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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Testing, testing. | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
I've got to make a profit. | 0:00:12 | 0:00:14 | |
The aim is trade up and hope each antique turns a profit. | 0:00:14 | 0:00:17 | |
But it's not as easy as it sounds, and there can only be one winner. | 0:00:17 | 0:00:20 | |
That could have done better. | 0:00:20 | 0:00:22 | |
So, will it be the highway to success or the B-road to bankruptcy? | 0:00:22 | 0:00:26 | |
-That's 100. -Not 40 then? | 0:00:26 | 0:00:28 | |
This is the Antiques Road Trip. Yeah. | 0:00:28 | 0:00:30 | |
Our two antiques experts this week | 0:00:36 | 0:00:38 | |
are David Harper, reigning Road Trip champion, and feisty auctioneer Anita Manning. | 0:00:38 | 0:00:43 | |
I enjoy my blethers with you. | 0:00:43 | 0:00:46 | |
-Blethers! -And I quite enjoy this wee car as well. | 0:00:46 | 0:00:50 | |
# On white horses, snowy white horses, let me ride away... # | 0:00:51 | 0:00:56 | |
This is the New Forest, and its iconic ponies, | 0:00:56 | 0:00:59 | |
which have roamed free for many hundreds of years. | 0:00:59 | 0:01:03 | |
It's an area of outstanding natural beauty, which extends to about 580 square kilometres. | 0:01:07 | 0:01:14 | |
Its landscape is unique - a living and working remnant of Medieval England, | 0:01:14 | 0:01:19 | |
with an extraordinary diversity of plants and animals. | 0:01:19 | 0:01:22 | |
Anita is known for her straight talking | 0:01:22 | 0:01:25 | |
and yesterday David was on the receiving end. | 0:01:25 | 0:01:28 | |
I'm not convinced about the age of it. | 0:01:28 | 0:01:31 | |
I knew you were going to say that. | 0:01:31 | 0:01:34 | |
Let's hope, though, they can stay friends. | 0:01:34 | 0:01:37 | |
In the course of his 20 years in the business, David has perfected the art of bludgeoning | 0:01:38 | 0:01:44 | |
the dealer into submission. | 0:01:44 | 0:01:46 | |
How about this for a deal? Would 15 get it? | 0:01:46 | 0:01:48 | |
Both experts started this week with £200. | 0:01:48 | 0:01:50 | |
David consolidated his lead in yesterday's auction when his hand-painted moon flask | 0:01:54 | 0:01:59 | |
almost doubled its money. | 0:01:59 | 0:02:00 | |
-I made a profit anyway. -He starts this leg with a whopping £407.97. | 0:02:00 | 0:02:05 | |
Anita, sadly, didn't do particularly well with any of her items. | 0:02:05 | 0:02:11 | |
If you're all done, fair warning. I sell online at £32. | 0:02:11 | 0:02:15 | |
I'm disappointed with that one. | 0:02:16 | 0:02:19 | |
Her day's spending money is a less substantial £226.18. | 0:02:19 | 0:02:25 | |
I haven't disgraced myself. | 0:02:26 | 0:02:28 | |
-You haven't at all. -I haven't disgraced myself. | 0:02:28 | 0:02:31 | |
-You're making money Anita. -I've made... | 0:02:31 | 0:02:33 | |
It's not going to keep the wolf from the door. | 0:02:33 | 0:02:36 | |
No, it's not going to pay the mortgage, is it? | 0:02:36 | 0:02:39 | |
This week's road trip is a fascinating drive from the south east | 0:02:39 | 0:02:43 | |
to the south west of England, from Dover to Bideford. | 0:02:43 | 0:02:47 | |
Today's leg kicks off in Bournemouth, and our two chaps | 0:02:48 | 0:02:52 | |
end up in Wells for auction. | 0:02:52 | 0:02:54 | |
Bournemouth is a prime tourist destination | 0:02:55 | 0:02:59 | |
with its seven miles of sandy beaches, | 0:02:59 | 0:03:01 | |
and rainfall at half the national average, | 0:03:01 | 0:03:04 | |
it's the perfect place to relax. | 0:03:04 | 0:03:07 | |
Oh, David let's stop here and have a look at the sea. | 0:03:07 | 0:03:10 | |
Oh, isn't that just...? | 0:03:10 | 0:03:11 | |
That is wonderful. | 0:03:11 | 0:03:13 | |
-A traditional beach holiday. -It is. | 0:03:13 | 0:03:15 | |
According to a 2007 survey, it was also found to be the happiest place in the UK. | 0:03:15 | 0:03:21 | |
Well, David this is the life. This is the life. | 0:03:23 | 0:03:26 | |
Look at that. I would love to be in that water. | 0:03:26 | 0:03:29 | |
-Well, I hope you don't get in too much deep water with your buying. -Oooh! | 0:03:29 | 0:03:33 | |
Um, guys, aren't you supposed to be...shopping? | 0:03:33 | 0:03:38 | |
First stop for both our experts is dealer Bonnie Cook. | 0:03:40 | 0:03:44 | |
Her shop's not very big. This is going to be interesting. | 0:03:44 | 0:03:48 | |
These are the kind of thing I find fascinating when you're wandering around antique shops. | 0:03:50 | 0:03:56 | |
It looks very dull and boring and obscure, really, just a plain black box. | 0:03:56 | 0:04:01 | |
But it's made out of papier mache, very fashionable in the late 19th century. | 0:04:01 | 0:04:05 | |
Probably around 1880 and it's a snuff box. | 0:04:05 | 0:04:08 | |
But open this thing up and inside we find two pictures, | 0:04:08 | 0:04:13 | |
obviously man and wife, and they've probably been there for possibly 100 years. | 0:04:13 | 0:04:19 | |
These are the kind of thing that keep me going in the antique business. | 0:04:19 | 0:04:23 | |
You find these items and they touch something | 0:04:23 | 0:04:25 | |
and suddenly you've got a connection to people who lived a very long time ago. | 0:04:25 | 0:04:30 | |
Across the shop, Anita also glimpses something that takes her fancy. | 0:04:31 | 0:04:35 | |
Nice wee Greek key pattern there. It's like a silver overlay. | 0:04:37 | 0:04:43 | |
There's a wee art deco look about it, quite nice. But glasses aren't all that popular. | 0:04:45 | 0:04:50 | |
I don't want to buy these goblets. But they are nice. | 0:04:50 | 0:04:57 | |
There's no time for window shopping. | 0:04:57 | 0:05:00 | |
I love him. | 0:05:00 | 0:05:01 | |
Yes, it's a little night light. | 0:05:01 | 0:05:03 | |
He is a bit mad, isn't he? | 0:05:03 | 0:05:05 | |
So he's a little glass owl, I mean, it's cheaply manufactured, | 0:05:05 | 0:05:09 | |
but it's got a real charm, hasn't it? | 0:05:09 | 0:05:12 | |
Yes, I should imagine it's '30s or '20s. | 0:05:12 | 0:05:14 | |
I would have thought so and he'll be quite nice lit up. | 0:05:14 | 0:05:17 | |
Is he incredibly cheap or not? | 0:05:17 | 0:05:19 | |
-Yes. -Is he? -He can be. | 0:05:19 | 0:05:21 | |
Keep your voice down cos Anita Manning's listening. | 0:05:21 | 0:05:24 | |
I hope I'm not cramping your style, David. | 0:05:24 | 0:05:27 | |
Well, not yet, but I think you might be. | 0:05:27 | 0:05:30 | |
-Really, 20? -Yeah. | 0:05:30 | 0:05:32 | |
Could it be drastically cheaper? Could be absolutely horrendously, drastically cheaper? | 0:05:32 | 0:05:38 | |
Well, it can be, I suppose, ten because I bought it with some other things. | 0:05:38 | 0:05:42 | |
Could it be five? I mean, did he... I just think. | 0:05:42 | 0:05:47 | |
That's a hoot. | 0:05:47 | 0:05:49 | |
I mean, I know fiver's no money but... | 0:05:51 | 0:05:54 | |
No, it's not, is it? | 0:05:54 | 0:05:56 | |
I know but if he came in a house clearance he probably doesn't owe you anything. | 0:05:56 | 0:06:00 | |
-Yes, OK. -Shall we do that? | 0:06:00 | 0:06:01 | |
Let's put him down but don't tell Anita. | 0:06:01 | 0:06:03 | |
He's chatting up the dealer. He's chatting her up. | 0:06:03 | 0:06:07 | |
I know what he's doing. | 0:06:07 | 0:06:09 | |
Right, can I have a look at this? Of course. | 0:06:11 | 0:06:14 | |
It's a Black Forest... As you probably know, | 0:06:14 | 0:06:18 | |
he must have had a bowl of some sort. | 0:06:18 | 0:06:21 | |
I wonder what he could have had. He's Black Forest, for sure. | 0:06:21 | 0:06:24 | |
So dates... They were making these things prolifically, weren't they, in the early 20th century? | 0:06:24 | 0:06:31 | |
Black Forest carvings were very much sought after in the 18th and 19th centuries. | 0:06:31 | 0:06:37 | |
However, they're made in Switzerland, | 0:06:37 | 0:06:39 | |
and not, as you'd think, Germany's Black Forest. How confusing! | 0:06:39 | 0:06:44 | |
Is he cheap enough or...? | 0:06:44 | 0:06:46 | |
Um... | 0:06:46 | 0:06:47 | |
-I don't know how cheap you want to be but it can be ten. -OK. | 0:06:47 | 0:06:51 | |
Get a move on, David. | 0:06:52 | 0:06:53 | |
Anita wants to do some buying, too! | 0:06:53 | 0:06:56 | |
I think that's an artist's easel. This is my daughter's cabinet, actually. | 0:06:57 | 0:07:02 | |
I'm trying to get her to do unusual jewellery. | 0:07:02 | 0:07:05 | |
Anything that's a wee bit unusual, that's the thing that's selling. | 0:07:05 | 0:07:10 | |
-That's right. -I like buying jewellery. | 0:07:10 | 0:07:13 | |
I think that's got a bit of style about it. | 0:07:13 | 0:07:15 | |
And it's very reasonable at £12. | 0:07:15 | 0:07:19 | |
You can't see a silver hallmark on it. | 0:07:19 | 0:07:21 | |
No, I thought it did have one. Perhaps my daughter's stupidly put the ticket over it. | 0:07:21 | 0:07:26 | |
It's maybe a wee bit hard for silver. | 0:07:26 | 0:07:29 | |
-Yes, possibly. -And precious metals seem to be what's attracting our two experts today. | 0:07:29 | 0:07:35 | |
Let me show you this thing here, I don't know how much it is. | 0:07:35 | 0:07:39 | |
It looks like it might be bronze, but it isn't. I think it's bronzed. | 0:07:39 | 0:07:43 | |
And it's obviously quite modern but incredibly stylish. | 0:07:43 | 0:07:46 | |
And just in case you were wondering, it's a candelabra. | 0:07:46 | 0:07:50 | |
I'll tell you what that, if it's dead cheap in an auction, | 0:07:50 | 0:07:55 | |
it might be a cheeky number because people might just think, wow, that is a design piece. | 0:07:55 | 0:08:00 | |
When Anita's stopped gassing, I'll get a price. | 0:08:00 | 0:08:04 | |
How rude, David. | 0:08:04 | 0:08:06 | |
But I don't think Anita's going to let Bonnie go just yet. | 0:08:07 | 0:08:10 | |
-Certainly silver. -Yes. | 0:08:12 | 0:08:15 | |
Judging by the hallmark, these earrings are continental rather than British. | 0:08:15 | 0:08:21 | |
What sort of price are these? | 0:08:21 | 0:08:22 | |
They can be ten for the pair. | 0:08:22 | 0:08:26 | |
What I was thinking was... | 0:08:26 | 0:08:28 | |
To put it in, that would make a nice wee a sort of lot comprising, | 0:08:31 | 0:08:37 | |
so what could you do them for? | 0:08:37 | 0:08:39 | |
I'll do them both for ten. | 0:08:39 | 0:08:42 | |
-ANITA MOUTHS -OK. | 0:08:45 | 0:08:49 | |
Now that Anita's finished shopping, David finally has Bonnie to himself. | 0:08:50 | 0:08:56 | |
It's nice quality, and there's no damage on it. | 0:08:56 | 0:09:00 | |
It's a good shape. | 0:09:00 | 0:09:01 | |
Well, it's gilded and it's sort of dimpled. | 0:09:01 | 0:09:04 | |
-It's hand painted, isn't it? -Um... It is Victorian anyway. | 0:09:06 | 0:09:10 | |
-Yeah, it's got to be, hasn't it? Circa 1900. -Yes. | 0:09:10 | 0:09:14 | |
And used for what? I mean, it's throwing me a little bit. | 0:09:14 | 0:09:17 | |
I should imagine it was for jam. It's got a slightly Japanese influence. | 0:09:17 | 0:09:23 | |
It goes back to our fascination with anything oriental in the late 19th century. | 0:09:23 | 0:09:27 | |
Although we know it's not Japanese, it was made either here or on the continent, | 0:09:27 | 0:09:33 | |
but in the Japanese taste. | 0:09:33 | 0:09:35 | |
-What sort of money is it? -I'm afraid that's 45. | 0:09:35 | 0:09:39 | |
Oh, you do right to be afraid, Bonnie! That is absolutely... You should be petrified, not afraid. | 0:09:39 | 0:09:46 | |
Bonnie that couldn't be drastically cheaper, could it? | 0:09:46 | 0:09:50 | |
-How about this for a deal? -I don't like your deals. | 0:09:50 | 0:09:53 | |
You'll like this one, you'll like it a lot, are you ready for it? | 0:09:53 | 0:09:57 | |
-The owl. -Yes. -The bear. -Yes. | 0:09:57 | 0:10:00 | |
The glass thingamabob from the late 19th century, and the absolute stark raving mad | 0:10:00 | 0:10:07 | |
-standing candelabra thing... -Right. For a grand sum of... | 0:10:07 | 0:10:13 | |
You say. | 0:10:13 | 0:10:15 | |
I daren't say it. 30. | 0:10:15 | 0:10:17 | |
-30. -30? | 0:10:17 | 0:10:19 | |
You are pushing it, David. The shop price for these four items is a staggering £115. | 0:10:19 | 0:10:26 | |
Can we do £30? | 0:10:26 | 0:10:28 | |
I suppose I'm going to have to. | 0:10:30 | 0:10:33 | |
-Four items, 30, will you do it? -Yes, I will. | 0:10:33 | 0:10:35 | |
-You're a dreamboat. Thank you very much indeed. -OK. | 0:10:35 | 0:10:39 | |
Smoothie. | 0:10:39 | 0:10:41 | |
So, that would be £5 for the bear, £5 for the glass owl lamp, | 0:10:41 | 0:10:44 | |
£10 for the candelabra and £10 for the glass jar. | 0:10:44 | 0:10:49 | |
Wish me luck. | 0:10:49 | 0:10:50 | |
-Yes, I wish you all the best. -Thank you very much. | 0:10:50 | 0:10:53 | |
I hope you make a huge profit, unlike myself. | 0:10:53 | 0:10:57 | |
You don't take any prisoners, David, do you? | 0:10:59 | 0:11:02 | |
-Oh. -Hello, you. | 0:11:04 | 0:11:06 | |
David, you've been a long time. | 0:11:06 | 0:11:08 | |
Just looking, haven't bought anything. | 0:11:08 | 0:11:10 | |
OK, I loved listening to your patter. | 0:11:10 | 0:11:12 | |
-Really? Did you learn anything? -Yes. | 0:11:12 | 0:11:14 | |
Anita's got some catching up to do if she wants to dent David's lead, | 0:11:18 | 0:11:23 | |
so she's shopping again. | 0:11:23 | 0:11:25 | |
This time at dealer Clare Midgley's, who's also in Bournemouth. | 0:11:25 | 0:11:28 | |
Morning. | 0:11:28 | 0:11:29 | |
There was a lovely wee settee in the window. | 0:11:29 | 0:11:33 | |
-Yes, that's so sweet. -Can I have a look? -Yeah, sure, yeah. | 0:11:33 | 0:11:37 | |
I think it's been made by a dad for his wee girl. | 0:11:39 | 0:11:43 | |
-He hasn't been a cabinet maker. -No, I'm afraid not. -But it's been made with love. | 0:11:44 | 0:11:49 | |
If you look at this, I mean it's quite roughly, toughly made. | 0:11:49 | 0:11:52 | |
And he's stapled it. There's a staple gun at the back. | 0:11:52 | 0:11:55 | |
Because it's a cheap plywood, so it's not... | 0:11:57 | 0:12:01 | |
From a distance, it looks good though, doesn't it? | 0:12:01 | 0:12:04 | |
I think even from here it looks quite nice. | 0:12:04 | 0:12:06 | |
And this is the wee dolly, did the dolly come with it? | 0:12:06 | 0:12:09 | |
-No. -I quite like cloth dolls. Again, this is quite a simple thing. | 0:12:09 | 0:12:14 | |
20th century, anyway. No great age. But appealing. | 0:12:14 | 0:12:18 | |
The doll and settee cost £20. | 0:12:18 | 0:12:21 | |
Now, I don't think they're dear, I don't think your prices are dear | 0:12:21 | 0:12:25 | |
-but we have to go to auction. -Of course. | 0:12:25 | 0:12:29 | |
Would I be able to buy these both...for 12? | 0:12:29 | 0:12:34 | |
Let's say 15. | 0:12:34 | 0:12:37 | |
Could you do it for 14? | 0:12:37 | 0:12:38 | |
Oooh. | 0:12:38 | 0:12:40 | |
Oh, no, I hate doing this. Throw me out of your shop. | 0:12:40 | 0:12:43 | |
-You've got to. -Throw me out of your shop. | 0:12:43 | 0:12:46 | |
-OK, um... Yeah, I'll do that for you. -Could you do those for 14? -That's fine. Yeah. | 0:12:46 | 0:12:50 | |
That's one deal done and she's not finished yet. | 0:12:50 | 0:12:54 | |
Claire, could I have a wee look at that bug brooch? | 0:12:54 | 0:12:59 | |
Is that a wee hallmark I see? | 0:13:00 | 0:13:03 | |
I don't know, it's so indistinct. I don't think it's gold. | 0:13:03 | 0:13:06 | |
These are just glass. These are just paste glass. | 0:13:06 | 0:13:10 | |
I find that people like bug brooches. | 0:13:11 | 0:13:13 | |
Oh, yes. | 0:13:13 | 0:13:16 | |
Bug heaven, eh, Anita? | 0:13:16 | 0:13:18 | |
Could I have a wee look at that one? | 0:13:18 | 0:13:21 | |
-That one? -Uh-huh. | 0:13:21 | 0:13:22 | |
That's quite an interesting piece. | 0:13:24 | 0:13:26 | |
It's supposed to be an opera mirror, that's what I was told it was. | 0:13:27 | 0:13:31 | |
-But what that means, I'm not quite sure. -Right, OK. | 0:13:31 | 0:13:33 | |
So you would have it as a pendant, and then put on your lipstick. | 0:13:33 | 0:13:37 | |
Maybe even have a look at the chap behind you. | 0:13:37 | 0:13:42 | |
Of course. It's quite interesting. | 0:13:44 | 0:13:46 | |
I've never actually come across an opera mirror before. | 0:13:47 | 0:13:51 | |
But it's a lovely story. | 0:13:51 | 0:13:53 | |
As Anita haggles, David finishes his shopping for the day. | 0:13:53 | 0:13:58 | |
He's leaving Bournemouth and is heading towards Weymouth. | 0:13:58 | 0:14:02 | |
The town has had a long history as a fishing and trading port. | 0:14:04 | 0:14:08 | |
It was also one of the first modern tourist destinations | 0:14:08 | 0:14:13 | |
after George III started spending his summers here. | 0:14:13 | 0:14:16 | |
Now it's hosting the Olympics sailing events in 2012. | 0:14:16 | 0:14:21 | |
I've left Anita because she's hardly bought anything. | 0:14:21 | 0:14:23 | |
I bought four items and here I am in Weymouth. | 0:14:23 | 0:14:25 | |
David's next destination is another antiques shop but he's not here to buy. | 0:14:25 | 0:14:30 | |
-Ah. You must be David. -Yep. | 0:14:34 | 0:14:35 | |
-Hello, David. David Harper, I've heard a lot about you. -Oh, great. | 0:14:35 | 0:14:39 | |
The Nautical Antiques Centre is as much a museum as a shop. | 0:14:41 | 0:14:46 | |
Owner David Warrick is an ex-seafarer, with a passion for all things maritime. | 0:14:46 | 0:14:52 | |
He joined the Merchant Navy when he was just 16 | 0:14:52 | 0:14:55 | |
and travelled all over the world in the course of his career. | 0:14:55 | 0:14:58 | |
Is that a real stuffed parrot? | 0:14:58 | 0:15:00 | |
That's not real, I'm glad to say. That was a souvenir from one of the voyages into the Baltic. | 0:15:00 | 0:15:05 | |
Oh, he's fantastic! | 0:15:05 | 0:15:07 | |
It has taken him more than 50 years to build such an impressive collection. | 0:15:07 | 0:15:10 | |
His passion has become a business. | 0:15:10 | 0:15:13 | |
and he wants to show David his treasures. | 0:15:13 | 0:15:16 | |
Well, this is the bane of my life. That is woodworm. | 0:15:16 | 0:15:19 | |
Ship's woodworm. | 0:15:19 | 0:15:21 | |
Ship's woodworm, I take it, are bigger than normal woodworm. | 0:15:21 | 0:15:24 | |
That's the actual thickness of a ship's hull, so you can see that the worm | 0:15:24 | 0:15:29 | |
going through there would eventually sink a ship. | 0:15:29 | 0:15:32 | |
This was one of the clipper ships - this was actually the Lightning. | 0:15:32 | 0:15:36 | |
They made these ships as light as possible to cross the ocean as quickly as possible. | 0:15:36 | 0:15:41 | |
The Lightning was built in 1854 from soft pine wood, | 0:15:43 | 0:15:47 | |
which made it fast but vulnerable to worm and often timbers had to be replaced. | 0:15:47 | 0:15:52 | |
What were the clipper ships doing? What was their job? | 0:15:54 | 0:15:56 | |
They were mainly to collect tea from China. | 0:15:56 | 0:16:00 | |
-Tea in those days was, as you know, was like gold dust. -Absolutely right. | 0:16:00 | 0:16:03 | |
One of my favourite items in the antique business are tea caddies. | 0:16:03 | 0:16:06 | |
When you look at very early tea caddies, they're tiny because tea was so expensive. | 0:16:06 | 0:16:12 | |
As we get into the 19th century, we see tea caddies getting bigger | 0:16:12 | 0:16:16 | |
as tea becomes cheaper, because all these clippers were booming all around the world, | 0:16:16 | 0:16:21 | |
bringing the stuff back in huge quantities. | 0:16:21 | 0:16:23 | |
One of the things when I was at sea as a cadet, | 0:16:23 | 0:16:25 | |
we used to have to sweep out the holds and after a tea cargo had been discharged in London, | 0:16:25 | 0:16:31 | |
we used to take our pillow cases, | 0:16:31 | 0:16:33 | |
and fill a pillow case full of tea sweepings and take home. | 0:16:33 | 0:16:38 | |
It kept my mother in tea for a year. | 0:16:38 | 0:16:40 | |
And there are still more treasures to discover. | 0:16:40 | 0:16:43 | |
Tell me about what you've got down here. | 0:16:45 | 0:16:47 | |
This actually here is a cannonball. | 0:16:47 | 0:16:50 | |
Cannonball...wahay! My goodness me. | 0:16:50 | 0:16:53 | |
You wouldn't like that around your neck. | 0:16:53 | 0:16:56 | |
Oh, my gosh. | 0:16:56 | 0:16:57 | |
The whole principle of this is that these were fired | 0:16:57 | 0:17:00 | |
to slow a ship down | 0:17:00 | 0:17:01 | |
when you were chasing it to try and catch it. | 0:17:01 | 0:17:02 | |
That would take the mast? | 0:17:02 | 0:17:04 | |
Take some of the rigging out and take some of the sails. | 0:17:04 | 0:17:06 | |
That was a shock, you gave me a shock there, David. | 0:17:06 | 0:17:08 | |
I tell you what, if you were a sailor on the receiving end of that, | 0:17:08 | 0:17:11 | |
you probably wouldn't know about it, to be honest. | 0:17:11 | 0:17:14 | |
-Bearing in mind most sailors couldn't swim. -No, that's true. | 0:17:14 | 0:17:17 | |
-Why couldn't they swim? -Didn't think it was necessary. | 0:17:17 | 0:17:20 | |
Why not? What if they fell overboard? | 0:17:20 | 0:17:22 | |
Confidence. Uh... | 0:17:22 | 0:17:23 | |
They very often preferred to drown | 0:17:23 | 0:17:25 | |
because their ship could never turn round quick enough to pick them up. | 0:17:25 | 0:17:29 | |
Oh. | 0:17:29 | 0:17:31 | |
Just before you go, there's one final thing I'd like to show you. | 0:17:31 | 0:17:35 | |
-You can imagine fishing, can't you? -Yeah. | 0:17:35 | 0:17:37 | |
-In the middle of the ocean miles from anywhere. -So what's that? | 0:17:37 | 0:17:41 | |
-And you get attacked. -By what? -By a saw tooth. | 0:17:41 | 0:17:44 | |
Oh, it's a sword fish. | 0:17:44 | 0:17:46 | |
And this fish has just gone straight through it like that. | 0:17:46 | 0:17:48 | |
And the fish has attacked the boat and it's lost the end of its sword? | 0:17:48 | 0:17:52 | |
-Correct. -"Was struck by a sword fish in July 1859." | 0:17:52 | 0:17:57 | |
You're kidding. | 0:17:57 | 0:17:59 | |
They've actually sunk boats and drowned sailors. | 0:17:59 | 0:18:03 | |
It's been a fascinating visit. | 0:18:03 | 0:18:06 | |
Absolute delight. | 0:18:06 | 0:18:07 | |
I'm so glad you came and it was a fine day, and you saw some of my treasures. | 0:18:07 | 0:18:12 | |
But it's time now for David to head back to Bournemouth, | 0:18:12 | 0:18:15 | |
where his partner in crime is sniffing out her own little piece of nautical history. | 0:18:15 | 0:18:21 | |
This is an interesting wee lot here. | 0:18:22 | 0:18:25 | |
What we have is a jigsaw puzzle and it's off the Queen Mary, | 0:18:25 | 0:18:30 | |
Clyde built, just like me, but we have the box here. | 0:18:30 | 0:18:36 | |
Now this would have been sold or given away to passengers on the Queen Mary. | 0:18:38 | 0:18:44 | |
And shipping memorabilia, especially Cunard shipping memorabilia, is very desirable. | 0:18:44 | 0:18:51 | |
White Star is best known as the shipping company which commissioned the Titanic. | 0:18:51 | 0:18:56 | |
By 1934, when the Queen Mary was being built, it had merged with its rival, Cunard. | 0:18:56 | 0:19:02 | |
The box is in perfect condition and that's important when you're buying toys. | 0:19:03 | 0:19:09 | |
And all the pieces are there. | 0:19:09 | 0:19:11 | |
It's priced at £40. But Anita makes a cheeky offer of £20. | 0:19:14 | 0:19:19 | |
Is it possible to buy it at that price? | 0:19:19 | 0:19:22 | |
You can't... What about £25? Is that not...? | 0:19:22 | 0:19:26 | |
I wonder if I could do a deal on a couple of items? | 0:19:26 | 0:19:29 | |
I like this. Bug brooches, always interesting. | 0:19:30 | 0:19:34 | |
What I'm looking for is round about £50. | 0:19:34 | 0:19:39 | |
And that's me taking a wee bit off of everything. | 0:19:39 | 0:19:42 | |
You certainly have, Anita. The combined cost of these items is £85. | 0:19:44 | 0:19:48 | |
But you want to pay £10 for the brooch, £20 for the silver mirror pendant and £20 for the jigsaw. | 0:19:48 | 0:19:55 | |
So, really in my head, you are going to get that for £20 now which is what you wanted. | 0:19:56 | 0:20:00 | |
Uh-huh, yeah, but what I'm doing is I'm buying two more things. | 0:20:00 | 0:20:04 | |
I can do that, yeah, I hope you make some money on it, | 0:20:04 | 0:20:07 | |
and I hope you beat the other chap. | 0:20:07 | 0:20:09 | |
So do I. So do I, Claire. | 0:20:09 | 0:20:11 | |
-So that's 50 and 14 is 64. -64, lovely, thank you very much. | 0:20:11 | 0:20:18 | |
It's been an absolute pleasure. | 0:20:18 | 0:20:20 | |
Both our chaps have shopped until they've dropped. | 0:20:22 | 0:20:25 | |
So let's leave them to put their feet up, and have a rest. | 0:20:25 | 0:20:29 | |
I just hope they don't get too comfortable. | 0:20:29 | 0:20:32 | |
It's the second leg of David and Anita's journey across Dorset and Somerset. | 0:20:46 | 0:20:50 | |
So far, David has bargained hard. | 0:20:52 | 0:20:56 | |
And spent just £30 on four items. | 0:20:56 | 0:20:58 | |
His spending money for the day is £377.97. | 0:20:58 | 0:21:04 | |
Anita has been rather more of a spendthrift and spent £74 on five items. | 0:21:04 | 0:21:11 | |
She's left with £152.18 to spend. | 0:21:11 | 0:21:15 | |
David, I'm going through to Poole today. | 0:21:15 | 0:21:18 | |
I know you are, you're a very lucky girl. | 0:21:18 | 0:21:21 | |
-Are you going to go and visit the pottery? -Yes, yes. | 0:21:21 | 0:21:24 | |
And you are actually going to drive the motor vehicle, aren't you? | 0:21:24 | 0:21:28 | |
SHE STARTS CAR | 0:21:28 | 0:21:30 | |
Yes! | 0:21:30 | 0:21:31 | |
-Bye bye! -Bye bye! | 0:21:36 | 0:21:37 | |
This morning, Anita's leaving Bournemouth | 0:21:40 | 0:21:43 | |
and heading west to Poole. | 0:21:43 | 0:21:45 | |
It emerged as an important port in the 12th century because of the wool trade. | 0:21:45 | 0:21:49 | |
And by the 18th century, it was one of the busiest ports in Britain. | 0:21:49 | 0:21:55 | |
But before Anita sees the sights, there's shopping to do. | 0:21:55 | 0:21:59 | |
First stop, dealer Brian Neale. | 0:22:00 | 0:22:04 | |
This is an interesting item. | 0:22:04 | 0:22:06 | |
And I always love this type of thing. | 0:22:06 | 0:22:08 | |
-It's a Victorian home entertainment system. -It is, yeah. | 0:22:08 | 0:22:13 | |
This is a particularly nice example. | 0:22:13 | 0:22:14 | |
It's a graphoscope. | 0:22:14 | 0:22:16 | |
Otherwise known as a stereoscopic viewer, a 19th-century parlour instrument | 0:22:16 | 0:22:20 | |
used to magnify images. | 0:22:20 | 0:22:23 | |
You put the cards in there, and you get a 3D effect. | 0:22:23 | 0:22:26 | |
-And these cards are perhaps of... -Grand Tour. | 0:22:26 | 0:22:30 | |
-The Grand Tour. So, it's what you would show your pals. -That's right, yeah. | 0:22:30 | 0:22:36 | |
How much do we have on that? | 0:22:36 | 0:22:39 | |
Well, that, I'm afraid, would be about £280. | 0:22:39 | 0:22:43 | |
It's a wee bit rich... for my budget. | 0:22:43 | 0:22:46 | |
Back in Bournemouth, David's at Lionel Geneen Antiques. | 0:22:49 | 0:22:53 | |
And on the hunt for something that won't break his budget. | 0:22:53 | 0:22:56 | |
Let me just have a grab of these. | 0:22:58 | 0:23:00 | |
So, we've got the Xixi dogs again, haven't we, lion dogs. | 0:23:00 | 0:23:04 | |
Yeah, a pair of soapstone dogs, Chinese, sort of, turn of the century. | 0:23:04 | 0:23:11 | |
Last century, 1900-ish, maybe between the wars, little bit later. | 0:23:11 | 0:23:15 | |
-I think so, probably more so, but good decorator pieces. -Absolutely. | 0:23:15 | 0:23:19 | |
I love these dogs. You've always got a male and a female. | 0:23:19 | 0:23:22 | |
People think they're nasty looking things, but they're actually warding off evil spirits. | 0:23:22 | 0:23:27 | |
So if you own them, you're in luck. | 0:23:27 | 0:23:29 | |
I mean, they're decorative things. | 0:23:29 | 0:23:32 | |
I can do those for £40 the pair. | 0:23:32 | 0:23:35 | |
They're cheap enough but...yeah. | 0:23:35 | 0:23:37 | |
You still don't think there's a profit? | 0:23:37 | 0:23:39 | |
I don't, I think 20 quid we might have a chance. | 0:23:39 | 0:23:42 | |
I admire your optimism! | 0:23:42 | 0:23:44 | |
Do you? | 0:23:44 | 0:23:46 | |
As David bargains hard, Anita's still in Poole, admiring another impressive creature. | 0:23:46 | 0:23:53 | |
That's a beauty. | 0:23:54 | 0:23:55 | |
Yeah, it's the largest rocking horse that's ever been in the shop, and I actually think it's for adults. | 0:23:55 | 0:24:01 | |
Another parlour game? | 0:24:01 | 0:24:02 | |
Yeah, another parlour game. | 0:24:02 | 0:24:04 | |
The horse costs a rather steep £1,500. Wow. | 0:24:04 | 0:24:09 | |
He's obviously won some sort of competition, he's got his rosette. | 0:24:09 | 0:24:14 | |
-Did you put that on him? -Yeah, I did. Yeah. | 0:24:14 | 0:24:18 | |
Back in Bournemouth, David's still hunting for antiques. | 0:24:21 | 0:24:24 | |
Can I have a look at this? | 0:24:24 | 0:24:26 | |
Yes, that I think is actually very interesting. | 0:24:26 | 0:24:29 | |
I mean, it's obviously just some sort of loving cup or... | 0:24:29 | 0:24:33 | |
-A tyg they call them. -A tyg, yes. | 0:24:33 | 0:24:35 | |
But if you look at it closely, | 0:24:35 | 0:24:38 | |
it's got a huntsman on horseback with dogs and a hare. | 0:24:38 | 0:24:44 | |
It's not got a factory mark. Obviously, English stoneware. | 0:24:44 | 0:24:48 | |
About 1860ish, a little bit before Dalton. | 0:24:48 | 0:24:52 | |
Look at the dog handles, I mean, aren't they great? | 0:24:52 | 0:24:55 | |
And, of course, a tyg would be to pass to you, pass to you, | 0:24:55 | 0:24:58 | |
all have a swig of it. | 0:24:58 | 0:25:00 | |
It was probably used for a drink either before or after they went out hunting the hare. | 0:25:00 | 0:25:06 | |
What sort of trade would he be? | 0:25:06 | 0:25:07 | |
£30. | 0:25:07 | 0:25:09 | |
-£15 wouldn't get it? -No, it wouldn't! | 0:25:09 | 0:25:11 | |
I thought it wouldn't, I'm just asking! | 0:25:11 | 0:25:13 | |
What would be the absolute death trade? | 0:25:13 | 0:25:15 | |
-It's marked £50. -It isn't marked £50! | 0:25:15 | 0:25:17 | |
I said 30. | 0:25:17 | 0:25:19 | |
25 quid. | 0:25:19 | 0:25:20 | |
Do it for 20 and I'll have it. | 0:25:20 | 0:25:22 | |
All right. It's yours for £20. | 0:25:22 | 0:25:24 | |
-Good man! -You're just... | 0:25:24 | 0:25:28 | |
And David fights to the death. | 0:25:28 | 0:25:31 | |
Anita heads for Poole Museum. | 0:25:35 | 0:25:37 | |
She's here to see its collection of ceramics from the town's eponymous pottery manufacturer. | 0:25:37 | 0:25:43 | |
And Poole Pottery is a bit of a Road Trip favourite. | 0:25:46 | 0:25:49 | |
Her guide is Museum Manager, Michael Spender. | 0:25:49 | 0:25:52 | |
Michael, it's absolutely lovely to meet you. | 0:25:52 | 0:25:55 | |
And it's wonderful to be here. | 0:25:55 | 0:25:57 | |
I'm a great fan of Poole Pottery. | 0:25:57 | 0:25:59 | |
Jesse Carter, a builder's merchant and ironmonger, founded the company in 1873. | 0:26:01 | 0:26:07 | |
It started out by manufacturing tiles. | 0:26:07 | 0:26:10 | |
What a great display here, Michael. Which were the earliest ones? | 0:26:12 | 0:26:18 | |
Well, these lustre tiles are very, very early, and then moving into the art nouveau here. | 0:26:18 | 0:26:24 | |
Isn't that absolutely exquisite? | 0:26:24 | 0:26:27 | |
I love the colours. | 0:26:27 | 0:26:30 | |
The colours are singing to me. | 0:26:30 | 0:26:32 | |
And I love the almost stylised pattern of the peacock. | 0:26:32 | 0:26:38 | |
All these lines here are done by hand and then it's all hand coloured in, | 0:26:38 | 0:26:42 | |
so it's an incredible hand made piece. | 0:26:42 | 0:26:44 | |
By the early 20th century, the company had begun to produce pottery. | 0:26:44 | 0:26:48 | |
And Poole Museum has the largest collection on display anywhere in the world. | 0:26:48 | 0:26:53 | |
Poole Pottery has always had a strong design ethos. | 0:26:53 | 0:26:58 | |
From the art deco pieces of the '20s and '30s, | 0:26:58 | 0:27:01 | |
to the clean modernist lines of the '50s, | 0:27:01 | 0:27:04 | |
it has always reflected the spirit of the age. | 0:27:04 | 0:27:08 | |
Michael, in this case, we're moving on to the psychedelic insanity of late '60s and '70s. | 0:27:08 | 0:27:18 | |
And these wonderful colours and patterns reflect that age. | 0:27:18 | 0:27:23 | |
This inventiveness came at a price. | 0:27:23 | 0:27:27 | |
The retail cost of one plate was more than a week's wages for the artist. | 0:27:27 | 0:27:31 | |
This is a perfect example with these loud oranges, blues and yellows. | 0:27:32 | 0:27:40 | |
And I love this piece, I think it's great. It cheers me up. | 0:27:40 | 0:27:43 | |
There's just time for Michael to show Anita one final piece. | 0:27:43 | 0:27:47 | |
This is a coat of arms of Poole, of the town of Poole, | 0:27:48 | 0:27:52 | |
made by Poole Pottery in the mid-'60s. | 0:27:52 | 0:27:55 | |
The lady up there is reputed to be Miss World of 1964 | 0:27:55 | 0:28:00 | |
Ann Sydney, who came from Poole. | 0:28:00 | 0:28:03 | |
She's a good looking bird! | 0:28:04 | 0:28:06 | |
She's lost her top! | 0:28:08 | 0:28:10 | |
Steady! | 0:28:12 | 0:28:14 | |
Anita's been so inspired, she can't resist a visit to the company's studio | 0:28:15 | 0:28:20 | |
to have her very own piece of original art made. | 0:28:20 | 0:28:24 | |
Master potter Alan White is on hand to help her out should it all go wrong. | 0:28:24 | 0:28:30 | |
Throw it on really firm and get as close to the centre as you can. | 0:28:31 | 0:28:34 | |
That's lovely. Now this is where you get messy. | 0:28:34 | 0:28:37 | |
Hands in the water. | 0:28:37 | 0:28:39 | |
You can still see my nail varnish. | 0:28:39 | 0:28:41 | |
Don't worry about that, by the time you finish this, you won't have nails. | 0:28:41 | 0:28:45 | |
Just get that hand inside there. | 0:28:45 | 0:28:48 | |
Don't like the look of that! | 0:28:50 | 0:28:52 | |
-We're going to make a smaller pot than we anticipated! -OK! | 0:28:52 | 0:28:56 | |
Now lift and both hands come up together. | 0:28:56 | 0:28:59 | |
-God. I'm making a pot. -Look at that, there we are. | 0:28:59 | 0:29:02 | |
That's beautiful. | 0:29:02 | 0:29:03 | |
It's a wee bit wibbly wobbly, but Alan's keeping me straight, aren't ya? | 0:29:03 | 0:29:08 | |
I think we'll leave it at that because it's a bit on the point of collapse. | 0:29:08 | 0:29:12 | |
That's not on the point of collapse, that's a work of art, Alan. | 0:29:12 | 0:29:16 | |
I think that's great, thank you so much. | 0:29:16 | 0:29:19 | |
It's been wonderful being your wee apprentice. | 0:29:19 | 0:29:22 | |
Well, we'll get that one decorated in the style of Poole, | 0:29:22 | 0:29:25 | |
-and we'll make sure you get it. -That's great, I love it. | 0:29:25 | 0:29:29 | |
What fun. | 0:29:32 | 0:29:33 | |
It's the end of the day, and Anita meets up with David for the all important show and tell. | 0:29:33 | 0:29:39 | |
Now my first purchase, a wee bit wee, David, but... | 0:29:40 | 0:29:44 | |
-A wee bit what? -Wee. -Wee. | 0:29:44 | 0:29:47 | |
Small? I just need to translate. | 0:29:47 | 0:29:50 | |
-Now, I love jewellery. -I know. | 0:29:50 | 0:29:53 | |
-And I decided that I would buy these silver pieces. -Can I handle? | 0:29:53 | 0:29:57 | |
I wouldn't say that it's terribly old but it has got bags of style. | 0:29:57 | 0:30:02 | |
-OK, so what sort of money? -I paid £10 for the two things. | 0:30:02 | 0:30:05 | |
Oh, for goodness sake. Well, I think they're a very good buy. | 0:30:05 | 0:30:08 | |
-Quite a nice buy. -Here's my first. Now then Anita, what can I say? | 0:30:08 | 0:30:14 | |
-I quite like it. -Well, I love it. | 0:30:14 | 0:30:16 | |
I mean who knows who made it, where it was sold. | 0:30:16 | 0:30:21 | |
-It cost me a tenner. -I think it's a cracking buy for a tenner. -Thank you. | 0:30:21 | 0:30:25 | |
Now I know you're a furniture man, David. | 0:30:25 | 0:30:28 | |
I sense a test coming on, OK, give it to me, baby. | 0:30:28 | 0:30:31 | |
-Well, the auctioneer said that small furniture items go well in the auction. -Oh. | 0:30:31 | 0:30:36 | |
Well, that's small. | 0:30:38 | 0:30:40 | |
This wee settee and you can't get much smaller than that. | 0:30:40 | 0:30:44 | |
Well, you can't. It's a copy of a Victorian double-ended chaise. | 0:30:44 | 0:30:47 | |
That is a monstrosity, but I think for me the doll is the star! | 0:30:47 | 0:30:55 | |
-Do you think so? -I mean look. Hello. There's your twin sister! | 0:30:55 | 0:30:59 | |
Spooky... Next up the bear! | 0:30:59 | 0:31:03 | |
Oh, he's gorgeous. | 0:31:03 | 0:31:05 | |
-He's a little sweetie. Black forest, carved bear. -How much? | 0:31:05 | 0:31:09 | |
-Fiver. There's got to be profit there, Anita? -You cannae go wrong there. | 0:31:09 | 0:31:14 | |
Well, I'm a long way from Glasgow, David, | 0:31:14 | 0:31:19 | |
and when I saw this item, | 0:31:19 | 0:31:21 | |
it took me back. It's a jigsaw puzzle | 0:31:21 | 0:31:25 | |
-and it's of the Queen Mary. -Oh, wow. | 0:31:25 | 0:31:28 | |
Which was Clyde-built, just like me. | 0:31:28 | 0:31:32 | |
Yes, well constructed, I've got to say. | 0:31:32 | 0:31:36 | |
-I love the box, what kind of price? -Well, I got this to about £20. -OK. | 0:31:38 | 0:31:42 | |
-What you think about that little sweetie. -It's a wee lamp. | 0:31:42 | 0:31:46 | |
And it's a novelty one and it's got to date to the 1930s. | 0:31:46 | 0:31:50 | |
It's got a deco feel to it. | 0:31:50 | 0:31:51 | |
David, I do like that. | 0:31:51 | 0:31:54 | |
I'm pleased. That came as part of my job lot. | 0:31:54 | 0:31:57 | |
-How much? -A fiver. -Oh. David Harper! | 0:31:57 | 0:32:01 | |
Hm! Next up, Anita's bug brooch, | 0:32:01 | 0:32:03 | |
which is an even better buy than she first anticipated. | 0:32:03 | 0:32:07 | |
-Yeah. -It's oriental, David. | 0:32:07 | 0:32:10 | |
Is that a real pearl or not? | 0:32:10 | 0:32:12 | |
Yeah the pearl's good, it's got a wee bit of jade there. | 0:32:12 | 0:32:16 | |
Can I just test the pearl, do you mind? | 0:32:16 | 0:32:18 | |
I think it's got a bit of grit there hasn't it? | 0:32:18 | 0:32:22 | |
-I think that's a real pearl. -This thing, don't know what you're going to think about this... | 0:32:22 | 0:32:26 | |
It could be called a piece of jewellery. | 0:32:26 | 0:32:28 | |
-Well, it's silver Birmingham. -It's silver and it's Birmingham 1908, | 0:32:28 | 0:32:34 | |
but I really don't know if it is an opera mirror, | 0:32:34 | 0:32:37 | |
-I've never heard of that before. -I've never heard of that before. | 0:32:37 | 0:32:41 | |
Or it's just the lid of something. | 0:32:41 | 0:32:44 | |
THEY LAUGH | 0:32:44 | 0:32:47 | |
Well, I tell you what, if it is a lid of something, | 0:32:47 | 0:32:51 | |
-which is probably a very good chance. -It's a nice lid. | 0:32:51 | 0:32:54 | |
-It's a blinking very good lid. -So for the two of them I paid £30. | 0:32:54 | 0:32:58 | |
OK. Well. | 0:32:58 | 0:33:00 | |
Ahh. What a nice wee thing. | 0:33:00 | 0:33:02 | |
-It's quality. I think it's... -Can I hold it? | 0:33:02 | 0:33:05 | |
Please do. I mean it's hand painted in the Japanese style | 0:33:05 | 0:33:08 | |
and I date that to late 19th century, possibly early 20th. | 0:33:08 | 0:33:13 | |
-Silver plated. -How much did you pay for that? -£10 note. | 0:33:13 | 0:33:17 | |
-Och, David. You've done really well this time. -Do you think so? -You're a bism. | 0:33:17 | 0:33:21 | |
A bism? You teach me so much what does bism mean? | 0:33:21 | 0:33:25 | |
-A wee devil. -Eh, have you got any more? -No, have you got any more? | 0:33:25 | 0:33:29 | |
-I've got one more, and this is my favourite item... -Is it? -..Of the trip. | 0:33:29 | 0:33:34 | |
Oh, right. | 0:33:36 | 0:33:38 | |
So it's English probably mid 19th century Tyg cup or loving cup. | 0:33:38 | 0:33:43 | |
-It's a good traditional antique thing. -Proper thing. | 0:33:43 | 0:33:46 | |
Did you have to pay a lot of money for it? | 0:33:46 | 0:33:49 | |
I think it's also my best bargain. I really do. | 0:33:49 | 0:33:51 | |
-Tell me how much? -£20. -Yeah, that's great. | 0:33:51 | 0:33:53 | |
It's got to be, Anita. | 0:33:53 | 0:33:56 | |
They're all smiles now, | 0:33:56 | 0:33:58 | |
but what do they really think about each other's auction items? | 0:33:58 | 0:34:01 | |
Hand on heart, I can't honestly say that I would have bought any of these items... | 0:34:01 | 0:34:05 | |
I'm not being critical, I promise. | 0:34:05 | 0:34:07 | |
The loving cup is a wonderful item. £20. He's worked that old Harper magic again. | 0:34:07 | 0:34:15 | |
Anita's most quirky item has got to be | 0:34:15 | 0:34:19 | |
the opera mirror/lid. Who knows what it is. | 0:34:19 | 0:34:24 | |
If it is only a lid then I tell you what, that was the lid of a very fine item. | 0:34:24 | 0:34:27 | |
When I think of the big picture, | 0:34:27 | 0:34:30 | |
I think Harper might beat me once again, aargh! | 0:34:30 | 0:34:34 | |
But will he? Only time will tell, Anita. Don't despair, love! | 0:34:36 | 0:34:40 | |
On this leg of the road trip, | 0:34:43 | 0:34:45 | |
our two experts started off | 0:34:45 | 0:34:47 | |
in Bournemouth and bargained their way to Poole. | 0:34:47 | 0:34:51 | |
Today, they're heading into Wells for auction. | 0:34:51 | 0:34:54 | |
Wells is one of the smallest cities in England, | 0:34:55 | 0:34:58 | |
nestling under the Mendip Hills in Somerset. | 0:34:58 | 0:35:02 | |
Its most impressive building is its cathedral. | 0:35:02 | 0:35:05 | |
Built between 1175 and 1490. | 0:35:05 | 0:35:09 | |
It's been described as "the most poetic of all the English Cathedrals". | 0:35:09 | 0:35:16 | |
So we're going to our third auction. | 0:35:17 | 0:35:19 | |
-It should be interesting, David. -Well, it's a good area this, have you noticed? | 0:35:19 | 0:35:25 | |
It's nicely spread out, good countryside, nice houses, so you never know. | 0:35:25 | 0:35:30 | |
But will they be wanting to spend money at the auction today? | 0:35:30 | 0:35:33 | |
Here we are. | 0:35:33 | 0:35:35 | |
Ooh, ooh, come on, baby! | 0:35:35 | 0:35:37 | |
Not you, Anita! | 0:35:37 | 0:35:39 | |
McCubbing & Redfern hold monthly sales of antiques and collectables, | 0:35:39 | 0:35:44 | |
and offer everything from model steam trains | 0:35:44 | 0:35:46 | |
to motorbikes and first editions of Winnie the Pooh. | 0:35:46 | 0:35:49 | |
How does auctioneer Alan Mechan reckon our chaps will fare? | 0:35:49 | 0:35:54 | |
I like the lid, very well made piece. Very pretty piece. | 0:35:55 | 0:36:00 | |
Should fly out. The Tyg, if we do get £40 or £60 on it, | 0:36:00 | 0:36:07 | |
we would have done very well. | 0:36:07 | 0:36:09 | |
The little sofa and the doll itself, | 0:36:09 | 0:36:12 | |
remarkable resemblance to Anita there. | 0:36:12 | 0:36:16 | |
I've not said that. The owl lantern. He's got a chance there. | 0:36:16 | 0:36:20 | |
But I don't think he's going to beat Anita. | 0:36:20 | 0:36:23 | |
And that's good news for Anita, who has some catching up to do if she wants to beat David. | 0:36:23 | 0:36:28 | |
She started this leg with £226.18 | 0:36:28 | 0:36:30 | |
and spent £74 on five items. | 0:36:30 | 0:36:35 | |
David, however, had £407.97 and spent just £50 on five items. | 0:36:36 | 0:36:43 | |
So, there's the money. | 0:36:43 | 0:36:45 | |
The auction's about to start, | 0:36:45 | 0:36:48 | |
and our two experts can barely contain themselves. | 0:36:48 | 0:36:52 | |
You're starting to get excited now, I can tell the way you're shuffling about. | 0:36:52 | 0:36:56 | |
First up, David's candelabra. | 0:36:56 | 0:36:59 | |
It cost just £10, but David hopes it will make a lot more. | 0:36:59 | 0:37:03 | |
I'll start the bidding on this at £12, | 0:37:03 | 0:37:06 | |
14 anywhere? | 0:37:06 | 0:37:07 | |
£12, 14, 16. 18 with you, sir. | 0:37:07 | 0:37:13 | |
At 18 with the gentleman, do I hear 20, no? | 0:37:13 | 0:37:16 | |
£18. | 0:37:16 | 0:37:17 | |
And that's an £8 profit before commission. | 0:37:17 | 0:37:21 | |
But David's disappointed. | 0:37:21 | 0:37:23 | |
That, that...was all right. | 0:37:23 | 0:37:25 | |
It's bad! | 0:37:25 | 0:37:27 | |
Next up, Anita's jigsaw puzzle. | 0:37:27 | 0:37:30 | |
Her little piece of Clydebank at £20. | 0:37:30 | 0:37:34 | |
RMS Queen Mary for Cunard White Star Line. | 0:37:34 | 0:37:38 | |
Starting the bidding at £20. | 0:37:38 | 0:37:42 | |
20, 25, into the room. 28, 30. | 0:37:42 | 0:37:47 | |
£30 I've got, 35 anywhere? | 0:37:47 | 0:37:50 | |
At 30. Thought it might go for a little bit more. | 0:37:50 | 0:37:53 | |
-Are we all...? 35? -Yes, yes. | 0:37:53 | 0:37:56 | |
At 40. 45. £40 to my left. | 0:37:56 | 0:38:00 | |
-Yes! -Well, done. Well, done. | 0:38:00 | 0:38:02 | |
And you've doubled your money there, Anita. Splendido! | 0:38:02 | 0:38:07 | |
David fell in love with this little carved bear. | 0:38:10 | 0:38:13 | |
But will it appeal to the bidders? | 0:38:13 | 0:38:16 | |
£16 I'm starting on, 18 anywhere? | 0:38:16 | 0:38:19 | |
18, 20, 22, sir with you. | 0:38:19 | 0:38:23 | |
I'm out, 24 anywhere? At 22, 24 anywhere... | 0:38:23 | 0:38:27 | |
All done at £22. | 0:38:27 | 0:38:30 | |
A £17 profit for you. | 0:38:30 | 0:38:33 | |
It's not bad, but it's not quite enough for David. | 0:38:33 | 0:38:37 | |
-Are you OK? -It's good. It's all right. | 0:38:37 | 0:38:39 | |
Next up, Anita's job lot of the child's settee and doll. | 0:38:39 | 0:38:44 | |
It cost her £14, but how much of a bargain was it? | 0:38:44 | 0:38:48 | |
Starting the bidding on this one at £10. | 0:38:48 | 0:38:51 | |
£10, £10. 15 anywhere, 15, no I will sell at 10... | 0:38:51 | 0:38:56 | |
All done at ten. | 0:38:56 | 0:38:58 | |
And that's a loss. Oh, dear, Anita. | 0:38:59 | 0:39:02 | |
-Awww. -What a shame! What a shame. -I know. | 0:39:02 | 0:39:06 | |
Now for David's novelty owl lamp. | 0:39:06 | 0:39:09 | |
But will it frighten off the bidders. | 0:39:09 | 0:39:12 | |
Starting the bidding on this one at £22. | 0:39:12 | 0:39:15 | |
24 into the room, at 22, 24. | 0:39:15 | 0:39:18 | |
24. 26, 28. Madame, yup, you've got it £28. | 0:39:18 | 0:39:23 | |
No, all done at 28... Sold at £28. | 0:39:23 | 0:39:28 | |
And there's nothing frightening about | 0:39:28 | 0:39:30 | |
a £23 profit before commission. | 0:39:30 | 0:39:32 | |
That's about 20 quid profit, isn't it? | 0:39:32 | 0:39:35 | |
-That's all right. Are you happy now? -I'm getting happier. | 0:39:35 | 0:39:39 | |
Now for the opera mirror, the pendant... | 0:39:39 | 0:39:41 | |
or the lid? No-one seems quite sure. | 0:39:41 | 0:39:45 | |
I'm starting the bidding at £10, | 0:39:45 | 0:39:47 | |
15 anywhere? 15, I'm now out. | 0:39:47 | 0:39:50 | |
20, 25, 30, at £25. | 0:39:50 | 0:39:53 | |
Sold at 25. | 0:39:53 | 0:39:56 | |
And that's a tidy little fiver for Anita. | 0:39:56 | 0:40:00 | |
There's no harm in that. | 0:40:00 | 0:40:02 | |
I've made a profit. I'm happy. | 0:40:02 | 0:40:06 | |
Next up, David's Tyg, | 0:40:06 | 0:40:07 | |
and he's keeping his fingers crossed. | 0:40:07 | 0:40:09 | |
I'm starting the bidding at £30, 35 into the room. | 0:40:09 | 0:40:12 | |
Are we all finished at 30? | 0:40:12 | 0:40:14 | |
35, anywhere. | 0:40:14 | 0:40:17 | |
I'm selling at 30, last chance. | 0:40:17 | 0:40:19 | |
Sold at 30. | 0:40:19 | 0:40:21 | |
It's a £10 profit, but that's not enough for David. | 0:40:21 | 0:40:25 | |
I had such great predictions and such expectations. | 0:40:25 | 0:40:29 | |
Are you going to burst into floods of tears? | 0:40:29 | 0:40:32 | |
-Would you mind if I did? -Or as they would say in Glasgow, burst oot greetin'. | 0:40:32 | 0:40:37 | |
HE LAUGHS | 0:40:37 | 0:40:38 | |
-I've no idea what you've just said. -Now for Anita's bug brooch. | 0:40:38 | 0:40:41 | |
Her very own creepy crawlie. | 0:40:41 | 0:40:43 | |
Here we go, fingers crossed. | 0:40:43 | 0:40:47 | |
I'm starting the bidding at £20. | 0:40:47 | 0:40:49 | |
25 anywhere? | 0:40:49 | 0:40:51 | |
20 I've got. | 0:40:51 | 0:40:53 | |
25, 28. 30. 28 I've got here. | 0:40:53 | 0:40:56 | |
30 anywhere else? | 0:40:56 | 0:40:58 | |
At £28, are we all finished? Sold at 28. | 0:40:58 | 0:41:01 | |
-Well done. -Yes, yes. | 0:41:01 | 0:41:03 | |
-Anita seems to be recovering her winning streak. -Yes! | 0:41:03 | 0:41:07 | |
Now, David's glass jar. | 0:41:09 | 0:41:12 | |
I've got £10. 15 into the room. | 0:41:12 | 0:41:14 | |
At £10, 15 anywhere? | 0:41:14 | 0:41:17 | |
At £15. Sold at 15. | 0:41:17 | 0:41:20 | |
And that's another profit, David. | 0:41:20 | 0:41:23 | |
A trickle of profit. | 0:41:23 | 0:41:25 | |
But all these little profits are adding up! | 0:41:25 | 0:41:27 | |
Finally, it's Anita jewellery set. | 0:41:27 | 0:41:30 | |
Her earrings and brooch. | 0:41:30 | 0:41:32 | |
I'm starting at 20. | 0:41:32 | 0:41:34 | |
At 22 into the room at £20. | 0:41:34 | 0:41:36 | |
£20. 22 into the room. | 0:41:36 | 0:41:39 | |
I will sell at 20. | 0:41:39 | 0:41:40 | |
And it's another £10 profit before commission. | 0:41:40 | 0:41:43 | |
I'm really quite happy here. | 0:41:45 | 0:41:47 | |
I've doubled, double, doubled... | 0:41:47 | 0:41:49 | |
-I can't get my words out, I've doubled my money. -Really? | 0:41:49 | 0:41:52 | |
Maybe I should give up auctioneering. | 0:41:52 | 0:41:54 | |
No, I don't think so. | 0:41:54 | 0:41:56 | |
But who actually did the best at today's auction? | 0:41:58 | 0:42:00 | |
Anita started the day with £226.18. | 0:42:00 | 0:42:04 | |
After paying auction costs and commission, | 0:42:04 | 0:42:07 | |
she made a profit of just £27.33 | 0:42:07 | 0:42:11 | |
and takes £253.51 | 0:42:11 | 0:42:13 | |
forward to tomorrow's show. | 0:42:13 | 0:42:17 | |
Despite being so gloomy throughout the auction, | 0:42:17 | 0:42:20 | |
David fared better than Anita. | 0:42:20 | 0:42:23 | |
He had £407.97 spending money. | 0:42:23 | 0:42:27 | |
After commission, he made a profit of £43.09. | 0:42:27 | 0:42:31 | |
He takes £451.06 forward to tomorrow's show. | 0:42:31 | 0:42:36 | |
I'm learning from you, Anita, | 0:42:36 | 0:42:37 | |
and be grateful for all small mercies, I suppose, which is no losses. | 0:42:37 | 0:42:43 | |
We can't make huge profits on everything. | 0:42:43 | 0:42:47 | |
We should be able to. That's what I want to do. | 0:42:47 | 0:42:50 | |
Anita and David are more than halfway through their road trip. | 0:42:50 | 0:42:55 | |
And David's still winning. | 0:42:55 | 0:42:56 | |
OK, David, on to stage four. | 0:42:56 | 0:43:00 | |
It will be a new adventure. | 0:43:00 | 0:43:02 | |
Well, it always is with you, Miss Manning. | 0:43:02 | 0:43:05 | |
Start first time, are you ready for this? | 0:43:05 | 0:43:09 | |
On we go. | 0:43:09 | 0:43:12 | |
In tomorrow's show, Anita and David get physical. | 0:43:12 | 0:43:16 | |
Do you think I could whack David Harper with them? | 0:43:17 | 0:43:20 | |
We'll have to have an arm wrestle over this. | 0:43:20 | 0:43:22 | |
OK, go. | 0:43:22 | 0:43:23 | |
But it all ends up in tears before bed time. | 0:43:23 | 0:43:26 | |
I'm really happy. | 0:43:26 | 0:43:29 | |
THEY LAUGH | 0:43:29 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:54 | 0:43:56 | |
E-mail [email protected] | 0:43:56 | 0:43:57 |