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'The nation's favourite antiques experts, £200 each and one big challenge.' | 0:48:02 | 0:48:06 | |
-I'm going to declare war. -Why? | 0:48:06 | 0:48:09 | |
'Who can make the most money buying and selling antiques as they scour the UK?' | 0:48:09 | 0:48:13 | |
-15 quid. -No. | 0:48:13 | 0:48:15 | |
'The aim is to trade up and hope each antique turns a profit. | 0:48:15 | 0:48:19 | |
'But it's not as easy as you might think | 0:48:19 | 0:48:21 | |
-'and things don't always go to plan.' -Push! | 0:48:21 | 0:48:24 | |
'So, will they race off with a huge profit or come to a grinding halt?' | 0:48:24 | 0:48:28 | |
-I'm going to go for it. -'This is the Antiques Road Trip.' | 0:48:28 | 0:48:31 | |
'Welcome to Scotland, where the mountains are tall, | 0:48:35 | 0:48:39 | |
'the lochs are long and even if, for the non-native, the dialect can be a bit tricky to master, | 0:48:39 | 0:48:46 | |
'folk are always happy to help out.' | 0:48:46 | 0:48:49 | |
You've got "wee good" but have you got "murder" right? | 0:48:49 | 0:48:53 | |
-Murder. -No. Open your mouth more. | 0:48:53 | 0:48:56 | |
-Murder. -Enjoy it! Embrace your Rs! -Murder! | 0:48:56 | 0:49:00 | |
'Ha! Mark Stacey and Anita Manning | 0:49:02 | 0:49:04 | |
'are driving their marvellous Morris Minor through sumptuous Scotland this week. | 0:49:04 | 0:49:09 | |
'Bargain-seekers and sightseers.' | 0:49:09 | 0:49:12 | |
Mark, I thought we'd stop for a wee minute just to take in this scenery. | 0:49:12 | 0:49:15 | |
It's a beautiful Scottish day. Little fluffy clouds in the sky. | 0:49:15 | 0:49:20 | |
-Everything's gorgeous, isn't it? -It is beautiful, Anita. Start of the second day. | 0:49:20 | 0:49:24 | |
-You dying to spend your money? -I'm absolutely itching to get my wallet out. | 0:49:24 | 0:49:28 | |
Drive on! | 0:49:28 | 0:49:30 | |
'Anita is an auctioneer from Glasgow with a fondness for Scottish jewellery.' | 0:49:30 | 0:49:36 | |
-Could you that for in the region of £12? -No. | 0:49:36 | 0:49:39 | |
'And the personality to light up a room.' | 0:49:39 | 0:49:41 | |
-Do I look like a standard lamp? -SHE LAUGHS | 0:49:41 | 0:49:44 | |
'On yesterday's programme, she employed some unusual negotiating tactics.' | 0:49:44 | 0:49:50 | |
It's a wee bit wibbly-wobbly. Oops. | 0:49:50 | 0:49:52 | |
-'Before ending up quids in.' -HAMMER BANGS Yes! | 0:49:52 | 0:49:55 | |
'Mark Stacey is a valuer and dealer from Brighton. | 0:49:57 | 0:50:00 | |
'No surprise, then, that Regency is one of his favourite periods.' | 0:50:00 | 0:50:04 | |
I tell you what, I always go for a shapely leg. | 0:50:04 | 0:50:07 | |
'Mark's new to Scotland but learning fast.' | 0:50:07 | 0:50:11 | |
Naughty me. | 0:50:11 | 0:50:13 | |
'Thanks to some canny buys, Mark's on top, but we all know what pride comes before, don't we?' | 0:50:13 | 0:50:19 | |
-I can't believe this. -'They began with £200 each | 0:50:19 | 0:50:23 | |
'and have already made a nice profit. | 0:50:23 | 0:50:25 | |
-'Anita goes into today's show with £294.40 to spend.' -HAMMER BANGS | 0:50:27 | 0:50:32 | |
'And Mark is just ahead on £324.40. | 0:50:32 | 0:50:37 | |
'Now, if they could just find their first shop...' | 0:50:37 | 0:50:40 | |
-It's here. It's right turn! -I know, but I got my left and my right mixed up. | 0:50:40 | 0:50:46 | |
'This week's journey travels from the Cairngorms, | 0:50:49 | 0:50:52 | |
'via the charming cities of Edinburgh and Durham, | 0:50:52 | 0:50:55 | |
'to Thirsk in North Yorkshire. | 0:50:55 | 0:50:58 | |
'Today's show starts out in Wiston, South Lanarkshire, | 0:50:58 | 0:51:01 | |
'and ends up at an auction showdown in Edinburgh. | 0:51:01 | 0:51:05 | |
'The hamlet of Wiston, under Tinto Hill, is the home of Sunnyside Antiques. | 0:51:06 | 0:51:11 | |
'Anita drops Mark off there before heading to her own destination.' | 0:51:11 | 0:51:16 | |
And I want you to have a lovely time | 0:51:16 | 0:51:19 | |
and I want you to spend, spend, spend. | 0:51:19 | 0:51:23 | |
Oh, Anita, you are terrible! But remember, my darling, | 0:51:23 | 0:51:27 | |
I've got more money than you to spend, spend, spend. | 0:51:27 | 0:51:30 | |
-Dash it! -See you later! -Bye! | 0:51:30 | 0:51:32 | |
'So with Anita's words ringing in his ears, | 0:51:32 | 0:51:35 | |
-'Mark strides purposefully off.' -Hello. | 0:51:35 | 0:51:38 | |
-Good morning! -It's a bit chilly out there, isn't it? | 0:51:38 | 0:51:41 | |
-Hi. I'm Mark. -I'm Mark, as well. That's a good start. | 0:51:41 | 0:51:44 | |
'Sunnyside is the sort of shop where anyone could happily while away some time | 0:51:46 | 0:51:51 | |
'surrounded by the essentials of a bygone era.' | 0:51:51 | 0:51:54 | |
Oh, that's a beautiful thing, isn't it? Oh, sorry, I'm looking at the mirror and it's me. | 0:51:54 | 0:51:58 | |
'Mark Stacey's disposition is verging on the sunny side, too, with his nose just in front.' | 0:51:58 | 0:52:04 | |
Oh, look. Above it. I don't think it's quite the weather for a boater, do you? | 0:52:04 | 0:52:10 | |
Now, this is really the height of luxury. | 0:52:11 | 0:52:14 | |
You and I would normally go to work | 0:52:14 | 0:52:18 | |
with our sandwiches wrapped up in silver foil. | 0:52:18 | 0:52:21 | |
But if you were the man or lady who had everything, | 0:52:21 | 0:52:25 | |
you'd actually take your sandwiches | 0:52:25 | 0:52:27 | |
very delicately prepared with the crusts cut off | 0:52:27 | 0:52:31 | |
in a solid-silver sandwich box. | 0:52:31 | 0:52:34 | |
For me, it would be a very small sandwich. | 0:52:34 | 0:52:37 | |
I'd probably keep my fondant fancies in there. | 0:52:37 | 0:52:40 | |
'Very nice, but £185? A man might struggle for a real bargain here. | 0:52:40 | 0:52:45 | |
'Not that Mr Stacey seems to care.' | 0:52:45 | 0:52:47 | |
I do love these sort of shops. I mean, there is something for everyone. | 0:52:47 | 0:52:52 | |
Although most of the things are out of my price range, it's not because they're over-priced. | 0:52:52 | 0:52:57 | |
They're a fair retail price. | 0:52:57 | 0:52:59 | |
But I simply never have enough money in these shops. | 0:52:59 | 0:53:03 | |
BELL DINGS | 0:53:03 | 0:53:05 | |
It's not my time up already, is it? Surely not. | 0:53:06 | 0:53:10 | |
'Anita has motored on from Wiston | 0:53:10 | 0:53:13 | |
'to arrive at the town of Innerleithen, | 0:53:13 | 0:53:16 | |
'her first shopping destination. | 0:53:16 | 0:53:19 | |
'In the 12th century, the son of King Malcolm IV | 0:53:19 | 0:53:22 | |
'drowned near Innerleithen in what's now known as the Droont Pool. | 0:53:22 | 0:53:27 | |
'And when the locals recovered his body, | 0:53:27 | 0:53:30 | |
'the king bestowed the rights of sanctuary on the town. | 0:53:30 | 0:53:34 | |
'It also has two antique shops. Phew.' | 0:53:34 | 0:53:36 | |
-Hi there. -Hello, Brian. It's lovely to meet you. | 0:53:36 | 0:53:39 | |
-Nice to meet you. -Lovely to be back in Innerleithen. | 0:53:39 | 0:53:42 | |
'ABK Antiques is a little lesson in Scottish rural history. | 0:53:44 | 0:53:49 | |
'A fitting contrast to Sunnyside and packed to the rafters with practical stuff, | 0:53:49 | 0:53:54 | |
'like Brian's fine tool collection.' | 0:53:54 | 0:53:56 | |
-I mean, isn't that beautifully made? -150 to 200. -Yeah. | 0:53:56 | 0:54:00 | |
Most of them are over 100 years old. | 0:54:00 | 0:54:02 | |
I love them. I'm not an expert on tools, but I love to look at them | 0:54:02 | 0:54:06 | |
and I think it's sort of thinking back to my childhood, seeing tools in the house. | 0:54:06 | 0:54:11 | |
-Feel the weight of that. -SHE LAUGHS | 0:54:11 | 0:54:15 | |
'Brian's esoteric collection includes items so obscure | 0:54:15 | 0:54:19 | |
'that he can happily quiz his customers as to their use.' | 0:54:19 | 0:54:23 | |
It's obviously a... Is it a measuring device? | 0:54:23 | 0:54:26 | |
No? OK, right. Don't tell me. | 0:54:26 | 0:54:28 | |
I don't... Is it an instrument of torture? | 0:54:29 | 0:54:32 | |
-That's what it looks like! -That's what it looks like! | 0:54:32 | 0:54:35 | |
Thumbs screws for a hoof or something like that. | 0:54:35 | 0:54:39 | |
You better tell me. | 0:54:39 | 0:54:41 | |
It's to hold a horse's mouth open when you're doing dental work. | 0:54:41 | 0:54:45 | |
-Is that right? -And it was a thing that was used quite regular. | 0:54:45 | 0:54:48 | |
'South Lanarkshire is a great horse-rearing area | 0:54:48 | 0:54:52 | |
'and Brian has plenty more tack, including a pair of leather hoof boots.' | 0:54:52 | 0:54:57 | |
I love these horses' shoes. I think they're great. What does that say? | 0:54:57 | 0:55:02 | |
Red Rum? | 0:55:02 | 0:55:04 | |
'Unfortunately not. They'd be worth a fortune. | 0:55:05 | 0:55:08 | |
'The leather over-shoe could be used when a horse-drawn lawnmower was employed | 0:55:08 | 0:55:14 | |
'so that the imprint of hooves didn't damage the lawn surface.' | 0:55:14 | 0:55:19 | |
I think this'll bring a smile to Mark Stacey's face. | 0:55:19 | 0:55:23 | |
'But £45, Anita?' | 0:55:24 | 0:55:26 | |
Can you sell me these horse boots, | 0:55:26 | 0:55:29 | |
these very useful horse boots, for...15 quid? | 0:55:29 | 0:55:34 | |
-No. -SHE LAUGHS | 0:55:34 | 0:55:37 | |
I was only kidding you on. I was only kidding you on. | 0:55:37 | 0:55:40 | |
I need to buy them at round about the 25-ies. | 0:55:40 | 0:55:45 | |
Round about the 25-ies. | 0:55:45 | 0:55:48 | |
-26? -No, 30. Bottom line. | 0:55:48 | 0:55:51 | |
£30 and you're getting a wonderful bargain. | 0:55:51 | 0:55:54 | |
Nobody else will have them. It's an item that's really unusual. | 0:55:54 | 0:55:59 | |
-Could you... -Guaranteed money-maker. | 0:55:59 | 0:56:02 | |
Well, you see, they might be because they're so crazy. | 0:56:02 | 0:56:05 | |
Could you take another couple... Could you go 28? | 0:56:05 | 0:56:07 | |
-OK, 28. -28. That's great. We'll seal the deal at that. -Deal done. | 0:56:07 | 0:56:12 | |
'After making one of her stranger buys, | 0:56:12 | 0:56:14 | |
'Anita spies something she's a bit more familiar with. Also practical but a bit more decorative.' | 0:56:14 | 0:56:20 | |
That's rather pretty. | 0:56:20 | 0:56:22 | |
I mean, it's quite light for a paperweight. | 0:56:22 | 0:56:25 | |
-It's probably the latter half of the 20th century. -I would think so. | 0:56:25 | 0:56:29 | |
-And we've got this nice... -Cairngorms. -..smoky topaz. | 0:56:29 | 0:56:35 | |
'Topaz is easily confused with Scotland's own smoky quartz from the Cairngorms. | 0:56:35 | 0:56:41 | |
'But the stone in this £30 paperweight is almost certainly European.' | 0:56:41 | 0:56:44 | |
Silversmith's work. It's got the nice stone on it. | 0:56:44 | 0:56:48 | |
A wee bit of detail. What I'd put on it is £12 to £18. | 0:56:48 | 0:56:52 | |
Could you do that for in the region of £12? | 0:56:52 | 0:56:55 | |
-No. -No. Uh-huh. -I'll do it for £25. | 0:56:55 | 0:56:58 | |
-What is the very best... -£20. -20 is the... | 0:57:00 | 0:57:05 | |
If you could even come down to, | 0:57:05 | 0:57:09 | |
perhaps take a wee bit more, | 0:57:09 | 0:57:13 | |
a wee bit more, it would be... | 0:57:13 | 0:57:16 | |
I'm not wanting to make huge amounts of money because I won't make it on that, | 0:57:16 | 0:57:20 | |
-but I'm trying not to lose... -18. OK? | 0:57:20 | 0:57:24 | |
That's you getting an excellent buy. | 0:57:25 | 0:57:28 | |
-It is pretty, isn't it? -It is, very nice. | 0:57:28 | 0:57:31 | |
-It's at the top end of my estimate. -And the bottom end of mine. | 0:57:31 | 0:57:35 | |
Do you know, a couple of pounds might make a difference. | 0:57:35 | 0:57:39 | |
It makes a difference to me, as well. | 0:57:40 | 0:57:43 | |
-No, 18 is the bottom. -18's the bottom? -Yep. -That's lovely. | 0:57:43 | 0:57:47 | |
'So, Anita is now the proud owner of one paperweight and a pair of horse boots. | 0:57:48 | 0:57:54 | |
'And Mark is still in the paddock thinking seriously about a box.' | 0:57:54 | 0:57:58 | |
That's quite a sweet little thing. It's a simple little mahogany box. | 0:57:58 | 0:58:02 | |
Then on the top we've got "Dr R Mill Murray." | 0:58:02 | 0:58:06 | |
So whoever owned this might have been a doctor. | 0:58:06 | 0:58:09 | |
I don't know why but something's telling me that. | 0:58:09 | 0:58:11 | |
It might have actually contained little bottles originally | 0:58:11 | 0:58:16 | |
as a sort of apothecary box. | 0:58:16 | 0:58:18 | |
So he might have kept some of his favourite medicines | 0:58:18 | 0:58:22 | |
and lotions and potions in there for curing his patients. | 0:58:22 | 0:58:27 | |
So there might be a little chance there. Mark, what about the little mahogany box? | 0:58:27 | 0:58:32 | |
-The little mahogany box is 135. -Oh, gosh. I would love that but I think I can't do anything with that. | 0:58:32 | 0:58:37 | |
I don't think it would make money at auction. | 0:58:37 | 0:58:40 | |
-'Saved by the bell.' -BELL DINGS | 0:58:40 | 0:58:43 | |
'Anita doesn't go far, just a few steps to MC Collectables. | 0:58:43 | 0:58:47 | |
'Unlike the next door neighbours, this is the traditional antique shop, | 0:58:49 | 0:58:52 | |
'less paraphernalia, more Victoriana.' | 0:58:52 | 0:58:56 | |
-See this wee brooch here. -Yes, my love? | 0:58:56 | 0:58:58 | |
We see there's a photograph there. Is it a soldier or a sailor? | 0:58:58 | 0:59:04 | |
That's a boy scout by the looks of it. | 0:59:04 | 0:59:07 | |
It's the type of thing that you would put a lock of a loved one's hair. | 0:59:07 | 0:59:10 | |
It's what we call a mourning brooch. A Victorian mourning brooch. | 0:59:10 | 0:59:14 | |
And that little boy scout is in there. I wonder what happened to him. | 0:59:14 | 0:59:19 | |
'Pendants and brooches containing portrait miniatures and locks of loved ones' hair | 0:59:19 | 0:59:25 | |
'have been popular for centuries, particularly in the Victorian period. | 0:59:25 | 0:59:30 | |
'The price of £20 reflects that Michael probably thinks it's pinchbeck, | 0:59:30 | 0:59:34 | |
'a brass imitation of gold.' | 0:59:34 | 0:59:37 | |
It looks as if somebody's maybe tested that there. | 0:59:37 | 0:59:40 | |
-Did you test it? -No, I didn't, no, but I think it has been tested. | 0:59:40 | 0:59:43 | |
It is, it's definitely pinchbeck. | 0:59:43 | 0:59:46 | |
I still quite like it. | 0:59:46 | 0:59:48 | |
I still quite like it. It depends on the price. | 0:59:48 | 0:59:51 | |
-It's something that I could maybe go for. -I'd do it for 15. | 0:59:51 | 0:59:55 | |
-Uh-huh. -Mm-hm. -Yeah. Erm... -25 percent off. | 0:59:55 | 0:59:59 | |
Could you do it for £10? | 0:59:59 | 1:00:02 | |
-Go on then. -Can you do it for 10? Thank you very, very much. -It's all right, my dear. | 1:00:02 | 1:00:07 | |
'Anita's eye catches the glint of amber glass. And if there's a bargain to be had...' | 1:00:07 | 1:00:12 | |
I collect glass myself. This is quite pretty. | 1:00:12 | 1:00:16 | |
There's no maker's name on it. And I prefer it to have a maker's name. | 1:00:16 | 1:00:20 | |
But I think it's quite pretty and I am a sucker for glass. | 1:00:20 | 1:00:23 | |
'No name and also no price. Anita's on the case.' | 1:00:23 | 1:00:28 | |
-Michael, could you do that one for a tenner? -I think I could, yeah. | 1:00:28 | 1:00:32 | |
-Yeah? OK. That's great. -OK? -No maker's name but it's still a bonny bit of glass. | 1:00:32 | 1:00:36 | |
-That's lovely. -Thank you very much. -Thank you. | 1:00:36 | 1:00:40 | |
'So, Anita's on a roll today. | 1:00:40 | 1:00:42 | |
'Four in the bag at a cost of a mere £66, even with her hoof boots. | 1:00:42 | 1:00:48 | |
'And meanwhile, at Sunnyside, | 1:00:48 | 1:00:50 | |
'Mark has decided it's time to finally plump for one or two of the luxuries he's been longing for.' | 1:00:50 | 1:00:55 | |
I've found a little agate or onyx box | 1:00:57 | 1:01:00 | |
very nicely made, with these little gilt brass hinges. | 1:01:00 | 1:01:06 | |
'It's made of alabaster actually, Mark. | 1:01:07 | 1:01:10 | |
'Like onyx and agate, a mineral that's been carved by man since ancient times. | 1:01:10 | 1:01:15 | |
'And the name may derive from an Egyptian goddess called Bast. | 1:01:15 | 1:01:19 | |
'Believe that, you'll believe anything.' | 1:01:19 | 1:01:21 | |
Now I am looking for a maker's mark. HG and S. Made in England. | 1:01:21 | 1:01:27 | |
I would have put this around about 1910, 1920. | 1:01:27 | 1:01:32 | |
It's really a bit of a nonsense piece | 1:01:32 | 1:01:34 | |
because it's just for one of those people who had everything, | 1:01:34 | 1:01:38 | |
for your desk, or even you could keep cufflinks in it. | 1:01:38 | 1:01:41 | |
But it's just a very, very pretty little thing. | 1:01:41 | 1:01:44 | |
The price on that at the moment is £40, which is not too bad, actually. | 1:01:44 | 1:01:48 | |
The difficulty is you're relying really on people that have the same taste as me, | 1:01:48 | 1:01:53 | |
who would like the finer things of life. | 1:01:53 | 1:01:56 | |
'And what could be even more frivolous than that?' | 1:01:57 | 1:02:02 | |
It's a little sort of purse that you'd have your sovereign for your carriage fare home after a ball. | 1:02:02 | 1:02:09 | |
So you'd have this in your little elegant | 1:02:09 | 1:02:11 | |
Edwardian or Victorian handbag, evening bag. | 1:02:11 | 1:02:16 | |
We've got this little taffeta silk inside, a lovely blue, | 1:02:16 | 1:02:20 | |
and of course, because it's been inside this little case, it's remained remarkably fresh, | 1:02:20 | 1:02:25 | |
and the colour is just absolutely beautiful with that lovely... | 1:02:25 | 1:02:28 | |
You've still got that water effect when you move it round in your hand. | 1:02:28 | 1:02:32 | |
Well there's no price on it. So I'm either going to be leaving here very happy, or "greetin'". | 1:02:32 | 1:02:39 | |
-'Yes, Mark. That means crying.' -Is that right? | 1:02:39 | 1:02:42 | |
'Those lessons from Anita are clearly paying off. Looks like he's learnt something else from her too, | 1:02:42 | 1:02:48 | |
'Scottish glass can make a tidy profit.' | 1:02:48 | 1:02:51 | |
Anita did very well with her Strathearn vase yesterday, | 1:02:51 | 1:02:53 | |
but I think that was because she was the local girl. | 1:02:53 | 1:02:56 | |
Not that I'm in any way bitter. | 1:02:56 | 1:02:58 | |
I mean, I love this because I love the shape of it, | 1:02:58 | 1:03:01 | |
and it's very much that Monart glass style, it's got that nice ground pontil on the bottom. | 1:03:01 | 1:03:06 | |
But is it a £100 piece? | 1:03:06 | 1:03:10 | |
A £20 piece or a £200 piece? I simply have no idea. | 1:03:10 | 1:03:14 | |
'Monart from Moncrieff owes its distinctive look | 1:03:14 | 1:03:18 | |
'to a family of Spanish glassblowers called the Ysarts, | 1:03:18 | 1:03:22 | |
'who came to Scotland in 1915. | 1:03:22 | 1:03:25 | |
'Their paperweights, scent bottles, vases and the like | 1:03:25 | 1:03:28 | |
'were soon in huge demand at shops like Liberty and Tiffany's in the 20s and 30s. | 1:03:28 | 1:03:34 | |
'And Mark's also tempted by something he does know a fair bit about.' | 1:03:34 | 1:03:40 | |
It's quite nice detail on here, actually, even though it's a very simple, plain piece of silver. | 1:03:40 | 1:03:46 | |
It's Sheffield but I think, looking at that mark, | 1:03:46 | 1:03:49 | |
it's probably George V, late teens, early 20s, I think. | 1:03:49 | 1:03:53 | |
So we'll put that there for the moment because that's 45. | 1:03:53 | 1:03:57 | |
Mark, I need to start considering decisions now. I mean, this one I like. | 1:03:57 | 1:04:03 | |
You've got 40 on it, which is a reasonable start. | 1:04:03 | 1:04:06 | |
What would be the absolute lowest on that. | 1:04:06 | 1:04:09 | |
-30? -Not 25? -Not even 28. | 1:04:09 | 1:04:12 | |
-HE LAUGHS -Not 29? -No. 30. -£30, OK. | 1:04:12 | 1:04:17 | |
-And what about this one? You said 45 on that. -That's correct, erm... | 1:04:17 | 1:04:21 | |
-I would come down to 38. -38. -It would be worth more in scrap. | 1:04:23 | 1:04:27 | |
This is the thing I absolutely adore, Mark. | 1:04:27 | 1:04:31 | |
You've got it priced up at 105. What would be your absolutely lowest price on that? | 1:04:31 | 1:04:36 | |
The best I could do would be... | 1:04:36 | 1:04:38 | |
..90. If it helps, I'll go the extra 5 at 85. | 1:04:39 | 1:04:43 | |
-Thank you, Mark. And this Monart. -I would do for 60. -60. | 1:04:43 | 1:04:49 | |
Gosh, Mark, you are giving me a conundrum. | 1:04:49 | 1:04:52 | |
OK, so we have 153 for those three... | 1:04:52 | 1:04:56 | |
Erm, and I'll put that one in, £200 the lot. | 1:04:56 | 1:05:01 | |
I'm going to go for it. | 1:05:03 | 1:05:05 | |
I've blown most of my budget, very close to my budget on four items in my first shop. | 1:05:05 | 1:05:10 | |
Am I mad? Yes, of course I am. Completely. | 1:05:10 | 1:05:14 | |
'I couldn't possibly comment, Mark. | 1:05:14 | 1:05:17 | |
'So, while we give Mark the opportunity to pay up in haste and repent at leisure, | 1:05:17 | 1:05:23 | |
'Anita is back on the road, | 1:05:23 | 1:05:26 | |
'driving from Innerleithen to Roslin in Midlothian | 1:05:26 | 1:05:30 | |
'to visit its world-famous, 15th century chapel. | 1:05:30 | 1:05:34 | |
'If you've ever seen the movie of The Da Vinci Code, | 1:05:36 | 1:05:39 | |
'then you'll probably recognise the chapel, which featured in a fairly climactic scene. | 1:05:39 | 1:05:45 | |
'For centuries people have puzzled over the meaning of the rich and abundant carvings here.' | 1:05:45 | 1:05:52 | |
Oh, Simon! | 1:05:52 | 1:05:54 | |
This is the most extraordinary, | 1:05:54 | 1:05:57 | |
-extraordinary place. -Yes, it's quite a place, isn't it? | 1:05:57 | 1:06:01 | |
'Dan Brown, like many before him, | 1:06:04 | 1:06:06 | |
'concluded that the carvings must be the key to a great secret, | 1:06:06 | 1:06:10 | |
'usually involving Knights Templars and the Holy Grail, | 1:06:10 | 1:06:14 | |
'but there's a confusing amount of Pagan imagery too, | 1:06:14 | 1:06:16 | |
'as Anita's guide, Simon Beatty explains.' | 1:06:16 | 1:06:19 | |
This green man, it's a symbol that pops up all over the world. | 1:06:19 | 1:06:23 | |
It's a Pagan symbol originally. It's a god of nature, a god of fertility. | 1:06:23 | 1:06:27 | |
Usually you get one or two in a church, we've got over 100. | 1:06:27 | 1:06:31 | |
Do you sometimes feel that the eyes are following you around? SHE LAUGHS | 1:06:31 | 1:06:34 | |
There are occasions when you do feel someone's watching you, certainly. | 1:06:34 | 1:06:38 | |
'Amongst the incredible detail of what remains a working chapel are numerous quirks and curiosities, | 1:06:41 | 1:06:47 | |
'like this, the oldest known carving of a Scottish bagpiper, | 1:06:47 | 1:06:51 | |
'as well as a reminder or two of the nameless craftsman who built Roslin.' | 1:06:51 | 1:06:56 | |
What a magnificent pillar! | 1:06:56 | 1:06:59 | |
-The Apprentice Pillar. -Is that the Apprentice Pillar? -Yeah. | 1:06:59 | 1:07:02 | |
-That's wonderful. I believe there's a story behind that? -There is, yes. | 1:07:02 | 1:07:07 | |
The master mason was given the task of recreating a pillar that was in Rome. | 1:07:08 | 1:07:12 | |
So he went off to Rome to look at this original pillar. | 1:07:12 | 1:07:15 | |
While he was away, an apprentice mason carved this pillar, | 1:07:15 | 1:07:19 | |
without permission of the master mason, the master mason came back, | 1:07:19 | 1:07:23 | |
was very upset that someone had carved in his spot, and killed the apprentice for doing it. | 1:07:23 | 1:07:28 | |
-That's very gruesome. -That is not a nice story, really. | 1:07:28 | 1:07:32 | |
'He got his comeuppance, though. | 1:07:33 | 1:07:36 | |
'This is the face of the master, condemned to stare forever at his apprentice's work.' | 1:07:36 | 1:07:41 | |
'Those two could have done with making a study of Mark and Anita's harmonious working relationship. | 1:07:44 | 1:07:50 | |
'Although the auction is still to come. Right now though, | 1:07:50 | 1:07:53 | |
'Mark's reached Innerleithen, hot on Anita's shopping trail.' | 1:07:53 | 1:07:57 | |
Anita Manning is in the vicinity. | 1:07:57 | 1:08:00 | |
There's a number of shops on this street. | 1:08:00 | 1:08:02 | |
I'm heading for the nearest one which is Keepsakes. And let's hope she's not in there. | 1:08:02 | 1:08:07 | |
-Hello. You must be Margaret. -Hello, nice to meet you. -I'm Mark. | 1:08:09 | 1:08:12 | |
'Even though he already has four items, Keepsakes has plenty to catch Mark's eye. | 1:08:15 | 1:08:21 | |
'Like some typical Scottish pottery, as well as famous names like Susie Cooper and Clarice Cliff.' | 1:08:21 | 1:08:26 | |
And what's on the Clarice Cliff clog, do you know? | 1:08:26 | 1:08:29 | |
-The clog I think is about 400. -Oh, gosh! But I think it's a wee bit over my budget. | 1:08:29 | 1:08:35 | |
'Mark's now getting even warmer, | 1:08:36 | 1:08:39 | |
-'following Anita's hoof steps to ABK.' -Hello. | 1:08:39 | 1:08:44 | |
So this is just the sort of shop Anita Manning would love | 1:08:46 | 1:08:49 | |
because it's got lots of little knick-knacks and interesting objects | 1:08:49 | 1:08:53 | |
and Anita is very good at getting into shelves | 1:08:53 | 1:08:58 | |
and finding something that a lot of other people would miss. | 1:08:58 | 1:09:01 | |
But I tell you what I have found. | 1:09:01 | 1:09:03 | |
These are a pair of brass lighthouse door fittings. | 1:09:03 | 1:09:08 | |
And I think they're rather fun. | 1:09:08 | 1:09:10 | |
The problem is, will they be a beacon at the saleroom? | 1:09:12 | 1:09:15 | |
-What sort of price are you hoping to get for those? -About 85, I don't know. | 1:09:15 | 1:09:20 | |
I do love them, actually, but choices, choices. What's this? | 1:09:20 | 1:09:24 | |
-Don't you know what that is? -I don't think I do. | 1:09:24 | 1:09:27 | |
-It's a prayer stool. -Oh, it is a prayer stool. | 1:09:28 | 1:09:31 | |
I don't think I've ever seen one that shape before. | 1:09:31 | 1:09:34 | |
-So is that Victorian, do you think? -I think so. It's well-upholstered. -Quite nice, isn't it? | 1:09:34 | 1:09:40 | |
-It's quite well upholstered. Probably an oak frame, I would have thought. -Beautifully made, yes. | 1:09:40 | 1:09:45 | |
-So how does it work? -Well, I think you actually... I think you just kneel like that. | 1:09:45 | 1:09:51 | |
-Fun wee thing that, isn't it? -Different. -You've got it priced up at £25. | 1:09:51 | 1:09:55 | |
-Can you be charitable with me? -I could do you it for 18. | 1:09:55 | 1:09:59 | |
I've just seen that little box with N on it. What's it for? | 1:10:03 | 1:10:07 | |
-It's for cigarette holders. -See, I like these two things. | 1:10:07 | 1:10:10 | |
Brian, I wasn't intending to buy any more today. I was going to save my muster for tomorrow. | 1:10:11 | 1:10:18 | |
-A bird in the hand, Mark. -Yes, I know. Oh, Brian, you are terrible. You're leading me astray. | 1:10:18 | 1:10:23 | |
You'll go tomorrow, find nothing and say, "I wish I'd bought that stuff in Innerleithen." | 1:10:23 | 1:10:28 | |
-Can I be cheeky with you? -Aye. -Very cheeky. -Course you can be cheeky. | 1:10:28 | 1:10:32 | |
Could we do the two for 18? | 1:10:32 | 1:10:34 | |
Do you the two for 20, how's that? That's an excellent bargain. | 1:10:36 | 1:10:40 | |
I'm going to do it. Brian, thank you very much. | 1:10:41 | 1:10:43 | |
Oh, my giddy aunt, what have I done? I've been rash again! I promised I wouldn't do this! | 1:10:48 | 1:10:53 | |
And now I'm stuck with the consequences. | 1:10:53 | 1:10:55 | |
'Day two finds our hero and heroine heavy in baggage and light in funds, | 1:11:01 | 1:11:06 | |
'after a bumper start to their bargain-seeking tour.' | 1:11:06 | 1:11:09 | |
We really don't know what's round the corner as far as antique shops go | 1:11:09 | 1:11:15 | |
-and that's just such a pleasure. -Well, it is, but also quite a worry. | 1:11:15 | 1:11:19 | |
'Mark has already splashed out £220 on six items. | 1:11:19 | 1:11:23 | |
'Not least a potentially lucrative prayer stool.' | 1:11:23 | 1:11:26 | |
WHISPERS: Please, please, huge profits. | 1:11:26 | 1:11:29 | |
'Leaving him with just over £100. | 1:11:29 | 1:11:33 | |
'While Anita spent £66 on four items, | 1:11:33 | 1:11:36 | |
'including some fairly unusual hoof boots.' | 1:11:36 | 1:11:39 | |
-Guaranteed money-maker. -'Leaving her with just under £230.' | 1:11:39 | 1:11:44 | |
'Today's canter is from Roslin to Edinburgh, | 1:11:45 | 1:11:48 | |
'calling in on Thirsk, on the outskirts of Dalkeith.' | 1:11:48 | 1:11:52 | |
-I tell you what, you save your legs, you go in there, I'll go in here. -OK. | 1:11:52 | 1:11:56 | |
'Mark makes first for Drum Farm Antiques, | 1:11:58 | 1:12:01 | |
'a vast barn of a place mostly filled with furniture | 1:12:01 | 1:12:05 | |
'that's sure to appeal to trade buyers wanting to refurb and sell on.' | 1:12:05 | 1:12:09 | |
If you need a chair, this is the place to come. | 1:12:09 | 1:12:12 | |
'Retropolis, next door, certainly lives up to its name. | 1:12:12 | 1:12:17 | |
'Not fine antiques but everyday items arranged decoratively, | 1:12:17 | 1:12:21 | |
'with an emphasis on fun and kitsch.' | 1:12:21 | 1:12:24 | |
Do I look like a standard lamp? SHE LAUGHS | 1:12:24 | 1:12:27 | |
'A long way above standard, surely? | 1:12:27 | 1:12:29 | |
'But after the fashion, Anita wastes no time in unearthing yet another very practical box.' | 1:12:29 | 1:12:36 | |
In the west of Scotland they love Arts and Crafts beaten metal. | 1:12:36 | 1:12:41 | |
I wonder if they'll like it in the east coast, as well? It is hand-hammered. | 1:12:41 | 1:12:46 | |
And I love the text, I love that stylised text. | 1:12:47 | 1:12:51 | |
'At the turn of the 20th century, Scotland experienced a flowering of Art Nouveau design. | 1:12:51 | 1:12:57 | |
'The Scottish blend of Arts and Crafts, Celtic revival and Eastern influences | 1:12:57 | 1:13:02 | |
'became known as the Glasgow School.' | 1:13:02 | 1:13:05 | |
-Think we can do that for £20. -£20? -Yeah. | 1:13:05 | 1:13:08 | |
-Could I make an offer of a tenner on it? -Oh! | 1:13:08 | 1:13:11 | |
-LAUGHS -My wallet's contracting there. -SHE LAUGHS | 1:13:11 | 1:13:16 | |
-If you can come to ten. -12, 12... -If you can come to ten, it would give me a chance. | 1:13:16 | 1:13:20 | |
I mean, I might make 18 on it. I might not get £18 but it might go to 18. | 1:13:20 | 1:13:26 | |
-It's still 12. -It's still 12. SHE LAUGHS | 1:13:26 | 1:13:28 | |
-Squeeze 12 out. I think you'll... -Can we come in between 10 and 12? -All right, £11. | 1:13:28 | 1:13:35 | |
You'd think we were buying a Lamborghini or something. | 1:13:35 | 1:13:38 | |
-I know, it's a blooming slipper box, but OK. £11, it's yours. -11? Thank you very much. | 1:13:38 | 1:13:44 | |
-I haven't got any change. -Do you want to just go for ten quid? HE LAUGHS | 1:13:44 | 1:13:51 | |
-'While Anita notches up another saving...' -OK, Anita. Good luck with it. | 1:13:51 | 1:13:55 | |
'..Mark has decided that his dwindling funds are unlikely to be dispersed in Dalkeith. | 1:13:55 | 1:14:01 | |
'Instead, he's liberated the little Morris for a trip to the university. | 1:14:01 | 1:14:05 | |
'Mark travels from Dalkeith to Edinburgh, Scotland's capital.' | 1:14:05 | 1:14:11 | |
'Dominated by a castle and a rock, | 1:14:14 | 1:14:16 | |
'not forgetting the extinct volcano of Arthur's Seat, | 1:14:16 | 1:14:20 | |
'Edinburgh is famous for its arts festival and its rich literary tradition. | 1:14:20 | 1:14:26 | |
'Writers like Boswell and Sir Walter Scott lived here. | 1:14:26 | 1:14:29 | |
'JK Rowling still does. It's also the birthplace of Robert Louis Stevenson, | 1:14:29 | 1:14:35 | |
'author of the chilling Dr Jekyll and Mr Hyde, | 1:14:35 | 1:14:39 | |
'and where two real-life sinister characters, Burke and Hare, | 1:14:39 | 1:14:44 | |
'went on a grizzly murder spree to supply corpses for medical research. | 1:14:44 | 1:14:48 | |
'Mark's here to visit the Department of Anatomy, | 1:14:48 | 1:14:51 | |
'where Gordon Findlater, the museum's curator, can show him plenty of old bones.' | 1:14:51 | 1:14:57 | |
And it's the skeleton of William Burke. | 1:14:57 | 1:15:01 | |
-Oh, gosh. -He's been hanging here for the last 190 years. -Yes. Gosh! | 1:15:01 | 1:15:06 | |
He started on a murdering spree, as fortuitous as it was, | 1:15:06 | 1:15:10 | |
an old soldier died in his lodging house owing money to Hare. | 1:15:10 | 1:15:14 | |
One way of getting his rent back was to sell the body on to the anatomists. | 1:15:14 | 1:15:18 | |
Shortly after that, another lodger in the lodging house took unwell with an infection, | 1:15:18 | 1:15:22 | |
not good for business, so rather than wait until he died, they murdered him | 1:15:22 | 1:15:26 | |
and again took the body along to the anatomists. | 1:15:26 | 1:15:30 | |
I mean, what sort of price would they be paid per body? | 1:15:34 | 1:15:37 | |
Well, they reckon £10, £12 in the winter and down to £7 in the summer. | 1:15:37 | 1:15:42 | |
Mind you, even £7, if we're looking at the 1820s, that was an awful lot of money. | 1:15:42 | 1:15:47 | |
Some people were probably paid £7 a year back then. | 1:15:47 | 1:15:50 | |
I'm not sure, but I think I read somewhere that it was the equivalent of £10,000 or £12,000. | 1:15:50 | 1:15:56 | |
'Burke and Hare murdered 15 people | 1:15:57 | 1:15:59 | |
'over the course of nine months before they were finally arrested.' | 1:15:59 | 1:16:03 | |
Burke was sentenced to... | 1:16:06 | 1:16:08 | |
He was sentenced to be hung. In fact, his sentence was to be hung, | 1:16:08 | 1:16:11 | |
dissected and put on display, hence why we have him here to this day, that was part of his sentence. | 1:16:11 | 1:16:17 | |
'Incredibly, William Hare, who had testified against his partner, escaped punishment entirely.' | 1:16:17 | 1:16:24 | |
Here we have the life masks of Burke and Hare. | 1:16:24 | 1:16:28 | |
And above is the death mask of Burke. | 1:16:28 | 1:16:31 | |
-Showing the... -Garrotte marks going around the back of his neck. | 1:16:31 | 1:16:35 | |
25,000 people were in the Lawnmarket to watch Burke's hanging. | 1:16:35 | 1:16:39 | |
So it was a public spectacle. | 1:16:39 | 1:16:42 | |
-He wasn't very popular. -Very, very unpopular. | 1:16:42 | 1:16:45 | |
'From body snatchers to bargain grabbers. | 1:16:50 | 1:16:53 | |
'Anita now has five items. So will she stop the shop? Not likely!' | 1:16:53 | 1:16:58 | |
I have one more shop. I have five items. | 1:16:58 | 1:17:01 | |
However, I have a cunning plan. | 1:17:01 | 1:17:04 | |
What I was thinking, if I see a nice piece of jewellery, | 1:17:04 | 1:17:09 | |
then I can buy it, I can put it in with my little brooch just to bulk it up a bit. | 1:17:09 | 1:17:15 | |
'Anita is travelling from Dalkeith to North Berwick | 1:17:15 | 1:17:21 | |
'to visit Lovage & Lace.' | 1:17:21 | 1:17:24 | |
-Helen, can I have a wee look around? -Yes. -This looks absolutely wonderful. | 1:17:24 | 1:17:28 | |
'Lovage & Lace sells a mixture of antique, vintage and reproduction. | 1:17:28 | 1:17:32 | |
'Anita, though, has eyes for only one thing.' | 1:17:32 | 1:17:36 | |
I want to have a look at the jewellery now. | 1:17:36 | 1:17:38 | |
That's a lovely thing. That's not dear. | 1:17:40 | 1:17:43 | |
I'm looking for something specific. SHE LAUGHS | 1:17:43 | 1:17:47 | |
And I'm being pulled away by this marvellous vintage costume jewellery, which I absolutely love. | 1:17:47 | 1:17:53 | |
Can we look at that wee cat brooch? | 1:17:53 | 1:17:56 | |
I think that's lovely. I think it looks French. | 1:17:56 | 1:17:59 | |
-I know. -SHE LAUGHS | 1:17:59 | 1:18:02 | |
-It's very tempting, but it won't... -You can have it for... What's on it? 16. | 1:18:02 | 1:18:07 | |
You can have it, as it's you, for 13. How about that? | 1:18:07 | 1:18:10 | |
-It's got that sort of je ne sais quoi. -Yes, it does. | 1:18:10 | 1:18:14 | |
-It's very stylish. -A bit of style. -Everything from France is stylish. | 1:18:14 | 1:18:18 | |
Can I look at it in the daylight? | 1:18:19 | 1:18:22 | |
I think it's from the 1930s | 1:18:22 | 1:18:25 | |
and I like the form. It's a stylised cat. | 1:18:25 | 1:18:29 | |
Would I be able to make you an offer for it? | 1:18:29 | 1:18:34 | |
-£10? -No. I'll do it for 12 for you. | 1:18:34 | 1:18:37 | |
-I can't. Because it's such a bargain already at that. -Yes. | 1:18:37 | 1:18:40 | |
Would you take 10? I could take a chance on 10. | 1:18:40 | 1:18:43 | |
-On 10. -No. I'll take 11. | 1:18:43 | 1:18:45 | |
11? Shall we just go for it? Let's go for it! THEY LAUGH | 1:18:45 | 1:18:49 | |
'With the cat in the bag, it's time for Anita to meet Mark | 1:18:50 | 1:18:54 | |
'and reveal what she's been up to for the last few days.' | 1:18:54 | 1:18:57 | |
-Shall I start? -Yes. -OK. I'll dig into my wee bag | 1:18:57 | 1:19:01 | |
and take out a little silver decanter holder. | 1:19:01 | 1:19:05 | |
The price of silver is high just now. Did you have to pay a lot of money? | 1:19:05 | 1:19:10 | |
-I paid £38 for it. -£38? That's not bad at all. | 1:19:10 | 1:19:15 | |
'And now for Anita's paperweight.' | 1:19:15 | 1:19:18 | |
It's continental silver. Marked 925. | 1:19:18 | 1:19:21 | |
-OK. -So we have this rather nice work on the silver here, | 1:19:21 | 1:19:26 | |
-this lovely smoky topaz. -But the crucial question, Anita, | 1:19:26 | 1:19:31 | |
-how much? -I paid 18 for it. | 1:19:31 | 1:19:33 | |
-That's very reasonable. -Do you think so? -I do. | 1:19:33 | 1:19:35 | |
-I was hoping to get it round about £12. -I think you're being very mean, Anita. | 1:19:35 | 1:19:40 | |
'One of Mark's luxuries, the alabaster box.' | 1:19:40 | 1:19:44 | |
When you open it up, it's marked with a marker's mark and made in England. | 1:19:44 | 1:19:49 | |
So I think that fits the 1920s. I paid 30. | 1:19:49 | 1:19:53 | |
-Well, it's not too bad. -It's on the border, isn't it? | 1:19:53 | 1:19:58 | |
My next item is a piece of 20th century design. | 1:19:58 | 1:20:04 | |
When I lifted it up, it's a good weight. | 1:20:04 | 1:20:07 | |
-Yes. -I saw this beautifully finished base here. -Yes. | 1:20:07 | 1:20:11 | |
-Smoothed off with a pontil. -Mm-hm. | 1:20:11 | 1:20:13 | |
So there is quality there. | 1:20:13 | 1:20:16 | |
-How much did you pay for it? -£10. -Well, it's nothing, is it? | 1:20:16 | 1:20:19 | |
-My third item is also a piece of glass. -That's Monart. | 1:20:19 | 1:20:24 | |
I just fell in love with that sort of banister shape. | 1:20:24 | 1:20:28 | |
It's very curvaceous, it's very touchable. | 1:20:28 | 1:20:31 | |
You want to stroke it and feel it. I paid 47 for it. | 1:20:31 | 1:20:35 | |
That's a very conservative price. That's a very good price. | 1:20:35 | 1:20:40 | |
-Do I see a wee nick here? -No, you didn't see a wee nick there. -SHE LAUGHS | 1:20:40 | 1:20:44 | |
Right, my next item, | 1:20:46 | 1:20:49 | |
very useful item, no home should be without them. | 1:20:49 | 1:20:52 | |
-SHE LAUGHS Clip-clop, clip-clop. -Oh, Anita! | 1:20:52 | 1:20:57 | |
Anita Manning! I mean, you're going from the sublime to the ridiculous here! | 1:20:57 | 1:21:02 | |
-What on earth did you buy them for? -These may have belonged to | 1:21:02 | 1:21:08 | |
a very famous racehorse. In fact, I'll just have a wee look. | 1:21:08 | 1:21:12 | |
-Red Rum. Look! -Oh, no, murder. -THEY LAUGH | 1:21:12 | 1:21:17 | |
-So you paid nothing for them? -£28. | 1:21:17 | 1:21:20 | |
-Do you like them? -Er, no. But shall I gallop on to my next item? | 1:21:20 | 1:21:24 | |
'A little prayer stool from the very same shop.' | 1:21:24 | 1:21:28 | |
-I think it's been reupholstered by a carpenter. -Do you think so? Do you? | 1:21:28 | 1:21:33 | |
The dealer said I could have it for £18. | 1:21:33 | 1:21:36 | |
And then I spotted this. He said I could have them both for 20. | 1:21:36 | 1:21:40 | |
-Uh-huh. -And I thought it was a little bit of fun. | 1:21:40 | 1:21:43 | |
-Are you going to put them as one lot? -Yes. -I think that's a lovely wee box and I like pokerwork. | 1:21:43 | 1:21:48 | |
Although, you didn't do too well in pokerwork in your last sale. | 1:21:48 | 1:21:52 | |
-Thanks for reminding me. -Sorry for reminding you. | 1:21:52 | 1:21:54 | |
-You carry on. Shall I get you the tab of salt now? -SHE LAUGHS | 1:21:54 | 1:21:58 | |
'Next, Anita's Art Nouveau slipper box.' | 1:21:58 | 1:22:02 | |
It's rather sweet, actually. | 1:22:02 | 1:22:04 | |
I like beaten metal work and it goes for very good prices at auction. | 1:22:04 | 1:22:08 | |
-Did you pay a lot for it? -£11. -Well, I can't really say anything. | 1:22:08 | 1:22:14 | |
-It's a good price for that. -It is. It's a little ladies' sovereign case. | 1:22:14 | 1:22:18 | |
-Oh, that's so sweet. -With a lovely blue organza silk inside. | 1:22:18 | 1:22:23 | |
-And that's the original material. -It is. | 1:22:23 | 1:22:25 | |
-I have to ask you now, how much? -I paid £85. | 1:22:25 | 1:22:28 | |
On a good day with a good wind behind the sails, | 1:22:28 | 1:22:32 | |
-you could go to £150. -Oh, thank you, Anita. | 1:22:32 | 1:22:34 | |
'Anita's jewellery joint lot.' | 1:22:34 | 1:22:37 | |
Now, it's a typical Victorian mourning brooch. | 1:22:37 | 1:22:41 | |
I'm sending it to the auction as yellow metal. | 1:22:41 | 1:22:44 | |
But it has some quality. | 1:22:44 | 1:22:47 | |
I bought it for £10. | 1:22:47 | 1:22:49 | |
-Oh, Anita. -Yeah. -Are you going to be adventurous at all in this leg? | 1:22:49 | 1:22:54 | |
And you've got another one here. | 1:22:54 | 1:22:56 | |
It's a little stylised cat. It is continental | 1:22:56 | 1:23:00 | |
and it may well be a little Parisian moggy. | 1:23:00 | 1:23:05 | |
-£11. -So that's £21. -21 for the two. -OK. | 1:23:05 | 1:23:09 | |
Well, Anita, I think it's a tale of two buying trips this time. | 1:23:09 | 1:23:13 | |
I mean, I think I've gone for reasonable quality pieces. | 1:23:13 | 1:23:18 | |
You've bought wisely, as I expected. And we'll find out what happens at the auction. | 1:23:18 | 1:23:24 | |
'And here's what they really think.' | 1:23:24 | 1:23:26 | |
The Red Rum two-legged horse clippety-clop things, | 1:23:26 | 1:23:30 | |
I wouldn't have touched them for £24. | 1:23:30 | 1:23:33 | |
But Anita's had wacky things before and made a profit. | 1:23:33 | 1:23:36 | |
That kneeler, it's more like a cat scratcher. | 1:23:36 | 1:23:39 | |
It's absolutely horrible. | 1:23:39 | 1:23:43 | |
Comparing the two lots, I've really bought better items. | 1:23:43 | 1:23:47 | |
Whether that'll result in better profits, it's anyone guess, really. | 1:23:47 | 1:23:51 | |
I'm not taking as much chance as Mark is on this one | 1:23:51 | 1:23:56 | |
and I think that I probably have the edge on this sale. | 1:23:56 | 1:24:02 | |
'After starting out in the Lanarkshire countryside at Wiston, | 1:24:04 | 1:24:08 | |
'this leg of our bargain battle will be decided in Edinburgh | 1:24:08 | 1:24:11 | |
'at the auctioneers Thomson Roddick & Medcalf.' | 1:24:11 | 1:24:15 | |
-Are you excited? -I'm very excited. I'm always excited. | 1:24:15 | 1:24:18 | |
You've bought lovely items and I'm sure you'll make a profit. | 1:24:18 | 1:24:22 | |
-And, of course, you didn't, Anita, and I'm sure you will make a profit. Shall we get in? -Yes. | 1:24:22 | 1:24:27 | |
-I'll hold your hand, darling. -Come on, lead the way, darling. | 1:24:27 | 1:24:30 | |
'The Edinburgh public are gathering. to inspect the goods and the hammer is poised to fall, | 1:24:30 | 1:24:35 | |
'but Mark and Anita are keen to grab a quick word with auctioneer Sybelle Thomson.' | 1:24:35 | 1:24:41 | |
-How are they going to do? -We'll keep our fingers crossed. | 1:24:41 | 1:24:44 | |
You bought one or two nice quality items. | 1:24:44 | 1:24:47 | |
-Well, I did. -Well, I don't know who bought what. -THEY LAUGH | 1:24:47 | 1:24:50 | |
I particularly like the little Georgian ivory purse, | 1:24:50 | 1:24:55 | |
which is particularly special and probably inlaid with gold. | 1:24:55 | 1:24:58 | |
The horse hoof covers, I think they're great fun, | 1:24:58 | 1:25:01 | |
they're a real novelty collectors item. They're interesting and so we'll see. | 1:25:01 | 1:25:05 | |
-'Anita has spent £88 on five lots.' -We'll seal the deal at that. -Deal done. | 1:25:06 | 1:25:12 | |
-'While Mark has lavished £220 also on five lots.' -There we are. Crisp notes. | 1:25:13 | 1:25:19 | |
-'Let's go.' -One minute to go. Are you excited? | 1:25:19 | 1:25:23 | |
I am excited. And nervous, of course, as usual. | 1:25:23 | 1:25:25 | |
'Kicking off with the hoof boots.' | 1:25:27 | 1:25:29 | |
-I've got 20 bid on commission. -20 is bid. -20 bid. | 1:25:29 | 1:25:32 | |
25. 30. | 1:25:32 | 1:25:34 | |
5. 40. You're all out seated. Make no mistake. | 1:25:34 | 1:25:37 | |
They're on commission at 40. Anyone going on? At £40. | 1:25:37 | 1:25:42 | |
Well, that's not bad, Anita. | 1:25:42 | 1:25:43 | |
'A profit of £12 before commission on the boots.' | 1:25:43 | 1:25:48 | |
It's more Red Rum than Dobbin. | 1:25:48 | 1:25:51 | |
'Next, Mark's Monarch vase.' | 1:25:51 | 1:25:54 | |
100. 50. 50. | 1:25:54 | 1:25:57 | |
-Come on. -30 bid. -35. | 1:25:57 | 1:25:59 | |
-40. -Oh, no. -£40. Any advance on 40? | 1:25:59 | 1:26:02 | |
45. £50. Bid's with the lady at 50. 55. | 1:26:02 | 1:26:07 | |
-Any advance on 55? -Come on. -Selling to my right at 55. | 1:26:07 | 1:26:11 | |
-60. -Oh, new place. -£60. Right at the back at 60. | 1:26:11 | 1:26:16 | |
65. 65. | 1:26:16 | 1:26:18 | |
-Any advance on 65? -HAMMER BANGS | 1:26:18 | 1:26:21 | |
'Almost £20 made. Not to be sniffed at.' | 1:26:21 | 1:26:25 | |
So it's a small profit but at least it's a profit. | 1:26:25 | 1:26:27 | |
'Next, Anita's anonymous glass.' | 1:26:27 | 1:26:30 | |
Who'd like to start me? £30 for it. 30. | 1:26:30 | 1:26:33 | |
-20. 20 bid. -20 bid. -20. | 1:26:33 | 1:26:36 | |
20 bid. Who's going on? At 20 bid. 25. 30. | 1:26:36 | 1:26:40 | |
£30. Still on commission at £30. | 1:26:40 | 1:26:43 | |
-Yes! -'Also a good return.' | 1:26:43 | 1:26:47 | |
Not huge profits, but reasonable, decent, working profits. | 1:26:47 | 1:26:53 | |
'Now Mark's favourite item, the sovereign purse.' | 1:26:53 | 1:26:57 | |
Quite a lot of bids on it and I'm going to start it at £65. 65. | 1:26:57 | 1:27:02 | |
70. 5. 80. 5. | 1:27:02 | 1:27:05 | |
-85. With me on commission at 85. -Come on. | 1:27:05 | 1:27:09 | |
-85. 90. 5. -On the phone. | 1:27:09 | 1:27:12 | |
-100. 100. -Come on, a bit more. Come on. -On the telephone at 100. | 1:27:12 | 1:27:16 | |
-A little bit more. -At 100. Any advance on 100? | 1:27:16 | 1:27:20 | |
-Oh, no. -On the phone at £100. | 1:27:20 | 1:27:24 | |
Oh, that's disappointing. | 1:27:24 | 1:27:26 | |
'Certainly not what he'd hoped for.' | 1:27:26 | 1:27:29 | |
Technically, after commission, that's a loss. | 1:27:29 | 1:27:32 | |
'Anita's Scottish slipper box.' | 1:27:32 | 1:27:35 | |
-20 bid. 20 bid. -We're in at 20. -25. 30. -That's good. | 1:27:35 | 1:27:40 | |
On the right at 30. Anyone else going on? | 1:27:40 | 1:27:42 | |
At 30. The bid's on my right at £30. | 1:27:42 | 1:27:46 | |
Well, you were spot on there, Anita. Absolutely spot on. | 1:27:46 | 1:27:49 | |
'Thanks to some shrewd bargaining, | 1:27:49 | 1:27:52 | |
'another small gain for Anita.' | 1:27:52 | 1:27:54 | |
I would've liked a wee bit more, but then again, I'm happy with that. | 1:27:54 | 1:27:58 | |
'Mark's silver coaster is under the hammer next. | 1:27:58 | 1:28:01 | |
'But Mark's head, it seems, is elsewhere.' | 1:28:01 | 1:28:04 | |
5. 50. 5. | 1:28:04 | 1:28:07 | |
-60. 5. -Ooh. -70. -Is this mine? -5. | 1:28:07 | 1:28:10 | |
-75. -Never. -Standing on my left at 75. -No. Is it? | 1:28:10 | 1:28:13 | |
Would anyone else like in? At £75. | 1:28:13 | 1:28:17 | |
-Yes! -£75, Anita. | 1:28:17 | 1:28:20 | |
'Full marks for silver. £37 profit before commission.' | 1:28:20 | 1:28:25 | |
That's pushed me right back in the game, Anita. | 1:28:25 | 1:28:28 | |
'Anita's smoky topaz paperweight.' | 1:28:28 | 1:28:32 | |
£30 to make a start. 30. 30 bid. | 1:28:32 | 1:28:35 | |
30 bid. 35. 40. | 1:28:35 | 1:28:37 | |
5. 45. 45. | 1:28:37 | 1:28:40 | |
At £45. | 1:28:40 | 1:28:42 | |
-'Not a hefty profit, but over twice the cost.' -What do I know, Anita? | 1:28:42 | 1:28:46 | |
-I clearly know absolutely nothing. -Oh, well, as long as you admit it. | 1:28:46 | 1:28:50 | |
'That tasteful alabaster box.' | 1:28:50 | 1:28:53 | |
-20 bid. 20 bid. -Oh, please, a bit more. | 1:28:53 | 1:28:56 | |
£20. First and only bid of 20. | 1:28:56 | 1:28:58 | |
Anyone going on for a nice alabaster box at 20? | 1:28:58 | 1:29:01 | |
At £20. | 1:29:01 | 1:29:04 | |
Damn. | 1:29:04 | 1:29:06 | |
-'A £10 loss before commission.' -No, that's disappointing. | 1:29:06 | 1:29:11 | |
'Anita's little jewellery lot.' | 1:29:11 | 1:29:13 | |
The mourning brooch and cat brooch at 45. | 1:29:13 | 1:29:16 | |
-45. -50. 5. 60. | 1:29:16 | 1:29:18 | |
-5. 65. Still on commission at 65. -That must've been gold, Anita. | 1:29:18 | 1:29:24 | |
At £65. 901. | 1:29:24 | 1:29:27 | |
A very sharp profit. | 1:29:27 | 1:29:29 | |
Oh, dear. I knew this was going to be a bad day. | 1:29:29 | 1:29:33 | |
'Now, does this lot have a prayer?' | 1:29:33 | 1:29:37 | |
-£85. -I don't think I can even look, Anita. I can't even look. | 1:29:37 | 1:29:41 | |
Who'd like to start me at £40 for these? 40. | 1:29:41 | 1:29:44 | |
-20. 20. £20. -Oh, come on. | 1:29:44 | 1:29:48 | |
20. £10. Beautifully upholstered. At 10. | 1:29:48 | 1:29:51 | |
£10. £10. Anyone for 10? | 1:29:51 | 1:29:53 | |
-I don't think it's going to sell. -£10. 10 bid. 10 bid. | 1:29:53 | 1:29:57 | |
-Oh, no. -10 bid. First and only bid of 10. | 1:29:57 | 1:30:00 | |
-Come on. -12. -12! -Come on! | 1:30:00 | 1:30:02 | |
-12. Have another, sir. At 12. -It's lovely! Come on! | 1:30:02 | 1:30:05 | |
-At £12. -Oh, that's terrible. | 1:30:05 | 1:30:08 | |
'An £8 loss before auction costs. | 1:30:08 | 1:30:12 | |
'Seems like he wasn't listening, Mark.' | 1:30:12 | 1:30:14 | |
£12, Anita. | 1:30:14 | 1:30:17 | |
I can't say that I'm surprised. | 1:30:17 | 1:30:19 | |
'Anita's less than consoling words are tempered by the knowledge | 1:30:21 | 1:30:25 | |
'that she now leads by about £50. Call it a short head. | 1:30:25 | 1:30:29 | |
'Mark began with £324.40 | 1:30:29 | 1:30:33 | |
'and made £3.04 after auction costs, | 1:30:33 | 1:30:37 | |
'so he now has £327.44 to spend tomorrow. | 1:30:37 | 1:30:42 | |
'Anita started this round with £294.40 | 1:30:43 | 1:30:47 | |
'and made £84.20 after auction costs, | 1:30:47 | 1:30:51 | |
'leaving her with £378.60 to spend tomorrow.' | 1:30:51 | 1:30:57 | |
Never mind, Mark. Not much ahead. | 1:30:57 | 1:30:59 | |
-Don't be depressed. We'll go for a wee spin and have a nice cup of tea. -Wonderful. | 1:30:59 | 1:31:04 | |
-The ride's on you. -SHE LAUGHS | 1:31:04 | 1:31:06 | |
'Join us tomorrow when Mark celebrates a bargain find.' | 1:31:09 | 1:31:13 | |
-And a kiss. -Absolutely. | 1:31:13 | 1:31:16 | |
'And Anita unlocks a little bit of history.' | 1:31:16 | 1:31:19 | |
-This is actually a piece of Napoleon's hair? -That's amazing. We didn't know that was there. | 1:31:19 | 1:31:26 | |
Subtitles by Red Bee Media Ltd | 1:31:28 | 1:31:32 | |
E-mail [email protected] | 1:31:32 | 1:31:36 | |
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