Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite antiques experts, £200 each and one big challenge... | 0:00:02 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-15 quid. -No. | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:15 | 0:00:19 | |
But it's not as easy as you might think, and things don't always go to plan. | 0:00:19 | 0:00:22 | |
Push! | 0:00:22 | 0:00:24 | |
So will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm going to go for it. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
The road trip is wending its way through Scotland in high summer with Mark Stacey and Anita Manning. | 0:00:36 | 0:00:43 | |
-Welcome to British summertime. -Well, it's always Mediterranean climate in Scotland, Mark. | 0:00:44 | 0:00:50 | |
Yes, I can see, Anita. My castanets are frozen. | 0:00:50 | 0:00:55 | |
Mark, Anita and their wee Morris have taken the high road, the low road and even a few wrong roads... | 0:00:56 | 0:01:03 | |
It's right turn. | 0:01:05 | 0:01:06 | |
..and now they're getting very close to the border. | 0:01:06 | 0:01:10 | |
-So just over that hill is England. -I'm sure there's been a few battles around here over the years. | 0:01:10 | 0:01:17 | |
Mark is a valuer and a dealer who loves to splash out now and again. | 0:01:20 | 0:01:26 | |
-I daren't ask you for a discount on four, dare I?. -No, you wouldn't. | 0:01:26 | 0:01:29 | |
-Although that can get him into trouble. -I can't believe it. | 0:01:29 | 0:01:34 | |
-While Anita, an auctioneer, is both the queen of canny... -£22? | 0:01:34 | 0:01:40 | |
-It's too much. -..and a mother with a shoulder to cry on. | 0:01:40 | 0:01:42 | |
-I clearly know absolutely nothing. -Well, as long as you admit it. | 0:01:42 | 0:01:47 | |
They began with £200 each and have already made a major profit. | 0:01:48 | 0:01:53 | |
Mark goes into today with £327.44 to spend, | 0:01:54 | 0:02:00 | |
while Anita has sneaked ahead on £378.06. | 0:02:00 | 0:02:06 | |
Oh, dear. I knew this was going to be a bad day. | 0:02:06 | 0:02:10 | |
This road trip is travelling from the Cairngorms via charming Edinburgh and Durham | 0:02:12 | 0:02:18 | |
to Thirsk in North Yorkshire. Today's leg starts out at Melrose in the Scottish Borders | 0:02:18 | 0:02:23 | |
and heads for auction in Sunderland. | 0:02:23 | 0:02:25 | |
What's your strategy today? | 0:02:27 | 0:02:30 | |
I'm not quite sure, Mark. I think I'm going to remain a little canny. | 0:02:30 | 0:02:34 | |
I do think you ought to try less of this canniness, Anita. You need to risk sometimes, you know. | 0:02:34 | 0:02:40 | |
So, with that thought, our duo hit the streets of Melrose to try for a bargain. | 0:02:42 | 0:02:48 | |
Anita's arrived at Whole Lot Antiques - ha! - where there are indeed quite a few objects | 0:02:48 | 0:02:54 | |
gathered under one roof, but no dealers present. | 0:02:54 | 0:02:58 | |
So enquiries must be directed through the shopkeeper Pat Glass. | 0:02:58 | 0:03:02 | |
This is a seal, and this part here would be used | 0:03:03 | 0:03:09 | |
to stamp the wax to seal your letters | 0:03:09 | 0:03:13 | |
just for extra confidentiality. | 0:03:13 | 0:03:17 | |
I'm not sure of the age of it. Do you know anything? | 0:03:17 | 0:03:21 | |
All that we can tell you is what the dealer actually puts on the ticket. | 0:03:21 | 0:03:25 | |
Unfortunately the only thing on the ticket is a price of £52. | 0:03:25 | 0:03:29 | |
But Pat may be a little bit flexible. | 0:03:29 | 0:03:34 | |
I could do that for 30. | 0:03:34 | 0:03:35 | |
I'm really looking to get that for around £20. | 0:03:36 | 0:03:40 | |
-I can give her a ring and find out what the best price would be. -OK, uh huh. | 0:03:40 | 0:03:44 | |
So while Pat makes the call, Anita steps outside, not to nick it but to take a closer look. | 0:03:44 | 0:03:49 | |
I'm still not absolutely sure if it's a modern replica. It really is touch and go. | 0:03:49 | 0:03:57 | |
Anita, we have had good news. I've had the dealer on the phone and she'll take 25. | 0:03:57 | 0:04:02 | |
Right. I think we should just go for it. | 0:04:02 | 0:04:05 | |
Elsewhere in Melrose, Mark is exploring his first shop, Michael Vee Design. | 0:04:07 | 0:04:12 | |
-Hello, Enid. -Hi. -I love your shop. -Thank you. -I love it. | 0:04:12 | 0:04:17 | |
I mean, it's just really what the market's going for now, a mixture of the new and the old. | 0:04:17 | 0:04:21 | |
-Well, I might have something. -Oh, wow. Gosh, Enid. | 0:04:21 | 0:04:25 | |
First of all, we've got some sort of insignia with a lion's head. Now, that could be anything. | 0:04:25 | 0:04:30 | |
We've got a long chain, so it's going to hang like that, isn't it? | 0:04:30 | 0:04:33 | |
-And then what happens when you open it? -Well, it's a whistle. -Gosh. | 0:04:33 | 0:04:39 | |
I bet it still works. | 0:04:41 | 0:04:42 | |
HIGH-PITCHED TOOT | 0:04:42 | 0:04:44 | |
-It does. -Absolutely. Police, fire brigade... | 0:04:44 | 0:04:47 | |
Do you know, I think it is some sort of commander's, for ceremonial purposes. | 0:04:47 | 0:04:52 | |
-Yeah. -So whether it's when they're on parade and you've got your finery on, | 0:04:52 | 0:04:56 | |
you've got all your silver buttons polished up and things. | 0:04:56 | 0:04:59 | |
How close do you think we could get to 80? | 0:04:59 | 0:05:02 | |
Oh, a bit more than that, no, definitely a bit more than that. | 0:05:02 | 0:05:06 | |
-How much more? -Well... | 0:05:06 | 0:05:09 | |
-Putting you on the spot a bit. -Putting me on the spot. 120? | 0:05:10 | 0:05:14 | |
-Can we meet in the middle, Enid, and say 100? -110. | 0:05:16 | 0:05:22 | |
-I'm a hard woman. -You are a hard woman! 105. | 0:05:22 | 0:05:26 | |
-OK. -And a kiss. -Absolutely. | 0:05:26 | 0:05:31 | |
Lovely. Despite having sealed her deal, Anita is still wholly occupied at the lot down the road. | 0:05:31 | 0:05:37 | |
I keep seeing lovely things. It's a wee bit small. | 0:05:37 | 0:05:42 | |
Sometimes I like having things like that just to sort of lie on my dressing table, you know. | 0:05:42 | 0:05:48 | |
Even though you couldn't wear it, yes. | 0:05:48 | 0:05:51 | |
And at £15, it may be worth it just as an ornament. | 0:05:51 | 0:05:55 | |
-I mean, can it be done for 10? -Oh, I'm sure we could do that for 10. There we go. | 0:05:55 | 0:06:01 | |
So, Anita has spent a mere £35 on an amber seal and a jade bracelet, | 0:06:01 | 0:06:06 | |
while her rival has already blown a packet on a whistle. | 0:06:06 | 0:06:11 | |
-£105 there, Enid. -Oh, never mind. | 0:06:11 | 0:06:15 | |
Tell you what I'll do - five pounds back for a luck penny. | 0:06:15 | 0:06:18 | |
That's so kind of you. | 0:06:18 | 0:06:20 | |
I'm sure it all helps. | 0:06:20 | 0:06:23 | |
Well, I'm absolutely thrilled with that, but it's just a hop, skip and a jump to my next shop. | 0:06:23 | 0:06:28 | |
Steady, old boy. Hopefully the best things in this shop aren't hidden under the dog. | 0:06:28 | 0:06:33 | |
That's a pretty little brooch. "H Samuel, largest watchmaker and jewellers in the world," it says. | 0:06:33 | 0:06:40 | |
"Market Street, Manchester, and London, Glasgow and Cardiff," no less. | 0:06:40 | 0:06:45 | |
And all principal cities. | 0:06:45 | 0:06:47 | |
That is a charming little art nouveau brooch, | 0:06:47 | 0:06:51 | |
probably in gold, set with a little bit of turquoise. | 0:06:51 | 0:06:56 | |
It's a beautiful thing. | 0:06:56 | 0:06:58 | |
-It'll be out of my price range, I'm sure, but I love the box. -Yes. | 0:06:58 | 0:07:01 | |
-Go on, hit me with it. -70. -70. | 0:07:01 | 0:07:06 | |
I don't often buy jewellery. | 0:07:06 | 0:07:09 | |
-Well, would 50 help you? -It would help me a lot. | 0:07:09 | 0:07:11 | |
-But I couldn't do any better. -You couldn't go lower than 50? -No. | 0:07:11 | 0:07:16 | |
Not 45? | 0:07:16 | 0:07:18 | |
-Go on, then. -Go on what? -45. | 0:07:26 | 0:07:30 | |
Thank you. | 0:07:31 | 0:07:33 | |
When Anita was here earlier, there were a lot of antiques to choose from. | 0:07:37 | 0:07:40 | |
Now there are a few less. But still quite enough for Mark. | 0:07:40 | 0:07:45 | |
This might be a good sign. This has been in here so long in the window | 0:07:45 | 0:07:49 | |
that it's faded the price ticket. This is sometimes called Satsuma ware | 0:07:49 | 0:07:54 | |
after the region in Japan it comes from. You can see here it's got a signature | 0:07:54 | 0:07:59 | |
and then that little mark there is the mon for the prince of Satsuma. | 0:07:59 | 0:08:04 | |
So that shows it's come from that area. | 0:08:04 | 0:08:08 | |
Satsuma earthenware originated in Japan in the late 16th century and is still produced today. | 0:08:08 | 0:08:13 | |
It's usually brightly enamelled. | 0:08:13 | 0:08:16 | |
I think I read that as 28. | 0:08:16 | 0:08:20 | |
-Are you able to negotiate on behalf of the dealer? -I could do it for £20. | 0:08:22 | 0:08:26 | |
I'm going to take that, Pat. | 0:08:26 | 0:08:28 | |
So, while Mark oversees the wrapping of another potential bargain... | 0:08:28 | 0:08:34 | |
That's lovely, Pat. Thank you. | 0:08:34 | 0:08:36 | |
..Anita drives a few short miles to Abbotsford | 0:08:36 | 0:08:40 | |
To visit the home of the great poet and novelist Sir Walter Scott. | 0:08:41 | 0:08:47 | |
He was the first English language author to have a successful international career as a writer | 0:08:47 | 0:08:53 | |
in his lifetime for romantic novels like the Lady of the Lake and Ivanhoe. | 0:08:53 | 0:09:00 | |
And Anita is here to meet Jason Dyer, of the charity that safeguards the estate. | 0:09:00 | 0:09:05 | |
-Hi, Jason. -Hi, Anita. Welcome to Abbotsford and the home of Sir Walter Scott. | 0:09:05 | 0:09:11 | |
Tell me when this building was built. It's in the Scottish baronial style. | 0:09:11 | 0:09:16 | |
It is, and it's the first in the Scottish baronial style. | 0:09:16 | 0:09:19 | |
So Sir Walter Scott started building in 1811 and he completed the house in 1824. | 0:09:19 | 0:09:26 | |
This is the study, so this is where Scott actually wrote many of his later novels. | 0:09:26 | 0:09:31 | |
And this is? | 0:09:31 | 0:09:33 | |
And this is his original desk where he wrote those novels, | 0:09:33 | 0:09:36 | |
so it really is the beating heart of the house, if you like. | 0:09:36 | 0:09:40 | |
And in the desk his spectacles are still there, | 0:09:41 | 0:09:44 | |
his Thomas Coutts cheque-book that he would've used is still there, so quite incredible. | 0:09:44 | 0:09:49 | |
And also his indexing system that he used for the various books around the shelf. | 0:09:49 | 0:09:53 | |
There are 2,000 books normally in the study, | 0:09:53 | 0:09:56 | |
and these were books he was working on right up until his death. | 0:09:56 | 0:09:59 | |
So it has an incredible atmosphere, this room. | 0:09:59 | 0:10:01 | |
Not only did Sir Walter Scott virtually invent the historical novel, | 0:10:04 | 0:10:09 | |
but he was also a great collector of historical objects. | 0:10:09 | 0:10:12 | |
People would send him significant artefacts from all over the world, | 0:10:12 | 0:10:16 | |
which inspired both novels and non-fiction like his biography of Napoleon. | 0:10:16 | 0:10:22 | |
According to the museum, the wood in this chair grew at the place | 0:10:22 | 0:10:26 | |
where Scottish rebel leader William Wallace was captured, | 0:10:26 | 0:10:29 | |
and the timber in this box came from the Spanish Armada. | 0:10:29 | 0:10:33 | |
OK, Anita, so this is just a few of the items that Scott was collecting. | 0:10:33 | 0:10:38 | |
-Quite an incredible array in this case here. -This is intriguing me. | 0:10:38 | 0:10:42 | |
"A piece of oat cake found in the pocket of a Highlander on the field of Culloden." | 0:10:42 | 0:10:48 | |
Yes, incredible if that is what it is, actually, that it survived all this time. | 0:10:48 | 0:10:53 | |
Quite often Sir Walter did want to prove that what he was collecting is what it was meant to be, | 0:10:53 | 0:10:58 | |
but sometimes you have grey areas around some objects. | 0:10:58 | 0:11:00 | |
-He liked doing the detective work. -He did, yes. | 0:11:00 | 0:11:04 | |
Scott's incredible collection at Abbotsford | 0:11:04 | 0:11:07 | |
also includes several famous locks of hair, | 0:11:07 | 0:11:09 | |
as well as some precious possessions that have rarely been handled. | 0:11:09 | 0:11:12 | |
What about this crucifix here? | 0:11:12 | 0:11:14 | |
Yes, the crucifix is an important object in the case. | 0:11:14 | 0:11:17 | |
It's believed to be the crucifix that Mary, Queen of Scots took to her execution. | 0:11:17 | 0:11:21 | |
We'd like to think if Sir Walter Scott's done the detective work, | 0:11:21 | 0:11:24 | |
that is what it is, and if it is then it really is something that's been held by history. | 0:11:24 | 0:11:29 | |
One of the central features in this case is the blotting book that belonged to Napoleon. | 0:11:29 | 0:11:34 | |
-Is it possible to have a look? -Of course it is, yes. | 0:11:34 | 0:11:37 | |
I am going to have to ask you to put some gloves on, I'm afraid, so we can handle these. | 0:11:37 | 0:11:41 | |
-I have never looked inside before. -So it's an adventure for both of us! | 0:11:41 | 0:11:45 | |
There is this letter here, which again I've never actually looked at before, | 0:11:45 | 0:11:49 | |
so it'll be quite interesting to see if we can make out what it says. | 0:11:49 | 0:11:52 | |
It says, "This sealing case was left by Napoleon on his writing table in the Palace of the Elysee | 0:11:52 | 0:11:59 | |
"in 1815." As he was obviously making his escape, he left this behind. | 0:11:59 | 0:12:05 | |
Do you want me to open it to see if we find any other surprises inside? | 0:12:08 | 0:12:11 | |
We have got what looks like some letters. | 0:12:11 | 0:12:13 | |
And this one does seem to say something about Napoleon | 0:12:13 | 0:12:16 | |
and it is some of his hair. | 0:12:16 | 0:12:19 | |
It's wonderful! | 0:12:19 | 0:12:21 | |
'I take the liberty of sending you some of Napoleon's hair.' | 0:12:21 | 0:12:25 | |
So that is amazing. | 0:12:25 | 0:12:27 | |
-So this is a find of really some significance? -I think so, yes. | 0:12:27 | 0:12:30 | |
We just didn't know it was there. That's quite incredible. | 0:12:30 | 0:12:34 | |
Amazing. | 0:12:34 | 0:12:36 | |
I mean, Scott would have a wide circle of influential friends | 0:12:36 | 0:12:41 | |
throughout Europe | 0:12:41 | 0:12:42 | |
and they would know about his passion for collecting. | 0:12:42 | 0:12:46 | |
-Definitely. -And they would send him perhaps this type of thing? -Indeed. | 0:12:46 | 0:12:51 | |
He had a whole series of people who went out and collected for him. | 0:12:51 | 0:12:56 | |
-Well done. -Thank you. -We did it together. -We did indeed, yes. | 0:12:56 | 0:12:59 | |
I wonder if the significance of what Anita has found has sunk in yet? | 0:13:02 | 0:13:06 | |
I mean, anyone can discover the odd bargain, but the emperor's hair? | 0:13:06 | 0:13:10 | |
(FRENCH ACCENT) Incredible! | 0:13:10 | 0:13:13 | |
The very next day in fact, | 0:13:14 | 0:13:16 | |
Jason invited Anita to return for an update on their incredible find. | 0:13:16 | 0:13:22 | |
The flurry of e-mails I've had back from various different people | 0:13:22 | 0:13:26 | |
all saying it's an exciting find and, for some of them, because | 0:13:26 | 0:13:30 | |
they've seen it referenced in his letters, even more powerful to them | 0:13:30 | 0:13:35 | |
because then it matches up an object in the collection to something | 0:13:35 | 0:13:39 | |
that's mentioned in his letters | 0:13:39 | 0:13:41 | |
that they've never been able to find before. | 0:13:41 | 0:13:43 | |
Did this really happen? Now we really know for certain that it did. | 0:13:43 | 0:13:47 | |
-The provenance is there. -Yes. | 0:13:47 | 0:13:49 | |
And what is incredible, when you look at that lock of hair, | 0:13:49 | 0:13:52 | |
when you compare it to the other locks of hair we've got in the case, | 0:13:52 | 0:13:55 | |
they're all bleached white by the sun, | 0:13:55 | 0:13:57 | |
-yet this, you see the actual colour of Napoleon's hair. -What a story! | 0:13:57 | 0:14:02 | |
Indeed! And a real first for the road trip too. | 0:14:02 | 0:14:05 | |
Bravo! | 0:14:05 | 0:14:07 | |
Back on the road | 0:14:07 | 0:14:09 | |
and our trippers are taking the easy way out of the borders. | 0:14:09 | 0:14:12 | |
Mark, the second day of our third leg. | 0:14:12 | 0:14:14 | |
And there's just a conversation between us. | 0:14:14 | 0:14:17 | |
-Are we secret? -Are we secret? Tell me what you bought. -No. | 0:14:17 | 0:14:20 | |
Well, strictly hush-hush, | 0:14:21 | 0:14:23 | |
but Anita's spent just £35 on two wee things | 0:14:23 | 0:14:26 | |
including a jade bracelet | 0:14:26 | 0:14:28 | |
so she now has £343.60. | 0:14:28 | 0:14:32 | |
-Bye bye. -Thanks now. Bye bye. | 0:14:32 | 0:14:35 | |
While Mark lavished £165 on three items. | 0:14:35 | 0:14:40 | |
Not least, a very collectable whistle, | 0:14:40 | 0:14:42 | |
leaving him with just £162.44. | 0:14:42 | 0:14:46 | |
Today's minor excursion is from Melrose to Sunderland, | 0:14:46 | 0:14:51 | |
calling in first at Kelso. | 0:14:51 | 0:14:54 | |
-Look up there. There's something for you there, Anita. -What's that? | 0:14:54 | 0:14:59 | |
-Retirement apartments. -Watch it! | 0:14:59 | 0:15:02 | |
THEY LAUGH | 0:15:02 | 0:15:04 | |
-Melrose Abbey, that's fabulous. -Melrose Abbey? -Uh-huh. | 0:15:04 | 0:15:08 | |
-We're in Kelso. -Oh, Kelso Abbey. | 0:15:08 | 0:15:11 | |
I think we'll nip to those apartments sooner than I thought(!) | 0:15:11 | 0:15:14 | |
And you've got a lovely market to go and explore. | 0:15:14 | 0:15:19 | |
There will be hundreds of bargains in that market | 0:15:19 | 0:15:21 | |
and I'll buy one for you. | 0:15:21 | 0:15:23 | |
I look forward to seeing it, Anita. | 0:15:23 | 0:15:25 | |
-A Rolls-Royce spanner. -An old spanner. This man's better than me. | 0:15:28 | 0:15:32 | |
-Would this work in a Morris Minor? -Nah. | 0:15:32 | 0:15:36 | |
I quite like this piece here. | 0:15:36 | 0:15:39 | |
The wee jockey. We would put this into a decanter. | 0:15:39 | 0:15:43 | |
Birmingham hallmark. | 0:15:44 | 0:15:46 | |
But the date letter's a wee bit obscured, | 0:15:46 | 0:15:50 | |
but I think we're maybe thinking about '20s, '30s. | 0:15:50 | 0:15:55 | |
I would be estimating it around about £20. | 0:15:55 | 0:15:59 | |
-I think you'll make a lot more money than £20 for it. -Do you think so? | 0:15:59 | 0:16:02 | |
-But you're selling it to me. -Yeah, yeah. -You're a good salesman. | 0:16:02 | 0:16:06 | |
-Since I would like you to win the competition... -Oh, wow! | 0:16:06 | 0:16:11 | |
-20? -I would be prepared to sell it to you for £20. -Give me a kiss. | 0:16:13 | 0:16:18 | |
Thank you. £20. I hope this little jockey gallops past the post. | 0:16:18 | 0:16:23 | |
-We're looking forward to first place again. -Thanks very much. Thank you. | 0:16:23 | 0:16:27 | |
I'm always interested in fountain pens | 0:16:32 | 0:16:36 | |
and I also like to see a nine-carat gold nib. | 0:16:36 | 0:16:40 | |
There's three here | 0:16:40 | 0:16:42 | |
and we've got two quite plain ones | 0:16:42 | 0:16:44 | |
and this quite jazzy affair here. | 0:16:44 | 0:16:48 | |
What kind of price can you do on the three? | 0:16:48 | 0:16:50 | |
-£22? -Uh-huh, that's too much. | 0:16:50 | 0:16:52 | |
-20? -Still too much on them. | 0:16:52 | 0:16:55 | |
-Can I make you an offer? -Certainly. | 0:16:55 | 0:16:59 | |
-Could you do those for 12? -Yes, all right. -Could you do them for 12? | 0:16:59 | 0:17:02 | |
-Uh-huh. -That would be great. | 0:17:02 | 0:17:05 | |
No sooner has Anita pocketed her pens, | 0:17:05 | 0:17:08 | |
then she's accosted by a tall, dark stranger. | 0:17:08 | 0:17:10 | |
-Sorry to interrupt. -Hi. | 0:17:10 | 0:17:12 | |
-Are you looking for stuff for your competition? -Yes. | 0:17:12 | 0:17:15 | |
My car's parked just around the corner | 0:17:15 | 0:17:17 | |
and I've got an item you might be interested in. | 0:17:17 | 0:17:20 | |
-Lead on. I'm intrigued. -All right. | 0:17:20 | 0:17:23 | |
You know what that is straight away. | 0:17:23 | 0:17:27 | |
-Is that a lovely piece of Carlton Ware? -No, it's not. | 0:17:27 | 0:17:30 | |
-Is it Crown Devon? OK. -With a lid. | 0:17:30 | 0:17:33 | |
Oh, that's a lovely bit. | 0:17:33 | 0:17:37 | |
Crown Devon originated in a pottery in Stoke-on-Trent, | 0:17:37 | 0:17:40 | |
which used to be called the Railway Works | 0:17:40 | 0:17:44 | |
until it was reinvented in 1912. | 0:17:44 | 0:17:46 | |
-Still got the original label on it. -Label on the bottom, yeah. | 0:17:46 | 0:17:50 | |
What price are you looking for on it? Tell me your minimum. | 0:17:50 | 0:17:54 | |
-No, you tell me... -No, tell me your minimum. | 0:17:54 | 0:17:57 | |
-30? -30. | 0:17:57 | 0:17:59 | |
And I'm sure you'd make a profit on that, even with the nick. | 0:17:59 | 0:18:03 | |
-OK, let's do it. It's a deal. -Super. -Lovely, thank you very much. | 0:18:03 | 0:18:07 | |
Thank you. | 0:18:07 | 0:18:09 | |
Anita's really made the most of her market experience, | 0:18:09 | 0:18:13 | |
while Mark has left Kelso far behind, | 0:18:13 | 0:18:16 | |
as the road trip takes him 22 miles south-west to Hawick. | 0:18:16 | 0:18:21 | |
Antiques Centre. Ah, now, this is it. | 0:18:21 | 0:18:26 | |
They've even got a vintage car which is better than ours. | 0:18:26 | 0:18:29 | |
Might come in handy if the Morris has an off-day too. | 0:18:29 | 0:18:31 | |
But there are plenty of smaller, less mobile items | 0:18:31 | 0:18:35 | |
on display as well. | 0:18:35 | 0:18:36 | |
This is a very sweet little Victorian miniature frame, | 0:18:36 | 0:18:39 | |
I suppose for maybe a lady to put on her dressing table, | 0:18:39 | 0:18:43 | |
with a photograph of her loved one on. | 0:18:43 | 0:18:47 | |
It's very highly decorated with these, sort of, flowering scrolls. | 0:18:47 | 0:18:50 | |
It's a little ram's head here, and it's a very pretty little object. | 0:18:50 | 0:18:53 | |
Something that I think would be highly collectable these days. | 0:18:53 | 0:18:56 | |
And it does look in good condition. Mind you, the price is 48. | 0:18:56 | 0:19:00 | |
It's rather charming. | 0:19:00 | 0:19:02 | |
While Gail goes to blow up a storm with the dealer, | 0:19:02 | 0:19:05 | |
Mark gets the scent of another possible purchase. | 0:19:05 | 0:19:09 | |
Well, now that's a bargain. | 0:19:09 | 0:19:10 | |
I couldn't possibly. | 0:19:10 | 0:19:12 | |
I couldn't, could I? | 0:19:14 | 0:19:15 | |
Come over here. | 0:19:17 | 0:19:19 | |
Sorry. Follow me. | 0:19:19 | 0:19:21 | |
I've brought you into this quiet room, | 0:19:23 | 0:19:25 | |
because you know how Anita is always going on about her beautiful pieces | 0:19:25 | 0:19:28 | |
of Murano glass, and they've never got any labels or anything on them. | 0:19:28 | 0:19:34 | |
Well, here we have a glass vase by Murano | 0:19:34 | 0:19:39 | |
with not a label but two labels. | 0:19:39 | 0:19:42 | |
And it's got a price label, and it's priced at £4. | 0:19:44 | 0:19:49 | |
Murano glass was produced originally | 0:19:49 | 0:19:52 | |
on the Adriatic island of the same name. | 0:19:52 | 0:19:55 | |
The glassmakers were allegedly encouraged to move there | 0:19:55 | 0:19:58 | |
from nearby Venice because of Medieval 'ealth and safety concerns. | 0:19:58 | 0:20:04 | |
News that the dealer will take a very reasonable £28 | 0:20:04 | 0:20:06 | |
for the silver frame prompts Mark to go for a deal. | 0:20:06 | 0:20:10 | |
Listen, I'm going to go for this at 28, | 0:20:10 | 0:20:14 | |
and I daren't ask you for a discount on four, dare I? | 0:20:14 | 0:20:16 | |
-No, you wouldn't. -Wouldn't I? -Yes, you would, but no. | 0:20:16 | 0:20:20 | |
-You're not getting one. -Well, I think that's fair enough. | 0:20:21 | 0:20:24 | |
Mark's in the frame and the shopping is over. | 0:20:25 | 0:20:28 | |
Now, auction day looms heavy on the horizon. | 0:20:28 | 0:20:32 | |
Mark courageously spent £197 on five auction lots. | 0:20:32 | 0:20:36 | |
The silver easel frame, | 0:20:38 | 0:20:41 | |
the Murano glass vase. | 0:20:41 | 0:20:44 | |
The Victorian cased whistle with the lion-head buckle. | 0:20:44 | 0:20:47 | |
WHISTLES | 0:20:47 | 0:20:48 | |
The art nouveau brooch and the Satsuma vase. | 0:20:48 | 0:20:52 | |
Anita, meantime spent exactly £100 less, £97, also on five lots. | 0:20:52 | 0:20:59 | |
The Crown Devon jar, the fountain pen set, | 0:21:01 | 0:21:04 | |
the silver bottle stopper, | 0:21:04 | 0:21:06 | |
the jade bracelet, and the cut glass desk seal. | 0:21:06 | 0:21:09 | |
What do they have two say about each other's proud purchases? | 0:21:09 | 0:21:15 | |
The brooch, 45, a bit dear, but the gold is high just now | 0:21:15 | 0:21:21 | |
so you might just get away with that. | 0:21:21 | 0:21:24 | |
She brought out that little seal. In my mind it's a reproduction. The glass is too clear. | 0:21:24 | 0:21:28 | |
-The silver is too clear. -He bought glass, it had no quality at all. | 0:21:28 | 0:21:33 | |
Absolutely no quality. | 0:21:33 | 0:21:36 | |
After starting out in the Borders at Melrose this | 0:21:38 | 0:21:42 | |
leg of our trip will be decided in Sunderland at the auctioneers Boldon Auction Galleries. | 0:21:42 | 0:21:47 | |
-Are you nervous? -No, I am excited. -And so you should be. -You never know. | 0:21:48 | 0:21:53 | |
-It's not over until the end of the sale. -Until the fat lady sings. | 0:21:53 | 0:21:58 | |
That's not you Anita, is it? | 0:21:58 | 0:22:00 | |
Wearsiders and Tynesiders have gathered to get a good look at the lots. | 0:22:00 | 0:22:05 | |
Giles Hodges, the man with the hammer has his own views on what | 0:22:05 | 0:22:09 | |
Mark and Anita are selling. | 0:22:09 | 0:22:10 | |
There is a pretty little jade bangle. | 0:22:10 | 0:22:14 | |
Anything oriental, Chinese, flavour of the month at the moment. | 0:22:14 | 0:22:18 | |
My favourite by far is the Victorian silver whistle. I think it's lovely. | 0:22:18 | 0:22:23 | |
I'm hoping it will make 200 to 300. | 0:22:23 | 0:22:25 | |
We'll see where we are that when we are on the rostrum. | 0:22:25 | 0:22:28 | |
-The proof of the pudding. -Excitement mounts. | 0:22:28 | 0:22:30 | |
-Yes. -All right, Anita(!) -Yes! | 0:22:30 | 0:22:35 | |
First, Mark's Victorian frame. | 0:22:35 | 0:22:39 | |
I'm bid 15 to start it. Straight in at 15, 18, 20, 22, 25, 28, | 0:22:39 | 0:22:45 | |
30, 32, 35, 38, 40, 45, | 0:22:45 | 0:22:50 | |
45 we're upstairs right. | 0:22:50 | 0:22:53 | |
-I thought more than that. -Make no mistake at 45. | 0:22:53 | 0:22:57 | |
That's a bit disappointing. | 0:22:57 | 0:23:00 | |
Especially after commission. | 0:23:00 | 0:23:04 | |
45 is a profit at the end of the day. £17. | 0:23:04 | 0:23:07 | |
Anita's Crown Devon jar. | 0:23:07 | 0:23:10 | |
40 straight in. 40, 45, 50, 55, at £55. | 0:23:10 | 0:23:17 | |
Anybody else feel free. At £55 and all done. | 0:23:17 | 0:23:21 | |
That was very good. | 0:23:21 | 0:23:24 | |
Actually almost twice what she paid. | 0:23:24 | 0:23:27 | |
Next Mark's Murano. Was it a bargain? | 0:23:27 | 0:23:31 | |
£5 bid for it somebody. | 0:23:31 | 0:23:33 | |
Fiver and away. A couple of pounds to start with. | 0:23:33 | 0:23:37 | |
£2 bid on the front, 4, 6, £6. At six pounds. | 0:23:37 | 0:23:41 | |
Front row at six. At £6. All done? At £6. | 0:23:41 | 0:23:46 | |
Definitely not what Mark had hoped for. | 0:23:46 | 0:23:49 | |
-£6 for that! -That's all it was worth. | 0:23:49 | 0:23:55 | |
-Next the fountain pens from Kelso market. -20 to start. | 0:23:55 | 0:23:59 | |
At £20 for the three. Two anybody now? 22 the lady has bid. At £22. | 0:23:59 | 0:24:07 | |
25, yes or no? All done at £22. | 0:24:07 | 0:24:12 | |
-785... -That's a nice £10 profit, Anita. | 0:24:12 | 0:24:14 | |
Well done. | 0:24:14 | 0:24:16 | |
Less commission, of course. | 0:24:16 | 0:24:18 | |
Mark's art nouveau gold brooch next. | 0:24:18 | 0:24:21 | |
I have two commission bids. We start at £55. 60, £55. 60 anybody? | 0:24:21 | 0:24:30 | |
At £55, last chance. At 55, commission bid. | 0:24:30 | 0:24:35 | |
-That was a very good price. -That was not too bad. | 0:24:35 | 0:24:39 | |
Thanks in part to a late discount from the dealer. | 0:24:39 | 0:24:44 | |
-You are lucky to get out of that one. -Really? -Yes. | 0:24:44 | 0:24:46 | |
Next the little silver jockey stopper. | 0:24:46 | 0:24:49 | |
I am bid 15 to start it, at £15. | 0:24:49 | 0:24:52 | |
18 anybody? At 15, 18, 20, 2, At £22 the bid's upstairs. | 0:24:52 | 0:24:58 | |
25, 25. | 0:24:58 | 0:25:02 | |
Once costs are deducted she's just got her money back. | 0:25:02 | 0:25:06 | |
-I'm surprised at that. -Mm hm. | 0:25:06 | 0:25:09 | |
Now Anita's jade bracelet. | 0:25:09 | 0:25:11 | |
I've got two bids and 30 starts me. | 0:25:11 | 0:25:17 | |
35, 40, 45, 50, 55. | 0:25:17 | 0:25:19 | |
I'm out. £55, | 0:25:19 | 0:25:21 | |
60 anybody? £55 and we're away at 55. | 0:25:21 | 0:25:26 | |
-Well. -Yes. | 0:25:26 | 0:25:29 | |
-Well, over five times what it cost. -Well done Anita. | 0:25:29 | 0:25:33 | |
You got an eye for picking these bids. | 0:25:33 | 0:25:36 | |
-Don't be jealous. Next, Mark's Satsuma vase. -£45. | 0:25:36 | 0:25:40 | |
-£45. -50, 55, 60, the bid's | 0:25:40 | 0:25:44 | |
upstairs at 60. Anybody else left? | 0:25:44 | 0:25:47 | |
All done at 60. | 0:25:47 | 0:25:50 | |
-Good. Good. -I'm pleased with that. -So you should be. | 0:25:50 | 0:25:56 | |
I was thinking 40 and 50. 60 is above my expectations. | 0:25:56 | 0:26:00 | |
-It made its price. -I'm pleased. | 0:26:00 | 0:26:01 | |
Now the amber desk seal. | 0:26:01 | 0:26:05 | |
Will the bidders give it the stamp of approval? | 0:26:05 | 0:26:08 | |
Commission bid straight in at £5 to start with. | 0:26:08 | 0:26:11 | |
5, 8, 10, 12, 15, 18, 20 | 0:26:11 | 0:26:15 | |
£20 the bid's upstairs. £20. All done? At 20. | 0:26:15 | 0:26:21 | |
It could've been worse. | 0:26:21 | 0:26:24 | |
Sadly after auction costs it will be. | 0:26:24 | 0:26:27 | |
At least he got to 20. Well done, auctioneer. | 0:26:27 | 0:26:30 | |
-Now for the once forgotten whistle. -I'm bid 100 to start it. | 0:26:32 | 0:26:37 | |
-Oh gosh. -120, 140, 160, 180, 200, 220, | 0:26:37 | 0:26:44 | |
240, 260, 280. | 0:26:44 | 0:26:48 | |
At 280, £280 for the last time, at 280. | 0:26:48 | 0:26:54 | |
-That's good. -Yes. | 0:26:54 | 0:26:56 | |
That real treasure has put Mark back in the lead. | 0:26:56 | 0:27:01 | |
In a fine sale it might have made a bit more | 0:27:01 | 0:27:04 | |
-but I'm thrilled with that. I'm pleased with that. -I'm happy you're happy. -Thank you. | 0:27:04 | 0:27:09 | |
We're all happy. | 0:27:09 | 0:27:11 | |
A good day in Tyne And Wear and especially for Mark Stacey. | 0:27:13 | 0:27:17 | |
Mark began with £327.44 and made £168.72 after auction costs. | 0:27:19 | 0:27:26 | |
So he has £496.16 to make merry with. | 0:27:26 | 0:27:31 | |
Anita started this round with £378.60 | 0:27:36 | 0:27:40 | |
and made £48.14 after auction costs leaving her | 0:27:40 | 0:27:45 | |
with £426.74 for the road ahead. | 0:27:45 | 0:27:48 | |
-Mark, that's our third auction over. -Absolutely. | 0:27:50 | 0:27:55 | |
-There was one each and now you're on top. -I'm on top. | 0:27:55 | 0:27:57 | |
-2-1 to me. It's like a tennis match. -Uh-huh. -Just promise me one thing. | 0:27:57 | 0:28:03 | |
Keep buying small things and making small profits. | 0:28:03 | 0:28:05 | |
I'll be really happy. Leave the big profits to me, all right? | 0:28:05 | 0:28:09 | |
-We'll see what happens next time. -Later on Mark gets cheeky. | 0:28:09 | 0:28:14 | |
-I love cheeky offers. -Do you like cheeky offers? -I do. | 0:28:14 | 0:28:19 | |
Anita gets sentimental. | 0:28:19 | 0:28:22 | |
-# I belong to Glasgow Dear old Glasgow town. -# | 0:28:22 | 0:28:27 | |
And the little Morris has a minor mishap. | 0:28:27 | 0:28:30 | |
That's coming up later, but first Anita Manning Mark Stacey and the little Morris Minor | 0:28:30 | 0:28:34 | |
they call Bluebell are heading from Scotland to Yorkshire | 0:28:34 | 0:28:38 | |
-You've got to roll your Rs. -What do you mean by Rs? | 0:28:45 | 0:28:51 | |
Anita from Glasgow was Scotland's first female auctioneer | 0:28:51 | 0:28:56 | |
and she likes to keep prices low. | 0:28:56 | 0:29:00 | |
What have you got for 20 pence? | 0:29:00 | 0:29:02 | |
While Mark, a dealer from Brighton, is happy to enlist help from on high. | 0:29:04 | 0:29:08 | |
Please, please, huge profits. | 0:29:08 | 0:29:12 | |
But unfortunately there's been a cruel twist of fate. | 0:29:13 | 0:29:17 | |
Broken down Bluebell is now convalescing in the garage | 0:29:17 | 0:29:22 | |
and our experts are stranded on the road trip. | 0:29:22 | 0:29:24 | |
Poor wee Bluebell. | 0:29:24 | 0:29:25 | |
-The radiator's gone. -Do you know when that water was spouting out of | 0:29:25 | 0:29:30 | |
-the grill it looked as if she was crying. -I know. | 0:29:30 | 0:29:32 | |
-And the shop's just up the road. -Come on. -Let's go. | 0:29:32 | 0:29:36 | |
Mark and Anita began with £200 each | 0:29:38 | 0:29:40 | |
and have already added a handsome sum. | 0:29:40 | 0:29:43 | |
Mark goes into today just ahead with £496.16 to spend | 0:29:43 | 0:29:49 | |
while Anita has £426.74. | 0:29:49 | 0:29:54 | |
This road trip travels from the Cairngorms via the charming | 0:29:56 | 0:30:00 | |
cities of Edinburgh and Durham, | 0:30:00 | 0:30:03 | |
to Thirsk in North Yorkshire. | 0:30:03 | 0:30:05 | |
This leg begins in St Helens, Bishop Auckland, County Durham, | 0:30:05 | 0:30:08 | |
and heads, Bluebell permitting, for auction in Darlington. | 0:30:08 | 0:30:13 | |
This is exciting. Another treasure trove. | 0:30:13 | 0:30:17 | |
-A hoard. -First shop is something different. | 0:30:17 | 0:30:21 | |
A peculiar pile where bargains can be found amongst bric-a-brac. | 0:30:21 | 0:30:25 | |
But which, dear experts, is which? | 0:30:25 | 0:30:28 | |
What on earth is that? | 0:30:28 | 0:30:30 | |
It's a little brooch, believe it or not. | 0:30:30 | 0:30:33 | |
It is made of little paw of an animal. | 0:30:33 | 0:30:35 | |
Anita soon grabs Yvonne for demonstration of the finest | 0:30:35 | 0:30:39 | |
in low fidelity. | 0:30:39 | 0:30:41 | |
-We wind it up from here. -I Belong To Glasgow. | 0:30:41 | 0:30:47 | |
I don't believe that. I do not believe that! | 0:30:47 | 0:30:52 | |
# I belong to Glasgow Dear old Glasgow town | 0:30:55 | 0:31:00 | |
# There's nothing the matter with Glasgow | 0:31:00 | 0:31:02 | |
# Cos it's going round and round | 0:31:02 | 0:31:04 | |
# If I get a couple of pints on a Saturday | 0:31:04 | 0:31:08 | |
# Glasgow belongs to me. # | 0:31:08 | 0:31:11 | |
THEY LAUGH | 0:31:11 | 0:31:12 | |
-And we've got a radio here as well. -That's the Bush one. -Bakelite. | 0:31:12 | 0:31:17 | |
They always take a few minutes to warm up. | 0:31:17 | 0:31:20 | |
The radio is priced at £58 and the gramophone at £45, | 0:31:20 | 0:31:23 | |
but perhaps, if Anita promises not to start singing again, | 0:31:23 | 0:31:27 | |
she might get that down. | 0:31:27 | 0:31:29 | |
-I could be interested in both of these things. -Right. | 0:31:29 | 0:31:34 | |
For £35 - is that possible? | 0:31:34 | 0:31:37 | |
-If you was to say to me 50 for the two... -50 for the two. | 0:31:37 | 0:31:41 | |
Could you bring it to 40? What about 45 and then we're like... | 0:31:41 | 0:31:46 | |
-We're like nearly there. -Yes. | 0:31:46 | 0:31:48 | |
-See in this game every pound counts. -It does, it really does. | 0:31:48 | 0:31:53 | |
-Could we half it again? -42. -Could we go 42? | 0:31:53 | 0:31:57 | |
-That'll be all right. -Could we do that? -We'll do that. | 0:31:57 | 0:32:01 | |
That's so kind, that's great. | 0:32:01 | 0:32:05 | |
Next door, Mark's got sporting goods in his sights. | 0:32:05 | 0:32:08 | |
This is a sort of shoulder of mutton. | 0:32:08 | 0:32:12 | |
A gun case. | 0:32:12 | 0:32:14 | |
You open it here and then you put your shotgun and things in there. | 0:32:14 | 0:32:20 | |
Not that I know about these things | 0:32:20 | 0:32:22 | |
because I'm not a member of the hunting and shooting brigade. | 0:32:22 | 0:32:26 | |
Then you, I guess, put it over your shoulder, something like that, | 0:32:26 | 0:32:31 | |
so when you go hunting it's out of the way | 0:32:31 | 0:32:33 | |
and when you're ready to shoot whatever it is you're going to shoot | 0:32:33 | 0:32:36 | |
you can get your gun out. | 0:32:36 | 0:32:38 | |
I don't like the price. It's marked up at £68. | 0:32:38 | 0:32:43 | |
But whilst he's pondering that unusual target, | 0:32:43 | 0:32:47 | |
something a little more traditional comes into view. | 0:32:47 | 0:32:49 | |
This is a Chinese vase. | 0:32:49 | 0:32:51 | |
It's called cinnabar lacquer | 0:32:51 | 0:32:54 | |
which is the red lacquer cut out with this black design. | 0:32:54 | 0:32:58 | |
It does actually give quite a dramatic effect. | 0:32:58 | 0:33:01 | |
I'm looking to see the delicacy of the carving. | 0:33:01 | 0:33:05 | |
-It's quite a dramatic vase. Yvonne, I like this vase. -Yes. | 0:33:05 | 0:33:09 | |
-It's a shame it's not 19th century! You've got 65 on it. -Yeah. | 0:33:09 | 0:33:15 | |
What sort of movement could you do on that? | 0:33:15 | 0:33:17 | |
I could do 45 on it. | 0:33:17 | 0:33:20 | |
45, that does help me a bit. | 0:33:20 | 0:33:23 | |
I could maybe do you a bit better price on the gun case. | 0:33:23 | 0:33:28 | |
If I got 45 for that, then you give me 40 for that, | 0:33:28 | 0:33:33 | |
how does that sound? | 0:33:33 | 0:33:36 | |
It sounds reasonable-ish. | 0:33:36 | 0:33:38 | |
Can I be terribly cheeky, Yvonne, without offending you? | 0:33:38 | 0:33:41 | |
-Never take offence. -Thank you. | 0:33:41 | 0:33:43 | |
I just wonder if we could do the pair for 75. | 0:33:43 | 0:33:47 | |
-Yeah, all right, Mark. -Are you sure? -You've got to have a chance as well. | 0:33:49 | 0:33:54 | |
-Are you sure? -Yeah, that's fine, Mark. -Give me a kiss. -Ah, thank you. | 0:33:54 | 0:33:58 | |
This is a lovely little Cloisonne buckle. | 0:33:58 | 0:34:03 | |
I love Cloisonne ware. | 0:34:03 | 0:34:05 | |
The patterns are made by little wire sections made up | 0:34:05 | 0:34:10 | |
and filled with coloured, glazed enamels. | 0:34:10 | 0:34:14 | |
They make this wonderful pattern. | 0:34:14 | 0:34:16 | |
It's not a silver back, which I would love to see. | 0:34:16 | 0:34:20 | |
It's a brass back, | 0:34:20 | 0:34:22 | |
but I worry slightly that it's not a useful object. | 0:34:22 | 0:34:26 | |
After a quick shuffle through the cabinet... | 0:34:26 | 0:34:30 | |
I've found a little bronze which I think is charming. | 0:34:30 | 0:34:35 | |
It's quite nicely modelled and I like the patina, | 0:34:35 | 0:34:39 | |
which is the surface of the bronze. | 0:34:39 | 0:34:43 | |
I think it's probably from the 1930s. He's sweet, isn't he? | 0:34:43 | 0:34:48 | |
I need to be getting him for about 30 quid. | 0:34:48 | 0:34:50 | |
So, £39 less than he is priced at | 0:34:50 | 0:34:53 | |
and the label on the buckle says £29. | 0:34:53 | 0:34:57 | |
Yvonne, I'm thinking him round about 40. | 0:34:57 | 0:35:00 | |
I'd be looking to say in the region of £10 on the Cloisonne. | 0:35:00 | 0:35:05 | |
That could be 40. | 0:35:05 | 0:35:07 | |
Could you go 12 on that so we are doing 52 on the two items? | 0:35:07 | 0:35:12 | |
-All right. -Shall we go for it? -We'll go for it. I -love these items. -Yeah. | 0:35:12 | 0:35:17 | |
That's what I do, I buy things that I like. | 0:35:17 | 0:35:20 | |
Yeah. | 0:35:20 | 0:35:21 | |
Anita seems to be making great strides today | 0:35:21 | 0:35:24 | |
and Mark's no slouch either with yet another Oriental find. | 0:35:24 | 0:35:28 | |
This is quite interesting. | 0:35:30 | 0:35:31 | |
This is not complete, it should have a cover on it. | 0:35:31 | 0:35:34 | |
It has got a hair crack but it's a piece of Chinese porcelain. | 0:35:34 | 0:35:39 | |
It's typically decorated in a palette known as Imari. | 0:35:39 | 0:35:42 | |
The use of these iron reds and blues and a bit of gilding. | 0:35:42 | 0:35:46 | |
No great shakes, really, | 0:35:46 | 0:35:48 | |
but it is 18th-century and I was just thinking it's priced at 22, | 0:35:48 | 0:35:54 | |
but I might if she will put it in with the cinnabar lacquer. | 0:35:54 | 0:35:59 | |
They're both Chinese, so there's a link there. | 0:35:59 | 0:36:01 | |
And, you know, two birds are better than one. No. | 0:36:01 | 0:36:05 | |
What is that expression? Two heads are better than one, but that doesn't fit, does it? | 0:36:05 | 0:36:09 | |
I'm getting all confused. | 0:36:09 | 0:36:13 | |
Yvonne, I was going to make you a terribly cheeky offer on it. | 0:36:13 | 0:36:17 | |
Go on, Mark, I love cheeky offers. | 0:36:17 | 0:36:18 | |
-Do you like cheeky offers? -I do, I do. | 0:36:18 | 0:36:20 | |
SHE LAUGHS | 0:36:20 | 0:36:22 | |
I'm going to offer you... You won't slap me, will you? | 0:36:22 | 0:36:24 | |
I've got to hear it first, go on. | 0:36:24 | 0:36:27 | |
-A fiver. -Argh! -A fiver, and I'll put it in with the Chinese vase. | 0:36:27 | 0:36:30 | |
-That's shocking, isn't it? -It is shocking. Aren't I awful? | 0:36:30 | 0:36:33 | |
Let me examine this, let me have a look at this. | 0:36:33 | 0:36:38 | |
-Where's this damage... -You see, look. | 0:36:38 | 0:36:41 | |
Yes, it is, actually. | 0:36:42 | 0:36:43 | |
It would have had a nice cover with a dog of Fo finial or something. | 0:36:43 | 0:36:47 | |
Do you know what? I've never noticed that before. | 0:36:47 | 0:36:50 | |
I'm being very cheeky with you, Yvonne, | 0:36:50 | 0:36:52 | |
and you have every right to slap me and say, "Go away." | 0:36:52 | 0:36:56 | |
-Oh, go on. -Are you sure? -Yeah. | 0:36:58 | 0:37:01 | |
SHE LAUGHS | 0:37:01 | 0:37:03 | |
-Love our kisses. -We do love our kisses | 0:37:03 | 0:37:05 | |
and...I think that makes a nice addition to the lot. | 0:37:05 | 0:37:09 | |
While Mark's schmoozing threatens to nab him the entire stock... | 0:37:09 | 0:37:14 | |
-Thanks, Mark. -My change in my pot. | 0:37:14 | 0:37:16 | |
-Good luck. -Thank you very much, Yvonne. | 0:37:16 | 0:37:18 | |
..Anita has sensibly called a cab to take her to the next shop, | 0:37:18 | 0:37:24 | |
and is travelling from St Helen Auckland to Cleadon. | 0:37:24 | 0:37:28 | |
Anita soon finds herself amongst a mix of antiques, | 0:37:30 | 0:37:34 | |
gifts and bright-eyed cats. | 0:37:34 | 0:37:36 | |
This is Griselda Hill. | 0:37:37 | 0:37:39 | |
Griselda Hill pottery bought over the name of Wemyss and the patterns of Wemyss. | 0:37:39 | 0:37:46 | |
Wemyss was that wonderful Fife pottery of Robert Heron and Sons. | 0:37:46 | 0:37:50 | |
This is quite typical of Wemyss Ware, with these wonderful, wonderful cabbage roses. | 0:37:50 | 0:37:58 | |
If this was an early 20th-century Wemyss cat, | 0:37:58 | 0:38:01 | |
it would be worth thousands of pounds. | 0:38:01 | 0:38:05 | |
But people love it, and no wonder. | 0:38:05 | 0:38:09 | |
But the big Wemyss cat is £195, well outside her budget. Time to get a move on, Anita. | 0:38:09 | 0:38:15 | |
This is also Wemyss Ware, and at £42, a bit more realistic. | 0:38:15 | 0:38:20 | |
I'd love to buy a piece, but I don't know | 0:38:20 | 0:38:23 | |
if I can make a profit on it, but I would like to buy it. | 0:38:23 | 0:38:25 | |
The profit's the thing. | 0:38:25 | 0:38:27 | |
Because they're still being produced, | 0:38:27 | 0:38:29 | |
they're not going to reach high prices in auction. | 0:38:29 | 0:38:33 | |
-Would it be possible to buy that for, say, 20? -Go on, then. | 0:38:33 | 0:38:37 | |
-Will we do it? -Yes. Go on. | 0:38:37 | 0:38:39 | |
Meanwhile, the competition has also hailed a cab, | 0:38:39 | 0:38:43 | |
possibly driven by one of Mark's legion of loyal fans. | 0:38:43 | 0:38:46 | |
-You look very familiar. -They always say that. | 0:38:46 | 0:38:49 | |
He probably thinks I'm David Barby. | 0:38:49 | 0:38:51 | |
I wonder if I'll get away with saying, "Is that your very lowest fare?" | 0:38:51 | 0:38:55 | |
Cheeky. I don't know. | 0:38:57 | 0:38:59 | |
Mark's travelling from St Helen's Auckland to Stanley, to visit Beamish. | 0:38:59 | 0:39:04 | |
This open-air museum is a specially created village, | 0:39:07 | 0:39:11 | |
made up of authentic buildings, hand-picked from the surrounding area, | 0:39:11 | 0:39:15 | |
to help tell the story of the North East, from Georgian to Edwardian times. | 0:39:15 | 0:39:20 | |
Look at that. | 0:39:20 | 0:39:22 | |
The village is described as a living museum that the public can experience first-hand. | 0:39:22 | 0:39:26 | |
It's the original Beamish colliery which dominates the landscape. | 0:39:26 | 0:39:30 | |
-Well, dressed like that, you have to be Richard. -Hello. | 0:39:32 | 0:39:35 | |
-I'm Mark. -Hello, Mark. -Very nice to meet you. -Welcome to Beamish. | 0:39:35 | 0:39:39 | |
Behind the scenes at Beamish is a vast archive of material | 0:39:39 | 0:39:43 | |
which can't be displayed in the village, | 0:39:43 | 0:39:45 | |
and Mark is here to find a few of the treasures they hold. | 0:39:45 | 0:39:49 | |
What we've pulled out for you here is a really special collection, | 0:39:50 | 0:39:54 | |
relating to a huge mining disaster just a mile up the road at Stanley. | 0:39:54 | 0:39:58 | |
This shows all the men and boys who died in the mine. | 0:39:59 | 0:40:03 | |
168 people lost their lives in a huge explosion. | 0:40:03 | 0:40:06 | |
Between 150 and 200,000 people turned up to the funeral in Stanley. | 0:40:07 | 0:40:11 | |
There were 15,000 people at the top while they were rescuing the people, | 0:40:11 | 0:40:14 | |
because it was this huge spectacle, huge disaster, | 0:40:14 | 0:40:17 | |
and people waiting to hear the news of their brother and their son. | 0:40:17 | 0:40:20 | |
-And their loved ones. -And their children. | 0:40:20 | 0:40:22 | |
There were children aged 13 down the mine that were killed. | 0:40:22 | 0:40:25 | |
Well, Richard, I'm from South Wales, another great mining area. | 0:40:25 | 0:40:30 | |
We've had our own shares of disasters in the past. | 0:40:30 | 0:40:33 | |
I'm from a family of miners - my father and a lot of his brothers were miners. | 0:40:33 | 0:40:38 | |
I remember as a child going up to the pits, | 0:40:38 | 0:40:41 | |
and it was a very scary place, very scary indeed, even in the 1970s. | 0:40:41 | 0:40:46 | |
I remember my father telling me that his brother was killed in a mining accident, | 0:40:46 | 0:40:52 | |
so it was very, very hard work. Very hard work. | 0:40:52 | 0:40:55 | |
Mining sure was a tough business, but there's a strong tradition | 0:40:55 | 0:41:00 | |
of the men creating works of art in their short, precious spare time. | 0:41:00 | 0:41:04 | |
-This is miners' folk art? -Folk art made by the range at night. | 0:41:04 | 0:41:10 | |
Tell me about this, because this is really quite weird, isn't it? Is this wood in there? | 0:41:10 | 0:41:15 | |
It's dropped in in the shape of a cross, it's called God In A Bottle. | 0:41:15 | 0:41:19 | |
God In A Bottle? | 0:41:19 | 0:41:21 | |
It would sit on the mantelpiece or in the corner of the room, | 0:41:21 | 0:41:24 | |
and was thought to have slightly mysterious, magical qualities. | 0:41:24 | 0:41:28 | |
It is something rather eerie about it, isn't it? | 0:41:28 | 0:41:31 | |
It is a bit like a ship at the bottom of the ocean, | 0:41:31 | 0:41:33 | |
the bits and pieces floating around. | 0:41:33 | 0:41:36 | |
Or, alternatively, you could maybe say it's Damien Hirst. | 0:41:36 | 0:41:40 | |
-A Damien Hirst, a very early one. -A very early one. | 0:41:40 | 0:41:44 | |
I do love all this. | 0:41:44 | 0:41:46 | |
This is old Player cigarette cards, | 0:41:46 | 0:41:48 | |
-and they've got all the faces going so neatly around. -Beautifully inlaid. | 0:41:48 | 0:41:52 | |
When I look at an item like that, I think of who made it | 0:41:52 | 0:41:55 | |
and how they would smile and laugh, if we were stood here now | 0:41:55 | 0:41:58 | |
in the middle of a museum. | 0:41:58 | 0:42:00 | |
I can't imagine what they would be calling us. | 0:42:00 | 0:42:03 | |
It would be hilarious, wouldn't it? | 0:42:03 | 0:42:05 | |
Now, for sheer authenticity, that cab beats everything, | 0:42:06 | 0:42:10 | |
but it may take some time to get back to the hotel. Bye, Mark. | 0:42:10 | 0:42:14 | |
Oh, Anita, look. | 0:42:20 | 0:42:22 | |
Anita and Mark are heartened by a temporary replacement | 0:42:22 | 0:42:25 | |
to their much-loved Morris Minor. | 0:42:25 | 0:42:28 | |
Yesterday, Mark bought three items for £80, including a leather gun case. | 0:42:30 | 0:42:36 | |
It's a man bag. You could keep a nice bottle of gin in there. | 0:42:36 | 0:42:39 | |
Anita bought five items at a cost of £114, and had a sing-along. | 0:42:39 | 0:42:45 | |
# I belong to Glasgow | 0:42:45 | 0:42:48 | |
# Dear old Glasgow town. # | 0:42:48 | 0:42:50 | |
But has it made them happy? | 0:42:50 | 0:42:53 | |
-Smile, Mark. -Smile, Anita. Smile! | 0:42:53 | 0:42:56 | |
-Smile, Mark. -Smile, Anita. | 0:42:58 | 0:43:01 | |
Leaving Stanley far behind, | 0:43:01 | 0:43:02 | |
the road trip is heading for a place known as Willington. | 0:43:02 | 0:43:06 | |
Hello, there, how are you doing? | 0:43:09 | 0:43:11 | |
-Hello, I'm Mark. -Morning. -Nice to meet you. | 0:43:11 | 0:43:13 | |
Haggis Antiques feels a bit like a museum, | 0:43:13 | 0:43:18 | |
with reminders of local life gone by | 0:43:18 | 0:43:20 | |
and plenty of quirky pieces to catch the eye. | 0:43:20 | 0:43:23 | |
I think this is a darning mushroom, | 0:43:23 | 0:43:25 | |
and it's the sort of thing that a lady would have used to darn socks, | 0:43:25 | 0:43:29 | |
and the sock would have gone over there, and you can make repairs. | 0:43:29 | 0:43:33 | |
Of course, we throw them away these days. | 0:43:33 | 0:43:36 | |
Normally, these are very plain, but actually, this one is quite nice. | 0:43:36 | 0:43:40 | |
It's got all the geometric inlay in it. | 0:43:40 | 0:43:43 | |
It will probably date to the Edwardian period. | 0:43:43 | 0:43:45 | |
It's got a nice feel, it's been well worn. | 0:43:45 | 0:43:47 | |
Now, what's this? | 0:43:47 | 0:43:49 | |
I just wonder whether maybe a whaler, out on the seas for many months, | 0:43:49 | 0:43:55 | |
has found some of the floating shale or something, | 0:43:55 | 0:43:59 | |
and has decided to use a bit of old brassware that they found | 0:43:59 | 0:44:02 | |
and make some sort of water-carrying vessel. | 0:44:02 | 0:44:05 | |
I think that's rather intriguing. | 0:44:05 | 0:44:09 | |
You've got £30 on the liquid carrier. | 0:44:09 | 0:44:12 | |
-Yes. -I was rather hoping we could get the two of them for 15 quid. | 0:44:12 | 0:44:17 | |
-Oh, £15. -Is that too cheeky? -Yes. I'm thinking those for you... | 0:44:17 | 0:44:23 | |
erm...would be 25. | 0:44:23 | 0:44:25 | |
-Could we do a round figure of 20? -I think we could, yes. | 0:44:27 | 0:44:29 | |
-Are you sure? -Yes, I think we could. -Let me shake your hand. -Smashing. | 0:44:29 | 0:44:33 | |
Actually, could I just have a look at the little coin in the envelope? | 0:44:33 | 0:44:38 | |
-You certainly can, yes. -This is probably a full sovereign. | 0:44:38 | 0:44:42 | |
The weight just doesn't feel the right balance to me in my hand. | 0:44:42 | 0:44:45 | |
-Yeah. -It feels too thin. | 0:44:45 | 0:44:47 | |
I wouldn't like to sell you that, to say that it was a gold coin. | 0:44:47 | 0:44:51 | |
No, I don't think it is gold. | 0:44:51 | 0:44:53 | |
I honestly think it is some sort of token. | 0:44:53 | 0:44:56 | |
But I think you could probably have a nice little punt at that, | 0:44:57 | 0:45:00 | |
because it would attract people who are interested in gold at the moment, | 0:45:00 | 0:45:04 | |
-and might know a little bit more than I do. -Yes. | 0:45:04 | 0:45:08 | |
-So I think for you to have a little bit of fun with it, how about a £10 note? -Oh, gosh. | 0:45:08 | 0:45:14 | |
It is tempting, isn't it? It is tempting. | 0:45:16 | 0:45:19 | |
-Do you know, I am going to do that. -Yeah? -Ten quid. -Smashing. | 0:45:19 | 0:45:22 | |
-I'm just going to have a bit of fun. -Best of luck with it. | 0:45:22 | 0:45:25 | |
Reunited, our experts are heading for the day's final shopping opportunity. | 0:45:28 | 0:45:33 | |
That was a little draft, I'll put the window up. | 0:45:37 | 0:45:41 | |
Hello. | 0:45:44 | 0:45:46 | |
Mark has already had a full day, but he just can't resist one more shop. | 0:45:46 | 0:45:51 | |
Let us hope that we might be able to find something I want to buy. | 0:45:51 | 0:45:55 | |
Hi. | 0:45:55 | 0:45:58 | |
Across the street, Anita still has lots of cash and plenty to choose from. | 0:45:58 | 0:46:02 | |
Works perfect. | 0:46:05 | 0:46:08 | |
And then, she's rather tempted by a picture, or two. | 0:46:08 | 0:46:11 | |
This is a chalk drawing | 0:46:11 | 0:46:13 | |
of a charming little boy, I would imagine. | 0:46:13 | 0:46:16 | |
He's very sweet. | 0:46:16 | 0:46:18 | |
Well-executed. | 0:46:18 | 0:46:21 | |
It's obviously a pair. | 0:46:21 | 0:46:24 | |
We do have an artist's signature on this one. | 0:46:24 | 0:46:27 | |
I like those. | 0:46:27 | 0:46:29 | |
For the two items, there's a current asking price of £140, | 0:46:29 | 0:46:31 | |
but maybe not for long. | 0:46:31 | 0:46:35 | |
I would put an estimate of £50-£80 on the pair. | 0:46:37 | 0:46:40 | |
I would have thought £120. | 0:46:40 | 0:46:41 | |
I couldn't sell them for less than £120. | 0:46:41 | 0:46:44 | |
£120? Could you come down a bit more, to £100? | 0:46:44 | 0:46:49 | |
If you could come down to £100, I feel I might have a chance, | 0:46:49 | 0:46:53 | |
and I would be willing to take that chance on it. | 0:46:53 | 0:46:55 | |
-Go on. I'll let you off. -Aw, thank you! | 0:46:55 | 0:46:59 | |
I realise you've got strong competition. | 0:46:59 | 0:47:02 | |
Speaking of which, how is Mark getting on? | 0:47:02 | 0:47:05 | |
This is a little bottle cooler. | 0:47:05 | 0:47:08 | |
It's a nice little think, actually. | 0:47:08 | 0:47:10 | |
It's very crisply engraved. | 0:47:10 | 0:47:12 | |
What they've done here is put a little bit of hot glass on there. | 0:47:12 | 0:47:17 | |
Then they've teased it out with a tong, | 0:47:17 | 0:47:19 | |
to make that lovely little delicate scroll. | 0:47:19 | 0:47:21 | |
But what I do like is the lovely engraving on the glass here. | 0:47:21 | 0:47:25 | |
This is priced up at £25, which is not a lot of money, | 0:47:25 | 0:47:30 | |
but if I was putting it into sale, I'd put it in at £20-£30. | 0:47:30 | 0:47:35 | |
It might be worth a risk. I like the quality of it. | 0:47:35 | 0:47:37 | |
Sadly, the shopkeeper's a bit shy. | 0:47:37 | 0:47:39 | |
So we'll just eavesdrop. I wonder what he looks like. | 0:47:39 | 0:47:43 | |
Do you think £18 is the very least you would take? | 0:47:43 | 0:47:46 | |
Are you sure if I can't tweak you down just one more pound? | 0:47:46 | 0:47:51 | |
Maybe £17? | 0:47:51 | 0:47:52 | |
-SHOPKEEPER: -Go on. You've said all the right things. | 0:47:52 | 0:47:55 | |
Right. After some hard negotiation, and sweet-talking, | 0:47:55 | 0:47:58 | |
I've bought it for £17, and I've got my £3 change. | 0:47:58 | 0:48:01 | |
I'm going to get out of here pretty sharpish. | 0:48:01 | 0:48:03 | |
Mark's quick getaway should take him on to the auction soon. | 0:48:03 | 0:48:07 | |
On this leg, Mark spent £127 on five lots. | 0:48:10 | 0:48:15 | |
The Chinese lacquer vase, with the Imari pot. | 0:48:15 | 0:48:17 | |
The mutton gun case. | 0:48:17 | 0:48:18 | |
The darning mushroom, | 0:48:18 | 0:48:20 | |
with maritime gourd nut. | 0:48:20 | 0:48:23 | |
The Georgian sovereign, and the Victorian wine cooler. | 0:48:23 | 0:48:27 | |
Whilst Anita has spent a daring £214, | 0:48:27 | 0:48:30 | |
also on five lots. | 0:48:30 | 0:48:32 | |
The bronze bust, | 0:48:32 | 0:48:34 | |
the Victorian cloisonne buckle, | 0:48:34 | 0:48:36 | |
the Wemyss jam pot, | 0:48:36 | 0:48:38 | |
the pastel portraits, | 0:48:38 | 0:48:40 | |
and the gramophone, with records. | 0:48:40 | 0:48:43 | |
Plus the Bakelite Bush radio. | 0:48:43 | 0:48:45 | |
And with all that great loot, | 0:48:45 | 0:48:46 | |
Anita and Mark must surely | 0:48:46 | 0:48:49 | |
have impressed each other. | 0:48:49 | 0:48:51 | |
Those pair of paintings - are YOU scared? | 0:48:51 | 0:48:55 | |
I'm very scared. | 0:48:55 | 0:48:56 | |
The coin, I'm just not sure about. | 0:48:56 | 0:48:58 | |
He's not sure either, but he's taken a punt. | 0:48:58 | 0:49:01 | |
I'm going to call it "a sovereign with a question mark". | 0:49:01 | 0:49:04 | |
And we'll let the auctioneer decide what he thinks. | 0:49:04 | 0:49:06 | |
With Barnard Castle behind them, | 0:49:10 | 0:49:11 | |
Anita and Mark head east, to Darlington. | 0:49:11 | 0:49:14 | |
Thomas Watson auction house awaits them. | 0:49:14 | 0:49:18 | |
Are you leading me astray again? | 0:49:18 | 0:49:20 | |
I think I'm going up a No Entry sign. | 0:49:20 | 0:49:23 | |
Guess what?! Bluebell is back! | 0:49:23 | 0:49:26 | |
Still no sat nav, though. | 0:49:26 | 0:49:29 | |
"Darlo" folk have crowded in | 0:49:31 | 0:49:34 | |
to soak up the lots, including Mark's misplaced vase. | 0:49:34 | 0:49:37 | |
But what does auctioneer Peter Robinson | 0:49:37 | 0:49:40 | |
think about what Mark and Anita have entered, | 0:49:40 | 0:49:42 | |
and especially that coin? | 0:49:42 | 0:49:44 | |
I'm not sure what it is, to be quite frank. | 0:49:44 | 0:49:47 | |
It's definitely a gold coin, and it's definitely of a period. | 0:49:47 | 0:49:50 | |
It's not a fake. | 0:49:50 | 0:49:52 | |
Today, we will leave that to the bidders. | 0:49:52 | 0:49:55 | |
Time for the nerves to jangle. | 0:49:55 | 0:49:59 | |
I'm getting butterflies. | 0:49:59 | 0:50:00 | |
Mark's Chinese lot, | 0:50:00 | 0:50:02 | |
together again. | 0:50:02 | 0:50:04 | |
-£15, for the two pieces together. -Oh, no. | 0:50:04 | 0:50:07 | |
£20, £25, £30, £35. £40. | 0:50:07 | 0:50:09 | |
It's going up. | 0:50:09 | 0:50:11 | |
£35, second row, I have. | 0:50:11 | 0:50:12 | |
At £35, £40, £45. | 0:50:12 | 0:50:14 | |
At £40. Gentleman has it upstairs now. | 0:50:14 | 0:50:17 | |
HAMMER BANGS | 0:50:17 | 0:50:19 | |
£40. That's down £10, Anita. | 0:50:19 | 0:50:21 | |
And down a bit more, after commission. | 0:50:21 | 0:50:24 | |
I've got to now claw that back somehow. | 0:50:25 | 0:50:28 | |
Next, Anita's bronze bust. | 0:50:28 | 0:50:31 | |
At £20. | 0:50:31 | 0:50:33 | |
£25, can I have? | 0:50:33 | 0:50:35 | |
£25, I'm bid. | 0:50:35 | 0:50:37 | |
£30 for it? | 0:50:38 | 0:50:41 | |
At £25. It's on the net at £25. Nobody in the room? | 0:50:41 | 0:50:44 | |
£30, I have. Thank you. | 0:50:44 | 0:50:46 | |
At £30, bid. £30. | 0:50:46 | 0:50:48 | |
At £35, anywhere for it? | 0:50:48 | 0:50:50 | |
At £30, going to the net | 0:50:50 | 0:50:51 | |
at £30. | 0:50:51 | 0:50:53 | |
Being sold. £35, thank you. At £35. | 0:50:53 | 0:50:56 | |
-Nobody loved him. -Well, -I -loved him. | 0:50:56 | 0:50:59 | |
Next, Mark's leather gun case. | 0:50:59 | 0:51:02 | |
£30. | 0:51:02 | 0:51:04 | |
At £30. | 0:51:04 | 0:51:05 | |
The gun case. | 0:51:05 | 0:51:07 | |
£35. | 0:51:07 | 0:51:09 | |
The internet's into this one. | 0:51:09 | 0:51:11 | |
At £35 for the leather gun case. | 0:51:11 | 0:51:13 | |
A nice furnishing item. | 0:51:13 | 0:51:15 | |
£40 for it. £40. | 0:51:15 | 0:51:17 | |
£50. | 0:51:17 | 0:51:18 | |
£45, back of the room. | 0:51:18 | 0:51:20 | |
That's up £15. | 0:51:20 | 0:51:23 | |
Disappointed. | 0:51:23 | 0:51:24 | |
Not exactly a flying start for either of them. | 0:51:24 | 0:51:28 | |
Onward, and downward. | 0:51:28 | 0:51:30 | |
I hope not. | 0:51:30 | 0:51:31 | |
Next, Anita's Victorian enamel buckle. | 0:51:31 | 0:51:35 | |
At £15, £20, can we say? | 0:51:35 | 0:51:37 | |
£20 is better. | 0:51:37 | 0:51:38 | |
£20, I have. £25? | 0:51:38 | 0:51:40 | |
£30. £35 is the next bid... | 0:51:40 | 0:51:43 | |
£35, or higher. | 0:51:43 | 0:51:44 | |
£40, sir? At £35, unusual lot. Cloisonne buckle. | 0:51:44 | 0:51:48 | |
£40, I have now. £45. | 0:51:48 | 0:51:50 | |
-£50, sir. -Come on! | 0:51:50 | 0:51:51 | |
£50 bid in the room. | 0:51:51 | 0:51:54 | |
£50. | 0:51:54 | 0:51:56 | |
-That's good. -That's a good result. | 0:51:56 | 0:51:58 | |
I'm happy enough with that. | 0:51:58 | 0:51:59 | |
I think that was its value, don't you, Anita? | 0:51:59 | 0:52:01 | |
Next, Mark's favourites. | 0:52:01 | 0:52:04 | |
The darning mushroom, | 0:52:04 | 0:52:05 | |
and the maritime gourd. | 0:52:05 | 0:52:07 | |
At £15, the two together. | 0:52:07 | 0:52:09 | |
£20 upstairs. £25. £30, £35. | 0:52:09 | 0:52:12 | |
£30 upstairs, in the balcony, | 0:52:12 | 0:52:14 | |
for the two pieces together. | 0:52:14 | 0:52:15 | |
In the balcony at £30 for the two together. | 0:52:15 | 0:52:18 | |
GAVEL BANGS | 0:52:18 | 0:52:19 | |
Well, Anita... | 0:52:19 | 0:52:22 | |
It's still profit, it's still profit. | 0:52:22 | 0:52:25 | |
But not much after commission. | 0:52:25 | 0:52:28 | |
I'm not terribly optimistic about the rest of it now, Anita. | 0:52:28 | 0:52:31 | |
Anita's cabbage rose jam pot. | 0:52:31 | 0:52:35 | |
At £30. | 0:52:35 | 0:52:37 | |
At £30. £35. | 0:52:37 | 0:52:38 | |
£35. £40. | 0:52:38 | 0:52:40 | |
£45. | 0:52:40 | 0:52:42 | |
£50. £55. £60. | 0:52:42 | 0:52:45 | |
At £55. Bid's on my right, beside me. | 0:52:45 | 0:52:48 | |
At £55... | 0:52:48 | 0:52:49 | |
Are we all finished now? Being sold at £55. All done. | 0:52:49 | 0:52:53 | |
-You must be pleased with that. -I'm happy enough with that. | 0:52:53 | 0:52:57 | |
The star of the show, so far. | 0:52:57 | 0:53:00 | |
There is quality in the decoration. | 0:53:00 | 0:53:02 | |
Now for Mark's "sovereign with a question mark". | 0:53:06 | 0:53:08 | |
Is it, or isn't it? | 0:53:08 | 0:53:10 | |
It is slightly larger than a sovereign, | 0:53:10 | 0:53:13 | |
but it is a gold, 1826... | 0:53:13 | 0:53:17 | |
At £50? | 0:53:17 | 0:53:19 | |
At £60, £70, £80, | 0:53:19 | 0:53:22 | |
£90, £100. | 0:53:22 | 0:53:23 | |
-£100. £150. -£150. | 0:53:23 | 0:53:25 | |
£160. | 0:53:25 | 0:53:27 | |
-£170. -Yes! | 0:53:27 | 0:53:28 | |
£180. | 0:53:28 | 0:53:29 | |
-£190! -£190. | 0:53:29 | 0:53:31 | |
£200. | 0:53:31 | 0:53:32 | |
Bid's on the net, at £200. | 0:53:32 | 0:53:36 | |
Being sold not for £220. You're out in the room. | 0:53:36 | 0:53:40 | |
Bid's with the net at £220. All done. | 0:53:40 | 0:53:44 | |
I'm absolutely staggered, Anita. | 0:53:44 | 0:53:47 | |
Whatever it was, someone wanted it badly. | 0:53:47 | 0:53:51 | |
You are a jammy bisom! | 0:53:51 | 0:53:53 | |
I wonder where I've learned that from (?) | 0:53:53 | 0:53:55 | |
SHE LAUGHS | 0:53:55 | 0:53:57 | |
I wonder(!) | 0:53:57 | 0:53:58 | |
Now, who will adopt these two adorable scraps? | 0:53:58 | 0:54:01 | |
I have £40. | 0:54:01 | 0:54:03 | |
Well, it's a start. | 0:54:03 | 0:54:04 | |
At £45. | 0:54:04 | 0:54:07 | |
At £50. £55. | 0:54:07 | 0:54:09 | |
£60, £65, £70, £75. | 0:54:09 | 0:54:11 | |
£80, £85. | 0:54:11 | 0:54:13 | |
£90. Lady in the balcony, at £90 for the pair. | 0:54:13 | 0:54:16 | |
Are we all finished? | 0:54:16 | 0:54:17 | |
At £90. All done. | 0:54:17 | 0:54:20 | |
GAVEL BANGS | 0:54:20 | 0:54:21 | |
It could have been worse, Anita. | 0:54:21 | 0:54:23 | |
It sure could, but an even bigger loss, I'm afraid, after commission. | 0:54:23 | 0:54:27 | |
Now Mark's last buy. | 0:54:27 | 0:54:29 | |
The Victorian wine cooler. | 0:54:29 | 0:54:32 | |
£30. At £30. £35 | 0:54:32 | 0:54:34 | |
-£40. -Oh, £40. £45. | 0:54:34 | 0:54:36 | |
£50, £55? | 0:54:36 | 0:54:38 | |
At £50, in the far corner, under the balcony. | 0:54:38 | 0:54:40 | |
'At £50, the wine glass cooler, | 0:54:40 | 0:54:42 | |
'being sold at £50 for the lot. | 0:54:42 | 0:54:45 | |
'Selling at £50. All done. | 0:54:45 | 0:54:47 | |
-GAVEL BANGS -Well done! | 0:54:47 | 0:54:49 | |
That surprised me, Anita. | 0:54:49 | 0:54:51 | |
Now, anyone for a good old sing-along? | 0:54:51 | 0:54:55 | |
£30, bid. | 0:54:55 | 0:54:56 | |
At £35 now. | 0:54:56 | 0:54:58 | |
At £5, £40. | 0:54:58 | 0:55:00 | |
£50, £55. £60. | 0:55:00 | 0:55:02 | |
£60, at the back, now. £65. £70. | 0:55:02 | 0:55:06 | |
£70. All finished now. | 0:55:06 | 0:55:08 | |
At £70, for the two together. | 0:55:08 | 0:55:11 | |
-GAVEL BANGS -Yes! -That's good, Anita. | 0:55:11 | 0:55:13 | |
Dare I say, a "sound" return?! | 0:55:13 | 0:55:18 | |
I'm happy enough with that. | 0:55:18 | 0:55:19 | |
That's a reasonable profit. | 0:55:19 | 0:55:22 | |
It's not a "record" profit, though, is it? | 0:55:22 | 0:55:24 | |
SHE LAUGHS | 0:55:24 | 0:55:26 | |
Mark began with £496.16. | 0:55:29 | 0:55:33 | |
And made £188.70, after auction costs. | 0:55:33 | 0:55:37 | |
So he now has £684.86. | 0:55:37 | 0:55:41 | |
to splash about. | 0:55:41 | 0:55:43 | |
Anita started with £476.74, | 0:55:46 | 0:55:51 | |
and made £32 after auction costs, | 0:55:51 | 0:55:53 | |
leaving her with £458.74 | 0:55:53 | 0:55:57 | |
to stage a fightback. | 0:55:57 | 0:55:59 | |
So, a good result for both of us, Mark. | 0:55:59 | 0:56:02 | |
And a very good result for you. | 0:56:02 | 0:56:03 | |
I'm very pleased. I'm very confident, Anita. Three-one. | 0:56:03 | 0:56:07 | |
-You just got lucky. -What, three times?! | 0:56:07 | 0:56:10 | |
SHE LAUGHS And off we go. | 0:56:10 | 0:56:13 | |
Next time, on the Antiques Road Trip... | 0:56:15 | 0:56:18 | |
Anita, will you marry me? SHE LAUGHS | 0:56:20 | 0:56:22 | |
Will Anita's direct bargaining technique work out? | 0:56:22 | 0:56:26 | |
You've told me they are rubbish. | 0:56:26 | 0:56:28 | |
And will Mark's wish be granted? | 0:56:28 | 0:56:30 | |
Stop the road trip, I want to get off. | 0:56:30 | 0:56:32 | |
Subtitles by Red Bee Media Ltd | 0:56:54 | 0:56:57 |