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The nation's favourite antiques experts, £200 each, | 0:00:02 | 0:00:05 | |
and one big challenge. | 0:00:05 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-It really is very good! -The aim is to trade up | 0:00:13 | 0:00:16 | |
and hope each antique turns a profit. | 0:00:16 | 0:00:19 | |
But it's not as easy as you might think | 0:00:19 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
Will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Do you think I'd believe that? -This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
We're in the Republic of Ireland with the two Davids, | 0:00:37 | 0:00:41 | |
David Harper and David Barby. | 0:00:41 | 0:00:43 | |
Together, they're touring the Emerald Isle in a Triumph TR3. | 0:00:47 | 0:00:53 | |
Oh, David! | 0:00:53 | 0:00:55 | |
-You're getting all fired up here! -I'm doing 50 miles an hour. -Come on, baby! | 0:00:55 | 0:00:59 | |
David Harper is a dealer with an infinite knowledge of antiques. | 0:01:00 | 0:01:05 | |
What on earth is that? | 0:01:05 | 0:01:07 | |
While co-driver David Barby is an auctioneer, | 0:01:07 | 0:01:10 | |
well-known for his tact and charm! | 0:01:10 | 0:01:13 | |
-Is that collectable in England? -HE GASPS | 0:01:13 | 0:01:15 | |
It is here. | 0:01:15 | 0:01:17 | |
There's no doubt who's had the best start on this trip. | 0:01:17 | 0:01:20 | |
Yesterday's auction in Northern Ireland was a great success for David Barby... | 0:01:20 | 0:01:25 | |
-I'm getting anxious about these. -All finished at 240. | 0:01:25 | 0:01:29 | |
Someone's got taste. | 0:01:29 | 0:01:30 | |
..but a calamity for David Harper. | 0:01:30 | 0:01:33 | |
-No, don't. -Yes. -Come on! | 0:01:33 | 0:01:36 | |
They began with £200 each, | 0:01:38 | 0:01:40 | |
but David B goes into today with a whopping £417.10. | 0:01:40 | 0:01:46 | |
The other David has made just £6.80 | 0:01:46 | 0:01:50 | |
to add to his starting cash. | 0:01:50 | 0:01:52 | |
Both of these piles have been converted into euros today | 0:01:54 | 0:01:57 | |
as the road trip heads south of the border and into new territory. | 0:01:57 | 0:02:02 | |
This week we're travelling from Northern Ireland, | 0:02:02 | 0:02:05 | |
heading south towards the county of Meath, | 0:02:05 | 0:02:08 | |
then across to the north coast of Wales | 0:02:08 | 0:02:10 | |
and once again heading south, ending our road trip in Llanelli. | 0:02:10 | 0:02:16 | |
Today's show starts out in Athlone and heads for an auction at Kells. | 0:02:16 | 0:02:22 | |
# Half a mile from the county fair And the rain came pouring down... | 0:02:23 | 0:02:28 | |
Slap-bang in the geographical centre of Ireland, | 0:02:28 | 0:02:31 | |
Athlone is famous for its castle and its very strategic bridge over the River Shannon. | 0:02:31 | 0:02:37 | |
Reasons why, over 300 years ago, the city was besieged twice. | 0:02:37 | 0:02:42 | |
# We just stood there getting wet. # | 0:02:42 | 0:02:44 | |
Ireland is apparently also noted for its precipitation. That's rain. | 0:02:44 | 0:02:50 | |
This warm and dry shop, though, is packed with top-quality stuff at prices that match. | 0:02:50 | 0:02:56 | |
Brianna and Thomas are keen to help. | 0:02:56 | 0:03:00 | |
-Who gives the best discounts? -I most certainly do. | 0:03:00 | 0:03:02 | |
-Really? -THEY LAUGH | 0:03:02 | 0:03:05 | |
OK, I'll have the good-looking one! | 0:03:05 | 0:03:07 | |
Ahh, the David Harper charm, tried before but with mixed results. | 0:03:07 | 0:03:12 | |
Do you want to come for a ride in my car? | 0:03:12 | 0:03:14 | |
I'm sure I've heard that line, too. | 0:03:14 | 0:03:17 | |
Now, what's David B up to? | 0:03:17 | 0:03:20 | |
A Victorian... What's a pod saw? | 0:03:20 | 0:03:23 | |
No! Pad saw! | 0:03:23 | 0:03:25 | |
Well, it's all the way through here. | 0:03:28 | 0:03:30 | |
That's a retractable blade that was the forerunner of the Stanley knife, perhaps. | 0:03:30 | 0:03:36 | |
I'd like to know what it is before I buy it. | 0:03:36 | 0:03:38 | |
Finding out what it is after you've bought it is more fun. | 0:03:38 | 0:03:41 | |
There's that blarney again. But David is a bit of a stickler. | 0:03:41 | 0:03:45 | |
Brian, we have a query here from a customer. | 0:03:45 | 0:03:48 | |
Perhaps the shop owner can shave a few of the 48 euros off the price. | 0:03:48 | 0:03:53 | |
Oh, right. So there's a hole in the actual handle, | 0:03:53 | 0:03:57 | |
so you pass the blade all the way through? | 0:03:57 | 0:03:59 | |
So you could adjust it accordingly. | 0:03:59 | 0:04:03 | |
Can you do it at 20? | 0:04:03 | 0:04:05 | |
I'm not tough at all. OK, that's very kind. | 0:04:06 | 0:04:10 | |
I'll put you back to Thomas to confirm the price in case he doesn't believe me. | 0:04:10 | 0:04:14 | |
Hello, Brian. Is that really you that's there | 0:04:14 | 0:04:16 | |
and we're not just talking to a recording? | 0:04:16 | 0:04:20 | |
Oh, you drive such a hard bargain. I can't believe he took so much off! | 0:04:20 | 0:04:24 | |
-He said 20. -He said 20 on that. | 0:04:24 | 0:04:27 | |
So while David B reflects on his first purchase, David H, with plenty to prove, | 0:04:27 | 0:04:32 | |
has finally found something which, at 40 euros, is in his bracket. | 0:04:32 | 0:04:37 | |
-That's an unusual thing. I think it's alabaster. -Yes. | 0:04:37 | 0:04:42 | |
Three naked ladies climbing up a... | 0:04:42 | 0:04:45 | |
-Is it some sort of... -A cliff or...? | 0:04:45 | 0:04:47 | |
What is it? Has it got a religious significance? | 0:04:47 | 0:04:51 | |
-It's a very unusual thing. -It is. -I like that. | 0:04:51 | 0:04:54 | |
I'd love to know what's going on. Whoever carved it carved it for a reason, | 0:04:54 | 0:04:58 | |
he didn't think of this scene and think, | 0:04:58 | 0:05:00 | |
"I'm just going to carve three women climbing up a mountain." | 0:05:00 | 0:05:04 | |
Actually, David, it's inspired by a detail | 0:05:04 | 0:05:06 | |
from Rodin's huge unfinished masterpiece the Gates of Hell. | 0:05:06 | 0:05:11 | |
The original measured six metres by four | 0:05:11 | 0:05:13 | |
and features 186 figures. | 0:05:13 | 0:05:16 | |
That, though, is in the Musee Rodin and is definitely not for sale. | 0:05:16 | 0:05:21 | |
I'd take a chance on that at 20 euros. | 0:05:21 | 0:05:24 | |
20 euros... | 0:05:24 | 0:05:27 | |
-OK, let's make a deal. -Are you sure? -Yes. -Marvellous! Marvellous! | 0:05:27 | 0:05:32 | |
While David Barby dodges the Athlone showers... | 0:05:32 | 0:05:35 | |
Hold on, it's raining. Just thinking of my perm! | 0:05:35 | 0:05:39 | |
..his friend, that's the one in the cap, | 0:05:40 | 0:05:42 | |
has grabbed the keys to the Triumph, | 0:05:42 | 0:05:45 | |
travelling from Athlone to Barley Harbour. | 0:05:45 | 0:05:48 | |
David's making his way through the lowlands | 0:05:49 | 0:05:52 | |
to visit the studio of bog oak artist Michael Casey. | 0:05:52 | 0:05:56 | |
Hello there. David Harper. Nice to meet you. Can I come in? | 0:05:56 | 0:06:00 | |
Oh, my gosh! This is amazing. | 0:06:00 | 0:06:02 | |
Tell me about bog oak. How do we get to that? | 0:06:08 | 0:06:13 | |
When we lift it out, it's covered with clay and peat. | 0:06:13 | 0:06:16 | |
And it's been buried under the earth for six or 7,000 years. | 0:06:16 | 0:06:19 | |
The forests were growing at that time. | 0:06:19 | 0:06:22 | |
They fell, and the bogs have grown on them 30 feet. | 0:06:22 | 0:06:25 | |
When the wood first comes out of the ground, | 0:06:26 | 0:06:28 | |
it's very soggy and needs to be seasoned for a few more years | 0:06:28 | 0:06:32 | |
before Michael can begin his work. | 0:06:32 | 0:06:34 | |
Oh, my goodness me! Michael, what is that? | 0:06:34 | 0:06:38 | |
-This is absolutely as it comes out -of the ground? More or less, yes. | 0:06:38 | 0:06:43 | |
How long has this been weathering for? | 0:06:44 | 0:06:47 | |
Some of the pieces are here 10 or 15 years. | 0:06:47 | 0:06:51 | |
So you might get an inspiration that you want to make a sculpture based on a subject | 0:06:51 | 0:06:56 | |
-and then you would root through looking for something to grab you. -Yes. | 0:06:56 | 0:07:00 | |
You can almost see the human head and the shoulder. | 0:07:00 | 0:07:04 | |
OK. I can see that. | 0:07:04 | 0:07:06 | |
And then other pieces are sitting for years and years | 0:07:06 | 0:07:09 | |
and you might come out with a drink at night or something | 0:07:09 | 0:07:12 | |
-and sit down with it... -Yes. -..and then it suggests itself. | 0:07:12 | 0:07:17 | |
I help it along, you know, the suggestion, just maybe the head and the arms. | 0:07:17 | 0:07:22 | |
When you say you help it along, it's got your direct input, hasn't it? | 0:07:22 | 0:07:27 | |
Things struggled in the bog off of nature | 0:07:27 | 0:07:30 | |
and the handy human hand adds a little to it. | 0:07:30 | 0:07:34 | |
Eventually, the supply of oak | 0:07:36 | 0:07:39 | |
and the rarer yew and pine will run out, | 0:07:39 | 0:07:42 | |
but not any day soon, | 0:07:42 | 0:07:44 | |
because several thousand years ago Ireland was one huge forest. | 0:07:44 | 0:07:48 | |
A monkey could swing from tree to tree. | 0:07:48 | 0:07:53 | |
-This is the River Shannon out here. Now, you only had to swim the Shannon... -You're kidding? | 0:07:53 | 0:07:57 | |
-..and you could go the whole way to Galway. -Without touching the ground? -Yes. | 0:07:57 | 0:08:01 | |
David is fortunate enough to have a lesson in sculpture from the master himself. | 0:08:04 | 0:08:09 | |
So, you're not afraid of the wood at all? I mean, that is serious stuff. | 0:08:11 | 0:08:16 | |
That'll take the skin off. | 0:08:16 | 0:08:17 | |
-Don't go backwards. -Don't go backwards? | 0:08:19 | 0:08:22 | |
-Forwards. -Always forwards? -Yes. -Tell me why. | 0:08:22 | 0:08:25 | |
-Why would you always go forwards? -The teeth are facing that way. | 0:08:25 | 0:08:30 | |
Yes! | 0:08:30 | 0:08:31 | |
I see. I'm getting with it now, Michael. | 0:08:33 | 0:08:35 | |
I think it might take me some time to become like you. | 0:08:35 | 0:08:38 | |
I suppose if you were to make what you might think of as a mistake, | 0:08:38 | 0:08:42 | |
-you'd just work around that? -Yes. | 0:08:42 | 0:08:44 | |
-There's no mistakes in this. -No mistakes. -No. | 0:08:44 | 0:08:47 | |
It's nature telling you exactly what she wants to be. | 0:08:47 | 0:08:51 | |
Whilst David Harper goes with the grain, | 0:08:51 | 0:08:54 | |
David Barby has carried on shopping... | 0:08:54 | 0:08:57 | |
..making his way from Athlone to Mullingar. | 0:08:58 | 0:09:02 | |
The biggest city in the Irish Midlands, | 0:09:02 | 0:09:06 | |
Mullingar was once a great cattle-trading centre and is still famous for its pewter. | 0:09:06 | 0:09:10 | |
-Hello, I'm David Barby. -Dermot Holmes. Pleased to meet you. | 0:09:13 | 0:09:17 | |
-And you own this store? -Yes. Delighted it could bring you to Mullingar. | 0:09:17 | 0:09:22 | |
If David was a bit taken aback by the prices in Athlone this morning, | 0:09:22 | 0:09:27 | |
by Mullingar, he's getting seriously worried. | 0:09:27 | 0:09:30 | |
That's well over what I have to spend. | 0:09:30 | 0:09:33 | |
Well over. | 0:09:33 | 0:09:35 | |
How much is that? Oh, it's coming round. Ohh! | 0:09:35 | 0:09:37 | |
-Er, 495. -HE GASPS | 0:09:37 | 0:09:41 | |
Yes. You pay for the frame. | 0:09:41 | 0:09:45 | |
HE GASPS | 0:09:45 | 0:09:47 | |
-I used to collect Doulton. -Ah, right. | 0:09:47 | 0:09:50 | |
-This is a little Doulton piece. -Yes. | 0:09:50 | 0:09:52 | |
-Salt glaze. -It would've originally had corks in it. | 0:09:52 | 0:09:57 | |
-Yes. Those are gone. You'd have a spigot there. -Yes. | 0:09:57 | 0:10:00 | |
But the very fact it is Doulton indicates that it's quality. | 0:10:00 | 0:10:04 | |
And I love the barrel shape! I think that's quite good. | 0:10:04 | 0:10:08 | |
I see you've got 35 on there. What's the best you can do? | 0:10:08 | 0:10:12 | |
That's the best I can do. We had 45. | 0:10:12 | 0:10:16 | |
30? | 0:10:16 | 0:10:18 | |
25, then. That's the best. Because it's a piece of Doulton. | 0:10:20 | 0:10:24 | |
Ha! But it hasn't got its spigot. And it hasn't got its cork. | 0:10:24 | 0:10:28 | |
-And it hasn't got its proper stand. -No, it hasn't got its proper stand. | 0:10:28 | 0:10:33 | |
You make me an offer. | 0:10:34 | 0:10:36 | |
-I'll say 15. -I'll say 20. | 0:10:36 | 0:10:39 | |
-18. -Right, you're done. | 0:10:39 | 0:10:42 | |
-What have I done? -What have you done? -Yes. | 0:10:42 | 0:10:46 | |
Too late to change your mind now, David. | 0:10:46 | 0:10:49 | |
What else is there to wax lyrical about? | 0:10:49 | 0:10:51 | |
These are Georgian brass candlesticks. | 0:10:51 | 0:10:53 | |
They're out of fashion to a certain extent in England | 0:10:53 | 0:10:56 | |
because people don't like polishing brass. | 0:10:56 | 0:10:59 | |
I remember seeing two of these up at that auction in the north, I think they went for about £12. | 0:10:59 | 0:11:05 | |
So those have got to be round about 10 euro. | 0:11:05 | 0:11:08 | |
I'm saying 12 euro. I'm matching 12 pounds with 12 euro. | 0:11:08 | 0:11:12 | |
-I can't do it. -You can't do it? -No. I know how much the other ones went for. | 0:11:12 | 0:11:16 | |
At the moment, the euro is at parity with the pound! | 0:11:16 | 0:11:20 | |
Near enough. When you go to buy, it's different. | 0:11:20 | 0:11:23 | |
We'll introduce you to these two | 0:11:23 | 0:11:26 | |
and let you make a decision. | 0:11:26 | 0:11:29 | |
-Do we throw the cat among the pigeons? -You have. | 0:11:29 | 0:11:33 | |
-Slightly smaller. -I like those, as well. | 0:11:33 | 0:11:35 | |
Right, so, if I bought those, that would be 20 euro for four? | 0:11:35 | 0:11:40 | |
-For the four? -Yes. -OK. | 0:11:40 | 0:11:43 | |
-Deal done? -Yes. | 0:11:43 | 0:11:45 | |
Their triumphal trail will conclude today at an auction in Kells, | 0:11:45 | 0:11:49 | |
but first stop for hot-to-shop Harper | 0:11:49 | 0:11:52 | |
is the little town of Knockdrin. | 0:11:52 | 0:11:54 | |
No mention yet of the prices, but where he finds this sort of eclectic mix, | 0:11:57 | 0:12:02 | |
it behoves him to find a bargain, big or small. | 0:12:02 | 0:12:06 | |
What is that? It's a miniature drum. A metal miniature drum. | 0:12:06 | 0:12:10 | |
Hand-painted. The Gordon Highlanders. | 0:12:10 | 0:12:13 | |
Anything to do with militaria, | 0:12:13 | 0:12:15 | |
there are collectors out there worldwide for things like this. | 0:12:15 | 0:12:19 | |
Hand-painted. Quality. | 0:12:19 | 0:12:22 | |
Let me find Mary and see what she can do on this one. | 0:12:22 | 0:12:26 | |
-Mary? -Yes, David? | 0:12:26 | 0:12:29 | |
-Can I just talk to you about this? -Yes. The drum. | 0:12:29 | 0:12:32 | |
What's it used for? Do you think it's been a box? | 0:12:32 | 0:12:35 | |
-Or is it just a novelty thing? -I think it's a novelty thing. | 0:12:35 | 0:12:39 | |
-What sort of money is it to me? -10 euros to you. | 0:12:39 | 0:12:42 | |
10? 20 euro? | 0:12:42 | 0:12:45 | |
You don't say ten and then 20. I'm not likely to give you 20! | 0:12:45 | 0:12:48 | |
-10 euros! Right. -10 euros. | 0:12:48 | 0:12:51 | |
-It's a little buy. A good start. I'll have it. Thank you. -Thank you. | 0:12:51 | 0:12:55 | |
These things are not quite what they used to be, but there's a pair, | 0:13:03 | 0:13:07 | |
one there and one in there. Typical green glass. Victorian. | 0:13:07 | 0:13:12 | |
They're good. All hand-painted. Nice bubbles in the glass. | 0:13:12 | 0:13:16 | |
Let me see what she can do on this one. | 0:13:16 | 0:13:19 | |
On the vases, 15 euros. | 0:13:19 | 0:13:21 | |
15 euros for a pair of 120 year old | 0:13:21 | 0:13:25 | |
or 130-year-old glass vases, | 0:13:25 | 0:13:28 | |
absolutely a stonking bargain! | 0:13:28 | 0:13:30 | |
-15 euros? -15 euros. | 0:13:30 | 0:13:33 | |
Goodness me! Cheap enough, isn't it? I mean, it's just crazy. | 0:13:33 | 0:13:38 | |
Why tell her that? I think he thinks they're cheap. | 0:13:38 | 0:13:41 | |
-Do you want 10 euros for them? -No. Not cheap enough, apparently. | 0:13:41 | 0:13:45 | |
Yes. I'll take 10 euros. | 0:13:45 | 0:13:48 | |
It's absolutely pathetic! I am ridiculous. Thank you. That's another one. | 0:13:48 | 0:13:54 | |
That's all very well, but come on, David, | 0:13:54 | 0:13:56 | |
you need to think bigger than that if you're going to catch up with the great David Barby. | 0:13:56 | 0:14:01 | |
-Mary, what on earth is that? -It's a wool winder. | 0:14:01 | 0:14:05 | |
-What do you do with a wool winder? -Wind wool from the spinning wheel. | 0:14:05 | 0:14:09 | |
You might've guessed that, David. | 0:14:09 | 0:14:11 | |
I thought it was a light fitting at first. | 0:14:11 | 0:14:14 | |
-What would you do with it? Could you make it into something? -I honestly don't know. | 0:14:14 | 0:14:19 | |
It works just beautifully. Look at that. | 0:14:19 | 0:14:23 | |
Small wooden items, hand-made, there's a market for it, isn't there? | 0:14:23 | 0:14:28 | |
-I've no idea how to value that. What's that worth? -Make me an offer on it. | 0:14:28 | 0:14:32 | |
15 euros? | 0:14:32 | 0:14:33 | |
Go 20. | 0:14:33 | 0:14:35 | |
-Go 15. -Go 20. -Go 15. -Go 20. | 0:14:36 | 0:14:41 | |
-I'll have it for 20. Do I get another kiss? -You do. -Marvellous. | 0:14:41 | 0:14:45 | |
Oh, not again. He'll wear his lips out! | 0:14:45 | 0:14:48 | |
David is on his way to join David Harper, | 0:14:48 | 0:14:51 | |
who has gone ahead to their final shop at Portlaoise. | 0:14:51 | 0:14:54 | |
No, this isn't another Irish country house, | 0:14:59 | 0:15:02 | |
but an out-of-town industrial unit with a modest exterior | 0:15:02 | 0:15:06 | |
that's been fully furnished inside. | 0:15:06 | 0:15:08 | |
What a place! | 0:15:08 | 0:15:10 | |
David didn't start this leg with much cash, | 0:15:10 | 0:15:14 | |
but most of what he did have is still in his pocket. | 0:15:14 | 0:15:17 | |
That seems surprisingly cheap, | 0:15:17 | 0:15:20 | |
a little desk set made out of papier mache. | 0:15:20 | 0:15:22 | |
But it's not going to fly. I really need a flier to catch up with David Barby. | 0:15:22 | 0:15:27 | |
While he continues his desperate search, | 0:15:27 | 0:15:29 | |
who should arrive but David Barby... | 0:15:29 | 0:15:32 | |
-Hello. -Hello. -What a fabulous place! -Thanks. | 0:15:32 | 0:15:37 | |
..equally keen to get the bargain which will trump his rival. | 0:15:37 | 0:15:43 | |
-I can see immediately that hat box. -Certainly. -Can I have a quick look? -Absolutely. | 0:15:43 | 0:15:48 | |
-Have you polished this up? -We have. Just a little bit of cream. -OK. | 0:15:50 | 0:15:54 | |
"Dublin Retail", which is good. | 0:15:54 | 0:15:56 | |
"Charles McDonald. Saddler." | 0:15:56 | 0:15:59 | |
This is nice. People use these to decorate a bedroom. | 0:15:59 | 0:16:04 | |
They use them as waste paper, jardinieres, | 0:16:04 | 0:16:08 | |
er, a multitude of uses. | 0:16:08 | 0:16:10 | |
-What sort of price range are we looking at? -60. | 0:16:10 | 0:16:14 | |
Could you take less than 60? Is that the best you can do? | 0:16:14 | 0:16:18 | |
No, probably not. | 0:16:18 | 0:16:19 | |
I can do it for 50, if you really pressure me. | 0:16:19 | 0:16:23 | |
Can I pressure you even more to 40? | 0:16:23 | 0:16:27 | |
-Meet you in the middle. -IN UNISON: 45. 42. | 0:16:28 | 0:16:31 | |
THEY LAUGH | 0:16:31 | 0:16:33 | |
-45 any good? -42. | 0:16:35 | 0:16:37 | |
-42. -Thank you very much. | 0:16:37 | 0:16:39 | |
Well, that was fast work. | 0:16:40 | 0:16:43 | |
Five minutes after entering the shop, he's the owner of a hat box. | 0:16:43 | 0:16:46 | |
That's lovely. Lovely, lovely, lovely. | 0:16:46 | 0:16:50 | |
I like that. This is a late 19th-century oil lamp. | 0:16:51 | 0:16:56 | |
It's such a nice piece. It's in onyx and gilt metal. | 0:16:56 | 0:17:01 | |
This would've been in an important house. | 0:17:01 | 0:17:04 | |
This is not a cottage piece. These would've gone out of fashion | 0:17:04 | 0:17:08 | |
certainly by 1920 | 0:17:08 | 0:17:10 | |
when they would've installed electric lights in the average home. | 0:17:10 | 0:17:14 | |
But that is such a lovely example. | 0:17:14 | 0:17:16 | |
-This little lamp, missing so much of its originality. -It is, unfortunately. | 0:17:16 | 0:17:22 | |
-Yes. -So we haven't got the shade and we haven't got the chimney. -That's right. | 0:17:22 | 0:17:27 | |
-What sort of price are we looking at? -It's probably pretty much intact after that. | 0:17:27 | 0:17:32 | |
-You can get the globes. Is there a price on it? -Not that I can see. | 0:17:32 | 0:17:36 | |
I suppose since you've bought the top hat...box, | 0:17:36 | 0:17:40 | |
we could... | 0:17:40 | 0:17:42 | |
do it for 75 euros. | 0:17:42 | 0:17:45 | |
Is that the very best? | 0:17:48 | 0:17:50 | |
Close to it. | 0:17:50 | 0:17:52 | |
Is that the very, very best you can do - 75? | 0:17:52 | 0:17:55 | |
HE SIGHS | 0:17:55 | 0:17:58 | |
-60 OK for you? -50's better. | 0:17:59 | 0:18:03 | |
-Give me a little small bit. -A little. | 0:18:04 | 0:18:07 | |
58. | 0:18:07 | 0:18:09 | |
Let's split the difference at 52. | 0:18:10 | 0:18:13 | |
-BELL RINGS IN BACKGROUND OK. -52. -52. | 0:18:13 | 0:18:18 | |
-TIM WHISTLES -That was tense. | 0:18:18 | 0:18:20 | |
Now, with David B satisfied, | 0:18:20 | 0:18:22 | |
David H has finally uncovered something to spend big on. | 0:18:22 | 0:18:26 | |
A good marble carving can command several hundreds of pounds, even when new, | 0:18:26 | 0:18:31 | |
and several thousands from a known artist. | 0:18:31 | 0:18:34 | |
That is a flier, but all subject to price. | 0:18:34 | 0:18:38 | |
It's not an antique, maybe only 20 years old, | 0:18:38 | 0:18:42 | |
but it may sell well. | 0:18:42 | 0:18:44 | |
-She's not too badly priced. -What sort of money? | 0:18:44 | 0:18:47 | |
-180. -180. -Euros. | 0:18:47 | 0:18:51 | |
Now, she's not dear, but could she be a bit better? | 0:18:51 | 0:18:54 | |
-How much better? -She couldn't be 60 euros less? | 0:18:54 | 0:18:58 | |
Less. Not 60 euros to buy. Sorry! You almost collapsed! | 0:18:58 | 0:19:03 | |
Can she be 120? | 0:19:03 | 0:19:05 | |
-She could be 120 cash. -Done deal. -Yep. -Good man. Thanks, David. | 0:19:05 | 0:19:11 | |
At last, those two have done with shopping. | 0:19:11 | 0:19:15 | |
David Barby has spent 152 euros on five lots, | 0:19:15 | 0:19:19 | |
including a leather hat box, a Doulton drinks barrel, | 0:19:19 | 0:19:24 | |
a Victorian pad saw, two pairs of brass candlesticks and an oil lamp. | 0:19:24 | 0:19:30 | |
David Harper has spent 180 euros also on five lots, | 0:19:30 | 0:19:33 | |
including a carving based on Rodin's Gates of Hell, | 0:19:33 | 0:19:37 | |
a wool winder, a pair of green vases, a miniature drum | 0:19:37 | 0:19:42 | |
and a marble nude. | 0:19:42 | 0:19:43 | |
Let's find out what they really think of each other's purchases. | 0:19:43 | 0:19:47 | |
I am recovering from shock! | 0:19:47 | 0:19:50 | |
I thought I'd done well, but I think David has done brilliantly. | 0:19:50 | 0:19:54 | |
The Corinthian column lamp is absolutely gorgeous. That's a real antique. | 0:19:54 | 0:19:59 | |
What else did he buy? Nothing really memorable, as far as I'm concerned. | 0:19:59 | 0:20:03 | |
The piece I find fascinating is the little piece of alabaster, | 0:20:03 | 0:20:07 | |
from Auguste Rodin's Gates of Hell. | 0:20:07 | 0:20:11 | |
I don't think it's well carved, but he paid so little, it's bound to make a profit. | 0:20:11 | 0:20:15 | |
I think he's the winner. He's the winner on this round | 0:20:15 | 0:20:18 | |
and I think he'll overtake me. | 0:20:18 | 0:20:21 | |
Turn out the lights! I'm going to sleep. | 0:20:21 | 0:20:25 | |
After starting out in the rain at Athlone, | 0:20:25 | 0:20:28 | |
this leg of our road trip will be decided at an auction | 0:20:28 | 0:20:32 | |
in the historic town of Kells. | 0:20:32 | 0:20:34 | |
-It'll be interesting to see if that little Rodin-type alabaster piece... -What? | 0:20:36 | 0:20:41 | |
-What did you call it? You know what that's after, don't you? -Yes! | 0:20:41 | 0:20:45 | |
Who is it, Barby? I want the information so I can pass it on to the auctioneer. | 0:20:45 | 0:20:50 | |
-You little horror! -Yes! | 0:20:50 | 0:20:53 | |
Kells has several early-Christian associations, | 0:20:53 | 0:20:56 | |
like the abbey founded by St Columba, | 0:20:56 | 0:20:59 | |
where the famous manuscript of the New Testament, | 0:20:59 | 0:21:02 | |
known as the Book of Kells, was once kept. | 0:21:02 | 0:21:05 | |
The Gaelic translation of the town's name means "Great Chief Abode", | 0:21:05 | 0:21:09 | |
which makes sense when you consider that Jim Connell, | 0:21:09 | 0:21:13 | |
the writer of The Red Flag, was born here. | 0:21:13 | 0:21:15 | |
There you go, Mr Barbers. | 0:21:15 | 0:21:19 | |
OK, eyes down, everyone. | 0:21:19 | 0:21:20 | |
Here we go. You're on. You're on. You're on. | 0:21:20 | 0:21:23 | |
First, the Victorian pad saw. | 0:21:23 | 0:21:26 | |
-Look at the way it's made, ladies and gentlemen. -It's a bit of wood. | 0:21:26 | 0:21:30 | |
-20 bid straight off. -That's good. | 0:21:30 | 0:21:32 | |
30 bid. 30 bid now. | 0:21:32 | 0:21:34 | |
-40 over here. -40? I can't believe it! | 0:21:34 | 0:21:38 | |
40 bid. 45 there. 45. 50 back here. | 0:21:38 | 0:21:42 | |
-50 bid now. 55 out here. -They know what they're buying. | 0:21:42 | 0:21:47 | |
55. 60 over there. 60 bid now. | 0:21:47 | 0:21:50 | |
70 bid now. At 70... | 0:21:50 | 0:21:52 | |
All out now at 70. | 0:21:52 | 0:21:54 | |
80. Just in time. 80 bid now. 80 bid over here. | 0:21:54 | 0:21:58 | |
-Stop it! -90. -No! -90 bid. | 0:21:58 | 0:22:00 | |
95. 100. | 0:22:00 | 0:22:02 | |
-Yes! -At 100. 110. -Ah, for... -110. 120 now. | 0:22:02 | 0:22:08 | |
120 on this side. All out? All done. | 0:22:08 | 0:22:12 | |
-That was really good. -That was fantastic. | 0:22:12 | 0:22:15 | |
Phew! Pad-saw fever! Who saw that coming? | 0:22:15 | 0:22:19 | |
Now, what do they make of David Harper's mini Rodin? | 0:22:20 | 0:22:24 | |
30 bid. 40 bid. 40 bid. | 0:22:24 | 0:22:26 | |
-40 in front. 50 back there. 50 bid now. 60. -Come on! | 0:22:26 | 0:22:30 | |
-70 down here. -Yes! -70 now. | 0:22:30 | 0:22:32 | |
-Don't get overexcited. -Don't touch. | 0:22:32 | 0:22:34 | |
90 up here. 90 bid. | 0:22:34 | 0:22:37 | |
-At 90... 100. -Ohh! | 0:22:37 | 0:22:40 | |
110. At 110 now. Selling at... 120. | 0:22:40 | 0:22:45 | |
-Yes! -120. 130. | 0:22:45 | 0:22:47 | |
-130. 140. -Yes! | 0:22:47 | 0:22:50 | |
-150 here. At 150. -Get a load of that! -160. -Yes! | 0:22:50 | 0:22:54 | |
All out now at 160. All out? All done. | 0:22:54 | 0:22:58 | |
160. Dear, oh, dear! | 0:22:58 | 0:23:02 | |
This is shaping up nicely. | 0:23:03 | 0:23:06 | |
-Is that a cracking result? Give me that pen! -No. | 0:23:06 | 0:23:09 | |
Give me the pen! | 0:23:09 | 0:23:11 | |
-Now for all that brass. -50 for the pair. | 0:23:12 | 0:23:16 | |
50 down here. 50 bid. | 0:23:16 | 0:23:18 | |
50 bid. 60 bid. | 0:23:18 | 0:23:20 | |
60 bid. 60 bid. 70 bid. 70 bid | 0:23:20 | 0:23:23 | |
I'm in shock. I'm in shock. I'm in shock. | 0:23:23 | 0:23:25 | |
80 bid. 80 straight down. 80 bid now. 80 bid. | 0:23:25 | 0:23:29 | |
Selling at 80. All out? | 0:23:29 | 0:23:32 | |
All done. | 0:23:32 | 0:23:34 | |
That was way beyond the auctioneer's estimate. | 0:23:35 | 0:23:38 | |
I sell those for £25 a pair. | 0:23:38 | 0:23:41 | |
-Now you've got to up your price. -I'm going to double the price! | 0:23:41 | 0:23:45 | |
Could the drum beat the stakes? | 0:23:46 | 0:23:48 | |
40 bid. 50 bid. 60 bid. | 0:23:48 | 0:23:51 | |
70 bid. | 0:23:51 | 0:23:52 | |
70 bid at the end. 70 bid now. All finished... 80. New blood. | 0:23:52 | 0:23:57 | |
-80 now. 80 on the right. -Come on, baby! | 0:23:57 | 0:24:00 | |
-At 80. 90 on the other side. -Yes, baby! -90 bid now. | 0:24:00 | 0:24:04 | |
At 90, all out now at 90. | 0:24:04 | 0:24:06 | |
-That's very good. -Marvellous. | 0:24:06 | 0:24:08 | |
Everything is making a profit, especially Harper's lots. | 0:24:08 | 0:24:13 | |
-That's fantastic, isn't it? -It's very good. -We're on a roll! | 0:24:13 | 0:24:17 | |
Roll out Barby's barrel! | 0:24:18 | 0:24:20 | |
40 bid. 40 bid. 50 back there. | 0:24:20 | 0:24:23 | |
50 bid now. 60 we have. | 0:24:23 | 0:24:25 | |
60 bid now. 60 bid. | 0:24:25 | 0:24:28 | |
A unique piece. At 60. All out. | 0:24:28 | 0:24:30 | |
-All done. -Well done. That's amazing! | 0:24:30 | 0:24:35 | |
Will anything fail to make a profit here, I wonder? | 0:24:35 | 0:24:39 | |
-This is a fantastic auction. -It's our best so far. | 0:24:39 | 0:24:43 | |
Next, the wall-mounted wool-winder. | 0:24:43 | 0:24:46 | |
I'm bid 50 with me. 60. 70. 70. | 0:24:46 | 0:24:49 | |
-70 bid. -That's enough. -No, it isn't. -80 bid. 90 bid. | 0:24:49 | 0:24:54 | |
90 bid. 100 all the way. 100 we have. 110. | 0:24:54 | 0:24:58 | |
-110. At 110. Are you coming in? 120 over here. -Ohh! | 0:24:58 | 0:25:03 | |
-120. 120 back this side. 130 we have. -Yes! -130. | 0:25:03 | 0:25:08 | |
-130. 140. 140 now. -Yes, baby! | 0:25:08 | 0:25:12 | |
140 back this way. At 140... | 0:25:12 | 0:25:14 | |
All out? All done. | 0:25:14 | 0:25:16 | |
-Well done. -Well, congratulations. -Thank you! | 0:25:16 | 0:25:21 | |
120 euros profit! I think he's catching up. | 0:25:21 | 0:25:26 | |
-We should do this for a living. Don't you think? -I couldn't stand the strain! | 0:25:26 | 0:25:30 | |
A very sumptuous box. | 0:25:32 | 0:25:34 | |
100 bid straightaway. 100 bid. | 0:25:34 | 0:25:37 | |
110. 120. 130. 140. | 0:25:37 | 0:25:41 | |
140 we have. 150 out here. | 0:25:41 | 0:25:43 | |
160 with me. | 0:25:43 | 0:25:45 | |
160. 170 over there. 170. 180 now. | 0:25:45 | 0:25:50 | |
190 over here. | 0:25:50 | 0:25:51 | |
-I knew it was a good one. -190 on the right-hand side. | 0:25:51 | 0:25:54 | |
All out? All done. | 0:25:54 | 0:25:56 | |
-Cheap, wasn't it? -So cheap! David, well done. | 0:25:56 | 0:26:00 | |
David B's still ahead! | 0:26:00 | 0:26:03 | |
Surely David H's vases can't hurt him. | 0:26:03 | 0:26:07 | |
50. 40. 30. 20. | 0:26:07 | 0:26:09 | |
Even 10 to start? | 0:26:09 | 0:26:11 | |
10 bid. 15 bid. 15 bid. 20 bid. At 20, seated here. | 0:26:11 | 0:26:15 | |
Selling at 20 now. 25. 30 bid. | 0:26:15 | 0:26:18 | |
-30 bid now. -What have I done?! | 0:26:18 | 0:26:21 | |
30 bid over here. Selling at 30 now. | 0:26:21 | 0:26:25 | |
-At 30 only. 35. -Yes! -35. 40. | 0:26:25 | 0:26:29 | |
40 bid now. Shaking his head firmly there! 40 bid at this end! | 0:26:29 | 0:26:34 | |
All out? All done. | 0:26:34 | 0:26:36 | |
-40! Get in there! -That was good going. | 0:26:36 | 0:26:40 | |
Four times what he paid! | 0:26:40 | 0:26:42 | |
Now, a Barby favourite. | 0:26:44 | 0:26:46 | |
150 for it. 120. 100 to get it going? | 0:26:46 | 0:26:49 | |
Come on! | 0:26:49 | 0:26:50 | |
-50! -Oh! She's hard, this woman! | 0:26:50 | 0:26:53 | |
50 bid 50 bid. 60 bid. | 0:26:53 | 0:26:56 | |
70 bid now. 70 bid. 80 down here. 90 on the left. | 0:26:56 | 0:27:00 | |
Selling at 90. 100. 110. 120. 120 now. Telephone bid. | 0:27:00 | 0:27:06 | |
-120. -Yes! -No. -120 now. | 0:27:06 | 0:27:08 | |
-All finished. -I can't believe this! -All done. | 0:27:08 | 0:27:11 | |
I'll take the telephone bid. | 0:27:11 | 0:27:14 | |
-At least it started at 20. -Thanks for that(!) | 0:27:14 | 0:27:18 | |
Cor! Strike a light! Even with quite a bit missing... | 0:27:19 | 0:27:23 | |
You've got to be happy with that. | 0:27:23 | 0:27:26 | |
Yes! | 0:27:26 | 0:27:28 | |
It's neck and neck. | 0:27:28 | 0:27:30 | |
But David Harper's biggest spend may well decide who's victorious. | 0:27:30 | 0:27:35 | |
300? 200? Get at 100. | 0:27:35 | 0:27:37 | |
-Start me at 100. -20. -20?! -100. -Thank you! | 0:27:37 | 0:27:41 | |
100 I'm bid. 100 offered. | 0:27:41 | 0:27:44 | |
-I sell at 120! -No, you don't! There's bidding over there! | 0:27:44 | 0:27:48 | |
-140. 160. -Get it going! | 0:27:48 | 0:27:53 | |
180. 180 there. 200. 220. 220. | 0:27:53 | 0:27:58 | |
-At 220. -Bang! -240. -Yes! -240! | 0:27:58 | 0:28:02 | |
250. 260. 260 here. | 0:28:02 | 0:28:05 | |
-One more! -270. 270. | 0:28:05 | 0:28:08 | |
-270. 280. -Whoa! -280. 280 now. | 0:28:08 | 0:28:13 | |
-Don't sell it at... -290. -Yes! -Make it to three. | 0:28:13 | 0:28:17 | |
-300! -LAUGHTER | 0:28:17 | 0:28:21 | |
300 in front. | 0:28:21 | 0:28:23 | |
-At 300. Thanks very much, lads. -Well done! | 0:28:23 | 0:28:28 | |
Well done! | 0:28:28 | 0:28:30 | |
She's a beauty! | 0:28:32 | 0:28:34 | |
She certainly is. And she's made him 180 euros profit! | 0:28:34 | 0:28:39 | |
-David. -Well done. -Thank you very much. -Well done. -Thank you. Beautiful. | 0:28:39 | 0:28:44 | |
A great day in Kells, especially for David Harper | 0:28:44 | 0:28:48 | |
who's gained on his rival, winning the battle if not the war. | 0:28:48 | 0:28:51 | |
He began today with 224 euros and 25 cents | 0:28:51 | 0:28:55 | |
and made 418 euros and 60 cents, after auction costs. | 0:28:55 | 0:29:01 | |
So after conversion back to sterling, | 0:29:01 | 0:29:04 | |
he has £592.82 to spend tomorrow. | 0:29:04 | 0:29:08 | |
David Barby started this round with 452 euros and 30 cents | 0:29:08 | 0:29:13 | |
and made 315 euros and 40 cents, after auction costs. | 0:29:13 | 0:29:18 | |
So in sterling, he still leads, | 0:29:18 | 0:29:20 | |
with £707.95 to spend tomorrow. | 0:29:20 | 0:29:25 | |
There they go, no doubt for a well-earned pint of the dark stuff. | 0:29:25 | 0:29:31 | |
On this roadtrip, we're travelling through Ireland, north and south, | 0:29:32 | 0:29:36 | |
and have now crossed over to Wales, ending our roadtrip in Llanelli. | 0:29:36 | 0:29:40 | |
Today we kick off in Prestatyn, gateway to the coast of north Wales. | 0:29:40 | 0:29:45 | |
And our journey concludes with auction number three in the town of Criccieth. | 0:29:45 | 0:29:50 | |
Popular with holiday-makers over the last two centuries, | 0:29:50 | 0:29:55 | |
sunny Prestatyn became famous for its beach, clean seas and promenade entertainers. | 0:29:55 | 0:30:01 | |
In fact, visiting for a cheeky bathe was considered a must for good health by city-dwelling Victorians. | 0:30:01 | 0:30:07 | |
David Harper's at his first shop, | 0:30:09 | 0:30:11 | |
Presents With A Difference, with £592.82p to spend. that? | 0:30:11 | 0:30:16 | |
-Hello. -Hello. -Hi. My gosh, this is a bit of an Aladdin's cave. | 0:30:16 | 0:30:20 | |
A mixture of all sorts. A bit of nostalgia, a bit of mod. | 0:30:20 | 0:30:25 | |
That's quite bonny. | 0:30:25 | 0:30:26 | |
This is quite interesting. The first item I'm drawn to is an attractive woman. | 0:30:26 | 0:30:33 | |
I've got a problem with attractive women. I can't help myself. | 0:30:33 | 0:30:38 | |
-Is there a cure? -Oh, please. Somebody stop him. | 0:30:38 | 0:30:42 | |
-If there is a pill for it, I don't want it. -How about an injection, then? -She's lovely. | 0:30:42 | 0:30:49 | |
Almost looks like an ancient cameo behind some sort of glass. It's got a 3-D feel. | 0:30:49 | 0:30:54 | |
Birmingham, 1937. | 0:30:54 | 0:30:57 | |
So just at the tail end of Art Deco. | 0:30:57 | 0:31:00 | |
Geoff...talk to me. About that. | 0:31:00 | 0:31:04 | |
-Could that be horrifically cheap? -Not horrifically, but I could do you 27. | 0:31:04 | 0:31:10 | |
Really? 20 quid? | 0:31:10 | 0:31:13 | |
-OK, I'll squeeze to 20. That's dead tight. -Good man. OK. | 0:31:13 | 0:31:18 | |
Thank you very much. My first purchase of this leg. | 0:31:18 | 0:31:23 | |
You need luck to beat Barby. He's slowly making the short journey south to Rhuddlan, | 0:31:23 | 0:31:31 | |
a rather peaceful town with a very turbulent past, | 0:31:31 | 0:31:36 | |
but that's because continual battles between the Britons and the Saxons | 0:31:36 | 0:31:40 | |
made plundering, pillaging and razing to the ground rather common. | 0:31:40 | 0:31:45 | |
It's also here at Rhuddlan Castle where constitutional power over Wales was given to the English | 0:31:45 | 0:31:52 | |
in 1284. | 0:31:52 | 0:31:54 | |
And speaking of Englishmen, one more has just arrived at Downsby Antiques | 0:31:54 | 0:32:00 | |
and is trying to strike a deal with young Philip. | 0:32:00 | 0:32:03 | |
I love a bit of Macintyre pottery. | 0:32:03 | 0:32:06 | |
It's beautiful, but it's damaged. | 0:32:06 | 0:32:09 | |
That... | 0:32:09 | 0:32:11 | |
is a firing crack underneath. | 0:32:11 | 0:32:14 | |
Cos when I take the lid off... | 0:32:14 | 0:32:17 | |
..it's not through to the base. | 0:32:19 | 0:32:22 | |
If it's been repaired and they've used a silicon-type glaze on it, | 0:32:22 | 0:32:26 | |
it's not a fired glaze. It's an artificial one, false one. | 0:32:26 | 0:32:32 | |
-You can actually feel it on your teeth or with your tongue. -Yeuch! | 0:32:32 | 0:32:38 | |
-Let's go with the gnashers. -Watch your teeth. -Don't worry, they're false. | 0:32:38 | 0:32:44 | |
No, they're not! | 0:32:44 | 0:32:46 | |
With the damage, what's the best you can do? | 0:32:46 | 0:32:49 | |
30. And that's a deal. | 0:32:49 | 0:32:52 | |
20. | 0:32:52 | 0:32:53 | |
-You've knocked me right down. 30. -20. 20. It's been here a long, long time. | 0:32:54 | 0:33:00 | |
-You want rid of this. -No, I don't. -Can we split the difference at 25? -Go on, then. | 0:33:00 | 0:33:06 | |
It's my first buy in Wales. That's good, I like that. | 0:33:06 | 0:33:10 | |
Looking to retain his lead, | 0:33:10 | 0:33:13 | |
David Barby's now putting together what he fancifully is calling his collection of curiosities. | 0:33:13 | 0:33:19 | |
You put matchsticks or toothpicks there and put them on the table. | 0:33:19 | 0:33:24 | |
These are typical German sort of 1930s, | 0:33:24 | 0:33:27 | |
that sort of period. Great wood carvers, particularly in Bavaria. | 0:33:27 | 0:33:32 | |
All those figures that come out of Oberammergau. This is all part and parcel of that. What's the price? | 0:33:32 | 0:33:38 | |
-35 for the pair. -Oh. That's a fortune. | 0:33:38 | 0:33:42 | |
Time to wheel out the Barby stare. | 0:33:42 | 0:33:45 | |
-We can deal on that. They've been here a while. -See what I mean? Scary. | 0:33:45 | 0:33:51 | |
-We can deal on that. 25. -Works every time! | 0:33:51 | 0:33:55 | |
David Harper, meanwhile, has found a Chinese incense burner | 0:33:57 | 0:34:01 | |
and is employing his trademark tactic - talk the dealer into submission. Any old tripe will do. | 0:34:01 | 0:34:08 | |
Oh, Geoff, look. She's had her ear bitten off. | 0:34:08 | 0:34:12 | |
-Can you see? -I didn't even notice that. -That's a good and a bad thing. | 0:34:12 | 0:34:18 | |
Looking at the patination, it has aged, so that isn't recent. | 0:34:18 | 0:34:23 | |
That indicates it has got some age. | 0:34:23 | 0:34:26 | |
Can it be 25 quid? | 0:34:26 | 0:34:28 | |
Make it my bottom line of 35, only because you've seen that break. | 0:34:30 | 0:34:34 | |
-I'll do what every good dealer should do and that's compromise. Meet in the middle. -32, innit? | 0:34:34 | 0:34:40 | |
-All right, I'll stand for 30. -Good man. Thank you very much. | 0:34:40 | 0:34:44 | |
I think this just might be the item to watch. Well done, Harper. | 0:34:45 | 0:34:50 | |
Marvellous. Thanks again. Absolute delight, thank you. And your very glamorous assistant. | 0:34:50 | 0:34:56 | |
Down, boy, down! As for Barby's collection of curiosities, he now has a Victorian gaming ball | 0:34:56 | 0:35:03 | |
and he's not finished yet. | 0:35:03 | 0:35:07 | |
Often biscuit manufacturers, and this is a McVitie and Price of Edinburgh biscuit box, | 0:35:07 | 0:35:14 | |
would sell biscuits in novelty containers that often had a dual purpose. | 0:35:14 | 0:35:20 | |
This one here looks like a French commode. You take the biscuits out, you eat them and it's a jewel box. | 0:35:20 | 0:35:28 | |
So it has a multiplicity of uses. | 0:35:28 | 0:35:30 | |
It's really an oddity. | 0:35:30 | 0:35:33 | |
We all love an oddity, don't we? But this means more haggling. | 0:35:33 | 0:35:38 | |
-28. -Oh, Lord. -Here we go. Thus far, for the toothpick holders and gaming ball, | 0:35:39 | 0:35:45 | |
the lads have agree £26, so let the battle of the biscuit tin begin. | 0:35:45 | 0:35:51 | |
-Come down on that one, please. -26 and 20, that's 46. | 0:35:51 | 0:35:55 | |
-For the three. -Come down to 40, please. -I can't. | 0:35:55 | 0:35:59 | |
-Yes, you can. -No... -Just one little word. -You're getting cheeky. | 0:35:59 | 0:36:04 | |
-Just say "yes". -No. A nicer word is "no". | 0:36:04 | 0:36:09 | |
-It's not. -46. And you get a bargain for those. | 0:36:09 | 0:36:14 | |
-Let's go for 42, please. And it's a deal. -45 and it's a deal. | 0:36:14 | 0:36:19 | |
-42. -No, 45. -42. -45. | 0:36:19 | 0:36:21 | |
Goodness me, we'll be here all day! | 0:36:21 | 0:36:24 | |
43. Please...43. Thank you very much indeed. | 0:36:24 | 0:36:28 | |
-God, you strike a hard bargain! -You're the hard one. | 0:36:28 | 0:36:32 | |
Nice dealing with you. | 0:36:32 | 0:36:34 | |
-Is it really?! -Yes! | 0:36:34 | 0:36:36 | |
David Barby's en route to Colwyn Bay, the second of our seaside resorts on this leg. | 0:36:40 | 0:36:46 | |
Also popular with the Victorians, its calling card is its pier, | 0:36:47 | 0:36:51 | |
built in 1900, and currently undergoing a little work. | 0:36:51 | 0:36:56 | |
But that's not important right now as David's found a treasure trove. | 0:36:56 | 0:37:01 | |
And Frank has plenty to show our man Barby, | 0:37:03 | 0:37:07 | |
such as this gorgeous Burmese table. Ticket price £500. | 0:37:07 | 0:37:11 | |
-It's Burmese. -Is that the best you can do on that? | 0:37:11 | 0:37:15 | |
-I'd do it for 450. -I can't see me getting that back in auction, can you? In a rural auction? | 0:37:17 | 0:37:23 | |
You... You'd have to have just that kind of customer there. | 0:37:23 | 0:37:28 | |
Well, David does have a wallet stuffed full of cash and it is such a fascinating piece. | 0:37:28 | 0:37:34 | |
Well, this is the sort of furniture that would have been brought back, late-19th, early-20th century, | 0:37:35 | 0:37:41 | |
by people in colonial service. | 0:37:41 | 0:37:45 | |
And it's more of a conventional 19th-century table, | 0:37:45 | 0:37:49 | |
but it's embellished in a sort of Anglo-Burmese style. | 0:37:49 | 0:37:54 | |
If you want different, it's there. | 0:37:54 | 0:37:57 | |
That's perfectly true. I want to cogitate. | 0:37:57 | 0:38:00 | |
Though just a few moments of cogitation later... | 0:38:00 | 0:38:05 | |
-I like that. -Yes. -That's useful. | 0:38:05 | 0:38:08 | |
Right. Let's talk about the two objects. | 0:38:08 | 0:38:11 | |
So as well as the table we also have one Arts and Crafts magazine stand. Your move, Frank. | 0:38:11 | 0:38:19 | |
The very best price for the two is 500 for the two. | 0:38:19 | 0:38:23 | |
I must confess, I'm worried about the table, whether it's going to achieve the price I pay for it. | 0:38:23 | 0:38:31 | |
And I think that is... It's doubtful. Frank, could you do the two for 430. | 0:38:31 | 0:38:36 | |
I couldn't do that, sir. As much as I'd love to sell them to you and see what they bring, I couldn't do that. | 0:38:36 | 0:38:43 | |
I really couldn't. 475 for the two. I'll do you a deal. And I think it'll do well. | 0:38:43 | 0:38:49 | |
Well, as the old adage goes, if in doubt, go without. Or go with. | 0:38:49 | 0:38:55 | |
Go for it. | 0:38:55 | 0:38:57 | |
Not an adage I know. | 0:38:57 | 0:38:59 | |
-Good luck to you. -Could I have your name and address, telephone number... -I'll buy it back off you! | 0:38:59 | 0:39:05 | |
But for now Frank's offering a discount - | 0:39:05 | 0:39:09 | |
both the table and the magazine stand for £450. I'd say old Barby must be rather pleased. | 0:39:09 | 0:39:17 | |
What have I done?! What have I done? | 0:39:19 | 0:39:23 | |
I spent £450! | 0:39:23 | 0:39:25 | |
Oh, dear. | 0:39:25 | 0:39:27 | |
Our next stop is Llandudno, widely known as the queen of the Welsh resorts. | 0:39:27 | 0:39:34 | |
That's because it was yet another seaside favourite of the Victorians | 0:39:34 | 0:39:39 | |
and even now the traditions of the day are alive and well - Punch and Judy are still performing | 0:39:39 | 0:39:46 | |
and there's been continuous donkey rides for more than 125 years. | 0:39:46 | 0:39:51 | |
And yes, I know, that's a seagull. | 0:39:51 | 0:39:54 | |
Travelling at a similar speed is David Harper, who is keen to explore Trinity Trove Antiques, | 0:39:56 | 0:40:02 | |
which has just recently opened for business. | 0:40:02 | 0:40:05 | |
-Hello. Peter Wright. -Lovely to meet you. This is your place? -A new shop, open about seven or eight weeks. | 0:40:05 | 0:40:12 | |
-Have you? -So it's a new venture. Thoroughly enjoying it so far. -Brave man! -Everybody's said that! | 0:40:12 | 0:40:19 | |
Now being a newbie, Peter's probably never dealt with the likes of David Harper before, | 0:40:19 | 0:40:25 | |
so I sincerely wish him all the best. | 0:40:25 | 0:40:28 | |
-Nice plate. It's quite basically painted. Nice butterfly there. -Yeah. | 0:40:28 | 0:40:34 | |
Great potential age. Lovely colour. It has damage, but it's got the yellow painted in there. | 0:40:34 | 0:40:40 | |
Yellow paint on any Chinese porcelain is always quite exciting. | 0:40:40 | 0:40:44 | |
There are periods in Chinese history where yellow was only set aside for the Emperor or his entourage. | 0:40:44 | 0:40:52 | |
It was illegal to use yellow during certain periods in China. That's always a bit exciting. | 0:40:52 | 0:40:59 | |
I'm very confident that is at least 19th century. | 0:40:59 | 0:41:02 | |
It could even be 1750. | 0:41:02 | 0:41:05 | |
Ha! But now for the moment of truth. | 0:41:05 | 0:41:08 | |
Can Peter hold his own in the dog eat cat world of negotiation? | 0:41:08 | 0:41:13 | |
-What kind of money...? -That's 15. -15 quid, eh? | 0:41:13 | 0:41:17 | |
It's a good-looking thing. That has got a bit of mileage. | 0:41:17 | 0:41:21 | |
-Could that be a tenner? -It can. -Well, I'll have that first of all, Peter. Thank you very much. | 0:41:21 | 0:41:27 | |
-But we won't stop there. -You've got that to go with it. -I think Peter needs to toughen up, | 0:41:27 | 0:41:33 | |
preferably before David finds something else he wants to buy. | 0:41:33 | 0:41:37 | |
It looks the biz. | 0:41:37 | 0:41:39 | |
Backtracking just a little, David Barby's headed in the opposite direction on this road trip | 0:41:39 | 0:41:45 | |
in order to visit the fabulous Bodelwyddan Castle. | 0:41:45 | 0:41:50 | |
While there's been a house on this site since the 1460s, | 0:41:52 | 0:41:56 | |
the current residence is most famous for its association with the Williams family, | 0:41:56 | 0:42:02 | |
proud owners for more than 200 years. | 0:42:02 | 0:42:05 | |
-Hello. -Hello, David. Welcome to Bodelwyddan Castle. -And you're...? -Kevin Mason. | 0:42:05 | 0:42:11 | |
-I'm so impressed, first by the exterior and then this hall. -It's a wonderful entrance. | 0:42:11 | 0:42:18 | |
-And what about this floor? -That is the coat of arms of the Williams family. | 0:42:18 | 0:42:23 | |
-The two foxes crossing. Something about cunning comes to mind. -"Strength and cunning" is the motto. | 0:42:23 | 0:42:29 | |
That's the family motto. | 0:42:29 | 0:42:31 | |
By the late 1920s, the upkeep on such a grand house became too much for the Williams family | 0:42:31 | 0:42:38 | |
and finally they were forced to sell. So for the next 60 years it was a girls' boarding school. | 0:42:38 | 0:42:45 | |
And when they moved on in the 1980s, restoration began and the castle was transformed into a museum. | 0:42:45 | 0:42:51 | |
Here we are in the sculpture gallery. | 0:42:55 | 0:42:58 | |
Originally it was a drawing room that was created by the Williams family in the 1830s. | 0:42:58 | 0:43:04 | |
In the fashionable Gothic style. Ladies coming into this room | 0:43:04 | 0:43:08 | |
-would look at those curtains. They're absolutely incredible. -Amazing. | 0:43:08 | 0:43:13 | |
They're actually reproduction from the 1980s | 0:43:13 | 0:43:17 | |
as part of the whole reconstruction, to act as a backdrop for the collections. | 0:43:17 | 0:43:23 | |
-No expense was spared. -How much would they have cost in the 1980s? | 0:43:23 | 0:43:27 | |
Well, I understand that the curtains on the ground floor cost in the region of £160,000. | 0:43:27 | 0:43:33 | |
£160,000?! How much now? An unbelievable amount! | 0:43:33 | 0:43:38 | |
Well, today it would be closer to half a million pounds | 0:43:38 | 0:43:42 | |
and if you think that's over the top, just wait until you see the family silver. | 0:43:42 | 0:43:48 | |
-Here is the Williams centrepiece. -Hence the gloves. -Very much so. | 0:43:48 | 0:43:53 | |
What date is this? Mid-18th century? | 0:43:53 | 0:43:55 | |
This dates from 1730. It is the oldest extant example of a table centrepiece. | 0:43:55 | 0:44:02 | |
Oh, this is wonderful. So if I was at a dining table, | 0:44:02 | 0:44:06 | |
round about 1730 onwards, and they didn't have electricity or gas at that time, | 0:44:06 | 0:44:12 | |
the candles would have lit whatever was on offer. So piles of fruit here. | 0:44:12 | 0:44:18 | |
-What about these little salvers? Would they have sweet meats? -Sweet meats... -Candied fruits. | 0:44:18 | 0:44:23 | |
-And then we have condiments there. -Mm. -Right. | 0:44:23 | 0:44:28 | |
-I would point out the coat of arms in the centre. -It matches the tile - the crossed foxes. | 0:44:28 | 0:44:34 | |
-Very much a family heirloom, passed from generation to generation. -I think I could afford 150. | 0:44:34 | 0:44:40 | |
-Well, you might have to come forward with a little more than that. -Kevin, thank you very much indeed. | 0:44:40 | 0:44:46 | |
Worth a go, I suppose. And Barby's not our only expert trying it on. | 0:44:46 | 0:44:53 | |
-You know who has found himself a little bit of local history. -Welsh costumes. How interesting. | 0:44:53 | 0:44:59 | |
That's early 19th century, that shape. Mid-19th century. | 0:44:59 | 0:45:04 | |
-It looks very Puritan. So made in England. -Yes. | 0:45:04 | 0:45:08 | |
But made for the tourist market in Wales. | 0:45:08 | 0:45:11 | |
So probably bought, under normal circumstances, by someone who might live in Staffordshire. | 0:45:11 | 0:45:17 | |
Goes to Wales on his holidays, circa 1850, comes back with a novelty piece to show his friends | 0:45:17 | 0:45:25 | |
what the Welsh look like in that far-off land. | 0:45:25 | 0:45:29 | |
-And he takes it to probably a mile away from where it was first made! Brilliant! -Yes. | 0:45:29 | 0:45:35 | |
-What I love about these novelty things is you often see spelling mistakes. -Yes, costumes wrong... | 0:45:35 | 0:45:41 | |
-Loads of things are wrong! Can I make you an offer? -You can. | 0:45:41 | 0:45:45 | |
-Bear in mind the ticket price is £25. -A tenner? | 0:45:45 | 0:45:50 | |
-Can you do a little bit more? -£10.50? -Can you do 20? | 0:45:50 | 0:45:55 | |
Peter's catching on. He's got Harper on the ropes. | 0:45:55 | 0:45:59 | |
-That's a lot more, Peter. That's 100% more! -But I'm trying to come out in a profit as well. | 0:45:59 | 0:46:05 | |
-Are we nearly there? -I'll meet you halfway. 15 quid. -OK. -Good man. Thank you very much. | 0:46:07 | 0:46:12 | |
-That's two. Two pieces. -That's a nice piece. | 0:46:12 | 0:46:16 | |
-We know it's 1850. -I think Peter's going to be all right in this business. | 0:46:16 | 0:46:22 | |
Our next destination, the village of Penmaenmawr. | 0:46:22 | 0:46:26 | |
Try saying that three times fast. Penmaenmawr, Penmaenmawr... | 0:46:26 | 0:46:31 | |
Unlike the other seaside resorts in north Wales, Victorian tourists holidaying here shared the landscape | 0:46:31 | 0:46:38 | |
with the mining industry. In this small hamlet, the hardest granite in the kingdom was produced, | 0:46:38 | 0:46:44 | |
though today we're just here for the shopping. | 0:46:44 | 0:46:48 | |
This is a little child's chair. Mid-19th century. | 0:46:50 | 0:46:55 | |
Nice social history. Elm construction. | 0:46:55 | 0:46:58 | |
And some poor little chap's botty has worn away that and on the arms where he's been gripping. | 0:46:58 | 0:47:04 | |
And there's the little hole there. The pot was put underneath. | 0:47:04 | 0:47:08 | |
-There the child could "deef"-ecate. -Oh. I thought it was "def"-ecate. | 0:47:08 | 0:47:12 | |
And there we have a repair, unfortunately. | 0:47:12 | 0:47:16 | |
But a nice little object. I like that. | 0:47:16 | 0:47:19 | |
£85. Well, I think it's expensive. | 0:47:19 | 0:47:23 | |
Now wash your hands. It's three times what Barby wants to pay. | 0:47:23 | 0:47:27 | |
Time to find Mick, the unsuspecting owner. You down there? No. | 0:47:27 | 0:47:33 | |
You've got a child's potty chair with the most terrible repair. What's the best you can do on that? | 0:47:35 | 0:47:41 | |
-What were you thinking? -I'd like to see it around 40 quid. | 0:47:41 | 0:47:45 | |
40? | 0:47:45 | 0:47:46 | |
Don't think I can do it for that. | 0:47:46 | 0:47:49 | |
-Are you a gambling man? -Why? -I'll tell you what we'll do. | 0:47:49 | 0:47:53 | |
We'll do £60 or nothing for a toss. | 0:47:53 | 0:47:55 | |
Ohh... | 0:47:55 | 0:47:57 | |
I can't bear to look. | 0:47:59 | 0:48:01 | |
-What are you calling? -Heads! | 0:48:10 | 0:48:12 | |
Oh, dear. | 0:48:12 | 0:48:14 | |
It's heads! | 0:48:14 | 0:48:17 | |
Dear, oh, dear! Mick, that is so good! | 0:48:17 | 0:48:21 | |
-Oh, my God. -There we are. | 0:48:21 | 0:48:23 | |
Another satisfied customer! | 0:48:23 | 0:48:25 | |
I'll say. | 0:48:25 | 0:48:28 | |
That's one child's chair free of charge. | 0:48:28 | 0:48:31 | |
-I can't take it for nothing. I shall have to give you a... -Very kind. I hope it's luckier! | 0:48:31 | 0:48:38 | |
-Do you want me to spit on it? -Please. Thank you. | 0:48:38 | 0:48:42 | |
How disgusting! | 0:48:42 | 0:48:44 | |
Whilst poor old Mick isn't having the best of days, there's more bad news - here comes Harper! | 0:48:44 | 0:48:51 | |
He's in already! | 0:48:51 | 0:48:53 | |
-How did you do that? -Welcome. -Oh, are you the owner? | 0:48:53 | 0:48:57 | |
I am, indeed. I just bought the whole lot. | 0:48:57 | 0:49:01 | |
But not wasting any time, David Harper soon comes across this little gem. | 0:49:01 | 0:49:07 | |
There are a number of reasons why these miniature pieces were made, but the one I like the best is | 0:49:07 | 0:49:13 | |
when you get married, your father will give you a miniature chest of drawers on your wedding day. | 0:49:13 | 0:49:19 | |
The idea is that you go off on your honeymoon and when you get back that is replaced by a full-size one. | 0:49:19 | 0:49:27 | |
-What kind of money is that for me? -What were you thinking of? | 0:49:27 | 0:49:32 | |
Horribly cheap would be 20 quid. | 0:49:32 | 0:49:34 | |
-That is silly ridiculous. -Is it? Really ridiculous? -Mm. | 0:49:34 | 0:49:39 | |
-Oh, David. Hang your head in shame, boy. -£40. | 0:49:39 | 0:49:44 | |
-Put your hand... -35. | 0:49:44 | 0:49:47 | |
38. Two pound for luck. | 0:49:49 | 0:49:51 | |
-38. Done. -Good man. -Thank you. | 0:49:51 | 0:49:53 | |
David Barby started this leg with £707.95 | 0:49:56 | 0:50:01 | |
and seems to have gone quite mad, spending £519 on five auction lots - | 0:50:01 | 0:50:06 | |
a magazine stand, a Moorcroft jug, a rather expensive Burmese table, | 0:50:06 | 0:50:11 | |
a child's chair, and a job lot containing toothpick holders, | 0:50:11 | 0:50:16 | |
a gaming ball and a novelty biscuit tin. | 0:50:16 | 0:50:20 | |
As for David Harper, he began with £592.82 and parted with the more moderate sum of £113, | 0:50:20 | 0:50:26 | |
also for five lots - | 0:50:26 | 0:50:29 | |
a cameo pendant, the Chinese incense burner, the porcelain plate, | 0:50:29 | 0:50:33 | |
the Staffordshire mug and the miniature chest. | 0:50:33 | 0:50:37 | |
What do the boys really think of each other's buys? | 0:50:37 | 0:50:40 | |
The stress of buying something is unbelievable. I had a sleepless night after I bought the table. | 0:50:42 | 0:50:48 | |
I do think he's potentially dug himself into an incredibly big pit. | 0:50:48 | 0:50:54 | |
He could have created a black hole of Calcutta. | 0:50:54 | 0:50:58 | |
As regards David's items, I think they're very ordinary | 0:50:58 | 0:51:02 | |
except for the little bronze, which I particularly like. | 0:51:02 | 0:51:07 | |
I wouldn't be at all surprised if that doesn't make £300-£400. | 0:51:07 | 0:51:11 | |
Because I spent low, I've got every opportunity in not only winning this next leg, | 0:51:11 | 0:51:17 | |
but overtaking the Barby machine. I think the Barby machine is in big trouble. | 0:51:17 | 0:51:22 | |
After kicking off in Prestatyn, David Harper and David Barby conclude the third leg | 0:51:22 | 0:51:29 | |
in Criccieth. | 0:51:29 | 0:51:31 | |
Yes, it's another seaside resort, | 0:51:31 | 0:51:34 | |
though when Criccieth officially became a borough in 1284, | 0:51:34 | 0:51:39 | |
only Englishmen were allowed to settle within its boundaries. | 0:51:39 | 0:51:43 | |
Welshmen did infiltrate and in 1337 alone, three had to be evicted. | 0:51:43 | 0:51:48 | |
Today their immigration policy is much more liberal - after all, they let these two geezers in. | 0:51:50 | 0:51:57 | |
Look at that scenery! Have you got your Speedos with you? Cos we're going for a swim. | 0:51:57 | 0:52:03 | |
-I don't think so. -First things first. We have an auction to go to, | 0:52:03 | 0:52:08 | |
making our next stop Rousell's, where auctioneer Stewart Davies is ready to get this party started. | 0:52:08 | 0:52:15 | |
First up, it's David Harper's 19th century Chinese enamel plate. | 0:52:16 | 0:52:21 | |
Here we go. Anything Chinese is millions. | 0:52:21 | 0:52:26 | |
What have you got? 6. 8. 10. 12. | 0:52:26 | 0:52:29 | |
15. £15 with the hat here. I've got 16. | 0:52:29 | 0:52:33 | |
18. 20. 22. | 0:52:33 | 0:52:35 | |
25. 28. | 0:52:35 | 0:52:37 | |
£28. Are you all sure at 28? Number 69. | 0:52:37 | 0:52:41 | |
There goes David's plans for an early retirement. | 0:52:41 | 0:52:44 | |
-I'd have bought it, if that's some consolation. -Great consolation(!) | 0:52:44 | 0:52:50 | |
Chin up, Harper. It's not millions, but a profit. | 0:52:50 | 0:52:53 | |
The joys of auctions. | 0:52:53 | 0:52:56 | |
Next it's Barby's Arts and Crafts magazine stand. | 0:52:56 | 0:53:01 | |
30 I have. At £30. And 5. | 0:53:01 | 0:53:04 | |
40. £40. 5. 50. 55. | 0:53:04 | 0:53:07 | |
60. 5. 70. £70 on the back. | 0:53:07 | 0:53:11 | |
-Am I missing anybody now? £70 up the back. Sold at 70. -It's a trickle. | 0:53:11 | 0:53:17 | |
Well, perhaps more of a spurt than a trickle. | 0:53:17 | 0:53:22 | |
Meanwhile, David Harper's gambling on Chinese collectables. | 0:53:22 | 0:53:26 | |
His next lot, this rather ornate incense burner. | 0:53:26 | 0:53:30 | |
20 I'm bid. £20 I have. 25. | 0:53:30 | 0:53:33 | |
30. At £30 only. This is a bargain! | 0:53:33 | 0:53:36 | |
I'll take 2. 32. 35. | 0:53:36 | 0:53:39 | |
-Come on! -At £35 only and going at 35. -No, no... | 0:53:39 | 0:53:43 | |
What happened there, David? | 0:53:43 | 0:53:45 | |
David, what happened? | 0:53:45 | 0:53:48 | |
Oh, dearie me. After commission, that's all hope of a profit up in smoke. | 0:53:48 | 0:53:54 | |
Thank you. Thank you very much. | 0:53:54 | 0:53:56 | |
Time now for David Barby's collection of curiosities, | 0:53:56 | 0:54:01 | |
which includes this novelty biscuit tin, one gaming ball and a pair of grotesque toothpick holders. | 0:54:01 | 0:54:08 | |
Have we got 50 to start? £50. | 0:54:08 | 0:54:10 | |
-Oh, no! -55. 60. The toothpick holders are worth more! 65. 70. | 0:54:10 | 0:54:15 | |
£70. £70 only. 75. At £75. | 0:54:15 | 0:54:19 | |
-This is so cheap. -Sold at £75. | 0:54:19 | 0:54:22 | |
Not a bad return, though I think Barby was hoping for more. As usual. | 0:54:22 | 0:54:26 | |
-Don't smile. -Why would I...? I'd be smiling if it sold for 20! | 0:54:26 | 0:54:31 | |
So far china hasn't done David Harper any favours, | 0:54:31 | 0:54:35 | |
but perhaps this Staffordshire mug can finally excite the locals. | 0:54:35 | 0:54:40 | |
At £10. 12. 15. 18. 20. 22. 25. | 0:54:40 | 0:54:44 | |
28. 30. £30 up there. At £30. | 0:54:44 | 0:54:47 | |
£30. I'm selling it, then, at £30. | 0:54:47 | 0:54:50 | |
Well done, David! You've doubled your money. | 0:54:50 | 0:54:54 | |
David Barby's Moorcroft jug is next. It's a quality piece. | 0:54:54 | 0:54:58 | |
Let's hope he gets a price to match. | 0:54:58 | 0:55:02 | |
-Should be in excess of £100. -Yes! -Have you got 80? 50 I'm bid. | 0:55:02 | 0:55:07 | |
£50. 60. 70. £80 I've got. | 0:55:07 | 0:55:10 | |
-At £80. £80. I think it's a bargain. -So do I! -85. 90. | 0:55:10 | 0:55:14 | |
-95. -Oh... -100. | 0:55:14 | 0:55:17 | |
-£100 I've got. -That's a fabulous £75 profit before commission | 0:55:17 | 0:55:23 | |
and puts Barby firmly in the lead. | 0:55:23 | 0:55:26 | |
David Barby, well found. Well found. | 0:55:26 | 0:55:29 | |
Looking to catapult himself into first place, | 0:55:29 | 0:55:34 | |
-David H's next great hope is this miniature walnut chest. -£50? 30 bid. | 0:55:34 | 0:55:39 | |
At £30. 5. 40. 5. 50. 5. 60. | 0:55:39 | 0:55:43 | |
5. 70. 5. 80. 5. 90. | 0:55:43 | 0:55:47 | |
-100. And 10. Any more? -Come on... -£110. | 0:55:47 | 0:55:51 | |
Heavens above! That's £72 profit before commission. Someone's happy. | 0:55:51 | 0:55:56 | |
-That's good. -Thank you very much. | 0:55:56 | 0:56:00 | |
Now this HAS to clear a profit. A child's chair with somewhere to put the botty. | 0:56:00 | 0:56:05 | |
-264. -That really is lovely. -You only paid a pound. | 0:56:05 | 0:56:10 | |
No need to make an announcement! | 0:56:10 | 0:56:13 | |
£20 I'm bid. At £20. 25. 28. | 0:56:13 | 0:56:16 | |
-30. £30. 32. 35. -No, stop... -At £35. | 0:56:16 | 0:56:20 | |
Bargain basement. £35 and sold at 35. 102. | 0:56:20 | 0:56:25 | |
38 million per cent profit! | 0:56:25 | 0:56:27 | |
Mm, someone's good at mathematics(!) | 0:56:27 | 0:56:31 | |
Moving on to David Harper's 1937 hologram pendant, | 0:56:32 | 0:56:36 | |
all I have to say is...holograms were invented 10 years later. | 0:56:36 | 0:56:42 | |
20 I'm bid. At £20. Take me to 5. 25. 30. | 0:56:42 | 0:56:47 | |
At £35, fresh bidding. The ladies are out. £35. | 0:56:47 | 0:56:50 | |
-Come on. -Sold at £35. | 0:56:50 | 0:56:53 | |
And there's a wee bit of profit in that, too. | 0:56:53 | 0:56:57 | |
Last, but by no means least, it's David Barby's Burmese table. | 0:56:57 | 0:57:04 | |
Though he did spend a staggering £400 on it. | 0:57:04 | 0:57:07 | |
No wonder he's looking so worried. | 0:57:07 | 0:57:10 | |
I can't bear the suspense. | 0:57:10 | 0:57:13 | |
-Yes, and neither can we. -I have got various bids here. | 0:57:13 | 0:57:17 | |
I can start at £350. 350. I've got 360. | 0:57:17 | 0:57:22 | |
370. At £370, it's here. At 370. | 0:57:22 | 0:57:25 | |
-I think this is cheap. -It IS cheap. | 0:57:25 | 0:57:28 | |
Are you sure? I'll take 5. 375. | 0:57:28 | 0:57:31 | |
At 375. It's like drawing teeth. At 375. | 0:57:31 | 0:57:34 | |
-Any more? At 375. -Ohh! | 0:57:34 | 0:57:38 | |
-How do you feel? -Scorched. -It could have been worse. | 0:57:38 | 0:57:43 | |
Well, not much worse. That's a £25 loss, even before commission. | 0:57:43 | 0:57:48 | |
Well, David Barby, that's it. Another one done, dusted. | 0:57:49 | 0:57:54 | |
-We now need to do some figures. -I have learnt my lesson. -You were very brave. It's the best item. | 0:57:54 | 0:58:00 | |
-Well done, you. A cup of tea, on me. -Something stronger! | 0:58:00 | 0:58:04 | |
So, "Who's won?" you ask. | 0:58:04 | 0:58:06 | |
Well, Harper thinks it's him. Obviously. | 0:58:06 | 0:58:10 | |
He started this leg with £592.82 | 0:58:10 | 0:58:16 | |
and made a profit of £82.16, | 0:58:16 | 0:58:19 | |
giving him a new total of £674.98. | 0:58:19 | 0:58:24 | |
David Barby started with £707.95 | 0:58:25 | 0:58:30 | |
and made a mere £18.10 profit, | 0:58:30 | 0:58:33 | |
but even though he's lost on this round, he hangs narrowly onto his lead | 0:58:33 | 0:58:39 | |
with £726.05. | 0:58:39 | 0:58:42 | |
You escaped by the skin of your teeth, David Barby! | 0:58:42 | 0:58:47 | |
But it was good fun! | 0:58:47 | 0:58:49 |