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The nation's favourite antiques experts, £200 and one big challenge. | 0:00:02 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-£15. -No. | 0:00:13 | 0:00:15 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:15 | 0:00:19 | |
but it's not as easy as you might think, | 0:00:19 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-I'm going to go for it. -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
We're wending our wee way through Scotland | 0:00:36 | 0:00:39 | |
in high summer with Mark Stacey and Anita Manning. | 0:00:39 | 0:00:43 | |
-Now, there's a coupling for you. -Welcome to British Summer Time. | 0:00:43 | 0:00:46 | |
Well, it's always Mediterranean climate in Scotland, Mark. | 0:00:46 | 0:00:50 | |
Yes, I can see, Anita. My castanets are frozen! | 0:00:50 | 0:00:53 | |
Mark, Anita and their wee Morris have taken the high road, | 0:00:56 | 0:01:01 | |
the low road and even a few wrong roads. | 0:01:01 | 0:01:05 | |
It's right turn. | 0:01:05 | 0:01:06 | |
And now they're getting very close to the border. | 0:01:06 | 0:01:09 | |
So, just over that hill is England. | 0:01:09 | 0:01:13 | |
I'm sure there's been a few battles around here over the years, Anita. | 0:01:13 | 0:01:16 | |
Do you think it'll improve your performance, Mark? | 0:01:16 | 0:01:20 | |
-I hope so, Anita, because it needs improving, doesn't it? -It certainly does! | 0:01:20 | 0:01:24 | |
Mark is a valuer and a dealer who loves to splash out now and again. | 0:01:27 | 0:01:33 | |
-I daren't ask you for a discount on... -No, you wouldn't. | 0:01:33 | 0:01:37 | |
-Although that can get him into trouble. -I can't believe it. | 0:01:37 | 0:01:40 | |
While Anita, an auctioneer, is both the Queen of Canny... | 0:01:40 | 0:01:46 | |
-£22. -That's too much. -And a mother with a shoulder to cry on. | 0:01:46 | 0:01:50 | |
-I clearly know absolutely nothing. -Well, as long as you admit it. | 0:01:50 | 0:01:54 | |
They began with £200 each and have already made a major profit. | 0:01:54 | 0:02:00 | |
Mark goes into today with £327.44 to spend. | 0:02:02 | 0:02:07 | |
While Anita has sneaked ahead on £378.60. | 0:02:09 | 0:02:14 | |
Oh, dear. I knew this was going to be a bad day. | 0:02:14 | 0:02:17 | |
This week's journey is from the Cairngorms | 0:02:20 | 0:02:23 | |
via the charming cities of Edinburgh and Durham | 0:02:23 | 0:02:26 | |
to Thirsk in North Yorkshire. | 0:02:26 | 0:02:28 | |
Today's show starts out at Melrose in the Scottish Borders | 0:02:28 | 0:02:31 | |
and heads for a bonnie auction in Sunderland. | 0:02:31 | 0:02:34 | |
Several hundred years ago, the Borders were a frightening place. | 0:02:36 | 0:02:40 | |
A lawless region where raiding bands from both sides | 0:02:40 | 0:02:44 | |
wreaked indiscriminate destruction, | 0:02:44 | 0:02:46 | |
which is why you'll find an awful lot of ruined abbeys hereabouts. | 0:02:46 | 0:02:51 | |
-Beautiful little Borders town. -Lovely, isn't it? | 0:02:51 | 0:02:54 | |
-I think we've got four antiques shops. -I think so. | 0:02:54 | 0:02:58 | |
So there should be plenty of choice. | 0:02:58 | 0:03:00 | |
This is Melrose, where the heart of King Robert the Bruce is buried | 0:03:02 | 0:03:06 | |
and where rugby history was made when they invented the seven a side version in 1883. | 0:03:06 | 0:03:12 | |
Today's activity, however, is strictly a singles competition. | 0:03:12 | 0:03:16 | |
What's your strategy today? | 0:03:16 | 0:03:18 | |
I'm not quite sure, Mark, I think I'm going to remain a little canny. | 0:03:18 | 0:03:22 | |
I do think you ought to try less of this canniness, Anita. | 0:03:22 | 0:03:26 | |
You need to risk sometimes, you know. | 0:03:26 | 0:03:29 | |
So, with that thought, our duo hit the streets of Melrose to try for a bargain. | 0:03:31 | 0:03:36 | |
Anita's arrived at Whole Lot Antiques | 0:03:36 | 0:03:41 | |
where there are, indeed, quite a few objects gathered under one roof, but no dealers present. | 0:03:41 | 0:03:46 | |
So inquiries must be directed through the shopkeeper, Pat Glass. | 0:03:46 | 0:03:51 | |
This is a seal. | 0:03:51 | 0:03:54 | |
And this part here would be used | 0:03:54 | 0:03:58 | |
to stamp the wax to seal your letters. | 0:03:58 | 0:04:02 | |
Just for extra confidentiality. | 0:04:02 | 0:04:06 | |
I'm not sure of the age of it. | 0:04:06 | 0:04:09 | |
Do you know anything? | 0:04:09 | 0:04:11 | |
I'm afraid we don't know. | 0:04:11 | 0:04:13 | |
All we can tell you is what the dealer puts on the ticket. | 0:04:13 | 0:04:16 | |
Unfortunately, the only thing on the ticket is a price for £52, | 0:04:16 | 0:04:21 | |
but Pat may be a little bit flexible. | 0:04:21 | 0:04:25 | |
I could do that for £30. | 0:04:25 | 0:04:26 | |
I'm really looking to get that for around about £20. | 0:04:28 | 0:04:31 | |
-I can give her a ring and find out what the best price would be. -OK. | 0:04:31 | 0:04:36 | |
So, while Pat makes the call, Anita steps outside, not to nick it, | 0:04:36 | 0:04:39 | |
but to take a closer look. | 0:04:39 | 0:04:42 | |
I'm still not absolutely sure if it's a modern replica. | 0:04:42 | 0:04:46 | |
It really is touch-and-go. It is touch-and-go. | 0:04:46 | 0:04:51 | |
Anita, we have good news. | 0:04:51 | 0:04:53 | |
-I've had the dealer on the phone, and she will take £25. -Right. | 0:04:53 | 0:04:57 | |
I think we should just go for it. | 0:04:57 | 0:04:59 | |
Elsewhere in Melrose, Mark is exploring his first shop, | 0:05:00 | 0:05:04 | |
Michael Vee Design. | 0:05:04 | 0:05:06 | |
It's a great place to visit, but hardly a traditional antique shop. | 0:05:06 | 0:05:10 | |
Among all the painted and the shabby chic, you can spot things like this. | 0:05:10 | 0:05:15 | |
This is carved piece of doorway. | 0:05:15 | 0:05:19 | |
It would have gone over a lovely big entrance door. | 0:05:19 | 0:05:23 | |
Possibly Georgian, probably more likely to be 19th century. | 0:05:23 | 0:05:27 | |
But a fantastically decorative item. | 0:05:27 | 0:05:30 | |
Not quite sure that that's going to go down well in the saleroom, | 0:05:30 | 0:05:34 | |
but it's a lovely object. | 0:05:34 | 0:05:36 | |
-Hello, Enid. -Hi. -I love your shop. -Thank you. -I love it. | 0:05:36 | 0:05:39 | |
I mean, it's just really what the market's going for now, | 0:05:39 | 0:05:43 | |
a mixture of the new and the old. But, I was looking for | 0:05:43 | 0:05:46 | |
something a bit more antique and a bit smaller. | 0:05:46 | 0:05:49 | |
Well, I might have something upstairs | 0:05:49 | 0:05:51 | |
that was in the filing cabinet, | 0:05:51 | 0:05:53 | |
and now could come out of the filing cabinet. | 0:05:53 | 0:05:56 | |
I'm intrigued, I'd love to have a look in your filing cabinet. | 0:05:56 | 0:05:59 | |
I know. I'd like you to see it. I'll go and get it. | 0:05:59 | 0:06:02 | |
Well, you see, you never know. | 0:06:02 | 0:06:03 | |
-I know what's in my filing cabinet at home, bills. -Here it is. | 0:06:03 | 0:06:07 | |
Oh, no, this is intricate, a cased item. | 0:06:07 | 0:06:11 | |
Oh, wow! | 0:06:11 | 0:06:13 | |
Gosh, Enid. | 0:06:13 | 0:06:15 | |
Where on earth did you get this from? | 0:06:15 | 0:06:17 | |
Well, I think I bought it from a local dealer about... | 0:06:17 | 0:06:21 | |
maybe 12 years ago, 15 years ago. | 0:06:21 | 0:06:24 | |
Good lord. First of all, we've got some sort of insignia | 0:06:24 | 0:06:27 | |
with a lion's head. Now, that could be anything. | 0:06:27 | 0:06:29 | |
-We've got a long chain. So it's going to hang like that. -Yeah. | 0:06:29 | 0:06:33 | |
-And then, what happens when you open it... -Well, it's a whistle. | 0:06:33 | 0:06:37 | |
Gosh! | 0:06:37 | 0:06:39 | |
I bet it still works. WHISTLE TOOTS | 0:06:40 | 0:06:43 | |
It does. | 0:06:43 | 0:06:44 | |
Absolutely. Police, fire brigade... | 0:06:44 | 0:06:46 | |
Do you know, I think it is some sort of Commander's, | 0:06:46 | 0:06:50 | |
-for ceremonial purposes. -Yeah. | 0:06:50 | 0:06:52 | |
Whether it's when they're on parade and you've got your finery on. | 0:06:52 | 0:06:56 | |
You've got all your silver buttons polished up. The big question is, | 0:06:56 | 0:07:00 | |
-is it for sale? -I think it could be. -Oh. | 0:07:00 | 0:07:05 | |
I don't suppose you have any idea of what you want for it, Enid? | 0:07:05 | 0:07:08 | |
I can't remember what I paid for it. That's the honest truth. | 0:07:08 | 0:07:12 | |
-So it can't have been too much? -I think it was over £100. -Was it? | 0:07:12 | 0:07:16 | |
I'm sure it was over £100. | 0:07:16 | 0:07:18 | |
I mean, how close do you think we could get to £80? | 0:07:18 | 0:07:21 | |
Oh, a bit more than that. No. Definitely, a bit more than that. | 0:07:21 | 0:07:24 | |
-How much more? -Well... | 0:07:24 | 0:07:27 | |
Putting you on the spot a bit. | 0:07:27 | 0:07:30 | |
Putting me on the spot. | 0:07:30 | 0:07:32 | |
£120. | 0:07:32 | 0:07:33 | |
HE EXHALES | 0:07:33 | 0:07:36 | |
Can we meet in the middle, Enid, and say £100? | 0:07:36 | 0:07:40 | |
£110. I'm a hard woman from Scotland. | 0:07:40 | 0:07:43 | |
You are a hard woman! | 0:07:43 | 0:07:45 | |
-£105? -OK. | 0:07:47 | 0:07:49 | |
-And a kiss. -Absolutely. | 0:07:49 | 0:07:51 | |
Lovely. Despite having sealed her deal, | 0:07:51 | 0:07:55 | |
Anita is still wholly occupied at the Lot down the road. | 0:07:55 | 0:07:58 | |
I keep seeing lovely things. | 0:07:58 | 0:08:01 | |
It's a wee bit small. | 0:08:01 | 0:08:02 | |
Sometimes I like having things like that just to, sort of, | 0:08:02 | 0:08:06 | |
lie on my dressing table. | 0:08:06 | 0:08:09 | |
Even though you couldn't wear it. Yes. | 0:08:09 | 0:08:11 | |
At £15, it may be worth it just as an ornament. | 0:08:12 | 0:08:15 | |
I mean, could it be done for 10? | 0:08:15 | 0:08:17 | |
Oh, I'm sure we could do that for 10. | 0:08:18 | 0:08:20 | |
There we go. | 0:08:20 | 0:08:22 | |
So, Anita has spent a mere £35 | 0:08:22 | 0:08:25 | |
on an amber seal and a jade bracelet, | 0:08:25 | 0:08:27 | |
while her rival has already blown a packet on a whistle. | 0:08:27 | 0:08:31 | |
£105 there, Enid. | 0:08:31 | 0:08:33 | |
Oh, never mind. | 0:08:33 | 0:08:36 | |
I'll tell you what I'll do, £5 back for a luck penny. | 0:08:36 | 0:08:40 | |
That's so kind of you. | 0:08:40 | 0:08:41 | |
I'm sure it all helps. | 0:08:41 | 0:08:44 | |
Well, I'm absolutely thrilled with that. | 0:08:44 | 0:08:46 | |
It's just a hop, skip and a jump to my next shop. | 0:08:46 | 0:08:49 | |
Steady old boy! Hopefully, the best things in this shop aren't hidden under the dog. | 0:08:49 | 0:08:54 | |
This is much for what I'm used to and comfortable with. | 0:08:54 | 0:08:57 | |
An antiques shop with lots of antiques, hopefully. | 0:08:57 | 0:09:01 | |
The question is, will they be in my price range? | 0:09:01 | 0:09:04 | |
This is a very interesting little object. | 0:09:04 | 0:09:08 | |
We've got a very finely modelled porcelain | 0:09:08 | 0:09:11 | |
or bone china fox's head here with lovely eyes. | 0:09:11 | 0:09:15 | |
Everything is nicely decorated. | 0:09:15 | 0:09:17 | |
And then you've got, written on the bottom, Tally Ho. | 0:09:17 | 0:09:20 | |
We know it's something straightaway to do with fox hunting | 0:09:20 | 0:09:25 | |
and these would've been served | 0:09:25 | 0:09:27 | |
with a nip of whisky or brandy before the hunt. | 0:09:27 | 0:09:30 | |
You'd swig that back and hand it to your man-servant and off it would go. | 0:09:31 | 0:09:37 | |
It's almost got a look of Anita Manning, cos she's a sly old fox! | 0:09:37 | 0:09:40 | |
Miaow! At £750 the pair, | 0:09:40 | 0:09:43 | |
these stirrup cups are well beyond Mark's budget | 0:09:43 | 0:09:46 | |
but he soon hunts out something almost as foxy. | 0:09:46 | 0:09:49 | |
That's a pretty little brooch. H Samuel. | 0:09:49 | 0:09:52 | |
Largest watchmaker and jewellers in the world, it says. | 0:09:54 | 0:09:57 | |
Market Street, Manchester, London, Glasgow and Cardiff, no less. | 0:09:57 | 0:10:02 | |
And all principal cities. | 0:10:02 | 0:10:05 | |
There's a box and a half, isn't there? | 0:10:05 | 0:10:07 | |
That's a charming little art nouveau brooch, probably in gold, | 0:10:08 | 0:10:13 | |
set with a little bit of turquoise. | 0:10:13 | 0:10:15 | |
I don't normally go for jewellery, | 0:10:15 | 0:10:18 | |
but I'm sure that's just the sort of sweet little quality piece | 0:10:18 | 0:10:22 | |
that Anita would find endearing. | 0:10:22 | 0:10:24 | |
It's a beautiful thing. Be out of my price range, I'm sure. | 0:10:24 | 0:10:29 | |
I love the box. | 0:10:29 | 0:10:31 | |
-Yes, it is its original box. -It is beautiful, isn't it? | 0:10:31 | 0:10:35 | |
-Go on, hit me with it. -70. -70? | 0:10:35 | 0:10:39 | |
I don't often buy jewellery. I just think it's such a charming... | 0:10:39 | 0:10:42 | |
-Would 50 help you? -It would help me a lot. | 0:10:42 | 0:10:45 | |
-I couldn't do any better than that. -You couldn't go lower than 50? | 0:10:45 | 0:10:49 | |
-Not 45? -No. | 0:10:49 | 0:10:51 | |
Go on then. | 0:11:01 | 0:11:02 | |
-Go on what? -45. | 0:11:02 | 0:11:05 | |
Thank you. | 0:11:06 | 0:11:08 | |
When Anita was here earlier, there were a lot of antiques to choose from. | 0:11:12 | 0:11:16 | |
Now, there are a few less, but still, quite enough for Mark. | 0:11:16 | 0:11:20 | |
Might be a good sign. | 0:11:20 | 0:11:22 | |
This has been in the window so long, it's faded the price ticket. | 0:11:22 | 0:11:25 | |
This is sometimes called Satsuma ware, | 0:11:25 | 0:11:29 | |
after the region in Japan where it comes from. | 0:11:29 | 0:11:32 | |
You can see here, it's got a signature | 0:11:32 | 0:11:34 | |
and that little mark there, | 0:11:34 | 0:11:36 | |
is the mon for the Prince of Satsuma. | 0:11:36 | 0:11:39 | |
That shows it's come from that area. | 0:11:39 | 0:11:41 | |
It's not the best quality but it's not the worst quality either. | 0:11:41 | 0:11:45 | |
It's actually quite decorative. | 0:11:45 | 0:11:47 | |
Satsuma earthenware originated in Japan in the late 16th century | 0:11:48 | 0:11:52 | |
and is still produced today. | 0:11:52 | 0:11:54 | |
It's usually brightly enamelled. | 0:11:54 | 0:11:57 | |
I think I read that as 28. | 0:11:57 | 0:12:00 | |
-28? -Yes. | 0:12:00 | 0:12:02 | |
Are you able to negotiate on behalf of the dealer? | 0:12:04 | 0:12:07 | |
I can do it for £20. | 0:12:07 | 0:12:10 | |
I'm going to take that. | 0:12:10 | 0:12:12 | |
So, while Mark oversees the wrapping of another potential bargain... | 0:12:12 | 0:12:17 | |
That's lovely, thank you. | 0:12:17 | 0:12:18 | |
..Anita drives a few short miles to Abbotsford... | 0:12:18 | 0:12:22 | |
..to visit the home of the great poet and novelist, Sir Walter Scott. | 0:12:25 | 0:12:30 | |
He was the first English language author to have a successful international career | 0:12:30 | 0:12:34 | |
as a writer in his lifetime, | 0:12:34 | 0:12:37 | |
for romantic novels like The Lady of the Lake and Ivanhoe. | 0:12:37 | 0:12:41 | |
Anita's here to meet Jason Dyer, of the charity that safeguards the estate. | 0:12:43 | 0:12:48 | |
-Hi, Jason. -Hi, Anita, welcome to Abbotsford | 0:12:48 | 0:12:51 | |
and the home of Sir Walter Scott. | 0:12:51 | 0:12:53 | |
Tell me when this building was built. | 0:12:54 | 0:12:57 | |
It's in the Scottish baronial style. | 0:12:57 | 0:12:59 | |
It is and it's the first in the Scottish baronial style. | 0:12:59 | 0:13:02 | |
Sir Walter Scott started building in 1811 | 0:13:02 | 0:13:05 | |
and he completed the house in 1824. | 0:13:05 | 0:13:09 | |
This is the study, so this is where Scott actually wrote many of his later novels. | 0:13:09 | 0:13:14 | |
-This is? -This is his original desk where he wrote those novels. | 0:13:14 | 0:13:19 | |
It really is the beating heart of the house, if you like. | 0:13:19 | 0:13:23 | |
And in the desk, his spectacles are still there, | 0:13:24 | 0:13:27 | |
his Thomas Coutts chequebook that he'd have used is still there. | 0:13:27 | 0:13:31 | |
So quite incredible. | 0:13:31 | 0:13:33 | |
Also, his indexing system that he used for the various books around the shelf. | 0:13:33 | 0:13:37 | |
There are 2,000 books normally in this study, | 0:13:37 | 0:13:39 | |
these were books he was working on right up until his death. | 0:13:39 | 0:13:42 | |
It has incredible atmosphere, this room. | 0:13:42 | 0:13:44 | |
Not only did Sir Walter Scott virtually invent the historical novel, | 0:13:47 | 0:13:52 | |
but he was also a great collector of historical objects. | 0:13:52 | 0:13:55 | |
People would send him significant artefacts from all over the world, | 0:13:55 | 0:13:59 | |
which inspired both novels and non-fiction, | 0:13:59 | 0:14:02 | |
like his biography of Napoleon. | 0:14:02 | 0:14:05 | |
According to the museum, the wood in this chair grew at the place | 0:14:05 | 0:14:09 | |
where Scottish rebel leader, William Wallace, was captured. | 0:14:09 | 0:14:12 | |
And the timber in this box came from the Spanish Armada. | 0:14:12 | 0:14:16 | |
OK, Anita, this is just a few of the items that Scott was collecting. | 0:14:17 | 0:14:21 | |
Quite an incredible array in this case here. | 0:14:21 | 0:14:24 | |
This is intriguing. | 0:14:24 | 0:14:25 | |
A piece of oatcake found in the pocket of a Highlander | 0:14:25 | 0:14:29 | |
on the field of Culloden. | 0:14:29 | 0:14:31 | |
Incredible if that's what it is, that it survived all this time! | 0:14:31 | 0:14:35 | |
Quite often Sir Walter did want to prove | 0:14:35 | 0:14:38 | |
what he was collecting is what it was meant to be. | 0:14:38 | 0:14:41 | |
But you have grey areas around some objects. | 0:14:41 | 0:14:43 | |
-He liked doing the detective work. -He did, yes. | 0:14:43 | 0:14:47 | |
Scott's incredible collection at Abbotsford also includes | 0:14:47 | 0:14:50 | |
several famous locks of hair, | 0:14:50 | 0:14:52 | |
as well as some precious possessions that have rarely been handled. | 0:14:52 | 0:14:56 | |
-What about this crucifix here? -The crucifix is an important object in the case. | 0:14:56 | 0:15:00 | |
It's believed to be the crucifix | 0:15:00 | 0:15:01 | |
that Mary Queen of Scots took to her execution. | 0:15:01 | 0:15:04 | |
We'd like to think if Sir Walter Scott's done the detective work, | 0:15:04 | 0:15:07 | |
that is what it is. | 0:15:07 | 0:15:09 | |
If it is, it really is something that's been held by history. | 0:15:09 | 0:15:12 | |
One of the central features in this case | 0:15:12 | 0:15:15 | |
is the blotting book that belonged to Napoleon. | 0:15:15 | 0:15:17 | |
-Is it possible to have a look? -Of course. | 0:15:17 | 0:15:19 | |
I'm going to have to ask you to put some gloves on, I'm afraid, | 0:15:19 | 0:15:22 | |
so we can handle these. | 0:15:22 | 0:15:24 | |
-This is a privilege to handle this! -It's wonderful. | 0:15:24 | 0:15:27 | |
-I've never looked inside before. -It's an adventure for both of us. | 0:15:27 | 0:15:31 | |
It's an adventure for me. | 0:15:31 | 0:15:32 | |
There's this letter here which again, I've never looked at before. | 0:15:32 | 0:15:36 | |
It would be interesting to see if we can make out what it says. | 0:15:36 | 0:15:39 | |
It says, "This sealing case was left by Napoleon on his writing table | 0:15:39 | 0:15:45 | |
"in the Palace of the Elysees in 1815." | 0:15:45 | 0:15:48 | |
So, as he was obviously making his escape, he left this behind. | 0:15:48 | 0:15:54 | |
That's wonderful. | 0:15:54 | 0:15:57 | |
Do you want me to open it to see if we find any other surprises inside? | 0:15:57 | 0:16:02 | |
And we have got what looks like some letters. | 0:16:02 | 0:16:04 | |
And this one does seem to say something about Napoleon. | 0:16:05 | 0:16:09 | |
-And it is some of his hair. -ANITA GASPS | 0:16:09 | 0:16:11 | |
"I take the liberty of sending you some of Napoleon's hair." | 0:16:11 | 0:16:14 | |
So that is amazing, actually, to suddenly see that. | 0:16:14 | 0:16:18 | |
So what would have happened is that... | 0:16:18 | 0:16:21 | |
I mean, Scott would have a wide circle | 0:16:21 | 0:16:23 | |
of influential friends throughout Europe, | 0:16:23 | 0:16:26 | |
-and they would know of his passion... -Definitely. -..for collecting. -Yep. | 0:16:26 | 0:16:32 | |
And they would send him perhaps this type of thing. | 0:16:32 | 0:16:35 | |
Indeed. He had a whole series of people who went out and collected for him. | 0:16:35 | 0:16:39 | |
-So this is a find of some significance. -I think so, yes. | 0:16:39 | 0:16:42 | |
-We just didn't know it was there. That's quite incredible. -Well done. | 0:16:42 | 0:16:46 | |
-Thank you. -We did it together. -We did indeed, yes. | 0:16:46 | 0:16:49 | |
Well, I wonder if the significance of what Anita has found has sunk in yet. | 0:16:51 | 0:16:56 | |
I mean, anyone can discover the odd bargain, but the Emperor's hair? | 0:16:56 | 0:17:00 | |
Incroyable! | 0:17:00 | 0:17:03 | |
The next day, Jason did some further research into their discovery | 0:17:08 | 0:17:13 | |
and asked Anita back to hear about the reaction | 0:17:13 | 0:17:15 | |
it had already provoked. | 0:17:15 | 0:17:18 | |
The flurry of e-mails I've had back from various people, | 0:17:18 | 0:17:21 | |
all saying it's an exciting find, | 0:17:21 | 0:17:23 | |
and for some of them, because they've seen it referenced | 0:17:23 | 0:17:26 | |
in his letters, even more powerful to them because it matches up | 0:17:26 | 0:17:32 | |
an object in the collection to something that's mentioned in his letters | 0:17:32 | 0:17:35 | |
that they've never been able to find before. | 0:17:35 | 0:17:38 | |
You know, did this really happen? And now we know for certain that it did. | 0:17:38 | 0:17:42 | |
-The provenance is there. -Yes. | 0:17:42 | 0:17:43 | |
And what is incredible, when you look at that lock of hair, | 0:17:43 | 0:17:47 | |
when you compare it to the other locks of hair we've got in the case, | 0:17:47 | 0:17:50 | |
they're all bleached white by the sun, | 0:17:50 | 0:17:52 | |
and yet this, you can see the actual colour of Napoleon's hair. | 0:17:52 | 0:17:56 | |
-What a story! -Indeed! | 0:17:56 | 0:17:58 | |
And a real first for the Road Trip, too. Bravo! | 0:17:58 | 0:18:02 | |
Back on the road and our trippers are taking the easy way | 0:18:02 | 0:18:05 | |
out of the Borders. | 0:18:05 | 0:18:07 | |
-Mark, the second day of our third leg. -And the sun is shining, Anita. -The sun is shining. | 0:18:07 | 0:18:11 | |
The weather's on our side. | 0:18:11 | 0:18:13 | |
-There's nobody listening, this is just a conversation between us. -Just between us? | 0:18:13 | 0:18:17 | |
-Just between us. -A wee secret? -A wee secret. Tell me what you bought. -No. | 0:18:17 | 0:18:21 | |
Well, strictly hush-hush, | 0:18:21 | 0:18:23 | |
but Anita spent just £35 on two wee things, including a jade bracelet. | 0:18:23 | 0:18:29 | |
-So she now has £343.60. -Bye-bye. -Thanks now, bye-bye. | 0:18:29 | 0:18:34 | |
While Mark lavished £165 on three items, not least a very collectable whistle. | 0:18:34 | 0:18:42 | |
WHISTLE BLOWS | 0:18:42 | 0:18:43 | |
Leaving him with just £162.44. | 0:18:43 | 0:18:46 | |
Today's minor excursion is from Melrose to Sunderland, | 0:18:48 | 0:18:52 | |
calling in first at Kelso. | 0:18:52 | 0:18:54 | |
Situated where the River Teviot meets the Tweed, Kelso has an abbey, | 0:18:56 | 0:19:01 | |
also ruined, just like its neighbour, | 0:19:01 | 0:19:05 | |
plus a fine castle where Mark will soon be heading. | 0:19:05 | 0:19:08 | |
Look up there. Floors Castle. | 0:19:08 | 0:19:11 | |
-But there's something for you there, Anita. -What's that? | 0:19:11 | 0:19:13 | |
-Retirement apartments. -Watch it! | 0:19:13 | 0:19:16 | |
THEY LAUGH | 0:19:16 | 0:19:18 | |
-It's Melrose Abbey. That's fabulous. -Melrose Abbey? We're in Kelso. | 0:19:18 | 0:19:23 | |
-Oh, Kelso Abbey. -I think we'll nip to those apartments sooner than I thought. | 0:19:23 | 0:19:27 | |
SHE LAUGHS | 0:19:27 | 0:19:28 | |
But the town of Kelso is well worth a visit, too - | 0:19:30 | 0:19:33 | |
a model of Georgian elegance and grace. | 0:19:33 | 0:19:37 | |
-So, Mark, off to Floors Castle. -Off to Floors Castle for me, Anita. | 0:19:37 | 0:19:41 | |
And you've got a lovely market to go and explore. | 0:19:41 | 0:19:44 | |
There will be hundreds of bargains in that market, | 0:19:44 | 0:19:47 | |
and I'll buy one for you. | 0:19:47 | 0:19:49 | |
I look forward to seeing it, Anita. | 0:19:49 | 0:19:53 | |
Kelso's marketplace is nicely cobbled and resembles, | 0:19:53 | 0:19:57 | |
on a sunny day, somewhere in Provence or the Dordogne. | 0:19:57 | 0:20:00 | |
Luckily for Anita, however, the vendors here today are not flogging | 0:20:00 | 0:20:05 | |
local legumes but a varied collection of antiques and curios. | 0:20:05 | 0:20:08 | |
-An old spanner. -A Rolls-Royce spanner. -This man's better than me. | 0:20:11 | 0:20:14 | |
-Would this work in a Morris Minor? -No, I think it's a wee bit more sophisticated than that. -Is it? | 0:20:14 | 0:20:21 | |
I suppose there is a market for that, for Rolls-Royce collectors. | 0:20:21 | 0:20:24 | |
-Well, having Rolls-Royce written on it is quite good. -Yeah. | 0:20:24 | 0:20:27 | |
I quite like this piece here, the wee jockey. | 0:20:27 | 0:20:31 | |
So this, we would put this into our decanter. | 0:20:31 | 0:20:35 | |
And it has a hallmark here. We'll just have a wee look, see where it was made. | 0:20:35 | 0:20:40 | |
Birmingham hallmark. | 0:20:42 | 0:20:43 | |
But the date letter's a wee bit obscured, but I think we're maybe | 0:20:43 | 0:20:48 | |
thinking about '20s, '30s. | 0:20:48 | 0:20:51 | |
I would be estimating it round about £20. | 0:20:52 | 0:20:56 | |
And I think you'll make a lot more money than £20 for it. | 0:20:56 | 0:20:59 | |
You think so? But you're selling it to me. | 0:20:59 | 0:21:01 | |
-Yeah, yeah. -You're a good salesman. | 0:21:01 | 0:21:03 | |
-But since I would like you to win the competition... -Oh, wow! -Um... | 0:21:03 | 0:21:09 | |
-20? -I would be prepared to sell it to you for £20. -Give me a kiss. | 0:21:10 | 0:21:15 | |
Thank you. £20. I hope this little jockey gallops past the post. | 0:21:15 | 0:21:20 | |
-I'll be looking forward to it - first place again. -I know. | 0:21:20 | 0:21:22 | |
Thanks very much. Thank you. | 0:21:22 | 0:21:24 | |
I'm always interested in fountain pens. | 0:21:29 | 0:21:33 | |
-And I also like to see a nine carat gold nib. There's three here. -Uh-huh. | 0:21:33 | 0:21:39 | |
And we've got two quite plain ones and this quite jazzy affair here. | 0:21:39 | 0:21:45 | |
-What kind of price can you do on the three? -£22? -Uh-huh. That's too much. -20? | 0:21:45 | 0:21:50 | |
-That's still too much on them. -What do you think yourself? | 0:21:50 | 0:21:54 | |
-Can I make you an offer? -Yes, certainly. -Could you do those for 12? | 0:21:54 | 0:22:00 | |
-Yes, all right. -Could you do them for 12? -Uh-huh. -That would be great. | 0:22:00 | 0:22:04 | |
No sooner has Anita pocketed her pens than she is accosted | 0:22:05 | 0:22:08 | |
-by a tall, dark stranger. -Hi. -Sorry to interrupt. | 0:22:08 | 0:22:12 | |
-Are you looking for stuff for your competition? -Yes. | 0:22:12 | 0:22:14 | |
My car's parked just round the corner | 0:22:14 | 0:22:16 | |
and I've got an item that you might be interested in. | 0:22:16 | 0:22:20 | |
Lead on. I'm intrigued. | 0:22:20 | 0:22:23 | |
It's not the usual premises for the purchasing of fine antiques, | 0:22:23 | 0:22:27 | |
but Anita Manning's not put off by the back of a people carrier. | 0:22:27 | 0:22:31 | |
You'd know what that is straightaway. | 0:22:31 | 0:22:33 | |
-Is that a lovely piece of Carltonware? -No, it's not. -Is it Wedgwood? | 0:22:33 | 0:22:36 | |
-Oh, it's Crown Devon. Right, OK. -With a lid. -That's a lovely bit. | 0:22:36 | 0:22:41 | |
Crown Devon originated in a pottery in Stoke on Trent | 0:22:42 | 0:22:46 | |
which used to be called the Railway Works until it was reinvented in 1912. | 0:22:46 | 0:22:52 | |
-It's nice, isn't it? -That's a nice bit. -Pretty. | 0:22:52 | 0:22:55 | |
It's still got the original label on it. | 0:22:55 | 0:22:57 | |
The label on the bottom, yeah. | 0:22:57 | 0:22:59 | |
The only thing that worries me is that slight wee nick there. | 0:22:59 | 0:23:03 | |
What price are you looking for on it? | 0:23:03 | 0:23:05 | |
I haven't a Scooby Doo. Not a clue. | 0:23:05 | 0:23:09 | |
I know what my minimum would be. | 0:23:09 | 0:23:12 | |
-Tell me your minimum. -No, you tell me... -No, tell me your minimum. | 0:23:12 | 0:23:17 | |
-30. -30? | 0:23:17 | 0:23:19 | |
I'm sure you'll make a profit on that, even with the nick. | 0:23:20 | 0:23:23 | |
-OK, let's do it. It's a deal. -Super. -Lovely, thank you very much. | 0:23:23 | 0:23:27 | |
-Thank you. That's lovely. -Thank you very much. | 0:23:27 | 0:23:30 | |
So, while Anita completes her pottery purchase, | 0:23:30 | 0:23:34 | |
Mark makes for Kelso's Castle, the seat of the Duke of Roxburgh. | 0:23:34 | 0:23:38 | |
There's been a castle here beside the Tweed since 1721, | 0:23:42 | 0:23:46 | |
but Floors didn't acquire its fairytale turrets and pinnacles | 0:23:46 | 0:23:51 | |
until the middle of the 19th century. | 0:23:51 | 0:23:53 | |
-Hello, Mary. -Hello there. | 0:23:53 | 0:23:57 | |
Mark's here to see some of the highlights | 0:23:57 | 0:23:59 | |
of the Duke's collection with guide Mary Campbell. | 0:23:59 | 0:24:02 | |
It's a real privilege to welcome you to Floors Castle today. | 0:24:02 | 0:24:06 | |
Thank you. I'm very much looking forward to the visit. | 0:24:06 | 0:24:08 | |
I hope you'll enjoy it. I'm sure you will. | 0:24:08 | 0:24:11 | |
The largest inhabited house in Scotland has always possessed | 0:24:14 | 0:24:18 | |
an excellent art collection, | 0:24:18 | 0:24:20 | |
but that significantly increased in the early 20th century | 0:24:20 | 0:24:23 | |
when the 8th Duke married Mary Goelet, an American heiress. | 0:24:23 | 0:24:28 | |
-It's a very spectacular room. -It is, it is. It's lovely. | 0:24:28 | 0:24:33 | |
One of Mary's contributions was this outstanding work by Gainsborough. | 0:24:33 | 0:24:38 | |
It's Captain Roberts, who was Captain Cook's cartographer. | 0:24:38 | 0:24:40 | |
And he's pointing to the Sandwich Islands, which he charted, | 0:24:40 | 0:24:44 | |
-and which is now, of course, Hawaii. -Hawaii. | 0:24:44 | 0:24:47 | |
-It is actually a beautiful portrait, isn't it? -It is. | 0:24:47 | 0:24:51 | |
It's one of my favourites. In fact, I think it is my favourite one in the whole castle. | 0:24:51 | 0:24:55 | |
Wow! | 0:24:55 | 0:24:56 | |
What a wonderful picture. | 0:24:56 | 0:24:58 | |
One recent addition to the collection comes close to rivalling | 0:25:00 | 0:25:04 | |
what Anita discovered yesterday - a treasure from one of Scotland's greatest sons. | 0:25:04 | 0:25:09 | |
-This is a hitherto unpublished poem by Robert Burns. -No! | 0:25:09 | 0:25:15 | |
-Scotland's greatest poet. -Wow! -It's lovely, isn't it? | 0:25:15 | 0:25:19 | |
-Gosh, yes, you can see it's signed down here. -And the date as well. | 0:25:19 | 0:25:22 | |
-1789. -A long time ago. And this is about a poor little wounded hare. | 0:25:22 | 0:25:29 | |
Oh, how romantic! | 0:25:29 | 0:25:31 | |
Yep. The poem, an early version of On Seeing A Wounded Hare, | 0:25:31 | 0:25:36 | |
in Burns' own hand, | 0:25:36 | 0:25:38 | |
was enclosed in a letter recently unearthed by a member of staff, | 0:25:38 | 0:25:41 | |
and it's now displayed at the castle. | 0:25:41 | 0:25:43 | |
This must be really exciting for Scotland, | 0:25:43 | 0:25:47 | |
-to get a find like this. -Oh, it is. | 0:25:47 | 0:25:49 | |
And all sorts of people are making their way to Floors | 0:25:49 | 0:25:52 | |
-purely to look at it. -Gosh! | 0:25:52 | 0:25:54 | |
"Inhuman man, curse on thy barbarous art. | 0:25:54 | 0:26:00 | |
"And blasted be thy murder aiming eye. | 0:26:00 | 0:26:04 | |
"May never pity soothe thee with a sigh. | 0:26:04 | 0:26:06 | |
"Nor ever pleasure glad thy cruel heart." | 0:26:06 | 0:26:11 | |
Wow, this is turning into quite a trip! | 0:26:11 | 0:26:14 | |
Ah, but it's time to get back on the road. | 0:26:14 | 0:26:18 | |
Mark and Anita are heading from Kelso to Jedburgh. | 0:26:18 | 0:26:21 | |
The man who wrote Rule Britannia was born here. | 0:26:25 | 0:26:28 | |
The border with England is just ten miles away. | 0:26:28 | 0:26:31 | |
Jedburgh also has strong rugby ties | 0:26:31 | 0:26:34 | |
and, you've guessed it, a ruined abbey. | 0:26:34 | 0:26:38 | |
-Look at the abbey. -That's fabulous. -Spectacular. | 0:26:38 | 0:26:40 | |
You go that way, and I'll go this way. | 0:26:40 | 0:26:43 | |
-I'll go this way? -Yeah. -Are you sending me the wrong direction? | 0:26:43 | 0:26:46 | |
Would I do something like that! | 0:26:46 | 0:26:48 | |
She would do something like that! I'm sure it's the wrong direction. | 0:26:48 | 0:26:51 | |
-On you go, see you later. -See you later. -Good luck. | 0:26:51 | 0:26:54 | |
I'm sure she's sending me the wrong direction. It's not down here at all. | 0:26:54 | 0:26:57 | |
Anita is tempted into the curiosity shop and soon finds plenty to excite. | 0:26:59 | 0:27:05 | |
Quality antiques. Many with a local flavour. | 0:27:05 | 0:27:07 | |
This is a wonderful bowl. | 0:27:07 | 0:27:10 | |
It's an example of Sunderland lustre. | 0:27:10 | 0:27:12 | |
And we are going to an auction in that area, | 0:27:12 | 0:27:16 | |
so it's the type of thing that would be, | 0:27:16 | 0:27:20 | |
it would be a real hit in that auction. | 0:27:20 | 0:27:24 | |
It has an almost naive look about it, | 0:27:24 | 0:27:28 | |
but it's highly collectible and sought after | 0:27:28 | 0:27:31 | |
by collectors of this type of thing. | 0:27:31 | 0:27:33 | |
"Too oft is a smile but the hypocrites wile." | 0:27:33 | 0:27:37 | |
Now, isn't that wonderful? | 0:27:37 | 0:27:39 | |
Well, I don't know, but at £225, | 0:27:39 | 0:27:42 | |
that bowl might struggle to make a profit even at a Tyne and Wear auction. | 0:27:42 | 0:27:46 | |
I haven't got any pictures yet. There's lots of pictures in here. | 0:27:46 | 0:27:50 | |
Having a quick glance around, there's a wild, big abstract | 0:27:50 | 0:27:54 | |
in the corner there, and I'm going to have a closer look at that. | 0:27:54 | 0:27:58 | |
But it's a bit expensive. | 0:27:58 | 0:28:00 | |
-Have you got it? -Yes. | 0:28:00 | 0:28:03 | |
This is done by Robert Methven. | 0:28:03 | 0:28:05 | |
And he lived in 104 Renfrew Street in Glasgow, which is just where the art school is. | 0:28:05 | 0:28:11 | |
My interest in abstract art has grown, | 0:28:11 | 0:28:15 | |
and I think it's because, as an auctioneer, I handle so many things, | 0:28:15 | 0:28:20 | |
and I think I'm being drawn away from the natural, into the abstract. | 0:28:20 | 0:28:27 | |
But it seems that a price of £145 just can't tempt her enough. | 0:28:27 | 0:28:32 | |
And while Anita's agonising over her art, Mark is just plain lost. | 0:28:32 | 0:28:39 | |
Perhaps Anita's directions weren't altogether accurate after all. Cunning woman! | 0:28:39 | 0:28:44 | |
I've enjoyed my little walk, but I've had enough. I'm going to Hawick. | 0:28:44 | 0:28:47 | |
And, hopefully, when I get to Hawick, there might be a nice antique shop | 0:28:47 | 0:28:52 | |
or an antique centre, and I'll be finding my missing bargains. | 0:28:52 | 0:28:57 | |
So, off to a place which, unless you knew better, | 0:28:57 | 0:29:00 | |
you might think was called Haw-wick. | 0:29:00 | 0:29:05 | |
I think we're coming up to the antiques centre. It's around here somewhere. | 0:29:05 | 0:29:09 | |
That's a golf club. | 0:29:09 | 0:29:13 | |
Lovely village green. | 0:29:13 | 0:29:15 | |
Antiques centre. Now... | 0:29:15 | 0:29:18 | |
This is it. | 0:29:18 | 0:29:20 | |
This looks like the place. Antiques centre. | 0:29:20 | 0:29:23 | |
They've even got a vintage car which is better than ours. | 0:29:23 | 0:29:26 | |
It's a nice old thing, isn't it? | 0:29:26 | 0:29:28 | |
Might come in handy if the Morris has an off day too! | 0:29:28 | 0:29:31 | |
But there are plenty of smaller, less mobile items on display as well. | 0:29:31 | 0:29:37 | |
This is a very sweet little Victorian miniature frame, | 0:29:37 | 0:29:40 | |
I suppose for maybe a lady to put on her dressing table, | 0:29:40 | 0:29:44 | |
with a photograph of her loved one on. | 0:29:44 | 0:29:46 | |
It's very highly decorated, with these flowering scrolls. There's a little ram's head here. | 0:29:46 | 0:29:51 | |
And you've got little figures at the bottom. | 0:29:51 | 0:29:55 | |
It's a very pretty little object. | 0:29:55 | 0:29:57 | |
Something I think would be quite highly collectible these days. | 0:29:57 | 0:30:00 | |
And it does look in good condition. Mind you, the price is 48. | 0:30:00 | 0:30:04 | |
But it's London 1890, so it's an antique piece of silver. | 0:30:04 | 0:30:07 | |
It's rather charming. | 0:30:07 | 0:30:10 | |
While Gail goes to blow up a storm with the dealer, | 0:30:10 | 0:30:13 | |
Mark gets the scent of another possible purchase. | 0:30:13 | 0:30:16 | |
Well, now, that's a bargain. | 0:30:16 | 0:30:18 | |
I couldn't possibly. | 0:30:18 | 0:30:21 | |
I couldn't, could I? | 0:30:21 | 0:30:25 | |
Come over here. | 0:30:25 | 0:30:27 | |
Follow me. | 0:30:28 | 0:30:30 | |
I've brought you into this quiet room because you know how Anita | 0:30:30 | 0:30:34 | |
is always going on about her beautiful pieces of Murano glass? | 0:30:34 | 0:30:38 | |
And they've never got any labels or anything on them. | 0:30:38 | 0:30:42 | |
Well, here we have a glass vase by Murano, | 0:30:42 | 0:30:47 | |
with not a label, but two labels. | 0:30:47 | 0:30:50 | |
And it's got a price label. | 0:30:50 | 0:30:53 | |
And it's priced at £4! | 0:30:53 | 0:30:56 | |
Murano glass was produced originally | 0:30:56 | 0:31:00 | |
on the Adriatic island of the same name. | 0:31:00 | 0:31:02 | |
The glass makers were allegedly encouraged to move there | 0:31:02 | 0:31:06 | |
from nearby Venice because of medieval 'elf and safety concerns! | 0:31:06 | 0:31:10 | |
News that the dealer will take a very reasonable £28 for the silver frame prompts Mark to go for a deal. | 0:31:10 | 0:31:17 | |
Listen, I'm going to go for this at 28. | 0:31:17 | 0:31:20 | |
And I daren't ask you to discount on £4, dare I? | 0:31:20 | 0:31:24 | |
-No. You wouldn't. -Wouldn't I? | 0:31:24 | 0:31:26 | |
Yes, you would, but no! | 0:31:26 | 0:31:29 | |
You're not getting one. | 0:31:29 | 0:31:30 | |
Well, I think that's fair enough. | 0:31:30 | 0:31:33 | |
With those two final items, | 0:31:33 | 0:31:36 | |
Mark is now happy to reveal all to his friendly rival. | 0:31:36 | 0:31:39 | |
It's been a great day, hasn't it? | 0:31:39 | 0:31:42 | |
I've had a wonderful time, Mark. I'll show you my first buy. | 0:31:42 | 0:31:45 | |
And this is a little seal. Nice little glass handle, | 0:31:45 | 0:31:50 | |
and a little amethyst glass matrix. | 0:31:50 | 0:31:53 | |
Very charming. What did you pay for it, Anita? | 0:31:53 | 0:31:56 | |
-I paid £25. -£25? | 0:31:56 | 0:31:59 | |
You can't lose too much on £25, can you? | 0:31:59 | 0:32:01 | |
This is an oriental bangle. | 0:32:01 | 0:32:04 | |
It's not of the best quality. | 0:32:04 | 0:32:08 | |
But I thought it was rather pretty. | 0:32:08 | 0:32:10 | |
And I bought it for £10. | 0:32:10 | 0:32:12 | |
I think it's a good punt. And I can see that you're really stretching yourself there, Anita! | 0:32:12 | 0:32:17 | |
Now, my first item I've got to show you. It's a lovely little... | 0:32:17 | 0:32:21 | |
-Oh, isn't that gorgeous? -Satsuma cover. | 0:32:21 | 0:32:25 | |
Oh, that's lovely. | 0:32:25 | 0:32:26 | |
I was first attracted to the little heart-shaped cut-outs. | 0:32:26 | 0:32:29 | |
And it is marked underneath. It's signed, and it's got the Prince of Satsuma's mon on there. | 0:32:29 | 0:32:34 | |
-I love it, it's wonderful. -I'm so pleased. | 0:32:34 | 0:32:37 | |
-Tell me? -£20. | 0:32:37 | 0:32:39 | |
That's a cracking buy. That is a wonderful buy. | 0:32:39 | 0:32:44 | |
Next, Anita's equestrian stopper. | 0:32:44 | 0:32:47 | |
It's hallmarked silver. | 0:32:47 | 0:32:49 | |
It has a Birmingham hallmark. | 0:32:49 | 0:32:51 | |
-What I liked most about it was the little jockey... -Yes. -On the top. | 0:32:51 | 0:32:56 | |
Very appealing. | 0:32:56 | 0:32:58 | |
-I liked that, and I paid £20 for it. -Well, it's not a lot of money, Anita. | 0:32:58 | 0:33:02 | |
Next, Mark's brooch. | 0:33:02 | 0:33:05 | |
But I do hope you agree with me that it's a lovely little object. | 0:33:05 | 0:33:10 | |
Oh, that's very, very sweet. | 0:33:10 | 0:33:12 | |
-Art nouveau. -Set with a turquoise. | 0:33:12 | 0:33:14 | |
-Nine carat rose gold? -That's right. | 0:33:14 | 0:33:17 | |
-Edwardian? -1905 or so. And I love the little box. | 0:33:17 | 0:33:21 | |
Aha. It all depends on price. | 0:33:21 | 0:33:24 | |
I know, that's the key thing, isn't it? £45. | 0:33:24 | 0:33:28 | |
It's certainly worth more than £45 of anyone's money. | 0:33:28 | 0:33:32 | |
I'm finding that pen collectors just love this type of thing, | 0:33:32 | 0:33:37 | |
particularly the marbled one. And I'm hoping that the addition | 0:33:37 | 0:33:43 | |
-of gold content in them will carry the thing through. -Absolutely. | 0:33:43 | 0:33:46 | |
-What did you pay for them? -£12. | 0:33:46 | 0:33:48 | |
-Well, it doesn't sound a lot to me. -No. | 0:33:48 | 0:33:51 | |
My next item, Anita, it's a little silver photo frame. | 0:33:51 | 0:33:55 | |
Ah, isn't that... | 0:33:55 | 0:33:57 | |
It's hallmarked for 1890. | 0:33:57 | 0:34:00 | |
Very much in that classical style. | 0:34:00 | 0:34:02 | |
And I just thought it was a lovely little quality item. | 0:34:02 | 0:34:05 | |
-How much did you pay for it, Mark? -£28. | 0:34:05 | 0:34:07 | |
That's excellent. Really, really excellent. That's your best buy, don't you think so? | 0:34:07 | 0:34:12 | |
-You haven't seen my other item yet. -Oh no! | 0:34:12 | 0:34:16 | |
I just thought it was a really attractive thing, and I love glass, as you know. | 0:34:16 | 0:34:21 | |
I love the Italian glass factories. | 0:34:21 | 0:34:25 | |
-Tell me what you paid for it? -£4. -Oh! Well done! | 0:34:25 | 0:34:29 | |
You've done an Anita! | 0:34:29 | 0:34:31 | |
£30. | 0:34:31 | 0:34:34 | |
I love the shape, I love the cover. | 0:34:34 | 0:34:36 | |
-There is a small chip on it. -I know. | 0:34:36 | 0:34:37 | |
Which I think you could probably just get over with a bit of gilding. | 0:34:37 | 0:34:42 | |
Aha. I know. That slightly worried me a wee bit. | 0:34:42 | 0:34:46 | |
-I think there's a working profit, in my opinion. -Aha. | 0:34:46 | 0:34:49 | |
But I can see why you wanted it, it's a beautiful object. | 0:34:49 | 0:34:53 | |
What we're looking at here, Anita, is a ceremonial item | 0:34:53 | 0:34:57 | |
connected to the police force. | 0:34:57 | 0:34:59 | |
We've got a silver chain. | 0:34:59 | 0:35:01 | |
We've got a lovely little badge here that would have gone on the tunic. | 0:35:01 | 0:35:05 | |
-But this is what really appealed to me. It's that. -Oh! | 0:35:05 | 0:35:10 | |
You got a whistle. | 0:35:10 | 0:35:11 | |
And, when you go like that. | 0:35:11 | 0:35:13 | |
HE WHISTLES It still works. | 0:35:13 | 0:35:15 | |
Absolutely superb. | 0:35:15 | 0:35:17 | |
I don't really even want to ask you how much you paid for it | 0:35:17 | 0:35:20 | |
-because it's such a pleasure to see something of that quality. -It actually cost me 100. | 0:35:20 | 0:35:27 | |
And I, obviously... | 0:35:27 | 0:35:28 | |
That's got to get £200. | 0:35:28 | 0:35:30 | |
I think, Anita, if my hunches are right, and your hunches are right, we know quality when we see it, | 0:35:30 | 0:35:35 | |
if the bidders recognise it for what it is, | 0:35:35 | 0:35:38 | |
this could well make £300 or more. | 0:35:38 | 0:35:41 | |
And here's what they really think. | 0:35:41 | 0:35:44 | |
The brooch, 45. A wee bit dear. | 0:35:44 | 0:35:49 | |
It was very pretty. But the gold is high just now, so he might just get away with that. | 0:35:49 | 0:35:53 | |
She brought out that little seal. | 0:35:53 | 0:35:56 | |
In my mind, it's a reproduction. | 0:35:56 | 0:35:58 | |
The glass is too clear, the silver is too clear. | 0:35:58 | 0:36:01 | |
He bought glass, that was just a bit of fun. | 0:36:01 | 0:36:03 | |
It had no quality at all, absolutely no quality. | 0:36:03 | 0:36:06 | |
The jade bangle. I honestly have to say that's got utterly no quality at all. | 0:36:06 | 0:36:12 | |
After starting out in the borders at Melrose, | 0:36:16 | 0:36:19 | |
this leg of our trip will be decided in Sunderland | 0:36:19 | 0:36:22 | |
at the auctioneers, Boldon Auction Galleries. | 0:36:22 | 0:36:26 | |
-Are you nervous? -No, I'm excited. -And so you should be. | 0:36:26 | 0:36:29 | |
Oh, Anita, you never know, it's not over till the end of the sale! | 0:36:29 | 0:36:33 | |
Until the fat lady sings? | 0:36:33 | 0:36:36 | |
Well, that's not you, Anita, is it? | 0:36:36 | 0:36:38 | |
Wearsiders and Tynesiders have gathered to get a good look at the lots. | 0:36:38 | 0:36:43 | |
Giles Hodges, the man with the hammer, has his own views on what Mark and Anita are selling. | 0:36:43 | 0:36:48 | |
There's a pretty little jade bangle. | 0:36:48 | 0:36:51 | |
Anything oriental, Chinese, flavour of the month at the moment. | 0:36:51 | 0:36:55 | |
My favourite by far is the Victorian silver whistle. | 0:36:55 | 0:36:59 | |
I think it's lovely. It's nice to see it in its original box. | 0:36:59 | 0:37:03 | |
I'm hoping it will make £200-300, maybe over the 300 mark. | 0:37:03 | 0:37:07 | |
Again, we'll see where we're at when we're on the rostrum. The proof of the pudding. | 0:37:07 | 0:37:12 | |
Mark has spent £197 on five lots. | 0:37:14 | 0:37:17 | |
That's lovely, thank you. | 0:37:17 | 0:37:21 | |
While Anita has spent exactly £100 less. Also on five lots. | 0:37:21 | 0:37:26 | |
-OK, let's do it, it's a deal. -Excitement mounts. | 0:37:26 | 0:37:28 | |
Yes! Yes! | 0:37:28 | 0:37:30 | |
-All right, Anita. -Yes! | 0:37:30 | 0:37:33 | |
First, Mark's Victorian frame. | 0:37:35 | 0:37:37 | |
-I'm bid 15 to start it. -15? -Straight in at 15. | 0:37:37 | 0:37:39 | |
18. 20. 22. 25. 28. 30. | 0:37:39 | 0:37:45 | |
32.35. 38. | 0:37:45 | 0:37:48 | |
-40. 5. 45. We're upstairs, right. -I'd have thought more than that. | 0:37:48 | 0:37:53 | |
Make no mistake, at 45. | 0:37:53 | 0:37:55 | |
Ooh, that's a bit disappointing really. | 0:37:55 | 0:37:58 | |
Especially after commission, oh yes. | 0:37:58 | 0:38:01 | |
45 is a profit at the end of the day. £17. | 0:38:01 | 0:38:05 | |
Anita's Crown Devon jar. | 0:38:05 | 0:38:08 | |
40, straight in. | 0:38:08 | 0:38:10 | |
40. 45. 50. 5. | 0:38:10 | 0:38:14 | |
At £55, anybody else, feel free. | 0:38:14 | 0:38:17 | |
At £55, and all done. | 0:38:17 | 0:38:19 | |
That was very good. | 0:38:19 | 0:38:22 | |
Actually, almost twice what she paid. | 0:38:22 | 0:38:25 | |
Next, Mark's Murano. Was it a bargain? | 0:38:25 | 0:38:28 | |
And £5 bid for it, somebody? | 0:38:28 | 0:38:31 | |
Fiver and away? | 0:38:31 | 0:38:33 | |
A couple of pounds to start me then? | 0:38:33 | 0:38:35 | |
£2 bid on the front. At two. Four. Six. £6. | 0:38:35 | 0:38:39 | |
-Oh no. -Six. At £6. All done? | 0:38:39 | 0:38:43 | |
At £6. | 0:38:43 | 0:38:44 | |
Definitely not what Mark had hoped for. | 0:38:44 | 0:38:47 | |
I mean, £6 for that. It's fully marked. | 0:38:47 | 0:38:50 | |
That's all it was worth. | 0:38:50 | 0:38:53 | |
Next, the fountain pens from Kelso market. | 0:38:53 | 0:38:56 | |
-20 to start them. -Yes. -At £20, for the three. | 0:38:56 | 0:38:59 | |
At £20. Two, anybody now? 22, the lady's bid. At £22. | 0:38:59 | 0:39:05 | |
25, yes or no? All done at £22. | 0:39:05 | 0:39:09 | |
785. | 0:39:09 | 0:39:10 | |
That's a nice £10 profit, Anita. Well done. | 0:39:10 | 0:39:14 | |
Less commission, of course. | 0:39:14 | 0:39:16 | |
Mark's art nouveau gold brooch next. | 0:39:16 | 0:39:19 | |
I have two commission bids. | 0:39:19 | 0:39:21 | |
We start at £55. | 0:39:21 | 0:39:24 | |
60 now? At £55. 60, anybody? | 0:39:24 | 0:39:29 | |
At £55, last chance. | 0:39:29 | 0:39:31 | |
-At 55. Commission bid. -That was a very good price for that. | 0:39:31 | 0:39:36 | |
That wasn't too bad actually. | 0:39:36 | 0:39:37 | |
Thanks, in part, to a late discount from the dealer. | 0:39:37 | 0:39:41 | |
-I think you're lucky to get out of that one. -Really? -Yes. | 0:39:41 | 0:39:44 | |
Next, the little silver jockey stopper. | 0:39:44 | 0:39:47 | |
And I'm bid 15 to start it, At £15. 18, anybody? | 0:39:47 | 0:39:52 | |
At 15. 18. 20. | 0:39:52 | 0:39:54 | |
Two. At £22. The bid's upstairs. 25. | 0:39:54 | 0:39:59 | |
25. | 0:39:59 | 0:40:00 | |
Once costs are deducted, she's just got her money back. | 0:40:00 | 0:40:04 | |
I'm surprised. I'm surprised at that. | 0:40:04 | 0:40:07 | |
-Now, Anita's jade bracelet. -I've got two bids. | 0:40:07 | 0:40:12 | |
And 30 starts me. | 0:40:12 | 0:40:13 | |
35. 40. 5. 50. 5. | 0:40:13 | 0:40:17 | |
I'm out. £55. 60, anybody? | 0:40:17 | 0:40:20 | |
At £55. And we're away at 55. | 0:40:20 | 0:40:24 | |
Yes! | 0:40:24 | 0:40:27 | |
Well! Over five times what it cost. | 0:40:27 | 0:40:30 | |
Well done, Anita, you've got an eye for picking these bits! | 0:40:30 | 0:40:34 | |
Don't be jealous! Next, Mark's Satsuma vase. | 0:40:34 | 0:40:37 | |
£45. | 0:40:37 | 0:40:38 | |
£45. | 0:40:38 | 0:40:41 | |
5. 60. The bid's upstairs at 60. | 0:40:41 | 0:40:44 | |
Anybody else left? | 0:40:44 | 0:40:45 | |
All done at 60. | 0:40:45 | 0:40:48 | |
-Good. -I'm pleased with that. I'm pleased with that. | 0:40:48 | 0:40:50 | |
And so you should be. | 0:40:50 | 0:40:54 | |
I was thinking 40 or 50. So, 60 is above my expectations on that. | 0:40:54 | 0:40:57 | |
-It made its price. -I'm pleased. | 0:40:57 | 0:40:59 | |
Mow, the amber desk seal. | 0:40:59 | 0:41:03 | |
Will the bidders give it the stamp of approval? | 0:41:03 | 0:41:05 | |
Commission bid straight in at £5 to start me. 5. 8. 10. 12. | 0:41:05 | 0:41:11 | |
15. 18. 20. | 0:41:11 | 0:41:13 | |
£20. The bid's upstairs. £20. | 0:41:13 | 0:41:16 | |
Are we all done? At 20. | 0:41:16 | 0:41:19 | |
-Well. -I suppose it could have been worse. | 0:41:19 | 0:41:22 | |
Sadly, after auction costs, it will be. | 0:41:22 | 0:41:25 | |
It needed to go up to 20, so, well done, auctioneer. | 0:41:25 | 0:41:29 | |
Now, for the once forgotten whistle. | 0:41:30 | 0:41:34 | |
-I'm bid 100 to start it. -Oh gosh. | 0:41:34 | 0:41:35 | |
120. 140. 160. 180. | 0:41:35 | 0:41:40 | |
200. 220. | 0:41:40 | 0:41:42 | |
240. 260. 280. | 0:41:42 | 0:41:46 | |
At 280. At £280 for the last time. At 280. | 0:41:46 | 0:41:52 | |
-That's good. -Yes. | 0:41:52 | 0:41:54 | |
That real treasure has put Mark back in the lead. | 0:41:54 | 0:41:58 | |
In a fine sale, it might even have made a bit more | 0:41:58 | 0:42:01 | |
but I'm thrilled with that, I'm very pleased. | 0:42:01 | 0:42:04 | |
-I'm happy you're happy. -Thank you. | 0:42:04 | 0:42:07 | |
Well then, we're all happy! | 0:42:07 | 0:42:09 | |
And we want everybody to be happy. | 0:42:09 | 0:42:12 | |
A great day in Tyne and Wear then. Especially for Mark Stacey. | 0:42:12 | 0:42:17 | |
He began with £327.44. | 0:42:17 | 0:42:21 | |
And made £168.72 after auction costs. | 0:42:21 | 0:42:27 | |
So he has £496.16 to spend tomorrow. | 0:42:27 | 0:42:32 | |
Anita started this round with £378.60. | 0:42:34 | 0:42:38 | |
And made £48.14 after auction costs. | 0:42:38 | 0:42:43 | |
Leaving her with £426.74 to spend tomorrow. | 0:42:43 | 0:42:48 | |
So, Mark, that's our third auction over. | 0:42:48 | 0:42:51 | |
-Absolutely. -There was one each and now you're on top. | 0:42:51 | 0:42:54 | |
I'm on top. 2-1 to me, Anita. It's like a tennis match. | 0:42:54 | 0:42:59 | |
Just promise me one thing, Anita. | 0:42:59 | 0:43:01 | |
Keep buying small things and making small profits and I'll be really happy. | 0:43:01 | 0:43:04 | |
Leave the big profits to me, all right? | 0:43:04 | 0:43:07 | |
We'll see what happens next time. | 0:43:07 | 0:43:09 | |
Join us tomorrow when Mark gets cheeky. | 0:43:09 | 0:43:14 | |
-Oh Mark, I love cheeky offers. -You like cheeky offers? -I do. | 0:43:14 | 0:43:17 | |
Anita gets sentimental. | 0:43:17 | 0:43:19 | |
SINGS: I belong to Glasgow, dear Glasgow town... | 0:43:19 | 0:43:24 | |
And the little Morris has a "minor" mishap. | 0:43:24 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:36 | 0:43:38 | |
E-mail [email protected] | 0:43:38 | 0:43:39 |