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The nation's favourite antiques experts, £200 each and one big challenge! | 0:00:02 | 0:00:06 | |
If I have to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
Gone. | 0:00:13 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit... | 0:00:14 | 0:00:17 | |
Well done, buddy! | 0:00:17 | 0:00:19 | |
But it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push! | 0:00:23 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm going to thrash you. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
All this week we're out on the road with a pair of very cheeky chappies, | 0:00:39 | 0:00:43 | |
auctioneers Charlie Ross and Charles Hanson. | 0:00:43 | 0:00:47 | |
-I'm in a mood now! -Turn round! -I'm in a mood now! | 0:00:47 | 0:00:51 | |
The experienced Charlie Ross really has nothing to prove, | 0:00:52 | 0:00:56 | |
but he still keeps an eye on his reputation. | 0:00:56 | 0:00:59 | |
I don't want to walk out that door with you thinking, "That man Ross, he's a bounder!" | 0:00:59 | 0:01:02 | |
Is he? | 0:01:03 | 0:01:04 | |
As if he would! | 0:01:04 | 0:01:06 | |
And as both sidekick and competitor, we have Charles Hanson. | 0:01:06 | 0:01:10 | |
He always knows exactly what he wants. | 0:01:10 | 0:01:13 | |
The other one I quite liked... | 0:01:13 | 0:01:15 | |
was the... | 0:01:15 | 0:01:17 | |
WIND HOWLS | 0:01:17 | 0:01:20 | |
Well, despite the occasional dither, Charles made a large if slightly unlikely profit on yesterday's show. | 0:01:21 | 0:01:28 | |
What you've got here is a bottle stand. You've got this fisherman, smiling, smoking his pipe... | 0:01:28 | 0:01:33 | |
That is the worst thing I have ever seen in my life! | 0:01:33 | 0:01:35 | |
If you put it like that, of course... | 0:01:35 | 0:01:37 | |
I paid £6. | 0:01:37 | 0:01:39 | |
Selling at £28. | 0:01:39 | 0:01:41 | |
How on earth did you do that? | 0:01:41 | 0:01:44 | |
Charlie Ross also did very well, but not quite well enough. | 0:01:44 | 0:01:49 | |
What a fascinating bit of kit! | 0:01:49 | 0:01:51 | |
The tape measure, we could take that down to 30. | 0:01:51 | 0:01:54 | |
-And selling at £10. -Ouch! | 0:01:54 | 0:01:56 | |
From his original £200, Charlie now has... | 0:01:57 | 0:02:03 | |
..weighing down his wallet. | 0:02:05 | 0:02:07 | |
Aargh! I simply can't lift it up! It's that heavy. | 0:02:07 | 0:02:12 | |
But the brand-new frontrunner Charles Hanson | 0:02:12 | 0:02:16 | |
has home-grown his £200 to a wonderful... | 0:02:16 | 0:02:19 | |
There's only a tenner between them, | 0:02:24 | 0:02:26 | |
as our boys stride into round 3, and it's full steam ahead | 0:02:26 | 0:02:31 | |
in their stylish, if slightly unreliable, 1960s Ford Corsair. | 0:02:31 | 0:02:36 | |
This car, Charlie, is playing up, I'm sure. | 0:02:36 | 0:02:39 | |
It's going to give us problems. | 0:02:39 | 0:02:41 | |
I'm hearing some funny noises, I must say. | 0:02:41 | 0:02:43 | |
Charlie and Charles are travelling over 300 miles | 0:02:43 | 0:02:47 | |
down the exotic East of England | 0:02:47 | 0:02:49 | |
all the way to Rye in East Sussex. | 0:02:49 | 0:02:52 | |
And on today's show they're leaving Grantham | 0:02:53 | 0:02:56 | |
and heading for their next auction in Beccles, | 0:02:56 | 0:02:59 | |
alighting first in Norfolk's most regal King's Lynn. | 0:02:59 | 0:03:03 | |
Now King's Lynn is a historic port, | 0:03:05 | 0:03:08 | |
dating back to the 12th century. | 0:03:08 | 0:03:10 | |
In medieval times, | 0:03:10 | 0:03:12 | |
the Hanseatic merchants of Europe wanted an English base, and chose King's Lynn. | 0:03:12 | 0:03:16 | |
As well as a rich maritime history, | 0:03:16 | 0:03:19 | |
the town also has a plethora of antiques emporiums, | 0:03:19 | 0:03:24 | |
and our boys are ready to spend, spend, spend, | 0:03:24 | 0:03:27 | |
but their vintage vehicle has just stalled on them. | 0:03:27 | 0:03:30 | |
There's something wrong. | 0:03:30 | 0:03:33 | |
There's something wrong. | 0:03:33 | 0:03:34 | |
-ENGINE TURNS OVER -Told you so. | 0:03:34 | 0:03:37 | |
-You want a push? -Yeah! Are you going to push me? | 0:03:38 | 0:03:41 | |
-Come on! -Madam, your name is...? -Denise. -Denise. | 0:03:41 | 0:03:45 | |
-One, two, three! -Make a name for yourself. | 0:03:45 | 0:03:47 | |
-ENGINE TURNS OVER -You don't need to get... | 0:03:47 | 0:03:50 | |
-Charlie! -Yes? -Charlie... | 0:03:50 | 0:03:52 | |
either we're going to push it and push-start it or you're going to start it on the battery. | 0:03:52 | 0:03:56 | |
-Denise, you drive, then! -I've just suggested that Denise starts it. Denise, get in the seat! Come on. | 0:03:56 | 0:04:01 | |
-Oh, this is lovely! -You show us how, Denise. | 0:04:01 | 0:04:03 | |
Three, two, one! Let's go, Charlie! Come on! | 0:04:03 | 0:04:07 | |
# Denis, Denis | 0:04:07 | 0:04:09 | |
# I've got a crush on you | 0:04:09 | 0:04:11 | |
# Denis, Denis | 0:04:11 | 0:04:14 | |
# La-la-la | 0:04:14 | 0:04:15 | |
# Denis, Denis | 0:04:15 | 0:04:18 | |
# I'm so in love with you... # I'm terribly sorry. | 0:04:18 | 0:04:21 | |
-Yeah? -This car's dead. -Denise! | 0:04:21 | 0:04:25 | |
-I can't open the door. -Well, this is meant to be for me, then. | 0:04:25 | 0:04:29 | |
I think we're going to have to give you the car! Can you open that? | 0:04:29 | 0:04:31 | |
Hang on, Denise. Let me just... Hold on, darling. | 0:04:33 | 0:04:35 | |
There we go... Denise! | 0:04:35 | 0:04:37 | |
You've been a sport. | 0:04:37 | 0:04:39 | |
-Thank you. -You haven't helped at all, but you've been a sport. -Thank you. | 0:04:39 | 0:04:42 | |
-Bye-bye. -Denise, thank you very much. -Have a lovely day. -What will we do, then? | 0:04:42 | 0:04:46 | |
-I'm going shopping. -Well, let's go together. -No! -Why not? -No, no. -Well... -I don't trust you. | 0:04:46 | 0:04:52 | |
-Oh, go on, then! -There's £10 in it, Charlie! -Come on, old bean! | 0:04:52 | 0:04:55 | |
Here...don't worry, boys, we'll take care of the car. Just leave it in the middle of the street. | 0:04:55 | 0:05:01 | |
I don't know! What are they like, eh? | 0:05:01 | 0:05:04 | |
-You don't know where you're going. -You don't know what you're doing! | 0:05:04 | 0:05:08 | |
You might think they'd have trouble finding their first antique shop, | 0:05:08 | 0:05:11 | |
but our boys managed to stumble upon several shops under one roof, a miracle! | 0:05:11 | 0:05:16 | |
Where are you going? | 0:05:17 | 0:05:19 | |
-Toss a coin to see who goes where. -That seems fair. | 0:05:21 | 0:05:24 | |
-Heads or tails? -Heads. -You sure? -Yeah. | 0:05:24 | 0:05:26 | |
Tails. Right, I think... | 0:05:29 | 0:05:31 | |
-Quick! -Hold on. -Too late! I've made up my mind. -Hold on, hold on... | 0:05:31 | 0:05:35 | |
If you're not fast, then you're last! | 0:05:35 | 0:05:39 | |
And Charlie Ross is wasting no time at all! | 0:05:39 | 0:05:41 | |
-Charlie's the name. -You're very welcome. Ian. -And you are Ian? | 0:05:41 | 0:05:44 | |
Ah, and it looks like Ian could have just the thing. | 0:05:44 | 0:05:48 | |
-I've got the 1946 and 1947 Rupert annuals. -Yeah. | 0:05:48 | 0:05:53 | |
Nice condition. I always look, er... | 0:05:53 | 0:05:57 | |
-for the front. Nice colours there. -Yes, nice colours. | 0:05:57 | 0:06:00 | |
-The spine is intact. -That's important. -Er...price? | 0:06:00 | 0:06:04 | |
-3 shillings and 6 pence. -Absolutely! | 0:06:04 | 0:06:06 | |
The annual is now worth considerably more. | 0:06:06 | 0:06:09 | |
It has become highly collectable. | 0:06:09 | 0:06:11 | |
-I see the price here is £105. -Yeah, yeah. And that in itself is a good price. | 0:06:11 | 0:06:17 | |
You're a salesman, you are! | 0:06:17 | 0:06:19 | |
I try! | 0:06:19 | 0:06:20 | |
Elsewhere in the emporium, poor old Charles is struggling to find his first item. | 0:06:22 | 0:06:28 | |
I've got to be honest, there's pressed moulded glassware, there's decorative china, | 0:06:28 | 0:06:32 | |
and I use the word decorative to mean it's decorative! | 0:06:32 | 0:06:36 | |
And, Hanson, you're not buying academic wares here. | 0:06:36 | 0:06:39 | |
It's very ornamental, without being much more than that. | 0:06:39 | 0:06:43 | |
Meanwhile, Charlie cuts to the chase on the £105 Rupert annual. | 0:06:43 | 0:06:49 | |
-I would like to pay £40 for it. -I would really want a little bit more than that. -Yeah, yeah... | 0:06:51 | 0:06:55 | |
45? | 0:06:55 | 0:06:57 | |
Cheeky Charlie! | 0:06:58 | 0:07:00 | |
I'm a little bit doubtful, but I'm going to let you have it for £50. | 0:07:00 | 0:07:03 | |
-I'm going to shake on that. -All right. | 0:07:03 | 0:07:05 | |
A good deal done. Wow! And how's his competitor getting on? | 0:07:05 | 0:07:09 | |
I haven't spent my money yet. Charlie Ross is in there dominating proceedings. | 0:07:09 | 0:07:13 | |
I'm quite happy just to sit back, take it easy | 0:07:13 | 0:07:16 | |
and let him do the negotiations. I'll then go in and find the treasure. | 0:07:16 | 0:07:23 | |
Back inside, Charlie is already eyeing up the treasure. | 0:07:23 | 0:07:26 | |
Old-fashioned but rather lovely. | 0:07:26 | 0:07:29 | |
That's the silver he's talking about, not himself! | 0:07:29 | 0:07:32 | |
For his second lot, Charlie is trying to bundle up a job lot of silverware, | 0:07:32 | 0:07:37 | |
including a tea strainer, grape scissors and a set of nutcrackers. Oh! | 0:07:37 | 0:07:42 | |
-I think 25's where I'm at, really. -OK. -Are you sure? -Yes. | 0:07:42 | 0:07:45 | |
If they make £100, I'll take you for a night out on the tiles. | 0:07:45 | 0:07:49 | |
-Thank you very much. -But don't hold your breath! -Right. | 0:07:49 | 0:07:52 | |
Smooth Charlie does it again, which is more than can be said for Mr Hanson. | 0:07:52 | 0:07:57 | |
No purchase yet and looking a bit lost. | 0:07:57 | 0:08:00 | |
So far, so good. I'm quite happy. I might actually call the auctioneer... Hello! | 0:08:00 | 0:08:04 | |
Blimey! | 0:08:04 | 0:08:04 | |
-Look who's back! -Do you want on the back? -Denise! | 0:08:04 | 0:08:08 | |
-On the back? -Yes, come on, on the back! MUSIC: "Denis" by Blondie | 0:08:08 | 0:08:11 | |
-Where are we going? Antique finds? -Yes! | 0:08:11 | 0:08:14 | |
# Denis, Denis Oh, with your eyes so blue | 0:08:18 | 0:08:21 | |
# Denis, Denis I've got a crush on you | 0:08:21 | 0:08:25 | |
# Denis, Denis I'm so in love with you... # | 0:08:25 | 0:08:30 | |
I was told Hanson has gone off on a motorbike! | 0:08:30 | 0:08:33 | |
What is that all about? He doesn't know, though, that I have had a call from the mechanic | 0:08:33 | 0:08:37 | |
and the car is ready. And I'm going shopping. | 0:08:37 | 0:08:40 | |
-# ..I'm so in love with you... # -And he's not the only one! | 0:08:40 | 0:08:44 | |
Just down the road there's a special delivery at the Old Curiosity Shop. | 0:08:44 | 0:08:48 | |
-Oh, Denise! -There we are. Look at that. -You're a lifesaver. | 0:08:50 | 0:08:54 | |
-"Collectable antiques". -Wonderful. -I hope you do well today. | 0:08:54 | 0:08:58 | |
Denise, thank you ever so much. You have saved me from Mr Ross. | 0:08:58 | 0:09:01 | |
-Thanks for the helmet. -Thank you. -I'm shaken but not stirred. -Shaken but not stirred. | 0:09:01 | 0:09:06 | |
Antique shop? | 0:09:08 | 0:09:09 | |
Antique shop. She was right. | 0:09:09 | 0:09:11 | |
TOOT-TOOT! | 0:09:11 | 0:09:14 | |
I'm alive still. Just about! | 0:09:14 | 0:09:16 | |
-And your name is...? -My name's Ruth. -Hello, Ruth. I'm Charles. -How do you do? -Charles Hanson from Derbyshire. | 0:09:16 | 0:09:21 | |
There's some really nice objects here. | 0:09:21 | 0:09:23 | |
What we have is a pen wipe. | 0:09:23 | 0:09:25 | |
You would have it on your desk with your inkwell and your quill pen or your fountain pen, | 0:09:25 | 0:09:30 | |
and after you'd perhaps written a letter or you'd got a slight blockage of ink, | 0:09:30 | 0:09:34 | |
you would use this wipe to keep your pen in good order. | 0:09:34 | 0:09:38 | |
-What's your absolute best price? -That could be 45. | 0:09:38 | 0:09:40 | |
-Knowing the market we're going to, Ruth, I think that viably could do quite well. -Right. | 0:09:42 | 0:09:47 | |
What we've got here are a very, very nice set of six silver pierced buttons, | 0:09:47 | 0:09:52 | |
which, in their original Morocco case, hopefully are all original | 0:09:52 | 0:09:56 | |
and in good condition. | 0:09:56 | 0:09:58 | |
-Ruth, they're very much in what we call the Arts and Crafts style, aren't they? -Oh, yes. | 0:09:58 | 0:10:02 | |
They're priced at 125. | 0:10:02 | 0:10:04 | |
Right. | 0:10:04 | 0:10:06 | |
Er... | 0:10:06 | 0:10:07 | |
I suppose I could go down to 100 on them. | 0:10:07 | 0:10:10 | |
-£100...isn't bad, but I'll think about it. -Right, OK. -OK? Thank you, Ruth. -OK, that's fine. | 0:10:10 | 0:10:16 | |
-Ruth, I do... This is quite garish. -It is, exactly. -It's not everyone's taste. Has it been here long? | 0:10:16 | 0:10:23 | |
-No, I've only had it recently. -Hanson, you've got to start making some decisions, | 0:10:23 | 0:10:28 | |
because my time's running out. The first thing I saw was a duck. | 0:10:28 | 0:10:31 | |
And I love him because they say small is beautiful, and, Mr Ross, watch out! | 0:10:31 | 0:10:36 | |
I'll say yes to him | 0:10:36 | 0:10:38 | |
at £45. We have a sale. He's going, going, gone, if that's OK with you. | 0:10:38 | 0:10:43 | |
One down! Fantastic. | 0:10:43 | 0:10:45 | |
Ruth, the Moroccan light will be my gamble | 0:10:45 | 0:10:50 | |
-and I'll speculate at £15, I'll say yes to him! -Right, OK. -At £15. | 0:10:50 | 0:10:56 | |
Charles is really driving the deals here. | 0:10:56 | 0:10:59 | |
But will his luck hold when it comes to these buttons? | 0:10:59 | 0:11:03 | |
The ticket price is 125. I can do those for 90. | 0:11:03 | 0:11:08 | |
-Maybe £70. -Oh, I couldn't possibly do that. They would have to be 80 on the buttons, all right? -OK. | 0:11:08 | 0:11:14 | |
-I'm going, I'm going...they're gone. -Right. -Sold. -Thank you. -To Hanson. | 0:11:14 | 0:11:20 | |
-Three in a row, one shop, Ruth. Thanks ever so much. Wow! -Jolly good. -It's that easy. | 0:11:20 | 0:11:24 | |
Let's find out where that old Hanson is. | 0:11:25 | 0:11:28 | |
-Hello, is that Mr Hanson? -Hello, Charlie! | 0:11:28 | 0:11:30 | |
-Well, I must say, we're in this together! -How are you? | 0:11:30 | 0:11:33 | |
And I look round and you've just gone. | 0:11:33 | 0:11:36 | |
-How are you doing? -I just want to let you know, Charlie, that the car is now running, | 0:11:36 | 0:11:40 | |
and I'm in it and I'm going shopping. | 0:11:40 | 0:11:42 | |
-Bye. -Bye-bye. | 0:11:42 | 0:11:44 | |
I suspect he's done some Hanson buying again! Well, Dick Turpin stealing, more like! | 0:11:44 | 0:11:51 | |
Am I happy? Yeah! | 0:11:51 | 0:11:53 | |
Am I happy I'll make a profit? Yeah! | 0:11:53 | 0:11:55 | |
Am I happy Charlie Ross is going to be going down? Yeah! | 0:11:55 | 0:11:59 | |
So I need to get on and catch up. | 0:11:59 | 0:12:01 | |
While Charlie heads off to his next port of call, | 0:12:05 | 0:12:09 | |
Charles wants to find out more about the history of King's Lynn. | 0:12:09 | 0:12:12 | |
# I wish I was a fisherman | 0:12:15 | 0:12:18 | |
# Tumbling on the sea... # | 0:12:19 | 0:12:21 | |
Situated on the Wash, one of the largest estuaries in Britain, | 0:12:21 | 0:12:26 | |
the town has long been a centre for commerce. | 0:12:26 | 0:12:28 | |
For 1,000 years, over 40 generations of fisherfolk here have made a living from the sea. | 0:12:28 | 0:12:35 | |
Having secured his first catch of the day, Mr Hanson tracks down Paul Richards, | 0:12:35 | 0:12:40 | |
curator of True's Yard. | 0:12:40 | 0:12:42 | |
Now, I've come today to True's Yard. | 0:12:42 | 0:12:45 | |
A fisherfolk museum. | 0:12:45 | 0:12:47 | |
The fisherfolk lived in yards like this. | 0:12:47 | 0:12:50 | |
It's all about community and solidarity and a hard life, fishing in the North Sea. | 0:12:50 | 0:12:54 | |
And I, Paul, I came in like I've just come in, I'd say, "Look, Dad... | 0:12:54 | 0:12:57 | |
"here's my fish, here's my shrimps, here's my cockles and everything else," | 0:12:57 | 0:13:01 | |
-you know, what do I do next? -The women and children would do the sorting. | 0:13:01 | 0:13:04 | |
And they'd load the barrow up ready for the next morning, | 0:13:04 | 0:13:07 | |
and take fish and cockles to the market and around the streets, selling it. | 0:13:07 | 0:13:10 | |
And in this cottage here, we can go inside and have a look, | 0:13:10 | 0:13:13 | |
but 11 people lived in there in the 1840s. | 0:13:13 | 0:13:15 | |
-11 people? -11 people. -In the 1840s? -Yeah, yeah. | 0:13:15 | 0:13:18 | |
And one lady in there, you'll see her photograph, she had 17 children in that cottage. | 0:13:18 | 0:13:22 | |
-17 children in there? -Yes! | 0:13:22 | 0:13:24 | |
-Can we go and find Mother? -You can go and find Mother and there's a nice armchair in there. -Great! | 0:13:24 | 0:13:28 | |
-Let's go in. -Thanks, Dad. | 0:13:28 | 0:13:30 | |
This would be my sitting room? | 0:13:30 | 0:13:33 | |
Yes...and also working room. | 0:13:33 | 0:13:35 | |
If it was bad weather outside, they couldn't work outside. They'd work on this brick floor. | 0:13:35 | 0:13:40 | |
-I'd work on the floor. -Your wife and children would sort out the shrimps | 0:13:40 | 0:13:45 | |
and the other shellfish. | 0:13:45 | 0:13:46 | |
This is one room. It's where your family exists when they're together. | 0:13:46 | 0:13:52 | |
-Mum's got to be somewhere, but I can't see Mum anywhere. -She's putting the kids to bed. | 0:13:52 | 0:13:55 | |
-Well, I better go there as well. -Let's go and see the bed. | 0:13:55 | 0:13:58 | |
-You have to hang on. -You do, don't you? | 0:14:00 | 0:14:03 | |
LAUGHTER | 0:14:03 | 0:14:05 | |
-So, here we are in the main bedroom. -That's the only bedroom. | 0:14:05 | 0:14:11 | |
This is mainly for the kids. Three heads there, three heads there, so head to toe. | 0:14:11 | 0:14:16 | |
-So you'd have three children lying here that way... -Yeah. And three that way. | 0:14:16 | 0:14:21 | |
The youngest child, babies, couldn't go on into the bed. | 0:14:21 | 0:14:25 | |
So the babies went into the baby box. | 0:14:25 | 0:14:28 | |
Look, it's quite nice. | 0:14:28 | 0:14:29 | |
Open it up... Look! | 0:14:29 | 0:14:31 | |
There's even a dressing gown in there. There's even a nightie in there. | 0:14:31 | 0:14:35 | |
And it's not even lined. All you've got, literally, is some... | 0:14:35 | 0:14:38 | |
I can't believe it. You've literally just got some what appears to be some sort of fabric, | 0:14:38 | 0:14:43 | |
-against a tin lining... -Yeah. -And be careful, baby! -Yeah. | 0:14:43 | 0:14:47 | |
-Lights out! -And Mum, my wife, would sleep here on the floor on a very thin mattress, | 0:14:47 | 0:14:54 | |
so she's have the baby to look after on her right, and on her left to keep an eye on the kids. | 0:14:54 | 0:14:59 | |
You know, Dad, if you and Mum wanted a bit of romance up here, | 0:14:59 | 0:15:02 | |
-you know, there's no time for that. -No, that comes on Sundays. | 0:15:02 | 0:15:06 | |
-Sundays? -Sundays, yeah. -I thought Sunday is a religious day of rest. -It is a day of rest | 0:15:06 | 0:15:11 | |
in the sense there's no fishing. But on Sundays the kids are packed off to Sunday school, | 0:15:11 | 0:15:16 | |
and Mum and Dad are on their own on Sundays. | 0:15:16 | 0:15:18 | |
-So hanky-panky day? -I think so. -Excellent. -I think so. | 0:15:18 | 0:15:22 | |
Hanky-panky, indeed! But you can't have a fisherman's yard without fish. | 0:15:22 | 0:15:26 | |
It's here somewhere. All you have to do is follow your nose, Charles. | 0:15:26 | 0:15:32 | |
-A nice aroma, isn't it? -This is real herring here? -Yes. | 0:15:32 | 0:15:36 | |
What is so nice is the smell. | 0:15:37 | 0:15:40 | |
-The aroma is great. -It really takes you back... -Exactly. | 0:15:40 | 0:15:43 | |
-..To what was happening here... -Yes. -100 years ago. | 0:15:43 | 0:15:47 | |
Yes, we've rescued an important slice of our local heritage, | 0:15:47 | 0:15:50 | |
and it's been listed now, Grade 2, like the cottages, by English heritage. | 0:15:50 | 0:15:55 | |
Charles may be all at sea, but Charlie is taking the dry road. | 0:15:55 | 0:16:00 | |
Leaving King's Lynn behind, | 0:16:04 | 0:16:06 | |
he rejoins the antiques trail and crosses the border from Norfolk into Cambridgeshire. | 0:16:06 | 0:16:11 | |
His final destination of the day is Wisbech, 16 miles away. | 0:16:11 | 0:16:16 | |
Like King's Lynn, Wisbech is a market town steeped in history, | 0:16:16 | 0:16:21 | |
and is regarded as the capital of the Fens. | 0:16:21 | 0:16:23 | |
With Georgian buildings aplenty, Wisbech has often been used as a film location for period dramas, | 0:16:23 | 0:16:31 | |
adapted from Charles Dickens. So it's little wonder that Charlie Ross has...great expectations! | 0:16:31 | 0:16:38 | |
-Good afternoon. -Hello. -Charlie. -Richard. -Hello, Richard. -Nice to meet you. | 0:16:38 | 0:16:42 | |
If I may, may I have a browse round on my own to begin with? | 0:16:42 | 0:16:46 | |
-You may. -And then hopefully I'll be able to home in on something. | 0:16:46 | 0:16:48 | |
With a huge selection of glassware, furniture and some lovely jugs, | 0:16:50 | 0:16:54 | |
Granny's Cupboard is full to overflowing. | 0:16:54 | 0:16:57 | |
This feels as if I've died and gone to heaven here. | 0:16:58 | 0:17:03 | |
You just can't believe the amount of stuff. | 0:17:03 | 0:17:06 | |
Here is a late Georgian... | 0:17:06 | 0:17:08 | |
almost Victorian, I suppose, might be William IV, | 0:17:08 | 0:17:14 | |
mahogany bureau, cross-banded in mahogany. | 0:17:14 | 0:17:18 | |
And people say these things are unsaleable now. | 0:17:18 | 0:17:21 | |
Well, everything's got a price at some stage. I mean, that, in a saleroom, 20 years ago, | 0:17:21 | 0:17:29 | |
would have been...it's not the best, 540, 560, 580. | 0:17:29 | 0:17:33 | |
And that's the sort of thing that perhaps Richard's had for years, | 0:17:33 | 0:17:36 | |
and he might really take a ridiculous offer, £100 or something. | 0:17:36 | 0:17:40 | |
-Richard? I don't suppose you'd like £50 for it, would you? -No. | 0:17:40 | 0:17:45 | |
-Not really. -I didn't think you would. | 0:17:46 | 0:17:48 | |
-It could be yours for 100. -That's really kind. | 0:17:48 | 0:17:52 | |
Charlie seems convinced that he can turn a profit on the unfashionable bureau, | 0:17:52 | 0:17:57 | |
but it could well come back to bite him on the bottom. | 0:17:57 | 0:18:00 | |
-I've spotted a bit of Sorrento, olive wood. -Yeah. -Well, it's, of course, the land of olives, isn't it? | 0:18:00 | 0:18:06 | |
-It is. -I like a nice olive from Italy. | 0:18:06 | 0:18:09 | |
-And made for tourists. -Definitely. -Definitely made for tourists, wouldn't it be? | 0:18:09 | 0:18:15 | |
-1910, '20s. -Yes. Could that be £20? | 0:18:15 | 0:18:18 | |
-No. -No? You're very rapid with your responses, it's very good. | 0:18:18 | 0:18:22 | |
Well, with these sort of offers you'd have to be! LAUGHTER | 0:18:22 | 0:18:25 | |
-Do you £30 on the mirror. -I'm going to give you £30 for it. | 0:18:25 | 0:18:29 | |
And he's not finished yet. | 0:18:29 | 0:18:31 | |
And I bought some things this morning of no great consequence, some bits of silver, silver plate, | 0:18:31 | 0:18:37 | |
well, mostly silver plate, and I thought I could bump up my job lot. | 0:18:37 | 0:18:41 | |
That is a sugar basin, silver plate. Don't worry, no hallmark. | 0:18:41 | 0:18:46 | |
-How much for the lot? -35. | 0:18:46 | 0:18:48 | |
What? Tenner! | 0:18:48 | 0:18:49 | |
You'll be lucky. 30. | 0:18:49 | 0:18:52 | |
-15. -20. | 0:18:54 | 0:18:56 | |
Oh, go on! £20! | 0:18:56 | 0:18:58 | |
Pure heaven! | 0:18:58 | 0:19:00 | |
Having secured another three lots for auction, Charlie is a very happy bunny, | 0:19:00 | 0:19:05 | |
as the first day of shopping comes to an end. | 0:19:05 | 0:19:08 | |
Early morning and our experts are up with the lark. | 0:19:10 | 0:19:14 | |
-But you know my old strategy? Try and get it bought early. -Yeah, exactly. | 0:19:15 | 0:19:19 | |
So far Charlie's spent £225 on four lots. | 0:19:21 | 0:19:25 | |
The Rupert annual, the job lot of silverware, | 0:19:25 | 0:19:28 | |
the mahogany bureau and the Sorrento hand mirror, | 0:19:28 | 0:19:31 | |
leaving just £52.16 for the day ahead. | 0:19:31 | 0:19:36 | |
Charles, meanwhile, was a little more conservative with his cash, | 0:19:37 | 0:19:42 | |
spending just £140 on three lots. | 0:19:42 | 0:19:45 | |
The duck pen wipe, | 0:19:45 | 0:19:46 | |
the Arts and Crafts silver buttons and a rather garish lampshade. | 0:19:46 | 0:19:51 | |
That gives him a total of £147.65 for the second day of buying. | 0:19:51 | 0:19:58 | |
Now they're heading 55 miles east towards the administrative centre of Norfolk, | 0:20:00 | 0:20:06 | |
and the historic city of Norwich. | 0:20:06 | 0:20:09 | |
-Isn't it magnificent? -It's fabulous! | 0:20:10 | 0:20:13 | |
-So I'm getting out now. -You get out. -I'll leave you to it. | 0:20:13 | 0:20:15 | |
-I'm going off to Bury St Edmunds. -I'll see you later. Bye. | 0:20:15 | 0:20:19 | |
In the 11th century, | 0:20:19 | 0:20:20 | |
Norwich was the second-largest city in the country after London, | 0:20:20 | 0:20:24 | |
and regarded as one of the most important places in the kingdom. | 0:20:24 | 0:20:28 | |
Norwich Castle was founded soon after the Norman Conquest, | 0:20:28 | 0:20:32 | |
and, according to the Domesday Book, | 0:20:32 | 0:20:34 | |
98 Saxon homes were demolished to make room for it. | 0:20:34 | 0:20:39 | |
Tapping into such a rich historic location, | 0:20:39 | 0:20:42 | |
it shouldn't be too difficult to find some local treasures, | 0:20:42 | 0:20:45 | |
but, then, it is Charles we're talking about here! | 0:20:45 | 0:20:48 | |
Where are the antiques? | 0:20:50 | 0:20:52 | |
And it isn't too long before Carlos strikes it lucky. | 0:20:55 | 0:21:00 | |
"Anything old and interesting". That sound like Charlie Ross to me! | 0:21:02 | 0:21:06 | |
-I'm Charles Hanson. -Hi, Charles. -Your name is...? -I'm Paul. Paul Moraski. | 0:21:09 | 0:21:13 | |
The painting over there is quite nice, Paul. Is it an oil painting? | 0:21:13 | 0:21:17 | |
-It's oil and I think it's dated 1887. -Is it for sale? -It is for sale. | 0:21:17 | 0:21:22 | |
He's a typical Victorian gent. | 0:21:22 | 0:21:24 | |
Here's his fob chain. | 0:21:24 | 0:21:26 | |
-And your best price is? -£200. | 0:21:26 | 0:21:29 | |
-And with discounts? -£200. -And between friends? -£200. | 0:21:29 | 0:21:32 | |
Well, I've been told it's £200 and there's no discounts. So I think, Paul, I'm out. Thanks. | 0:21:32 | 0:21:37 | |
How much was that again? | 0:21:37 | 0:21:39 | |
Oh, wow! | 0:21:39 | 0:21:40 | |
As a young boy, I always wanted one of these. | 0:21:40 | 0:21:44 | |
It's actually a coin cabinet. | 0:21:44 | 0:21:46 | |
If you were a collector and you want somewhere to house your collection of crowns or guineas, | 0:21:46 | 0:21:51 | |
you would acquire one of these. | 0:21:51 | 0:21:52 | |
-You can have it for £10. -£10. What's £10? | 0:21:52 | 0:21:56 | |
Firewood would cost you that, wouldn't it? | 0:21:56 | 0:21:58 | |
-I'll take it. -OK. -£10, Paul. Excellent. | 0:21:58 | 0:22:01 | |
Case closed! | 0:22:01 | 0:22:04 | |
If you were in my shoes now, what would you buy? | 0:22:04 | 0:22:06 | |
-I'd buy that oil painting for £100. -£100? | 0:22:06 | 0:22:09 | |
-NEEDLE IS LIFTED OFF RECORD -I thought he said £200! | 0:22:09 | 0:22:12 | |
-Oh, Paul! -As it's a display painting, you can have it for £100. -You're giving me a headache now! | 0:22:12 | 0:22:17 | |
Did you hear that? | 0:22:17 | 0:22:18 | |
At that price, the painting is certainly on the money. | 0:22:18 | 0:22:22 | |
-And that's the absolute best? -That's the very best. | 0:22:22 | 0:22:24 | |
If I said 80...would you possibly say, "Yes, Charles"? | 0:22:24 | 0:22:28 | |
OK, Charles, we'll do a deal at 80. | 0:22:28 | 0:22:31 | |
That portrait has to be one of the best buys ever. | 0:22:31 | 0:22:35 | |
From £200 down to 80, unless of course they saw him coming. | 0:22:35 | 0:22:38 | |
Yes! We got rid of it at last! | 0:22:40 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:44 | |
Ever get the feeling you've just been had? | 0:22:44 | 0:22:46 | |
While Charles cleans up in Norwich, his partner in crime has gone on ahead, | 0:22:46 | 0:22:52 | |
southwest to Bury St Edmunds, just over an hour away. | 0:22:52 | 0:22:56 | |
Ho-ho! This is the life, Hanson! | 0:22:57 | 0:23:02 | |
Profits, sunshine | 0:23:03 | 0:23:05 | |
and Bury St Edmunds! | 0:23:05 | 0:23:09 | |
Lordy! | 0:23:09 | 0:23:11 | |
Originally known as Beodericsworth, | 0:23:11 | 0:23:14 | |
it's thought that Bury St Edmunds was the site of a Roman settlement, later claimed by the Saxons. | 0:23:14 | 0:23:20 | |
Nowadays the place is best known for brewing and malting, | 0:23:20 | 0:23:23 | |
so what better place to start than a small libation in the smallest pub in Britain? | 0:23:23 | 0:23:29 | |
Looks like I've broken into a private party here. | 0:23:29 | 0:23:33 | |
-It's wonderful. Hello. -Hello. How are you? -Greetings. | 0:23:33 | 0:23:36 | |
-Are you the owner, landlord, whatever? -I'm the manager, yeah. -Nice to meet you. I'm Charlie. | 0:23:36 | 0:23:40 | |
-I'm Jack. -I've come to learn all about your pub. Is it really the smallest pub in the UK? | 0:23:40 | 0:23:45 | |
-The smallest pub by drinking area, yeah. -By drinking area? Good lord! How many people can you get in here? | 0:23:45 | 0:23:51 | |
The record was set in '84 when they got in 102. | 0:23:51 | 0:23:54 | |
-102? -Yeah, just in this room. | 0:23:54 | 0:23:57 | |
Good grief! Now, what about the history of the pub? Has this been in one ownership for...? | 0:23:57 | 0:24:02 | |
-No, it became a pub in 1873. -Yeah. -Next door was a pawnbroker's who owned this little side building. | 0:24:02 | 0:24:09 | |
And they noticed the majority of their trade was alcoholics | 0:24:09 | 0:24:11 | |
who were pawning their possessions to go and buy booze with... | 0:24:11 | 0:24:14 | |
-I know the feeling. -They turned their side building into a little pub to catch them on the way out. | 0:24:14 | 0:24:18 | |
Gosh! How extraordinary! | 0:24:18 | 0:24:21 | |
Is it just me or is this place a little strange? | 0:24:21 | 0:24:25 | |
This creature here, what is that? | 0:24:25 | 0:24:28 | |
-That's not a cat? -It is a cat. It was actually found bricked up here, | 0:24:28 | 0:24:31 | |
-and it's supposed to be very lucky to brick a cat up. -Really? | 0:24:31 | 0:24:35 | |
Yes, in a chimney. Not very lucky for the cat... | 0:24:35 | 0:24:38 | |
but it keeps the witches away. | 0:24:38 | 0:24:40 | |
-There's a three-legged chick in the glass bowl up there on the wall. -Nice. | 0:24:41 | 0:24:45 | |
A human lower leg hanging from the ceiling. | 0:24:45 | 0:24:48 | |
There's a little creature at the bottom there. What is that? | 0:24:48 | 0:24:51 | |
That's a shed tarantula skin. | 0:24:51 | 0:24:53 | |
-A tarantula skin? -I didn't realise this until I was given that. | 0:24:53 | 0:24:56 | |
They shed their skins a lot like snakes, and that's just the husk of a tarantula. | 0:24:56 | 0:25:00 | |
-Well, I might have to give you something to hang up here. -Great. | 0:25:00 | 0:25:03 | |
Yeah, I think a photograph of Charles Hanson probably. | 0:25:03 | 0:25:06 | |
-Thank you very much indeed. -Pleasure to meet you. -Wonderful. | 0:25:07 | 0:25:10 | |
It's almost time to call last orders on today's spending spree | 0:25:10 | 0:25:15 | |
and our two Charlies are reunited with just minutes to spare. | 0:25:15 | 0:25:19 | |
-We haven't got much time, have we? -No. What's the plan? | 0:25:19 | 0:25:22 | |
Well, my plan is to run over there where you can see Past & Present and spend my money. | 0:25:22 | 0:25:28 | |
-And let me go to the more idyllic picturesque Hanson type? -Yeah, that's more your sort of place. | 0:25:28 | 0:25:33 | |
Get a move on! | 0:25:33 | 0:25:35 | |
And for the final time today, let's get shopping! | 0:25:35 | 0:25:39 | |
It's got to really jump out and say, "Hanson, look at me. Hanson, look at me." | 0:25:41 | 0:25:47 | |
20 minutes. I don't think I should be looking at furniture. | 0:25:47 | 0:25:50 | |
With time ticking away, Charles spies a silver cigar cutter. | 0:25:50 | 0:25:55 | |
Your best price? | 0:25:56 | 0:25:57 | |
36 we start at... | 0:25:57 | 0:26:00 | |
I'd be looking for, say, 25. | 0:26:00 | 0:26:02 | |
I would buy it for 20. | 0:26:04 | 0:26:06 | |
I'm being cheeky, Richard, and if someone offers you more, I'll put it back. | 0:26:06 | 0:26:10 | |
-Anybody offering more? -Going, going, gone. -Looks like it's yours for 20, then. | 0:26:10 | 0:26:14 | |
-Are you sure, Richard? -Go on, special offer of the day. | 0:26:14 | 0:26:16 | |
In the shop next door, Charlie is also banking on some silver. | 0:26:16 | 0:26:21 | |
-Tell me what that little object... -I don't know what it is. | 0:26:21 | 0:26:24 | |
It's not a swizzle-stick. I don't know what it's for. It's not a toothpick, is it? | 0:26:24 | 0:26:27 | |
It's a silver thingamabob, Charlie! | 0:26:27 | 0:26:30 | |
-£20? -Yes. -I shall shake on that at £20. | 0:26:31 | 0:26:34 | |
There's a stool down there. It's marked at £35. Would you take £20 for it? | 0:26:34 | 0:26:39 | |
I'd take 25 for it. | 0:26:39 | 0:26:41 | |
£25, and I've done my shopping in no time at all! | 0:26:41 | 0:26:45 | |
Our boys are all spent up, and it's time for them to discover what the other has bought. | 0:26:45 | 0:26:52 | |
-Charlie, they say small is beautiful. -Yeah. -So let's start with my small one. | 0:26:52 | 0:26:57 | |
This is tiny! | 0:26:57 | 0:26:59 | |
Oh, I love it. It's a pen wipe. At auction it will make between | 0:26:59 | 0:27:04 | |
-£40 and £60. -And it cost me £45. -Oh, you've hit the nail on the head. Like it? | 0:27:04 | 0:27:10 | |
-Slim profit, but lovely object. -Thanks. -Well done. Would you like to see something of mine? -Please. | 0:27:10 | 0:27:15 | |
This has been accumulated over the days from various establishments. | 0:27:16 | 0:27:21 | |
In each establishment I bought one thing and I put them all together in one sumptuous lot. | 0:27:21 | 0:27:27 | |
-And the whole lot, I suspect, cost you about £50. -65. | 0:27:27 | 0:27:32 | |
Oh, lovely! | 0:27:34 | 0:27:36 | |
Very, very nice. I don't know how marketable they are. | 0:27:37 | 0:27:41 | |
-No. -But they asked 125, didn't they? -They did. -And you bought them for 45? | 0:27:41 | 0:27:46 | |
-No, I wish. £80. -Yes. | 0:27:46 | 0:27:48 | |
-If I saw this in an antiques shop, I would steer clear of it. -Yes. And that's why I bought it! | 0:27:48 | 0:27:56 | |
Because it's going to show me a profit. | 0:27:56 | 0:27:58 | |
Ah, how interesting! | 0:27:59 | 0:28:01 | |
-A cigar cutter. -How much? | 0:28:01 | 0:28:03 | |
I think that's worth £40. | 0:28:03 | 0:28:06 | |
Well, it cost me 20. | 0:28:06 | 0:28:08 | |
-Little French stool. -I like it. Is that a gout stool? -It might be a gout stool for you! | 0:28:08 | 0:28:13 | |
I like it. | 0:28:13 | 0:28:14 | |
You want a good lady of leisure to come and buy this. | 0:28:14 | 0:28:18 | |
-I do. -And I suspect she might pay about £60 for it. | 0:28:18 | 0:28:23 | |
-Would she really? -I hope so. -Cost? -How much? -25. -It didn't. -It did. -It didn't. -It did. | 0:28:23 | 0:28:28 | |
-It didn't. -It did. | 0:28:28 | 0:28:30 | |
It's a ceiling light, isn't it? Repro. This is hideous. | 0:28:33 | 0:28:37 | |
-For me, Charlie, it's full of Eastern promise. -Mmm... | 0:28:37 | 0:28:40 | |
For me, it's empty of Eastern promise. | 0:28:40 | 0:28:43 | |
Ah! | 0:28:43 | 0:28:44 | |
To me, that's something which sadly is past its sell-by date. | 0:28:44 | 0:28:49 | |
-It is. -However, I wouldn't be annoyed if you said, "Charles, put a 250 reserve on, | 0:28:49 | 0:28:55 | |
-"and make it 250-350." -250's what it cost. -Yeah, it's good. | 0:28:55 | 0:29:00 | |
-I think...don't forget, going to auction, we've got the 15% to think about. -It didn't cost 250. | 0:29:00 | 0:29:05 | |
Take off 50. | 0:29:05 | 0:29:07 | |
It didn't? £200? | 0:29:07 | 0:29:09 | |
-Take off 50. -It didn't? £150? | 0:29:09 | 0:29:11 | |
-Take off 50. -No! | 0:29:11 | 0:29:12 | |
-No! -Yes! £100. -It didn't? -£100. | 0:29:12 | 0:29:16 | |
What is it? | 0:29:16 | 0:29:17 | |
-Oh, it's a little collector's chest. -Yes. -It is. | 0:29:17 | 0:29:22 | |
-Age? -Charlie, I don't think it's very old... -Very old? | 0:29:22 | 0:29:26 | |
-I would say that this is approximately... -50 years old? -July last year? | 0:29:26 | 0:29:31 | |
It's the nicest plywood I've seen for a long time. | 0:29:31 | 0:29:33 | |
There we go, mate! | 0:29:33 | 0:29:35 | |
No, no! It'll make £50. | 0:29:36 | 0:29:38 | |
-It cost me £45. -Oh, did it? -Yeah. -Yeah, that's about right. | 0:29:38 | 0:29:41 | |
-Think so? -Yeah. About right. -No, it cost me £10. -Oh...! | 0:29:41 | 0:29:45 | |
-Right. There we are. -That's a lovely pierced oval hand mirror. | 0:29:47 | 0:29:51 | |
-I love this design. Very aesthetic. -Yeah. | 0:29:51 | 0:29:54 | |
I just wonder whether... | 0:29:54 | 0:29:57 | |
-Oh! -..What I've bought is the real McCoy. | 0:29:57 | 0:30:00 | |
I think it is. | 0:30:00 | 0:30:02 | |
I don't think he's a print. | 0:30:02 | 0:30:04 | |
-It's not a print. -No. -It's what I used to sell as "instant ancestors" to the Americans. -Sure. | 0:30:04 | 0:30:11 | |
"Gee, hang it on the wall and that's my Uncle Joe!" It never was his Uncle Joe. | 0:30:11 | 0:30:15 | |
-Cost you £100? -80. | 0:30:15 | 0:30:17 | |
Yeah. I don't know... It's not a great thing, is it? | 0:30:17 | 0:30:21 | |
But if I had to put a price on it, £140. | 0:30:21 | 0:30:24 | |
-Less commission, nice profit of £30 or £40. -It'd help, Charlie. -Yeah. | 0:30:24 | 0:30:28 | |
Having seen each other's purchases, what do our experts really think? | 0:30:28 | 0:30:32 | |
His star lot by far is going back to his golden age of auctioneering. | 0:30:34 | 0:30:38 | |
It's that wonderful bureau, mahogany. It's circa 1830, | 0:30:38 | 0:30:42 | |
and I truly thought it cost him 250. | 0:30:42 | 0:30:44 | |
To have bought that for £100 was a bargain. | 0:30:44 | 0:30:46 | |
His painting could be a bit of a sleeper. | 0:30:46 | 0:30:49 | |
£80. I think it'll make £140. | 0:30:49 | 0:30:52 | |
But, you know, it could make 200. | 0:30:52 | 0:30:55 | |
That would spell difficulty for old Rosko! | 0:30:55 | 0:30:58 | |
There's only one way to find out, | 0:30:58 | 0:31:00 | |
and that's to get back on the road and head to auction. | 0:31:00 | 0:31:04 | |
It's been a competitive third round from Grantham, via King's Lynn, | 0:31:04 | 0:31:09 | |
Wisbech, Norwich and Bury St Edmunds, | 0:31:09 | 0:31:12 | |
with the final destination of Beccles on the horizon. | 0:31:12 | 0:31:16 | |
Beccles is a medieval town in the heart of the Waveney Valley in Suffolk. | 0:31:16 | 0:31:20 | |
In the parish church, the union of Reverend Edmund Nelson | 0:31:20 | 0:31:25 | |
and local lass Catherine Suckling produced one of Britain's finest, | 0:31:25 | 0:31:29 | |
Admiral Horatio Nelson. | 0:31:29 | 0:31:32 | |
As our experts arrive in town, it's time to find out which of them will be sailing away | 0:31:32 | 0:31:38 | |
on their own HMS Victory. It's auction day! | 0:31:38 | 0:31:42 | |
-They're going to do really well for me today. -It's packed. | 0:31:42 | 0:31:46 | |
-Is the car OK here? -I shall be back in my rightful place at the top. | 0:31:46 | 0:31:51 | |
-Is the car OK here? -It's fine. -Are you sure? | 0:31:51 | 0:31:54 | |
Durrants have been conducting auction sales since 1853, | 0:31:55 | 0:31:58 | |
and Rebecca Mayhew is today's auctioneer. | 0:31:58 | 0:32:02 | |
She's kindly agreed to give her opinion on some of our featured lots. | 0:32:02 | 0:32:05 | |
My absolute favourite piece is probably the Rupert Bear annual | 0:32:06 | 0:32:10 | |
because of its rareness. It's still got lovely bright colours inside, | 0:32:10 | 0:32:14 | |
and I'm hoping it will appeal to quite a wide audience. | 0:32:14 | 0:32:17 | |
My least favourite item is Mr Hanson's collector's case. | 0:32:17 | 0:32:20 | |
It's of modern construction which is going to limit its saleability and attractiveness for the market. | 0:32:20 | 0:32:25 | |
The mahogany bureau is a good solid piece, but the bureau furniture market is still fairly poor. | 0:32:25 | 0:32:30 | |
But we'll see. It's an auction. Anything could happen and that's all part of the fun. | 0:32:30 | 0:32:34 | |
Quite right. Charlie Ross started today with £277.16, | 0:32:34 | 0:32:39 | |
and spent £270 on five auction lots, | 0:32:39 | 0:32:42 | |
leaving him with £7.16 in hand. | 0:32:42 | 0:32:47 | |
Charles Hanson began with £287.65 | 0:32:47 | 0:32:52 | |
and has spent £250 on six lots, | 0:32:52 | 0:32:55 | |
leaving him with £37.65 in his pocket. | 0:32:55 | 0:32:59 | |
Now, then, are we sitting comfortably? Then, let the auction commence! | 0:33:01 | 0:33:04 | |
First up, Charles is firmly in the spotlight | 0:33:07 | 0:33:10 | |
with his garish, glass lampshade. Yuck! | 0:33:10 | 0:33:13 | |
Interesting piece. Where are you going to start me? 40? | 0:33:13 | 0:33:17 | |
-Come on! -Shh! | 0:33:17 | 0:33:19 | |
20. Thank you, I'm bid. | 0:33:19 | 0:33:20 | |
It's the woman next to you who's bidding for it! | 0:33:20 | 0:33:23 | |
28. 30. At £30. Now, don't put her off. | 0:33:23 | 0:33:26 | |
It could be yours, madam! | 0:33:26 | 0:33:28 | |
Fresh bidder. 35. 38. | 0:33:28 | 0:33:31 | |
-40. 42. -Oh, no! -Gentleman's bid now at £42. Any more do I see at 42? | 0:33:31 | 0:33:37 | |
At 42. He's looking desperate. On my right at 42. | 0:33:37 | 0:33:42 | |
Great start. | 0:33:42 | 0:33:43 | |
Charles is off to a flying start. Next up, everyone's favourite bear, | 0:33:43 | 0:33:47 | |
or at least Charlie is hoping that that's the case. | 0:33:47 | 0:33:50 | |
The 1946 Rupert annual. It's in good condition. | 0:33:53 | 0:33:57 | |
One of the rarer ones. Got to be £50 to start it, surely? 50? | 0:33:57 | 0:34:01 | |
You're all quiet. 30. | 0:34:01 | 0:34:03 | |
Oh, dear. 10 to start it, surely? | 0:34:03 | 0:34:04 | |
-Come on, Charlie. -10. 12. | 0:34:04 | 0:34:06 | |
15. 18. | 0:34:06 | 0:34:09 | |
20. 22. | 0:34:09 | 0:34:11 | |
25. 28. | 0:34:11 | 0:34:13 | |
28. Your turn, sir. 30. | 0:34:13 | 0:34:16 | |
30. Your turn again, if you like, sir. 35. | 0:34:16 | 0:34:19 | |
38. | 0:34:19 | 0:34:20 | |
40. 45. | 0:34:21 | 0:34:23 | |
50. 55. | 0:34:24 | 0:34:26 | |
Anyone else, then? I will sell at £55. | 0:34:27 | 0:34:31 | |
It's early days, but Charlie is finding the disappointment | 0:34:31 | 0:34:35 | |
a little hard to "bear"! | 0:34:35 | 0:34:37 | |
My big hope! | 0:34:37 | 0:34:38 | |
My big hope down the drain! | 0:34:38 | 0:34:42 | |
Next up is the oil painting, | 0:34:42 | 0:34:44 | |
and Charles is hoping this Victorian gentleman will leave him quids in. | 0:34:44 | 0:34:48 | |
Lovely piece. Where are you going to start me? Got to be 100. | 0:34:48 | 0:34:51 | |
-100, then, to get it going, surely? -Come on. -All quiet. 50 to start it. | 0:34:51 | 0:34:55 | |
Thank you. I'm bid at £50. | 0:34:55 | 0:34:57 | |
-55. 60 if you like. -It's going. | 0:34:57 | 0:34:59 | |
60 now. 65. 70. | 0:34:59 | 0:35:02 | |
75. 80. 85. | 0:35:02 | 0:35:05 | |
-90. -There you go. -At £90, are you sure? | 0:35:05 | 0:35:08 | |
At £90. | 0:35:08 | 0:35:10 | |
Not a huge profit, but a profit nonetheless. | 0:35:11 | 0:35:16 | |
Hopefully there's a larger sum to be made on this next charming item. | 0:35:17 | 0:35:21 | |
Nice little lot, this. It's an upholstered French stool | 0:35:21 | 0:35:24 | |
on carved cabriole legs. Pretty piece. Start me 40 for it. 40. | 0:35:24 | 0:35:30 | |
20, then, surely? A nice little stool. Anyone for 20. | 0:35:30 | 0:35:32 | |
All quiet. 10 to start, surely? Thank you, I'm bid. | 0:35:32 | 0:35:35 | |
At 12 now. 12. 15. 18. | 0:35:35 | 0:35:39 | |
£18. Lady's bid in front. 20 now in the second row. | 0:35:39 | 0:35:42 | |
22, if you like, madam, yes. 22. 25. | 0:35:42 | 0:35:45 | |
Are you sure? No, 28. Completely fresh bidder. At 28 now. 30. | 0:35:45 | 0:35:50 | |
32. 35. | 0:35:50 | 0:35:52 | |
-Lady's bid at 35. -Getting better. Is that the lady behind us bidding? | 0:35:52 | 0:35:57 | |
-Thank you, sir, you're back. 38. 40 if you like, £40. -The lady behind... | 0:35:57 | 0:36:01 | |
One more, sir? No. At 40, then. Second row. | 0:36:01 | 0:36:04 | |
Make no mistake. Selling this time at 40. | 0:36:04 | 0:36:07 | |
-Well done, bean! -May I say, madam, you have impeccable taste? | 0:36:07 | 0:36:11 | |
I won't be able to sell it! | 0:36:11 | 0:36:13 | |
Smoothie Charlie can put his feet up and relax. | 0:36:14 | 0:36:16 | |
He's made a tidy profit of £15 on the footstool. | 0:36:16 | 0:36:21 | |
Charles was against the clock when he bought this silver cigar cutter, | 0:36:21 | 0:36:25 | |
but at £20 he got it for a snip! Ooh! | 0:36:25 | 0:36:28 | |
I have three commissions bids and I must start at £40. | 0:36:29 | 0:36:33 | |
I can take 42. | 0:36:33 | 0:36:35 | |
At £40 with me. £40. | 0:36:35 | 0:36:37 | |
42 on the back wall. 45 with me. One more if you like. At 48. | 0:36:37 | 0:36:40 | |
I'm out. On the back wall at 48. Do I see any more. | 0:36:40 | 0:36:44 | |
Anyone else surely at 48? | 0:36:44 | 0:36:46 | |
Another success. Not bad for a last-minute purchase. | 0:36:47 | 0:36:51 | |
Well done, Charles. | 0:36:51 | 0:36:53 | |
This pretty Sorrento mirror could be one of Charlie's better buys. | 0:36:53 | 0:36:58 | |
I have commission interest and I need to start it at £35. | 0:36:58 | 0:37:03 | |
I'll take 8 if it helps. At £35 now. At £35. | 0:37:03 | 0:37:07 | |
At 35. At 38. 40. At £40. | 0:37:07 | 0:37:10 | |
Come on, Charlie! Keep going. | 0:37:10 | 0:37:11 | |
42, fresh bidder. 45, still my commission. | 0:37:11 | 0:37:15 | |
At 45, then. | 0:37:15 | 0:37:16 | |
A nice little mark-up on the mirror. | 0:37:17 | 0:37:20 | |
It's not all doom and gloom for Charlie. | 0:37:20 | 0:37:22 | |
He's still in with a chance. | 0:37:22 | 0:37:24 | |
This handy little cabinet is perfect for displaying coins. | 0:37:24 | 0:37:28 | |
But will there be any cash in it for Charles? | 0:37:28 | 0:37:31 | |
-The drawers. It's a nice, useful piece. -Look at the drawers! Love it. | 0:37:31 | 0:37:35 | |
-As such I have commission interest. -Great. | 0:37:35 | 0:37:38 | |
-And I've got to start to clear the sheets at £40. -Oh, yes. | 0:37:38 | 0:37:41 | |
45. 50. 55. 60. | 0:37:41 | 0:37:44 | |
65. 70. | 0:37:44 | 0:37:46 | |
One more, if you like, sir. 70 commission bid. | 0:37:46 | 0:37:48 | |
75 in the corner. Completely fresh bidder, sir. | 0:37:48 | 0:37:51 | |
At 75 now. Do I have any more? | 0:37:51 | 0:37:54 | |
At 75, I think that's done it. We're selling now at 75. | 0:37:54 | 0:37:58 | |
Charles streaks ahead with that low-risk purchase. | 0:37:58 | 0:38:03 | |
A fantastic profit of £65. | 0:38:03 | 0:38:05 | |
# Hanson is the man | 0:38:06 | 0:38:09 | |
# He is the kiddy today. # | 0:38:09 | 0:38:13 | |
I wonder if Charlie can catch up with his beloved bureau. | 0:38:15 | 0:38:19 | |
He's banking on this lot to make a fat profit. | 0:38:19 | 0:38:21 | |
Well, you see it. It's got to be 200 for it. | 0:38:22 | 0:38:25 | |
£100 anywhere to get going? | 0:38:25 | 0:38:27 | |
-Nice piece. For 50, surely? -Come on. -No-one for 50. | 0:38:28 | 0:38:32 | |
You're all quiet. No-one wants it for 50? | 0:38:32 | 0:38:36 | |
I'm going to get tears in a minute. No-one wants it even for 20? | 0:38:36 | 0:38:38 | |
-Come on, Charlie. -I'll give you 20. | 0:38:38 | 0:38:41 | |
You're a good man, Bruce. At 20. £20 I have. | 0:38:41 | 0:38:46 | |
It's a plea for help. 25. Thank you, sir. | 0:38:46 | 0:38:48 | |
Will you give me 30 now, Bruce? No, he's quiet. | 0:38:48 | 0:38:51 | |
30 I have close to me. Would you like 35, sir? | 0:38:51 | 0:38:54 | |
40. | 0:38:54 | 0:38:56 | |
It's a super piece for 40. | 0:38:56 | 0:38:58 | |
-At £40. At £40. At £40. I will sell it. -Oh, dear! | 0:38:58 | 0:39:02 | |
At only £40. | 0:39:02 | 0:39:04 | |
Thank you. | 0:39:04 | 0:39:06 | |
That is a disastrous result for Charlie. | 0:39:06 | 0:39:10 | |
-Even Charles feels his pain. -It's worth 150. | 0:39:10 | 0:39:13 | |
It just shows... Come to auction, you can find bargains | 0:39:13 | 0:39:16 | |
at Charlie Rosko's expense. Bad luck, mate. | 0:39:16 | 0:39:19 | |
The next lot are those pretty little silver buttons. | 0:39:19 | 0:39:24 | |
I've got three bids and I need to start these at £70. | 0:39:24 | 0:39:28 | |
At 70 with me. I'll take 5 if it helps. 75 on the back wall. | 0:39:28 | 0:39:32 | |
80 with me. One more if you like. | 0:39:32 | 0:39:34 | |
-75 off the wall? -It's in the room now at £85. £90 close to me. | 0:39:34 | 0:39:40 | |
95. Your turn if you like. | 0:39:40 | 0:39:42 | |
100, completely fresh bidder. 110? | 0:39:44 | 0:39:47 | |
Back again with Bruce at 110. No? | 0:39:47 | 0:39:50 | |
Shake of the head. With Bruce, then, at 110. Any more do I see at 110? | 0:39:50 | 0:39:54 | |
Another success story for Carlos, | 0:39:54 | 0:39:57 | |
with an Arts and Crafty profit of £30! | 0:39:57 | 0:40:01 | |
Charlie's last hope lies with the job lot of silver, | 0:40:01 | 0:40:05 | |
bought from three different shops. | 0:40:05 | 0:40:07 | |
-I've got commission interest. -If I could pull out now, I would. | 0:40:07 | 0:40:11 | |
25. I can take 28. At 28. 30. 32, commission's out. Your turn. | 0:40:11 | 0:40:16 | |
32. 35 here. | 0:40:16 | 0:40:18 | |
No? At 35, in the cap. New bid. 38. 40. | 0:40:18 | 0:40:22 | |
42. Fresh bidder. | 0:40:22 | 0:40:24 | |
45. | 0:40:25 | 0:40:26 | |
I'm thrilled with this, I'm thrilled. | 0:40:26 | 0:40:29 | |
Any more? 55, fresh bidder. At 55. Your turn. 60. | 0:40:29 | 0:40:33 | |
I'm nearly getting my money back. | 0:40:33 | 0:40:36 | |
-65. Seated bid I have at 65. -65? I've nearly got my money back. | 0:40:36 | 0:40:42 | |
70. At £70 now. | 0:40:42 | 0:40:44 | |
Going to sell this time at 70. | 0:40:44 | 0:40:46 | |
-Well done. -I've never been so excited about breaking even! | 0:40:47 | 0:40:51 | |
He might be happy to make his cash back, | 0:40:51 | 0:40:54 | |
but the silver gives Charlie a lacklustre finish to the auction. | 0:40:54 | 0:40:58 | |
-Charlie? -Yes. -Do you know why I've been losing money? -Why? | 0:40:58 | 0:41:01 | |
-My jacket. -What about it? -I bet if you put my jacket on, | 0:41:01 | 0:41:05 | |
you won't make a profit. | 0:41:05 | 0:41:07 | |
-I think my duck will make a profit. -Put my jacket on and see. | 0:41:07 | 0:41:11 | |
I bet it doesn't. | 0:41:12 | 0:41:14 | |
Are you sure? | 0:41:15 | 0:41:16 | |
It's time to put Charlie's lucky-jacket theory to the test | 0:41:16 | 0:41:20 | |
with the final lot of the day, Charles' duck pen wipe. | 0:41:20 | 0:41:24 | |
If I'd been in this jacket from the beginning, I'd have made a profit. | 0:41:24 | 0:41:27 | |
-It's a good jacket, Charlie. -Goes well with the tie. | 0:41:27 | 0:41:30 | |
Shall I get you one? | 0:41:30 | 0:41:31 | |
I have four bids altogether. | 0:41:31 | 0:41:34 | |
And I need to start to clear the sheets at £80. I'll take 85. | 0:41:34 | 0:41:38 | |
85. | 0:41:38 | 0:41:39 | |
-90. At £90. -Come on. Keep going. | 0:41:39 | 0:41:42 | |
I have commission still. 95, just in time. 100 still with me. | 0:41:42 | 0:41:45 | |
-At £100, anyone else? Going to sell. -All done. | 0:41:45 | 0:41:47 | |
Fair warning at 100. | 0:41:47 | 0:41:49 | |
A "quacking" success which means that today's victor is... | 0:41:50 | 0:41:55 | |
Charles Hanson! | 0:41:55 | 0:41:57 | |
Do you know what? The jacket is not unlucky, Charlie. | 0:41:57 | 0:42:00 | |
The jacket is built with pedigree and pride. | 0:42:00 | 0:42:03 | |
-Well done, old bean. -Thanks, buddy. | 0:42:04 | 0:42:05 | |
-I have had a thrashing. -Until next time, Charlie. | 0:42:05 | 0:42:09 | |
Thanks for the memories! | 0:42:09 | 0:42:11 | |
Charlie started today's show with... | 0:42:12 | 0:42:15 | |
..and, after paying auction costs, | 0:42:19 | 0:42:21 | |
actually made a loss of £65. | 0:42:21 | 0:42:24 | |
Charlie has just... | 0:42:25 | 0:42:27 | |
to carry forward. | 0:42:27 | 0:42:30 | |
Charles, meanwhile, started with... | 0:42:30 | 0:42:33 | |
..and made a bumper profit of £131.30. | 0:42:35 | 0:42:39 | |
He has a whopping... | 0:42:39 | 0:42:42 | |
..to take forward. | 0:42:42 | 0:42:45 | |
Charlie, I think it's been my day throughout today, | 0:42:47 | 0:42:49 | |
and Suffolk has been so prosperous for me, I think we'll stay around here. | 0:42:49 | 0:42:53 | |
With your blessing. Let's try Sudbury. Let's try Lavenham. | 0:42:53 | 0:42:57 | |
-Long Melford, sir? -Indeed. | 0:42:57 | 0:42:59 | |
-Let's stay local. -If you insist, sir. I'll show you out. -Thank you, Charlie. | 0:42:59 | 0:43:03 | |
Next time on the Antiques Road Trip, the chaps' fancy car plays up again. | 0:43:03 | 0:43:09 | |
And it all seems like child's play! | 0:43:09 | 0:43:12 | |
Come on, Charlie, come on! Let's go! | 0:43:12 | 0:43:14 | |
And after a long search for antiques in Suffolk, their friendship has certainly blossomed. | 0:43:14 | 0:43:20 | |
Why don't we bring our wives over here for a joint holiday together? | 0:43:20 | 0:43:23 | |
I think that's a really good idea. Cracking idea. | 0:43:23 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:32 | |
E-mail [email protected] | 0:43:32 | 0:43:36 |