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The nation's favourite antiques experts, £200 each, | 0:00:02 | 0:00:04 | |
and one big challenge. | 0:00:04 | 0:00:06 | |
-I'm going to declare war! -Why? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:13 | |
This is hard. | 0:00:13 | 0:00:15 | |
-The aim is to trade up and hope each antique turns a profit. -Come on! | 0:00:15 | 0:00:19 | |
But it's not as easy as you might think. | 0:00:19 | 0:00:21 | |
-And things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
So, will they race off with a huge profit, or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Whose side are you on?! -This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Experts Philip Serrell | 0:00:36 | 0:00:37 | |
and Catherine Southon are travelling at speeds of up to 20 miles an hour! | 0:00:37 | 0:00:41 | |
My plan is to do a Phil Serrell. | 0:00:43 | 0:00:46 | |
You have this amazing ability to home in on something pretty trashy | 0:00:46 | 0:00:51 | |
and you manage to turn it into gold! | 0:00:51 | 0:00:54 | |
Well, she has a point! | 0:00:54 | 0:00:56 | |
Despite being a fine arts man, | 0:00:56 | 0:00:59 | |
Philip's strategy seems to be the dafter, the better. | 0:00:59 | 0:01:02 | |
If you've got bunions, if you put that in your shoe, | 0:01:02 | 0:01:05 | |
and that makes a dent. | 0:01:05 | 0:01:06 | |
I thought it was to do with unmentionable things to sheep or cattle, really! | 0:01:06 | 0:01:10 | |
Catherine Southon, on the other hand, has an impeccable knowledge | 0:01:10 | 0:01:13 | |
of scientific instruments and maritime art. | 0:01:13 | 0:01:16 | |
-I haven't even seen the other side of that. -Well, you've bought it now! | 0:01:16 | 0:01:20 | |
Our esteemed experts started the week with £200 each, | 0:01:20 | 0:01:24 | |
but one auction later, it's a very different story. | 0:01:24 | 0:01:27 | |
GAVEL BANGS Come on! | 0:01:27 | 0:01:29 | |
Catherine made a loss on the last leg and is left with just £186.90. | 0:01:29 | 0:01:35 | |
I hate the way you're smiling now! | 0:01:35 | 0:01:38 | |
After the different is making him a small fortune. | 0:01:38 | 0:01:41 | |
He now has £339.54 to play with. | 0:01:41 | 0:01:45 | |
Oh, I'm sorry! | 0:01:45 | 0:01:46 | |
-No, you're not! -I am, because I feel guilty now! | 0:01:46 | 0:01:49 | |
SHE TUTS IN DISGUST | 0:01:49 | 0:01:51 | |
This road trip takes us from Aboyne in the North East of Scotland, | 0:01:51 | 0:01:56 | |
on to Glasgow and through the Lake District. | 0:01:56 | 0:01:58 | |
Final destination, Liverpool. | 0:01:58 | 0:02:00 | |
Today, we're kicking off in Perth and all going to plan, | 0:02:00 | 0:02:03 | |
we should wind up on this leg in Paisley. | 0:02:03 | 0:02:07 | |
Hey, here we are! | 0:02:07 | 0:02:09 | |
And we start off at a car boot sale. | 0:02:09 | 0:02:13 | |
-HE CHUCKLES -I hope these two know what they're doing! | 0:02:13 | 0:02:17 | |
You always find tomato plants, don't you? | 0:02:20 | 0:02:22 | |
And second-hand photographs. | 0:02:22 | 0:02:23 | |
-There we are. -Well done! -Beautifully placed! | 0:02:23 | 0:02:26 | |
In amongst the weird and wonderful - and just plain awful - | 0:02:26 | 0:02:31 | |
Catherine's tuned in to a classic design. | 0:02:31 | 0:02:33 | |
Bush radio. This is quite a collectable model. | 0:02:35 | 0:02:37 | |
From the '60s to the '70s and then they reproduced this later on. | 0:02:37 | 0:02:43 | |
This is one of the original ones, but I think it's seen better days. | 0:02:43 | 0:02:47 | |
Teenybopper favourite, the Bush radio is a style icon, | 0:02:47 | 0:02:52 | |
and this model dates way back to 1959. | 0:02:52 | 0:02:56 | |
-Is it working? -Before the battery ran out, it was working. -OK. | 0:02:56 | 0:03:00 | |
And you're asking for 10? Could you not do eight on that? | 0:03:00 | 0:03:03 | |
-10 is my... I'm really going to stick on that. -Oh, you are mean! | 0:03:03 | 0:03:07 | |
No, I'm not mean. I'm just... | 0:03:07 | 0:03:09 | |
Because it is in a really bad way, it's a bit bashed here. | 0:03:09 | 0:03:14 | |
-I'll come down to nine. -Could you go to five? -No. -Really?! | 0:03:14 | 0:03:18 | |
Because I've already come down, you see. | 0:03:18 | 0:03:19 | |
-Shall we say seven, and then be friends? -7.50. -Oh! 7.50. | 0:03:19 | 0:03:24 | |
-Buying a Bush radio, an original Bush radio, for £7.50. -Go on, then. | 0:03:24 | 0:03:28 | |
-This lady knows what she's doing! -There we are. | 0:03:28 | 0:03:31 | |
Oh, my gosh! It's all falling apart! | 0:03:32 | 0:03:35 | |
I'm going to let you put it back together again before I take it. | 0:03:35 | 0:03:38 | |
Meanwhile, Philip's been drawn to four 19th-century box planes being sold as a set. | 0:03:39 | 0:03:45 | |
That bit of wood there holds this blade in here | 0:03:46 | 0:03:50 | |
and if you look just where my finger is there, | 0:03:50 | 0:03:52 | |
you can see that there's the maker's name on the blade. | 0:03:52 | 0:03:56 | |
-How much for them? -12. -See, I was thinking of a fiver for the lot! | 0:03:56 | 0:04:02 | |
Oh, no, no, no! | 0:04:02 | 0:04:04 | |
Uh-uh. | 0:04:04 | 0:04:05 | |
-Try again, then. -£12. | 0:04:05 | 0:04:08 | |
-No, no, no. -Yes! | 0:04:08 | 0:04:09 | |
I'll give you my best deal, I'll give you eight quid for them. | 0:04:09 | 0:04:13 | |
-And I'll pay you now, in hard Scottish cash. -No. | 0:04:13 | 0:04:18 | |
My goodness! They're a tough bunch up here in Perth! | 0:04:18 | 0:04:21 | |
But can they resist a Philip Serrell sob story? | 0:04:21 | 0:04:24 | |
Listen, if I could tell you about my life, | 0:04:24 | 0:04:27 | |
I'm having a terrible time of it, right? | 0:04:27 | 0:04:29 | |
I'm a long way from home. | 0:04:29 | 0:04:30 | |
-VIOLINS PLAY -I'm struggling to find anything. | 0:04:30 | 0:04:34 | |
It's been really tough, really. | 0:04:34 | 0:04:36 | |
I just think, if I could buy those for eight pounds, | 0:04:36 | 0:04:38 | |
I could just see myself coming out of it. | 0:04:38 | 0:04:40 | |
It would just help me on the way to recovery. | 0:04:40 | 0:04:44 | |
Oh, you are mean! | 0:04:44 | 0:04:45 | |
I'm not mean, I'm shrewd. | 0:04:45 | 0:04:48 | |
Is she ever! And now Catherine's come to rub salt in Philip's wounds. | 0:04:48 | 0:04:52 | |
He is so mean, this chap. | 0:04:54 | 0:04:55 | |
What you should do, when Phil Serrell comes up, is double your prices. | 0:04:55 | 0:04:58 | |
-This lady, trust me, she... -Stick to your guns! -She needs no advice! | 0:04:58 | 0:05:02 | |
-I can feel myself getting kippered before I start! -Love it! | 0:05:02 | 0:05:07 | |
Right, off you go, you. | 0:05:07 | 0:05:09 | |
There's four of them, four into 12 is three pounds each, isn't it? | 0:05:09 | 0:05:13 | |
Can I give you a fiver for those two, | 0:05:13 | 0:05:15 | |
and then I promise I'll get out of your life for good! | 0:05:15 | 0:05:17 | |
-OK! -You're an angel! There you are, my love. Thank you so much. | 0:05:18 | 0:05:22 | |
-Thank you. -You're an angel. | 0:05:22 | 0:05:23 | |
And just when it looks as if Philip's finally come out on top, | 0:05:23 | 0:05:27 | |
there's treachery afoot! | 0:05:27 | 0:05:29 | |
Right, where were those planes? | 0:05:29 | 0:05:31 | |
Aha! How much could you sell those two for? | 0:05:31 | 0:05:34 | |
For a bit of fun, could you do them for two? | 0:05:34 | 0:05:36 | |
Oooh! | 0:05:37 | 0:05:39 | |
If I could get them at a cheaper price and have a little competition, | 0:05:39 | 0:05:42 | |
because they are no way near as good and they are split and damaged. | 0:05:42 | 0:05:46 | |
-Three? -Oh, go on, two. It would be such fun! Go on! | 0:05:46 | 0:05:51 | |
OK, so I don't have to take them home. | 0:05:51 | 0:05:54 | |
I was going to say, you don't want these at home. Thank you so much. | 0:05:54 | 0:05:57 | |
Wonderful. Thank you. | 0:05:57 | 0:05:59 | |
Oh, Catherine, you are awful! But I like you! | 0:06:00 | 0:06:04 | |
Are you ready? Here we go! | 0:06:04 | 0:06:05 | |
-Come on, baby! Yay! Whoo! -That was quite smooth, for you. | 0:06:07 | 0:06:11 | |
Huh! And with that, we say a fond farewell to Perth | 0:06:11 | 0:06:15 | |
and head towards the coastal village of South Queensferry. | 0:06:15 | 0:06:20 | |
-Oh, I like this. -Uh-uh-uh-uh-uh! I am all shook up! | 0:06:20 | 0:06:25 | |
-Have a good one, my love. -And you, I'll see you later. Bye! | 0:06:25 | 0:06:29 | |
On this handsome cobbled street, you'll find Sea Kist, | 0:06:29 | 0:06:33 | |
an antiques store which reflects the village's seafaring past. | 0:06:33 | 0:06:37 | |
But owner, Jenny, wants to show Catherine her much-loved private collection at home. | 0:06:37 | 0:06:43 | |
As it turns out, | 0:06:45 | 0:06:46 | |
this South Queensferry girl is a lifelong collector. | 0:06:46 | 0:06:50 | |
Wow! | 0:06:53 | 0:06:54 | |
I was born and brought up just along the coast a little bit, | 0:06:54 | 0:06:57 | |
so it's also always said home to me, you know. | 0:06:57 | 0:07:01 | |
-Oh, that's lovely! That's really nice. -It's great. | 0:07:01 | 0:07:04 | |
You've got a fantastic view of it from your kitchen window. | 0:07:04 | 0:07:07 | |
-I have, yeah. -You are really passionate about this. | 0:07:07 | 0:07:10 | |
I'm passionate about the bridge, | 0:07:10 | 0:07:11 | |
-but I'm passionate about the human aspect of the bridge. -Right. | 0:07:11 | 0:07:15 | |
It's more than just the girders. | 0:07:15 | 0:07:17 | |
It's the fact that other people come down here, | 0:07:17 | 0:07:21 | |
they see the bridge, and all these things that I collect | 0:07:21 | 0:07:25 | |
are little things that people want to take away with them. | 0:07:25 | 0:07:28 | |
They want to take something home of the bridge. | 0:07:28 | 0:07:32 | |
You know, with that image on it. And that's the bit that fascinates me. | 0:07:32 | 0:07:35 | |
-This is stuff that is heading towards the shop, eventually. -Right. | 0:07:35 | 0:07:39 | |
Now, my eye is drawn to these. Nice iron dividers. | 0:07:39 | 0:07:43 | |
I would say they're probably for a map or something like that. | 0:07:43 | 0:07:47 | |
Well, unlike Catherine, I'm no maritime expert. | 0:07:47 | 0:07:51 | |
But I can tell that, simply put, dividers measure distance. | 0:07:51 | 0:07:56 | |
I would say that once upon a time, | 0:07:56 | 0:07:57 | |
there would have been a screw in there, an adjusting screw. | 0:07:57 | 0:08:00 | |
-But I like them. -Yeah, they're nice. | 0:08:00 | 0:08:03 | |
And then this, parallel rule. | 0:08:03 | 0:08:05 | |
I would say that something like this is really, again, for mapping. | 0:08:05 | 0:08:09 | |
I love the way you can see how it's been folded down | 0:08:09 | 0:08:12 | |
-and it's got a lovely mark. A nice sign of wear, there. -Mm. | 0:08:12 | 0:08:15 | |
This particular parallel rule was produced by Captain Fields, | 0:08:15 | 0:08:19 | |
who, in the 19th century, improved on the 300-year-old design | 0:08:19 | 0:08:23 | |
by marking degrees on its outer edges. | 0:08:23 | 0:08:27 | |
How much are you wanting for these? | 0:08:27 | 0:08:28 | |
I was thinking about £25 each for them. | 0:08:28 | 0:08:32 | |
-Each? -Mm. -Bit damaged there. | 0:08:32 | 0:08:36 | |
Now, could we do a bit of deal on these, | 0:08:36 | 0:08:38 | |
bearing in mind they've both got problems? | 0:08:38 | 0:08:40 | |
-They have, yes. Yes. -Quite major problems. | 0:08:40 | 0:08:44 | |
Quite major problems, right! Right. | 0:08:44 | 0:08:47 | |
I think we could come down to 35 for the two of them. | 0:08:47 | 0:08:51 | |
Can we do 20? | 0:08:51 | 0:08:52 | |
22? | 0:08:53 | 0:08:55 | |
O! 20? | 0:08:55 | 0:08:57 | |
-I think 22 would be fair. -22 is very fair. -OK. | 0:08:57 | 0:09:02 | |
I'll be happy with that. Thank you so much. | 0:09:02 | 0:09:04 | |
While Catherine now has three auction lots | 0:09:04 | 0:09:07 | |
under her polka dot belt, Philip is lagging behind with just one. | 0:09:07 | 0:09:12 | |
-Hi, lovely, how are you doing? -Lovely! -Look at that, wing mirrors. | 0:09:12 | 0:09:16 | |
You see, they're not for lipstick after all, are they?! | 0:09:16 | 0:09:19 | |
But as they say, tomorrow is another day. | 0:09:21 | 0:09:25 | |
Quite. | 0:09:25 | 0:09:26 | |
The boy and girl are heading off next to what was once reputed | 0:09:26 | 0:09:30 | |
to be the second city of the Empire. | 0:09:30 | 0:09:32 | |
Where else but robust, exciting Glasgow, | 0:09:32 | 0:09:36 | |
where our experts will continue to shop till they drop. | 0:09:36 | 0:09:41 | |
-Now, that is amazing, isn't it? -We're not in Sydney, are we?! | 0:09:41 | 0:09:44 | |
So far, Philip's embarrassingly spent just five pounds, | 0:09:45 | 0:09:49 | |
leaving him over £330 for the day ahead... | 0:09:49 | 0:09:54 | |
Are you going to spend a decent amount of money today, Philip Serrell? | 0:09:54 | 0:09:57 | |
You just want me to lose a decent amount of money! That's what you really want. | 0:09:57 | 0:10:01 | |
That would be quite handy! | 0:10:01 | 0:10:02 | |
Crash and burn Serrell, that's all you want, isn't it? | 0:10:02 | 0:10:05 | |
..whereas Catherine's picked up three auction lots for just £31.50 | 0:10:05 | 0:10:11 | |
and still has £150 in the kitty. | 0:10:11 | 0:10:13 | |
-Are you going to do some serious buying? -Might do. -Might do! Oooh! | 0:10:15 | 0:10:19 | |
Philip's next port of call is simply named the Glasgow Antiques Centre. | 0:10:20 | 0:10:26 | |
So you're treading the boards, and I'm off to an antiques centre. | 0:10:26 | 0:10:29 | |
-Aren't you going to drop me off? -No! The walk will keep you warm. | 0:10:29 | 0:10:33 | |
Thanks a lot(!) Make sure you buy something decent! | 0:10:33 | 0:10:36 | |
-It's up that hill somewhere. -Thanks! -John, how are you? | 0:10:36 | 0:10:41 | |
Are you sure this place is big enough? Blimey O'Reilly! | 0:10:41 | 0:10:45 | |
Suffice to say, our hero is in the right place to find something unusual, | 0:10:45 | 0:10:50 | |
but what to choose, Philip, what to choose?! | 0:10:50 | 0:10:53 | |
Oh, I love that. | 0:10:53 | 0:10:54 | |
It's a kettle drum. But these things make great coffee tables, you know. | 0:10:54 | 0:11:00 | |
You can imagine that with either a glass top or even a copper top. | 0:11:00 | 0:11:03 | |
It would be fantastic. | 0:11:03 | 0:11:05 | |
And the way you tune it is not by just whacking it in the middle, | 0:11:05 | 0:11:08 | |
-but you... -TAPS DRUM | 0:11:08 | 0:11:10 | |
..go all the way round the outside. | 0:11:10 | 0:11:12 | |
-TAPS DRUM -John? | 0:11:12 | 0:11:14 | |
How much is this old thing in the corner? | 0:11:15 | 0:11:18 | |
-Would it be as much as 100 quid? -Definitely. -It would be? -Yes. | 0:11:18 | 0:11:22 | |
So, do you think there's a maker's name on it anywhere? | 0:11:22 | 0:11:25 | |
Look, it's got Liverpool. This is clearly Ringo Starr's first drum, isn't it? | 0:11:25 | 0:11:29 | |
Absolutely. Look, Liverpool! | 0:11:29 | 0:11:32 | |
What's the best price you think you'd do for this? | 0:11:32 | 0:11:35 | |
-What's the very best? -The bottom? £100. -Is that it finished? | 0:11:36 | 0:11:40 | |
It's not even worth offering him 90 quid for it, is it? | 0:11:40 | 0:11:42 | |
-No, definitely not. -I think it's a cool thing. | 0:11:42 | 0:11:46 | |
The thing is, there's every chance that everybody else is going to think I'm stark raving bonkers. | 0:11:46 | 0:11:51 | |
-What can I say?! -100 quid, go on. | 0:11:51 | 0:11:53 | |
Steady, Philip! | 0:11:53 | 0:11:55 | |
I think I can see the dust coming out of your wallet! | 0:11:55 | 0:11:58 | |
Having travelled on foot, | 0:12:00 | 0:12:03 | |
Catherine's finally reached her next destination, | 0:12:03 | 0:12:06 | |
the world's oldest surviving music hall, | 0:12:06 | 0:12:09 | |
right here in Glasgow's Merchant City. | 0:12:09 | 0:12:12 | |
This important piece of our history is called the Britannia Panopticon. | 0:12:13 | 0:12:16 | |
Although for 60 years, it was closed and virtually forgotten. | 0:12:16 | 0:12:19 | |
Wow! | 0:12:19 | 0:12:21 | |
Here we are. So it all happened here? | 0:12:21 | 0:12:23 | |
Its restoration, even its very survival, | 0:12:23 | 0:12:27 | |
is thanks to this woman - Judith Bowers. | 0:12:27 | 0:12:30 | |
This, all round here, it makes me think of a ship. | 0:12:30 | 0:12:34 | |
This is almost like a galleried stern up here. | 0:12:34 | 0:12:36 | |
Well, it certainly has a lot of shipbuilding behind it, | 0:12:36 | 0:12:40 | |
because it was moonlighting shipbuilders that built the balcony itself. | 0:12:40 | 0:12:44 | |
Oh, right. Aha! | 0:12:44 | 0:12:46 | |
Founded in 1857, the Britannia was an instant success, | 0:12:46 | 0:12:51 | |
with more than a thousand of Glasgow's East Enders | 0:12:51 | 0:12:54 | |
crammed in four times a day to see saucy dancing girls, | 0:12:54 | 0:12:58 | |
singers and comic turns. | 0:12:58 | 0:13:00 | |
It was closed temporarily in 1905 because everybody was leaving | 0:13:00 | 0:13:05 | |
the old Victorian musical halls to go to the newfangled variety theatres. | 0:13:05 | 0:13:09 | |
-Right. -And during its closure, they modified the building | 0:13:09 | 0:13:13 | |
by converting the attic into a rooftop carnival, | 0:13:13 | 0:13:16 | |
waxworks and freak show, | 0:13:16 | 0:13:18 | |
and the basement under the public house into a zoo with animal cages. | 0:13:18 | 0:13:22 | |
-Right, to try and get a wider audience? -Yes. | 0:13:22 | 0:13:25 | |
And that is why it became known as Panopticon - | 0:13:25 | 0:13:27 | |
"pan" meaning everything, "opti", to see. | 0:13:27 | 0:13:30 | |
All in one building. That was very clever thinking, wasn't it? | 0:13:30 | 0:13:33 | |
One third of our audience was boys aged between nine and 13. | 0:13:33 | 0:13:37 | |
And their favourite sport was to try and wee over the top of the balcony | 0:13:37 | 0:13:41 | |
and hit the comic on the stage below. | 0:13:41 | 0:13:43 | |
Oh, my word! | 0:13:43 | 0:13:44 | |
There's a great story from 1904 about the ladies' orchestra | 0:13:44 | 0:13:48 | |
that used to sit underneath the balcony. | 0:13:48 | 0:13:50 | |
And they apparently used to pray before going into the orchestra bar | 0:13:50 | 0:13:53 | |
that the boys above had full bladders. | 0:13:53 | 0:13:55 | |
Because if they didn't, they didn't have enough pressure to hit the actor | 0:13:55 | 0:13:58 | |
-and it would trickle down to them instead. -Oh, my word! | 0:13:58 | 0:14:01 | |
-Oh, that's ghastly! -Pretty rough house! | 0:14:01 | 0:14:02 | |
But one performer not intimidated by this tough Glasgow audience | 0:14:02 | 0:14:08 | |
was a 16-year-old Stan Laurel, who made his world debut right here. | 0:14:08 | 0:14:13 | |
Stan managed to make it through one joke and, apparently, | 0:14:14 | 0:14:17 | |
the audience thought it was pretty awful. | 0:14:17 | 0:14:19 | |
So Stan apparently started to make his exit from the stage, | 0:14:19 | 0:14:24 | |
so he took off his dad's best hat to take a bow, | 0:14:24 | 0:14:27 | |
but as he did so, he fumbled it | 0:14:27 | 0:14:30 | |
and dropped it in a kind of familiar today, Stan Laurel fashion. | 0:14:30 | 0:14:33 | |
And the audience started to titter. | 0:14:33 | 0:14:35 | |
He stepped forward to collect the hat | 0:14:35 | 0:14:37 | |
and he kicked it into the orchestra bar instead. | 0:14:37 | 0:14:39 | |
The audience tittered a little bit louder. | 0:14:39 | 0:14:41 | |
He's now sidestepping off the stage, and the stage manager, | 0:14:41 | 0:14:45 | |
George, came on with the stage hook to get the trapeze bar down. | 0:14:45 | 0:14:49 | |
The hook caught in the back of Stan's dad's best frock coat | 0:14:49 | 0:14:52 | |
and tore it clean up the back. | 0:14:52 | 0:14:54 | |
And that was it. | 0:14:54 | 0:14:55 | |
The audience was in absolute hysterics and the rest, | 0:14:55 | 0:14:58 | |
as they say, is history. | 0:14:58 | 0:15:00 | |
By the 1930s, music halls were closing | 0:15:00 | 0:15:04 | |
and cinema was taking its place. | 0:15:04 | 0:15:06 | |
In fact, Glasgow had more cinemas per head of population | 0:15:06 | 0:15:10 | |
than any other European city. | 0:15:10 | 0:15:12 | |
Having been closed since 1938, | 0:15:13 | 0:15:16 | |
the venue finally reopened its doors in 2003 | 0:15:16 | 0:15:20 | |
as the Britannia Panopticon. | 0:15:20 | 0:15:23 | |
So, really, this is all down to you? | 0:15:23 | 0:15:25 | |
Well, and a stalwart bunch of volunteers as well. | 0:15:25 | 0:15:29 | |
You should be extremely proud of this, | 0:15:29 | 0:15:31 | |
because this is a wonderful piece of Glasgow's heritage, isn't it? | 0:15:31 | 0:15:34 | |
Judith, thank you so much. It's been such a treat. | 0:15:34 | 0:15:37 | |
Auction time is looming, | 0:15:40 | 0:15:41 | |
but Glasgow offers our experts one last shopping opportunity. | 0:15:41 | 0:15:45 | |
Ruthven Mews comprises 11 individual antiques stores in one arcade. | 0:15:47 | 0:15:53 | |
So, Catherine and Philip should be spoiled for choice. | 0:15:53 | 0:15:56 | |
What I wanted to look at were the truncheon, which is there... | 0:15:56 | 0:16:01 | |
I think that's purely ceremonial, | 0:16:01 | 0:16:03 | |
because it's had a painted handle, hasn't it? | 0:16:03 | 0:16:05 | |
And it's had VR there, which is Victoria Regina. | 0:16:05 | 0:16:09 | |
In the Victorian era, | 0:16:09 | 0:16:10 | |
the policeman's truncheon was essentially his warrant card, | 0:16:10 | 0:16:14 | |
as the Royal Crest attached to it indicated his authority. | 0:16:14 | 0:16:17 | |
And when said truncheon left official service, | 0:16:17 | 0:16:21 | |
often with the person who used it, the Crest was sometimes removed. | 0:16:21 | 0:16:25 | |
So I'd quite like that, really. | 0:16:25 | 0:16:28 | |
But I'm thinking... Can I have a look at the bell as well, please? | 0:16:31 | 0:16:34 | |
And I'll tell you what I'm thinking. | 0:16:34 | 0:16:36 | |
Well, this would be the same date as this, wouldn't it? | 0:16:36 | 0:16:38 | |
I think it could be a similar sort of date. 100 years ago, anyway. | 0:16:38 | 0:16:41 | |
-Yes, sort of 1880, something like that. -I think so. | 0:16:41 | 0:16:46 | |
I think, at auction, that that is between £15 and £25 worth. | 0:16:46 | 0:16:50 | |
And I think that is between £30 and £50 worth. | 0:16:50 | 0:16:53 | |
-I'd like to give you 50 quid the two. -I wouldn't like to take it, though! | 0:16:53 | 0:16:56 | |
Well, I appreciate that, | 0:16:56 | 0:16:57 | |
but life's full of imponderable negotiations, isn't it? | 0:16:57 | 0:17:01 | |
I'll take 55 for the two. | 0:17:01 | 0:17:04 | |
Can I toss you for it? Because I always win if I toss for it. | 0:17:04 | 0:17:09 | |
OK, 50 or 60. | 0:17:09 | 0:17:10 | |
My goodness, Philip's lost for words! Though not for long. | 0:17:12 | 0:17:16 | |
So, the best I can give you is 50 quid. | 0:17:17 | 0:17:19 | |
And I'd love to buy it for that, but I can't give you any more, really. | 0:17:19 | 0:17:22 | |
Call it 55, I would just do a deal at that. | 0:17:22 | 0:17:24 | |
That's a good reduction on them. | 0:17:24 | 0:17:26 | |
-If you can say 50, I'll have them off you now. -Go on, then. | 0:17:26 | 0:17:29 | |
You're a gentleman, sir! Can you count that out? | 0:17:29 | 0:17:31 | |
I think there's probably just 50 quid there. | 0:17:31 | 0:17:33 | |
-Exactly. You had it all planned! -Right. Thank you. | 0:17:36 | 0:17:39 | |
And whilst Philip embraces the long arm of the law, | 0:17:39 | 0:17:43 | |
Catherine's about to hit the bottle. | 0:17:43 | 0:17:45 | |
Stephen, hello. I'm just wondering about this here. | 0:17:45 | 0:17:49 | |
I'm interested in your little hip flask there. | 0:17:49 | 0:17:52 | |
Is that silver plate on the top? | 0:17:52 | 0:17:55 | |
I think it is. But it's a little cup, a little telescopic cup. | 0:17:55 | 0:17:58 | |
-Yeah, that intrigues me. -Quite unusual. | 0:17:58 | 0:18:00 | |
So when you say it's telescopic? Oh, that's quite nice, isn't it? | 0:18:00 | 0:18:04 | |
So you could have more than you bargained for! | 0:18:04 | 0:18:07 | |
What could you do on that? | 0:18:07 | 0:18:09 | |
£20. Can you do 15 on it? | 0:18:09 | 0:18:13 | |
I'll stick at 20. | 0:18:13 | 0:18:15 | |
-Can we meet halfway and say 18? -I'll stick at 20. It's a nice thing. | 0:18:15 | 0:18:18 | |
I'm happy with that. I think that's a fair price. | 0:18:20 | 0:18:23 | |
Now, from a fair price to a fair cop. | 0:18:23 | 0:18:27 | |
Philip's found something nautical, but nice. | 0:18:27 | 0:18:30 | |
-Now, I can't sell ivory unless it's pre-1947. -It's 19th century. | 0:18:31 | 0:18:37 | |
-I would think it's 1850, 1860? -Something like that. | 0:18:37 | 0:18:39 | |
A 19th-century sailor's sat-nav, isn't it? | 0:18:39 | 0:18:41 | |
You'd have been on your vessel, going around Cape Horn or wherever, | 0:18:41 | 0:18:44 | |
-and you'd have had your various charts out. -That's right. | 0:18:44 | 0:18:47 | |
And this would have been used to work out or plot where you were | 0:18:47 | 0:18:51 | |
-and what your route is. -That's right. -It's 75, is it? | 0:18:51 | 0:18:54 | |
-What's the best you can do on that? -I could do a bit more on that. | 0:18:54 | 0:18:57 | |
I could do it for 45. | 0:18:57 | 0:18:58 | |
For this game, I've got to try and give you 30 quid for it. | 0:18:58 | 0:19:00 | |
Why don't we split the difference and make it 35? | 0:19:00 | 0:19:03 | |
I'll give you £30 for it, that's what I'll do, | 0:19:03 | 0:19:06 | |
-because I think it's fascinating. -OK. | 0:19:06 | 0:19:08 | |
And the real fun thing is that that's really Catherine's thing. | 0:19:08 | 0:19:11 | |
I've only got one worry, and that's, like... | 0:19:11 | 0:19:15 | |
Catherine Southon is, you know, a well-known expert | 0:19:15 | 0:19:19 | |
in sort of marine and scientific instruments. | 0:19:19 | 0:19:23 | |
And this was six inches under her nose. Why didn't she buy it? | 0:19:23 | 0:19:27 | |
I hope it's not worrying time! | 0:19:27 | 0:19:30 | |
Thank you ever so much. | 0:19:30 | 0:19:31 | |
Shopping done, our experts can postpone their auction showdown no longer. | 0:19:31 | 0:19:37 | |
Catherine rolled up her sleeves, got stuck in, | 0:19:39 | 0:19:41 | |
and spent just £51.50 on four auction lots. | 0:19:41 | 0:19:45 | |
The '60s Bush radio, the bargain wooden box planes, | 0:19:46 | 0:19:51 | |
the Captain Fields parallel rule with the iron dividers, | 0:19:51 | 0:19:55 | |
and the hip flask with telescopic cup. | 0:19:55 | 0:19:58 | |
Philip, meanwhile, prised open his stiffened wallet | 0:19:59 | 0:20:03 | |
to spent £185 on five auction lots... | 0:20:03 | 0:20:06 | |
..the compact kettle drum, the 19th century school bell, | 0:20:07 | 0:20:10 | |
the Victorian truncheon, | 0:20:10 | 0:20:13 | |
the ivory naval sceptre, | 0:20:13 | 0:20:15 | |
and the other pair of wooden box planes. | 0:20:15 | 0:20:18 | |
It's been a hard fought contest, but let's take the gloves off | 0:20:19 | 0:20:23 | |
and finally find out what our experts really think. | 0:20:23 | 0:20:26 | |
The radio, it's not my sort of thing. | 0:20:26 | 0:20:30 | |
He's a little bit concerned about the kettle drum, | 0:20:30 | 0:20:32 | |
it is a completely risky item. | 0:20:32 | 0:20:34 | |
I could be in trouble, | 0:20:34 | 0:20:35 | |
and if it doesn't do well, it's all back to square one, isn't it? | 0:20:35 | 0:20:38 | |
This could be my chance to take over. | 0:20:38 | 0:20:41 | |
After teeing off in Perth, | 0:20:41 | 0:20:44 | |
this leg ends up at an auction in Paisley. | 0:20:44 | 0:20:47 | |
In the 19th century, it was renowned for being the centre of Britain's weaving industry, | 0:20:47 | 0:20:52 | |
which is where paisley, the fabric, gets its name, | 0:20:52 | 0:20:55 | |
as this is where it was originally produced. | 0:20:55 | 0:20:58 | |
Look at that, that is stunning. | 0:20:58 | 0:21:00 | |
It's like a thunderbird up on the roof. | 0:21:00 | 0:21:03 | |
But our next and final stop is the auction house of Collins and Paterson. | 0:21:03 | 0:21:08 | |
I know you so well, and I know that with that drum, somehow, | 0:21:08 | 0:21:11 | |
that is probably going to double its money. | 0:21:11 | 0:21:14 | |
Oh, get in there. | 0:21:14 | 0:21:15 | |
And I will probably cry. | 0:21:15 | 0:21:18 | |
I'll lend you my handkerchief. | 0:21:18 | 0:21:20 | |
With the room full of canny Scots looking for a bargain, | 0:21:20 | 0:21:23 | |
auctioneer Stephen Maxwell is about to kick things off, | 0:21:23 | 0:21:27 | |
but, first, how does he rate the chances of our experts? | 0:21:27 | 0:21:31 | |
The star of the lot for me would have to be the kettle drum. | 0:21:31 | 0:21:34 | |
In for a wee surprise. | 0:21:34 | 0:21:35 | |
The most unusual item would be the hip flask with the telescopic lid, | 0:21:35 | 0:21:39 | |
haven't see that one before. | 0:21:39 | 0:21:40 | |
The vintage planes should sell at a price, all be it, | 0:21:40 | 0:21:43 | |
I wouldn't go booking a holiday off the back of the proceeds. | 0:21:43 | 0:21:47 | |
So, without any more ado, let the auction begin. | 0:21:49 | 0:21:52 | |
First up, it's Philip's naval sceptre. | 0:21:53 | 0:21:56 | |
I've got a horrible feeling of impending doom about this. | 0:21:56 | 0:21:59 | |
So, we'll start here straight in at £25. | 0:21:59 | 0:22:02 | |
I'm looking at losing about eight quid at the minute. | 0:22:02 | 0:22:04 | |
30, thank you, £30 with me, 32, 35 with me. | 0:22:04 | 0:22:08 | |
Any advance at £35? | 0:22:08 | 0:22:09 | |
Go on, then, we're selling then, fair warning, at £35, gone. | 0:22:09 | 0:22:14 | |
A £5 profit before commission, not the most promising of starts. | 0:22:14 | 0:22:19 | |
Well done. | 0:22:19 | 0:22:20 | |
Oh, thanks for that. | 0:22:20 | 0:22:21 | |
Next, it's Catherine's hip flask, | 0:22:24 | 0:22:26 | |
has she had a nip, do you think, or is she just dropping off? | 0:22:26 | 0:22:29 | |
Nice wee item, this, what can I say? | 0:22:29 | 0:22:31 | |
Nice wee item. | 0:22:31 | 0:22:33 | |
At £20 I have with me, £20. 22, thank you. | 0:22:33 | 0:22:37 | |
25, 28, 30 with me. | 0:22:37 | 0:22:39 | |
No, you're out, with me at 30, with my commission bid at £30, | 0:22:39 | 0:22:43 | |
any advance at £30? | 0:22:43 | 0:22:44 | |
On it at 32, now, for the hip flask 32 has it. | 0:22:44 | 0:22:47 | |
For £32. | 0:22:47 | 0:22:50 | |
Not quite the price Catherine was hoping for, | 0:22:50 | 0:22:53 | |
but a very respectable start. | 0:22:53 | 0:22:54 | |
Philip's next lot is up, | 0:22:56 | 0:22:59 | |
and I have to say, it certainly rings a bell. | 0:22:59 | 0:23:01 | |
For £20, I have with me £20, | 0:23:01 | 0:23:03 | |
with me at 22, again 25's on the net, with me, 28. | 0:23:03 | 0:23:07 | |
28, well done, Philip. | 0:23:07 | 0:23:09 | |
And we're selling it at £28. | 0:23:09 | 0:23:12 | |
Mmm, maybe Philip's lucky streak is coming to an end. | 0:23:13 | 0:23:17 | |
Could you wipe that really nasty smile off your face? | 0:23:17 | 0:23:20 | |
We're in this together. | 0:23:20 | 0:23:21 | |
Putting Catherine's maritime smarts to the test now, | 0:23:21 | 0:23:26 | |
her dividers and parallel rule are coming up. | 0:23:26 | 0:23:29 | |
A fair age, I would say, to the dividers, I have to say. | 0:23:29 | 0:23:32 | |
We start here, on commission again, at £25, I have with me £25, | 0:23:32 | 0:23:36 | |
£28 with me. | 0:23:36 | 0:23:39 | |
-Come on. -£28, seems cheap at that, £28. | 0:23:39 | 0:23:42 | |
£30, thank you, for £32, | 0:23:42 | 0:23:45 | |
35's on the net, 38, £40 on there. | 0:23:45 | 0:23:48 | |
Keep going. | 0:23:48 | 0:23:49 | |
-Now I think it's with me at £42. -Any more? Any more? | 0:23:49 | 0:23:52 | |
Well done, then we're selling them fair warning at £42. | 0:23:52 | 0:23:56 | |
Ah, well, it's still a profit, so, come on, Catherine, | 0:23:56 | 0:24:00 | |
pull yourself together, love. | 0:24:00 | 0:24:02 | |
Time to see what the crowd make of Philip's truncheon. | 0:24:02 | 0:24:05 | |
I'm getting nervous now. | 0:24:05 | 0:24:07 | |
It's a nice condition, I have to say, Victorian baton, | 0:24:07 | 0:24:09 | |
we'll come straight in again here, on commission at £25, | 0:24:09 | 0:24:13 | |
I have with me at £25, and 30's on the net. | 0:24:13 | 0:24:15 | |
32's back with me, 35 now is on the net, at 38 with me. | 0:24:17 | 0:24:20 | |
At £38 with me for the baton, | 0:24:20 | 0:24:22 | |
at £38. | 0:24:22 | 0:24:25 | |
Oh, I give up. | 0:24:25 | 0:24:27 | |
SHE LAUGHS | 0:24:27 | 0:24:29 | |
You are horrid sometimes. | 0:24:29 | 0:24:31 | |
Now, this should be interesting, | 0:24:31 | 0:24:34 | |
both Philip and Catherine have both bought a pair of box planes, | 0:24:34 | 0:24:37 | |
but who will make the most money? | 0:24:37 | 0:24:39 | |
Catherine's up first. | 0:24:39 | 0:24:41 | |
I really hope they've got them muddled up, | 0:24:41 | 0:24:43 | |
because yours were far better than mine, the junky ones I bought. | 0:24:43 | 0:24:46 | |
Two planes there, what can we say about these? | 0:24:46 | 0:24:49 | |
-This is going to be funny. -Do I have £18? | 0:24:49 | 0:24:52 | |
-We have 15 here, 18, thank you. -18, come on. | 0:24:52 | 0:24:54 | |
I'd love it if mine make more than yours. | 0:24:54 | 0:24:57 | |
25's on the net, 28's with me. | 0:24:57 | 0:25:00 | |
30 now is on the net, the net has it at £30, at £30. | 0:25:00 | 0:25:04 | |
A £28 profit, not bad at all, | 0:25:04 | 0:25:06 | |
but can our resident jammy old devil do better? | 0:25:06 | 0:25:09 | |
Watch and learn Philip Serrell, watch and learn. | 0:25:09 | 0:25:13 | |
£20 I have. | 0:25:13 | 0:25:16 | |
I really don't want them to make 30. | 0:25:16 | 0:25:18 | |
Do we have 25? I have 28. | 0:25:18 | 0:25:21 | |
Oh, no, please, don't make 30. | 0:25:21 | 0:25:22 | |
Back in, £30 on the net, £30 has a bid on the net. | 0:25:22 | 0:25:25 | |
Still made more profit than you. | 0:25:25 | 0:25:27 | |
At £30. | 0:25:27 | 0:25:29 | |
-Oh, oh, don't look at me like that. -That's really horrible, Philip. | 0:25:29 | 0:25:32 | |
Well, you started it. | 0:25:32 | 0:25:35 | |
So far, Catherine has the lead at this auction, | 0:25:35 | 0:25:37 | |
but how will the bidders react | 0:25:37 | 0:25:39 | |
to her slightly worse-for-wear Bush radio? | 0:25:39 | 0:25:43 | |
-Still in working order, it's lot number 190. -Working order. | 0:25:43 | 0:25:46 | |
It's in fine condition as well, | 0:25:46 | 0:25:48 | |
with me £20 on commission, 22, thank you. | 0:25:48 | 0:25:50 | |
25 with me, and 30 still with me, the net's out now. | 0:25:50 | 0:25:54 | |
30, come on. | 0:25:54 | 0:25:56 | |
-32, 35, at £35, it seems to sit at £35. -Well done. | 0:25:56 | 0:25:59 | |
It seems to sit at 35, for £35. | 0:25:59 | 0:26:02 | |
Well, that's the last time I pooh-pooh a car boot sale, gosh. | 0:26:02 | 0:26:06 | |
Before commission, Catherine's just made £27. | 0:26:06 | 0:26:08 | |
That's good. | 0:26:08 | 0:26:10 | |
You, my love, are right back up there, aren't you? | 0:26:10 | 0:26:14 | |
Last, but certainly not least, | 0:26:15 | 0:26:17 | |
it's Philip's quirkiest purchase yet, the kettle drum. | 0:26:17 | 0:26:20 | |
If your drum does really well, I'm just going to be so cross. | 0:26:20 | 0:26:25 | |
Why? | 0:26:25 | 0:26:27 | |
Because it doesn't deserve to. | 0:26:27 | 0:26:29 | |
How dare you?! | 0:26:29 | 0:26:31 | |
A very attractive item here is a kettle drum here, | 0:26:31 | 0:26:34 | |
again, a lot of interest here. | 0:26:34 | 0:26:36 | |
-A lot? -We'll go straight in at £150. | 0:26:36 | 0:26:39 | |
Oh! | 0:26:39 | 0:26:41 | |
150, I have, do we have 160? | 0:26:41 | 0:26:43 | |
-160's on the net. -It's going to turn you. | 0:26:43 | 0:26:45 | |
180's on the net, 190's with me. | 0:26:45 | 0:26:47 | |
£200 is on the net, 220's with me. | 0:26:47 | 0:26:50 | |
-How do you do it? -220 we are now. | 0:26:50 | 0:26:53 | |
No, I think we're all done, then. | 0:26:53 | 0:26:55 | |
-We're selling, then, any advance at £220? -Well done, Philip. | 0:26:55 | 0:27:00 | |
Cor, Philip Serrell, a man marching to the beat of his own drum, | 0:27:00 | 0:27:04 | |
and making a profit of £120. | 0:27:04 | 0:27:08 | |
Inside, I'm crying. | 0:27:08 | 0:27:10 | |
But outside I'm smiling. | 0:27:10 | 0:27:12 | |
Well, what an auction, | 0:27:12 | 0:27:14 | |
Catherine started with £186.90, | 0:27:14 | 0:27:17 | |
and after auction costs, has made a profit of £62.48, | 0:27:17 | 0:27:22 | |
giving her £249.38 to carry forward. | 0:27:22 | 0:27:25 | |
Philip, meanwhile, started with £339.54, | 0:27:28 | 0:27:32 | |
and after action costs, he's up £102.82, | 0:27:32 | 0:27:36 | |
so, with £442.36 now in the kitty, he's still firmly in the lead. | 0:27:36 | 0:27:43 | |
I would take it off to you, Phil Serrell, you are one cool cookie. | 0:27:43 | 0:27:48 | |
-Not a gun to shoot me, eh? -Not a gun, no. | 0:27:48 | 0:27:50 | |
You'll be fine, you'll be fine, | 0:27:50 | 0:27:52 | |
listen, this can just turn in one moment. | 0:27:52 | 0:27:54 | |
It ain't over till it's over, and there's a long way to go yet, Serrell. | 0:27:54 | 0:27:58 | |
Yeah, the fat man hasn't started singing yet. | 0:27:58 | 0:28:00 | |
-Ready? -Left. -Wah-hoo! I don't know why I'm so happy. | 0:28:01 | 0:28:03 | |
-No, I don't either. -You made mincemeat out of me. | 0:28:03 | 0:28:07 | |
Keep taking your tablets, ha! | 0:28:07 | 0:28:08 | |
Later on, we're heading to the Borders, | 0:28:08 | 0:28:10 | |
where Philip's watching his pennies. | 0:28:10 | 0:28:13 | |
5p on the floor, I'll toss you for it. | 0:28:13 | 0:28:16 | |
It's superglued down. | 0:28:16 | 0:28:17 | |
Catherine is... | 0:28:18 | 0:28:20 | |
Oh, oooh. | 0:28:20 | 0:28:22 | |
..paralysed with indecision... | 0:28:22 | 0:28:23 | |
I might turn away and regret this. | 0:28:23 | 0:28:25 | |
You probably will. | 0:28:25 | 0:28:27 | |
Oh, don't say that. | 0:28:27 | 0:28:28 | |
..and the competition reaches fever pitch. | 0:28:28 | 0:28:31 | |
It's mine, I said I'd have it, and I've got it. | 0:28:32 | 0:28:36 | |
That's all coming up later, | 0:28:36 | 0:28:37 | |
but for now, we're amongst the gorgeous Scottish scenery, | 0:28:37 | 0:28:41 | |
where antiques experts Catherine Southon and Philip Serrell are hitting near average speeds. | 0:28:41 | 0:28:47 | |
Do you know, they've got their own breed of cow up here? | 0:28:47 | 0:28:49 | |
-You are full of wonderful facts. -Of rubbish, yeah. | 0:28:49 | 0:28:51 | |
You said it. | 0:28:51 | 0:28:54 | |
Their mission, buy low, sell high, | 0:28:54 | 0:28:55 | |
and do whatever it takes to beat each other come auction time. | 0:28:55 | 0:28:59 | |
It's just not fair, you are well ahead, I have to beat you. | 0:28:59 | 0:29:03 | |
So far, Philip's 35 years of experience | 0:29:03 | 0:29:05 | |
have led him to make choices which are really quite mad. | 0:29:05 | 0:29:09 | |
There's every chance everyone else is going to think I'm stark raving bonkers. | 0:29:09 | 0:29:14 | |
What can I say? | 0:29:14 | 0:29:15 | |
But much to Catherine's consternation, | 0:29:15 | 0:29:17 | |
he's cleaned up at auction, not once... | 0:29:17 | 0:29:20 | |
-Oh! -..but twice, | 0:29:20 | 0:29:23 | |
which is why his original £200 | 0:29:23 | 0:29:26 | |
has now grown into an impressive £442.36. | 0:29:26 | 0:29:31 | |
I'm going to be positive and turn it all around, | 0:29:31 | 0:29:34 | |
and today is going to be the day. | 0:29:34 | 0:29:36 | |
Meanwhile, newcomer Catherine Southon has employed various strategies | 0:29:36 | 0:29:40 | |
in order to beat her middle-aged nemesis. | 0:29:40 | 0:29:43 | |
She's been feisty... | 0:29:43 | 0:29:45 | |
Give this poor man some more money. | 0:29:45 | 0:29:46 | |
Whose side are you on? | 0:29:46 | 0:29:47 | |
Not on yours, that's for sure! | 0:29:47 | 0:29:49 | |
..she's been cheeky... | 0:29:49 | 0:29:51 | |
Where's your daughter, does she give better prices? | 0:29:51 | 0:29:54 | |
..and she's been up to no good at a car boot sale. | 0:29:54 | 0:29:58 | |
What you should do when Phil Serrell comes up is double your prices. | 0:29:58 | 0:30:01 | |
Ha, but even so, her initial £200 stake | 0:30:01 | 0:30:05 | |
has only increased by £49.38, | 0:30:05 | 0:30:08 | |
that means Philip's £200 in the lead, wow. | 0:30:08 | 0:30:10 | |
I'm going to be seriously competitive now, Philip. | 0:30:10 | 0:30:14 | |
I cannot stand competitive women. | 0:30:14 | 0:30:17 | |
This road trip is taking us from the north-east of Scotland in Aboyne, | 0:30:17 | 0:30:21 | |
across the border to England, | 0:30:21 | 0:30:23 | |
through the Lake District and on to Liverpool. | 0:30:23 | 0:30:26 | |
We're kicking off in Glenluce, | 0:30:26 | 0:30:28 | |
a small village in the county of Dumfries and Galloway, | 0:30:28 | 0:30:32 | |
and we'll end this leg with an auction in Carlisle. | 0:30:32 | 0:30:34 | |
Without a doubt, Glenluce is the perfect place to get away from it all. | 0:30:36 | 0:30:41 | |
This is literally in the middle of nowhere. | 0:30:41 | 0:30:45 | |
Antiques farm! | 0:30:45 | 0:30:47 | |
That doesn't look very promising, does it? | 0:30:47 | 0:30:51 | |
-Ciao. -God bless, darling. | 0:30:52 | 0:30:54 | |
I'll see you later, wish me luck. | 0:30:54 | 0:30:56 | |
Well, not too much. | 0:30:56 | 0:30:57 | |
This family business began in Wales, | 0:30:57 | 0:31:00 | |
but 23 years ago they decided to move lock, stock and barrel to Glenluce. | 0:31:00 | 0:31:05 | |
Today, Chris runs the show. | 0:31:05 | 0:31:07 | |
Oh! | 0:31:08 | 0:31:11 | |
I think I might actually have to buy him, he's pretty cute. | 0:31:11 | 0:31:13 | |
-Is he for sale? -Oh, we could work out a price. | 0:31:13 | 0:31:17 | |
Right, I'm in desperate need of a bargain. | 0:31:17 | 0:31:20 | |
They're quite unusual there, the old slides. | 0:31:20 | 0:31:23 | |
So, these are the lantern slides that you drop in to the magic lantern? | 0:31:23 | 0:31:27 | |
-And then you project it onto the screen? -Mm-hm. | 0:31:27 | 0:31:29 | |
Oh, they're quite interesting, aren't they? | 0:31:29 | 0:31:32 | |
The magic lantern was a great favourite of the Victorians, | 0:31:32 | 0:31:36 | |
originally powered by candlelight, | 0:31:36 | 0:31:39 | |
it projected images from fairy tales to striptease, | 0:31:39 | 0:31:44 | |
although there's nothing saucy here, I fancy. | 0:31:44 | 0:31:47 | |
They're all of dinosaurs, these are pterodactyls. | 0:31:47 | 0:31:50 | |
How much did you want for these? | 0:31:50 | 0:31:51 | |
50 on the set. | 0:31:51 | 0:31:53 | |
-50? -£50. | 0:31:53 | 0:31:54 | |
Oh, wow. | 0:31:54 | 0:31:56 | |
But there's some of them can fetch that each, | 0:31:56 | 0:31:58 | |
we sold one last year for 300. | 0:31:58 | 0:32:01 | |
-Really, what was that an image of? -Just one slide. | 0:32:01 | 0:32:03 | |
An erotic image. | 0:32:03 | 0:32:05 | |
Well, that's the thing, all these naughty ones, | 0:32:05 | 0:32:07 | |
-they're the ones that people want, aren't they? -That's it, that's it. | 0:32:07 | 0:32:10 | |
Yeah, but that's the thing, these ones I think I'd be taking a bit of a risk. | 0:32:10 | 0:32:14 | |
25, that'll give you a chance, how's that? | 0:32:14 | 0:32:17 | |
I don't think I could go any more than 20. | 0:32:17 | 0:32:20 | |
Oh, go on then, we'll do it for 20. | 0:32:20 | 0:32:22 | |
-£20, we've got a deal on that one? -That'll give you a good chance, that's a deal. | 0:32:22 | 0:32:27 | |
But Catherine's not finished yet, pate mould, anyone? | 0:32:27 | 0:32:30 | |
It's quite nice with the grass on it, isn't it? | 0:32:30 | 0:32:32 | |
I could do you £10, it would be the very best on it. | 0:32:32 | 0:32:35 | |
I think ten is still going to be a bit hard for me. | 0:32:35 | 0:32:38 | |
Am I your worst customer? | 0:32:38 | 0:32:40 | |
Today, so far, yeah. | 0:32:40 | 0:32:42 | |
Am I your only customer today? | 0:32:42 | 0:32:44 | |
HE LAUGHS | 0:32:44 | 0:32:45 | |
In the nearby market town of Newton Stewart, | 0:32:46 | 0:32:49 | |
Philip has found the Douglas House Antiques Centre, | 0:32:49 | 0:32:53 | |
with young Dave here, to help him part with some cash. | 0:32:53 | 0:32:56 | |
That contraption on the top there, | 0:32:56 | 0:32:58 | |
-would it be possible to get that down and have a look at it? -Yeah, no problem. | 0:32:58 | 0:33:02 | |
Actually, it's a wool winder, priced at £50. | 0:33:02 | 0:33:06 | |
It's quite heavy, actually. | 0:33:06 | 0:33:09 | |
How do I get this down? | 0:33:09 | 0:33:10 | |
It was. | 0:33:10 | 0:33:12 | |
Oh, nearly. | 0:33:13 | 0:33:14 | |
Oh, now it's broken, perhaps Philip can negotiate a discount. | 0:33:15 | 0:33:19 | |
What happens is, you put spools or reels of wool on there, | 0:33:19 | 0:33:25 | |
and then they come up there, through there, on there, | 0:33:25 | 0:33:28 | |
and then you turn this, and then as you turn it, | 0:33:28 | 0:33:32 | |
-it measures, I think, the length of yarn. -Yes. | 0:33:32 | 0:33:35 | |
And when you've got to the appropriate length in a scheme, | 0:33:35 | 0:33:39 | |
-that bell rings, doesn't it? -Yeah. | 0:33:39 | 0:33:42 | |
This one is in awful condition, | 0:33:42 | 0:33:45 | |
because this ebonised handle is split, | 0:33:45 | 0:33:48 | |
the base is just gone to the dogs. | 0:33:48 | 0:33:52 | |
I'm going to have to be really mean. | 0:33:52 | 0:33:54 | |
-Really, really, really, really mean. -Sounds like it's going to hurt. | 0:33:54 | 0:33:57 | |
Well, it is going to hurt, because in my eyes it's like 20 quid's worth | 0:33:57 | 0:34:01 | |
-in the condition that it's in. -Oh! | 0:34:01 | 0:34:02 | |
I'm going to think about that, I like that a lot. | 0:34:02 | 0:34:05 | |
Much like Philip, Catherine's reluctant to put her hand in her pocket, | 0:34:05 | 0:34:10 | |
so now Chris is trying to seduce her with Lalique, | 0:34:10 | 0:34:13 | |
that's glassware, by the way. | 0:34:13 | 0:34:15 | |
-Is it Rene, or is it after? -I think it's probably after. | 0:34:15 | 0:34:19 | |
It's a big old lump of Lalique, it's something you want to throw at a burglar. | 0:34:19 | 0:34:22 | |
I don't know about that. Rene Lalique was a French designer and manufacturer | 0:34:22 | 0:34:27 | |
famous for his glass creations, | 0:34:27 | 0:34:29 | |
from perfume bottles to chandeliers, to car mascots. | 0:34:29 | 0:34:32 | |
And despite his death in 1945, | 0:34:32 | 0:34:34 | |
the company he named after himself continues to flourish. | 0:34:34 | 0:34:39 | |
What did you say on that? 320. | 0:34:39 | 0:34:41 | |
Could it be 100? | 0:34:41 | 0:34:43 | |
It couldn't, the very, very, very best on it would be 130. | 0:34:43 | 0:34:48 | |
-Can I think? -You can. | 0:34:50 | 0:34:51 | |
Inspired to carry on shopping, | 0:34:52 | 0:34:54 | |
Catherine's next object of interest is a very unusual paperweight. | 0:34:54 | 0:34:58 | |
That is a section out of the cable | 0:34:58 | 0:35:00 | |
that runs from Great Britain to America, the first radio cable. | 0:35:00 | 0:35:05 | |
That's the copper core, that's where your signal would go through. | 0:35:05 | 0:35:08 | |
I find that quite interesting. | 0:35:08 | 0:35:10 | |
I love things like this - real, real, real conversation pieces. | 0:35:10 | 0:35:14 | |
It could be a tenner. | 0:35:14 | 0:35:15 | |
Can it be five? | 0:35:15 | 0:35:16 | |
It can be five pounds. | 0:35:16 | 0:35:18 | |
-Can it be less than five? -It can't be less than five. | 0:35:18 | 0:35:21 | |
-Can you polish it up for me as well, then, Chris? -I could do. | 0:35:21 | 0:35:24 | |
Do you want me to go and get a bit of wire wool and just do it down? | 0:35:24 | 0:35:26 | |
Actually, if you could find a couple of bidders for it at the auction that would be really helpful. | 0:35:26 | 0:35:31 | |
Unlike Catherine, Philip is completely focused | 0:35:31 | 0:35:34 | |
on a very Scottish collectable. | 0:35:34 | 0:35:35 | |
Mauchlin is this transfer-printed little wood ware, | 0:35:36 | 0:35:39 | |
and this is a little money box. | 0:35:39 | 0:35:41 | |
We've got another bit in here, haven't we? | 0:35:41 | 0:35:44 | |
It's of Mauchlin new pier. | 0:35:44 | 0:35:46 | |
It would have had a little top glass in it, wouldn't it? | 0:35:46 | 0:35:48 | |
And the age of these is probably around about 1900, 1905, | 0:35:48 | 0:35:51 | |
I would have thought. | 0:35:51 | 0:35:53 | |
Named after the town it was made in, | 0:35:53 | 0:35:56 | |
Mauchlin was produced from the 1820s onwards | 0:35:56 | 0:35:58 | |
and was sold all over the world, | 0:35:58 | 0:36:00 | |
though production came to an abrupt halt in 1933 | 0:36:00 | 0:36:03 | |
when the factory burnt to the ground. | 0:36:03 | 0:36:06 | |
I've got to come to some decisions here. | 0:36:06 | 0:36:08 | |
Can you take my 20 quid on that contraption? | 0:36:08 | 0:36:11 | |
I was hoping for 40. | 0:36:11 | 0:36:14 | |
I'll be wanting to bid you 20 quid again for the two of those. | 0:36:14 | 0:36:17 | |
-Oh, heck. -It's a hard day this, isn't it? | 0:36:17 | 0:36:21 | |
What about if I give you 50 quid for the whole lot? | 0:36:21 | 0:36:24 | |
-Yeah, OK. -All right? -OK, we'll go for that. | 0:36:24 | 0:36:26 | |
You're a gentleman, thank you very much. I'd better count some money out now, hadn't I? | 0:36:26 | 0:36:30 | |
Meanwhile, Catherine's on the prowl for something off-beat. | 0:36:30 | 0:36:35 | |
A carved hippo's quite wacky, piece of ebony. | 0:36:35 | 0:36:37 | |
It's quite nice, actually, isn't it? | 0:36:37 | 0:36:39 | |
But he's got a comical look to him, | 0:36:39 | 0:36:40 | |
like he'd sort of just lie there on the mud. | 0:36:40 | 0:36:42 | |
I know, you almost feel sorry for him. | 0:36:42 | 0:36:45 | |
What do you want for this? | 0:36:45 | 0:36:47 | |
Well, I was going to ask you 40, but then I thought maybe 30, | 0:36:47 | 0:36:50 | |
then I thought probably better to ask you 20. | 0:36:50 | 0:36:53 | |
Ten? And we have a really good deal, Chris? | 0:36:53 | 0:36:56 | |
Oh, go on, then, ten pounds, you can have it. | 0:36:56 | 0:36:58 | |
-Yes! I think Philip would like that, actually. -It maybe looks like him on a hot day. | 0:36:58 | 0:37:02 | |
So, that's three auction lots in the one shop, | 0:37:03 | 0:37:07 | |
but our girl still has Lalique on her mind. | 0:37:07 | 0:37:09 | |
I don't know what to do. | 0:37:11 | 0:37:13 | |
You've spent what, £35 out here? | 0:37:13 | 0:37:16 | |
So, if we were to say 150 on the lot. | 0:37:16 | 0:37:20 | |
This is my proposition to you - | 0:37:20 | 0:37:22 | |
£135 for everything, that's pretty good. | 0:37:22 | 0:37:26 | |
140 and we'll do a deal. | 0:37:26 | 0:37:28 | |
That's another fiver. | 0:37:28 | 0:37:30 | |
-Wish me luck. -Good luck. | 0:37:32 | 0:37:34 | |
I think you'll do all right on it, I think you will. | 0:37:34 | 0:37:36 | |
How sweet. | 0:37:36 | 0:37:38 | |
Now, we have the magic lantern slides, the paperweight, | 0:37:38 | 0:37:41 | |
the hippo, and the Lalique dish. | 0:37:41 | 0:37:43 | |
What more could a girl ask for? | 0:37:43 | 0:37:45 | |
Oh, Chris, Chris? | 0:37:45 | 0:37:47 | |
Yes? | 0:37:47 | 0:37:48 | |
-You know that grouse pate thing that we looked at? -Right? | 0:37:48 | 0:37:52 | |
How's a pound? | 0:37:52 | 0:37:53 | |
Seeing as you've bought everything, go on, then. | 0:37:53 | 0:37:55 | |
-A pound? -A pound will do it. -There we are. -Thank you very much. | 0:37:55 | 0:37:59 | |
I love it here. | 0:37:59 | 0:38:00 | |
A good day's shopping draws to an end, | 0:38:00 | 0:38:03 | |
and we wish our weary experts a good night. | 0:38:03 | 0:38:05 | |
With the sun absolutely nowhere in sight, | 0:38:10 | 0:38:13 | |
our intrepid duo are once again touring the B-roads of Scotland. | 0:38:13 | 0:38:18 | |
Right, today I want you to just buy pretty, lovely things. | 0:38:18 | 0:38:23 | |
-Moi, do pretty? -Yeah. | 0:38:23 | 0:38:25 | |
So far, slow starter Philip has only spent £50. | 0:38:25 | 0:38:28 | |
He's still got £390 resting in a wallet that seldom sees daylight. | 0:38:28 | 0:38:35 | |
-Do me a favour. -What? | 0:38:37 | 0:38:38 | |
Don't buy anything that you're going to make into a cable. | 0:38:38 | 0:38:42 | |
Ha-ha! | 0:38:42 | 0:38:43 | |
But Catherine has been a woman possessed, | 0:38:43 | 0:38:46 | |
spending £141 with five auction lots ready to go, | 0:38:46 | 0:38:50 | |
and £108 still in the kitty. | 0:38:50 | 0:38:52 | |
Gretna Green! We're in Gretna Green. Shall we go and get married? | 0:38:54 | 0:38:58 | |
Mmm, bigamy. | 0:38:58 | 0:39:00 | |
So, after the ceremony, | 0:39:02 | 0:39:04 | |
Philip and Catherine are heading from Glenluce | 0:39:04 | 0:39:07 | |
to the small market town of Castle Douglas. | 0:39:07 | 0:39:10 | |
I'm conscious that I've got a lot of money to spend. | 0:39:11 | 0:39:14 | |
So spend it, Philip, break the habit of a lifetime. | 0:39:14 | 0:39:17 | |
Following Catherine's advice, Philip's off to the High Street. | 0:39:17 | 0:39:21 | |
Morning. | 0:39:21 | 0:39:22 | |
Lady with a duster, that's a dangerous thing, isn't it? | 0:39:22 | 0:39:25 | |
Very necessary in here. | 0:39:25 | 0:39:27 | |
So, as Anne continues to dust her knick-knacks, | 0:39:27 | 0:39:30 | |
Philip's search for the daft and the different continues. | 0:39:30 | 0:39:34 | |
What will he come up with today? | 0:39:34 | 0:39:36 | |
This is just a very simple cutlery box, | 0:39:36 | 0:39:39 | |
you put a bottle of wine in there, | 0:39:39 | 0:39:41 | |
and then it becomes a wine carrier to your table, | 0:39:41 | 0:39:44 | |
what a cool thing that is, then. | 0:39:44 | 0:39:46 | |
And that's what people do with these, because, you know, | 0:39:46 | 0:39:50 | |
a Georgian wine carrier is worth hundreds or thousands of pounds | 0:39:50 | 0:39:54 | |
if it's a really, really seriously good one. | 0:39:54 | 0:39:57 | |
He's not just a pretty face, you know. | 0:39:57 | 0:39:59 | |
But can he get a deal from Anne of the duster? | 0:39:59 | 0:40:02 | |
Well, the lowest I could go would be 30. | 0:40:02 | 0:40:05 | |
Can you meet me halfway and I'll have it? | 0:40:05 | 0:40:07 | |
£25 and I'll have it off you. | 0:40:07 | 0:40:09 | |
-Right. -Is that all right? | 0:40:09 | 0:40:10 | |
-Yes, yes. -You're an angel, thank you so much. | 0:40:10 | 0:40:12 | |
But do I get two bottles of wine with it as well? | 0:40:12 | 0:40:14 | |
-Oh, what are you like? -It's a fair request, isn't it? | 0:40:14 | 0:40:17 | |
No, he's not off to the pub, | 0:40:17 | 0:40:20 | |
he's off on the scrounge at the restaurant across the road. | 0:40:20 | 0:40:23 | |
-Carlos, I'm after a favour. -Yes, of course. | 0:40:23 | 0:40:25 | |
I wonder if I could scrounge two empty wine bottles off you? | 0:40:25 | 0:40:28 | |
-Yes, no problem. -Have you got any that I could try? | 0:40:28 | 0:40:30 | |
-Absolutely. -What a good man he is. | 0:40:30 | 0:40:32 | |
-They may be too big, if not, I'll get you something smaller. -Look at that. | 0:40:32 | 0:40:35 | |
-Absolutely perfect. -Look at that. | 0:40:35 | 0:40:37 | |
Now, there you are, that's what I call a wine bottle carrier. | 0:40:37 | 0:40:40 | |
Thank you, my lovely, take care. See you soon, bye-bye! | 0:40:40 | 0:40:43 | |
What a smoothie. | 0:40:43 | 0:40:45 | |
Just six miles down the road, | 0:40:45 | 0:40:47 | |
Catherine's popped in to the small but busy town of Dalbeattie, | 0:40:47 | 0:40:51 | |
which, despite its size, | 0:40:51 | 0:40:53 | |
boasts its own museum representing more than 300 of local history. | 0:40:53 | 0:40:57 | |
And this eclectic collection was put together by a much loved local, | 0:40:57 | 0:41:02 | |
75-year-old, Tommy Henderson. | 0:41:02 | 0:41:05 | |
-Hello. -Hello, are you coming in for a wee look? | 0:41:07 | 0:41:10 | |
-Wonderful, I'm Catherine, hello. -I'm Tommy Henderson. -Hello, Tommy. | 0:41:10 | 0:41:14 | |
Chairman and the man responsible for this place. | 0:41:14 | 0:41:17 | |
-Are you? -Aye, it was a dream come true. | 0:41:17 | 0:41:19 | |
-Did you start it? -Yeah, I started it 25 years ago. | 0:41:19 | 0:41:21 | |
And the objects that you get I should think are donations? | 0:41:21 | 0:41:25 | |
It's all donated except this. | 0:41:25 | 0:41:26 | |
All the children get to play on this. | 0:41:31 | 0:41:33 | |
And everybody that comes in, all the kids, | 0:41:39 | 0:41:42 | |
and they sit on my bear as well. | 0:41:42 | 0:41:44 | |
Despite there being thousands of objects, | 0:41:44 | 0:41:47 | |
not only does Tommy know each and every one intimately... | 0:41:47 | 0:41:52 | |
You've got your butter pots here, | 0:41:52 | 0:41:54 | |
this is the shovel with the holes, | 0:41:54 | 0:41:55 | |
and we don't forget our wee milk bottle. | 0:41:55 | 0:41:58 | |
..there's usually a story attached. | 0:41:58 | 0:42:01 | |
One of the very first items that was handed in was this washing machine here, | 0:42:01 | 0:42:05 | |
by Mrs Waller across the road, she found it in her out house. | 0:42:05 | 0:42:08 | |
We have since discovered it's over a hundred years old. | 0:42:08 | 0:42:12 | |
It's hard to believe it's still working. | 0:42:12 | 0:42:15 | |
Is it? Oh! | 0:42:15 | 0:42:17 | |
Wow! | 0:42:17 | 0:42:19 | |
And there's the Titanic exhibit. | 0:42:19 | 0:42:22 | |
Because, as it turns out, the ship's first officer, | 0:42:22 | 0:42:26 | |
William McMaster Murdoch, was a Dalbeattie man. | 0:42:26 | 0:42:30 | |
If you remember in the last film, | 0:42:30 | 0:42:32 | |
that's the gentleman they made look like a coward. | 0:42:32 | 0:42:35 | |
And he was a local? | 0:42:35 | 0:42:36 | |
He lived a hundred yards down the road. | 0:42:36 | 0:42:38 | |
We know for a fact that he was a local hero, | 0:42:38 | 0:42:41 | |
so his cousins took the film people to task, | 0:42:41 | 0:42:47 | |
and we got a £5,000 apology | 0:42:47 | 0:42:50 | |
to say sorry to his family for defamation of character. | 0:42:50 | 0:42:54 | |
And the apology letter takes pride of place in the collection. | 0:42:54 | 0:42:59 | |
"In the minds and hearts of filmmakers and audiences all over the world, | 0:42:59 | 0:43:03 | |
"Officer Murdoch is one of the film's most humane, selfless, | 0:43:03 | 0:43:08 | |
"and sensitively-drawn characters." | 0:43:08 | 0:43:11 | |
-Thank you very much, that was our local hero. -Mm-hm. | 0:43:11 | 0:43:16 | |
For two decades now, Tommy has been sharing his passion for history | 0:43:16 | 0:43:20 | |
with visitors from around the world, | 0:43:20 | 0:43:23 | |
and in June 2009 his hard work was quite rightly recognised | 0:43:23 | 0:43:28 | |
with the Queen's Award for Voluntary Services. | 0:43:28 | 0:43:31 | |
I didn't realise half the town had wrote in | 0:43:31 | 0:43:34 | |
to put me and the museum forward, I had no idea. | 0:43:34 | 0:43:38 | |
It was the biggest surprise in my life when the Lord Lieutenant walked in that door, | 0:43:38 | 0:43:42 | |
and you could have picked me up off the floor. | 0:43:42 | 0:43:45 | |
-Really? -That's the first recognition we've ever had in Dumfries and Galloway. | 0:43:45 | 0:43:49 | |
You must be so proud of that. | 0:43:49 | 0:43:51 | |
Very proud. | 0:43:51 | 0:43:53 | |
And so you should be, because it's wonderful, | 0:43:53 | 0:43:55 | |
and you're a wonderful, wonderful man, it's been a real pleasure, | 0:43:55 | 0:43:58 | |
and thank you very much for showing me round, it's been tremendous. | 0:43:58 | 0:44:01 | |
Back in Castle Douglas, | 0:44:05 | 0:44:06 | |
Philip's happened upon another hidden gem, | 0:44:06 | 0:44:09 | |
also known as AD Livingston & Sons, | 0:44:09 | 0:44:11 | |
makers and restorers of fine furniture. | 0:44:11 | 0:44:15 | |
Mr Livingston, I presume? | 0:44:15 | 0:44:17 | |
I've never heard that before. | 0:44:17 | 0:44:19 | |
No, I'm sure you wouldn't have done. | 0:44:19 | 0:44:20 | |
Actually, the name's Kenny. | 0:44:20 | 0:44:22 | |
Perhaps Philip could add further insult by spending very little money here today. | 0:44:22 | 0:44:28 | |
These things are fantastic, aren't they? | 0:44:28 | 0:44:30 | |
Came out of a decorator's, | 0:44:30 | 0:44:32 | |
an old-style decorator's workshop in Dumfries. | 0:44:32 | 0:44:34 | |
Either for creating a scumble effect on painted doors and the like. | 0:44:34 | 0:44:38 | |
A scumble effect is when you've got pine panelling in the house, | 0:44:38 | 0:44:42 | |
and you paint it, | 0:44:42 | 0:44:43 | |
and, actually, this is cheating a bit, | 0:44:43 | 0:44:46 | |
-you roll these up to make it look like it's grained oak. -Exactly. | 0:44:46 | 0:44:50 | |
-How much have you got them priced up at? -Well, the whole lot is £45. | 0:44:50 | 0:44:52 | |
Yeah, but can you do a deal on that? | 0:44:52 | 0:44:54 | |
The deal would be, well... | 0:44:54 | 0:44:56 | |
Cos that's, sort of, like... | 0:44:56 | 0:44:58 | |
..let me just have a quiet word and explain how this works. | 0:44:59 | 0:45:02 | |
Now, what happens is, you have a price on that, £45 best price, | 0:45:02 | 0:45:05 | |
and it comes down a bit. | 0:45:05 | 0:45:07 | |
Yeah, sure, that's my best price. | 0:45:07 | 0:45:09 | |
£30 wouldn't buy them all, would it? | 0:45:09 | 0:45:11 | |
-Are you offering me £30? -Yeah. -OK. | 0:45:11 | 0:45:13 | |
-Done? -Yeah. | 0:45:13 | 0:45:14 | |
-OK. -Thank you. -I like those. | 0:45:14 | 0:45:16 | |
Just as well, because with that, it's tatty bye to Castle Douglas. | 0:45:16 | 0:45:20 | |
Our next stop is Dumfries, | 0:45:21 | 0:45:23 | |
affectionately known as the Queen of the South. | 0:45:23 | 0:45:26 | |
It's an ancient town with a turbulent history. | 0:45:26 | 0:45:29 | |
Dumfries has been party to witch burnings, | 0:45:29 | 0:45:32 | |
and, later, Scotland's last public hanging in 1868. | 0:45:32 | 0:45:37 | |
But, fear not, it also has some rather nice shops. | 0:45:37 | 0:45:40 | |
Help! | 0:45:44 | 0:45:45 | |
Ha, once you do finally get inside, there's plenty to see, | 0:45:45 | 0:45:49 | |
but what Philip is instantly drawn to is the trench art, | 0:45:49 | 0:45:53 | |
and so, he's getting ready to work his infinite charm on Robert. | 0:45:53 | 0:45:56 | |
It's called trench art because they did it in the trenches. | 0:45:56 | 0:45:59 | |
-Normally, it's the metalware from shell cases, isn't it? -Yes. | 0:45:59 | 0:46:03 | |
You've got one there, look at that, that's the bullet out of a rifle. | 0:46:03 | 0:46:07 | |
Yeah. | 0:46:07 | 0:46:08 | |
That's a nice, interesting one, because it's got the dreadnought, | 0:46:08 | 0:46:13 | |
which was the early metal warship, a cannon, and airship, | 0:46:13 | 0:46:18 | |
the zeppelin airship. People hadn't really seen them before the war. | 0:46:18 | 0:46:21 | |
And that's fascinating, look, because that's made out of a bullet. | 0:46:21 | 0:46:24 | |
And then this is probably part of a shell case. | 0:46:24 | 0:46:26 | |
Yeah, of course the significance of the date, | 0:46:26 | 0:46:29 | |
the soldier knew that the war started in 1914. | 0:46:29 | 0:46:31 | |
And that's when he did it, 1914? | 0:46:31 | 0:46:32 | |
No, he didn't know when the war was going to end. | 0:46:32 | 0:46:35 | |
It raises the hair on the back of your neck, doesn't it? | 0:46:35 | 0:46:38 | |
-It does, it just brings a bit of a lump to your throat. -Yeah. | 0:46:38 | 0:46:40 | |
I like that one, it's dated 1916 on the back. | 0:46:40 | 0:46:43 | |
If you think, that the guy who made that in 1916, | 0:46:43 | 0:46:47 | |
perhaps for a Christmas present for someone. | 0:46:47 | 0:46:49 | |
-He could have been dead a month later, couldn't he? -Absolutely. | 0:46:49 | 0:46:52 | |
Oh, oh, dear me. | 0:46:52 | 0:46:53 | |
What's the best you can do on the two? | 0:46:53 | 0:46:55 | |
How, how does 32 sound? | 0:46:55 | 0:46:57 | |
It's too odd for me, that is. | 0:46:57 | 0:47:00 | |
25 would sound a lot better. | 0:47:00 | 0:47:02 | |
Make it 30 and we've got a deal. | 0:47:03 | 0:47:05 | |
Do you know, I'm not going to haggle with you, I love them so much. | 0:47:05 | 0:47:08 | |
-Thank you. -Thank you very much. | 0:47:08 | 0:47:10 | |
Moving on, and now auction time is unavoidably close. | 0:47:12 | 0:47:15 | |
Philip's been strangely conservative, | 0:47:16 | 0:47:18 | |
spending just £135 on five auction lots. | 0:47:18 | 0:47:22 | |
The Mauchlin-ware money box and toddy case, | 0:47:23 | 0:47:26 | |
the 19th-century wool winder, the cutlery-tray-cum-bottle-carrier... | 0:47:26 | 0:47:31 | |
..the grained rollers and the two piece trench art. | 0:47:32 | 0:47:36 | |
As for cautious Catherine, | 0:47:36 | 0:47:38 | |
she went wild, spending £149 also on five auction lots... | 0:47:38 | 0:47:43 | |
..the carved ebony hippo, | 0:47:46 | 0:47:48 | |
the magic lantern slides, | 0:47:48 | 0:47:50 | |
the transatlantic cable paperweight, | 0:47:50 | 0:47:53 | |
the gorgeous Lalique dish, | 0:47:53 | 0:47:55 | |
and the pate mould, combined with a surprise purchase, | 0:47:55 | 0:47:57 | |
this 1930s pickle grabber for just eight pounds. | 0:47:57 | 0:48:01 | |
But can our experts muster any admiration for each other's efforts? | 0:48:03 | 0:48:07 | |
Quite what that copper cable thing is about, | 0:48:08 | 0:48:10 | |
only Catherine could do that. | 0:48:10 | 0:48:12 | |
Now he's making a knife box into a wine carrier. | 0:48:12 | 0:48:16 | |
Nah, doesn't wash with me, Phil. | 0:48:16 | 0:48:18 | |
She's put all of her eggs into one very French Lalique basket, | 0:48:18 | 0:48:21 | |
that could make a three figure profit, and if it does, | 0:48:21 | 0:48:25 | |
you know, then my trousers could be down around my ankles, really. | 0:48:25 | 0:48:28 | |
This auction's going to be interesting, | 0:48:28 | 0:48:30 | |
because I think I've got some great pieces against him. | 0:48:30 | 0:48:34 | |
Let's just hope that she's incredibly unlucky. | 0:48:34 | 0:48:36 | |
After starting off in Glenluce, | 0:48:36 | 0:48:39 | |
our hero and heroine are ending this leg of their road trip | 0:48:39 | 0:48:42 | |
in the good town of Carlisle. | 0:48:42 | 0:48:44 | |
Yes, that's right, we've crossed the border. | 0:48:44 | 0:48:47 | |
I mean, Scotland could be the place where you excelled, | 0:48:47 | 0:48:50 | |
and now it could be up to me. | 0:48:50 | 0:48:52 | |
-Really? -Probably won't be, but... | 0:48:52 | 0:48:55 | |
-That left hand pedal's the clutch. -I do know that. | 0:48:55 | 0:48:58 | |
Carlisle was once a Roman town serving military forts along Hadrian's wall, | 0:48:58 | 0:49:03 | |
but today it hosts an epic battle within H & H Auction Rooms. | 0:49:03 | 0:49:08 | |
Well, here we go, over the top. | 0:49:09 | 0:49:12 | |
Bring it on. | 0:49:12 | 0:49:13 | |
That's the spirit, though before we let the bidders off the leash, | 0:49:13 | 0:49:17 | |
let's see how auctioneer, Georgina Nixon, | 0:49:17 | 0:49:21 | |
rates the unusual items submitted by our experts. | 0:49:21 | 0:49:24 | |
Wool winders are not, obviously, the most desirable of old scientific instruments, | 0:49:24 | 0:49:28 | |
but they are quite interesting. | 0:49:28 | 0:49:29 | |
It does have a bit of damage, | 0:49:29 | 0:49:31 | |
so if you're after a wool winder, that may be not the wool winder of your dreams, that one. | 0:49:31 | 0:49:35 | |
The pickle grab's quite interesting, | 0:49:35 | 0:49:37 | |
although it's unusual to pair it together with the pate mould, | 0:49:37 | 0:49:41 | |
it looks like the start of a really interesting party, I think. | 0:49:41 | 0:49:44 | |
But it all comes down to these good people, | 0:49:44 | 0:49:49 | |
let the auction begin. | 0:49:49 | 0:49:50 | |
First up, it's Catherine's magic lantern slides, | 0:49:52 | 0:49:54 | |
let's hope they really do work a little magic. | 0:49:54 | 0:49:57 | |
Wish me luck. | 0:49:57 | 0:49:58 | |
-Very nice, they've got dinosaurs on them. -Dinosaurs, dinosaurs. | 0:49:58 | 0:50:01 | |
What more could you want? Anyone, £5 for a start? | 0:50:01 | 0:50:05 | |
£5 on the magic lanterns? | 0:50:05 | 0:50:07 | |
Five, eight, ten, | 0:50:07 | 0:50:10 | |
-15, 18, 20. -Keep going. | 0:50:10 | 0:50:14 | |
-My God, that is a result. -22, are we all done at 22? | 0:50:14 | 0:50:17 | |
Oh, dear, a two pound profit, that won't even cover the commission. | 0:50:17 | 0:50:22 | |
What did you say, Philip Serrell, £5? | 0:50:22 | 0:50:24 | |
I don't know what you're getting excited about, | 0:50:24 | 0:50:26 | |
I think they just lost you money over there. | 0:50:26 | 0:50:28 | |
Yeah, they actually have. | 0:50:28 | 0:50:30 | |
On to Philip's Mauchlin-ware now, | 0:50:33 | 0:50:35 | |
can this Scottish classic excite the English? | 0:50:35 | 0:50:37 | |
Let's find out. | 0:50:37 | 0:50:40 | |
Oh, lots of bids. | 0:50:40 | 0:50:41 | |
-Lots of bids? Oh, come on. -We'll start the bidding at £30 with me. | 0:50:41 | 0:50:46 | |
£30 with me, £30 with me, are we all done at £30? | 0:50:46 | 0:50:52 | |
Yes, I think we are. | 0:50:52 | 0:50:53 | |
-You'll regret it. -No, you won't. | 0:50:53 | 0:50:56 | |
Yes, you will. | 0:50:56 | 0:50:58 | |
How can you regret it? | 0:50:58 | 0:51:01 | |
Now, while this ebony hippo tends to raise a smile, | 0:51:01 | 0:51:05 | |
for some reason, Catherine's frowning. | 0:51:05 | 0:51:07 | |
I'm a bit concerned that my beautiful hippo | 0:51:08 | 0:51:11 | |
-follows an electric golf trolley. -Yeah. | 0:51:11 | 0:51:14 | |
Lots of bids on the book. | 0:51:14 | 0:51:17 | |
Lots of bids on the book, lots of bids on the book. | 0:51:17 | 0:51:19 | |
Well, that's cheered her up. | 0:51:19 | 0:51:21 | |
£32 in the black, | 0:51:21 | 0:51:25 | |
standing at £32 with me. | 0:51:25 | 0:51:28 | |
That's £22 profit, before auction costs, | 0:51:28 | 0:51:32 | |
looks like Catherine's back on form. | 0:51:32 | 0:51:34 | |
And just as well, her pate mould and infamous pickle grabber are next. | 0:51:34 | 0:51:40 | |
Oh, my heart's beating. | 0:51:40 | 0:51:42 | |
Eight pounds with me. | 0:51:42 | 0:51:44 | |
Eight, ten, | 0:51:44 | 0:51:45 | |
12, 14, 15. | 0:51:45 | 0:51:47 | |
Come on. | 0:51:47 | 0:51:49 | |
£18 at the front. | 0:51:49 | 0:51:50 | |
18, 20, it seems cheap. | 0:51:50 | 0:51:53 | |
I think they want the pickle thing. | 0:51:53 | 0:51:55 | |
At £20 at the back, are we all done? | 0:51:55 | 0:51:56 | |
She's doubled her money, and I think someone's a little jealous. | 0:51:56 | 0:52:01 | |
20 quid for a blooming broken jelly dish? | 0:52:01 | 0:52:03 | |
Philip's trench art now, | 0:52:03 | 0:52:05 | |
and naturally, he's hoping the bidders of Carlisle | 0:52:05 | 0:52:08 | |
share his keen interest in World War I. | 0:52:08 | 0:52:10 | |
£22 with me, 25, 28, | 0:52:10 | 0:52:14 | |
£32 at the back. | 0:52:14 | 0:52:15 | |
Are we all done at 32? | 0:52:17 | 0:52:19 | |
Oh, dear, not quite the runaway profit Philip was hoping for, | 0:52:20 | 0:52:24 | |
in fact, after commission it's a loss. | 0:52:24 | 0:52:26 | |
Mental note - don't be such a soppy old fool. | 0:52:27 | 0:52:31 | |
On to Philip's Georgian wine carrier, | 0:52:31 | 0:52:33 | |
which can also be described as... | 0:52:33 | 0:52:36 | |
Two empty wine bottles in a box. | 0:52:36 | 0:52:38 | |
-Anyone, five pounds for a start. -Anyone. -Ouch. | 0:52:38 | 0:52:42 | |
Five, eight, ten. | 0:52:42 | 0:52:44 | |
12? 15. | 0:52:44 | 0:52:47 | |
Well, someone likes what she sees. | 0:52:47 | 0:52:50 | |
20, £20 at the front. | 0:52:50 | 0:52:54 | |
But not quite enough, Philip's made another loss. | 0:52:54 | 0:52:57 | |
Catherine, that's not very nice, you're laughing. | 0:52:57 | 0:53:00 | |
You are revealing a darker side to your character, aren't you? | 0:53:00 | 0:53:03 | |
-Oh-h! Oh-h! -I'm not sure I like it. | 0:53:03 | 0:53:06 | |
Next the auction lot Philip was quick to laugh at, | 0:53:06 | 0:53:09 | |
it's Catherine's little piece of transatlantic cable. | 0:53:09 | 0:53:12 | |
Five pound for a start? | 0:53:12 | 0:53:14 | |
Five pounds at the front, eight, ten. | 0:53:14 | 0:53:17 | |
12, 15. | 0:53:17 | 0:53:19 | |
That's done well, hasn't it? £15 at the very front. | 0:53:19 | 0:53:22 | |
-Come on, keep going. -18, 20, 22, | 0:53:22 | 0:53:26 | |
-25, 28. -Well done, you. | 0:53:26 | 0:53:28 | |
He's nodding. | 0:53:28 | 0:53:30 | |
-Are we all done at £32? -Good man, good man. | 0:53:30 | 0:53:33 | |
That's a £27 profit. | 0:53:33 | 0:53:36 | |
Now who's laughing, Philip? | 0:53:36 | 0:53:38 | |
Oh, I'm getting my bottom smacked here. | 0:53:38 | 0:53:40 | |
Let's not go there, shall we? | 0:53:40 | 0:53:42 | |
Though moving right along, it's Philip's rollers. | 0:53:42 | 0:53:47 | |
-£60 with me. -Oh! | 0:53:47 | 0:53:49 | |
-£60 with me. -£60? | 0:53:49 | 0:53:52 | |
£60 with me and selling. | 0:53:52 | 0:53:56 | |
And just like that, the old dog fox is back. | 0:53:56 | 0:53:59 | |
Now, while many parts from his wool winder have dropped off, | 0:53:59 | 0:54:03 | |
apparently, there's still just enough to go to auction. | 0:54:03 | 0:54:06 | |
Lots of bids on the book, | 0:54:06 | 0:54:09 | |
with me at £80, | 0:54:09 | 0:54:10 | |
-it seems cheap, £80. -No. | 0:54:10 | 0:54:14 | |
85 at the very back, | 0:54:14 | 0:54:17 | |
are we all done at 85? | 0:54:17 | 0:54:19 | |
He's £60 up before commission. | 0:54:19 | 0:54:22 | |
Seriously, how does he do it? | 0:54:22 | 0:54:25 | |
So now it's down to your bowl, isn't it? | 0:54:25 | 0:54:29 | |
This Lalique dish has caused Catherine at least one sleepless night so far, | 0:54:29 | 0:54:34 | |
but can it change her fortunes? | 0:54:34 | 0:54:37 | |
Oh, Phil, I'm getting really nervous. | 0:54:37 | 0:54:39 | |
I've got goose pimples. | 0:54:39 | 0:54:41 | |
Probably what you've been waiting for, it's the Lalique dish, | 0:54:41 | 0:54:44 | |
-five pound for a start? -Five? | 0:54:44 | 0:54:46 | |
-Five pounds to my right, eight. -I'm sorry, did she just say five pounds? | 0:54:46 | 0:54:49 | |
Oh, dear, someone fetch Catherine a sweet sherry quick, | 0:54:49 | 0:54:52 | |
I think she's going to need it. | 0:54:52 | 0:54:54 | |
-35, 35 at the very back. -I can't listen to this. | 0:54:54 | 0:54:59 | |
50, 60, 75, | 0:54:59 | 0:55:01 | |
-£80 at the very back. -This is just a joke. | 0:55:01 | 0:55:04 | |
-Are we all done at £80? -No way. | 0:55:04 | 0:55:07 | |
Oh, 85, 90. | 0:55:07 | 0:55:09 | |
Come on. | 0:55:09 | 0:55:10 | |
Are we all done at £90? | 0:55:10 | 0:55:12 | |
And I'm afraid that is a loss. | 0:55:12 | 0:55:16 | |
I can't believe that. | 0:55:16 | 0:55:18 | |
That is just a joke, | 0:55:18 | 0:55:21 | |
that's a joke. | 0:55:21 | 0:55:23 | |
That is a joke. | 0:55:23 | 0:55:25 | |
That is the biggest joke of the auction. | 0:55:25 | 0:55:27 | |
Catherine started with £249.38, | 0:55:27 | 0:55:31 | |
made a profit of £11.72 after auction costs, | 0:55:31 | 0:55:35 | |
and she's got £261.10 to press on with. | 0:55:35 | 0:55:39 | |
Philip had £442.36, | 0:55:43 | 0:55:45 | |
and he's up again by £51.14, | 0:55:45 | 0:55:48 | |
so, with £493.50 in the kitty, the lead is still his. | 0:55:48 | 0:55:54 | |
Perk up. | 0:55:56 | 0:55:57 | |
It was tragic. | 0:55:57 | 0:55:58 | |
I am sure you'll be back with a vengeance. | 0:55:58 | 0:56:03 | |
No, I think I've lost it now. | 0:56:03 | 0:56:04 | |
Is this going to cost me a very large drink? | 0:56:04 | 0:56:07 | |
-The largest you've ever bought, Philip. -Really? -Oh. | 0:56:07 | 0:56:11 | |
Next time on the Antiques Road Trip, | 0:56:11 | 0:56:13 | |
we're all at sea in the Lake District, where Catherine's risking it all... | 0:56:13 | 0:56:17 | |
-I'm going to live dangerously. -Are you? | 0:56:17 | 0:56:20 | |
..Philip's using his sex appeal... | 0:56:20 | 0:56:22 | |
Oh, you're an angel, you're an angel. | 0:56:22 | 0:56:25 | |
..and the gloves are coming off. | 0:56:25 | 0:56:28 | |
Actually, that could be a very young Phil Serrell. | 0:56:28 | 0:56:31 | |
If he comes in here, please, don't mention that. | 0:56:33 | 0:56:36 | |
Subtitles by Red Bee Media Ltd | 0:56:40 | 0:56:44 |