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The nation's favourite antiques experts, £200 each and one big challenge! | 0:00:02 | 0:00:06 | |
Cos I'm here to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
There's nothing in here. | 0:00:13 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit... | 0:00:14 | 0:00:17 | |
Disappointing. | 0:00:17 | 0:00:19 | |
But it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push! | 0:00:23 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm terribly nervous now, James. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
We've been on the road with antiques guru James Braxton | 0:00:35 | 0:00:39 | |
who's been pitting his wits against young whippersnapper auctioneer Jonathan Pratt. | 0:00:39 | 0:00:45 | |
And it's been a far-from-close competition. | 0:00:45 | 0:00:49 | |
Devilish James has stormed ahead, leaving poor Jonathan floundering. | 0:00:49 | 0:00:54 | |
Disaster strikes! | 0:00:54 | 0:00:56 | |
So while Pratt fell flat, | 0:00:56 | 0:00:59 | |
old Brackers made loads of smackers, which means he did jolly well. | 0:00:59 | 0:01:03 | |
-That's not to say he's a bit conceited, though. -I'm not smiling! | 0:01:03 | 0:01:07 | |
From his original £200, James now has an impressive... | 0:01:08 | 0:01:12 | |
Great hat! | 0:01:14 | 0:01:15 | |
But Jonathan is only scraping through to the final leg | 0:01:15 | 0:01:19 | |
with less than half of James's budget, a pretty pitiful... | 0:01:19 | 0:01:22 | |
Bad luck! | 0:01:25 | 0:01:25 | |
It's been a tough week for Jonathan, but his spirits are still high. | 0:01:25 | 0:01:29 | |
And that could be because James is letting him drive his pride and joy, | 0:01:29 | 0:01:33 | |
the 1952 MG, to their first shopping location. | 0:01:33 | 0:01:37 | |
This trip sees the boys travelling all the way from Altrincham, Greater Manchester, | 0:01:37 | 0:01:41 | |
to sunny Cornwall. | 0:01:41 | 0:01:43 | |
Today we kick off the fifth leg in Crewkerne, | 0:01:43 | 0:01:46 | |
then head to the final auction showdown in Lostwithiel. | 0:01:46 | 0:01:50 | |
The earliest record of Crewkerne in Somerset was in the will of Alfred the Great back in 899. | 0:01:50 | 0:01:58 | |
And during the 18th and 19th centuries, the main industry was cloth-making, | 0:01:58 | 0:02:01 | |
including crafting sails for the Royal Navy. | 0:02:01 | 0:02:04 | |
Noah's Antiques is packed to the gunnels with goodies, | 0:02:04 | 0:02:09 | |
but will anything entice James? | 0:02:09 | 0:02:11 | |
What a day out there! | 0:02:11 | 0:02:15 | |
Morning. | 0:02:15 | 0:02:16 | |
-Hello. James. -Michael. -Michael. Good to meet you, Michael. | 0:02:16 | 0:02:19 | |
Morning. Now, what Michael doesn't realise is that James has a whopping £320.94 to spend, | 0:02:19 | 0:02:26 | |
so he can really afford to splash out on some expensive top-quality lots. | 0:02:26 | 0:02:31 | |
I might have a quick look through your bargain area, Michael. | 0:02:36 | 0:02:40 | |
Uh-oh! Bargain area! James is acting like a rag-and-bone man again, | 0:02:40 | 0:02:44 | |
not someone whose pocket is bulging with cash! | 0:02:44 | 0:02:47 | |
There were things for more rarefied dining, really. | 0:02:47 | 0:02:52 | |
This is a rather unusual one, but it's sort of entree-dish shaped, | 0:02:52 | 0:02:56 | |
elongated octagonal, it's got sort of fruiting vines all the way around it... | 0:02:56 | 0:02:59 | |
But they're fun, you know. You can use them for anything. | 0:02:59 | 0:03:03 | |
These ones are all quite early, Edwardian, turn of the century, that sort of thing. | 0:03:03 | 0:03:09 | |
This one's inscribed, that one's inscribed. | 0:03:09 | 0:03:12 | |
This one's a very nice chamber stick. | 0:03:12 | 0:03:15 | |
So it would have had a cylindrical glass thing to protect it from the wind. | 0:03:15 | 0:03:19 | |
Cylindrical glass thing? Is that a technical term, then, James? | 0:03:19 | 0:03:23 | |
And then we've got the old swing basket, as they're known. | 0:03:23 | 0:03:27 | |
Would have been stamped out on some great machine in Birmingham or Sheffield... | 0:03:27 | 0:03:31 | |
and then...this is probably the youngest of the lot. | 0:03:31 | 0:03:35 | |
This is just a clean bit of plate. | 0:03:35 | 0:03:38 | |
It's quite a big fellow. What are we? It's 10 or 12 inches across. | 0:03:38 | 0:03:42 | |
It's just been stamped out. | 0:03:42 | 0:03:44 | |
So you won't be buying that, then, James? | 0:03:44 | 0:03:47 | |
It's a good little lot, that. | 0:03:47 | 0:03:50 | |
So you will, then? James is planning to buy and then sell this bundle as a job lot, | 0:03:50 | 0:03:55 | |
which auction houses often do with cheaper items. | 0:03:55 | 0:03:58 | |
There's no price on this as a group, but that's not stopping our man from chancing his arm. | 0:03:58 | 0:04:03 | |
Let's see if I can make you a, you know, tempting offer. | 0:04:03 | 0:04:08 | |
A tenner? | 0:04:08 | 0:04:10 | |
-Er... -Stop wincing! | 0:04:10 | 0:04:13 | |
-Put your hand out. -Go on, then. -Thank you. | 0:04:13 | 0:04:15 | |
Gosh! James's strategy seem to be spending as little as he can, | 0:04:17 | 0:04:22 | |
so how about the man who has no choice? That's Jonathan, by the way. | 0:04:22 | 0:04:26 | |
He's arrived at his first shop, Crewkerne Antiques. | 0:04:26 | 0:04:29 | |
-Morning. -Good morning. -Nice to come inside in the dry. | 0:04:29 | 0:04:33 | |
-Not the best of days, is it? -No. | 0:04:33 | 0:04:36 | |
You've got some great things. There's a lot of things I can't afford already, | 0:04:36 | 0:04:40 | |
-but you've got some good quality things here. -A good mix. | 0:04:40 | 0:04:43 | |
-Do you have any sort of house-clearance type areas, a bit junkier? -Not really. | 0:04:43 | 0:04:47 | |
My budget has been depleting of late, so I'm looking for something... | 0:04:47 | 0:04:53 | |
-The ultimate bargain? -Yes! | 0:04:53 | 0:04:56 | |
Well, you're not going to find the ultimate bargain if you hang around talking to Eddie! | 0:04:56 | 0:05:01 | |
Reasonably well painted, actually. | 0:05:04 | 0:05:06 | |
And it's going to be off the South Coast. | 0:05:06 | 0:05:09 | |
Dated 1911. | 0:05:09 | 0:05:12 | |
Again, this chap's not in superb condition, but that one's better, by a chap called Flowers. | 0:05:12 | 0:05:19 | |
Flowers? Mmm... Not quite Turner, then! | 0:05:19 | 0:05:23 | |
I do like those though, actually, I do like those. | 0:05:23 | 0:05:25 | |
Royal coat of arms. | 0:05:27 | 0:05:29 | |
Quite like that. | 0:05:29 | 0:05:31 | |
Yes, nice piece of needlework there, but will it sell well at auction? | 0:05:31 | 0:05:35 | |
It all depends on whether Jonathan can do a good deal. Now... | 0:05:35 | 0:05:40 | |
-Do you mind if I ask you a few things about these? -Yeah, go on. | 0:05:40 | 0:05:42 | |
-That's the first thing that struck me. -That is fabulous. | 0:05:42 | 0:05:47 | |
Nice 19th-century needlework, Royal coat of arms... | 0:05:47 | 0:05:51 | |
-Would you accept for that... -KNOCKING | 0:05:51 | 0:05:53 | |
-..£60? -Probably not. | 0:05:55 | 0:05:57 | |
-Probably not? -I've got in mind about 80, I'll be honest. I think it's worth that. | 0:05:57 | 0:06:01 | |
-I think it's a nice thing. -I'll put that down on the iffy list, OK? | 0:06:01 | 0:06:06 | |
Flowers. OK, slightly faded paper, bit of foxing, but nice subject. | 0:06:06 | 0:06:10 | |
He's not an Academy hand, but it's still quite competently painted. | 0:06:10 | 0:06:14 | |
-£60 for them? -I could probably do that for those. -You could do that? -That would be OK. | 0:06:14 | 0:06:21 | |
-And this music stand. It's not in the greatest of order... -It's a little tired. | 0:06:21 | 0:06:25 | |
It's a little tired. It's only pine. | 0:06:25 | 0:06:28 | |
A little tired? Jonathan does seem to like buying bashed and broken items. | 0:06:28 | 0:06:33 | |
-30? -Yeah, that's fine. I can do that on that one. -OK. | 0:06:33 | 0:06:38 | |
-But of all the things I want most is this one here. -Cos that's the best one. | 0:06:38 | 0:06:41 | |
Yeah, that's the one I like the most, this one being... | 0:06:41 | 0:06:44 | |
-I think that's quite a charming thing. -£60 for that one, providing you buy that one for 30. | 0:06:44 | 0:06:51 | |
£80 the two? | 0:06:51 | 0:06:53 | |
-A little tear? Yeah, OK. -OK. -All right. -Oh, my word! There we go. | 0:06:54 | 0:06:59 | |
Hang on, Jonathan! What about sailing pictures? | 0:06:59 | 0:07:03 | |
Oh, gosh! | 0:07:05 | 0:07:07 | |
I know I've already said a price for them... | 0:07:07 | 0:07:09 | |
Er... | 0:07:09 | 0:07:10 | |
but I can't afford that, now, can I? | 0:07:10 | 0:07:13 | |
Would you | 0:07:19 | 0:07:21 | |
take... | 0:07:21 | 0:07:22 | |
..would you take £40 a pair? | 0:07:23 | 0:07:25 | |
I'd like to help you out, but no. | 0:07:27 | 0:07:29 | |
£50? | 0:07:29 | 0:07:32 | |
Yeah, OK. If I can take all your money, I will. | 0:07:32 | 0:07:36 | |
You've almost done that, Eddie. | 0:07:36 | 0:07:38 | |
And just as Jonathan is paying up, he's spotted yet another picture. | 0:07:38 | 0:07:42 | |
I really quite like this, only because it's... Funnily enough, it's St Paul's. | 0:07:42 | 0:07:46 | |
The paper's nice and white and actually what's drawn me to it | 0:07:46 | 0:07:50 | |
is this little image here which is a little vignette, presumably of the artist... | 0:07:50 | 0:07:54 | |
-DOOR CLOSES -James is just arriving. | 0:07:54 | 0:07:56 | |
Limited edition print, and it's quite a charming subject, a nice painting. | 0:07:56 | 0:07:59 | |
-You're only asking £15 for it. -Today's special price! -Today's special price! | 0:07:59 | 0:08:05 | |
-Is it cheeky for me to make an offer? -Yeah. -It is, is it? | 0:08:05 | 0:08:08 | |
-£12. -Yeah, go on. -Hey, you're in a good mood. | 0:08:11 | 0:08:13 | |
Nothing wrong with being a bit cheeky in my book! | 0:08:13 | 0:08:17 | |
James has arrived, so Jonathan needs to shove off. | 0:08:17 | 0:08:20 | |
-Hi, James. How are you doing? -Hello, Jonathan. Very well. | 0:08:20 | 0:08:22 | |
-How are you doing? -Very well, thank you. -You're looking chipper. | 0:08:22 | 0:08:25 | |
-You're smiling. Nice to see a man smiling. -Yeah. | 0:08:25 | 0:08:28 | |
-There's plenty here, James. -Is there? Looks plenty. Fabulous, isn't it? | 0:08:28 | 0:08:32 | |
-A good hunting ground. I think you'll have fun. -Good, good, good. | 0:08:32 | 0:08:36 | |
You cleared all the broken stuff out now? | 0:08:36 | 0:08:39 | |
No, nothing that's broken, James. You'll see! | 0:08:39 | 0:08:42 | |
Not going to tell him about the bashed-up music stand, then, Jonathan? | 0:08:42 | 0:08:46 | |
-Looks very good. I'm going to get exploring. -And there's upstairs as well, James. -Thank you. | 0:08:46 | 0:08:52 | |
-Any basements? -No, I'm afraid not. -No? No basement, no? | 0:08:52 | 0:08:57 | |
-No. -OK. | 0:08:57 | 0:08:58 | |
Aha! So just to recap in case you missed it... | 0:08:58 | 0:09:02 | |
Jonathan started the day way down behind James. | 0:09:02 | 0:09:05 | |
His solution on his first day in his first shop was to buy four items and spend nearly all his money. | 0:09:05 | 0:09:12 | |
Rather him than me. | 0:09:12 | 0:09:14 | |
As Jonathan heads off with just £13.36 left in his pocket, James is keen to get spending, | 0:09:14 | 0:09:21 | |
as he still has over £300, | 0:09:21 | 0:09:23 | |
and he's giving the place a good once-over, hoping to hunt out a hidden gem. | 0:09:23 | 0:09:27 | |
See, that's got big ears, hasn't it, that brass fellow. | 0:09:27 | 0:09:31 | |
Nay I have a look at old Big Ears? | 0:09:31 | 0:09:33 | |
-Look at that, big-eared fellow! -It's clean too. | 0:09:36 | 0:09:39 | |
Clean! Somebody's put some work into it, haven't they? | 0:09:39 | 0:09:43 | |
Lovely sort of wing-nut ears to it, isn't it? | 0:09:44 | 0:09:48 | |
-Kind of royal. -It is royal! A study of the... | 0:09:48 | 0:09:52 | |
Might be tempting, mightn't it? | 0:09:52 | 0:09:55 | |
Moving upstairs, will anything else catch James's roving eye? | 0:09:55 | 0:09:59 | |
Traditionally, Braxton always buys one of these, every time! | 0:10:00 | 0:10:04 | |
It's probably Syrian. | 0:10:04 | 0:10:07 | |
They're a generic sort of Middle Eastern coffee table. | 0:10:07 | 0:10:10 | |
So all those sort of cafes and things like that would have these outside. | 0:10:10 | 0:10:15 | |
And you would take your mint tea or your dark Turkish coffee out of them. | 0:10:15 | 0:10:20 | |
Hang on, James! Didn't you have a disaster with ethnic goods this week? | 0:10:20 | 0:10:25 | |
-I can see how it would really work in the contemporary home, this. -Yeah. -150? For the two? | 0:10:25 | 0:10:31 | |
Thank you very much indeed. | 0:10:31 | 0:10:33 | |
All done at £24. | 0:10:35 | 0:10:37 | |
Across the room at £50. | 0:10:37 | 0:10:40 | |
-Oh, dear, oh, dear. -Never mind. -Never mind. | 0:10:40 | 0:10:44 | |
Lesson learnt? | 0:10:44 | 0:10:46 | |
No. | 0:10:46 | 0:10:47 | |
I'm a North African at heart, I think. | 0:10:47 | 0:10:50 | |
Oh! It's sort of Damascus like. | 0:10:50 | 0:10:53 | |
Brass tray and stand. My offer for that is £20. | 0:10:55 | 0:10:59 | |
He's asking 48. | 0:10:59 | 0:11:01 | |
-Or 25 for Big Ears! -I couldn't do that one. -Couldn't do that one. | 0:11:01 | 0:11:05 | |
-This I could. -You could? £20. | 0:11:05 | 0:11:07 | |
Thanks a lot. I can't resist. I can't resist these. | 0:11:10 | 0:11:14 | |
-Thank you very much indeed. -Thank you very much. -It's very kind of you. Thanks a lot. | 0:11:14 | 0:11:18 | |
Time to get back on the road. | 0:11:18 | 0:11:20 | |
James and Jonathan are crossing counties and driving 34 miles west to Honiton, | 0:11:20 | 0:11:25 | |
a town which used to have a ceremony called hot pennies, | 0:11:25 | 0:11:29 | |
where local gentry would throw hot pennies from windows to local peasants, | 0:11:29 | 0:11:33 | |
which resulted in burnt hands. Nice! | 0:11:33 | 0:11:36 | |
Perhaps James will spend a penny or two in the Grove Antiques Centre. Stand by! | 0:11:36 | 0:11:43 | |
-Hello. James. -Lesley. -Hello. Nice to meet you. | 0:11:43 | 0:11:46 | |
Now, this is... Surrounded by lots of lovelies here. | 0:11:46 | 0:11:49 | |
-Where should the astute buyer be looking for that elusive bargain? -You naughty thing. | 0:11:49 | 0:11:54 | |
Well, would it be a good idea if you had a look around? Or do I take you around? | 0:11:54 | 0:12:00 | |
What an excellent idea, Lesley! | 0:12:00 | 0:12:02 | |
Go on, James, don't be lazy. Get looking. Get working. | 0:12:02 | 0:12:06 | |
Exactly, James! You've still got nearly £300 burning a hole your pocket. | 0:12:06 | 0:12:11 | |
Time to buy! | 0:12:11 | 0:12:13 | |
I must admit, I don't think I've seen the like. | 0:12:13 | 0:12:16 | |
James has spotted a French scent bottle, costing £75. | 0:12:16 | 0:12:20 | |
It's got a little pillbox in the top there. You take that off... | 0:12:20 | 0:12:24 | |
and you've got a little stopper there. Very pretty, isn't it? | 0:12:24 | 0:12:27 | |
I think it's a lovely novelty item. I like the fact that it has a pillbox. | 0:12:27 | 0:12:32 | |
My only problem is... is the donks in it. 25? | 0:12:32 | 0:12:38 | |
-30 and it's yours. -30, and I want to buy something. Well done. | 0:12:39 | 0:12:44 | |
Thank you, Lesley. You're a very kind lady. | 0:12:44 | 0:12:47 | |
James did quite well there and still has time to explore the rest of the antiques centre. | 0:12:47 | 0:12:53 | |
And what should he find, but something which isn't even for sale? | 0:12:53 | 0:12:55 | |
Typical! | 0:12:55 | 0:12:57 | |
Just been chatting to Lee here | 0:12:57 | 0:13:00 | |
and looking at all these fabulous clocks, and I just noticed this rather nice Chinese stand. | 0:13:00 | 0:13:06 | |
This red marble. We used to call these blackwood | 0:13:06 | 0:13:09 | |
and now we use the name wang wally, a very nice tropical hardwood. | 0:13:09 | 0:13:14 | |
It's not Lee's, it's his mother's, and he's used it as a shop fitting for seven years, | 0:13:14 | 0:13:18 | |
and he'll find out whether she wants to sell it or not. | 0:13:18 | 0:13:23 | |
-No. -No? | 0:13:23 | 0:13:25 | |
Phew! | 0:13:25 | 0:13:26 | |
Unless you pay 225. | 0:13:26 | 0:13:29 | |
-225? -Yeah. -She said? -Yeah. -Would she settle at 200? | 0:13:29 | 0:13:34 | |
You're a gambling man. | 0:13:34 | 0:13:37 | |
What I wouldn't gamble on is how she reacts if I were to tell her... | 0:13:37 | 0:13:42 | |
But we know, mothers and sons... it's...it's...unconditional love. | 0:13:42 | 0:13:48 | |
-When it comes to money with my mother... -Oh, right, is it? | 0:13:48 | 0:13:53 | |
I'll tell you what... | 0:13:53 | 0:13:55 | |
-200. -OK. Well done. That's great. Good. Thanks a lot. | 0:13:55 | 0:13:59 | |
I better go and let her know. Where am I going to put my £20,000 clock? | 0:13:59 | 0:14:03 | |
Jonathan's nearly all spent up, | 0:14:03 | 0:14:06 | |
so it's time to play instead. | 0:14:06 | 0:14:08 | |
He's travelling 50 miles to Bovey Tracey to discover the history | 0:14:08 | 0:14:12 | |
of one of our most treasured childhood games, marbles. | 0:14:12 | 0:14:16 | |
Has he lost his? No, but he's found the House of Marbles, | 0:14:16 | 0:14:21 | |
a museum situated on the site of the old Bovey Pottery. | 0:14:21 | 0:14:25 | |
No-one is quite sure where the game of marbles first began, | 0:14:25 | 0:14:29 | |
but archaeologists have found games, boards and clay playing pieces in the tombs of Ancient Egypt. | 0:14:29 | 0:14:37 | |
China and ceramic marbles were introduced around 1800, | 0:14:37 | 0:14:41 | |
but it wasn't until the middle of the 19th century that German glassblowers invented | 0:14:41 | 0:14:45 | |
the tools to enable the marbles that we all know and love to be made out of glass. | 0:14:45 | 0:14:49 | |
And lucky old Jonathan is going to find out how it's done, | 0:14:49 | 0:14:52 | |
as there's a glassmaking factory onsite. | 0:14:52 | 0:14:55 | |
Jonathan's going to be shown the ropes by seasoned glassblower Paul. | 0:14:55 | 0:15:00 | |
-We're going to gather some glass out the furnace and make the inside coloured part of the marble. -OK. | 0:15:00 | 0:15:06 | |
-OK? -Go on, then. | 0:15:06 | 0:15:08 | |
All of these marbles are handcrafted. | 0:15:08 | 0:15:11 | |
-So there's like a pool of glass down there? -That's right. -Oh, my word! | 0:15:11 | 0:15:14 | |
Glass is melted in a sweltering 900 degrees centigrade, then shaped and moulded. | 0:15:14 | 0:15:20 | |
There we go. Look at that. | 0:15:20 | 0:15:22 | |
Dye is added to create the colours inside the marble, the glass is twisted and shaped... | 0:15:22 | 0:15:27 | |
Give it a squeeze. At the same time...a twist. | 0:15:27 | 0:15:32 | |
Then a clear glass bulb is melted around it. | 0:15:32 | 0:15:37 | |
It takes a special pair of pincers to get that perfect marbley shape. | 0:15:37 | 0:15:41 | |
Finally, it's snipped off and, hey, presto, the perfect marble. | 0:15:41 | 0:15:46 | |
Simple! Well, sort of. | 0:15:46 | 0:15:48 | |
Amazing. | 0:15:48 | 0:15:50 | |
# Goodness gracious, great balls of fire! # | 0:15:50 | 0:15:52 | |
Our boys are journeying south | 0:15:54 | 0:15:56 | |
to the popular tourist destination of Dartmouth. | 0:15:56 | 0:15:59 | |
Set on the banks of the estuary of the River Dart, | 0:15:59 | 0:16:03 | |
the port was used as the sailing point for the crusades of the 12th century, | 0:16:03 | 0:16:09 | |
and James and Jonathan are on a crusade of their own today | 0:16:09 | 0:16:12 | |
as they don't have much time or money left to spend. | 0:16:12 | 0:16:15 | |
James heads straight off to Penny Farthing Antiques to see what treasures he can uncover. | 0:16:15 | 0:16:21 | |
-Hello. -Hello there. -I'm James. How do you do? -Hi. Keith Williams. -Good to meet you. | 0:16:21 | 0:16:27 | |
-Well, I'll just have a look round. -Do. -Thank you. | 0:16:27 | 0:16:30 | |
Thank you. With just £60 left in his pocket, James needs to be clever with his cash. | 0:16:30 | 0:16:37 | |
-Can I look at your Tudoric jug? -Of course, yeah. -Thanks. | 0:16:37 | 0:16:40 | |
Liberty's, circa 1910. | 0:16:43 | 0:16:45 | |
-It's lovely, isn't it? -Mmm. | 0:16:45 | 0:16:47 | |
-I imagine it's part of a set, isn't it? -Yeah, we think that's hot water. | 0:16:48 | 0:16:52 | |
-Yeah. -But it's the right style, it's a good look. -It is, isn't it? It's very simple. | 0:16:52 | 0:16:57 | |
This type of jug was often used to carry and keep water hot until required to refresh the teapot. | 0:16:57 | 0:17:05 | |
The cane-covered handle protected the user from the heat of the metal. | 0:17:05 | 0:17:08 | |
The founder of Liberty & Co, Arthur Lasenby Liberty, | 0:17:08 | 0:17:12 | |
began to import modern pewter from Germany in 1899, | 0:17:12 | 0:17:16 | |
and the success of this venture encouraged him to commission the Tudoric British-made range. | 0:17:16 | 0:17:22 | |
-May I look at your chamber stick? -Certainly. | 0:17:22 | 0:17:25 | |
They've got "made in England" at the bottom... Oh, Torquay down there. | 0:17:27 | 0:17:31 | |
Yeah, I think it's early sort of Torquay ware. | 0:17:31 | 0:17:34 | |
-That's rather nice, that. -Again, good style, isn't it? -Great style. | 0:17:34 | 0:17:38 | |
Majolica glaze. | 0:17:38 | 0:17:40 | |
With only £60 left, James will have to do some hard bargaining to bag both items, I can tell you! | 0:17:41 | 0:17:46 | |
-£60 for the two. -I was thinking more sort of 85 for the pair. | 0:17:46 | 0:17:51 | |
-I've only got 60. -I reckon you should go for this one. Don't miss that, cos that was privately sourced. | 0:17:51 | 0:17:56 | |
The trade hasn't seen that. | 0:17:56 | 0:17:58 | |
OK? So that's going to be good for the saleroom. | 0:17:58 | 0:18:01 | |
The only problem is that handle, isn't it? But, you know, these things can be repaired. | 0:18:01 | 0:18:05 | |
-Yeah, it's a proper name, isn't it? -Yeah, a proper name. -Yeah. -Nice fellow. Good design. | 0:18:05 | 0:18:10 | |
-Could you do 35 on that, Nick? -I could do 40. -40? -Yeah. | 0:18:10 | 0:18:14 | |
We'll have a deal. There's got to be a profit in that at 40, hasn't there? | 0:18:14 | 0:18:18 | |
I think there is. Nick, I'll do it. | 0:18:18 | 0:18:21 | |
-That's very kind. You've probably saved me a lot of agony. -OK. | 0:18:21 | 0:18:24 | |
It might seem like a good buy now, but will it sell well at the auction? | 0:18:25 | 0:18:31 | |
Further down the road, Jonathan is popping into Commerce, | 0:18:31 | 0:18:34 | |
hoping to blow his final £13.36 on a star buy. Good luck with that. | 0:18:34 | 0:18:40 | |
-Good afternoon. -Good afternoon. How are you? All right? -Very good, very good. | 0:18:41 | 0:18:45 | |
-What a charming shop you've got here. -Thank you. | 0:18:45 | 0:18:48 | |
I'm going to have to be honest. I have £13.36. | 0:18:48 | 0:18:54 | |
So it doesn't really leave me very much, I think. | 0:18:55 | 0:18:58 | |
Well, hopefully, this could be an interesting turning point, for your, you know... | 0:18:58 | 0:19:03 | |
So I'm looking at basically anything you think that you could have, that you may offer me | 0:19:03 | 0:19:09 | |
for less than £13.36. | 0:19:09 | 0:19:12 | |
With such a small amount of cash left, | 0:19:12 | 0:19:14 | |
I fear Jonathan is going to be hard pushed to find a profit-making purchase at all! | 0:19:14 | 0:19:20 | |
I've already bought a pair of maritime watercolours, which I think are quite good, quite nice. | 0:19:20 | 0:19:25 | |
And I quite like the idea of trying to find something in the same vein, | 0:19:25 | 0:19:31 | |
almost like, you know, you've got like a lifebelt up there and little things like that. | 0:19:31 | 0:19:35 | |
A lifebelt? Surely not? I feel a metaphor coming on. | 0:19:35 | 0:19:39 | |
-I'd let that go for a fiver. -Would you? -And you'd be in pocket! | 0:19:39 | 0:19:44 | |
How much are your paddles? Would you do a couple of paddles for £13.35, and I'd keep a penny back. | 0:19:44 | 0:19:51 | |
Oh, dear! | 0:19:51 | 0:19:52 | |
-Yes. -You would? -Yes. I'll do obviously that which we discussed and the pair of paddles... | 0:19:52 | 0:19:58 | |
Not with it. I wasn't suggesting with the ring. Unless you want to throw the ring in as well! | 0:19:58 | 0:20:02 | |
-It might be my lifesaver! -DRUM ROLL -Oh, no, I knew it was coming! | 0:20:02 | 0:20:06 | |
Pair of paddles and that, I'll take all your money. | 0:20:06 | 0:20:10 | |
Keep your penny. | 0:20:10 | 0:20:11 | |
-There we go. -Brilliant. Thank you, sir. -Thank you very much. -You're welcome. It was a pleasure. | 0:20:11 | 0:20:15 | |
JAMES SIGHS | 0:20:15 | 0:20:17 | |
-Right, then, is this going to be my lifesaver? I jolly well hope so. -DRUM ROLL | 0:20:18 | 0:20:22 | |
That's number 2! | 0:20:22 | 0:20:23 | |
Shopping over, let's recap on what the boys have bought. | 0:20:23 | 0:20:27 | |
Well, James started this leg with an impressive £320.94 | 0:20:27 | 0:20:32 | |
and has gone on to spend exactly £300 on five auction lots. | 0:20:32 | 0:20:35 | |
A silver-plated job lot of French scent bottle with pill box, | 0:20:35 | 0:20:39 | |
a pewter jug, a North African coffee table | 0:20:39 | 0:20:44 | |
and a Chinese rosewood stand. | 0:20:44 | 0:20:45 | |
Jonathan, meanwhile, began with a rather measly £155.36 | 0:20:45 | 0:20:51 | |
but he managed to spend every penny except one - ha - | 0:20:51 | 0:20:55 | |
on five auction lots. | 0:20:55 | 0:20:57 | |
A music stand, an engraving of the Sacre Coeur, | 0:20:57 | 0:21:01 | |
a pair of maritime watercolours, the royal coat of arms needlework | 0:21:01 | 0:21:05 | |
and the lifesaver and paddles. Oh, Jonathan! | 0:21:05 | 0:21:08 | |
I don't think I can bear to hear what James thinks of your haul. | 0:21:08 | 0:21:11 | |
Oh, go on, then! | 0:21:11 | 0:21:13 | |
Jonathan has bought items according to his budget. | 0:21:13 | 0:21:16 | |
I think he's put a lot of thought into where we're going, | 0:21:16 | 0:21:21 | |
so there's a lot of marine interest and that might serve him very well. | 0:21:21 | 0:21:25 | |
I'm relieved that James has been bold and has spent a lot of money. | 0:21:25 | 0:21:29 | |
£200 on that table was... | 0:21:29 | 0:21:32 | |
It is a gamble. It may do it. But I'm pleased, it's a real battle now, | 0:21:34 | 0:21:38 | |
because there's... we've got a lot between us. | 0:21:38 | 0:21:41 | |
You certainly have! | 0:21:41 | 0:21:44 | |
It's been a highly competitive fifth leg of this road trip | 0:21:44 | 0:21:46 | |
from Crewkerne to Honiton and on to Dartmouth. | 0:21:46 | 0:21:48 | |
The destination for the final auction showdown is Lostwithiel | 0:21:48 | 0:21:52 | |
in Cornwall. | 0:21:52 | 0:21:54 | |
Situated on the wooded banks of the Fowey River, | 0:21:54 | 0:21:57 | |
Lostwithiel boomed 800 years ago, exporting tin, | 0:21:57 | 0:22:01 | |
becoming the second busiest port on the South Coast of England. Wow! | 0:22:01 | 0:22:07 | |
Our final auction of the week is at Jefferys Auctions. | 0:22:07 | 0:22:10 | |
Time to find out who's able to flex the most financial muscle. | 0:22:11 | 0:22:16 | |
First up, Jonathan's rather bashed music stand. | 0:22:17 | 0:22:21 | |
Part 19th century, on bobbin-turned support there. | 0:22:21 | 0:22:23 | |
£20? £10 to start me off. | 0:22:23 | 0:22:26 | |
10 bid. I'll take 12 now. At £10. 12? | 0:22:26 | 0:22:29 | |
14. 16. At £16. 18. At £18. 20. At £20 bid. | 0:22:29 | 0:22:33 | |
-Keep going, keep going, keep going! -We all done? -No, no, no! | 0:22:33 | 0:22:37 | |
£20 to 547. | 0:22:37 | 0:22:39 | |
-£20. -It's like Groundhog Day. This is what happened to me last time. | 0:22:39 | 0:22:42 | |
Bought for 20, sold for 20. | 0:22:42 | 0:22:44 | |
It certainly didn't sing to the buyers! | 0:22:46 | 0:22:48 | |
Next up, James's silver-plated job lot. | 0:22:50 | 0:22:53 | |
Some items of silver plate | 0:22:53 | 0:22:54 | |
including a Mappin & Webb pierced bordered chamber stick | 0:22:54 | 0:22:56 | |
and Bevan & Webb pint tankard. Lot 115. £20 to buy very quickly? | 0:22:56 | 0:23:01 | |
Tenner bid. At 10. I'll take 12. 12. 14. | 0:23:01 | 0:23:04 | |
16. 18. 20? At £18. 20 no? At £18. 20 no. We're done. | 0:23:04 | 0:23:10 | |
At £18. £18. | 0:23:10 | 0:23:12 | |
-Steady James. -Steady profit there. | 0:23:12 | 0:23:15 | |
A small profit for James, but a profit nevertheless. | 0:23:16 | 0:23:21 | |
Jonathan's engraving of the Sacre Coeur is up next. | 0:23:21 | 0:23:25 | |
Let's hope a little French charm goes a long way in Cornwall. | 0:23:25 | 0:23:29 | |
French school, early 20th century, signed limited edition etching, | 0:23:29 | 0:23:33 | |
Parisian street scene. That one there, very quickly. Can I say £20? | 0:23:33 | 0:23:36 | |
£10? Tenner bid. | 0:23:36 | 0:23:38 | |
At 10. At 12. At 15. At £15, the bid's with me. | 0:23:38 | 0:23:41 | |
Come on! | 0:23:41 | 0:23:42 | |
At £18, the bid's at the back. At £18. 20 no. We all done? At £18. | 0:23:42 | 0:23:48 | |
-Well done. Back in the game! -Result! | 0:23:48 | 0:23:51 | |
Back in the game! Back in the game! | 0:23:51 | 0:23:54 | |
Un petit profit for Jonathan! Ooh la la! | 0:23:54 | 0:23:57 | |
Continuing the French theme... | 0:23:59 | 0:24:01 | |
Novelty French white-metal topped bottle with integral pillbox, | 0:24:01 | 0:24:03 | |
complete with stopper. Pretty little thing. £50 to buy? £30 to buy? | 0:24:03 | 0:24:08 | |
£20 I'm bid. At £20. 25. 30. 35. | 0:24:08 | 0:24:11 | |
£40. 45? At 45 I'm bid. At £40 I'm bid. | 0:24:11 | 0:24:15 | |
We're done at £40. | 0:24:15 | 0:24:17 | |
Tenner. | 0:24:17 | 0:24:18 | |
Disappointing as per normal. | 0:24:18 | 0:24:21 | |
The good folk of Cornwall | 0:24:21 | 0:24:22 | |
certainly seem to like items from across the Channel. | 0:24:22 | 0:24:26 | |
So will they be drawn to Jonathan's marine theme? | 0:24:26 | 0:24:30 | |
A pair of signed watercolours there. | 0:24:30 | 0:24:31 | |
-Dated 1911. -Here we are. Good luck. Good luck, lovely lot. -£50? | 0:24:31 | 0:24:36 | |
£30? £20 I have. | 0:24:36 | 0:24:38 | |
At £20. 25. £30. 35. | 0:24:38 | 0:24:40 | |
£40? At £35. | 0:24:40 | 0:24:42 | |
-At £35. 40? -Come on! | 0:24:42 | 0:24:44 | |
At 38. 40 now. At 38 I'm bid. At 38, 40 no, I'm done. | 0:24:44 | 0:24:49 | |
At 38. 825. | 0:24:49 | 0:24:51 | |
Oh, Jonathan! | 0:24:52 | 0:24:53 | |
Don't worry. | 0:24:53 | 0:24:56 | |
By the look of it, we might sell the table for about £30. | 0:24:56 | 0:25:00 | |
Don't give up, James! The auctioneer liked your table. | 0:25:00 | 0:25:05 | |
But first the pewter jug, remember? | 0:25:05 | 0:25:07 | |
The one the trade hasn't seen and which is sure to make a profit. | 0:25:07 | 0:25:11 | |
Liberty Tudoric pewter hot water jug. Pattern number 0213. | 0:25:11 | 0:25:16 | |
£20 away? £10 away? | 0:25:16 | 0:25:18 | |
Tenner bid. At 10. At £10. I'll take 12. At £10 I'm bid. 12. | 0:25:18 | 0:25:22 | |
14. 16. 18. 20. | 0:25:22 | 0:25:24 | |
£20, the bid's right at the back. | 0:25:24 | 0:25:26 | |
22. 25? 25. 28? 28. £30? £30. | 0:25:26 | 0:25:29 | |
32? £30 still at the back. 32? At £30, then, going at the back. | 0:25:29 | 0:25:33 | |
At £30. 228. | 0:25:33 | 0:25:36 | |
-Up and down, James. -Up and down, up and down. | 0:25:36 | 0:25:38 | |
Oh, dearie me! Moving on... | 0:25:38 | 0:25:41 | |
Jonathan's got a right royal hope with his embroidery. | 0:25:41 | 0:25:45 | |
19th-century framed needlework panel, | 0:25:45 | 0:25:47 | |
depicting the Royal coat of arms in a nice rosewood frame there. | 0:25:47 | 0:25:51 | |
Start there very quickly. Can I say £50 away? £30 away. | 0:25:51 | 0:25:54 | |
£30 I'm bid. | 0:25:54 | 0:25:56 | |
-He's got someone. -One or two in the book. Keep going. | 0:25:56 | 0:26:00 | |
Keep going. Keep going. Keep going. | 0:26:00 | 0:26:02 | |
At £45? Are we all done? At £45. | 0:26:02 | 0:26:05 | |
He gives with one hand and he takes with the other, doesn't he? | 0:26:07 | 0:26:11 | |
That's life! | 0:26:13 | 0:26:14 | |
How coy! | 0:26:15 | 0:26:18 | |
We may be in the Duchy of Cornwall but no-one's feeling very patriotic! | 0:26:18 | 0:26:22 | |
It's James's North African coffee table. | 0:26:22 | 0:26:25 | |
Are the good people of Lostwithiel up for a little ethnic charm? | 0:26:25 | 0:26:29 | |
Brass circular coffee tray... | 0:26:29 | 0:26:31 | |
-Lovely tray! What a lovely tray! -£20 away? -Feel the weight, sir! -Shh! | 0:26:31 | 0:26:37 | |
At £10 I'm bid. I'll take 12. | 0:26:37 | 0:26:39 | |
At £10 I'm bid. 12? | 0:26:39 | 0:26:42 | |
Are we all done at £10? Going at £10. | 0:26:42 | 0:26:46 | |
-This isn't the 1970s! -What a crime! | 0:26:47 | 0:26:50 | |
£10! | 0:26:50 | 0:26:52 | |
Oops! I could have told you, James! | 0:26:52 | 0:26:56 | |
Now, could Jonathan's life be saved in more ways than one? | 0:26:56 | 0:27:01 | |
Red-and-white lifesaving ring and pair of military painted paddles. | 0:27:01 | 0:27:04 | |
Somebody might need lifesaving. DRUM ROLL | 0:27:04 | 0:27:07 | |
-Oh, even the auctioneer's at it! -£10 away? | 0:27:07 | 0:27:09 | |
At 5. £5 I'm bid. I'll take 6. At 5. 6. 7. | 0:27:09 | 0:27:14 | |
-8. 10. At £10 I'm bid. -Keep going. -12 now? | 0:27:14 | 0:27:18 | |
Up the river without a paddle! | 0:27:18 | 0:27:20 | |
At £10 I'm bid. 12 no. Going at £10. | 0:27:20 | 0:27:23 | |
-Steady work. -Steady work, yeah. -Steady work. -Yeah, sorry, kids. | 0:27:23 | 0:27:27 | |
Yeah, lovely. | 0:27:29 | 0:27:31 | |
Well, there'll be no bird on the table this Sunday! | 0:27:31 | 0:27:35 | |
The bidders are just not in today. | 0:27:35 | 0:27:38 | |
The final lot of the day is James's big punt, | 0:27:38 | 0:27:42 | |
his pricey Chinese rosewood stand, bought for £200. | 0:27:42 | 0:27:46 | |
Lot 104 there is a late 19th-century Chinese carved rosewood stand. | 0:27:46 | 0:27:51 | |
There it is, it's in a prime place. | 0:27:51 | 0:27:53 | |
One, two, three, four bids on this one. I'm going to start at £210. | 0:27:53 | 0:27:57 | |
-Oh, no! -At 210. At 210. | 0:27:57 | 0:28:00 | |
AUCTIONEER LAUGHS | 0:28:00 | 0:28:03 | |
Far too much! Shall I go down to £50? | 0:28:03 | 0:28:06 | |
At 210, all the bids with me. | 0:28:06 | 0:28:08 | |
210. 220 no? We all done at 210? Well, the bid's with me at £210. | 0:28:08 | 0:28:14 | |
Really? 210? | 0:28:15 | 0:28:16 | |
Oh...! | 0:28:16 | 0:28:18 | |
-That's very good, James. -The top bid was probably 500! | 0:28:20 | 0:28:24 | |
His dreams dashed. | 0:28:24 | 0:28:27 | |
This has not been the final hurrah James was hoping for. | 0:28:27 | 0:28:30 | |
Nervous Jonathan started this leg with... | 0:28:31 | 0:28:34 | |
..and, unfortunately, made a loss of £47.93, | 0:28:36 | 0:28:40 | |
so he ends up with... | 0:28:40 | 0:28:42 | |
In fact, that's nearly half what he started with. | 0:28:45 | 0:28:48 | |
Not great! | 0:28:48 | 0:28:50 | |
Devilish James, however, kicked off today with... | 0:28:50 | 0:28:53 | |
He also made a loss, of £47.44, | 0:28:55 | 0:28:58 | |
but he ends with a grand total of... | 0:28:58 | 0:29:01 | |
..making him this week's clear winner. Well done, old fruit! | 0:29:03 | 0:29:07 | |
But what a fun road trip it's been. | 0:29:07 | 0:29:10 | |
And at least Jonathan's had a jolly good jaunt down the country | 0:29:10 | 0:29:14 | |
in James' trusty 1952 MG. | 0:29:14 | 0:29:17 | |
Safe driving, boys. | 0:29:17 | 0:29:18 | |
It's time for us to join a new adventure. On a journey | 0:29:18 | 0:29:21 | |
that promises slightly dubious weather, but wonderful scenery | 0:29:21 | 0:29:25 | |
and fabulous people, the Antiques Road Trip now heads to Northern Ireland. | 0:29:25 | 0:29:29 | |
Our antique ambassadors, David Barby and David Harper, | 0:29:29 | 0:29:34 | |
are about to charm a nation and hopefully make a profit. | 0:29:34 | 0:29:38 | |
Look at this. It's one of the most romantic places in the British Isles | 0:29:38 | 0:29:42 | |
and here am I with David Barby. | 0:29:42 | 0:29:44 | |
I mean, my life doesn't really get any better, does it? | 0:29:44 | 0:29:47 | |
-I hope your inclinations are honourable. -Not at all. | 0:29:47 | 0:29:50 | |
Freelance auctioneer and valuer David Barby is affectionately known as Dolly, | 0:29:52 | 0:29:57 | |
not out of any resemblance, though, to the toy. | 0:29:57 | 0:30:00 | |
What are they for? I don't know. | 0:30:00 | 0:30:01 | |
He has a passion for antiques that began at the tender age of 12. | 0:30:01 | 0:30:05 | |
I've just asked what the bottom price is. | 0:30:05 | 0:30:07 | |
Not to be outdone, David Harper started collecting when he was just five years old, | 0:30:07 | 0:30:12 | |
or so he says. | 0:30:12 | 0:30:14 | |
I am a treasure hunter. | 0:30:14 | 0:30:16 | |
Today, he's living the dream as an antiques dealer, writer | 0:30:17 | 0:30:21 | |
and thoroughly good egg. | 0:30:21 | 0:30:23 | |
She's gorgeous and I wouldn't mind taking her home. | 0:30:23 | 0:30:25 | |
The two Davids are starting this contest with £200 each | 0:30:25 | 0:30:28 | |
and naturally, they're both hoping to have the luck of the Irish. | 0:30:28 | 0:30:32 | |
On this trip, week we're travelling from Northern Ireland, | 0:30:32 | 0:30:35 | |
heading south towards the county of Meath, | 0:30:35 | 0:30:37 | |
then across to the north coast of Wales | 0:30:37 | 0:30:40 | |
and once again heading south, | 0:30:40 | 0:30:42 | |
ending our trip in Llanelli. | 0:30:42 | 0:30:45 | |
Today, we're en route to the village of Moy | 0:30:45 | 0:30:48 | |
and our journey concludes with auction number one in Omagh. | 0:30:48 | 0:30:52 | |
As for our experts' mode of transport, | 0:30:53 | 0:30:56 | |
what could be more glamorous than a Triumph TR3? | 0:30:56 | 0:30:59 | |
If I was to close my eyes a little bit, | 0:30:59 | 0:31:01 | |
I'd think I was with some beautiful blonde. | 0:31:01 | 0:31:03 | |
-Indeed? -Not for long but... | 0:31:03 | 0:31:06 | |
Known to the locals as The Moy, | 0:31:07 | 0:31:10 | |
back in the 1700s, this village was just a handful of cottages and a pub, | 0:31:10 | 0:31:15 | |
most of which are still standing | 0:31:15 | 0:31:17 | |
and have been transformed into an antiques business | 0:31:17 | 0:31:21 | |
that's been in the same family for three generations. | 0:31:21 | 0:31:24 | |
What's more, it has room after room of gorgeous collectables, | 0:31:24 | 0:31:28 | |
so what better place for our boys to make a start? | 0:31:28 | 0:31:30 | |
-David... -Come on! -David, best of luck. | 0:31:30 | 0:31:33 | |
Oh, sorry. Sorry. Best of luck. Of course. | 0:31:33 | 0:31:35 | |
Of course I mean that. BARBY GRUNTS | 0:31:35 | 0:31:38 | |
-Do you want me to help you out? -Yes, thank you. | 0:31:38 | 0:31:41 | |
Anything to delay you. | 0:31:41 | 0:31:43 | |
Now, while David Harper gets Dermot to give him the grand tour | 0:31:44 | 0:31:49 | |
of what used to be the entire village of Moy... | 0:31:49 | 0:31:51 | |
Look at this. This is my idea of heaven. | 0:31:51 | 0:31:54 | |
..Lawrence, his father, is looking after our Mr Barby in the main shop. | 0:31:54 | 0:31:59 | |
Can you tell me the price of the Crown Devon? | 0:31:59 | 0:32:02 | |
-£220. -Oh! Goodness me. -For the two. | 0:32:02 | 0:32:05 | |
That takes up almost all my money. | 0:32:05 | 0:32:07 | |
In other words, time for a much cheaper plan B - | 0:32:07 | 0:32:11 | |
this Georgian window panel. | 0:32:11 | 0:32:12 | |
This is the one here. | 0:32:12 | 0:32:14 | |
It's an individual over-door, yes. That's a genuine Georgian one, yes. | 0:32:14 | 0:32:19 | |
So this would have been... Oops. | 0:32:19 | 0:32:23 | |
-That would have been across the top. -Of course, yeah, yeah. | 0:32:23 | 0:32:27 | |
-Yes. -So we've got quite a lot of damage here. | 0:32:27 | 0:32:30 | |
Yes, it needs some of the wood replaced, yeah. | 0:32:30 | 0:32:32 | |
You've got layers of paint, there. | 0:32:34 | 0:32:37 | |
So this is probably what? Regency, George IV? | 0:32:37 | 0:32:40 | |
Yeah, around George IV, yeah. | 0:32:40 | 0:32:43 | |
-So what's your price on it? -£35. | 0:32:43 | 0:32:46 | |
-£35. Is that your very, very best? -That's it, finito, on that one. | 0:32:46 | 0:32:50 | |
Is it? I rather like that. | 0:32:50 | 0:32:54 | |
For now, it's a strong maybe | 0:32:54 | 0:32:56 | |
because today, David Barby is a man with a game plan. | 0:32:56 | 0:32:59 | |
I'm looking for something that is unique, | 0:33:00 | 0:33:04 | |
unusual, quirky. | 0:33:04 | 0:33:07 | |
There's some decent stuff here. Lovely, lovely, lovely. | 0:33:07 | 0:33:10 | |
I'm happy if I just sort of play the middle ground. | 0:33:10 | 0:33:13 | |
I don't really mean that. | 0:33:13 | 0:33:16 | |
I'd love to win but it depends how the day goes by. | 0:33:16 | 0:33:20 | |
As for David H, his tactic is to spend lots. | 0:33:20 | 0:33:24 | |
-So this is an oil burner? -An oil burner, yeah. -Oil burner. | 0:33:24 | 0:33:27 | |
A good thing, in copper, bit of brass. | 0:33:27 | 0:33:31 | |
-Nicely patinated. -That's right. -Good thick glass. | 0:33:31 | 0:33:35 | |
-Imagine that illuminated. That, in a garden, would look the business. -Yeah. | 0:33:35 | 0:33:39 | |
-Early 20th century. -1910, something like that. -It would be. | 0:33:39 | 0:33:43 | |
It has to be, yeah. | 0:33:43 | 0:33:44 | |
-What sort of money...? -The trade price on that is 35 quid. | 0:33:44 | 0:33:47 | |
Can it be 30 quid? | 0:33:47 | 0:33:49 | |
-30 quid. Go on. Good luck with it. -Good man. Nice to do a deal quickly. | 0:33:50 | 0:33:54 | |
Man after my own heart. Fantastic. | 0:33:54 | 0:33:56 | |
I love doing deals, Dermot. Show me some more. Let's continue. | 0:33:56 | 0:34:00 | |
Well, the boys are going great guns today | 0:34:01 | 0:34:04 | |
and across the courtyard, David B has already found something else, | 0:34:04 | 0:34:08 | |
though he has just one question. | 0:34:08 | 0:34:10 | |
-What are they? -They're Scottish but I'm not sure what they were used for. | 0:34:10 | 0:34:15 | |
-They're both the same? -Mm-hm. | 0:34:15 | 0:34:17 | |
-Yeah, two pieces. -How much are they? | 0:34:19 | 0:34:21 | |
We'd do the two of them for £60. | 0:34:21 | 0:34:24 | |
-They're quite unusual. -They are but I don't know what they're for. | 0:34:24 | 0:34:29 | |
And even more surprising, nor do I. | 0:34:29 | 0:34:32 | |
It's a chance that somebody will know at the auction | 0:34:32 | 0:34:34 | |
-but I think they're Churchill. -Rubbish. | 0:34:34 | 0:34:37 | |
Probably dating from the early part of the 20th century, | 0:34:37 | 0:34:41 | |
so I think they're interesting enough. | 0:34:41 | 0:34:43 | |
-What's the best you can do on these, Lawrence? -On these, it's £60. | 0:34:43 | 0:34:47 | |
-Oh, come on. -For the two of them. -This one's got damage. | 0:34:47 | 0:34:51 | |
-For the two, £50. -I think you can afford to knock some more off | 0:34:51 | 0:34:55 | |
-because you don't know what they are. -That's where the hidden value is. | 0:34:55 | 0:34:59 | |
Maybe these will make a lot more money. | 0:34:59 | 0:35:01 | |
-Would you do 40 for the two, please? -OK, 40 for the two. OK. -OK. | 0:35:01 | 0:35:05 | |
Can I pay for those later? | 0:35:05 | 0:35:06 | |
There might be something else here. I'm getting excited. | 0:35:06 | 0:35:09 | |
Someone else who's excited is David Harper, | 0:35:11 | 0:35:13 | |
who might just have found his next purchase. | 0:35:13 | 0:35:16 | |
So we have here a set of six, certainly 19th century, prints | 0:35:16 | 0:35:22 | |
but mounted in a really unusual way. | 0:35:22 | 0:35:25 | |
I love the shape of them and they could work - | 0:35:25 | 0:35:28 | |
you've got to use your imagination - in a modern room | 0:35:28 | 0:35:32 | |
with a little bit of regilding on the frame, | 0:35:32 | 0:35:34 | |
that would look really jazzy. | 0:35:34 | 0:35:36 | |
But proper things. 19th century. Probably 1860, 1880. | 0:35:36 | 0:35:42 | |
There's potential but they've got to be cheap. | 0:35:42 | 0:35:45 | |
Bear in mind there's six of them. | 0:35:45 | 0:35:47 | |
Oh, no, this is a very bad start to this conversation, Dermot. | 0:35:47 | 0:35:51 | |
The best I'll do for you is 50 quid. | 0:35:51 | 0:35:54 | |
50 quid. | 0:35:54 | 0:35:55 | |
Dermot, give us them for 40. | 0:35:55 | 0:35:58 | |
-45. -Good man. Fantastic. | 0:35:58 | 0:36:01 | |
I love doing business with you. I love it. | 0:36:01 | 0:36:03 | |
Right, OK, another one in the bag. Show me some more. | 0:36:03 | 0:36:07 | |
My goodness, at this rate, the boys will be done in time for elevenses. | 0:36:07 | 0:36:11 | |
Actually, I could murder a biccy. | 0:36:11 | 0:36:13 | |
I've just spotted this, which I think is an interesting composition. | 0:36:15 | 0:36:19 | |
It's 19th century. | 0:36:19 | 0:36:22 | |
What I like about it is the feature of the woman | 0:36:22 | 0:36:24 | |
and then this figure going at an angle across, which is unusual, | 0:36:24 | 0:36:29 | |
as though somebody else is straining to look out from behind the curtain. | 0:36:29 | 0:36:33 | |
I rather like that. Oh, and of course, she has a naked breast, | 0:36:36 | 0:36:41 | |
so it may well have been put in an attic | 0:36:41 | 0:36:43 | |
rather than upset anybody's sensitive nerves, | 0:36:43 | 0:36:46 | |
because it has got an exposed breast. | 0:36:46 | 0:36:48 | |
Cleaned up, I think that would be quite good | 0:36:48 | 0:36:51 | |
but there's damage across here. | 0:36:51 | 0:36:53 | |
I would hope it would be round about £50. | 0:36:53 | 0:36:56 | |
Lawrence, I just spotted this as I came through the door. | 0:36:56 | 0:36:59 | |
I know it's got damage on it. | 0:36:59 | 0:37:01 | |
-What's the best price you can do? -£40. -£40. -Mm. | 0:37:01 | 0:37:04 | |
-That's allowing for its condition and whatever restoration has to be done to it. -OK. | 0:37:04 | 0:37:08 | |
-Lawrence. -David. | 0:37:09 | 0:37:11 | |
-Thank you very much indeed. -OK. | 0:37:11 | 0:37:13 | |
Right. Oh, I'm quite pleased. | 0:37:13 | 0:37:16 | |
Perhaps there's something in the air. | 0:37:16 | 0:37:19 | |
# I've heard people say... # | 0:37:20 | 0:37:22 | |
Because at this very second, David H... | 0:37:22 | 0:37:24 | |
# Too much of anything is not good for you, baby... # | 0:37:24 | 0:37:27 | |
..is also now thinking... | 0:37:27 | 0:37:28 | |
She's a bit of all right, isn't she? | 0:37:28 | 0:37:31 | |
..about naked women. | 0:37:31 | 0:37:33 | |
She's gorgeous. Not only is she lovely to look at because she's a lovely shape | 0:37:33 | 0:37:37 | |
-but she's very contemporary and you could put her... -That's right. | 0:37:37 | 0:37:41 | |
-..in a traditional house and jazz it up. -That's right. -Couldn't you? | 0:37:41 | 0:37:45 | |
-Or a very modern place. -Very modern, yeah. | 0:37:45 | 0:37:48 | |
This rather saucy painting, that has David so excited, | 0:37:48 | 0:37:52 | |
is an amateur copy of Daniel O'Neill's work, | 0:37:52 | 0:37:56 | |
an Irish artist now deceased, | 0:37:56 | 0:37:58 | |
though while the original did sell for 50,000 euros, | 0:37:58 | 0:38:03 | |
I think this canvas is worth a bit less. | 0:38:03 | 0:38:05 | |
Erm, what sort of money is she, then? I wouldn't mind taking her home. | 0:38:05 | 0:38:09 | |
-Say something like... -30 quid? 20 quid? | 0:38:09 | 0:38:12 | |
-50 quid, 50 quid. -Really? | 0:38:12 | 0:38:14 | |
-45. -You couldn't put it on my bill at 20 quid? | 0:38:14 | 0:38:17 | |
-Say 30? -25 quid. | 0:38:19 | 0:38:22 | |
-Let me take her home for 25 quid. -OK. -Good man, good man. | 0:38:22 | 0:38:24 | |
Looks like Mr Barby is happy with his buys too, | 0:38:24 | 0:38:27 | |
so that's one Georgian overlight, a pair of pottery figures, | 0:38:27 | 0:38:31 | |
possibly Churchill, possibly not, and one very tasteful nude. | 0:38:31 | 0:38:36 | |
-So what's the total? -115. | 0:38:36 | 0:38:39 | |
-I'll give you 110. -Oh, dear. | 0:38:39 | 0:38:41 | |
-110. -OK, 110, OK, OK. -Thank you very much. | 0:38:41 | 0:38:46 | |
Jammy old devil. | 0:38:46 | 0:38:48 | |
-I hope you do well. -So do I. | 0:38:48 | 0:38:50 | |
So do I. Otherwise I'll be back. | 0:38:50 | 0:38:53 | |
Next stop for David Harper is well and truly off the beaten track, | 0:38:55 | 0:38:59 | |
in a place appropriately called Countryside Antiques. | 0:38:59 | 0:39:03 | |
Well... Oh, I can't believe it. | 0:39:03 | 0:39:05 | |
Full of fantastic stuff. | 0:39:05 | 0:39:08 | |
They're quite interesting, aren't they? | 0:39:08 | 0:39:10 | |
I think they're Irish. I'm not 100% sure. | 0:39:10 | 0:39:13 | |
-Let's see. You could be right. Romany. -They could be Romany. | 0:39:13 | 0:39:16 | |
If you trace the Romanies back, you actually get to India. | 0:39:16 | 0:39:19 | |
If you keep going east, that's where they started, | 0:39:19 | 0:39:22 | |
so they've always got that Indian sort of influence. | 0:39:22 | 0:39:26 | |
So it could be Romany. | 0:39:26 | 0:39:27 | |
So you carry two of them. What are you going to carry two of them for? | 0:39:27 | 0:39:31 | |
-Beer. -Beer. One of them each. | 0:39:31 | 0:39:33 | |
-You and I could have a great party. -It would be. | 0:39:33 | 0:39:36 | |
-Fill them up. -Fill them up. | 0:39:36 | 0:39:37 | |
-What, I mean... There's a pair of them. -There's a pair of them. | 0:39:37 | 0:39:41 | |
-What kind of...? What sort of...? -100. | 0:39:41 | 0:39:44 | |
-100. Take 50 quid and be... -I can't. I'd be happy to get 60 for them. | 0:39:44 | 0:39:48 | |
I'm getting no money out of them. | 0:39:48 | 0:39:50 | |
-Stanley, I'm going to give you £60. -Thank you very much. | 0:39:50 | 0:39:55 | |
Thank you very much. They're fantastically whacky. I love them. | 0:39:55 | 0:39:58 | |
Love them. I've almost blown all my money. | 0:39:58 | 0:40:01 | |
The boys' next stop is Armagh, | 0:40:01 | 0:40:04 | |
known to many as the city of saints and scholars. | 0:40:04 | 0:40:08 | |
And that's a story which begins in the mid 400s | 0:40:09 | 0:40:13 | |
when Christianity first spread to Ireland | 0:40:13 | 0:40:15 | |
and St Patrick established his principal church right here, | 0:40:15 | 0:40:19 | |
thus making this the island's ecclesiastical capital, | 0:40:19 | 0:40:23 | |
although it's since been destroyed and rebuilt 17 times. | 0:40:23 | 0:40:27 | |
As for our story, | 0:40:27 | 0:40:29 | |
that begins a few streets away at the Shambles Market, | 0:40:29 | 0:40:32 | |
where David Barby is about to have his world rocked. | 0:40:32 | 0:40:36 | |
Hold on. Now, this is the first time ever | 0:40:36 | 0:40:38 | |
you've stepped onto the holy ground of a car boot. Am I right? | 0:40:38 | 0:40:42 | |
-I've been to one of these country house car boots. -Yes. | 0:40:42 | 0:40:47 | |
-So I expect this is something similar. -Very similar. | 0:40:47 | 0:40:49 | |
You might find some Rembrandts | 0:40:49 | 0:40:51 | |
-and some really good early George I oak furniture. -Just what I want. | 0:40:51 | 0:40:55 | |
OK, good luck to you. You go in that direction and I'll go in that direction. | 0:40:55 | 0:41:00 | |
Whilst David's new to the cut and thrust of the car boot sale, | 0:41:00 | 0:41:04 | |
he's loving it, | 0:41:04 | 0:41:05 | |
approaching every nuance as if he's narrating a nature documentary. | 0:41:05 | 0:41:09 | |
Well, this is the most extraordinary place I've been to. | 0:41:10 | 0:41:14 | |
It's all at a car boot sale. It's amazing what's being sold. | 0:41:14 | 0:41:18 | |
And the people are so interesting as well. | 0:41:18 | 0:41:20 | |
They're all out there to get a bargain. | 0:41:20 | 0:41:22 | |
I hope I can find one. | 0:41:22 | 0:41:24 | |
Even more surprising, this eclectic market place | 0:41:24 | 0:41:28 | |
is also having a strange effect on David Harper. | 0:41:28 | 0:41:31 | |
Five pounds. It should be 25 quid, that. It's madness. | 0:41:31 | 0:41:35 | |
It's so cheap it's probably illegal. | 0:41:35 | 0:41:38 | |
What?! Oh, right. He almost had me, there. | 0:41:38 | 0:41:42 | |
And true to form, he's now going on | 0:41:42 | 0:41:44 | |
to squeeze the pocket money out of an 18-year-old stallholder. | 0:41:44 | 0:41:48 | |
Two cracking bits of Murano. | 0:41:48 | 0:41:51 | |
Now, what would your price, to me, be for these? | 0:41:51 | 0:41:56 | |
-20. -20 on that and how much for that? -20. -20. | 0:41:56 | 0:42:00 | |
So here we are, here's the great example of Murano, | 0:42:00 | 0:42:03 | |
made on the island of Murano just off the coast of Italy. | 0:42:03 | 0:42:07 | |
What about doing a bulk-buy deal here? | 0:42:07 | 0:42:09 | |
-I'll go for 35. -35? -35. | 0:42:09 | 0:42:13 | |
25? | 0:42:13 | 0:42:14 | |
Huh! He's shameless. | 0:42:14 | 0:42:16 | |
-I'll go to 32. -Do 30 and we've done a deal. | 0:42:16 | 0:42:19 | |
-All right. -Good man, good man. | 0:42:19 | 0:42:21 | |
OK, fantastic. | 0:42:21 | 0:42:23 | |
David Barby, meanwhile, is going down the ceramic route. | 0:42:23 | 0:42:27 | |
After all, this slipper pan is the perfect opportunity | 0:42:27 | 0:42:31 | |
for some lavatorial humour. | 0:42:31 | 0:42:33 | |
This piece here is a Grimwade, a Grimwade piece. | 0:42:33 | 0:42:38 | |
I like Grimwade pottery and I've just asked what the bottom price is. | 0:42:38 | 0:42:43 | |
-CYMBAL CRASHES -Huh! That's one. | 0:42:43 | 0:42:45 | |
-50p. -50p? -Pee being the operative word. | 0:42:45 | 0:42:48 | |
-CYMBAL CRASHES -That's two. | 0:42:48 | 0:42:51 | |
Hasn't been used for ages. | 0:42:51 | 0:42:53 | |
-CYMBAL CRASHES -That's three | 0:42:53 | 0:42:54 | |
and that's probably enough. | 0:42:54 | 0:42:56 | |
-For 50 pence. I've got to buy it for 50 pence, haven't I? -Yes. -Yeah. | 0:42:56 | 0:43:00 | |
I've bought something! Oh! I've bought something. | 0:43:00 | 0:43:03 | |
-Thank you very much. -You're very welcome. -Not at all. | 0:43:03 | 0:43:06 | |
-I'll give you a pound. -And there's your change. -Thank you. | 0:43:06 | 0:43:09 | |
-And there's an Irish luck penny. -An Irish luck penny. | 0:43:09 | 0:43:12 | |
It's traditional when you buy something, you get a bargain, | 0:43:12 | 0:43:16 | |
you get a luck penny back. | 0:43:16 | 0:43:18 | |
What have I done? | 0:43:18 | 0:43:20 | |
With only £10 left in his pocket, David Harper is taking a break | 0:43:20 | 0:43:25 | |
and is headed to the Armagh public library, founded in 1771 | 0:43:25 | 0:43:30 | |
by the Archbishop Robinson, | 0:43:30 | 0:43:32 | |
who thought of it as the healing place of the soul | 0:43:32 | 0:43:34 | |
and filled its shelves with his collection of rare 17th and 18th century books. | 0:43:34 | 0:43:40 | |
-Welcome. It's a delight to have you here. -Thank you. | 0:43:40 | 0:43:43 | |
-I'm David. -I'm Carol. -Carol. Thank you very much. | 0:43:43 | 0:43:46 | |
You should feel very much at home here | 0:43:46 | 0:43:49 | |
because Archbishop Richard Robinson, who had this lovely library built, | 0:43:49 | 0:43:53 | |
-was from Yorkshire. -A fellow Yorkshireman. -Yes. | 0:43:53 | 0:43:56 | |
A wonderful collector. A wealthy man in his own right. | 0:43:56 | 0:44:00 | |
And he set to and he bought and acquired books, manuscripts, | 0:44:00 | 0:44:05 | |
prints, gems, coins. | 0:44:05 | 0:44:07 | |
-It was a very subtle way of saying, "I have money..." -Yes! | 0:44:07 | 0:44:10 | |
"..and I want to show you that." | 0:44:10 | 0:44:12 | |
Robinson's ultimate aim was to have a university in Armagh, | 0:44:12 | 0:44:16 | |
so he started by building a library and each of the books he introduced | 0:44:16 | 0:44:20 | |
was stamped with his own personal book plate. | 0:44:20 | 0:44:23 | |
But whilst he died in 1794, his collection continues to grow, | 0:44:23 | 0:44:29 | |
containing everything from theology to literary classics. | 0:44:29 | 0:44:33 | |
This is a first edition of Jonathan Swift's Gulliver's Travels. | 0:44:33 | 0:44:37 | |
It's known as Gulliver's Travels. The title is Travels Into Several Remote Nations Of The World. | 0:44:37 | 0:44:43 | |
-That's the original title? -That's the original title. | 0:44:43 | 0:44:46 | |
I didn't know that. | 0:44:46 | 0:44:47 | |
And then it's by, you see, this surgeon, Lemuel Gulliver, | 0:44:47 | 0:44:52 | |
-and we shorten it to Gulliver's Travels... -Of course. | 0:44:52 | 0:44:56 | |
The first edition, 1726, | 0:44:56 | 0:44:58 | |
and this is the actual edition in which Swift chose to make changes | 0:44:58 | 0:45:04 | |
in the margins, ready for a further print run. | 0:45:04 | 0:45:07 | |
-There actually have been... -This particular one? -Yes. | 0:45:07 | 0:45:10 | |
That's what's so special for us. | 0:45:10 | 0:45:12 | |
-There are areas here where we can actually show... -Oh! | 0:45:12 | 0:45:15 | |
..in some cases, a little change, in others, more... | 0:45:15 | 0:45:19 | |
-Does that mention Lilliput, there? -Yes. -And he's made a change? | 0:45:19 | 0:45:22 | |
The fact that Lilliput has been underlined is fascinating. | 0:45:22 | 0:45:26 | |
If I may show you another one where he was just putting in... | 0:45:26 | 0:45:31 | |
Binding is what's printed and it should have been bending. | 0:45:32 | 0:45:36 | |
-Ah! -So he was frustrated to find | 0:45:36 | 0:45:39 | |
that there were several printing errors like that. | 0:45:39 | 0:45:41 | |
Swift was so frustrated, in fact, he even fired the publisher. | 0:45:41 | 0:45:47 | |
Wow. Carol, we're having a real feast here, aren't we? | 0:45:47 | 0:45:50 | |
I'm glad you're saying that. That's great to hear. | 0:45:50 | 0:45:53 | |
We thought you might like to see this as well. | 0:45:53 | 0:45:55 | |
It's a 1614 copy of Sir Walter Raleigh's The History Of The World. | 0:45:55 | 0:46:01 | |
-No! -Raleigh wrote this while imprisoned in the Tower in London. | 0:46:01 | 0:46:06 | |
He had fallen out of favour with Queen Elizabeth. | 0:46:06 | 0:46:09 | |
She was very angry to learn that he had married one of her ladies in waiting in secret. | 0:46:09 | 0:46:14 | |
-Not the done thing. -No, indeed. | 0:46:14 | 0:46:16 | |
He was imprisoned for quite a number of years | 0:46:16 | 0:46:18 | |
and it was during that time that he wrote The History Of The World. | 0:46:18 | 0:46:22 | |
Now, whilst David Harper's in no particular rush, | 0:46:22 | 0:46:25 | |
David Barby still has more shopping to do. | 0:46:25 | 0:46:28 | |
His next stop is Cookstown, which was founded around 1620 | 0:46:28 | 0:46:32 | |
when ecclesiastical lawyer Dr Alan Cook leased the land | 0:46:32 | 0:46:37 | |
from the then Archbishop of Armagh. | 0:46:37 | 0:46:40 | |
It's also the location of the Saddle Room Antiques | 0:46:40 | 0:46:43 | |
and the man in that snazzy tie is Christopher. | 0:46:43 | 0:46:46 | |
-I'm looking for bargains, so I hope you've got some. -I hope so! | 0:46:46 | 0:46:50 | |
Well, if anyone can sniff one out, it's Barby. | 0:46:52 | 0:46:55 | |
-An old jelly mould. -A late Victorian white-glazed jelly mould. | 0:46:57 | 0:47:01 | |
-The ones that are collectable are the salt-glazed ones. -Yes. | 0:47:01 | 0:47:05 | |
But what I like is this still can be used. | 0:47:05 | 0:47:07 | |
That's £18. | 0:47:07 | 0:47:09 | |
What's the best on that one? | 0:47:09 | 0:47:11 | |
-Eight. -Can you do it for five? -OK. | 0:47:14 | 0:47:17 | |
I would like that for £5. | 0:47:17 | 0:47:19 | |
That would go nicely with another ceramic object I've bought. | 0:47:19 | 0:47:23 | |
OK, yes. | 0:47:23 | 0:47:24 | |
Mm. Jelly and nobody's business. What an intriguing combination. | 0:47:26 | 0:47:31 | |
Though he's not done yet. | 0:47:31 | 0:47:32 | |
His next acquisition might just be this stick stand, circa 1900. | 0:47:32 | 0:47:37 | |
On the stick stand, I see you've got £78. | 0:47:37 | 0:47:41 | |
I would do that for 35. | 0:47:41 | 0:47:43 | |
35. Your very best at 35? | 0:47:45 | 0:47:48 | |
Erm... | 0:47:48 | 0:47:50 | |
Could you do it for round about 20? | 0:47:50 | 0:47:53 | |
-OK. -£20? That man could charm the skin off a snake. | 0:47:54 | 0:47:59 | |
What I like about it is it's still got its original drip tray. | 0:47:59 | 0:48:03 | |
The maker's mark is a callipers at the bottom. | 0:48:03 | 0:48:06 | |
It's an interesting piece of social history. | 0:48:06 | 0:48:09 | |
Because only people of a certain wealth could afford walking canes, umbrellas or parasols. | 0:48:09 | 0:48:14 | |
You'd date this probably round about the beginning of the 20th century. | 0:48:14 | 0:48:18 | |
Which is David's way of saying he'll take it. | 0:48:18 | 0:48:21 | |
For £10, it's very good. Thank you very much. | 0:48:21 | 0:48:24 | |
-What did you say? -20. It's 20. -Nice try. -That's great. | 0:48:26 | 0:48:30 | |
With the shopping done, | 0:48:30 | 0:48:33 | |
it's time to recap on what the two Davids have bought. | 0:48:33 | 0:48:36 | |
Our experts began this journey with £200 each. | 0:48:36 | 0:48:39 | |
David Harper has splashed out | 0:48:39 | 0:48:41 | |
a total of £190 on five auction lots consisting of | 0:48:41 | 0:48:45 | |
the brass tankards, the glass dishes, | 0:48:45 | 0:48:47 | |
an Irish nude canvas, the set of six hunting prints | 0:48:47 | 0:48:52 | |
and the ship's oil burner. | 0:48:52 | 0:48:54 | |
As for David Barby, he's kept a little more in reserve, | 0:48:54 | 0:48:57 | |
spending £135.50 also on five auction lots. | 0:48:57 | 0:49:01 | |
Which are a Georgian overlight, | 0:49:01 | 0:49:03 | |
a pair of pottery figures, a nude painting, | 0:49:03 | 0:49:06 | |
a ceramic a jelly mould and douche pan, | 0:49:06 | 0:49:09 | |
and the 19th century stick stand. | 0:49:09 | 0:49:12 | |
So, what do our experts think of each others' items? | 0:49:12 | 0:49:15 | |
I think the worst object of all was the painting of the female nude | 0:49:15 | 0:49:19 | |
after O'Neill. | 0:49:19 | 0:49:21 | |
I thought it was absolutely dreadful. | 0:49:21 | 0:49:23 | |
Dreadful. | 0:49:23 | 0:49:25 | |
Very surprised, in fact horrified, | 0:49:25 | 0:49:28 | |
that Mr Barby didn't like my painting of a nude lady. I mean, come on! | 0:49:28 | 0:49:33 | |
Who can say, hand on heart, they don't fancy her? She's fantastic! | 0:49:33 | 0:49:37 | |
After starting off in Moy, | 0:49:37 | 0:49:40 | |
David Harper and David Barby end the first leg of their road trip | 0:49:40 | 0:49:44 | |
in county town of Omagh. | 0:49:44 | 0:49:46 | |
One of the oldest towns in Ireland, | 0:49:46 | 0:49:48 | |
Omagh traces its origins back to the year 792, | 0:49:48 | 0:49:52 | |
when all that existed was a single abbey. | 0:49:52 | 0:49:55 | |
Since then, there's been rebellion, war, and, oh, yes, it's also been burned to the ground | 0:49:55 | 0:50:01 | |
in the name of William III. | 0:50:01 | 0:50:03 | |
But will our experts' purchases fire up interest at Viewback Auctions? | 0:50:03 | 0:50:08 | |
First up, it's David Harper's brass tankards, | 0:50:08 | 0:50:11 | |
-finely decorated, with a touch of Gypsy. -Go on, pump them up. | 0:50:11 | 0:50:15 | |
-At 40. At 40. At £40 at the back. -Come on. | 0:50:15 | 0:50:17 | |
At 40. At 45 here at the front. At 45. | 0:50:17 | 0:50:20 | |
-50 at the back, then. At 50, at 50, at 50. -Come on. | 0:50:20 | 0:50:22 | |
At £50. Any advance on 50? And I sell. | 0:50:22 | 0:50:25 | |
Oh, dear. We've stalled already. | 0:50:25 | 0:50:28 | |
-No, no, no, no, no. -At £50. At £50. At £50. | 0:50:28 | 0:50:31 | |
-£50 and it's once, £50 and it's twice. -Don't sell them. | 0:50:31 | 0:50:33 | |
-All finished at £50. Mr X. -Mr X has just nicked them off me. | 0:50:33 | 0:50:39 | |
Needless to say, Mr X has paid a lot less than our Mr Harper | 0:50:39 | 0:50:43 | |
and that's a £10 loss before commission. | 0:50:43 | 0:50:45 | |
-I can't believe it. -I think he knows what they are. | 0:50:45 | 0:50:48 | |
Next, it's the David Barby ceramic collection. | 0:50:48 | 0:50:51 | |
Not available in shops. | 0:50:53 | 0:50:55 | |
It's still a bizarre combination, if you ask me, | 0:50:55 | 0:50:58 | |
a jelly mould and a douche pan. | 0:50:58 | 0:51:00 | |
Who's going to give me £50 on the slipper pan and jelly mould? | 0:51:00 | 0:51:04 | |
40? 30? 20? | 0:51:04 | 0:51:06 | |
-Start me at 10. -No, don't. | 0:51:06 | 0:51:08 | |
-Yes. -Fiver? Fiver bid over here. -A fiver? | 0:51:08 | 0:51:11 | |
At 10, at 15, 15. 20 down here. | 0:51:11 | 0:51:14 | |
-At 20, at 20. -Someone's got taste. -Any advance on 20? | 0:51:14 | 0:51:17 | |
-The lady's bid at 20. -I can't believe it. Give me that penny. | 0:51:17 | 0:51:20 | |
-At 20 and it's twice. -One more go. -All done at £20. Lady's bid at 20. | 0:51:20 | 0:51:25 | |
Well played, Barby, well played. | 0:51:25 | 0:51:27 | |
Maybe there's something to that Irish luck penny after all. | 0:51:27 | 0:51:30 | |
Give me that penny. Let me just hold it for a while. | 0:51:30 | 0:51:33 | |
Actually, David, you may need it. | 0:51:33 | 0:51:36 | |
There's more than a few doubts over your so-called Murano. | 0:51:36 | 0:51:39 | |
We've got a heart-shaped Murano glass dish. | 0:51:39 | 0:51:41 | |
-He's mentioned Murano again. That's strange. -It is. | 0:51:41 | 0:51:45 | |
-Who'll give me £30? -Czechoslovakian. -At 30, at 30, at 30, at 30, at 30. | 0:51:45 | 0:51:50 | |
-At 35. -Yes. -At 40. At £40. At £40. -A bit of profit. Come on. | 0:51:50 | 0:51:54 | |
Give me the penny, give me the penny. | 0:51:54 | 0:51:57 | |
Sir, you realise these may be a little more modern than you think? | 0:51:57 | 0:52:01 | |
-Are you happy enough? At 40. -That's good, that's good. | 0:52:01 | 0:52:04 | |
-At £40 it is, once. -Come on. -At £40 it is, twice. | 0:52:04 | 0:52:07 | |
All finished and done at £40. | 0:52:07 | 0:52:10 | |
Not bad, considering there's no way on earth they were Murano. | 0:52:11 | 0:52:16 | |
-Will you not let me hold the penny on my next...? -No. | 0:52:16 | 0:52:20 | |
That's right, Barby, you hold onto it. | 0:52:20 | 0:52:23 | |
After all, your George III overlight is next. | 0:52:23 | 0:52:26 | |
This piece of glass is unique to this part of the world. | 0:52:26 | 0:52:30 | |
-That is true, that is true. -You never mentioned that. -It's true. | 0:52:30 | 0:52:33 | |
Who'll start me at £100? | 0:52:33 | 0:52:36 | |
-Start me at 50. 40? -£1. | 0:52:36 | 0:52:39 | |
Ladies and gentlemen, 30. 20? £20 bid. | 0:52:39 | 0:52:42 | |
-At 20, at 20, at 20, at 20. At 30, at 30, at 40. -Oh! | 0:52:42 | 0:52:45 | |
It's a pity there wasn't a pair. | 0:52:45 | 0:52:47 | |
We'd be flying into £400, £500. | 0:52:47 | 0:52:49 | |
He's very good. | 0:52:49 | 0:52:50 | |
-At £40 once, twice... All finished. -I'm very disappointed. | 0:52:50 | 0:52:54 | |
-Sold to a gentleman who knows. -You just can't stop making a profit. | 0:52:54 | 0:52:58 | |
Yes, and that's another £10 in the kitty. | 0:52:58 | 0:53:02 | |
But now, perhaps it's David Harper's turn to feel the lurve. | 0:53:02 | 0:53:06 | |
It's his thoroughly modern amateur copy of an Irish nude. | 0:53:06 | 0:53:11 | |
HE GASPS She's so beautiful. | 0:53:11 | 0:53:13 | |
Yeah, all right, calm down. | 0:53:13 | 0:53:15 | |
At £20. At 20, at 20, at 20, at 20. At 30. | 0:53:15 | 0:53:19 | |
-Yes. Come on. -At 30, at 40, at 40, at 40, at £40. | 0:53:19 | 0:53:22 | |
-At £40. Any advance on 40? -Come on. -At 40, at 40, at £40. | 0:53:22 | 0:53:25 | |
-At £40 it is once, at £40 twice... -Come on. | 0:53:25 | 0:53:29 | |
-All finished. -GAVEL BANGS | 0:53:29 | 0:53:30 | |
-Well, she made a bit of profit. -Yes, indeed | 0:53:30 | 0:53:34 | |
but perhaps the people of Omagh like their nudes a little more subtle. | 0:53:34 | 0:53:39 | |
So let's see if Barby can tempt them with a cheeky flash of breast. | 0:53:39 | 0:53:43 | |
-Start me at £100. £100. Anywhere? -That is such a bargain. | 0:53:43 | 0:53:47 | |
£50, then, to start the bidding. 60, there, the gentleman. | 0:53:47 | 0:53:50 | |
At 70. At 70 to the lady. At 70, at 70 to the lady who knows. | 0:53:50 | 0:53:53 | |
-Oh, come on. -At 70, at 70. Will I say 80? | 0:53:53 | 0:53:56 | |
It's that lady's at 90. Are you going to come again, sir? | 0:53:56 | 0:53:59 | |
At 90. It's the lady's bid. At £90 and I sell. | 0:53:59 | 0:54:03 | |
-Oh, Christopher Columbus. -At £90 once, £90 twice. | 0:54:03 | 0:54:08 | |
-Get it sold. -Sold for £90. BA. | 0:54:08 | 0:54:10 | |
Get it done. Well done. Well done. | 0:54:10 | 0:54:13 | |
-Well and truly thrashed. -I didn't have my penny in my hand. | 0:54:13 | 0:54:16 | |
Oh, dear! I feel so awful for you. | 0:54:16 | 0:54:20 | |
Yeah, poor old David. That's only £50 before commission. | 0:54:20 | 0:54:24 | |
Staying in the art world for just a little longer, | 0:54:25 | 0:54:28 | |
let's see if David Harper can lift his sagging profit margins | 0:54:28 | 0:54:31 | |
with these hunting prints. | 0:54:31 | 0:54:33 | |
Come on, now, babies. Six of them. | 0:54:33 | 0:54:36 | |
At £20. At 20, at 20, at 20, at 20, at 20, at 30. | 0:54:36 | 0:54:39 | |
At £30. Any advance on 30? | 0:54:39 | 0:54:41 | |
-At £30, at £30, at £30, at 30, at 30, at 30... -Come on. -..at 30. | 0:54:41 | 0:54:45 | |
At £30, at £30 it is. | 0:54:45 | 0:54:47 | |
So, just to summarise, we're at 30. | 0:54:47 | 0:54:51 | |
At 30, at £30, at 30, at 30, at 40. | 0:54:51 | 0:54:53 | |
-40. Come on. I paid 45. Come on. -At 40, at 40. | 0:54:53 | 0:54:56 | |
-£40 once, £40 twice. -No... -All finished? | 0:54:56 | 0:54:58 | |
-At 40. Mr E. -Oh! £5 loss. | 0:54:58 | 0:55:02 | |
And don't forget the commission. | 0:55:02 | 0:55:05 | |
David Barby's pottery figures now, | 0:55:05 | 0:55:07 | |
which, I'm afraid, are still proving to be something of a mystery. | 0:55:07 | 0:55:11 | |
I'm getting rather anxious about these. | 0:55:11 | 0:55:14 | |
I don't know what they're for, David. | 0:55:14 | 0:55:16 | |
I just bought them because they were Churchill. | 0:55:16 | 0:55:19 | |
We've had quite a lot of interest in these articles on the internet, | 0:55:19 | 0:55:23 | |
so who's going to give me £200? | 0:55:23 | 0:55:25 | |
-What? -Start me at £100. £100 bid. | 0:55:25 | 0:55:27 | |
At £100. 120, 140. | 0:55:27 | 0:55:30 | |
140. 160. 160, 180. | 0:55:30 | 0:55:34 | |
-Come on, come on. -At £180. At £200. | 0:55:34 | 0:55:37 | |
Oh, my! Whatever they are, I love them. | 0:55:37 | 0:55:40 | |
-At £220. -No. -At £240. | 0:55:40 | 0:55:43 | |
-I see a smile. -Not from me. -At £240. That's once. | 0:55:43 | 0:55:48 | |
At £240. Are you all finished and done? At £240. | 0:55:48 | 0:55:51 | |
-GAVEL BANGS -And that's why they call David Barby "The Master". Bravo! | 0:55:51 | 0:55:58 | |
I'm sorry, but I'm going to have to applaud there. Well done. | 0:55:58 | 0:56:01 | |
Well, there you go. | 0:56:01 | 0:56:02 | |
Clearly, Barby's in the lead | 0:56:02 | 0:56:04 | |
but David Harper's hoping his ship's lantern | 0:56:04 | 0:56:07 | |
will finally get the bidders excited. | 0:56:07 | 0:56:09 | |
-Come on, boys. -At £30 bid, at £30, at 40, at 40, at 40, at 40. | 0:56:09 | 0:56:13 | |
-At £40. -I need so much more. -I can't go up to 50 if I can't get no bids. | 0:56:13 | 0:56:17 | |
-Nobody wants the thing. -He's trying hard. -He's very good. | 0:56:17 | 0:56:21 | |
At 50, at 50. At 60! A-ha! | 0:56:21 | 0:56:23 | |
New blood! At 60, at 60, at 70. | 0:56:23 | 0:56:25 | |
-At £70 behind you, sir. At £70, at £70. -You're doing well. | 0:56:25 | 0:56:30 | |
-At £70 it is once. -Your day is here. -At £70 it is twice. | 0:56:30 | 0:56:34 | |
-All finished at £70. Mr E. -I'm delighted with that. | 0:56:34 | 0:56:38 | |
And so you should be, old boy. That's £40 profit before commission. | 0:56:38 | 0:56:42 | |
Mind you, it's a drop in the ocean compared to you know who | 0:56:42 | 0:56:47 | |
and it's time for his final lot, the 19th-century stick stand. | 0:56:47 | 0:56:50 | |
-Get your penny out. -I have. | 0:56:50 | 0:56:52 | |
At 30. £30 bid. At 30, at 30, at 30. At 40, at 40, at £40. | 0:56:52 | 0:56:57 | |
-Who's going to give me 50? -Nobody. -At 40, at 40, at 40. | 0:56:57 | 0:57:01 | |
-At £40. I can't get more. -Sell it, sell it. | 0:57:01 | 0:57:04 | |
-At £40 twice. -Sell it, sell it. | 0:57:04 | 0:57:06 | |
-All finished, all done? At £40. And the code is Mr E. -Gone. £40. | 0:57:06 | 0:57:12 | |
-Well! -Well done, Barby. | 0:57:12 | 0:57:14 | |
Drinks on you, I think, although for some reason, the man's frowning. | 0:57:14 | 0:57:18 | |
-What are you moaning about? -I only made £20 on that. | 0:57:18 | 0:57:21 | |
-I thought you paid 40 for it. -20. | 0:57:21 | 0:57:24 | |
Just to get you worked up. | 0:57:24 | 0:57:25 | |
David Harper started this leg with £200 | 0:57:28 | 0:57:31 | |
and after commission, made a rather modest profit of £6.80, | 0:57:31 | 0:57:35 | |
which means he ends the first leg with £206.80. | 0:57:35 | 0:57:41 | |
David Barby also started with £200 | 0:57:41 | 0:57:43 | |
but after making an exceptional £217.10 at auction, | 0:57:43 | 0:57:48 | |
he now has £417.10 in the coffers and is very much in first place. | 0:57:48 | 0:57:55 | |
But, hey, we've only just begun. | 0:57:55 | 0:57:57 | |
I was well and truly, utterly, hammered, thrashed, killed, | 0:57:57 | 0:58:01 | |
drowned, whatever you want to call it. | 0:58:01 | 0:58:03 | |
Come on, Harper, pull yourself together. | 0:58:03 | 0:58:06 | |
There's still four legs to go. | 0:58:06 | 0:58:08 | |
Right, hold on. You are going for a spin. | 0:58:08 | 0:58:11 | |
-Do be careful. -HE LAUGHS MANICALLY | 0:58:11 | 0:58:14 | |
Aargh! | 0:58:14 | 0:58:15 |