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The nation's favourite antiques experts, £200 each | 0:00:01 | 0:00:04 | |
and one big challenge! | 0:00:04 | 0:00:06 | |
I'm declaring war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
The aim is to trade up | 0:00:13 | 0:00:16 | |
and hope each antique turns a profit. | 0:00:16 | 0:00:19 | |
But it's not as easy as you might think, and things don't always go to plan. | 0:00:19 | 0:00:24 | |
Will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
Think I believe that? | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Today, we're in Wales with, appropriately, the two Davids! | 0:00:35 | 0:00:39 | |
David Barby and David Harper. Although neither, of course, is a saint. | 0:00:39 | 0:00:46 | |
I think I'm lost. | 0:00:46 | 0:00:48 | |
-I'm lost without my sat nav. -What do you call her? -Harriet. | 0:00:48 | 0:00:51 | |
David Harper is a dealer with a taste for the finer things in life. | 0:00:51 | 0:00:56 | |
These can make thousands, can't they? I'll give you 200 quid for it. | 0:00:56 | 0:01:00 | |
While co-driver David Barby does the shopping and is an auctioneer. | 0:01:00 | 0:01:04 | |
There's nothing he likes more than to go for a song! | 0:01:04 | 0:01:07 | |
-# -I want a dream lover so I don't have to dream alone. -# | 0:01:07 | 0:01:13 | |
Ooh, flat! | 0:01:13 | 0:01:15 | |
David B has led the whole trip, but David H is catching up fast! | 0:01:16 | 0:01:20 | |
So how are you feeling, Mr Barby, still in the lead? | 0:01:20 | 0:01:23 | |
I feel very relaxed about it. | 0:01:23 | 0:01:26 | |
Well, don't feel too relaxed because somebody's nipping at your heels! | 0:01:26 | 0:01:30 | |
-Yapping, I would say! -Yapping! -Ruf! Ruf! | 0:01:30 | 0:01:33 | |
Hmm. They began with £200 each | 0:01:33 | 0:01:36 | |
and David Barby goes into today with a very respectable £726.05 to spend. | 0:01:36 | 0:01:43 | |
While the other David has almost as much with £674.98. | 0:01:43 | 0:01:48 | |
On this trip, we travelled from Northern Ireland, heading south towards the county of Meath | 0:01:52 | 0:01:57 | |
then across to the north coast of Wales | 0:01:57 | 0:01:59 | |
and once again heading south, ending our trip in Llanelli. | 0:01:59 | 0:02:04 | |
This leg starts out in Aberystwyth | 0:02:04 | 0:02:06 | |
and heads for an auction in Shrewsbury. | 0:02:06 | 0:02:09 | |
In the mid-19th century, a fine pier and a railway were built | 0:02:11 | 0:02:15 | |
making Aberystwyth a Victorian tourist boom town. | 0:02:15 | 0:02:20 | |
Back in the Middle Ages, though, when the English were much less popular, | 0:02:20 | 0:02:24 | |
Aberystwyth Castle was once the stronghold of the Welsh freedom fighter, Owain Glyn Dwr. | 0:02:24 | 0:02:30 | |
We have to try and mix and blend with the natives. | 0:02:30 | 0:02:33 | |
-You're ingratiating yourself? -Yes, just like you do rather nicely. | 0:02:33 | 0:02:37 | |
So I have a Welsh phrase book. | 0:02:37 | 0:02:40 | |
I've written down one of your favourite phrases. | 0:02:40 | 0:02:43 | |
Please, just... Just for me cos I'd love to hear you say it. | 0:02:43 | 0:02:47 | |
In English, how do you do it? | 0:02:47 | 0:02:49 | |
"Is that your very, very best?" | 0:02:49 | 0:02:51 | |
Wonderful. Now, in Welsh, | 0:02:51 | 0:02:53 | |
you say, "Hoffet ti dawnsio?" Say that. | 0:02:53 | 0:02:58 | |
Hoffet ti dawnsio? | 0:02:58 | 0:03:00 | |
Not in a Chinese accent, a Welsh one. Try again. | 0:03:00 | 0:03:03 | |
Hoffet ti dawnsio? | 0:03:03 | 0:03:04 | |
-Dawnsio. -Dancho. | 0:03:04 | 0:03:06 | |
Hoffet ti dawnsio. | 0:03:06 | 0:03:07 | |
-Hoffet ti dawnsio. -Exactly. | 0:03:07 | 0:03:09 | |
I want you to look into the vendor's eyes and stare at them with that twinkle that only you have, | 0:03:09 | 0:03:15 | |
-and say... -Hoffet ti dawnsio? | 0:03:15 | 0:03:18 | |
You naughty boy! | 0:03:18 | 0:03:19 | |
-Music to my ears. -Knowing you, it's probably a swear word. | 0:03:19 | 0:03:24 | |
David Barby starts his shopping a few hundred yards from the sea front. | 0:03:25 | 0:03:29 | |
-This looks interesting! Hello. David Barby. -Hello. | 0:03:29 | 0:03:32 | |
On a mission to find something unusual, idiosyncratic or even downright odd! | 0:03:32 | 0:03:39 | |
Let's see the quirky things. | 0:03:39 | 0:03:41 | |
Oh, what's this? Quirky and expensive too? | 0:03:41 | 0:03:45 | |
At £125, a fork. | 0:03:45 | 0:03:48 | |
I love the social history behind it. | 0:03:48 | 0:03:50 | |
You'd pass your bread roll on the end of this, rather than taint it with your fingers. | 0:03:50 | 0:03:55 | |
-That's rather nice. What's the very best you can do on that? -I can do a lot on that. 85. | 0:03:55 | 0:04:00 | |
Ooh! Too much. | 0:04:00 | 0:04:01 | |
75, then. | 0:04:04 | 0:04:06 | |
Is that the very best you can do? | 0:04:06 | 0:04:08 | |
Go on. 25 quid. | 0:04:11 | 0:04:13 | |
-25. -Yeah. | 0:04:13 | 0:04:15 | |
£100 off, a slap round the chops, and then... | 0:04:16 | 0:04:20 | |
-I think it's got a little fracture down the side. -Really? -Yeah. | 0:04:20 | 0:04:24 | |
It's a gaping hole! | 0:04:24 | 0:04:26 | |
Ah, here we go! | 0:04:26 | 0:04:28 | |
I've been told if I use a certain expression like... | 0:04:28 | 0:04:31 | |
Hoffet ti dawnsio? Um... | 0:04:31 | 0:04:34 | |
I don't think you'd get very far! | 0:04:35 | 0:04:38 | |
In other words, is that the very best price? | 0:04:40 | 0:04:43 | |
-Yes, I think 25 is... -Even with that damage? | 0:04:43 | 0:04:47 | |
-You quoted that before the damage was noticed. -Go on. 20 quid, then. -20 quid. | 0:04:47 | 0:04:51 | |
-OK, it's a deal. Thank you very much indeed. -Pleasure. -Thank you. | 0:04:51 | 0:04:56 | |
And after finally forking out (ha!) David spies something that might go with his first buy. | 0:04:56 | 0:05:01 | |
That was from my attic, so that could be any price. | 0:05:01 | 0:05:04 | |
This would have been in a picnic hamper | 0:05:07 | 0:05:09 | |
and you might have taken this out with your Bentley. | 0:05:09 | 0:05:13 | |
In there, you would have a burner. | 0:05:13 | 0:05:15 | |
And then this little kettle would stand on that. | 0:05:15 | 0:05:20 | |
So that's ten pounds. | 0:05:20 | 0:05:22 | |
I'm really not sure where David got that from. | 0:05:22 | 0:05:26 | |
But it seems to have been OK'd, and now he's had another idea. | 0:05:26 | 0:05:29 | |
I like this, David, because it's the same period as the kettle. | 0:05:29 | 0:05:34 | |
I'd like to think that Mum and Dad had unpacked the picnic | 0:05:34 | 0:05:40 | |
and brought the baby's dish along. | 0:05:40 | 0:05:43 | |
-So they could make his rusks. -Rusks, yes! -Or porridge. | 0:05:43 | 0:05:48 | |
And feed him whilst on the picnic. | 0:05:48 | 0:05:50 | |
We have the alphabet round the edge which is rather nice. | 0:05:50 | 0:05:53 | |
And then this delightful golfing scene here. | 0:05:53 | 0:05:57 | |
Hmm. The Golly image, | 0:05:57 | 0:06:00 | |
which used to feature on a well-known brand of jam, | 0:06:00 | 0:06:03 | |
and in books by Enid Blyton, is now regarded as an offensive caricature. | 0:06:03 | 0:06:08 | |
But such items do have a value | 0:06:08 | 0:06:10 | |
as pieces of social history. | 0:06:10 | 0:06:12 | |
-I'd like to buy the two to go together. -Right. OK. | 0:06:12 | 0:06:16 | |
-I think they should go together. -I think it would be fun, yes. | 0:06:16 | 0:06:20 | |
-It would be fun. -We paid 20 for that one. -20?! | 0:06:20 | 0:06:24 | |
-It's been here ages! -It hasn't been here ages. | 0:06:24 | 0:06:26 | |
I came on holiday when I was 12 and saw that! | 0:06:26 | 0:06:29 | |
And wanted it ever since! | 0:06:29 | 0:06:31 | |
We could do a deal perhaps with the kettle. How about that? | 0:06:31 | 0:06:35 | |
And the... | 0:06:35 | 0:06:36 | |
Hmm. How about 30 quid for the kettle? | 0:06:36 | 0:06:40 | |
Oh, no, no, no, no, no. | 0:06:40 | 0:06:42 | |
-You mentioned ten on it originally. -20 quid with the kettle. | 0:06:42 | 0:06:46 | |
15. | 0:06:46 | 0:06:48 | |
15 with the kettle. | 0:06:48 | 0:06:50 | |
-Yeah, go on, then. 15. -£15. -You waited all those years to buy it! | 0:06:51 | 0:06:55 | |
And while David Barby is busy buying... | 0:06:56 | 0:06:59 | |
-How's my Welsh? -I think... Keep at it. Keep at it! | 0:06:59 | 0:07:03 | |
Thank you very much! | 0:07:03 | 0:07:05 | |
Iechyd da! | 0:07:05 | 0:07:06 | |
..David Harper has meanwhile taken the Triumph inland | 0:07:06 | 0:07:09 | |
through the spectacular scenery | 0:07:09 | 0:07:12 | |
of the Ystwyth Valley, where they used to mine lead, zinc and silver, | 0:07:12 | 0:07:17 | |
travelling from Aberystwyth to Rhayader. | 0:07:17 | 0:07:20 | |
The oldest town in mid-Wales dates back to the fifth century | 0:07:24 | 0:07:28 | |
but the place really got on the map when, in 1843, | 0:07:28 | 0:07:32 | |
the locals rioted over road tolls. | 0:07:32 | 0:07:35 | |
Many were dressed up in drag and became known as Rebeccaites. | 0:07:35 | 0:07:40 | |
Although he likes his ladies, David's only interested in shopping | 0:07:40 | 0:07:43 | |
and spending his money here at Court House Antiques. | 0:07:43 | 0:07:47 | |
-So, what's this building? -This is the old courthouse. | 0:07:48 | 0:07:52 | |
-The magistrates' bench used to be there. -Magistrate, eh? | 0:07:52 | 0:07:55 | |
-Through where the books are there's two holding cells. -No. | 0:07:55 | 0:07:59 | |
Is that where you put customers that don't pay? | 0:07:59 | 0:08:01 | |
I do! | 0:08:01 | 0:08:03 | |
The courthouse holds many of the usual suspects, | 0:08:03 | 0:08:06 | |
and for the right price, any of these items can get an early release. But which ones? | 0:08:06 | 0:08:11 | |
So, what have you got? | 0:08:11 | 0:08:14 | |
Gin, Bourbon, sherry, Scotch, brandy and vodka. | 0:08:14 | 0:08:17 | |
-Are they all the same? -They are. | 0:08:17 | 0:08:19 | |
So probably 1960s, but you've got that Victorian shape. | 0:08:19 | 0:08:23 | |
It's very 1880s in its shape, a classical thing. | 0:08:23 | 0:08:27 | |
I can tell you, if they were in silver, they would be hundreds of pounds. | 0:08:27 | 0:08:33 | |
But they're in pewter. | 0:08:33 | 0:08:35 | |
But the thing is, on six liquor bottles, they'd look the biz. | 0:08:35 | 0:08:39 | |
-Yeah. -What kind of money are they? | 0:08:39 | 0:08:41 | |
Lots of money. £20 for the six. | 0:08:41 | 0:08:45 | |
Ooh, Robin. | 0:08:45 | 0:08:46 | |
Robin, honestly. | 0:08:46 | 0:08:49 | |
It's a bargain, isn't it? | 0:08:49 | 0:08:51 | |
-20 quid. -It can be more. | 0:08:51 | 0:08:53 | |
I don't know I if I dare ask if they can be less? | 0:08:54 | 0:08:57 | |
-No, they couldn't be less. -I'll have to have them. -I think so. | 0:08:57 | 0:09:00 | |
Good man. Thank you. I'll have those. | 0:09:00 | 0:09:02 | |
Six labels later and Harper is in the hunt. | 0:09:02 | 0:09:06 | |
That's a cracking thing, Robin. | 0:09:06 | 0:09:08 | |
I think that's 1835, 1840, with a later top. | 0:09:08 | 0:09:11 | |
-Can I take the glasses off? -Certainly can. | 0:09:11 | 0:09:14 | |
This symbol was first used in 3000 BC | 0:09:14 | 0:09:17 | |
and has been associated with everything from religion and magic to politics. | 0:09:17 | 0:09:21 | |
What kind of money is it? | 0:09:21 | 0:09:24 | |
To you, about £80. | 0:09:24 | 0:09:27 | |
80 quid. | 0:09:27 | 0:09:30 | |
-That couldn't be 50, could it? -No, it couldn't be 50. -It couldn't? | 0:09:30 | 0:09:33 | |
-It couldn't. -Under any circumstances? -Under any circumstances. | 0:09:33 | 0:09:37 | |
All right. What could it be under any circumstances? | 0:09:39 | 0:09:43 | |
70. | 0:09:44 | 0:09:46 | |
It's a good thing. 60? | 0:09:47 | 0:09:49 | |
No. It's pushing it at 60. | 0:09:51 | 0:09:53 | |
-I couldn't replace it for that. -65? | 0:09:53 | 0:09:56 | |
65 is there. | 0:09:56 | 0:09:59 | |
-Yeah, OK. -Shall we do a deal at 65? -It's a deal at 65. -Thank goodness. I love spending money here. | 0:09:59 | 0:10:05 | |
Not content with table and labels, | 0:10:05 | 0:10:08 | |
David goes looking for more. | 0:10:08 | 0:10:10 | |
Look at that! | 0:10:10 | 0:10:13 | |
That is a Japanese Satsuma ware. | 0:10:14 | 0:10:17 | |
What a grand, impressive thing! | 0:10:17 | 0:10:21 | |
Robin, what money is the Satsuma? | 0:10:21 | 0:10:23 | |
-It's got some damage on it, unfortunately. -Has it? | 0:10:23 | 0:10:26 | |
Yeah, on the lions. This one here. | 0:10:26 | 0:10:29 | |
Oh, yeah, missing its tail. Yeah. | 0:10:29 | 0:10:32 | |
There you go. There's the male version. That's the Dog of Fo, or Shishi dog. | 0:10:32 | 0:10:37 | |
The Dogs of Fo are there to protect the owner. | 0:10:37 | 0:10:40 | |
-Yeah. -You own it and they're scaring me away! | 0:10:40 | 0:10:42 | |
What would it cost for me to own it? | 0:10:42 | 0:10:44 | |
-£40. There you are. -40 quid. -Yes. | 0:10:44 | 0:10:47 | |
Blimey, that is a gift. | 0:10:47 | 0:10:49 | |
Tell you what, if you dress that up, put it in someone's living room | 0:10:49 | 0:10:53 | |
or dining room or hallway, and it would look £4,000-worth. | 0:10:53 | 0:10:59 | |
-It can be! -Really, Robin? Can it? | 0:10:59 | 0:11:01 | |
Do you mind? I do want to spend big(!) | 0:11:01 | 0:11:04 | |
-Take 30 quid for it. -No, come on! | 0:11:04 | 0:11:07 | |
-I'll spin you a coin, 30 or 40. -Go on, then. -Good man. | 0:11:07 | 0:11:10 | |
I love spinning coins. You call. | 0:11:10 | 0:11:12 | |
Heads. | 0:11:12 | 0:11:14 | |
Yes! | 0:11:14 | 0:11:16 | |
-Marvellous! -It's not a fix? | 0:11:16 | 0:11:19 | |
So, £30 to David Harper. Meanwhile, back in Aberystwyth, | 0:11:20 | 0:11:24 | |
there's a museum dedicated to the history of Ceredigion, | 0:11:24 | 0:11:28 | |
or Cardiganshire. | 0:11:28 | 0:11:30 | |
David Barby has come to the beautiful old Coliseum theatre to take a look. | 0:11:30 | 0:11:36 | |
-Hello, David, welcome to Ceredigion Museum. I'm Michael, the curator. -Pleased to meet you. | 0:11:36 | 0:11:41 | |
The theatre was built for Variety in 1905 | 0:11:41 | 0:11:45 | |
and later converted to a cinema. | 0:11:45 | 0:11:48 | |
It became a museum in 1984. | 0:11:48 | 0:11:50 | |
-That's the piano that was used during silent films. -My mother, in Rugby, | 0:11:50 | 0:11:55 | |
played the piano at the cinema where they showed silent movies. | 0:11:55 | 0:12:00 | |
But to keep us quiet at home, she would play Hearts and Flowers, | 0:12:00 | 0:12:04 | |
which was often the one she'd employ during love scenes or melodramatic scenes when looking at the screen. | 0:12:04 | 0:12:11 | |
The festivals of music and literature known as Eisteddfod | 0:12:13 | 0:12:17 | |
first took place in the 12th century | 0:12:17 | 0:12:19 | |
and their revival in the 19th coincided with the rise in Welsh nationalism. | 0:12:19 | 0:12:24 | |
-What does Eisteddfod mean? -It's a meeting place, really. | 0:12:24 | 0:12:27 | |
-It's where everybody meets to share their skills and enthusiasm... -It's a gathering. -Yes. | 0:12:27 | 0:12:34 | |
That's a lovely concept. | 0:12:34 | 0:12:35 | |
All that talk of music and the old theatre seems to have had quite an effect on David Barby, | 0:12:35 | 0:12:41 | |
someone never likely to suffer from stage fright. | 0:12:41 | 0:12:44 | |
-# -Keep the home fires burning | 0:12:44 | 0:12:49 | |
-# -Though your hearts are yearning | 0:12:49 | 0:12:53 | |
-# -Though your lads are far away | 0:12:53 | 0:12:57 | |
-# -They dream of home... -# | 0:12:57 | 0:13:01 | |
I do believe he's had a glass of sherry! | 0:13:01 | 0:13:04 | |
-# -..through the clouds are shining | 0:13:04 | 0:13:09 | |
-# -Till the dark clouds inside out | 0:13:09 | 0:13:13 | |
-# -Till the boys come home! -# | 0:13:13 | 0:13:16 | |
Hmm. And on that bum note... | 0:13:16 | 0:13:18 | |
David Barby has left Aberystwyth and has arrived | 0:13:18 | 0:13:21 | |
in Rhayader to get back to shopping. | 0:13:21 | 0:13:25 | |
But, keeping one step ahead, David Harper is also on the road again | 0:13:25 | 0:13:29 | |
-Hello! -Good morning. -David Barby. What's your name? | 0:13:31 | 0:13:34 | |
-David Carnan. -Another David! Good, we have something in common! | 0:13:34 | 0:13:38 | |
David Barby's found one antique already and hopes to buy big today and so stretch his lead. | 0:13:39 | 0:13:45 | |
And I think he's found something that could fly. | 0:13:46 | 0:13:49 | |
There's a nice First World War propeller. | 0:13:49 | 0:13:51 | |
This is a patent. | 0:13:51 | 0:13:55 | |
One that was manufactured as an example. | 0:13:55 | 0:13:58 | |
It's actually never been on a plane. | 0:13:58 | 0:14:01 | |
How much is that? | 0:14:01 | 0:14:03 | |
50 quid. | 0:14:03 | 0:14:05 | |
The very, very, very best. | 0:14:05 | 0:14:08 | |
That started at the very best. That's a bargain! | 0:14:08 | 0:14:11 | |
Oh, he's... | 0:14:11 | 0:14:12 | |
He's from my neck of the woods, as well. Birmingham. | 0:14:12 | 0:14:16 | |
-I'm a Scouser, from Liverpool. -Well, that's close enough! | 0:14:16 | 0:14:20 | |
That is a possibility. | 0:14:22 | 0:14:24 | |
But I'd like it much reduced on that. | 0:14:24 | 0:14:28 | |
-How much? -30. | 0:14:28 | 0:14:31 | |
-Go ahead. Seeing as it's you. -OK. -Seeing as it's a sale. | 0:14:33 | 0:14:36 | |
Meanwhile, David H has arrived at his final shop, | 0:14:39 | 0:14:42 | |
having made the journey from Rhayader to Llanidloes. | 0:14:42 | 0:14:47 | |
Hi, I'm David Harper. | 0:14:49 | 0:14:51 | |
-Mark. Nice to meet you. -Nice to meet you, too. | 0:14:51 | 0:14:53 | |
-So how a browse round and... -I will. OK, Mark. | 0:14:53 | 0:14:56 | |
I'll give you a shout if we can do something. OK. | 0:14:56 | 0:14:59 | |
-What about the recumbent Buddha? Is it modern? -He's the good luck Buddha of the shop. | 0:14:59 | 0:15:04 | |
The first thing I look at, I can't buy? | 0:15:04 | 0:15:06 | |
That's a great start! | 0:15:06 | 0:15:08 | |
Stumped again. Ah, well, as the Buddha says, | 0:15:08 | 0:15:11 | |
"To the one who endures, the final victory comes." | 0:15:11 | 0:15:15 | |
Nothing about nice things in cabinets, though! | 0:15:15 | 0:15:19 | |
OK. Think of the man who has absolutely everything. | 0:15:19 | 0:15:22 | |
He wants for nothing. What do you buy him for Christmas? | 0:15:22 | 0:15:26 | |
Well, the perfect gentleman's accessory, a really good pen. | 0:15:26 | 0:15:32 | |
He may not actually use it, | 0:15:32 | 0:15:34 | |
but a Parker pen with a 14-carat gold nib. | 0:15:34 | 0:15:37 | |
16 quid. | 0:15:37 | 0:15:39 | |
It's actually really cheap. | 0:15:39 | 0:15:41 | |
If you were to go to a vintage pen shop, I think that would make 50 quid, possibly? | 0:15:41 | 0:15:47 | |
-That's a really nice pen, Mark, isn't it? -It is. | 0:15:47 | 0:15:51 | |
Could that be devastatingly cheap? Help me out. | 0:15:51 | 0:15:54 | |
-I'd go down to 12 on that. -12. | 0:15:54 | 0:15:56 | |
I bet we could make it ten. | 0:15:56 | 0:15:58 | |
-I haven't got any change. Couldn't we? -Let's have a look. -I bet we could. | 0:15:58 | 0:16:02 | |
-Seeing as it's you. -Good man. Thanks, Mark. Deal done. Thank you. | 0:16:02 | 0:16:06 | |
Come on, David, own up. These are just the sort of toys | 0:16:06 | 0:16:10 | |
you'd like to have yourself! | 0:16:10 | 0:16:12 | |
Let's have a look at this watch. | 0:16:12 | 0:16:14 | |
That's a really good quality, Swiss-made small manufacturer Roamer watch. | 0:16:14 | 0:16:21 | |
My first good watch, bought for me when I was 18, was a Roamer. | 0:16:21 | 0:16:25 | |
How much is it, Mark? | 0:16:25 | 0:16:27 | |
28 quid. | 0:16:27 | 0:16:29 | |
And so while David comes over all nostalgic, | 0:16:29 | 0:16:32 | |
the dealer himself arrives to hear his offer. | 0:16:32 | 0:16:35 | |
-Hello. -Hello, I'm Clive. I'm the owner of the items in the cabinet. | 0:16:35 | 0:16:40 | |
-So if you're looking for a deal... -You've called him, have you? | 0:16:40 | 0:16:43 | |
Good man. Right, let's have a look at this little watch. | 0:16:43 | 0:16:47 | |
What kind of money could that be? | 0:16:47 | 0:16:49 | |
-I could do that at £20. -Could you? -Yeah. | 0:16:49 | 0:16:53 | |
20 quid, eh? | 0:16:53 | 0:16:54 | |
Do you want to say 15 and be really happy? | 0:16:54 | 0:16:57 | |
Would that make you happy, Clive? | 0:16:58 | 0:17:00 | |
-Yes, go on, then. -Sure? -Yes. -Good man. Thank you very much. | 0:17:02 | 0:17:05 | |
-The pen was yours, I believe? -Yes. | 0:17:05 | 0:17:08 | |
So I owe you 25 quid. | 0:17:08 | 0:17:09 | |
-That's fine. -There's 20 and five. | 0:17:09 | 0:17:13 | |
That's it. I've hardly spent any money! | 0:17:13 | 0:17:16 | |
And with that less than tactful comment, we shift our gaze to David Barby, | 0:17:16 | 0:17:20 | |
who's struggling to spend his cash. | 0:17:20 | 0:17:22 | |
David has travelled from Rhayader to Newbridge-on-Wye, in search of that big purchase. | 0:17:23 | 0:17:29 | |
But despite a huge choice, things are not looking good. | 0:17:31 | 0:17:35 | |
Hmm. | 0:17:38 | 0:17:39 | |
I haven't seen anything yet | 0:17:39 | 0:17:42 | |
that will be suitable for the auction. | 0:17:42 | 0:17:44 | |
Eventually, David finds something to ponder upon. | 0:17:44 | 0:17:47 | |
But he's still not happy. | 0:17:47 | 0:17:49 | |
Well, it's a 1930s Jacobean revival cabinet, very fashionable at that time. | 0:17:49 | 0:17:56 | |
It's a floor-standing gramophone. | 0:17:58 | 0:18:00 | |
In the lower section you have storage for gramophones. It's got the original uprights. | 0:18:00 | 0:18:05 | |
And then you have the sound box, which is here. | 0:18:05 | 0:18:09 | |
It normally has a silk-lined screen. We haven't got that. | 0:18:09 | 0:18:13 | |
Then you've got the actual turntable here. | 0:18:15 | 0:18:18 | |
It's nicely dusty but not in particularly good working order. | 0:18:19 | 0:18:23 | |
Which is a shame, because he could have played something to suit his mood! | 0:18:23 | 0:18:27 | |
Gloomy! | 0:18:27 | 0:18:29 | |
HEART-RENDING VIOLIN SOLO | 0:18:30 | 0:18:33 | |
I'm quite, quite disappointed | 0:18:39 | 0:18:42 | |
that there is nothing there that I can buy and make a profit on at auction. | 0:18:42 | 0:18:49 | |
Moving on, David Barby, has travelled from Newbridge-on-Wye | 0:18:51 | 0:18:54 | |
to Llangurig, where he arrives, a desperate man. | 0:18:54 | 0:18:58 | |
-Hello? -Hello! | 0:19:00 | 0:19:02 | |
-David Barby. -Hi, Dave. Mike Elliott. -Hello, Michael, how are you? -How are you? | 0:19:02 | 0:19:06 | |
This is a privilege. Thank you. To come into somebody's house that's also the dealer. | 0:19:06 | 0:19:12 | |
-There's few left. -There's hidden treasures. | 0:19:12 | 0:19:15 | |
There are certainly plenty of treasures in Mike's crowded house. | 0:19:17 | 0:19:21 | |
The palpitations subside as David begins to feel at home. | 0:19:21 | 0:19:25 | |
This is so encouraging because there are things I feel I can actually buy. | 0:19:25 | 0:19:30 | |
-What's this little piece? -That's only just come in. | 0:19:33 | 0:19:37 | |
I think it's for cigarettes or something, if you lift it up. | 0:19:37 | 0:19:41 | |
-Cigarettes, cuff-links. -I think it's 1900 or something. | 0:19:41 | 0:19:45 | |
-Yes. -That can be 35 quid. | 0:19:45 | 0:19:47 | |
Oh, sugars! | 0:19:47 | 0:19:49 | |
Why did I buy that kettle? | 0:19:49 | 0:19:52 | |
Come on, David. No regrets about the kettle. | 0:19:53 | 0:19:55 | |
A little box to think about, and next door, a slightly bigger box! | 0:19:55 | 0:20:00 | |
What is that, on its own, the small cabinet? | 0:20:00 | 0:20:02 | |
It's rosewood, but I can be £45. | 0:20:02 | 0:20:05 | |
It's a good bit of wood. | 0:20:05 | 0:20:07 | |
-I think that's got potential. -Yes. | 0:20:07 | 0:20:10 | |
-This is the base of an etagere which is, in ordinary terms, a what-not. -A what-not. | 0:20:10 | 0:20:16 | |
So above here, you'd have probably one, maybe three shelves. | 0:20:16 | 0:20:21 | |
It was intended for ornamental items, clocks, bijouterie, something like that. | 0:20:21 | 0:20:26 | |
-I'm going to have that one. -Good. -Thank you very much. -Good. Pleasure. | 0:20:26 | 0:20:30 | |
-That's an interesting little clock, yes. -Yes. Yeah. | 0:20:30 | 0:20:35 | |
-What price range are we looking at? -Two and a half. | 0:20:35 | 0:20:38 | |
I think he means hundreds. | 0:20:38 | 0:20:39 | |
-That's the very best you can do? -Yes, it does owe me more, I promise you. | 0:20:39 | 0:20:44 | |
Seriously. | 0:20:44 | 0:20:45 | |
Is that the very, very best you can do? | 0:20:45 | 0:20:48 | |
Well, the very best | 0:20:48 | 0:20:49 | |
would be £230. | 0:20:49 | 0:20:51 | |
Right. | 0:20:51 | 0:20:53 | |
-I saw that little box that you quoted, was it 30? -35. -£35 on it. | 0:20:53 | 0:20:58 | |
I think that is exquisite. | 0:20:58 | 0:21:00 | |
-It is. -Absolutely exquisite. -Super. | 0:21:00 | 0:21:02 | |
Well, at 250 quid, you might be able to marry the two. | 0:21:02 | 0:21:06 | |
-That is very tempting. -Well. | 0:21:08 | 0:21:10 | |
That's cheap. | 0:21:10 | 0:21:12 | |
Tempting and cheap! | 0:21:12 | 0:21:14 | |
DRUM ROLL | 0:21:14 | 0:21:17 | |
Ooh, what have I done? | 0:21:17 | 0:21:20 | |
What a relief! David's finally splashed that cash. | 0:21:20 | 0:21:24 | |
And now he's discovered something Mike will probably never sell, | 0:21:24 | 0:21:28 | |
his karaoke machine! | 0:21:28 | 0:21:29 | |
-# -I want a dream lover, cos I don't wanna dream alone. -# | 0:21:31 | 0:21:36 | |
Keep singing like that and you'll always be alone! | 0:21:36 | 0:21:39 | |
So, with the shopping over, let's recap on what the boy have bought. | 0:21:39 | 0:21:43 | |
David Harper has spent £140 on five lots, | 0:21:43 | 0:21:47 | |
comprising six liqueur labels, | 0:21:47 | 0:21:50 | |
a parquetry table, | 0:21:50 | 0:21:52 | |
a fountain pen, a watch, and a piece of Satsuma ware. | 0:21:52 | 0:21:56 | |
While David Barby has, as promised, | 0:21:57 | 0:22:00 | |
lavished a whopping £355 also on five lots. | 0:22:00 | 0:22:04 | |
The 19th-century time-piece, | 0:22:04 | 0:22:06 | |
plus the little box. | 0:22:06 | 0:22:08 | |
A fork, the picnic collection, | 0:22:08 | 0:22:11 | |
a rosewood cabinet and a propeller. | 0:22:11 | 0:22:14 | |
But what do the boys think of each other's items? | 0:22:14 | 0:22:18 | |
David does have that ability | 0:22:18 | 0:22:20 | |
of embellishing and making his objects sound absolutely wonderful | 0:22:20 | 0:22:24 | |
when in fact they're not. | 0:22:24 | 0:22:26 | |
I dislike intensely the late Japanese Satsuma pieces | 0:22:26 | 0:22:32 | |
because they are gaudy and fairground like. | 0:22:32 | 0:22:34 | |
I'm not being awful. It's just that it's a risky one. | 0:22:34 | 0:22:37 | |
So we're both going to be hoping on that one, in opposite directions. | 0:22:37 | 0:22:42 | |
After starting out on the Welsh coast at Aberystwyth, | 0:22:42 | 0:22:46 | |
this leg of our tour will conclude just over the English border | 0:22:46 | 0:22:50 | |
in Shrewsbury. That's the way I pronounce it. | 0:22:50 | 0:22:53 | |
The English and the Welsh have fought over the place for years, | 0:22:53 | 0:22:57 | |
but the county town of Shropshire escaped the bombs of World War II | 0:22:57 | 0:23:00 | |
and currently has well over 600 listed buildings. | 0:23:00 | 0:23:04 | |
Street names such as Bear Steps, Dog Pole and Grope Lane | 0:23:04 | 0:23:07 | |
have remained unchanged for centuries, too. | 0:23:07 | 0:23:10 | |
David B and David H are crossing the River Severn | 0:23:10 | 0:23:13 | |
for a general sale at Hall's auctioneers. | 0:23:13 | 0:23:16 | |
I'm fearful that I shall make a loss today. | 0:23:16 | 0:23:19 | |
-David, think lucky. -I'll think lucky. | 0:23:20 | 0:23:23 | |
David Barby's fork. | 0:23:23 | 0:23:25 | |
With a crack. | 0:23:25 | 0:23:27 | |
£30. 30. | 0:23:27 | 0:23:28 | |
20, anywhere? | 0:23:28 | 0:23:30 | |
20? Ten. £10 bid. At 12 now. | 0:23:30 | 0:23:33 | |
At ten. Should be 12. £12. | 0:23:33 | 0:23:36 | |
12. 14. 16. | 0:23:36 | 0:23:38 | |
-18. 20. 22. £22. Four anywhere? -It's so cheap. | 0:23:38 | 0:23:43 | |
At 22. | 0:23:43 | 0:23:45 | |
I'm surprised. | 0:23:45 | 0:23:47 | |
That tiny profit will be a loss after commission. | 0:23:47 | 0:23:51 | |
I'm concerned about the other lots. | 0:23:51 | 0:23:53 | |
David Harper's nice piece of parquetry. | 0:23:53 | 0:23:56 | |
Start the bidding. 50. 30 to start me. £30. 35. | 0:23:56 | 0:24:01 | |
-40. Five. 50. £50. Take the five. -Come on! | 0:24:01 | 0:24:05 | |
£50 in the room now. At 50. | 0:24:05 | 0:24:08 | |
-Five now? We are selling at £50. -No, David, no! | 0:24:08 | 0:24:11 | |
226. | 0:24:11 | 0:24:13 | |
Another loss. This ain't boding well. | 0:24:13 | 0:24:16 | |
That's a very bad start for me. | 0:24:16 | 0:24:18 | |
-You've got your Satsuma coming up. -Yeah. Thank you very much(!) | 0:24:18 | 0:24:22 | |
Now, David B's picnic collection with child's bowl. | 0:24:22 | 0:24:25 | |
10 bid. £10 bid. Take the 12. | 0:24:25 | 0:24:28 | |
-At £10. Is there a 12? At £10. £12? -Oh, God, this is terrible! | 0:24:28 | 0:24:32 | |
At £10. | 0:24:32 | 0:24:35 | |
-£10. -What did that owe you? 15? | 0:24:36 | 0:24:39 | |
A familiar outcome today. | 0:24:39 | 0:24:43 | |
-You're smiling. -I'm trying not to. -I wish you wouldn't! | 0:24:43 | 0:24:46 | |
Now, what will Shrewsbury make of David H's prized Satsuma? | 0:24:46 | 0:24:51 | |
Start the bidding. Should be straightaway £40. 40. 40 bid. | 0:24:51 | 0:24:54 | |
£40. Take the five now. At £40. 45. | 0:24:54 | 0:24:58 | |
50. Five. | 0:24:58 | 0:25:00 | |
-55. -Come on. -£55 bid. 60? | 0:25:00 | 0:25:03 | |
At £55. Selling at £55. | 0:25:03 | 0:25:08 | |
-You've made a profit. -It's a profit. -It's a profit. | 0:25:08 | 0:25:11 | |
Yes. Be very grateful! | 0:25:11 | 0:25:13 | |
They may be rare, today. | 0:25:13 | 0:25:15 | |
I'm happy with that, just to make a profit. | 0:25:15 | 0:25:17 | |
The auctioneer likes David's propeller, but will anybody else? | 0:25:17 | 0:25:21 | |
30 bid. £30 I'm bid. | 0:25:21 | 0:25:23 | |
30. Five now. At £30. | 0:25:23 | 0:25:25 | |
Who's got the five? At 30. Starter's bid. 35. | 0:25:25 | 0:25:29 | |
40. Five. | 0:25:29 | 0:25:30 | |
50. £50 at the back there. | 0:25:30 | 0:25:34 | |
At 50. We shall sell. Make no mistakes. | 0:25:34 | 0:25:37 | |
-Oh, well. -How do you feel about that? -It's OK. | 0:25:37 | 0:25:40 | |
Another profit, minus commission. | 0:25:40 | 0:25:43 | |
Give me a smile. | 0:25:43 | 0:25:44 | |
Neck and neck. What can these do? | 0:25:46 | 0:25:48 | |
30. £30. There we go. | 0:25:48 | 0:25:52 | |
-Label your bottles. 30 bid. -Come on, baby. | 0:25:52 | 0:25:56 | |
32 now? At 30. Who's got the two? | 0:25:56 | 0:25:58 | |
Bid's in front at £30. Maiden bid. | 0:25:58 | 0:26:01 | |
At 30. | 0:26:01 | 0:26:03 | |
-Ten quid. -£10. That's all right. | 0:26:03 | 0:26:05 | |
No matter who made them. They made a profit. | 0:26:05 | 0:26:08 | |
That's the spirit! | 0:26:08 | 0:26:09 | |
Next, David Barby's what-not bottom bit. | 0:26:10 | 0:26:14 | |
Straightaway 10, 25, £30. | 0:26:14 | 0:26:16 | |
At £30. Take the five. At £30. Five now. | 0:26:16 | 0:26:19 | |
At £30. And five. 35. | 0:26:19 | 0:26:22 | |
At 35. 40. Five. | 0:26:22 | 0:26:24 | |
50. £50. Where's the five? Five. | 0:26:24 | 0:26:27 | |
-60. Five. £65 in the back. -Should be worth more than that. | 0:26:27 | 0:26:33 | |
At 65. | 0:26:33 | 0:26:35 | |
-That made a profit. -A profit, yes. | 0:26:35 | 0:26:37 | |
I think today's going to be who-gets-away-with-it day. | 0:26:37 | 0:26:40 | |
Next, David Harper's fountain pen. | 0:26:41 | 0:26:44 | |
20? No? Ten. Give me a start. Ten bid. 12. 15. | 0:26:44 | 0:26:48 | |
18 at the back? £18, gentleman's bid. 20 now. | 0:26:48 | 0:26:52 | |
At 18. Should be 20. | 0:26:52 | 0:26:54 | |
At £18. | 0:26:54 | 0:26:56 | |
-You've made a profit. -At £18. -Come on. -Now selling at £18. | 0:26:56 | 0:27:02 | |
You've made a profit. | 0:27:02 | 0:27:04 | |
I made a profit. I know! | 0:27:04 | 0:27:06 | |
Yes, he has. Just. | 0:27:06 | 0:27:08 | |
I'm trying to tell myself, "Be happy." | 0:27:08 | 0:27:11 | |
But it's not a great profit, is it? | 0:27:11 | 0:27:14 | |
Now for David Barby's big risk. | 0:27:14 | 0:27:17 | |
The time-piece and the box. | 0:27:17 | 0:27:19 | |
Start the bidding straightaway with me. Commission bid. 180 I'm bid. | 0:27:19 | 0:27:24 | |
180. | 0:27:24 | 0:27:25 | |
190. At £190. Do I see 200? | 0:27:25 | 0:27:29 | |
At 190. | 0:27:29 | 0:27:30 | |
200. At £200. Commission bid against you now. | 0:27:30 | 0:27:34 | |
At £200, commission bid. | 0:27:34 | 0:27:37 | |
200. | 0:27:37 | 0:27:39 | |
Could that loss give David Harper an overall lead? | 0:27:39 | 0:27:43 | |
Very disappointing. But it's what I thought. | 0:27:43 | 0:27:46 | |
Finally the watch that reminded David Harper of his misspent youth. | 0:27:46 | 0:27:49 | |
20. Where are you? £20. | 0:27:49 | 0:27:51 | |
No? £20. | 0:27:51 | 0:27:52 | |
Ten to start it. Ten bid. £10 bid. | 0:27:52 | 0:27:55 | |
Take the 12. At £10. | 0:27:55 | 0:27:56 | |
At £10. Should be a 12. | 0:27:56 | 0:27:59 | |
-At £10. -Should be 12. -12 to sell. -Come on! | 0:27:59 | 0:28:04 | |
At £10. | 0:28:04 | 0:28:06 | |
At £10. | 0:28:06 | 0:28:08 | |
-I'm trying! At £10. -Try harder! | 0:28:08 | 0:28:11 | |
At ten. It's in Australia, though, it's upside-down. | 0:28:11 | 0:28:14 | |
-£10. -It works. | 0:28:14 | 0:28:16 | |
£10. | 0:28:16 | 0:28:17 | |
For God's sake, I can't believe it. | 0:28:17 | 0:28:21 | |
David, don't worry. Don't worry. | 0:28:21 | 0:28:25 | |
I can't believe it. | 0:28:25 | 0:28:27 | |
That Swiss miss means a loss | 0:28:27 | 0:28:30 | |
but nothing like what David Barby suffered on his time-piece. | 0:28:30 | 0:28:34 | |
Somebody is one or two pounds ahead, | 0:28:34 | 0:28:37 | |
but I don't know who because my maths is so poor! | 0:28:37 | 0:28:40 | |
Good news, David Harper, because after a so-so day in Shropshire for both of them, | 0:28:40 | 0:28:46 | |
he's just crept into the lead. | 0:28:46 | 0:28:48 | |
David Barby began with £726.05 | 0:28:48 | 0:28:53 | |
and made a loss of £70.46 after auction costs today. | 0:28:53 | 0:28:58 | |
So he has just £655.59 to spend going forward. | 0:28:58 | 0:29:03 | |
While David Harper started this round with £674.98, | 0:29:03 | 0:29:08 | |
and made a loss of £6.34 after auction costs, | 0:29:08 | 0:29:11 | |
leaving him today with £668.64 to spend on the final leg. | 0:29:11 | 0:29:17 | |
A lead of little more than £10. | 0:29:17 | 0:29:20 | |
-I am so relieved. -You're so relieved. -Absolutely. | 0:29:21 | 0:29:24 | |
-A victory for me, but not a great victory. A weak victory. -£10! | 0:29:24 | 0:29:28 | |
It could have been substantially more, David Barby, | 0:29:28 | 0:29:32 | |
if you had failed on that clock and I had won on my Satsuma or my pen. | 0:29:32 | 0:29:37 | |
Quality will out! | 0:29:37 | 0:29:40 | |
On this trip, we've travelled in a Triumph TR3 through Ireland, north and south, | 0:29:40 | 0:29:45 | |
and then across Wales. | 0:29:45 | 0:29:48 | |
The winner will be crowned at an auction in Llanelli. | 0:29:48 | 0:29:51 | |
But we start out in England, at Hereford. | 0:29:51 | 0:29:54 | |
The cathedral city of Hereford is famous for cattle and cider, | 0:29:56 | 0:29:59 | |
Composer Edward Elgar was a resident | 0:29:59 | 0:30:02 | |
and wrote several of his most famous works here. | 0:30:02 | 0:30:05 | |
This is a very well-dressed Edwardian gentleman. | 0:30:05 | 0:30:09 | |
-This is Elgar. -Is it Elgar. -He's got a little notepad. They're the musical scores. -I see! | 0:30:09 | 0:30:14 | |
-Getting inspiration from this wonderful building. -As you would. | 0:30:14 | 0:30:17 | |
-Which way do we go? Over there? OK. Come on, let's go shopping! -Oh! | 0:30:17 | 0:30:22 | |
I love antique centres. There's always lots of stock. That's what I like. | 0:30:25 | 0:30:30 | |
But as with most antique centres, the choice can be a little overwhelming. | 0:30:30 | 0:30:35 | |
It's one of these occasions when there's just too much to look at. You get bedazzled. | 0:30:35 | 0:30:40 | |
And with £668 to spend, David Harper's been bedazzled by something special. | 0:30:40 | 0:30:45 | |
I've never handled anything quite like this, | 0:30:45 | 0:30:47 | |
described as a "treen carved Brazil nut shell". | 0:30:47 | 0:30:50 | |
That's exactly what it is. "Treen" meaning any small piece of hand-carved wood. | 0:30:50 | 0:30:55 | |
For £28, you can have that on your side table. | 0:30:55 | 0:30:58 | |
-But, Richard... -Yes? | 0:30:58 | 0:31:00 | |
What do you think...of that? | 0:31:00 | 0:31:04 | |
-Have you seen anything quite like it before? -No, I haven't. -No. | 0:31:04 | 0:31:08 | |
-It is quite interesting. -It is. So the Brazil nuts are on the inside? | 0:31:08 | 0:31:12 | |
This is like the husk. That's how it grows, I believe. | 0:31:12 | 0:31:16 | |
What could that be for me? | 0:31:16 | 0:31:19 | |
-Erm, we could do that for £20 for you. -20. -Yes. | 0:31:19 | 0:31:23 | |
20 quid... | 0:31:24 | 0:31:26 | |
-I think I'm going to have to have it, don't you? -Yes? -Good man. Thank you very much. | 0:31:27 | 0:31:32 | |
Elsewhere, David Barby is less decisive. With £663 to spend, | 0:31:38 | 0:31:41 | |
he knows what he likes, but will it sell at auction? | 0:31:41 | 0:31:45 | |
But at £185, this inkstand is a bit pricey. | 0:31:45 | 0:31:49 | |
I think... It's not flavour of the month, | 0:31:49 | 0:31:53 | |
but it's quirky enough, because it's tall, to be of interest. | 0:31:53 | 0:31:57 | |
-But they've gone off the boil. -Yes. | 0:31:57 | 0:32:00 | |
So it's got to be at a very reasonable figure. | 0:32:00 | 0:32:04 | |
OK. | 0:32:04 | 0:32:05 | |
-I'll try! -HE LAUGHS | 0:32:05 | 0:32:07 | |
-Go on, Richard, you tell him all that. -Hello. | 0:32:07 | 0:32:10 | |
This is quite nice. It's late Victorian. | 0:32:10 | 0:32:14 | |
It's the sort of thing that a gentleman would have on his desk. | 0:32:14 | 0:32:18 | |
The pens would rest either side. | 0:32:18 | 0:32:20 | |
That would be for red ink, the other would be for blue ink. | 0:32:20 | 0:32:24 | |
And it could be taken from one room to another. | 0:32:24 | 0:32:27 | |
You'd put nibs in there, maybe sealing wax in that one, | 0:32:27 | 0:32:33 | |
and then you'd have envelopes. | 0:32:33 | 0:32:35 | |
At auction, that would sell for somewhere in the region of £80-90. | 0:32:35 | 0:32:40 | |
So, it's got to be at a fairly reasonable price. | 0:32:41 | 0:32:44 | |
OK. Thank you. | 0:32:44 | 0:32:46 | |
125. | 0:32:47 | 0:32:49 | |
I think I'm going to bomb on it. | 0:32:50 | 0:32:53 | |
Step aside, Richard. Let's see the master at work. | 0:32:53 | 0:32:57 | |
I'm concerned if I buy it at the figure that you mentioned, | 0:32:57 | 0:33:00 | |
I don't stand a chance at auction. | 0:33:00 | 0:33:04 | |
Well, I was hoping round about 80. | 0:33:04 | 0:33:07 | |
That is very, very encouraging. | 0:33:07 | 0:33:10 | |
Would you split the difference at 90, sir? | 0:33:10 | 0:33:13 | |
I'm actually on my knees. Yes. | 0:33:13 | 0:33:17 | |
OK, they're going to film me going on my knees now. | 0:33:17 | 0:33:20 | |
So, I'm on my knees and will be filmed! | 0:33:20 | 0:33:25 | |
£90. OK. You've got a deal. Thank you very much. Bye-bye. | 0:33:25 | 0:33:30 | |
And that is how the master does it. | 0:33:33 | 0:33:36 | |
So, while David and inkstand part to see more of historic Hereford... | 0:33:36 | 0:33:41 | |
-Can I have a look at that little lacquered box there? -..other David tries his skills. | 0:33:41 | 0:33:46 | |
-It's a tea caddy... -Yes. -..which is quite nice. | 0:33:46 | 0:33:50 | |
How old do you think this one is? | 0:33:50 | 0:33:53 | |
-18...80? -It's got to be, hasn't it? | 0:33:53 | 0:33:57 | |
It's got that pagoda top, which is very Chinese, isn't it? | 0:33:57 | 0:34:00 | |
Inlaid with mother-of-pearl, which is gorgeous. | 0:34:00 | 0:34:04 | |
-Let's have a look at the caddy box. -Let's get hold of that. | 0:34:04 | 0:34:08 | |
So that should slide, shouldn't it? | 0:34:08 | 0:34:11 | |
-Can you smell anything? -It smells beautiful. Smell that. | 0:34:12 | 0:34:16 | |
-No. I still can't smell anything. -For goodness, sake! Really? -No. I can't, really. | 0:34:16 | 0:34:21 | |
-Can you smell my aftershave? -Slightly. | 0:34:21 | 0:34:24 | |
-Poo! -I poured loads on! I'm covered in aftershave! -That's enough of that, thank you. | 0:34:24 | 0:34:29 | |
What's that going to sell for? Is it £30? | 0:34:29 | 0:34:32 | |
-I doubt it very much. -No? -I doubt it. | 0:34:32 | 0:34:36 | |
-Is it 20, then? -No. -Oh. -No. No. | 0:34:36 | 0:34:39 | |
Er, it's got to be, I don't know, | 0:34:39 | 0:34:43 | |
-85? -Ohh! Really? -Mm. -Really? -Mm. | 0:34:43 | 0:34:46 | |
Could it be 40? | 0:34:46 | 0:34:48 | |
50 and you've got a deal. | 0:34:48 | 0:34:50 | |
I'll make it 45. And I'll buy you a cup of tea. | 0:34:50 | 0:34:54 | |
-You're a hard man! -A lovely cup of tea! | 0:34:54 | 0:34:56 | |
I'll make it myself. I'll mix it and blend it and everything. | 0:34:56 | 0:35:00 | |
-OK. -Marvellous. You're an absolutely dreamboat. Thank you very much. | 0:35:00 | 0:35:04 | |
-That's a beautiful... -It is a beautiful piece. | 0:35:04 | 0:35:07 | |
I'm not sure you'll ever get that cuppa! | 0:35:07 | 0:35:09 | |
But while David H has been getting keen on that caddy, giving it a sniff, | 0:35:09 | 0:35:13 | |
poor old David B's had a drama. He's been involved in an accident! | 0:35:13 | 0:35:18 | |
You should've seen the other guy! | 0:35:18 | 0:35:21 | |
It's nothing like that! I tripped! I tripped! | 0:35:21 | 0:35:24 | |
I fell over a step no bigger than that | 0:35:24 | 0:35:27 | |
and wham! straight into one of those garden benches! | 0:35:27 | 0:35:30 | |
It split my eye just down there and my eyelid just down there. | 0:35:30 | 0:35:36 | |
Marvellous staff! Marvellous staff! | 0:35:36 | 0:35:38 | |
They patched it up and made it look rather attractive, rather like a sort of mosaic. | 0:35:38 | 0:35:44 | |
It looks rather nice, doesn't it? | 0:35:44 | 0:35:45 | |
So, David Harper has headed off | 0:35:46 | 0:35:49 | |
through the Brecon Beacons, | 0:35:49 | 0:35:51 | |
making his way from Hereford to Trecastle. | 0:35:51 | 0:35:55 | |
-CAR WHISTLES -Not sure about that fan belt, David! | 0:35:55 | 0:35:59 | |
The shop includes the mysterious Kingdom of Rust, | 0:35:59 | 0:36:02 | |
and there's plenty here that you won't find in the usual antiques outlet. | 0:36:02 | 0:36:06 | |
-Hello, I'm David. -I'm Margaret. -Hello, Margaret. Lovely to meet you. -And you. | 0:36:06 | 0:36:10 | |
-This looks nice. -I hope there's something you'll be interested in. | 0:36:10 | 0:36:13 | |
I'm sure there will be, Margaret! Give him time... | 0:36:13 | 0:36:17 | |
Tucked away behind the wardrobe, opportunity lurks. | 0:36:19 | 0:36:22 | |
These... You grab that one. | 0:36:22 | 0:36:25 | |
Let me grab that one. | 0:36:25 | 0:36:28 | |
I would imagine, then, that these things, | 0:36:28 | 0:36:31 | |
-they're obviously copper plates for printing, aren't they? -They are. | 0:36:31 | 0:36:35 | |
How many have you got? About 15. | 0:36:35 | 0:36:37 | |
Margaret, I think these are probably from a metal manufacturer | 0:36:37 | 0:36:43 | |
who's created a catalogue, circa 1880. | 0:36:43 | 0:36:48 | |
What have we got there? It's some kind of range. | 0:36:48 | 0:36:51 | |
But look at the plate. It's so beautifully done. | 0:36:51 | 0:36:54 | |
-I've just seen something really quite important there. -Right. | 0:36:54 | 0:36:59 | |
I don't know whether it'll make a difference to the price. | 0:36:59 | 0:37:02 | |
Can you read backwards? | 0:37:02 | 0:37:05 | |
I've got a job reading forwards, let alone backwards! | 0:37:05 | 0:37:08 | |
Look at that there. If you were to print that... | 0:37:08 | 0:37:11 | |
"Coalbrookdale". | 0:37:11 | 0:37:14 | |
-Wonderful. -One of the best manufacturers | 0:37:14 | 0:37:17 | |
-of mainly cast iron wares. -Absolutely. | 0:37:17 | 0:37:20 | |
-Hold that, Margaret. -You grip fast, Margaret. | 0:37:20 | 0:37:23 | |
-What else have we got here? It's a footman, isn't it? -It is. | 0:37:23 | 0:37:26 | |
That's the kind of thing, in 1880, you would put in front of the fire | 0:37:26 | 0:37:31 | |
and you'd put your slippers on. How much are they? | 0:37:31 | 0:37:34 | |
-They're cheap. -Are they? -Very cheap for what they are. | 0:37:34 | 0:37:38 | |
How much each could they be? | 0:37:38 | 0:37:41 | |
Well, they should be about £8 each. | 0:37:41 | 0:37:44 | |
-No, they shouldn't! -They should! Absolutely! Look at the quality - | 0:37:44 | 0:37:48 | |
Er, hello! It's says £4 each. | 0:37:48 | 0:37:51 | |
-You asked how much -should -they be! -Oh, right! OK! | 0:37:51 | 0:37:55 | |
Hey, she's good. She's very good. | 0:37:55 | 0:37:58 | |
They are unique. | 0:37:58 | 0:38:01 | |
Do them for £2 each | 0:38:01 | 0:38:02 | |
and I'll have every single one you can throw at me. | 0:38:02 | 0:38:05 | |
-Don't tempt her. -Every one, I'll have. -No! | 0:38:05 | 0:38:08 | |
I mean, that's... It'd break my heart. | 0:38:08 | 0:38:12 | |
-CLANG! -Whoops! | 0:38:12 | 0:38:14 | |
Margaret, I think... Was that you that dropped that or was it me? | 0:38:14 | 0:38:17 | |
It's definitely you, so they're worth £3 each now! | 0:38:17 | 0:38:20 | |
-She's good, isn't she? -I'll give you £2 each, all done. | 0:38:20 | 0:38:25 | |
-Margaret, take my money. -I can't! | 0:38:25 | 0:38:28 | |
-Take my money. -I can't. I can't! No! -DRAMATIC MUSIC | 0:38:28 | 0:38:31 | |
-I'll meet you halfway. -Stick to your guns, Margaret. | 0:38:31 | 0:38:35 | |
Don't do it, Margaret! | 0:38:37 | 0:38:40 | |
This is really painful, you know that? It's grieving me to have to do this. | 0:38:40 | 0:38:44 | |
-It's great fun, you know it is. -I know. Well... | 0:38:44 | 0:38:48 | |
It's what we get out of bed on a morning for. Come on! | 0:38:48 | 0:38:52 | |
It doesn't make any difference whether it's £2.50 or £250,000, it's the same feeling. | 0:38:52 | 0:38:57 | |
We love it! | 0:38:57 | 0:38:59 | |
-No! -Marvellous. Marvellous. | 0:38:59 | 0:39:01 | |
As the proud owner of some old blocks, | 0:39:05 | 0:39:09 | |
his colleague has also moved on, | 0:39:09 | 0:39:11 | |
making his way from Hereford to Brecon... | 0:39:11 | 0:39:14 | |
..a traditional mid-Wales market town, | 0:39:16 | 0:39:18 | |
which also has a not-so-traditional jazz festival | 0:39:18 | 0:39:21 | |
and some antique shops. | 0:39:21 | 0:39:24 | |
-Hello? -Hello? | 0:39:26 | 0:39:28 | |
-Hello! -Hello! | 0:39:28 | 0:39:30 | |
Don't let my appearance shock you. I'm David Barby. | 0:39:30 | 0:39:33 | |
-Hi. I'm Martha. -Hello, Martha. | 0:39:33 | 0:39:36 | |
-Do you know what I'm here for? -Yes! -To get bargains! | 0:39:36 | 0:39:39 | |
Have a look around, if your eye allows you, that is. | 0:39:39 | 0:39:43 | |
I noticed in the window, | 0:39:43 | 0:39:44 | |
you've got a little sort of, erm, pink heart resting on some tiles. | 0:39:44 | 0:39:51 | |
-What are the tiles? -I can get them out of the window if you want to have a look at them. | 0:39:51 | 0:39:56 | |
-Yes. How much are they? -They're £6 each. | 0:39:56 | 0:39:59 | |
-Oh! -Oh, no! -I've come over all faint! | 0:39:59 | 0:40:02 | |
-Could I have a look at them, please? -Of course. -Thank you. | 0:40:02 | 0:40:07 | |
-Where do these come from? -Are they off an old wash stand or maybe a fire surround? | 0:40:11 | 0:40:15 | |
-Yes. How much are they? -£6 each. | 0:40:15 | 0:40:19 | |
Ooh! Come on! What's the very best you can do? | 0:40:19 | 0:40:22 | |
-The very, very best? -Make me an offer. | 0:40:22 | 0:40:25 | |
HE SIGHS | 0:40:25 | 0:40:26 | |
-£2 each. -Ooh! | 0:40:26 | 0:40:29 | |
-How many are you going to take? -The lot. -The lot. | 0:40:29 | 0:40:33 | |
-OK. -£2. -£4 each. | 0:40:33 | 0:40:35 | |
Two pounds! Two pounds! | 0:40:35 | 0:40:38 | |
-£4 each. That's 24, down from 36. -Let's split the difference. | 0:40:38 | 0:40:42 | |
-£3 each. Please. -No, 20, the lot. | 0:40:42 | 0:40:45 | |
-18. -Oh, no! | 0:40:46 | 0:40:48 | |
-18. I'm going to buy something else! -Are you? -Yes! | 0:40:48 | 0:40:52 | |
If you buy something else, I may consider it. | 0:40:52 | 0:40:55 | |
OK, right. | 0:40:55 | 0:40:57 | |
There was a designer for Midwinter Pottery called Jessie Tait, | 0:40:58 | 0:41:03 | |
and she moved over to Meakin, | 0:41:03 | 0:41:05 | |
and this is one of her designs from the 1950s. | 0:41:05 | 0:41:09 | |
I think that's quite good. That's £22. That's quite a lot. | 0:41:09 | 0:41:13 | |
The, erm, Meakin... | 0:41:15 | 0:41:20 | |
-..coffee set... -Mm. | 0:41:20 | 0:41:22 | |
22 on that. | 0:41:22 | 0:41:25 | |
-What did we agree on the tiles? 20? -No, 18. -18. | 0:41:27 | 0:41:32 | |
35 on the lot? | 0:41:34 | 0:41:35 | |
-Is that the very best you can do? -Yes, it is. | 0:41:35 | 0:41:38 | |
I think that's a good little bundle. Don't you? | 0:41:38 | 0:41:42 | |
HE SIGHS | 0:41:44 | 0:41:47 | |
All right, £30 and that's it. I can't do any more. | 0:41:47 | 0:41:50 | |
-Go on then. -£30. -30. | 0:41:50 | 0:41:52 | |
-Martha, the coffee pot's chipped! -Oh, no! -Yes. | 0:41:52 | 0:41:57 | |
That's why it was priced cheap. | 0:41:58 | 0:42:01 | |
-Do you see it there? -Yes, I can see it. | 0:42:02 | 0:42:06 | |
1960s... £22. Oh, no! | 0:42:07 | 0:42:10 | |
-It's chipped. -I know, but you've knocked me so far down. | 0:42:10 | 0:42:13 | |
-It's priced accordingly. -It's chipped. | 0:42:13 | 0:42:15 | |
-I said 28 originally and you said no. -OK. | 0:42:15 | 0:42:19 | |
-Do you want it for 28 then? -Yes, please. -Right! | 0:42:19 | 0:42:22 | |
So he's got that coffee set for a tenner. | 0:42:22 | 0:42:25 | |
-There we are! -Thank you very much! | 0:42:25 | 0:42:28 | |
Meanwhile David Harper is taking time out from shopping as he makes his way to the barracks | 0:42:28 | 0:42:32 | |
to see the South Wales Borderers Museum in Brecon. | 0:42:32 | 0:42:36 | |
-Bill. -David. -David Harper. Nice to meet you. | 0:42:36 | 0:42:39 | |
The regiment, which has been based in the town for over 120 years, has a fascinating history. | 0:42:39 | 0:42:44 | |
But it will be for ever associated with just one word - Zulu. | 0:42:44 | 0:42:49 | |
This was the Anglo-Zulu War. | 0:42:49 | 0:42:51 | |
-My goodness me. There's some colour in here, isn't there? -It certainly is. | 0:42:51 | 0:42:56 | |
The British invasion of Zululand in 1879 | 0:42:56 | 0:42:59 | |
would be forgotten today were it not the Battle of Rorke's Drift, | 0:42:59 | 0:43:03 | |
where a tiny number of South Wales Borderers | 0:43:03 | 0:43:06 | |
defended a mission station against massive Zulu forces. | 0:43:06 | 0:43:11 | |
A much larger British force was defeated in the battle before Rorke's Drift, | 0:43:11 | 0:43:15 | |
but as anyone who's seen the movie starring Michael Caine and Stanley Baker will know, | 0:43:15 | 0:43:20 | |
it was the way the Welsh regiment bravely marshalled their resources that saved them. | 0:43:20 | 0:43:26 | |
What I've got here, this is the Mark II Martini-Henry. | 0:43:26 | 0:43:29 | |
This is a real one from the period of the Zulu War. | 0:43:29 | 0:43:32 | |
-I fixed a 22-inch bayonet on it. -Nice. | 0:43:32 | 0:43:35 | |
-The weight is about 8.5 pounds. -Yes. | 0:43:35 | 0:43:37 | |
The thing you notice first is the long reach with the bayonet. | 0:43:37 | 0:43:42 | |
-It is a long reach. -Yes, absolutely. -Keep them at bay. | 0:43:42 | 0:43:45 | |
-It's a single-shot weapon and it's cocked by pulling this handle down. -I know it. | 0:43:45 | 0:43:50 | |
-A single round goes into the breach. -Lock it. | 0:43:50 | 0:43:54 | |
You then pull the trigger and it fires. There is no safety catch. | 0:43:54 | 0:43:58 | |
After eight hours of battle, the Zulu forces withdrew, | 0:43:58 | 0:44:03 | |
honouring the Borderers in song. | 0:44:03 | 0:44:05 | |
A record number of Victoria Crosses were awarded, with seven going to the 24th. | 0:44:05 | 0:44:10 | |
Although those on show are copies, David Harper is about to have a treat. | 0:44:10 | 0:44:15 | |
You are kidding, surely? | 0:44:15 | 0:44:17 | |
These are two of the actual Victoria Crosses. | 0:44:17 | 0:44:21 | |
-Oh, no. Bill, please. -If I could ask you just to hold... | 0:44:21 | 0:44:25 | |
That's Henry Hook's Victoria Cross. | 0:44:25 | 0:44:27 | |
-You're joking? -Which is the man on the right there. | 0:44:27 | 0:44:30 | |
-Made famous in the film. -Indeed, by James Booth, who played him. | 0:44:30 | 0:44:35 | |
And this is Bromhead's Victoria Cross, | 0:44:35 | 0:44:40 | |
-which is the Michael Caine character. -You are joking? | 0:44:40 | 0:44:42 | |
You're probably looking at over one million pounds there, in terms of value. | 0:44:42 | 0:44:47 | |
My goodness me! I've never handled anything | 0:44:47 | 0:44:51 | |
-quite as emotional and powerful as two Victoria Crosses. -Indeed. | 0:44:51 | 0:44:57 | |
My goodness me! | 0:44:57 | 0:45:00 | |
It's an amazing, amazing feeling to hold those two. | 0:45:00 | 0:45:05 | |
Now, what about our own brave little soldier, | 0:45:11 | 0:45:15 | |
forcing on... | 0:45:15 | 0:45:17 | |
-Hello. -Hello. -David Barby. -Tim Nelson. -Hello, Tim. | 0:45:18 | 0:45:23 | |
David Barby has decided that as he's in Wales, | 0:45:23 | 0:45:26 | |
and has spent more time there than anyone else this week in A&E, he's going to buy something Welsh. | 0:45:26 | 0:45:31 | |
-There's a little salt box. -That's nice. How much is that? | 0:45:31 | 0:45:36 | |
-Well, it's marked up at £120. -Ooh! | 0:45:36 | 0:45:39 | |
-But I could do that for £90. -That's what I like to hear. | 0:45:39 | 0:45:43 | |
-Was that made in Central Wales? -Probably Carmarthenshire. | 0:45:43 | 0:45:47 | |
That would mount on the wall, preferably close to the fire, | 0:45:47 | 0:45:52 | |
and the salt would go in there, | 0:45:52 | 0:45:54 | |
and if you had a cauldron or a cooking range close to the fire, you'd take the salt out, | 0:45:54 | 0:46:00 | |
put it in your cooking to flavour it and it would keep dry. | 0:46:00 | 0:46:05 | |
The other thing I like, this little concession all the way along here, we call that chip carving. | 0:46:05 | 0:46:10 | |
I like that. I like that immensely. | 0:46:10 | 0:46:12 | |
-We're selling at... -Where are you going? -"Cllanelli". | 0:46:12 | 0:46:17 | |
-TIM'S PRONUNCIATION: -Cllanethli. -Is it... It's on the coast! -Yes. | 0:46:17 | 0:46:21 | |
-Is it "Cllanethli"? -Cllanethli. | 0:46:21 | 0:46:23 | |
-That's a possibility. -Righto. -That's a possibility. | 0:46:23 | 0:46:27 | |
-And what is that? Is that a chopping block? -I think it's a chopping block. | 0:46:27 | 0:46:32 | |
-That's not particularly old, is it? -I think it probably is, yes. | 0:46:32 | 0:46:36 | |
It's got a nice iron bar band round it. | 0:46:36 | 0:46:39 | |
I could do that for you for £90, that one. | 0:46:39 | 0:46:44 | |
It's a chopping block of some description. | 0:46:44 | 0:46:48 | |
-Can I just have a look underneath it? -Yes, of course. | 0:46:48 | 0:46:51 | |
-And the legs look to be made of ash. The whole thing could be made of ash, couldn't it? -Yes. | 0:46:51 | 0:46:57 | |
Is that the very best you can do? What happens if I took two pieces? | 0:46:57 | 0:47:01 | |
I couldn't do a great deal. But, er... | 0:47:01 | 0:47:04 | |
I'd do 160 for the two. | 0:47:04 | 0:47:07 | |
Right. What else have you got that is quirky? | 0:47:07 | 0:47:10 | |
-Let's have a look. -You can have a look. | 0:47:10 | 0:47:13 | |
-I'm looking for that wow factor. -Yes. | 0:47:13 | 0:47:16 | |
-I like the stool, actually. -The stool's nice. | 0:47:16 | 0:47:19 | |
-What's the price on that? -That's 55. | 0:47:21 | 0:47:25 | |
Why 55? | 0:47:25 | 0:47:27 | |
Why not? It just came into my head at the time! | 0:47:27 | 0:47:32 | |
THEY LAUGH | 0:47:32 | 0:47:35 | |
-I think that's quite high, actually. -Do you? -Yes. | 0:47:35 | 0:47:37 | |
-That's another possibility. -Yes? -Ohh! | 0:47:37 | 0:47:40 | |
Once more around the block... | 0:47:40 | 0:47:42 | |
It's such a weighty piece. | 0:47:42 | 0:47:46 | |
That means if somebody sat at it, it's not going to move. | 0:47:46 | 0:47:50 | |
And I love this sort of worn air, | 0:47:50 | 0:47:54 | |
and you can see the chop marks all the way across the top where it's been used. | 0:47:54 | 0:47:59 | |
Right. | 0:47:59 | 0:48:00 | |
-Tim! Can you believe I've made up my mind? -Yes? | 0:48:00 | 0:48:04 | |
-I'm going for the salt box. -Yes. -And I'm going for the... | 0:48:04 | 0:48:09 | |
-..chopping block! -Righto. | 0:48:09 | 0:48:12 | |
-And that was at 160. -Yes. For the two, yes. Yes. | 0:48:12 | 0:48:16 | |
-I'm going to say something to you. -Yes? | 0:48:16 | 0:48:19 | |
Could you just knock it down to 150? Please? | 0:48:19 | 0:48:24 | |
-OK. -150. -Yes. | 0:48:24 | 0:48:28 | |
Thank you very much. I hope I made the right choice. | 0:48:28 | 0:48:32 | |
So whilst one David staggers off, the other one nips in. | 0:48:35 | 0:48:40 | |
Now it's David Harper's turn to see what he can unearth. | 0:48:40 | 0:48:43 | |
Something stunning or sloppy seconds? We'll see. | 0:48:43 | 0:48:47 | |
-That carving on the wall... -That's sold. | 0:48:47 | 0:48:51 | |
-Is it? -Mm. | 0:48:51 | 0:48:53 | |
Then guess what. The shopkeeper says he has something David might be interested in. | 0:48:53 | 0:48:58 | |
-Now then. That's Aesthetic Movement, isn't it? -Yes. | 0:48:58 | 0:49:01 | |
-Let me have a look at that material. -Could be a bit of mileage in that. | 0:49:01 | 0:49:05 | |
-That's original material, isn't it? -Yes. -That's a lovely thing. | 0:49:05 | 0:49:09 | |
-So that is Japanese inspired. 1880? -Yes, probably. | 0:49:09 | 0:49:14 | |
-No marks on it. -No. | 0:49:14 | 0:49:16 | |
-Oh. There is something there, actually. -Is there? -Mm. | 0:49:16 | 0:49:20 | |
-That's good. What kind of money? -£50. | 0:49:20 | 0:49:24 | |
-Is it? -Yes. | 0:49:24 | 0:49:25 | |
-It couldn't be 30, Tim? -No. 50 is the absolute... | 0:49:25 | 0:49:28 | |
-Is that the death? -It is. | 0:49:28 | 0:49:31 | |
-Did Barby look at this? -He did. -Did he really? -Yes. | 0:49:31 | 0:49:34 | |
-What did he say about it? -He liked it very much. | 0:49:34 | 0:49:37 | |
Not enough to buy it, though. | 0:49:37 | 0:49:40 | |
-Just treat me a bit, Tim. Give me a chance. -45. | 0:49:40 | 0:49:43 | |
-40, I'll have it. -No. I can't. 45, it's a deal. | 0:49:43 | 0:49:48 | |
At this stage of the game, every fiver counts, I promise you. | 0:49:48 | 0:49:54 | |
-Go on, then. 40 quid. -Good man! Top man! Thank you very much! | 0:49:54 | 0:50:00 | |
Barby didn't spot these bottles, though. | 0:50:00 | 0:50:02 | |
-Are these Welsh? -Probably not, no. | 0:50:02 | 0:50:05 | |
They're obviously just fruitwood, or... | 0:50:05 | 0:50:09 | |
What's that there? It smells like an ointment Barby should put in his eye. | 0:50:09 | 0:50:14 | |
-It's TCP. -It does smell like that, doesn't it? | 0:50:14 | 0:50:17 | |
-Does that say "chloroform"? -Yes. You could use that on him, as well. | 0:50:17 | 0:50:21 | |
-We could sedate him, couldn't we? -TIM LAUGHS | 0:50:21 | 0:50:24 | |
I daren't smell that too much. I might faint! | 0:50:24 | 0:50:28 | |
-Amazing. Where do these come from? -They came out of a house of a chap whose father was a country GP. | 0:50:28 | 0:50:35 | |
They're lovely. What sort of money? Are they cheap? | 0:50:35 | 0:50:39 | |
-It depends what you call cheap. -I call cheap very cheap. What do you call cheap? | 0:50:39 | 0:50:44 | |
-I would want... How many is there? Six of them. -Yes. | 0:50:44 | 0:50:48 | |
I would want £45. | 0:50:48 | 0:50:51 | |
-£45? -For the six. | 0:50:51 | 0:50:53 | |
How about a fiver each? That's 30. | 0:50:53 | 0:50:57 | |
-TIM SIGHS -Ooh! | 0:50:57 | 0:51:00 | |
I'll split the difference, but that would be the death on them. 35. | 0:51:00 | 0:51:04 | |
-35. I have to have them. -Righto. | 0:51:04 | 0:51:06 | |
Thank you very much. Marvellous. I absolutely love them. | 0:51:06 | 0:51:10 | |
Marvellous. | 0:51:10 | 0:51:11 | |
So, shopping's done. Let's recap what the boys have bought. | 0:51:11 | 0:51:15 | |
David Harper has spent £177.50 on five lots. | 0:51:15 | 0:51:21 | |
The medicine collection, a Chinese tea caddy, | 0:51:21 | 0:51:24 | |
some treen, | 0:51:24 | 0:51:27 | |
the copper printing plates and a stool. | 0:51:27 | 0:51:31 | |
While David Barby, also with five lots, | 0:51:31 | 0:51:34 | |
has spent £268 on a salt box, | 0:51:34 | 0:51:38 | |
a vintage coffee set, | 0:51:38 | 0:51:40 | |
six tube-lined tiles, | 0:51:40 | 0:51:42 | |
an inkstand and a chopping block. | 0:51:42 | 0:51:45 | |
But what do they think of each other's buys? | 0:51:45 | 0:51:49 | |
The highlight was the stool. | 0:51:49 | 0:51:51 | |
It was the one that I rejected and I'm wondering whether I've made the right choice. | 0:51:51 | 0:51:57 | |
He fancies that in a big way and, I've got to say, | 0:51:57 | 0:51:59 | |
that thing really could fly. | 0:51:59 | 0:52:02 | |
It is absolutely just right. I love it to death! | 0:52:02 | 0:52:06 | |
I wish I'd have bought it now. What have I done? | 0:52:06 | 0:52:09 | |
After starting out in England at Hereford, | 0:52:11 | 0:52:14 | |
the final leg of our road trip will be decided in Wales | 0:52:14 | 0:52:18 | |
at Llanelli. | 0:52:18 | 0:52:19 | |
-I hope you fare well. -How are you feeling? | 0:52:24 | 0:52:27 | |
-Apprehensive. -Happy? | 0:52:27 | 0:52:29 | |
-I'm always happy with you. -I'm always happy with you. That's why I feel slightly sad. -Why? | 0:52:29 | 0:52:34 | |
Sad that our journey is coming to an end. | 0:52:34 | 0:52:36 | |
-This is it! -I feel that. -The finale. | 0:52:36 | 0:52:39 | |
-I'm going to miss you. -I shall miss you, as well. Waking up to breakfast with you... | 0:52:39 | 0:52:44 | |
-It's marvellous. -Evening meal... BOTH: Yes. | 0:52:44 | 0:52:48 | |
Now, come on, Davids. Just £13 between them. | 0:52:48 | 0:52:51 | |
I feel more nervous today than any of our previous auctions. | 0:52:51 | 0:52:56 | |
I think because this is it... Here we go. You're on. | 0:52:56 | 0:52:59 | |
What will they think of David Barby's proper Welsh antique? | 0:53:01 | 0:53:04 | |
At 50 for the salt box. At 50. £50. | 0:53:04 | 0:53:08 | |
-It should make a bit more. -55. 60? | 0:53:08 | 0:53:10 | |
At 60. And five. | 0:53:10 | 0:53:13 | |
-70. -Ooh. -At £70. And five? | 0:53:13 | 0:53:17 | |
All done, then, at £70? 70. | 0:53:17 | 0:53:20 | |
An even bigger loss after commission. | 0:53:20 | 0:53:23 | |
It's not the end of the world. | 0:53:23 | 0:53:25 | |
Now the David Harper medicine collection. | 0:53:25 | 0:53:29 | |
£20. At 20. Five. At 25. 30. Five. | 0:53:29 | 0:53:34 | |
And 40. At 45. | 0:53:34 | 0:53:37 | |
Back of the room at 45. 50 now? | 0:53:37 | 0:53:40 | |
-At £45. -Get in! | 0:53:40 | 0:53:44 | |
The hard bargaining pays off. | 0:53:44 | 0:53:46 | |
£10, minus commission. So it's a tiny profit. | 0:53:46 | 0:53:50 | |
Vintage coffee set, anyone? | 0:53:50 | 0:53:53 | |
At 10. Pretty coffee set at 10. £10. 15. | 0:53:53 | 0:53:57 | |
At 15. 20? At 20 for the coffee set. | 0:53:57 | 0:54:01 | |
At 20. Going to sell it, then, at £20 for the set. | 0:54:01 | 0:54:05 | |
20. | 0:54:05 | 0:54:07 | |
Twice what David B paid. | 0:54:07 | 0:54:10 | |
-I'm quite pleased about that. -Good. | 0:54:10 | 0:54:12 | |
David Harper's treen now. Nutty or nice? | 0:54:14 | 0:54:17 | |
10, I'm bid. At 10. Back of the room at 10. | 0:54:17 | 0:54:20 | |
Unusual piece. 15. | 0:54:20 | 0:54:22 | |
-20. -Oh. -Five. At 25? | 0:54:22 | 0:54:25 | |
Is it 30 now? At £25. | 0:54:25 | 0:54:29 | |
-Oh, God! -You've made a profit. -A tiny profit! | 0:54:29 | 0:54:32 | |
Tinier still after commission. | 0:54:32 | 0:54:35 | |
David Barby's tube-lined tiles... | 0:54:36 | 0:54:40 | |
10, I'm bid. 15. 20. Five. 30. | 0:54:40 | 0:54:44 | |
Five. Is that a bid? 40. Five. | 0:54:44 | 0:54:48 | |
50. And five. 60. Five? | 0:54:48 | 0:54:51 | |
70. Five. 80. | 0:54:51 | 0:54:54 | |
At £80. | 0:54:54 | 0:54:55 | |
Lady's bid, back of the room then, at 80 for the tiles. | 0:54:55 | 0:54:58 | |
210. | 0:54:58 | 0:55:00 | |
Those tiles have put David Barby back into the lead. | 0:55:00 | 0:55:03 | |
Well done! Well done! | 0:55:03 | 0:55:07 | |
-What did you pay for those? -Er, 18. | 0:55:07 | 0:55:11 | |
Good margin! | 0:55:11 | 0:55:13 | |
Now, who can small the lapsang souchong? | 0:55:13 | 0:55:16 | |
30, I'm bid. At 30. £30. At 30. | 0:55:16 | 0:55:19 | |
Five. 40. | 0:55:19 | 0:55:21 | |
And five. At £45 for the tea caddy? No more? 45. | 0:55:21 | 0:55:27 | |
A loss after commission. | 0:55:27 | 0:55:29 | |
How much did you pay for it? | 0:55:29 | 0:55:33 | |
-Was it 40? -45, actually, David. | 0:55:33 | 0:55:36 | |
David B's half-price inkstand... | 0:55:37 | 0:55:40 | |
I'm bid 50 and 60 to start. Rostrum bids. | 0:55:40 | 0:55:44 | |
£60. 70. At 70. 80, rostrum bid here with us. 90. | 0:55:44 | 0:55:49 | |
100. At £100. At 100. | 0:55:49 | 0:55:53 | |
And ten, is it? At £100. And ten. | 0:55:53 | 0:55:57 | |
At 110. At 120. | 0:55:57 | 0:56:01 | |
At £120. | 0:56:01 | 0:56:04 | |
His biggest spend, too. | 0:56:04 | 0:56:05 | |
-That lead looks firm. -120. That was good. | 0:56:05 | 0:56:10 | |
-Will these make an impression?! -10, I'm bid. Back of the room. | 0:56:11 | 0:56:15 | |
15. At £15. | 0:56:15 | 0:56:17 | |
At 15. 20. Centre of the room at 20. | 0:56:17 | 0:56:21 | |
-£20 for the copper plates? -Come on! | 0:56:21 | 0:56:25 | |
-20. -It's slipping away for David Harper. | 0:56:25 | 0:56:28 | |
Horrified! | 0:56:28 | 0:56:31 | |
Bids on the old block or just chips? | 0:56:31 | 0:56:34 | |
40, I'm bid. At £40. At 40. | 0:56:34 | 0:56:36 | |
50. At £50. 60? | 0:56:36 | 0:56:40 | |
70. 80. At 80? | 0:56:40 | 0:56:42 | |
-Unusual piece. At £80. -Rare! -At 80. | 0:56:42 | 0:56:45 | |
-Going to sell. 90. At 90. 100. -Ohh! | 0:56:45 | 0:56:49 | |
-Last call at £100 for the block. -Sorry! | 0:56:49 | 0:56:52 | |
-100. -DAVID HARPER CLAPS | 0:56:52 | 0:56:55 | |
Ooh, sorry! | 0:56:55 | 0:56:56 | |
Another solid profit for David Barby. | 0:56:56 | 0:56:59 | |
-David, give me your hand! -That's good! | 0:56:59 | 0:57:03 | |
This stool has got to sell for more than £80 | 0:57:04 | 0:57:06 | |
if David Harper is going to grab the lead back. | 0:57:06 | 0:57:09 | |
20, I'm bid. Back of the room at 20. £20. | 0:57:09 | 0:57:12 | |
At 20 for the stool. At £20. And five, is it? At £20? | 0:57:12 | 0:57:18 | |
-Last call. -No! -25. At 25. At 25. Is it 30? | 0:57:18 | 0:57:24 | |
-Go on! -All done at £25. 25. | 0:57:24 | 0:57:29 | |
That's it. I think David B has it. | 0:57:29 | 0:57:31 | |
Well played, the victor of the road trip. | 0:57:31 | 0:57:35 | |
How sweet! | 0:57:37 | 0:57:39 | |
David Harper started this round with £668.64 | 0:57:42 | 0:57:46 | |
and made a loss of £46.30 after auction costs, | 0:57:46 | 0:57:50 | |
leaving him with the final sum of £622.34. | 0:57:50 | 0:57:55 | |
While David Barby began with £655.59 | 0:57:55 | 0:57:59 | |
and made a profit of £51.80 after action costs. | 0:57:59 | 0:58:03 | |
And so, he's finished with a grand total of £707.39. | 0:58:03 | 0:58:09 | |
Somebody had to win. It's a nice change for it to be me and not you! | 0:58:10 | 0:58:14 | |
I'm not bothered. | 0:58:14 | 0:58:16 | |
It's been the most wonderful, magical journey. It really has. | 0:58:16 | 0:58:19 | |
-It has for me. And to celebrate, I've got something fizzy. -Whay-hey! | 0:58:19 | 0:58:23 | |
Disgusting! And so concludes the tale of two Davids! | 0:58:23 | 0:58:26 | |
Only one winner. No, of course not! | 0:58:26 | 0:58:29 | |
-They're both champs! -Come on, baby! | 0:58:29 | 0:58:31 | |
# We're the princes of the universe! # | 0:58:31 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:56 | 0:58:59 |