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The nation's favourite antiques experts, £200 each and one big challenge! | 0:00:02 | 0:00:06 | |
I might need to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-£15? -No! | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:15 | 0:00:19 | |
but it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push! | 0:00:23 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm going to go for it. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Today auctioneer Anita Manning, and valuer Mark Stacey, | 0:00:36 | 0:00:39 | |
are taking their 1961 Morris Minor through some major British scenery, | 0:00:39 | 0:00:45 | |
a soft top, but hopefully not a soft touch. | 0:00:45 | 0:00:49 | |
You're a local girl and I think you're going to have a very competitive advantage over me. | 0:00:49 | 0:00:55 | |
-You've got to roll your Rs. -Leave my Rs out of this! | 0:00:55 | 0:00:59 | |
THEY LAUGH | 0:00:59 | 0:01:00 | |
Glaswegian Anita has an passion for fine Scottish design. | 0:01:00 | 0:01:05 | |
A wee bit wibbly-wobbly. | 0:01:05 | 0:01:07 | |
So will that give her the edge over Mark? | 0:01:07 | 0:01:09 | |
-Could you take another couple of pounds off it? -No, sorry. | 0:01:09 | 0:01:12 | |
That's a Scotsman for you! | 0:01:12 | 0:01:14 | |
Mark's headed north from Wales via Brighton and brought his ambition with him. | 0:01:14 | 0:01:19 | |
I want to hold the world in my hands. | 0:01:19 | 0:01:22 | |
But this isn't Mark's home turf, | 0:01:22 | 0:01:26 | |
so can he grab a crafty Caledonian bargain or two. | 0:01:26 | 0:01:29 | |
If we could go 18... | 0:01:29 | 0:01:31 | |
You naughty man! | 0:01:31 | 0:01:33 | |
Anita and Mark are old friends, but on this Roadtrip they're also serious competitors. | 0:01:33 | 0:01:40 | |
-You could be Mary, Queen of Scots. -Well, if I'm Mary, Queen of Scots, you will have to be Elizabeth I, | 0:01:40 | 0:01:47 | |
the Virgin Queen! | 0:01:47 | 0:01:49 | |
THEY LAUGH | 0:01:49 | 0:01:50 | |
This trip begins in the heart of the Cairngorms | 0:01:50 | 0:01:54 | |
and progresses via the beautiful cities of Edinburgh and Durham | 0:01:54 | 0:01:57 | |
to Thirsk in North Yorkshire. | 0:01:57 | 0:01:59 | |
Today's shows starts out in Aberfeldy and concludes with a tasty little auction in Dunblane. | 0:02:01 | 0:02:08 | |
Mark and Anita are all set to turn their £200 each into a tidy profit, | 0:02:08 | 0:02:13 | |
but who will triumph and who will have a tantrum? | 0:02:13 | 0:02:16 | |
Well, I can't believe that! It's shocking! | 0:02:16 | 0:02:19 | |
First stop en route is the little town of Killin at the western head of Loch Tay. | 0:02:19 | 0:02:24 | |
-How many lochs are there in Scotland? -Millions. -Millions! | 0:02:26 | 0:02:30 | |
-That's our first stop. Shall we go in together, Mark? -I think we should. | 0:02:30 | 0:02:35 | |
So what happens when a Scotswoman and a Welsh man walk into an antiques shop? This is not a joke! | 0:02:35 | 0:02:39 | |
-Gosh, it's so exciting! It's like a treasure trove in here. -Our first shop! | 0:02:39 | 0:02:43 | |
Gauld's is very much a traditional antique shop with a little bit of everything. | 0:02:43 | 0:02:48 | |
Somewhere, though, there's a bargain to be found. | 0:02:48 | 0:02:51 | |
Now, this is a little Victorian, I would say, sort of pokerwork. | 0:02:51 | 0:02:57 | |
Somebody would have carved all this pattern out by using hot pokers and then staining it. | 0:02:57 | 0:03:03 | |
It was something that often Victorian-Edwardian ladies did at home. | 0:03:03 | 0:03:07 | |
It's in pretty original condition. It hasn't been tarted up, so it doesn't look all bright and shiny. | 0:03:07 | 0:03:12 | |
But, of course, the crucial thing is the price. | 0:03:12 | 0:03:17 | |
Victorian pokerwork barrel, £45. | 0:03:17 | 0:03:21 | |
If we could get that down, that might be a possibility. | 0:03:21 | 0:03:25 | |
Look at this wonderful big piece of Monart. | 0:03:28 | 0:03:31 | |
Now, Monart was made from the late '20s to the '60s | 0:03:31 | 0:03:36 | |
in the factory of Moncrieff in Perth. | 0:03:36 | 0:03:40 | |
This glass became wonderfully popular in the 1920s and 1930s, | 0:03:40 | 0:03:45 | |
but it's a bit expensive. | 0:03:45 | 0:03:47 | |
Quite! At almost £700 it's way beyond your budget! | 0:03:47 | 0:03:51 | |
Mark, meanwhile, is already pondering another addition to his little horde. | 0:03:51 | 0:03:56 | |
What we've really got here is a sort of decorative needlework panel, I suppose. | 0:03:56 | 0:04:03 | |
I think it probably is 1920s or '30s, but the colours are still quite good in this. | 0:04:03 | 0:04:07 | |
If you look at the pinks there and the greens, | 0:04:07 | 0:04:11 | |
and the little blues there, it's rather an attractive thing. | 0:04:11 | 0:04:14 | |
But it's quite a substantial piece really for £25. | 0:04:14 | 0:04:17 | |
I think that's going to be another piece we're going to add with our bit there | 0:04:17 | 0:04:22 | |
and see if we can get a good price on that. | 0:04:22 | 0:04:25 | |
Anita, though, has found something with global appeal. | 0:04:25 | 0:04:28 | |
Practical too. | 0:04:28 | 0:04:30 | |
Now, terrestrial globes are quite collectable. People like this type of thing. | 0:04:30 | 0:04:37 | |
But this little globe is also... | 0:04:37 | 0:04:40 | |
..a biscuit tin! Isn't that sweet? I like that. | 0:04:41 | 0:04:46 | |
Crawford's Biscuits were founded by one William Crawford in Leith, near Edinburgh in 1813. | 0:04:46 | 0:04:53 | |
Fancy tins came later, and curios like this from the '30s are now highly collectable. | 0:04:53 | 0:04:58 | |
The price label says £60, | 0:04:58 | 0:05:01 | |
but what would proprietor Jimmy say? | 0:05:01 | 0:05:03 | |
-When I looked at that at the beginning, I was trying to open that out. -Yeah, it opens up. | 0:05:03 | 0:05:10 | |
That's an awful lot of trouble to get a ginger snap. | 0:05:10 | 0:05:14 | |
I'm kidding you on. | 0:05:14 | 0:05:15 | |
-I wasn't sure whether I was coming or going. -Jimmy, | 0:05:15 | 0:05:18 | |
I think that...again, we're putting it into auction. It's going into a general auction. | 0:05:18 | 0:05:24 | |
And we're trying to make just even a wee bit of profit on it. | 0:05:24 | 0:05:28 | |
Can I have £30 on that? | 0:05:28 | 0:05:30 | |
-Oh, no chance! -Is there no chance on that? -Not a hope in... | 0:05:30 | 0:05:34 | |
-Could we come...? -Nowhere even near it! I'll do it for 50. | 0:05:34 | 0:05:38 | |
-That's the best I can do on that. -Is that the best you can do? | 0:05:38 | 0:05:41 | |
Mmm...that didn't go well! But already Anita's found something else to bargain with, | 0:05:41 | 0:05:46 | |
an imitation Tiffany's vase for a tenner. | 0:05:46 | 0:05:48 | |
I wondered if I could do the biscuit tin and this wee thing, which is not a thing of any great significance, | 0:05:48 | 0:05:55 | |
if you could give me the two for £50? | 0:05:55 | 0:05:59 | |
-No. -Every pound counts! -I know. | 0:05:59 | 0:06:02 | |
I've got a wife and three publicans to keep, I need the money! | 0:06:02 | 0:06:05 | |
-A wife and three publicans? -Aye! | 0:06:05 | 0:06:07 | |
-Can you hurry up, please, cos I'm trying to do a deal here! -OK. | 0:06:07 | 0:06:13 | |
While Anita heads off for another scout around, it's time for Mark to try his charms on our Jimmy. | 0:06:13 | 0:06:18 | |
For some reason, I quite like this frame. | 0:06:18 | 0:06:22 | |
And I rather find this rather charming. | 0:06:22 | 0:06:25 | |
I mean, I don't know how flexible you can be with me... | 0:06:25 | 0:06:29 | |
As I say, whatever price is on it, just double it and then we'll do a deal! | 0:06:29 | 0:06:33 | |
MARK CHUCKLES | 0:06:33 | 0:06:34 | |
Well, you see, I was thinking the other way, to halve it... | 0:06:34 | 0:06:37 | |
No chance of that! | 0:06:37 | 0:06:38 | |
So what would be the best on this one, then? | 0:06:38 | 0:06:41 | |
I'll do that for 20. | 0:06:41 | 0:06:43 | |
-And that one would be...? -Make it 40. -Listen, my friend, | 0:06:43 | 0:06:46 | |
Is there any chance we could get to 50? | 0:06:46 | 0:06:48 | |
-No. -Please. -Not a hope in hell! | 0:06:48 | 0:06:51 | |
-55? -No, it's got to be 60. | 0:06:51 | 0:06:53 | |
-Oh, come on, Jimmy! -I can't! -Please! | 0:06:53 | 0:06:55 | |
55 and we've got a deal, I promise you! | 0:06:55 | 0:06:58 | |
-Er... -Please! -Anything to get rid of you! | 0:06:58 | 0:07:00 | |
Oh, don't say that, Jimmy! Don't say that. | 0:07:00 | 0:07:03 | |
-You've got a smile on your face. -I've always got a smile on my face. | 0:07:03 | 0:07:06 | |
-It's not trapped wind? -I hope not! | 0:07:06 | 0:07:10 | |
Anita just can't drag herself away from the Scottish glass. | 0:07:10 | 0:07:15 | |
And she's now discovered something which at £22 is an awful lot cheaper than the Monart. | 0:07:15 | 0:07:20 | |
This is a piece of Strathearn glass. It's from about the '70s, '80s. | 0:07:20 | 0:07:25 | |
It's still nice, I like it, | 0:07:25 | 0:07:27 | |
and I might be able to get it for a reasonable price. I'll go and ask Jimmy. | 0:07:27 | 0:07:31 | |
Worth a try, Anita, and adding it to the other items which you've bought may help. | 0:07:31 | 0:07:37 | |
55 for the two of them and 22 is 77, so I'll make it 75. | 0:07:37 | 0:07:42 | |
-Could you take another couple of pounds off it? -No, no, sorry. | 0:07:43 | 0:07:46 | |
-Two wee pounds! -No! | 0:07:46 | 0:07:48 | |
-No. -Oh, you're a hard man! | 0:07:48 | 0:07:50 | |
75! | 0:07:50 | 0:07:53 | |
So while Anita deposits an awful lot of her budget inside Jimmy's ancient till, | 0:07:53 | 0:07:59 | |
Mark's found time for a quick trip to one of Scotland's most impressive castles. | 0:07:59 | 0:08:03 | |
Mark and his Morris are heading for Inveraray. | 0:08:05 | 0:08:08 | |
Look, it's breathtaking. It's almost like a little fairy-tale castle, isn't it? | 0:08:10 | 0:08:16 | |
Like a medieval French chateau! | 0:08:16 | 0:08:18 | |
The house itself is very fine indeed, | 0:08:19 | 0:08:22 | |
based on a sketch by Vanbrugh in the 18th century, | 0:08:22 | 0:08:25 | |
although there's been a castle here beside Loch Fyne since the 1400s. | 0:08:25 | 0:08:30 | |
This is the seat of the Dukes of Argyll, | 0:08:30 | 0:08:32 | |
better known as the Campbells, | 0:08:32 | 0:08:34 | |
a family that's played an important role in several key moments of Scottish history. | 0:08:34 | 0:08:38 | |
Hello! | 0:08:39 | 0:08:40 | |
-Mark! -You must be Jane. -Welcome to Inveraray Castle. | 0:08:40 | 0:08:45 | |
-Thank you for having me. -Delighted to meet you. -Lovely to meet you too | 0:08:45 | 0:08:47 | |
-on such a wonderful day. -I know, it's stunning, isn't it? | 0:08:47 | 0:08:50 | |
Jane Young is the manager at Inveraray | 0:08:52 | 0:08:55 | |
and the best possible guide to the castle. | 0:08:55 | 0:08:57 | |
So as you enter into the armoury hall, you'll see a lot of the armaments. | 0:08:58 | 0:09:04 | |
The castle contains several reminders of the family's early fighting years, | 0:09:04 | 0:09:09 | |
as well as a priceless object that once belonged to a Scottish folk hero. | 0:09:09 | 0:09:14 | |
So this is Rob Roy's sporran. | 0:09:14 | 0:09:16 | |
-And this was found in his cottage which was just up at the top of Glen Shira... -And that's nearby? -Yes. | 0:09:16 | 0:09:22 | |
It's just on the outskirts of the town. | 0:09:22 | 0:09:24 | |
Rob Roy, the Highland Rogue, was a sort of Scottish Robin Hood, | 0:09:24 | 0:09:28 | |
a legendary outlaw and freedom fighter, | 0:09:28 | 0:09:30 | |
the difference being that, unlike Robin, he and his sporran were real. | 0:09:30 | 0:09:36 | |
-You can see all the beautiful ornate work... -Detail. -Yes, around about. | 0:09:36 | 0:09:39 | |
Wonderful, isn't it? | 0:09:39 | 0:09:41 | |
The Argylls fought on the side of the Government | 0:09:41 | 0:09:45 | |
and against Bonnie Prince Charlie's claim to the throne at Culloden in 1745. | 0:09:45 | 0:09:50 | |
Incredibly, you can see original banners from that battle still hanging on the castle walls. | 0:09:50 | 0:09:56 | |
They are so fragile. You can see there's hardly any... | 0:09:56 | 0:10:00 | |
-Yes, very delicate. -..Decoration left on them. -But you can actually still see the outline | 0:10:00 | 0:10:04 | |
of the Argyll Militia. | 0:10:04 | 0:10:06 | |
They're obviously a very important part of history. | 0:10:06 | 0:10:08 | |
And just over 100 years after that, the Argylls actually married into the British Royal Family. | 0:10:08 | 0:10:16 | |
In the Victorian Room, there's a fine painting of the future 9th Duke getting hitched | 0:10:16 | 0:10:20 | |
to Princess Louise in 1871. | 0:10:20 | 0:10:23 | |
-I can spot Queen Victoria in the middle there. -Yes, yes, pretty... | 0:10:23 | 0:10:29 | |
Then you've got the bride and groom at the end. And I must admit | 0:10:29 | 0:10:32 | |
-she does look for once as if she's got a cheeky smile on her face! -Yes. | 0:10:32 | 0:10:35 | |
I'm sure she's delighted that's daughter number four married! | 0:10:35 | 0:10:38 | |
But perhaps the most surprising item at Inveraray is one unlikely survivor of the big day, | 0:10:41 | 0:10:47 | |
a piece of cake! | 0:10:47 | 0:10:48 | |
Now, Judy, I'm dying to ask you... It just looks like an envelope. Where is the piece of cake? | 0:10:48 | 0:10:55 | |
-Well, you can see how it's all been delicately wrapped and sealed at the back. -Wonderful. | 0:10:55 | 0:11:01 | |
And this isn't the sort of thing that one takes home to eat? | 0:11:01 | 0:11:04 | |
No, I wouldn't think so. I think you would want to keep it and preserve it carefully. | 0:11:04 | 0:11:08 | |
It's absolutely beautiful. | 0:11:08 | 0:11:09 | |
Wonderful. | 0:11:09 | 0:11:11 | |
And with the sun setting over Loch Fyne, Mark heads back to the hotel to find Anita. | 0:11:11 | 0:11:17 | |
Day 2, and Mark's at the wheel as they continue their trek around the Trossachs... Sounds painful! | 0:11:18 | 0:11:24 | |
-Are you dying to get to the shop? -I am. And are you planning to spend all of your budget? | 0:11:24 | 0:11:29 | |
I'm not telling you! | 0:11:29 | 0:11:32 | |
So far, Mark's spent £55 on just two items for auction. | 0:11:33 | 0:11:39 | |
That'll be fantastic. Thank you so much. | 0:11:39 | 0:11:41 | |
Whilst Anita's lavished £75 on three hopeful investments. | 0:11:41 | 0:11:47 | |
Oh, you're a hard man! | 0:11:47 | 0:11:50 | |
Will she make a handsome profit at the auction or just crumbs? Time alone will tell. | 0:11:50 | 0:11:55 | |
On this leg Anita and Mark hope to motor all the way to Callander, | 0:11:55 | 0:12:00 | |
calling in at the little town of Balfron to add to their haul. | 0:12:00 | 0:12:05 | |
Junk-tion Antiques offer plenty of scope and plenty of space for our plucky experts | 0:12:07 | 0:12:14 | |
and hopefully some room for negotiations if proprietor David is as good as his word. | 0:12:14 | 0:12:19 | |
-Have you got any bargains? -They're all bargains! | 0:12:19 | 0:12:22 | |
-Oh, be serious! -They're all bargains! | 0:12:22 | 0:12:25 | |
Anita always was the bookish type. | 0:12:25 | 0:12:27 | |
I always find these Victorian photograph albums very sweet, very evocative. | 0:12:27 | 0:12:34 | |
Look at that wee girl there. | 0:12:34 | 0:12:36 | |
She's all dressed up in rather stiff Victorian clothes. | 0:12:36 | 0:12:41 | |
Nobody ever seems to be smiling in them. | 0:12:41 | 0:12:45 | |
Look, Mark's found a bit of old metal. | 0:12:45 | 0:12:49 | |
I think it's quite fun, actually. It's quite imposing. | 0:12:49 | 0:12:52 | |
I suppose if you've got a big Glasgow house or something, | 0:12:52 | 0:12:54 | |
to have a big tray like that up on your wall... | 0:12:54 | 0:12:57 | |
I can't quite make out who it is. Oh, Robert Dudley. | 0:12:57 | 0:13:02 | |
Associate of Queen Elizabeth I, and as Anita has christened me the Virgin Queen, | 0:13:02 | 0:13:06 | |
it could actually be quite fortuitous, shall we say? | 0:13:06 | 0:13:11 | |
Dudley, First Earl of Leicester was certainly one of the Queen's suitors | 0:13:11 | 0:13:15 | |
and allegedly responsible for the death of his first wife. | 0:13:15 | 0:13:19 | |
he was also hated by many Scots for his role in the execution of Mary Stuart. | 0:13:19 | 0:13:24 | |
I can hear him blethering away to David. I want to get in there! | 0:13:25 | 0:13:29 | |
-David? -Yes, Mark? -This is not the sort of thing I normally go for, I have to say. | 0:13:29 | 0:13:35 | |
-It's got no price on it. -That piece could go today for somewhere in the region of £30. | 0:13:35 | 0:13:40 | |
Could I make you a sneaky offer? | 0:13:40 | 0:13:43 | |
-I'm all ears! -Can we get anywhere near 15? | 0:13:43 | 0:13:46 | |
If we could go 18, you've got a deal. | 0:13:46 | 0:13:50 | |
-16. -17. | 0:13:50 | 0:13:52 | |
-You naughty man! Go on, you've done it. -Right, Mark. Thank you. | 0:13:52 | 0:13:57 | |
Inspired or just plain bonkers? | 0:13:57 | 0:13:59 | |
I mean, how will a Robert Dudley charger go down in Scotland? | 0:13:59 | 0:14:03 | |
Now, that looks familiar! | 0:14:05 | 0:14:07 | |
I'm thinking that I should probably stay away from terrestrial globes! | 0:14:07 | 0:14:13 | |
But, as Anita turns her back on the world, her opponent fancies some globetrotting. | 0:14:13 | 0:14:19 | |
I think this is really nice. It's a piece of 1950s or '60. | 0:14:19 | 0:14:23 | |
But I love globes and I'm fascinated by globes anyway. | 0:14:23 | 0:14:28 | |
I'm really getting into this '50s and '60s stuff now, | 0:14:28 | 0:14:30 | |
because it's what the youngsters want, and you can mix and match it in with the old and the new. | 0:14:30 | 0:14:35 | |
And it actually creates a home which looks like it's been through the generations. | 0:14:35 | 0:14:39 | |
It's marked up at the moment at £38, | 0:14:39 | 0:14:42 | |
which in my part of the world, Brighton, would be terribly cheap. | 0:14:42 | 0:14:47 | |
I certainly wouldn't have that on it in my shop! | 0:14:47 | 0:14:50 | |
-David, I'm laying my cards on the table. -Okey-dokey. | 0:14:50 | 0:14:54 | |
I want to hold the world in my hands. | 0:14:54 | 0:14:56 | |
-Don't we all? -And this is my chance of doing it. | 0:14:56 | 0:14:59 | |
I'd love, honestly, to pay £25 for it. | 0:14:59 | 0:15:04 | |
I think at £25, you've got a chance of making something on it, | 0:15:04 | 0:15:08 | |
-and I think we've got a deal there at £25. -David, thank you so much. | 0:15:08 | 0:15:11 | |
Mark has four items so far for a whisker under £100. | 0:15:11 | 0:15:16 | |
-The world in your hands. -Thank you very much, David. | 0:15:16 | 0:15:18 | |
But Anita, after yesterday's splurge, has yet to spend a shilling. | 0:15:18 | 0:15:22 | |
This is a fairly modern whatnot. | 0:15:22 | 0:15:27 | |
But it's rather a nice shape with these three tiers. | 0:15:27 | 0:15:31 | |
Actually less of a whatnot, more of a reproduction three-tier dumb waiter, | 0:15:31 | 0:15:37 | |
based on a Georgian model first made in the 1760s. | 0:15:37 | 0:15:41 | |
I like the three tiers and I also like the little metal claw feet. | 0:15:43 | 0:15:49 | |
But will David budge from his £30 asking price? | 0:15:49 | 0:15:53 | |
-Thinking auction value on it. -You don't know if it's going to get £10, | 0:15:53 | 0:15:58 | |
-you don't know if it's going to get £40. -Very much so. | 0:15:58 | 0:16:00 | |
-I can do that in the region of £20. -Right. | 0:16:00 | 0:16:04 | |
I think that... | 0:16:04 | 0:16:05 | |
-Oh, Lordy! -There we go. | 0:16:05 | 0:16:07 | |
-That should halve the value! -I'll do that at £10 to you and you put that in the auction. | 0:16:07 | 0:16:13 | |
Crikey, it worked! I must try that. | 0:16:13 | 0:16:16 | |
I mean, I know this is really the naughtiest thing in the world, | 0:16:16 | 0:16:21 | |
but could you come down to a fiver? | 0:16:21 | 0:16:24 | |
-We'll split the difference. We'll do 7.50. -7.50? | 0:16:24 | 0:16:27 | |
And we've got a deal. And if you can't make £15 on that... | 0:16:27 | 0:16:31 | |
-If I can't make £15 on that... -It's time to chuck it! -It's time to chuck it! | 0:16:31 | 0:16:34 | |
Thanks very much. | 0:16:34 | 0:16:36 | |
-Where's Mark Stacey? -TOOT! | 0:16:37 | 0:16:39 | |
Am I keeping you waiting, darling? I've just got all the bargains. | 0:16:39 | 0:16:43 | |
-Are you happy, darling? -I'm ecstatically happy, Anita. | 0:16:43 | 0:16:47 | |
So, darlings, with a potential bargain safely in the boot, Anita is now in the driving seat. | 0:16:47 | 0:16:52 | |
I love this big steering wheel. I think it's great, it's wonderful. | 0:16:52 | 0:16:56 | |
It's like driving a huge, big car! | 0:16:56 | 0:16:59 | |
You look like the flower of Scotland...or is it an old thistle? | 0:16:59 | 0:17:02 | |
Mmm, prickly! | 0:17:02 | 0:17:04 | |
From Balfron, Anita must make her way to the next shopping date in Callender, gateway to the Highlands! | 0:17:04 | 0:17:10 | |
Callander, which became famous during the 1960s as the setting | 0:17:10 | 0:17:15 | |
for the fictional Tannochbrae of Dr Finlay's Casebook fame, | 0:17:15 | 0:17:21 | |
is also notable as the birthplace of Helen Duncan, | 0:17:21 | 0:17:24 | |
Britain's last convicted witch in 1944. | 0:17:24 | 0:17:27 | |
Well, I never did! | 0:17:27 | 0:17:29 | |
All that and Lady Kentmore, an antique shop. | 0:17:29 | 0:17:32 | |
-Hi, George, lovely to meet you again. -How are you doing? -I'm well. | 0:17:32 | 0:17:36 | |
George's shop is one of Anita's Roadtrip favourites, full of quirks and curiosities. | 0:17:36 | 0:17:42 | |
It's the sort of place where Crown Derby can happily nestle up against a jukebox or a slot machine. | 0:17:42 | 0:17:48 | |
-Have you got five pence, George? -I'll give you five pence. I know what a gambler you are! | 0:17:48 | 0:17:53 | |
There's no time for gambling here, but there is a rather nice clock. | 0:17:53 | 0:17:57 | |
-Tick tock! -I like that. I like the shape. | 0:17:57 | 0:18:01 | |
And it has a little Arts and Crafts look about it. | 0:18:01 | 0:18:06 | |
The Arts and Crafts movement flourished with William Morris | 0:18:06 | 0:18:09 | |
in the third quarter of the 19th century, and the philosophy soon spread to Scotland, | 0:18:09 | 0:18:13 | |
especially Glasgow, where it was adopted enthusiastically in both architecture and design. | 0:18:13 | 0:18:19 | |
A conservative estimate on that, I would say, would be £20-30. | 0:18:19 | 0:18:24 | |
Yeah, I think eventually that would finish up about 45-50. | 0:18:24 | 0:18:28 | |
If you was wanting this, we could probably do something around about the 30, which would be... | 0:18:28 | 0:18:32 | |
Round about the 30s? How about 22 on it? | 0:18:32 | 0:18:36 | |
-25 and it's yours. -I'm tempted to say, "Let's halve it and go 23." | 0:18:36 | 0:18:41 | |
-That's not half. -Oh, no! | 0:18:41 | 0:18:43 | |
Arithmetic! | 0:18:43 | 0:18:45 | |
-OK, what about 24? -24 and you've got a deal. | 0:18:45 | 0:18:48 | |
Oh, you're a darling! | 0:18:48 | 0:18:50 | |
With the shopping over and some serious dents in their respective £200 budgets, | 0:18:52 | 0:18:57 | |
our experts must get themselves to auction. | 0:18:57 | 0:19:00 | |
Anita spent £106.50 on five auction lots, | 0:19:02 | 0:19:05 | |
the globe biscuit tin, | 0:19:05 | 0:19:07 | |
the glass vase, | 0:19:07 | 0:19:08 | |
the, er, other glass vase, | 0:19:08 | 0:19:11 | |
the arts and crafts clock | 0:19:11 | 0:19:13 | |
and the wibbly-wobbly dumb waiter. | 0:19:13 | 0:19:15 | |
Mark, meanwhile, spent £97 on four lots, | 0:19:15 | 0:19:19 | |
the needlework sampler, | 0:19:19 | 0:19:21 | |
the Tudor rose barrel, | 0:19:21 | 0:19:23 | |
a globe of his own | 0:19:23 | 0:19:24 | |
and the Robert Dudley charger. | 0:19:24 | 0:19:26 | |
But what do Anita and Mark really think about each other's chances. | 0:19:28 | 0:19:31 | |
His big embroidery... | 0:19:33 | 0:19:35 | |
well, it's kind of OK, but I think the frame spoils it. | 0:19:35 | 0:19:40 | |
She was stark staring bonkers when she bought the wibbly-wobbly brand-new dumb waiter. | 0:19:40 | 0:19:46 | |
I think I'll have to be very, very lucky or make a very big profit on one thing to beat Mark. | 0:19:46 | 0:19:53 | |
Anita, though, at the saleroom, might well just have that clan spirit amongst the Scots! | 0:19:53 | 0:19:59 | |
And they might just beat me. | 0:19:59 | 0:20:01 | |
After starting out all the way back in Aberfeldy, | 0:20:03 | 0:20:06 | |
this leg of our bargain battle concludes in Dunblane... | 0:20:06 | 0:20:10 | |
MOO! | 0:20:10 | 0:20:11 | |
..here, at the auctioneer's, Robertsons of Kinbuck. | 0:20:11 | 0:20:15 | |
-OK, Mark, here we are. -Oh, it's exciting, isn't it, Anita? | 0:20:15 | 0:20:19 | |
-The saleroom! All this hard work over the last few days. -I know. Are you worried? | 0:20:19 | 0:20:23 | |
-Very worried. -Come on, I'll hold your hand. | 0:20:23 | 0:20:25 | |
Lead me into the saleroom, Anita! | 0:20:25 | 0:20:28 | |
So, as the would-be bidders begin their inspection... | 0:20:29 | 0:20:32 | |
MIAOW! | 0:20:32 | 0:20:34 | |
Hey, watch out for the china, pussy! | 0:20:34 | 0:20:36 | |
-..Auctioneer Bob Robertson has his own thoughts. -Thank you. | 0:20:36 | 0:20:40 | |
The biscuit barrel, that's by Chad. Chad predominantly made | 0:20:42 | 0:20:46 | |
tinplate toys and whatever, so quite unusual to see a biscuit barrel made as such. | 0:20:46 | 0:20:51 | |
Robert Dudley plaque. Quite unusual. Nice. And I reckon that might make the most this evening. | 0:20:51 | 0:20:57 | |
Let the auction begin! | 0:20:57 | 0:20:58 | |
Who's going to win? | 0:20:58 | 0:21:00 | |
-Well, of course you know the answer to that. -You? -Of course! | 0:21:00 | 0:21:05 | |
First up, Mark's late-Victorian, lidded pokerwork barrel | 0:21:05 | 0:21:08 | |
with those Tudor roses. | 0:21:08 | 0:21:11 | |
-Oh, here it is, Anita. -Good luck! | 0:21:11 | 0:21:14 | |
£30. £30 opening. | 0:21:14 | 0:21:17 | |
30 bid. 35. 40. | 0:21:17 | 0:21:20 | |
-Oh, my! -You're away! | 0:21:20 | 0:21:22 | |
-At £40 only. Come on, a wee bit more. -A wee bit more. | 0:21:22 | 0:21:26 | |
-Please, one more. -£40. All out now at £40. | 0:21:26 | 0:21:29 | |
At 40. Selling at £40. | 0:21:29 | 0:21:32 | |
Oh, I need some air. | 0:21:32 | 0:21:34 | |
We've got a long way to go. | 0:21:34 | 0:21:36 | |
Phew! A modest £5 profit, less commission. | 0:21:36 | 0:21:40 | |
But out of jail for Mr Stacey, eh? | 0:21:40 | 0:21:43 | |
-£40, that's not too bad, actually. -It's good. | 0:21:43 | 0:21:46 | |
Now it's the turn of Anita's little biscuit globe | 0:21:47 | 0:21:50 | |
and the quest to get her money back. | 0:21:50 | 0:21:53 | |
50? 45? £40 only. | 0:21:53 | 0:21:55 | |
-Start the bidding. 35. £35. This is a collector's item. -Anita, behave! | 0:21:55 | 0:21:59 | |
35! We need your bids, come on! | 0:21:59 | 0:22:02 | |
-Stop it! -We need your bids for this woman. -Stop encouraging him! | 0:22:02 | 0:22:05 | |
Come on! She's against that rascal next to her. | 0:22:05 | 0:22:08 | |
We've got to help the poor woman out! | 0:22:10 | 0:22:13 | |
No, you don't have to help her out. | 0:22:13 | 0:22:15 | |
£35. 30 only? | 0:22:15 | 0:22:17 | |
£35 only. | 0:22:17 | 0:22:18 | |
40. Come on, a wee bit more! | 0:22:18 | 0:22:21 | |
-45. £45. -Oh, come on! | 0:22:21 | 0:22:24 | |
£45. | 0:22:24 | 0:22:25 | |
-Well done, well done. -Well, I can't believe that! It's shocking! | 0:22:25 | 0:22:29 | |
Shocking display of nationalism! | 0:22:29 | 0:22:31 | |
So Anita loses £5 less commission, but it could have been much worse. | 0:22:31 | 0:22:37 | |
-Smile at him. -I won't even look at him after that! | 0:22:37 | 0:22:41 | |
Now for Anita's jack-in-the-pulpit vase. | 0:22:43 | 0:22:46 | |
£15. Go on! That lassie's jumping about in her seat again! | 0:22:46 | 0:22:50 | |
A tenner. | 0:22:50 | 0:22:52 | |
-£10. Bid at 10. -Oh, my God, I can't believe it! | 0:22:52 | 0:22:56 | |
-At 10. -Come on! -At 10. | 0:22:56 | 0:22:59 | |
At 10. 12. 14. 16 I'm bid. 18? | 0:22:59 | 0:23:04 | |
18. £20. | 0:23:04 | 0:23:06 | |
22? 22. All done now at £22. | 0:23:06 | 0:23:09 | |
-Yes! -First blood to the lassie. A nice profit of £17. | 0:23:09 | 0:23:14 | |
I might as well give up now. There's no point in me sitting here. | 0:23:14 | 0:23:17 | |
Oh, don't do that, Mark, | 0:23:17 | 0:23:19 | |
just as your favourite purchase goes under the hammer. | 0:23:19 | 0:23:22 | |
£60? | 0:23:22 | 0:23:24 | |
£60? 55? 50. | 0:23:25 | 0:23:27 | |
£40. Start the bidding now at £40. | 0:23:27 | 0:23:30 | |
£40. 30 bid. That's 30. 35 at the back. 35. | 0:23:30 | 0:23:35 | |
40. 40 bid only. 45. | 0:23:35 | 0:23:39 | |
50? Come on, a wee bit more. | 0:23:39 | 0:23:41 | |
-Come on! -50. 55. 60. | 0:23:41 | 0:23:44 | |
65? Come on, a wee bit more. | 0:23:44 | 0:23:46 | |
I'm doing your trick here! | 0:23:46 | 0:23:48 | |
-All done now. -Come on, it's worth more than that. | 0:23:48 | 0:23:50 | |
He's shouting! Come on! | 0:23:50 | 0:23:52 | |
I need some help here. | 0:23:52 | 0:23:54 | |
65. 70. | 0:23:54 | 0:23:56 | |
Thank you, sir. I'm getting the hang of this! | 0:23:56 | 0:23:59 | |
Sold! Give him a round of applause, guys! | 0:23:59 | 0:24:02 | |
Thank you, thank you. | 0:24:02 | 0:24:03 | |
There's one happy chappy, and so he should be, | 0:24:03 | 0:24:07 | |
with a whopping £45 of profit, less commission. | 0:24:07 | 0:24:11 | |
-That's a good price. -Are you happy, darling? -I'm happier now, yeah. | 0:24:11 | 0:24:14 | |
Now for Anita's Arts and Crafts clock. | 0:24:15 | 0:24:19 | |
I have a 75. Any advance on 75? | 0:24:19 | 0:24:21 | |
£75. Any advance on 75? | 0:24:21 | 0:24:23 | |
£75 only. | 0:24:23 | 0:24:25 | |
80. 85. | 0:24:25 | 0:24:27 | |
£90. £90 I'm bid. | 0:24:27 | 0:24:28 | |
At 90. At £90. All out on £90. Selling now at £90. | 0:24:28 | 0:24:34 | |
Yes! | 0:24:34 | 0:24:35 | |
£66 profit and Anita, it seems, is on a roll. | 0:24:35 | 0:24:40 | |
Anita, it was a nice clock, I admit that, it was your best buy. | 0:24:40 | 0:24:44 | |
Watch out, Scotland! Here's Robert Dudley. | 0:24:45 | 0:24:49 | |
The auctioneer thought the plaque was the best item. | 0:24:49 | 0:24:51 | |
Well, he's clearly wrong because the clock was the best item. | 0:24:51 | 0:24:54 | |
-You've maybe... -It's not going to make £90, let's be honest. | 0:24:54 | 0:24:58 | |
The first Governor of the Netherlands. 150, 120, £100? | 0:24:58 | 0:25:02 | |
£100 on it. Bid. | 0:25:02 | 0:25:03 | |
Any advance on 100? | 0:25:03 | 0:25:05 | |
At £100. 100. Any advance on 100? | 0:25:05 | 0:25:08 | |
Come on, guys, we're needing a bit. Lady's getting rather excited there. | 0:25:08 | 0:25:11 | |
£100. | 0:25:11 | 0:25:13 | |
At 100. Any advance on 100? At 100. | 0:25:13 | 0:25:15 | |
Well done! | 0:25:15 | 0:25:17 | |
From £17 to a ton. Beat that, smiler! | 0:25:17 | 0:25:22 | |
-Was that a wee smile on your face? -A wee smile. | 0:25:22 | 0:25:25 | |
Now for Anita's Scottish glassware. | 0:25:27 | 0:25:30 | |
£50. 45 to start. | 0:25:30 | 0:25:32 | |
£45 to start the bidding. | 0:25:32 | 0:25:34 | |
30 bid. | 0:25:34 | 0:25:36 | |
35. 40. 40 bid. 45. | 0:25:36 | 0:25:40 | |
50. 50 bid. | 0:25:40 | 0:25:41 | |
At 50. Any advance on 50? At £50. | 0:25:41 | 0:25:44 | |
-Come on, boys, a wee bit more. -That's it. | 0:25:44 | 0:25:46 | |
All done now at £50. | 0:25:46 | 0:25:48 | |
Not bad, Anita, for a £20 outlay. | 0:25:48 | 0:25:51 | |
That is a very good price. | 0:25:51 | 0:25:53 | |
-And I am very happy. -I'm very happy you're happy! | 0:25:53 | 0:25:56 | |
And he'll be even happier if the embroidery does well. | 0:25:58 | 0:26:02 | |
-£60? -Come on. -45, then? | 0:26:02 | 0:26:05 | |
30 to go. | 0:26:05 | 0:26:06 | |
-We've got 30, so... -35. 40. | 0:26:06 | 0:26:09 | |
40 only. 40. | 0:26:09 | 0:26:11 | |
45. 50. | 0:26:11 | 0:26:12 | |
At £50. Come on. £50. Somebody needs to... | 0:26:12 | 0:26:16 | |
-Come on! -It's getting you £50. -55. | 0:26:16 | 0:26:18 | |
55. Another wee bid. | 0:26:18 | 0:26:20 | |
-You want it, madam! -60. | 0:26:20 | 0:26:23 | |
At 60. Any advance on 60? | 0:26:23 | 0:26:26 | |
£60. The last time at £60. Yes, no? Here, then. | 0:26:26 | 0:26:29 | |
Ah, yes! | 0:26:29 | 0:26:31 | |
-You happy? -I'm happy with that. -And I do believe he is! | 0:26:31 | 0:26:35 | |
It's reasonably good. | 0:26:35 | 0:26:36 | |
It's blooming great! | 0:26:36 | 0:26:38 | |
Now, we hold on tight for that dumb waiter. | 0:26:38 | 0:26:42 | |
-A lovely object, lovely! -50. 50 I'll start it. | 0:26:43 | 0:26:48 | |
-Start it at £50. -It's not worth 50. -40. | 0:26:48 | 0:26:52 | |
Start at £30. Bid me, come on! £30. | 0:26:52 | 0:26:54 | |
At £30. 35. £35, any advance on 35? | 0:26:54 | 0:26:59 | |
35. I can go 36. £36? | 0:26:59 | 0:27:02 | |
36. 38? | 0:27:02 | 0:27:04 | |
At 38. Any advance on 38? £38. | 0:27:04 | 0:27:07 | |
-Well done, Anita. -38, good, good. | 0:27:07 | 0:27:10 | |
-Good, good. -38 was a good price for what you paid for it, in fairness. | 0:27:10 | 0:27:14 | |
Very good indeed for an item costing all of £7.50. | 0:27:14 | 0:27:18 | |
I think you're right. | 0:27:18 | 0:27:20 | |
It was worth 38. | 0:27:20 | 0:27:22 | |
So it's pretty much neck and neck after round one with Mark's nose just in front. | 0:27:22 | 0:27:28 | |
Maybe Scotland could turn out to be bonnie for him after all. | 0:27:28 | 0:27:32 | |
Mark began with £200, | 0:27:32 | 0:27:35 | |
and made £124.40 profit after auction costs, | 0:27:35 | 0:27:40 | |
leaving him £324.40. | 0:27:40 | 0:27:43 | |
While Anita, who also started out with £200, | 0:27:43 | 0:27:47 | |
made £94.40 after auction costs. | 0:27:47 | 0:27:51 | |
So she now has £294.40 to carry forward. | 0:27:51 | 0:27:56 | |
-We've made substantial profits, Anita. -I so enjoyed that. | 0:27:56 | 0:28:01 | |
-Are you pleased? -Oh, I'm ecstatic! -Is it my round? | 0:28:01 | 0:28:05 | |
I think you've made more money, so it's your round! | 0:28:05 | 0:28:08 | |
That's what I like to hear! Long may it continue! | 0:28:08 | 0:28:11 | |
Later on the Antiques Road Trip, Mark catches sight of a bargain. | 0:28:11 | 0:28:17 | |
That's a beautiful thing! Oh, I'm looking in the mirror. That's me! | 0:28:17 | 0:28:20 | |
Huh! Anita models a brand-new look. | 0:28:20 | 0:28:23 | |
Do I look like a standard lamp? | 0:28:23 | 0:28:26 | |
But who will light up the auction? | 0:28:26 | 0:28:29 | |
I don't think I can even look at you! | 0:28:29 | 0:28:32 | |
That's all coming up later. For now, let's not forget we're in Scotland, | 0:28:32 | 0:28:36 | |
amongst the mountains and lochs and even if for the non-native the dialect can be tricky to master, | 0:28:36 | 0:28:43 | |
folk are always happy to help out. | 0:28:43 | 0:28:46 | |
You've got "wee good" but have you got "murder" right? | 0:28:46 | 0:28:50 | |
-Murder. -No. Open your mouth more. | 0:28:50 | 0:28:53 | |
-Murder. -Enjoy it! Embrace your Rs! -Murder! | 0:28:53 | 0:28:57 | |
'Ha! Mark Stacey and Anita Manning | 0:28:58 | 0:29:01 | |
'are driving their marvellous Morris Minor through sumptuous Scotland this week. | 0:29:01 | 0:29:06 | |
'Bargain-seekers and sightseers.' | 0:29:06 | 0:29:09 | |
'Anita is an auctioneer from Glasgow with a fondness for Scottish jewellery.' | 0:29:09 | 0:29:15 | |
-Could you that for in the region of £12? -No. | 0:29:15 | 0:29:17 | |
'And the personality to light up a room.' | 0:29:17 | 0:29:20 | |
-Do I look like a standard lamp? -SHE LAUGHS | 0:29:20 | 0:29:23 | |
'But she does employ some unusual negotiating tactics.' | 0:29:23 | 0:29:28 | |
It's a wee bit wibbly-wobbly. Oops. | 0:29:28 | 0:29:30 | |
-'Before ending up quids in.' -HAMMER BANGS Yes! | 0:29:30 | 0:29:34 | |
'Mark Stacey is a valuer and dealer from Brighton. | 0:29:35 | 0:29:38 | |
'No surprise, then, that Regency is one of his favourite periods.' | 0:29:38 | 0:29:42 | |
I tell you what, I always go for a shapely leg. | 0:29:42 | 0:29:45 | |
'Mark's new to Scotland but learning fast.' | 0:29:45 | 0:29:49 | |
Naughty me. | 0:29:49 | 0:29:51 | |
'Thanks to some canny buys, Mark's on top, but we all know what pride comes before, don't we?' | 0:29:51 | 0:29:57 | |
-I can't believe this. -'They began with £200 each | 0:29:57 | 0:30:01 | |
'and have already made a nice profit. | 0:30:01 | 0:30:03 | |
'Anita kicks off with £294.40 to spend.' | 0:30:05 | 0:30:08 | |
HAMMER BANGS | 0:30:08 | 0:30:11 | |
'And Mark is just ahead on £324.40. | 0:30:11 | 0:30:16 | |
'Now, if they could just find their first shop...' | 0:30:16 | 0:30:19 | |
-It's here. It's right turn! -I know, but I got my left and my right mixed up. | 0:30:19 | 0:30:24 | |
'This leg of the roundtrip will travel from the Cairngorms, | 0:30:27 | 0:30:31 | |
'via the charming cities of Edinburgh and Durham, | 0:30:31 | 0:30:34 | |
'to Thirsk in North Yorkshire. | 0:30:34 | 0:30:36 | |
'We start off in Wiston, South Lanarkshire, | 0:30:36 | 0:30:40 | |
'and ends up at an auction showdown in Edinburgh. | 0:30:40 | 0:30:43 | |
And I want you to have a lovely time | 0:30:43 | 0:30:46 | |
and I want you to spend, spend, spend. | 0:30:46 | 0:30:50 | |
Oh, Anita, you are terrible! But remember, my darling, | 0:30:50 | 0:30:54 | |
-I've got more money than you to spend, spend, spend. -Dash it! -See you later! -Bye! | 0:30:54 | 0:30:59 | |
'So with Anita's words ringing in his ears, 'Mark strides purposefully off.' | 0:30:59 | 0:31:04 | |
-Hello. -Hi. I'm Mark. -I'm Mark, as well. That's a good start. | 0:31:04 | 0:31:09 | |
'Sunnyside is the sort of shop where anyone could happily while away some time | 0:31:10 | 0:31:16 | |
'surrounded by the essentials of a bygone era.' | 0:31:16 | 0:31:19 | |
Now, this is really the height of luxury. You and I would normally go to work | 0:31:19 | 0:31:25 | |
with our sandwiches wrapped up in silver foil. | 0:31:25 | 0:31:30 | |
But if you were the man or lady who had everything, you'd actually take your sandwiches | 0:31:30 | 0:31:35 | |
very delicately prepared with the crusts cut off | 0:31:35 | 0:31:39 | |
in a solid-silver sandwich box. | 0:31:39 | 0:31:42 | |
I'd probably keep my fondant fancies in there. | 0:31:42 | 0:31:45 | |
'Very nice, but £185? A man might struggle for a real bargain here. | 0:31:45 | 0:31:50 | |
'Not that Mr Stacey seems to care.' | 0:31:50 | 0:31:52 | |
BELL DINGS | 0:31:52 | 0:31:54 | |
It's not my time up already, is it? Surely not. | 0:31:54 | 0:31:58 | |
'Anita has motored on from Wiston | 0:31:58 | 0:32:01 | |
'to arrive at the town of Innerleithen, | 0:32:01 | 0:32:04 | |
'her first shopping destination. | 0:32:04 | 0:32:06 | |
'It also has two antique shops. Phew.' | 0:32:06 | 0:32:09 | |
-Hi there. -Hello, Brian. It's lovely to meet you. | 0:32:09 | 0:32:12 | |
-Nice to meet you. -Lovely to be back in Innerleithen. | 0:32:12 | 0:32:16 | |
'ABK Antiques is a little lesson in Scottish rural history | 0:32:17 | 0:32:22 | |
'and packed to the rafters with practical stuff, like Brian's fine tool collection.' | 0:32:22 | 0:32:27 | |
Don't tell me. Is it an instrument of torture? | 0:32:27 | 0:32:31 | |
-That's what it looks like! -That's what it looks like! | 0:32:31 | 0:32:36 | |
It's to hold a horse's mouth open when you're doing dental work. | 0:32:36 | 0:32:41 | |
'South Lanarkshire is a great horse-rearing area | 0:32:41 | 0:32:44 | |
'and Brian has plenty more tack, including a pair of leather hoof boots.' | 0:32:44 | 0:32:50 | |
I love these horses' shoes. I think they're great. What does that say? | 0:32:50 | 0:32:54 | |
Red Rum? | 0:32:54 | 0:32:56 | |
'Unfortunately not. They'd be worth a fortune. | 0:32:58 | 0:33:01 | |
'The leather over-shoe could be used when a horse-drawn lawnmower was employed | 0:33:01 | 0:33:06 | |
'so that the imprint of hooves didn't damage the lawn surface.' | 0:33:06 | 0:33:11 | |
I think this'll bring a smile to Mark Stacey's face. | 0:33:11 | 0:33:15 | |
'But £45, Anita?' | 0:33:16 | 0:33:18 | |
Can you sell me these horse boots, | 0:33:18 | 0:33:21 | |
these very useful horse boots, for...15 quid? | 0:33:21 | 0:33:26 | |
-No. -SHE LAUGHS | 0:33:26 | 0:33:29 | |
I was only kidding you on. | 0:33:29 | 0:33:31 | |
I need to buy them at round about the 25-ies. | 0:33:31 | 0:33:36 | |
-26? -No, 30. Bottom line. | 0:33:36 | 0:33:39 | |
£30 and you're getting a wonderful bargain. | 0:33:39 | 0:33:42 | |
Could you go 28? | 0:33:42 | 0:33:45 | |
-OK, 28. -28. That's great. We'll seal the deal at that. -Deal done. | 0:33:45 | 0:33:50 | |
'After making one of her stranger buys, | 0:33:50 | 0:33:52 | |
-'Anita spies something she's a bit more familiar with.' -That's rather pretty. | 0:33:52 | 0:33:56 | |
I mean, it's quite light for a paperweight. And we've got this nice... | 0:33:56 | 0:34:00 | |
-Cairngorms. -..smoky topaz. | 0:34:00 | 0:34:04 | |
'Topaz is easily confused with Scotland's own smoky quartz from the Cairngorms. | 0:34:04 | 0:34:10 | |
'But the stone in this £30 paperweight is almost certainly European.' | 0:34:10 | 0:34:14 | |
-Could you do that for in the region of £12? -No. £20. -Uh-huh. | 0:34:14 | 0:34:21 | |
I'm not wanting to make huge amounts of money because I won't make it on that, | 0:34:21 | 0:34:25 | |
-but I'm trying not to lose... -18. OK? | 0:34:25 | 0:34:29 | |
That's you getting an excellent buy. | 0:34:29 | 0:34:33 | |
See, a couple of pounds might make a difference. | 0:34:33 | 0:34:37 | |
It makes a difference to me, as well. | 0:34:37 | 0:34:40 | |
-No, 18 is the bottom. -18's the bottom? -Yep. -That's lovely. | 0:34:40 | 0:34:45 | |
'So, Anita is now the proud owner of one paperweight and a pair of horse boots. | 0:34:46 | 0:34:51 | |
'And Mark is still in the paddock, thinking seriously about a box.' | 0:34:51 | 0:34:55 | |
I've found a little agate or onyx box | 0:34:55 | 0:34:59 | |
very nicely made, with these little gilt brass hinges. | 0:34:59 | 0:35:05 | |
'It's made of alabaster actually, Mark. | 0:35:05 | 0:35:09 | |
'Like onyx and agate, a mineral that's been carved by man since ancient times. | 0:35:09 | 0:35:14 | |
'And the name may derive from an Egyptian goddess called Bast. | 0:35:14 | 0:35:18 | |
'Believe that, you'll believe anything.' | 0:35:18 | 0:35:20 | |
I would have put this around about 1910, 1920. | 0:35:20 | 0:35:25 | |
The price on that at the moment is £40, which is not too bad, actually. | 0:35:25 | 0:35:29 | |
The difficulty is you're relying really on people that have the same taste as me, | 0:35:29 | 0:35:34 | |
who would like the finer things of life. | 0:35:34 | 0:35:36 | |
'And what could be even more frivolous than that?' | 0:35:38 | 0:35:43 | |
It's a little sort of purse that you'd have your sovereign for your carriage fare home after a ball. | 0:35:43 | 0:35:49 | |
So you'd have this in your little elegant | 0:35:49 | 0:35:52 | |
Edwardian or Victorian handbag, evening bag. | 0:35:52 | 0:35:57 | |
We've got this little taffeta silk inside, a lovely blue, | 0:35:57 | 0:36:00 | |
and of course, because it's been inside this little case, it's remained remarkably fresh, | 0:36:00 | 0:36:06 | |
and the colour is just absolutely beautiful with that lovely... | 0:36:06 | 0:36:09 | |
You've still got that water effect when you move it round in your hand. | 0:36:09 | 0:36:13 | |
Well, there's no price on it. So I'm either going to be leaving here very happy, or "greetin'". | 0:36:13 | 0:36:20 | |
-'Yes, Mark. That means crying.' -Is that right? | 0:36:20 | 0:36:23 | |
'Those lessons from Anita are clearly paying off. | 0:36:23 | 0:36:26 | |
'Anita doesn't go far, just a few steps to MC Collectibles.' | 0:36:28 | 0:36:32 | |
'Unlike the next door neighbours, this is a traditional antiques shop. | 0:36:32 | 0:36:38 | |
Less paraphernalia, more Victoriana. | 0:36:38 | 0:36:40 | |
See this wee brooch here? If we see, there's a photograph there. | 0:36:40 | 0:36:46 | |
That's a boy scout by the looks of it. | 0:36:46 | 0:36:49 | |
It's the type of thing that you would put a lock of a loved one's hair. | 0:36:49 | 0:36:52 | |
It's what we call a mourning brooch. A Victorian mourning brooch. | 0:36:52 | 0:36:57 | |
And that little boy scout is in there. I wonder what happened to him. | 0:36:57 | 0:37:01 | |
'Pendants and brooches containing portrait miniatures and locks of loved ones' hair | 0:37:01 | 0:37:07 | |
'have been popular for centuries, particularly in the Victorian period. | 0:37:07 | 0:37:12 | |
'The price of £20 reflects that Michael probably thinks it's pinchbeck, | 0:37:12 | 0:37:16 | |
'a brass imitation of gold.' | 0:37:16 | 0:37:18 | |
I still quite like it. It depends on the price. | 0:37:18 | 0:37:22 | |
-It's something that I could maybe go for. -I'd do it for 15. | 0:37:22 | 0:37:26 | |
Could you do it for £10? | 0:37:26 | 0:37:28 | |
-Go on then. -Can you do it for 10? Thank you very, very much. -It's all right, my dear. | 0:37:28 | 0:37:33 | |
'Anita's eye catches the glint of amber glass. And if there's a bargain to be had...' | 0:37:33 | 0:37:38 | |
I collect glass myself. This is quite pretty. | 0:37:38 | 0:37:42 | |
There's no maker's name on it. And I prefer it to have a maker's name. | 0:37:42 | 0:37:46 | |
But I think it's quite pretty and I am a sucker for glass. | 0:37:46 | 0:37:49 | |
'No name and also no price. Anita's on the case.' | 0:37:49 | 0:37:54 | |
-Michael, could you do that one for a tenner? -I think I could, yeah. | 0:37:54 | 0:37:58 | |
-Yeah? OK. That's great. -OK? -No maker's name but it's still a bonny bit of glass. | 0:37:58 | 0:38:03 | |
-That's lovely. -Thank you very much. -Thank you. | 0:38:03 | 0:38:06 | |
'So, Anita's on a roll today. And meanwhile, at Sunnyside, | 0:38:06 | 0:38:10 | |
'Mark has decided it's time to finally plump for one or two of the luxuries he's been longing for.' | 0:38:10 | 0:38:16 | |
Anita did very well with her Strathearn vase yesterday, | 0:38:16 | 0:38:19 | |
but I think that was because she was the local girl, not that I'm in any way bitter. | 0:38:19 | 0:38:24 | |
I mean, I love this because I love the shape of it, | 0:38:24 | 0:38:27 | |
and it's very much that Monart glass style, but is it a £100 piece? | 0:38:27 | 0:38:31 | |
A £20 piece or a £200 piece? I simply have no idea. | 0:38:31 | 0:38:36 | |
'Monart from Moncrieff owes its distinctive look | 0:38:36 | 0:38:40 | |
'to a family of Spanish glassblowers called the Ysarts, 'who came to Scotland in 1915. | 0:38:40 | 0:38:45 | |
'Their paperweights, scent bottles, vases and the like | 0:38:45 | 0:38:49 | |
'were soon in huge demand at shops like Liberty and Tiffany's in the '20s and '30s. | 0:38:49 | 0:38:54 | |
'And Mark's also tempted by something he does know a fair bit about.' | 0:38:54 | 0:39:02 | |
It's quite nice detail on here, actually, even though it's a very simple, plain piece of silver. | 0:39:02 | 0:39:08 | |
It's Sheffield but I think, looking at that mark, | 0:39:08 | 0:39:10 | |
it's probably George V, late teens, early '20s, I think. | 0:39:10 | 0:39:15 | |
So we'll put that there for the moment because that's 45. | 0:39:15 | 0:39:18 | |
Mark, I need to start considering decisions now. I mean, this one I like. | 0:39:18 | 0:39:25 | |
-You've got 40 on it. What would be the absolute lowest on that. -30? -Not 25? | 0:39:25 | 0:39:30 | |
-Not even 28. -HE LAUGHS | 0:39:30 | 0:39:32 | |
-Not 29? -No. 30. -£30, OK. | 0:39:32 | 0:39:36 | |
-And what about this one? You said 45 on that. -I would come down to 38. -38. -It would be worth more in scrap. | 0:39:36 | 0:39:42 | |
This is the thing I absolutely adore, Mark. | 0:39:42 | 0:39:46 | |
-You've got it priced up at 105. -The best I could do would be...90. | 0:39:46 | 0:39:53 | |
-If it helps, I'll go the extra 5 at 85. -Thank you, Mark. And this Monart. | 0:39:53 | 0:39:59 | |
OK, so we have 153 for those three... | 0:39:59 | 0:40:03 | |
Erm, and I'll put that one in, £200 the lot. | 0:40:03 | 0:40:07 | |
I'm going to go for it. | 0:40:07 | 0:40:09 | |
I've blown most of my budget, | 0:40:09 | 0:40:11 | |
very close to my budget on four items in my first shop. | 0:40:11 | 0:40:14 | |
Am I mad? Yes, of course I am. Completely. | 0:40:14 | 0:40:18 | |
'I couldn't possibly comment, Mark. | 0:40:18 | 0:40:21 | |
'So, while we give Mark the opportunity to pay up in haste and repent at leisure, | 0:40:21 | 0:40:27 | |
'Anita is back on the road, | 0:40:27 | 0:40:30 | |
'driving from Innerleithen to Roslin in Midlothian | 0:40:30 | 0:40:34 | |
'to visit its world-famous, 15th century chapel. | 0:40:34 | 0:40:38 | |
'If you've ever seen the movie of The Da Vinci Code, | 0:40:40 | 0:40:43 | |
'then you'll probably recognise the chapel, which featured in a fairly climactic scene. | 0:40:43 | 0:40:49 | |
'For centuries people have puzzled over the meaning of the rich and abundant carvings here.' | 0:40:49 | 0:40:56 | |
Oh, Simon! | 0:40:56 | 0:40:58 | |
This is the most extraordinary, | 0:40:58 | 0:41:01 | |
-extraordinary place. -Yes, it's quite a place, isn't it? | 0:41:01 | 0:41:05 | |
'Dan Brown, like many before him, | 0:41:07 | 0:41:10 | |
'concluded that the carvings must be the key to a great secret, | 0:41:10 | 0:41:13 | |
'usually involving Knights Templars and the Holy Grail, | 0:41:13 | 0:41:17 | |
'but there's a confusing amount of Pagan imagery too, | 0:41:17 | 0:41:20 | |
'as Anita's guide, Simon Beatty explains.' | 0:41:20 | 0:41:23 | |
This green man, it's a symbol that pops up all over the world. | 0:41:23 | 0:41:27 | |
It's a Pagan symbol originally. It's a god of nature, a god of fertility. | 0:41:27 | 0:41:31 | |
Usually you get one or two in a church, we've got over 100. | 0:41:31 | 0:41:35 | |
Do you sometimes feel that the eyes are following you around? SHE LAUGHS | 0:41:35 | 0:41:38 | |
There are occasions when you do feel someone's watching you, certainly. | 0:41:38 | 0:41:42 | |
'Amongst the incredible detail of what remains a working chapel are numerous quirks and curiosities, | 0:41:45 | 0:41:51 | |
'like this, the oldest known carving of a Scottish bagpiper, | 0:41:51 | 0:41:55 | |
'as well as a reminder or two of the nameless craftsman who built Roslin.' | 0:41:55 | 0:42:00 | |
What a magnificent pillar! | 0:42:00 | 0:42:03 | |
-The Apprentice Pillar. -Is that the Apprentice Pillar? -Yeah. | 0:42:03 | 0:42:06 | |
-That's wonderful. I believe there's a story behind that? -There is, yes. | 0:42:06 | 0:42:11 | |
The master mason was given the task of recreating a pillar that was in Rome. | 0:42:12 | 0:42:16 | |
So he went off to Rome to look at this original pillar. | 0:42:16 | 0:42:19 | |
While he was away, an apprentice mason carved this pillar, | 0:42:19 | 0:42:23 | |
without permission of the master mason, the master mason came back, | 0:42:23 | 0:42:27 | |
was very upset that someone had carved in his spot, and killed the apprentice for doing it. | 0:42:27 | 0:42:32 | |
-That's very gruesome. -That is not a nice story, really. | 0:42:32 | 0:42:36 | |
'He got his comeuppance, though. | 0:42:37 | 0:42:39 | |
'This is the face of the master, condemned to stare forever at his apprentice's work.' | 0:42:39 | 0:42:45 | |
'Those two could have done with making a study | 0:42:48 | 0:42:51 | |
'of Mark and Anita's harmonious working relationship. | 0:42:51 | 0:42:55 | |
'Now though, Mark's getting his turn | 0:42:55 | 0:42:58 | |
'in the antique shops of Innerleithen.' | 0:42:58 | 0:43:01 | |
-What's this? -Don't you know what that is? -I don't think I do. | 0:43:01 | 0:43:05 | |
It's a prayer stool. | 0:43:05 | 0:43:06 | |
I don't think I've ever seen one that shape before. | 0:43:06 | 0:43:09 | |
-So is that Victorian, do you think? -I think so. It's well-upholstered. -Quite nice, isn't it? | 0:43:09 | 0:43:15 | |
-It's quite well upholstered. Probably an oak frame, I would have thought. -Beautifully made, yes. | 0:43:15 | 0:43:20 | |
-So how does it work? -Well, I think you actually... I think you just kneel like that. | 0:43:20 | 0:43:26 | |
-Fun wee thing that, isn't it? -Different. -You've got it priced up at £25. | 0:43:26 | 0:43:30 | |
-Can you be charitable with me? -I could do you it for 18. | 0:43:30 | 0:43:34 | |
I've just seen that little box with N on it. What's it for? | 0:43:37 | 0:43:42 | |
-It's for cigarette holders. -See, I like these two things. | 0:43:42 | 0:43:45 | |
Oh, Brian, you are terrible. You're leading me astray. | 0:43:45 | 0:43:49 | |
You'll go tomorrow, find nothing and say, "I wish I'd bought that stuff in Innerleithen." | 0:43:49 | 0:43:53 | |
-Can I be cheeky with you? -Aye. | 0:43:53 | 0:43:55 | |
Could we do the two for 18? | 0:43:55 | 0:43:59 | |
Do you the two for 20, how's that? That's an excellent bargain. | 0:43:59 | 0:44:03 | |
I'm going to do it. Brian, thank you very much. | 0:44:04 | 0:44:06 | |
Oh, my giddy aunt, what have I done? I've been rash again! I promised I wouldn't do this! | 0:44:11 | 0:44:16 | |
And now I'm stuck with the consequences. | 0:44:16 | 0:44:18 | |
'Day two finds our hero and heroine heavy in baggage and light in funds, | 0:44:24 | 0:44:29 | |
'after a bumper start to their bargain-seeking tour.' | 0:44:29 | 0:44:33 | |
We really don't know what's round the corner as far as antique shops go | 0:44:33 | 0:44:38 | |
-and that's just such a pleasure. -Well, it is, but also quite a worry. | 0:44:38 | 0:44:42 | |
'Mark has already splashed out £220 on six items. | 0:44:42 | 0:44:45 | |
'Not least a potentially lucrative prayer stool.' | 0:44:45 | 0:44:49 | |
WHISPERS: Please, please, huge profits. | 0:44:49 | 0:44:52 | |
'Leaving him with just over £100. | 0:44:52 | 0:44:55 | |
'While Anita spent £66 on four items, | 0:44:55 | 0:44:59 | |
'including some fairly unusual hoof boots.' | 0:44:59 | 0:45:02 | |
-Guaranteed money-maker. -'Leaving her with just under £230.' | 0:45:02 | 0:45:07 | |
'Today's canter is from Roslin to Edinburgh, | 0:45:08 | 0:45:11 | |
'calling in on Thirsk, on the outskirts of Dalkeith.' | 0:45:11 | 0:45:14 | |
-I tell you what, you save your legs, you go in there, I'll go in here. -OK. | 0:45:14 | 0:45:19 | |
'Mark makes first for Drum Farm Antiques, | 0:45:21 | 0:45:24 | |
'a vast barn of a place mostly filled with furniture | 0:45:24 | 0:45:28 | |
If you need a chair, this is the place to come. | 0:45:28 | 0:45:31 | |
'Retropolis, next door, certainly lives up to its name. | 0:45:31 | 0:45:36 | |
'But after the fashion, Anita wastes no time in unearthing yet another very practical box.' | 0:45:36 | 0:45:42 | |
In the west of Scotland they love Arts and Crafts beaten metal. | 0:45:42 | 0:45:47 | |
I wonder if they'll like it in the east coast, as well? It is hand-hammered. | 0:45:47 | 0:45:52 | |
And I love the text, I love that stylised text. | 0:45:53 | 0:45:57 | |
'At the turn of the 20th century, Scotland experienced a flowering of Art Nouveau design. | 0:45:57 | 0:46:04 | |
'The Scottish blend of Arts and Crafts, Celtic revival and Eastern influences | 0:46:04 | 0:46:09 | |
'became known as the Glasgow School.' | 0:46:09 | 0:46:11 | |
-Think we can do that for £20. -£20? -Yeah. | 0:46:11 | 0:46:15 | |
-Could I make an offer of a tenner on it? -Oh! | 0:46:15 | 0:46:18 | |
-LAUGHS -My wallet's contracting there. -SHE LAUGHS | 0:46:18 | 0:46:22 | |
If you can come to ten, it would give me a chance. | 0:46:22 | 0:46:25 | |
-Squeeze 12 out. I think you'll... -Can we come in between 10 and 12? -All right, £11. | 0:46:25 | 0:46:32 | |
You'd think we were buying a Lamborghini or something. | 0:46:32 | 0:46:35 | |
-I know, it's a blooming slipper box, but OK. £11, it's yours. -11? Thank you very much. | 0:46:35 | 0:46:40 | |
'Anita now has five items. So will she stop the shop? Not likely!' | 0:46:42 | 0:46:49 | |
I have one more shop. I have five items. | 0:46:49 | 0:46:52 | |
However, I have a cunning plan. | 0:46:52 | 0:46:55 | |
What I was thinking, if I see a nice piece of jewellery, | 0:46:55 | 0:46:59 | |
then I can buy it, I can put it in with my little brooch just to bulk it up a bit. | 0:46:59 | 0:47:06 | |
'Anita is travelling from Dalkeith to North Berwick | 0:47:06 | 0:47:11 | |
'to visit Lovage & Lace.' | 0:47:11 | 0:47:14 | |
-Helen, can I have a wee look around? -Yes. -This looks absolutely wonderful. | 0:47:14 | 0:47:18 | |
'Lovage & Lace sells a mixture of antique, vintage and reproduction. | 0:47:18 | 0:47:23 | |
'Anita, though, has eyes for only one thing.' | 0:47:23 | 0:47:26 | |
Can we look at that wee cat brooch? | 0:47:26 | 0:47:29 | |
I think that's lovely. I think it looks French. | 0:47:29 | 0:47:32 | |
-I know. -SHE LAUGHS | 0:47:32 | 0:47:35 | |
-It's very tempting, but it won't... -You can have it for... What's on it? 16. | 0:47:35 | 0:47:40 | |
You can have it, as it's you, for 13. How about that? | 0:47:40 | 0:47:43 | |
-It's got that sort of je ne sais quoi. -Yes, it does. | 0:47:43 | 0:47:47 | |
-It's very stylish. -A bit of style. -Everything from France is stylish. | 0:47:47 | 0:47:51 | |
Would I be able to make you an offer for it? | 0:47:51 | 0:47:55 | |
-£10? -No. I'll do it for 12 for you. | 0:47:55 | 0:47:59 | |
-I can't. Because it's such a bargain already at that. -Yes. | 0:47:59 | 0:48:02 | |
Would you take 10? I could take a chance on 10. | 0:48:02 | 0:48:05 | |
-On 10. -No. I'll take 11. | 0:48:05 | 0:48:07 | |
11? Shall we just go for it? Let's go for it! THEY LAUGH | 0:48:07 | 0:48:11 | |
With the cat in the bag, the shopping hours are finally over | 0:48:11 | 0:48:17 | |
and an auction showdown beckons. | 0:48:17 | 0:48:19 | |
Anita bravely spent £88 on five auction lots. | 0:48:19 | 0:48:23 | |
The horse overshoes, - neigh! - the amber glass vase, | 0:48:23 | 0:48:29 | |
the copper slipper box, the silver-mounted paperweight, | 0:48:29 | 0:48:33 | |
the mourning brooch and the Victorian cat brooch. | 0:48:33 | 0:48:35 | |
Meow! | 0:48:35 | 0:48:38 | |
Mark meanwhile lavished a strident £220 also on five lots. | 0:48:38 | 0:48:42 | |
The Monart vase, the alabaster box, | 0:48:42 | 0:48:47 | |
the Victorian lady's purse, and why not? | 0:48:47 | 0:48:50 | |
The silver bottle coaster | 0:48:50 | 0:48:51 | |
and the cigarette box with the upholstered prayer stool. | 0:48:51 | 0:48:55 | |
Hallelujah! But what do they reckon on each other's chances? | 0:48:55 | 0:48:59 | |
The Red Rum two-legged horse clippety-clop things, | 0:49:02 | 0:49:06 | |
I wouldn't have touched them for £24. | 0:49:06 | 0:49:08 | |
But Anita's had wacky things before and made a profit. | 0:49:08 | 0:49:11 | |
That kneeler, it's more like a cat scratcher. | 0:49:11 | 0:49:15 | |
It's absolutely horrible. | 0:49:15 | 0:49:18 | |
I've really bought better items. | 0:49:18 | 0:49:20 | |
Whether that'll result in better profits, it's anyone guess, really. | 0:49:20 | 0:49:24 | |
I think that I probably have the edge on this sale. | 0:49:24 | 0:49:30 | |
'After starting out in the Lanarkshire countryside at Wiston, | 0:49:31 | 0:49:35 | |
'this leg of our bargain battle will be decided in Edinburgh | 0:49:35 | 0:49:39 | |
'at the auctioneers Thomson Roddick & Medcalf.' | 0:49:39 | 0:49:42 | |
-Are you excited? -I'm very excited. I'm always excited. | 0:49:42 | 0:49:46 | |
You've bought lovely items and I'm sure you'll make a profit. | 0:49:46 | 0:49:49 | |
-And, of course, you didn't, Anita, and I'm sure you will make a profit. Shall we get in? -Yes. | 0:49:49 | 0:49:54 | |
-I'll hold your hand, darling. -Come on, lead the way, darling. | 0:49:54 | 0:49:58 | |
'The Edinburgh public are gathering. to inspect the goods and the hammer is poised to fall, | 0:49:58 | 0:50:03 | |
'but Mark and Anita are keen to grab a quick word with auctioneer Sybelle Thomson.' | 0:50:03 | 0:50:08 | |
-How are they going to do? -We'll keep our fingers crossed. | 0:50:08 | 0:50:11 | |
You bought one or two nice quality items. | 0:50:11 | 0:50:14 | |
-Well, I did. -Well, I don't know who bought what. -THEY LAUGH | 0:50:14 | 0:50:17 | |
I particularly like the little Georgian ivory purse, | 0:50:17 | 0:50:21 | |
which is particularly special. | 0:50:21 | 0:50:23 | |
The horse hoof covers, they're a real novelty collectors item. | 0:50:23 | 0:50:27 | |
They're interesting and so we'll see. | 0:50:27 | 0:50:29 | |
-'Let's go.' -One minute to go. Are you excited? | 0:50:29 | 0:50:33 | |
I am excited. And nervous, of course, as usual. | 0:50:33 | 0:50:35 | |
'Kicking off with the hoof boots.' | 0:50:37 | 0:50:39 | |
-I've got 20 bid on commission. -20 is bid. -20 bid. | 0:50:39 | 0:50:42 | |
25. 30. | 0:50:42 | 0:50:44 | |
5. 40. You're all out seated. Make no mistake. | 0:50:44 | 0:50:47 | |
They're on commission at 40. Anyone going on? At £40. | 0:50:47 | 0:50:51 | |
Well, that's not bad, Anita. | 0:50:51 | 0:50:53 | |
'A profit of £12 before commission on the boots.' | 0:50:53 | 0:50:57 | |
It's more Red Rum than Dobbin. | 0:50:57 | 0:51:01 | |
'Next, Mark's Monarch vase.' | 0:51:01 | 0:51:04 | |
100. 50. 50. | 0:51:04 | 0:51:07 | |
-Come on. -30 bid. -35. | 0:51:07 | 0:51:09 | |
-40. -Oh, no. -£40. Any advance on 40? | 0:51:09 | 0:51:12 | |
45. £50. Bid's with the lady at 50. 55. | 0:51:12 | 0:51:17 | |
-Any advance on 55? -Come on. -Selling to my right at 55. | 0:51:17 | 0:51:21 | |
-60. -Oh, new place. -£60. Right at the back at 60. | 0:51:21 | 0:51:25 | |
65. 65. | 0:51:25 | 0:51:28 | |
-Any advance on 65? -HAMMER BANGS | 0:51:28 | 0:51:30 | |
'Almost £20 made. Not to be sniffed at.' | 0:51:30 | 0:51:34 | |
So it's a small profit but at least it's a profit. | 0:51:34 | 0:51:37 | |
'Next, Anita's anonymous glass.' | 0:51:37 | 0:51:40 | |
Who'd like to start me? £30 for it. 30. | 0:51:40 | 0:51:43 | |
-20. 20 bid. -20 bid. -20. | 0:51:43 | 0:51:45 | |
20 bid. Who's going on? At 20 bid. 25. 30. | 0:51:45 | 0:51:49 | |
£30. Still on commission at £30. | 0:51:49 | 0:51:53 | |
-Yes! -'Also a good return.' | 0:51:53 | 0:51:57 | |
Not huge profits, but reasonable, decent, working profits. | 0:51:57 | 0:52:03 | |
'Now Mark's favourite item, the sovereign purse.' | 0:52:03 | 0:52:07 | |
Quite a lot of bids on it and I'm going to start it at £65. 65. | 0:52:07 | 0:52:12 | |
70. 5. 80. 5. | 0:52:12 | 0:52:15 | |
-85. With me on commission at 85. -Come on. | 0:52:15 | 0:52:19 | |
-85. 90. 5. -On the phone. | 0:52:19 | 0:52:22 | |
-100. 100. -Come on, a bit more. Come on. -On the telephone at 100. | 0:52:22 | 0:52:26 | |
-A little bit more. -At 100. Any advance on 100? | 0:52:26 | 0:52:30 | |
-Oh, no. -On the phone at £100. | 0:52:30 | 0:52:33 | |
Oh, that's disappointing. | 0:52:33 | 0:52:36 | |
'Certainly not what he'd hoped for.' | 0:52:36 | 0:52:39 | |
Technically, after commission, that's a loss. | 0:52:39 | 0:52:41 | |
'Anita's Scottish slipper box.' | 0:52:41 | 0:52:45 | |
-20 bid. 20 bid. -We're in at 20. -25. 30. -That's good. | 0:52:45 | 0:52:49 | |
On the right at 30. Anyone else going on? | 0:52:49 | 0:52:52 | |
At 30. The bid's on my right at £30. | 0:52:52 | 0:52:55 | |
Well, you were spot on there, Anita. Absolutely spot on. | 0:52:55 | 0:52:59 | |
'Thanks to some shrewd bargaining, | 0:52:59 | 0:53:01 | |
'another small gain for Anita.' | 0:53:01 | 0:53:04 | |
I would've liked a wee bit more, but then again, I'm happy with that. | 0:53:04 | 0:53:08 | |
'Mark's silver coaster is under the hammer next. | 0:53:08 | 0:53:11 | |
'But Mark's head, it seems, is elsewhere.' | 0:53:11 | 0:53:14 | |
5. 50. 5. | 0:53:14 | 0:53:17 | |
-60. 5. -Ooh. -70. -Is this mine? -5. | 0:53:17 | 0:53:20 | |
-75. -Never. -Standing on my left at 75. -No. Is it? | 0:53:20 | 0:53:23 | |
Would anyone else like in? At £75. | 0:53:23 | 0:53:27 | |
-Yes! -£75, Anita. | 0:53:27 | 0:53:30 | |
'Full marks for silver. £37 profit before commission.' | 0:53:30 | 0:53:35 | |
That's pushed me right back in the game, Anita. | 0:53:35 | 0:53:37 | |
'Anita's smoky topaz paperweight.' | 0:53:37 | 0:53:41 | |
£30 to make a start. 30. 30 bid. | 0:53:41 | 0:53:44 | |
30 bid. 35. 40. | 0:53:44 | 0:53:47 | |
5. 45. 45. | 0:53:47 | 0:53:50 | |
At £45. | 0:53:50 | 0:53:52 | |
-'Not a hefty profit, but over twice the cost.' -What do I know, Anita? | 0:53:52 | 0:53:56 | |
-I clearly know absolutely nothing. -Oh, well, as long as you admit it. | 0:53:56 | 0:54:00 | |
'That tasteful alabaster box.' | 0:54:00 | 0:54:03 | |
-20 bid. 20 bid. -Oh, please, a bit more. | 0:54:03 | 0:54:06 | |
£20. First and only bid of 20. | 0:54:06 | 0:54:08 | |
Anyone going on for a nice alabaster box at 20? | 0:54:08 | 0:54:11 | |
At £20. | 0:54:11 | 0:54:14 | |
Damn. | 0:54:14 | 0:54:16 | |
-'A £10 loss before commission.' -No, that's disappointing. | 0:54:16 | 0:54:20 | |
'Anita's little jewellery lot.' | 0:54:20 | 0:54:23 | |
The mourning brooch and cat brooch at 45. | 0:54:23 | 0:54:26 | |
-45. -50. 5. 60. | 0:54:26 | 0:54:28 | |
-5. 65. Still on commission at 65. -That must've been gold, Anita. | 0:54:28 | 0:54:34 | |
At £65. 901. | 0:54:34 | 0:54:37 | |
A very sharp profit. | 0:54:37 | 0:54:39 | |
Oh, dear. I knew this was going to be a bad day. | 0:54:39 | 0:54:43 | |
'Now, does this lot have a prayer?' | 0:54:43 | 0:54:47 | |
-£85. -I don't think I can even look, Anita. I can't even look. | 0:54:47 | 0:54:51 | |
Who'd like to start me at £40 for these? 40. | 0:54:51 | 0:54:54 | |
-20. 20. £20. -Oh, come on. | 0:54:54 | 0:54:57 | |
20. £10. Beautifully upholstered. At 10. | 0:54:57 | 0:55:01 | |
£10. £10. Anyone for 10? | 0:55:01 | 0:55:03 | |
-I don't think it's going to sell. -£10. 10 bid. 10 bid. | 0:55:03 | 0:55:07 | |
-Oh, no. -10 bid. First and only bid of 10. | 0:55:07 | 0:55:10 | |
-Come on. -12. -12! -Come on! | 0:55:10 | 0:55:12 | |
-12. Have another, sir. At 12. -It's lovely! Come on! | 0:55:12 | 0:55:15 | |
-At £12. -Oh, that's terrible. | 0:55:15 | 0:55:18 | |
'An £8 loss before auction costs. | 0:55:18 | 0:55:22 | |
'Seems like he wasn't listening, Mark.' | 0:55:22 | 0:55:24 | |
£12, Anita. | 0:55:24 | 0:55:27 | |
I can't say that I'm surprised. | 0:55:27 | 0:55:29 | |
'Anita's less than consoling words are tempered by the knowledge | 0:55:31 | 0:55:35 | |
'that she now leads by about £50. Call it a short head. | 0:55:35 | 0:55:39 | |
'Mark began with £324.40 | 0:55:39 | 0:55:42 | |
'and made £3.04 after auction costs, | 0:55:42 | 0:55:47 | |
'so he now has £327.44 to spend tomorrow. | 0:55:47 | 0:55:52 | |
'Anita started this round with £294.40 | 0:55:53 | 0:55:57 | |
'and made £84.20 after auction costs, | 0:55:57 | 0:56:01 | |
'leaving her with £378.60 to carry forward.' | 0:56:01 | 0:56:07 | |
Never mind, Mark. Not much ahead. | 0:56:07 | 0:56:09 | |
-Don't be depressed. We'll go for a wee spin and have a nice cup of tea. -Wonderful. | 0:56:09 | 0:56:14 | |
-The ride's on you. -SHE LAUGHS | 0:56:14 | 0:56:16 | |
'Next time on the Antiques Road Trip...' | 0:56:19 | 0:56:23 | |
-And a kiss. -Absolutely. | 0:56:23 | 0:56:26 | |
'And Anita unlocks a little bit of history.' | 0:56:26 | 0:56:29 | |
-This is actually a piece of Napoleon's hair? -That's amazing. We didn't know that was there. | 0:56:29 | 0:56:36 | |
Subtitles by Red Bee Media Ltd | 0:56:54 | 0:56:57 |