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The nation's favourite antiques experts, £200 each | 0:00:02 | 0:00:04 | |
and one big challenge... | 0:00:04 | 0:00:06 | |
I'm going to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying | 0:00:09 | 0:00:10 | |
and selling antiques as they scour the UK? | 0:00:10 | 0:00:13 | |
-Can you make it...? -No. | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:15 | 0:00:18 | |
-Ouch! -But it's not as easy as you might think | 0:00:18 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
BOTH: We're doomed! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Our two experts this week | 0:00:35 | 0:00:36 | |
are auctioneers Thomas Plant and Paul Laidlaw. | 0:00:36 | 0:00:40 | |
Thomas is a returnee Road Tripper. | 0:00:40 | 0:00:43 | |
He's done it all before. | 0:00:43 | 0:00:45 | |
I just want to know what sells well at your auction house. | 0:00:45 | 0:00:49 | |
But this is Paul's first Road Trip. | 0:00:49 | 0:00:52 | |
However, this passionate auctioneer, trader and collector runs a fine | 0:00:52 | 0:00:55 | |
auction house in Carlisle. | 0:00:55 | 0:00:58 | |
How does it cope with being a Scot when you're in the heart of England? | 0:00:58 | 0:01:02 | |
I feel very much... | 0:01:03 | 0:01:05 | |
-a missionary zeal... -Really? | 0:01:05 | 0:01:09 | |
..to bring civilisation to... | 0:01:09 | 0:01:12 | |
So we've got an educator, an entertainer | 0:01:12 | 0:01:14 | |
and a superb 1974 Alfa Romeo Spider. | 0:01:14 | 0:01:17 | |
-You're talking pants. -You're right, you're right. | 0:01:19 | 0:01:22 | |
Our boys will cruise from Skipton, | 0:01:24 | 0:01:27 | |
over the Derbyshire hills | 0:01:27 | 0:01:28 | |
and on to Cambridgeshire before heading south, | 0:01:28 | 0:01:31 | |
ending their trip in Pewsey, Wiltshire. | 0:01:31 | 0:01:33 | |
On this leg, we're rolling into Skipton | 0:01:35 | 0:01:38 | |
and heading for an auction in Sheffield. | 0:01:38 | 0:01:41 | |
The Skipton Antiques Centre awaits our boys. | 0:01:42 | 0:01:46 | |
Thomas, I don't know if you can answer this question. | 0:01:46 | 0:01:48 | |
Virgin to this game, this particular show. | 0:01:48 | 0:01:51 | |
First time. Look in the mirror, look in the mirror! | 0:01:51 | 0:01:54 | |
If I blow my budget in this venue, | 0:01:54 | 0:01:59 | |
what do I do tomorrow? | 0:01:59 | 0:02:01 | |
-Is that within the rules? -You can do whatever you want. It's up to you. | 0:02:01 | 0:02:05 | |
-Let's do it. Yeah? -Yeah. | 0:02:05 | 0:02:06 | |
A place like this has a shop caretaker, | 0:02:06 | 0:02:10 | |
but the actual antique owners are not on site. | 0:02:10 | 0:02:13 | |
Shame, really, as there's less of a chance to do some good deals. | 0:02:13 | 0:02:17 | |
So, looking to get ahead, Thomas is ringing the Sheffield Auction House. | 0:02:17 | 0:02:22 | |
I've been given a tip off, the dealer is here for this pitch, | 0:02:22 | 0:02:26 | |
so I can look at this. | 0:02:26 | 0:02:28 | |
Antique boot pull - £11. | 0:02:34 | 0:02:37 | |
And of course, if you had a rather big breakfast, | 0:02:37 | 0:02:40 | |
kedgeree and the like, a kipper thrown in for fun, | 0:02:40 | 0:02:45 | |
you couldn't really bend over very much if your tummy was in the way, | 0:02:45 | 0:02:48 | |
so you'd loop it in and pull your boots up with it. | 0:02:48 | 0:02:51 | |
What's nice, look at this here. | 0:02:51 | 0:02:54 | |
I really want it for a fiver. | 0:02:54 | 0:02:55 | |
Not 11 quid! | 0:02:55 | 0:02:58 | |
I'll ask! | 0:02:58 | 0:02:59 | |
It's a very quirky boot hook | 0:02:59 | 0:03:02 | |
and Thomas spots a well-made, possibly Edwardian, toy. | 0:03:02 | 0:03:05 | |
This is an ebonized cannon. | 0:03:05 | 0:03:08 | |
This is carved out of ebony. | 0:03:08 | 0:03:10 | |
Oh, this is wonderful. | 0:03:10 | 0:03:13 | |
God, any old boy would love this. | 0:03:13 | 0:03:15 | |
What does it say on the ticket? What do you call this one here? | 0:03:15 | 0:03:18 | |
And here's the owner, Melanie, who's come to help. | 0:03:18 | 0:03:22 | |
This is a huge Victorian gilt agate brooch. | 0:03:22 | 0:03:25 | |
And look at that. | 0:03:26 | 0:03:27 | |
See that beautiful jewel, there? | 0:03:27 | 0:03:31 | |
Thomas, you're going to have to use all your charm. | 0:03:31 | 0:03:34 | |
What is your best on these three objects here? | 0:03:34 | 0:03:38 | |
The boot pull, the cannon and the brooch? | 0:03:38 | 0:03:43 | |
-35. -£35, for the lot? -Yeah. | 0:03:43 | 0:03:47 | |
Do you think you'd be able to? | 0:03:47 | 0:03:48 | |
I was thinking more like £30. | 0:03:48 | 0:03:54 | |
-No. -No? | 0:03:54 | 0:03:56 | |
What about 32? | 0:03:56 | 0:03:58 | |
33. | 0:03:58 | 0:04:00 | |
-32.50. -All right, then. | 0:04:00 | 0:04:02 | |
Absolute bottom line. | 0:04:02 | 0:04:04 | |
-Is that your absolute bottom line? -32, I'll knock the 50p off. -£32. | 0:04:04 | 0:04:08 | |
That's a deal. Thank you very much. | 0:04:08 | 0:04:10 | |
Downstairs, Paul is beginning to feel the pressure. | 0:04:14 | 0:04:17 | |
Frustration. | 0:04:17 | 0:04:19 | |
OK, I'm still looking. | 0:04:19 | 0:04:22 | |
As I said, I'd love to find interesting material | 0:04:22 | 0:04:24 | |
but I've got to find commercial first. | 0:04:24 | 0:04:27 | |
He's spotted a sword. | 0:04:27 | 0:04:29 | |
With all his military knowledge, | 0:04:29 | 0:04:31 | |
he's going to want a very good deal here. | 0:04:31 | 0:04:34 | |
Quite a nice one, that. It's 1920, I believe. | 0:04:35 | 0:04:38 | |
French blade? | 0:04:38 | 0:04:40 | |
French blade, yeah. Silver Horn, that, Birmingham, 1923. | 0:04:40 | 0:04:45 | |
So, what do we have here? | 0:04:45 | 0:04:46 | |
We have a sword stick, does what it says on the tin, a walking stick | 0:04:46 | 0:04:50 | |
with a concealed sword blade | 0:04:50 | 0:04:52 | |
and a very rapier-like blade. | 0:04:52 | 0:04:54 | |
Why would one carry such a thing? Personal protection. | 0:04:54 | 0:04:58 | |
So you are the gentleman about the back streets of London in the late | 0:04:58 | 0:05:01 | |
19th century, you may be a target for the robbers | 0:05:01 | 0:05:06 | |
and this is a line of defence. | 0:05:06 | 0:05:07 | |
So... | 0:05:07 | 0:05:09 | |
(COCKNEY ACCENT) 'And over your money, sir.' | 0:05:09 | 0:05:13 | |
I'll have none of that! | 0:05:13 | 0:05:14 | |
Cos you know what, they don't like it up 'em! | 0:05:14 | 0:05:17 | |
Here, now, no clowning about, forget the price, | 0:05:17 | 0:05:21 | |
-what's the death? -£90? -Nah. | 0:05:21 | 0:05:24 | |
What's the price on this? | 0:05:24 | 0:05:26 | |
The price on that... | 0:05:26 | 0:05:27 | |
I know exactly what this is as well. That's no money, surely. | 0:05:27 | 0:05:31 | |
That's only £45. | 0:05:31 | 0:05:34 | |
I need a good price on both of them. | 0:05:34 | 0:05:36 | |
The death on these has to be 110... | 0:05:36 | 0:05:39 | |
..and that's the absolute death. | 0:05:41 | 0:05:43 | |
He now wants to add to that deal, though. | 0:05:43 | 0:05:46 | |
Police cape, can we talk about that? | 0:05:46 | 0:05:49 | |
It's worth 20 quid in an auction. | 0:05:49 | 0:05:51 | |
What are we doing it for, then? | 0:05:51 | 0:05:53 | |
£120. | 0:05:53 | 0:05:55 | |
Right on the money, isn't it? | 0:05:55 | 0:05:57 | |
So, now the deal is the sword, the bayonet and the cape for 120, | 0:05:57 | 0:06:01 | |
but Paul still isn't happy. He wants a freebie thrown in. | 0:06:01 | 0:06:05 | |
If I give you 120, | 0:06:05 | 0:06:07 | |
have you got any real stickers in here, | 0:06:07 | 0:06:10 | |
that you'd just say, "Tell you what, they're a pain in the neck. | 0:06:10 | 0:06:13 | |
"I've made my money on that, take them with the deal as a sweetener." | 0:06:13 | 0:06:16 | |
That's thinking, that's radical, different. | 0:06:16 | 0:06:19 | |
You've got me thinking now. I'm sure there might be | 0:06:19 | 0:06:22 | |
something I can throw in. | 0:06:22 | 0:06:23 | |
How about one of those holy water stoups? | 0:06:23 | 0:06:25 | |
How about I stick my neck out? | 0:06:25 | 0:06:28 | |
I need that in with the deal. | 0:06:28 | 0:06:30 | |
I'll throw you one of those in for 120. | 0:06:30 | 0:06:32 | |
-I can't say no. -Right. -Be interesting to see if that pans out. | 0:06:32 | 0:06:36 | |
-It will, won't it? -Wish me luck. -I wish you the best of luck. | 0:06:36 | 0:06:38 | |
Cheers, my man. | 0:06:38 | 0:06:39 | |
-Thomas Plant. -How's it going, Paul? | 0:06:39 | 0:06:42 | |
-I don't know, I don't know, I've gambled. -Have you? | 0:06:42 | 0:06:45 | |
Are you feeling lucky, punk? | 0:06:45 | 0:06:47 | |
Do I feel lucky, punk? | 0:06:47 | 0:06:48 | |
I always worry. | 0:06:49 | 0:06:51 | |
Happy with his wares, | 0:06:52 | 0:06:54 | |
Paul is heading to the stunning village of Saltaire. | 0:06:54 | 0:06:57 | |
He's heard it's the home of a rather unusual museum - | 0:06:57 | 0:07:01 | |
a fantastic collection of harmoniums. | 0:07:01 | 0:07:04 | |
These instruments were first invented in Paris in 1845. | 0:07:06 | 0:07:10 | |
This particular collection was started in 1976 | 0:07:10 | 0:07:13 | |
by husband and wife, Pamela and Phil Fluke. Must be lucky! | 0:07:13 | 0:07:18 | |
And they haven't stopped since. | 0:07:18 | 0:07:19 | |
These special organs produce sound by pushing air through a variety | 0:07:19 | 0:07:24 | |
of reeds, and different-sized reeds determine the different notes. | 0:07:24 | 0:07:27 | |
When did you get into this wonderful building? | 0:07:27 | 0:07:31 | |
I've been here for about 26 years, because we've got | 0:07:31 | 0:07:33 | |
28 in the house, with four children, so we thought we had | 0:07:33 | 0:07:37 | |
better do something about this for the children's sake, | 0:07:37 | 0:07:40 | |
if nothing else. | 0:07:40 | 0:07:41 | |
This very grand organ dates back to the early 1860s. | 0:07:41 | 0:07:44 | |
So, you have all these different sounds on it, you see. | 0:07:44 | 0:07:48 | |
And then on the bottom keyboard you have... | 0:07:50 | 0:07:53 | |
The bellows are good. You don't need to pump too hard. | 0:07:53 | 0:07:56 | |
Now I know more about the mechanicals and the acoustics, | 0:07:58 | 0:08:02 | |
but as an item of cabinet making, | 0:08:02 | 0:08:05 | |
it just cries out rich beyond belief. | 0:08:05 | 0:08:09 | |
It does and making music for the rich and famous really at that time. | 0:08:09 | 0:08:15 | |
This is Elton John's residence, isn't it, in 1865? | 0:08:15 | 0:08:18 | |
It will have been, yes! | 0:08:18 | 0:08:21 | |
But it's not all glitz and glamour. | 0:08:21 | 0:08:23 | |
I referred to the fact they were actually used everywhere, | 0:08:23 | 0:08:27 | |
one of the things you said was that there was | 0:08:27 | 0:08:31 | |
the use maybe in the trenches, | 0:08:31 | 0:08:32 | |
and, of course, you couldn't use a big instrument in the trenches. | 0:08:32 | 0:08:35 | |
You'd have a very small, portable instrument like this. | 0:08:35 | 0:08:39 | |
This was used by Capt Beddington Behrens in the trenches | 0:08:39 | 0:08:42 | |
in the First War. | 0:08:42 | 0:08:45 | |
How utterly poignant is that? | 0:08:45 | 0:08:49 | |
So we've got, dare I say, decadence in 1862, | 0:08:49 | 0:08:53 | |
and in 1914-'18, | 0:08:53 | 0:08:56 | |
the contrast with Capt Beddington Behrens. | 0:08:56 | 0:09:00 | |
He survived and so did his little portable harmonium. | 0:09:00 | 0:09:04 | |
They'll have used it for services and used it while | 0:09:04 | 0:09:06 | |
they were trying to keep their spirits up. | 0:09:06 | 0:09:09 | |
-If you see any harmoniums, you will let us know?! -You rest assured! | 0:09:09 | 0:09:13 | |
-I know the man. -Cheers. Thanks, Paul. -Bye. Thank you! | 0:09:13 | 0:09:16 | |
While Paul's been tinkling with the ivories, | 0:09:16 | 0:09:19 | |
Thomas is heading south. | 0:09:19 | 0:09:21 | |
From Skipton, he's heading down the road to Hebden Bridge, | 0:09:21 | 0:09:26 | |
a nice meander across the moors to this pretty market town, | 0:09:26 | 0:09:30 | |
nestling in the Upper Calder Valley. | 0:09:30 | 0:09:33 | |
-Hello. -Hi, there. -Peter, nice to meet you. | 0:09:35 | 0:09:38 | |
Hello, hello, hello! | 0:09:38 | 0:09:41 | |
Look at that red drop in there. | 0:09:44 | 0:09:47 | |
This Italian Murano vase is only made on one island close to Venice, | 0:09:47 | 0:09:51 | |
so it's highly sought after. | 0:09:51 | 0:09:53 | |
The light coming through it, just look stunning. | 0:09:53 | 0:09:57 | |
He's got £50 on it. I want it to be 25. | 0:09:57 | 0:10:00 | |
Look, there's what they call nibbles, flea bites. That's got to be at least 30 quid off! | 0:10:00 | 0:10:06 | |
Unbelievably, the only dealer not in the shop is the owner of that vase. | 0:10:08 | 0:10:14 | |
-This belongs to a man called Henry. -Yes. -Can you give him a call? | 0:10:14 | 0:10:19 | |
Hello, Henry. | 0:10:19 | 0:10:21 | |
Three flea bites. Don't forget that, Trish. | 0:10:21 | 0:10:25 | |
Yeah. He's going to let you have it for 40. | 0:10:25 | 0:10:29 | |
-Less, less, less. -Can you do a bit better than that? Right, bye. | 0:10:29 | 0:10:34 | |
He said he'll let you have it for 32. | 0:10:34 | 0:10:38 | |
Well, that's a deal then, isn't it? | 0:10:38 | 0:10:41 | |
And what better way to end the day | 0:10:41 | 0:10:44 | |
than speeding along in their super suave Spider! | 0:10:44 | 0:10:49 | |
I'm loving this. Seeing the world. Cruising in a cool car with a dude like yourself. | 0:10:49 | 0:10:53 | |
That's cool. That's excellent. | 0:10:53 | 0:10:55 | |
Our intrepid duo have made an excellent start. | 0:11:01 | 0:11:05 | |
Paul has spent £120 so far. | 0:11:05 | 0:11:08 | |
Thomas has been more careful and spent just £64. | 0:11:08 | 0:11:13 | |
With £80 burning away in his pocket, | 0:11:13 | 0:11:15 | |
Paul heads to Carlton Antiques in Saltaire. | 0:11:15 | 0:11:20 | |
-I shall see you later. -Buy something decent. But not too good! -Oh, yeah! | 0:11:20 | 0:11:24 | |
-You spend some money! -All right. | 0:11:24 | 0:11:26 | |
Paul heads to Carlton Antiques, with Malcolm in attendance. | 0:11:34 | 0:11:38 | |
-Hello, Paul. -Pleased to meet you. | 0:11:38 | 0:11:43 | |
Pigeon timing clock. Northern counties. Pigeon fancier? I don't know. | 0:11:47 | 0:11:52 | |
It is what it is. I see no issues. | 0:11:54 | 0:11:57 | |
So, quirky collectible, but here's the punchline. | 0:11:57 | 0:12:00 | |
It's priced at £16. | 0:12:02 | 0:12:05 | |
How badly wrong can I go at £16? | 0:12:05 | 0:12:08 | |
I'll bank that. That might be all right. | 0:12:10 | 0:12:13 | |
May not be sexy, but it may be profitable. | 0:12:13 | 0:12:17 | |
I think it'll be difficult not to make profit on that. | 0:12:17 | 0:12:21 | |
But not satisfied with just one find, Paul is off to hunt down more. | 0:12:21 | 0:12:26 | |
Pigeon timing clock, pigeon timing clock. I think there's money in it. | 0:12:26 | 0:12:30 | |
But there's one other thing I walked past. Bakelite folding cake stand. | 0:12:30 | 0:12:35 | |
What's more, there's a cake revolution a-happening and cup cakes are all the rage. | 0:12:35 | 0:12:39 | |
Malcolm, there are two things I'd like to discuss with you. | 0:12:39 | 0:12:44 | |
One, pigeon timing clock. | 0:12:44 | 0:12:48 | |
-Yes. -OK? | 0:12:49 | 0:12:51 | |
And over here, what I want to buy is the smart period Bakelite piece. | 0:12:51 | 0:12:57 | |
But you and I both know in a general sale, it's going to be between 30 and 50. | 0:12:57 | 0:13:02 | |
And at 40, that's a gamble. You can't make a phone call? | 0:13:02 | 0:13:06 | |
That couldn't be 30? I don't want to waste your time, but if there's any glimmer of hope... | 0:13:06 | 0:13:10 | |
I don't think you've a chance at 30, but I can make a phone call. | 0:13:10 | 0:13:13 | |
-Ask the question. -I will. -Thanks very much. Appreciated. | 0:13:13 | 0:13:17 | |
Right, OK. No, is the answer. | 0:13:18 | 0:13:22 | |
Bye. | 0:13:22 | 0:13:24 | |
He would be happy with 40, but he thinks that's... | 0:13:24 | 0:13:27 | |
-I'm no disputing that. 16, what's that now to buy? -15. OK. | 0:13:27 | 0:13:31 | |
Thanks very much. Thanks for trying with the cake stand. | 0:13:31 | 0:13:36 | |
Aye, aye. I still want the Bakelite and it is priced right. | 0:13:42 | 0:13:46 | |
Do I go all in, blow the money? | 0:13:47 | 0:13:51 | |
That's a bit risky to blow nearly your whole budget, but I do love a gambler. | 0:13:51 | 0:13:56 | |
What the hell! Life's too short! | 0:13:56 | 0:14:00 | |
Yup. Yup. That's the right decision. | 0:14:00 | 0:14:03 | |
I'm having that. | 0:14:03 | 0:14:06 | |
So, with five items bought, ready for the auction, Paul can now relax. | 0:14:06 | 0:14:10 | |
In total, he's spent £175, nearly all his budget. | 0:14:10 | 0:14:13 | |
-Thanks very much. -You're welcome. | 0:14:13 | 0:14:16 | |
As for Thomas, he is supposed to be cruising in the Alfa Romeo | 0:14:17 | 0:14:21 | |
from Saltaire to Cawthorne. | 0:14:21 | 0:14:23 | |
Well, he hasn't got that far! | 0:14:27 | 0:14:30 | |
Thomas doesn't have much luck with classic cars. | 0:14:30 | 0:14:33 | |
Let's hope there's a spare. | 0:14:34 | 0:14:36 | |
Hmm. Hang on, sometimes there's... Oh, look at that! | 0:14:39 | 0:14:43 | |
What do we have here? A spare. I'm not just a pretty face. | 0:14:44 | 0:14:49 | |
Time to get in the pit stop and get greasy. | 0:14:49 | 0:14:51 | |
When I first passed my test, and being a farmer's son, | 0:14:51 | 0:14:56 | |
my Dad made us change tyres. | 0:14:56 | 0:15:00 | |
Immediately. | 0:15:00 | 0:15:01 | |
Look at that dirty great big hole! | 0:15:09 | 0:15:12 | |
Impressed, huh? | 0:15:16 | 0:15:18 | |
I think we're done. | 0:15:20 | 0:15:22 | |
Formula 1, they do it in seconds, but they've got all the gear. | 0:15:25 | 0:15:29 | |
Thomas Plant does it in 20 minutes. | 0:15:29 | 0:15:32 | |
Who knew Thomas was so handy, eh? | 0:15:32 | 0:15:35 | |
And his shirt is impressively unruffled. | 0:15:35 | 0:15:38 | |
Finally, Cawthorne here we come. | 0:15:40 | 0:15:43 | |
In this traditional south Yorkshire village, | 0:15:43 | 0:15:46 | |
Karen Rowe runs Cawthorne Antiques. | 0:15:46 | 0:15:49 | |
Hello. Karen, very nice to meet you. | 0:15:51 | 0:15:54 | |
I want to have a good scoot around first. | 0:15:56 | 0:15:59 | |
And then focus in. | 0:15:59 | 0:16:01 | |
Paul Laidlaw, you'd better watch out cos I'm here to declare war! | 0:16:06 | 0:16:10 | |
Oh, Lord! I'm not sure that Paul actually is that fussed. | 0:16:10 | 0:16:16 | |
I've got to behave myself. | 0:16:16 | 0:16:18 | |
Buying something to try and make a profit on. | 0:16:18 | 0:16:21 | |
There's a little box. | 0:16:21 | 0:16:23 | |
It's lovely. It's sweet. It's such nice work. | 0:16:23 | 0:16:26 | |
It's got these little enamel pebbles. | 0:16:26 | 0:16:30 | |
It's beautifully made | 0:16:30 | 0:16:32 | |
and selling for £35. It was probably used as a spice box. | 0:16:32 | 0:16:37 | |
That's my top item so far. | 0:16:37 | 0:16:39 | |
It's not the most valuable, but you could phone them | 0:16:39 | 0:16:42 | |
and find out what their very best is. | 0:16:42 | 0:16:45 | |
-Yes. -Thank you. | 0:16:45 | 0:16:48 | |
Now, that box... | 0:16:48 | 0:16:50 | |
It's silver gilt. | 0:16:52 | 0:16:54 | |
Silver gilt means it's silver with a gold plate around it. | 0:16:55 | 0:16:59 | |
It's really nice. | 0:17:00 | 0:17:03 | |
Having a nice time, Paul? | 0:17:07 | 0:17:09 | |
If I got it for 25, that would be really good. I reckon it can make 50. | 0:17:11 | 0:17:16 | |
Thank you, bye. | 0:17:16 | 0:17:18 | |
-25 on the little box. -25? | 0:17:19 | 0:17:21 | |
Really? Oh. | 0:17:21 | 0:17:24 | |
Yeah, I'll have that. Definitely. | 0:17:25 | 0:17:27 | |
No question. | 0:17:27 | 0:17:29 | |
Tremendous last buy, Thomas. Now, go and find Paul. | 0:17:30 | 0:17:33 | |
He's been waiting a while. | 0:17:33 | 0:17:35 | |
-Here he comes. Honey, I'm home! -How are you doing, Paul? | 0:17:35 | 0:17:40 | |
Are you taking this seriously enough? You're not rushing, are you? | 0:17:40 | 0:17:44 | |
-I bought one item. -What?! | 0:17:44 | 0:17:45 | |
-I thought you were getting the next ten or 15 in! -No, one item. | 0:17:45 | 0:17:50 | |
Paul, today I've been a bit of a mechanic. I've replaced a tyre. | 0:17:50 | 0:17:55 | |
-What? -You've got to feel for me. -There, man. Right there, seriously. | 0:17:55 | 0:18:01 | |
Start the car then! | 0:18:01 | 0:18:03 | |
Thomas and Paul can postpone their first auction showdown no longer. | 0:18:04 | 0:18:08 | |
Thomas kept his cards close to his chest | 0:18:08 | 0:18:13 | |
and spent £89 on five auction lots. | 0:18:13 | 0:18:16 | |
The Edwardian model cannon, the Victorian oval brooch, | 0:18:16 | 0:18:20 | |
the bone handle boot pull, the Murano glass vase, | 0:18:20 | 0:18:25 | |
and the silver gilt oval box. | 0:18:25 | 0:18:28 | |
Meanwhile, Paul shopped bravely, spending a full £175, | 0:18:28 | 0:18:32 | |
also on five lots. | 0:18:32 | 0:18:34 | |
The vintage police cape, | 0:18:36 | 0:18:39 | |
the First World War bayonet paired with the 19th century swordstick, | 0:18:39 | 0:18:43 | |
the neo-classical sconce, | 0:18:43 | 0:18:45 | |
the Bakelite cake stand and the pigeon timing clock. | 0:18:45 | 0:18:51 | |
Coo! Coo-coo! | 0:18:51 | 0:18:53 | |
Auction day is waiting down the road for Thomas and Paul. | 0:18:53 | 0:18:58 | |
With the wind in their hair, they've travelled far and wide from Skipton | 0:18:58 | 0:19:02 | |
and now, their booty is about to go under the hammer in Sheffield. | 0:19:02 | 0:19:06 | |
-Do you sail, Paul? -I do not. | 0:19:08 | 0:19:10 | |
Close to the wind sometimes, but only metaphorically. | 0:19:10 | 0:19:14 | |
And doing the honours today is Sheffield Auction Gallery. | 0:19:14 | 0:19:19 | |
Hope you're feeling lucky, boys. | 0:19:19 | 0:19:21 | |
Well driven, Paul. We're here. Sheffield Auction Galleries. | 0:19:21 | 0:19:25 | |
-How are you feeling, Thomas? -I have been having sleepless nights. | 0:19:25 | 0:19:29 | |
-Plant, must try harder next time. -Must try harder, Laidlaw! | 0:19:29 | 0:19:34 | |
Oh, stop worrying, Thomas. Maybe Robert Lee the auctioneer liked your stuff. Maybe not. | 0:19:34 | 0:19:39 | |
-I'm Thomas. -Have our pieces turned up? Everything all right? | 0:19:39 | 0:19:42 | |
-Intact so far. We just need the buyers here for them. -Have they warmed the cockles of your heart? | 0:19:42 | 0:19:47 | |
The swordstick and the bayonet usually do good money. | 0:19:47 | 0:19:50 | |
The minute I saw this man, I thought, "What a lovely guy! He knows his stuff!" | 0:19:50 | 0:19:55 | |
-Who do you think's going to win? -I don't like to look at you in the face, Tom. | 0:19:55 | 0:20:00 | |
But I think it's going to be Paul. | 0:20:00 | 0:20:02 | |
Oh, well. Never mind. | 0:20:02 | 0:20:04 | |
Now, take your pews, everyone. The show's about to begin. | 0:20:04 | 0:20:08 | |
First up, and one that should get Thomas off to a good start, | 0:20:10 | 0:20:15 | |
is his Italian Murano vase. | 0:20:15 | 0:20:18 | |
277A, an Italian Murano glass sommerso vase. | 0:20:18 | 0:20:21 | |
Square shape. Very tactile. | 0:20:21 | 0:20:25 | |
Nice item, this. Forced to start the bid at £20. 22? 25? 28. | 0:20:25 | 0:20:31 | |
-I'm out. Who's on 30? 28. £30. 32. 35. 38. -Go on! | 0:20:31 | 0:20:38 | |
Too soon to be out. £35, on my left, it's a standing bid. Anybody else? | 0:20:38 | 0:20:43 | |
-38? -Go on! -40, sir? | 0:20:43 | 0:20:46 | |
38, so far. It must be 40 to progress. £40, he's back in. 42. | 0:20:46 | 0:20:52 | |
-For me! For me! -45, he's weakening. 42. Anybody else for 45? | 0:20:52 | 0:20:57 | |
-It's got to go. Over at 42? Hammer's going to drop. -Go on! | 0:20:57 | 0:21:02 | |
All done at 42? | 0:21:02 | 0:21:06 | |
He's got it. | 0:21:06 | 0:21:08 | |
£10 profit before commission. That isn't bad. | 0:21:08 | 0:21:10 | |
But now for the dreaded fake stone stoop. | 0:21:10 | 0:21:14 | |
Lot number 318A, composition neo-classical sconce stoup. | 0:21:14 | 0:21:19 | |
What a beauty! £20 for it. | 0:21:19 | 0:21:22 | |
-What?! -Fiver away. Quickly. £5 for it. | 0:21:22 | 0:21:27 | |
Five bid in white. Let's have eight elsewhere. Come on, surely. | 0:21:27 | 0:21:30 | |
Neo-classical. Must be eight to progress. | 0:21:30 | 0:21:33 | |
-Surely £8. I feel like I'm giving this away. -Well, it's free! | 0:21:33 | 0:21:37 | |
-Somebody else gave it away! -Bid at five. £8. Ten, sir. 12, please? | 0:21:37 | 0:21:43 | |
15. 18. | 0:21:43 | 0:21:47 | |
15, top of the shop, original bidder. Anybody else? | 0:21:47 | 0:21:50 | |
It's got to go. All done at £15. | 0:21:50 | 0:21:53 | |
It's gone. | 0:21:53 | 0:21:55 | |
Unbelievable. £15 profit for Paul's freebie. | 0:21:55 | 0:21:58 | |
How do you feel about that? | 0:21:58 | 0:22:02 | |
-Relieved. -What do you mean, relieved?! -Grateful. There is a God! | 0:22:02 | 0:22:06 | |
-Grateful?! It was free! -You get your reward in Heaven! -Thomas! | 0:22:06 | 0:22:10 | |
You should say some prayers! | 0:22:10 | 0:22:12 | |
It's your silver gilt box next. | 0:22:12 | 0:22:15 | |
Lot number 362A, Continental silver gilt enamel oval box. | 0:22:15 | 0:22:20 | |
-Circa 1900. What a beauty. -Thank you. -Yeah. | 0:22:20 | 0:22:24 | |
£30 for it? £30 for it? | 0:22:24 | 0:22:27 | |
Come on. 30, you've got to kick us off. 32 on that, elsewhere. | 0:22:27 | 0:22:32 | |
32, lovely little box. This patch pill box. | 0:22:32 | 0:22:36 | |
You can put your rings in it. Studs, dressing table. | 0:22:36 | 0:22:40 | |
It's a good lot, this one. Anyone else, 32? There is. 35. 38. 40. | 0:22:40 | 0:22:45 | |
42. 45. 48. 45, young man's bid so far. | 0:22:45 | 0:22:51 | |
All done at £45. | 0:22:51 | 0:22:53 | |
So you were right all along, Thomas. Well done. | 0:22:55 | 0:22:58 | |
-What did you make? 20 quid? -£20. -What?! | 0:22:58 | 0:23:01 | |
Now for the pretty agate brooch. | 0:23:04 | 0:23:07 | |
£20 is the opening bid. It must be 22 to move on. 20 so far. | 0:23:07 | 0:23:11 | |
Nice brooch. | 0:23:11 | 0:23:13 | |
Got to be 22, elsewhere, to move on. £20. | 0:23:13 | 0:23:17 | |
Anybody else want it for 22? It's got to go. 22. | 0:23:17 | 0:23:22 | |
Looking for 25 now. | 0:23:22 | 0:23:25 | |
-I'll take it slowly. Anybody else? -Thank you. | 0:23:25 | 0:23:29 | |
22, it's going to sell at 22. Hammer's going to drop. | 0:23:29 | 0:23:33 | |
Not bad. You made £12. | 0:23:33 | 0:23:36 | |
Bought for just £20, | 0:23:36 | 0:23:38 | |
next up is the police cape. | 0:23:38 | 0:23:40 | |
Where are the fashionistas in the house? | 0:23:40 | 0:23:42 | |
Give us a twirl, Anthea. | 0:23:42 | 0:23:45 | |
Vintage police cape. What a beauty! | 0:23:45 | 0:23:49 | |
Got big pockets to put the big truncheons. | 0:23:49 | 0:23:52 | |
-Very fashionable. -Forced to start the bid at 15. 18. £20. 22. | 0:23:52 | 0:23:58 | |
I'm out. Who's on 25? I'm out too soon. 25. 28. £30. | 0:23:58 | 0:24:03 | |
32. 35, sir? 38. | 0:24:03 | 0:24:06 | |
-40. 42. -Doesn't strike me as a Portobello Road fashionista. | 0:24:06 | 0:24:13 | |
50. 55. | 0:24:13 | 0:24:14 | |
Was it a bid, madam? 55? 60... | 0:24:14 | 0:24:19 | |
-65. -You did well. -60 with the gentleman, so far. | 0:24:21 | 0:24:24 | |
Anybody else want to join in? Are we done? | 0:24:24 | 0:24:29 | |
Yes! Must have been the way it was modelled. £40 profit. 'Ello, 'ello. | 0:24:30 | 0:24:35 | |
For the military men out there, Paul's sword | 0:24:35 | 0:24:38 | |
and bayonet were bought for £100. | 0:24:38 | 0:24:40 | |
Nice little military lot, this one. | 0:24:40 | 0:24:42 | |
Lots of interest on commission. £90 is your opening bid. | 0:24:42 | 0:24:47 | |
95. 100. 105. | 0:24:47 | 0:24:49 | |
110 on commission. | 0:24:49 | 0:24:51 | |
Anybody else with 115? All done at 110. Finally, at £110. | 0:24:51 | 0:24:58 | |
Can't grumble. It's not a loss. | 0:24:59 | 0:25:02 | |
Let's hope the pricey cake stand has more luck. | 0:25:02 | 0:25:06 | |
Looks mahogany from here, but it's actually Bakelite. £50 for it? | 0:25:06 | 0:25:10 | |
Unusual thing. 30 is your opening bid. 32, I'm after. 32. 35. 38. | 0:25:10 | 0:25:15 | |
£40. 42. Central bid at 42. Must be 45 to go on. All done at £42? | 0:25:15 | 0:25:20 | |
Hammer's going to drop. | 0:25:20 | 0:25:22 | |
Not a massive winner, but crumbly. | 0:25:24 | 0:25:27 | |
No shame. I would have liked money in the bank. | 0:25:27 | 0:25:30 | |
Lot number 457A. Edwardian bone and steel boot pull. With a bone handle. | 0:25:30 | 0:25:36 | |
-Marked Made In England. That will be quality! -Obviously! | 0:25:36 | 0:25:41 | |
£20 for it. Eight is your opening bid. Ten, I'm after. | 0:25:41 | 0:25:45 | |
Must be a tenner. | 0:25:45 | 0:25:47 | |
Anybody for ten? Ten bid. Let's go 12. Let's go 12, surely. | 0:25:47 | 0:25:52 | |
-Nice handle! -Anybody in for 12? -Very nice turned handle. | 0:25:52 | 0:25:56 | |
Bidding up to 12. Somebody else. It's got to go. All done at ten? | 0:25:56 | 0:25:59 | |
We're finished at ten? | 0:25:59 | 0:26:01 | |
Well, you've doubled your money, Thomas. | 0:26:02 | 0:26:06 | |
Now the clock. One of three in the sale. | 0:26:06 | 0:26:10 | |
Is there such a thing as pigeon overload? | 0:26:10 | 0:26:14 | |
-£20 for it. -Go on. | 0:26:14 | 0:26:16 | |
-Tenner. -Oh! -Ten bid. 12. 15. 18. | 0:26:17 | 0:26:21 | |
20. 22. | 0:26:21 | 0:26:24 | |
Too soon to be out. £20 with the lady so far. | 0:26:25 | 0:26:28 | |
A pigeon did about £16,000 the other day. £20. | 0:26:28 | 0:26:34 | |
22. The pigeon will be dead before this. All done at £20. | 0:26:34 | 0:26:38 | |
202, hammer's going to drop. Are we finished? | 0:26:38 | 0:26:42 | |
You just scraped home there, Paul. | 0:26:43 | 0:26:46 | |
Now the final lot. And the one Thomas has been dreading. | 0:26:47 | 0:26:51 | |
A quirky unusual little thing. We've got blast-off at £20! | 0:26:51 | 0:26:56 | |
Who's on 22? 22. Let's have 25. Let's have 25, surely. | 0:26:56 | 0:27:01 | |
Front row at 22, only. Good little thing. Anybody else at 25? | 0:27:01 | 0:27:05 | |
It's got to go. Anybody else interested? All done at £22? | 0:27:05 | 0:27:10 | |
Finished. Is that it? At £22. | 0:27:10 | 0:27:14 | |
After the trashing Paul gave it, at least it made a fiver. | 0:27:14 | 0:27:17 | |
Tom, I've got one word. Phew! | 0:27:19 | 0:27:23 | |
Loosening the tie! Why don't you go open neck? Down to the navel! | 0:27:23 | 0:27:28 | |
-Just undo that corset for me. -No! -Silly beasts! | 0:27:28 | 0:27:33 | |
Thomas started this leg with £200. | 0:27:33 | 0:27:36 | |
After auction costs, he's made a small profit. | 0:27:36 | 0:27:40 | |
So Thomas ends up with £226.62. | 0:27:40 | 0:27:43 | |
Paul also began with £200, steamed ahead with his cape | 0:27:47 | 0:27:51 | |
and made a slightly bigger profit. | 0:27:51 | 0:27:54 | |
Paul's got £227.54 to take out on the road again. | 0:27:54 | 0:27:58 | |
A healthy start and they're just getting warmed up. | 0:28:00 | 0:28:04 | |
-Come on! Where to now? -No idea. | 0:28:06 | 0:28:10 | |
-You're navigating! -Where's my map? | 0:28:10 | 0:28:14 | |
In fact, they're going to be travelling down to Derbyshire. | 0:28:14 | 0:28:18 | |
-I like the whip as well. I thought about whipping Laidlaw with it! -That would be good. | 0:28:18 | 0:28:23 | |
I'm totally chancing it now with this one. You're going to laugh at this. Or slap me in the face! | 0:28:23 | 0:28:28 | |
That's coming up later. | 0:28:28 | 0:28:30 | |
But first, let's have a quick reminder of the expertise | 0:28:30 | 0:28:34 | |
Paul and Thomas bring to the next leg of the road trip, | 0:28:34 | 0:28:37 | |
driving their sporty, nifty Alfa Romeo. | 0:28:37 | 0:28:41 | |
She's driving very well today. Just waiting for the next flat tyre. | 0:28:44 | 0:28:50 | |
Thomas, a top auctioneer in Newbury, loves the finer things in life, | 0:28:50 | 0:28:54 | |
but does tend to dither and get a bit distracted. | 0:28:54 | 0:28:58 | |
Stan or Ollie? Paul has a rather more direct approach. | 0:28:58 | 0:29:02 | |
'And over your money, sir! | 0:29:02 | 0:29:05 | |
With a degree in maths and physics, he likes to get to the money and drive a hard bargain. | 0:29:05 | 0:29:10 | |
From Skipton, the boys are racing down the backbone of Britain, | 0:29:12 | 0:29:16 | |
from the Yorkshire Dales, through Derbyshire, on to Huntingdon, | 0:29:16 | 0:29:19 | |
before heading south and finally reaching Pewsey. | 0:29:19 | 0:29:23 | |
Both of the boys started off with £200. | 0:29:24 | 0:29:28 | |
Paul's high spending paid off, and he's just ahead, with £227.54. | 0:29:28 | 0:29:34 | |
Not bad for his first ever Road Trip. | 0:29:34 | 0:29:37 | |
Meanwhile, Thomas was more cautious. | 0:29:37 | 0:29:41 | |
-And that was reflected at the auction. -For me! | 0:29:41 | 0:29:44 | |
But he still made a profit. And has £226.62 to spend today. | 0:29:44 | 0:29:50 | |
But I'm sure he's got a game plan. | 0:29:50 | 0:29:53 | |
I plan on giving you a very good run for your money | 0:29:53 | 0:29:56 | |
and I hope you do for me. | 0:29:56 | 0:29:57 | |
-God loves a trier. -I'm a sensitive little flower. I'm a plant. | 0:29:57 | 0:30:02 | |
You certainly are. On this leg of the trip, Thomas and Paul will begin in beautiful Bolsover | 0:30:02 | 0:30:07 | |
and race through the countryside towards auction in Stamford. | 0:30:07 | 0:30:11 | |
Bolsover has a striking castle watching over the town since the 12th century. | 0:30:11 | 0:30:17 | |
About time we bought some antiques. | 0:30:17 | 0:30:20 | |
First up, a trip to the pub. Or is it the Bolsover Antiques Centre? | 0:30:20 | 0:30:24 | |
-Need a pint! -A bit early. | 0:30:25 | 0:30:29 | |
Never too early for Thomas! | 0:30:29 | 0:30:31 | |
And something has caught Paul's eye as well. | 0:30:31 | 0:30:34 | |
There's a Troika coffin vase. I'm going to ask to see that because that's £54. | 0:30:34 | 0:30:40 | |
And that looks like a no-brainer from here. | 0:30:40 | 0:30:42 | |
Troika pottery became famous in the '60s. Each piece was unique, | 0:30:42 | 0:30:47 | |
with its tactile, textured surfaces and wonderful abstract designs. | 0:30:47 | 0:30:51 | |
It's iconic material. | 0:30:51 | 0:30:53 | |
You can see why it's got a hardcore following. | 0:30:53 | 0:30:56 | |
Some of it can make telephone numbers. | 0:30:56 | 0:30:59 | |
Just as well the vase owner isn't there! The shop manager will have to ring him. | 0:30:59 | 0:31:03 | |
Troika vase. What's your very best on it, then? | 0:31:03 | 0:31:07 | |
Your coffin-shaped vase. 49. Right. | 0:31:07 | 0:31:11 | |
While Paul pauses for thought, Thomas is scouring the bargains. | 0:31:11 | 0:31:17 | |
This is wonderful. | 0:31:17 | 0:31:18 | |
This is a piece of art deco glass from about the 1920s. | 0:31:21 | 0:31:25 | |
They've got '30s on here. It's not, this is '20s. It's just beautiful. | 0:31:25 | 0:31:31 | |
These slender women. | 0:31:31 | 0:31:33 | |
Indeed! The glass has been painstakingly decorated | 0:31:33 | 0:31:37 | |
and enthusiastically polished. | 0:31:37 | 0:31:40 | |
Really quite beautiful. | 0:31:40 | 0:31:41 | |
BUT it's well and truly broken. | 0:31:41 | 0:31:45 | |
If this wasn't broken, I would imagine that being worth £700-900. | 0:31:45 | 0:31:49 | |
Sadly, the severe damage and macabre repair work make this piece | 0:31:49 | 0:31:53 | |
a big risk, even at half price. | 0:31:53 | 0:31:57 | |
-Is the owner here? -Erm, he's not actually. | 0:31:59 | 0:32:02 | |
25, I'd take it. I'd go to 26. | 0:32:02 | 0:32:04 | |
Would you go to 25? | 0:32:06 | 0:32:09 | |
All right. Bye-bye. | 0:32:11 | 0:32:14 | |
You can have it for 26. | 0:32:14 | 0:32:16 | |
£26. Yes. | 0:32:16 | 0:32:19 | |
I must be bonkers. | 0:32:19 | 0:32:20 | |
It's a piece of art, this is. | 0:32:20 | 0:32:22 | |
And it's not just Thomas battling with the dealers. | 0:32:22 | 0:32:25 | |
Paul is going in for the kill. You watch. | 0:32:25 | 0:32:28 | |
Is there any possible way that you could go down to 40? | 0:32:28 | 0:32:32 | |
Bye. | 0:32:32 | 0:32:33 | |
He'll come down one more pound to 44. | 0:32:33 | 0:32:36 | |
-Sold for £44,000! -Great, that's it then. | 0:32:36 | 0:32:39 | |
Thanks very much, that's excellent, Carol. Appreciate that. | 0:32:39 | 0:32:42 | |
Paul, having bagged his Troika vase for £44, | 0:32:42 | 0:32:46 | |
seems to think it's time for tea. | 0:32:46 | 0:32:47 | |
How crazy is our cannon teapot? | 0:32:47 | 0:32:52 | |
Now, between the wars, novelty teapots with a military theme | 0:32:52 | 0:32:58 | |
were not uncommon, but not seen this form before. | 0:32:58 | 0:33:01 | |
Artillery piece, the big wheel there, | 0:33:01 | 0:33:03 | |
and you see the shell forms the handle here. | 0:33:03 | 0:33:06 | |
It's got to stand out and it's uncommon for sure. £35. | 0:33:06 | 0:33:11 | |
I'd want it to be 20. | 0:33:13 | 0:33:14 | |
Right. Off to see those lovely ladies again. | 0:33:14 | 0:33:17 | |
They seem to be on your side, Paul. | 0:33:17 | 0:33:20 | |
You can have it for 20. | 0:33:20 | 0:33:22 | |
Can you come with me? There's something about you! | 0:33:22 | 0:33:25 | |
I'll travel round with you! | 0:33:26 | 0:33:28 | |
And he's on a roll! | 0:33:28 | 0:33:30 | |
Next, he spots an art deco silver-plated bowl. | 0:33:30 | 0:33:33 | |
When does it date to? | 0:33:33 | 0:33:35 | |
1920s, '30s. I'm just going to make an offer. | 0:33:35 | 0:33:39 | |
No harm done, the worst they can do is say "You're having a laugh!" | 0:33:39 | 0:33:42 | |
-After this, I'm out of your hair. -Don't push your luck. | 0:33:42 | 0:33:45 | |
Is there any way on God's earth...? | 0:33:45 | 0:33:47 | |
I'm looking vulnerable, can you see this? | 0:33:47 | 0:33:50 | |
This is my soft side. A tenner. | 0:33:50 | 0:33:53 | |
-Can't you go a little bit more than that? -15. -Yeah, 15. | 0:33:53 | 0:33:56 | |
How's about I meet you in the middle and I give you, | 0:33:56 | 0:34:00 | |
you're going to laugh at this, or just slap me in the face, | 0:34:00 | 0:34:03 | |
-£12 and a wee polish. -14 would cover my cost. | 0:34:03 | 0:34:07 | |
-And I love this. £14 is a deal. -Thank you. | 0:34:07 | 0:34:11 | |
But it needs to be like a mirror. | 0:34:11 | 0:34:14 | |
THEY LAUGH | 0:34:14 | 0:34:16 | |
£14 and a polish. Three deals in the bag. | 0:34:16 | 0:34:21 | |
Hats off to Paul, and hat on for Thomas. | 0:34:21 | 0:34:25 | |
Paul's next shop is in the nearby town of Clowne. It's no joke. | 0:34:26 | 0:34:30 | |
-Hello. -Hello. -How are you doing? -All right. | 0:34:32 | 0:34:35 | |
At Church Lane Antiques, owner Philip sets out his stall. | 0:34:36 | 0:34:40 | |
Nice looking, isn't it? | 0:34:40 | 0:34:42 | |
Very smart, very nicely done. | 0:34:42 | 0:34:45 | |
Oh, and I like it, it's not oppressive, it's nice and light. | 0:34:45 | 0:34:48 | |
That is a Bush DAC-90A | 0:34:48 | 0:34:54 | |
Bakelite-cased valve radio. | 0:34:54 | 0:34:55 | |
Classic. Absolute classic. And it's got £5 on it. | 0:34:55 | 0:34:58 | |
£5! Surely not! | 0:34:58 | 0:35:00 | |
Don't often ask this question, it's not in my nature. | 0:35:00 | 0:35:03 | |
Why's your Bakelite radio so cheap? | 0:35:03 | 0:35:06 | |
It's not something I'm dealing. It's a nice decorative piece. | 0:35:06 | 0:35:09 | |
-It's sold. -Thank you very much. | 0:35:09 | 0:35:12 | |
I think we're as stunned as you are, Paul! | 0:35:14 | 0:35:16 | |
Bodes well for more bargains, though, eh? | 0:35:16 | 0:35:19 | |
Delightful little pair of Japanese bronze vases, | 0:35:19 | 0:35:23 | |
but what makes them is the very naturalistic depiction | 0:35:23 | 0:35:28 | |
of this little, is it a sparrow or a finch? | 0:35:28 | 0:35:30 | |
I've got 'em in at 195. | 0:35:30 | 0:35:32 | |
I would go with the auctioneer's hedge of 80 to 120, | 0:35:32 | 0:35:35 | |
so I'd be offering £80. | 0:35:35 | 0:35:37 | |
-Mmm... -But it's a real offer, it's not... | 0:35:39 | 0:35:41 | |
-It's a little... -It's not game playing. | 0:35:41 | 0:35:43 | |
I have had 'em on a few weeks and I've not got anywhere with them. | 0:35:43 | 0:35:47 | |
-I will. -OK. Let's do it. | 0:35:47 | 0:35:49 | |
I like 'em and I think you'll do well with them. | 0:35:49 | 0:35:51 | |
Paul's been a shopping machine here in Clowne, and could do with a rest. | 0:35:51 | 0:35:56 | |
But strangely, it's actually Thomas who's taking a break. | 0:35:56 | 0:35:59 | |
How utterly scandalous. | 0:35:59 | 0:36:02 | |
He's heading 17 miles south to Papplewick, | 0:36:03 | 0:36:06 | |
on the outskirts of Nottingham. | 0:36:06 | 0:36:08 | |
Lovely. Look at that red brick lodge house. | 0:36:14 | 0:36:17 | |
Papplewick Pumping Station | 0:36:20 | 0:36:22 | |
is Britain's finest Victorian waterworks, | 0:36:22 | 0:36:25 | |
supplying Nottingham for over 80 years. | 0:36:25 | 0:36:27 | |
And thanks to a number of volunteers and curator Ashley Smart, | 0:36:27 | 0:36:31 | |
it's still in working order. | 0:36:31 | 0:36:34 | |
And what you see before you is two James Watt and Co beam engines. | 0:36:36 | 0:36:40 | |
Wow. | 0:36:40 | 0:36:42 | |
These magnificent machines are a shining example | 0:36:42 | 0:36:45 | |
of Victorian engineering at its height. | 0:36:45 | 0:36:48 | |
They were only restored back to their former glory in 2005, | 0:36:48 | 0:36:53 | |
and wasn't it worth it? | 0:36:53 | 0:36:55 | |
-We can have a quick tour? -We'll have a quick tour round | 0:36:55 | 0:36:57 | |
-and then we'll have them running for you as well. -Really? -Yeah. | 0:36:57 | 0:37:00 | |
Or rather, Dave will. | 0:37:00 | 0:37:02 | |
He's got the knack of how to get these engines in motion. | 0:37:02 | 0:37:06 | |
Well, he should do, as he's been here for 33 years. | 0:37:06 | 0:37:09 | |
-Er, when you're ready, Dave. -OK. Ready, Les. | 0:37:09 | 0:37:12 | |
Once underway, they produce enough power to pump three million gallons | 0:37:15 | 0:37:19 | |
of water from the wells and out to Nottingham every day. | 0:37:19 | 0:37:22 | |
It's got a lovely smell and that heat! | 0:37:22 | 0:37:25 | |
-Yes, isn't it just such a peaceful sound? -Yeah, absolutely. | 0:37:25 | 0:37:29 | |
I must admit, on rare occasions I have, on the seat, | 0:37:29 | 0:37:32 | |
dropped off to the soporific sound of this engine. | 0:37:32 | 0:37:36 | |
But what is equally fascinating is the building itself. | 0:37:36 | 0:37:41 | |
The Victorians really knew how to design ornate architecture, | 0:37:41 | 0:37:44 | |
even for humble water pumps. | 0:37:44 | 0:37:46 | |
Nearly every surface is covered with images of animals and plants, | 0:37:46 | 0:37:52 | |
and even includes the windows. | 0:37:52 | 0:37:54 | |
All of the decoration that you see, | 0:37:54 | 0:37:56 | |
it's all celebrating the life-giving properties of fresh water. | 0:37:56 | 0:38:00 | |
-It's wonderful, isn't it? -Yeah, it's fantastic. | 0:38:00 | 0:38:03 | |
It's Victoriana at its greatest. | 0:38:03 | 0:38:06 | |
These beam engines are 25 feet long and weigh a hefty 13 tonnes each, | 0:38:07 | 0:38:13 | |
but in fact, how they work is surprisingly simple. | 0:38:13 | 0:38:17 | |
OK, so the steam going into the cylinder, | 0:38:17 | 0:38:19 | |
and the cylinder is expanding, | 0:38:19 | 0:38:21 | |
the steam is expanding inside the cylinder. | 0:38:21 | 0:38:24 | |
It's simply pushing, and then pushing down the piston. | 0:38:24 | 0:38:26 | |
To get the steam, what has to happen there? | 0:38:26 | 0:38:28 | |
You've got to make the steam from the coal, | 0:38:28 | 0:38:30 | |
so we need to go to the boiler house, really, | 0:38:30 | 0:38:32 | |
and then you can see how the steam is generated. | 0:38:32 | 0:38:35 | |
-And somebody's shovelling in that...? -Oh, yes. | 0:38:35 | 0:38:37 | |
-Bit like on a train? -Very much so. | 0:38:37 | 0:38:38 | |
This is Lawrence, one of our stokers. | 0:38:43 | 0:38:46 | |
Lawrence, that looks like hard work. | 0:38:46 | 0:38:49 | |
-Oh, it's not too bad. -No. -Hot work. -Hot work. | 0:38:49 | 0:38:52 | |
How long does it take to heat up one of these boilers? | 0:38:52 | 0:38:56 | |
We started last Sunday. | 0:38:56 | 0:38:58 | |
Wow. | 0:38:58 | 0:39:00 | |
And when the engines are going, | 0:39:00 | 0:39:02 | |
they can use up to five tonnes of coal a day, | 0:39:02 | 0:39:05 | |
all shovelled in by hand. Are you getting my drift, Thomas? | 0:39:05 | 0:39:09 | |
Do I get a set of overalls? | 0:39:09 | 0:39:10 | |
It's hot work, this! | 0:39:12 | 0:39:14 | |
-Like that, yeah? -Yeah, fine. | 0:39:16 | 0:39:18 | |
Yeah, not so white any more! | 0:39:21 | 0:39:23 | |
But thank you very much. I've had a great time. | 0:39:24 | 0:39:27 | |
Thomas is sad to leave this great industrial monument, | 0:39:29 | 0:39:33 | |
but needs to find his Road Trip companion, | 0:39:33 | 0:39:36 | |
for a bit of old-fashioned showing off. | 0:39:36 | 0:39:39 | |
-It was wonderful. -Really good. -Oh, it was good for the soul, you know? | 0:39:39 | 0:39:43 | |
Took my jacket off, stoked the furnace. | 0:39:43 | 0:39:46 | |
There's got to be a calendar shot in that. | 0:39:46 | 0:39:48 | |
Yeah, you'd have thought so. I would have thought so. | 0:39:48 | 0:39:50 | |
Dawn breaks and our boys are back, motoring through Derbyshire. | 0:39:56 | 0:40:00 | |
So far, Thomas has bought just one solitary item for £26, | 0:40:00 | 0:40:05 | |
whereas Paul went wild, spending £163 on five items. | 0:40:05 | 0:40:11 | |
So, the pressure's on Thomas as we head for sunny Newark-on-Trent. | 0:40:11 | 0:40:15 | |
In 1133, the bishop Alexander the Magnificent - great name - | 0:40:17 | 0:40:21 | |
thought it was important enough | 0:40:21 | 0:40:23 | |
to build a castle here on the banks of the River Trent. | 0:40:23 | 0:40:27 | |
Today, Newark-on-Trent is famed for its antiques fairs, | 0:40:27 | 0:40:30 | |
so our boys arrive like moths to a light. | 0:40:30 | 0:40:33 | |
You feeling lucky? | 0:40:33 | 0:40:35 | |
Thomas' keen eye is drawn to something sparkly for a night out. | 0:40:39 | 0:40:43 | |
These little evening bags from the Deco period. They're quite desirable. | 0:40:43 | 0:40:49 | |
This is silver, it'd be... a lot more money than £39. | 0:40:49 | 0:40:53 | |
After searching the whole shop, | 0:40:53 | 0:40:55 | |
Thomas has found one cabinet full of possibilities. | 0:40:55 | 0:40:59 | |
This is a bone letter-opener, | 0:40:59 | 0:41:02 | |
and in the top here it's got a Stanhope, | 0:41:02 | 0:41:04 | |
and a Stanhope is a little miniature scene printed on a magnifying glass, | 0:41:04 | 0:41:10 | |
and here this says, "The Interior of Hastings Castle, Looking East." | 0:41:10 | 0:41:15 | |
Souvenir ware. £33. Get out these things here. | 0:41:15 | 0:41:20 | |
This is Mauchline ware. | 0:41:20 | 0:41:23 | |
Mauchline ware is from Scotland, and it's quite collectable. | 0:41:23 | 0:41:27 | |
In fact, very collectable. These delicate wooden souvenirs | 0:41:27 | 0:41:31 | |
were made in Mauchline, south west Scotland, | 0:41:31 | 0:41:34 | |
until an abrupt end in 1933, | 0:41:34 | 0:41:36 | |
when the last remaining factory burnt down. | 0:41:36 | 0:41:39 | |
I could build up a little bit of a deal here, you know what I mean? | 0:41:39 | 0:41:43 | |
"Know what I mean?" And the owner is right here, ready, willing and able. | 0:41:43 | 0:41:48 | |
What can we do on these items here? | 0:41:48 | 0:41:51 | |
Going to be a one-off price, 115. | 0:41:51 | 0:41:55 | |
-Would you meet me, sort of, halfway? 100? -Er, no. | 0:41:57 | 0:42:02 | |
-I'll do another five off. -110. -That is...see, that's nearly a third off. | 0:42:02 | 0:42:07 | |
I know, I know, I know, but you know, I'm just, I am trying. | 0:42:07 | 0:42:12 | |
105? | 0:42:12 | 0:42:13 | |
-Go on, then. -Thank you very much. | 0:42:13 | 0:42:17 | |
Thank goodness for that. | 0:42:17 | 0:42:19 | |
Thomas has bought some things that are all in one piece. | 0:42:19 | 0:42:22 | |
Bidding farewell to Newark, | 0:42:22 | 0:42:24 | |
the Road Trip sets stomachs churning on the way to Melton Mowbray. | 0:42:24 | 0:42:29 | |
Thomas is off to the old bakery, but not to eat all the pies. | 0:42:30 | 0:42:34 | |
He's got £95 still burning in his pocket, | 0:42:34 | 0:42:37 | |
and an appetite for antiques. | 0:42:37 | 0:42:39 | |
Wow! Full of stuff. | 0:42:43 | 0:42:46 | |
This is a rather specialist shop, with lots of knobs and knockers. | 0:42:46 | 0:42:51 | |
No jokes, please. | 0:42:51 | 0:42:52 | |
Lavatory pulls. | 0:42:52 | 0:42:55 | |
By the way, they're not toilet, | 0:42:55 | 0:42:57 | |
that word will never be mentioned in my presence. | 0:42:57 | 0:42:59 | |
They are lavatory pulls. | 0:42:59 | 0:43:00 | |
Sundial. And you say between 1900 and 1930? | 0:43:00 | 0:43:05 | |
-That's right, yes. -I think that's delightful. | 0:43:05 | 0:43:09 | |
You've got £120 on it. What would you...? | 0:43:09 | 0:43:12 | |
Erm, we'd do that at 100 to you. | 0:43:12 | 0:43:15 | |
Give that one some serious thought. | 0:43:15 | 0:43:17 | |
Yes, concentrate. You're running out of shopping time. | 0:43:17 | 0:43:21 | |
Let's hope I don't end up with a big fat zero | 0:43:23 | 0:43:27 | |
at the end of all my shopping. | 0:43:27 | 0:43:29 | |
Maybe that's telling me something. Buy a whip! | 0:43:30 | 0:43:33 | |
But unfortunately, you don't have quite enough | 0:43:35 | 0:43:38 | |
to buy the crop for £22 and the sundial at £100. | 0:43:38 | 0:43:41 | |
You'll have to give her a good lashing. | 0:43:41 | 0:43:43 | |
I'm still very tempted by this sundial of yours. | 0:43:43 | 0:43:47 | |
-It was 120. You said 100. -100. | 0:43:47 | 0:43:50 | |
How about 90? | 0:43:50 | 0:43:52 | |
-What about £80? -Ooh! £80, yeah. | 0:43:53 | 0:43:57 | |
I like the whip, cos I thought about whipping Laidlaw with it. | 0:43:57 | 0:44:00 | |
-I don't know how horsey Stamford is. -Ooh, Stamford's horsey. | 0:44:00 | 0:44:03 | |
Oh, she's very persuasive, Thomas, | 0:44:03 | 0:44:05 | |
and now she's reduced the crop to £15. | 0:44:05 | 0:44:08 | |
I think I'm going to go for the crop. | 0:44:08 | 0:44:09 | |
I used to ride horses when I was a boy. | 0:44:09 | 0:44:12 | |
Bramble and Chester. | 0:44:12 | 0:44:14 | |
Ooh, those were the days! Now, come back! | 0:44:17 | 0:44:21 | |
Time to settle up for both of them. £80 for the sundial | 0:44:21 | 0:44:24 | |
and £15 for the whip. | 0:44:24 | 0:44:25 | |
-So, shall we do the deal? £95. -95. -Thank you very much. | 0:44:28 | 0:44:32 | |
Wonderful. | 0:44:32 | 0:44:34 | |
So, after a slow start, | 0:44:35 | 0:44:37 | |
Thomas has come up from behind and could now be galloping ahead. | 0:44:37 | 0:44:41 | |
Only the auction will decide for sure. | 0:44:41 | 0:44:43 | |
Dear old Thomas Plant finally got going | 0:44:47 | 0:44:49 | |
and spent a cool £226 on five auction lots. | 0:44:49 | 0:44:52 | |
The Art Deco mesh evening bag, | 0:44:54 | 0:44:57 | |
the two-piece Mauchline ware paired with the Stanhope letter opener, | 0:44:57 | 0:45:01 | |
the brass sundial, | 0:45:01 | 0:45:03 | |
the leather riding crop... | 0:45:03 | 0:45:05 | |
..and the very broken Art Deco vase. | 0:45:06 | 0:45:09 | |
Paul Laidlaw took it steady, | 0:45:12 | 0:45:14 | |
spending just £163, also on five lots. | 0:45:14 | 0:45:17 | |
The 1930s silver and glass fruit bowl, | 0:45:19 | 0:45:23 | |
the 1940s Bush radio, | 0:45:23 | 0:45:25 | |
the Magi bronzes vases, | 0:45:25 | 0:45:28 | |
the Troika vase in the shape of a coffin, | 0:45:28 | 0:45:30 | |
and the novelty teapot in the shape of a cannon. | 0:45:30 | 0:45:33 | |
Now, surely our boys have impressed each other? | 0:45:33 | 0:45:36 | |
Plant is back in the game. | 0:45:39 | 0:45:41 | |
Laidlaw, the outlaw... | 0:45:41 | 0:45:42 | |
HE LAUGHS | 0:45:42 | 0:45:44 | |
..with his £5 Bush radio! | 0:45:44 | 0:45:46 | |
Almost a gift, another freebie! | 0:45:46 | 0:45:49 | |
Tom has surprised the hell out of me today. | 0:45:49 | 0:45:52 | |
I did not think he would go for it, and, boy, did he. | 0:45:52 | 0:45:56 | |
To be quite honest with you, I am liking his choices today. | 0:45:56 | 0:46:00 | |
The auction waits for no man. | 0:46:00 | 0:46:02 | |
Thomas and Paul have made good time from Bolsover to Clowne, | 0:46:02 | 0:46:06 | |
Newark to Melton Mowbray, and with their auction hopes | 0:46:06 | 0:46:10 | |
about to meet the bidders of Stamford. | 0:46:10 | 0:46:13 | |
Batemans saleroom is ready and waiting. | 0:46:13 | 0:46:17 | |
First thing's first, some honest truths | 0:46:19 | 0:46:21 | |
from the house valuer, Kate Bateman. | 0:46:21 | 0:46:24 | |
-Whose is the Frankenstein stapled glass vase? -Mine. | 0:46:24 | 0:46:28 | |
What were you thinking!? Seriously, it's got, like... It's awful. | 0:46:28 | 0:46:31 | |
There's a lovely skip in the corner... | 0:46:31 | 0:46:34 | |
-No way! -If it doesn't sell... -No way! | 0:46:34 | 0:46:36 | |
Who's going to win? | 0:46:36 | 0:46:37 | |
You're fairly evenly matched, I have to say, | 0:46:37 | 0:46:39 | |
because you've each got something - | 0:46:39 | 0:46:41 | |
your sundial might do OK, but your vases should be good. | 0:46:41 | 0:46:43 | |
The auctioneer today is David Palmer, | 0:46:43 | 0:46:46 | |
and he's hard to miss - like his waistcoats. | 0:46:46 | 0:46:49 | |
First up is the pretty mesh bag that Thomas bought for £25. | 0:46:51 | 0:46:56 | |
£10, the evening bag. | 0:46:56 | 0:46:58 | |
10, got to be worth a £10 note, | 0:46:58 | 0:47:00 | |
it could be silver or platinum or anything. | 0:47:00 | 0:47:02 | |
-12, sir. -12 here, with the net at £12, | 0:47:02 | 0:47:05 | |
the net comes in at 12. | 0:47:05 | 0:47:06 | |
15 off you in the room? | 0:47:06 | 0:47:07 | |
15, net at 15. | 0:47:07 | 0:47:09 | |
18, room at 18. | 0:47:09 | 0:47:10 | |
At 18, net go again... | 0:47:10 | 0:47:12 | |
Interesting - Kate has a live bidder on the net. | 0:47:12 | 0:47:15 | |
20, 22? 22. | 0:47:15 | 0:47:18 | |
The gent down here at 25. | 0:47:18 | 0:47:19 | |
-At 25, have another go, sir. -Go on! | 0:47:19 | 0:47:21 | |
At 25. 28? | 0:47:21 | 0:47:24 | |
Goes then at £25... | 0:47:24 | 0:47:25 | |
-No, surely it's worth more. -All done at 25. | 0:47:25 | 0:47:28 | |
One more... 25. | 0:47:29 | 0:47:31 | |
Not a good start, Tom, but something else has been sold - | 0:47:31 | 0:47:33 | |
Paul's chair! | 0:47:33 | 0:47:35 | |
Excuse me, could I take your chair, please? | 0:47:36 | 0:47:38 | |
What? You've bought it!? | 0:47:38 | 0:47:40 | |
Oh, my word. | 0:47:40 | 0:47:42 | |
What did you pay for it? | 0:47:42 | 0:47:43 | |
(I'll follow you!) | 0:47:45 | 0:47:46 | |
Such a gent. | 0:47:46 | 0:47:48 | |
The next lot's yours, though, so don't be long, | 0:47:48 | 0:47:51 | |
and get another chair, while you're at it. | 0:47:51 | 0:47:53 | |
(Excuse me. Excuse me, I'm back.) | 0:47:53 | 0:47:56 | |
It's the 1930s silver-plated bowl, Art Deco in style, | 0:47:58 | 0:48:01 | |
and bought very reasonably for £14. | 0:48:01 | 0:48:04 | |
If you saw this in Liberty's shop it'd be like 1,500 quid. | 0:48:05 | 0:48:09 | |
In Stamford let's start at £20. 20 quid for it? 20. | 0:48:09 | 0:48:13 | |
10, then. | 0:48:13 | 0:48:14 | |
-No, no, no. -Tenner bid, in the middle at 10. | 0:48:14 | 0:48:18 | |
And I sell... 10, 12, 15. | 0:48:18 | 0:48:21 | |
18? 18 on the net. | 0:48:21 | 0:48:23 | |
18, 20. In the room at 20, 22. | 0:48:23 | 0:48:26 | |
25. At 25. | 0:48:26 | 0:48:28 | |
It goes at 25, take eight. | 0:48:28 | 0:48:30 | |
28, 30. At £30. | 0:48:30 | 0:48:33 | |
It goes then at 30, and I sell at £30. | 0:48:33 | 0:48:35 | |
-The bid's in the room at 30. -Keep going... | 0:48:35 | 0:48:37 | |
Is that it at £30? | 0:48:37 | 0:48:38 | |
-I'll take that, I'll take that. -Doubled your money. | 0:48:40 | 0:48:43 | |
Very decent sale, a £16 profit before commission, | 0:48:43 | 0:48:46 | |
and we're then straight into another one of Paul's pieces. | 0:48:46 | 0:48:50 | |
His wonderful Bush Bakelite radio, which cost just a fiver. | 0:48:52 | 0:48:55 | |
Ah, the brown one. | 0:48:57 | 0:48:59 | |
The brown ones are particularly rare. | 0:48:59 | 0:49:01 | |
Brown is the new black. | 0:49:01 | 0:49:03 | |
20 I'm bid, at 20 now, and I sell at 20, take two. | 0:49:03 | 0:49:07 | |
Down here at 22. With the internet at 22. | 0:49:07 | 0:49:10 | |
There's nobody else? | 0:49:10 | 0:49:12 | |
-That'll do me nicely, Thomas. -Can't moan about that, Mr Laidlaw. | 0:49:12 | 0:49:16 | |
Spot-on, Paul - £17 before auction costs, and only your second item. | 0:49:16 | 0:49:20 | |
Here comes Thomas's Mauchline ware and paper knife. | 0:49:22 | 0:49:26 | |
We go straight in at 20 quid. | 0:49:27 | 0:49:30 | |
20, 22, 25, 28, 30, | 0:49:30 | 0:49:33 | |
35, 40, | 0:49:33 | 0:49:35 | |
45, 50, | 0:49:35 | 0:49:37 | |
55, 60, | 0:49:37 | 0:49:38 | |
65, 70, | 0:49:38 | 0:49:40 | |
-75... -You're there. | 0:49:40 | 0:49:42 | |
At 80. Done then at 80, now. | 0:49:42 | 0:49:45 | |
And five. 90, 95, 100, | 0:49:45 | 0:49:47 | |
110, 120, | 0:49:47 | 0:49:49 | |
130, 140, | 0:49:49 | 0:49:50 | |
150, 160... | 0:49:50 | 0:49:52 | |
At £160 now, against you at 160. | 0:49:52 | 0:49:54 | |
Have another go, sir! | 0:49:54 | 0:49:56 | |
170. | 0:49:56 | 0:49:57 | |
180. | 0:49:57 | 0:49:59 | |
190, 200. | 0:49:59 | 0:50:02 | |
At £200 now. | 0:50:02 | 0:50:03 | |
I tell you what, as it's you, I'll take a fiver - 205? | 0:50:03 | 0:50:05 | |
I know you, too! | 0:50:05 | 0:50:07 | |
At 200, goes then at £200. | 0:50:07 | 0:50:10 | |
You're all out here. | 0:50:10 | 0:50:11 | |
You're out in the room, last chance, sir. | 0:50:11 | 0:50:13 | |
-Go on! -Finished and done at 200. | 0:50:13 | 0:50:16 | |
Lend him a fiver. | 0:50:16 | 0:50:18 | |
LAUGHTER | 0:50:18 | 0:50:20 | |
£200... | 0:50:20 | 0:50:21 | |
Shocked is all I can say to that. | 0:50:22 | 0:50:25 | |
He's made £120 profit before commission - wow! | 0:50:25 | 0:50:29 | |
-Nice little earner. -Everything now is all gravy for me. | 0:50:29 | 0:50:32 | |
It's all gravy. | 0:50:32 | 0:50:33 | |
And what could be better than to now have some fun? | 0:50:33 | 0:50:37 | |
Thomas's whip. | 0:50:37 | 0:50:38 | |
Um, put it in at what? 20 quid? | 0:50:39 | 0:50:41 | |
£10. Fiver for the riding whip. | 0:50:41 | 0:50:43 | |
-Oh, no! -Don't be shy. Five. | 0:50:43 | 0:50:46 | |
With the kinky lady now at six. | 0:50:46 | 0:50:48 | |
Seven, eight, nine. | 0:50:48 | 0:50:50 | |
10, 12, at 12. | 0:50:50 | 0:50:53 | |
-Go on, one more and I break even. -15. -Yes, I break even! | 0:50:53 | 0:50:57 | |
18. | 0:50:57 | 0:50:58 | |
I tell you what, I'll throw the bloke in with it! | 0:50:58 | 0:51:00 | |
LAUGHTER | 0:51:00 | 0:51:02 | |
Go 20. | 0:51:02 | 0:51:03 | |
20, sell in the second row at 20. | 0:51:03 | 0:51:06 | |
22, goes then at 22, and I sell at 22. | 0:51:06 | 0:51:10 | |
Oh, wonderful! | 0:51:12 | 0:51:13 | |
Not only did the whip make £7 profit before commission, | 0:51:13 | 0:51:17 | |
but everyone's had a good laugh. | 0:51:17 | 0:51:19 | |
Truly original, it's the cannon teapot, | 0:51:21 | 0:51:23 | |
perfect for a military man - or woman. | 0:51:23 | 0:51:26 | |
I think this is fun. 20 quid for it, straight in, £20. | 0:51:27 | 0:51:31 | |
The teapot, a novelty teapot. | 0:51:31 | 0:51:32 | |
-It's got to be worth it. -Oh, you cheapskates! | 0:51:32 | 0:51:35 | |
Tenner then. £10. | 0:51:35 | 0:51:36 | |
10, over here at 10. | 0:51:36 | 0:51:39 | |
15, 18... | 0:51:39 | 0:51:41 | |
20. Here at 20. | 0:51:41 | 0:51:43 | |
25 in the room. | 0:51:43 | 0:51:45 | |
In the room at 25. And I sell then at £25. | 0:51:45 | 0:51:48 | |
£25, there you are, it made £5 profit. | 0:51:49 | 0:51:52 | |
You said it, Thomas. | 0:51:52 | 0:51:53 | |
Next it's Thomas's Art Deco glass vase. | 0:51:54 | 0:51:58 | |
Yes, it's a bit broken, but it might just surprise us all. | 0:51:58 | 0:52:01 | |
Put it in at 20 quid, 20? | 0:52:01 | 0:52:03 | |
Madame? | 0:52:05 | 0:52:06 | |
Tenner then. | 0:52:07 | 0:52:08 | |
This doesn't look good. | 0:52:10 | 0:52:11 | |
And I sell at ten, take two. | 0:52:11 | 0:52:14 | |
Can you hear me? | 0:52:14 | 0:52:16 | |
At ten, finished and done then at £10... | 0:52:16 | 0:52:19 | |
12. | 0:52:19 | 0:52:20 | |
12, 15, 18, 20... | 0:52:20 | 0:52:23 | |
At 20, you're out. Done then at £20. | 0:52:24 | 0:52:26 | |
Is that it, nothing on the net? | 0:52:26 | 0:52:28 | |
All done at £20... | 0:52:28 | 0:52:29 | |
Oh dear, that's a loss, but what did you expect, Thomas? | 0:52:31 | 0:52:35 | |
What do you care, Tom? | 0:52:35 | 0:52:36 | |
To be quite frank, what do you care? | 0:52:36 | 0:52:38 | |
Troika next - a unique piece from the iconic Cornish-based factory. | 0:52:39 | 0:52:44 | |
A dream. | 0:52:44 | 0:52:45 | |
£30 for it. £30, 30 I'm bid. | 0:52:45 | 0:52:48 | |
30, take the two now. | 0:52:48 | 0:52:50 | |
Is that it? 32. | 0:52:50 | 0:52:52 | |
Right next to you, sir, 35. | 0:52:52 | 0:52:54 | |
38 here, 40. | 0:52:54 | 0:52:55 | |
At 40. In the light shouted 40, take five again. | 0:52:55 | 0:52:58 | |
Or two, even. | 0:52:58 | 0:53:00 | |
At 40, and two. | 0:53:00 | 0:53:02 | |
42, 45, in the room at 45. | 0:53:02 | 0:53:05 | |
Net, you are out. | 0:53:05 | 0:53:06 | |
Sell then at 45. | 0:53:06 | 0:53:08 | |
Do you want 50? | 0:53:08 | 0:53:09 | |
50, 55. | 0:53:09 | 0:53:11 | |
At 55. | 0:53:11 | 0:53:12 | |
Goes at 55. | 0:53:12 | 0:53:14 | |
At £55, nobody else? | 0:53:14 | 0:53:16 | |
With that profit on the vase, they are practically neck-and-neck. | 0:53:17 | 0:53:21 | |
Very respectable. Well done, Mr Laidlaw. | 0:53:21 | 0:53:24 | |
So, Thomas's last piece - the sundial. | 0:53:24 | 0:53:28 | |
It might make all the difference. | 0:53:28 | 0:53:30 | |
Let's start at 50 quid. | 0:53:30 | 0:53:32 | |
50 I'm bid. 55, 60, 65, | 0:53:32 | 0:53:35 | |
70, 75, | 0:53:35 | 0:53:37 | |
80, 85, | 0:53:37 | 0:53:39 | |
90, 95, | 0:53:39 | 0:53:41 | |
100. At 100 now. At £100. | 0:53:41 | 0:53:44 | |
Take the ten. | 0:53:44 | 0:53:45 | |
Yes, 110, 120. | 0:53:45 | 0:53:47 | |
Done then at 120. | 0:53:47 | 0:53:48 | |
Net, you're out. 130, 140, | 0:53:48 | 0:53:50 | |
At 140. | 0:53:50 | 0:53:52 | |
Keep going, net, 170, 180, | 0:53:52 | 0:53:54 | |
180. Done at 180. | 0:53:56 | 0:53:58 | |
190, 200. | 0:53:58 | 0:54:00 | |
At £200, net, you are out. | 0:54:00 | 0:54:02 | |
At £200. | 0:54:02 | 0:54:04 | |
At £200, then, I sell at 200. | 0:54:04 | 0:54:07 | |
Anyone else? | 0:54:07 | 0:54:08 | |
Finished and done at 200... | 0:54:08 | 0:54:11 | |
Well, after a mediocre auction yesterday, Thomas is storming ahead. | 0:54:11 | 0:54:15 | |
I feel vindicated. I just feel... Oooh! | 0:54:15 | 0:54:19 | |
The final item of the day - | 0:54:23 | 0:54:25 | |
Paul's much-praised, rare Japanese vases, | 0:54:25 | 0:54:28 | |
bought for only £80, worth - hopefully - hundreds! | 0:54:28 | 0:54:31 | |
£50 for them, 50? | 0:54:32 | 0:54:34 | |
20 quid then. | 0:54:34 | 0:54:36 | |
20 I'm bid, 25. | 0:54:36 | 0:54:37 | |
30. | 0:54:37 | 0:54:39 | |
35. | 0:54:39 | 0:54:40 | |
40. | 0:54:42 | 0:54:43 | |
45? 45. | 0:54:43 | 0:54:45 | |
-Stick with it, madam, 50. -It should be easier than this, surely? | 0:54:45 | 0:54:49 | |
-I sell down here at £50. -What?! | 0:54:49 | 0:54:50 | |
At 50, anybody else? Nothing on the net? | 0:54:50 | 0:54:53 | |
All done at 50, goes then at 50, | 0:54:53 | 0:54:55 | |
-sell with the lady at 50... -Oh, no, no... | 0:54:55 | 0:54:58 | |
-I'm going to cry. -Paul... | 0:54:59 | 0:55:01 | |
-I'm going to cry. -Paul, that is terrible. | 0:55:01 | 0:55:03 | |
How did that happen? | 0:55:03 | 0:55:04 | |
A crushing final blow which means Thomas has streaked ahead. | 0:55:05 | 0:55:09 | |
I think I'd rather have taken a damn good thrashing from your whip | 0:55:09 | 0:55:12 | |
than sit and watch you make those killings there, Thomas! | 0:55:12 | 0:55:16 | |
Please, gentlemen, | 0:55:17 | 0:55:19 | |
I think we've had enough talk about whips for one day. | 0:55:19 | 0:55:22 | |
Now, how about some totals? | 0:55:22 | 0:55:24 | |
Paul started this leg with £227.54, | 0:55:25 | 0:55:28 | |
and after paying auction costs made a loss of £13.76, | 0:55:28 | 0:55:33 | |
giving him just £213.78, to take back out on the road. | 0:55:33 | 0:55:38 | |
Meanwhile, Thomas has had a splendid day. | 0:55:43 | 0:55:46 | |
He began the leg with £226.62, | 0:55:46 | 0:55:50 | |
and made a tidy profit of £156.94. | 0:55:50 | 0:55:54 | |
Our victor now has £383.56 to carry forward. | 0:55:54 | 0:56:00 | |
-Right, let's go buy some more stuff. -Let's do it! -Yeah. | 0:56:04 | 0:56:06 | |
And in high spirits, they set off on their next antique adventure. | 0:56:08 | 0:56:12 | |
Paul is going to get back to basics... | 0:56:12 | 0:56:16 | |
It was there, it was big, it was Brown... | 0:56:16 | 0:56:19 | |
It was furniture! | 0:56:19 | 0:56:21 | |
And, for once, Thomas gets a bonus. | 0:56:21 | 0:56:23 | |
-I can't complain, that's a freebie. -It's a freebie. | 0:56:23 | 0:56:27 | |
EXCITED LAUGHTER | 0:56:28 | 0:56:30 | |
Subtitles by Red Bee Media Ltd | 0:56:33 | 0:56:37 |