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The nation's favourite antiques experts, £200 each | 0:48:02 | 0:48:04 | |
-and one big challenge! -I'm here to declare war. -Why? | 0:48:04 | 0:48:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:48:08 | 0:48:12 | |
-Gone. -The aim is to trade up, | 0:48:12 | 0:48:15 | |
-and hope each antique turns a profit. -Well done! | 0:48:15 | 0:48:18 | |
But it's not as easy as you might think, | 0:48:18 | 0:48:21 | |
-and things don't always go to plan. -Push! | 0:48:21 | 0:48:23 | |
So, will they race off with a huge profit, | 0:48:23 | 0:48:26 | |
-or come to a grinding halt? -I'm going to thrash you. | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip! | 0:48:29 | 0:48:31 | |
It's a brand-new week, and we'll be bridging the generation gap | 0:48:35 | 0:48:40 | |
with a right rum pair of antiques experts, | 0:48:40 | 0:48:42 | |
Charlie Ross and Charles Hanson. | 0:48:42 | 0:48:45 | |
# Large amounts don't grow on trees | 0:48:45 | 0:48:48 | |
# You got to pick a pocket or two # | 0:48:48 | 0:48:50 | |
If I can be the Artful Dodger, you can be Fagin, OK? | 0:48:50 | 0:48:53 | |
Ha-ha! Seasoned Charlie Ross is an auctioneer of great experience | 0:48:53 | 0:48:57 | |
-and stature. -Ooh, I like those. | 0:48:57 | 0:49:00 | |
And despite his advancing years, he's still got it. | 0:49:00 | 0:49:03 | |
Ah, 35. Do you have it in your power, madam, to reduce the price | 0:49:03 | 0:49:08 | |
for an old man? | 0:49:08 | 0:49:10 | |
Hot on Charlie's heels is a greener, sprightlier auctioneer, the young pretender, Charles Hanson. | 0:49:11 | 0:49:16 | |
The young pretender - that's what I'm often called by Mr Wonnacott. | 0:49:16 | 0:49:20 | |
Yeah, amongst other things! | 0:49:20 | 0:49:22 | |
Charles is a man who loves porcelain and furniture, | 0:49:22 | 0:49:25 | |
a young man with passions - a man with a dream. | 0:49:25 | 0:49:28 | |
I finished bottom in series one, and it hurt. | 0:49:28 | 0:49:31 | |
Series two, I became a man. | 0:49:31 | 0:49:33 | |
More than a man - I came fourth. | 0:49:33 | 0:49:36 | |
In this series, I want to become iconic. | 0:49:36 | 0:49:38 | |
Well, it never hurts to be ambitious, | 0:49:38 | 0:49:40 | |
but first things first, Carlos. | 0:49:40 | 0:49:42 | |
Our chaps begin their adventure with £200 each, | 0:49:42 | 0:49:45 | |
the open road in front of them, and a classic 1960s Ford Corsair | 0:49:45 | 0:49:48 | |
as this week's chariot. | 0:49:48 | 0:49:51 | |
Could you just stick to the middle of the lanes | 0:49:51 | 0:49:53 | |
-rather than trying to kill me? -I'm testing out the actual wheels. | 0:49:53 | 0:49:57 | |
Our two Charlies will travel over 300 miles in England, | 0:49:58 | 0:50:02 | |
south all the way to Rye in East Sussex. | 0:50:02 | 0:50:05 | |
La destination du jour is Doncaster, but we get off to a fine start | 0:50:05 | 0:50:11 | |
at the seaside - Bridlington, Yorkshire, | 0:50:11 | 0:50:13 | |
is the first pin in our map. | 0:50:13 | 0:50:15 | |
I want a nice firm start. I want a firm start. OK? | 0:50:17 | 0:50:21 | |
THEY LAUGH | 0:50:21 | 0:50:23 | |
Bridlington grew from two towns, Bridlington Quay at the water's edge | 0:50:25 | 0:50:29 | |
and the old town of Burlington before the dissolution of its monastery in 1537. | 0:50:29 | 0:50:34 | |
The arrival of the railway in 1846 united the neighbouring towns | 0:50:34 | 0:50:39 | |
to become the Bridlington of today. | 0:50:39 | 0:50:41 | |
It's amazing! There must be six antique shops | 0:50:43 | 0:50:46 | |
-within 200 metres. -It's great. We could be here all day. | 0:50:46 | 0:50:49 | |
In fact, Bridlington's crammed with arts and antiques, | 0:50:49 | 0:50:53 | |
so let's not waste any time getting our bearings. | 0:50:53 | 0:50:56 | |
Do I get the impression you haven't got a clue where we are? | 0:50:56 | 0:50:59 | |
Um, Lincolnshire? | 0:50:59 | 0:51:02 | |
We're in Yorkshire. | 0:51:02 | 0:51:04 | |
But Yorkshire is down the middle of the country. | 0:51:04 | 0:51:07 | |
I'm going to buy some antiques, and I'm going to thrash you. | 0:51:07 | 0:51:10 | |
-I'm just going to leave you. -Have you seen any antiques shops yet? | 0:51:12 | 0:51:15 | |
I feel a bit lost! | 0:51:16 | 0:51:19 | |
Well, fortunately Bridlington's many antiques shops | 0:51:19 | 0:51:22 | |
are fairly easy to find. | 0:51:22 | 0:51:25 | |
-Good morning! Is this your shop? -It is. | 0:51:25 | 0:51:27 | |
-May I look in? -Yeah, come in. -Thank you very much indeed. | 0:51:27 | 0:51:31 | |
What's this one here? | 0:51:36 | 0:51:38 | |
-It's made in... -Victory. | 0:51:38 | 0:51:40 | |
Oh, these are great! Are they complete? | 0:51:40 | 0:51:43 | |
-Yes. I think it's a game. -Oh, and it's got instructions! | 0:51:43 | 0:51:46 | |
-15 points. Goebbels is ten points. -Goebbels, ten points! | 0:51:46 | 0:51:50 | |
-If you kill them, you get points. -Neville Chamberlain! | 0:51:50 | 0:51:54 | |
Mr Ross has found Victory already, but it's a vintage card game | 0:51:54 | 0:51:58 | |
based on World War II, with all the well known characters. | 0:51:58 | 0:52:01 | |
These must have been produced either during the war | 0:52:01 | 0:52:05 | |
or immediately afterwards. They've never been used, have they? | 0:52:05 | 0:52:08 | |
How much are those? | 0:52:08 | 0:52:10 | |
-Only £6. -Oh, no, no, no! That's the label price! | 0:52:10 | 0:52:13 | |
Come on! Did you say four? | 0:52:13 | 0:52:17 | |
-I said five. -Did you? You got a deal! | 0:52:17 | 0:52:19 | |
Good man! | 0:52:19 | 0:52:22 | |
That's fab. Thank you very much indeed. | 0:52:22 | 0:52:24 | |
-Look! I've even got a £5 note, sir. -That's good. | 0:52:24 | 0:52:27 | |
You know something I didn't do, though? Count them. | 0:52:27 | 0:52:30 | |
If Hitler's missing, I'm lost. | 0:52:30 | 0:52:33 | |
Well, Charlie, at least you're not the only one. | 0:52:33 | 0:52:36 | |
-Excuse me! Are we in Yorkshire here? -Yeah. Definitely in Yorkshire. | 0:52:36 | 0:52:40 | |
-Thank you very much. -Good luck. | 0:52:40 | 0:52:42 | |
Fortunately, instinct leads Mr Hanson to his first antique shop of the day. | 0:52:42 | 0:52:47 | |
-Hello, madam. -Hello. | 0:52:47 | 0:52:49 | |
Nice to see you. Fine shop you've got. | 0:52:49 | 0:52:51 | |
-Thank you. -A great mix and match. It's quite eccentric. | 0:52:51 | 0:52:54 | |
What I'm looking for are things which really are quirky, | 0:52:54 | 0:52:57 | |
a bit different. They might be internet-savvy. | 0:52:57 | 0:53:00 | |
-Right. OK. -Have you ever seen one of these before? | 0:53:00 | 0:53:03 | |
Let's have a look at that. It's a gnome, isn't it? | 0:53:04 | 0:53:08 | |
-It's heavy. -Gosh, it is heavy, isn't it? | 0:53:08 | 0:53:10 | |
-Isn't it heavy? -Very. | 0:53:10 | 0:53:12 | |
It's got some age to it, as well. I would have thought around 1900. | 0:53:12 | 0:53:16 | |
Did you know that "gnome" stands for | 0:53:16 | 0:53:19 | |
"Guarding Naturally Over Mother Earth"? | 0:53:19 | 0:53:22 | |
So it's no wonder people shove 'em all over their gardens. | 0:53:22 | 0:53:26 | |
How much is he? The little gnome. | 0:53:26 | 0:53:28 | |
He's £50. | 0:53:28 | 0:53:30 | |
Yeah. If he was £10, I would jump at the chance. | 0:53:30 | 0:53:35 | |
If you said, "Go on, Charles. Take the gnome away for £10," | 0:53:35 | 0:53:38 | |
I would say, "Thank you. He'll make a profit." Food for thought. | 0:53:38 | 0:53:41 | |
Here you go. THEY LAUGH | 0:53:41 | 0:53:44 | |
Thanks for the memories. | 0:53:44 | 0:53:46 | |
Whilst Charles considers a mythical gnome of his own, | 0:53:46 | 0:53:51 | |
Charlie's gone looking for the real story of Bridlington, | 0:53:51 | 0:53:54 | |
a town with a rather unique set of owners, | 0:53:54 | 0:53:57 | |
the Lords Feoffees. Local historian David Mooney has kindly offered | 0:53:57 | 0:54:02 | |
to enlighten Mr Ross. | 0:54:02 | 0:54:04 | |
This is the oldest part of the street, and we know that | 0:54:04 | 0:54:07 | |
because the building behind there, the antiques shop - | 0:54:07 | 0:54:10 | |
when they dissolved the monastery in 1537, | 0:54:10 | 0:54:12 | |
they sold a lot of the stone off for building purposes, | 0:54:12 | 0:54:15 | |
and you can see in the bottoms of the buildings there, | 0:54:15 | 0:54:17 | |
where the medieval stone is from the monastery. | 0:54:17 | 0:54:20 | |
-So we can date that house from about 1540. -Gosh! | 0:54:20 | 0:54:23 | |
-The landowners around here, the... -The Lords Feoffees. | 0:54:23 | 0:54:26 | |
I was talking to somebody who's just started a shop. | 0:54:26 | 0:54:30 | |
How do you afford the rent on a property like this? | 0:54:30 | 0:54:33 | |
They said they were realistic. They wanted a business in there, | 0:54:33 | 0:54:36 | |
and therefore the rent is very affordable. | 0:54:36 | 0:54:39 | |
That's right. I'm actually Lord Feoffee, | 0:54:39 | 0:54:41 | |
and it's a very ancient organisation. Now, when the monastery closed down - | 0:54:41 | 0:54:46 | |
-So, there IS a Lord Feoffee. -There is. -And you are he. | 0:54:46 | 0:54:48 | |
You're talking to one. I'm one. There's actually 13 of us. | 0:54:48 | 0:54:52 | |
-13 of you, yeah. -And when the monastery closed down, | 0:54:52 | 0:54:55 | |
there was no work for nobody. The harbour was in disrepair. | 0:54:55 | 0:54:58 | |
The place was in a mess, and going downhill very quickly. | 0:54:58 | 0:55:01 | |
So these businessmen got together, and they bought the manor of Bridlington, | 0:55:01 | 0:55:05 | |
and these businessmen invested in the town. | 0:55:05 | 0:55:08 | |
This fascinating democratic system has remained unchanged | 0:55:08 | 0:55:12 | |
for over 300 years, where landowning citizens | 0:55:12 | 0:55:15 | |
become elected lords of the town for a limited period. | 0:55:15 | 0:55:19 | |
It's a charity, really, | 0:55:19 | 0:55:21 | |
and we send students away to university every year. | 0:55:21 | 0:55:25 | |
We have about 40 students we pay the fees, | 0:55:25 | 0:55:27 | |
-or pay towards the fees. -How wonderful! | 0:55:27 | 0:55:30 | |
The Feoffees also maintain | 0:55:30 | 0:55:32 | |
Bridlington's centuries-old high street, | 0:55:32 | 0:55:35 | |
with its interesting shapes and sizes. | 0:55:35 | 0:55:37 | |
That house is 13 foot wide, | 0:55:37 | 0:55:40 | |
and most of the houses in the street are based on 13. | 0:55:40 | 0:55:42 | |
And the idea with that was that they started with a market stall, | 0:55:42 | 0:55:46 | |
and your stall plot was 13 foot wide, | 0:55:46 | 0:55:49 | |
and over the years, people built on the plot where the stall was, | 0:55:49 | 0:55:53 | |
and that's why the house is 13 foot wide. | 0:55:53 | 0:55:56 | |
-There's a lot of pubs still here. -There's a lot of pubs, yeah. | 0:55:56 | 0:55:59 | |
In the old days we had two banks, a brothel and 26 pubs. | 0:55:59 | 0:56:02 | |
-Where was the brothel? -Further up the marketplace. | 0:56:02 | 0:56:05 | |
-You must point that out. -It isn't there now. Sorry. -Oh! | 0:56:05 | 0:56:09 | |
-CHARLIE LAUGHS -Bad luck, Charlie. | 0:56:09 | 0:56:11 | |
Fortunately, Bridlington's high street has mostly been a channel of progress. | 0:56:11 | 0:56:15 | |
The eminent 18-century architect and furniture designer | 0:56:15 | 0:56:18 | |
William Kent grew up right here before achieving great fame | 0:56:18 | 0:56:22 | |
down in London. | 0:56:22 | 0:56:23 | |
I knew William Kent was a Yorkshireman, | 0:56:23 | 0:56:26 | |
-but I didn't know he was born here. -He was about two when he moved here. | 0:56:26 | 0:56:30 | |
His father was something of a good joiner and wood carver. | 0:56:30 | 0:56:33 | |
He couldn't get on in Bridlington, so he went down south | 0:56:33 | 0:56:36 | |
to London, and made his name with Lord Burlington. | 0:56:36 | 0:56:39 | |
Yes, Burlington. Tell me, did he design Burlington Arcade? | 0:56:39 | 0:56:43 | |
Actually, no, he didn't. But, whilst studying in Italy, | 0:56:43 | 0:56:47 | |
Kent met Richard Boyle, the Third Earl of Burlington, | 0:56:47 | 0:56:50 | |
for whom he would create his most famous works, | 0:56:50 | 0:56:53 | |
including Burlington House in Piccadilly, | 0:56:53 | 0:56:56 | |
which now houses the Royal Academy of Arts. | 0:56:56 | 0:56:58 | |
The other thing I didn't know about Burlington Arcade | 0:56:58 | 0:57:01 | |
is the shops are on the ground floor, | 0:57:01 | 0:57:03 | |
and they had the ladies of the night on the first floor, | 0:57:03 | 0:57:07 | |
so that what happened was, you went shopping - | 0:57:07 | 0:57:10 | |
your wife did the shopping, you nipped upstairs for a quick one, | 0:57:10 | 0:57:13 | |
and when you'd finished, off you went. | 0:57:13 | 0:57:16 | |
Brothels again, Charlie? | 0:57:16 | 0:57:18 | |
Actually, this street has some lovely arts and antiques to look at, | 0:57:18 | 0:57:21 | |
in case you forgot. | 0:57:21 | 0:57:24 | |
It's encouraging to know, from my point of view, | 0:57:24 | 0:57:27 | |
there's still several antiques shops here. | 0:57:27 | 0:57:29 | |
We live in an age where antiques shops are closing | 0:57:29 | 0:57:32 | |
left, right and centre. | 0:57:32 | 0:57:34 | |
Well, you'd better hurry up with your shopping, then, Charlie. | 0:57:34 | 0:57:37 | |
Heroic Hanson, meanwhile, is searching hard for... | 0:57:37 | 0:57:40 | |
a cup of tea. | 0:57:40 | 0:57:43 | |
-The antiques upstairs, are they? -They are, yes. -Fine. | 0:57:43 | 0:57:46 | |
It's quite nice having a tea room downstairs, antiques upstairs. | 0:57:46 | 0:57:49 | |
Wow! Hello, sir. | 0:57:50 | 0:57:53 | |
-Hello. -Is it your emporium here? | 0:57:53 | 0:57:55 | |
-It is. -And do you specialise in certain things, or... | 0:57:55 | 0:57:58 | |
Yeah, eclectic items, interesting items. | 0:57:58 | 0:58:02 | |
That sounds what I like. Something quirky, bit eclectic, | 0:58:02 | 0:58:06 | |
bit different. | 0:58:06 | 0:58:08 | |
What we've got here are a very nice pair | 0:58:08 | 0:58:10 | |
of Edwardian silver oval salts, pierced, | 0:58:10 | 0:58:13 | |
-and in fact they are in the Neoclassical style. -They are. | 0:58:13 | 0:58:16 | |
It's evocative of the 1780s, when we were discovering Pompeii, Herculaneum. | 0:58:16 | 0:58:21 | |
Pompeii and Herculaneum, near Naples, | 0:58:21 | 0:58:24 | |
were near-perfect buried Roman towns, | 0:58:24 | 0:58:27 | |
rediscovered in 1599 and 1738 respectively, | 0:58:27 | 0:58:31 | |
stimulating a Europe-wide resurgence in ancient architecture | 0:58:31 | 0:58:34 | |
and decorative arts, now known as the Neoclassical style. | 0:58:34 | 0:58:38 | |
And these table salts, made in 1908, hark back to that style. | 0:58:38 | 0:58:45 | |
My guide price is between 30 and 50. | 0:58:45 | 0:58:49 | |
Would I be cheeky in saying "Andy can go at 30"? | 0:58:49 | 0:58:52 | |
£30. It's a deal. | 0:58:52 | 0:58:55 | |
Would you offer any small discount, or is 30 the best price? | 0:58:55 | 0:58:59 | |
-Between friends. -I could go to... | 0:58:59 | 0:59:02 | |
Where are we? 30? I could go to 27. | 0:59:02 | 0:59:06 | |
If I said 26 and I said 25, would you go 25? | 0:59:06 | 0:59:10 | |
Go on, then. 25. | 0:59:10 | 0:59:13 | |
-If I said 24... -No. -..would you come back? | 0:59:14 | 0:59:17 | |
Andy, you're a great sport. | 0:59:17 | 0:59:19 | |
You can keep them yourself and enjoy them. | 0:59:19 | 0:59:21 | |
Well, I can't do that, Andy, | 0:59:21 | 0:59:24 | |
you know, because I've got to beat the old bean. | 0:59:24 | 0:59:27 | |
"Old bean"?! | 0:59:27 | 0:59:29 | |
What a terrible disrespect for your elders, Mr Hanson! | 0:59:29 | 0:59:32 | |
Now, what is the old bald eagle up to? | 0:59:32 | 0:59:35 | |
More shopping! | 0:59:35 | 0:59:37 | |
Hello! Hiya! | 0:59:37 | 0:59:39 | |
-How are you? -Fine, thank you. And you? -Good. | 0:59:39 | 0:59:41 | |
-Very well indeed. I'm Charlie. -Hello. I'm Andrew. | 0:59:41 | 0:59:45 | |
I've come to spend some money with you, Andrew, I hope. | 0:59:45 | 0:59:47 | |
I would imagine, and I'm not being rude here, | 0:59:47 | 0:59:50 | |
that is probably as unsaleable a thing as you've got. | 0:59:50 | 0:59:53 | |
Absolutely. We've had it a long time now. | 0:59:53 | 0:59:55 | |
-It's so beautiful. -Fabulously made. | 0:59:55 | 0:59:58 | |
For 30 quid, it's an absolute bargain. | 0:59:58 | 1:00:00 | |
Wouldn't be bad for a tenner... would it? | 1:00:00 | 1:00:04 | |
Art Deco silverware has those modernist, clean lines | 1:00:04 | 1:00:08 | |
we expect from that exalted pre-World War II period. | 1:00:08 | 1:00:12 | |
Food for thought, but Charlie's strangely drawn to his first love - | 1:00:12 | 1:00:16 | |
furniture. | 1:00:16 | 1:00:18 | |
There's something about that corner cupboard, | 1:00:18 | 1:00:21 | |
apart from the fact that it's knackered. | 1:00:21 | 1:00:23 | |
-HE LAUGHS -That's an old English expression. | 1:00:23 | 1:00:26 | |
It's only 30 quid. | 1:00:26 | 1:00:29 | |
Ooh, you old tempter! | 1:00:29 | 1:00:31 | |
Presumably this comes out. The hinges look as if they're missing. | 1:00:31 | 1:00:34 | |
You get anything in this shop. You don't even get the hinges! | 1:00:34 | 1:00:37 | |
THEY LAUGH | 1:00:37 | 1:00:39 | |
Nor, may I say, do you get a back to it! | 1:00:39 | 1:00:44 | |
Is there anything of this corner cupboard? | 1:00:44 | 1:00:47 | |
Now, let's offer up the door the right way round, | 1:00:47 | 1:00:52 | |
and ipso facto... | 1:00:52 | 1:00:55 | |
we have... | 1:00:55 | 1:00:58 | |
the Georgian corner cupboard. | 1:00:58 | 1:01:00 | |
-And now it's 40 quid. -I thought you were going to say, | 1:01:00 | 1:01:03 | |
"Now it's a tenner cos I've noticed the back's missing!" | 1:01:03 | 1:01:06 | |
I love furniture. I'll give you a tenner and take it away for fun, | 1:01:06 | 1:01:11 | |
-but I think... -Yeah. | 1:01:11 | 1:01:13 | |
-Yeah. -You can have that for a tenner. | 1:01:13 | 1:01:15 | |
Bother! It's a deal. Thank you very much indeed. | 1:01:15 | 1:01:19 | |
-Of course, the hinges are extra. -Yes, but I'll leave you with those. | 1:01:19 | 1:01:23 | |
Looks like someone might be intending | 1:01:23 | 1:01:26 | |
to take a restoration project to auction. Risky! | 1:01:26 | 1:01:28 | |
That is known as a gamble lot. | 1:01:28 | 1:01:31 | |
If there's a furniture restorer in the saleroom, | 1:01:31 | 1:01:34 | |
it's worth 30 or 40 quid to him, | 1:01:34 | 1:01:37 | |
because, after all, it is a Georgian piece of furniture. | 1:01:37 | 1:01:40 | |
But if nobody in the sale wants it, it's Hanson one, Ross nil. | 1:01:40 | 1:01:45 | |
Well, Hanson's not won the day yet. | 1:01:45 | 1:01:49 | |
But up the road, he's seeing red | 1:01:50 | 1:01:53 | |
with a pair of Bohemian glass lustres | 1:01:53 | 1:01:55 | |
and a ticket price of £70. | 1:01:55 | 1:01:58 | |
What we have here | 1:01:58 | 1:02:00 | |
are a pair of flushed red or ruby-tinted lustres, | 1:02:00 | 1:02:04 | |
of course, which you would set on a dining table, | 1:02:04 | 1:02:07 | |
or on a sideboard, with the fruiting vine. | 1:02:07 | 1:02:10 | |
Would date to around 1880, 1890. | 1:02:10 | 1:02:13 | |
I like them. They're Bohemian, | 1:02:13 | 1:02:15 | |
and the fashion amongst London collectors, | 1:02:15 | 1:02:18 | |
the trade in London, they go wild for these. | 1:02:18 | 1:02:21 | |
Lustres are designed with pendant glass drips and drops | 1:02:21 | 1:02:25 | |
to create optical effects. A candle is placed inside, | 1:02:25 | 1:02:29 | |
so that the light glitters from within. | 1:02:29 | 1:02:31 | |
But these have bits of damage. | 1:02:31 | 1:02:34 | |
On the strength of their decorative merit, | 1:02:34 | 1:02:37 | |
and the possibility that they could be 1930s, | 1:02:37 | 1:02:40 | |
would you accept 20? | 1:02:40 | 1:02:43 | |
If I gave you a really good chance of, say... Come on, Charlie Ross! | 1:02:43 | 1:02:47 | |
How about 25? | 1:02:47 | 1:02:49 | |
I think, Andy, at £25... | 1:02:49 | 1:02:52 | |
I'll throw the shirt in off my back as well. | 1:02:52 | 1:02:54 | |
Careful what you offer! Charles will definitely take the biscuit. | 1:02:54 | 1:02:58 | |
Charlie Ross, meanwhile, will take the teapot. | 1:02:58 | 1:03:01 | |
In fact, he's got a couple of items in mind. | 1:03:01 | 1:03:04 | |
You know you said I could have that for a tenner? | 1:03:04 | 1:03:06 | |
-Can I have those two for 20? -Definitely. | 1:03:06 | 1:03:10 | |
THEY LAUGH | 1:03:10 | 1:03:12 | |
Definitely! | 1:03:12 | 1:03:14 | |
HE LAUGHS | 1:03:14 | 1:03:16 | |
You're very difficult to read, you are. | 1:03:16 | 1:03:19 | |
20 quid. I'll have those two. There we go, sir. | 1:03:19 | 1:03:22 | |
There's that... Thank you very much indeed. | 1:03:22 | 1:03:25 | |
And this rather splendid oak... | 1:03:25 | 1:03:27 | |
Well, I'd like to call it a salad bowl. | 1:03:27 | 1:03:30 | |
I shall sell the two items together | 1:03:30 | 1:03:32 | |
and hopefully make a thumping profit. | 1:03:32 | 1:03:35 | |
There's optimism for you! | 1:03:35 | 1:03:37 | |
Now Andy's got something to sweeten the deal. | 1:03:37 | 1:03:40 | |
-What have you got for me now? -Two beautiful hinges. | 1:03:40 | 1:03:43 | |
-£10, please. -Don't charge me for them! That's horrible! | 1:03:43 | 1:03:46 | |
HE GROANS | 1:03:48 | 1:03:51 | |
I don't know what to do now. | 1:03:51 | 1:03:53 | |
-I tell you what, Charlie... -What? -To you, five quid. | 1:03:53 | 1:03:55 | |
Well, I suppose it would be extremely rude if I, er... | 1:03:55 | 1:03:59 | |
didn't say yes. | 1:03:59 | 1:04:02 | |
How much is your gnome, by the way? | 1:04:02 | 1:04:04 | |
Gnome? | 1:04:04 | 1:04:06 | |
-Seriously. -To you, £30. | 1:04:06 | 1:04:09 | |
Ah, it's that little fellow again. | 1:04:09 | 1:04:12 | |
Could Ross succeed where Hanson failed? | 1:04:12 | 1:04:15 | |
Other fella offered me £20. I said no. | 1:04:15 | 1:04:18 | |
Well, frankly, if Hanson offers you 20 quid... | 1:04:18 | 1:04:20 | |
it's probably only worth a tenner. | 1:04:20 | 1:04:23 | |
30 quid, 1920s, | 1:04:24 | 1:04:27 | |
cast-iron doorstop. | 1:04:27 | 1:04:30 | |
It's good fun. Give you 20 quid for it. | 1:04:30 | 1:04:32 | |
-30. -No. | 1:04:32 | 1:04:34 | |
Look, I've had such a lovely time in this shop, | 1:04:34 | 1:04:37 | |
I will make a final offer of 25 quid. | 1:04:37 | 1:04:40 | |
Here we go again. Thank you very much, sir! | 1:04:41 | 1:04:44 | |
You are such a clean-up merchant! | 1:04:44 | 1:04:46 | |
And let's hope Charlie's feeling happy now he's bought half the shop. | 1:04:46 | 1:04:50 | |
You have just witnessed why Ross is so hopeless at dealing. | 1:04:50 | 1:04:54 | |
He really gets to like someone, | 1:04:54 | 1:04:57 | |
gets on a roll, and carries on buying and buying | 1:04:57 | 1:05:01 | |
and buying and buying, and then gets outside the shop | 1:05:01 | 1:05:04 | |
and thinks, "Why? Why? Why?" | 1:05:04 | 1:05:08 | |
"Why?" | 1:05:08 | 1:05:10 | |
Well, I don't know if you don't know, Charlie. | 1:05:10 | 1:05:13 | |
But now the shops are shutting and lovely Bridlington must provide shelter for our weary experts. | 1:05:14 | 1:05:20 | |
Nighty-night! | 1:05:20 | 1:05:22 | |
It's a brand-new day in Bridlington, | 1:05:28 | 1:05:31 | |
and Charlie Ross wants to sample just one more shop | 1:05:31 | 1:05:34 | |
before the unstoppable road trip moves us on. | 1:05:34 | 1:05:36 | |
So far, Charlie's spent £65 on four lots - | 1:05:38 | 1:05:42 | |
the Victory playing cards, the Georgian cupboard, | 1:05:42 | 1:05:45 | |
plus hinges, | 1:05:45 | 1:05:47 | |
the cast-iron gnome, the Art Deco kettle, | 1:05:47 | 1:05:50 | |
and the salad bowl, | 1:05:50 | 1:05:53 | |
leaving a comfortable £135 at his disposal. | 1:05:53 | 1:05:57 | |
Charles, meanwhile, has limped into the first day's shopping, | 1:05:57 | 1:06:00 | |
spending just £50 on two items - | 1:06:00 | 1:06:03 | |
the Edwardian silver salts and the dazzling ruby lustres. | 1:06:03 | 1:06:07 | |
Charles has a tempting £150 left to wow us with. | 1:06:07 | 1:06:12 | |
Could Mr Ross be smelling victory today? | 1:06:14 | 1:06:17 | |
A twinkling collection of scent bottles has caught his eye. | 1:06:17 | 1:06:21 | |
-I just saw these little jars here. -Yes. | 1:06:21 | 1:06:25 | |
That little one there, that's rather sweet. | 1:06:25 | 1:06:28 | |
-That looks more like perfume. -I think that's perfume. | 1:06:28 | 1:06:32 | |
That little one there, hobnail cut. Another screw top. | 1:06:32 | 1:06:35 | |
Little bit bashed, but when I'm that old, | 1:06:35 | 1:06:38 | |
I'll be a bit bashed, I expect. | 1:06:38 | 1:06:40 | |
But I would think, looking at all these, | 1:06:40 | 1:06:42 | |
they are between 1910 and 1920. They look Edwardian, don't they? | 1:06:42 | 1:06:46 | |
-Right. -You know what's coming up, don't you? | 1:06:46 | 1:06:49 | |
I have a feeling, yes. | 1:06:49 | 1:06:51 | |
THEY LAUGH | 1:06:51 | 1:06:53 | |
What about a price for the lot? | 1:06:53 | 1:06:55 | |
I'd be looking for £25, and I'll throw the three glass ones in | 1:06:55 | 1:07:00 | |
-as well. -£25 the lot? | 1:07:00 | 1:07:02 | |
-Yes. -Do you know, | 1:07:02 | 1:07:04 | |
I think that is the best deal I've had in my life. | 1:07:04 | 1:07:07 | |
-I think that's sensational. Are you really happy with that? -Yes, I am. | 1:07:07 | 1:07:11 | |
Put it there, Andy! Here it comes. Oh, dear. Have you got change? | 1:07:11 | 1:07:15 | |
-There we go. -Ooh, real coins! Thank you very much. | 1:07:31 | 1:07:35 | |
That's really kind. Thank you. I love those! | 1:07:35 | 1:07:38 | |
Blimey! Do you know, I even missed some more, didn't I? | 1:07:38 | 1:07:42 | |
-Could I have the other two for a fiver? -Yes. | 1:07:42 | 1:07:44 | |
When I tell Hanson I bought ten things for 30 quid, | 1:07:44 | 1:07:48 | |
he'll call me a rogue. | 1:07:48 | 1:07:51 | |
Amongst other things, no doubt! | 1:07:51 | 1:07:53 | |
But finally the road trip can get going, | 1:07:53 | 1:07:56 | |
as our chaps hit the highway. There's no stopping them now! | 1:07:56 | 1:07:59 | |
-Yeah! -Wheel-spin! | 1:08:00 | 1:08:03 | |
Real wheel-spin! | 1:08:03 | 1:08:06 | |
What were you driving in the '50s? | 1:08:10 | 1:08:12 | |
In the '50s? I was not old enough to drive! | 1:08:12 | 1:08:15 | |
I don't know how many times I have to tell you, | 1:08:15 | 1:08:17 | |
I was not old enough to drive. | 1:08:17 | 1:08:20 | |
I was born... I'm not going to tell you. You can guess. | 1:08:20 | 1:08:23 | |
But I wasn't driving till... | 1:08:23 | 1:08:25 | |
ENGINE COUGHS | 1:08:25 | 1:08:28 | |
Oh, dear! Perhaps this fragile classic | 1:08:28 | 1:08:31 | |
needs more careful handling. I mean the car, not Charlie! | 1:08:31 | 1:08:36 | |
There's not a dicky. | 1:08:36 | 1:08:37 | |
It's not going to go. I'll give you a push. | 1:08:37 | 1:08:40 | |
No! Leave it. When I get up to a certain speed, | 1:08:40 | 1:08:43 | |
-I'll say, "Now"... -Do you want your jacket off first? | 1:08:43 | 1:08:46 | |
-No, I'm quite happy. -Sure? -I'm English. | 1:08:46 | 1:08:48 | |
OK, well, just watch yourself. Be careful! | 1:08:48 | 1:08:51 | |
-I'm all right! -Watch yourself, Bean. Come on! | 1:08:51 | 1:08:53 | |
-I'm hardly moving! -I can't... | 1:08:53 | 1:08:57 | |
-Come on, Bean. -Ah, yes! | 1:08:57 | 1:08:59 | |
-Push! Push! -No, don't use the battery! | 1:08:59 | 1:09:02 | |
-Really? -Take your foot off the clutch! | 1:09:02 | 1:09:04 | |
Oh, nearly! | 1:09:04 | 1:09:07 | |
-I'm absolutely knackered. -Do you want to have a go? | 1:09:07 | 1:09:10 | |
So, Charlie's now leading from the front, | 1:09:10 | 1:09:13 | |
and Charles is bringing up the, er...rear. | 1:09:13 | 1:09:15 | |
-Push! -Bean, just be careful. -Push! | 1:09:15 | 1:09:18 | |
Push! That's good! I like it! | 1:09:18 | 1:09:22 | |
Love it! | 1:09:22 | 1:09:24 | |
-Oh... Bean! -I'm not hanging around. | 1:09:24 | 1:09:27 | |
Hold on! Let me make a call now. | 1:09:27 | 1:09:29 | |
Not happy. If Bean goes, I'm on my own. | 1:09:29 | 1:09:32 | |
I'm lost in Lincolnshire. In fact we're in Yorkshire here. | 1:09:32 | 1:09:35 | |
Bean! I'm going to get Bean. | 1:09:35 | 1:09:38 | |
Don't worry! It's our first time together! | 1:09:39 | 1:09:43 | |
Fortunately the local mechanics manage to find our blighted experts, | 1:09:44 | 1:09:50 | |
-so they can finally get going. -Cheers! | 1:09:50 | 1:09:52 | |
CHARLES AND CHARLIE CHEER Thank you! | 1:09:52 | 1:09:55 | |
Further down the road, a full 20 miles south | 1:10:02 | 1:10:04 | |
from Bridlington to Skirlaugh, | 1:10:04 | 1:10:06 | |
the very lucky Charles Hanson has a date with the Constable family. | 1:10:06 | 1:10:10 | |
CHARLIE SINGS "CHARLIE HANSON" TO TUNE OF "HALLELUJAH CHORUS | 1:10:10 | 1:10:14 | |
SONG: "Hallelujah Chorus" by Handel | 1:10:18 | 1:10:21 | |
Burton Constable Hall has existed here for over 500 years, | 1:10:21 | 1:10:26 | |
and is the ancestral home of the Constable family, | 1:10:26 | 1:10:29 | |
descended from Norman knights, | 1:10:29 | 1:10:32 | |
but no relation to Constable the painter, sadly. | 1:10:32 | 1:10:34 | |
Although Catholics themselves, | 1:10:34 | 1:10:36 | |
the Constable family bought cheap church land | 1:10:36 | 1:10:39 | |
made available by Henry VIII's dissolution of the monasteries | 1:10:39 | 1:10:43 | |
in the 1530s, and displaced an entire village of locals | 1:10:43 | 1:10:47 | |
to make room for these lovely, finely trimmed gardens. | 1:10:47 | 1:10:50 | |
The trouble with you aristocracy is, you just don't know when to stop. | 1:10:50 | 1:10:54 | |
When you got it, you're going to flaunt it. | 1:10:54 | 1:10:56 | |
I know. I just wish I had it. I've never had it. | 1:10:56 | 1:11:01 | |
In the 1560s, Sir John Constable tore down | 1:11:01 | 1:11:04 | |
most of the original manor house to create this Elizabethan mansion, | 1:11:04 | 1:11:08 | |
very much in the style of big 'Enry's beloved Hampton Court. | 1:11:08 | 1:11:12 | |
Wow! It's almost like a Hampton Court of the north. | 1:11:12 | 1:11:16 | |
It's just so spectacular, and before me, | 1:11:16 | 1:11:19 | |
there are no signs of modern homes, nothing at all. | 1:11:19 | 1:11:22 | |
We are caught back in the 1550s. | 1:11:22 | 1:11:24 | |
It's absolutely momentous. | 1:11:24 | 1:11:27 | |
-Ah, good morning, sir! -Hello! David Connell. | 1:11:27 | 1:11:30 | |
David Connell is the director here, | 1:11:30 | 1:11:32 | |
and welcomes Charles into a world of opulence. | 1:11:32 | 1:11:36 | |
Oh, wow! | 1:11:36 | 1:11:38 | |
It was a parlour in the Elizabethan house, | 1:11:38 | 1:11:42 | |
converted to a dining room in the 18th century, | 1:11:42 | 1:11:45 | |
when this new interior was put in. I think it tells you everything, | 1:11:45 | 1:11:48 | |
when the theme of the plasterwork is Bacchus. | 1:11:48 | 1:11:51 | |
-Revelry, wine... -Absolutely, yes. | 1:11:51 | 1:11:53 | |
..over the top. It's ostentatious. | 1:11:53 | 1:11:56 | |
It wasn't just the interior design that went over the top. | 1:11:56 | 1:11:59 | |
Some fairly strange ideas bounced around these walls in the 18th century. | 1:11:59 | 1:12:04 | |
William Constable fancied himself a worldly man of the Enlightenment, | 1:12:04 | 1:12:09 | |
with a keen interest in the emerging vogue of scientific discovery. | 1:12:09 | 1:12:13 | |
The squeamish might wish to avert their eyes now. | 1:12:13 | 1:12:16 | |
We now go into the cabinet of curiosities of William Constable. | 1:12:17 | 1:12:22 | |
It's an 18th-century gentleman's museum. | 1:12:22 | 1:12:24 | |
Anyone who was anyone in 16th-century Europe | 1:12:24 | 1:12:27 | |
had themselves a Wunderkammer, or cabinet of curiosities, | 1:12:27 | 1:12:30 | |
and by the 18th century, many landowning families | 1:12:30 | 1:12:33 | |
had managed to create a room in their house | 1:12:33 | 1:12:36 | |
with a small collection of the weird and wunderbar | 1:12:36 | 1:12:38 | |
from around the world. | 1:12:38 | 1:12:40 | |
Some is pure science of the 18th-century sort. | 1:12:40 | 1:12:44 | |
This room is full of electrical machines, a rather fine telescope, | 1:12:44 | 1:12:48 | |
and then some of the things go off into fantasy. | 1:12:48 | 1:12:52 | |
William Constable tried breeding experiments, | 1:12:52 | 1:12:56 | |
cross-breeding chickens and rabbits, | 1:12:56 | 1:12:59 | |
and there's an account of him trying to do this in his menagerie. | 1:12:59 | 1:13:03 | |
-Cross-breeding rabbits with chickens? -Yes, although he did say | 1:13:03 | 1:13:07 | |
-they all looked a bit like chickens. -And it worked? | 1:13:07 | 1:13:10 | |
No, of course not. | 1:13:10 | 1:13:12 | |
-You stupid boy, Charles! -Incredible. | 1:13:12 | 1:13:14 | |
William Constable's collection has been lovingly restored | 1:13:14 | 1:13:17 | |
since the 1970s, in its original display cabinets, | 1:13:17 | 1:13:20 | |
and is the most complete original Wunderkammer | 1:13:20 | 1:13:23 | |
of its type in Britain. | 1:13:23 | 1:13:25 | |
What got him on this way of experimenting | 1:13:27 | 1:13:30 | |
and trying things and collecting peculiar things, David? | 1:13:30 | 1:13:34 | |
Well, he considered himself a man of the Enlightenment, | 1:13:34 | 1:13:37 | |
and he had the time and the money to be able to do this. | 1:13:37 | 1:13:41 | |
It was by no means unusual. | 1:13:41 | 1:13:43 | |
What's unusual is this collection surviving | 1:13:43 | 1:13:46 | |
-into the 21st century. -Was he a married man? | 1:13:46 | 1:13:49 | |
Did he have a good life? Was he a good boy? | 1:13:49 | 1:13:51 | |
He was going to get married in the 1750s, | 1:13:51 | 1:13:55 | |
but the prospective bride's father called off the marriage | 1:13:55 | 1:13:59 | |
because he wasn't going to Mass often enough. | 1:13:59 | 1:14:02 | |
He wasn't a good Catholic. | 1:14:02 | 1:14:03 | |
Before gaming, internet, television and radio, | 1:14:03 | 1:14:07 | |
a cabinet of curiosities was the must-have home entertainment system | 1:14:07 | 1:14:11 | |
for the very wealthy. | 1:14:11 | 1:14:13 | |
You know, that appears to be some sort of foetus in there. | 1:14:13 | 1:14:16 | |
-It is. -Do we know what it is? -No. | 1:14:16 | 1:14:19 | |
-Small mammal. -That's it. Good description. | 1:14:19 | 1:14:21 | |
They imported exotic pets, for instance. | 1:14:21 | 1:14:25 | |
A pet monkey you could buy in London, | 1:14:25 | 1:14:27 | |
and when it died, you thought it was worth keeping its skull | 1:14:27 | 1:14:31 | |
as part of your collection. So this is entertainment for after dinner. | 1:14:31 | 1:14:35 | |
-Yeah. -Ladies read, and gentlemen came and played with their toys. | 1:14:35 | 1:14:39 | |
Going back, 1760s, | 1:14:39 | 1:14:41 | |
your blokes would be entertained with these skulls and bones. | 1:14:41 | 1:14:45 | |
Well, I think you blokes have been entertained enough. | 1:14:45 | 1:14:49 | |
Bye-bye. All the best to you. See you, David. Bye. Bye. | 1:14:49 | 1:14:52 | |
Time to get this show back on the road. | 1:14:52 | 1:14:55 | |
Charles and Charlie have a further date with destiny, | 1:14:55 | 1:14:58 | |
and a final opportunity to bag some killer antiques. | 1:14:58 | 1:15:01 | |
Skirlaugh is behind us in the dust, | 1:15:01 | 1:15:04 | |
as we journey nine miles east | 1:15:04 | 1:15:06 | |
to the bustling market town of Beverley. | 1:15:06 | 1:15:08 | |
And, for the benefit of slightly dazed Charles Hanson, | 1:15:08 | 1:15:12 | |
that means we're now in North Humberside, | 1:15:12 | 1:15:15 | |
cows and all. | 1:15:15 | 1:15:17 | |
Wonderful Beverley Grammar is the oldest state school in the country, | 1:15:17 | 1:15:21 | |
founded around 700 AD. | 1:15:21 | 1:15:23 | |
Its historical alumni include infamous gunpowder plotter | 1:15:23 | 1:15:27 | |
Thomas Percy, in the 1570s, | 1:15:27 | 1:15:30 | |
and former England goalkeeper Paul Robinson | 1:15:30 | 1:15:33 | |
in the 1990s. Not a lot of people know that! | 1:15:33 | 1:15:35 | |
Still, time is marching on. Let's shop! | 1:15:35 | 1:15:39 | |
You want objects to talk to you, to say, "Come on, Hanson. Find me." | 1:15:40 | 1:15:44 | |
I find it very difficult to focus when there are so many things | 1:15:44 | 1:15:47 | |
in so many cabinets. It all becomes a bit of a blur. | 1:15:47 | 1:15:51 | |
This cocktail little desk is quite nice, isn't it? | 1:15:55 | 1:15:58 | |
SONG: "My Heart Will Go On" by Celine Dion | 1:15:58 | 1:16:01 | |
Look at this. A 1950s boat-shaped bar. | 1:16:08 | 1:16:11 | |
Isn't that glorious? This wonderful bowed front... | 1:16:11 | 1:16:14 | |
Don't worry, it's not glass. It's plastic. | 1:16:14 | 1:16:17 | |
If you were living in London in your really quite cool flat, | 1:16:17 | 1:16:20 | |
and you're a hip, happening youngster, | 1:16:20 | 1:16:23 | |
this would be ideal for your home. | 1:16:23 | 1:16:26 | |
However, we're selling in, um, Doncaster. | 1:16:26 | 1:16:30 | |
And, do you know what? It could completely destroy me at auction. | 1:16:30 | 1:16:33 | |
It could wreck me. We're on the coast. I've learned that way now. | 1:16:33 | 1:16:37 | |
But this has a certain style about it. | 1:16:37 | 1:16:40 | |
It could make 250. However, | 1:16:40 | 1:16:42 | |
believe it or not, it could make 20. | 1:16:42 | 1:16:45 | |
-I'm Charles Hanson. Good to see you. -Good to see you. | 1:16:45 | 1:16:49 | |
I'm panicking a bit, because I've got about 15 minutes | 1:16:49 | 1:16:52 | |
-to try and find something glorious... -Right. | 1:16:52 | 1:16:55 | |
..which will capture an audience at auction in Doncaster. | 1:16:55 | 1:16:58 | |
Have you heard of Doncaster? It's south. | 1:16:58 | 1:17:01 | |
Would there be much opportunity of negotiation, do you think? | 1:17:01 | 1:17:05 | |
-I can do ten percent on it. -No more? -No. | 1:17:05 | 1:17:08 | |
Oh, Charles! At £85, that's a big gamble. | 1:17:08 | 1:17:12 | |
Put this silly ship of dreams out of your head, boy, and move on! | 1:17:12 | 1:17:17 | |
I might just ask Chris how much this caddy is, | 1:17:22 | 1:17:25 | |
because it has a nice quality. Tea caddy, mahogany, 1830. | 1:17:25 | 1:17:30 | |
But it's a bit boring, and it's not really me. | 1:17:30 | 1:17:33 | |
We want to go for something... HE SIGHS | 1:17:33 | 1:17:36 | |
..like the bar. | 1:17:36 | 1:17:38 | |
I'm going to set sail. I'm going to hit those high seas. | 1:17:39 | 1:17:44 | |
I'm going to take on the waves... | 1:17:44 | 1:17:47 | |
and say, "Charlie Ross, | 1:17:47 | 1:17:49 | |
it's this or nothing." | 1:17:49 | 1:17:52 | |
Oh, dear! Really, Charles? | 1:17:52 | 1:17:55 | |
Really? | 1:17:55 | 1:17:57 | |
What do you drink, Chris - shaken or stirred? | 1:17:57 | 1:18:00 | |
-I'm more a pint-of-bitter man. -Are you a shaken man? | 1:18:00 | 1:18:03 | |
No. I will be. Come on. | 1:18:03 | 1:18:05 | |
Well, I'm shaken and stirred, for the wrong reasons. | 1:18:05 | 1:18:09 | |
I might live to regret it. If you don't try these things in life... | 1:18:09 | 1:18:13 | |
For better or worse, it's too late now. | 1:18:14 | 1:18:17 | |
You stupid boy! | 1:18:17 | 1:18:19 | |
Shopping done, it's time to see what Charlie and Charles | 1:18:19 | 1:18:23 | |
make of each other's purchases. | 1:18:23 | 1:18:26 | |
-It's like Christmas! -I love it. It's the most exciting part. | 1:18:27 | 1:18:30 | |
-Oh, my word! Bohemian glass! -He likes Bohemian glass. | 1:18:30 | 1:18:35 | |
And, oh, they're... Oh. I wish I hadn't put my glasses on. | 1:18:35 | 1:18:38 | |
-Why say that? -The quality of the gilt decoration | 1:18:38 | 1:18:42 | |
isn't all that it might be, to be honest. | 1:18:42 | 1:18:45 | |
No. They cost me £25. | 1:18:45 | 1:18:46 | |
-What?! -£25, Charlie. | 1:18:46 | 1:18:48 | |
Going once! Going once! Hanson's away. | 1:18:48 | 1:18:51 | |
Oh, wow! | 1:18:51 | 1:18:53 | |
-Yeah, that's nice. -It's knackered, but it could be something, | 1:18:53 | 1:18:57 | |
-couldn't it? -What did it cost you? | 1:18:57 | 1:18:59 | |
-Ten quid. -Oh, it didn't! No, it... Did it really? | 1:18:59 | 1:19:03 | |
It didn't! | 1:19:03 | 1:19:04 | |
Now, I bought these delightful little salts... | 1:19:04 | 1:19:08 | |
Why I like them | 1:19:10 | 1:19:12 | |
is because you've got the swags, you've got the ribbon-tied husks. | 1:19:12 | 1:19:16 | |
You've also got period matched-up salt spoons. | 1:19:16 | 1:19:20 | |
-Very nice! -They cost me £25. | 1:19:20 | 1:19:23 | |
You can't buy things like that... | 1:19:23 | 1:19:25 | |
That's absolute... That is criminal... | 1:19:25 | 1:19:27 | |
-Yeah. -..criminal deception! | 1:19:27 | 1:19:29 | |
There's more silver in that than £25. | 1:19:29 | 1:19:32 | |
-You could melt those for more than... -I think so. | 1:19:32 | 1:19:34 | |
So, you bought these two together as one lot? | 1:19:34 | 1:19:37 | |
Well, they were bought as one lot eventually. | 1:19:37 | 1:19:40 | |
I just wonder whether those two have always been together. | 1:19:40 | 1:19:44 | |
-They have gone together. -I think so. -It fits perfectly. | 1:19:44 | 1:19:47 | |
It's a marriage, like you and I, made in heaven, OK? | 1:19:47 | 1:19:51 | |
But... | 1:19:51 | 1:19:52 | |
It might not be. This, I think, is decorative, | 1:19:52 | 1:19:55 | |
and the two together, you probably paid about £25. | 1:19:55 | 1:19:58 | |
-20 quid! -Good. | 1:19:58 | 1:19:59 | |
-I bought a game called Victory. -As you do. -It's a card game. | 1:19:59 | 1:20:03 | |
-Are you trying to say something to me? -Yeah, victory! | 1:20:03 | 1:20:06 | |
It is a statement. And it's 1940, | 1:20:06 | 1:20:11 | |
and it's original. It's full, complete, | 1:20:11 | 1:20:14 | |
with instructions. The asking price was £6 | 1:20:14 | 1:20:16 | |
and I paid £5 for them. | 1:20:16 | 1:20:18 | |
-Tell me what you think of these. -They're very good. | 1:20:18 | 1:20:22 | |
-And this is silver also, Charlie? -Yeah, there's lots of silver. | 1:20:22 | 1:20:26 | |
-Will you sell them as one big lot? -I'll have to, yes. | 1:20:26 | 1:20:29 | |
-What a good lot! -But for 30 quid... | 1:20:29 | 1:20:31 | |
-Close your eyes! -OK. -I know you'll recognise this, | 1:20:31 | 1:20:35 | |
because I bought this in a shop where you had been, | 1:20:35 | 1:20:38 | |
-and I have a feeling you asked the price. -Oh, no! | 1:20:38 | 1:20:40 | |
Yes! It's gnome time! Remember it? | 1:20:40 | 1:20:43 | |
Yes. Oh, and I was offered this, and... £50, he said to me. | 1:20:43 | 1:20:47 | |
-Did he? -Yeah. How much? -I bought it for 25. | 1:20:47 | 1:20:50 | |
Oh, no! Come on! HE LAUGHS | 1:20:50 | 1:20:52 | |
-I did! -No! -Yes! | 1:20:52 | 1:20:54 | |
MUSIC: "My Heart Will Go On" by Celine Dion | 1:20:54 | 1:20:57 | |
If my father or mother had had one of those, | 1:20:59 | 1:21:02 | |
I would have left home at the age of six. | 1:21:02 | 1:21:05 | |
Sometimes, Charlie, in life, you must speculate. | 1:21:05 | 1:21:08 | |
-What did it cost? -Have a guess. | 1:21:08 | 1:21:10 | |
I don't have a clue. I can't believe you paid money... 30 quid. | 1:21:10 | 1:21:14 | |
-Double it. -60 quid. | 1:21:14 | 1:21:16 | |
-Add £25. -85 quid. -Yes. | 1:21:16 | 1:21:19 | |
HE CHUCKLES | 1:21:20 | 1:21:22 | |
We're in it together, aren't we? OK? | 1:21:22 | 1:21:25 | |
I think the owner of that went... | 1:21:25 | 1:21:27 | |
and got a little bit of a nibble. | 1:21:27 | 1:21:29 | |
Do you know, if you make a profit on that, | 1:21:29 | 1:21:32 | |
I will buy you a drink. | 1:21:32 | 1:21:34 | |
Wow! And just in case anyone pulled their punches, | 1:21:34 | 1:21:37 | |
let's hear what our chaps really think. | 1:21:37 | 1:21:39 | |
There's one thing about Charlie I really, really admire, | 1:21:39 | 1:21:44 | |
and I mean I admire - | 1:21:44 | 1:21:46 | |
he has the courage to just go out on a whim | 1:21:46 | 1:21:50 | |
and make the most ridiculous purchase. | 1:21:50 | 1:21:53 | |
I'm feeling a bit like the Titanic - doomed. | 1:21:53 | 1:21:56 | |
The iceberg has just hit me. | 1:21:56 | 1:21:58 | |
Perilous waters ahead! | 1:21:58 | 1:22:00 | |
And now it's time to set sail once more in the Corsair. | 1:22:00 | 1:22:04 | |
It's been a cracking first leg. | 1:22:04 | 1:22:06 | |
The road trip has brought us from Bridlington | 1:22:06 | 1:22:08 | |
through handsome Skirlaugh and brilliant Beverley, | 1:22:08 | 1:22:11 | |
finally arriving in South Yorkshire's proud Doncaster, | 1:22:11 | 1:22:15 | |
known affectionately as Donny. | 1:22:15 | 1:22:17 | |
It's also birthplace of actor Brian Blessed | 1:22:20 | 1:22:23 | |
and crooner Tony Christie. | 1:22:23 | 1:22:26 | |
Doncaster is also arguably home | 1:22:27 | 1:22:30 | |
to some of Britain's most beautiful women, | 1:22:30 | 1:22:33 | |
and rolling up the street today to our auction | 1:22:33 | 1:22:35 | |
are our gorgeous experts. | 1:22:35 | 1:22:37 | |
Well, frankly, if your things sell as badly as you drove, | 1:22:37 | 1:22:41 | |
I won't have any problems at all. Give me the keys! | 1:22:41 | 1:22:44 | |
I'm not letting you drive again, that's for sure. | 1:22:44 | 1:22:47 | |
-After you, old chap. -Thanks. | 1:22:47 | 1:22:50 | |
So polite! | 1:22:50 | 1:22:52 | |
The Tudor auction rooms have been selling fine wares | 1:22:52 | 1:22:54 | |
for over 30 years, specialising in porcelain and clocks. | 1:22:54 | 1:22:58 | |
Today is the general sale - perfect for the mixed bunch of items | 1:22:58 | 1:23:02 | |
our two boys have gathered together. | 1:23:02 | 1:23:04 | |
George is today's auctioneer, and would like to be kind | 1:23:04 | 1:23:08 | |
to Charlie and Charles's hopes and dreams. | 1:23:08 | 1:23:11 | |
The scent bottles are OK - collectable little items, | 1:23:11 | 1:23:14 | |
silver, hallmarked, | 1:23:14 | 1:23:17 | |
and same as the salts. They're pretty good. | 1:23:17 | 1:23:19 | |
The Edwardian cast-iron gnome, it's a little bit naff, | 1:23:19 | 1:23:22 | |
is what I can see. We never know. Some collectable person out there | 1:23:22 | 1:23:26 | |
might be OK with that. | 1:23:26 | 1:23:28 | |
Um, it's got to be good, clean stuff, | 1:23:28 | 1:23:30 | |
like the bar, for example. | 1:23:30 | 1:23:33 | |
Well, at least someone likes the look of the Hanson ship of dreams. | 1:23:33 | 1:23:37 | |
Charlie Ross started the day with his full allowance of £200, | 1:23:37 | 1:23:41 | |
and spent a proud £95 on four lots. | 1:23:41 | 1:23:44 | |
Charles Hanson took his £200 starter pack | 1:23:44 | 1:23:47 | |
and spent just a little bit more - | 1:23:47 | 1:23:49 | |
£135 on a mere three lots. | 1:23:49 | 1:23:53 | |
Buckle up and hang on to your collectables! | 1:23:55 | 1:23:57 | |
The auction is about to begin. | 1:23:57 | 1:24:00 | |
My heart is going boom-boom-boom-boom-boom. | 1:24:01 | 1:24:04 | |
You want some rhythm and you want some action, Charlie. | 1:24:04 | 1:24:08 | |
First up is Charlie's doer-upper prospect, | 1:24:08 | 1:24:12 | |
the £10 Georgian corner cabinet, plus £5 worth of hinges. | 1:24:12 | 1:24:16 | |
Ten to start me on the piece of period oak. | 1:24:16 | 1:24:19 | |
Five bid, he says. Five bid. Any advance? | 1:24:19 | 1:24:22 | |
Ten. 15. | 1:24:22 | 1:24:24 | |
20. Five. 30. Five. | 1:24:24 | 1:24:28 | |
40. | 1:24:28 | 1:24:29 | |
Cap's in at 40. | 1:24:29 | 1:24:31 | |
45 bid. 45. | 1:24:31 | 1:24:34 | |
He's going halfway. 47.50. | 1:24:34 | 1:24:36 | |
Any more? Have you all done? | 1:24:36 | 1:24:39 | |
Well done. | 1:24:40 | 1:24:42 | |
-At 50. He's back in. -Oh... -Hang on! | 1:24:42 | 1:24:44 | |
-55. -55! | 1:24:44 | 1:24:46 | |
Any more? All done? | 1:24:46 | 1:24:48 | |
At £55. The buyer. | 1:24:48 | 1:24:52 | |
And Ross is off to a flyer with a fine early profit. | 1:24:52 | 1:24:55 | |
Next we have those Hanson ruby lustres. | 1:24:56 | 1:25:00 | |
They might be 1920s and worth a small fortune, | 1:25:00 | 1:25:02 | |
but there again, they may not. | 1:25:02 | 1:25:04 | |
50. 40. 30. | 1:25:04 | 1:25:06 | |
20, on the pair of lustres. Ten. Bid. | 1:25:06 | 1:25:10 | |
£10 bid. Any advance on ten? | 1:25:10 | 1:25:13 | |
Any more? 15. 20. | 1:25:13 | 1:25:16 | |
20? Oh! | 1:25:16 | 1:25:18 | |
25 bid. Lady's in at 25. Any advance on 25? | 1:25:18 | 1:25:20 | |
-No more! -Go on! | 1:25:20 | 1:25:22 | |
Any more? All done at £25... | 1:25:22 | 1:25:25 | |
THEY SIGH That's OK. I've broken even. | 1:25:26 | 1:25:28 | |
-No. You've got to pay commission. -Oh, yes. | 1:25:28 | 1:25:31 | |
Yep! Sadly, the auction house must take its hard-earned crust, | 1:25:31 | 1:25:35 | |
so a break-even is, in fact, a loss. | 1:25:35 | 1:25:38 | |
Who do you think you're kidding, Mr Hanson? | 1:25:38 | 1:25:41 | |
The 1940s playing cards. | 1:25:41 | 1:25:44 | |
Rather nice game, that one. There's Chamberlain, | 1:25:44 | 1:25:47 | |
all the early greats in there, ladies and gentlemen. | 1:25:47 | 1:25:50 | |
Can we see 20? | 1:25:50 | 1:25:51 | |
-Ten to start. -Here we go. -Five anywhere? | 1:25:51 | 1:25:54 | |
You don't see very many of them about. | 1:25:54 | 1:25:56 | |
£2 anywhere? Two bid. £2 bid. | 1:25:56 | 1:25:59 | |
Four bid. Six bid. Eight bid. £8 bid. | 1:25:59 | 1:26:01 | |
-Profit. -£8 bid. | 1:26:01 | 1:26:03 | |
Should make more. Never seen one before. | 1:26:03 | 1:26:05 | |
-Ten bid. -Ten. -That's OK. | 1:26:05 | 1:26:07 | |
11 bid. He's back in. 11 bid. | 1:26:07 | 1:26:09 | |
I like it. Come on, George! | 1:26:09 | 1:26:11 | |
You're all out. You're done at 11. | 1:26:11 | 1:26:14 | |
Well, let's hope the sweet smell of success continues. | 1:26:14 | 1:26:19 | |
Charlie's scent bottles are next. | 1:26:19 | 1:26:21 | |
Now, here we go, ladies and gentlemen. | 1:26:21 | 1:26:24 | |
Lovely collection of silver-topped scent bottles. | 1:26:24 | 1:26:27 | |
Can we see £100 to start me? £50 to start me? | 1:26:27 | 1:26:31 | |
Ten to start me, and I'm ten bid. | 1:26:31 | 1:26:33 | |
£10 bid. 15. 20. | 1:26:33 | 1:26:36 | |
Five. 30. Five. 40. | 1:26:36 | 1:26:39 | |
-Well played. -£40 bid. | 1:26:39 | 1:26:41 | |
Any advance on 40? Any more? Got to be worth more. | 1:26:41 | 1:26:44 | |
That's a good price. Call it there. | 1:26:44 | 1:26:47 | |
-£40 bid. 45 bid. -Oh, get out of here! | 1:26:47 | 1:26:49 | |
-Cheap. They're cheap! -45 bid. | 1:26:49 | 1:26:52 | |
All done at 45! | 1:26:52 | 1:26:56 | |
Well played. Brilliant. | 1:26:56 | 1:26:58 | |
And Mr Ross comes up smelling of roses again. | 1:26:58 | 1:27:01 | |
Hanson needs to start catching up. His Edwardian silver salts | 1:27:01 | 1:27:06 | |
are the next contenders. | 1:27:06 | 1:27:08 | |
Can we see 50? 40? 30? | 1:27:08 | 1:27:11 | |
20? Ten to start me. | 1:27:11 | 1:27:14 | |
-Go for it! -Ten bid. -Come on! | 1:27:14 | 1:27:17 | |
£10 bid. 15. 20. | 1:27:17 | 1:27:19 | |
25 in the shades. | 1:27:19 | 1:27:22 | |
30 bid. He's back in. In at 30. | 1:27:22 | 1:27:24 | |
At £30... The buyer, number nine. | 1:27:24 | 1:27:28 | |
Well, a small profit is still a profit. | 1:27:28 | 1:27:31 | |
And now a little man steps forward for Charlie Ross. | 1:27:31 | 1:27:35 | |
Here we go, ladies and gentlemen. Look at this little fellow! | 1:27:35 | 1:27:39 | |
Can we see 20? Ten to start me. Five anywhere. | 1:27:39 | 1:27:42 | |
£2. Two bid. | 1:27:42 | 1:27:44 | |
£2 bid. Four bid. £4 bid. The bid's there at four. | 1:27:44 | 1:27:47 | |
Keep it down. We like this. | 1:27:47 | 1:27:49 | |
Any more? Six bid. Eight bid. | 1:27:49 | 1:27:51 | |
Ten bid. | 1:27:51 | 1:27:53 | |
Ten bid. 12. He's back in. | 1:27:53 | 1:27:55 | |
Keep going, George! Keep going! | 1:27:55 | 1:27:58 | |
Any advance on 12? Have you all done? At £12 only... | 1:27:58 | 1:28:02 | |
-George! -Going to go. -At £12. | 1:28:02 | 1:28:05 | |
-It's gone. -HE GROANS AND LAUGHS | 1:28:05 | 1:28:08 | |
Sadly, the heavy metal gnome carried little weight | 1:28:08 | 1:28:11 | |
with the buyers of Doncaster. | 1:28:11 | 1:28:13 | |
-Oh! I feel like a knife in the ribs! -I'm slowly back in the game. | 1:28:13 | 1:28:18 | |
Mr Ross has one last shot at a big profit today. | 1:28:18 | 1:28:22 | |
One lump or two? | 1:28:22 | 1:28:24 | |
Collectable, these. You've got the spirit kettle | 1:28:24 | 1:28:27 | |
that goes with this one, | 1:28:27 | 1:28:29 | |
-the rather nice shield-plated... -They look lovely from here. | 1:28:29 | 1:28:33 | |
Can we see 40? 30? 20? | 1:28:33 | 1:28:35 | |
Ten to start me. Five anywhere? Five bid. | 1:28:35 | 1:28:39 | |
Lovely set. Five bid. Ten bid. | 1:28:39 | 1:28:41 | |
15. 20. 25. | 1:28:41 | 1:28:44 | |
30. 35. 35, in the seats in the middle of the room. | 1:28:44 | 1:28:49 | |
35, seated. Any more? | 1:28:49 | 1:28:51 | |
Going at £35. | 1:28:51 | 1:28:53 | |
Not bad, but I think Charlie had higher hopes. | 1:28:54 | 1:28:58 | |
Finally, it's time to raise the bar! | 1:29:00 | 1:29:02 | |
Or could that be Charles's ship of dreams? | 1:29:02 | 1:29:06 | |
This is what you've all been waiting for, ladies and gentlemen. | 1:29:06 | 1:29:09 | |
-It's iconic! -It's the retro bar in the back | 1:29:09 | 1:29:12 | |
in the shape of a boat. Got the anchors on it. | 1:29:12 | 1:29:15 | |
50. 40. | 1:29:15 | 1:29:17 | |
-30. 20. -Ooh, it's coming down! | 1:29:17 | 1:29:20 | |
Oh, no! Anybody else getting that sinking feeling? | 1:29:20 | 1:29:24 | |
Ten bid. £10 bid. Ten bid. Any more? 15. | 1:29:24 | 1:29:28 | |
-20. -20! | 1:29:28 | 1:29:30 | |
-Five. -Five! -25 bid. Any more? You won't get one as cheap as that. | 1:29:30 | 1:29:34 | |
-Go on! -27.50. | 1:29:34 | 1:29:37 | |
-27.50! -27.50 bid. | 1:29:37 | 1:29:40 | |
At 27.50. | 1:29:40 | 1:29:43 | |
Ohhh! | 1:29:43 | 1:29:46 | |
Sadly, Hanson's dreams of auction glory have sunk, | 1:29:46 | 1:29:49 | |
but I believe that the road trip goes on. | 1:29:49 | 1:29:52 | |
That's life, you know? | 1:29:52 | 1:29:54 | |
-I'm down... -I admire you for your courage. | 1:29:54 | 1:29:56 | |
-..but I'm not forgotten. -And also for your extreme stupidity. | 1:29:56 | 1:30:00 | |
-That's a big loss, isn't it? -But other than that, | 1:30:00 | 1:30:02 | |
I'm with you all the way, baby. | 1:30:02 | 1:30:05 | |
So, someone has taken an early lead, | 1:30:05 | 1:30:08 | |
and someone else is off for an early bath. | 1:30:08 | 1:30:10 | |
Our chaps started today's show with £200 each. | 1:30:10 | 1:30:14 | |
After paying auction costs, Charlie made a small profit | 1:30:14 | 1:30:18 | |
of £34.56. | 1:30:18 | 1:30:20 | |
Mr Ross has a reasonable £234.56 to carry forward. | 1:30:20 | 1:30:25 | |
Poor Charles, meanwhile, made a bruising loss | 1:30:25 | 1:30:29 | |
of £67.35. | 1:30:29 | 1:30:31 | |
Mr Hanson has just £132.65 to start the next show. | 1:30:31 | 1:30:37 | |
Of course, it's only day one, | 1:30:37 | 1:30:40 | |
and there will be much to learn this week | 1:30:40 | 1:30:42 | |
about antiques buying and about each other. | 1:30:42 | 1:30:45 | |
Do you wear a gold chain at all or anything like that? | 1:30:45 | 1:30:48 | |
No, no. Charlie, do I look like a medallion man? | 1:30:48 | 1:30:52 | |
THEY LAUGH | 1:30:52 | 1:30:54 | |
-If you can't... Oh, your driving is horrendous! -Sorry! | 1:30:54 | 1:30:58 | |
Next time on the Antiques Road Trip, | 1:30:58 | 1:31:01 | |
Charlie and Charles head for Lincolnshire, | 1:31:01 | 1:31:03 | |
and auction round two in Grantham. | 1:31:03 | 1:31:06 | |
Charlie tries for some understanding. | 1:31:06 | 1:31:08 | |
You really have to concentrate, put a lot of work in. | 1:31:08 | 1:31:11 | |
Charles tries for our sympathy. | 1:31:11 | 1:31:14 | |
I've had a disaster already. I've lost £80 already, | 1:31:14 | 1:31:18 | |
and I'm down to barely £100. | 1:31:18 | 1:31:21 | |
And they both try their luck on the road ahead. | 1:31:21 | 1:31:24 | |
Subtitles by Red Bee Media Ltd | 1:31:30 | 1:31:34 | |
E-mail [email protected] | 1:31:34 | 1:31:39 | |
. | 1:31:39 | 1:31:39 |