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The nation's favourite antiques experts, £200 each, | 0:00:02 | 0:00:04 | |
and one big challenge. | 0:00:04 | 0:00:06 | |
-I'm here to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-It's very good! -The aim is to trade up | 0:00:13 | 0:00:16 | |
and hope each antique turns a profit. | 0:00:16 | 0:00:19 | |
But it's not as easy as you might think | 0:00:19 | 0:00:21 | |
-and things don't always go to plan. -Push! | 0:00:21 | 0:00:24 | |
Will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Do you think I'd believe that? -This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
# Yeah! # | 0:00:34 | 0:00:35 | |
# I'm a road runner, honey | 0:00:35 | 0:00:39 | |
# Beep, beep # | 0:00:39 | 0:00:41 | |
-Today concludes the epic tour of David Harper... -Come on, baby! | 0:00:41 | 0:00:45 | |
..and David Barby, affable but ambitious. | 0:00:45 | 0:00:48 | |
-My last chance to win! -You want to get rid of me, don't you? I'm hurt! | 0:00:48 | 0:00:53 | |
Not at all! I shall suffer withdrawal symptoms! | 0:00:53 | 0:00:56 | |
THEY LAUGH | 0:00:56 | 0:00:58 | |
Don't believe a word of it. | 0:00:58 | 0:01:00 | |
Each man is desperate to win | 0:01:00 | 0:01:03 | |
and competition this week has been fierce. | 0:01:03 | 0:01:06 | |
-I think it's amazing...that they can reproduce things like this. -Stop it! | 0:01:06 | 0:01:11 | |
David B was in the lead, but yesterday David H sneaked ahead by a mere £13. | 0:01:11 | 0:01:16 | |
-You're smiling. -I'm trying not to. -I wish you wouldn't. | 0:01:16 | 0:01:20 | |
So expect some tough negotiating, as like a penalty shootout, | 0:01:20 | 0:01:24 | |
today's events decide all. | 0:01:24 | 0:01:27 | |
-One of us, by the end of today, will be a winner. -Yes. | 0:01:27 | 0:01:31 | |
-Yes. -And one of us... -Is going to be fired! | 0:01:31 | 0:01:33 | |
THEY LAUGH | 0:01:33 | 0:01:36 | |
They began with £200 each | 0:01:36 | 0:01:38 | |
and David B starts today with £655.59 to spend. | 0:01:38 | 0:01:43 | |
The other David has just a little bit more, | 0:01:44 | 0:01:47 | |
with £668.64. | 0:01:47 | 0:01:52 | |
This week, we're travelling in a Triumph TR3 through Ireland, north and south, | 0:01:53 | 0:01:58 | |
and then across Wales. | 0:01:58 | 0:02:01 | |
The winner will be crowned at an auction in Llanelli. | 0:02:01 | 0:02:04 | |
But we start out in England, at Hereford. | 0:02:04 | 0:02:07 | |
DREAMY MUSIC | 0:02:08 | 0:02:10 | |
Famous for cattle and cider, | 0:02:13 | 0:02:15 | |
Hereford is also the birthplace of several actors, | 0:02:15 | 0:02:18 | |
including Beryl Reid, the great David Garrick, | 0:02:18 | 0:02:21 | |
and allegedly Nell Gwyn. | 0:02:21 | 0:02:24 | |
Composer Edward Elgar was a resident | 0:02:25 | 0:02:27 | |
and wrote several of his most famous works here. | 0:02:27 | 0:02:31 | |
This is a very well-dressed Edwardian gentleman. | 0:02:31 | 0:02:34 | |
-This is Elgar. -Is it Elgar. -He's got a little notepad. They're the musical scores. -I see! | 0:02:34 | 0:02:40 | |
-Getting inspiration from this wonderful building. -As you would. | 0:02:40 | 0:02:43 | |
-Which way do we go? Over there? OK. Come on, let's go shopping! -Oh! | 0:02:43 | 0:02:48 | |
I love antique centres. There's always lots of stock. That's what I like. | 0:02:51 | 0:02:56 | |
But as with most antique centres, the choice can be a little overwhelming. | 0:02:56 | 0:03:00 | |
It's one of these occasions when there's just too much to look at. You get bedazzled. | 0:03:00 | 0:03:05 | |
In amongst all these goods, David Harper has spotted something small and brown. Rubber gloves?! | 0:03:05 | 0:03:11 | |
I've never handled anything quite like this, | 0:03:11 | 0:03:13 | |
described as a "treen carved Brazil nut shell". | 0:03:13 | 0:03:16 | |
That's exactly what it is. "Treen" meaning any small piece of hand-carved wood. | 0:03:16 | 0:03:21 | |
For £28, you can have that on your side table. | 0:03:21 | 0:03:24 | |
-But, Richard... -Yes? | 0:03:24 | 0:03:26 | |
What do you think...of that? | 0:03:26 | 0:03:30 | |
-Have you seen anything quite like it before? -No, I haven't. -No. | 0:03:30 | 0:03:34 | |
-It is quite interesting. -It is. So the Brazil nuts are on the inside? | 0:03:34 | 0:03:38 | |
This is like the husk. That's how it grows, I believe. | 0:03:38 | 0:03:42 | |
What could that be for me? | 0:03:42 | 0:03:45 | |
-Erm, we could do that for £20 for you. -20. -Yes. | 0:03:45 | 0:03:49 | |
20 quid... | 0:03:50 | 0:03:52 | |
-I think I'm going to have to have it, don't you? -Yes? -Good man. Thank you very much. | 0:03:53 | 0:03:58 | |
Elsewhere, David Barby is less decisive. He knows what he likes, | 0:04:04 | 0:04:08 | |
but will it sell at auction? | 0:04:08 | 0:04:10 | |
Richard, I noticed that as I've been wandering around. | 0:04:10 | 0:04:13 | |
-What's the demand for it? Not high? -Not high, I would say. | 0:04:13 | 0:04:19 | |
Ohh! | 0:04:20 | 0:04:23 | |
I've been through every single teapot and each one has a slight fault. | 0:04:23 | 0:04:27 | |
A bit of restoration, yes. | 0:04:27 | 0:04:29 | |
Look sharp, here comes a fellow tripper! | 0:04:29 | 0:04:31 | |
-Ooh! -They just can't bear to be apart! | 0:04:31 | 0:04:34 | |
-We've been together on many occasions. -No, we haven't. -Yes, we have. | 0:04:34 | 0:04:38 | |
We're on our honeymoon. | 0:04:38 | 0:04:40 | |
You've made every moment worthwhile! | 0:04:40 | 0:04:43 | |
-We'll be getting divorced soon. -That big sacrifice I made! | 0:04:43 | 0:04:47 | |
-Have you finished downstairs now? -All done. Bought the lot. Nothing for you. | 0:04:47 | 0:04:51 | |
Well, hardly. | 0:04:51 | 0:04:54 | |
But at £185, this standish inkstand is a bit pricey. | 0:04:54 | 0:04:59 | |
I think... It's not flavour of the month, | 0:04:59 | 0:05:03 | |
but it's quirky enough, because it's tall, to be of interest. | 0:05:03 | 0:05:07 | |
-But they've gone off the boil. -Yes. | 0:05:07 | 0:05:09 | |
So it's got to be at a very reasonable figure. | 0:05:09 | 0:05:14 | |
OK. | 0:05:14 | 0:05:15 | |
-I'll try! -HE LAUGHS | 0:05:15 | 0:05:17 | |
-Go on, Richard, you tell him all that. -Hello. | 0:05:17 | 0:05:21 | |
This is quite nice. It's late Victorian. | 0:05:21 | 0:05:25 | |
It's the sort of thing that a gentleman would have on his desk. | 0:05:25 | 0:05:28 | |
The pens would rest either side. | 0:05:28 | 0:05:31 | |
That would be for red ink, the other would be for blue ink. | 0:05:31 | 0:05:35 | |
And it could be taken from one room to another. | 0:05:35 | 0:05:38 | |
You'd put nibs in there, maybe sealing wax in that one, | 0:05:38 | 0:05:43 | |
and then you'd have envelopes. | 0:05:43 | 0:05:46 | |
At auction, that would sell for somewhere in the region of £80-90. | 0:05:46 | 0:05:51 | |
So it's got to be at a fairly reasonable price. | 0:05:52 | 0:05:55 | |
OK. Thank you. | 0:05:55 | 0:05:57 | |
125. | 0:05:58 | 0:06:00 | |
I think I'm going to bomb on it. | 0:06:01 | 0:06:03 | |
Step aside, Richard. Let's see the master at work. | 0:06:03 | 0:06:08 | |
I'm concerned if I buy it at the figure that you mentioned, | 0:06:08 | 0:06:11 | |
I don't stand a chance at auction. | 0:06:11 | 0:06:15 | |
Well, I was hoping round about 80. | 0:06:15 | 0:06:18 | |
That is very, very encouraging. | 0:06:18 | 0:06:20 | |
Would you split the difference at 90, sir? | 0:06:20 | 0:06:24 | |
I'm actually on my knees. Yes. | 0:06:24 | 0:06:27 | |
OK, they're going to film me going on my knees now. | 0:06:27 | 0:06:31 | |
So I'm on my knees and will be filmed! | 0:06:31 | 0:06:36 | |
£90. OK. You've got a deal. Thank you very much. Bye-bye. | 0:06:36 | 0:06:40 | |
And that is how the master does it. | 0:06:43 | 0:06:47 | |
So while David and inkstand part to see more of historic Hereford... | 0:06:47 | 0:06:52 | |
-Can I have a look at that little lacquered box there? -..other David tries his skills. | 0:06:52 | 0:06:56 | |
-It's a tea caddy... -Yes. -..which is quite nice. | 0:06:56 | 0:07:00 | |
How old do you think this one is? | 0:07:00 | 0:07:03 | |
-18...80? -It's got to be, hasn't it? | 0:07:03 | 0:07:07 | |
It's got that pagoda top, which is very Chinese, isn't it? | 0:07:07 | 0:07:11 | |
Inlaid with mother-of-pearl, which is gorgeous. | 0:07:11 | 0:07:14 | |
-Let's have a look at the caddy box. -Let's get hold of that. | 0:07:14 | 0:07:19 | |
So that should slide, shouldn't it? | 0:07:19 | 0:07:21 | |
-Can you smell anything? -It smells beautiful. Smell that. | 0:07:22 | 0:07:27 | |
-No. I still can't smell anything. -For goodness, sake! Really? -No. I can't, really. | 0:07:27 | 0:07:32 | |
-Can you smell my aftershave? -Slightly. | 0:07:32 | 0:07:35 | |
-Poo! -I poured loads on! I'm covered in aftershave! -That's enough of that, thank you. | 0:07:35 | 0:07:40 | |
What's that going to sell for? Is it £30? | 0:07:40 | 0:07:43 | |
-I doubt it very much. -No? -I doubt it. | 0:07:43 | 0:07:46 | |
-Is it 20, then? -No. -Oh. -No. No. | 0:07:46 | 0:07:49 | |
Er, it's got to be, I don't know, | 0:07:49 | 0:07:53 | |
-85? -Ohh! Really? -Mm. -Really? -Mm. | 0:07:53 | 0:07:57 | |
Could it be 40? | 0:07:57 | 0:07:59 | |
50 and you've got a deal. | 0:07:59 | 0:08:01 | |
I'll make it 45. And I'll buy you a cup of tea. | 0:08:01 | 0:08:04 | |
-You're a hard man! -A lovely cup of tea! | 0:08:04 | 0:08:07 | |
I'll make it myself. I'll mix it and blend it and everything. | 0:08:07 | 0:08:11 | |
-OK. -Marvellous. You're an absolutely dreamboat. Thank you very much. | 0:08:11 | 0:08:15 | |
-That's a beautiful... -It is a beautiful piece. | 0:08:15 | 0:08:17 | |
I'm not sure you'll ever get that cuppa! | 0:08:17 | 0:08:19 | |
But while David H has been getting keen on that caddy, giving it a sniff, | 0:08:19 | 0:08:23 | |
poor old David B's had a drama. He's been involved in an accident! | 0:08:23 | 0:08:28 | |
You should've seen the other guy! | 0:08:28 | 0:08:32 | |
It's nothing like that! I tripped! I tripped! | 0:08:32 | 0:08:34 | |
I fell over a step no bigger than that | 0:08:34 | 0:08:38 | |
and wham! straight into one of those garden benches! | 0:08:38 | 0:08:41 | |
It split my eye just down there and my eyelid just down there. | 0:08:41 | 0:08:46 | |
Marvellous staff! Marvellous staff! | 0:08:46 | 0:08:48 | |
They patched it up and made it look rather attractive, rather like a sort of mosaic. | 0:08:48 | 0:08:54 | |
It looks rather nice, doesn't it? | 0:08:54 | 0:08:56 | |
I don't know about that. At least there may be a sympathy discount. | 0:08:56 | 0:09:00 | |
Luckily, his sparring partner is on hand | 0:09:00 | 0:09:02 | |
to give him a slightly bumpy ride and a bit of sympathy... | 0:09:02 | 0:09:06 | |
-Watch your speed, David! -Thank you, David! | 0:09:06 | 0:09:09 | |
..travelling from Hereford to Merthyr Tydfil. | 0:09:10 | 0:09:14 | |
The town today is a very different place | 0:09:15 | 0:09:18 | |
from when it was the first industrial town of Wales. | 0:09:18 | 0:09:22 | |
Then its coal, iron ore, limestone and water | 0:09:22 | 0:09:26 | |
meant Merthyr made much of the iron and steel | 0:09:26 | 0:09:29 | |
that fuelled industrial Britain. | 0:09:29 | 0:09:32 | |
David is here to visit Cyfarthfa Castle, | 0:09:32 | 0:09:36 | |
the former home of an iron magnate and now the Museum of Merthyr. | 0:09:36 | 0:09:41 | |
-Hello, Scott. David Barby. -Hi! | 0:09:41 | 0:09:44 | |
What a superb place. You're curator here? | 0:09:44 | 0:09:47 | |
That's right. I've been here for 11 years. | 0:09:47 | 0:09:49 | |
-Welcome to Cyfarthfa Castle. -Thank you. | 0:09:49 | 0:09:52 | |
Is the museum devoted to one particular family, | 0:09:52 | 0:09:54 | |
-the Crawshay family? -That's right, indeed. | 0:09:54 | 0:09:57 | |
The first member of the family, Richard Crawshay, | 0:09:57 | 0:10:01 | |
saw the potential of the Cyfarthfa Ironworks | 0:10:01 | 0:10:04 | |
and built it up to be the biggest ironworks in the world. | 0:10:04 | 0:10:07 | |
At the time of his death in 1810, he was worth £1.5 million, | 0:10:07 | 0:10:13 | |
-which in today's money is between three and four billion pounds! -Goodness me! | 0:10:13 | 0:10:17 | |
Which puts him in the same league as Bill Gates. | 0:10:17 | 0:10:20 | |
When Richard died, his grandson William took over the works | 0:10:22 | 0:10:25 | |
and used some of that enormous wealth | 0:10:25 | 0:10:28 | |
to build the family's mock castle in the 1820s. | 0:10:28 | 0:10:32 | |
His son, Robert Thompson Crawshay, | 0:10:32 | 0:10:35 | |
decided that iron and steel just weren't enough. He needed a hobby. | 0:10:35 | 0:10:39 | |
He established this brass band amongst the workers. | 0:10:39 | 0:10:42 | |
He bought them all their instruments, | 0:10:42 | 0:10:45 | |
which were the very finest of their type. | 0:10:45 | 0:10:47 | |
And he also cheated by buying in professional musicians from the north of England | 0:10:47 | 0:10:53 | |
and giving them nominal jobs in the ironworks | 0:10:53 | 0:10:55 | |
just so they could be part of his band. | 0:10:55 | 0:10:58 | |
-Was there great competition at that time? -There was. | 0:10:58 | 0:11:02 | |
And the resentment amongst the genuine worker bands in the area was such | 0:11:02 | 0:11:07 | |
that they'd go to huge lengths to sabotage Cyfarthfa at performance! | 0:11:07 | 0:11:13 | |
But it wasn't just music that upset the workers. | 0:11:13 | 0:11:17 | |
Theirs was an unhappy lot and they soon began to organise and fight for their rights. | 0:11:17 | 0:11:22 | |
This little box is a symbol of their struggle. | 0:11:22 | 0:11:25 | |
Merthyr Tydfil developed an extremely active Labour movement. | 0:11:25 | 0:11:29 | |
And in 1870, the grocer named William Gould | 0:11:29 | 0:11:32 | |
decided that there should be a device to ensure that elections were conducted freely and fairly, | 0:11:32 | 0:11:38 | |
hence, he had this ballot box developed. | 0:11:38 | 0:11:40 | |
It's quite a simple concept. | 0:11:40 | 0:11:42 | |
Each candidate had their own separate box | 0:11:42 | 0:11:46 | |
and each voter was given one token. | 0:11:46 | 0:11:49 | |
The idea was, you took your token, placed it in the top, | 0:11:49 | 0:11:53 | |
it would count the vote on the front and there was no danger of interference. | 0:11:53 | 0:11:58 | |
So, it's registering 119? | 0:11:58 | 0:12:01 | |
-That's right. -That means the tokens are still inside. | 0:12:01 | 0:12:04 | |
It does rattle when we move it, so we guess there's probably a few tokens in there! | 0:12:04 | 0:12:09 | |
-You've never looked inside, have you? -A bit too dangerous to open up! | 0:12:09 | 0:12:13 | |
I love the garden. | 0:12:13 | 0:12:16 | |
Meanwhile, chauffeur David Harper has headed off | 0:12:17 | 0:12:20 | |
through the Brecon Beacons, | 0:12:20 | 0:12:22 | |
making his way from Merthyr to Trecastle. | 0:12:22 | 0:12:26 | |
-CAR WHISTLES -Not sure about that fan belt, David! | 0:12:26 | 0:12:30 | |
The shop includes the mysterious Kingdom of Rust, | 0:12:30 | 0:12:33 | |
and there's plenty here that you won't find in the usual antiques outlet. | 0:12:33 | 0:12:38 | |
-Hello, I'm David. -I'm Margaret. -Hello, Margaret. Lovely to meet you. -And you. | 0:12:38 | 0:12:42 | |
-This looks nice. -I hope there's something you'll be interested in. | 0:12:42 | 0:12:46 | |
I'm sure there will be, Margaret! Given time... | 0:12:46 | 0:12:49 | |
A nice set of hubcaps, for example, to hang on the wall. | 0:12:49 | 0:12:53 | |
Or some other bits of motoring paraphernalia. | 0:12:53 | 0:12:56 | |
Is that a book or a tin I see before me? | 0:12:56 | 0:13:00 | |
Now, there's a bargain. That is a very cheap thing. £5. | 0:13:00 | 0:13:04 | |
Probably in an auction will make... | 0:13:04 | 0:13:08 | |
..I don't know, | 0:13:08 | 0:13:09 | |
10, 20, 30, 40 pounds, depending on who's there. | 0:13:09 | 0:13:12 | |
But it probably won't be enough to beat Barby, | 0:13:12 | 0:13:15 | |
so today, I'll just have to leave that alone. | 0:13:15 | 0:13:21 | |
Tucked away behind the wardrobe, opportunity lurks. | 0:13:21 | 0:13:24 | |
These... You grab that one. | 0:13:24 | 0:13:27 | |
Let me grab that one. | 0:13:27 | 0:13:30 | |
I would imagine, then, that these things, | 0:13:30 | 0:13:32 | |
-they're obviously copper plates for printing, aren't they? -They are. | 0:13:32 | 0:13:37 | |
How many have you got? About 15. | 0:13:37 | 0:13:39 | |
Margaret, I think these are probably from a metal manufacturer | 0:13:39 | 0:13:45 | |
who's created a catalogue, circa 1880. | 0:13:45 | 0:13:49 | |
What have we got there? It's some kind of range. | 0:13:49 | 0:13:53 | |
But look at the plate. It's so beautifully done. | 0:13:53 | 0:13:55 | |
-I've just seen something really quite important there. -Right. | 0:13:55 | 0:14:00 | |
I don't know whether it'll make a difference to the price. | 0:14:00 | 0:14:03 | |
Can you read backwards? | 0:14:03 | 0:14:06 | |
I've got a job reading forwards, let alone backwards! | 0:14:06 | 0:14:09 | |
Look at that there. If you were to print that... | 0:14:09 | 0:14:12 | |
"Coalbrookdale". | 0:14:12 | 0:14:15 | |
-Wonderful. -One of the best manufacturers | 0:14:15 | 0:14:18 | |
-of mainly cast-ironwares. -Absolutely. | 0:14:18 | 0:14:21 | |
-Hold that, Margaret. -You grip fast, Margaret. | 0:14:21 | 0:14:24 | |
-What else have we got here? It's a footman, isn't it? -It is. | 0:14:24 | 0:14:28 | |
That's the kind of thing, in 1880, you would put in front of the fire | 0:14:28 | 0:14:32 | |
and you'd put your slippers on. How much are they? | 0:14:32 | 0:14:36 | |
-They're cheap. -Are they? -Very cheap for what they are. | 0:14:36 | 0:14:39 | |
How much each could they be? | 0:14:39 | 0:14:42 | |
Well, they should be about £8 each. | 0:14:42 | 0:14:45 | |
-No, they shouldn't! -They should! Absolutely! Look at the quality - | 0:14:45 | 0:14:50 | |
Er, hello! It's says £4 each. | 0:14:50 | 0:14:53 | |
-You asked how much -should -they be! -Oh, right! OK! | 0:14:53 | 0:14:56 | |
Hey, she's good. She's very good. | 0:14:56 | 0:15:00 | |
They are unique. | 0:15:00 | 0:15:02 | |
Do them for £2 each | 0:15:02 | 0:15:04 | |
and I'll have every single one you can throw at me. | 0:15:04 | 0:15:07 | |
-Don't tempt her. -Every one, I'll have. -No! | 0:15:07 | 0:15:10 | |
I mean, that's... It'd break my heart. | 0:15:10 | 0:15:13 | |
-CLANG! -Whoops! | 0:15:13 | 0:15:15 | |
Margaret, I think... Was that you that dropped that or was it me? | 0:15:15 | 0:15:19 | |
It's definitely you, so they're worth £3 each now! | 0:15:19 | 0:15:22 | |
-She's good, isn't she? -I'll give you £2 each, all done. | 0:15:22 | 0:15:26 | |
-Margaret, take my money. -I can't! | 0:15:26 | 0:15:29 | |
-Take my money. -I can't. I can't! No! -DRAMATIC MUSIC | 0:15:29 | 0:15:33 | |
-I'll meet you halfway. -Stick to your guns, Margaret. | 0:15:33 | 0:15:37 | |
Don't do it, Margaret! | 0:15:39 | 0:15:41 | |
This is really painful, you know that? It's grieving me to have to do this. | 0:15:41 | 0:15:46 | |
-It's great fun, you know it is. -I know. Well... | 0:15:46 | 0:15:50 | |
It's what we get out of bed on a morning for. Come on! | 0:15:50 | 0:15:53 | |
It doesn't make any difference whether it's £2.50 or £250,000, it's the same feeling. | 0:15:53 | 0:15:59 | |
We love it! | 0:15:59 | 0:16:00 | |
-No! -Marvellous. Marvellous. | 0:16:00 | 0:16:02 | |
As the proud owner of some old blocks, | 0:16:06 | 0:16:10 | |
his colleague has also moved on, | 0:16:10 | 0:16:13 | |
making his way from Merthyr to Brecon... | 0:16:13 | 0:16:15 | |
..a traditional mid-Wales market town, | 0:16:17 | 0:16:20 | |
which also has a not-so-traditional jazz festival | 0:16:20 | 0:16:22 | |
and some antique shops. | 0:16:22 | 0:16:25 | |
-Hello? -Hello? | 0:16:28 | 0:16:30 | |
-Hello! -Hello! | 0:16:30 | 0:16:32 | |
Don't let my appearance shock you. I'm David Barby. | 0:16:32 | 0:16:35 | |
-Hi. I'm Martha. -Hello, Martha. | 0:16:35 | 0:16:37 | |
-Do you know what I'm here for? -Yes! -To get bargains! | 0:16:37 | 0:16:41 | |
Have a look around, if your eye allows you, that is. | 0:16:41 | 0:16:45 | |
I noticed in the window, | 0:16:45 | 0:16:46 | |
you've got a little sort of, erm, pink heart resting on some tiles. | 0:16:46 | 0:16:53 | |
-What are the tiles? -I can get them out of the window if you want to have a look at them. | 0:16:53 | 0:16:58 | |
-Yes. How much are they? -They're £6 each. | 0:16:58 | 0:17:01 | |
-Oh! -Oh, no! -I've come over all faint! | 0:17:01 | 0:17:04 | |
-Could I have a look at them, please? -Of course. -Thank you. | 0:17:04 | 0:17:07 | |
-Where do these come from? -Are they off an old wash stand or maybe a fire surround? | 0:17:12 | 0:17:16 | |
-Yes. How much are they? -£6 each. | 0:17:16 | 0:17:20 | |
Ooh! Come on! What's the very best you can do? | 0:17:20 | 0:17:23 | |
-The very, very best? -Make me an offer. | 0:17:23 | 0:17:25 | |
HE SIGHS | 0:17:25 | 0:17:27 | |
-£2 each. -Ooh! | 0:17:27 | 0:17:29 | |
-How many are you going to take? -The lot. -The lot. | 0:17:29 | 0:17:33 | |
-OK. -£2. -£4 each. | 0:17:33 | 0:17:36 | |
Two pounds! Two pounds! | 0:17:36 | 0:17:39 | |
-£4 each. That's 24, down from 36. -Let's split the difference. | 0:17:39 | 0:17:42 | |
-£3 each. Please. -No, 20, the lot. | 0:17:42 | 0:17:45 | |
-18. -Oh, no! | 0:17:46 | 0:17:49 | |
-18. I'm going to buy something else! -Are you? -Yes! | 0:17:49 | 0:17:53 | |
If you buy something else, I may consider it. | 0:17:53 | 0:17:56 | |
OK, right. | 0:17:56 | 0:17:57 | |
Now, where's your penny section? SHE LAUGHS | 0:17:57 | 0:18:01 | |
Me bargain section?! | 0:18:01 | 0:18:02 | |
Why I like these, when I got married, | 0:18:02 | 0:18:05 | |
we had a collection of Victorian tiles. | 0:18:05 | 0:18:08 | |
And these are tube-lined Art Nouveau tiles. | 0:18:08 | 0:18:11 | |
There's no make on the back of them at all, | 0:18:11 | 0:18:15 | |
which is a bit disappointing, I would've liked to have seen a manufacturer's mark, | 0:18:15 | 0:18:20 | |
but all this is tube-lined here, rather like Moorcroft, | 0:18:20 | 0:18:24 | |
then in-filled with colour and glazes. | 0:18:24 | 0:18:27 | |
Those are quite nice. I like that. | 0:18:27 | 0:18:30 | |
JOLLY MUSIC | 0:18:30 | 0:18:33 | |
If David is going to have Martha's tiles, he's got to get something else in his basket. | 0:18:35 | 0:18:40 | |
-Martha, how much is this old snout head? -You're one to talk! | 0:18:40 | 0:18:43 | |
395. | 0:18:43 | 0:18:45 | |
That's an unusual sum. Three pounds 95. | 0:18:45 | 0:18:49 | |
SHE LAUGHS | 0:18:49 | 0:18:51 | |
Right, thank you. It's a no-go. | 0:18:51 | 0:18:54 | |
There was a designer for Midwinter Pottery called Jessie Tait, | 0:18:55 | 0:19:00 | |
and she moved over to Meakin, | 0:19:00 | 0:19:02 | |
and this is one of her designs from the 1950s. | 0:19:02 | 0:19:06 | |
I think that's quite good. That's £22. That's quite a lot. | 0:19:06 | 0:19:10 | |
The, erm, Meakin... | 0:19:13 | 0:19:17 | |
-..coffee set... -Mm. | 0:19:17 | 0:19:19 | |
22 on that. | 0:19:19 | 0:19:22 | |
-What did we agree on the tiles? 20? -No, 18. -18. | 0:19:24 | 0:19:29 | |
35 on the lot? | 0:19:31 | 0:19:33 | |
-Is that the very best you can do? -Yes, it is. | 0:19:33 | 0:19:36 | |
I think that's a good little bundle. Don't you? | 0:19:36 | 0:19:40 | |
HE SIGHS | 0:19:41 | 0:19:44 | |
All right, £30 and that's it. I can't do any more. | 0:19:44 | 0:19:47 | |
-Go on then. -£30. -30. | 0:19:47 | 0:19:49 | |
-Martha, the coffee pot's chipped! -Oh, no! -Yes. | 0:19:49 | 0:19:54 | |
That's why it was priced cheap. | 0:19:56 | 0:19:58 | |
-Do you see it there? -Yes, I can see it. | 0:20:00 | 0:20:03 | |
1960s... £22. Oh, no! | 0:20:04 | 0:20:07 | |
-It's chipped. -I know, but you've knocked me so far down. | 0:20:07 | 0:20:10 | |
-It's priced accordingly. -It's chipped. | 0:20:10 | 0:20:12 | |
-I said 28 originally and you said no. -OK. | 0:20:12 | 0:20:16 | |
-Do you want it for 28 then? -Yes, please. -Right! | 0:20:16 | 0:20:19 | |
So he's got that coffee set for a tenner. | 0:20:19 | 0:20:22 | |
-There we are! -Thank you very much! | 0:20:22 | 0:20:25 | |
Now, do go and rest that eye, David. The one that will shut. | 0:20:26 | 0:20:31 | |
Day two and our two travellers approach the end of their odyssey, | 0:20:34 | 0:20:38 | |
one of them a little battered and bruised. | 0:20:38 | 0:20:41 | |
-How's the big shiner, David? -Well, I tried to coordinate my jacket with it! | 0:20:41 | 0:20:47 | |
That's the joy of green. | 0:20:47 | 0:20:49 | |
Yesterday, the Davids each bought three items, | 0:20:49 | 0:20:51 | |
with David Harper spending £102.50 on a carved nut, a tea caddy | 0:20:51 | 0:20:55 | |
and 15 engraving plates. | 0:20:55 | 0:20:59 | |
It'll break my heart! | 0:20:59 | 0:21:01 | |
While David Barby punched above his weight | 0:21:01 | 0:21:04 | |
with £118 on a 1950s coffee set, some Art Nouveau tiles | 0:21:04 | 0:21:08 | |
and an inkstand. | 0:21:08 | 0:21:10 | |
I'm on my knees! | 0:21:10 | 0:21:11 | |
They're heading for that auction in Llanelli, beginning in Brecon, | 0:21:11 | 0:21:16 | |
where David Harper makes his way to the barracks | 0:21:16 | 0:21:19 | |
to see the South Wales Borderers Museum. | 0:21:19 | 0:21:23 | |
-Bill. -David. -David Harper. Nice to meet you. | 0:21:23 | 0:21:26 | |
The regiment, which has been based in the town for over 120 years, has a fascinating history. | 0:21:26 | 0:21:31 | |
But it will be forever associated with just one word - Zulu. | 0:21:31 | 0:21:36 | |
This was the Anglo-Zulu War. | 0:21:36 | 0:21:38 | |
-My goodness me. There's some colour in here, isn't there? -It certainly is. | 0:21:38 | 0:21:42 | |
The British invasion of Zululand in 1879 | 0:21:42 | 0:21:46 | |
would be forgotten today were it not the Battle of Rorke's Drift, | 0:21:46 | 0:21:50 | |
where a tiny number of South Wales Borderers | 0:21:50 | 0:21:53 | |
defended a mission station against massive Zulu forces. | 0:21:53 | 0:21:57 | |
There's bravery all around here. | 0:21:58 | 0:22:01 | |
I mean, thousands and thousands of Zulus fighting with the knobkerries and the shields. | 0:22:01 | 0:22:07 | |
-One or two rifles. -Yes. -But that's it. | 0:22:07 | 0:22:10 | |
The British underestimated the bravery of the Zulu. | 0:22:10 | 0:22:13 | |
They were the elite of the Zulu Army. | 0:22:13 | 0:22:16 | |
They jogged 15 miles to Rorke's Drift, | 0:22:16 | 0:22:18 | |
they swam the Buffalo River and then fought for eight hours. | 0:22:18 | 0:22:22 | |
That's the mark of a Zulu. | 0:22:22 | 0:22:23 | |
A much larger British force was defeated in the battle before Rorke's Drift, | 0:22:23 | 0:22:28 | |
but as anyone who's seen the movie starring Michael Caine and Stanley Baker will know, | 0:22:28 | 0:22:32 | |
it was the way the Welsh regiment bravely marshalled their resources that saved them. | 0:22:32 | 0:22:38 | |
What I've got here, this is the Mark II Martini-Henry. | 0:22:38 | 0:22:41 | |
This is a real one from the period of the Zulu War. | 0:22:41 | 0:22:44 | |
-I fixed a 22-inch bayonet on it. -Nice. | 0:22:44 | 0:22:47 | |
-The weight is about 8.5 pounds. -Yes. | 0:22:47 | 0:22:49 | |
The thing you notice first is the long reach with the bayonet. | 0:22:49 | 0:22:54 | |
-It is a long reach. -Yes, absolutely. -Keep them at bay. | 0:22:54 | 0:22:57 | |
-It's a single-shot weapon and it's cocked by pulling this handle down. -I know it. | 0:22:57 | 0:23:03 | |
-A single round goes into the breach. -Lock it. | 0:23:03 | 0:23:06 | |
You then pull the trigger and it fires. There is no safety catch. | 0:23:06 | 0:23:11 | |
After eight hours of battle, the Zulu forces withdrew, | 0:23:11 | 0:23:15 | |
honouring the Borderers in song. | 0:23:15 | 0:23:18 | |
A record number of Victoria Crosses were awarded, with seven going to the 24th. | 0:23:18 | 0:23:22 | |
Although those on show are copies, David Harper is about to have a treat. | 0:23:22 | 0:23:27 | |
You are kidding, surely? | 0:23:27 | 0:23:29 | |
These are two of the actual Victoria Crosses. | 0:23:29 | 0:23:33 | |
-Oh, no. Bill, please. -If I could ask you just to hold... | 0:23:33 | 0:23:37 | |
That's Henry Hook's Victoria Cross. | 0:23:37 | 0:23:39 | |
-You're joking? -Which is the man on the right there. | 0:23:39 | 0:23:42 | |
-Made famous in the film. -Indeed, by James Booth, who played him. | 0:23:42 | 0:23:47 | |
And this is Bromhead's Victoria Cross, | 0:23:47 | 0:23:52 | |
-which is the Michael Caine character. -You are joking? | 0:23:52 | 0:23:55 | |
You're probably looking at over one million pounds there, in terms of value. | 0:23:55 | 0:24:00 | |
My goodness me! I've never handled anything | 0:24:00 | 0:24:03 | |
-quite as emotional and powerful as two Victoria Crosses. -Indeed. | 0:24:03 | 0:24:09 | |
My goodness me! | 0:24:09 | 0:24:12 | |
It's an amazing, amazing feeling to hold those two. | 0:24:12 | 0:24:17 | |
Now, what about our own brave little soldier, | 0:24:24 | 0:24:27 | |
forcing on... | 0:24:27 | 0:24:29 | |
..blindly. | 0:24:29 | 0:24:30 | |
-Hello. -Hello. -David Barby. -Tim Nelson. -Hello, Tim. | 0:24:30 | 0:24:35 | |
David Barby has decided that as he's in Wales, | 0:24:35 | 0:24:38 | |
and has spent more time there than anyone else this week in A&E, he's going to buy something Welsh. | 0:24:38 | 0:24:44 | |
-There's a little salt box. -That's nice. How much is that? | 0:24:44 | 0:24:48 | |
-Well, it's marked up at £120. -Ooh! | 0:24:48 | 0:24:52 | |
-But I could do that for £90. -That's what I like to hear. | 0:24:52 | 0:24:56 | |
-Was that made in Central Wales? -Probably Carmarthenshire. | 0:24:56 | 0:25:00 | |
That would mount on the wall, preferably close to the fire, | 0:25:00 | 0:25:04 | |
and the salt would go in there, | 0:25:04 | 0:25:06 | |
and if you had a cauldron or a cooking range close to the fire, you'd take the salt out, | 0:25:06 | 0:25:12 | |
put it in your cooking to flavour it and it would keep dry. | 0:25:12 | 0:25:17 | |
The other thing I like, this little concession all the way along here, we call that chip carving. | 0:25:17 | 0:25:22 | |
I like that. I like that immensely. | 0:25:22 | 0:25:25 | |
-We're selling at... -Where are you going? -"Cllanelli". | 0:25:25 | 0:25:29 | |
-TIM'S PRONUNCIATION: Cllanethli. -Is it... It's on the coast! -Yes. | 0:25:29 | 0:25:33 | |
-Is it "Cllanethli"? -Cllanethli. | 0:25:33 | 0:25:35 | |
-That's a possibility. -Righto. -That's a possibility. | 0:25:35 | 0:25:39 | |
-And what is that? Is that a chopping block? -I think it's a chopping block. | 0:25:39 | 0:25:44 | |
-That's not particularly old, is it? -I think it probably is, yes. | 0:25:44 | 0:25:48 | |
It's got a nice iron bar band round it. | 0:25:48 | 0:25:51 | |
I could do that for you for £90, that one. | 0:25:51 | 0:25:56 | |
It's a chopping block of some description. | 0:25:56 | 0:26:00 | |
-Can I just have a look underneath it? -Yes, of course. | 0:26:00 | 0:26:04 | |
-And the legs look to be made of ash. The whole thing could be made of ash, couldn't it? -Yes. | 0:26:04 | 0:26:09 | |
Is that the very best you can do? What happens if I took two pieces? | 0:26:09 | 0:26:13 | |
I couldn't do a great deal. But, er... | 0:26:13 | 0:26:16 | |
I'd do 160 for the two. | 0:26:16 | 0:26:20 | |
Right. What else have you got that is quirky? | 0:26:20 | 0:26:22 | |
-Let's have a look. -You can have a look. | 0:26:22 | 0:26:25 | |
-I'm looking for that wow factor. -Yes. | 0:26:25 | 0:26:28 | |
-I like the stool, actually. -The stool's nice. | 0:26:28 | 0:26:32 | |
-What's the price on that? -That's 55. | 0:26:34 | 0:26:37 | |
Why 55? | 0:26:37 | 0:26:39 | |
Why not? It just came into my head at the time! | 0:26:39 | 0:26:44 | |
THEY LAUGH | 0:26:44 | 0:26:47 | |
-I think that's quite high, actually. -Do you? -Yes. | 0:26:47 | 0:26:50 | |
-That's another possibility. -Yes? -Ohh! | 0:26:50 | 0:26:52 | |
Once more around the block... | 0:26:52 | 0:26:54 | |
It's such a weighty piece. | 0:26:54 | 0:26:58 | |
That means if somebody sat at it, it's not going to move. | 0:26:58 | 0:27:03 | |
And I love this sort of worn air, | 0:27:03 | 0:27:06 | |
and you can see the chop marks all the way across the top where it's been used. | 0:27:06 | 0:27:11 | |
Right. | 0:27:11 | 0:27:13 | |
-Tim! Can you believe I've made up my mind? -Yes? | 0:27:13 | 0:27:17 | |
-I'm going for the salt box. -Yes. -And I'm going for the... | 0:27:17 | 0:27:21 | |
-..chopping block! -Righto. | 0:27:21 | 0:27:24 | |
-And that was at 160. -Yes. For the two, yes. Yes. | 0:27:24 | 0:27:28 | |
-I'm going to say something to you. -Yes? | 0:27:28 | 0:27:31 | |
Could you just knock it down to 150? Please? | 0:27:31 | 0:27:36 | |
-OK. -150. -Yes. | 0:27:36 | 0:27:40 | |
Thank you very much. I hope I made the right choice. | 0:27:40 | 0:27:45 | |
So whilst one David staggers off, the other one nips in. | 0:27:47 | 0:27:52 | |
Now it's David Harper's turn to see what he can unearth. | 0:27:52 | 0:27:55 | |
Something stunning or sloppy seconds? We'll see. | 0:27:55 | 0:27:59 | |
-That carving on the wall... -That's sold. | 0:27:59 | 0:28:03 | |
-Is it? -Mm. | 0:28:03 | 0:28:04 | |
Then guess what. The shopkeeper says he has something David might be interested in. | 0:28:05 | 0:28:10 | |
-Now then. That's Aesthetic Movement, isn't it? -Yes. | 0:28:10 | 0:28:13 | |
-Let me have a look at that material. -Could be a bit of mileage in that. | 0:28:13 | 0:28:17 | |
-That's original material, isn't it? -Yes. -That's a lovely thing. | 0:28:17 | 0:28:21 | |
-So that is Japanese inspired. 1880? -Yes, probably. | 0:28:21 | 0:28:26 | |
-No marks on it. -No. | 0:28:26 | 0:28:29 | |
-Oh. There is something there, actually. -Is there? -Mm. | 0:28:29 | 0:28:32 | |
-That's good. What kind of money? -£50. | 0:28:32 | 0:28:36 | |
-Is it? -Yes. | 0:28:36 | 0:28:37 | |
-It couldn't be 30, Tim? -No. 50 is the absolute... | 0:28:37 | 0:28:40 | |
-Is that the death? -It is. | 0:28:40 | 0:28:43 | |
-Did Barby look at this? -He did. -Did he really? -Yes. | 0:28:43 | 0:28:47 | |
-What did he say about it? -He liked it very much. | 0:28:47 | 0:28:49 | |
Not enough to buy it, though. | 0:28:49 | 0:28:52 | |
-Just treat me a bit, Tim. Give me a chance. -45. | 0:28:52 | 0:28:55 | |
-40, I'll have it. -No. I can't. 45, it's a deal. | 0:28:55 | 0:29:00 | |
At this stage of the game, every fiver counts, I promise you. | 0:29:00 | 0:29:06 | |
-Go on, then. 40 quid. -Good man! Top man! Thank you very much! | 0:29:06 | 0:29:12 | |
Barby didn't spot these bottles, though. | 0:29:12 | 0:29:15 | |
-Are these Welsh? -Probably not, no. | 0:29:15 | 0:29:18 | |
They're obviously just fruitwood, or... | 0:29:18 | 0:29:21 | |
What's that there? It smells like an ointment Barby should put in his eye. | 0:29:21 | 0:29:26 | |
-It's TCP. -It does smell like that, doesn't it? | 0:29:26 | 0:29:29 | |
-Does that say "chloroform"? -Yes. You could use that on him, as well. | 0:29:29 | 0:29:33 | |
-We could sedate him, couldn't we? -TIM LAUGHS | 0:29:33 | 0:29:36 | |
I daren't smell that too much. I might faint! | 0:29:36 | 0:29:41 | |
-Amazing. Where do these come from? -They came out of a house of a chap whose father was a country GP. | 0:29:41 | 0:29:47 | |
They're lovely. What sort of money? Are they cheap? | 0:29:47 | 0:29:51 | |
-It depends what you call cheap. -I call cheap very cheap. What do you call cheap? | 0:29:51 | 0:29:57 | |
-I would want... How many is there? Six of them. -Yes. | 0:29:57 | 0:30:01 | |
I would want £45. | 0:30:01 | 0:30:03 | |
-£45? -For the six. | 0:30:03 | 0:30:05 | |
How about a fiver each? That's 30. | 0:30:05 | 0:30:09 | |
-TIM SIGHS -Ooh! | 0:30:09 | 0:30:13 | |
I'll split the difference, but that would be the death on them. 35. | 0:30:13 | 0:30:16 | |
-35. I have to have them. -Righto. | 0:30:16 | 0:30:18 | |
Thank you very much. Marvellous. I absolutely love them. | 0:30:18 | 0:30:22 | |
Marvellous. | 0:30:22 | 0:30:24 | |
So, just what bacon have they brought home from Brecon? | 0:30:25 | 0:30:29 | |
The first object I bought was when we were at the same shop. Do you remember? | 0:30:29 | 0:30:34 | |
-OK. So late Victorian, Edwardian maybe? -I think it's about 1880. | 0:30:34 | 0:30:39 | |
I don't know if I should guess how much you paid, | 0:30:39 | 0:30:42 | |
because sometimes I offend you, don't I? | 0:30:42 | 0:30:45 | |
-You tell me. -I paid £90. -I think it's quite good. | 0:30:45 | 0:30:48 | |
I was going to say 100 quid and I thought you would get angry! | 0:30:48 | 0:30:52 | |
-Oh, that's nice. -David H's little treen item. | 0:30:52 | 0:30:55 | |
It's one of these carved nuts. From Africa? | 0:30:55 | 0:30:58 | |
-Well, it's a Brazil nut. Where do they come from? -Brazil! | 0:30:58 | 0:31:01 | |
-OBJECT RATTLES -It's got a sound to it. | 0:31:01 | 0:31:03 | |
It's tactile. | 0:31:03 | 0:31:05 | |
-Do you think it might be a musical instrument? -It could be! | 0:31:05 | 0:31:08 | |
-You do it so well! It's got to be. -It's got rhythm. -You've got rhythm. -Yes! | 0:31:08 | 0:31:13 | |
-I like that. -It's a lovely, lovely... | 0:31:13 | 0:31:15 | |
-How much did you pay, £10? -No, 20. I was pleased to pay 20. | 0:31:15 | 0:31:19 | |
David Barby's favourites... | 0:31:19 | 0:31:21 | |
This is your period, isn't it? | 0:31:21 | 0:31:24 | |
-Again, the Aesthetic Movement? -Art Nouveau. | 0:31:24 | 0:31:27 | |
Well, period. 1890. | 0:31:27 | 0:31:29 | |
-No, no, no. These are Art Nouveau. -That's 1890. | 0:31:29 | 0:31:33 | |
You're looking at round about 1900 to 1905. | 0:31:33 | 0:31:36 | |
They are of that period, you think, in style - | 0:31:36 | 0:31:39 | |
-I think? I know. -OK, well, I'm happy for that. | 0:31:39 | 0:31:42 | |
How much were they? | 0:31:42 | 0:31:44 | |
-How much would you pay for one? -Gosh! | 0:31:44 | 0:31:46 | |
I know I can buy an Edwardian wash stand with the tiles for £30. | 0:31:46 | 0:31:52 | |
So a couple of pounds apiece. | 0:31:54 | 0:31:56 | |
-I paid £3 each for the tiles. -All right. | 0:31:56 | 0:31:58 | |
-The fragrant tea caddy... -Oh, that is nice. | 0:31:58 | 0:32:02 | |
It's a sweet little tea caddy. | 0:32:02 | 0:32:04 | |
-Oh, I like to see the individual boxes. -Yes. | 0:32:04 | 0:32:08 | |
Have a smell of that, David. | 0:32:08 | 0:32:10 | |
-Can you smell it? -Yes. Lapsang? -Ooh! It could well be. | 0:32:11 | 0:32:15 | |
-Oh, yes. How much did you pay for that? About £40? -Bang on. £45. | 0:32:15 | 0:32:19 | |
-I can see a profit in that. -A little - | 0:32:19 | 0:32:21 | |
-I like that immensely. -Good. | 0:32:21 | 0:32:23 | |
For those who prefer coffee... | 0:32:23 | 0:32:25 | |
-Is it Midwinter? -Ah, very, very clever. | 0:32:25 | 0:32:28 | |
Very close. | 0:32:28 | 0:32:30 | |
-Yes. -Meakin. -But you've got the same artist. | 0:32:30 | 0:32:33 | |
-Jessie Tait. -OK. OK. -She worked for Midwinter. | 0:32:33 | 0:32:36 | |
Retro-chic vintage look is now, if you get the right market. | 0:32:36 | 0:32:41 | |
But nobody uses coffee pots now! | 0:32:41 | 0:32:44 | |
-But wouldn't coffee taste nicer if you did? -No. | 0:32:44 | 0:32:47 | |
The blocks that broke Margaret's heart and nearly her foot... | 0:32:47 | 0:32:50 | |
These are fascinating. Absolutely fascinating. | 0:32:50 | 0:32:54 | |
How much did I pay? I got 15 of them. | 0:32:54 | 0:32:56 | |
I would think that you paid probably £2-3 per... | 0:32:56 | 0:32:59 | |
Yes! Absolutely. So frustrating! Right in the middle. £2.50. | 0:32:59 | 0:33:03 | |
What will David H make of this? | 0:33:03 | 0:33:05 | |
-That's quite sweet, isn't it? Is it a salt box? -Yes. | 0:33:05 | 0:33:09 | |
-Er, Welsh? -Yes. | 0:33:09 | 0:33:12 | |
-That's the thing, isn't it? -It's an indigenous Welsh piece. | 0:33:12 | 0:33:16 | |
-I like it. -What I like about it | 0:33:16 | 0:33:19 | |
-is this chip carving all the way round. -Very much. | 0:33:19 | 0:33:22 | |
And that is unusual to find, except on Welsh furniture. | 0:33:22 | 0:33:26 | |
It's not a cheap item. Go on, tell me. | 0:33:26 | 0:33:28 | |
-I paid under £100 for it. -That's good. | 0:33:28 | 0:33:31 | |
-I paid 75. -That's very good. It's a very lovely thing. | 0:33:31 | 0:33:34 | |
-That's your nicest item. -Careful, David. It's an antique, you know? | 0:33:34 | 0:33:38 | |
-Ahh! Oh, that's nice. -Isn't that lovely? Have a smell. | 0:33:38 | 0:33:41 | |
Put that on your eye, it might improve it. | 0:33:41 | 0:33:43 | |
This is the best. The nicest colour, the nicest bottle shape. | 0:33:43 | 0:33:48 | |
-That is lovely. -It is absolutely gorgeous. And on the interior, look at that. | 0:33:48 | 0:33:54 | |
Oh, that's what you expect to find. | 0:33:54 | 0:33:56 | |
It's just... I love it. I truly love it. | 0:33:56 | 0:34:00 | |
-Can I look? -Yes. | 0:34:00 | 0:34:01 | |
-OK, David, feast your eyes... -Ooh, I say! | 0:34:01 | 0:34:06 | |
I thought this was you. | 0:34:06 | 0:34:07 | |
Feel the weight. | 0:34:07 | 0:34:10 | |
-Wow. It's a baby, that, isn't it? -It's ash. | 0:34:10 | 0:34:14 | |
This would've had a padded leather section, | 0:34:14 | 0:34:17 | |
-which would be retained by a band. -There is evidence of nails there. | 0:34:17 | 0:34:22 | |
And it would've been used for tin or for pewter. | 0:34:22 | 0:34:27 | |
Now, what will David make of the stool that he turned down? | 0:34:27 | 0:34:31 | |
Lovely. | 0:34:31 | 0:34:33 | |
I saw that original material, from 1870/80, | 0:34:33 | 0:34:37 | |
and I thought, "David Barby. Aesthetic Movement." | 0:34:37 | 0:34:41 | |
It's so you, I can't believe that you didn't buy it! | 0:34:41 | 0:34:45 | |
David, I think you've got your killer diller. | 0:34:45 | 0:34:48 | |
It could be the killer diller. How much did I pay for it? | 0:34:48 | 0:34:51 | |
-I think you paid 50. -I paid 40. He was sticking on 50 and I got it for 40. | 0:34:51 | 0:34:56 | |
That's an absolutely delicious thing and I love it! | 0:34:56 | 0:34:59 | |
The highlight was the stool. | 0:34:59 | 0:35:02 | |
It was the one that I rejected and I'm wondering whether I've made the right choice. | 0:35:02 | 0:35:07 | |
He fancies that in a big way and, I've got to say, | 0:35:07 | 0:35:10 | |
that thing really could fly. | 0:35:10 | 0:35:12 | |
It is absolutely just right. I love it to death! | 0:35:12 | 0:35:17 | |
I wish I'd have bought it now. What have I done? | 0:35:17 | 0:35:20 | |
After starting out in England at Hereford, | 0:35:22 | 0:35:25 | |
the final leg of our road trip will be decided in Wales | 0:35:25 | 0:35:28 | |
at Llanelli. | 0:35:28 | 0:35:30 | |
-I hope you fare well. -How are you feeling? | 0:35:34 | 0:35:37 | |
-Apprehensive. -Happy? | 0:35:37 | 0:35:39 | |
-I'm always happy with you. -I'm always happy with you. That's why I feel slightly sad. -Why? | 0:35:39 | 0:35:44 | |
Sad that our journey is coming to an end. | 0:35:44 | 0:35:47 | |
-This is it! -I feel that. -The finale. | 0:35:47 | 0:35:50 | |
-I'm going to miss you. -I shall miss you, as well. Waking up to breakfast with you... | 0:35:50 | 0:35:55 | |
-It's marvellous. -Evening meal... BOTH: Yes. | 0:35:55 | 0:35:58 | |
David Harper has spent £177.50 on five lots. | 0:35:58 | 0:36:04 | |
-Take my money. -I can't! | 0:36:04 | 0:36:06 | |
David Barby, also with five lots, has spent £268. | 0:36:06 | 0:36:11 | |
-You're a hard woman! -You're a pretty hard man! -Ooh! | 0:36:11 | 0:36:14 | |
So while the Llanelli crowds gather, | 0:36:14 | 0:36:17 | |
let's find out what auctioneer Andrew Williams thinks. | 0:36:17 | 0:36:20 | |
The salt box should do well, also the work block. | 0:36:20 | 0:36:23 | |
It's a really nice colour and it's an unusual piece. Those'll be the two best items. | 0:36:23 | 0:36:28 | |
The least favourite, I suppose it would be the engraving plates. | 0:36:28 | 0:36:32 | |
David Barby's items will stand the best chance of reaching the highest prices. | 0:36:32 | 0:36:37 | |
They're slightly more unusual. | 0:36:37 | 0:36:39 | |
Now, come on, Davids. Just £13 between them. | 0:36:39 | 0:36:43 | |
I feel more nervous today than any of our previous auctions. | 0:36:43 | 0:36:47 | |
I think because this is it... Here we go. You're on. | 0:36:47 | 0:36:51 | |
What will they think of David Barby's proper Welsh antique? | 0:36:52 | 0:36:56 | |
At 50 for the salt box. At 50. £50. | 0:36:56 | 0:36:59 | |
-It should make a bit more. -55. 60? | 0:36:59 | 0:37:01 | |
At 60. And five. | 0:37:01 | 0:37:04 | |
-70. -Ooh. -At £70. And five? | 0:37:04 | 0:37:08 | |
All done, then, at £70? 70. | 0:37:08 | 0:37:12 | |
An even bigger loss after commission. | 0:37:12 | 0:37:15 | |
It's not the end of the world. | 0:37:15 | 0:37:17 | |
Now the David Harper medicine collection. | 0:37:17 | 0:37:20 | |
£20. At 20. Five. At 25. 30. Five. | 0:37:20 | 0:37:25 | |
And 40. At 45. | 0:37:25 | 0:37:28 | |
Back of the room at 45. 50 now? | 0:37:28 | 0:37:32 | |
-At £45. -Get in! | 0:37:32 | 0:37:35 | |
The hard bargaining pays off. | 0:37:35 | 0:37:38 | |
£10, minus commission. So it's a tiny profit. | 0:37:38 | 0:37:41 | |
Vintage coffee set, anyone? | 0:37:41 | 0:37:44 | |
At 10. Pretty coffee set at 10. £10. 15. | 0:37:44 | 0:37:48 | |
At 15. 20? At 20 for the coffee set. | 0:37:48 | 0:37:53 | |
At 20. Going to sell it, then, at £20 for the set. | 0:37:53 | 0:37:57 | |
20. | 0:37:57 | 0:37:58 | |
Twice what David B paid. | 0:37:58 | 0:38:01 | |
-I'm quite pleased about that. -Good. | 0:38:01 | 0:38:04 | |
David Harper's treen now. Nutty or nice? | 0:38:05 | 0:38:09 | |
10, I'm bid. At 10. Back of the room at 10. | 0:38:09 | 0:38:11 | |
Unusual piece. 15. | 0:38:11 | 0:38:13 | |
-20. -Oh. -Five. At 25? | 0:38:13 | 0:38:17 | |
Is it 30 now? At £25. | 0:38:17 | 0:38:20 | |
-Oh, God! -You've made a profit. -A tiny profit! | 0:38:20 | 0:38:24 | |
Tinier still after commission. | 0:38:24 | 0:38:27 | |
David Barby's tube-lined tiles... | 0:38:28 | 0:38:31 | |
10, I'm bid. 15. 20. Five. 30. | 0:38:31 | 0:38:35 | |
Five. Is that a bid? 40. Five. | 0:38:35 | 0:38:39 | |
50. And five. 60. Five? | 0:38:39 | 0:38:43 | |
70. Five. 80. | 0:38:43 | 0:38:45 | |
At £80. | 0:38:45 | 0:38:47 | |
Lady's bid, back of the room then, at 80 for the tiles. | 0:38:47 | 0:38:50 | |
210. | 0:38:50 | 0:38:51 | |
Those tiles have put David Barby back into the lead. | 0:38:51 | 0:38:55 | |
Well done! Well done! | 0:38:55 | 0:38:58 | |
-What did you pay for those? -Er, 18. | 0:38:58 | 0:39:02 | |
Good margin! | 0:39:02 | 0:39:04 | |
Now, who can small the lapsang souchong? | 0:39:04 | 0:39:08 | |
30, I'm bid. At 30. £30. At 30. | 0:39:08 | 0:39:11 | |
Five. 40. | 0:39:11 | 0:39:12 | |
And five. At £45 for the tea caddy? No more? 45. | 0:39:12 | 0:39:18 | |
A loss after commission. | 0:39:18 | 0:39:21 | |
How much did you pay for it? | 0:39:21 | 0:39:23 | |
-Was it 40? -45, actually, David. | 0:39:24 | 0:39:27 | |
David B's half-price inkstand... | 0:39:28 | 0:39:31 | |
I'm bid 50 and 60 to start. Rostrum bids. | 0:39:31 | 0:39:35 | |
£60. 70. At 70. 80, rostrum bid here with us. 90. | 0:39:35 | 0:39:40 | |
100. At £100. At 100. | 0:39:40 | 0:39:45 | |
And ten, is it? At £100. And ten. | 0:39:45 | 0:39:49 | |
At 110. At 120. | 0:39:49 | 0:39:53 | |
At £120. | 0:39:53 | 0:39:55 | |
His biggest spend, too. | 0:39:55 | 0:39:57 | |
-That lead looks firm. -120. That was good. | 0:39:57 | 0:40:01 | |
-Will these make an impression?! -10, I'm bid. Back of the room. | 0:40:02 | 0:40:06 | |
15. At £15. | 0:40:06 | 0:40:08 | |
At 15. 20. Centre of the room at 20. | 0:40:08 | 0:40:12 | |
-£20 for the copper plates? -Come on! | 0:40:12 | 0:40:16 | |
-20. -It's slipping away for David Harper. | 0:40:16 | 0:40:19 | |
Horrified! | 0:40:19 | 0:40:22 | |
Bids on the old block or just chips? | 0:40:22 | 0:40:25 | |
40, I'm bid. At £40. At 40. | 0:40:25 | 0:40:28 | |
50. At £50. 60? | 0:40:28 | 0:40:31 | |
70. 80. At 80? | 0:40:31 | 0:40:33 | |
-Unusual piece. At £80. -Rare! -At 80. | 0:40:33 | 0:40:36 | |
-Going to sell. 90. At 90. 100. -Ohh! | 0:40:36 | 0:40:40 | |
-Last call at £100 for the block. -Sorry! | 0:40:40 | 0:40:44 | |
-100. -DAVID HARPER CLAPS | 0:40:44 | 0:40:46 | |
Ooh, sorry! | 0:40:46 | 0:40:48 | |
Another solid profit for David Barby. | 0:40:48 | 0:40:50 | |
-David, give me your hand! -That's good! | 0:40:50 | 0:40:54 | |
This stool has got to sell for more than £80 | 0:40:55 | 0:40:58 | |
if David Harper is going to grab the lead back. | 0:40:58 | 0:41:00 | |
20, I'm bid. Back of the room at 20. £20. | 0:41:00 | 0:41:03 | |
At 20 for the stool. At £20. And five, is it? At £20? | 0:41:03 | 0:41:09 | |
-Last call. -No! -25. At 25. At 25. Is it 30? | 0:41:09 | 0:41:15 | |
-Go on! -All done at £25. 25. | 0:41:15 | 0:41:20 | |
That's it. I think David B has it. | 0:41:20 | 0:41:23 | |
Well played, David Barby, the victor this week. | 0:41:23 | 0:41:27 | |
How sweet! | 0:41:28 | 0:41:30 | |
David Harper started this round with £668.64 | 0:41:33 | 0:41:37 | |
and made a loss of £46.30 after auction costs, | 0:41:37 | 0:41:42 | |
leaving him with £622.34. | 0:41:42 | 0:41:46 | |
While David Barby began with £655.59 | 0:41:46 | 0:41:50 | |
and made a profit of £51.80 after action costs. | 0:41:50 | 0:41:55 | |
He's finished with a grand total of £707.39. | 0:41:55 | 0:42:01 | |
Somebody had to win. It's a nice change for it to be me and not you! | 0:42:02 | 0:42:05 | |
I'm not bothered. | 0:42:05 | 0:42:07 | |
It's been the most wonderful, magical journey. It really has. | 0:42:07 | 0:42:11 | |
-It has for me. And to celebrate, I've got something fizzy. -Whay-hey! | 0:42:11 | 0:42:14 | |
Disgusting! And so concludes the tale of two Davids! | 0:42:14 | 0:42:17 | |
Only one winner. No, of course not! | 0:42:17 | 0:42:20 | |
-They're both champs! -Come on, baby! | 0:42:20 | 0:42:22 | |
# And here we are | 0:42:22 | 0:42:24 | |
# We're the princes of the universe | 0:42:24 | 0:42:27 | |
# Here we belong | 0:42:27 | 0:42:30 | |
-# Fighting for survival! -Ohh! | 0:42:30 | 0:42:34 | |
# We've come to be The rulers of you all... # | 0:42:34 | 0:42:37 | |
-Is that for sale? -No. | 0:42:37 | 0:42:39 | |
Another satisfied customer! | 0:42:39 | 0:42:42 | |
-David, you are -the -champion and you're my hero. | 0:42:44 | 0:42:48 | |
Ohh! Sounds like a cue for a song! | 0:42:48 | 0:42:52 | |
MUSIC: "Me and My Chauffeur Blues" by Memphis Minnie | 0:42:52 | 0:42:55 | |
The wind is in your hair! Look at that! | 0:42:55 | 0:42:58 | |
# Wants to see my chauffeur | 0:42:58 | 0:43:00 | |
# Wants to see my chauffeur | 0:43:00 | 0:43:03 | |
# I wants him to drive me | 0:43:03 | 0:43:07 | |
# I wants him to drive me downtown... | 0:43:07 | 0:43:10 | |
Ooh, David, you're getting all fired up here! | 0:43:10 | 0:43:13 | |
-I'm doing 15 miles an hour. -Come on, baby! | 0:43:13 | 0:43:16 | |
# Since he drives so easy... | 0:43:16 | 0:43:18 | |
One last time, eh? | 0:43:18 | 0:43:19 | |
Yes! I want to hear that throbbing engine for the last time! | 0:43:19 | 0:43:23 | |
-Hold on, Barby! -Yes! | 0:43:23 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:32 | |
E-mail [email protected] | 0:43:32 | 0:43:36 |