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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques, | 0:00:08 | 0:00:11 | |
as they scour the UK? | 0:00:11 | 0:00:13 | |
This is hard. | 0:00:13 | 0:00:15 | |
-The aim is to trade up and hope each antique turns a profit. -Come on! | 0:00:15 | 0:00:19 | |
But it's not as easy as you might think | 0:00:19 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Whose side are you on? -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Experts Philip Serrell and Catherine Southon may be rivals | 0:00:37 | 0:00:40 | |
-but they're also getting on rather well. -Philip, shut up! | 0:00:40 | 0:00:45 | |
Ooh! | 0:00:45 | 0:00:46 | |
-That is my knee you just tried to put into third! -Sorry! | 0:00:46 | 0:00:49 | |
Whoops! So far in this contest, it's the silver fox out in front. | 0:00:49 | 0:00:54 | |
So, Mr Moneybags, take some risks. | 0:00:54 | 0:00:57 | |
I'm taking one at the moment, sitting here! | 0:00:57 | 0:01:00 | |
Surprising us, and himself, Philip has | 0:01:00 | 0:01:04 | |
turned his original £200 stake into a staggering £493.50. | 0:01:04 | 0:01:11 | |
-What am I going to spend my money on? -Look at the goats! | 0:01:11 | 0:01:13 | |
-They're sheep, dear. -They're not, they're goats. | 0:01:13 | 0:01:16 | |
You're from London, aren't you? | 0:01:16 | 0:01:18 | |
Catherine is also struggling to spot good investments, | 0:01:18 | 0:01:21 | |
with auction disappointments now three days in a row. | 0:01:21 | 0:01:24 | |
That is just a joke, that's a joke. | 0:01:26 | 0:01:29 | |
That IS a joke. | 0:01:29 | 0:01:32 | |
So, she's only boasted her coffers by a mere £61.10, sadly. | 0:01:32 | 0:01:37 | |
Now, tired of playing second fiddle, today, she's a woman on a mission. | 0:01:38 | 0:01:44 | |
The thing is, I just haven't had my lucky break yet. | 0:01:44 | 0:01:47 | |
This Road Trip is taking us from Aboyne in the north-east of Scotland, | 0:01:47 | 0:01:52 | |
through the Lake District and on to Liverpool. | 0:01:52 | 0:01:55 | |
On this leg, we're en route to the market town of Sedbergh, | 0:01:55 | 0:01:58 | |
before an auction face off in Leeds. | 0:01:58 | 0:02:02 | |
-Ace bit of parking. -No, it's not. That was dreadful. | 0:02:02 | 0:02:06 | |
Well, we stopped. | 0:02:06 | 0:02:08 | |
Philip's first stop is a walk down Memory Lane, | 0:02:08 | 0:02:11 | |
which Susan has filled with typical 19th-century kitchen gadgets. | 0:02:11 | 0:02:16 | |
I love this. | 0:02:16 | 0:02:17 | |
This is a sycamore dairy bowl that would have been turned on a lathe, | 0:02:17 | 0:02:20 | |
and if you can imagine... the grain is not circular | 0:02:20 | 0:02:23 | |
on a piece of wood. It goes that way. | 0:02:23 | 0:02:25 | |
So when you turn it, part of it is across the grain | 0:02:25 | 0:02:28 | |
and that is why these bowls often become oval or they split. | 0:02:28 | 0:02:32 | |
Are they always out of sycamore? | 0:02:32 | 0:02:33 | |
Anything to do with food was made out of sycamore | 0:02:33 | 0:02:35 | |
because it has a natural antiseptic in it. | 0:02:35 | 0:02:38 | |
You often find butcher's blocks made out of it. | 0:02:38 | 0:02:41 | |
-Is 55 any good? -60. | 0:02:41 | 0:02:44 | |
-And that's it. -Is it? -Yeah. | 0:02:44 | 0:02:46 | |
-It is such a fair price, am I being mean? -Isn't he just? | 0:02:46 | 0:02:50 | |
Though there is no denying Philip has the eye for the unusual. | 0:02:50 | 0:02:54 | |
It's a real fun thing. | 0:02:54 | 0:02:56 | |
This is a meat tenderiser. | 0:02:56 | 0:02:58 | |
If you've got some ropey old rump, you give it a bash with that side, | 0:02:58 | 0:03:02 | |
which is really... | 0:03:02 | 0:03:03 | |
And if was a bit of tender fillet, you'd hit it with that side. | 0:03:03 | 0:03:06 | |
-Sue, would this be, like, probably 1880-ish? -Yes, Victorian. | 0:03:06 | 0:03:11 | |
-Can I give you 70 quid for the two now, and I'll take them? -Go on. -You're an angel! Come here. | 0:03:11 | 0:03:16 | |
Oh, you're an angel! That's the best bit ever. | 0:03:16 | 0:03:21 | |
While Philip's using his animal magnetism to save a few pounds - | 0:03:21 | 0:03:25 | |
lord help us - a few doors down, | 0:03:25 | 0:03:27 | |
it's Catherine's turn to charm the locals. | 0:03:27 | 0:03:30 | |
-Hello. -Avril. -Hi, Avril, good to meet you. Is it OK if I have a little look? | 0:03:32 | 0:03:36 | |
Two rooms, loads of corners, just... | 0:03:36 | 0:03:39 | |
But now, it's the antiques which are charming our Catherine. | 0:03:40 | 0:03:43 | |
That's lovely, isn't it? | 0:03:46 | 0:03:48 | |
It's probably an over mantle mirror | 0:03:48 | 0:03:50 | |
and I like the hammered copper over wood. | 0:03:50 | 0:03:52 | |
Do you think Arts and Crafts? | 0:03:52 | 0:03:54 | |
I think so. | 0:03:54 | 0:03:55 | |
The Arts and Crafts period used a lot of worked copper. | 0:03:55 | 0:03:59 | |
The Arts and Crafts movement flourished between 1860 and 1910, | 0:03:59 | 0:04:03 | |
a creative rebellion against mass production, where | 0:04:03 | 0:04:07 | |
traditional craftsmanship and often medieval decoration were favoured. | 0:04:07 | 0:04:11 | |
Unlike this stamped-out, hammered copper frame. | 0:04:11 | 0:04:14 | |
It's simple, but it's quite charming. | 0:04:15 | 0:04:18 | |
What could you do on that, Avril? | 0:04:18 | 0:04:20 | |
-Haggle a bit, if you want. -What's the ticket price? -65 on it now. | 0:04:20 | 0:04:25 | |
I'll be perfectly honest with you, I'd be looking at about 20. | 0:04:25 | 0:04:27 | |
Ooh, tkka, tkka, tkka! | 0:04:27 | 0:04:29 | |
No, I can't do that. Our absolute rock bottom on that would be 35. | 0:04:29 | 0:04:36 | |
-OK, 32, that's my last offer. -35, got to be. | 0:04:36 | 0:04:41 | |
Oh, go on, 32. | 0:04:41 | 0:04:43 | |
-Just can't do it. Sorry. -You're not going to move, are you? -I'm not! | 0:04:44 | 0:04:50 | |
OK, 35, I'm going to go for it. 35, because I like it. | 0:04:50 | 0:04:54 | |
Good for you, Avril, sticking to your old guns. | 0:04:54 | 0:04:57 | |
-How are you? -I'm all right. | 0:04:59 | 0:05:00 | |
-You're looking very sheepish. -I bought a sheep. | 0:05:00 | 0:05:03 | |
-Did you spend lots of money? -For me, I spent a load. | 0:05:03 | 0:05:06 | |
-See you in a bit. -Bye. | 0:05:06 | 0:05:08 | |
Now it's time for a bit of shop swapsies. | 0:05:08 | 0:05:11 | |
Blimey, you've got some stuff in a small space here. | 0:05:11 | 0:05:14 | |
-Let me know if you need any help. -I'm going to have a look at the nightwear accessories first. -OK. | 0:05:14 | 0:05:18 | |
You've got a beautiful shop. | 0:05:20 | 0:05:21 | |
Everywhere I see gorgeous things that I know are way over my price range. | 0:05:21 | 0:05:25 | |
Though, being an expert in all things scientific, | 0:05:25 | 0:05:28 | |
how can she possibly resist a military telescope? | 0:05:28 | 0:05:31 | |
This looks quite late, I'd say about 1940. There we are, yes. | 0:05:31 | 0:05:36 | |
Stamped 1940. Broadhurst, Clarkson and Co, good maker. | 0:05:36 | 0:05:40 | |
£20. | 0:05:40 | 0:05:42 | |
To be honest, it's not great. Very dusty. | 0:05:42 | 0:05:45 | |
Gosh, where did you get this from? | 0:05:45 | 0:05:48 | |
13. | 0:05:48 | 0:05:50 | |
I'm thinking of all the bad things about it, | 0:05:50 | 0:05:52 | |
i.e. the dust, it's very dusty and you can't really see out of it. | 0:05:52 | 0:05:56 | |
Therefore, I think my top would actually be eight on that. | 0:05:56 | 0:06:00 | |
I'll go to 10. From 12 to 10, | 0:06:00 | 0:06:03 | |
I really can't do any better than that. | 0:06:03 | 0:06:05 | |
Also, there is a whacking great dent in the side of it, in the brass. | 0:06:05 | 0:06:09 | |
-Go on, then. -Eight, shall we say eight? | 0:06:09 | 0:06:12 | |
Great, OK, thank you very much. | 0:06:12 | 0:06:14 | |
I haven't got £2, I don't think. | 0:06:14 | 0:06:16 | |
That's fine, I can give you five! | 0:06:16 | 0:06:19 | |
As for the competition, | 0:06:22 | 0:06:23 | |
he's decided to spend his money somewhere else. | 0:06:23 | 0:06:26 | |
-Catherine! I've got some lakes to see. -Bye! | 0:06:26 | 0:06:28 | |
You don't mind if I drive, do you? | 0:06:28 | 0:06:31 | |
Give me a chance to get in the door! | 0:06:31 | 0:06:33 | |
I'm in a rush, I want to see the Lakes. | 0:06:33 | 0:06:35 | |
As we venture deeper into the Lake District, | 0:06:37 | 0:06:39 | |
our next stop is the lovely town of Windermere. | 0:06:39 | 0:06:43 | |
This is terribly exciting for me, | 0:06:43 | 0:06:46 | |
because I have never been to the Lakes before. | 0:06:46 | 0:06:48 | |
Mind this water! | 0:06:48 | 0:06:51 | |
I think I might be strapped for cash round here. | 0:06:51 | 0:06:54 | |
-Can I borrow some of your £500? -Let me think about it. No. | 0:06:54 | 0:06:59 | |
So, with just over £200 in hand, Catherine has headed here, | 0:06:59 | 0:07:02 | |
to Courtyard Cottage Antiques. | 0:07:02 | 0:07:04 | |
This looks nice. Whoop! Mine the flowers. | 0:07:04 | 0:07:08 | |
OK, have fun. | 0:07:08 | 0:07:09 | |
In this lovely shop, I'm sure Catherine will be tempted to | 0:07:09 | 0:07:12 | |
spend every penny of it. | 0:07:12 | 0:07:14 | |
That's jolly nice, that skeleton clock. | 0:07:14 | 0:07:17 | |
The name skeleton comes from the fact that | 0:07:17 | 0:07:19 | |
you can actually see the workings, the mechanics of the clock. | 0:07:19 | 0:07:23 | |
We've got the signature, | 0:07:23 | 0:07:25 | |
Rofsi of Norwich, on the dial there. | 0:07:25 | 0:07:27 | |
It's going to be completely out of my price range but I'll ask anyway. | 0:07:27 | 0:07:31 | |
-How much is on that, just out of interest? -£2,000. | 0:07:31 | 0:07:35 | |
Just take off a few noughts and I might be just about there. | 0:07:35 | 0:07:39 | |
It's beautiful. | 0:07:39 | 0:07:41 | |
Back within budget, Catherine is intrigued by a copper cake stand, | 0:07:41 | 0:07:45 | |
which, despite Jean and Barry's best efforts, | 0:07:45 | 0:07:48 | |
has been sitting in this spot for a very long time. | 0:07:48 | 0:07:52 | |
The reason people don't like buying copper | 0:07:52 | 0:07:54 | |
is because they've got to clean it all the time. | 0:07:54 | 0:07:56 | |
But you're probably quite glad to see it go, are you? | 0:07:56 | 0:07:59 | |
After five years, yes. | 0:07:59 | 0:08:01 | |
Five years! | 0:08:01 | 0:08:03 | |
God, maybe I don't want it after all! | 0:08:03 | 0:08:04 | |
It's got cobwebs on it, so, look. | 0:08:04 | 0:08:08 | |
-Tempted. -I can do you a good deal on that. | 0:08:08 | 0:08:11 | |
-How good is good? -45 quid. | 0:08:11 | 0:08:14 | |
But I'm tempted at more the sort of 25, 30 mark. | 0:08:14 | 0:08:19 | |
You're giving me really scary looks! | 0:08:19 | 0:08:22 | |
25, and we'll go for it. | 0:08:22 | 0:08:25 | |
-OK. -Oh, a friend! | 0:08:26 | 0:08:29 | |
He's giving you not very nice looks. | 0:08:29 | 0:08:32 | |
It doesn't matter. | 0:08:32 | 0:08:34 | |
-I'm going to live dangerously. -Are you? -Yes. | 0:08:34 | 0:08:37 | |
-I'm going to buy it for 25. -Not 30? -No. | 0:08:37 | 0:08:40 | |
-Don't hate me, will you? -Absolutely not. | 0:08:41 | 0:08:44 | |
And with that, another day on the antique trail comes to a close. | 0:08:45 | 0:08:49 | |
-What did you buy? Tell me, tell me. -I'm not telling you. | 0:08:49 | 0:08:53 | |
-Tell me, tell me, tell me! -No, I'm not telling you what I bought. -Tell me, tell me! | 0:08:53 | 0:08:56 | |
Day two delivers our experts some grey skies, | 0:08:58 | 0:09:02 | |
but also the rugged beauty of the Lake District. | 0:09:02 | 0:09:06 | |
-You're very chirpy today. -I like being here, it's lovely. -Oh, look! | 0:09:07 | 0:09:11 | |
-Goats! Look, goats, everywhere. -They're not goats! | 0:09:11 | 0:09:15 | |
Are they not?! | 0:09:15 | 0:09:16 | |
So far, Philip has spent £70 on two auction lots and, | 0:09:17 | 0:09:21 | |
thanks to his animal magnetism, | 0:09:21 | 0:09:23 | |
he still has £420 in the kitty. | 0:09:23 | 0:09:26 | |
I'm going to spend £5 in each shop. | 0:09:27 | 0:09:31 | |
Don't be boring, live a little. | 0:09:31 | 0:09:33 | |
Catherine, meanwhile, has parted with £68 for three auction lots, | 0:09:33 | 0:09:37 | |
and plans to bring down her competition big time. | 0:09:37 | 0:09:40 | |
I want you to spend, spend, spend today. | 0:09:42 | 0:09:46 | |
Our first stop today is Ulverston, | 0:09:46 | 0:09:49 | |
the birthplace of comedian Stan Laurel. | 0:09:49 | 0:09:52 | |
In a break from her comedy sidekick, | 0:09:52 | 0:09:54 | |
Catherine is here to see Ulverston's very own Laurel and Hardy Museum. | 0:09:54 | 0:09:59 | |
I can't wait to go, it'll be fantastic. | 0:09:59 | 0:10:03 | |
Which one am I, then, Stan or Ollie? | 0:10:03 | 0:10:06 | |
Bye. | 0:10:06 | 0:10:07 | |
This local landmark is the work of passionate collector Bill Cubin, | 0:10:07 | 0:10:12 | |
the former Mayor of Ulverston. | 0:10:12 | 0:10:15 | |
Whilst sadly he's passed away, | 0:10:15 | 0:10:16 | |
his legacy lives on, thanks to his grandson, Mark. | 0:10:16 | 0:10:20 | |
This is him here. That's me and my little brother. | 0:10:20 | 0:10:23 | |
From the age of very young | 0:10:23 | 0:10:25 | |
we were dressed up with bowlers and spiky hair. | 0:10:25 | 0:10:29 | |
My brother being the youngest ended up with a cushion | 0:10:29 | 0:10:32 | |
shoved up his jumper to be Ollie. | 0:10:32 | 0:10:34 | |
I always got to be Stan. | 0:10:34 | 0:10:35 | |
Bill's collection began almost by accident, in the early '70s, | 0:10:36 | 0:10:40 | |
when he discovered Stan's childhood home was being modernised. | 0:10:40 | 0:10:43 | |
Some of the stuff that came from Stan's grandparents' house was | 0:10:43 | 0:10:48 | |
this stuff here, the mangle and the old washing machine. | 0:10:48 | 0:10:51 | |
I'm sure Stan's smalls would have gone through there at one point! | 0:10:51 | 0:10:54 | |
Maybe they did! | 0:10:54 | 0:10:56 | |
So he took it and just started collecting pictures | 0:10:56 | 0:11:00 | |
and news clippings and anything he ever saw about Laurel and Hardy. | 0:11:00 | 0:11:03 | |
This is what I love, all this lovely memorabilia. It's wonderful. | 0:11:03 | 0:11:07 | |
Stan and Ollie's partnership lasted more than 30 years | 0:11:07 | 0:11:10 | |
and involved a staggering 106 films. | 0:11:10 | 0:11:13 | |
Stan had a great deal of creative control over everything. | 0:11:15 | 0:11:19 | |
Off-screen, he was the brains, which you wouldn't expect. | 0:11:19 | 0:11:22 | |
Of course not, because obviously on the films, we see him as the... | 0:11:22 | 0:11:26 | |
Stan would edit, write, direct, do a huge amount of work. | 0:11:26 | 0:11:30 | |
To Ollie, it was a job, he wanted to finish the day and go and have a round of golf. | 0:11:30 | 0:11:33 | |
Really? So, he did his job and went home. | 0:11:33 | 0:11:37 | |
While museum founder Bill passed away more than a decade ago, | 0:11:38 | 0:11:42 | |
his collection is in safe hands, though a visit here wouldn't be complete | 0:11:42 | 0:11:46 | |
without a look at its crowning glory, Stan Laurel's hat. | 0:11:46 | 0:11:51 | |
That is very, very special, | 0:11:51 | 0:11:52 | |
I feel very privileged to touch that. | 0:11:52 | 0:11:54 | |
-You can try it on, if you like. -Can I? | 0:11:54 | 0:11:56 | |
Wow! Actually, he did have a very small head, didn't he? | 0:11:59 | 0:12:03 | |
What do you think? | 0:12:03 | 0:12:05 | |
Meanwhile, in nearby Cartmel, Philip is about to get himself into another fine mess. | 0:12:05 | 0:12:10 | |
When you look over there at the countryside and the scenery, | 0:12:11 | 0:12:15 | |
why do people go abroad? | 0:12:15 | 0:12:17 | |
I suppose if look up there, that's why they go abroad. | 0:12:17 | 0:12:20 | |
Cartmel is home to Simon Starkey Antiques, | 0:12:20 | 0:12:24 | |
which, I think, it's fair to say Philip thinks is quite fantastic. | 0:12:24 | 0:12:27 | |
You have got a fantastic shop here. | 0:12:29 | 0:12:31 | |
That's a fantastic dresser, that's a fantastic Windsor chair. | 0:12:31 | 0:12:35 | |
You've got some fantastic things in here and my pockets are too deep. | 0:12:35 | 0:12:39 | |
And they're empty, that's another problem. | 0:12:39 | 0:12:41 | |
And if you believe that, you will believe anything. | 0:12:41 | 0:12:44 | |
But Jane does have something strangely appealing to Philip. | 0:12:44 | 0:12:48 | |
Oh, yeah. | 0:12:49 | 0:12:50 | |
How much is your Jonathan Livingston Seagull? Would it be expensive? | 0:12:52 | 0:12:55 | |
I don't think so. I think that could be within budget. | 0:12:55 | 0:12:58 | |
-Do you know who painted it? -Simon Starkey. -The guy who owns the shop. | 0:13:00 | 0:13:04 | |
-He is the man of many talents, isn't it? -He is. | 0:13:04 | 0:13:07 | |
He did actually train as a fine artist. | 0:13:07 | 0:13:09 | |
-He's got this to look like it's sort of 1870, hasn't he? -Yes. | 0:13:09 | 0:13:12 | |
He's a clever man. | 0:13:12 | 0:13:14 | |
-How much is that? -I could do this one for you for £85. | 0:13:14 | 0:13:18 | |
Can I ask you to do me a real favour? | 0:13:18 | 0:13:19 | |
Could you ring Simon up? I'd love to buy it off him for £50. | 0:13:19 | 0:13:24 | |
Hello, Simon. The Seagull. Would £50 be agreeable? | 0:13:24 | 0:13:29 | |
OK. OK. | 0:13:29 | 0:13:31 | |
-It's like waiting for your exam results, this. -Bye. | 0:13:31 | 0:13:34 | |
-Do I need to sit down? -You probably might need to sit down. | 0:13:35 | 0:13:39 | |
What, he's put the price up to £95? | 0:13:39 | 0:13:41 | |
Well, the very best we can do, for you, £55. | 0:13:41 | 0:13:46 | |
-I'm going to buy it. -You're going to have it? -I do, I do, I do. | 0:13:46 | 0:13:48 | |
I love it. | 0:13:48 | 0:13:50 | |
And after that interesting purchase, | 0:13:50 | 0:13:52 | |
our experts are now headed east, in the rain. | 0:13:52 | 0:13:54 | |
And in case you're wondering if the Triumph is waterproof, | 0:13:54 | 0:13:58 | |
the answer is... | 0:13:58 | 0:13:59 | |
It's not so much a roof, it's more of a sieve. | 0:13:59 | 0:14:03 | |
CATHERINE LAUGHS | 0:14:03 | 0:14:04 | |
It is, isn't it? | 0:14:04 | 0:14:06 | |
Our next port of call is Kirkby Lonsdale, which sits, | 0:14:06 | 0:14:10 | |
rather attractively, on the River Lune. | 0:14:10 | 0:14:13 | |
I like that name, Kirkby Lonsdale. | 0:14:13 | 0:14:17 | |
Sounds like he should be in the lower fourth at school. | 0:14:17 | 0:14:19 | |
"I'm just going to have a game of rugger with Kirkby Lonsdale." | 0:14:19 | 0:14:23 | |
Time's moving on and our experts need to spend now | 0:14:23 | 0:14:27 | |
or forever hold their purse. | 0:14:27 | 0:14:30 | |
This is our last chance, isn't it? | 0:14:30 | 0:14:32 | |
I feel an enormous amount of pressure at the moment. | 0:14:32 | 0:14:35 | |
-I feel an enormous amount of rain. -Well, this is my last chance. | 0:14:35 | 0:14:39 | |
-Bye. -Oh, bye! | 0:14:39 | 0:14:41 | |
I guess I'm going this way. | 0:14:41 | 0:14:43 | |
Lacking sympathy, Catherine heads for the town's ex-police station. | 0:14:43 | 0:14:47 | |
Now an antique shop, | 0:14:47 | 0:14:48 | |
which Amanda has crammed full of gorgeous propositions. | 0:14:48 | 0:14:52 | |
I'm going to be extremely difficult and ask | 0:14:52 | 0:14:55 | |
if you could open this cabinet straightaway. | 0:14:55 | 0:14:59 | |
Put it a bit that way and then I've just got to move this table. | 0:14:59 | 0:15:05 | |
I'll move this to here. | 0:15:05 | 0:15:07 | |
-Now, you can get in. -Well, I can't, actually! | 0:15:07 | 0:15:09 | |
No, you can't! You can't! | 0:15:09 | 0:15:12 | |
-No, you can't, right. -It's really clever, I've hemmed myself in. -There you go. -Lovely. | 0:15:12 | 0:15:18 | |
What's this Punch? | 0:15:18 | 0:15:20 | |
Punch and Judy nutcrackers. | 0:15:20 | 0:15:21 | |
We've got little Judy on one side, Punch on the other. | 0:15:21 | 0:15:26 | |
There certainly looks a nice bit of wear to them, | 0:15:26 | 0:15:29 | |
nice sort of verdigris inside. | 0:15:29 | 0:15:31 | |
-I think they're properly about 1900. -What could you do on this? | 0:15:31 | 0:15:35 | |
-The best would be 50. -I do like them, | 0:15:35 | 0:15:38 | |
but I think 40 would be my limit. | 0:15:38 | 0:15:41 | |
Can we have a little think about this? | 0:15:41 | 0:15:43 | |
Just put anything on one side and then have a think about it. | 0:15:43 | 0:15:46 | |
That's a rather nice card case that looks to be in beautiful condition. | 0:15:46 | 0:15:52 | |
It's Argentyn silver. Your card goes in there and it snaps closed. | 0:15:52 | 0:15:56 | |
-And it's flat, to go in a man's pocket. -I quite like that. | 0:15:56 | 0:15:59 | |
-You can imagine a businessman today in London... -For business cards, yeah. | 0:15:59 | 0:16:04 | |
-"Would you like one of my cards?" -It's 140. | 0:16:04 | 0:16:07 | |
-What could you come down to on that one? -100. | 0:16:07 | 0:16:10 | |
I really couldn't possibly go...90. | 0:16:10 | 0:16:13 | |
I'm struggling beyond belief. | 0:16:13 | 0:16:15 | |
Could you go for 60 on that? | 0:16:17 | 0:16:19 | |
I'd have lost money on it, | 0:16:19 | 0:16:20 | |
I'd have lost £30 on it at 60. | 0:16:20 | 0:16:23 | |
Choices, choices. | 0:16:23 | 0:16:26 | |
Across town, though, Philip is rummaging around Dale's Antiques, | 0:16:26 | 0:16:29 | |
under the watchful eye of the very dapper Leonard. | 0:16:29 | 0:16:33 | |
Oh, I do love a bowtie! | 0:16:35 | 0:16:37 | |
This is a great bit of Worcester. This has probably come up the M6. | 0:16:37 | 0:16:41 | |
This is called blushed ivory, painted with flowers. | 0:16:41 | 0:16:44 | |
This is part of a much larger service and there would probably have been 12 plates. | 0:16:44 | 0:16:48 | |
The man who did these was a guy called Edward Raby | 0:16:48 | 0:16:52 | |
and because they weren't allowed to sign these, Edward Raby, | 0:16:52 | 0:16:55 | |
he had a bit of an ego, and he used to work his signature, a little ER, | 0:16:55 | 0:17:00 | |
into the foliage. | 0:17:00 | 0:17:01 | |
You can have a look at these for ever and a day | 0:17:01 | 0:17:04 | |
and sometimes you can see the little ER, and sometimes you can't. | 0:17:04 | 0:17:07 | |
Well, Philip, I'm looking but I'm definitely not seeing. | 0:17:07 | 0:17:12 | |
What I'm going to do is, if I put a couple of things together, | 0:17:12 | 0:17:15 | |
can I try and bid you for two things in one go. | 0:17:15 | 0:17:18 | |
You can try and bid me, yes, and I'll know where my figures are. | 0:17:18 | 0:17:22 | |
It's the emphasis on the word "try" that I'm a bit anxious of. | 0:17:22 | 0:17:25 | |
Having made her way through a cup of tea, and three digestives - | 0:17:25 | 0:17:29 | |
but who's counting - Catherine is ready to renegotiate. | 0:17:29 | 0:17:33 | |
So we said 70 and 40. | 0:17:33 | 0:17:38 | |
Can you do both of them together for 90? | 0:17:38 | 0:17:41 | |
I'm losing more and more money every time you speak! | 0:17:41 | 0:17:46 | |
I'm losing more and more money. | 0:17:46 | 0:17:48 | |
-I'm so desperate, you can't blame me for trying. -100, and final. | 0:17:48 | 0:17:53 | |
-Shall we say 95 for both of them? -OK, fine, that's it. | 0:17:53 | 0:17:56 | |
Are we going to stop there, or are you going to look at it again? | 0:17:56 | 0:18:00 | |
Do you know what, Amanda, I feel I could just sit here and chat to you all day. | 0:18:00 | 0:18:03 | |
Oh, really? | 0:18:03 | 0:18:05 | |
This could cost Amanda a fortune. | 0:18:05 | 0:18:07 | |
As for Philip, something else has caught his fancy. | 0:18:07 | 0:18:11 | |
I love little boxes. | 0:18:11 | 0:18:12 | |
And these are fantastic, these are Tunbridge ware. | 0:18:12 | 0:18:15 | |
Produced in Tonbridge and Tunbridge Wells joined the 19th Century, | 0:18:15 | 0:18:19 | |
this mosaic art form was achieved | 0:18:19 | 0:18:21 | |
by using a mix of local and foreign timbers. | 0:18:21 | 0:18:25 | |
And it boasted quite the colour range. | 0:18:25 | 0:18:28 | |
Even green. | 0:18:28 | 0:18:30 | |
But will one of these boxes be the perfect companion to | 0:18:30 | 0:18:35 | |
Philip's Royal Worcester? | 0:18:35 | 0:18:37 | |
The best I could probably do on that, realistically, | 0:18:37 | 0:18:40 | |
is going to be £75, on its own. | 0:18:40 | 0:18:42 | |
Ouch! And what about this little Tunbridge ware box? | 0:18:42 | 0:18:45 | |
It's a fabulous thing, fabulous colour. On its own, it would be 85. | 0:18:45 | 0:18:51 | |
-So you're talking in terms of about 100 and what for the two? -150. | 0:18:51 | 0:18:56 | |
I just don't think I can do that. | 0:18:56 | 0:18:58 | |
I'm going to get all the money I've got in my pocket. | 0:18:58 | 0:19:01 | |
This is 100 of the finest pound notes of the realm, this is. | 0:19:01 | 0:19:04 | |
-Will that buy them? -No, it won't, actually. | 0:19:04 | 0:19:07 | |
As I say, I had to say 150. | 0:19:07 | 0:19:10 | |
I tell you what I'll do. | 0:19:10 | 0:19:12 | |
-How about 110? -120. | 0:19:12 | 0:19:15 | |
-110 and I'll have a deal with you. -120. | 0:19:15 | 0:19:18 | |
I think you'll do another 10. | 0:19:18 | 0:19:20 | |
There you are, look, £115, that's job done. | 0:19:20 | 0:19:24 | |
-All right, that'll be fine. -You're a gentleman, thank you. -All right, thank you very much. | 0:19:24 | 0:19:28 | |
I don't know about you, but I'm exhausted, | 0:19:28 | 0:19:30 | |
and we've still got a crunch auction to prepare for. | 0:19:30 | 0:19:33 | |
Catherine began with £261.10 | 0:19:34 | 0:19:37 | |
and blew £163 on five auction lots. | 0:19:37 | 0:19:42 | |
The Punch and Judy nutcrackers. | 0:19:43 | 0:19:46 | |
The silver gentleman's card case. | 0:19:46 | 0:19:48 | |
The 1940s telescope. | 0:19:48 | 0:19:51 | |
The copper cake stand. | 0:19:51 | 0:19:53 | |
And the copper mirror. | 0:19:53 | 0:19:55 | |
Philip, meanwhile, took his £493.50 and spent a whopping £240, | 0:19:57 | 0:20:03 | |
also on five lots. | 0:20:03 | 0:20:05 | |
The inlaid cotton reel box. | 0:20:05 | 0:20:08 | |
Sycamore meat tenderiser. | 0:20:08 | 0:20:10 | |
The Royal Worcester cabinet plate. | 0:20:10 | 0:20:13 | |
The patinated dairy bowl | 0:20:13 | 0:20:15 | |
and the seagull study painting. | 0:20:15 | 0:20:17 | |
So, how do you like them apples? | 0:20:18 | 0:20:21 | |
I'm not sure about her mirror. | 0:20:21 | 0:20:23 | |
I don't think it's quite good enough and her cake stand and falls into the same boat. | 0:20:23 | 0:20:26 | |
I don't know if I'm looking forward to the auction. | 0:20:26 | 0:20:28 | |
I've bought with my heart and not with my head, so... | 0:20:28 | 0:20:32 | |
She could be catching me up here. | 0:20:33 | 0:20:34 | |
After starting off in Sedbergh, Philip and Catherine | 0:20:36 | 0:20:39 | |
and this leg of their road trip in the fair city of Leeds. | 0:20:39 | 0:20:43 | |
I think you're going to come out on top. | 0:20:43 | 0:20:45 | |
You're so predictable, because every one so far, | 0:20:45 | 0:20:48 | |
you've said, "You're going to do really well," | 0:20:48 | 0:20:50 | |
and every one, I haven't. | 0:20:50 | 0:20:52 | |
But for once, Philip has bought with his heart, not with his head. | 0:20:52 | 0:20:57 | |
So, our visit to Gary Don auctioneers could be very interesting indeed. | 0:20:57 | 0:21:02 | |
I tell you what, if your seagull flies away, | 0:21:02 | 0:21:06 | |
I am going completely crackers. | 0:21:06 | 0:21:09 | |
All in at £3,500, number five. | 0:21:09 | 0:21:13 | |
The man running the show is Gary Don himself. | 0:21:13 | 0:21:16 | |
So, how does he rate the chances of our experts? | 0:21:16 | 0:21:20 | |
Telescope's quite a nice one. It's a bit cloudy, the glass. | 0:21:20 | 0:21:23 | |
If you want three quarters of the picture, it's the thing to buy. | 0:21:23 | 0:21:26 | |
We had a couple of people looking at the seagull. | 0:21:26 | 0:21:28 | |
I'm sure they'll come up with some sort of name for that sort of art in the future. | 0:21:28 | 0:21:32 | |
Loads of interesting items there. | 0:21:32 | 0:21:35 | |
I've no idea what they given for them but I just hope it's not a lot! | 0:21:35 | 0:21:38 | |
It's a full house, but given the calibre of what's on offer, | 0:21:40 | 0:21:42 | |
our resident king of the daft and the different is starting to worry. | 0:21:42 | 0:21:47 | |
Normally, you're secretly confident, but I don't think you are today. | 0:21:47 | 0:21:52 | |
No, I'm not at all, far from it. This is crash and burn. | 0:21:52 | 0:21:55 | |
In that case, let the auction begin! | 0:21:55 | 0:21:58 | |
First up are Catherine's nutcrackers. | 0:21:59 | 0:22:02 | |
-Bit of a special item, this. -Special. | 0:22:02 | 0:22:05 | |
It's a good piece, 12, 14, 16, 18, | 0:22:05 | 0:22:08 | |
20, 22, 24. | 0:22:08 | 0:22:11 | |
£22, selling at 22, on the front. | 0:22:11 | 0:22:15 | |
Oh, dear. Not exactly an encouraging start. | 0:22:15 | 0:22:19 | |
Gutted. I think were doomed. | 0:22:19 | 0:22:21 | |
And on that positive note, Catherine, | 0:22:21 | 0:22:24 | |
let's move swiftly on to Philip's Tunbridge ware cotton reel box, | 0:22:24 | 0:22:28 | |
which, for him, cost a small fortune. | 0:22:28 | 0:22:30 | |
30, and 5, 40, and 5. 50, 5. | 0:22:30 | 0:22:35 | |
I don't think you'll find another one. | 0:22:35 | 0:22:37 | |
Absolutely flabbergasted. | 0:22:37 | 0:22:38 | |
Selling at £60. | 0:22:38 | 0:22:40 | |
Despite all that angst, after auction costs, | 0:22:40 | 0:22:42 | |
Philip's just about broken even. | 0:22:42 | 0:22:45 | |
I just think your jammy with a capital J. | 0:22:45 | 0:22:48 | |
Catherine, too, has splashed out quite a tidy sum | 0:22:48 | 0:22:51 | |
on this gentleman's card case. | 0:22:51 | 0:22:54 | |
Do you know that your card case and I are the same age? | 0:22:54 | 0:22:59 | |
Which do you think's worn better? | 0:22:59 | 0:23:01 | |
Has to be the card case, I'm afraid. It's in perfect condition. | 0:23:01 | 0:23:04 | |
Oh, how sharper than a serpent's tooth! Shakespeare, by the way. | 0:23:04 | 0:23:09 | |
£20, and 5 anywhere? 25, 30. | 0:23:09 | 0:23:13 | |
Come on, you rotten lot. | 0:23:13 | 0:23:14 | |
35, 40, 55 here. | 0:23:14 | 0:23:16 | |
-Come on! -58, 60? 60. | 0:23:16 | 0:23:20 | |
-61? -Oh, come on, 61! | 0:23:20 | 0:23:23 | |
No? OK, I think that's what it's going to fetch, £60. | 0:23:23 | 0:23:26 | |
Don't say anything. Just don't say anything. | 0:23:28 | 0:23:31 | |
Even though nothing else has, perhaps Catherine's | 0:23:31 | 0:23:35 | |
military telescope can excite the good burghers of Leeds. | 0:23:35 | 0:23:38 | |
-Are you ready for this? -I just don't know any more, Phil. | 0:23:38 | 0:23:41 | |
30, 5, I don't think you'll find another one. | 0:23:41 | 0:23:44 | |
-40. -Oh, dear, come on! -I'm giving this away. -Giving it away! | 0:23:44 | 0:23:49 | |
Are you absolutely positive? 45, thank you. | 0:23:49 | 0:23:54 | |
-45. -Come on, it's cheap. | 0:23:54 | 0:23:57 | |
-46, 47, 48. -Pound increments, this is painful. | 0:23:57 | 0:24:02 | |
All done. | 0:24:02 | 0:24:04 | |
Finally, Catherine has made some money, though she's still frowning. | 0:24:04 | 0:24:09 | |
Just painful. Oh! It's like... | 0:24:09 | 0:24:12 | |
Next, it's Philip's meat tenderiser. | 0:24:15 | 0:24:17 | |
-A fantastic piece. -Fantastic piece. | 0:24:17 | 0:24:20 | |
You should all have your hands up. | 0:24:20 | 0:24:22 | |
10 bid, 12, 16, 20, 24, 28. | 0:24:22 | 0:24:26 | |
32. 31. Sir? | 0:24:26 | 0:24:28 | |
31. Selling at £31. | 0:24:28 | 0:24:31 | |
That's the silver fox's first profit of the day. | 0:24:31 | 0:24:36 | |
The last time it was up for sale, this copper cake stand took | 0:24:36 | 0:24:40 | |
five years to sell. | 0:24:40 | 0:24:42 | |
Should we be worried? | 0:24:42 | 0:24:43 | |
I'm starting off with a big bid on my sheet, of £5. 5 here. | 0:24:43 | 0:24:49 | |
12, 14, 16, 18, 20, 24, 26. | 0:24:49 | 0:24:55 | |
-It's a steal, are you going to let him have this? -It is a steal. | 0:24:55 | 0:24:58 | |
At £30, I'll go another pound. Anybody? Go on, 31, 32. | 0:24:58 | 0:25:04 | |
Why are my things going up in pound increments? It's painful. | 0:25:04 | 0:25:06 | |
Selling at 32 on the front, thank you very much. | 0:25:06 | 0:25:10 | |
A surprise result there, and quite a relief for Catherine. | 0:25:10 | 0:25:14 | |
That's good, isn't it, for me? | 0:25:14 | 0:25:16 | |
Having gone a bit mad on this leg, | 0:25:16 | 0:25:19 | |
this Royal Worcester dish is the second of Philip's big purchases. | 0:25:19 | 0:25:23 | |
30 bid, 40, 45. | 0:25:23 | 0:25:26 | |
It's got to be worth more than that, surely. | 0:25:26 | 0:25:29 | |
46? Selling at 45. | 0:25:29 | 0:25:32 | |
Now, that's disappointing. | 0:25:33 | 0:25:35 | |
Ooh, they're a tough lot here in Leeds! | 0:25:35 | 0:25:38 | |
You got to live with it, | 0:25:38 | 0:25:39 | |
-turn the page. -Shan't ever come to Leeds again, but that's neither here nor there, really. | 0:25:39 | 0:25:43 | |
Before you go, Philip, it's your third big purchase, | 0:25:43 | 0:25:47 | |
the sycamore dairy bowl, for £55. | 0:25:47 | 0:25:50 | |
This is going to be really interesting. | 0:25:50 | 0:25:54 | |
Starting this at £24, 26, 28, 30, | 0:25:54 | 0:25:59 | |
32, 34, 36, 38, 40, | 0:25:59 | 0:26:02 | |
and 5, 50, and 5, 60. | 0:26:02 | 0:26:06 | |
-That's a relief. -No? I've 60 there. £60. | 0:26:06 | 0:26:10 | |
Not bad, not bad, especially at today's auction. | 0:26:10 | 0:26:13 | |
Next item, Catherine's so-called Arts and Crafts mirror. | 0:26:15 | 0:26:19 | |
-This isn't going to be good, Catherine. -Thanks. | 0:26:19 | 0:26:21 | |
I've 10 bid, 15 anywhere on the mirror? | 0:26:21 | 0:26:24 | |
15, 20, 25, I've 20 here, and 2 anywhere? | 0:26:24 | 0:26:28 | |
22. 24, thank you. 26, 28. | 0:26:28 | 0:26:33 | |
Selling at 26 at the back. | 0:26:33 | 0:26:36 | |
Adding insult to injury, I'm afraid that's another loss. | 0:26:36 | 0:26:40 | |
Moving from collectables to fine arts now, seagull. | 0:26:42 | 0:26:44 | |
-What shall we say, £50 to start this? -Ouch. -30, then. | 0:26:46 | 0:26:50 | |
I've 30 bid. Any other bids on this? I've £30 here. | 0:26:53 | 0:26:55 | |
35 there, 40? It's a cheap picture, this. | 0:26:55 | 0:26:59 | |
45, sir? 45. 50? 50. | 0:26:59 | 0:27:04 | |
-And 5, I'll even take 2. We need the money. -Don't we just. | 0:27:04 | 0:27:09 | |
No, at £50 on the right-hand side. | 0:27:09 | 0:27:11 | |
And so it flutters off with a little more of Philip's money. | 0:27:13 | 0:27:17 | |
-I've had a really bad day here. -We both have. | 0:27:17 | 0:27:20 | |
I think I'm going to quietly go out and start the car. Are you coming? | 0:27:20 | 0:27:24 | |
Catherine began with £261.10, and, after auction costs, | 0:27:24 | 0:27:30 | |
made a sad £9.66 pounds loss. | 0:27:30 | 0:27:33 | |
The Southon fighting fund is now a mere £251.44. | 0:27:33 | 0:27:38 | |
Big Phil, meanwhile, had £493.50 | 0:27:40 | 0:27:46 | |
and made a much bigger loss of £38.28. | 0:27:46 | 0:27:50 | |
But with £455.22 left in the kitty, he's still firmly in the lead. | 0:27:50 | 0:27:56 | |
It's like an emotional rollercoaster, this. | 0:27:58 | 0:28:01 | |
Charge. | 0:28:02 | 0:28:03 | |
-Do you think you've finally lost it, Phil? -I lost it years ago. | 0:28:04 | 0:28:08 | |
We're Liverpool bound, for Philip and Catherine's final auction. | 0:28:10 | 0:28:14 | |
For the first time, every single item is going to make a profit. | 0:28:14 | 0:28:19 | |
You heard it here first. | 0:28:20 | 0:28:21 | |
This time, they aren't pulling any punches. | 0:28:21 | 0:28:24 | |
I mean, it's about taking part. | 0:28:24 | 0:28:26 | |
The hell it is! It's about winning, isn't it? | 0:28:26 | 0:28:29 | |
For in the contest, there can only be one winner. | 0:28:29 | 0:28:31 | |
That's all coming up later. | 0:28:35 | 0:28:36 | |
But let's get back to now, | 0:28:36 | 0:28:38 | |
and join the boy and the girl in the breathtaking North, | 0:28:38 | 0:28:42 | |
because Philip Serrell and Catherine Southon are about to go head-to-head. | 0:28:42 | 0:28:46 | |
Part of me thinks I'm going to go and blow a load. | 0:28:47 | 0:28:51 | |
I'm going to go and blow a load and let's just see what happens in the last auction. | 0:28:51 | 0:28:56 | |
But at the previous auction, it was losses all round. | 0:28:58 | 0:29:01 | |
I've had a really bad day here. | 0:29:01 | 0:29:03 | |
It was just painful. | 0:29:03 | 0:29:05 | |
Oh! | 0:29:05 | 0:29:06 | |
So, on their final trip together, Philip and Catherine | 0:29:06 | 0:29:09 | |
are both desperate to take first place. | 0:29:09 | 0:29:13 | |
You will not blow all your money. | 0:29:13 | 0:29:15 | |
-There is absolutely no way you would blow all your money. -I might do. I might do. I might do. | 0:29:15 | 0:29:20 | |
I know you very well, and there's no way. | 0:29:20 | 0:29:22 | |
Philip's strategy has been to buy the daft and the different, | 0:29:22 | 0:29:26 | |
and for the most part, it's worked a treat, | 0:29:26 | 0:29:29 | |
transforming his original £200 into a rather tasty £455.22. | 0:29:29 | 0:29:34 | |
-You're getting competitive, aren't you? -Me, competitive? | 0:29:35 | 0:29:39 | |
I couldn't spell it. Is that with a K or a C? | 0:29:39 | 0:29:42 | |
Catherine, on the other hand, has been having a terrible time of things. | 0:29:42 | 0:29:45 | |
As well as struggling at auction... | 0:29:45 | 0:29:47 | |
That's a joke. That IS a joke. | 0:29:47 | 0:29:51 | |
..she's languishing far behind her competitor, | 0:29:51 | 0:29:54 | |
with just £251.44 to her name. | 0:29:54 | 0:29:58 | |
But one final auction could change everything. | 0:29:59 | 0:30:02 | |
Come on then, Catherine, what's the plan? | 0:30:03 | 0:30:05 | |
Tell me what your plan is, spill the beans. | 0:30:05 | 0:30:08 | |
-Do you really think that I would tell you my plan? -Yes. | 0:30:08 | 0:30:11 | |
-Because you love me. -No chance. | 0:30:11 | 0:30:14 | |
Catherine and Philip's road trip from Aboyne has meandered | 0:30:14 | 0:30:17 | |
through Scotland, skipped through the Lake District | 0:30:17 | 0:30:19 | |
and leapt into Leeds. | 0:30:19 | 0:30:21 | |
Today were headed to Skipton, in North Yorkshire, | 0:30:22 | 0:30:25 | |
with a final auction, and final destination, Liverpool. | 0:30:25 | 0:30:29 | |
Catherine's kicking off in Wash House Antiques, a small shop with big potential. | 0:30:31 | 0:30:36 | |
What a lovely shop. Add a fiver on, all right? Thank you. Ow! | 0:30:36 | 0:30:40 | |
-Go away. -Bad luck. | 0:30:40 | 0:30:43 | |
Hello, good morning. | 0:30:43 | 0:30:45 | |
-Hi, Samantha. -Hi, Samantha, how are you doing? | 0:30:45 | 0:30:49 | |
To finally outfox the silver fox, Catherine's got to play tough. | 0:30:49 | 0:30:53 | |
This is my last chance to beat Phil Serrell. | 0:30:55 | 0:30:59 | |
And Catherine's favourite tactic - go in incredibly low. | 0:30:59 | 0:31:04 | |
Could that be £10? | 0:31:04 | 0:31:08 | |
-Ooh, heck. -Ooh, heck. -That's quite a drop. | 0:31:08 | 0:31:13 | |
Very low, for a Georgian leather hatbox. Well done, Catherine. | 0:31:13 | 0:31:17 | |
Because it's the damaged on the top, that's going to put some people off. | 0:31:17 | 0:31:22 | |
-I think I probably could, at a push, let you have that for 10. -OK. | 0:31:22 | 0:31:27 | |
Can I think about that? | 0:31:27 | 0:31:29 | |
What would like to do is probably pick out a few items | 0:31:29 | 0:31:33 | |
and then sort of put them together and we can see what we can do. | 0:31:33 | 0:31:36 | |
Meanwhile, Philip's enjoying the fabulous combo that is | 0:31:36 | 0:31:40 | |
a classic car and summer in West Yorkshire. | 0:31:40 | 0:31:43 | |
Absolutely soaked. | 0:31:44 | 0:31:46 | |
It leaks like a sieve, | 0:31:46 | 0:31:48 | |
and it's diverting everything like a drain pipe into my lap. | 0:31:48 | 0:31:52 | |
Either that or I've got a problem I hadn't realised. | 0:31:53 | 0:31:56 | |
Shouldn't have had that second cup of tea! | 0:31:56 | 0:31:59 | |
However, in nearby Cullingworth, Philip finds the enormous Antiques At The Mill, | 0:32:00 | 0:32:05 | |
to turn this shopping trickle into a flood. | 0:32:05 | 0:32:07 | |
Blimey! Is it Paul? How many items of antiques have you got in here? | 0:32:07 | 0:32:13 | |
-Oh, I dread to think. -Thousands. -On this floor, I don't know, maybe 600. | 0:32:13 | 0:32:20 | |
-This is a place where I can start looking. -Help yourself. | 0:32:20 | 0:32:24 | |
So, amongst the many, many objects here, | 0:32:24 | 0:32:28 | |
what's really tempting our Phil? | 0:32:28 | 0:32:30 | |
I've got a real weakness for chimney pots, you see. | 0:32:30 | 0:32:33 | |
What sort of bloke has a weakness for chimney pots? This bloke. | 0:32:33 | 0:32:36 | |
If you like that, you'll love this. | 0:32:36 | 0:32:40 | |
That is a mother of a chimney pot, isn't it? | 0:32:40 | 0:32:43 | |
I would think it's got to be Edwardian, it's got to be 100 years old. | 0:32:43 | 0:32:47 | |
That is a belter. | 0:32:47 | 0:32:48 | |
Whilst Philip smokes out some bargains, Catherine | 0:32:50 | 0:32:53 | |
puts her keen eye to some auction prospects. | 0:32:53 | 0:32:56 | |
-Next, it's field binoculars, priced at £15. -Nice leather case. | 0:32:56 | 0:33:01 | |
I'm hoping I find a little name around the piece | 0:33:01 | 0:33:04 | |
but there doesn't seem to be anything. | 0:33:04 | 0:33:06 | |
They're actually from Watson and Son, the Rolls-Royce | 0:33:06 | 0:33:09 | |
of binocular makers in their heyday, in the early 20th Century. | 0:33:09 | 0:33:13 | |
You could have them for £5. | 0:33:14 | 0:33:16 | |
I think at that they would stand a good chance. | 0:33:16 | 0:33:20 | |
I've got my hard head on today. | 0:33:20 | 0:33:23 | |
Because I've really got to be strict with myself. | 0:33:23 | 0:33:26 | |
I'm having kittens at the moment, I really am. | 0:33:26 | 0:33:28 | |
I'm probably doing the wrong thing, but there we are, | 0:33:28 | 0:33:31 | |
I'm going to give this a go, because I think it's got a great look. | 0:33:31 | 0:33:33 | |
Can this be eight? | 0:33:33 | 0:33:35 | |
And stay with the five for the binoculars. | 0:33:35 | 0:33:38 | |
I like this new, tough dealing Catherine Southon, | 0:33:38 | 0:33:41 | |
but can she make her mind up? | 0:33:41 | 0:33:43 | |
How about, the real bottom line, 12 for the two? | 0:33:43 | 0:33:47 | |
I think that's very kind. | 0:33:47 | 0:33:49 | |
There we are. £20. Wonderful. | 0:33:49 | 0:33:53 | |
-Isn't that a lovely shape? -Quite quirky. | 0:33:53 | 0:33:56 | |
-We like a bit of quirky on this programme. -Absolutely. | 0:33:56 | 0:34:01 | |
Although no-one really does quirky quite like this guy. | 0:34:01 | 0:34:04 | |
That is a mother of a chimney pot. | 0:34:05 | 0:34:09 | |
-The Long Tom. -The what? -The long Tom, made in Burmantofts in Leeds. | 0:34:09 | 0:34:13 | |
So that's a Bermantofts chimney pot? Is it stamped Bermantofts? | 0:34:13 | 0:34:16 | |
It probably won't be, no. They were mass manufacturing them, | 0:34:16 | 0:34:18 | |
so they weren't always stamped. | 0:34:18 | 0:34:20 | |
You can find them with stamps, but probably not. | 0:34:20 | 0:34:22 | |
-What's the price ticket on it? -£85. | 0:34:22 | 0:34:24 | |
Can we just get it out? And while you're | 0:34:24 | 0:34:26 | |
doing that, can I go and have a look, because you got some stone troughs in there, haven't you? | 0:34:26 | 0:34:30 | |
-Can have a look at those, as well? -Of course you can. | 0:34:30 | 0:34:33 | |
They are actually Yorkshire stone, but they are new. | 0:34:33 | 0:34:36 | |
When you say new, that's a million years old | 0:34:36 | 0:34:38 | |
-what you mean is... -They've been newly cut, | 0:34:38 | 0:34:41 | |
newly cut out to make a trough. | 0:34:41 | 0:34:43 | |
-This is a pump trough, isn't it? -It is. | 0:34:43 | 0:34:46 | |
You'd have gone into the rear yard of your house and you'd have had | 0:34:46 | 0:34:49 | |
your pump, wrought iron hand pump, that goes down to the well. | 0:34:49 | 0:34:52 | |
-And you pumped it, and it pumped water up into a stone pump trough. -Pump trough. | 0:34:52 | 0:34:57 | |
See, I'd like to buy the two, for, like, just under 100 quid. | 0:34:57 | 0:35:02 | |
I don't think you're taking my 16 children into consideration. | 0:35:02 | 0:35:06 | |
Well, that, Paul, is your problem, not mine! | 0:35:06 | 0:35:08 | |
What could you do the two for? | 0:35:08 | 0:35:11 | |
-If you can do £100, I think we can have a deal. -On the two? -On the two. | 0:35:11 | 0:35:15 | |
Catherine told me to spend money, I'm going to. | 0:35:15 | 0:35:18 | |
I just love them both so much. | 0:35:18 | 0:35:20 | |
Here you are, there's 20. | 0:35:20 | 0:35:22 | |
I'll just check. | 0:35:22 | 0:35:24 | |
Yorkshire stone to auction in Merseyside? I'm not sure Philip's thought that through. | 0:35:24 | 0:35:28 | |
# She'll be coming round the mountain when she comes | 0:35:30 | 0:35:33 | |
Whoo, whoo! | 0:35:33 | 0:35:35 | |
# She'll be coming round the mountain when she comes. # | 0:35:35 | 0:35:37 | |
Why are you slapping my thigh? | 0:35:37 | 0:35:39 | |
Less of that, thank you, and get yourselves off to Todmorden, | 0:35:39 | 0:35:43 | |
surrounded by the glorious Pennines. | 0:35:43 | 0:35:47 | |
-One minute, it's glorious sunshine. -It's really nice now. | 0:35:47 | 0:35:49 | |
Then it's pouring down with rain, it's just unreal. | 0:35:49 | 0:35:52 | |
Picture House Antiques can give Philip and Catherine | 0:35:52 | 0:35:55 | |
the next patch to fight over. | 0:35:55 | 0:35:57 | |
-Hold on, hold on! -No, no, I wouldn't ever | 0:35:57 | 0:36:00 | |
steal a march on you and rush ahead. | 0:36:00 | 0:36:02 | |
You are rushing ahead. Wait for me! Oi! Oi! | 0:36:02 | 0:36:05 | |
Well, the early bird gets the...sun? | 0:36:07 | 0:36:09 | |
I think this is really cool. | 0:36:10 | 0:36:12 | |
And the thing about it, I know Catherine teases me about | 0:36:14 | 0:36:17 | |
me turning everything into a table, | 0:36:17 | 0:36:20 | |
and I'm not going to turn this into a table. | 0:36:20 | 0:36:22 | |
But it's not always traditional antiques that make the money, | 0:36:22 | 0:36:25 | |
so you've got to think out of the box a little bit. | 0:36:25 | 0:36:28 | |
For me, that is really out of the box. I think it's cool. | 0:36:28 | 0:36:31 | |
I'm going to try and buy it for 15 or 20 quid. | 0:36:31 | 0:36:35 | |
I love that, I really love that. | 0:36:35 | 0:36:38 | |
Just one problem, the ticket price is £34. | 0:36:38 | 0:36:41 | |
Let's hope Tim, here, is in a giving mood. Great name. | 0:36:41 | 0:36:45 | |
I'd like to buy it, in an ideal world, at 15 quid. | 0:36:45 | 0:36:48 | |
I think you'll have to be a little bit up from that. | 0:36:48 | 0:36:51 | |
I think the guy who owns it, I think he'd take about 25 for it. | 0:36:51 | 0:36:58 | |
-I'm not arguing over a fiver, go on. -Really? You're a gentleman. | 0:36:58 | 0:37:02 | |
Thank you. Let me put that there. | 0:37:02 | 0:37:05 | |
Clearly, Phil's off to a great start, | 0:37:05 | 0:37:06 | |
and Catherine's got her eye on something, too. | 0:37:06 | 0:37:08 | |
I said that I didn't like Tunbridge ware, | 0:37:08 | 0:37:11 | |
when old Serrell produced his at the sale yesterday, but that is | 0:37:11 | 0:37:15 | |
a far superior piece in my eyes, and it's a thermometer, | 0:37:15 | 0:37:19 | |
which has been set onto this. | 0:37:19 | 0:37:21 | |
These little geometric shapes, the inlay, is really pretty. | 0:37:21 | 0:37:25 | |
Let's just have a look at the price. | 0:37:25 | 0:37:27 | |
150. | 0:37:27 | 0:37:29 | |
I don't think I'm going to go anywhere near there, | 0:37:29 | 0:37:32 | |
so I shall pop it down. | 0:37:32 | 0:37:34 | |
And when Catherine makes up her mind, nothing can change it. | 0:37:34 | 0:37:37 | |
-Tim. -Yes. -Hiya. | 0:37:37 | 0:37:39 | |
Your Tunbridge ware, what could you do on that one? | 0:37:39 | 0:37:44 | |
-How does 125 sound? -Honestly, that sounds too high. -Does it? | 0:37:44 | 0:37:49 | |
-Next move. -I've got someone who wants to talk to you about the Tunbridge ware. | 0:37:49 | 0:37:53 | |
Catherine's got a price in mind, but can she stick to it? | 0:37:53 | 0:37:57 | |
Can we say 60? | 0:37:57 | 0:37:59 | |
I prefer 60. | 0:37:59 | 0:38:01 | |
I'm on my hands and knees, I'm on my knees here. Yeah? | 0:38:01 | 0:38:06 | |
Are you happy with that? OK. Thank you very much. | 0:38:06 | 0:38:11 | |
So, 60 it is. Now, can Philip back another quirky winner? | 0:38:11 | 0:38:14 | |
-What's that thing up there? -The horse's head? | 0:38:16 | 0:38:19 | |
It's an interesting thing, that, it's off a fairground. | 0:38:19 | 0:38:23 | |
It's original. | 0:38:23 | 0:38:24 | |
What does that say? | 0:38:24 | 0:38:28 | |
"Sonny Bright Eyes." Must be the name of the ride. | 0:38:28 | 0:38:30 | |
Oh, my life! | 0:38:30 | 0:38:31 | |
Do you know the first thing that worries me about that, | 0:38:35 | 0:38:38 | |
you see so much of this cast-iron stuff that is restored. | 0:38:38 | 0:38:42 | |
You bury this for 12 months | 0:38:42 | 0:38:43 | |
and no-one's ever going to know the difference. | 0:38:43 | 0:38:46 | |
All the screws and nuts and bolts are going to rust together. | 0:38:46 | 0:38:49 | |
-You know, it just bothers me that it's repro. -Is not repro, that. | 0:38:50 | 0:38:53 | |
The source it came from, it's not repro. | 0:38:53 | 0:38:56 | |
-What's the very best you can do that for? -£70. | 0:38:56 | 0:38:59 | |
-How much? -£70. | 0:38:59 | 0:39:03 | |
I think that's too much of a gamble for me. | 0:39:04 | 0:39:06 | |
Only one way to settle this, phone the dealer. | 0:39:06 | 0:39:09 | |
What's the death on this horse's head, absolute death. | 0:39:09 | 0:39:13 | |
-I've got a poor auctioneer here. -Really poor, mega poor. | 0:39:13 | 0:39:16 | |
'50 dabs, and it's cheap at that.' | 0:39:16 | 0:39:18 | |
-50 quid, 50 dabs, he says. -45 dabs. | 0:39:18 | 0:39:22 | |
-Can you not split it with him? -£47.50? -£47.50. | 0:39:22 | 0:39:26 | |
It'll make the numbers interesting, go on, 47.50. | 0:39:26 | 0:39:29 | |
-You got a deal there. -Thank you. | 0:39:29 | 0:39:32 | |
I hope I get past the winning post with this. See you later. Cheers. | 0:39:32 | 0:39:36 | |
Well, the bidders will decide soon enough. | 0:39:37 | 0:39:39 | |
But right now, that's us done for the day. | 0:39:39 | 0:39:41 | |
Do you know what I think about this little car? | 0:39:41 | 0:39:44 | |
I'm not convinced it's going to last. | 0:39:44 | 0:39:46 | |
When you drive it, bits fall off. | 0:39:46 | 0:39:48 | |
-What, me, or the car? -Yeah, both of you, actually! | 0:39:48 | 0:39:52 | |
On this, their final shopping day, our experts are determined, | 0:39:55 | 0:39:59 | |
if a little sad. | 0:39:59 | 0:40:01 | |
So, this is it, Batman, this is the last shop of the entire trip. | 0:40:01 | 0:40:05 | |
-I'm quite sad, really. -You are. | 0:40:05 | 0:40:08 | |
So far, Philip has just spent under £170 on four auction lots | 0:40:08 | 0:40:13 | |
and still has £287 hiding in the darkest recesses of his wallet. | 0:40:13 | 0:40:18 | |
I've absolutely loved this trip, it's been wonderful. | 0:40:18 | 0:40:22 | |
It's been enormous fun. And sharing it with you. | 0:40:22 | 0:40:25 | |
Ah, thanks, honey, same with you. | 0:40:25 | 0:40:26 | |
Catherine has parted with £72 for three auction lots | 0:40:26 | 0:40:30 | |
and has another £180 at her disposal. | 0:40:30 | 0:40:34 | |
Today, you know, I'm going to buy something that is going to blow you away. | 0:40:34 | 0:40:38 | |
-Do you know, I've heard this before somewhere. -So have I! | 0:40:38 | 0:40:42 | |
-Like, every day I've heard this, every day. -Oh, Philip! | 0:40:42 | 0:40:46 | |
Today's first stop is handsome Ramsbottom, | 0:40:48 | 0:40:50 | |
famous for its black pudding throwing contests. | 0:40:50 | 0:40:54 | |
This is it. I'm going to surprise you. | 0:40:54 | 0:40:57 | |
This is the Southon revenge, is it? | 0:40:57 | 0:40:59 | |
I'm going to open a bag of surprises. | 0:40:59 | 0:41:01 | |
-Oh, my God... -Ooh! | 0:41:01 | 0:41:04 | |
-That's never happened before. -You are rubbish! | 0:41:04 | 0:41:06 | |
The local antique centre is our next destination, where, | 0:41:06 | 0:41:10 | |
once again, there are several floors and multiple dealers. | 0:41:10 | 0:41:14 | |
I think there's going to be lots of treats in here. | 0:41:14 | 0:41:17 | |
-The end of Philip Serrell as we know it. -As we know it. | 0:41:17 | 0:41:20 | |
-Good morning, hello. -Morning. Is it all right if I have a look around? -Certainly. | 0:41:20 | 0:41:24 | |
Thank you. | 0:41:24 | 0:41:26 | |
But Catherine's eye is drawn to the small, twinkly items in the cabinet. | 0:41:26 | 0:41:30 | |
I quite like this necklace. | 0:41:31 | 0:41:33 | |
I never, ever, ever, ever go for jewellery, | 0:41:33 | 0:41:36 | |
but you've got some beautiful pieces. | 0:41:36 | 0:41:38 | |
The sparkling stone in this necklace is marcasite, | 0:41:38 | 0:41:41 | |
a mineral that's been used in jewellery since the days | 0:41:41 | 0:41:46 | |
of the ancient Greeks, | 0:41:46 | 0:41:47 | |
and it was also very popular with the Victorians, | 0:41:47 | 0:41:49 | |
but can Gina give Catherine the price she really wants? | 0:41:49 | 0:41:52 | |
Put it on, let's see what it looks like. | 0:41:52 | 0:41:55 | |
Sometimes when I sell on eBay, I put the piece on my neck, | 0:41:55 | 0:41:58 | |
and then take a photograph in the mirror, and you get the reflection. | 0:41:58 | 0:42:01 | |
How much could you do that for? | 0:42:01 | 0:42:02 | |
I'll do that for £35 for you. | 0:42:02 | 0:42:07 | |
Could you come a lot lower on that, though? Because I'm going to be selling it at auction. | 0:42:07 | 0:42:11 | |
-I'm looking at 20, really. -Really? | 0:42:11 | 0:42:13 | |
My goodness, she's persistent. | 0:42:13 | 0:42:16 | |
I'll do 25, but that would be my best. | 0:42:16 | 0:42:19 | |
Could you do 20 for me? | 0:42:19 | 0:42:21 | |
-Yes, go on, I will. -Will you, are you happy at that? | 0:42:21 | 0:42:24 | |
-I'll do that for you. -20. -Thank you. | 0:42:24 | 0:42:26 | |
While Catherine continues to browse for victory, | 0:42:26 | 0:42:30 | |
Philip's already on the road. | 0:42:30 | 0:42:32 | |
His next stop is Bolton, on the high street, | 0:42:32 | 0:42:35 | |
and, no, he's not shopping, he's going to the pub, again. | 0:42:35 | 0:42:39 | |
Ye Olde Man & Scythe is one of the oldest pubs in Britain | 0:42:39 | 0:42:43 | |
and it also has one very colourful history. | 0:42:43 | 0:42:46 | |
Hi, what can I do for you? | 0:42:46 | 0:42:47 | |
Well, you're not the scythe. You must be old man. | 0:42:47 | 0:42:51 | |
-I am the old man, that's right. -I'm Philip, how you doing? | 0:42:51 | 0:42:54 | |
I'm very well, I'm John. | 0:42:54 | 0:42:55 | |
Not far from here, the Bolton Massacre took place. | 0:42:55 | 0:42:59 | |
A bloody episode of the English Civil War, where, | 0:42:59 | 0:43:03 | |
in a battle of Parliamentarians versus Royalists, | 0:43:03 | 0:43:05 | |
1,500 people were killed. | 0:43:05 | 0:43:08 | |
-It's a proper boozer, isn't it? -Absolutely. | 0:43:09 | 0:43:11 | |
Must've seen some real activity out there, I don't know, | 0:43:11 | 0:43:14 | |
from rampaging Royalists to marauding pop groups, hasn't it? | 0:43:14 | 0:43:17 | |
-That's right, we've had both. -Really? -Oh, yes. | 0:43:17 | 0:43:20 | |
And I can even show you some of the evidence of it, as well. | 0:43:20 | 0:43:23 | |
-Where's that? -It's all in my museum room here. -Is that it? -Yes. | 0:43:23 | 0:43:26 | |
-Go on, lead on. -Right, on we go. | 0:43:26 | 0:43:28 | |
More than 400 years after this pub's first pint was poured, | 0:43:29 | 0:43:34 | |
the owner, the Earl of Derby, led the Royalists' charge against | 0:43:34 | 0:43:38 | |
the Parliamentarians, but needless to say, it didn't go very well. | 0:43:38 | 0:43:43 | |
So, we had our massacre outside the front door | 0:43:43 | 0:43:46 | |
and then, bizarrely, seven years later, | 0:43:46 | 0:43:49 | |
Derby is executed outside the front door, and before he's executed... | 0:43:49 | 0:43:53 | |
-He spent the last couple of hours in the pub. -On this chair. | 0:43:53 | 0:43:57 | |
So who actually said that Derby sat in this chair? | 0:43:57 | 0:44:00 | |
A guy called Tom Donovan, who was the licensee here in the early 1800s. | 0:44:00 | 0:44:05 | |
What he wanted to do was improve the trade in the pub by attracting | 0:44:05 | 0:44:09 | |
tourists in. | 0:44:09 | 0:44:11 | |
So he found the chair, | 0:44:11 | 0:44:13 | |
and he put the brass label on it, that you can see there, | 0:44:13 | 0:44:16 | |
and says that Derby sat on it. | 0:44:16 | 0:44:17 | |
So the probability is that that's a complete and utter load of bunkum. | 0:44:17 | 0:44:21 | |
-Correct. -Fantastic. | 0:44:21 | 0:44:23 | |
Now, I got to tell you, this is a bit like me, | 0:44:23 | 0:44:28 | |
it's seen better days, because it's got a new splice on the back leg, | 0:44:28 | 0:44:32 | |
a new splice on the front leg | 0:44:32 | 0:44:34 | |
and a new splice on front leg there. | 0:44:34 | 0:44:36 | |
It reminds me very much of me granddad's broom. | 0:44:36 | 0:44:39 | |
It's had 14 new heads and 15 new handles. | 0:44:39 | 0:44:42 | |
Why is it all so battered? | 0:44:42 | 0:44:43 | |
Actually, I can answer that question. | 0:44:43 | 0:44:46 | |
It all kicked off in 1964, and it involves rock legend The Who. | 0:44:46 | 0:44:51 | |
-THE Who? -Yes. -What, Daltrey, Townsend and Moon the loon? | 0:44:51 | 0:44:54 | |
That's right. | 0:44:54 | 0:44:55 | |
One of them climbed up on the wall to sit on it, but because it | 0:44:55 | 0:44:58 | |
was hung against the wall like that, that back leg broke off completely. | 0:44:58 | 0:45:02 | |
So, that chair has actually seen... It's been through the mill, hasn't it? | 0:45:02 | 0:45:05 | |
Oh, yes. | 0:45:05 | 0:45:07 | |
But even so, this famous chair, in this famous pub, | 0:45:07 | 0:45:10 | |
is still pulling in the punters. | 0:45:10 | 0:45:13 | |
And in keeping with more than 800 years of tradition, | 0:45:13 | 0:45:15 | |
Phil is finishing this tour with a cheeky glass of beer. | 0:45:15 | 0:45:19 | |
John, that's really lovely. | 0:45:19 | 0:45:21 | |
But if I stop here any longer, | 0:45:21 | 0:45:22 | |
I'm going to get completely caned | 0:45:22 | 0:45:23 | |
with all this. | 0:45:23 | 0:45:25 | |
Lovely to meet you. | 0:45:25 | 0:45:26 | |
If ever I come here again, this will be the first port of call. | 0:45:26 | 0:45:29 | |
You take care, God bless, goodbye. | 0:45:29 | 0:45:31 | |
Back in Ramsbottom, Catherine set her sights on this, | 0:45:31 | 0:45:35 | |
a tortoiseshell ring box, circa 1919, | 0:45:35 | 0:45:38 | |
with a rather lovely silver inlay. | 0:45:38 | 0:45:41 | |
Not everyone's cup of tea, but perfectly legal, | 0:45:41 | 0:45:44 | |
since it was made pre-1947. | 0:45:44 | 0:45:47 | |
What's the lowest you could go on that? | 0:45:47 | 0:45:50 | |
I would go to £50 for it. | 0:45:50 | 0:45:52 | |
-Could you go lower than that, because of the scratches? -I can't, really. | 0:45:52 | 0:45:56 | |
I'm worried about the scratching and I'm worried about that | 0:45:56 | 0:45:59 | |
because it's going to put people off. | 0:45:59 | 0:46:01 | |
-It's a shame because it's beautiful. -It is, yes. | 0:46:03 | 0:46:05 | |
Can we say 30? | 0:46:05 | 0:46:07 | |
Yes, because I want you to win. | 0:46:10 | 0:46:11 | |
-Ah, you're my best friend! -That's OK. | 0:46:11 | 0:46:15 | |
And as Catherine seals the deal with her latest best friend, | 0:46:15 | 0:46:19 | |
she's feeling quietly confident about that final auction. | 0:46:19 | 0:46:22 | |
I actually think I've bought really well. | 0:46:22 | 0:46:25 | |
All my items of the last day or so, I think I've bought really well. | 0:46:25 | 0:46:30 | |
I'm happy with everything and I'm confident, for the first time, | 0:46:30 | 0:46:34 | |
that every single item is going to make a profit. | 0:46:34 | 0:46:37 | |
You heard it here first. | 0:46:38 | 0:46:40 | |
For one last time, | 0:46:41 | 0:46:42 | |
Catherine and dear old Philip must take themselves to auction. | 0:46:42 | 0:46:46 | |
Philip stopped short of blowing the lot, | 0:46:48 | 0:46:50 | |
but did spend £167.50 on four auction lots. | 0:46:50 | 0:46:54 | |
The Yorkshire stone trough. | 0:46:54 | 0:46:57 | |
The Long Tom chimney pot - why not? | 0:46:57 | 0:47:00 | |
The vintage deck chair. | 0:47:00 | 0:47:01 | |
And the iron fairground horse head. No comment. | 0:47:01 | 0:47:04 | |
Catherine got tough and got stuck in, spending £122 on five lots. | 0:47:07 | 0:47:11 | |
The Georgian hatbox. | 0:47:11 | 0:47:13 | |
The field binoculars. | 0:47:13 | 0:47:15 | |
The Tunbridge ware desk thermometer. | 0:47:15 | 0:47:18 | |
The marcasite necklace. | 0:47:18 | 0:47:20 | |
And the silver jewellery box. | 0:47:20 | 0:47:21 | |
-Ah, you're my best friend! -That's OK. | 0:47:21 | 0:47:26 | |
After starting off in Skipton, Philip and Catherine end this, | 0:47:26 | 0:47:30 | |
their final leg, in the glorious city of Liverpool. | 0:47:30 | 0:47:34 | |
-Do you know, you're my Liver Bird. -Am I? | 0:47:34 | 0:47:36 | |
THEY HUM THE LIVER BIRDS THEME TUNE | 0:47:36 | 0:47:38 | |
So, today is my day, Philip. | 0:47:44 | 0:47:47 | |
Today is the day that I make £200 profit and catch you out. | 0:47:47 | 0:47:50 | |
-What about me Long Tom? -You what? -I don't say that to many girls. | 0:47:50 | 0:47:54 | |
-Me Long Tom. -What was your Long Tom? -The big chimney pot. | 0:47:54 | 0:47:58 | |
-Oh, that thing! -What do you mean, "Oh, that thing"? | 0:47:58 | 0:48:00 | |
Our final auction of the week takes place at Cato Crane, | 0:48:00 | 0:48:04 | |
though before auctioneer John Crane gets things under way, | 0:48:04 | 0:48:07 | |
what does he really think about our experts' choices? | 0:48:07 | 0:48:10 | |
I think it's a very interesting little collection of stuff, actually. | 0:48:10 | 0:48:13 | |
They've bought really nicely. | 0:48:13 | 0:48:14 | |
The trough worries me a little bit. | 0:48:14 | 0:48:16 | |
It wouldn't really fit into gardens here, | 0:48:16 | 0:48:18 | |
because it's Yorkshire stone. | 0:48:18 | 0:48:21 | |
The hatbox, who wants a Georgian hatbox? | 0:48:21 | 0:48:23 | |
The chimney pot is a great thing. It's tall, it's got presence. | 0:48:23 | 0:48:26 | |
Perhaps of all the things, that's the thing I would probably go for. | 0:48:26 | 0:48:30 | |
Time to find out who out of this duo will take first place. | 0:48:30 | 0:48:34 | |
We've now got three members of our team. | 0:48:35 | 0:48:39 | |
Vera is with me, two against one. | 0:48:39 | 0:48:42 | |
As long as you divide your profit by two, I don't mind. | 0:48:42 | 0:48:45 | |
Welcome aboard, Vera. | 0:48:45 | 0:48:47 | |
Now, let the auction begin. | 0:48:47 | 0:48:50 | |
First up, it's Catherine's leather hatbox. | 0:48:50 | 0:48:53 | |
Probably a military one, a nice object, ladies and gentlemen. | 0:48:53 | 0:48:56 | |
50. 30, if you like. Any bid at all? | 0:48:56 | 0:49:00 | |
-Oh, come on. -I know you could have a special use for it. | 0:49:00 | 0:49:03 | |
Nobody whatsoever. | 0:49:03 | 0:49:05 | |
-No! -30 is bid. | 0:49:05 | 0:49:07 | |
35, 40 with you, Trevor, please. | 0:49:07 | 0:49:11 | |
40 with you, is bid. | 0:49:11 | 0:49:12 | |
I've got a bid of 40 here, and I'm going to sell it. | 0:49:12 | 0:49:15 | |
Despite the lack of bidders, that's a good start. | 0:49:17 | 0:49:20 | |
Catherine is £30 up before commission. | 0:49:20 | 0:49:22 | |
£22 profit, isn't it? | 0:49:22 | 0:49:24 | |
And she said it's not worth it. | 0:49:24 | 0:49:26 | |
-It isn't. -I'm with you. Rubbish, isn't it? | 0:49:26 | 0:49:28 | |
You ever thought of going on television, my love. Have you? | 0:49:28 | 0:49:33 | |
Next, it's Philip's Yorkshire stone pump trough, | 0:49:33 | 0:49:37 | |
but will it excite the bidders of Liverpool? | 0:49:37 | 0:49:40 | |
-Silly item. -30 is bid. | 0:49:40 | 0:49:42 | |
35 is bid. 35, you're in. | 0:49:42 | 0:49:45 | |
I've got 40 here, 45. | 0:49:45 | 0:49:46 | |
45, is 50 with me, commission bid. | 0:49:46 | 0:49:49 | |
50, 55, come on, one more. 55, 60. | 0:49:49 | 0:49:52 | |
65 with you. 65, got to be that. | 0:49:52 | 0:49:55 | |
65, £65. | 0:49:55 | 0:49:58 | |
£70 over there. I'm selling at 70. You want 75? | 0:49:58 | 0:50:01 | |
75. | 0:50:01 | 0:50:03 | |
Not bad, but perhaps it might have done better in, let's see, | 0:50:03 | 0:50:07 | |
Yorkshire? | 0:50:07 | 0:50:08 | |
-That's roughly just broken even. -You probably have. | 0:50:08 | 0:50:10 | |
Oh, well, on to Catherine's field binoculars, | 0:50:10 | 0:50:13 | |
bought for just £2. | 0:50:13 | 0:50:15 | |
Surely there's a profit in this. | 0:50:15 | 0:50:17 | |
Who'll give me 20? 10 if you like. | 0:50:17 | 0:50:19 | |
Just little lot. £10, ten is bid, 12, 14, | 0:50:19 | 0:50:23 | |
16, 16, 18 is bid. | 0:50:23 | 0:50:25 | |
20 now, 22. £22, I'm selling at £22. | 0:50:25 | 0:50:30 | |
-That will do me. -All done at £22. | 0:50:30 | 0:50:33 | |
That's £20 up before commission | 0:50:33 | 0:50:37 | |
but I'm afraid young Vera here is not impressed. | 0:50:37 | 0:50:39 | |
Watson and Sons is a very good optical maker. | 0:50:39 | 0:50:42 | |
This not as well-known as other makers, is it? | 0:50:42 | 0:50:45 | |
That's put you in your place, hasn't it? Well done, Vera, I like you. | 0:50:45 | 0:50:48 | |
You let her have it. | 0:50:48 | 0:50:49 | |
Well, beauty is in the eye of the beholder, | 0:50:51 | 0:50:53 | |
but even so, Philip's chimney pot is quite something. | 0:50:53 | 0:50:57 | |
On this basis, I shall be happy with 50 quid. | 0:50:57 | 0:51:00 | |
It might just make that, actually. | 0:51:00 | 0:51:03 | |
Really, really nice object, ladies and gentlemen. | 0:51:03 | 0:51:06 | |
-What's it going to make? £150 for it. -I hope it does. | 0:51:06 | 0:51:09 | |
I'll bid 60 here on a commission bid, 60. | 0:51:09 | 0:51:11 | |
What about 70? I've got 80, 90. | 0:51:11 | 0:51:14 | |
Well done. | 0:51:14 | 0:51:16 | |
85, if you like. OK, I've got 80 here. | 0:51:16 | 0:51:19 | |
£90, I'm going to sell now. | 0:51:19 | 0:51:21 | |
-Get excited, Philip. -I don't do excited. | 0:51:21 | 0:51:22 | |
-Sold, thank you. -Wow, look at that! One smoking pot. | 0:51:22 | 0:51:27 | |
-90. -So £90 is... -A good profit. | 0:51:27 | 0:51:33 | |
It's about buying the right thing for the right auction. | 0:51:33 | 0:51:36 | |
-That's what I think. Don't you think? -OK. | 0:51:36 | 0:51:38 | |
Let's hope Catherine has done just that | 0:51:38 | 0:51:40 | |
with her tortoiseshell and silver jewellery box. | 0:51:40 | 0:51:43 | |
There is good news, we have a phone bidder. | 0:51:43 | 0:51:46 | |
Fully hallmarked. 70, 5. | 0:51:46 | 0:51:49 | |
Yes? 75 is bid. 80, madam. 90. And 5, sir, all right with you? | 0:51:49 | 0:51:53 | |
95, 100 on the phone. 105, 110. £110 now. | 0:51:53 | 0:52:00 | |
110 it was, on the phone. Any further bid, for the last time now. | 0:52:00 | 0:52:04 | |
Ooh, another bid. | 0:52:04 | 0:52:06 | |
I'll go back to the gentleman over here. | 0:52:06 | 0:52:08 | |
130 is bid. Another bidder, standing here. | 0:52:08 | 0:52:10 | |
130 here, for the very, very last time. £130. Your bid. | 0:52:10 | 0:52:16 | |
All done? | 0:52:16 | 0:52:17 | |
-Sold, thank you. -My goodness! | 0:52:18 | 0:52:21 | |
All of Catherine's Christmases have come at once. | 0:52:21 | 0:52:23 | |
Watch out, Philip, it's game on. | 0:52:23 | 0:52:25 | |
Well done, my love. | 0:52:25 | 0:52:27 | |
130, that's £100 more than I paid for it. | 0:52:27 | 0:52:32 | |
Continuing Philip's al fresco theme, | 0:52:32 | 0:52:36 | |
next it's his vintage deckchair complete with canopy and stool. | 0:52:36 | 0:52:38 | |
We just need a bit of sunshine. | 0:52:38 | 0:52:40 | |
-Yes. Lots of sunshine. -That's what we'll get out of this. | 0:52:40 | 0:52:43 | |
40, 45 is bid, 50, 50 is bid. | 0:52:43 | 0:52:47 | |
I'm selling at £50, it's a nice thing. | 0:52:47 | 0:52:50 | |
I told you 50, didn't I? | 0:52:50 | 0:52:51 | |
You're a better judge than me. | 0:52:51 | 0:52:52 | |
All done at £50, now. Come on. | 0:52:52 | 0:52:55 | |
Something tells me it's going to sell for 50. | 0:52:55 | 0:52:58 | |
At 50, all done at £50 now. | 0:52:58 | 0:53:01 | |
Not bad, Philip, but so far this is definitely Catherine's auction. | 0:53:01 | 0:53:05 | |
Let's see if she can come up trumps with her Tunbridge ware thermometer. | 0:53:07 | 0:53:10 | |
-It is in good condition. -I haven't said a word. | 0:53:10 | 0:53:13 | |
I'll take £40 is bid, 40 is bid here. | 0:53:13 | 0:53:15 | |
-45, 55. -It's on the telephone. | 0:53:15 | 0:53:19 | |
-But I need it to go a lot higher. -60 in the room now. | 0:53:19 | 0:53:22 | |
65. 65, have to hurry you, 65 is bid. | 0:53:22 | 0:53:27 | |
70, 70 is bid now, 75. | 0:53:27 | 0:53:29 | |
Are you going to bid at 85, sir? Yes, £85. | 0:53:29 | 0:53:33 | |
95. | 0:53:33 | 0:53:35 | |
Not quite the runaway profit Catherine was hoping for | 0:53:35 | 0:53:39 | |
but a healthy margin nonetheless. | 0:53:39 | 0:53:41 | |
If I was you, I'd sort of feel that was a bit cheap. | 0:53:41 | 0:53:44 | |
Yes, it was cheap. | 0:53:44 | 0:53:45 | |
Philip's last auction lot is the one he's pinning all his hopes on. | 0:53:45 | 0:53:49 | |
So, for this fairground horse's head, he's looking for up to £200. | 0:53:49 | 0:53:54 | |
-It's a good thing for the garden. -I hope so. | 0:53:54 | 0:53:57 | |
I've got 45 is bid now, 45, 50. 50 is bid. | 0:53:57 | 0:54:01 | |
60, if you like. | 0:54:01 | 0:54:03 | |
60, 65 anyone? £60 is bid. | 0:54:03 | 0:54:06 | |
-All done at 65. -Not sounding good. | 0:54:06 | 0:54:10 | |
Oh, dear, Philip's dream of a big profit | 0:54:10 | 0:54:12 | |
has fallen at the last hurdle. | 0:54:12 | 0:54:14 | |
-What do you reckon, Vera? -A fair price. -22. | 0:54:14 | 0:54:18 | |
A fair price. | 0:54:18 | 0:54:19 | |
So far, Katherine's auction curse is lifted, and then some. | 0:54:19 | 0:54:24 | |
Now it all comes down to this, her Art Nouveau marcasite necklace. | 0:54:24 | 0:54:27 | |
Look at it, it's beautiful. | 0:54:27 | 0:54:29 | |
What do we say, £10 for it, 10, 12, 12 over there. | 0:54:29 | 0:54:33 | |
14, 16, 16 is bid over there. Thank you. | 0:54:33 | 0:54:37 | |
18, £18. 20, make it 22, and I'll sell. 22. | 0:54:37 | 0:54:42 | |
It's a good price for marcasite. | 0:54:42 | 0:54:44 | |
I think it's a world record price for marcasite, isn't it? | 0:54:44 | 0:54:46 | |
All done at 22. | 0:54:46 | 0:54:48 | |
Oh, dear, it seems the bidders of Liverpool | 0:54:49 | 0:54:52 | |
aren't great wearers of marcasite. | 0:54:52 | 0:54:55 | |
-Didn't have a name, you see. -No, I'll give it a name, Vera. | 0:54:55 | 0:54:58 | |
Catherine started this leg with £251.44 | 0:55:00 | 0:55:05 | |
and made a fabulous profit of £131.38. | 0:55:05 | 0:55:08 | |
So, she ends on £382.82. | 0:55:08 | 0:55:12 | |
However, that silver fox took his £455.22, | 0:55:16 | 0:55:21 | |
made a modest profit of £62.10 | 0:55:21 | 0:55:24 | |
and ended up with a grand total of £517.32. | 0:55:24 | 0:55:29 | |
Big Phil Serrell is the winner. | 0:55:29 | 0:55:31 | |
What a trip it's been! | 0:55:33 | 0:55:35 | |
# Cuddle up a little closer | 0:55:35 | 0:55:38 | |
# Love in mind... # | 0:55:38 | 0:55:42 | |
-From Philip's love of the daft and the different... -Have you got bunions? | 0:55:44 | 0:55:48 | |
I thought it was for doing unmentionable things to sheep or cattle. | 0:55:48 | 0:55:51 | |
..to Catherine's desire to hug everyone she meets... | 0:55:51 | 0:55:55 | |
So lovely. She's so lovely. | 0:55:55 | 0:55:58 | |
I felt the nod there. | 0:55:58 | 0:56:00 | |
..this was a road trip filled with bad driving... | 0:56:00 | 0:56:03 | |
How do you get it into first gear? | 0:56:03 | 0:56:04 | |
SHE LAUGHS | 0:56:05 | 0:56:08 | |
..and plenty of friendship. | 0:56:08 | 0:56:10 | |
-And you're sharing it with me. -I know, the love of my life. | 0:56:10 | 0:56:13 | |
-But our story ends here. -Didn't we say the winner buys dinner? | 0:56:15 | 0:56:19 | |
The winner of this auction buys dinner? No, loser buys dinner, that's you. | 0:56:19 | 0:56:24 | |
How about loser phones a tow truck? | 0:56:24 | 0:56:26 | |
Tatty bye. | 0:56:26 | 0:56:28 | |
-Your rubbish. See, I told you. Do you want me to drive? -No. | 0:56:28 | 0:56:32 | |
Subtitles by Red Bee Media Ltd | 0:56:46 | 0:56:49 |