02 | 0:07:06 | |
exported from, believe it or not, the port of Imari in Japan. | 0:07:06 | 0:07:12 | |
And Kakeimon is a style of enamel decoration on porcelain | 0:07:12 | 0:07:16 | |
dating from the early 17th century. | 0:07:16 | 0:07:18 | |
There was a lot of this asymmetry stuff first came over | 0:07:18 | 0:07:22 | |
and it wasn't selling terribly well in Europe. | 0:07:22 | 0:07:24 | |
And what they said is, "Look can you tell all your decorators | 0:07:24 | 0:07:29 | |
"to decorate similar to the silk panels that were selling well?" | 0:07:29 | 0:07:32 | |
And that's what they did, | 0:07:32 | 0:07:33 | |
so they influenced what was being manufactured. | 0:07:33 | 0:07:36 | |
I think I'm in a buying mood. | 0:07:38 | 0:07:41 | |
Good. Well, that's a relief. It would certainly help the competition if you did buy something, James. | 0:07:41 | 0:07:47 | |
I always love these. | 0:07:47 | 0:07:49 | |
These funny little newspaper, magazine Canterburys. | 0:07:49 | 0:07:51 | |
Way back in the 20th century, when people read printed periodicals, | 0:07:51 | 0:07:55 | |
these Canterbury magazine racks were very popular | 0:07:55 | 0:07:57 | |
for keeping the house tidy between reads. | 0:07:57 | 0:08:00 | |
Lovely to look at, | 0:08:00 | 0:08:02 | |
and much more fun than a double click on a desktop document. | 0:08:02 | 0:08:05 | |
A-ha, the good old days! | 0:08:05 | 0:08:07 | |
Would you take 20 for that? | 0:08:07 | 0:08:10 | |
-You want to pay how much? -20. | 0:08:10 | 0:08:13 | |
-Too cheap. -No, can't do it for that, no. -No budging there, James. | 0:08:13 | 0:08:17 | |
See if you can distract proceedings with another item. | 0:08:17 | 0:08:21 | |
I want to try and improve on that Imari dish. | 0:08:21 | 0:08:25 | |
Could you do 35 on that? | 0:08:25 | 0:08:27 | |
Yeah, and I'll do 60 on the two, but I can't do any less than that, really. | 0:08:27 | 0:08:31 | |
-I'm just being cheeky. -Yeah. | 0:08:31 | 0:08:34 | |
We expected nothing less, James. | 0:08:34 | 0:08:35 | |
But, remember, Margaret's just been brutally handbagged by Thomas. | 0:08:35 | 0:08:39 | |
So be kind to her. | 0:08:39 | 0:08:41 | |
Would you do 50 for the two? | 0:08:41 | 0:08:43 | |
-55. -55, OK, come on. That's very kind, thank you very much indeed. | 0:08:44 | 0:08:50 | |
Well, that's about as kind as you get from Mr Braxton. | 0:08:50 | 0:08:53 | |
You'd better leave the shop quickly, James, and let's hope Thomas has the engine running. | 0:08:53 | 0:08:58 | |
How many items have you bought now? | 0:08:58 | 0:09:01 | |
-Eh, two. -Two? Oh. -Every one a winner. | 0:09:01 | 0:09:04 | |
There's confidence for you. Now, quick! Get out of town! | 0:09:06 | 0:09:09 | |
New towns, new shops and even new adventures await our two experts. | 0:09:09 | 0:09:14 | |
-How about you? -Two as well. | 0:09:14 | 0:09:17 | |
-Winners? -Yeah, definite winners. | 0:09:17 | 0:09:21 | |
James' car is a vintage British treasure. | 0:09:21 | 0:09:24 | |
But sadly completely useless in British summer weather. | 0:09:26 | 0:09:30 | |
The soft top doesn't allow for passenger comfort | 0:09:30 | 0:09:33 | |
and the local trees don't provide much cover either. | 0:09:33 | 0:09:36 | |
-It is quite chilly. -It is chilly, isn't it? Brrrr. | 0:09:36 | 0:09:40 | |
The shower lightens, the decks are swabbed, | 0:09:40 | 0:09:45 | |
and SOMEONE needs to give the car a push. | 0:09:45 | 0:09:48 | |
Going to put my back into it, sir! | 0:09:48 | 0:09:50 | |
Well, at least we now know who wears the trousers in this relationship. | 0:09:50 | 0:09:54 | |
Albeit a rather large, pink pair. | 0:09:54 | 0:09:56 | |
All antiques roads lead to Rome, or thereabouts. | 0:10:03 | 0:10:06 | |
In fact they lead a mere three and a half miles from Corbridge | 0:10:06 | 0:10:10 | |
to the former empire border town of Hexham. | 0:10:10 | 0:10:13 | |
NARRATOR SPEAKS ITALIAN | 0:10:15 | 0:10:19 | |
It's a cheeky break from shopping. | 0:10:22 | 0:10:24 | |
Thomas has come to view some really, really old antiques | 0:10:24 | 0:10:29 | |
that make our antiques look modern. | 0:10:29 | 0:10:31 | |
Almost two millennia ago, in the days of the Romans, this fort was part of Hadrian's Wall, | 0:10:31 | 0:10:36 | |
the northernmost frontier of the Empire, | 0:10:36 | 0:10:39 | |
built to keep out the barbarian Picts or defiant Scots. | 0:10:39 | 0:10:43 | |
Today, this borderland has a healthy mix of Scottish and English culture. | 0:10:43 | 0:10:48 | |
-Hello, I'm Thomas. -Nice to meet you Thomas, I'm Barbara. -Barbara, very nice to meet you! | 0:10:48 | 0:10:53 | |
The Vindolanda Trust - this is not a restaurant - has been running since 1970 | 0:10:53 | 0:10:58 | |
to research the wonderful ruins of this former outpost. | 0:10:58 | 0:11:02 | |
Barbara, the assistant curator, has been here since 1999. | 0:11:02 | 0:11:06 | |
Wow, it looks pretty ordered. | 0:11:06 | 0:11:07 | |
Yes, yes, it was. What you can see here is the actual fort itself, | 0:11:07 | 0:11:12 | |
but we have evidence that basically women and children and everyone are living pretty much all together. | 0:11:12 | 0:11:17 | |
Lovely! The Romans ran this part of the world, and many other parts, for centuries. | 0:11:17 | 0:11:22 | |
They kept order in a time before the Scots and English began fighting over borders. | 0:11:22 | 0:11:27 | |
We've got the Vindolanda writing tablets, | 0:11:27 | 0:11:29 | |
small slivers of wood that actually have the writings from the Romans, | 0:11:29 | 0:11:33 | |
and we find out all sorts of fabulous things, like soldiers sending socks and underpants. | 0:11:33 | 0:11:38 | |
-What, being sent? -Yes. | 0:11:38 | 0:11:40 | |
Well, I can understand that because here I am standing. | 0:11:40 | 0:11:44 | |
-I'm wearing a jumper. It is cold. Can you imagine? -Yeah. | 0:11:44 | 0:11:47 | |
Ooh, lovely warm socks. How modern! | 0:11:47 | 0:11:51 | |
The Roman Empire really was terribly advanced and terribly organised. | 0:11:51 | 0:11:54 | |
Some would say terribly civilised. | 0:11:54 | 0:11:58 | |
But did they take care of their pots? | 0:11:58 | 0:12:00 | |
This is our collection of the Samian dinner service. | 0:12:00 | 0:12:03 | |
It's actually from southern Gaul, from a place called La Graufesenque, | 0:12:03 | 0:12:08 | |
modern town of Millau, | 0:12:08 | 0:12:10 | |
and it's interesting with this collection, | 0:12:10 | 0:12:13 | |
because it was broken in transit. | 0:12:13 | 0:12:15 | |
So, like sometimes some antiques are broken in transit. | 0:12:15 | 0:12:18 | |
-Exactly, exactly. -It happened then. | 0:12:18 | 0:12:21 | |
So for thousands of years clumsy delivery men have plagued this land. | 0:12:21 | 0:12:26 | |
Amazingly, this dinnerware was ordered from a manufacturer | 0:12:26 | 0:12:29 | |
in France, a thousand miles away, | 0:12:29 | 0:12:31 | |
but 2,000 years ago. | 0:12:31 | 0:12:33 | |
Not so different, when you think about it, from import/export today. | 0:12:33 | 0:12:38 | |
Possibly a commanding officer, one of the other head officers, | 0:12:38 | 0:12:42 | |
would have had the money to buy this whole dinner set. | 0:12:42 | 0:12:45 | |
So I'm just imagining, 1,900 years ago, | 0:12:45 | 0:12:49 | |
the officer is waiting for this, | 0:12:49 | 0:12:51 | |
or the lady of the house, his wife, | 0:12:51 | 0:12:54 | |
and it nearly gets here and then it gets broken. Bad day. | 0:12:54 | 0:12:59 | |
Bad day, very, very dark day for that person. | 0:12:59 | 0:13:01 | |
So it gets chucked in there, or he probably lied, "Oh, I never got it, it never came off the boat." | 0:13:01 | 0:13:07 | |
-We have evidence that they're fixing it. -Really? I'd love to see that. | 0:13:07 | 0:13:11 | |
Here it is - quite a good one to show | 0:13:12 | 0:13:15 | |
because it would have held these two bits together. | 0:13:15 | 0:13:18 | |
Wow. So some sort of soul got some lead... | 0:13:18 | 0:13:21 | |
-Was lead mined around here? -Probably. | 0:13:21 | 0:13:24 | |
That was one of the main reasons the Romans came, for our minerals. | 0:13:24 | 0:13:28 | |
And so they got the lead and they melted it and made a little bracket | 0:13:28 | 0:13:33 | |
and then as the lead cooled and tightened it would pull the pot together to make it strong again. | 0:13:33 | 0:13:38 | |
-Exactly, yes. -Well, like brackets, like staples. | 0:13:38 | 0:13:42 | |
At least this Roman home-delivery customer tried to put | 0:13:42 | 0:13:45 | |
his broken pots back together before he chucked them out. | 0:13:45 | 0:13:49 | |
This is some of the pieces from the actual dinner service. | 0:13:49 | 0:13:52 | |
Wow, look at this. Oh, it's absolutely wonderful. | 0:13:52 | 0:13:55 | |
I can't believe I'm handling a 1,900-year-old piece of pottery. | 0:13:55 | 0:13:58 | |
Yeah, broken, but still. | 0:13:58 | 0:14:00 | |
-It's been a pleasure. I could spend all day here. Thank you very much. -Wonderful to meet you. -And you. | 0:14:00 | 0:14:05 | |
What a fascinating find, eh? | 0:14:05 | 0:14:08 | |
Course, all that damage would never happen on the Road Trip. | 0:14:08 | 0:14:13 | |
Not much! | 0:14:13 | 0:14:15 | |
But seriously, there are some more modern antiques | 0:14:15 | 0:14:18 | |
waiting to be unearthed by James and Thomas around the corner. | 0:14:18 | 0:14:21 | |
So, James, my one request out of all of this, these antiques shops had better be worth it! | 0:14:21 | 0:14:26 | |
The Road Trip is taking our experts 22 miles from Hexham. | 0:14:29 | 0:14:33 | |
Destination, Alston. | 0:14:33 | 0:14:35 | |
Alston's old town dates back to the late 17th century, | 0:14:39 | 0:14:43 | |
with this handsome square surrounding its troubled Market Cross. | 0:14:43 | 0:14:47 | |
First built in 1765 and rebuilt in 1880, | 0:14:47 | 0:14:50 | |
the cross tragically fell victim to a runaway lorry in 1968, | 0:14:50 | 0:14:55 | |
and then another one in 1980. | 0:14:55 | 0:14:58 | |
So, keeping his foot firmly on the clutch is James Braxton | 0:14:58 | 0:15:02 | |
as our experts arrive in town. | 0:15:02 | 0:15:04 | |
Straight away, our boys find a companion four-wheeled antique | 0:15:04 | 0:15:09 | |
to match James' vintage car. | 0:15:09 | 0:15:11 | |
But the owner scoots before they can put in a cheeky low offer on it. | 0:15:11 | 0:15:15 | |
Hello. | 0:15:15 | 0:15:16 | |
Good afternoon. I'm Thomas. | 0:15:17 | 0:15:19 | |
-Hi, I'm Gary. -Nice to meet you, Gary. -Nice to meet you. | 0:15:19 | 0:15:21 | |
A big eclectic mix, it looks like. | 0:15:21 | 0:15:23 | |
-Everything interesting and unusual. -Oh, right. | 0:15:23 | 0:15:26 | |
My old friend, Sunderland lustre. | 0:15:26 | 0:15:29 | |
Nope, I'm not buying you. | 0:15:30 | 0:15:32 | |
Good call, Thomas. No more Sunderland lustre ware for you. | 0:15:33 | 0:15:37 | |
We all remember the awful events of yesterday's show | 0:15:37 | 0:15:40 | |
as if it was...well, yesterday. | 0:15:40 | 0:15:43 | |
I'm not laughing, I'm really not. | 0:15:46 | 0:15:48 | |
Look at this. Ypres. | 0:15:50 | 0:15:53 | |
This is what we call trench art. | 0:15:53 | 0:15:55 | |
And this was made by a soldier in Ypres in 1917, | 0:15:55 | 0:15:59 | |
and that's also where we had the miners who mined underneath | 0:15:59 | 0:16:02 | |
the German trenches and blew them up. | 0:16:02 | 0:16:04 | |
This would have been a shell case, | 0:16:04 | 0:16:06 | |
and this is just a bullet from a .303 Lee Enfield rifle. | 0:16:06 | 0:16:11 | |
I imagine what it was, it might have been he made it as a letter opener, or... | 0:16:11 | 0:16:15 | |
Amazing thing. | 0:16:15 | 0:16:17 | |
There's me complaining that I'm getting wet and hailed on | 0:16:17 | 0:16:21 | |
in James' car with no roof, | 0:16:21 | 0:16:22 | |
and these boys were stuck out in the trenches, | 0:16:22 | 0:16:26 | |
no way of knowing when it would all end, really. | 0:16:26 | 0:16:28 | |
Fine words, Thomas. Well said. | 0:16:28 | 0:16:31 | |
I think I might have to give JB a call, Mr Braxton. | 0:16:32 | 0:16:35 | |
He was complaining that he was getting very wet. | 0:16:35 | 0:16:38 | |
Well, that does look nice and warm. | 0:16:38 | 0:16:40 | |
Could it be useful in bad weather? | 0:16:40 | 0:16:43 | |
There's no such thing as bad weather. It's bad clothing. | 0:16:43 | 0:16:46 | |
And James has experienced that today. | 0:16:46 | 0:16:48 | |
Well, poor old James was feeling cold and miserable. | 0:16:48 | 0:16:52 | |
Let's get him into a nice cosy antiques shop for a bit of a warm-up. | 0:16:52 | 0:16:56 | |
Out of the rain and hail! HE CHUCKLES | 0:16:56 | 0:17:00 | |
But then a strange-looking antique catches his eye. | 0:17:00 | 0:17:04 | |
Oh, dear. I'll just quickly do my hair. | 0:17:04 | 0:17:06 | |
I generally walk around looking like the man from the Hamlet advert. | 0:17:06 | 0:17:10 | |
I suggest you stay away from mirrors today, James. | 0:17:10 | 0:17:14 | |
No-one needs the awful truth. | 0:17:14 | 0:17:16 | |
Cast your eyes over some lovely objects instead. | 0:17:16 | 0:17:19 | |
This Chinese, made of black wood, rosewood, bit damaged, | 0:17:19 | 0:17:24 | |
typical sort of thing that was made in the 19th century, | 0:17:24 | 0:17:28 | |
was exported over to the UK. | 0:17:28 | 0:17:30 | |
They were just stands for planters. | 0:17:30 | 0:17:32 | |
They make great occasional tables. | 0:17:32 | 0:17:35 | |
Very stylish. 265. | 0:17:35 | 0:17:39 | |
I wonder if she would do that for 150. That would be worth a punt. | 0:17:39 | 0:17:42 | |
It's quite interesting - they've got a lot of oriental stuff in this shop | 0:17:42 | 0:17:46 | |
and it might just reflect stuff that is locally, you know, | 0:17:46 | 0:17:53 | |
people did colonial service. | 0:17:53 | 0:17:55 | |
Went off, worked for international companies, came home, | 0:17:55 | 0:17:58 | |
brought loads of souvenirs with them. | 0:17:58 | 0:18:01 | |
-You've got a pink, marble-topped Chinese table upstairs. -Yes. | 0:18:02 | 0:18:07 | |
With, er... | 0:18:07 | 0:18:08 | |
..quite a princely sum on it. | 0:18:09 | 0:18:11 | |
Yes. You pay for quality, yes. | 0:18:11 | 0:18:14 | |
If I offer an outrageous £150, | 0:18:16 | 0:18:19 | |
is that tempting? Or are you going to chuck me out of the shop? | 0:18:19 | 0:18:22 | |
Sorry, it's not tempting. I paid more than that. | 0:18:22 | 0:18:26 | |
-We don't do losses. -No, no. | 0:18:26 | 0:18:28 | |
Brave attempt, James. But you're not going to get the help you need in this shop, I fear! | 0:18:28 | 0:18:34 | |
-MOBILE PHONE RINGS -Suddenly, an important call. | 0:18:34 | 0:18:36 | |
Could it be advice from the auction house? | 0:18:36 | 0:18:38 | |
Or a fantastic offer on a fine antique treasure to take there? | 0:18:38 | 0:18:42 | |
-Hello, Thomas. -'Hi, James.' | 0:18:42 | 0:18:44 | |
You know you got a bit wet? | 0:18:44 | 0:18:46 | |
-'Yeah, yeah.' -I've found something for you. | 0:18:46 | 0:18:49 | |
Oh, fabulous. I'm standing here like a sort of limp rag. | 0:18:49 | 0:18:53 | |
Are you like a limp piece of lettuce? | 0:18:53 | 0:18:55 | |
What I need is something slightly warmer. | 0:18:55 | 0:18:58 | |
Why don't you pop down and have a look? | 0:18:58 | 0:19:00 | |
Yeah, brilliant stuff. OK, I'll be down. | 0:19:00 | 0:19:02 | |
Whilst Thomas waits for James to arrive, | 0:19:02 | 0:19:05 | |
something handsome and useful catches his eye. | 0:19:05 | 0:19:08 | |
So, what I've got here is some pens, | 0:19:08 | 0:19:11 | |
a Parker, a lady's one. But it's got no nib. | 0:19:11 | 0:19:15 | |
The fountain pen was perfected by the American school teacher George Safford Parker | 0:19:15 | 0:19:19 | |
in the 1880s, | 0:19:19 | 0:19:20 | |
fed up with constantly repairing his students' old pens. | 0:19:20 | 0:19:26 | |
The Parker Pen Company then became a strong success in the 1890s | 0:19:26 | 0:19:30 | |
and the pens are still highly desirable as new and antique today. | 0:19:30 | 0:19:34 | |
Pens are collectable. You know, people like pens | 0:19:34 | 0:19:37 | |
and they're a great thing to collect because they're small | 0:19:37 | 0:19:40 | |
and they're easy to send in the post. | 0:19:40 | 0:19:43 | |
This one here, another gents' pen. | 0:19:43 | 0:19:45 | |
It says Swan. | 0:19:45 | 0:19:47 | |
Made in Britain by the American company Mabie, Todd and Bard from 1909, | 0:19:47 | 0:19:53 | |
these Swan fountain pens were advertised as the pen of the British Empire. | 0:19:53 | 0:19:57 | |
The company ceased production in the 1950s, a victim of the ballpoint era. | 0:19:57 | 0:20:02 | |
This is a Parker Duofold. | 0:20:02 | 0:20:03 | |
It's a big, heavy gents' pen. | 0:20:03 | 0:20:06 | |
What have you got on the Parker? | 0:20:06 | 0:20:08 | |
I could do the Parker pen for £12. | 0:20:08 | 0:20:10 | |
Oh... | 0:20:10 | 0:20:11 | |
But if you were interested in buying a collection of pens I could do you a deal on a job lot. | 0:20:11 | 0:20:16 | |
Oh, really? See what you can do the lot for, and then I'll go and get the other one for you. | 0:20:16 | 0:20:21 | |
We've got a Conway, we've got a Swan and then you've got another Parker without a thing. | 0:20:21 | 0:20:27 | |
-35 for the lot. -For the lot? | 0:20:27 | 0:20:30 | |
How about... | 0:20:32 | 0:20:34 | |
28? | 0:20:34 | 0:20:35 | |
-OK. -Yeah? | 0:20:39 | 0:20:41 | |
Well done, 28. Awesome. A collection of pens. | 0:20:41 | 0:20:44 | |
I said I was going to buy silver and jewellery and I'm buying pens and ivory buckets. | 0:20:44 | 0:20:49 | |
-What am I doing that for? -Well, I'll tell you, Thomas. | 0:20:49 | 0:20:52 | |
You're making rules for yourself and not sticking to them. | 0:20:52 | 0:20:56 | |
You just keep getting distracted by everything that you like. | 0:20:56 | 0:20:59 | |
-What do you think of that? -Sure it's not a bit big? | 0:21:02 | 0:21:05 | |
Yeah, with room to grow into. | 0:21:05 | 0:21:07 | |
Something to accommodate the wine barrel. | 0:21:07 | 0:21:09 | |
-Gary, come on, let's go and talk price. -No problem. | 0:21:11 | 0:21:15 | |
Well, third item bought today. | 0:21:15 | 0:21:18 | |
You may think I'm being completely bonkers. | 0:21:18 | 0:21:22 | |
Why would a Parker pen like this one be worth me buying, huh? | 0:21:22 | 0:21:27 | |
I tell you, I sell these Parker pens for at least £20 a piece. | 0:21:27 | 0:21:32 | |
If you went to buy that in a stationers today | 0:21:32 | 0:21:34 | |
you'd be looking at 50 plus. | 0:21:34 | 0:21:36 | |
Truly mightier than the sword, the Parker Duofold fountain pen | 0:21:36 | 0:21:40 | |
was famously used by General Douglas MacArthur in 1946, | 0:21:40 | 0:21:45 | |
to end the American war in the Pacific by signing the peace treaty. | 0:21:45 | 0:21:49 | |
I reckon we'll make at least £10 profit. 38, 40 at least. | 0:21:51 | 0:21:55 | |
Yes, they're a great purchase Thomas, if slightly off-plan. | 0:21:55 | 0:21:58 | |
Could they be your silver bullet to go with the bucket at auction in Darlington? | 0:21:58 | 0:22:03 | |
Meanwhile back in the shop, James has dipped into his personal money | 0:22:03 | 0:22:07 | |
and bought the vintage coat. | 0:22:07 | 0:22:09 | |
Now he's taking a butchers at a few items for his antiques arsenal. | 0:22:09 | 0:22:14 | |
I like this bit. Again, hardwood. Chinese. | 0:22:14 | 0:22:18 | |
Rather nice. | 0:22:19 | 0:22:21 | |
Another jardiniere stand? | 0:22:21 | 0:22:22 | |
And from China again? | 0:22:22 | 0:22:24 | |
James is right about antiques in this area - there's certainly an ex-colonial theme here. | 0:22:24 | 0:22:29 | |
We've got this rather nice sprays of bamboo here. | 0:22:29 | 0:22:32 | |
It's been extended. I doubt the Chinese ever had things this high | 0:22:32 | 0:22:36 | |
so it's evolved from their low opium tables and the like, | 0:22:36 | 0:22:42 | |
to a table that the Victorians would have loved to have had | 0:22:42 | 0:22:47 | |
with an aspidistra coming off or some sort of torchere, candle branch. | 0:22:47 | 0:22:52 | |
So, a very keen observation from the man who would be King of the Auction. | 0:22:52 | 0:22:56 | |
Ah, this is more my sort of thing. | 0:22:56 | 0:22:59 | |
Do you think it can bear the weight of a Braxton? | 0:23:00 | 0:23:03 | |
That is fabulous, isn't it? | 0:23:03 | 0:23:07 | |
All I need is some sort of native sceptre of office. | 0:23:07 | 0:23:11 | |
Oh dear, James. Are you sure that little stool is strong enough for you? | 0:23:11 | 0:23:16 | |
You see, James, you have to be careful with antiques. | 0:23:17 | 0:23:20 | |
Or perhaps the chiefs of this particular African tribe | 0:23:20 | 0:23:23 | |
were possibly a little lighter in build? | 0:23:23 | 0:23:25 | |
African basketwork, | 0:23:25 | 0:23:26 | |
receiving a new lease of life. | 0:23:26 | 0:23:29 | |
Luckily, Cathleen is on hand in the back room for a rapid repair. | 0:23:29 | 0:23:34 | |
Fabulous! Thank you very much indeed, you see? Done in a trice. | 0:23:34 | 0:23:37 | |
You broke it, James! | 0:23:37 | 0:23:39 | |
Now I think you should buy it. | 0:23:39 | 0:23:41 | |
And how about that lovely, tall jardiniere stand? | 0:23:41 | 0:23:44 | |
-How much on this one, Gary? -Could do that for 20. | 0:23:44 | 0:23:48 | |
Would you do this and the nice basketwork stool for 30? | 0:23:48 | 0:23:53 | |
Wow, haggling on the stool YOU broke, eh? | 0:23:53 | 0:23:56 | |
You have the cunning charm, James. | 0:23:56 | 0:23:58 | |
-No problem. -Excellent. | 0:23:58 | 0:24:01 | |
-Clothing me... Now you're furnishing me. -Another excellent deal! | 0:24:01 | 0:24:06 | |
And James did the decent thing, buying the African stool. | 0:24:06 | 0:24:09 | |
But is it something he can sell at auction in County Durham? | 0:24:09 | 0:24:13 | |
Time will tell. And it's time to be moving on again. | 0:24:13 | 0:24:16 | |
Let's go. | 0:24:16 | 0:24:18 | |
HE BEEPS HORN | 0:24:18 | 0:24:20 | |
Oh dear. Get a move on. | 0:24:20 | 0:24:23 | |
No roof, no roof? | 0:24:24 | 0:24:26 | |
James, where's the roof? | 0:24:26 | 0:24:27 | |
The next morning, James and Thomas are up with the lark | 0:24:32 | 0:24:35 | |
for a full day's hunting and gathering. | 0:24:35 | 0:24:38 | |
Beautiful cloudless day. Looking forward to getting a bit of wind rushing through my locks. | 0:24:38 | 0:24:42 | |
A bit of wind, yeah. | 0:24:42 | 0:24:44 | |
James has had a cracking first day's foraging. | 0:24:44 | 0:24:47 | |
So far he's spent £85 on four items. | 0:24:47 | 0:24:50 | |
The brass oak Canterbury, the Imari dish, | 0:24:50 | 0:24:54 | |
the African leather stool and the Chinese jardiniere stand. | 0:24:54 | 0:24:57 | |
And he's still got a whopping £233.48 left to play with. | 0:24:57 | 0:25:02 | |
-Steady work, I haven't dropped yet, just sort of steady jabs. -Steady jabs! | 0:25:02 | 0:25:06 | |
Thomas has also shopped whole-heartedly and bought three items. | 0:25:06 | 0:25:10 | |
The controversial ivory bucket, | 0:25:10 | 0:25:13 | |
the enamel bar brooch and the set of fountain pens. | 0:25:13 | 0:25:16 | |
He launches into the day with a sturdy £128.15, | 0:25:16 | 0:25:21 | |
but needs to work hard to catch up with James' success on yesterday's show. | 0:25:21 | 0:25:26 | |
Looking good, feeling good. | 0:25:26 | 0:25:29 | |
The unstoppable antiques juggernaut continues on. | 0:25:30 | 0:25:34 | |
Alston is but a blur in the mind as our experts take a sharp turn | 0:25:34 | 0:25:38 | |
towards Bishop Auckland. | 0:25:38 | 0:25:41 | |
That bounder Braxton is feeling rather comfortable in his current financial lead over Thomas. | 0:25:41 | 0:25:46 | |
So he's decided to give himself a little treat. | 0:25:46 | 0:25:49 | |
Well, it's all right for some, isn't it? | 0:25:49 | 0:25:51 | |
This is my stop, Tom. | 0:25:51 | 0:25:53 | |
Is it your stop? That's the way to do it! | 0:25:53 | 0:25:55 | |
Right on time, our man arrives at Killhope Lead Mining Museum. | 0:25:58 | 0:26:03 | |
Killhope was the setting for WH Auden's famous 1927 poem, The Watershed. | 0:26:06 | 0:26:13 | |
The mine opened in 1853 and closed in 1910 as demand for lead fell away | 0:26:13 | 0:26:19 | |
but restoration began in 1980 to turn the site into this wonderful museum. | 0:26:19 | 0:26:24 | |
Today, it's an account of the historical pleasures and pains | 0:26:24 | 0:26:28 | |
of this heavy industry, and a fascinating glimpse into Britain's past. | 0:26:28 | 0:26:32 | |
Hello Liz, lead me on. | 0:26:32 | 0:26:35 | |
Liz has been an information assistant here for nine years | 0:26:35 | 0:26:38 | |
and she's our guide for the day. | 0:26:38 | 0:26:41 | |
In the beginning there'd only be about 10 people | 0:26:41 | 0:26:43 | |
-working on the surface to one man working underground. -Really? | 0:26:43 | 0:26:48 | |
And the other thing was that they would be miners/farmers, | 0:26:48 | 0:26:52 | |
-so again they would go home and do more work at the end of their working day in the mines. -I see. | 0:26:52 | 0:26:58 | |
So this is the entrance to the mine? | 0:26:58 | 0:27:01 | |
How far away would the workings be? 100 metres? | 0:27:01 | 0:27:04 | |
-The furthest fain was a mile underground. -Really? | 0:27:04 | 0:27:09 | |
It took them 20 years to reach it. | 0:27:09 | 0:27:12 | |
This is very well done. This wouldn't look out of place on the facade of a house, would it? | 0:27:12 | 0:27:17 | |
No, the men were incredibly skilled. | 0:27:17 | 0:27:21 | |
Take me to your crystals, Liz! | 0:27:21 | 0:27:23 | |
The British miner is a rare breed today, but they do exist. | 0:27:23 | 0:27:28 | |
This was once a very hard and very proud industry. | 0:27:28 | 0:27:32 | |
But life was not without its art and pleasure. | 0:27:32 | 0:27:34 | |
Right Liz, what have you got in here? | 0:27:34 | 0:27:36 | |
Well, this is some of the spar boxes from our biggest collection. | 0:27:36 | 0:27:40 | |
Spar boxes are one of Britain's most fascinating artistic phenomena | 0:27:40 | 0:27:45 | |
and yet almost entirely unknown. | 0:27:45 | 0:27:47 | |
Strange, coral-like, mineral constructions housed in Victorian specimen cases. | 0:27:47 | 0:27:53 | |
As this was a lead mine, the mining company | 0:27:53 | 0:27:56 | |
just didn't want the other minerals it unearthed | 0:27:56 | 0:27:58 | |
and threw them away. | 0:27:58 | 0:27:59 | |
There was this tradition | 0:27:59 | 0:28:01 | |
of collecting minerals and swapping them. | 0:28:01 | 0:28:04 | |
This was going on between the working man, | 0:28:04 | 0:28:07 | |
but it was introducing people to the world of minerals. | 0:28:07 | 0:28:11 | |
Amazingly, these Victorian oddities were not created by artists. | 0:28:11 | 0:28:16 | |
It was the men and women working the mine in the 19th century | 0:28:16 | 0:28:19 | |
who produced these peculiar and dazzling displays | 0:28:19 | 0:28:22 | |
in their short, precious leisure time. | 0:28:22 | 0:28:24 | |
What about this magnificent fellow? | 0:28:24 | 0:28:27 | |
I love the idea | 0:28:27 | 0:28:28 | |
that it's this sort of Victorian tableau tradition, isn't it? | 0:28:28 | 0:28:32 | |
Here we see an architectural tableau. | 0:28:32 | 0:28:35 | |
-The cabinet always reminds me of a bit of a fairground with all the bright colours. -It does, doesn't it? | 0:28:35 | 0:28:40 | |
-Garish colours, yeah. -Again you've got your curiosities. | 0:28:40 | 0:28:43 | |
You've got a bird from north Africa, your roller bird, | 0:28:43 | 0:28:48 | |
you've got your nightjar, | 0:28:48 | 0:28:49 | |
and you sort of think, where did the men come across these things? | 0:28:49 | 0:28:53 | |
It's just the detail of little pot plants at the windows, | 0:28:53 | 0:28:58 | |
you know, and some of the curtains open, some with the blinds drawn. | 0:28:58 | 0:29:03 | |
This small array at Killhope is the nearest Britain has to a national collection of spar boxes. | 0:29:03 | 0:29:09 | |
There were a few recorded local competitions in the 1880s and 90s. | 0:29:09 | 0:29:13 | |
Other than that, these are a lost art form. | 0:29:13 | 0:29:16 | |
The mystery is that not many people know the history of the spar boxes | 0:29:16 | 0:29:21 | |
and however much we try and research the history we don't come up with many answers. | 0:29:21 | 0:29:26 | |
It looks like James is utterly captivated by these mysterious mineral structures. | 0:29:26 | 0:29:31 | |
He's forgotten all about the rather important search for great antiques. | 0:29:31 | 0:29:36 | |
Thankfully, there's a great man out there. | 0:29:38 | 0:29:40 | |
He is serious about antiques shopping. He wants to buy more. | 0:29:40 | 0:29:44 | |
His name is Thomas Plant. | 0:29:44 | 0:29:47 | |
Thomas has gone on ahead and is en route to Bishop Auckland. | 0:29:47 | 0:29:51 | |
James has clearly given up on the shopping | 0:29:51 | 0:29:54 | |
and settled with his four items from yesterday. | 0:29:54 | 0:29:56 | |
So you're our last hope, Thomas, and time is pushing on. | 0:29:56 | 0:30:01 | |
In fact, where is Thomas? | 0:30:01 | 0:30:03 | |
-He's out there, shopping, somewhere. -Wow! | 0:30:03 | 0:30:07 | |
Ah, there he is. He's found lovely Yvonne in this antiques shop | 0:30:07 | 0:30:10 | |
and has taken a fancy to something quite close to her heart. | 0:30:10 | 0:30:14 | |
I love your Lalique, I love that. | 0:30:14 | 0:30:17 | |
This is a piece of jewellery. | 0:30:17 | 0:30:19 | |
This is by Rene Lalique. | 0:30:19 | 0:30:21 | |
Legendary French designer Rene Jules Lalique pushed the envelope of glass design in the late 19th century. | 0:30:21 | 0:30:30 | |
He returned to his first love of jewellery during the Art Nouveau period, | 0:30:30 | 0:30:34 | |
and made stunning items such as this. | 0:30:34 | 0:30:36 | |
You've got this beautiful sort of exotic fish around it | 0:30:36 | 0:30:39 | |
against that frosted glass, and it's just lovely. | 0:30:39 | 0:30:42 | |
If I could find something like that... | 0:30:42 | 0:30:44 | |
A lovely item, Thomas. | 0:30:44 | 0:30:46 | |
But hands off - she's wearing it! I'm guessing it's not for sale. | 0:30:46 | 0:30:49 | |
Come along, there really is no time to waste. | 0:30:49 | 0:30:52 | |
What is it? That is the big question. | 0:30:52 | 0:30:55 | |
Well, it looks like it's going to be a preserve, a mustard. | 0:30:55 | 0:30:59 | |
-Yeah, it could be, couldn't it? -Have you been using it for your sausages? | 0:30:59 | 0:31:02 | |
It's these classy little items again, and Thomas really can unearth them. | 0:31:02 | 0:31:07 | |
This late-19th-century Dutch mustard pot has a solid silver frame, so it | 0:31:07 | 0:31:12 | |
could be the auction heavyweight that Thomas is searching for. | 0:31:12 | 0:31:15 | |
But it's pricey, £125. Risky! | 0:31:15 | 0:31:20 | |
What is your very, very best on that? | 0:31:20 | 0:31:22 | |
I could do 90 on it. | 0:31:22 | 0:31:24 | |
-That's quite a lot of money, isn't it? -It is. | 0:31:24 | 0:31:27 | |
I'd like that for a bit less, to be candid! | 0:31:27 | 0:31:31 | |
I'm sure you would, Thomas. | 0:31:31 | 0:31:33 | |
"A bit less" is kind of the name of the game here, isn't it? | 0:31:33 | 0:31:36 | |
If you could go to 80 on that. | 0:31:36 | 0:31:39 | |
75? | 0:31:39 | 0:31:41 | |
That's pushing the boat a bit. | 0:31:41 | 0:31:43 | |
I know, but, you know... | 0:31:43 | 0:31:45 | |
-I don't mean to be... -No, 75 sounds good to me. -OK. -Yeah. | 0:31:47 | 0:31:51 | |
I'm pleased. I hope the auction house likes it. | 0:31:51 | 0:31:55 | |
I hope there's people out there to buy it. What's it going to make? | 0:31:55 | 0:31:58 | |
It could make £120, it could make 150, it could bomb and make 40. | 0:31:58 | 0:32:01 | |
Good old Thomas, he sneaks in one last purchase, | 0:32:01 | 0:32:05 | |
and not a moment too soon. It's show and tell time again. | 0:32:05 | 0:32:08 | |
-So, James, bit like golf, as you were the winner. -OK, am I teeing off first? -Yah. | 0:32:08 | 0:32:13 | |
So an Imari plate, 1920s. | 0:32:15 | 0:32:18 | |
£35 as well, bought it for that. | 0:32:18 | 0:32:21 | |
Go on, match it. Oh, very nice! | 0:32:21 | 0:32:25 | |
Practical for pins, and bought for pin money. | 0:32:25 | 0:32:30 | |
I think that's very pretty. | 0:32:30 | 0:32:31 | |
I think you paid somewhere in the region of £50. | 0:32:31 | 0:32:35 | |
No, £14. | 0:32:35 | 0:32:36 | |
Ooh, that is a winner, Thomas. | 0:32:36 | 0:32:39 | |
I am going to try and expunge that from my memory. | 0:32:39 | 0:32:42 | |
-A magazine... -I think you're being a bit cute here. | 0:32:42 | 0:32:45 | |
It's a pretty one, quite fashionable. | 0:32:45 | 0:32:48 | |
Now, let me guess, £28. | 0:32:48 | 0:32:51 | |
Nearly, nearly. 20. | 0:32:51 | 0:32:53 | |
-Really? -See some growth there. | 0:32:53 | 0:32:54 | |
-I'm a bit disappointed. -Come on. | 0:32:54 | 0:32:56 | |
You've got something even smaller than the bucket. | 0:32:56 | 0:32:59 | |
It's quite titchy witch, a little brooch. | 0:32:59 | 0:33:02 | |
Plant the brooch! | 0:33:02 | 0:33:04 | |
I know, it's another brooch. | 0:33:04 | 0:33:06 | |
Silver and enamel, marked at £45, I got it for £25. | 0:33:06 | 0:33:11 | |
-With a rather chintzy design. -Chintzy, no! | 0:33:11 | 0:33:13 | |
It's roses. It's lovely. | 0:33:13 | 0:33:16 | |
-That is chintzy. Right, I'm going to have to get up for this one. -Are you? | 0:33:16 | 0:33:19 | |
OK. You're breaking a little bit of it there. | 0:33:19 | 0:33:22 | |
-Breaking a little bit there. -Well, it broke a whole lot more, earlier! | 0:33:22 | 0:33:26 | |
It bore my weight, unfortunately with some consequence, so | 0:33:26 | 0:33:29 | |
I think its future is bearing wine glasses and coffee cups. | 0:33:29 | 0:33:34 | |
-I hope you paid less than £20 for it. -I did. -Er, 10? -10. | 0:33:34 | 0:33:38 | |
I think we're going to see five, five, five. | 0:33:38 | 0:33:43 | |
I must say, I hope it finds a purchaser before it falls apart! | 0:33:43 | 0:33:46 | |
-Falls apart, James? Maybe just keep off it till the auction! -So. | 0:33:46 | 0:33:52 | |
Ah, Mr Pen Man. | 0:33:52 | 0:33:55 | |
This is the lot I bought it for. | 0:33:55 | 0:33:56 | |
It was the Parker Duofold, and it's a 14-carat gold nib, and then we've got a swan. | 0:33:56 | 0:34:01 | |
-That's rather nice. -Well, it's quite stylish, gold nib as well. | 0:34:01 | 0:34:04 | |
-What do you think I paid for these here? Eight pens. -50. | 0:34:04 | 0:34:07 | |
No, less. | 0:34:07 | 0:34:09 | |
-25. -£28. -Really? Very nice, well done. | 0:34:09 | 0:34:12 | |
-OK, come on. -You're taking my smile away. | 0:34:12 | 0:34:16 | |
-Really? -Fourth and final, probably best viewed from the top. | 0:34:16 | 0:34:19 | |
Yes, I can see that, mother of pearl, bamboo, bit of teak. | 0:34:19 | 0:34:22 | |
Just your kind of thing, isn't it? | 0:34:22 | 0:34:24 | |
Hopefully Chinese. It's very pretty. | 0:34:24 | 0:34:26 | |
£25? | 0:34:26 | 0:34:28 | |
-20. -Really? -20. | 0:34:28 | 0:34:30 | |
I hope somebody's building a Chinese room. | 0:34:30 | 0:34:33 | |
Oooh. | 0:34:33 | 0:34:35 | |
Looks very tasty, this. | 0:34:35 | 0:34:37 | |
I have spent some money on that. Considering I lost money... | 0:34:37 | 0:34:40 | |
-Ivory again? -Ivory again, Thomas? Bit of a theme going on here. | 0:34:40 | 0:34:44 | |
That looks a rather nice item. | 0:34:44 | 0:34:46 | |
-80 to 120. -Right, I paid 75 for it. | 0:34:46 | 0:34:49 | |
That's good, you're playing the game, it's a bullish item. | 0:34:49 | 0:34:52 | |
You're making me look like a bit of a wimp with my little selection there. | 0:34:52 | 0:34:57 | |
-Do you think I might be teeing off? -You could be, you could be. | 0:34:57 | 0:35:00 | |
LAUGHTER | 0:35:00 | 0:35:02 | |
Oh, James, don't get too wrapped up in this now. | 0:35:04 | 0:35:07 | |
May the best man win. | 0:35:07 | 0:35:08 | |
Thank you, Thomas. | 0:35:08 | 0:35:11 | |
Whatever has he bought that stool for? | 0:35:11 | 0:35:14 | |
I mean, it is a piece of rubbish. | 0:35:14 | 0:35:16 | |
It's bonfire material. | 0:35:16 | 0:35:18 | |
The whole thing's fallen to bits at the bottom. I mean, it's wonky. | 0:35:18 | 0:35:21 | |
Lovely little novelty bucket, and that was no money, £14. | 0:35:21 | 0:35:27 | |
Imari plate, well, yeah, OK, £35, I think that's about its level, really. | 0:35:27 | 0:35:32 | |
As for the brooch, I'm not convinced. | 0:35:32 | 0:35:35 | |
It's like an old lady's bathroom, really. | 0:35:35 | 0:35:37 | |
How terribly rude, James... | 0:35:37 | 0:35:39 | |
But I know what you mean! | 0:35:39 | 0:35:41 | |
Destiny awaits our two experts as this leg of the road trip draws to its inevitable finale. | 0:35:41 | 0:35:48 | |
It's been an inspiring journey from East Boldon, through Corbridge, | 0:35:48 | 0:35:52 | |
Hexham, Alston and Bishop Auckland. | 0:35:52 | 0:35:55 | |
Auction day is here and our experts arrive at Darlington, County Durham. | 0:35:55 | 0:35:59 | |
-Now, Thomas, how are you feeling? -Quietly confident. | 0:35:59 | 0:36:02 | |
However, you know how these things can end up, they can go completely wrong. | 0:36:02 | 0:36:07 | |
£220, 230. 240. | 0:36:07 | 0:36:10 | |
Thomas Watson Auctions opened their doors in 1840, | 0:36:10 | 0:36:14 | |
and Peter has been whacking wood on wood here since 1974. | 0:36:14 | 0:36:17 | |
He has his own thoughts on our experts' shopping prowess. | 0:36:17 | 0:36:22 | |
African stools probably came over 40, 50 years ago, but they do sell. | 0:36:22 | 0:36:26 | |
Hardwood lamp stands, not the most popular, I must admit, | 0:36:26 | 0:36:30 | |
and the brooch, it could be a bit of a sticker, this one, but we'll see. | 0:36:30 | 0:36:34 | |
James started this leg of the road trip with £318.48, | 0:36:37 | 0:36:40 | |
and spent a thoroughly decent £185. | 0:36:40 | 0:36:43 | |
Nice work, James. | 0:36:43 | 0:36:45 | |
Thomas took his £195.15 and spent a wholly decadent £142. | 0:36:45 | 0:36:51 | |
Fidgets, stop fidgeting, natterers stop nattering. | 0:36:54 | 0:36:57 | |
A respectful quiet awaits the commencement of competitive nodding and winking. | 0:36:57 | 0:37:02 | |
The auction is about to begin. | 0:37:02 | 0:37:04 | |
Good luck, Thomas. | 0:37:04 | 0:37:06 | |
Well, that's a nice object to start off with. | 0:37:08 | 0:37:10 | |
James' handsome magazine rack from Corbridge. | 0:37:10 | 0:37:14 | |
And I can open this one at £35. | 0:37:14 | 0:37:17 | |
£15 profit. | 0:37:17 | 0:37:19 | |
40, 5, 50, the lady has it at £50. | 0:37:19 | 0:37:23 | |
£50. | 0:37:23 | 0:37:24 | |
£50. All done. | 0:37:24 | 0:37:27 | |
-Punching the air! -And a tidy profit to kick off with. | 0:37:27 | 0:37:31 | |
-Steady work. -Steady work. | 0:37:31 | 0:37:33 | |
Now it's Thomas' turn, as the French pin bucket is next. | 0:37:33 | 0:37:38 | |
-Feeling comfortable? -Yeah, I think so. | 0:37:38 | 0:37:40 | |
I mean, they put a good estimate, | 0:37:40 | 0:37:42 | |
40-80. I hope that doesn't scare anybody off. | 0:37:42 | 0:37:44 | |
And you only paid £14 for it. | 0:37:44 | 0:37:46 | |
£14. | 0:37:46 | 0:37:48 | |
Good for you, Thomas. But maybe keep your voice down. | 0:37:48 | 0:37:52 | |
And I can start this away at £20, | 0:37:52 | 0:37:54 | |
at 20 and 5, at 20 and 5, surely now for this at £20 are we all done at | 0:37:54 | 0:38:00 | |
5 at the back, 30 to the side, | 0:38:00 | 0:38:01 | |
30 standing in the door for the bucket, are we all done? | 0:38:01 | 0:38:07 | |
Double your money, then, for the ivory pin bucket. | 0:38:07 | 0:38:11 | |
I rather thought this would do well. | 0:38:11 | 0:38:14 | |
James' Chinese lampstand is now taking the stage. | 0:38:14 | 0:38:19 | |
Just understated quality and design, | 0:38:19 | 0:38:22 | |
bit of a quirk, country house feel, you know, look around you, | 0:38:22 | 0:38:27 | |
it's all T-shirts and singlets | 0:38:27 | 0:38:28 | |
but they live in country house interiors, I know it. | 0:38:28 | 0:38:31 | |
And I can open this one at £30. £30. | 0:38:31 | 0:38:34 | |
45... Same lady, then, at 45, are we all done? | 0:38:34 | 0:38:39 | |
Double your money and a little bit more. | 0:38:39 | 0:38:41 | |
James' eye is not just for the object, but for the market. | 0:38:41 | 0:38:45 | |
Clever boy! | 0:38:45 | 0:38:46 | |
Do you know, I honestly thought you had dropped one on this one. | 0:38:46 | 0:38:50 | |
I thought, James has made a mistake, but so far, now I'm being proved wrong. | 0:38:50 | 0:38:56 | |
Coming out smelling of roses again. | 0:38:56 | 0:38:59 | |
Now something small and pretty. | 0:38:59 | 0:39:00 | |
Thomas' silver enamel brooch. | 0:39:00 | 0:39:03 | |
I can start this one at £15, at 15. | 0:39:03 | 0:39:07 | |
-Who's bidding? -At 25, 30, | 0:39:07 | 0:39:10 | |
at 25 for the brooch, are we all done at £25? All done. | 0:39:10 | 0:39:15 | |
Oh, dear, Thomas seems to be buying what he likes, | 0:39:17 | 0:39:20 | |
and not playing to the crowds. | 0:39:20 | 0:39:23 | |
Like a roller coaster. | 0:39:23 | 0:39:24 | |
I always should remind myself every morning, pride before a fall, | 0:39:26 | 0:39:30 | |
-and that's what I had. -James, meanwhile, | 0:39:30 | 0:39:33 | |
is playing to please the local crowd with his decorative Imari plate. | 0:39:33 | 0:39:37 | |
And I can open this one at £25. | 0:39:37 | 0:39:41 | |
At 25 for the plate there, 30, at 40, the lady has it 5, at £55, all done. | 0:39:41 | 0:39:49 | |
And another profit for James. | 0:39:49 | 0:39:52 | |
Surely Thomas can't catch him now. | 0:39:52 | 0:39:53 | |
Steady work again from Mr Braxton. | 0:39:53 | 0:39:56 | |
Or will the pen be mightier than the...plate? | 0:39:56 | 0:39:59 | |
You've done well on the first lot. I can feel you on my heels. | 0:39:59 | 0:40:02 | |
Yeah, chasing you down. | 0:40:02 | 0:40:04 | |
-Chasing me down. -And I can start this at £60. | 0:40:04 | 0:40:07 | |
60, straight in there. | 0:40:07 | 0:40:09 | |
70, 80, 90, 100, 110, | 0:40:09 | 0:40:13 | |
at 100 and permission to bid at £100 and 10... | 0:40:13 | 0:40:15 | |
-Well done. -Ooh, that's not bad! | 0:40:17 | 0:40:19 | |
Well done, Thomas. When you get it right, you sure get it right. | 0:40:19 | 0:40:22 | |
I say buy more pens. | 0:40:22 | 0:40:25 | |
James still has the edge, but another hit like that for Thomas | 0:40:25 | 0:40:28 | |
could see him close on the Braxton heels. | 0:40:28 | 0:40:31 | |
108, your African stool. | 0:40:31 | 0:40:34 | |
Yeah, 30-50 pounds. | 0:40:34 | 0:40:36 | |
I think that could have killed any possible interest in it. | 0:40:36 | 0:40:39 | |
James only spent a tenner on this African stool and, even though he | 0:40:39 | 0:40:43 | |
broke it, there's a certain kooky, decorative appeal. | 0:40:43 | 0:40:47 | |
£25 for the African stool, at 25, 30, 5, 40, at 35 with me, | 0:40:47 | 0:40:53 | |
still the bid at 35, at 35, are we all done at £35? | 0:40:53 | 0:40:58 | |
So the profits keep coming, and James' savvy pays off. | 0:40:58 | 0:41:02 | |
-Steady Eddie. -Steady Eddie Braxton. | 0:41:02 | 0:41:04 | |
I buy nice quality items, | 0:41:04 | 0:41:07 | |
quality, good condition... You buy some moth eaten broken wicker stool! | 0:41:07 | 0:41:13 | |
Yes, but I'm going for a sort of country-house style the whole time. | 0:41:13 | 0:41:17 | |
Yes, but one man's tat is another man's shabby chic! | 0:41:17 | 0:41:22 | |
Well, here's your last chance, Thomas. | 0:41:24 | 0:41:26 | |
You went with your heart with this unusual silver mustard pot. | 0:41:26 | 0:41:30 | |
You're coming from a position of strength, if I might say so. | 0:41:30 | 0:41:33 | |
Well, I'll just have to wait and see with this lot. | 0:41:33 | 0:41:36 | |
And I can open this lot at £40, at 40, 50 now, | 0:41:36 | 0:41:39 | |
at £50, 60, at 50 only, no further interest then at £50. | 0:41:39 | 0:41:44 | |
-Is that all? -No, don't worry. | 0:41:44 | 0:41:45 | |
No, that's it. | 0:41:45 | 0:41:47 | |
Oh, dear. A terrible end for poor Thomas, and the gap is widening. | 0:41:47 | 0:41:53 | |
-Oh, dear, Thomas. -That's a loss. | 0:41:53 | 0:41:54 | |
The thing I thought was going to make all the money! | 0:41:54 | 0:41:57 | |
It's disappointing. | 0:41:57 | 0:41:59 | |
After paying commission to the auction house, | 0:41:59 | 0:42:02 | |
James made a fair-to-middling profit of £67.40, | 0:42:02 | 0:42:06 | |
and has a proud £385.88 to fight on with. | 0:42:06 | 0:42:12 | |
Ever hopeful, Thomas made a smaller profit of just £35.10. | 0:42:12 | 0:42:16 | |
He's lagging further behind with £230.25 to start the next show. | 0:42:16 | 0:42:24 | |
So our boys have learned lessons today, | 0:42:24 | 0:42:27 | |
and there's a lot to think about for the shopping trip ahead. | 0:42:27 | 0:42:29 | |
-Very disappointed. -Why disappointed? | 0:42:29 | 0:42:32 | |
Well, I buy an antique - you buy tat, I buy an antique, | 0:42:32 | 0:42:37 | |
you buy tat, I lose money on it. | 0:42:37 | 0:42:40 | |
Where is the justice? | 0:42:40 | 0:42:42 | |
The market is a cruel place sometimes. | 0:42:42 | 0:42:44 | |
There's no justice, sadly. | 0:42:44 | 0:42:46 | |
Just buying the right items at the right price. | 0:42:46 | 0:42:49 | |
And so far, Thomas, James has you on the ropes! | 0:42:49 | 0:42:52 | |
-I need to walk with giants. -Walk with giants, and are you going to, "come on, bring it on"? | 0:42:52 | 0:42:56 | |
I'm going to be like Rocky. I'm going to come from behind. | 0:42:56 | 0:42:59 | |
-Are you? -I'm going to be battered and bruised, | 0:42:59 | 0:43:01 | |
and then at the last minute, I'm going to sweep in, victorious. | 0:43:01 | 0:43:04 | |
-That's the spirit. You'll need the eye of the tiger for round three! -Life is cruel, isn't it? | 0:43:04 | 0:43:09 | |
Next time on the Antiques Road Trip, | 0:43:09 | 0:43:12 | |
James and Thomas head for auction showdown in Bedale, North Yorkshire. | 0:43:12 | 0:43:17 | |
James goes for a new tactic. | 0:43:17 | 0:43:20 | |
I'm keeping my powder dry. There's another day, and there's another shop. | 0:43:20 | 0:43:24 | |
Thomas goes off-piste. | 0:43:24 | 0:43:26 | |
You know, I could finish that and almost have another one, and then finish that one and | 0:43:26 | 0:43:30 | |
think about another one, but then think, actually, I've got some antiques to buy. | 0:43:30 | 0:43:33 | |
And they both get going up the antiques highway. | 0:43:33 | 0:43:37 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 | |
E-mail [email protected] | 0:43:56 | 0:43:59 |