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The nation's favourite antiques experts, £200 each and one big challenge! | 0:00:02 | 0:00:06 | |
I might need to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-£15? -No! | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:15 | 0:00:19 | |
but it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push! | 0:00:23 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm going to go for it. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
This week, auctioneer Anita Manning, who's a proper Scot, and valuer Mark Stacey, | 0:00:36 | 0:00:39 | |
who's quite fond of a bit of porridge but wouldn't know Robert Burns if he bit him, | 0:00:39 | 0:00:43 | |
drive their delightful blue Morris Minor through some major Scottish scenery, | 0:00:43 | 0:00:48 | |
a soft top, but hopefully not a soft touch. | 0:00:48 | 0:00:52 | |
You're a local girl and I think you're going to have a very competitive advantage over me. | 0:00:52 | 0:00:57 | |
-You've got to roll your Rs. -Leave my Rs out of this! | 0:00:57 | 0:01:01 | |
THEY LAUGH | 0:01:01 | 0:01:02 | |
Anita, from Glasgow, has an in-depth knowledge of all things Scottish. | 0:01:02 | 0:01:08 | |
A wee bit wibbly-wobbly. | 0:01:08 | 0:01:09 | |
So will that give her the edge over Mark? | 0:01:09 | 0:01:12 | |
-Could you take another couple of pounds off it? -No, sorry. | 0:01:12 | 0:01:15 | |
That's a Scotsman for you! | 0:01:15 | 0:01:16 | |
Mark, who's also Celtic, having come from Wales via Brighton, is ambitious, to say the least. | 0:01:16 | 0:01:23 | |
I want to hold the world in my hands. | 0:01:23 | 0:01:26 | |
Although this isn't his home turf, | 0:01:26 | 0:01:29 | |
he hopes that a sussed Southerner might grab a crafty Caledonian bargain too. | 0:01:29 | 0:01:33 | |
If we could go 18... | 0:01:33 | 0:01:36 | |
You naughty man! | 0:01:36 | 0:01:37 | |
The mind games and friendly rivalry start here. | 0:01:38 | 0:01:42 | |
Well, what else would you expect? | 0:01:42 | 0:01:44 | |
-You could be Mary, Queen of Scots. -Well, if I'm Mary, Queen of Scots, you will have to be Elizabeth I, | 0:01:44 | 0:01:52 | |
the Virgin Queen! | 0:01:52 | 0:01:53 | |
THEY LAUGH | 0:01:53 | 0:01:55 | |
This week our journey begins in the heart of the Cairngorms | 0:01:55 | 0:01:58 | |
and progresses via the beautiful cities of Edinburgh and Durham | 0:01:58 | 0:02:02 | |
to Thirsk in North Yorkshire. | 0:02:02 | 0:02:04 | |
Today's shows starts out in Aberfeldy and concludes with a tasty little auction in Dunblane. | 0:02:05 | 0:02:12 | |
Mark and Anita are all set to turn their £200 each into a tidy profit, | 0:02:13 | 0:02:17 | |
but who will triumph and who will have a tantrum? | 0:02:17 | 0:02:20 | |
Well, I can't believe that! It's shocking! | 0:02:20 | 0:02:23 | |
First stop en route is the little town of Killin at the western head of Loch Tay. | 0:02:23 | 0:02:29 | |
-How many lochs are there in Scotland? -Millions. -Millions! | 0:02:31 | 0:02:34 | |
Steady! They used to grow flax and weave an awful lot of linen in these parts, | 0:02:35 | 0:02:40 | |
but nowadays Killin earns a living from tourism. | 0:02:40 | 0:02:43 | |
Mark and Anita are here to visit Maureen Gauld Antiques. | 0:02:44 | 0:02:48 | |
-That's our first stop. Shall we go in together, Mark? -I think we should, | 0:02:48 | 0:02:52 | |
but I don't want you rushing in without me. You wait for me. | 0:02:52 | 0:02:55 | |
What I'd like you to do, Mark, is if you see any bargains, will you give me a shout? | 0:02:55 | 0:02:59 | |
So what happens when a Scotswoman and a Welsh man walk into an antiques shop? This is not a joke! | 0:03:00 | 0:03:04 | |
-Gosh, it's so exciting! It's like a treasure trove in here. -Our first shop! | 0:03:04 | 0:03:08 | |
Listen, Anita, I think... | 0:03:08 | 0:03:10 | |
-I'll stay here. -You stay here. I'll go and explore round the back. | 0:03:10 | 0:03:13 | |
Gauld's is very much a traditional antique shop with a little bit of everything. | 0:03:13 | 0:03:19 | |
Somewhere, though, there's a bargain to be found. | 0:03:19 | 0:03:22 | |
This is a piece of Scottish pottery. Look at the motto. | 0:03:26 | 0:03:30 | |
"Freens are like fiddlestrings. They maunna be screw'd owerticht." | 0:03:30 | 0:03:36 | |
Which means, "Friends are like fiddle strings. Don't overstretch them." | 0:03:36 | 0:03:40 | |
Of course I know what it means, but Mark may need a translation! | 0:03:40 | 0:03:44 | |
That looks quite interesting. | 0:03:44 | 0:03:47 | |
Now, this is a little Victorian, I would say, sort of pokerwork. | 0:03:47 | 0:03:53 | |
Somebody would have carved all this pattern out by using hot pokers and then staining it. | 0:03:53 | 0:03:59 | |
It was something that often Victorian-Edwardian ladies did at home. | 0:03:59 | 0:04:03 | |
Mark's unearthed a late-Victorian example of pyrography | 0:04:03 | 0:04:07 | |
or the art of decorating wood by burning with the tip of a heated poker. | 0:04:07 | 0:04:12 | |
Barrels like these could be used to keep hats in. | 0:04:12 | 0:04:15 | |
And actually what I quite like about it, of course, is Anita is Scottish, | 0:04:15 | 0:04:20 | |
but this is an English rose on here. | 0:04:20 | 0:04:23 | |
It's probably about 100 years old, but that Tudor rose might not impress a Scottish auction. | 0:04:23 | 0:04:29 | |
It's in pretty original condition. It hasn't been tarted up, so it doesn't look all bright and shiny. | 0:04:29 | 0:04:36 | |
But, of course, the crucial thing is the price. | 0:04:36 | 0:04:40 | |
Victorian pokerwork barrel, £45. | 0:04:40 | 0:04:44 | |
If we could get that down, that might be a possibility. | 0:04:44 | 0:04:48 | |
Anita is always up for something a wee bit vernacular, don't you know? | 0:04:48 | 0:04:53 | |
And in amongst the glassware she's spotted something that fits the bill. | 0:04:53 | 0:04:56 | |
We've got this wonderful big piece of Monart. | 0:04:56 | 0:05:00 | |
Now, Monart was made from the late '20s to the '60s | 0:05:00 | 0:05:04 | |
in the factory of Moncrieff in Perth. | 0:05:04 | 0:05:08 | |
This glass became wonderfully popular in the 1920s and 1930s, | 0:05:08 | 0:05:13 | |
and it was sold in Liberty's. | 0:05:13 | 0:05:15 | |
It's still collectable today, but it's a bit expensive. | 0:05:15 | 0:05:19 | |
Quite! At almost £700 it's way beyond your budget! | 0:05:20 | 0:05:24 | |
Mark, meanwhile, is already pondering another addition to his little horde. | 0:05:25 | 0:05:29 | |
What we've really got here is a sort of decorative needlework panel, I suppose. | 0:05:29 | 0:05:35 | |
I think it probably is 1920s or '30s, but the colours are still quite good in this. | 0:05:35 | 0:05:39 | |
If you look at the pinks there and the greens, | 0:05:39 | 0:05:44 | |
and the little blues there, it's rather an attractive thing. | 0:05:44 | 0:05:46 | |
But it's quite a substantial piece really for £25. | 0:05:46 | 0:05:50 | |
I think that's going to be another piece we're going to add with our bit there | 0:05:50 | 0:05:55 | |
and see if we can get a good price on that. | 0:05:55 | 0:05:58 | |
Anita, though, has found something with global appeal. | 0:05:58 | 0:06:01 | |
Practical too. | 0:06:01 | 0:06:03 | |
Now, terrestrial globes are quite collectable. People like this type of thing. | 0:06:03 | 0:06:10 | |
But this little globe is also... | 0:06:10 | 0:06:13 | |
..a biscuit tin! Isn't that sweet? I like that. | 0:06:14 | 0:06:18 | |
Crawford's Biscuits were founded by one William Crawford in Leith, near Edinburgh in 1813. | 0:06:18 | 0:06:25 | |
Fancy tins came later, and curios like this from the '30s are now highly collectable. | 0:06:25 | 0:06:31 | |
The price label, however, says £60. | 0:06:31 | 0:06:33 | |
Wow! Tome to talk to canny shopkeeper Jimmy Gauld. | 0:06:33 | 0:06:37 | |
-Good morning. -Jimmy, good morning. -Nice to meet you. -I'm Anita. | 0:06:37 | 0:06:41 | |
-When I looked at that at the beginning, I was trying to open that out. -Yeah, it opens up. | 0:06:41 | 0:06:48 | |
That's an awful lot of trouble to get a ginger snap. | 0:06:49 | 0:06:53 | |
Are you sure you haven't got India on Africa there? | 0:06:53 | 0:06:56 | |
-I think you might be right. -No, no, you're fine! I'm kidding you on. | 0:06:59 | 0:07:04 | |
-I wasn't sure whether I was coming or going. -Jimmy, | 0:07:04 | 0:07:07 | |
I think that...again, we're putting it into auction. It's going into a general auction. | 0:07:07 | 0:07:12 | |
And we're trying to make just even a wee bit of profit on it. | 0:07:12 | 0:07:16 | |
Can I have £30 on that? | 0:07:16 | 0:07:18 | |
-Oh, no chance! -Is there no chance on that? -Not a hope in... | 0:07:18 | 0:07:21 | |
-Could we come...? -Nowhere even near it! I'll do it for 50. | 0:07:21 | 0:07:26 | |
-That's the best I can do on that. -Is that the best you can do? | 0:07:26 | 0:07:28 | |
Mmm...that didn't go well! But already Anita's found something else to bargain with, | 0:07:28 | 0:07:35 | |
an imitation Tiffany's vase for a tenner. | 0:07:35 | 0:07:37 | |
I wondered if I could do the biscuit tin and this wee thing, which is not a thing of any great significance, | 0:07:37 | 0:07:44 | |
if you could give me the two for £50? | 0:07:44 | 0:07:46 | |
But Anita's reckoned without the very thin walls in this establishment! | 0:07:46 | 0:07:51 | |
-Could you? -I can hear Anita. I'm just going to earwig what she's saying. | 0:07:51 | 0:07:56 | |
-I could do it for 5, make it 55 for the two of them. -55 for the two? -Two of them, yeah. | 0:07:56 | 0:08:01 | |
She's not sure about something. | 0:08:01 | 0:08:04 | |
-Could you come down? -No. -Every pound counts! -I know. | 0:08:04 | 0:08:08 | |
I'll just have a peek round the corner. | 0:08:08 | 0:08:11 | |
-Could you come to maybe 53? -I've got a wife and three publicans to keep, I need the money! | 0:08:11 | 0:08:17 | |
-A wife and three publicans? -Aye! | 0:08:17 | 0:08:19 | |
That's a Scotsman for you! | 0:08:20 | 0:08:23 | |
-Oi! Flower of Scotland! Can you hurry up, please? Cos I'm trying to do a deal here! -All right, OK. | 0:08:23 | 0:08:29 | |
-I don't want to interrupt you. -You're not interrupting me. -Are you sure? | 0:08:29 | 0:08:32 | |
I've got to give the man some money, hopefully! | 0:08:32 | 0:08:34 | |
While Anita heads off for another scout around, it's time for Mark to try his charms on our Jimmy. | 0:08:34 | 0:08:40 | |
For some reason, I quite like this frame. | 0:08:40 | 0:08:44 | |
And I rather find this rather charming. | 0:08:44 | 0:08:46 | |
I mean, I don't know how flexible you can be with me... | 0:08:46 | 0:08:51 | |
As I say, whatever price is on it, just double it and then we'll do a deal! | 0:08:51 | 0:08:54 | |
Well, you see, I was thinking the other way, to halve it... | 0:08:56 | 0:08:58 | |
No chance of that! | 0:08:58 | 0:09:00 | |
So what would be the best on this one, then? | 0:09:00 | 0:09:02 | |
-I'll do that for 20. -That would be 20? -Yeah. | 0:09:02 | 0:09:05 | |
-And that one would be...? -Make it 40. -Listen, my friend, I really do like those two pieces. | 0:09:05 | 0:09:11 | |
I know...I'm not here to slash the prices from you, | 0:09:11 | 0:09:14 | |
-but I do have to try and negotiate as hard as I can. -You are trying! | 0:09:14 | 0:09:19 | |
I know, I'm very trying! Everybody says that to me! | 0:09:19 | 0:09:21 | |
Is there any chance we could get to 50? | 0:09:21 | 0:09:24 | |
-No. -Please. -Not a hope in hell! | 0:09:24 | 0:09:27 | |
-55? -No, it's got to be 60. | 0:09:27 | 0:09:29 | |
-Oh, come on, Jimmy! -I can't! -Please! | 0:09:29 | 0:09:32 | |
55 and we've got a deal, I promise you! | 0:09:32 | 0:09:34 | |
-Er... -Please! -Anything to get rid of you! | 0:09:34 | 0:09:37 | |
Oh, don't say that, Jimmy! Don't say that. | 0:09:37 | 0:09:39 | |
-You've got a smile on your face. -I've always got a smile on my face. | 0:09:39 | 0:09:43 | |
It's not trapped wind? | 0:09:43 | 0:09:44 | |
I hope not! | 0:09:44 | 0:09:46 | |
Anita just can't drag herself away from the Scottish glass. | 0:09:46 | 0:09:50 | |
And she's now discovered something which at £22 is an awful lot cheaper than the Monart. | 0:09:50 | 0:09:56 | |
This is a piece of Strathearn glass. It's from about the '70s, '80s. | 0:09:56 | 0:10:01 | |
It's still nice, I like it, | 0:10:01 | 0:10:03 | |
and I might be able to get it for a reasonable price. I'll go and ask Jimmy. | 0:10:03 | 0:10:07 | |
Worth a try, Anita, and adding it to the other items which you've bought may help. | 0:10:07 | 0:10:12 | |
55 for the two of them and 22 is 77, so I'll make it 75. | 0:10:12 | 0:10:18 | |
-Could you take another couple of pounds off it? -No, no, sorry. | 0:10:19 | 0:10:22 | |
-Two wee pounds! -No! | 0:10:22 | 0:10:24 | |
-No. -Oh, you're a hard man! | 0:10:24 | 0:10:26 | |
75! | 0:10:26 | 0:10:29 | |
So while Anita deposits an awful lot of her budget inside Jimmy's ancient till, | 0:10:29 | 0:10:35 | |
Mark's found time for a quick trip to one of Scotland's most impressive castles. | 0:10:35 | 0:10:39 | |
Mark and his Morris are heading for Inveraray. | 0:10:41 | 0:10:45 | |
Look, it's breathtaking. It's almost like a little fairy-tale castle, isn't it? | 0:10:47 | 0:10:52 | |
Like a medieval French chateau! | 0:10:52 | 0:10:54 | |
The house itself is very fine indeed, | 0:10:56 | 0:10:59 | |
based on a sketch by Vanbrugh in the 18th century, | 0:10:59 | 0:11:02 | |
although there's been a castle here beside Loch Fyne since the 1400s. | 0:11:02 | 0:11:07 | |
This is the seat of the Dukes of Argyll, | 0:11:07 | 0:11:09 | |
better known as the Campbells, | 0:11:09 | 0:11:10 | |
a family that's played an important role in several key moments of Scottish history. | 0:11:10 | 0:11:15 | |
Hello! | 0:11:16 | 0:11:17 | |
-Mark! -You must be Jane. -Welcome to Inveraray Castle. | 0:11:17 | 0:11:21 | |
-Thank you for having me. -Delighted to meet you. -Lovely to meet you too | 0:11:21 | 0:11:24 | |
-on such a wonderful day. -I know, it's stunning, isn't it? | 0:11:24 | 0:11:26 | |
Jane Young is the manager at Inveraray | 0:11:28 | 0:11:31 | |
and the best possible guide to the castle. | 0:11:31 | 0:11:34 | |
So as you enter into the armoury hall, you'll see a lot of the armaments. | 0:11:35 | 0:11:40 | |
The castle contains several reminders of the family's early fighting years, | 0:11:40 | 0:11:46 | |
as well as a priceless object that once belonged to a Scottish folk hero. | 0:11:46 | 0:11:50 | |
So this is Rob Roy's sporran. | 0:11:50 | 0:11:53 | |
-And this was found in his cottage which was just up at the top of Glen Shira... -And that's nearby? -Yes. | 0:11:53 | 0:11:58 | |
It's just on the outskirts of the town. | 0:11:58 | 0:12:01 | |
Rob Roy, the Highland Rogue, was a sort of Scottish Robin Hood, | 0:12:01 | 0:12:04 | |
a legendary outlaw and freedom fighter, | 0:12:04 | 0:12:07 | |
the difference being that, unlike Robin, he and his sporran were real. | 0:12:07 | 0:12:12 | |
-You can see all the beautiful ornate work... -Detail. -Yes, around about. | 0:12:12 | 0:12:15 | |
Wonderful, isn't it? | 0:12:15 | 0:12:17 | |
The Argylls fought on the side of the Government | 0:12:17 | 0:12:21 | |
and against Bonnie Prince Charlie's claim to the throne at Culloden in 1745. | 0:12:21 | 0:12:26 | |
Incredibly, you can see original banners from that battle still hanging on the castle walls. | 0:12:26 | 0:12:32 | |
They are so fragile. You can see there's hardly any... | 0:12:32 | 0:12:36 | |
-Yes, very delicate. -..Decoration left on them. -But you can actually still see the outline | 0:12:36 | 0:12:40 | |
of the Argyll Militia. | 0:12:40 | 0:12:42 | |
They're obviously a very important part of history. | 0:12:42 | 0:12:45 | |
And just over 100 years after that, the Argylls actually married into the British Royal Family. | 0:12:45 | 0:12:52 | |
In the Victorian Room, there's a fine painting of the future 9th Duke getting hitched | 0:12:52 | 0:12:57 | |
to Princess Louise in 1871. | 0:12:57 | 0:13:00 | |
-I can spot Queen Victoria in the middle there. -Yes, yes, pretty... | 0:13:00 | 0:13:05 | |
Then you've got the bride and groom at the end. And I must admit | 0:13:05 | 0:13:08 | |
-she does look for once as if she's got a cheeky smile on her face! -Yes. | 0:13:08 | 0:13:11 | |
I'm sure she's delighted that's daughter number 4 married! | 0:13:11 | 0:13:14 | |
But perhaps the most surprising item at Inveraray is one unlikely survivor of the big day, | 0:13:18 | 0:13:23 | |
a piece of cake! | 0:13:23 | 0:13:25 | |
Now, Judy, I'm dying to ask you... It just looks like an envelope. Where is the piece of cake? | 0:13:25 | 0:13:31 | |
-Well, you can see how it's all been delicately wrapped and sealed at the back. -Wonderful. | 0:13:31 | 0:13:37 | |
And this isn't the sort of thing that one takes home to eat? | 0:13:37 | 0:13:41 | |
No, I wouldn't think so. I think you would want to keep it and preserve it carefully. | 0:13:41 | 0:13:44 | |
It's absolutely beautiful. | 0:13:44 | 0:13:46 | |
Wonderful. | 0:13:46 | 0:13:47 | |
And with the sun setting over Loch Fyne, Mark heads back to the hotel to find Anita. | 0:13:47 | 0:13:53 | |
Day 2, and Mark's at the wheel as they continue their trek around the Trossachs... Sounds painful! | 0:13:54 | 0:14:00 | |
-Are you dying to get to the shop? -I am. And are you planning to spend all of your budget? | 0:14:00 | 0:14:05 | |
I'm not telling you! | 0:14:05 | 0:14:08 | |
Yesterday Mark spent a mere £55 from his precious £200 on two items. | 0:14:10 | 0:14:15 | |
That'll be fantastic. Thank you so much. | 0:14:15 | 0:14:17 | |
While Anita lavished £75 on three things, including an astonishing £50 on a biscuit tin | 0:14:17 | 0:14:24 | |
shaped like a globe! | 0:14:24 | 0:14:25 | |
Oh, you're a hard man! | 0:14:25 | 0:14:27 | |
Will she make a handsome profit at the auction or just crumbs? Time alone will tell. | 0:14:27 | 0:14:32 | |
Today Anita and Mark hope to motor all the way down to Callander, | 0:14:32 | 0:14:36 | |
calling in at the little town of Balfron | 0:14:36 | 0:14:39 | |
to add to their haul. | 0:14:39 | 0:14:41 | |
Balfron has got quite a history. The name in Gaelic means "village in mourning", | 0:14:41 | 0:14:46 | |
apparently because a pack of wolves once stole their children. It could have been the Vikings, though. | 0:14:46 | 0:14:50 | |
Either way, do the good people of Balfron know that Manning and Stacey are a-coming? | 0:14:50 | 0:14:55 | |
Right, stop! | 0:14:55 | 0:14:58 | |
Just wait there, Anita. | 0:14:58 | 0:15:00 | |
I won't take any unfair advantage of you! | 0:15:01 | 0:15:04 | |
-Why's that, then? -Because I know you've got your beady eye on me! | 0:15:04 | 0:15:07 | |
THEY LAUGH | 0:15:07 | 0:15:08 | |
-Well, I'll just nip in! -Hey! | 0:15:08 | 0:15:10 | |
Junktion Antiques is a very different retail experience for Anita and Mark. Plenty of room, | 0:15:11 | 0:15:17 | |
and with a range that extends from humble bric-a-brac all the way to top quality. | 0:15:17 | 0:15:22 | |
There should be a bit more scope for our dynamic duo here | 0:15:24 | 0:15:28 | |
if proprietor David Hill is as good as his word anyway. | 0:15:28 | 0:15:32 | |
-Have you got any bargains? -They're all bargains! | 0:15:33 | 0:15:36 | |
-Be serious! -They're all bargains! | 0:15:36 | 0:15:38 | |
Anita always was the bookish type and Junktion seems to have quite a library. | 0:15:38 | 0:15:43 | |
I always find these Victorian photograph albums very sweet, very evocative. | 0:15:43 | 0:15:50 | |
Look at that wee girl there. | 0:15:50 | 0:15:52 | |
She's all dressed up in rather stiff Victorian clothes. | 0:15:52 | 0:15:57 | |
Nobody ever seems to be smiling in them. | 0:15:57 | 0:16:01 | |
Mark's found an avian oddity. | 0:16:01 | 0:16:04 | |
It's really a novelty little item. | 0:16:04 | 0:16:06 | |
It's made out of an early form of plastic, actually, | 0:16:06 | 0:16:09 | |
and it's meant to be a sort of rather exotic bird sitting on a branch looking at a little box. | 0:16:09 | 0:16:14 | |
But actually if you're too lazy to open the box yourself for a cigarette, | 0:16:14 | 0:16:18 | |
what you do is you push the bird and it picks the cigarette up in its mouth, | 0:16:18 | 0:16:22 | |
and then you take it from the bird. | 0:16:22 | 0:16:25 | |
Back in the 1930s when such items were all the rage, | 0:16:25 | 0:16:28 | |
complicated cigarette dispensing was as popular as devilishly strong gaspers, | 0:16:28 | 0:16:33 | |
but this one, unfortunately, needs a trip to the novelty bird vet! | 0:16:33 | 0:16:37 | |
Its beak's broken. What a shame. | 0:16:37 | 0:16:39 | |
-You haven't got that bit, have you? -I haven't, Mark. -What a shame. | 0:16:39 | 0:16:43 | |
Charming little object. | 0:16:43 | 0:16:46 | |
There's plenty of furniture at Junktion, | 0:16:46 | 0:16:50 | |
and beneath its shabby exterior Anita may have found a chest to treasure. | 0:16:50 | 0:16:54 | |
This is a nice wee chest. | 0:16:54 | 0:16:57 | |
It's a little Victorian mahogany apprentice piece. | 0:16:57 | 0:17:01 | |
It's been painted white and it looks terrible, | 0:17:01 | 0:17:04 | |
but this would strip down quite nicely. | 0:17:04 | 0:17:08 | |
Plastic handles! Wrong handles. | 0:17:11 | 0:17:13 | |
Oh, Mark's found a bit of old metal. | 0:17:14 | 0:17:17 | |
I think it's quite fun, actually. It's quite imposing. | 0:17:17 | 0:17:20 | |
I suppose if you've got a big Glasgow house or something, | 0:17:20 | 0:17:23 | |
to have a big tray like that up on your wall... | 0:17:23 | 0:17:25 | |
It's had some drill holes here. | 0:17:25 | 0:17:28 | |
If I'm being honest about the piece, it's only a little... It's a beaten tray. | 0:17:28 | 0:17:33 | |
It's not of huge quality, but actually there's some quite nice detail on it. | 0:17:33 | 0:17:37 | |
I can't quite make out who it is. Oh, Robert Dudley. | 0:17:37 | 0:17:42 | |
Associate of Queen Elizabeth I, and as Anita has christened me the Virgin Queen, | 0:17:42 | 0:17:47 | |
it could actually be quite fortuitous, shall we say? | 0:17:47 | 0:17:51 | |
Dudley, First Earl of Leicester was certainly one of the Queen's suitors | 0:17:51 | 0:17:56 | |
and allegedly responsible for the death of his first wife. | 0:17:56 | 0:17:59 | |
he was also hated by many Scots for his role in the execution of Mary Stuart. | 0:17:59 | 0:18:05 | |
I can hear him blethering away to David. I want to get in there! | 0:18:06 | 0:18:10 | |
-David? -Yes, Mark? -This is not the sort of thing I normally go for, I have to say. | 0:18:10 | 0:18:16 | |
-It's got no price on it. -That piece could go today for somewhere in the region of £30. | 0:18:16 | 0:18:21 | |
Could I make you a sneaky offer? | 0:18:21 | 0:18:23 | |
-I'm all ears! -Can we get anywhere near 15? | 0:18:23 | 0:18:27 | |
If we could go 18, you've got a deal. | 0:18:27 | 0:18:30 | |
-16. -17. | 0:18:31 | 0:18:33 | |
-You naughty man! Go on, you've done it. -Right, Mark. Thank you. | 0:18:33 | 0:18:37 | |
Inspired or just plain bonkers? | 0:18:37 | 0:18:40 | |
I mean, how will a Robert Dudley charger go down in Scotland? | 0:18:40 | 0:18:44 | |
Now, that looks familiar! | 0:18:46 | 0:18:48 | |
I'm thinking that I should probably stay away from terrestrial globes! | 0:18:49 | 0:18:52 | |
Well, the jury's still out on yesterday's purchase. | 0:18:52 | 0:18:56 | |
Five minutes later, but who should find himself in that part of the shop but Mark Stacey? | 0:18:56 | 0:19:02 | |
I think that's lovely. | 0:19:02 | 0:19:04 | |
I think this is really nice. It's a piece of 1950s or '60s furniture. | 0:19:04 | 0:19:10 | |
You've got this very typical shape here. | 0:19:10 | 0:19:11 | |
But I love globes and I'm fascinated by globes anyway. | 0:19:11 | 0:19:15 | |
And I just think that's really nice. | 0:19:15 | 0:19:18 | |
There we are, look. There's Glasgow. I'm really getting into this '50s and '60s stuff now, | 0:19:18 | 0:19:25 | |
because it's what the youngsters want, and you can mix and match it in with the old and the new. | 0:19:25 | 0:19:30 | |
And it actually creates a home which looks like it's been through the generations. | 0:19:30 | 0:19:34 | |
It's marked up at the moment at £38, | 0:19:34 | 0:19:37 | |
which in my part of the world, Brighton, would be terribly cheap. | 0:19:37 | 0:19:41 | |
I certainly wouldn't have that on it in my shop! | 0:19:41 | 0:19:44 | |
But whether of course the good bidders of Scotland are ready for the '50s revolution again, | 0:19:44 | 0:19:51 | |
I'm not sure. | 0:19:51 | 0:19:52 | |
-David, I absolutely love this. I'm laying my cards on the table. -Okey-dokey. | 0:19:52 | 0:19:59 | |
I want to hold the world in my hands. | 0:19:59 | 0:20:01 | |
-Don't we all? -And this is my chance of doing it. | 0:20:01 | 0:20:04 | |
I don't think you can move much from £38, to be honest with you. | 0:20:04 | 0:20:08 | |
But there is a price I'd like to pay in my mind. | 0:20:08 | 0:20:10 | |
I'd love, honestly, to pay £25 for it. | 0:20:10 | 0:20:15 | |
I think at £25, you've got a chance of making something on it, | 0:20:15 | 0:20:20 | |
-and I think we've got a deal there at £25. -David, thank you so much. | 0:20:20 | 0:20:22 | |
Mark has four items so far for a whisker under £100. | 0:20:22 | 0:20:27 | |
-The world in your hands. -Thank you very much, David. | 0:20:27 | 0:20:29 | |
But Anita after yesterday's splurge has yet to spend a shilling. | 0:20:29 | 0:20:34 | |
This is a fairly modern whatnot. | 0:20:34 | 0:20:38 | |
But it's rather a nice shape with these three tiers. | 0:20:38 | 0:20:43 | |
Actually less of a whatnot, more of a reproduction three-tier dumb waiter, | 0:20:43 | 0:20:49 | |
based on a Georgian model first made in the 1760s. | 0:20:49 | 0:20:53 | |
I like the three tiers and I also like the little metal claw feet. | 0:20:55 | 0:21:01 | |
Might have a go at that. | 0:21:01 | 0:21:03 | |
But will David budge from his £30 asking price? | 0:21:03 | 0:21:07 | |
Thinking auction value on it. You don't know if it's going to get £10, | 0:21:07 | 0:21:12 | |
-you don't know if it's going to get £40. -Very much so. | 0:21:12 | 0:21:14 | |
-I can do that in the region of £20. -Right. | 0:21:14 | 0:21:18 | |
I think that... | 0:21:18 | 0:21:19 | |
-Oh, Lordy! -There we go. | 0:21:19 | 0:21:21 | |
-I think that's needing glued. -It's needing glued back together. | 0:21:21 | 0:21:25 | |
-That should halve the value! -I'll do that at £10 to you and you put that in the auction. | 0:21:25 | 0:21:31 | |
Crikey, it worked! I must try that. | 0:21:31 | 0:21:33 | |
I mean, I know this is really the naughtiest thing in the world, | 0:21:33 | 0:21:38 | |
but could you come down to a fiver? | 0:21:38 | 0:21:41 | |
-We'll split the difference. We'll do 7.50. -7.50? | 0:21:41 | 0:21:45 | |
And we've got a deal. And if you can't make £15 on that... | 0:21:45 | 0:21:49 | |
-If I can't make £15 on that... -It's time to chuck it! -It's time to chuck it! | 0:21:49 | 0:21:53 | |
Thanks very much. | 0:21:53 | 0:21:54 | |
-Where's Mark Stacey? -TOOT! | 0:21:56 | 0:21:58 | |
Am I keeping you waiting, darling? I've just got all the bargains. | 0:21:58 | 0:22:01 | |
-Are you happy, darling? -I'm ecstatically happy, Anita. | 0:22:01 | 0:22:06 | |
So, darlings, with a potential bargain safely in the boot, Anita is now in the driving seat. | 0:22:06 | 0:22:11 | |
I love this big steering wheel. I think it's great, it's wonderful. | 0:22:11 | 0:22:15 | |
It's like driving a huge, big car! | 0:22:15 | 0:22:17 | |
You look like the flower of Scotland...or is it an old thistle? | 0:22:17 | 0:22:21 | |
From Balfron our trippers head north to Aberfoyle where they might do just a little more shopping. | 0:22:22 | 0:22:29 | |
Aberfoyle is in the heart of the Trossachs, and has several tales to boast of, | 0:22:29 | 0:22:36 | |
and most of them involve trees. The local minister, Reverend Robert Kirk, | 0:22:36 | 0:22:41 | |
used to write books about fairies, as you do. | 0:22:41 | 0:22:44 | |
Legend had it that he fell out with them and they trapped his spirit in a tree. | 0:22:44 | 0:22:48 | |
Not this one, though! That's where Rob Roy once hid from the law, allegedly. | 0:22:48 | 0:22:53 | |
Aberfoyle is also famous for its ice cream and Mark and Anita simply can't resist. | 0:22:53 | 0:22:58 | |
Delicious ice cream, Anita. | 0:22:58 | 0:23:00 | |
Listen, I'm going to do you a favour. As you need to get shopping, | 0:23:00 | 0:23:03 | |
I'll relieve you of that and finish it for you. Off you go! | 0:23:03 | 0:23:05 | |
Anita wants to buy still more and knows of a place nearby, | 0:23:05 | 0:23:09 | |
while Mark chooses to shop locally with both ice creams. | 0:23:09 | 0:23:13 | |
And who should he bump into but that nice Jimmy Gauld from Killin! | 0:23:13 | 0:23:17 | |
We're just in to do some more shopping because you were so mean to us! | 0:23:17 | 0:23:20 | |
-Well, naturally, I'm an Aberdonian! -We had to get some bargains. -I'm an Aberdonian! | 0:23:20 | 0:23:24 | |
-I'll never go to Aberdeen. -Thank God for that! | 0:23:24 | 0:23:27 | |
Nice to see you! | 0:23:27 | 0:23:28 | |
Anita, however, doesn't head straight for the next shop. | 0:23:29 | 0:23:33 | |
She takes a quick diversion into Scotland's industrial past instead... | 0:23:33 | 0:23:38 | |
..making her way from Aberfoyle over to Dumbarton near Glasgow. | 0:23:39 | 0:23:43 | |
This is the River Clyde, sunny and a bit sleepy today, | 0:23:43 | 0:23:47 | |
but once one of the world's major shipbuilding areas. | 0:23:47 | 0:23:50 | |
Great ships like the Lusitania... | 0:23:52 | 0:23:54 | |
..the Queen Mary and the Queen Elizabeth were built here. | 0:23:55 | 0:23:58 | |
And the Scottish Maritime Museum is based on the site of William Denny and Bothers, | 0:23:59 | 0:24:03 | |
a famous name in shipbuilding since 1840. | 0:24:03 | 0:24:07 | |
This here is the model of the Cutty Sark. | 0:24:07 | 0:24:10 | |
-And this was the fastest tea clipper in the world? -Indeed, yes. | 0:24:10 | 0:24:14 | |
-And one of the most famous ships in the world. -Of course. | 0:24:14 | 0:24:17 | |
Built here in Dumbarton. | 0:24:17 | 0:24:19 | |
But Denny's were a go-ahead company who soon introduced science into shipbuilding, | 0:24:19 | 0:24:26 | |
and here in Dumbarton they created one of the world's first experimental testing tanks. | 0:24:26 | 0:24:31 | |
And what does it do? | 0:24:32 | 0:24:33 | |
Well, what happened was when Denny's won an order to build a new ship, the order would come here first. | 0:24:33 | 0:24:38 | |
And the drawing office upstairs would then produce a drawing of a scale model of the ship's hull. | 0:24:38 | 0:24:44 | |
The innovative design of Denny's tank | 0:24:44 | 0:24:45 | |
meant that those little scale models could be tested under the conditions | 0:24:45 | 0:24:50 | |
that real ships would encounter at sea, and the idea was soon copied elsewhere in Britain | 0:24:50 | 0:24:55 | |
and around the world. | 0:24:55 | 0:24:57 | |
I heard a wee story that this was called the mother tank, | 0:24:57 | 0:25:01 | |
and when they built other tanks of this type they would take a cup of water from the tank. | 0:25:01 | 0:25:07 | |
-Is that true or is it just a myth? -That is true. | 0:25:07 | 0:25:09 | |
-So that's holy water? -Yes, more or less, yes! | 0:25:09 | 0:25:13 | |
Now that she's done in Dumbarton, Anita must make her way to her final shopping date in Callander, | 0:25:13 | 0:25:20 | |
gateway to the Highlands. | 0:25:20 | 0:25:22 | |
Callander, which became famous during the 1960s as the setting | 0:25:22 | 0:25:27 | |
for fictional Tannochbrae of Dr Finlay's Casebook fame, | 0:25:27 | 0:25:31 | |
is also notable as the birthplace of Helen Duncan, | 0:25:31 | 0:25:34 | |
Britain's last convicted witch in 1944. | 0:25:34 | 0:25:38 | |
Well, I never did! | 0:25:38 | 0:25:40 | |
All that and Lady Kentmores, an antique shop. | 0:25:40 | 0:25:44 | |
-Hi, George, lovely to meet you again. -How are you doing? -I'm well. | 0:25:44 | 0:25:48 | |
George's shop is one of Anita's road-trip favourites, full of quirks and curiosities. | 0:25:48 | 0:25:54 | |
It's the sort of place where Crown Derby can happily nestle up against a jukebox or a slot machine. | 0:25:54 | 0:25:59 | |
-Have you got 5 pence, George? -I'll give you 5 pence. I know what a gambler you are! | 0:25:59 | 0:26:03 | |
I'm going to try my luck, George. | 0:26:04 | 0:26:06 | |
-Am I going to win? -It's like Vegas! | 0:26:06 | 0:26:09 | |
Oh, this is great fun! | 0:26:09 | 0:26:11 | |
Many have compared antiques dealing to gambling, but I don't know how many of them are good at both. | 0:26:11 | 0:26:16 | |
I've got 20 pence back! | 0:26:16 | 0:26:19 | |
Yes! | 0:26:19 | 0:26:22 | |
-You can now buy something now you're rich! -All right! What have you got for 20 pence? | 0:26:22 | 0:26:26 | |
Well, first pay him back his 5p! | 0:26:26 | 0:26:29 | |
In amongst the porcelain in this cabinet, | 0:26:29 | 0:26:31 | |
there's certainly a couple of very unusual and collectable items. | 0:26:31 | 0:26:35 | |
Are these eyes old eyes? | 0:26:35 | 0:26:37 | |
A pair of blue eyes from the 1940s. | 0:26:37 | 0:26:40 | |
What happened at the beginning of World War II, | 0:26:40 | 0:26:42 | |
the Spitfires and everything, the pilots got a lot of eye injuries, | 0:26:42 | 0:26:45 | |
and Churchill found out about this. | 0:26:45 | 0:26:48 | |
And he summoned the tops ones on the medical side of the Army in and said, "We need to fix this!" | 0:26:48 | 0:26:54 | |
These eyes are ceramic, all hand-painted with the eyes, | 0:26:54 | 0:26:57 | |
and they used to take a day to do each one. | 0:26:57 | 0:27:00 | |
I mean, they are absolutely gruesome. | 0:27:00 | 0:27:03 | |
But beautifully done. | 0:27:03 | 0:27:05 | |
Mark is still browsing in Aberfoyle. Slate used to be mined hereabouts, | 0:27:06 | 0:27:12 | |
and Mark has found something made from the rock in the James Rae antique shop. | 0:27:12 | 0:27:17 | |
This is a very nice late-19th century slate mantel clock. | 0:27:17 | 0:27:23 | |
This is all slate which has been engraved and then gilded. | 0:27:23 | 0:27:27 | |
I think they're very elegant but they don't actually, funnily enough, sell that well at auction. | 0:27:27 | 0:27:33 | |
But they look wonderful. I'd love one of these in my house, | 0:27:33 | 0:27:35 | |
because it's very imposing and I'm sure it tells the time very nicely. | 0:27:35 | 0:27:40 | |
Meanwhile in Callander Anita is also looking at a clock. | 0:27:41 | 0:27:46 | |
What attracted me to this one | 0:27:46 | 0:27:49 | |
is the shape. | 0:27:49 | 0:27:51 | |
-Mm-hm. -I like the shape. | 0:27:51 | 0:27:54 | |
And it has a little Arts and Crafts look about it. | 0:27:54 | 0:27:58 | |
The Arts and Crafts movement flourished with William Morris | 0:27:58 | 0:28:02 | |
in the third quarter of the 19th century, and the philosophy soon spread to Scotland, | 0:28:02 | 0:28:06 | |
especially Glasgow, where it was adopted enthusiastically in both architecture and design. | 0:28:06 | 0:28:12 | |
A conservative estimate on that, I would say, would be £20-30. | 0:28:12 | 0:28:17 | |
Yeah, I think eventually that would finish up about 45-50. | 0:28:17 | 0:28:21 | |
If you was wanting this, we could probably do something around about the 30, which would be... | 0:28:21 | 0:28:26 | |
Round about the 30s? How about 22 on it? | 0:28:26 | 0:28:29 | |
-25 and it's yours. -I'm tempted to say, "Let's halve it and go 23." | 0:28:29 | 0:28:35 | |
-That's not half. -Oh, no! | 0:28:35 | 0:28:37 | |
Arithmetic! | 0:28:37 | 0:28:39 | |
-OK, what about 24? -24 and you've got a deal. | 0:28:39 | 0:28:41 | |
Oh, you're a darling! | 0:28:41 | 0:28:44 | |
Mmm...enough of that! Anita now with five items to declare must head for a date | 0:28:44 | 0:28:50 | |
with Mark at the lake at Menteith, Scotland's only lake. | 0:28:50 | 0:28:54 | |
It apparently got its name because the local baron was a traitor to the English. | 0:28:54 | 0:28:59 | |
Do you know, Anita? No wonder I'm so tired. | 0:28:59 | 0:29:01 | |
-You're sitting down and I'm always fetching and carrying! -Well, I like a man to run after me! | 0:29:01 | 0:29:07 | |
-Cheers, darling. -Cheers. | 0:29:07 | 0:29:09 | |
-First up, Anita's Strathearn vase. -I love the colours. | 0:29:09 | 0:29:13 | |
-The colours... -The swirls. | 0:29:13 | 0:29:15 | |
I think that there's a lot of movement in this piece and I quite like it. | 0:29:15 | 0:29:21 | |
Well, I just hope there's a lot of movement in the price. What did you pay for it? | 0:29:21 | 0:29:24 | |
-I paid £20. -Well, that's a bit cheap, isn't it? | 0:29:24 | 0:29:27 | |
Show me your first one. | 0:29:27 | 0:29:29 | |
I just thought if there was a buyer in the saleroom who had quite a sort of baronial entrance space | 0:29:29 | 0:29:36 | |
or fireplace, that would look lovely hanging up. | 0:29:36 | 0:29:38 | |
-It's not great quality, but it's quite impressive. -I like this. | 0:29:38 | 0:29:43 | |
It has the look and I love the detail in the border. | 0:29:43 | 0:29:48 | |
-How much did you pay for it? -You won't laugh, will you? | 0:29:48 | 0:29:51 | |
-I might. -£17. | 0:29:51 | 0:29:54 | |
It's a thing which will appeal to the Scottish rural buyers. | 0:29:54 | 0:29:59 | |
-Now, the biscuit tin that doubles as a globe. -Oh, how lovely! | 0:29:59 | 0:30:03 | |
And it was made for Crawford's Biscuits. | 0:30:03 | 0:30:07 | |
-Lovely. -It was made in 1938. -Fabulous. | 0:30:07 | 0:30:11 | |
And it was made by Chad Valley, so we have several good elements there. | 0:30:11 | 0:30:16 | |
There is also an example of this little biscuit tin | 0:30:16 | 0:30:21 | |
in the Victoria and Albert Museum. | 0:30:21 | 0:30:24 | |
Gosh, Anita, you are bigging this up! | 0:30:24 | 0:30:26 | |
-How much did you pay? -I paid £50! | 0:30:26 | 0:30:29 | |
It's a corker. I'll tell you what, I really, really like it, Anita. | 0:30:29 | 0:30:34 | |
And after Anita's corker, Mark's barrel. | 0:30:34 | 0:30:37 | |
I like the fact that the coloration is quite good and the detailing is quite good. | 0:30:37 | 0:30:43 | |
-I think it's the type of thing that will look very nice in a country cottage. -Well, I thought... | 0:30:43 | 0:30:48 | |
Or a wee croft. | 0:30:48 | 0:30:50 | |
-How much? -35. | 0:30:50 | 0:30:51 | |
Well, I know, it's not... you might make it back. | 0:30:51 | 0:30:56 | |
-I might. -And you might make a wee profit. | 0:30:56 | 0:30:58 | |
-But then again I might make a wee loss. -Yes. | 0:30:58 | 0:31:00 | |
Next, the imitation Tiffany vase. | 0:31:00 | 0:31:03 | |
It's fairly insignificant, but it is rather pretty. | 0:31:03 | 0:31:08 | |
-But I hope you didn't pay a lot for that. -No, I paid a fiver for it. -Well... -I know. | 0:31:08 | 0:31:13 | |
-It might get £1. -Or it might get £20, you just don't know. | 0:31:13 | 0:31:17 | |
-Now, my third item, Anita... -Oh, right. -It's a sample panel. | 0:31:17 | 0:31:21 | |
Now, when I looked at it, of course, the first thing that struck me was the frame. | 0:31:21 | 0:31:27 | |
Because it's very decorative with all the graining on it. | 0:31:27 | 0:31:29 | |
And again I thought if somebody wanted something for a long alcove or a hallway or a small room, | 0:31:29 | 0:31:37 | |
-that would actually look quite appealing up on the wall. -Yeah. | 0:31:37 | 0:31:40 | |
-Uh-huh. -You don't like it, do you? | 0:31:40 | 0:31:42 | |
I guess in the end it depends on the price that you paid for it. | 0:31:42 | 0:31:46 | |
-£20. -I think that for £20, they will overlook the fact that the frame is not contemporary | 0:31:46 | 0:31:52 | |
with the panel, that the moulding is split, | 0:31:52 | 0:31:57 | |
and that it's absolutely...wrong! | 0:31:57 | 0:32:01 | |
But for £20, I would have bought it for £20. | 0:32:01 | 0:32:05 | |
Go on, say what you really think, Anita! | 0:32:05 | 0:32:07 | |
Now for the wonky dumb waiter. | 0:32:07 | 0:32:09 | |
-Do you like it? -No. | 0:32:09 | 0:32:12 | |
I don't! | 0:32:12 | 0:32:14 | |
-Well, what I was doing... There was a psychology behind the buying of this item. -Right. | 0:32:14 | 0:32:19 | |
-It's modern. We know that it's within the last 20 years... -Oh, is it(?) | 0:32:19 | 0:32:22 | |
Yeah... We know that it's within the last... | 0:32:22 | 0:32:26 | |
ten years. We know that it might be in the last... Stop laughing! | 0:32:26 | 0:32:31 | |
Five years! You haven't seen the best of it yet! | 0:32:32 | 0:32:35 | |
It was a wee bit shoogly-woogly. | 0:32:35 | 0:32:37 | |
Well, I was just going to say to you, Anita, I love Italy, | 0:32:37 | 0:32:41 | |
and I've been to the Leaning Tower of Pisa, | 0:32:41 | 0:32:44 | |
but I've never seen the leaning dumb waiter before! | 0:32:44 | 0:32:47 | |
Has it had a wee drink? | 0:32:48 | 0:32:49 | |
-I put a wee bit of sticky tape on it. -Well, at least that's added value! | 0:32:49 | 0:32:55 | |
-It's in quite good condition, although it's wibbly-wobbly. -Shiggly-wiggly, | 0:32:56 | 0:33:01 | |
-or whatever it is you say! -£7.50! I've got to make a couple of quid on that. -Absolutely! | 0:33:01 | 0:33:06 | |
-This is my favourite item. -Yes. -It's in the art nouveau style. | 0:33:06 | 0:33:10 | |
There's a little bit of detail on the carving here, | 0:33:10 | 0:33:13 | |
but what I think I like most of it is this shape. | 0:33:13 | 0:33:17 | |
I completely agree with you about the tendency towards the art nouveau. | 0:33:17 | 0:33:22 | |
It's not quite there, because the leaves are too formalised, | 0:33:22 | 0:33:26 | |
they're not quite organic enough, as you know. | 0:33:26 | 0:33:29 | |
-Was it expensive? -£24. -I think that's a very reasonable buy, Anita. | 0:33:29 | 0:33:33 | |
-I think there's a profit in that. -I think there's a chance. -I think there's a very good profit in there. | 0:33:33 | 0:33:37 | |
Oh, I love that! | 0:33:37 | 0:33:40 | |
Finally, Mark's globe. | 0:33:40 | 0:33:42 | |
Well, I like that one a lot better than the one that I bought. | 0:33:42 | 0:33:46 | |
-Well, I paid for this one... -Uh-huh? -25. -That's not bad. | 0:33:46 | 0:33:52 | |
I raise my glass to you. | 0:33:52 | 0:33:54 | |
-Thank you so much for being so entertaining. -We've had a lovely couple of days. | 0:33:54 | 0:33:58 | |
And here's to the rest of the trip. | 0:33:58 | 0:33:59 | |
All very jovial, but what do they really think? | 0:33:59 | 0:34:03 | |
His big embroidery... well, it's kind of OK, but I think the frame spoils it. | 0:34:03 | 0:34:10 | |
She was start staring bonkers when she bought the wibbly-wobbly brand-new dumb waiter. | 0:34:10 | 0:34:17 | |
I think that Mark might win this stage. | 0:34:17 | 0:34:21 | |
I think I'll have to be very, very lucky or make a very big profit on one thing to beat Mark. | 0:34:21 | 0:34:27 | |
I think I deserve to come out marginally on top. | 0:34:27 | 0:34:31 | |
Anita, though, at the saleroom, might well just have that clan spirit amongst the Scots! | 0:34:31 | 0:34:37 | |
And they might just beat me. | 0:34:37 | 0:34:39 | |
After starting out all the way back in Aberfeldy, | 0:34:41 | 0:34:44 | |
this leg of our bargain battle concludes in Dunblane... | 0:34:44 | 0:34:48 | |
MOO! | 0:34:48 | 0:34:49 | |
..here, at the auctioneer's, Robertsons of Kinbuck. | 0:34:49 | 0:34:53 | |
-OK, Mark, here we are. -Oh, it's exciting, isn't it, Anita? | 0:34:53 | 0:34:57 | |
-The saleroom! All this hard work over the last few days. -I know. Are you worried? | 0:34:57 | 0:35:01 | |
-Very worried. -Come on, I'll hold your hand. | 0:35:01 | 0:35:03 | |
Lead me into the saleroom, Anita! | 0:35:03 | 0:35:06 | |
So, as the would-be bidders begin their inspection... | 0:35:07 | 0:35:10 | |
MIAOW! | 0:35:10 | 0:35:12 | |
Hey, watch out for the China, pussy! | 0:35:12 | 0:35:14 | |
-..Auctioneer Bob Robertson has his own thoughts. -Thank you. | 0:35:14 | 0:35:18 | |
The biscuit barrel, that's by Chad. Chad predominantly made | 0:35:20 | 0:35:24 | |
tinplate toys and whatever, so quite unusual to see a biscuit barrel made as such. | 0:35:24 | 0:35:29 | |
Robert Dudley plaque. Quite unusual. Nice. And I reckon that might make the most this evening. | 0:35:29 | 0:35:36 | |
With the hammer about to fall, Mark has spent £97 on four lots. | 0:35:36 | 0:35:41 | |
Very pleased with it. | 0:35:41 | 0:35:43 | |
And Anita, £106.50 on five. | 0:35:43 | 0:35:48 | |
Thanks very much! | 0:35:48 | 0:35:49 | |
Let the auction begin! | 0:35:49 | 0:35:50 | |
Who's going to win? | 0:35:50 | 0:35:52 | |
-Well, of course you know the answer to that. -You? -Of course! | 0:35:52 | 0:35:56 | |
First up, Mark's late-Victorian, lidded pokerwork barrel | 0:35:56 | 0:36:00 | |
with those Tudor roses. | 0:36:00 | 0:36:03 | |
-Oh, here it is, Anita. -Good luck! | 0:36:03 | 0:36:05 | |
£30. £30 opening. | 0:36:05 | 0:36:09 | |
30 bid. 35. 40. | 0:36:09 | 0:36:12 | |
-Oh, my! -You're away! | 0:36:12 | 0:36:14 | |
-At £40 only. Come on, a wee bit more. -A wee bit more. | 0:36:14 | 0:36:18 | |
-Please, one more. -£40. All out now at £40. | 0:36:18 | 0:36:21 | |
At 40. Selling at £40. | 0:36:21 | 0:36:23 | |
Oh, I need some air. | 0:36:23 | 0:36:26 | |
We've got a long way to go. | 0:36:26 | 0:36:28 | |
Phew! A modest £5 profit, less commission. | 0:36:28 | 0:36:31 | |
But out of jail for Mr Stacey, eh? | 0:36:31 | 0:36:34 | |
-£40, that's not too bad, actually. -It's good. | 0:36:34 | 0:36:38 | |
Now it's the turn of Anita's little biscuit globe | 0:36:39 | 0:36:41 | |
and the quest to get her money back. | 0:36:41 | 0:36:45 | |
50? 45? £40 only. | 0:36:45 | 0:36:47 | |
-Start the bidding. 35. £35. This is a collector's item. -Anita, behave! | 0:36:47 | 0:36:51 | |
35! We need your bids, come on! | 0:36:51 | 0:36:54 | |
-Stop it! -We need your bids for this woman. -Stop encouraging him! | 0:36:54 | 0:36:57 | |
Come on! She's against that rascal next to her. | 0:36:57 | 0:37:00 | |
We've got to help the poor woman out! | 0:37:02 | 0:37:05 | |
No, you don't have to help her out. | 0:37:05 | 0:37:07 | |
£35. 30 only? | 0:37:07 | 0:37:08 | |
£35 only. | 0:37:08 | 0:37:10 | |
40. Come on, a wee bit more! | 0:37:10 | 0:37:13 | |
-45. £45. -Oh, come on! | 0:37:13 | 0:37:15 | |
£45. | 0:37:15 | 0:37:17 | |
-Well done, well done. -Well, I can't believe that! It's shocking! | 0:37:17 | 0:37:21 | |
Shocking display of nationalism! | 0:37:21 | 0:37:23 | |
So Anita loses £5 less commission, but it could have been much worse. | 0:37:23 | 0:37:28 | |
-Smile at him. -I won't even look at him after that! | 0:37:28 | 0:37:33 | |
Now for Anita's jack-in-the-pulpit vase. | 0:37:35 | 0:37:38 | |
£15. Go on! That lassie's jumping about in her seat again! | 0:37:38 | 0:37:42 | |
A tenner. | 0:37:42 | 0:37:44 | |
-£10. Bid at 10. -Oh, my God, I can't believe it! | 0:37:44 | 0:37:48 | |
-At 10. -Come on! -At 10. | 0:37:48 | 0:37:51 | |
At 10. 12. 14. 16 I'm bid. 18? | 0:37:51 | 0:37:55 | |
18. £20. | 0:37:55 | 0:37:57 | |
22? 22. All done now at £22. | 0:37:57 | 0:38:00 | |
Yes! | 0:38:00 | 0:38:01 | |
First blood to the lassie. A nice profit of £17. | 0:38:01 | 0:38:05 | |
I might as well give up now. There's no point in me sitting here. | 0:38:06 | 0:38:09 | |
Oh, don't do that, Mark, | 0:38:09 | 0:38:11 | |
just as your favourite purchase goes under the hammer. | 0:38:11 | 0:38:14 | |
£60? | 0:38:14 | 0:38:15 | |
£60? 55? 50. | 0:38:16 | 0:38:18 | |
£40. Start the bidding now at £40. | 0:38:18 | 0:38:21 | |
£40. 30 bid. That's 30. 35 at the back. 35. | 0:38:21 | 0:38:26 | |
40. 40 bid only. 45. | 0:38:26 | 0:38:30 | |
50? Come on, a wee bit more. | 0:38:30 | 0:38:32 | |
-Come on! -50. 55. 60. | 0:38:32 | 0:38:35 | |
65? Come on, a wee bit more. | 0:38:35 | 0:38:37 | |
I'm doing your trick here! | 0:38:37 | 0:38:40 | |
-All done now. -Come on, it's worth more than that. | 0:38:40 | 0:38:42 | |
He's shouting! Come on! | 0:38:42 | 0:38:44 | |
I need some help here. | 0:38:44 | 0:38:46 | |
65. 70. | 0:38:46 | 0:38:47 | |
Thank you, sir. I'm getting the hang of this! | 0:38:47 | 0:38:50 | |
Sold! Give him a round of applause, guys! | 0:38:50 | 0:38:54 | |
Thank you, thank you. | 0:38:54 | 0:38:55 | |
There's one happy chappy, and so he should be, | 0:38:55 | 0:38:59 | |
with a whopping £45 of profit, less commission. | 0:38:59 | 0:39:03 | |
-That's a good price. -Are you happy, darling? -I'm happier now, yeah. | 0:39:03 | 0:39:06 | |
Now for Anita's Arts and Crafts clock. | 0:39:07 | 0:39:11 | |
I have a 75. Any advance on 75? | 0:39:11 | 0:39:13 | |
£75. Any advance on 75? | 0:39:13 | 0:39:15 | |
£75 only. | 0:39:15 | 0:39:16 | |
80. 85. | 0:39:16 | 0:39:18 | |
£90. £90 I'm bid. | 0:39:18 | 0:39:20 | |
At 90. At £90. All out on £90. Selling now at £90. | 0:39:20 | 0:39:25 | |
Yes! | 0:39:25 | 0:39:27 | |
£66 profit and Anita, it seems, is on a roll. | 0:39:27 | 0:39:32 | |
Anita, it was a nice clock, I admit that, it was your best buy. | 0:39:32 | 0:39:36 | |
Watch out, Scotland! Here's Robert Dudley. | 0:39:37 | 0:39:41 | |
The auctioneer thought the plaque was the best item. | 0:39:41 | 0:39:43 | |
Well, he's clearly wrong because the clock was the best item. | 0:39:43 | 0:39:46 | |
-You've maybe... -It's not going to make £90, let's be honest. | 0:39:46 | 0:39:50 | |
The first Governor of the Netherlands. 150, 120, £100? | 0:39:50 | 0:39:54 | |
£100 on it. Bid. | 0:39:54 | 0:39:55 | |
Any advance on 100? | 0:39:55 | 0:39:56 | |
At £100. 100. Any advance on 100? | 0:39:56 | 0:40:00 | |
Come on, guys, we're needing a bit. Lady's getting rather excited there. | 0:40:00 | 0:40:03 | |
£100. | 0:40:03 | 0:40:05 | |
At 100. Any advance on 100? At 100. | 0:40:05 | 0:40:06 | |
Well done! | 0:40:06 | 0:40:08 | |
From £17 to a ton. Beat that, smiler! | 0:40:09 | 0:40:13 | |
-Was that a wee smile on your face? -A wee smile. | 0:40:13 | 0:40:17 | |
Now for Anita's Scottish glassware. | 0:40:19 | 0:40:22 | |
£50. 45 to start. | 0:40:22 | 0:40:24 | |
£45 to start the bidding. | 0:40:24 | 0:40:26 | |
30 bid. | 0:40:26 | 0:40:27 | |
35. 40. 40 bid. 45. | 0:40:27 | 0:40:31 | |
50. 50 bid. | 0:40:31 | 0:40:33 | |
At 50. Any advance on 50? At £50. | 0:40:33 | 0:40:35 | |
-Come on, boys, a wee bit more. -That's it. | 0:40:35 | 0:40:37 | |
All done now at £50. | 0:40:37 | 0:40:40 | |
Not bad, Anita, for a £20 outlay. | 0:40:40 | 0:40:42 | |
That is a very good price. | 0:40:42 | 0:40:44 | |
-And I am very happy. -I'm very happy you're happy! | 0:40:44 | 0:40:48 | |
And he'll be even happier if the embroidery does well. | 0:40:50 | 0:40:54 | |
-£60? -Come on. -45, then? | 0:40:54 | 0:40:56 | |
30 to go. | 0:40:56 | 0:40:58 | |
-We've got 30, so... -35. 40. | 0:40:58 | 0:41:00 | |
40 only. 40. | 0:41:00 | 0:41:02 | |
45. 50. | 0:41:02 | 0:41:04 | |
At £50. Come on. £50. Somebody needs to... | 0:41:04 | 0:41:08 | |
-Come on! -It's getting you £50. -55. | 0:41:08 | 0:41:10 | |
55. Another wee bid. | 0:41:10 | 0:41:12 | |
-You want it, madam! -60. | 0:41:12 | 0:41:15 | |
At 60. Any advance on 60? | 0:41:15 | 0:41:17 | |
£60. The last time at £60. Yes, no? Here, then. | 0:41:17 | 0:41:20 | |
Ah, yes! | 0:41:20 | 0:41:22 | |
-You happy? -I'm happy with that. -And I do believe he is! | 0:41:22 | 0:41:27 | |
It's reasonably good. | 0:41:27 | 0:41:28 | |
It's blooming great! | 0:41:28 | 0:41:30 | |
Now, we hold on tight for that dumb waiter. | 0:41:30 | 0:41:34 | |
-A lovely object, lovely! -50. 50 I'll start it. | 0:41:35 | 0:41:40 | |
-Start it at £50. -It's not worth 50. -40. | 0:41:40 | 0:41:43 | |
Start at £30. Bid me, come on! £30. | 0:41:43 | 0:41:46 | |
At £30. 35. £35, any advance on 35? | 0:41:46 | 0:41:51 | |
35. I can go 36. £36? | 0:41:51 | 0:41:53 | |
36. 38? | 0:41:53 | 0:41:55 | |
At 38. Any advance on 38? £38. | 0:41:55 | 0:41:59 | |
-Well done, Anita. -38, good, good. | 0:41:59 | 0:42:01 | |
-Good, good. -38 was a good price for what you paid for it, in fairness. | 0:42:01 | 0:42:06 | |
Very good indeed for an item costing all of £7.50. | 0:42:06 | 0:42:10 | |
I think you're right. | 0:42:10 | 0:42:12 | |
It was worth 38. | 0:42:12 | 0:42:14 | |
So it's pretty much neck and neck after round 1 with Mark's nose just in front. | 0:42:14 | 0:42:20 | |
Maybe Scotland could turn out to be bonnie for him after all. | 0:42:20 | 0:42:23 | |
Mark began with £200, | 0:42:23 | 0:42:26 | |
and made £124.40 profit after auction costs, | 0:42:26 | 0:42:32 | |
leaving him £324.40. | 0:42:32 | 0:42:35 | |
While Anita, who also started out with £200, | 0:42:36 | 0:42:39 | |
made £94.40 after auction costs. | 0:42:39 | 0:42:43 | |
So she now has £294.40 to spend tomorrow. | 0:42:43 | 0:42:48 | |
-We've made substantial profits, Anita. -I so enjoyed that. | 0:42:48 | 0:42:52 | |
-Are you pleased? -Oh, I'm ecstatic! -Is it my round? | 0:42:52 | 0:42:57 | |
I think you've made more money, so it's your round! | 0:42:57 | 0:42:59 | |
That's what I like to hear! Long may it continue! | 0:42:59 | 0:43:02 | |
Join us tomorrow on Antiques Road Trip to see Mark catch sight of a bargain. | 0:43:02 | 0:43:09 | |
That's a beautiful thing! Oh, I'm looking in the mirror. That's me! | 0:43:09 | 0:43:12 | |
Huh! Anita models a brand-new look. | 0:43:12 | 0:43:15 | |
Do I look like a standard lamp? | 0:43:15 | 0:43:17 | |
But will Mark be in her shade at the auction? | 0:43:17 | 0:43:20 | |
I don't think I could even look at these! | 0:43:20 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:37 |