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-The nation's favourite antiques experts, £200 each and one big challenge. -I'll declare war. -Why? | 0:00:02 | 0:00:09 | |
-Who can make the most money buying and selling antiques as they scour the UK? -Can you make it...? -No. | 0:00:09 | 0:00:15 | |
-The aim is to trade up and hope each antique turns a profit. -Ouch! | 0:00:15 | 0:00:19 | |
-But it's not as easy as you might think and things don't always go to plan. -Push! | 0:00:19 | 0:00:24 | |
Will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Ooh! -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
We're on the road with intrepid antiques hunters Thomas Plant and Paul Laidlaw, | 0:00:37 | 0:00:42 | |
battling it out on the field of shopping and cruising in their suave Alfa Romeo. | 0:00:42 | 0:00:48 | |
-I'm all wet! -LAUGHTER | 0:00:50 | 0:00:52 | |
They're in high spirits, especially Thomas after his auction glory. | 0:00:52 | 0:00:57 | |
£200... | 0:00:57 | 0:01:00 | |
Everything now is all gravy for me. | 0:01:00 | 0:01:02 | |
Our fine art auctioneer is now loaded with £383.56 to spend today. | 0:01:02 | 0:01:08 | |
Paul, our military enthusiast, fared less well. | 0:01:12 | 0:01:16 | |
He bought wisely, but the auction bidders shied away. | 0:01:16 | 0:01:20 | |
-I'm going to cry. -Paul, that is terrible. | 0:01:20 | 0:01:23 | |
So, today, he's only got £213.78. | 0:01:23 | 0:01:27 | |
Luckily, losses have not dampened Paul's enthusiasm to enlighten dear old Thomas. | 0:01:28 | 0:01:34 | |
-It's a braw day, I'll tell you that. -A braw day? -Braw. | 0:01:34 | 0:01:38 | |
-Fine, bonnie? -Yeah, a bonnie day. | 0:01:38 | 0:01:41 | |
Their long and winding road trip began in Skipton, | 0:01:42 | 0:01:46 | |
heading through Derbyshire to Stamford, then Cambridgeshire, | 0:01:46 | 0:01:49 | |
before switching south and facing a finale at Pewsey. | 0:01:49 | 0:01:53 | |
We're kicking off in Huntingdon. | 0:01:53 | 0:01:55 | |
On this leg, if all goes well, we'll end up at auction in Towcester. | 0:01:55 | 0:02:00 | |
The first shop is Hunts Antiques & Collectables and what a welcome for our likely lads! | 0:02:00 | 0:02:06 | |
Good morning. Hello, girls. What a lovely reception! | 0:02:08 | 0:02:11 | |
Let's hope that there's lots of beautiful antiques like our beautiful reception! | 0:02:11 | 0:02:17 | |
Oh, pass the sick bag! Apologies to the ladies of Huntingdon | 0:02:17 | 0:02:21 | |
and perhaps our experts' eyes can seek some other items of beauty. | 0:02:21 | 0:02:26 | |
Paul starts with his own reflection. | 0:02:26 | 0:02:28 | |
Here we've got an over-mantel mirror, late Victorian. | 0:02:28 | 0:02:31 | |
Marquetry-inlaid rosewood. | 0:02:31 | 0:02:34 | |
Good quality turnings. Bevel-edged mirror plates. | 0:02:34 | 0:02:38 | |
The mirror is not oxidised and the condition, | 0:02:38 | 0:02:41 | |
apart from a repair to that little turned column there, | 0:02:41 | 0:02:45 | |
which, frankly, doesn't worry me too much, is sharp enough. | 0:02:45 | 0:02:49 | |
They've had problems selling that at 85 and are now down to 50. | 0:02:49 | 0:02:53 | |
I want it for a fraction of that asking price. | 0:02:53 | 0:02:56 | |
Someone is keen to clinch the first sale of the day | 0:02:56 | 0:03:00 | |
and I'm sure Paul won't be shy with his haggling. | 0:03:00 | 0:03:03 | |
-It was 85. Forget that. It's now 50. -OK. | 0:03:03 | 0:03:07 | |
I'm hoping to God that the seller is going to give me a present with that. | 0:03:07 | 0:03:13 | |
-Are you going to have to make a phone call? -I'm going to have to make a phone call. | 0:03:13 | 0:03:18 | |
Julie, upstairs... | 0:03:18 | 0:03:20 | |
your over-mantel. | 0:03:20 | 0:03:22 | |
He's offering £10 or £15. | 0:03:22 | 0:03:25 | |
-No, but that was half. That wasn't... -I know. I thought it was funny as well. | 0:03:25 | 0:03:29 | |
-Just something off it. -Would you like to have a word with him? | 0:03:29 | 0:03:33 | |
Hi. Look, I'm not taking the mickey. | 0:03:33 | 0:03:35 | |
I think my estimate in an auction is £30 to £60 on that. | 0:03:36 | 0:03:40 | |
Can we do it? Thank you very much indeed. I'll hand you back. All the best to you. Bye! | 0:03:40 | 0:03:45 | |
Not quite the £15 he was hoping for, but still a good deal at £30, | 0:03:45 | 0:03:50 | |
and with hardly a pause, he's on the hunt for more. | 0:03:50 | 0:03:53 | |
There's not much of any age here apart from that clock. | 0:03:53 | 0:03:57 | |
Now he's spotted an American Ansonia clock. | 0:03:57 | 0:04:00 | |
So we're looking at a clock that's now 110 years old. | 0:04:01 | 0:04:05 | |
It looks like black marble, but it's lacquered cast iron. | 0:04:05 | 0:04:09 | |
And it looks really smart, | 0:04:09 | 0:04:11 | |
but it's the budget model. | 0:04:11 | 0:04:13 | |
All that glitters... | 0:04:13 | 0:04:15 | |
Knowing Paul, he'll want to slash that price tag down by half. Here we go again. Poor woman! | 0:04:15 | 0:04:21 | |
-£65 on it, ever the optimist. I'd love to get it for £30 in all honesty. -Let's try. | 0:04:21 | 0:04:26 | |
-Oh, hello. Chris? -Ask her if there's any way it can be 35. | 0:04:26 | 0:04:29 | |
£40, final, lowest. | 0:04:29 | 0:04:33 | |
-Sold at £40. Thank you very much. -Thank you. | 0:04:33 | 0:04:35 | |
Paul's off to a fighting start and has already bagged two items, | 0:04:35 | 0:04:39 | |
but I'm slightly worried about Thomas as he's looking rather empty-handed. | 0:04:39 | 0:04:44 | |
I genuinely thought you'd gone. You've been quiet. | 0:04:44 | 0:04:47 | |
What, abandoned you? I thought you'd gone because you were quiet. | 0:04:47 | 0:04:51 | |
Normally, I hear the dulcet tones of Laidlaw... | 0:04:51 | 0:04:54 | |
-"Ooh!" -Yeah, yeah. -"We're doomed!" | 0:04:54 | 0:04:57 | |
-You know, the Scottish lilt. -Have you bought anything? -No. | 0:04:57 | 0:05:00 | |
Now Paul's done and dusted in this shop, Thomas needs to track down some bargains. | 0:05:00 | 0:05:06 | |
I don't think that's going to help, frankly. | 0:05:06 | 0:05:09 | |
# Davy, Davy Crockett King of the Wild Frontier... # | 0:05:09 | 0:05:13 | |
I'm looking for jewels. Even if it's costume, it's great. People love it. | 0:05:13 | 0:05:19 | |
What it is, it's a piece of vintage jewellery. | 0:05:19 | 0:05:21 | |
Marcasite necklace. | 0:05:21 | 0:05:24 | |
Marcasite is cut steel, cut in a triangle to make it look like a stone. | 0:05:24 | 0:05:30 | |
It's ticketed at £7.50. | 0:05:30 | 0:05:32 | |
I want to pay a fiver for it. | 0:05:34 | 0:05:36 | |
With the owner away and not answering the phone, our blonde bombshell comes to the rescue. | 0:05:36 | 0:05:42 | |
-Paula says that you can have it for £6. -6? Go on, £6. | 0:05:42 | 0:05:47 | |
Thank you very much. | 0:05:47 | 0:05:49 | |
Well, it's not much of a dent in your £383, but it's a start, Thomas. | 0:05:49 | 0:05:54 | |
Meanwhile, Paul's absconded from the shopping trip and gone looking for an unusual piece of local history. | 0:05:54 | 0:06:00 | |
I don't recall the last time we saw a river. | 0:06:01 | 0:06:05 | |
From Huntingdon, he drives seven miles east to the village of Hemingford Grey, | 0:06:05 | 0:06:10 | |
a rather beautiful place right by the River Ouse, his destination, the Manor, a house set in four acres | 0:06:10 | 0:06:16 | |
of flourishing gardens and with a fascinating past. Here to show him round is Diana Boston. | 0:06:16 | 0:06:21 | |
-Very nice to meet you. -Likewise. -Welcome. | 0:06:21 | 0:06:24 | |
-What are we looking at here? -Well, we're looking at either the oldest | 0:06:24 | 0:06:28 | |
or continuously oldest inhabited house in Britain, | 0:06:28 | 0:06:32 | |
but obviously, we're not looking... | 0:06:32 | 0:06:34 | |
-Not from this prospect. -No, not from this prospect. | 0:06:34 | 0:06:38 | |
No, the original front door is in the south wall of the house and this is the north wall. | 0:06:38 | 0:06:43 | |
This beautiful house was built by the Normans in 1139 | 0:06:43 | 0:06:48 | |
and over its many centuries has been added on to by the Tudors and the Georgians, | 0:06:48 | 0:06:53 | |
creating this amazing building. | 0:06:53 | 0:06:56 | |
The Manor is Diana's private home, but she does open it to the public, | 0:06:56 | 0:07:00 | |
so that they too can enjoy this wonderful piece of history. | 0:07:00 | 0:07:03 | |
-Right, come in, Paul. -The house was also made famous by Diana's mother-in-law, Lucy Boston, | 0:07:03 | 0:07:09 | |
a famous children's author who used the house and its contents as inspiration. | 0:07:09 | 0:07:14 | |
And it's easy to see why. | 0:07:14 | 0:07:16 | |
-What a cosy... I've got to say, my human reaction is, what a cosy room! -It is a cosy room, isn't it? | 0:07:17 | 0:07:25 | |
The centrepiece must be this splendid Tudor chimney breast. | 0:07:25 | 0:07:29 | |
It's huge and still has its bread oven and salt cupboard. | 0:07:29 | 0:07:34 | |
And that chimney goes absolutely slap-bang straight up to the top of the house. | 0:07:34 | 0:07:40 | |
And so sometimes when you're sitting here, it's the first time you know it's snowing | 0:07:40 | 0:07:45 | |
because you see the flakes coming down. | 0:07:45 | 0:07:48 | |
Right, Paul, now we're coming back into the old part of the house. | 0:07:48 | 0:07:53 | |
-The light and again the views... -I know, the view. -They're postcards. -Yes. | 0:07:53 | 0:07:59 | |
Hand-made glass does something subliminal. | 0:07:59 | 0:08:03 | |
So you've got the two centuries 600 years apart. | 0:08:03 | 0:08:08 | |
You've got the Georgian and the good old Norman, solid stone arch. | 0:08:08 | 0:08:13 | |
We've got a Victorian cheval mirror, | 0:08:13 | 0:08:16 | |
then Victorian tub chair, Victorian, splendid brass and iron half tester bed. | 0:08:16 | 0:08:21 | |
It's all in there, but it works! | 0:08:21 | 0:08:25 | |
This really is a splendid home, but typically, Paul's eyes are drawn to the antiques. | 0:08:25 | 0:08:31 | |
I can see you've spotted something else and you're not a bit interested in my house. | 0:08:31 | 0:08:36 | |
This is wonderful, but is that an EMG? | 0:08:36 | 0:08:39 | |
That is an EMG. HE LAUGHS EXCITEDLY | 0:08:39 | 0:08:43 | |
Oh, my word! | 0:08:43 | 0:08:45 | |
Steady, Paul. Take a tablet. | 0:08:45 | 0:08:47 | |
EMG, otherwise known as Ellis Michael Ginn, | 0:08:47 | 0:08:50 | |
were responsible for producing some of the best gramophones at the time in the world. | 0:08:50 | 0:08:55 | |
These are now serious collectors' items. No wonder Paul is excited. | 0:08:55 | 0:08:59 | |
For me, in the first instance, they are so sculptural. | 0:08:59 | 0:09:04 | |
Acoustically, in its day, this was it. | 0:09:04 | 0:09:07 | |
Somebody made it with love and it's extraordinary to think | 0:09:07 | 0:09:11 | |
this huge great horn is made out of 1920s London telephone directories. | 0:09:11 | 0:09:16 | |
-It's papier-mache, isn't it? -The papier-mache goes right the way down to here | 0:09:16 | 0:09:21 | |
and this then is brass to here. | 0:09:21 | 0:09:24 | |
That is a magical instrument, I've got to say. | 0:09:24 | 0:09:29 | |
-Any chance of...? -You'd like to hear it? | 0:09:29 | 0:09:32 | |
How about that? Yes, let's. | 0:09:32 | 0:09:34 | |
The whole ceremony of winding it up, sharpening the needle and putting on a record | 0:09:34 | 0:09:39 | |
is part of the gramophone's fascination, but for Paul, I think we've lost him to the music. | 0:09:39 | 0:09:45 | |
Oh, Lordy! | 0:09:45 | 0:09:48 | |
WOMAN SINGING ROMANTIC SONG | 0:09:48 | 0:09:50 | |
While Paul is away with the wee fairies, | 0:09:53 | 0:09:56 | |
Thomas is keen to keep spending. | 0:09:56 | 0:09:59 | |
It's just a small town, | 0:10:01 | 0:10:03 | |
but Ramsey has the remains of a very famous Benedictine abbey. | 0:10:03 | 0:10:08 | |
Missionary Thomas is still looking to convert his cash | 0:10:09 | 0:10:13 | |
into auction profits. | 0:10:13 | 0:10:15 | |
Perhaps Abbey Antiques and shop owner Rita can help him. | 0:10:15 | 0:10:19 | |
-How long have you been here? -Over 30 years. -Really? | 0:10:20 | 0:10:24 | |
I'm sure you're only 21. | 0:10:24 | 0:10:26 | |
Thomas, stop the charm offensive and start hunting, will you? | 0:10:26 | 0:10:30 | |
Basically, because there's some silver and jewellery in here, I'm just going to have a look at it. | 0:10:30 | 0:10:36 | |
It's a Georgian silver spoon which has had this bright cut design to it. | 0:10:36 | 0:10:41 | |
It's quite sweet, really. | 0:10:41 | 0:10:43 | |
There's another spoon here. This is fiddle pattern. | 0:10:43 | 0:10:47 | |
And you can see the fiddle here. | 0:10:47 | 0:10:49 | |
And again this is a Victorian spoon. | 0:10:50 | 0:10:53 | |
These two spoons are priced at £54 for the pair, | 0:10:53 | 0:10:58 | |
but I'm sure Thomas can work his magic. | 0:10:58 | 0:11:01 | |
I've had a word with my husband and he said yes, they can both be... | 0:11:01 | 0:11:05 | |
-£18? -Each. -Really? -Yes. -OK, wonderful. | 0:11:05 | 0:11:09 | |
-I will buy those, but can I look at other things? -Yes. | 0:11:09 | 0:11:12 | |
This is a nurse's belt. The silver is malleable. It bends. This is plated. | 0:11:14 | 0:11:19 | |
It's quite a nice nurse's belt, though, isn't it? | 0:11:19 | 0:11:23 | |
It wouldn't go round my waist. Look at that. | 0:11:23 | 0:11:26 | |
No, Thomas, it's for a lady if you haven't noticed. | 0:11:26 | 0:11:30 | |
Not for a beast like me. | 0:11:30 | 0:11:32 | |
-I know it doesn't fit me... -SHE LAUGHS | 0:11:32 | 0:11:36 | |
But I quite like it. I know it's silver plate, but that doesn't matter. It's rather delightful. | 0:11:36 | 0:11:41 | |
What's the very, very best on that? | 0:11:41 | 0:11:43 | |
As I like you... | 0:11:43 | 0:11:46 | |
I'll do you a special price of 15. | 0:11:46 | 0:11:48 | |
Yeah, I think I'll go for that as well if that's all right. So 15 for this... | 0:11:48 | 0:11:53 | |
and then we've got 36 for those. | 0:11:53 | 0:11:55 | |
-So that's 51. -51. -£51. Shall we call it a cool 50? | 0:11:55 | 0:11:59 | |
-After knocking all that off for you? -I know, I know, I know. | 0:11:59 | 0:12:03 | |
-Would you mind? -Well, you do smile nicely. | 0:12:03 | 0:12:07 | |
Please, Rita, don't encourage him! | 0:12:07 | 0:12:09 | |
-That's very sweet. -Thomas pockets his three pieces, a nice addition to his necklace. -Thank you very much. | 0:12:09 | 0:12:15 | |
And another good day's treasure hunting draws to an end. | 0:12:15 | 0:12:19 | |
Night-night, chaps. | 0:12:19 | 0:12:21 | |
As the sun shines across Cambridgeshire, our intrepid experts are on the road again. | 0:12:22 | 0:12:28 | |
So far, Paul has two buys under his belt for £70. | 0:12:31 | 0:12:35 | |
Thomas played safe and only spent £56, leaving a ripe £383 still in his pocket. | 0:12:37 | 0:12:43 | |
That's very sweet. Thank you very much. | 0:12:43 | 0:12:46 | |
Let's hope he digs deeper as our chaps head west, | 0:12:46 | 0:12:49 | |
leaving Cambridgeshire, entering Northamptonshire and on to the town of Finedon. | 0:12:49 | 0:12:55 | |
With two antique shops bang next door to each other, I wonder what our dynamic duo will come up with? | 0:12:59 | 0:13:05 | |
See you in a minute. | 0:13:05 | 0:13:08 | |
-Hello. -Hello. -I'm Thomas. -Hi, Thomas. It's Sean. -Sean, very nice to meet you. -Nice to meet you. | 0:13:08 | 0:13:13 | |
I'm going to enjoy having a good look round. | 0:13:13 | 0:13:16 | |
Thomas wastes no time in letting owner Sean know what he's looking for. | 0:13:18 | 0:13:24 | |
Are you sure you haven't got any jewels floating about? | 0:13:24 | 0:13:28 | |
Um...I've possibly got some things and also some silver. | 0:13:28 | 0:13:32 | |
I only live down the road. I was going to bring it in the shop, but we don't tend to keep valuable silver. | 0:13:32 | 0:13:39 | |
So Thomas is off to see a secret bit of silver down at Sean's. | 0:13:39 | 0:13:43 | |
-Are we going to walk or drive? -Walk. -It's only down the road, isn't it? -Yeah. | 0:13:43 | 0:13:48 | |
There's a few items over there. Look, a nice scent bottle. | 0:13:49 | 0:13:54 | |
A small Russian icon. | 0:13:54 | 0:13:56 | |
Yeah, that's nice. The scent bottle is sweet. | 0:13:56 | 0:13:59 | |
You've got a silver top there, Edwardiana. That's quite nice. | 0:13:59 | 0:14:05 | |
This heart-shaped scent bottle would certainly please the ladies at the auction or how about the clock? | 0:14:05 | 0:14:10 | |
-Lever escapement, Swiss, bit of ormolu. -Yeah. | 0:14:10 | 0:14:13 | |
-Bit of fun. -Lovely condition and a good movement. -Yeah. | 0:14:13 | 0:14:17 | |
Meanwhile, Paul is making good use of his time | 0:14:17 | 0:14:20 | |
and spotted a quirky Edwardian shelf or screen...in mahogany. | 0:14:20 | 0:14:25 | |
-Let's just cut to the chase. -Yes. | 0:14:27 | 0:14:29 | |
-It's got 48 on it. -Yeah. | 0:14:29 | 0:14:32 | |
-Don't mind me being shockingly cheeky. You'd have to want to get rid of it at 20-odd quid. -Oh! | 0:14:32 | 0:14:37 | |
The best I can really do for you on it would be 30. | 0:14:37 | 0:14:41 | |
Should we get it out and have a look at it? | 0:14:41 | 0:14:44 | |
It's just the quirkiest little screen you've seen in a long time. | 0:14:44 | 0:14:48 | |
-No way on God's Earth that's going to be a £20 job. -28. Now we must be getting there now. | 0:14:48 | 0:14:53 | |
We are getting close, aren't we? | 0:14:53 | 0:14:55 | |
I hate these rubbish numbers because 28, I always round up. At 25, I'll shake your hand and we'll do a deal. | 0:14:55 | 0:15:01 | |
You've squeezed me, but we'll do it. | 0:15:01 | 0:15:03 | |
Forever squeezing, Paul clinches the deal and heads off to see what's in Thomas's shop. | 0:15:03 | 0:15:08 | |
Little does he know Mr Plant has done a runner, | 0:15:08 | 0:15:11 | |
but what a wonderful opportunity to sweep in and find something that Thomas has missed! | 0:15:11 | 0:15:17 | |
Laidlaw in a desperate moment dares to ask the price | 0:15:17 | 0:15:21 | |
of a swivel toilet mirror that couldn't be further from fashionable. | 0:15:21 | 0:15:25 | |
I'll do that for £20 to give you a fighting chance. | 0:15:25 | 0:15:28 | |
These should be easy sellers all day long because they're such good things in houses. | 0:15:28 | 0:15:33 | |
And the problem with these is, you and I appreciate them, and no-one wants to know. | 0:15:33 | 0:15:38 | |
They're just unloved and I'm not going to take the mickey at £20. Thanks very much. | 0:15:38 | 0:15:44 | |
Oh, no, Paul's buying flurry isn't over yet. | 0:15:44 | 0:15:47 | |
He's off to find yet another shop | 0:15:47 | 0:15:49 | |
while Thomas is still deliberating over the scent bottle and clock over at Sean's. | 0:15:49 | 0:15:54 | |
What could you do that for? | 0:15:54 | 0:15:56 | |
I tell you what, as we've had such a good day, this is a crucifying price at £90. | 0:15:56 | 0:16:03 | |
-You said 220 for the clock. -Yeah. | 0:16:03 | 0:16:05 | |
What would be your uber-best on that one if I went with these two? | 0:16:05 | 0:16:11 | |
190 would be the cheapest on that clock. | 0:16:11 | 0:16:14 | |
Back to the shop and, after a lot of thought, Thomas has yet another fine item to consider. | 0:16:14 | 0:16:21 | |
If you like that style of French clock... | 0:16:23 | 0:16:26 | |
..I personally think that's a better quality one. | 0:16:27 | 0:16:31 | |
That one can be 210. | 0:16:31 | 0:16:33 | |
Actually, you're right. That is a little boudoir clock. | 0:16:33 | 0:16:37 | |
It's titchy. This is the boy! Can I have a 1 in front of this somewhere along the line? | 0:16:37 | 0:16:42 | |
You're really, really pushing... | 0:16:42 | 0:16:45 | |
I know I'm pushing, but I'm asking. | 0:16:45 | 0:16:47 | |
190 is the absolute death and that's, in my view, giving it away, but it's... | 0:16:47 | 0:16:53 | |
180? I'm thinking as an auctioneer. | 0:16:53 | 0:16:57 | |
-180. -Yeah? -As I'm feeling worn down. | 0:16:57 | 0:17:00 | |
Thomas, you've got your reduction. At least make up your mind now. | 0:17:00 | 0:17:04 | |
You just hate parting with any cash. | 0:17:04 | 0:17:06 | |
-Can we make it...? -No. -No? -No, don't even ask. | 0:17:06 | 0:17:09 | |
If you ask, the price is going up. | 0:17:09 | 0:17:12 | |
Right, OK, OK. I get where we are. | 0:17:12 | 0:17:15 | |
Thomas finally opts for the scent bottle and the rather expensive French clock | 0:17:15 | 0:17:20 | |
at £270 for the two. | 0:17:20 | 0:17:22 | |
Let me see if I can throw something in to ease the pain. | 0:17:24 | 0:17:27 | |
I think that might give you a chance. | 0:17:27 | 0:17:30 | |
-What is it? -I think it's an American high school fraternity ring, silver. | 0:17:30 | 0:17:35 | |
-Bit of fun. -"Central High." Thank you very much. I can't look a gift horse in the mouth. | 0:17:35 | 0:17:41 | |
While Paul decides, with £100 still to spend, he will explore another tempting shop. | 0:17:43 | 0:17:48 | |
-Hello. I'm Paul. -I'm Nick. -Nick, good to see you. I'll be back in a mo. | 0:17:48 | 0:17:53 | |
This is a palace of retro. | 0:17:55 | 0:17:57 | |
Look, there you go. There's a little wrist watch in there. | 0:17:57 | 0:18:01 | |
In a little lenticular... what may be a silver case. | 0:18:01 | 0:18:05 | |
And looking at it from here, it will date to the 1910s or 1920s. | 0:18:05 | 0:18:09 | |
These are commonly called today trench watches. | 0:18:09 | 0:18:13 | |
These are red-hot at the moment. In the watch market, military watches of all periods on fire! | 0:18:13 | 0:18:20 | |
As long as it's assayed before 1918, you can call it a "trench watch". | 0:18:20 | 0:18:25 | |
It's temptingly priced at £25, but Paul needs to check two things. | 0:18:27 | 0:18:32 | |
Was it made before 1918 to be a bona-fide trench watch | 0:18:32 | 0:18:37 | |
and is it still working? | 0:18:37 | 0:18:39 | |
Bear with me while I look at my little bible here. | 0:18:39 | 0:18:43 | |
1918... | 0:18:43 | 0:18:45 | |
What I do is give these a little shake. | 0:18:45 | 0:18:48 | |
And the balance wheel there, if it's been dropped, the arbor that the balance wheel rotates on can snap, | 0:18:48 | 0:18:55 | |
and in a trench situation, it could take a knock and that could happen. | 0:18:55 | 0:18:59 | |
It's running. Is the mainspring any good? No. That's where it falls down. | 0:18:59 | 0:19:03 | |
I'm going to try and buy that, but not at £25. | 0:19:03 | 0:19:08 | |
-Hi. -Nick, how are you doing? -All right. -The wee watch you got for me, | 0:19:08 | 0:19:12 | |
if you try winding it, the winding pinion's shot. | 0:19:12 | 0:19:15 | |
-I need it for a tenner. -I think if we said 15, we'd shake hands. | 0:19:15 | 0:19:20 | |
You would shake hands, but I can't. | 0:19:21 | 0:19:24 | |
Any chance of that being a tenner? | 0:19:24 | 0:19:26 | |
£12? | 0:19:26 | 0:19:28 | |
-I've got you on the run now. -PAUL LAUGHS | 0:19:28 | 0:19:31 | |
It's a tenner, isn't it? | 0:19:31 | 0:19:33 | |
-£11. -Och, it's 11 quid. Nick, you're a good man. | 0:19:33 | 0:19:37 | |
As Paul emerges from the trenches of antique shopping, | 0:19:38 | 0:19:41 | |
it's time for our veterans to lay down their arms and go to auction. | 0:19:41 | 0:19:46 | |
Thomas took his £383.56 and spent a whopping £326 on six auction lots. | 0:19:48 | 0:19:55 | |
The pair of 19th century silver spoons... | 0:19:58 | 0:20:00 | |
..the silver/porcelain perfume bottle, | 0:20:02 | 0:20:05 | |
the Deco metal necklace, | 0:20:05 | 0:20:07 | |
the silver/onyx fraternity ring, | 0:20:07 | 0:20:10 | |
the Edwardian nurse's belt | 0:20:10 | 0:20:13 | |
and the gorgeous, but risky French rococo wall clock. Go, Thomas! | 0:20:13 | 0:20:18 | |
Paul had £213.78 | 0:20:21 | 0:20:25 | |
and spent £126 on five lots - | 0:20:25 | 0:20:28 | |
the Ansonia mantel clock, | 0:20:28 | 0:20:30 | |
the Victorian mantel mirror, | 0:20:30 | 0:20:33 | |
the Victorian swivel mirror, | 0:20:33 | 0:20:35 | |
the Edwardian mahogany screen | 0:20:35 | 0:20:38 | |
and the silver-cased trench watch. | 0:20:38 | 0:20:40 | |
Now, has either of our chaps impressed their travelling companion? | 0:20:40 | 0:20:45 | |
I can't say anything derogatory about any of his stuff because it's all good, clean stuff. | 0:20:45 | 0:20:50 | |
It's a little bit... "I might be a bit bored." | 0:20:50 | 0:20:53 | |
The diamante is junk and has no place in a catalogued auction. | 0:20:53 | 0:20:57 | |
The belt, I'm sorry to say, ditto. It may have some age, but it's junk. | 0:20:57 | 0:21:04 | |
Well, there's confidence for you(!) | 0:21:04 | 0:21:07 | |
Yeah, this leg of their journey started in Huntingdon and our boys travelled to Finedon | 0:21:07 | 0:21:12 | |
and now their fabulous finds will go under a hopeful hammer in Towcester. | 0:21:12 | 0:21:16 | |
Well, I've given you a trump card. | 0:21:21 | 0:21:23 | |
I spent so much money. | 0:21:23 | 0:21:26 | |
Do you want to go up? I think I should go up. I could be the loser on this one. | 0:21:26 | 0:21:30 | |
Holding the fort today is auctioneer Jonathan Humbert. | 0:21:30 | 0:21:34 | |
-I bought the really nice ormolu clock. -We like that - sexy, small. I think that's going to do all right. | 0:21:34 | 0:21:40 | |
How about Paul's really interesting clock, the cast-iron one? | 0:21:40 | 0:21:44 | |
-I think that's got a niche market. There are people that enjoy that sort of thing. -Scrappers? -Maybe. | 0:21:44 | 0:21:50 | |
This auction is split into jewellery and silver at the beginning and furniture at the end. | 0:21:50 | 0:21:55 | |
It's looking rather quiet, but let's hope it picks up. | 0:21:55 | 0:21:58 | |
First up, Thomas's silver spoons. | 0:21:58 | 0:22:00 | |
£30 bid. 5 online. At 40 if you like. 5 online, please? | 0:22:00 | 0:22:05 | |
-What did you buy these for? -36. -You're in the money. | 0:22:05 | 0:22:08 | |
£50 here and I'm selling at £50. Are we all out? | 0:22:08 | 0:22:10 | |
The hammer's up at £50... | 0:22:10 | 0:22:13 | |
-£50. -Bang on the money. -That's a good start, Thomas. | 0:22:14 | 0:22:17 | |
The next item is much riskier - the expensive perfume bottle. | 0:22:17 | 0:22:22 | |
Heart-shaped, good thing too. Who is going to start me at £30? | 0:22:22 | 0:22:26 | |
£30 online. At £30 bid now. | 0:22:26 | 0:22:29 | |
5 online also. 40 anywhere else? It's up to you. | 0:22:29 | 0:22:32 | |
£35 bid becomes 40. £40 here. 5 anywhere else? At £40 bid. | 0:22:32 | 0:22:36 | |
Take 5, it's up to you. At £40. | 0:22:36 | 0:22:39 | |
£45. 50. 50 here now. 60 anywhere, surely? | 0:22:39 | 0:22:42 | |
£50 and what a pretty thing it is! | 0:22:42 | 0:22:45 | |
At £50 here and I'm selling at £50... | 0:22:45 | 0:22:49 | |
Ouch! | 0:22:51 | 0:22:52 | |
I couldn't agree more. Now it's Thomas's necklace. | 0:22:52 | 0:22:57 | |
Come on, who's going to go? £20 surely? | 0:22:57 | 0:23:00 | |
£20 would be a miracle. How did you get away with that? | 0:23:00 | 0:23:03 | |
35 here. At £35 bid. Who's going to go to 40? | 0:23:03 | 0:23:06 | |
£40. At £40, are we all out and selling? At £40. | 0:23:06 | 0:23:11 | |
At 40 only then. Sold then at 40... | 0:23:11 | 0:23:14 | |
-That's all right, isn't it? -You jammy... What? | 0:23:14 | 0:23:18 | |
Considering he only paid £6, that's a massive profit for Thomas. | 0:23:18 | 0:23:22 | |
Since the next item was his free ring, surely his luck must continue. | 0:23:22 | 0:23:26 | |
If this ring makes 50 quid, I'll buy you a drink. | 0:23:26 | 0:23:29 | |
-A fiver away, surely? -No! | 0:23:29 | 0:23:32 | |
A fiver away. Hurrah! | 0:23:32 | 0:23:35 | |
-5 now. I'll take £6, if you will? -Go on. | 0:23:35 | 0:23:37 | |
£5 bid. 6 we have. 7 upstairs? | 0:23:37 | 0:23:41 | |
It's up to you at £7. Make no mistake. £6 it is downstairs. At £6. | 0:23:41 | 0:23:46 | |
It's all money for nothing, isn't it? | 0:23:46 | 0:23:48 | |
I know. It's hardly worth it though, is it? | 0:23:48 | 0:23:51 | |
I'm relieved to say...not! | 0:23:51 | 0:23:54 | |
At 6... £7! My goodness me! Here we are at £7 bid. 8 if you like? | 0:23:54 | 0:23:58 | |
-Give him half an hour and we'll get to 50 quid. -No need to be nasty! | 0:23:58 | 0:24:03 | |
Are you all done then? Sold upstairs at seven...pounds! | 0:24:03 | 0:24:08 | |
Wow! Time for the nurse's belt. Fingers crossed! | 0:24:09 | 0:24:13 | |
I don't know. £30 surely? £30 surely? Bid me 20 now to clear. | 0:24:14 | 0:24:18 | |
£20 in. £20 bid then. 5 here. | 0:24:18 | 0:24:20 | |
At £25 bid. 30 surely? | 0:24:20 | 0:24:23 | |
25 here. 30 anywhere? It's up to you. | 0:24:23 | 0:24:27 | |
The hammer's up. Last chance at 25 before me. | 0:24:27 | 0:24:30 | |
-Go on, one more. -Sold then at £25. | 0:24:30 | 0:24:33 | |
It's a pretty tight audience, isn't it? | 0:24:33 | 0:24:36 | |
I don't know. It's a belter. | 0:24:36 | 0:24:38 | |
Moving quickly along, at last, one of Paul's pieces, the trench watch. | 0:24:38 | 0:24:43 | |
A little bit on the rare side. Start me now, easy money, £40? | 0:24:43 | 0:24:47 | |
-Oh, 40... -£40? £40 in, sir. Thank you. | 0:24:47 | 0:24:50 | |
£40 bid then. 5 online. £50, sir? | 0:24:50 | 0:24:53 | |
£50 in. | 0:24:54 | 0:24:56 | |
£50, at £50, at £50 bid. 60 surely? | 0:24:56 | 0:24:58 | |
At £50 bid. £50, at £50, at £50 before me and I'm selling. | 0:24:58 | 0:25:02 | |
At £50, are we all out? | 0:25:02 | 0:25:05 | |
Well done. That's a really good profit. | 0:25:05 | 0:25:08 | |
Well done, Paul. Next up is Thomas's very expensive clock. | 0:25:08 | 0:25:12 | |
£100. 110? 110 bid. 120? | 0:25:15 | 0:25:18 | |
120 bid. 120 bid then. 130. | 0:25:18 | 0:25:20 | |
The hammer's up now. Last chance. At £130... | 0:25:20 | 0:25:25 | |
Oh, unfortunately, the right buyers are just not here tonight. | 0:25:26 | 0:25:30 | |
That was a £50 loss. Ouch! And it's Paul's turn. | 0:25:30 | 0:25:33 | |
-It's the battle of the clocks! -At £40 I've got. 45 online will buy. | 0:25:33 | 0:25:38 | |
-Oh, get in! -At £40 in the room. Selling at £40... -You've got 40. | 0:25:38 | 0:25:42 | |
£40 bid then. At £40, are we all out? | 0:25:42 | 0:25:44 | |
At £40 only, here selling... | 0:25:44 | 0:25:47 | |
Oh, dear! Hopefully, Paul's Victorian mirror will make a profit. | 0:25:49 | 0:25:54 | |
£30 bid then. 5 upstairs and 40 downstairs, I go. | 0:25:54 | 0:25:57 | |
£40 bid then. 5 if you like? | 0:25:57 | 0:25:59 | |
At £40 bid. At £40, at £40 bid. | 0:25:59 | 0:26:02 | |
5. 45 then, at 45. | 0:26:02 | 0:26:04 | |
At £45. 45 and sold at four-five... | 0:26:04 | 0:26:08 | |
That's a nice £25 profit for Paul. | 0:26:09 | 0:26:12 | |
-It should have made 75. -Stop it! -Show me the money. | 0:26:12 | 0:26:15 | |
Paul's large rosewood mirror is next, bought for just £30. | 0:26:15 | 0:26:20 | |
Bid me £40 if you will? It's a good example. £40 if you will, please? | 0:26:20 | 0:26:24 | |
£40, please? £40 in. £40 bid then. 5 upstairs. | 0:26:24 | 0:26:29 | |
50 downstairs? £50 here. | 0:26:29 | 0:26:31 | |
Sold in the room then at £50... | 0:26:31 | 0:26:33 | |
What did you pay for it? | 0:26:33 | 0:26:35 | |
50, not bad. That's £20 profit before auction costs. | 0:26:35 | 0:26:39 | |
-Little nibbles. -I wanted more than 20. | 0:26:39 | 0:26:41 | |
Next, another of Paul's lots | 0:26:41 | 0:26:44 | |
and his last - the slightly ambiguous stand. | 0:26:44 | 0:26:47 | |
I've not seen another one of the like before. | 0:26:47 | 0:26:50 | |
Who's going to go to £30 on it? £30, please? | 0:26:50 | 0:26:53 | |
-£20 if you will? -There's no way this is making a loss. | 0:26:53 | 0:26:57 | |
£20 in. At £20 only. 5 if you like anywhere else? | 0:26:57 | 0:27:01 | |
-That's not great. -The hammer's up. -No way! -Last chance at £20 only. | 0:27:01 | 0:27:05 | |
Are we all out at £20 only? | 0:27:05 | 0:27:08 | |
Don't worry, Paul. This item maybe flopped, but it's still your day. | 0:27:10 | 0:27:15 | |
I didn't think I'd claw it back so soon, if at all. | 0:27:15 | 0:27:18 | |
-No, of course. -Let's go and celebrate. -Let's have a drink. | 0:27:18 | 0:27:22 | |
That is an extremely good idea. Mine's a Scotch. | 0:27:22 | 0:27:25 | |
Thomas started today on top with £383.56, | 0:27:25 | 0:27:30 | |
but after auction costs, he's made a horrific loss of £78.36, | 0:27:30 | 0:27:36 | |
leaving him with £305.20 in the piggy bank. | 0:27:36 | 0:27:40 | |
Paul, on the other hand, was trailing behind with £213.78 after auction costs, | 0:27:41 | 0:27:48 | |
though today, he's made a profit of £42.10, | 0:27:48 | 0:27:51 | |
so with £255.88 to spend, Mr Laidlaw is catching up. Oink! | 0:27:51 | 0:27:57 | |
You're driving. Don't make me feel sick. | 0:27:58 | 0:28:01 | |
Are we off? | 0:28:01 | 0:28:03 | |
Red sky at night, shepherd's delight. | 0:28:05 | 0:28:08 | |
Red sky in the morning, shepherd's warning. Huh! | 0:28:08 | 0:28:12 | |
Our dashing duo are heading east where Tom, also known as Cruise, is flying high. | 0:28:12 | 0:28:17 | |
Ready for take-off. A bit nervous. | 0:28:17 | 0:28:19 | |
Huh! | 0:28:23 | 0:28:24 | |
And Paul has a mountain to climb. Yeugh! | 0:28:24 | 0:28:27 | |
Know what I need? One of those big, long poles. That's what I need. Tightrope. | 0:28:27 | 0:28:31 | |
That's all coming up later, but first it's back on the road with Thomas Plant and Paul Laidlaw. | 0:28:34 | 0:28:40 | |
They both bring a touch of their wisdom to the trip. | 0:28:40 | 0:28:44 | |
I think my modus operandi is to buy tat again! | 0:28:44 | 0:28:49 | |
-And turn it into gold! -It's clearly working for you! | 0:28:49 | 0:28:53 | |
You've got the Midas touch! | 0:28:53 | 0:28:56 | |
Thomas Plant is an auctioneer and jewel expert, but when it comes to making decisions... | 0:28:56 | 0:29:01 | |
it can take some time. | 0:29:01 | 0:29:04 | |
I need something to come out and grab me. Hmm. | 0:29:04 | 0:29:08 | |
Paul Laidlaw is a serious collector with a passion for militaria, a love for bargains | 0:29:08 | 0:29:14 | |
and a gift for negotiation. | 0:29:14 | 0:29:16 | |
I think my estimate in an auction is £30-£60 on that. | 0:29:16 | 0:29:21 | |
Can we do it? Thank you very much. | 0:29:21 | 0:29:23 | |
From a slow start, he's now on the up with £255.88, | 0:29:23 | 0:29:29 | |
but can he catch his fearsome competitor? | 0:29:29 | 0:29:33 | |
Thomas is still out in front with £305.20, | 0:29:33 | 0:29:38 | |
but needs to keep a keen eye on the rear-view mirror. | 0:29:38 | 0:29:42 | |
Still, keeping our chaps on track is the sporty Alfa Romeo Spider. | 0:29:44 | 0:29:49 | |
-Lovely day, isn't it? -Laidlaw and Plant in their lovely little Italian hairdryer. | 0:29:50 | 0:29:57 | |
From Skipton, Thomas and Paul are travelling south through the beautiful Yorkshire Dales, | 0:30:00 | 0:30:05 | |
on through Buckinghamshire and Oxfordshire before arriving in Pewsey for the final auction. | 0:30:05 | 0:30:11 | |
On this leg, they're leaving Towcester behind and heading for auction in Watlington. | 0:30:13 | 0:30:18 | |
First stop is the beautiful market town of Olney. | 0:30:18 | 0:30:22 | |
Splitting up, Paul heads for Dodo Antiques with proprietor Owen in attendance. | 0:30:24 | 0:30:30 | |
Who knows what gorgeous items will catch Mr Laidlaw's eye? | 0:30:30 | 0:30:35 | |
Do you own this material? | 0:30:35 | 0:30:37 | |
It's a dinner gong. | 0:30:37 | 0:30:39 | |
It's missing a cord, but let's do the business. | 0:30:39 | 0:30:43 | |
Lovely tone. Very oriental. | 0:30:43 | 0:30:46 | |
That's a shell case. | 0:30:46 | 0:30:47 | |
So Paul's found some military gear already. | 0:30:47 | 0:30:52 | |
The markings on this naval shell date it to January, 1898. | 0:30:52 | 0:30:57 | |
This is kept as a souvenir. Doesn't it make a handsome gong? What's it on? | 0:30:58 | 0:31:04 | |
A whopping great big piece of mahogany. | 0:31:04 | 0:31:07 | |
So far as they go, it's a superior example. | 0:31:07 | 0:31:11 | |
It's a pretty unique item and I'm sensing Paul has fallen for its charm. | 0:31:11 | 0:31:16 | |
I can't see a price on it! | 0:31:16 | 0:31:19 | |
We could do that for £45 for you. | 0:31:19 | 0:31:21 | |
-Could you think harder about that? -I'm thinking pretty hard! | 0:31:24 | 0:31:28 | |
-I think that's not expensive... -It's not. -But it's not a bargain. | 0:31:28 | 0:31:32 | |
-So what is a bargain? -20 quid's a bargain! -20 quid's scrap! | 0:31:32 | 0:31:36 | |
See if you can find a few things and we'll do a deal. | 0:31:36 | 0:31:40 | |
Why don't we? I like that. | 0:31:40 | 0:31:42 | |
While Paul hunts for potential bargains, Thomas is across the road in Leo's Place. | 0:31:42 | 0:31:49 | |
-And he's feeling the pressure. -The thing is...I just know what sells, | 0:31:49 | 0:31:54 | |
especially in that jewellery world. All he knows about is military things. More military stuff(!) | 0:31:54 | 0:32:00 | |
Well, Paul's found his feet with military gear. Can manager Di help you back onto yours? | 0:32:01 | 0:32:07 | |
-Is it all right if I just pick out things I'm interested in? -Not at all, Martin. -Thomas. -Thomas! | 0:32:08 | 0:32:14 | |
-LAUGHTER -Where does Martin come from? -I don't know! | 0:32:14 | 0:32:19 | |
I've never been called a Martin. Robert I get a lot of because of Robert Plant, but Martin...? | 0:32:19 | 0:32:25 | |
Hmm. I think you might have to enlighten Di on that one. | 0:32:25 | 0:32:30 | |
The singer. Led Zeppelin singer. | 0:32:30 | 0:32:32 | |
-I'll just put them over there. -Glad you cleared that up, Martin. | 0:32:32 | 0:32:36 | |
Now back to business, Thomas. | 0:32:36 | 0:32:39 | |
See, I am drawn to this. | 0:32:39 | 0:32:41 | |
But this looks like it could have been in there a long time. | 0:32:41 | 0:32:47 | |
I'll put these two to one side. 38 and 9.50. | 0:32:47 | 0:32:51 | |
It's German, 1920s, | 0:32:51 | 0:32:54 | |
1930s. That sort of fashion for that Egyptian-style jewellery. I don't even think it's silver. | 0:32:54 | 0:33:01 | |
This is too rich for me at £38. | 0:33:01 | 0:33:04 | |
-Would you be interested in it? -Well, I would be, but it's a real low figure. | 0:33:04 | 0:33:10 | |
-Real low figure. -How low? | 0:33:10 | 0:33:13 | |
-I mean, it's so low, I don't expect people to accept it. -20? | 0:33:13 | 0:33:17 | |
No, it's too much, I'm afraid. | 0:33:17 | 0:33:19 | |
-How much too much? -If it was a tenner, I'd have it. And then there's this brooch, | 0:33:20 | 0:33:26 | |
which I'm interested in. I like these because they're smoky quartz. | 0:33:26 | 0:33:32 | |
-Yes. -Which isn't the greatest stone to walk the Earth, but... I tell you what. | 0:33:32 | 0:33:37 | |
You see, I've got this £20 sitting here. I'd give you that for those two. So that's 15 and that's 5. | 0:33:37 | 0:33:45 | |
Because it's you, Tom, | 0:33:46 | 0:33:48 | |
I'll accept 20. | 0:33:48 | 0:33:51 | |
-Oh, brilliant. -Thank you. -Thank you. | 0:33:51 | 0:33:53 | |
A great buy for Thomas and time for Paul to show us his mettle. | 0:33:53 | 0:33:59 | |
All, some or none of these could all end up worth buying, | 0:33:59 | 0:34:04 | |
but let's see what we've got. Lovely little pocket notepad. | 0:34:04 | 0:34:09 | |
Nice. | 0:34:09 | 0:34:10 | |
Pocket fruit knife. This is a bit of decadence. | 0:34:10 | 0:34:14 | |
A cocktail swizzle stick. Isn't it so tiresome when one's champagne is a tad too effervescent? | 0:34:14 | 0:34:20 | |
Like those. | 0:34:20 | 0:34:22 | |
He's also found an English silver cigar cutter, | 0:34:24 | 0:34:27 | |
a silver penknife as well as a lorgnette. | 0:34:27 | 0:34:31 | |
I say! Isn't Mrs Smith's behaviour scandalous in the village at the moment? | 0:34:32 | 0:34:38 | |
It's a great collection of silver, | 0:34:38 | 0:34:41 | |
but at £171 it would only leave him with £84.88 to spend. | 0:34:41 | 0:34:47 | |
-How are you getting on, Paul? -If there's any way you can look at what can be squeezed on all of that. | 0:34:47 | 0:34:53 | |
OK. I'll go and give the dealer a ring, see what I can do. | 0:34:53 | 0:34:57 | |
Be warned, Owen. Our Mr Laidlaw loves a good haggle. | 0:34:57 | 0:35:02 | |
Is that the best? | 0:35:02 | 0:35:04 | |
Thank you. See you later. | 0:35:04 | 0:35:07 | |
She's saying really the best she could do would be 145 on the lot. | 0:35:09 | 0:35:13 | |
-What did we start at? I never even added them up. -You've got 15% off. | 0:35:13 | 0:35:18 | |
-15?! -Yeah. -She's not even trying! | 0:35:18 | 0:35:20 | |
OK, I could throw something else into the deal to try to sweeten it. | 0:35:20 | 0:35:24 | |
-Liking the sound of that. -Over here. -This kind of negotiation is right up Paul's street. | 0:35:24 | 0:35:30 | |
We've had this little lot. | 0:35:30 | 0:35:32 | |
Owen has two classic mirrors. | 0:35:32 | 0:35:35 | |
They're priced at £95 and £80. | 0:35:35 | 0:35:38 | |
Reproduction, late-Georgian style. Oval-framed. | 0:35:38 | 0:35:42 | |
Satinwood stringing to the edges. There's nothing the matter with it. | 0:35:42 | 0:35:46 | |
-And the Victorian one is like a tombstone. -I could do them for a tenner each. | 0:35:46 | 0:35:52 | |
What a bargain! How can you refuse? | 0:35:52 | 0:35:54 | |
My fear at the moment is I'm shooting all my bolts, but I'm still talking to you. | 0:35:54 | 0:36:00 | |
-Where were we with the gong? 40? -I'll go to 30 on the gong. | 0:36:00 | 0:36:05 | |
Now we're talking about gong, a couple of mirrors and a handful of silver and plate. Add it up | 0:36:05 | 0:36:11 | |
-and give me the last price. -190. | 0:36:11 | 0:36:14 | |
170. | 0:36:14 | 0:36:15 | |
-You're teetering. You want to do it. -Go on, then. -What a result! How do you manage it, Paul? | 0:36:18 | 0:36:23 | |
One shop down and he's bought four lots. The pressure's back on you, Thomas. | 0:36:23 | 0:36:30 | |
But Alan's here to help Thomas find an Albert. | 0:36:30 | 0:36:33 | |
-That's a lovely Albert. -It's a gorgeous fob as well. | 0:36:33 | 0:36:38 | |
Beautifully enamelled centre. | 0:36:38 | 0:36:40 | |
Named for Queen Victoria's beloved Albert, | 0:36:40 | 0:36:44 | |
this is a decorative chain for a gentleman's waistcoat. | 0:36:44 | 0:36:48 | |
That's rather handsome. | 0:36:48 | 0:36:50 | |
So is that something you're willing to sell to me at a deal? | 0:36:50 | 0:36:55 | |
-I'd always be willing to sell you something. -Well, I know, but... | 0:36:55 | 0:37:00 | |
-You mean at the right price? -At a good price. | 0:37:00 | 0:37:04 | |
Would you consider £90 a reasonable price? | 0:37:04 | 0:37:08 | |
Well, that's OK. I had another figure in mind. | 0:37:08 | 0:37:12 | |
A bit less. | 0:37:12 | 0:37:14 | |
But I know I'm being sort of...pushing. | 0:37:14 | 0:37:18 | |
I'll take another five off. 85, which is very reasonable. | 0:37:18 | 0:37:22 | |
You wouldn't go as low as 70? | 0:37:22 | 0:37:25 | |
No. | 0:37:25 | 0:37:26 | |
-You said you'd take a fiver. Would you take a bit more off? -Not really. -Go on. -No. -No? | 0:37:26 | 0:37:32 | |
-I'll do it for 80, but that's it. All right? -£80? -Yeah, that's it. | 0:37:34 | 0:37:39 | |
-Well, I like you. I'm going to say yes. -OK. -You've got a deal. Thank you very much. | 0:37:39 | 0:37:44 | |
-It's a very nice thing. -Good. -I hope it's not the undoing of me! | 0:37:44 | 0:37:50 | |
Another good, but possibly risky purchase for Thomas. | 0:37:50 | 0:37:54 | |
But on a roll we follow our frontrunner down the road to Woburn | 0:37:56 | 0:38:01 | |
with its hallowed place in the dramatic Thomas Plant story. | 0:38:01 | 0:38:06 | |
This was the venue for my wedding. Woburn Abbey. A few years down the line, here I am back again. | 0:38:08 | 0:38:14 | |
It brings back very happy memories. So what a lucky boy. | 0:38:14 | 0:38:18 | |
Hopefully, your luck will continue as you head to the old town hall and Town Hall Antiques | 0:38:18 | 0:38:24 | |
where owner Alvin is on hand to help. | 0:38:24 | 0:38:27 | |
I wouldn't mind looking in your friend's cabinet. | 0:38:27 | 0:38:31 | |
A Viennese bronze of a swallow. | 0:38:31 | 0:38:34 | |
It's well done. Just tap it with your ring. | 0:38:37 | 0:38:40 | |
Obviously, if it's another metal, it doesn't ring as well as a bronze. | 0:38:40 | 0:38:45 | |
That's got a really nice ring to it. That's got 125 on it. | 0:38:45 | 0:38:49 | |
-I could squeeze to 110. -Really? | 0:38:49 | 0:38:52 | |
I love that swallow. | 0:38:52 | 0:38:54 | |
She wouldn't come down any more on that if you gave her a call? | 0:38:54 | 0:38:59 | |
I'll take another five, but not a penny less. | 0:38:59 | 0:39:03 | |
105. I think that's quite a good buy. | 0:39:03 | 0:39:07 | |
You're being very mean if you're not happy to pay 105. | 0:39:07 | 0:39:10 | |
-What about 100? -No. No. Not at all. | 0:39:10 | 0:39:14 | |
-105. -Hard to argue with that, so Thomas looks to partner the swallow statue with another item | 0:39:14 | 0:39:21 | |
-to get a better deal. -These are cultured pearls. The bead is implanted inside the oyster. | 0:39:21 | 0:39:29 | |
And you've got this sort of creamy colour to them, but look how they change colour. | 0:39:33 | 0:39:39 | |
Creamy colour against my skin. See? | 0:39:39 | 0:39:41 | |
But put pearls against white and look what happens - they come alive. Isn't that amazing? | 0:39:41 | 0:39:48 | |
Do you think she would do me a deal | 0:39:48 | 0:39:52 | |
-on these two items? -On that and the swallow? | 0:39:52 | 0:39:55 | |
We've got these at 59. And I've got the swallow at 125. | 0:39:55 | 0:40:01 | |
That's 184. | 0:40:01 | 0:40:04 | |
If I say 150 for the two items. | 0:40:04 | 0:40:07 | |
-Are you sure not 140? -Definitely not. 150. -Meet halfway? | 0:40:10 | 0:40:14 | |
-Nope, 150 is the deal. -Do it for 145. -No. No, 150. | 0:40:14 | 0:40:19 | |
God, that means I would have spent £250 on my first day. | 0:40:19 | 0:40:23 | |
-Go on, let's do it. -Well done. | 0:40:23 | 0:40:25 | |
Who'd have thought it? Thomas has bought five lots in the first day. | 0:40:27 | 0:40:33 | |
The competition is heating up, but for now our antique hunters need their beauty sleep. | 0:40:33 | 0:40:38 | |
It's a new day and our chaps are on the road again. | 0:40:45 | 0:40:49 | |
What are you going to buy? You've bought four already. | 0:40:49 | 0:40:53 | |
Yeah, I'm on a roll. I can't help myself. | 0:40:53 | 0:40:56 | |
-You haven't bought one item over three figures yet. -# -Not a single item! -# | 0:40:56 | 0:41:02 | |
So far, Paul's spent £170 on four lots, | 0:41:03 | 0:41:08 | |
leaving £85.88. | 0:41:08 | 0:41:10 | |
Thomas, meanwhile, hit the shopping hard, spending a colossal £250 on five lots. | 0:41:12 | 0:41:18 | |
He has just £55.20 left to spend. | 0:41:20 | 0:41:22 | |
They come alive. Isn't that amazing? | 0:41:22 | 0:41:25 | |
They're leaving Woburn behind and chauffeur Paul drops Thomas off | 0:41:25 | 0:41:29 | |
at the Shuttleworth Airdrome. | 0:41:29 | 0:41:32 | |
-Good luck buying. Spend all your money. -Yeah. Enjoy! | 0:41:34 | 0:41:39 | |
The Shuttleworth collection is an assortment of working aircraft and automobiles | 0:41:39 | 0:41:43 | |
founded by the young aviator Richard Shuttleworth. | 0:41:43 | 0:41:47 | |
-Showing Thomas around is Tony Podmore. -Come on in. | 0:41:47 | 0:41:51 | |
I'm fascinated by the collection and how it came to be. | 0:41:51 | 0:41:57 | |
-Obviously, there was a Mr Shuttleworth. -Richard Shuttleworth was born in 1909. | 0:41:57 | 0:42:03 | |
He had inherited his grandfather's and father's flair for all things mechanical. | 0:42:03 | 0:42:07 | |
Richard Shuttleworth was passionate about cars and became a motor racing driver, | 0:42:07 | 0:42:12 | |
taking part in the first ever British Grand Prix in 1935. | 0:42:12 | 0:42:16 | |
But after a nasty accident his career was cut short. | 0:42:16 | 0:42:20 | |
He decided, though, however, to take an interest in flying | 0:42:20 | 0:42:25 | |
-because he thought it was so much safer! -This never give up attitude, this never die attitude. | 0:42:25 | 0:42:31 | |
It's terribly British. | 0:42:31 | 0:42:33 | |
And Richard's gung-ho attitude didn't stop there. | 0:42:33 | 0:42:37 | |
When war broke out, he volunteered as a pilot for the Royal Air Force. | 0:42:37 | 0:42:41 | |
It was during, very sadly, a night flying sortie | 0:42:41 | 0:42:46 | |
-at RAF Benson in Oxfordshire that he suffered a fatal crash. -So he was only 31. | 0:42:46 | 0:42:53 | |
In 1944, Richard's mother set up a trust in his memory | 0:42:53 | 0:42:58 | |
and today the collection houses some of Richard's most prized possessions. | 0:42:58 | 0:43:03 | |
There she is. The world's oldest airworthy aeroplane. | 0:43:03 | 0:43:08 | |
-My! -A 1909 Bleriot. -1909. | 0:43:08 | 0:43:12 | |
-Isn't she amazing? -It IS amazing. | 0:43:12 | 0:43:15 | |
Richard believed that the very best form of preservation was to keep everything in working order. | 0:43:15 | 0:43:22 | |
-Has this ever been up, really? -Oh, yes. -Really? -Absolutely, yes. | 0:43:22 | 0:43:25 | |
-It goes up in the air? -What we do, in view of the rarity value of it, | 0:43:25 | 0:43:30 | |
it is the only one of its kind in the world, | 0:43:30 | 0:43:34 | |
-we restrict it to what we affectionately call hops. -OK. | 0:43:34 | 0:43:38 | |
This is where it goes down our runway, the aircraft comes off the ground, | 0:43:38 | 0:43:43 | |
and just hops along. | 0:43:43 | 0:43:46 | |
Wow. It looks like one of those model aero engines I sell at auctions. | 0:43:49 | 0:43:54 | |
-There's no chance it can hop today? -No, but I'll tell you what we can do. We can fly one for real. | 0:43:54 | 0:44:00 | |
-Not one of these! -Not a Bleriot. A vintage 1931 De Havilland Tiger Moth. | 0:44:00 | 0:44:05 | |
-Yes! -Come this way. | 0:44:05 | 0:44:08 | |
While Thomas gets kitted out, | 0:44:10 | 0:44:12 | |
Paul's taking his £88.55 south to Hemel Hempstead. | 0:44:12 | 0:44:17 | |
That looks the part, doesn't it? | 0:44:20 | 0:44:22 | |
Off The Wall - Eccentric European Collectables. | 0:44:22 | 0:44:26 | |
-That's got Laidlaw written all over it. But closed. -Never one to be defeated, Laidlaw's on the phone. | 0:44:26 | 0:44:33 | |
Why not? In for a penny, give it a try. | 0:44:33 | 0:44:36 | |
Michelle, where are you? | 0:44:36 | 0:44:39 | |
When I need you! | 0:44:39 | 0:44:42 | |
'I can't answer your call right now. If you leave your message...' | 0:44:42 | 0:44:46 | |
As he patiently waits for news, Thomas is ready for action. | 0:44:46 | 0:44:51 | |
# Highway to the danger zone | 0:44:53 | 0:44:57 | |
# Take a ride into the danger zone... # | 0:44:58 | 0:45:04 | |
-That's fabulous. You look great. How do you feel? -Ready. | 0:45:09 | 0:45:13 | |
Contact. | 0:45:13 | 0:45:14 | |
MUSIC: "The Dam Busters" THEME | 0:45:21 | 0:45:23 | |
Up, up and away! Hold on tight, Biggles! | 0:45:25 | 0:45:30 | |
The De Havilland Tiger Moth is a 1930s biplane designed by Geoffrey De Havilland | 0:45:30 | 0:45:36 | |
and was operated by the RAF as a primary trainer. | 0:45:36 | 0:45:40 | |
The Tiger Moth remained in service with the RAF until 1952. | 0:45:40 | 0:45:45 | |
Thomas, it looks as if you're having a ball. | 0:45:48 | 0:45:52 | |
Oh, that was just awesome. | 0:45:54 | 0:45:57 | |
Absolutely awesome. | 0:45:57 | 0:45:59 | |
Absolutely wonderful. Very honoured and as you can tell by my big smile it's been a wonderful trip up. | 0:45:59 | 0:46:07 | |
Mm, "awesome". While Thomas is on cloud nine, Paul's prayers have been answered. | 0:46:10 | 0:46:16 | |
Shop owner Michelle opened up, but in order to get in he needs to help move stuff out! | 0:46:18 | 0:46:24 | |
This is like I'm in the auction room again! | 0:46:27 | 0:46:30 | |
Michelle has owned the shop for 11 years | 0:46:32 | 0:46:35 | |
and it's bursting at the seams. Good luck, Paul! | 0:46:35 | 0:46:40 | |
This place is like an antiques TARDIS! Have you seen round here? | 0:46:40 | 0:46:44 | |
Look at this. | 0:46:45 | 0:46:47 | |
That... is a Georgian cribbage board. | 0:46:49 | 0:46:53 | |
This is just a score-keeping board. People played crib round this maybe 150 or even 200 years ago. | 0:46:53 | 0:47:00 | |
In a tavern. | 0:47:00 | 0:47:02 | |
Smoking a clay pipe. | 0:47:03 | 0:47:06 | |
I think it's charming. It is...£3. | 0:47:06 | 0:47:10 | |
Now what have you spotted? | 0:47:16 | 0:47:18 | |
It is a Chinese armchair here. | 0:47:18 | 0:47:21 | |
A striking piece of furniture, but I don't know if there is any tremendous age to it. | 0:47:21 | 0:47:27 | |
Never mind the quality, feel the weight! | 0:47:28 | 0:47:31 | |
I'd like it to be 18th or 19th century, brought back in some tea clipper | 0:47:31 | 0:47:36 | |
or in someone's military baggage train. What I don't want | 0:47:36 | 0:47:41 | |
is it to have been brought over 30 years ago in a shipping container with a load of looky-likies. | 0:47:41 | 0:47:46 | |
After his antique assault course, it's time to talk numbers. | 0:47:47 | 0:47:52 | |
I think I paid about £90 for it about 15 years ago. | 0:47:52 | 0:47:56 | |
-Wow. Wow. Ouch. -How about 50 for the chair and you've got a deal for the chair? | 0:47:56 | 0:48:02 | |
-OK, you might have seen me looking at this wee cribbage board. -Is it a buy one get one free moment? | 0:48:02 | 0:48:08 | |
-You didn't tell me you could read minds as well! -I'm psychic. | 0:48:08 | 0:48:12 | |
-I'm sticking my neck out with the chair. That is a gamble. It could work for me. -Yeah. | 0:48:12 | 0:48:18 | |
You give me the chair for 45, throw that in as a wee freebie, and I'll take a punt at the chair. | 0:48:18 | 0:48:24 | |
OK. | 0:48:24 | 0:48:25 | |
The chair takes up more room in this very overcrowded shop! | 0:48:25 | 0:48:30 | |
-It's empty! -With his last two lots secured, | 0:48:30 | 0:48:35 | |
our chaps can delay their auction showdown no longer. | 0:48:35 | 0:48:39 | |
Paul began this leg with £255.88 | 0:48:42 | 0:48:46 | |
and spent a proud £215 on six auction lots. | 0:48:46 | 0:48:50 | |
The silver collection, the Chinese armchair, the Victorian dressing mirror, Sheraton dressing mirror, | 0:48:50 | 0:48:58 | |
the shell case gong and the freebie cribbage board. | 0:48:58 | 0:49:03 | |
As for Thomas, he took his £305.20 and threw caution to the wind, | 0:49:04 | 0:49:09 | |
spending £250 on five lots. | 0:49:09 | 0:49:12 | |
The bronze swallow figurine, | 0:49:13 | 0:49:16 | |
the pearl necklace, the double Albert watch chain, | 0:49:16 | 0:49:20 | |
the Art Deco brooch and the smoky quartz brooch. | 0:49:20 | 0:49:25 | |
But who has impressed most with their shopping prowess? | 0:49:25 | 0:49:29 | |
I am really nervous because he's bought really well. | 0:49:29 | 0:49:33 | |
And although I've bought well, that silver lot is going to eclipse everything. | 0:49:33 | 0:49:38 | |
As soon as that came out, I went, "Oh!" | 0:49:38 | 0:49:40 | |
I think this is the auction where it turns in my favour again. | 0:49:40 | 0:49:46 | |
Well, maybe. It's been a fabulous jaunt, though, | 0:49:46 | 0:49:50 | |
from delightful Olney via Woburn and Hemel Hempstead | 0:49:50 | 0:49:54 | |
with the auction house in Watlington firmly in their sights. | 0:49:54 | 0:49:58 | |
I feel pretty confident, Paul. You've got some great lots. | 0:49:58 | 0:50:03 | |
Reputedly England's smallest town, nestling in the shadows of the Chiltern Hills, | 0:50:03 | 0:50:08 | |
Watlington offers a traditional market town welcome. Just what our cheeky chaps need on auction day. | 0:50:08 | 0:50:15 | |
Kicking things off today is auctioneer Simon Jones, | 0:50:16 | 0:50:20 | |
but first what does he think of their choices? | 0:50:20 | 0:50:24 | |
There's a good cross-section. The little bronze bird will do well. It's a pretty little thing. | 0:50:24 | 0:50:29 | |
My favourite item will be the chair, simply because you don't see many and it's just a lovely object. | 0:50:29 | 0:50:36 | |
It's the moment of truth. Let the auction begin! | 0:50:36 | 0:50:40 | |
First up, it's Paul's dressing mirror. | 0:50:40 | 0:50:43 | |
40, then, to start me. 40 I'm bid. | 0:50:43 | 0:50:46 | |
42 anywhere? All done, then, at 40? | 0:50:46 | 0:50:50 | |
Excellent start. | 0:50:53 | 0:50:55 | |
But will the dinner gong strike the right note? | 0:50:55 | 0:50:58 | |
£50, £60 for it? £50? | 0:50:58 | 0:51:01 | |
50 I'm bid. 55 before I go to the phone? Coming to you at 55. | 0:51:01 | 0:51:06 | |
55 I'm bid. 60 anywhere? At 55, then... 60. 65? | 0:51:07 | 0:51:12 | |
65. 70? 70 I'm bid. 75? | 0:51:14 | 0:51:17 | |
Come to daddy. | 0:51:17 | 0:51:20 | |
75. 80? 80 I'm bid. 85? | 0:51:20 | 0:51:22 | |
-At £80 in the room... -£80! | 0:51:25 | 0:51:28 | |
All done at 80? 619. | 0:51:28 | 0:51:31 | |
Well done. | 0:51:31 | 0:51:33 | |
Read it and weep, Plant. | 0:51:33 | 0:51:35 | |
Well done, Paul. Off to a flying start and it can only get better as your next lot was a freebie. | 0:51:35 | 0:51:42 | |
Lot 110. | 0:51:42 | 0:51:44 | |
The little cribbage board. Sweet little chap, this. | 0:51:44 | 0:51:47 | |
What can you say for that? £40, £50? | 0:51:47 | 0:51:49 | |
-That would do. -20 to start me. 15 to go. | 0:51:49 | 0:51:54 | |
-Nobody want a cribbage board? 10? 10 I'm bid. -Dirt cheap! | 0:51:54 | 0:51:59 | |
-£10, then. -I'd give you more. | 0:51:59 | 0:52:02 | |
At £10. All done at 10. | 0:52:02 | 0:52:05 | |
-Oh, well, it was a tenner. -It cost you nothing, so it's £10. | 0:52:05 | 0:52:09 | |
Three lots down and Paul's hot on your heels, Thomas. | 0:52:09 | 0:52:14 | |
-Let's hope your figurine pays off. -50 I'm bid. 55 anywhere? | 0:52:14 | 0:52:18 | |
At £50. 55? Yes, 55. | 0:52:18 | 0:52:21 | |
60. 65? At £60, then. Right at the back of the room. | 0:52:21 | 0:52:25 | |
Somebody got a bargain there. You were unlucky there. | 0:52:25 | 0:52:30 | |
-Somebody got a bargain. -Oh, dear. It was always risky. Now for Paul's second mirror. | 0:52:30 | 0:52:35 | |
128 is the Sheraton string inlaid dressing mirror. | 0:52:35 | 0:52:40 | |
£40, £50 for this? | 0:52:40 | 0:52:42 | |
30, then, to start me. 20 for the dressing mirror? | 0:52:42 | 0:52:46 | |
The little Sheraton one. | 0:52:46 | 0:52:48 | |
£20 I'm bid. At 20. All done at 20. | 0:52:48 | 0:52:52 | |
-Thank you, auctioneer. -£10 profit. | 0:52:52 | 0:52:55 | |
Back to Thomas for his pearls. | 0:52:55 | 0:52:57 | |
Fingers crossed. | 0:52:57 | 0:52:59 | |
£40, £50 for it? 30 to start me? | 0:52:59 | 0:53:03 | |
The necklace. | 0:53:03 | 0:53:05 | |
Don't tell me pearls are out of fashion. £20 I'm bid. 22? | 0:53:05 | 0:53:08 | |
At £20. All done at 20. | 0:53:08 | 0:53:12 | |
-Ouch. -Oh, go on! Give him a hug! | 0:53:12 | 0:53:15 | |
-A hug? -No. -You want a hug? -No. -Later. | 0:53:15 | 0:53:20 | |
No hugs later. | 0:53:20 | 0:53:22 | |
Surely his silver double Albert chain and fob will get him back? | 0:53:22 | 0:53:27 | |
40, then, to start me. 40 I'm bid. 42. 44? At £42 seated. | 0:53:27 | 0:53:31 | |
44 anywhere? At £42. All done at 42. | 0:53:31 | 0:53:35 | |
667. | 0:53:35 | 0:53:36 | |
-Do you want me to start bidding on your stuff? I've got money to burn. -Yes. | 0:53:38 | 0:53:43 | |
Keep positive, Thomas. Things can only get better. | 0:53:43 | 0:53:47 | |
350 is an enamel 1930s Egyptian brooch. | 0:53:47 | 0:53:51 | |
20, then, to start me? £20 I'm bid. 22 anywhere? | 0:53:51 | 0:53:54 | |
22. 24. 26. 28. | 0:53:54 | 0:53:57 | |
30. 32. 34. | 0:53:57 | 0:54:00 | |
36. 38. 40. 42? | 0:54:00 | 0:54:03 | |
At £40. All done at 40? | 0:54:03 | 0:54:06 | |
-126. -Sweet. | 0:54:06 | 0:54:08 | |
That's more like it! Now Thomas' last stand. | 0:54:08 | 0:54:11 | |
The double smoky quartz brooch. | 0:54:11 | 0:54:15 | |
£30 for it? | 0:54:15 | 0:54:18 | |
25 I'm bid. 28? | 0:54:18 | 0:54:21 | |
£25, then, for the smoky quartz. £25. All done at 25. | 0:54:21 | 0:54:25 | |
-With Alan. -Fair enough. | 0:54:25 | 0:54:27 | |
The brooches were your saving grace. Now for Paul's collection of silver. | 0:54:27 | 0:54:33 | |
I'm nervous about this. Here it comes. | 0:54:33 | 0:54:36 | |
£100 to start me. £100 I'm bid. | 0:54:36 | 0:54:39 | |
110 anywhere? 110. 120. | 0:54:39 | 0:54:42 | |
-130. 140. 150? 140, then. -Oh, dear. -Standing at the back of the room at 140. 150 anywhere? | 0:54:42 | 0:54:48 | |
-That's cheap for a lot of stuff. -664. | 0:54:48 | 0:54:52 | |
-It's Paul's last stab at a big profit. -A Chinese chair. | 0:54:54 | 0:54:59 | |
£100 I'm bid. 110? | 0:54:59 | 0:55:02 | |
At £100. Are you all happy? At the maiden bid of £100, all done. | 0:55:02 | 0:55:06 | |
-627. -Can you lend me some money? | 0:55:06 | 0:55:09 | |
Can you lend me some money? | 0:55:10 | 0:55:12 | |
In spectacular fashion, Mr Laidlaw wins the day. | 0:55:12 | 0:55:17 | |
Thomas started this leg in the lead with £305.20, | 0:55:20 | 0:55:24 | |
but after commission he's made a hideous loss of £96.66, | 0:55:24 | 0:55:29 | |
giving him a meagre £208.54 to carry forward. | 0:55:29 | 0:55:34 | |
Paul, meanwhile, started this leg with £255.88. | 0:55:37 | 0:55:42 | |
He made a fabulous profit of £104.80, | 0:55:42 | 0:55:46 | |
so with a whopping £360.68 in the kitty, he's firmly in the lead. | 0:55:46 | 0:55:51 | |
-What a rollercoaster! -Tell me! | 0:55:53 | 0:55:56 | |
I feel like I've been on the helter skelter, you know. | 0:55:56 | 0:56:00 | |
It's going to make for an interesting shop in the last leg. | 0:56:00 | 0:56:04 | |
All to play for for me. I'm going for it. | 0:56:04 | 0:56:07 | |
We've heard that before! Next time, it's the grand finale. | 0:56:07 | 0:56:11 | |
-Thomas is playing catch up. -My shop closes in three quarters of an hour. | 0:56:11 | 0:56:16 | |
Time is against me. I've got the devil chasing me on my back. | 0:56:16 | 0:56:20 | |
And has Mr Laidlaw met his match? | 0:56:20 | 0:56:24 | |
-Make it £28 and I will buy it. -I can't! -Oh! | 0:56:24 | 0:56:29 | |
You're good. | 0:56:29 | 0:56:31 | |
Subtitles by Red Bee Media Ltd | 0:56:47 | 0:56:50 |