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-The nation's favourite antiques experts, £200 each and one big challenge. -War! | 0:48:02 | 0:48:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:48:09 | 0:48:14 | |
The aim is to trade up and hope each antique turns a profit, | 0:48:14 | 0:48:19 | |
but it's not as easy as you might think and things don't always go to plan. | 0:48:19 | 0:48:24 | |
-Will they race off with a huge profit or come to a grinding halt? -I'll thrash you! | 0:48:24 | 0:48:29 | |
This is the Antiques Road Trip! | 0:48:29 | 0:48:32 | |
This week we're out on the road with a pair of troublemakers - | 0:48:37 | 0:48:41 | |
actually, auctioneers Charlie Ross and Charles Hanson. | 0:48:41 | 0:48:46 | |
There was a young vicar of Prings, who professed to despise earthly things, but his secret desire... | 0:48:46 | 0:48:53 | |
That's quite enough, thank you! Charlie Ross is a leaner senior | 0:48:53 | 0:48:57 | |
and he has his moments! | 0:48:57 | 0:48:59 | |
-For 30 quid it's an absolute bargain. -Wouldn't be bad for a tenner. | 0:48:59 | 0:49:04 | |
-Would it? -Though he does struggle to part with his cash. | 0:49:04 | 0:49:08 | |
-I wish I had spent more money. -So do I. | 0:49:08 | 0:49:11 | |
And this is Charles Hanson. He's an auctioneer, antiques expert and an athlete. | 0:49:11 | 0:49:17 | |
-Charles Hanson. I'm an auctioneer and author and antiques expert. -Well, you could call it that. | 0:49:17 | 0:49:23 | |
He's called the Young Pretender, keeping his chin up despite a cruel, bruising loss yesterday. | 0:49:23 | 0:49:30 | |
I'm going to set sail and hit those high seas. | 0:49:30 | 0:49:34 | |
-60 quid. -Add £25. -85? -Yes. | 0:49:35 | 0:49:39 | |
27.50. | 0:49:40 | 0:49:42 | |
Aww! | 0:49:42 | 0:49:44 | |
Charlie Ross, meanwhile, had a fairly good first outing with a few more sober purchases. | 0:49:44 | 0:49:51 | |
-You can have that for a tenner. -Bother! | 0:49:51 | 0:49:54 | |
From his original £200, | 0:49:54 | 0:49:57 | |
Charlie now has £234.56 to flash about. | 0:49:57 | 0:50:02 | |
Not a lot, but considerably more than Hanson's got. | 0:50:03 | 0:50:07 | |
Sadly, yes. | 0:50:07 | 0:50:09 | |
Poor Charles's losses mean his £200 has shrunk | 0:50:09 | 0:50:13 | |
to a worrying £132.65 to fight back with. | 0:50:13 | 0:50:19 | |
And as the chaps launch into Round 2, | 0:50:19 | 0:50:22 | |
their vintage 1960s Ford Corsa is still serving them well as this week's wheels. | 0:50:22 | 0:50:29 | |
# Heigh ho! | 0:50:29 | 0:50:32 | |
# Heigh ho! # | 0:50:32 | 0:50:34 | |
Don't join the choir. They will travel over 300 miles down the gorgeous east coast of England, | 0:50:35 | 0:50:42 | |
all the way to Rye in East Sussex. | 0:50:42 | 0:50:44 | |
And on today's show they're leaving Doncaster, heading for Grantham. | 0:50:44 | 0:50:50 | |
First stop is North Lincolnshire's glittering jewel, Scunthorpe. | 0:50:50 | 0:50:54 | |
-I see old Fagin in you! -You think I'm a mean buyer? | 0:50:54 | 0:50:58 | |
You pick a pocket or two in your dealings! | 0:50:58 | 0:51:03 | |
On 21st March, 1890, the first shiny white metal came out of the furnaces | 0:51:03 | 0:51:09 | |
at Frodingham ironworks | 0:51:09 | 0:51:12 | |
and Scunthorpe has ever since been a stalwart of British steel production, | 0:51:12 | 0:51:18 | |
as well as the original setting for Jack Carter's northern revenge in the novel Jack's Return Home, | 0:51:18 | 0:51:24 | |
famously filmed with Michael Caine as Get Carter, though sadly relocated to Newcastle. | 0:51:24 | 0:51:31 | |
Today Scunthorpe offers Charlie Ross his first antiques emporium. | 0:51:31 | 0:51:36 | |
Now...I've found something here that could well be relevant to where we're going to auction. | 0:51:38 | 0:51:44 | |
We're going to be very near Lincoln | 0:51:44 | 0:51:47 | |
and here we've got the Arnold and Company, Lincoln, Limited. | 0:51:47 | 0:51:54 | |
Actually, Charlie, the auction is 25 miles south from Lincoln in Grantham, | 0:51:54 | 0:52:00 | |
but I'm sure it will have its own lovers of old lemonade bottles. There, there, dear. | 0:52:00 | 0:52:06 | |
There's something that looks a bit like an industrial tape measure. It looks rather interesting. | 0:52:06 | 0:52:13 | |
Need to find the boss, I think. | 0:52:13 | 0:52:16 | |
-Hi, there. -Hello. -Are you the boss? -I am, yeah. Dave. -I'm Charlie, hi. -Nice to meet you. | 0:52:16 | 0:52:22 | |
-There you go. -Is that a tape measure of some sort? -It is. An old Chesterman's one. -A Chesterman's. | 0:52:22 | 0:52:28 | |
What a fascinating bit of kit. Would that be used by a surveyor? | 0:52:28 | 0:52:33 | |
J Chesterman and Co made tape measures and tools from the early 1900s to the 1960s, | 0:52:33 | 0:52:40 | |
eventually becoming the more famous Stanley Tools. | 0:52:40 | 0:52:43 | |
The asking price for this early model is £45. | 0:52:43 | 0:52:47 | |
Look at that. | 0:52:47 | 0:52:49 | |
Victorian doll's crib. | 0:52:50 | 0:52:53 | |
And as far as I can see, | 0:52:53 | 0:52:55 | |
it's absolutely 100%. | 0:52:55 | 0:52:58 | |
Victorian toys and dolls are highly collectable, but this ain't either | 0:52:58 | 0:53:04 | |
and at £58 it isn't cheap. I can feel a negotiation coming on. | 0:53:04 | 0:53:09 | |
What about £30 for the crib? | 0:53:09 | 0:53:11 | |
If I could tempt you at 40, that's where I'd be with it. | 0:53:11 | 0:53:15 | |
-What about the tape measure? -It's been with us a bit longer. -Has it? -It's more specialist. -Quite. | 0:53:15 | 0:53:21 | |
I think we could probably take that down to 30. | 0:53:21 | 0:53:25 | |
-You can't do the two for 50? -I can't. That's too low. | 0:53:25 | 0:53:29 | |
-I'll do the pair for 65. -There are two glass Lincoln lemonade bottles. | 0:53:29 | 0:53:34 | |
One is priced at £4 and one is priced at £3. | 0:53:34 | 0:53:39 | |
-I'll do the two for a fiver. -70 quid for the lot. -That's right. | 0:53:39 | 0:53:43 | |
I'll get my cash out. Thank you for looking after me. | 0:53:43 | 0:53:47 | |
That's what I call a fine start, Charlie. | 0:53:47 | 0:53:51 | |
And it looks like you could hold your lead for Day 2. | 0:53:51 | 0:53:56 | |
Meanwhile, first-time hitchhiker Charles Hanson has gone on ahead. | 0:53:56 | 0:54:00 | |
Quite far ahead, actually. | 0:54:00 | 0:54:03 | |
34 miles south from sunny Scunny | 0:54:04 | 0:54:07 | |
finds our poor second-place expert about to land in Lincoln. | 0:54:07 | 0:54:12 | |
The wind's blowing an almost Force 14 gale here in Lincolnshire | 0:54:14 | 0:54:19 | |
and Hanson is, at the moment, heading downhill, almost treading water, but I'm not concerned. | 0:54:19 | 0:54:25 | |
I'm in my lucky waistcoat. | 0:54:25 | 0:54:27 | |
come on, Hanson! And off you go! | 0:54:27 | 0:54:30 | |
That's the spirit. You can't keep a good man down, | 0:54:31 | 0:54:35 | |
-although I wonder quite where is he going. -This way! | 0:54:35 | 0:54:40 | |
Of course, there's much to see and be excited about in Lincoln. | 0:54:41 | 0:54:46 | |
Built from Roman times onwards on a gap in the Lincoln cliff, | 0:54:46 | 0:54:50 | |
it's known locally as the uphill, downhill town. | 0:54:50 | 0:54:53 | |
Its centre point is is the stunning Lincoln cathedral, | 0:54:53 | 0:54:58 | |
first built in 1092 and much of it surviving despite earthquake, | 0:54:58 | 0:55:03 | |
anarchy, civil war, tourists and, possibly, Charles Hanson. | 0:55:03 | 0:55:08 | |
Let's hope and pray opposite the church we're open. | 0:55:09 | 0:55:13 | |
Hello, madam. | 0:55:19 | 0:55:21 | |
-Your name is...? -Suzy. -Hi, I'm Charles. | 0:55:21 | 0:55:25 | |
Wow. Look at this. | 0:55:25 | 0:55:27 | |
It's like Aladdin's cave. | 0:55:27 | 0:55:30 | |
-And what's your name? -Chico. -And how much is he? -Er... | 0:55:34 | 0:55:38 | |
-Priceless. -Yes! | 0:55:38 | 0:55:41 | |
There's everything in here. You can barely walk around, there's so much crammed in. | 0:55:41 | 0:55:46 | |
-Is there anything a bit quirky? -Oh, here you are. for a fisherman. | 0:55:46 | 0:55:50 | |
-What is it? -A wine thing. -Of course, yeah. | 0:55:53 | 0:55:57 | |
-That's £10. -I mean, for £10... -That's quirky. -It's not very old, but it's quirky. -I've never seen one. | 0:55:57 | 0:56:04 | |
What you've got is a bottle stand. A fisherman is smiling, smoking his pipe. Not very old, but collectable. | 0:56:04 | 0:56:11 | |
Today's market is so governed by quirkiness. | 0:56:11 | 0:56:15 | |
You know, we've sort of been here before, Charles, and I'm sure | 0:56:15 | 0:56:21 | |
there are some actual antiques here, no? | 0:56:21 | 0:56:24 | |
(Am I doing it?) | 0:56:25 | 0:56:27 | |
OK, it's not an antique. Suzy, what's your best price? | 0:56:27 | 0:56:31 | |
-Eight. -£8? -Yeah. -I'll probably go for him. I can't make a big loss. I've had a disaster already. | 0:56:31 | 0:56:37 | |
I've lost £80 already and I'm down to barely £100. | 0:56:37 | 0:56:43 | |
-Will you take £5 for him? -No. -Meet me halfway - six. -OK. | 0:56:44 | 0:56:49 | |
£6. Suzy, we're going and I'm going. I'm going. | 0:56:49 | 0:56:53 | |
-Nice to meet you. -And gone. Thanks, Suzy, ever so much. | 0:56:53 | 0:56:57 | |
Well, it's done now. Let's hope Charles tries to sell this item with a full bottle of wine included. | 0:56:57 | 0:57:04 | |
Reputations intact, sort of, it's time for our boys to get on the road again. | 0:57:05 | 0:57:11 | |
12 miles east to Doddington where they very lucky Charlie Ross has a prior engagement, | 0:57:14 | 0:57:20 | |
dontcha know? | 0:57:20 | 0:57:23 | |
Slow down. | 0:57:23 | 0:57:25 | |
-It's just in here. -OK. | 0:57:25 | 0:57:28 | |
No, no, not that one! The next one. | 0:57:28 | 0:57:31 | |
That's it, yes. Superb. | 0:57:31 | 0:57:33 | |
-Gently! Now very gently down here. This is a stately home. -Sorry. -Do be gentle. -Sorry. | 0:57:33 | 0:57:39 | |
-Magnificent. -Wonderful Doddington Hall has never been sold since it was built | 0:57:39 | 0:57:46 | |
in 1595 by Britain's foremost Elizabethan architect, Robert Smythson. | 0:57:46 | 0:57:52 | |
At this time, architecture was not yet a profession, | 0:57:52 | 0:57:57 | |
but Smythson was a master stonemason, creating this pile for local lawyer and landowner | 0:57:57 | 0:58:03 | |
Thomas Taylor and his descendants. | 0:58:03 | 0:58:06 | |
-How many rooms? -Not as many as you would think. | 0:58:06 | 0:58:10 | |
My grandmother always said it was a little big house | 0:58:10 | 0:58:14 | |
-because it looks very imposing... -Yeah. -..but it's only one room wide. -Relatively manageable. -Relatively. | 0:58:14 | 0:58:21 | |
Right, come in. | 0:58:22 | 0:58:24 | |
Current owner Claire Jarvis is a descendant from the original founders of the estate, | 0:58:24 | 0:58:30 | |
a family of passionate creators, restorers and collectors. | 0:58:30 | 0:58:34 | |
A bit like our Charlie Ross, really. And the wonderful Great Hall is still used as a family dining room, | 0:58:34 | 0:58:40 | |
where each generation has left its mark. | 0:58:40 | 0:58:44 | |
-It strikes me that what's interesting is the different periods of furniture. -Yes. | 0:58:44 | 0:58:50 | |
-It's just an amazing mix. -I think that's the story of this house. | 0:58:50 | 0:58:55 | |
It's been never really cleared out and people have just added things. | 0:58:55 | 0:58:59 | |
These are Cromwellian chairs. | 0:58:59 | 0:59:01 | |
-What period do you think the table is? -I would say | 0:59:01 | 0:59:06 | |
-that it was made... the turn of the last century. -It was made about 15 years ago. -15! | 0:59:06 | 0:59:13 | |
My father made it for their 25th wedding anniversary from wood from the estate. | 0:59:13 | 0:59:19 | |
Further into this fascinating home, the family penchant for collecting becomes both frenzied | 0:59:19 | 0:59:26 | |
and more organised. | 0:59:26 | 0:59:28 | |
You probably noticed a lot of porcelain in the cabinets. | 0:59:28 | 0:59:33 | |
It was collected by a predecessor of mine called George Edwin Jarvis. | 0:59:33 | 0:59:37 | |
And he created this fantastic catalogue of all the things he collected. | 0:59:37 | 0:59:43 | |
Every single piece that he bought or found or collected, | 0:59:43 | 0:59:47 | |
-he actually painted and wrote all the information. -Amazing! -So beautifully done. | 0:59:47 | 0:59:53 | |
What a labour of love. Isn't that magnificent? | 0:59:53 | 0:59:56 | |
Claire is now the curator of her own family history. Doddington Hall is a living, vibrant museum | 0:59:56 | 1:00:03 | |
utilising local volunteers to research and catalogue its many wonderful objects. | 1:00:03 | 1:00:10 | |
This is rather an interesting room. We call it the Forgotten Room because it's full of bits and pieces. | 1:00:10 | 1:00:17 | |
-What an extraordinary room! -Well, quite. | 1:00:18 | 1:00:22 | |
This amazing room contains everything that was ever kept by or somehow missed being thrown out | 1:00:22 | 1:00:28 | |
as the years, decades and centuries passed. As there's no strict criteria to what resides here, | 1:00:28 | 1:00:36 | |
-the family has merely named it the Forgotten Room. -We had to clear out a lot of rooms | 1:00:36 | 1:00:42 | |
-and there was just junk in them. -But it's not junk, is it? -It's not. -It really isn't. | 1:00:42 | 1:00:48 | |
-There's very little we threw away. We have a great collection of irons. This wonderful '50s iron. -Splendid. | 1:00:48 | 1:00:54 | |
Still with the label. And another. Then some really early irons here. | 1:00:54 | 1:00:59 | |
-It's really fun for children to see. -It's an education, isn't it? | 1:00:59 | 1:01:03 | |
-Do you know what that is? -No, but it's for gripping something. | 1:01:03 | 1:01:08 | |
-Why is that sprung? -It should spring back and snap. -Ah. | 1:01:08 | 1:01:12 | |
-Oh, I see. -What if we put some jam on there? | 1:01:12 | 1:01:17 | |
-Bzzz! -Oh, no! | 1:01:17 | 1:01:19 | |
-Really? -It's a wasp trap. -A wasp trap! | 1:01:19 | 1:01:23 | |
A wasp gun. | 1:01:23 | 1:01:25 | |
This is a fun thing, too. | 1:01:26 | 1:01:28 | |
That's an old hoover! How often do you use that? | 1:01:28 | 1:01:33 | |
-It gets the dust. -Vacuum cleaner. Wonderful. | 1:01:35 | 1:01:40 | |
-These are fun. Victorian roller skates. -Victorian roller skates. | 1:01:40 | 1:01:44 | |
-Have you tried them? -No. I think I'd break my leg. | 1:01:44 | 1:01:49 | |
I think you would. You'd think it was a new invention, but it's Victorian. Thank you for that. | 1:01:49 | 1:01:55 | |
-I feel quite exhausted. -Oh, Mr Ross, you poor old love! | 1:01:55 | 1:02:00 | |
Sadly, your indulgences garner no sympathy here. | 1:02:00 | 1:02:05 | |
For pure, dynamic, all-action, go get 'em, antiques shopping, I put my money on Team Hanson. | 1:02:05 | 1:02:10 | |
Doddington Hall is just a memory now as the road trip dances merrily | 1:02:14 | 1:02:19 | |
15 miles south-east to the lovely village of Navenby. | 1:02:19 | 1:02:23 | |
-Good morning. How are you? -Very well. -I'm Charles Hanson. -Laura Conway. | 1:02:26 | 1:02:32 | |
What I do like is this one here. Birmingham, 1907. | 1:02:36 | 1:02:40 | |
-Martha, David and Morris Davis. It's a sugar sifter. -Yes. | 1:02:40 | 1:02:44 | |
With your lidded cover | 1:02:44 | 1:02:47 | |
This would fetch between £60 and £100. What's your retail price? | 1:02:47 | 1:02:52 | |
-It's quite a lot more than that. -Yeah. -We've got that on at 225. | 1:02:52 | 1:02:56 | |
-Yeah. -But it has been here for a year and a half. -Don't tell him it's languishing! | 1:02:56 | 1:03:02 | |
This is a delightful, decorative antique item, rather than a boat-shaped cocktail bar! | 1:03:02 | 1:03:09 | |
Could we be seeing Charles Hanson about to buy an actual antique? | 1:03:09 | 1:03:13 | |
-I can let you have it at 100. -Oh, crikey. | 1:03:13 | 1:03:18 | |
Laura, £100 is a really, really good offer for me to buy it at, | 1:03:18 | 1:03:23 | |
so I'll think about it. | 1:03:23 | 1:03:26 | |
That's sweet. | 1:03:29 | 1:03:32 | |
This tiny oval box reads "A trifle from Bath" | 1:03:32 | 1:03:37 | |
and what we've got here is something which was a lady's patch box. | 1:03:37 | 1:03:41 | |
Ladies back in the 1760s, 1780s, had warts on their faces | 1:03:41 | 1:03:45 | |
or they may have had scars and blisters. It was a very unhygienic time. | 1:03:45 | 1:03:51 | |
This you would have kept your cream in to cover patches on your face. | 1:03:51 | 1:03:55 | |
In the Georgian period, the health of England's upper classes was often threatened by smallpox. | 1:03:55 | 1:04:01 | |
If you survived the disease, it could leave your face pock-marked | 1:04:01 | 1:04:05 | |
and as a woman you needed the patches to cover up the craters in your skin. | 1:04:05 | 1:04:10 | |
-The asking price is 145. -145? -It is, yes. | 1:04:10 | 1:04:14 | |
-For you, Charles, I think we could do that at £50. -Commercially, am I being savvy? Maybe not, | 1:04:14 | 1:04:20 | |
but when you handle history that tells a great story... | 1:04:20 | 1:04:25 | |
Sounds like someone needs a moment of "me time" to weigh up the pros and cons. | 1:04:25 | 1:04:31 | |
They will want about £100 for the sifter. | 1:04:31 | 1:04:35 | |
If I can go in at 70 and buy it, | 1:04:35 | 1:04:38 | |
buy the oval box at 25, that's 95... | 1:04:38 | 1:04:42 | |
It gives Hands On Hanson still £35 to play with... | 1:04:42 | 1:04:47 | |
and back in the game. I'm feeling back in the game. I feel good. | 1:04:48 | 1:04:52 | |
I'm going now to make my offer and see what comes of it. | 1:04:52 | 1:04:56 | |
Laura, I've arrived at a decision which I hope you're agreeable to. | 1:04:56 | 1:05:00 | |
-I'd like to offer about £25 for the enamel box... -Wow! | 1:05:00 | 1:05:05 | |
That's half of what Laura was hoping for on the patch box. | 1:05:05 | 1:05:09 | |
Let's hope Charles can pay the £70 for the sugar sifter without causing offence. | 1:05:09 | 1:05:15 | |
I'd like to offer you... 25 plus 70. | 1:05:15 | 1:05:20 | |
That makes £95. | 1:05:20 | 1:05:22 | |
And I'm asking your hand... for a sale. | 1:05:22 | 1:05:27 | |
-Oh, for you, Charles. -Are you sure? -Go on, then. For you. | 1:05:32 | 1:05:36 | |
£95. Laura, thanks ever so much. | 1:05:36 | 1:05:39 | |
She fancies him. Well, the Hanson antiques arsenal is improving. | 1:05:39 | 1:05:43 | |
He has a renewed sense of optimism. | 1:05:43 | 1:05:47 | |
Charlie Ross, watch out. I'm coming to get you. | 1:05:47 | 1:05:52 | |
Well, always nice to end the day with a threat! It's been a good hunt so far, though. | 1:05:52 | 1:05:58 | |
Now Navenby must give our road trippers a bed for the night. Sleep tight. | 1:05:58 | 1:06:04 | |
Dawn breaks across Lincolnshire and our chaps are straight back at it. | 1:06:06 | 1:06:12 | |
You know, the word's on the street that a) you're back and b) you were a Dick Turpin yesterday! | 1:06:12 | 1:06:20 | |
-Ha ha! -I'm going to call you Dick Hanson! You were wearing a mask yesterday! | 1:06:20 | 1:06:25 | |
So far, Charlie's spent £70 on three lots. | 1:06:25 | 1:06:30 | |
The surveyor's tape, the Victorian crib and the Lincolnshire pop bottles, | 1:06:30 | 1:06:37 | |
leaving £164.56 for the day ahead. | 1:06:37 | 1:06:41 | |
Charles, meanwhile, hit the first day's shopping running, literally, | 1:06:41 | 1:06:46 | |
spending £101 also on three items. | 1:06:46 | 1:06:49 | |
The Edwardian sugar sifter, the Georgian box | 1:06:50 | 1:06:54 | |
and the bottle thingy. Charles has just £31.65 left to carry on with. | 1:06:54 | 1:07:01 | |
# You've got to pick a pocket or two, boys | 1:07:02 | 1:07:08 | |
# You've got to pick a pocket or two. # | 1:07:08 | 1:07:12 | |
So our angelic, sooty-faced street urchins continue on. | 1:07:12 | 1:07:16 | |
356 miles east from Navenby to the market town of Alford, | 1:07:16 | 1:07:22 | |
once home to the eminent thinker Thomas Paine, | 1:07:22 | 1:07:26 | |
the man who first suggested the name United States Of America | 1:07:26 | 1:07:31 | |
and the idea of the constitution from his famous essays, The Rights of Man and The Age of Reason. | 1:07:31 | 1:07:37 | |
-Could these lofty ideals inspire that mild-mannered revolutionary Charles Hanson? -Here we go. | 1:07:37 | 1:07:45 | |
-Good morning, sir. I'm Charles Hanson. -Hi. -Your name is...? -Mel. | 1:07:45 | 1:07:50 | |
Are there any other objects I can look at at all? | 1:07:55 | 1:08:00 | |
-The brass bed...is that for sale? -I can do that for 20, 30 quid. | 1:08:00 | 1:08:05 | |
And we are missing the slats? Here's your headboard. | 1:08:05 | 1:08:10 | |
-It would have been a nice bed, probably from, oh, about 1900. -Yeah, I would say so. | 1:08:11 | 1:08:18 | |
Nice. But it's no time for a lie down just yet. | 1:08:18 | 1:08:22 | |
Now these are fairly crude Japanese earthenware satsuma-esque vases, aren't they? | 1:08:22 | 1:08:29 | |
From the 1920s, made for export, really quite crude. | 1:08:29 | 1:08:33 | |
Really quite ugly. But people do collect them. | 1:08:33 | 1:08:37 | |
I've had a very difficult time. I've got to be a bit more... sombre in my purchases | 1:08:37 | 1:08:44 | |
rather than going so gang-ho. Could I call this lot 25? | 1:08:44 | 1:08:49 | |
And give you 6 for the brass bed? | 1:08:49 | 1:08:52 | |
-Go on. -Sure? -Yeah, go on. | 1:08:56 | 1:09:00 | |
Gone. Thanks, Mel. Good man. | 1:09:00 | 1:09:02 | |
Hats off to the Young Pretender. He's got just 65p left in his pocket | 1:09:02 | 1:09:07 | |
and a whole lot of wares to take to auction. | 1:09:07 | 1:09:11 | |
Oh, I'll let you go that way. | 1:09:13 | 1:09:16 | |
I just hope Charles can remember where he parked. Oh, dear. | 1:09:17 | 1:09:22 | |
# Mamma mia, here I go again | 1:09:22 | 1:09:26 | |
# My, my, how can I resist you | 1:09:26 | 1:09:29 | |
-# Blue since the day we parted... # -And here we go again. | 1:09:29 | 1:09:34 | |
We fondly wave Alford goodbye and continue on, | 1:09:34 | 1:09:38 | |
journeying 25 miles south-west to Boston. | 1:09:38 | 1:09:42 | |
As the shopping hours draw to an end, | 1:09:43 | 1:09:46 | |
Bismark Antiques offers Mr Ross a last stab at victory. | 1:09:46 | 1:09:50 | |
Sylvia and son Matthew run this fine den of antiquity. | 1:09:50 | 1:09:55 | |
Pair of silver sauce boats. | 1:10:03 | 1:10:06 | |
No price. I love things without a price. It always gives you a chance. | 1:10:06 | 1:10:11 | |
I think they're going to be about 1920. They're in an earlier style. | 1:10:11 | 1:10:15 | |
They're in an 18th century style, but they have got a good weight to them. | 1:10:15 | 1:10:20 | |
How much are the pair of sauce boats? | 1:10:20 | 1:10:23 | |
They can be 180. | 1:10:23 | 1:10:25 | |
180... | 1:10:25 | 1:10:27 | |
OK, but... | 1:10:27 | 1:10:30 | |
The main problem I have is that I've only got 160 quid. | 1:10:30 | 1:10:35 | |
Ah, yes. Too much. | 1:10:37 | 1:10:40 | |
Best forget all about them. | 1:10:40 | 1:10:42 | |
There's no point in me trying to steal them off you. Or is there? | 1:10:42 | 1:10:46 | |
You wouldn't take 160 quid for those, would you? | 1:10:46 | 1:10:50 | |
-I would take 160. -Would you? -To help you out. | 1:10:50 | 1:10:52 | |
I can't think of any reason why I shouldn't buy those, | 1:10:52 | 1:10:56 | |
other than... | 1:10:56 | 1:10:58 | |
..it will spend me out completely against that Hanson. | 1:10:59 | 1:11:03 | |
I wouldn't worry. There's no way you've bought anything as ridiculous and risky as Charles Hanson. | 1:11:03 | 1:11:10 | |
Have you got anything for £4.56? | 1:11:10 | 1:11:14 | |
-Cos if you have, I will buy it. -I'll find you this. | 1:11:14 | 1:11:17 | |
If you can find me something for £4.56, I will spend every penny I have in life. | 1:11:17 | 1:11:23 | |
But what is it exactly? | 1:11:23 | 1:11:26 | |
-It would have been for your sugar, then to hang your snips... -You hang your snips over the edge. | 1:11:26 | 1:11:32 | |
I think that's fantastic. | 1:11:32 | 1:11:34 | |
-Matthew... -Great. -Congratulations. | 1:11:35 | 1:11:38 | |
-I now have absolutely... -Penniless. -..nothing! | 1:11:38 | 1:11:43 | |
I am penniless. | 1:11:43 | 1:11:45 | |
This is ridiculous. | 1:11:45 | 1:11:47 | |
You've spent your entire budget, beating Mr Hanson by a full 65p. | 1:11:47 | 1:11:51 | |
Thanks a lot. I can't even afford a sandwich! | 1:11:53 | 1:11:56 | |
Cash or no cash, Charles has decided that lovely Boston can offer him one final treat today. | 1:11:56 | 1:12:04 | |
Windmills have existed in Britain for an awfully long time. | 1:12:10 | 1:12:14 | |
And these vertical models became particularly iconic in Lincolnshire and Yorkshire | 1:12:14 | 1:12:20 | |
from the 13th century onwards. | 1:12:20 | 1:12:22 | |
Maud Foster Mill is a working business once more, | 1:12:22 | 1:12:25 | |
though its historical fortunes have changed with the winds. | 1:12:25 | 1:12:30 | |
-James Waterfield. -Good to see you. Charles Hanson. -Pleased to meet you. | 1:12:31 | 1:12:35 | |
As a young boy, I always wanted to wander into a windmill | 1:12:35 | 1:12:39 | |
and it's great to be here in Boston and to see it. It's a wonderful building. | 1:12:39 | 1:12:44 | |
Hmm. 192 this year as well. | 1:12:44 | 1:12:47 | |
The mill was built for brothers Thomas and Isaac Reckitt, | 1:12:47 | 1:12:51 | |
paying a princely sum of 1,826 pounds, ten shillings and sixpence. | 1:12:51 | 1:12:57 | |
From 1819, grain arrived by canal, was winched to the top floor | 1:12:58 | 1:13:05 | |
and squeezed through millstones, grinding into fine flour. | 1:13:05 | 1:13:09 | |
After changing owners, Maud Foster Mill closed for business in the 1940s | 1:13:09 | 1:13:14 | |
and was saved as a landmark by the Reckitt Family Charitable Trust in 1953. | 1:13:14 | 1:13:20 | |
So, James, when you took this windmill over in 1987, | 1:13:23 | 1:13:27 | |
what was the passion for you in a windmill? | 1:13:27 | 1:13:31 | |
I'd started when I was a schoolboy at another mill for a Saturday job, | 1:13:31 | 1:13:35 | |
then I went off and did it for a museum, then I did it for a family business with a water mill. | 1:13:35 | 1:13:41 | |
Then I came here in a roundabout sort of a way. | 1:13:41 | 1:13:44 | |
It was more fun in those days because no-one else was doing organic flour and things like that. | 1:13:44 | 1:13:50 | |
-We were weird hippies for making that. -I often dreamt about being strapped to a sail. | 1:13:50 | 1:13:55 | |
-There's probably therapy for that. -Yeah, I think there would be. | 1:13:55 | 1:14:00 | |
-Shall we go outside? -Yes, yes, feel free. | 1:14:03 | 1:14:07 | |
It's a bit high, isn't it? | 1:14:07 | 1:14:09 | |
Gee whizz! | 1:14:09 | 1:14:11 | |
-What's this big chain for? -We've got the control chains for the sails to stop and start the mill. | 1:14:11 | 1:14:17 | |
The sails seems to be going quite slowly. | 1:14:17 | 1:14:20 | |
-Do you want a bit of raw muscle to give you a hand? -Yes, go on then. | 1:14:20 | 1:14:25 | |
If you pull that down, that will put a bit more cloth on, that will close up the sails more. | 1:14:25 | 1:14:30 | |
-If I pull it too hard, it won't break? -No, it'd need to be a better man than you to break it. | 1:14:30 | 1:14:36 | |
-Derbyshire men, strong in the arm! -Strong in the arm, thick in the head. -Thanks(!) -Just steady and hard. | 1:14:36 | 1:14:42 | |
You don't need to yank it. Just pull it. | 1:14:42 | 1:14:45 | |
-That's it. You've gone as far as it will go. -Look, can you see? | 1:14:45 | 1:14:49 | |
-That's full cloth, so it should go a bit better. -I've given a windmill full cloth. I feel so proud. -Yeah. | 1:14:49 | 1:14:56 | |
-Watch your head. -Sorry. -Gee whizz! Fantastic, isn't it? | 1:15:01 | 1:15:06 | |
Careful, Hanson. These amazing machines are as dangerous as they are beautiful. | 1:15:06 | 1:15:12 | |
One of the millers was killed in the 1920s. | 1:15:12 | 1:15:15 | |
He climbed over the balcony rails to retrieve his cigarettes and got hit on the head as he climbed back up. | 1:15:15 | 1:15:22 | |
The last miller in the '40s would go round on the sails for a shilling. | 1:15:22 | 1:15:26 | |
-He wouldn't? -Yeah. I won't, but he would. | 1:15:26 | 1:15:29 | |
# And the world is like an apple whirling silently in space | 1:15:29 | 1:15:34 | |
# Like the circles that you find | 1:15:34 | 1:15:37 | |
# In the windmills of your mind... # | 1:15:37 | 1:15:41 | |
This is wholemeal, just milled today, fresh out of the finest windmill in Lincolnshire. | 1:15:41 | 1:15:47 | |
We need to stitch it up. Shall I stitch one and show you? | 1:15:50 | 1:15:55 | |
You can have a go if you want. | 1:15:55 | 1:15:57 | |
-You wouldn't want to make a suit with that. -And that's hand-stitched, ready for off? | 1:16:03 | 1:16:08 | |
Yeah, hand-stitched by a machine! | 1:16:08 | 1:16:11 | |
Hanson, you stupid boy! | 1:16:11 | 1:16:13 | |
James and his father have restored this marvellous building | 1:16:13 | 1:16:17 | |
and created a successful business. | 1:16:17 | 1:16:20 | |
In 1988, Basil Reckitt, great-grandson of Isaac Reckitt, | 1:16:20 | 1:16:24 | |
proudly performed the re-opening ceremony. | 1:16:24 | 1:16:28 | |
-Thanks ever so much, James. I really enjoyed it. -Right. | 1:16:28 | 1:16:31 | |
I'm covered in flour. I'm completely covered in flour. | 1:16:35 | 1:16:39 | |
Unbelievable! Time to pick yourself up, dust yourself off and show Charlie Ross your wares. | 1:16:39 | 1:16:46 | |
I'm going to say, Charlie, bring it on! | 1:16:49 | 1:16:51 | |
Oh, they're nice. | 1:16:51 | 1:16:53 | |
Aren't they lovely? | 1:16:53 | 1:16:55 | |
Aren't they quality? | 1:16:55 | 1:16:57 | |
-Because look what they say on them! -Oh, how nice... -Lincoln! | 1:16:57 | 1:17:01 | |
I would value them between £10 and £20. | 1:17:01 | 1:17:04 | |
-Paid a fiver. -Oh, well played. That to me is a good start. | 1:17:04 | 1:17:08 | |
It's a surveyor's tape, Sheffield-made. | 1:17:10 | 1:17:14 | |
-Yes. -By Chesterman. | 1:17:14 | 1:17:17 | |
I'm going to stick my neck out and say you probably paid £45. | 1:17:17 | 1:17:21 | |
-I paid 30. -That's good, Charlie. -It's a gamble. | 1:17:21 | 1:17:24 | |
-Be honest. -I'd like to give that Victorian, 1900. -What's it worth? | 1:17:25 | 1:17:30 | |
-£50 to £80. -Yeah, I paid 46. | 1:17:30 | 1:17:33 | |
-50 to 80. -Take the 4 off... | 1:17:34 | 1:17:36 | |
-And you paid 6? -£6. -£6?! -Yes, Charlie Ross! | 1:17:36 | 1:17:41 | |
Oh, Dick Turpin you are! | 1:17:41 | 1:17:44 | |
You ought to wear a mask! | 1:17:44 | 1:17:46 | |
-What do you think? -I think you've got a serious profit there! | 1:17:46 | 1:17:50 | |
-We're talking what age, Charlie? 1870, 1890? -Yeah. | 1:17:50 | 1:17:54 | |
And I'm really hoping, buddy, that you paid more than...50 for it. | 1:17:54 | 1:18:00 | |
-No, I paid less than 50. -Oh, no. | 1:18:00 | 1:18:03 | |
-Don't tell me it was less than 25? -35. -That's good. | 1:18:03 | 1:18:06 | |
Un, deux, trois, go! | 1:18:06 | 1:18:09 | |
Oh, I say! | 1:18:09 | 1:18:11 | |
Yes! | 1:18:11 | 1:18:13 | |
-You know, Charlie, what a lot! -I must say you've got quantity. | 1:18:13 | 1:18:18 | |
I would estimate that at 80 to 120. | 1:18:18 | 1:18:20 | |
-OK, yeah, they cost me 75. -Yeah. You can't go wrong. | 1:18:20 | 1:18:24 | |
Charlie, take 25 off. | 1:18:24 | 1:18:27 | |
Oh, you're such a stinker! | 1:18:27 | 1:18:29 | |
-What did they cost? A fiver? -£25. | 1:18:29 | 1:18:32 | |
Oh, they're good. | 1:18:33 | 1:18:36 | |
-On my side, I hope they're not silver, and they are silver. -Yes. | 1:18:36 | 1:18:40 | |
I can see they're delightfully marked, they're heavy. | 1:18:40 | 1:18:44 | |
-They are weighty. -Oh, you cheeky guy! | 1:18:44 | 1:18:46 | |
-I reckon you probably paid £125. -Well, I paid £160 for them. | 1:18:46 | 1:18:51 | |
-There, voila! -That's gorgeous. | 1:18:51 | 1:18:54 | |
It's a nice, bayonet-fitted caster. | 1:18:54 | 1:18:58 | |
-Silver. -If you bought it for 60 or 70, you have got a creamy little profit. -Yeah, £70. | 1:18:58 | 1:19:04 | |
Yeah. | 1:19:04 | 1:19:05 | |
It's a sugar bowl for cubed sugar and your sugar tongs hang over the edge. | 1:19:05 | 1:19:10 | |
-It'll make about £20. -I'd be very happy with that. -Yeah. | 1:19:10 | 1:19:14 | |
"A trifle from Bath." | 1:19:14 | 1:19:16 | |
Oh, isn't that sweet? | 1:19:16 | 1:19:19 | |
-A lady's patch box... -You paid... -£25. -I was going to say 20. | 1:19:19 | 1:19:24 | |
-When the weather is fine and you know it's a sign, go fishing, maybe in... -That's dreadful. | 1:19:24 | 1:19:31 | |
Well, now we're in Boston and look at that. | 1:19:31 | 1:19:33 | |
What we've got, Charlie, is a very, very nice bottle stand, | 1:19:33 | 1:19:38 | |
beautifully made, beautifully cast with this fisherman with his rod, | 1:19:38 | 1:19:42 | |
and, of course, he is mounted with nuts. | 1:19:42 | 1:19:46 | |
OK? He's got lots of nuts. | 1:19:46 | 1:19:48 | |
That is the worst thing I have ever seen in my life! | 1:19:48 | 1:19:53 | |
-And he agrees. Charlie, what I would say... -I've lost it. | 1:19:53 | 1:19:57 | |
I've lost it. I can't believe you bought that. | 1:19:57 | 1:20:01 | |
-It's fun. -No. -It's frivolous. -No. -You're a man of great dining room stature. -Yes. | 1:20:01 | 1:20:07 | |
I'm sure you and your wife Sal would be delighted to have this on your cocktail bar. No? | 1:20:07 | 1:20:12 | |
You didn't honestly pay money for that, did you? | 1:20:12 | 1:20:16 | |
Well, Charlie, I gambled. | 1:20:16 | 1:20:18 | |
I paid £6. | 1:20:18 | 1:20:20 | |
Between friends. | 1:20:20 | 1:20:22 | |
Fine. I think you'll... | 1:20:22 | 1:20:24 | |
I don't know what you've done. | 1:20:24 | 1:20:27 | |
Yes, it's difficult to know what to say, but do try. | 1:20:27 | 1:20:31 | |
Let's forget about that repulsive bottle holder, but he's done well. | 1:20:31 | 1:20:36 | |
I think Team Hanson is feeling fine, is feeling merry. | 1:20:36 | 1:20:40 | |
It's been a long day, but my God, it's been a great one. | 1:20:40 | 1:20:44 | |
The gap will narrow. He might even overtake me. | 1:20:44 | 1:20:47 | |
Stranger things have happened. | 1:20:48 | 1:20:50 | |
It's been a spectacular second leg from Scunthorpe, | 1:20:50 | 1:20:54 | |
via Lincoln, Doddington, Navenby, Alford and Boston | 1:20:54 | 1:20:59 | |
with the final destination of Grantham in their sights. | 1:20:59 | 1:21:03 | |
Grantham is a town of firsts, | 1:21:04 | 1:21:07 | |
especially for the ladies. | 1:21:07 | 1:21:10 | |
The world's first female police officers were trained and stationed in Grantham in 1914. | 1:21:10 | 1:21:16 | |
And on the 13th of October, 1925, | 1:21:16 | 1:21:20 | |
the first female Prime Minister, Margaret Thatcher, was born here, | 1:21:20 | 1:21:24 | |
although the town's folk sometimes keep quiet about the latter. | 1:21:24 | 1:21:29 | |
It's auction day as our couple of Charlies arrive in town. | 1:21:29 | 1:21:34 | |
-Are you coming or not? -Anyone would think you bought something worth selling! | 1:21:34 | 1:21:39 | |
Welcome to the theatre of dreams. | 1:21:39 | 1:21:42 | |
George W Golding, one-time Mayor of Grantham, | 1:21:44 | 1:21:48 | |
opened Golding's Auction House in 1900, becoming Golding Young in 1994. | 1:21:48 | 1:21:53 | |
Sales here go live online, | 1:21:53 | 1:21:56 | |
so there's plenty of potential international competition for the assembled hopeful buyers. | 1:21:56 | 1:22:02 | |
Town crier Colin Young is our auctioneer for the day | 1:22:02 | 1:22:07 | |
and has kindly cast his eye over our experts' purchases. | 1:22:07 | 1:22:11 | |
What stands out is the Bilston enamel. That's the best of the bunch, really, Good, true antique item. | 1:22:11 | 1:22:17 | |
The fisherman's bottle is brand-new, knocked up yesterday in the Far East. There's millions of them out there. | 1:22:17 | 1:22:24 | |
You're always going to have a market for the lemonade bottles. | 1:22:24 | 1:22:28 | |
There will be plenty of people that will want them. | 1:22:28 | 1:22:32 | |
Charles Hanson's got the speculatively good item and the spectacularly bad item. | 1:22:32 | 1:22:37 | |
No change there then. | 1:22:37 | 1:22:40 | |
Charlie Ross started today's show with £234.56 | 1:22:40 | 1:22:45 | |
and spent exactly £234.56 | 1:22:45 | 1:22:49 | |
on five auction lots. | 1:22:49 | 1:22:51 | |
Extraordinary! | 1:22:51 | 1:22:54 | |
Charles Hanson began with £132.65 | 1:22:54 | 1:22:58 | |
and spent £132 also on five lots. | 1:22:58 | 1:23:01 | |
Also extraordinary! | 1:23:01 | 1:23:03 | |
That 65 pence must be burning a hole in his pocket! | 1:23:04 | 1:23:08 | |
Now eyes front, mouth shut, the auction is about to begin. | 1:23:08 | 1:23:12 | |
First up, Charlie's local pop duo, the Lincolnshire lemonade bottles. | 1:23:12 | 1:23:17 | |
Who's going to start me at £30 for 'em? I'll take 20 to go? 10 to go? | 1:23:17 | 1:23:21 | |
-£10 for them? 10? -Down. -£5, anybody? | 1:23:21 | 1:23:24 | |
-5? 5 in the room. -I don't believe it. | 1:23:24 | 1:23:27 | |
6 now surely? 6 now do I see? | 1:23:27 | 1:23:29 | |
6. 8. £8 bid. 10. 10 bid. 12 now? At 10 bid. | 1:23:29 | 1:23:33 | |
12? Your bid of 10, sir. I'll take 11 because we're desperate. | 1:23:33 | 1:23:36 | |
At 10. 11 anywhere else? | 1:23:36 | 1:23:38 | |
It's your bid, sir, selling at £10... | 1:23:38 | 1:23:41 | |
-Well done. -And a nice double bubble to get us going. | 1:23:41 | 1:23:45 | |
Even after commission, there's a profit! | 1:23:45 | 1:23:48 | |
Next we have Charles's Satsuma vase combo. | 1:23:48 | 1:23:51 | |
High in quantity, but possibly low in quality. | 1:23:51 | 1:23:54 | |
Who's going to start me at £100 for them? £100? 80? | 1:23:54 | 1:23:57 | |
50? £50, anybody? £30 to go then, surely? | 1:23:57 | 1:24:00 | |
-There's a lot of pot for not a lot of money. -Come on! -£20 in the room. 25. | 1:24:00 | 1:24:05 | |
28 now? 28 bid. At £30. | 1:24:05 | 1:24:08 | |
I know they're dreadful, but Mr Hanson is a lovely person. 32 now? | 1:24:08 | 1:24:13 | |
32, thank you, madam. 35 now do I see? | 1:24:13 | 1:24:16 | |
-32 in the front then, going at £32... -Thank you very much. | 1:24:16 | 1:24:21 | |
So despite everyone's attempt to queer the pitch, | 1:24:21 | 1:24:24 | |
the Satsumas did rather well. | 1:24:24 | 1:24:27 | |
£7 - not to be sniffed at! | 1:24:27 | 1:24:29 | |
Now the silver sauce boats offer a dollop of profit for Charlie. | 1:24:29 | 1:24:34 | |
Straight in, 120. 125. 130. | 1:24:35 | 1:24:38 | |
And 5. 140. 145. | 1:24:38 | 1:24:40 | |
150. 155? | 1:24:40 | 1:24:42 | |
Yes? I've got 155 on the book anyway. 160 if you like? 160. 5. | 1:24:42 | 1:24:46 | |
170? 170. 175. 180. 5. | 1:24:46 | 1:24:49 | |
190. 5. 200. 210. | 1:24:49 | 1:24:52 | |
215 if it helps? We're selling this time, all done and finished at 210... | 1:24:52 | 1:24:57 | |
A very wise investment, Charlie. | 1:24:58 | 1:25:00 | |
And now... Well, I don't know. | 1:25:00 | 1:25:03 | |
Good luck, Carlos. | 1:25:03 | 1:25:05 | |
-Look at it, it's lovely. -It's awful. -Come on, Mr Young. | 1:25:05 | 1:25:09 | |
Start me at £20 for it? 20? | 1:25:09 | 1:25:11 | |
-10 to go then? -Have a go. | 1:25:11 | 1:25:13 | |
10? Thank you, £10 bid. 10. | 1:25:13 | 1:25:16 | |
12 anywhere else now? At 10 bid. 12 bid. 15 do I see? | 1:25:16 | 1:25:19 | |
Have another one. 15. 18 there. 20 bid. 22 bid. | 1:25:19 | 1:25:23 | |
25 bid. 28 bid? I have 25 in the front row. 28 now? | 1:25:23 | 1:25:27 | |
-Was that a bid? You look like you're about to expire, sir. -I am! -28 bid. | 1:25:27 | 1:25:32 | |
30 or not now then? Selling at £28... | 1:25:32 | 1:25:36 | |
Hanson, you are the man! | 1:25:36 | 1:25:38 | |
Excellent. | 1:25:38 | 1:25:39 | |
I don't think anyone ever doubted the chance of a profit there(!) | 1:25:39 | 1:25:43 | |
How on earth did you do that? | 1:25:43 | 1:25:46 | |
Charlie spent his last £4.56 in the world on this prospect. | 1:25:46 | 1:25:50 | |
Fingers crossed. | 1:25:50 | 1:25:53 | |
Who's going to start me at £10? 10. 12 now? | 1:25:53 | 1:25:55 | |
12 bid. 15 surely? 15. 18. And 20? £20 bid, sir. | 1:25:55 | 1:26:00 | |
22 bid. Surely 25? | 1:26:00 | 1:26:02 | |
23? 23. £23 bid. | 1:26:02 | 1:26:05 | |
Last call then. We're selling in the middle at £23... | 1:26:05 | 1:26:09 | |
A very good profit from a speculative purchase. | 1:26:09 | 1:26:13 | |
Now I think I need a little lie-down. | 1:26:13 | 1:26:16 | |
Who's going to start me for the single bed ends? £80 for them? 80? | 1:26:16 | 1:26:20 | |
-50? -Come on. -50? -Come on. -£30? | 1:26:20 | 1:26:23 | |
A tenner, anybody? Surely £10? | 1:26:23 | 1:26:26 | |
A fiver? Thank you, £5 bid at the back. 6 now do I see? | 1:26:26 | 1:26:30 | |
This one certainly isn't the sleeper. 5 bid. 6 now do I see? | 1:26:30 | 1:26:34 | |
6. Late surge in the bidding! 6 bid. 7. | 1:26:34 | 1:26:37 | |
-Can we contain our excitement? 8 bid, sir. -8 bid. -8 bid. | 1:26:37 | 1:26:41 | |
9 bid. 10. Late surge in the bidding. Fresh bidder. | 1:26:41 | 1:26:44 | |
At £10 bid. We go this time then at £10... | 1:26:44 | 1:26:47 | |
-And no-one can say I don't try. -Hear, hear! | 1:26:47 | 1:26:50 | |
A little disappointing then on the life-sized bed. | 1:26:50 | 1:26:54 | |
How about this sweet Victorian resting place for a child's toy? | 1:26:54 | 1:26:58 | |
Very good-looking piece. 30? 20 to go then surely? | 1:26:58 | 1:27:02 | |
£20 bid. I'll take 5? 22 on the net. | 1:27:02 | 1:27:05 | |
22. 25. 28 now? 28. | 1:27:05 | 1:27:07 | |
28 bid. 30. 32. 35. | 1:27:07 | 1:27:09 | |
38 bid. 40? 38 bid. 40? £40 bid. 42. 45? 45. | 1:27:09 | 1:27:13 | |
48 now? 48 bid. 50 bid. 5. 60. At 60 bid. | 1:27:13 | 1:27:17 | |
-65. -Well done. -68. | 1:27:17 | 1:27:20 | |
Bid 70. | 1:27:20 | 1:27:22 | |
72 now? 72. At 72. | 1:27:22 | 1:27:24 | |
75? 75. 78 now? 78 bid. At 78 bid. | 1:27:24 | 1:27:27 | |
80 bid. 2 now. 82. 85. 88 now? | 1:27:27 | 1:27:31 | |
At £85 we go this time. | 1:27:31 | 1:27:33 | |
Selling to Australia at £85... | 1:27:33 | 1:27:35 | |
It's going Down Under, Charlie. Well done. | 1:27:35 | 1:27:38 | |
-AUSTRALIAN ACCENT: -I don't mind if I do, you know? | 1:27:38 | 1:27:42 | |
A Staffordshire Bilston enamel box, oval design with green base. | 1:27:43 | 1:27:46 | |
-We have to start the bidding on this one at £25. -Oh, no. | 1:27:46 | 1:27:50 | |
25. 30. At 30 bid. 35 bid. 40 bid. | 1:27:50 | 1:27:53 | |
45. 50. 55. 60. 65. | 1:27:53 | 1:27:55 | |
70. 5. 80. | 1:27:55 | 1:27:57 | |
5. 90. 5. 100. | 1:27:57 | 1:28:00 | |
110. 120. 120 bid. | 1:28:00 | 1:28:02 | |
-120 with me on the book. -The internet bids are coming in thick and fast. | 1:28:02 | 1:28:07 | |
No wonder Charles looks pleased! | 1:28:07 | 1:28:09 | |
-130. -Yes! -40. -I'm back! | 1:28:09 | 1:28:13 | |
150 now. Thank you, 150 with you. | 1:28:13 | 1:28:15 | |
160 with me. | 1:28:15 | 1:28:17 | |
It's your last chance. All done and finished then, we'll sell... | 1:28:17 | 1:28:21 | |
Somebody hovering on the net. Are you going to bid 170? | 1:28:21 | 1:28:25 | |
-Suspense, but we're sold at 160. -Yes! -Well done. | 1:28:25 | 1:28:29 | |
Hats well and truly off, Mr Hanson. | 1:28:29 | 1:28:32 | |
You are certainly back in the game. | 1:28:32 | 1:28:35 | |
Give me a kiss, give me a kiss. Give me a kiss. | 1:28:35 | 1:28:38 | |
Only just. Now... | 1:28:40 | 1:28:42 | |
No more kissing, boys. Not on my road trip! | 1:28:42 | 1:28:45 | |
Now it's Charlie's last stab at a big profit. | 1:28:45 | 1:28:48 | |
Is there a surveyor in the house? | 1:28:48 | 1:28:52 | |
Chesterman of Sheffield, 50-foot surveyor's tape, Bakelite handle. | 1:28:52 | 1:28:56 | |
Who's going to start me at £30? 20 to go? 10 to go then? | 1:28:56 | 1:29:00 | |
£10 bid. At 10 bid. 12 then surely? | 1:29:00 | 1:29:03 | |
At £10 bid. Nobody else got a handle on this one? | 1:29:03 | 1:29:06 | |
And selling at £10... | 1:29:06 | 1:29:09 | |
Ouch! | 1:29:09 | 1:29:11 | |
Bad timing for a loss, Mr Ross. | 1:29:11 | 1:29:14 | |
It's so important to buy right and play to the crowd at auction. | 1:29:15 | 1:29:19 | |
Like Hanson's lovely sugar dredger, for example, today's final lot. | 1:29:19 | 1:29:24 | |
Cracking-looking piece. Start me at 100 for it? 50 to go? | 1:29:24 | 1:29:28 | |
50 bid. 60. And 70 now? 70. | 1:29:28 | 1:29:30 | |
80. 90. At 90. 100. 110. | 1:29:30 | 1:29:32 | |
120. 120 bid. 130 do I see now? | 1:29:32 | 1:29:35 | |
-120 bid. Any more now? -Come on! -125? | 1:29:35 | 1:29:38 | |
-Come on, one more. -Selling at £120... | 1:29:38 | 1:29:41 | |
He speculated and he accumulated, and then some! | 1:29:42 | 1:29:46 | |
Mr Hanson wins the day. | 1:29:46 | 1:29:48 | |
-How are you feeling? -Much, much worse than I felt earlier. | 1:29:48 | 1:29:52 | |
-You've nearly caught me up. -Can I say one thing? Thanks for coming today. | 1:29:52 | 1:29:57 | |
It's been an immense pleasure. | 1:29:57 | 1:29:59 | |
Not! | 1:29:59 | 1:30:00 | |
Charlie started today's show in the lead with £234.56 | 1:30:00 | 1:30:07 | |
and after paying auction costs, today made a small profit of £42.60. | 1:30:07 | 1:30:12 | |
Charlie has a curmudgeonly £277.16 to carry forward. | 1:30:12 | 1:30:19 | |
Charles, meanwhile, started down with £132.65 | 1:30:20 | 1:30:25 | |
and made a bumper profit of £155. | 1:30:25 | 1:30:28 | |
Mr Hanson has a whopping £287.65 to start the next show. | 1:30:28 | 1:30:35 | |
Well done, Carlos. | 1:30:35 | 1:30:37 | |
Where would you like to go, Mr Hanson, sir? Allow me, sir. | 1:30:37 | 1:30:42 | |
Allow me to take you. Where would you like to go? | 1:30:42 | 1:30:45 | |
-Why don't we go for a drive east? -A privilege to be your chauffeur, sir. | 1:30:45 | 1:30:50 | |
We say farewell to a very fine saleroom. | 1:30:50 | 1:30:52 | |
You would say that! Next time on The Antiques Road Trip, our pair of Charlies head for Norfolk. | 1:30:52 | 1:30:59 | |
-Charlie takes a spin on his own. -You have to rely on your nose and where the sun is. | 1:30:59 | 1:31:04 | |
Charles takes a spin with someone else. | 1:31:04 | 1:31:07 | |
Go carefully. I'm only young. | 1:31:07 | 1:31:09 | |
And they both spin the wheel of fortune. | 1:31:12 | 1:31:15 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 1:31:34 | 1:31:38 | |
Email [email protected] | 1:31:38 | 1:31:41 |