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The nation's favourite antiques experts, £200 each, and one big challenge. | 0:00:02 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-15 quid. -No. | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:15 | 0:00:19 | |
But it's not as easy as you might think, | 0:00:19 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
So will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm going to go for it. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week, Mark Stacey and Anita Manning | 0:00:37 | 0:00:39 | |
have travelled through Scotland | 0:00:39 | 0:00:41 | |
to the picturesque north-east of England. | 0:00:41 | 0:00:44 | |
Oh, look at this, Anita, this looks very pretty. | 0:00:44 | 0:00:47 | |
-The sun is shining for us. -The sun is shining. | 0:01:00 | 0:01:02 | |
And the sun, you know, Anita, only shines on the righteous. | 0:01:02 | 0:01:06 | |
That counts you out, then, Mark. Mark, of course, is a valuer and dealer. | 0:01:06 | 0:01:10 | |
What do you think? Is it me? | 0:01:10 | 0:01:12 | |
Ooh, I dunno. Mark's penchant for a cheeky question sometimes just goes too far. | 0:01:12 | 0:01:16 | |
-Do you know, I'm going to ask you a little sneaky favour. -What's that? | 0:01:16 | 0:01:20 | |
Can I just touch it? | 0:01:20 | 0:01:21 | |
See what I mean? | 0:01:21 | 0:01:23 | |
While Anita, an auctioneeress, is a woman who takes no prisoners. | 0:01:23 | 0:01:28 | |
Tell me your minimum. | 0:01:28 | 0:01:30 | |
-No, you tell me what... -No, tell me your minimum. | 0:01:30 | 0:01:33 | |
See what I mean again? | 0:01:33 | 0:01:34 | |
They began the week with £200 each | 0:01:34 | 0:01:38 | |
and both have already more than doubled their money. | 0:01:38 | 0:01:41 | |
Mark starts today with £684.86 to spend, | 0:01:41 | 0:01:46 | |
while Anita is trailing, | 0:01:46 | 0:01:48 | |
with a still impressive £458.74, | 0:01:48 | 0:01:51 | |
but she's not giving up. Oh, no. | 0:01:51 | 0:01:54 | |
The game isn't over until the fat lady sings. | 0:01:55 | 0:01:59 | |
I hope you're not talking about me. | 0:01:59 | 0:02:00 | |
ANITA LAUGHS | 0:02:00 | 0:02:02 | |
Well, you did ask the question. | 0:02:02 | 0:02:05 | |
Anita and Mark have travelled from deep in the Cairngorms | 0:02:05 | 0:02:08 | |
via the ancient charms of Edinburgh and Durham to North Yorkshire. | 0:02:08 | 0:02:12 | |
Today's leg kicks off in Richmond | 0:02:12 | 0:02:16 | |
and heads towards a deciding auction in Huby, just north of York. | 0:02:16 | 0:02:21 | |
Richmond offers today's first field of combat. Let battle commence. | 0:02:21 | 0:02:26 | |
Well, Anita, here we are, the first of our buying trips. | 0:02:27 | 0:02:32 | |
My last chance to make up that 200 quid with you. | 0:02:32 | 0:02:36 | |
It's a big ask, Anita. | 0:02:36 | 0:02:37 | |
I think you're going for gold that way, and I'm going downhill. | 0:02:37 | 0:02:40 | |
Oh, well, maybe that's the way for you! | 0:02:40 | 0:02:43 | |
Anita's first stop is at Richmond Antiques. | 0:02:46 | 0:02:49 | |
Good morning. | 0:02:49 | 0:02:50 | |
-Good morning. -Good moaning. | 0:02:50 | 0:02:52 | |
-Can I have a wee look around? -Yup. | 0:02:52 | 0:02:54 | |
It's a shop full of interesting prospects, | 0:02:54 | 0:02:57 | |
all to be bargained for with the owner, Harry. | 0:02:57 | 0:03:00 | |
He's 83, don't you know. | 0:03:00 | 0:03:02 | |
This has probably started its life off as a chair. | 0:03:02 | 0:03:07 | |
Someone, at some point in its history, | 0:03:07 | 0:03:10 | |
has taken the back off and it now exists as a stool. | 0:03:10 | 0:03:14 | |
It's Victorian. Look at these wonderful legs... | 0:03:14 | 0:03:17 | |
..with original castors on here. | 0:03:19 | 0:03:21 | |
It was tucked away in a corner and I quite fancy it. | 0:03:21 | 0:03:25 | |
Harry? See because it's only a bit of something, | 0:03:25 | 0:03:28 | |
-and the upholstery is not good, tenner on it? -Tenner. -Yeah. | 0:03:28 | 0:03:32 | |
Not content to rest on her laurels, whoever he is, | 0:03:32 | 0:03:35 | |
nor her lovely new stool, Anita is looking to bring out the big guns. | 0:03:35 | 0:03:41 | |
Probably ornaments for the side of your fire. | 0:03:41 | 0:03:44 | |
They might be for holding pokers. | 0:03:44 | 0:03:46 | |
I'm sorry? | 0:03:46 | 0:03:49 | |
If I buy these, would it blast me into profit? | 0:03:49 | 0:03:52 | |
Heh-heh-heh. You set them up, I'll knock them down. | 0:03:52 | 0:03:55 | |
-Harry? -Yeah? -Do you think they're fun? | 0:03:55 | 0:03:57 | |
They're rubbish. | 0:03:57 | 0:04:00 | |
Harry says they're rubbish. | 0:04:00 | 0:04:03 | |
Maybe from the 1940s? | 0:04:03 | 0:04:05 | |
They've maybe been there since 1940. I don't know. | 0:04:05 | 0:04:08 | |
I mean, there's some very, very good quality cobwebs on these. | 0:04:08 | 0:04:12 | |
It takes me ages to get them cobwebs on, you see. | 0:04:12 | 0:04:16 | |
Harry, could you sell me this pair of mad cannons for a fiver? | 0:04:17 | 0:04:20 | |
You're such a nice lady, you can have them for a fiver, dear. | 0:04:20 | 0:04:24 | |
-You are a darling. -I'll suffer the loss. | 0:04:24 | 0:04:27 | |
ANITA LAUGHS | 0:04:27 | 0:04:28 | |
I think I'm going to have to seal this deal with a kiss. | 0:04:28 | 0:04:31 | |
-Is that all right? -Ohh... Look at that. | 0:04:31 | 0:04:34 | |
Well, you've made his day, anyway, Anita. | 0:04:36 | 0:04:39 | |
Now, calm yourself, comb up and concentrate. | 0:04:39 | 0:04:42 | |
What about these glasses? | 0:04:44 | 0:04:46 | |
I quite like them. | 0:04:46 | 0:04:49 | |
They are copies of earlier glasses, continental. | 0:04:49 | 0:04:53 | |
We have a nice little bit of etching here and they are very pretty. | 0:04:53 | 0:04:57 | |
They don't appear to have a price on them. | 0:04:58 | 0:05:01 | |
I don't think that they're terribly, terribly old | 0:05:01 | 0:05:04 | |
but I think a nice set of glasses might be desirable. | 0:05:04 | 0:05:08 | |
Start at ten and argue? | 0:05:08 | 0:05:10 | |
I got you down a wee bit on these, | 0:05:10 | 0:05:11 | |
but I think I'm quite happy to pay that ten on those. | 0:05:11 | 0:05:15 | |
-£15, Harry. -Yes, dear. Thank you very much. -Thank you very much. | 0:05:15 | 0:05:20 | |
-That's got me off the bread line. -ANITA LAUGHS | 0:05:20 | 0:05:22 | |
Nothing funny about that. | 0:05:22 | 0:05:24 | |
25 in total, including the old stool. | 0:05:24 | 0:05:27 | |
Hello, Mark's heard the rustle of money being spent | 0:05:27 | 0:05:30 | |
and is heading in Harry and Anita's direction. | 0:05:30 | 0:05:32 | |
I'm sure you've found all the bargains. | 0:05:34 | 0:05:36 | |
Oh, shall I leave you to it? | 0:05:36 | 0:05:37 | |
-Or do you want me to point you in the right direction? -No, no. | 0:05:37 | 0:05:40 | |
-You go off, darling. You go off and have a little sit-down. -OK. | 0:05:40 | 0:05:43 | |
-Happy hunting. -Thank you. See you later. -Bye. | 0:05:43 | 0:05:46 | |
There's quite a nice mixture of pieces in here, isn't there? | 0:05:48 | 0:05:51 | |
This is quite fun. This is a sort of... | 0:05:51 | 0:05:53 | |
for your hallway, it's for putting your coats on. | 0:05:53 | 0:05:57 | |
I mean, it's not terribly old. | 0:05:57 | 0:05:59 | |
A carved eagle. But he's got rather a cheeky face and I like his glass eye. | 0:05:59 | 0:06:02 | |
Harry, I think that's quite a fun piece, isn't it? | 0:06:02 | 0:06:05 | |
-It's not an antique one but it's quite a decorative piece. -Oh, yeah. | 0:06:05 | 0:06:10 | |
-What price have you got on that? -£20. | 0:06:10 | 0:06:12 | |
£20. Could you do anything on that? | 0:06:12 | 0:06:15 | |
-Are you poor? -Very poor. | 0:06:15 | 0:06:19 | |
-15 is my lowest. -15. | 0:06:19 | 0:06:21 | |
Yeah, I think I'm going to take that. £15. I think that's quite reasonable. | 0:06:21 | 0:06:24 | |
That's Harry's fourth sale of the day! | 0:06:24 | 0:06:27 | |
But it seems this place may yet yield even more bargains. | 0:06:27 | 0:06:30 | |
Now, I found down here this rather intriguing vase... | 0:06:30 | 0:06:35 | |
..which I think would have had a lid on it originally. | 0:06:36 | 0:06:39 | |
But it's rather fun, with these sort of grotesques on the side of it. | 0:06:39 | 0:06:43 | |
And I love the Chinese panels on it. | 0:06:43 | 0:06:46 | |
It's got the odd little chip and things there. | 0:06:46 | 0:06:49 | |
Priced up at £25. | 0:06:49 | 0:06:50 | |
Mind you, I can see these should have little sort of lizards' heads | 0:06:51 | 0:06:55 | |
or dragons' heads on them, and they're missing. | 0:06:55 | 0:06:58 | |
But it's a heck of a lump for 25 quid, isn't it? | 0:06:58 | 0:07:01 | |
-I mean, you've got 25 on it. Could you do anything on that? -15. | 0:07:01 | 0:07:06 | |
-Thank you very much. -That's it. -No, that's kind. -I'll go home broke now! | 0:07:06 | 0:07:10 | |
-You don't look broke to me, Harry. -Oh, aye. | 0:07:10 | 0:07:13 | |
Still, five items sold, Harry. | 0:07:13 | 0:07:16 | |
Lovely to meet you. Cheers. Bye. | 0:07:16 | 0:07:18 | |
So a great start to the day. | 0:07:18 | 0:07:20 | |
But Anita knows she has a lot of catching up to do | 0:07:20 | 0:07:23 | |
at the final auction and she wants details. | 0:07:23 | 0:07:26 | |
What did you buy? What did you buy? | 0:07:26 | 0:07:28 | |
-Stop tickling me. -Did you find any silver? -No comment. | 0:07:28 | 0:07:32 | |
-Did you spend over £10? -Oh, look, trees! | 0:07:32 | 0:07:36 | |
Are we nearly there yet, Mum? | 0:07:37 | 0:07:39 | |
Fortunately for Mark, | 0:07:39 | 0:07:40 | |
it's just an eight-mile drive from Richmond to Scorton, | 0:07:40 | 0:07:45 | |
and the peace and quiet of Kiplin Hall. | 0:07:45 | 0:07:47 | |
-Well, I'm running a bit late, with all your faffing about. -OK. | 0:07:47 | 0:07:51 | |
-Well, I'll leave you to it, then. Bye, Anita. -OK. Bye-bye! -Bye. | 0:07:51 | 0:07:54 | |
Kiplin Hall was built in the 1620s by George Calvert, | 0:07:56 | 0:08:02 | |
Secretary of State to King James I. | 0:08:02 | 0:08:05 | |
Over the years, the families that have owned the house | 0:08:06 | 0:08:09 | |
have filled it with some spectacular furniture and works of art. | 0:08:09 | 0:08:13 | |
-Hello. -You must be Dawn. -Hi. Yes. Nice to meet you, Mark. | 0:08:13 | 0:08:16 | |
Mark is shown round the hall by the curator Dawn Webster. | 0:08:19 | 0:08:23 | |
She has picked out some of the finest pieces in the house to show Mark. | 0:08:23 | 0:08:27 | |
We're up on the second floor now. But this you have to see. | 0:08:27 | 0:08:30 | |
First, a painting of Venice, | 0:08:32 | 0:08:35 | |
commissioned by Kiplin Hall's 18th-century owners. | 0:08:35 | 0:08:38 | |
This is St Mark's Square during a carnival, | 0:08:38 | 0:08:41 | |
and you can see the carnival masks. | 0:08:41 | 0:08:43 | |
-It's by Luca Carlevarijs who was one of Canaletto's predecessors... -Wow. | 0:08:43 | 0:08:47 | |
..and fantastic for painting people, figures, faces, dogs. | 0:08:47 | 0:08:51 | |
Canaletto was mostly architecture, if you think of his paintings. | 0:08:51 | 0:08:54 | |
Carlevarijs filled his architectural spaces with people, | 0:08:54 | 0:08:57 | |
and it's the most exquisite, jewel-like painting. | 0:08:57 | 0:09:01 | |
-I do love the fact that the people looks so identifiable. -They do. | 0:09:01 | 0:09:05 | |
-It doesn't look like made-up people. -Yeah. | 0:09:05 | 0:09:07 | |
And this lady, with her fan, I'm not sure whether she is saying to you, | 0:09:07 | 0:09:10 | |
"I love you," or "My husband is away, come up and see me later tonight." | 0:09:10 | 0:09:13 | |
-I don't know. -It's the language of fans. | 0:09:13 | 0:09:15 | |
I think it might be Anita Manning making sure I'm not getting any bargains. | 0:09:15 | 0:09:19 | |
Maybe it is! How did she get in there? | 0:09:19 | 0:09:21 | |
Oh, she's been around a long time. | 0:09:21 | 0:09:23 | |
Next, to the library | 0:09:23 | 0:09:25 | |
and a relic from one of the country's most famous battleships. | 0:09:25 | 0:09:30 | |
And here is something very special to show you, Mark. | 0:09:33 | 0:09:35 | |
This is Lord Nelson's chair from onboard Victory | 0:09:35 | 0:09:37 | |
-and it has a silver plaque to prove it. -Oh, gosh. | 0:09:37 | 0:09:39 | |
I think it's wonderful. | 0:09:39 | 0:09:41 | |
It's very typical of that period with those scrolling arms | 0:09:41 | 0:09:44 | |
and those sabre legs at the front, isn't it? | 0:09:44 | 0:09:48 | |
-Also, I can see...there's something rather nice about this chair. -It is. | 0:09:48 | 0:09:51 | |
-It's metamorphic. -That's one of my favourite antique terms. Metamorphic. | 0:09:51 | 0:09:56 | |
Cos it's like a caterpillar, really, | 0:09:56 | 0:09:57 | |
it changes into an even more beautiful butterfly. | 0:09:57 | 0:10:00 | |
-These tip up, don't they? -That's right. | 0:10:00 | 0:10:03 | |
-And then you'd have library steps so you can reach the books. -Yes. | 0:10:03 | 0:10:06 | |
-Bring it down, put it back and sit down and read your book. -Yes. | 0:10:06 | 0:10:09 | |
And the funny thing is also, | 0:10:09 | 0:10:10 | |
I'm told the cabin onboard Victory had a very low ceiling | 0:10:10 | 0:10:13 | |
so exactly why he needed a metamorphic chair for his cabin, I have no idea. | 0:10:13 | 0:10:17 | |
-But there it is. All part of history. -Absolutely. | 0:10:17 | 0:10:19 | |
And part of Kiplin's history as well. | 0:10:19 | 0:10:21 | |
Now part of Kiplin Hall's history. Wonderful. | 0:10:21 | 0:10:23 | |
And so Mark ends his visit to Kiplin Hall, | 0:10:23 | 0:10:26 | |
bringing us to the end of an exceedingly good day. | 0:10:26 | 0:10:30 | |
Day two, and both our experts are feeling and looking a bit flush. | 0:10:38 | 0:10:41 | |
I feel very confident, Anita. | 0:10:41 | 0:10:43 | |
I've got lots of money burning a hole in my pocket. | 0:10:43 | 0:10:46 | |
I want to get out there and spend, spend, spend. | 0:10:46 | 0:10:49 | |
So far, Mark's spent a mere miserly £30 on two items. | 0:10:49 | 0:10:54 | |
I'll go home broke now! | 0:10:54 | 0:10:57 | |
Anita's got more for less, spending £25 on three items. | 0:10:57 | 0:11:02 | |
She's still £200 behind Mark. | 0:11:02 | 0:11:05 | |
Could this be the day she finds that special something to take the lead? | 0:11:05 | 0:11:10 | |
OK, bye-bye, Harry, and thank you again. | 0:11:11 | 0:11:14 | |
Departing Richmond, Anita and Mark are pushing on to Masham | 0:11:14 | 0:11:18 | |
via a little drop-off in Middleham. | 0:11:18 | 0:11:21 | |
Ah, wonderful, wonderful. | 0:11:22 | 0:11:23 | |
Have a good time, and shop well. | 0:11:23 | 0:11:26 | |
-And you, too, Anita. See you later. -OK. | 0:11:26 | 0:11:29 | |
If I buy the wrong thing and it makes a big loss, | 0:11:31 | 0:11:33 | |
it's all over. | 0:11:33 | 0:11:35 | |
Poor, tortured soul. | 0:11:35 | 0:11:38 | |
Anita, meanwhile, has found | 0:11:38 | 0:11:40 | |
both a shop and a little something of interest. | 0:11:40 | 0:11:43 | |
This is an interesting little album. | 0:11:43 | 0:11:46 | |
We have several of these embroidered postcards, | 0:11:46 | 0:11:51 | |
which are, in the main, from the First World War, | 0:11:51 | 0:11:55 | |
and it was the type of thing that soldiers would send their waves. | 0:11:55 | 0:11:59 | |
And this one is from someone who was in the Royal Engineers. | 0:11:59 | 0:12:04 | |
"With love from yours." It's from Willie. | 0:12:04 | 0:12:07 | |
And this was sent in 1916. | 0:12:07 | 0:12:10 | |
Just right in the middle of the First World War. | 0:12:10 | 0:12:12 | |
"Good luck, your loving brother." | 0:12:12 | 0:12:15 | |
Postcard collecting is very popular just now. | 0:12:15 | 0:12:18 | |
It's looking back, it's nostalgia, | 0:12:18 | 0:12:20 | |
it's seeing what the world was like at that time. | 0:12:20 | 0:12:24 | |
Interesting, lovely items, but not particularly rare. | 0:12:24 | 0:12:28 | |
In fact, an estimated 10 million | 0:12:28 | 0:12:30 | |
were made during the First World War. | 0:12:30 | 0:12:33 | |
This isn't going to make me a fortune if I buy this, | 0:12:33 | 0:12:36 | |
what ever the price, but it's so irresistible! | 0:12:36 | 0:12:39 | |
And for extra enticement, | 0:12:39 | 0:12:41 | |
Angela pulls out something from her secret stash. | 0:12:41 | 0:12:44 | |
-I've got some more postcards. -Ah, right. | 0:12:44 | 0:12:48 | |
Mostly Raphael Tuck. | 0:12:48 | 0:12:49 | |
As most deltiologists - or postcard collectors - will know, | 0:12:49 | 0:12:53 | |
Raphael Tuck & Sons were publishers to royalty | 0:12:53 | 0:12:56 | |
in the 18th and 19th centuries, | 0:12:56 | 0:12:59 | |
and by the First World War they dominated the postcard market. | 0:12:59 | 0:13:02 | |
These two albums won't come cheap, but you just try telling Anita that. | 0:13:02 | 0:13:07 | |
I would be talking 100 for the two. | 0:13:07 | 0:13:10 | |
And that is really, you know, because they are quite rare. | 0:13:10 | 0:13:15 | |
I would be estimating at somewhere between 60 and 80. | 0:13:15 | 0:13:18 | |
Could you come to 75? | 0:13:18 | 0:13:21 | |
80, 80. | 0:13:21 | 0:13:22 | |
Could you go to 75? | 0:13:24 | 0:13:26 | |
Oh, go on! 75! | 0:13:26 | 0:13:28 | |
It'll give me a chance. 75, I'd be happy. | 0:13:28 | 0:13:32 | |
-Go on, then. -Oh, you're a darling! | 0:13:32 | 0:13:35 | |
Hats off to Anita, then. | 0:13:35 | 0:13:37 | |
Meanwhile, Mark's reached Masham's Aura Antiques, | 0:13:37 | 0:13:41 | |
full of big-ticket items, but there's the odd quirky thing within budget. | 0:13:41 | 0:13:45 | |
That's quite an interesting jug, isn't it? | 0:13:47 | 0:13:49 | |
Very brightly decorated - it looks almost modern, doesn't it? | 0:13:49 | 0:13:52 | |
I would have thought, looking at the mark, this is going to be | 0:13:52 | 0:13:56 | |
dating to a roundabout 1860, 1870, so a true antique. | 0:13:56 | 0:14:00 | |
I quite like it with Newton on it. | 0:14:00 | 0:14:03 | |
I've never seen that before. | 0:14:03 | 0:14:05 | |
And that's priced up at £25. | 0:14:05 | 0:14:08 | |
Just checking. | 0:14:10 | 0:14:11 | |
A very good way of... | 0:14:11 | 0:14:13 | |
..checking for restoration. | 0:14:13 | 0:14:15 | |
It feels very soft, | 0:14:17 | 0:14:20 | |
whereas if it's perfect it feels quite hard and brittle. | 0:14:20 | 0:14:23 | |
Then something else throws Mark off balance. | 0:14:23 | 0:14:27 | |
It's a bit of a wibbly wobbly, as Anita would call it, isn't it? | 0:14:27 | 0:14:30 | |
But, actually, it's quite a fun shape. | 0:14:30 | 0:14:33 | |
It's got a nasty split in the top there, | 0:14:33 | 0:14:35 | |
and some of the little cabochons are missing. | 0:14:35 | 0:14:38 | |
I like this little decoration there. | 0:14:38 | 0:14:40 | |
It's got a very sort of odd feel to it. | 0:14:40 | 0:14:43 | |
Now, maybe it's just up here because it's going to be restored. | 0:14:43 | 0:14:46 | |
We might ask and see how much it is. | 0:14:46 | 0:14:47 | |
WHISPERS: Might be a bargain price. | 0:14:47 | 0:14:49 | |
Only one way to find out ask Robert. | 0:14:49 | 0:14:53 | |
If you offered me a tenner, I'd take it. | 0:14:53 | 0:14:55 | |
I'll give you a tenner for it. | 0:14:56 | 0:14:57 | |
-Done. -Done. | 0:14:57 | 0:14:59 | |
Wow, that was easy! | 0:14:59 | 0:15:01 | |
So far, Anita has bought two cannons, eight glasses, | 0:15:03 | 0:15:06 | |
two postcard albums and a stool. | 0:15:06 | 0:15:08 | |
But, still, she keeps on shopping. | 0:15:10 | 0:15:12 | |
What we have here, it's a wee sort of mixture. | 0:15:12 | 0:15:15 | |
There is nothing there of any great significance, | 0:15:15 | 0:15:17 | |
and you probably know that yourself. | 0:15:17 | 0:15:19 | |
What I'd be prepared to pay on that would be £8. | 0:15:19 | 0:15:23 | |
Oh, no, I need more than that. I would want at least 25, at least. | 0:15:23 | 0:15:28 | |
-25? -Yeah. | 0:15:28 | 0:15:29 | |
And now Anita has a go at some horse trading. | 0:15:29 | 0:15:32 | |
Angela? | 0:15:33 | 0:15:35 | |
-You are going to think that I am mad. -Yeah. | 0:15:35 | 0:15:38 | |
I bought a pair of cannons like that, | 0:15:38 | 0:15:42 | |
-and I thought it would be quite fun.... -To put them together. | 0:15:42 | 0:15:45 | |
What about if I paid £25 for that and that? | 0:15:45 | 0:15:49 | |
-Yes, go on then. -Will you do 25? | 0:15:49 | 0:15:52 | |
It's a pleasure to do business with you. | 0:15:52 | 0:15:55 | |
Back in Masham, a mysterious force - could it be gravity? - | 0:15:56 | 0:16:00 | |
is pulling Mark back to the Isaac Newton jug. | 0:16:00 | 0:16:04 | |
And I rather like the fact that this was Newton, which I presume is Isaac Newton. | 0:16:04 | 0:16:08 | |
-Must be. -Must be. | 0:16:08 | 0:16:10 | |
I don't think that's Mrs Newton, somehow. | 0:16:10 | 0:16:11 | |
But, Robert, I know it's cheeky of me, because you haven't priced it | 0:16:11 | 0:16:15 | |
very highly, but is there anything you could do on 25? | 0:16:15 | 0:16:18 | |
Yes, yes, I can. | 0:16:18 | 0:16:19 | |
£15. | 0:16:23 | 0:16:25 | |
-I can't really say no to £15, Robert. -That's what I thought you'd say. | 0:16:25 | 0:16:28 | |
-Because I really like that, thanks a lot. I appreciate that. -Thank you. | 0:16:28 | 0:16:31 | |
Well, there we are, another purchase, I love it. | 0:16:31 | 0:16:34 | |
Anita's bought enough items to start her own shop! | 0:16:36 | 0:16:39 | |
OK, that's been a pleasure. | 0:16:39 | 0:16:42 | |
But she can't stop hunting for one last item, bless her. | 0:16:42 | 0:16:46 | |
Yeah, it's a horse measuring stick, | 0:16:46 | 0:16:48 | |
but it's in the form of a walking stick. | 0:16:48 | 0:16:52 | |
Silver-topped, Boyce & Rogers, Newmarket, | 0:16:52 | 0:16:55 | |
so it's very important, probably used in the racing industry. | 0:16:55 | 0:16:58 | |
So, what we do is we pull out the measuring stick | 0:16:58 | 0:17:01 | |
from the body of the stick, | 0:17:01 | 0:17:04 | |
and we can pull out this brass bar here, and this brass bar would be? | 0:17:04 | 0:17:09 | |
It goes over the withers, | 0:17:09 | 0:17:12 | |
and that's the point where they measure the horse. | 0:17:12 | 0:17:15 | |
Wee Angela is looking for £80 for this late 19th-century | 0:17:15 | 0:17:18 | |
silver-topped measuring stick. | 0:17:18 | 0:17:20 | |
Would you go 50? | 0:17:20 | 0:17:21 | |
Go on, it's cash back in my pocket, yeah. | 0:17:22 | 0:17:26 | |
-Thank you very much. -OK, thank you. | 0:17:26 | 0:17:28 | |
Amazingly, I think Anita's finally finished shopping. | 0:17:28 | 0:17:32 | |
And talking. | 0:17:32 | 0:17:34 | |
Meanwhile, Mark has spotted a last-minute item. | 0:17:34 | 0:17:36 | |
This caught me out of the corner of my eye. | 0:17:36 | 0:17:39 | |
Not terribly well carved - sorry to say that - on the hands and things, | 0:17:39 | 0:17:43 | |
but there's just something about him. | 0:17:43 | 0:17:45 | |
His eyes are quite nicely painted. | 0:17:45 | 0:17:47 | |
It's all a little bit sort of amateurishly done, | 0:17:47 | 0:17:50 | |
but there's something rather appealing about him. | 0:17:50 | 0:17:53 | |
What I might do, you know, Robert, is put him, rather sneakily, with the jug, | 0:17:53 | 0:17:57 | |
because he kind of has a little look of Isaac Newton about him. | 0:17:57 | 0:18:01 | |
Could I possibly get him for the same price as the table, a tenner? | 0:18:01 | 0:18:04 | |
-Oh, go on then. -Yes? -Yes. | 0:18:07 | 0:18:09 | |
That's item three from this shop - good work, Mark. | 0:18:11 | 0:18:14 | |
Thank you very much indeed. | 0:18:14 | 0:18:16 | |
Our reunited road-trippers are moving on once more, | 0:18:16 | 0:18:20 | |
heading for Northallerton. | 0:18:20 | 0:18:21 | |
-This is the very last shop. -I know, and it's mine, it's all mine. | 0:18:23 | 0:18:29 | |
Mark makes for Cobweb Antiques for a serious rummage, | 0:18:29 | 0:18:33 | |
with no distractions. | 0:18:33 | 0:18:36 | |
Hello. | 0:18:36 | 0:18:37 | |
Have you come for a bit of attention, as well? | 0:18:37 | 0:18:39 | |
Have you? | 0:18:39 | 0:18:40 | |
What do you think of this lot? Yeah, rubbish! | 0:18:40 | 0:18:44 | |
Wuff! | 0:18:44 | 0:18:45 | |
These are lovely. I love wood, terribly tactile. | 0:18:45 | 0:18:48 | |
Gosh, you're sounding like Anita Manning. | 0:18:48 | 0:18:50 | |
SHE LAUGHS | 0:18:50 | 0:18:52 | |
As long as you weren't going to say Bernard Manning! | 0:18:54 | 0:18:57 | |
LAUGHING: I feel that Mark needs some direction. | 0:18:58 | 0:19:01 | |
This is quite fun, actually. | 0:19:01 | 0:19:03 | |
It's a little travelling compass in a nine carat gold frame. | 0:19:03 | 0:19:08 | |
Now, I'm not sure if the little chain mount on it is gold, | 0:19:08 | 0:19:12 | |
but certainly the frame is. | 0:19:12 | 0:19:15 | |
It's rather sweet, actually. | 0:19:15 | 0:19:16 | |
Sweet price - £89. | 0:19:16 | 0:19:18 | |
There's a lot of bargaining that needs to be done here. | 0:19:18 | 0:19:22 | |
-Do that one for 75. -75. | 0:19:22 | 0:19:24 | |
-I don't want to pay that. -No? | 0:19:24 | 0:19:26 | |
But I had to buy it. | 0:19:27 | 0:19:29 | |
-Would you lose at 60? -65. That's the death. | 0:19:29 | 0:19:33 | |
Thank you, Susan. | 0:19:33 | 0:19:35 | |
You're an angel, thank you so much for helping me out. | 0:19:35 | 0:19:37 | |
Compass in hand, Mark and his travelling companion | 0:19:37 | 0:19:41 | |
must find their way to auction. | 0:19:41 | 0:19:44 | |
Mark has spent £130 on five auction lots - | 0:19:45 | 0:19:49 | |
the Newton portrait mug, combined with the carved wooden doll, | 0:19:49 | 0:19:54 | |
the eagles head coat rack, | 0:19:54 | 0:19:57 | |
the ironstone umbrella stand, | 0:19:57 | 0:19:59 | |
the gold fob compass, | 0:19:59 | 0:20:01 | |
and the wibbly wobbly table. | 0:20:01 | 0:20:03 | |
Anita, meanwhile, spent £175 on... wait for it... | 0:20:07 | 0:20:11 | |
12 separate items, thankfully combined into five lots. | 0:20:11 | 0:20:14 | |
The engraved wine goblets, teamed with cannons | 0:20:15 | 0:20:18 | |
and horse-drawn cart ornaments. | 0:20:18 | 0:20:21 | |
The horse measuring stick. | 0:20:21 | 0:20:23 | |
The art nouveau postcards, paired with World War I postcards. | 0:20:23 | 0:20:27 | |
Phew! | 0:20:27 | 0:20:28 | |
The pocket watch, cufflinks, | 0:20:28 | 0:20:31 | |
tie pins and broken gold ring. | 0:20:31 | 0:20:35 | |
And the Victorian upholstered stool. | 0:20:35 | 0:20:36 | |
Crikey! | 0:20:36 | 0:20:38 | |
Oh, look at that, eh? | 0:20:38 | 0:20:40 | |
But what do our big spenders think of each other's last chances? | 0:20:40 | 0:20:46 | |
I love the walking cane with the horse measurer. | 0:20:46 | 0:20:50 | |
Silver-topped, good provenance. I could see that possibly making 100. | 0:20:50 | 0:20:53 | |
As for his big Oriental-type vase, it's damaged! | 0:20:53 | 0:20:57 | |
The heads are missing on the dragons. | 0:20:57 | 0:20:59 | |
I think he'll have to be lucky to get his money back on that one. | 0:20:59 | 0:21:02 | |
This leg of Mark and Anita's journey | 0:21:04 | 0:21:07 | |
started in Richmond and will end in Huby, | 0:21:07 | 0:21:09 | |
just outside York. | 0:21:09 | 0:21:11 | |
They're taking their assorted antiques | 0:21:11 | 0:21:13 | |
to be auctioned by Summersgills | 0:21:13 | 0:21:15 | |
in the local village hall. | 0:21:15 | 0:21:18 | |
I tell you what, I'm really excited now, Anita. This is our final sale. | 0:21:18 | 0:21:21 | |
-The day of reckoning. -The die is cast. | 0:21:21 | 0:21:25 | |
A good crowd has gathered to inspect the items in this general sale. | 0:21:25 | 0:21:29 | |
Auctioneer Tim Summersgill has cast his seller's eye | 0:21:29 | 0:21:33 | |
over Anita and Mark's lots. | 0:21:33 | 0:21:36 | |
A couple of lots I think we might struggle with. | 0:21:36 | 0:21:38 | |
There's the three-legged table. We might be lucky to sell that. | 0:21:38 | 0:21:42 | |
Probably one of the best lots we've got is the measuring stick. We've got a lot of interest, | 0:21:42 | 0:21:46 | |
and probably quite a few commission bids, so I think it should fly. | 0:21:46 | 0:21:49 | |
So, to the auction, | 0:21:49 | 0:21:51 | |
with Anita needing to make up £200. | 0:21:51 | 0:21:54 | |
Are you feeling confident, Mark? | 0:21:54 | 0:21:56 | |
Anita, I'm very, very nervous, I have to tell you. | 0:21:56 | 0:21:59 | |
Oh, don't be nervous. | 0:21:59 | 0:22:00 | |
I'm sure they'll be entranced by all the junk that you bought. | 0:22:00 | 0:22:03 | |
First up, Mark's Isaac Newton jug, coupled with the doll. | 0:22:04 | 0:22:09 | |
-Come on. Come on. -£20 bid here. £20. 22, | 0:22:09 | 0:22:12 | |
24, 26, 28. | 0:22:12 | 0:22:13 | |
Good, good. | 0:22:13 | 0:22:15 | |
£30, then. On commission at 30. | 0:22:15 | 0:22:17 | |
32 in the room. At £32 bid, at £32. | 0:22:17 | 0:22:21 | |
All done at 32. | 0:22:21 | 0:22:23 | |
-Well done, well done. -Well, that is a bit of a profit, at least. | 0:22:23 | 0:22:26 | |
A slow but steady £7 profit for Mark. | 0:22:26 | 0:22:30 | |
You were lucky, Mark. | 0:22:30 | 0:22:31 | |
-You meanie. It's our last day together. -I'm not being a meanie. | 0:22:33 | 0:22:37 | |
Next are the two cannon, | 0:22:38 | 0:22:39 | |
the horse and cart, and the eight glasses. | 0:22:39 | 0:22:43 | |
-We start at £20 bid on this one. -Starts at £20. | 0:22:43 | 0:22:46 | |
£20 on commission. 25 anywhere else? | 0:22:46 | 0:22:47 | |
£20 buys it... | 0:22:47 | 0:22:49 | |
Just in time, 22. | 0:22:49 | 0:22:51 | |
24 here. 26 there. | 0:22:51 | 0:22:53 | |
-£26. -Yes! -28 I'm looking for. | 0:22:53 | 0:22:55 | |
26. Lady's bid. | 0:22:55 | 0:22:58 | |
Another small profit. | 0:22:58 | 0:22:59 | |
Well, I've managed to wipe my face with that one. | 0:22:59 | 0:23:01 | |
£6 profit, so the cannon didn't misfire completely. | 0:23:01 | 0:23:05 | |
Now, you called me lucky, Anita. | 0:23:05 | 0:23:07 | |
I think you were jolly lucky with that. | 0:23:07 | 0:23:10 | |
Mark is hanging high hopes on his carved eagle coat rack. | 0:23:10 | 0:23:14 | |
Quite a bit of interest on this one, | 0:23:14 | 0:23:15 | |
so we start at £30 on this one. | 0:23:15 | 0:23:17 | |
Ooh, 30 straight. | 0:23:17 | 0:23:19 | |
35 anywhere else? | 0:23:19 | 0:23:20 | |
35, 38, | 0:23:20 | 0:23:22 | |
40 at the back. | 0:23:22 | 0:23:23 | |
40, 42, | 0:23:23 | 0:23:25 | |
45, 48, | 0:23:25 | 0:23:26 | |
-50. -Yes! | 0:23:26 | 0:23:28 | |
£50 then. In the doorway at £50. | 0:23:28 | 0:23:30 | |
-Oh, that was good. -That was good. | 0:23:30 | 0:23:33 | |
Sold for £50 minus commission. | 0:23:33 | 0:23:36 | |
Mark's eagle eye for a bargain didn't let him down. | 0:23:36 | 0:23:39 | |
Next, Anita's horse measuring stick. | 0:23:40 | 0:23:42 | |
Interest on this one, | 0:23:42 | 0:23:44 | |
-so we start it at 130. -130. -£130. | 0:23:44 | 0:23:47 | |
140. 150. | 0:23:47 | 0:23:48 | |
160 with you. | 0:23:48 | 0:23:50 | |
£160 right at the back, at 160. | 0:23:50 | 0:23:52 | |
-Yes! -All done at 160. | 0:23:52 | 0:23:53 | |
All sure? | 0:23:53 | 0:23:55 | |
-Yes! -Well done, Anita. | 0:23:55 | 0:23:57 | |
-I said you'd make 100 on that, didn't I? -Yeah. | 0:23:57 | 0:24:00 | |
Well, I never did. £110 profit. | 0:24:00 | 0:24:04 | |
Much more of this and she'll be catching Mark up. | 0:24:04 | 0:24:07 | |
-Congratulations. -Thank you, darling. | 0:24:07 | 0:24:09 | |
Next up, it's the lump - | 0:24:09 | 0:24:11 | |
-Mark's damaged vase. -Straight in at £30. | 0:24:11 | 0:24:14 | |
-Oh! -£30. -35 anywhere else? | 0:24:14 | 0:24:17 | |
On commission at £30. | 0:24:17 | 0:24:20 | |
35, I'm looking for. | 0:24:20 | 0:24:21 | |
All done, then, at 30. | 0:24:21 | 0:24:23 | |
No-one else? | 0:24:23 | 0:24:25 | |
Newton. | 0:24:25 | 0:24:26 | |
You got away with murder there. | 0:24:26 | 0:24:28 | |
That's not a bad profit on an item that's missing most of its bits. | 0:24:28 | 0:24:33 | |
Well done, darling. That's put a smile on your face. | 0:24:33 | 0:24:36 | |
Ah, the postcard albums that Anita fought so hard for. | 0:24:38 | 0:24:42 | |
40 in the doorway. | 0:24:42 | 0:24:44 | |
42, 44, | 0:24:44 | 0:24:45 | |
46, 48, is it? | 0:24:45 | 0:24:47 | |
46 the lady. All done at 46. | 0:24:47 | 0:24:49 | |
-Is that mine? -No. | 0:24:49 | 0:24:51 | |
-48. 50. 52. -It is. -No, it's not. | 0:24:51 | 0:24:53 | |
-It is. -Is it? | 0:24:53 | 0:24:55 | |
Lady's bid this time. | 0:24:55 | 0:24:56 | |
Oh. | 0:24:56 | 0:24:58 | |
£50. | 0:24:58 | 0:24:59 | |
Come on, team, pay attention! | 0:24:59 | 0:25:02 | |
£25 under the purchase price means the first loss of the day. | 0:25:02 | 0:25:05 | |
-I think it was at 50. -Was it 50 or 58? | 0:25:05 | 0:25:07 | |
50, Mark. Come on. Moving on. | 0:25:07 | 0:25:09 | |
The jewellery's next. | 0:25:09 | 0:25:11 | |
Items too numerous to mention. | 0:25:11 | 0:25:13 | |
-193 - our watches, etc. -Exactly. -Quite a nice lot. | 0:25:13 | 0:25:17 | |
Starting at £40. | 0:25:17 | 0:25:19 | |
-They can occasionally give us a big surprise. -55. 60. | 0:25:19 | 0:25:23 | |
65. 70. | 0:25:23 | 0:25:24 | |
-Is this mine? -75. 80. | 0:25:24 | 0:25:26 | |
85 with you. 90 there. 95, | 0:25:26 | 0:25:29 | |
back with you. 95. 100 in the doorway. | 0:25:29 | 0:25:31 | |
-100! -105, is it? | 0:25:31 | 0:25:32 | |
105. All done at 105. | 0:25:32 | 0:25:35 | |
That was excellent. | 0:25:35 | 0:25:38 | |
Well, the mixed lot made lots. She's catching up. | 0:25:38 | 0:25:42 | |
I'm delighted with that. | 0:25:42 | 0:25:43 | |
I'm amazed with that. That was a fairly good price for that. | 0:25:43 | 0:25:46 | |
This'll be interesting. | 0:25:46 | 0:25:48 | |
Remember, Mark fought hard to get the compass fob for £65. | 0:25:48 | 0:25:52 | |
Now, a bid here of £20. | 0:25:52 | 0:25:54 | |
25 with us. 25, 28. | 0:25:54 | 0:25:56 | |
30, 35, | 0:25:56 | 0:25:58 | |
40, 45, | 0:25:58 | 0:25:59 | |
50, 55. | 0:25:59 | 0:26:00 | |
55, then. | 0:26:00 | 0:26:01 | |
All done at 55. | 0:26:01 | 0:26:03 | |
Ahhh, hard luck. | 0:26:03 | 0:26:05 | |
Ouch! That's a big smack in the wallet. | 0:26:05 | 0:26:08 | |
Next up, the wibbly-wobbly table. | 0:26:08 | 0:26:11 | |
Bidding starts at an optimistic £20. | 0:26:11 | 0:26:13 | |
£20. Any interest? | 0:26:13 | 0:26:15 | |
-Come on! -15 I'm bid. 15, the lady. | 0:26:15 | 0:26:17 | |
Oh, thank goodness for that. It keeps us going. | 0:26:17 | 0:26:20 | |
£15 only. Seems cheap enough at 15. | 0:26:20 | 0:26:23 | |
No-one else? | 0:26:23 | 0:26:25 | |
Ohhh. | 0:26:25 | 0:26:26 | |
Never mind. Well done. You made profit, Mark. | 0:26:26 | 0:26:29 | |
A wibbly-wobbly profit on a wibbly-wobbly table. | 0:26:29 | 0:26:33 | |
Are you upset? | 0:26:33 | 0:26:35 | |
-Are you upset? -Oh, shut up, Anita. | 0:26:35 | 0:26:37 | |
Come on, you two. | 0:26:37 | 0:26:38 | |
Toys back in the pram. | 0:26:38 | 0:26:40 | |
-Finally, the stool that was once a chair. -15, then, here to sell. | 0:26:40 | 0:26:45 | |
-15! -£15 I'm bid. £15. | 0:26:45 | 0:26:47 | |
16 anywhere else? | 0:26:47 | 0:26:48 | |
All done at £15. | 0:26:48 | 0:26:50 | |
-Awww. -Well, that was fair, Anita. -I know. | 0:26:52 | 0:26:54 | |
Our last two lots made the same amount of money. | 0:26:54 | 0:26:57 | |
£5 profit on that stool. | 0:26:57 | 0:26:59 | |
I'm going to need a little sit-down. | 0:26:59 | 0:27:01 | |
I think it just shows you | 0:27:01 | 0:27:02 | |
what idiots we are. | 0:27:02 | 0:27:04 | |
THEY LAUGH | 0:27:04 | 0:27:06 | |
A good day at auction. | 0:27:06 | 0:27:08 | |
Anita did well, | 0:27:08 | 0:27:10 | |
and I thought she might have caught him up. | 0:27:10 | 0:27:12 | |
Anita began this leg with £458.74. | 0:27:12 | 0:27:16 | |
After auction costs, she made a bumper profit, | 0:27:16 | 0:27:20 | |
so Anita ends her road trip with £575.66. | 0:27:20 | 0:27:24 | |
Ooh! | 0:27:24 | 0:27:25 | |
However, Mark started with £684.86, | 0:27:28 | 0:27:33 | |
and made a very small profit. | 0:27:33 | 0:27:35 | |
But with a final total of £704.10, | 0:27:35 | 0:27:39 | |
he is triumphant. Well done. | 0:27:39 | 0:27:42 | |
So you're going to drive me off into the sunset? | 0:27:47 | 0:27:49 | |
I am, and then I'm going to leave you there. | 0:27:49 | 0:27:51 | |
THEY LAUGH Cos I've had enough of you. | 0:27:51 | 0:27:53 | |
-One week is enough! -No more antiques. | 0:27:53 | 0:27:56 | |
That's us finished. | 0:27:56 | 0:27:58 | |
What a road trip it's been. | 0:27:58 | 0:28:01 | |
Look, it's here. It's right turn. | 0:28:01 | 0:28:03 | |
Anita and Mark have crossed the border, | 0:28:03 | 0:28:06 | |
and occasionally crossed the line. | 0:28:06 | 0:28:08 | |
Oh, God. | 0:28:12 | 0:28:13 | |
Oh! | 0:28:13 | 0:28:14 | |
My mind's fried. | 0:28:14 | 0:28:16 | |
Aargh! | 0:28:17 | 0:28:19 | |
Anita. | 0:28:22 | 0:28:23 | |
Will you marry me? | 0:28:23 | 0:28:24 | |
SHE LAUGHS | 0:28:24 | 0:28:26 | |
Will I give you a surprise? | 0:28:26 | 0:28:28 | |
Yes! | 0:28:28 | 0:28:29 | |
THEY LAUGH | 0:28:29 | 0:28:31 | |
Stop the road trip, I want to get off. | 0:28:31 | 0:28:33 | |
We leave Anita and Mark, | 0:28:33 | 0:28:35 | |
but stay in Scotland and join our next set of road trippers | 0:28:35 | 0:28:39 | |
who go in search of antique treasures. | 0:28:39 | 0:28:40 | |
Still amongst the stunning Scottish scenery, | 0:28:40 | 0:28:43 | |
we meet antiques experts | 0:28:43 | 0:28:45 | |
Philip Serrell and Catherine Southon. | 0:28:45 | 0:28:49 | |
I love the thought that we are now in the Highlands. | 0:28:50 | 0:28:53 | |
-And you're sharing it with me. -I know. The love of my life. | 0:28:53 | 0:28:56 | |
Philip Serrell began his career mucking out the sheep pens | 0:28:56 | 0:29:00 | |
for a livestock auctioneer, | 0:29:00 | 0:29:02 | |
and while some argue he'd found his calling | 0:29:02 | 0:29:04 | |
then and there, | 0:29:04 | 0:29:06 | |
he's gone on to become the consummate antiques auctioneer. | 0:29:06 | 0:29:09 | |
What's your cheapest price? | 0:29:09 | 0:29:10 | |
Our cheapest price is usually about 50p. | 0:29:10 | 0:29:13 | |
I'll remember that. | 0:29:13 | 0:29:14 | |
And former head of scientific instruments at Sotheby's, | 0:29:14 | 0:29:19 | |
Catherine Southon is also an expert in maritime art. | 0:29:19 | 0:29:22 | |
But don't be fooled by her charm. | 0:29:22 | 0:29:24 | |
When it comes to striking a deal, | 0:29:24 | 0:29:26 | |
she's a wolf in designer clothing, with spots. | 0:29:26 | 0:29:29 | |
Are you sure you don't want to sell that? | 0:29:29 | 0:29:30 | |
Positive. | 0:29:30 | 0:29:33 | |
Philip and Catherine are starting out with £200 each, | 0:29:33 | 0:29:37 | |
hoping to turn in a tidy profit at auction. | 0:29:37 | 0:29:39 | |
I'd be even more excited if I win. | 0:29:40 | 0:29:43 | |
Don't get too competitive on me. | 0:29:43 | 0:29:45 | |
Along with their shiny red Triumph convertible, | 0:29:45 | 0:29:48 | |
they're travelling from the north-east of Scotland | 0:29:48 | 0:29:51 | |
on to Glasgow and across the border to Carlisle, | 0:29:51 | 0:29:54 | |
passing through the gorgeous Lake District | 0:29:54 | 0:29:57 | |
and ending their journey in Liverpool. | 0:29:57 | 0:29:59 | |
Today we're kicking off in Aboyne | 0:30:00 | 0:30:02 | |
and concluding with an auction showdown in Dundee. | 0:30:02 | 0:30:06 | |
-What are we doing? -There's an antique fair over here, love. | 0:30:06 | 0:30:08 | |
-Antique fair? -Well, an antique car-boot jobby thingy. | 0:30:08 | 0:30:12 | |
-There's only about five cars. -Well, it still constitutes a car boot. | 0:30:12 | 0:30:15 | |
Stick with me, you'll be all right. Come on. | 0:30:15 | 0:30:18 | |
You look like Frank Spencer. | 0:30:20 | 0:30:22 | |
Before you can say, "Ooh, Betty"... | 0:30:23 | 0:30:26 | |
Is that R2 thingamy? | 0:30:26 | 0:30:28 | |
Yes, it's R2-D2 and we have Darth Vader and we have C3PO. | 0:30:28 | 0:30:32 | |
I tell you what I'll do, cos I'm feeling generous - | 0:30:32 | 0:30:35 | |
all the toys there, I'll give you 50p for them. | 0:30:35 | 0:30:37 | |
-That sounds absolutely splendid. -Have I just been robbed? | 0:30:37 | 0:30:40 | |
I tell you what though, we're going to have to deal here. I've only got 40p in change. | 0:30:40 | 0:30:44 | |
Oh, God. I feel I'm being swindled. | 0:30:44 | 0:30:47 | |
-I'm actually sure you're being swindled. -You're mad, Philip. | 0:30:47 | 0:30:50 | |
How can I lose money on 40p? | 0:30:50 | 0:30:52 | |
Come on, give this poor man some more money. | 0:30:52 | 0:30:54 | |
-Whose side are you on? -Not on yours, that's for sure! | 0:30:54 | 0:30:57 | |
I'm going to go now. Sir, you're a gentleman. | 0:30:57 | 0:31:00 | |
Thank you very much indeed. | 0:31:00 | 0:31:01 | |
So says the last of the big spenders. | 0:31:01 | 0:31:04 | |
Next stop is slightly off the beaten track, if only they could find it. | 0:31:07 | 0:31:10 | |
-Now, I've got to go left here and on up the road. -I think this is me. | 0:31:10 | 0:31:14 | |
-I'm just going to drop you out just here. -Don't forget me. | 0:31:14 | 0:31:16 | |
I won't forget you - go on, off you go. | 0:31:16 | 0:31:18 | |
OK. I've got to get out first. I can't get out! | 0:31:18 | 0:31:21 | |
-OK, here we are. I've done it. -Dear me. Honestly. | 0:31:21 | 0:31:25 | |
-Ciao. Arrivederci. -Yeah, yeah, no, it'll all be fine. Just don't worry. | 0:31:25 | 0:31:30 | |
Catherine will try her luck at the aptly named Refined Antiques | 0:31:30 | 0:31:36 | |
with its stock of gorgeous items. | 0:31:36 | 0:31:38 | |
-Hi, Alex. Nice to meet you. This is a wonderful shop you've got here. -Oh, it's lovely. | 0:31:38 | 0:31:42 | |
I'm very interested in these straightaway. | 0:31:42 | 0:31:45 | |
I love apothecary jars for pharmaceuticals. | 0:31:45 | 0:31:49 | |
Carboys. Very nice. | 0:31:49 | 0:31:51 | |
Carboys have been used as symbols for pharmacists for yonks. | 0:31:53 | 0:31:57 | |
Although it's thought that they originate from the Middle East | 0:31:57 | 0:32:01 | |
when medicines with coloured liquids were often stored. | 0:32:01 | 0:32:04 | |
They are also something that could do very well at auction. | 0:32:05 | 0:32:09 | |
They're lovely. How much are they? | 0:32:09 | 0:32:10 | |
I think you'd be looking at about 150. | 0:32:10 | 0:32:14 | |
-150 for the two? -For the two. | 0:32:14 | 0:32:17 | |
Yeah, I think that might be a bit too much. | 0:32:17 | 0:32:19 | |
-I would really need to be under 100. -Under 100? | 0:32:19 | 0:32:23 | |
Ah, well. Worth a try. | 0:32:23 | 0:32:26 | |
In the neighbouring town of Dinnet, | 0:32:26 | 0:32:28 | |
Philip's discovered The Old Alliance | 0:32:28 | 0:32:32 | |
- a rather unusual shop owned by compulsive collector Dave. | 0:32:32 | 0:32:36 | |
But amongst the thousands of handsome, eye-catching objects, | 0:32:38 | 0:32:41 | |
Philip's opted to watch the birdie. | 0:32:41 | 0:32:43 | |
Isn't that just fantastic, look? | 0:32:46 | 0:32:48 | |
MIMICS MECHANICAL WHIRRRING | 0:32:48 | 0:32:50 | |
-In technical terms, it's an automaton, isn't it? -Yeah. | 0:32:50 | 0:32:53 | |
And an automaton is a clockwork-driven toy, | 0:32:53 | 0:32:55 | |
effectively, that does something. In this case it pecks, | 0:32:55 | 0:32:58 | |
but you can have really grand automatons | 0:32:58 | 0:33:00 | |
that play musical instruments and do all sorts of stuff. | 0:33:00 | 0:33:03 | |
I've seen them - with eyes that roll around and such things. | 0:33:03 | 0:33:06 | |
-It would be early 1900s, I'd have thought. -How much is he, Dave? -£25. | 0:33:06 | 0:33:10 | |
Is this the exchange rate between Sassenachs and Scots? | 0:33:12 | 0:33:15 | |
It'll be about 20 then. | 0:33:15 | 0:33:17 | |
Philip's clearly got toys on the brain, | 0:33:17 | 0:33:19 | |
so David finds him something else to play with outside. | 0:33:19 | 0:33:23 | |
These just remind me of my childhood. Do you know why I like that one? | 0:33:25 | 0:33:28 | |
My grandmother bought me one of these. | 0:33:28 | 0:33:31 | |
-When you were a little boy? -Yeah. | 0:33:31 | 0:33:33 | |
Needless to say, packaging is all-important here | 0:33:33 | 0:33:36 | |
and a mint-condition matchbox car can be worth up to twice as much | 0:33:36 | 0:33:40 | |
if it comes with the original box. | 0:33:40 | 0:33:42 | |
-A fiver each. -At five pounds each, | 0:33:43 | 0:33:45 | |
there's room for a bit of negotiation, isn't there? | 0:33:45 | 0:33:48 | |
-Ooh. -Ooh! You heard it here first, folks. | 0:33:48 | 0:33:50 | |
DAVE LAUGHS | 0:33:50 | 0:33:51 | |
And whilst Philip's caught off-guard, | 0:33:51 | 0:33:53 | |
Catherine's caught between the pair of carboys | 0:33:53 | 0:33:56 | |
and a pink pharmaceutical jar. Choices, choices. | 0:33:56 | 0:34:00 | |
-Yeah, oh... -I think if you had to choose between here | 0:34:00 | 0:34:04 | |
-and the two there... -MAN LAUGHS | 0:34:04 | 0:34:06 | |
-I'm going to take you with me the whole way, actually. -Yes. | 0:34:06 | 0:34:10 | |
Can we go... Can we do 110 on those? | 0:34:10 | 0:34:16 | |
Oh, you're so lovely. | 0:34:16 | 0:34:18 | |
< You're bullying her. | 0:34:18 | 0:34:20 | |
She's so lovely. I felt the nod there. | 0:34:20 | 0:34:23 | |
-No. -I'm sure there was a nod. 115. | 0:34:23 | 0:34:26 | |
-Can we do 110... -No. -..and then definite? | 0:34:26 | 0:34:28 | |
Go on. Oh, please, Alex. Come on, 110. | 0:34:28 | 0:34:32 | |
-Oh, it's a fiver - 110 and they're yours. -You are the best. | 0:34:32 | 0:34:37 | |
-And I'm paying the other fiver. -THEY LAUGH | 0:34:37 | 0:34:40 | |
Thus far, Philip's search for the daft and different | 0:34:40 | 0:34:44 | |
has found him one wind-up bird, two Matchbox cars | 0:34:44 | 0:34:48 | |
and now what might be a wool-winder, though there is some debate. | 0:34:48 | 0:34:53 | |
That's got a metal base, which means it stronger. | 0:34:53 | 0:34:56 | |
But you could use these for drying fishing line, couldn't you? | 0:34:56 | 0:34:59 | |
Fishing line, socks... | 0:34:59 | 0:35:00 | |
Yeah, I think there's probably more potential for salmon fishing line | 0:35:00 | 0:35:03 | |
than there is dirty socks, personally. | 0:35:03 | 0:35:05 | |
All Philip needs to complete the set is... | 0:35:07 | 0:35:10 | |
It's a stag-horn three-piece carving set. I like that. | 0:35:10 | 0:35:13 | |
The thing that I love about this is that if you want to go | 0:35:13 | 0:35:17 | |
to a cook shop and buy a modern knife | 0:35:17 | 0:35:21 | |
it's going to cost you £30-£40, isn't it? | 0:35:21 | 0:35:23 | |
And yet you can come to Dave | 0:35:23 | 0:35:25 | |
and buy something like this for probably about £15. | 0:35:25 | 0:35:27 | |
-Pardon? -You can come to Dave and buy something like this | 0:35:27 | 0:35:30 | |
-for about £15. -I've lost my hearing. | 0:35:30 | 0:35:32 | |
-Right, Dave, if I bought that, that was 25? -Yep. | 0:35:32 | 0:35:36 | |
-And those were five each. -Yeah. | 0:35:36 | 0:35:38 | |
-and if I bought those two together they would be... -30. -30. | 0:35:38 | 0:35:41 | |
-And that was 25. -Yeah. -And that was 25? -Yeah. | 0:35:41 | 0:35:45 | |
-And if I bought those two together, how much would they be? -40. -40? | 0:35:45 | 0:35:48 | |
And if I bought the whole lot together? | 0:35:48 | 0:35:51 | |
60. | 0:35:51 | 0:35:53 | |
Double figures, eh? That's a lot of money for our Phil. | 0:35:54 | 0:35:56 | |
-Go on, I'll have it all, Dave. 50 quid, wasn't it? -Pardon? | 0:35:56 | 0:36:00 | |
-What was that? -50 quid. -50? 60. | 0:36:00 | 0:36:04 | |
Oh, I tell you what. A fool and his money are soon parted, aren't they? | 0:36:04 | 0:36:08 | |
-Dave, you're a gentleman. -It's sticking in your hand, man. -Get out of it. | 0:36:08 | 0:36:12 | |
With Philip's rather eclectic shopping spree now over, | 0:36:12 | 0:36:15 | |
the road trip is moving on. | 0:36:15 | 0:36:18 | |
30 miles east to the important coastal city of Aberdeen, | 0:36:18 | 0:36:22 | |
home to the Gordon Highlanders - a Scottish regiment | 0:36:22 | 0:36:25 | |
formed in 18th century to help fight the French. | 0:36:25 | 0:36:28 | |
And this museum celebrates their two centuries of history. | 0:36:29 | 0:36:34 | |
-Jesper, how are you doing? -Phil, good to see you. | 0:36:35 | 0:36:38 | |
Jesper is the man to show our Philip around. | 0:36:38 | 0:36:41 | |
From firearms to silverware, this regiment has quite a story to tell | 0:36:43 | 0:36:47 | |
and in 1794, it all started with a kiss. | 0:36:47 | 0:36:50 | |
Now, this is the bonnet of Duchess Jean, | 0:36:50 | 0:36:52 | |
the wife of Alexander, Duke Of Gordon, | 0:36:52 | 0:36:55 | |
who raised the Gordon Highlanders. | 0:36:55 | 0:36:56 | |
The legend is is that new recruits to the Gordons | 0:36:56 | 0:36:59 | |
received not only the king's shilling, | 0:36:59 | 0:37:01 | |
but also a kiss from the fair duchess. | 0:37:01 | 0:37:03 | |
-Really? -Absolutely. And she was a society beauty | 0:37:03 | 0:37:06 | |
so how could any man resist such a wonderful... | 0:37:06 | 0:37:10 | |
So she was like the best recruiting machine that you had? | 0:37:10 | 0:37:13 | |
-She absolutely was. -How many did she get in? How many did she kiss? | 0:37:13 | 0:37:16 | |
Well, when the Gordon Highlanders paraded for the first time | 0:37:16 | 0:37:19 | |
in Aberdeen in June 1794, there were over 1,000 recruits. | 0:37:19 | 0:37:24 | |
Well, I tell you what - there's a bit of mileage in this. I should start doing this today. | 0:37:24 | 0:37:28 | |
I think you are right, definitely. | 0:37:28 | 0:37:30 | |
The collection includes some rather impressive silverware, | 0:37:30 | 0:37:33 | |
but this isn't the only precious material in the museum. | 0:37:33 | 0:37:37 | |
It's also home to 11 of one of the rarest medals in existence. | 0:37:37 | 0:37:42 | |
-That's a VC. -Yes, it is. | 0:37:44 | 0:37:46 | |
Victoria Cross, the most important emblematic bravery medal | 0:37:46 | 0:37:51 | |
-there is to be won, isn't there? -It is an absolute icon. | 0:37:51 | 0:37:53 | |
And these were made from the bronze of a cannon | 0:37:53 | 0:37:56 | |
from the Battle of Sebastopol in the Crimean War, weren't they? | 0:37:56 | 0:37:59 | |
Well, that's right, exactly. | 0:37:59 | 0:38:01 | |
It was a captured Russian cannon that the medals are still cast from. | 0:38:01 | 0:38:05 | |
This particular VC belonged to a legendary member | 0:38:05 | 0:38:08 | |
of the Gordon Highlanders - Piper George - | 0:38:08 | 0:38:11 | |
who fought on the Northwest Frontier - present-day Pakistan - in 1897. | 0:38:11 | 0:38:17 | |
The Gordons charged forward over this open piece of ground | 0:38:17 | 0:38:21 | |
with their pipers playing, urging the men on over the ground. | 0:38:21 | 0:38:25 | |
Now, five pipers stood up and started playing when the charge began. | 0:38:26 | 0:38:30 | |
Only one of the pipers made it across | 0:38:30 | 0:38:32 | |
that open piece of ground unscathed. | 0:38:32 | 0:38:34 | |
One of the wounded was piper George Findlater. | 0:38:34 | 0:38:38 | |
He was wounded in both ankles, | 0:38:38 | 0:38:40 | |
but despite the fact that he was in a great deal of pain, | 0:38:40 | 0:38:43 | |
he had blood seeping into the ground from his ankles | 0:38:43 | 0:38:46 | |
and he was under constant murderous fire from the heights above, | 0:38:46 | 0:38:50 | |
he propped himself up against a rock and carried on playing his pipes, | 0:38:50 | 0:38:55 | |
urging his fellow Gordons on up the heights and to eventual victory. | 0:38:55 | 0:39:00 | |
Do you know, there are things that you do in your life | 0:39:03 | 0:39:06 | |
that make the hairs on the back of your neck stand on end | 0:39:06 | 0:39:09 | |
and this does because it's just like... | 0:39:09 | 0:39:12 | |
It's just... Whoa. That's a moment, isn't it, really? | 0:39:12 | 0:39:15 | |
To have in your hands a Victoria Cross. | 0:39:15 | 0:39:19 | |
Needless to say, a Victoria Cross isn't that easy to come by | 0:39:19 | 0:39:22 | |
and at auction you can expect to pay upwards of a quarter of million. | 0:39:22 | 0:39:26 | |
Here I am with a VC in my hand. That's a bit special, that. | 0:39:26 | 0:39:31 | |
Whilst it's a moment Philip doesn't want to end, | 0:39:33 | 0:39:36 | |
I'm afraid there's a contest still to decide | 0:39:36 | 0:39:38 | |
-and a fellow competitor very much in need of a lift. -Woo! Hello. | 0:39:38 | 0:39:43 | |
-How are you, love? Are you all right? -Can I drive? | 0:39:43 | 0:39:46 | |
That's better. | 0:39:47 | 0:39:49 | |
-Do you mind checking my insurance first? -Right. | 0:39:49 | 0:39:52 | |
-How do you get this into first gear? -Oh, Lord. -OK, ready? | 0:39:52 | 0:39:56 | |
-ENGINE STALLS -Oh! | 0:39:56 | 0:39:58 | |
-Legs apart, lift together. -Left down...? -Straight on. | 0:40:03 | 0:40:06 | |
No, but what indicator? | 0:40:06 | 0:40:09 | |
Catherine, we're doing 22 miles an hour. | 0:40:10 | 0:40:12 | |
Shall we ring up the next shop and tell them | 0:40:12 | 0:40:15 | |
we'll be there in about three days' time? | 0:40:15 | 0:40:17 | |
Well, they're making their way - slowly - to our next port of call, | 0:40:17 | 0:40:22 | |
the Aberdeen Antiques Centre. | 0:40:22 | 0:40:24 | |
-Here we are. -Right, let's go. | 0:40:24 | 0:40:27 | |
Be happy, come on! | 0:40:27 | 0:40:28 | |
Despite Catherine's perky demeanour, | 0:40:28 | 0:40:31 | |
she's actually a little worried | 0:40:31 | 0:40:34 | |
about only having £90 still in the kitty. | 0:40:34 | 0:40:37 | |
145. That's quite a lot of money. | 0:40:37 | 0:40:40 | |
-Can I have a look at that little thing down there, please? -Oh, look. | 0:40:40 | 0:40:44 | |
Philip's found something and he's about to dig Doug out for a deal. | 0:40:44 | 0:40:48 | |
This is a shooting butt marker and these little pegs, | 0:40:48 | 0:40:52 | |
they're ivorine, so they are numbered | 0:40:52 | 0:40:56 | |
and what you would do, you'd arrive at your shoot early in the morning | 0:40:56 | 0:41:00 | |
and you'd mix all those up | 0:41:00 | 0:41:01 | |
and then there's normally eight guns at a shoot | 0:41:01 | 0:41:05 | |
and you'd get the first gun, who would normally be a guest, | 0:41:05 | 0:41:07 | |
and you'd offer him one of these and he would just pick one of these out | 0:41:07 | 0:41:10 | |
and his stand is number 5. | 0:41:10 | 0:41:13 | |
And then you go on to the next gun until all eight guns | 0:41:13 | 0:41:16 | |
have pulled out a number which would give them | 0:41:16 | 0:41:18 | |
their position in the line on the first drive. | 0:41:18 | 0:41:20 | |
It's basically just allocating your day | 0:41:20 | 0:41:23 | |
for the whole of the shoot by luck | 0:41:23 | 0:41:26 | |
and I just think that's a really nice thing. | 0:41:26 | 0:41:28 | |
I mean, I'd really need to be brutal on that price. | 0:41:28 | 0:41:31 | |
It's £42 it's marked as. | 0:41:31 | 0:41:33 | |
I was hoping it might be 24 and it was the wrong way round. | 0:41:33 | 0:41:36 | |
-I'll do it for £30 for you, Philip. -Oh, you're a hard man. | 0:41:36 | 0:41:40 | |
Can I just take them outside to the light? | 0:41:40 | 0:41:43 | |
Natural light really is the best way to view some objects. | 0:41:43 | 0:41:46 | |
I think this is lovely, right? I really think this is lovely, | 0:41:46 | 0:41:49 | |
but you get them in this light | 0:41:49 | 0:41:50 | |
and they look really plasticky, don't they? | 0:41:50 | 0:41:52 | |
-£20, Philip? -You're a gentleman. Thank you very much. | 0:41:53 | 0:41:57 | |
-Let me give you some money. -And here we have it - | 0:41:57 | 0:41:59 | |
another rare appearance of Philip Serrel's wallet. | 0:41:59 | 0:42:02 | |
I love the pair of toast racks. They are very cute. | 0:42:02 | 0:42:05 | |
And they are, sort of, about 1930s or something like that. | 0:42:05 | 0:42:09 | |
I like those. I'm not so keen on that price though. What's that, £70? | 0:42:09 | 0:42:12 | |
I could let them go for 50 for you. | 0:42:12 | 0:42:15 | |
-50? -If that helps you. | 0:42:15 | 0:42:17 | |
I really don't think I can go beyond 30 on these though. | 0:42:18 | 0:42:22 | |
Mm, I don't think I could go lower. | 0:42:22 | 0:42:25 | |
Oh, I'm not sure if I'd make a profit on that. | 0:42:25 | 0:42:29 | |
-Well, what if we were to say 35? -35. Now you're talking. | 0:42:29 | 0:42:33 | |
-I've got to take them at £35. -Thank you. You've got a deal. | 0:42:33 | 0:42:36 | |
-You're a lovely, lovely man. -There you are. -Thank you. | 0:42:36 | 0:42:39 | |
If not, they'd make a great pair of earrings. Wouldn't they? | 0:42:39 | 0:42:43 | |
-Absolutely. -Bet Lynch, eat your heart out. | 0:42:43 | 0:42:46 | |
And with the last exchange of cash, | 0:42:46 | 0:42:50 | |
so endeth day one of Serrel versus Southon. | 0:42:50 | 0:42:52 | |
Come on then. Home, James. Woo-hoo! | 0:42:52 | 0:42:55 | |
The sun rises on another glorious road-tripping day | 0:42:57 | 0:43:01 | |
leaving Aberdeen far behind and heading eventually | 0:43:01 | 0:43:04 | |
for a head-to-head auction in Dundee. | 0:43:04 | 0:43:07 | |
"Toads on road". | 0:43:10 | 0:43:13 | |
Oh, don't run over any toads, Philip. | 0:43:13 | 0:43:14 | |
So far, Philip's quest for the daft and different | 0:43:14 | 0:43:18 | |
has cost him £80, leaving £120 to complete the mission. | 0:43:18 | 0:43:22 | |
You go out buying all the goodies and I'm left looking like a lulu. | 0:43:24 | 0:43:29 | |
-Oh, come on, Philip. -I'm going for the sympathy vote. | 0:43:29 | 0:43:32 | |
Catherine, meanwhile, has boldly splashed out £145 | 0:43:32 | 0:43:36 | |
which leaves her just £55. | 0:43:36 | 0:43:40 | |
Your strength is playing this, | 0:43:41 | 0:43:43 | |
"Oh, I really don't know," trick and you do so well. | 0:43:43 | 0:43:46 | |
-Oh, shut up. -You do so well. | 0:43:46 | 0:43:48 | |
The road trip waits for no man or woman | 0:43:48 | 0:43:51 | |
so we head off down Scotland's eastern coast. | 0:43:51 | 0:43:55 | |
The next stop is Montrose. | 0:43:55 | 0:43:57 | |
On a remote farm miles from anything | 0:43:59 | 0:44:03 | |
our duo are on the lookout - wait for it - | 0:44:03 | 0:44:06 | |
for Steptoe's yard. | 0:44:06 | 0:44:08 | |
We could find anything here. | 0:44:10 | 0:44:12 | |
-We could find some real treasure. -We could find nothing. | 0:44:12 | 0:44:14 | |
You're always so negative, aren't you? | 0:44:14 | 0:44:17 | |
No, no, no. Well, my pint glass is just half empty. | 0:44:17 | 0:44:19 | |
Lord above. | 0:44:19 | 0:44:21 | |
Oh...my...word. | 0:44:21 | 0:44:24 | |
I think I've died and gone to heaven. | 0:44:24 | 0:44:27 | |
Incredibly, this is just the tip of the iceberg. | 0:44:27 | 0:44:31 | |
Hi, Peter? | 0:44:31 | 0:44:34 | |
I can't believe this place. It's really quite something. | 0:44:34 | 0:44:37 | |
Something else, actually. | 0:44:37 | 0:44:38 | |
-It is slightly different. -Can I have a look inside? | 0:44:38 | 0:44:41 | |
Indoors, there's row after row after row of furniture - | 0:44:41 | 0:44:46 | |
glass, china, brassware and seemingly non-stop knick-knacks. | 0:44:46 | 0:44:50 | |
Oh...my...word. | 0:44:50 | 0:44:54 | |
I'm just completely lost for words. | 0:44:55 | 0:44:57 | |
You've got so much here. It's just vast. | 0:44:57 | 0:45:01 | |
A farmer by trade, it was mad cow disease | 0:45:01 | 0:45:03 | |
that inspired Peter to diversify and he's managed to gather | 0:45:03 | 0:45:06 | |
all of this stuff in just six years. Oh, dear. | 0:45:06 | 0:45:09 | |
-Does it ever stop? -Well, it stops when you get to the end. | 0:45:10 | 0:45:14 | |
It doesn't feel like there is an end! | 0:45:14 | 0:45:17 | |
And amongst this incredible collection, | 0:45:17 | 0:45:20 | |
-Phil's taken a shine to... -HE LAUGHS | 0:45:20 | 0:45:23 | |
..a 19th century cartwheel. As you do. | 0:45:23 | 0:45:26 | |
Make me sensible offer. | 0:45:26 | 0:45:27 | |
In my eyes, it's 30-35 quid's-worth, that's what I think. | 0:45:27 | 0:45:30 | |
I would disagree a little bit. | 0:45:30 | 0:45:32 | |
Who's going to buy that off me? A bloke with a three-wheeled cart? | 0:45:32 | 0:45:35 | |
-If you were to give me somewhere in the region of 55... -No. | 0:45:35 | 0:45:39 | |
-..I'd maybe do a deal with you. -55 quid for a foreign cartwheel? | 0:45:39 | 0:45:44 | |
Well, someone said to me that they thought it had been | 0:45:44 | 0:45:47 | |
used for driving, possibly ropes or something like that. | 0:45:47 | 0:45:50 | |
Do you know what I think you use it for? | 0:45:50 | 0:45:53 | |
I think you use it for kippering poor Englishmen, | 0:45:53 | 0:45:55 | |
that's what I think you use it for. | 0:45:55 | 0:45:57 | |
Surprisingly, this is a very sound choice | 0:45:57 | 0:46:00 | |
as cartwheels are extremely popular in garden make-overs | 0:46:00 | 0:46:03 | |
and thus go very well at auction. | 0:46:03 | 0:46:06 | |
But Peter's playing hard to get. | 0:46:06 | 0:46:09 | |
This has got to be, what, turn of the last century? 1890, 1900? | 0:46:09 | 0:46:12 | |
I would reckon so. | 0:46:12 | 0:46:14 | |
And I think it's probably continental and as such clearly is not worth | 0:46:14 | 0:46:17 | |
anything like the amount of money that an English one would be. | 0:46:17 | 0:46:20 | |
35 quid is my best deal, that. | 0:46:20 | 0:46:23 | |
No, come on. A little bit more. | 0:46:23 | 0:46:24 | |
You've got to think of the poor Scotsmen. | 0:46:24 | 0:46:26 | |
Unable to strike a deal, the search continues | 0:46:26 | 0:46:30 | |
though I do believe that amongst all of this, | 0:46:30 | 0:46:33 | |
Catherine's finally found something. | 0:46:33 | 0:46:36 | |
I just think it's got a big split down it. | 0:46:37 | 0:46:40 | |
That adds to the character. | 0:46:40 | 0:46:41 | |
When did you ever see one that didn't have a split? | 0:46:41 | 0:46:44 | |
How much could that be? | 0:46:44 | 0:46:46 | |
You'd be looking at round about the 50. | 0:46:46 | 0:46:49 | |
-Could it be 20? -No. Not quite. | 0:46:49 | 0:46:52 | |
-What, 25 then. -No, 30. -25. Come on, final offer. | 0:46:52 | 0:46:55 | |
I was giving you a rock-bottom price. | 0:46:55 | 0:46:58 | |
25 or we'll push it back in. | 0:46:58 | 0:47:01 | |
-No. -Go on, Peter. Put it there. -I'll do it for 28 for you. | 0:47:01 | 0:47:04 | |
-25, come on. -28. Come on. | 0:47:04 | 0:47:07 | |
28, there you go. You'll get a big profit off that one. | 0:47:07 | 0:47:11 | |
I haven't even seen the other side of that | 0:47:11 | 0:47:13 | |
-so I'm hoping that's OK. -Well, you've bought it now. | 0:47:13 | 0:47:16 | |
Now, it may look as if Philip's moved on from that cartwheel | 0:47:17 | 0:47:21 | |
but nothing could be further from the truth. | 0:47:21 | 0:47:24 | |
Peter, we're going to have to have a deal on that cartwheel. | 0:47:24 | 0:47:27 | |
-I need a little bit more than 35. -How much is a little? | 0:47:27 | 0:47:32 | |
-If you give me 45... -Oh, that's not a little - that's a lot! | 0:47:32 | 0:47:35 | |
-That's halfway between... -No, get out of here. | 0:47:35 | 0:47:38 | |
You see, I thought a little was 36. | 0:47:38 | 0:47:40 | |
The only reason I would even think about selling it | 0:47:40 | 0:47:42 | |
is because it's to a needy case. | 0:47:42 | 0:47:44 | |
You haven't got any violins around here, have you, that I could start strumming...? | 0:47:44 | 0:47:48 | |
-I think there is one but it's not very good order. -No. | 0:47:48 | 0:47:50 | |
-This is all I've got. -£40? You've got to admire his cheek. | 0:47:50 | 0:47:55 | |
I'll tell you what I'll do - I'll sell you it for that | 0:47:55 | 0:47:58 | |
provided I don't have to help to tie it on the roof of your car. | 0:47:58 | 0:48:02 | |
Thank you very much indeed. | 0:48:02 | 0:48:04 | |
Having almost literally begged for the very best deals, | 0:48:05 | 0:48:09 | |
Catherine and Philip must take their heaving swag bags to auction. | 0:48:09 | 0:48:13 | |
Catherine spent £173 on just three auction lots - | 0:48:16 | 0:48:22 | |
the teardrop pharmacy bottles, the silver toast racks - | 0:48:22 | 0:48:26 | |
or are they earrings? - and the rustic pine trunk. | 0:48:26 | 0:48:30 | |
Philip, however, spent just £120.40, | 0:48:30 | 0:48:35 | |
but got five auction lots. | 0:48:35 | 0:48:38 | |
The Victorian fishing-line dryer, the stag-horn carving set, | 0:48:38 | 0:48:43 | |
the pigskin shooting markers, the vintage cartwheel | 0:48:43 | 0:48:48 | |
and the matchbox cars combined with the wind-up bird | 0:48:48 | 0:48:51 | |
and the Star Wars toys. May the force be with him. | 0:48:51 | 0:48:55 | |
But do our experts like what each other has bought? | 0:48:57 | 0:49:00 | |
His first item that he showed me was the fork/knife set. | 0:49:00 | 0:49:05 | |
It's nice cos it's got "Aberdeen" on | 0:49:05 | 0:49:07 | |
but I don't think that's going to get people particularly excited. | 0:49:07 | 0:49:10 | |
I think her chemists' jars - if she can get a London price for them - | 0:49:10 | 0:49:15 | |
she might get a couple of hundred pounds profit. | 0:49:15 | 0:49:18 | |
I think the danger is, you know, we're in Dundee selling these things. | 0:49:18 | 0:49:21 | |
The cartwheel really had his name written all over it. | 0:49:21 | 0:49:24 | |
Nobody else would give it a second glance. | 0:49:24 | 0:49:27 | |
The trunk is undoubtedly her worst item. | 0:49:27 | 0:49:30 | |
She probably panic-bought that at the 11th hour. | 0:49:30 | 0:49:32 | |
I don't know if he was just being kind | 0:49:32 | 0:49:34 | |
or whether he's a sly old fox and he thinks they're going to bomb. | 0:49:34 | 0:49:37 | |
I'm going to have to just watch my pockets | 0:49:37 | 0:49:41 | |
over the next five days cos, yeah, she could be hard to beat. | 0:49:41 | 0:49:45 | |
After kicking off in the village of Aboyne, | 0:49:45 | 0:49:47 | |
this leg of the road trip comes to an end in sunny Dundee, | 0:49:47 | 0:49:51 | |
the city that's famous for jute, jam and journalism. | 0:49:51 | 0:49:54 | |
That's got to be the footy club, look, Catherine. | 0:49:54 | 0:49:58 | |
East Fife 4, Forfar 5. | 0:49:58 | 0:50:01 | |
Currently pulling up outside the auction rooms | 0:50:03 | 0:50:05 | |
of Curr And Dewar, Philip and Catherine | 0:50:05 | 0:50:08 | |
will soon discover who's in the money and who's in trouble. | 0:50:08 | 0:50:11 | |
Our first auction. Oh, handbrake on. | 0:50:11 | 0:50:13 | |
No, I live in hope that somebody'll nick it. | 0:50:13 | 0:50:16 | |
-You're so miserable! -Me? Miserable? How could you say such a thing? | 0:50:16 | 0:50:20 | |
-Oh, Philip. -Come on, lovely, come on. | 0:50:20 | 0:50:23 | |
Already many a frugal Scot has gathered, | 0:50:23 | 0:50:25 | |
but before auctioneer Stephen Dewar raises his gavel, | 0:50:25 | 0:50:29 | |
let's see how he rates the chances of our two competitors. | 0:50:29 | 0:50:33 | |
I quite like the butt markers. They're a nice, quirky little lot. | 0:50:33 | 0:50:36 | |
Not something you see often. | 0:50:36 | 0:50:38 | |
The trunk, I'm not so sure about that one, unfortunately. | 0:50:38 | 0:50:41 | |
Condition's a little bit against it. | 0:50:41 | 0:50:43 | |
The cartwheel might show a little bit of interest. | 0:50:43 | 0:50:46 | |
Whoever bought the cartwheel I think might get a little surprise today. | 0:50:46 | 0:50:49 | |
Time to see who's really in the money. | 0:50:49 | 0:50:52 | |
Let the auction begin! | 0:50:52 | 0:50:54 | |
First to go under the hammer are Catherine's fabulous glass vessels. | 0:50:54 | 0:50:59 | |
And to show them off to best effect, | 0:50:59 | 0:51:01 | |
she's even splashed out 68p on cordial. | 0:51:01 | 0:51:03 | |
If they sell for £50, Philip, I'm just going to cry. | 0:51:04 | 0:51:08 | |
-They won't sell for £50. I'll have a wager with you. -Do you promise? -No. | 0:51:08 | 0:51:12 | |
-Bonnie-looking pieces. -Bonnie-looking pieces. | 0:51:12 | 0:51:15 | |
Starts me off at £50. | 0:51:15 | 0:51:17 | |
At £50. 60. | 0:51:17 | 0:51:19 | |
-80. 100. 120. -Come on. | 0:51:19 | 0:51:21 | |
You know it's going to turn a profit, isn't it? | 0:51:21 | 0:51:24 | |
This isn't looking good. Come on, Dundee, dig deep! | 0:51:24 | 0:51:26 | |
-Are we all done? -A bit more. A bit more. | 0:51:26 | 0:51:30 | |
-Five, thank you. -GAVEL BANGS | 0:51:30 | 0:51:32 | |
Why did I buy those? | 0:51:32 | 0:51:34 | |
Only a £10 profit there, and that's before commission. | 0:51:34 | 0:51:38 | |
Next it's Philip's wool-winder, just one of his many £20 bargains. | 0:51:40 | 0:51:44 | |
I liked it initially, now I've looked at it again, | 0:51:44 | 0:51:47 | |
-I'm really not that keen. -It's horrible, isn't it? Yes. | 0:51:47 | 0:51:50 | |
Interest starts me off at £15. | 0:51:50 | 0:51:53 | |
At £15, a bit of vintage wares there. | 0:51:53 | 0:51:56 | |
-18. 20. -No. | 0:51:56 | 0:51:59 | |
-22. £22. -BANGS GAVEL | 0:51:59 | 0:52:02 | |
-I'm sort of pleased to see the back of that. -£2 profit. | 0:52:02 | 0:52:06 | |
-Well done, Philip. -Yeah. SHE LAUGHS | 0:52:06 | 0:52:09 | |
So far, Catherine's ever so slightly in the lead, | 0:52:09 | 0:52:12 | |
but let's see if Philip's Victorian carving set can cut things up. | 0:52:12 | 0:52:17 | |
At £35 it is for the set of carvers. | 0:52:17 | 0:52:20 | |
At £35. 40. Five. | 0:52:20 | 0:52:23 | |
50. Five. 60. | 0:52:23 | 0:52:26 | |
£60. Five. £65 are you all done? | 0:52:26 | 0:52:29 | |
-Well done. -At 65 then. -Got a lot better, haven't they? | 0:52:29 | 0:52:32 | |
-GAVEL BANGS -65. -I'm actually really, really pleased with that. | 0:52:32 | 0:52:35 | |
And so you should be, Philip. So you should, old boy. | 0:52:35 | 0:52:37 | |
Next Catherine's Victorian trunk. | 0:52:38 | 0:52:41 | |
Let's hope the good people of Dundee are mad keen for a bit of scumbling. | 0:52:41 | 0:52:45 | |
Here we are. Rustic piece there, interest on it £10 bid. | 0:52:45 | 0:52:49 | |
-At £10 it is, the Victorian trunk there at £10. -Oh, come on. -12. £12. | 0:52:49 | 0:52:53 | |
15. £15. | 0:52:53 | 0:52:56 | |
-Any advance on 15? -Come on. Come on. | 0:52:56 | 0:53:00 | |
Oh, dear. This ain't looking good. | 0:53:00 | 0:53:02 | |
Nobody? Is that our lot? | 0:53:02 | 0:53:05 | |
-At £15, we're all done. -SHE SIGHS | 0:53:05 | 0:53:08 | |
-GAVEL BANGS -£15 it is. -Oh, Catherine. | 0:53:08 | 0:53:11 | |
Welcome to the unpredictable world of the Road Trip. | 0:53:11 | 0:53:14 | |
Moving right along, it's Philip's toy collection next | 0:53:16 | 0:53:20 | |
including the wind-up bird, most of which he picked up on the "cheep". | 0:53:20 | 0:53:24 | |
£30. 35. 40. | 0:53:24 | 0:53:27 | |
-Five. 50. -Oh, Philip. -£60. | 0:53:27 | 0:53:31 | |
-How do you do this? -Commission bidder at £60. -There's a bit of luck in it, really. | 0:53:31 | 0:53:35 | |
-£60, are you bidding? 60. -GAVEL BANGS | 0:53:35 | 0:53:38 | |
Jammy old devil. | 0:53:38 | 0:53:40 | |
I think if I'd taken those Star Wars figures out | 0:53:40 | 0:53:43 | |
it might have made a bit more. | 0:53:43 | 0:53:45 | |
That's a £40 profit, | 0:53:45 | 0:53:48 | |
but how will the bidders feel about his butt markers in faux ivory? | 0:53:48 | 0:53:52 | |
That's plastic to you and me. | 0:53:52 | 0:53:54 | |
Unusual little lot. 20 bid. | 0:53:54 | 0:53:56 | |
22. 25. 28. 30. | 0:53:56 | 0:53:59 | |
-32. 35. -You've done it again, haven't you? -38. 40. | 0:53:59 | 0:54:03 | |
Are you all done at 40? £40. | 0:54:03 | 0:54:06 | |
I have to hand it to you, Philip. | 0:54:06 | 0:54:08 | |
The man's unstoppable, so let's see what this feisty crowd of Scots | 0:54:08 | 0:54:13 | |
make of his continental cartwheel. | 0:54:13 | 0:54:15 | |
I've got a horrible feeling that you might double your money on that. | 0:54:15 | 0:54:19 | |
Vintage metal-rimmed wooden cartwheel. Unusual item. | 0:54:19 | 0:54:23 | |
I am bid £60 for it. At £60 for the cartwheel. | 0:54:23 | 0:54:26 | |
At £60. At 60. | 0:54:26 | 0:54:28 | |
Are you bidding, sir? 70. | 0:54:28 | 0:54:30 | |
80. 90. 100. | 0:54:30 | 0:54:32 | |
-I don't know. I...don't get that. -110. 120. | 0:54:32 | 0:54:35 | |
130 now. Any advance on 130? | 0:54:35 | 0:54:39 | |
-I don't get that, Philip. -GAVEL BANGS | 0:54:39 | 0:54:42 | |
That is a staggering £90 profit. Wow! | 0:54:42 | 0:54:46 | |
I just can't believe that. | 0:54:46 | 0:54:48 | |
Thankfully Catherine has one last ace up her sleeve. | 0:54:49 | 0:54:52 | |
A pair of small, silver five-bar toast racks. Birmingham 1930. | 0:54:52 | 0:54:55 | |
Mappin and Webb. Interest on these starts me off at £40. | 0:54:55 | 0:55:00 | |
At £40. A pair of toast racks, there are, at £40. | 0:55:00 | 0:55:04 | |
Five. 50. 50 bid. Five. 60. | 0:55:04 | 0:55:08 | |
-60 bid. -Come on. -At £60. Commission bidder at £60. | 0:55:08 | 0:55:13 | |
-GAVEL BANGS -It's a good price, Catherine, but unfortunately not good enough. | 0:55:13 | 0:55:18 | |
-Oh, I'm sorry. -No, you're not. -I am cos I feel guilty now. -God. | 0:55:18 | 0:55:22 | |
Cor. There is no justice in this world. | 0:55:23 | 0:55:27 | |
True. Philip started this leg with £200 and after auction costs | 0:55:27 | 0:55:32 | |
made a profit of £139.54 | 0:55:32 | 0:55:35 | |
which means he ends round one with £339.54. | 0:55:35 | 0:55:41 | |
Catherine also started with £200 but made a loss of £13.10, | 0:55:41 | 0:55:46 | |
leaving her with a total of just £186.90. | 0:55:46 | 0:55:50 | |
But don't worry, my girl - it's only day one | 0:55:50 | 0:55:53 | |
and it's still anybody's game. | 0:55:53 | 0:55:55 | |
I haven't liked today, Philip. | 0:55:55 | 0:55:58 | |
-Well... -It's been a bad day. -Has it? -But hats off to you. | 0:55:58 | 0:56:03 | |
-It's not going to be a long, painful journey home, is it? -No. | 0:56:03 | 0:56:07 | |
-Do you know what my plan is next time? -What? | 0:56:07 | 0:56:09 | |
Next place we go to, I'm going to buy five cartwheels. | 0:56:09 | 0:56:12 | |
-Really? -And nothing else. And I'll make a loss. | 0:56:12 | 0:56:16 | |
And we could call them Catherine Wheels. | 0:56:16 | 0:56:18 | |
Next time we're off to Glasgow | 0:56:18 | 0:56:20 | |
where Catherine turns up the charm to maximum... | 0:56:20 | 0:56:23 | |
You'd make me so happy cos I just absolutely love this. | 0:56:23 | 0:56:28 | |
..Philip puts his reputation on the line. | 0:56:28 | 0:56:30 | |
There's every chance that everybody else is going to say I'm stark raving bonkers. | 0:56:30 | 0:56:34 | |
-What can I say? -Right. | 0:56:34 | 0:56:36 | |
-..and there's tears before bed time. -You are horrid to me. | 0:56:36 | 0:56:40 | |
Subtitles by Red Bee Media Ltd | 0:56:44 | 0:56:47 |