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The nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
£200 each and one big challenge. | 0:00:04 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques, as they scour the UK? | 0:00:08 | 0:00:12 | |
Look at the colour. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Thank you. | 0:00:21 | 0:00:22 | |
So will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
Bad luck for Thomas, £50 down. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
All this week, we're out on the road with the cheeky boys, | 0:00:35 | 0:00:38 | |
Thomas Plant and Mark Hales. | 0:00:38 | 0:00:41 | |
It's not the winning or losing, it's all about the taking part. | 0:00:41 | 0:00:45 | |
It's all about the taking part and Mark winning. | 0:00:45 | 0:00:50 | |
Oh, yes. Thomas Plant is a veteran road tripper | 0:00:50 | 0:00:53 | |
who seems to be feeling a tad threatened by Mark. | 0:00:53 | 0:00:56 | |
Don't buy too well. | 0:00:57 | 0:00:59 | |
Promise me? | 0:00:59 | 0:01:02 | |
Thomas, are you rattled? | 0:01:02 | 0:01:03 | |
No need to be rattled. | 0:01:03 | 0:01:06 | |
From his original £200, | 0:01:06 | 0:01:07 | |
Thomas is racing ahead with a whopping £507.84... | 0:01:07 | 0:01:12 | |
While Mark has only made a small profit | 0:01:12 | 0:01:14 | |
and now has £278.15 in his pocket. | 0:01:14 | 0:01:19 | |
The boys are whizzing about in this delightful 1967 Sunbeam Alpine, | 0:01:21 | 0:01:26 | |
as they visit antique and curio shops across the British Isles. | 0:01:26 | 0:01:30 | |
Thomas and Mark's journey will take them from Portrush, Northern Ireland, | 0:01:30 | 0:01:34 | |
all the way to the beautiful village | 0:01:34 | 0:01:37 | |
of Pontrilas, in South Herefordshire, | 0:01:37 | 0:01:40 | |
notching up a whopping 460 miles along the way. | 0:01:40 | 0:01:42 | |
On this leg of the trip, they're making their way | 0:01:42 | 0:01:45 | |
towards an auction in Froncysyllte, North Wales. | 0:01:45 | 0:01:48 | |
However, they need to find things to sell and first stop is Ironbridge, Shropshire. | 0:01:48 | 0:01:53 | |
Ironbridge takes its name from the mighty bridge | 0:01:54 | 0:01:57 | |
built in the heart of the town in 1779. | 0:01:57 | 0:02:01 | |
It was the first of its kind | 0:02:01 | 0:02:02 | |
and symbolises the dawn of the industrial age. | 0:02:02 | 0:02:06 | |
So what will the boys get up to this time around? | 0:02:06 | 0:02:09 | |
Mark and Thomas are in high spirits, | 0:02:09 | 0:02:11 | |
as they approach their first shop of the day. | 0:02:11 | 0:02:14 | |
-Are you excited? -I'm up for this, Thomas. | 0:02:14 | 0:02:17 | |
Hang on, why don't you wait here? | 0:02:17 | 0:02:19 | |
Just give me 20 minutes. | 0:02:19 | 0:02:20 | |
No, that ain't going to happen. | 0:02:20 | 0:02:22 | |
I can never get out of this car. | 0:02:22 | 0:02:25 | |
Come on, Thomas. | 0:02:25 | 0:02:27 | |
Mark, I need to go to the back, and you can stay in the front. | 0:02:27 | 0:02:30 | |
We're sharing this shop, so none... | 0:02:30 | 0:02:33 | |
-All right, Thomas. -..of you being naughty. I'm going down the back. -No bumping into me, all right? | 0:02:33 | 0:02:37 | |
The boys have been let loose in Curio Antiques. | 0:02:37 | 0:02:42 | |
It's a family business owned by Simon Willcock. | 0:02:42 | 0:02:45 | |
Mark's been in the business for 34 years and he's a ceramics specialist. | 0:02:45 | 0:02:50 | |
As usual, Mark's raring to go, | 0:02:54 | 0:02:56 | |
and before you know it, he's called on the assistance of shop owner Simon. | 0:02:56 | 0:03:01 | |
-The spaniels? -Yeah, lovely, aren't they? -Here we are, sir. | 0:03:01 | 0:03:05 | |
They are very nice. | 0:03:05 | 0:03:06 | |
I don't believe there's any damage or restoration, | 0:03:06 | 0:03:09 | |
they all seem to be in good order. | 0:03:09 | 0:03:11 | |
These are very, very, very Mark. | 0:03:11 | 0:03:15 | |
He's talking about himself, you know. | 0:03:15 | 0:03:18 | |
These are what Mark's known for. | 0:03:18 | 0:03:20 | |
These are Staffordshire pottery dogs. | 0:03:20 | 0:03:23 | |
This particular pair are very clean, nicely modelled, | 0:03:23 | 0:03:27 | |
lovely gilt collars, soft English gilding. | 0:03:27 | 0:03:30 | |
Circa 1850, and... | 0:03:32 | 0:03:34 | |
what's nice is that these dogs came in six different sizes | 0:03:34 | 0:03:39 | |
and these are size number five. | 0:03:39 | 0:03:44 | |
Size number five is harder to find than size number one. | 0:03:44 | 0:03:48 | |
I wonder how much they could be, Simon? | 0:03:49 | 0:03:52 | |
You're probably looking at around... 75 quid | 0:03:52 | 0:03:54 | |
would be the best price on them. | 0:03:54 | 0:03:56 | |
I have to be in with a chance, they just have to be very cheap. | 0:03:56 | 0:03:59 | |
-That's fair enough. -Have you got a little book you can look at? | 0:03:59 | 0:04:02 | |
-Just a little book. -Let me have a quick look for you. | 0:04:02 | 0:04:04 | |
I'll see the reference number. | 0:04:04 | 0:04:06 | |
I know what it's like when things come in sometimes, | 0:04:06 | 0:04:08 | |
-and sometimes, they come in and they can be moved along. -Yeah. | 0:04:08 | 0:04:11 | |
Have a look for me. I'd be really grateful. | 0:04:11 | 0:04:13 | |
-I'll have a quick look for you. -Thank you, Simon. | 0:04:13 | 0:04:16 | |
Fingers crossed, indeed. He really likes this little pair. | 0:04:22 | 0:04:26 | |
Mark, the best price on these would be 55. | 0:04:29 | 0:04:32 | |
It's tempting. | 0:04:32 | 0:04:34 | |
-There's profit in that, there's got to be. -You'd think so, wouldn't you? | 0:04:34 | 0:04:37 | |
-You would. -I'm being very, very cautious. 45. | 0:04:37 | 0:04:40 | |
-I'd have a chance, wouldn't I? -Mark, I like you. | 0:04:40 | 0:04:43 | |
-I'd take them, if I could. -You can have them for 45. -Thanks, Simon. | 0:04:43 | 0:04:46 | |
-You can have them for 45, as a deal. -Thank you, mate, good for you. | 0:04:46 | 0:04:49 | |
-Would you like me to take them out for you? -Yes, please. | 0:04:49 | 0:04:51 | |
Ah, he was after them all along. | 0:04:51 | 0:04:53 | |
That's the first buy of the day. | 0:04:53 | 0:04:56 | |
Meanwhile, what's that naughty Thomas Plant getting up to? | 0:05:00 | 0:05:03 | |
He really loves getting into all those nooks and crannies. | 0:05:03 | 0:05:07 | |
He's on his hands and knees, look. | 0:05:07 | 0:05:09 | |
Brace yourselves, I think he's found something. | 0:05:12 | 0:05:15 | |
What it is, it's Victorian opaque glass | 0:05:18 | 0:05:22 | |
and it's in a Chinoiserie style. | 0:05:22 | 0:05:25 | |
It's about 1860s, 1870s. | 0:05:25 | 0:05:27 | |
It's in marvellous condition. | 0:05:27 | 0:05:29 | |
Personally, I think it's worth £30. I'll ask. | 0:05:29 | 0:05:32 | |
-Simon, is this one of yours? -It's not mine, no, it's my mum's. | 0:05:32 | 0:05:36 | |
The best price, to you, would be 55. | 0:05:36 | 0:05:40 | |
55 is a bit rich for me, I was going to offer you 40. | 0:05:40 | 0:05:43 | |
I think you should take 40, it's a good price. | 0:05:43 | 0:05:46 | |
I could do 50. | 0:05:46 | 0:05:48 | |
No, 40 is what I've got, what I'd like to offer. | 0:05:48 | 0:05:51 | |
-Go on. -Go on then. -Yeah? | 0:05:54 | 0:05:56 | |
-Deal? -Yes, deal. -Thank you very much. | 0:05:56 | 0:06:00 | |
Thank you. | 0:06:00 | 0:06:02 | |
I'd better give you some money. | 0:06:02 | 0:06:04 | |
This always hurts, this. | 0:06:04 | 0:06:06 | |
Thank you very much. | 0:06:08 | 0:06:10 | |
I'm going to leave it there, I'll be back to pick it up. Wish me the best. | 0:06:10 | 0:06:14 | |
-All the best. -Thank you. -Great stuff, Tom, all the best. | 0:06:14 | 0:06:17 | |
-Thank you, bye-bye. -Bye-bye. | 0:06:17 | 0:06:20 | |
Thomas, where have you been? | 0:06:20 | 0:06:22 | |
-Well, you know. -You're smiling, Thomas. | 0:06:22 | 0:06:24 | |
-In the loo. -Yes, that's what I said. | 0:06:24 | 0:06:27 | |
It's funny, I said that earlier. In the loo. | 0:06:27 | 0:06:30 | |
Did you lose some cash? | 0:06:30 | 0:06:33 | |
-A little bit of cash, I lost. -Right. -Not too much. | 0:06:33 | 0:06:37 | |
A bit cautious? | 0:06:37 | 0:06:38 | |
Erm, no, not really. | 0:06:38 | 0:06:41 | |
So where are we going now? | 0:06:41 | 0:06:43 | |
Ah, it's pretty good, I've started. | 0:06:43 | 0:06:44 | |
Lots of things I could have bought, but £5 or £10 profit. | 0:06:44 | 0:06:48 | |
I'm looking for more, Thomas. | 0:06:48 | 0:06:50 | |
-Are you? -Oh, gosh! | 0:06:50 | 0:06:52 | |
I'm looking for more, Thomas, whilst you drive happily over... | 0:06:52 | 0:06:54 | |
I think it was an old lady, actually, Thomas. | 0:06:54 | 0:06:57 | |
A plant pot. | 0:06:57 | 0:07:00 | |
Oh, dear, Thomas. | 0:07:00 | 0:07:02 | |
Perhaps Mark needs to drop you off at the nearest optician, | 0:07:02 | 0:07:06 | |
or garden centre! | 0:07:06 | 0:07:09 | |
-Is it all right? -It's fine. Thank you... Sorry. | 0:07:09 | 0:07:13 | |
He can't drive anything. | 0:07:13 | 0:07:15 | |
He was brought up on a farm. | 0:07:15 | 0:07:18 | |
He's only good in tractors. | 0:07:18 | 0:07:20 | |
You were talking to me, that was the problem. | 0:07:20 | 0:07:22 | |
-You were talking to me. -Are you trying to infer that I talk too much, Thomas? | 0:07:22 | 0:07:25 | |
-Yes, yes. -We are going to buy some more antiques. | 0:07:25 | 0:07:29 | |
Now, come on, Thomas, easy does it there. | 0:07:29 | 0:07:32 | |
Less arguing and keep your eyes on the road. | 0:07:32 | 0:07:35 | |
And the Road Trip moves swiftly on. | 0:07:35 | 0:07:38 | |
Plant pot safely removed from the back wheel. | 0:07:38 | 0:07:42 | |
Anyway, next stop is Broseley, | 0:07:42 | 0:07:43 | |
just a couple of miles down the road. | 0:07:43 | 0:07:45 | |
Thomas is going to visit the town's clay pipe museum. | 0:07:45 | 0:07:49 | |
-Lovely. -Very nice. | 0:07:49 | 0:07:51 | |
Clay tobacco pipe museum. You treat her well. | 0:07:53 | 0:07:56 | |
-Treat her well. -Oh... | 0:07:56 | 0:07:58 | |
This handbrake's not too good. | 0:07:58 | 0:08:01 | |
Don't buy too well. You promise me? | 0:08:01 | 0:08:05 | |
-Thomas, are you rattled? -No, I'm not rattled. | 0:08:06 | 0:08:08 | |
You did spend a long time in that shop, just a little bit rattled? | 0:08:08 | 0:08:12 | |
-I spent a long time because you were faffing on, asking about different things. -Rubbish. | 0:08:12 | 0:08:16 | |
-Nonsense. -Get in, before I slam this door on your leg. | 0:08:16 | 0:08:18 | |
Five, four, three, two... Oh, there you are, look. | 0:08:18 | 0:08:22 | |
-My poor baby, what have you done to her? -Nothing. | 0:08:22 | 0:08:25 | |
What have you done to her? | 0:08:25 | 0:08:27 | |
Stop your carrying on, boys. | 0:08:27 | 0:08:29 | |
It looks like it's a good idea they're having a breather from one another. | 0:08:29 | 0:08:34 | |
Call it a trial separation. | 0:08:34 | 0:08:36 | |
Now, Broseley was a major centre | 0:08:36 | 0:08:38 | |
for clay pipe making for several hundred years. | 0:08:38 | 0:08:41 | |
They were making pipes here as far back as 1613, | 0:08:41 | 0:08:44 | |
and in the mid-Victorian era, the three pipe factories in Broseley | 0:08:44 | 0:08:48 | |
were producing as many as six million clay pipes a year. | 0:08:48 | 0:08:52 | |
-Stick that in your pipe and smoke it. -Hello. -Hello, I'm Thomas. | 0:08:52 | 0:08:56 | |
Pleased to meet you, Thomas, I'm Rex, Rex Key. | 0:08:56 | 0:08:59 | |
Welcome to Broseley Pipeworks Museum. | 0:08:59 | 0:09:01 | |
It's the only Victorian pipeworks there is left in the country. | 0:09:01 | 0:09:04 | |
Rex has lived in Broseley for over 40 years | 0:09:04 | 0:09:07 | |
and is something of a clay pipe enthusiast. | 0:09:07 | 0:09:11 | |
This factory was set up in the 1880s, | 0:09:11 | 0:09:13 | |
and in use up until the late 1950s, | 0:09:13 | 0:09:15 | |
when clay pipe smoking went out of fashion | 0:09:15 | 0:09:18 | |
and cigarettes took over. | 0:09:18 | 0:09:20 | |
And who was working in the factory? | 0:09:20 | 0:09:22 | |
At its peak, in the 1880s, 1890s, between 30 and 35 people | 0:09:22 | 0:09:25 | |
would be working here. | 0:09:25 | 0:09:27 | |
30 and 35? | 0:09:27 | 0:09:28 | |
They'd all be women, women and young girls. | 0:09:28 | 0:09:30 | |
Girls from the age of about 12 would work here in the factory. | 0:09:30 | 0:09:33 | |
Women and young girls. Why no men? | 0:09:33 | 0:09:35 | |
The men would be employed in the heavy industry, | 0:09:35 | 0:09:37 | |
in the iron foundries in the area. | 0:09:37 | 0:09:39 | |
In the coal mines and on the river. | 0:09:39 | 0:09:42 | |
What about the guys sorting this stuff? | 0:09:42 | 0:09:44 | |
They did have two or three men at the factory here, | 0:09:44 | 0:09:46 | |
but most of them were women. | 0:09:46 | 0:09:48 | |
The life of a clay pipe would be about ten days, | 0:09:48 | 0:09:52 | |
and it could be said that they were the start of the throwaway disposable culture | 0:09:52 | 0:09:57 | |
that we know and hate today. | 0:09:57 | 0:09:59 | |
The workers here would make up to 600 or 700 pipes a day. | 0:09:59 | 0:10:03 | |
That works out at roughly one every 54 seconds. | 0:10:03 | 0:10:07 | |
In the 1870s, a clay pipe would cost you a farthing. | 0:10:07 | 0:10:11 | |
The art of pipe smoking is the oldest method of tobacco consumption | 0:10:11 | 0:10:16 | |
and was regarded as a sophisticated form of smoking. | 0:10:16 | 0:10:20 | |
Time to have a go at clay pipemaking, Thomas. | 0:10:20 | 0:10:23 | |
Come on in, Thomas, we'll make a clay pipemaker of you. | 0:10:23 | 0:10:28 | |
Oh, very exciting. | 0:10:28 | 0:10:29 | |
So we have Thomas Plant from Bristol. | 0:10:29 | 0:10:32 | |
Special talents include looking for antiques and reversing cars into plant pots. | 0:10:32 | 0:10:38 | |
The idea is to make one of those, | 0:10:38 | 0:10:40 | |
-a half church warden. -Right. | 0:10:40 | 0:10:42 | |
You need to break off a lump of clay | 0:10:42 | 0:10:44 | |
and roll it into roughly the shape of a pipe, | 0:10:44 | 0:10:47 | |
with a lump at the one end that's going to form the bowl. | 0:10:47 | 0:10:49 | |
Keep on rolling. | 0:10:49 | 0:10:50 | |
Longer and longer stem. | 0:10:50 | 0:10:52 | |
You're getting off to a good start. | 0:10:52 | 0:10:54 | |
-Thread this wire down the stem to make the hole. -This here? | 0:10:54 | 0:10:58 | |
-Yes, that's right. -How do you make it true? | 0:10:58 | 0:11:02 | |
That's the skill, that's the practice. | 0:11:02 | 0:11:04 | |
Take your time now. | 0:11:04 | 0:11:07 | |
I've already done it on a slope already. Oh, no. | 0:11:07 | 0:11:11 | |
Nearly there. | 0:11:11 | 0:11:13 | |
And again, there. | 0:11:13 | 0:11:15 | |
Put the clay into the one half of the mould. | 0:11:15 | 0:11:18 | |
Like that, yeah? | 0:11:18 | 0:11:20 | |
Yes, indeed. Put the two halves | 0:11:20 | 0:11:21 | |
of the mould together. | 0:11:21 | 0:11:23 | |
-On there. -Now, squeeze the two halves | 0:11:23 | 0:11:25 | |
of the mould together in the device. | 0:11:25 | 0:11:27 | |
-Like that? -Yes, turn the handle | 0:11:27 | 0:11:29 | |
to squeeze the two halves together. | 0:11:29 | 0:11:31 | |
Keep squeezing, keep squeezing. | 0:11:31 | 0:11:33 | |
-Go on. -Oh, yes. | 0:11:33 | 0:11:34 | |
Oil this stopper with some more oil. | 0:11:34 | 0:11:36 | |
Don't forget, these ladies did this in 54 seconds. | 0:11:36 | 0:11:40 | |
Yeah, all right, all right. All right, Rex. | 0:11:40 | 0:11:42 | |
Don't make me feel any worse than I do already. | 0:11:42 | 0:11:44 | |
Bring down the gin press, | 0:11:44 | 0:11:45 | |
so that the stopper forms the bowl | 0:11:45 | 0:11:47 | |
at the end of the pipe. | 0:11:47 | 0:11:48 | |
Push the gin press away now. | 0:11:48 | 0:11:52 | |
Get your knife and trim off the excess clay, in that knife slot. | 0:11:52 | 0:11:56 | |
Now, you carefully push the wire the last little bit, | 0:11:58 | 0:12:00 | |
so the wire goes fully into the mould, | 0:12:00 | 0:12:03 | |
just long enough to break through into the bowl, | 0:12:03 | 0:12:05 | |
so you've got your hole all the way through, | 0:12:05 | 0:12:06 | |
which is vital, of course. | 0:12:06 | 0:12:09 | |
-Da-da-da! -Now you can carefully remove the wire. | 0:12:09 | 0:12:13 | |
Oh God, this is so difficult. | 0:12:13 | 0:12:15 | |
It is quite tricky. | 0:12:15 | 0:12:16 | |
I'm going to break the pipe. | 0:12:16 | 0:12:19 | |
Pull. | 0:12:19 | 0:12:20 | |
Oh, my God, it's going to break. | 0:12:28 | 0:12:29 | |
-Oh, no, what a shame! -It broke. | 0:12:29 | 0:12:31 | |
Just shows how tricky it can be. | 0:12:31 | 0:12:33 | |
God, it is tricky, isn't it? | 0:12:33 | 0:12:34 | |
So you're ready now to make your next pipe, | 0:12:34 | 0:12:38 | |
-and when you've made another 699... -I can go home? -You can go home. | 0:12:38 | 0:12:41 | |
What do you think about marks out of ten? | 0:12:41 | 0:12:44 | |
Well, Thomas, as you are a newcomer to it, you've made an effort, | 0:12:44 | 0:12:48 | |
-I think you showed promise, I'll be generous and give you three out of ten. -Three?! | 0:12:48 | 0:12:52 | |
-Is that all I get? -For a first attempt, it's a valiant effort. | 0:12:52 | 0:12:56 | |
Right, we'll leave Thomas to make the rest of his daily 699 batch | 0:12:56 | 0:13:00 | |
and catch up with Mark. | 0:13:00 | 0:13:03 | |
He's back behind the wheel of his beloved Sunbeam Alpine. | 0:13:03 | 0:13:08 | |
What could be nicer on a day like this, | 0:13:08 | 0:13:10 | |
to sit in a 1967 Sunbeam Alpine and just soak up the view, | 0:13:10 | 0:13:15 | |
purring along the country lanes? | 0:13:15 | 0:13:17 | |
Wonderful! | 0:13:17 | 0:13:20 | |
Mark's travelling just under 17 miles | 0:13:22 | 0:13:25 | |
to the historic market town of Shrewsbury, | 0:13:25 | 0:13:28 | |
set amidst glorious countryside and near to the Welsh border. | 0:13:28 | 0:13:33 | |
Mark's next shop on the list is Manser's Antiques. | 0:13:33 | 0:13:38 | |
The shop now is owned by Mark Manser | 0:13:38 | 0:13:40 | |
and the business was established, in the mid-'40s, by his dad | 0:13:40 | 0:13:44 | |
Gordon Manser, who I knew very, very well in the old days. | 0:13:44 | 0:13:47 | |
-Mark, hi. -Hi. | 0:13:48 | 0:13:51 | |
Can I just ask you, could I possibly have a look at the blue jasper jugs? | 0:13:51 | 0:13:56 | |
-Yeah. -They look rather nice. -0K. | 0:13:56 | 0:13:59 | |
Carefully, carefully. That's it. | 0:14:01 | 0:14:02 | |
-Thank you. -Lovely. | 0:14:02 | 0:14:05 | |
-I think one's slightly bigger than the other. -Ah. Oh, yes. | 0:14:08 | 0:14:13 | |
-They're not sort of a matched pair. -Right. | 0:14:13 | 0:14:16 | |
We've got two single... It does say a pair here. | 0:14:16 | 0:14:18 | |
Ooh, maybe I could adjust the price a little bit, then? | 0:14:18 | 0:14:22 | |
We could do something. | 0:14:22 | 0:14:23 | |
You've got £40 on those. | 0:14:23 | 0:14:25 | |
I'm not into all this big, silly, hard haggle nonsense... | 0:14:25 | 0:14:31 | |
What are you going to say? | 0:14:32 | 0:14:34 | |
You think of a number and I'll see if it works for me. | 0:14:34 | 0:14:38 | |
They are two single jugs, they're not a pair, are they? | 0:14:38 | 0:14:40 | |
They're not a pair, no. | 0:14:40 | 0:14:43 | |
Um... | 0:14:43 | 0:14:44 | |
Shall we say... | 0:14:44 | 0:14:48 | |
..£20? | 0:14:50 | 0:14:52 | |
-£20, for the two? -For the two. | 0:14:52 | 0:14:56 | |
-I'm not going to argue with that. That's a tenner each, isn't it? -Yeah. | 0:14:56 | 0:14:59 | |
What are they going to fetch in the rooms? | 0:14:59 | 0:15:02 | |
Oh, they are nice quality, those, I think that... | 0:15:02 | 0:15:04 | |
-I might double up? -I think so. | 0:15:04 | 0:15:05 | |
In Wales, do they want blue jasper in Wales? | 0:15:05 | 0:15:08 | |
Do they not want blue jasper in Wales? | 0:15:08 | 0:15:10 | |
-I think you're just about to find out. -That's a really good deal. | 0:15:10 | 0:15:13 | |
-Thank you for that. No, I'll take them. -0K. | 0:15:13 | 0:15:15 | |
-For that sort of money, I'll always have a go. -Lovely. | 0:15:15 | 0:15:17 | |
Thank you very much indeed. | 0:15:17 | 0:15:19 | |
Let me shake your hand on that, then, it seals the deal. | 0:15:19 | 0:15:22 | |
0K, thank you very much. | 0:15:22 | 0:15:23 | |
Nice little bargain there, Mark, but tell us more about them. | 0:15:23 | 0:15:27 | |
I'm rather pleased with these, they're good, clean examples. | 0:15:27 | 0:15:30 | |
Blue jasperware with white applied figures, | 0:15:30 | 0:15:35 | |
classical subjects, but they're not a pair. | 0:15:35 | 0:15:38 | |
They're different sizes. | 0:15:38 | 0:15:40 | |
So it's more likely they were two of a graduated set | 0:15:40 | 0:15:45 | |
of three different sizes. | 0:15:45 | 0:15:48 | |
They're very good examples. | 0:15:48 | 0:15:50 | |
They're not going to set the world alight, but I'm very pleased anyway. | 0:15:50 | 0:15:54 | |
I think they're a jolly good buy for the money. | 0:15:54 | 0:15:56 | |
Mark and Thomas have met up and are back on the road, | 0:15:56 | 0:15:59 | |
travelling the 40 miles | 0:15:59 | 0:16:01 | |
to delightful Leominster in Herefordshire. | 0:16:01 | 0:16:04 | |
Leominster is a bustling market town, dating back to the 7th century, | 0:16:04 | 0:16:09 | |
and boasts some delightful architecture. | 0:16:09 | 0:16:12 | |
We're starting off with Thomas in Minster House Antiques Centre. | 0:16:13 | 0:16:18 | |
-I'm Thomas. -Hello. | 0:16:18 | 0:16:19 | |
-Hello, what's your name? -It's Jeremy. -Jeremy, very nice to meet you. | 0:16:19 | 0:16:22 | |
-This looks nice. -We've got five floors and the garden, so please look around. | 0:16:22 | 0:16:29 | |
Oh, I will, I'll have a good look. | 0:16:29 | 0:16:31 | |
Thomas is rather a rich man at the moment. | 0:16:31 | 0:16:34 | |
He's got a large wad weighing down his wallet. | 0:16:34 | 0:16:38 | |
Just think of all the lovely things he could buy. | 0:16:38 | 0:16:41 | |
Or not. | 0:16:41 | 0:16:42 | |
What a bit of kitsch. I think this is absolutely ghastly. | 0:16:42 | 0:16:46 | |
I mean, it is just something which is, it's so lustrous, | 0:16:46 | 0:16:49 | |
it's so in-your-face, but people love fishing. | 0:16:49 | 0:16:53 | |
It's probably 1930s, that's what I think. | 0:16:53 | 0:16:56 | |
I think it's hilarious. It's a good thing | 0:16:58 | 0:17:01 | |
and I'm trying to sell to the right market. | 0:17:01 | 0:17:03 | |
So what will he get for this little beauty? | 0:17:03 | 0:17:06 | |
-Ah. -It's a love or hate job. | 0:17:09 | 0:17:13 | |
Now, Jeremy, £39 is on it | 0:17:13 | 0:17:16 | |
and there's a little nick on the tail, just there. | 0:17:16 | 0:17:21 | |
-What do you reckon? -Well, I mean, usually, we're guided by ten percent. | 0:17:21 | 0:17:26 | |
I know, I know. | 0:17:26 | 0:17:28 | |
But £28, I'm afraid. | 0:17:28 | 0:17:30 | |
-Yeah, definitely, I'm going to go for it. It's worth it. -Yeah. | 0:17:32 | 0:17:36 | |
-It's worth every penny. -Yeah, I think so too. | 0:17:36 | 0:17:39 | |
-Because it is so... -It's so horrid that it will probably do really well. | 0:17:39 | 0:17:42 | |
It's so horrid! | 0:17:42 | 0:17:45 | |
It's so horrid, but it's lovely. | 0:17:45 | 0:17:47 | |
Well, there's one deal hooked. | 0:17:49 | 0:17:51 | |
But he's not finished yet. | 0:17:51 | 0:17:53 | |
He's happened upon a rather lovely lady. | 0:17:53 | 0:17:56 | |
Wow. I can't not look at her, can I? | 0:17:57 | 0:18:00 | |
An interesting carved figure in wood, | 0:18:01 | 0:18:04 | |
of a naked female. | 0:18:04 | 0:18:06 | |
-That's rather nice. -Easy, tiger. | 0:18:06 | 0:18:09 | |
I like it. Well, that's a definite ask. | 0:18:09 | 0:18:13 | |
Let's have a look at this. It's nice. | 0:18:13 | 0:18:15 | |
I've been dreaming about a musical box. Push button for three seconds. | 0:18:15 | 0:18:20 | |
This looks like Sorrento ware, which is | 0:18:23 | 0:18:25 | |
inlaid tessellated little cubes to make this beautiful pattern on the top | 0:18:25 | 0:18:29 | |
in olive wood. | 0:18:29 | 0:18:31 | |
It's probably dateline | 0:18:31 | 0:18:33 | |
late 19th, early 20th century. | 0:18:33 | 0:18:35 | |
It's marked Swiss there, the clockwork movement is Swiss. | 0:18:35 | 0:18:39 | |
I mean, yeah, it's in a good, original condition. | 0:18:39 | 0:18:42 | |
-Jeremy. -Ah. | 0:18:42 | 0:18:44 | |
My lady... | 0:18:45 | 0:18:47 | |
and this sweet thing here. | 0:18:47 | 0:18:50 | |
Yes. | 0:18:50 | 0:18:52 | |
-The lady, you've got 32 on. -OK. | 0:18:52 | 0:18:56 | |
-This, the music box, you've got 88 on. -Right. | 0:18:56 | 0:19:01 | |
I could offer you... | 0:19:01 | 0:19:04 | |
£70. | 0:19:04 | 0:19:06 | |
80. | 0:19:06 | 0:19:08 | |
Go on, Jeremy, give me 70. | 0:19:08 | 0:19:10 | |
I can't, I can't. | 0:19:10 | 0:19:12 | |
Halfway? | 0:19:12 | 0:19:15 | |
75, go on, then. | 0:19:15 | 0:19:17 | |
-Definitely, 75. -Good, OK. | 0:19:17 | 0:19:20 | |
I love those two. | 0:19:20 | 0:19:23 | |
Mark, meanwhile, is just a hop, skip and a jump away | 0:19:23 | 0:19:26 | |
in Leominster Antiques Market. | 0:19:26 | 0:19:28 | |
-Good morning. I'm Gavin. -How do you do, Gavin? | 0:19:28 | 0:19:32 | |
Mark's off to explore and hopefully, bag a bargain to sell at a profit. | 0:19:36 | 0:19:41 | |
This is rather nice. I do like bowls. | 0:19:47 | 0:19:49 | |
It's spirally fluted all the way round. | 0:19:49 | 0:19:53 | |
Pretty decoration. | 0:19:53 | 0:19:55 | |
Flower sprays. | 0:19:55 | 0:19:57 | |
Several hairlines. | 0:19:59 | 0:20:00 | |
What I like is the fact that we have a date here of 1857. | 0:20:00 | 0:20:05 | |
People love porcelain with a date on. | 0:20:05 | 0:20:08 | |
I like porcelain with a date on. | 0:20:08 | 0:20:10 | |
It becomes a reference piece. Now, here comes the good part. | 0:20:10 | 0:20:14 | |
It says no trade here. No trade. | 0:20:14 | 0:20:16 | |
Not even a pound off, nothing, | 0:20:16 | 0:20:19 | |
but we don't mind, do we? | 0:20:19 | 0:20:21 | |
Because it's £9. | 0:20:21 | 0:20:23 | |
So we're going to go and see Gavin and we're going to buy this. | 0:20:23 | 0:20:27 | |
OK. | 0:20:27 | 0:20:28 | |
So no trade means no haggling. | 0:20:28 | 0:20:33 | |
-Hello, Gavin. -Hi. -Hi, look, I've found this, it's absolutely lovely. | 0:20:33 | 0:20:37 | |
-Right. -I really like this. | 0:20:37 | 0:20:39 | |
Quite a bit of damage, quite a lot of stress cracks. | 0:20:39 | 0:20:42 | |
-Is that NT, is that no trade? -It means no trade. | 0:20:45 | 0:20:49 | |
Absolutely no, I can't squeeze a pound off it, or something? | 0:20:49 | 0:20:52 | |
-Do you know who it belongs to? -It belongs to a lady called Judith. | 0:20:52 | 0:20:56 | |
I don't like to be mean, but... | 0:20:56 | 0:20:58 | |
-No. -Every penny counts, doesn't it? | 0:20:58 | 0:21:01 | |
-It does. -Do you think she'd knock a pound off? | 0:21:01 | 0:21:04 | |
I'll give her a ring and ask her. | 0:21:04 | 0:21:07 | |
Let me get this right, Mark, we're phoning the owner | 0:21:07 | 0:21:09 | |
to try and get £1 off? | 0:21:09 | 0:21:10 | |
The call will cost more than a quid. | 0:21:10 | 0:21:12 | |
Judith, you have a large bowl here, | 0:21:12 | 0:21:15 | |
you have £9 on it, what would be your very best on it? | 0:21:15 | 0:21:20 | |
I'm sure that will be fine. Thanks, bye-bye. | 0:21:20 | 0:21:23 | |
-A fiver? -£7. | 0:21:23 | 0:21:25 | |
-Lovely. Even better, that's really nice. -£7. | 0:21:25 | 0:21:29 | |
You know, I'd love that at home for £7. | 0:21:29 | 0:21:31 | |
-It's nice, isn't it? -It really is nice. Thank you very much, Gavin. | 0:21:31 | 0:21:35 | |
Thank you. | 0:21:35 | 0:21:36 | |
Crikey, a whole £2 off. | 0:21:36 | 0:21:39 | |
Last of the big spenders, eh, Mark?! | 0:21:39 | 0:21:41 | |
Meanwhile, Thomas has travelled north | 0:21:41 | 0:21:44 | |
to the ancient town of Welshpool, | 0:21:44 | 0:21:46 | |
in Powys. | 0:21:46 | 0:21:48 | |
He's visiting Lamp Lite Antiques, owned by Heather. | 0:21:48 | 0:21:52 | |
-Hello. -Hello. -I'm Thomas. -Pleased to meet you, Thomas. | 0:21:52 | 0:21:56 | |
And as usual, he's getting his hands on everything. | 0:21:56 | 0:22:00 | |
HONK! | 0:22:04 | 0:22:06 | |
What's this he's found now? | 0:22:06 | 0:22:08 | |
They're from a hotel. The C&A would stand for a hotel, I would have thought. | 0:22:08 | 0:22:13 | |
They're good things, they're 1930s. | 0:22:13 | 0:22:16 | |
Very art deco in style. | 0:22:16 | 0:22:18 | |
They're for ice cream. | 0:22:18 | 0:22:20 | |
The reason why they are called hotel plate is because they're very thick, thick copper and plated, | 0:22:20 | 0:22:24 | |
in a heavy silver plate. | 0:22:24 | 0:22:26 | |
They are quite sweet and are very decorative. | 0:22:26 | 0:22:30 | |
The ticket price is £10. | 0:22:30 | 0:22:34 | |
-Fiver? -Fiver, yeah. -Yeah? -Yeah. | 0:22:34 | 0:22:37 | |
-Go on. Yes, £5. -Thank you very much. | 0:22:39 | 0:22:43 | |
And as quick as a flash, he's spent a whole £5. | 0:22:43 | 0:22:47 | |
He's certainly hanging on to his big wad of cash. | 0:22:47 | 0:22:51 | |
Shopping's done. Let's recap on what our experts have bought. | 0:22:51 | 0:22:55 | |
Mark started out with £278.15 | 0:22:55 | 0:22:57 | |
and spent a paltry £72 on just three auction lots. | 0:22:57 | 0:23:02 | |
He bought a duo of Staffordshire dogs, | 0:23:02 | 0:23:05 | |
a porcelain pedestal bowl | 0:23:05 | 0:23:07 | |
and a fine pair of jugs. | 0:23:07 | 0:23:09 | |
Thomas, bless him, began with £507.84 and has spent £148 on five lots, consisting | 0:23:09 | 0:23:16 | |
of the Victorian glass vase, | 0:23:16 | 0:23:19 | |
the musical box, | 0:23:19 | 0:23:21 | |
the Art Deco bowls, | 0:23:21 | 0:23:23 | |
the 1930s lady carving | 0:23:23 | 0:23:24 | |
and the pottery pike. | 0:23:24 | 0:23:27 | |
But what do our chaps think of each other's purchases? | 0:23:27 | 0:23:31 | |
I don't think Mark really rates my fish. | 0:23:31 | 0:23:33 | |
I think Mark, if he was doing this now, Mark would say, | 0:23:33 | 0:23:36 | |
"Thomas's fish is extraordinary, why did he buy it? | 0:23:36 | 0:23:39 | |
"Why did he buy it?" But again, | 0:23:39 | 0:23:43 | |
I am so disappointed in his very cautious buying. | 0:23:43 | 0:23:47 | |
72 quid, wow, what's that all about? | 0:23:47 | 0:23:50 | |
Thomas bought some very interesting things, actually. | 0:23:50 | 0:23:53 | |
Some very, very interesting things. | 0:23:53 | 0:23:56 | |
Actually, I liked all of them. | 0:23:56 | 0:23:58 | |
I can see why he bought them. | 0:23:58 | 0:24:01 | |
I do like them, although the fish, | 0:24:01 | 0:24:03 | |
I think the fish cost too much money. | 0:24:03 | 0:24:05 | |
It's been an interesting leg, | 0:24:05 | 0:24:07 | |
with the boys battling it out | 0:24:07 | 0:24:10 | |
from Ironbridge, Shropshire, | 0:24:10 | 0:24:11 | |
via Broseley, Shrewsbury, | 0:24:11 | 0:24:13 | |
Leominster, Welshpool, | 0:24:13 | 0:24:15 | |
and finally, | 0:24:15 | 0:24:16 | |
the village of Froncysyllte, | 0:24:16 | 0:24:19 | |
North Wales. | 0:24:19 | 0:24:21 | |
Froncysyllte is a pretty village in Wrexham | 0:24:25 | 0:24:28 | |
and stands on the banks of the River Dee at the Llangollen Canal. | 0:24:28 | 0:24:33 | |
Cooper Barrington is an antiques and fine art auction house, | 0:24:33 | 0:24:35 | |
located in a former chapel, | 0:24:35 | 0:24:38 | |
and has been established since the middle of 2010. | 0:24:38 | 0:24:42 | |
-Come on, then. -OK. OK. | 0:24:42 | 0:24:45 | |
-Faffing on. -You are, honestly. | 0:24:45 | 0:24:48 | |
-Thomas, today, I am going to win. -Are you now? -Yes, I am. | 0:24:48 | 0:24:53 | |
-You've only spent £72. -You won't let that go, will you? -No, I won't let that go. | 0:24:53 | 0:24:59 | |
Let the auction commence! | 0:24:59 | 0:25:01 | |
First up, Thomas is hoping for a profit | 0:25:02 | 0:25:05 | |
with the Victorian glass vase. | 0:25:05 | 0:25:07 | |
We have £20 and away, £20 to start me. | 0:25:07 | 0:25:10 | |
20, ten and off. | 0:25:10 | 0:25:13 | |
Ten, five, six, eight... £8, £10. | 0:25:13 | 0:25:17 | |
£10, 12, 14, 16 anywhere now? | 0:25:17 | 0:25:21 | |
£14. | 0:25:21 | 0:25:23 | |
Even though you are a competitor, I have to say, that was a travesty. | 0:25:23 | 0:25:27 | |
-It's life, isn't it? -I suppose so. | 0:25:27 | 0:25:30 | |
That's the spirit, Thomas, keep positive. | 0:25:30 | 0:25:34 | |
It's Mark's jugs next. | 0:25:34 | 0:25:36 | |
Best not to think about them. | 0:25:36 | 0:25:38 | |
He bought them for a song, but will they be fruitful? | 0:25:38 | 0:25:41 | |
£20, I'm bid. | 0:25:41 | 0:25:43 | |
20, 22, five, 28, 30 now. | 0:25:43 | 0:25:48 | |
At 30, any more? | 0:25:48 | 0:25:49 | |
At £30, the hammer will fall now at £30. | 0:25:49 | 0:25:53 | |
-I hate to say it, Thomas, but I told you so. -Good profit. | 0:25:53 | 0:25:56 | |
-Well, I said so. -I'm happy, I didn't lose. -You didn't lose. -I said so. | 0:25:56 | 0:26:00 | |
Let's be thankful for small mercies, Mark. Move on, quickly. | 0:26:01 | 0:26:06 | |
Next up is Thomas's delightful little musical box. | 0:26:06 | 0:26:10 | |
Go on, Pandora, open it. | 0:26:10 | 0:26:12 | |
20 I'm bid, at 20, and five, and 30, | 0:26:12 | 0:26:15 | |
and five, and 40, and five, | 0:26:15 | 0:26:19 | |
45, 50, and five, and again, | 0:26:19 | 0:26:23 | |
at 50 and five, 55, you're just in time. | 0:26:23 | 0:26:28 | |
At 55, any more now at £55? | 0:26:28 | 0:26:32 | |
At 55. | 0:26:32 | 0:26:33 | |
-Goodness me. -£5 profit. | 0:26:35 | 0:26:37 | |
It wasn't even my lot and I'm disappointed, Thomas. | 0:26:37 | 0:26:41 | |
It's a profit now, but it won't be after deducting auction costs. | 0:26:42 | 0:26:46 | |
Next, it's another pair from Mark, | 0:26:46 | 0:26:49 | |
this time, his Staffordshire dogs. | 0:26:49 | 0:26:51 | |
Was he taking a chance here? | 0:26:51 | 0:26:53 | |
20, I'm bid. | 0:26:53 | 0:26:55 | |
I'll take five, five, 25, 30, 30. | 0:26:55 | 0:26:59 | |
-Come on. -35, 40, 40, | 0:26:59 | 0:27:03 | |
five, 45. | 0:27:03 | 0:27:06 | |
-For nothing at this price, they should be this each. -Oh. | 0:27:06 | 0:27:09 | |
-Did you hear the auctioneer? They're for nothing. -Any more now? | 0:27:09 | 0:27:12 | |
He's right, they're for nothing. | 0:27:12 | 0:27:13 | |
I wrote down £55 | 0:27:16 | 0:27:20 | |
as what they'd sell for, | 0:27:20 | 0:27:21 | |
and they sold for £10 less, | 0:27:21 | 0:27:24 | |
which I think, for you, was jolly lucky, because they started at 20. | 0:27:24 | 0:27:29 | |
Well, they didn't make you a juicy profit, Mark. | 0:27:29 | 0:27:33 | |
Let's hope things get better. | 0:27:33 | 0:27:36 | |
It's Thomas's set of art deco bowls next. | 0:27:36 | 0:27:39 | |
Just cross your fingers. | 0:27:40 | 0:27:41 | |
Five I've got, £6. | 0:27:41 | 0:27:44 | |
£6, £8, £10, £10. The lady's bid. | 0:27:44 | 0:27:47 | |
At £10, any more at £10? | 0:27:47 | 0:27:53 | |
That doubled its money, and I knew it would double its money. | 0:27:53 | 0:27:55 | |
I knew they would. | 0:27:55 | 0:27:57 | |
Yes, keep telling yourself that, Thomas, | 0:27:57 | 0:28:00 | |
if it makes you feel any better. | 0:28:00 | 0:28:01 | |
It's Thomas again. | 0:28:03 | 0:28:04 | |
Maybe his 1930s lady carving | 0:28:04 | 0:28:07 | |
will bring him some much-needed profit. | 0:28:07 | 0:28:11 | |
£20 to start, 20, ten, ten I've got. | 0:28:11 | 0:28:15 | |
£12, 14, at 14, 16, 16, 18, 18, | 0:28:15 | 0:28:20 | |
20 now, at 18, any more? | 0:28:20 | 0:28:24 | |
-No. -At £18. | 0:28:24 | 0:28:28 | |
-That's another loss. Well done, me. -Another day, another loss. | 0:28:29 | 0:28:32 | |
Oh, dear, it's not Thomas's day today. Nor hers. | 0:28:32 | 0:28:37 | |
It's Mark's turn next, with his porcelain pedestal bowl. | 0:28:37 | 0:28:42 | |
£20 I'm bid, 22, 24, | 0:28:42 | 0:28:45 | |
at 24, 24, at £24, | 0:28:45 | 0:28:50 | |
is there any more now? 24. | 0:28:50 | 0:28:54 | |
-£24 for a broken bowl. -I wanted more, just a little bit more. | 0:28:54 | 0:28:58 | |
Not much more. | 0:28:58 | 0:28:59 | |
Don't moan, Mark, it's your best effort yet. | 0:28:59 | 0:29:04 | |
Finally, it's Thomas's very large | 0:29:05 | 0:29:08 | |
and, ahem, interesting pottery pike. | 0:29:08 | 0:29:12 | |
Right, where are we with him? £20, £20 straight in. | 0:29:12 | 0:29:15 | |
£20 I'm bid. At £20. | 0:29:15 | 0:29:18 | |
-Go on, more. -No! | 0:29:18 | 0:29:20 | |
More, more, more. | 0:29:20 | 0:29:22 | |
£20, any more now? 20. | 0:29:22 | 0:29:25 | |
£20, ludicrous, isn't it, when you think a dated English porcelain... | 0:29:25 | 0:29:30 | |
-Will you shut up? -..bowl can only fetch £24? | 0:29:30 | 0:29:34 | |
And a bit of 20th-century tat... | 0:29:34 | 0:29:36 | |
-Will you please shut up? -..fetches 20. | 0:29:36 | 0:29:39 | |
They're a right pair of bickering moaning Minnies, these two. | 0:29:39 | 0:29:42 | |
Despite playing it safe, the underdog won the auction. | 0:29:44 | 0:29:47 | |
Thomas Plant started with £507.84 | 0:29:49 | 0:29:52 | |
and made a wounding loss after auction costs of £52.06. | 0:29:52 | 0:29:58 | |
Thomas is today's loser, | 0:29:58 | 0:30:00 | |
but still has a tremendous £455.78. Cheer up! | 0:30:00 | 0:30:05 | |
Mark Hales began with £278.15 | 0:30:10 | 0:30:13 | |
and vanquished his foe. | 0:30:13 | 0:30:16 | |
After auction costs, Mark made a petite profit of just £9.18, | 0:30:16 | 0:30:23 | |
and now has a respectable £287.33 | 0:30:23 | 0:30:27 | |
to fight on with. | 0:30:27 | 0:30:28 | |
-Bad luck for Thomas, £50 down. -Not a lot, Thomas. | 0:30:30 | 0:30:35 | |
Still just over £400 in the kitty. | 0:30:35 | 0:30:36 | |
And the score is 2-1! | 0:30:36 | 0:30:39 | |
Thomas and Mark's journey will take them from Portrush, Northern Ireland | 0:30:40 | 0:30:44 | |
all the way to the beautiful village of Pontrilas in South Herefordshire, | 0:30:44 | 0:30:47 | |
notching up a whopping 460 miles along the way. | 0:30:47 | 0:30:51 | |
On this leg of the trip, they began in Newport, Pembrokeshire, | 0:30:53 | 0:30:57 | |
and motor the 48 miles to an auction in Llandeilo, Carmarthenshire. | 0:30:57 | 0:31:01 | |
-See, we're coming into... The sign there, Newport. -There we are. | 0:31:04 | 0:31:08 | |
This Newport, not to be confused with the other, | 0:31:08 | 0:31:10 | |
bigger Newport in South Wales, | 0:31:10 | 0:31:13 | |
sits on the south-west Pembrokeshire coast | 0:31:13 | 0:31:16 | |
and is known for its great beaches. | 0:31:16 | 0:31:18 | |
Sadly, though, beaches are not on the schedule today. | 0:31:18 | 0:31:22 | |
Life's a beach, you know? At least, it can be. | 0:31:22 | 0:31:25 | |
-Right, here we are, Mark. -Yes. -Look at that. | 0:31:26 | 0:31:30 | |
Right, we are going shopping. | 0:31:30 | 0:31:32 | |
They're heading for the Carningli Centre - unfortunate name - | 0:31:33 | 0:31:38 | |
a shop specialising in lots and lots of railwayana. | 0:31:38 | 0:31:41 | |
TRAIN WHISTLE | 0:31:41 | 0:31:44 | |
So, which one of our intrepid antique hunters | 0:31:44 | 0:31:46 | |
will bag the first bargain? Mark, have you found something? | 0:31:46 | 0:31:51 | |
These are rather nice. | 0:31:51 | 0:31:52 | |
Ah! At last! | 0:31:52 | 0:31:54 | |
GWR, Great Western Railway. Buttons. | 0:31:54 | 0:31:58 | |
Very, very collectable. | 0:31:58 | 0:32:00 | |
Indeed they are. | 0:32:01 | 0:32:03 | |
These coat buttons date from the 1930s | 0:32:03 | 0:32:06 | |
and would have been worn by staff of the Great Western Railway, | 0:32:06 | 0:32:10 | |
which linked Wales and south-west England to London. | 0:32:10 | 0:32:14 | |
-Hello, Anne, I'm Mark. -Hello. -How do you do? | 0:32:14 | 0:32:17 | |
-Anne, there's no price on these. -Just £10 for the set. | 0:32:17 | 0:32:20 | |
-Aren't they lovely? -Yes. | 0:32:20 | 0:32:22 | |
I wonder. Yes. | 0:32:22 | 0:32:24 | |
They're very tempting. Very tempting. | 0:32:24 | 0:32:27 | |
I wonder, can we do a little bit with the price? | 0:32:27 | 0:32:29 | |
Could they be £7 for the six? | 0:32:29 | 0:32:33 | |
£7 for the six... Can we go for eight? | 0:32:33 | 0:32:35 | |
-Anne, they're lovely. -Right. -And £8 is fine. | 0:32:35 | 0:32:39 | |
-I'd like those, please. -Right. | 0:32:39 | 0:32:40 | |
-Thank you very much. -Thank you. -I'll have those. | 0:32:40 | 0:32:43 | |
Meanwhile, Thomas has found a police truncheon. | 0:32:43 | 0:32:46 | |
I saw SWR. Here it says South Wales Railway. | 0:32:46 | 0:32:51 | |
I quite like that. We're in South Wales. | 0:32:51 | 0:32:53 | |
This is a real bit of Welsh history. | 0:32:53 | 0:32:56 | |
These truncheons, the painted ones, are widely collected. | 0:32:56 | 0:33:00 | |
The SWR was built in 1845 to transport coal | 0:33:00 | 0:33:04 | |
from the Welsh valleys to London, | 0:33:04 | 0:33:06 | |
but only lasted 17 years before merging | 0:33:06 | 0:33:09 | |
with the Great Western Railway. | 0:33:09 | 0:33:12 | |
This railway police truncheon dates from around 1850 | 0:33:12 | 0:33:16 | |
and is priced at £100. | 0:33:16 | 0:33:18 | |
-Would you do it 80? -Can you meet me halfway? 90? | 0:33:19 | 0:33:24 | |
What, 75? | 0:33:30 | 0:33:32 | |
HE LAUGHS LOUDLY | 0:33:32 | 0:33:35 | |
No. | 0:33:35 | 0:33:36 | |
-Go on. It has got a bit of damage. -Do you know what I mean? | 0:33:37 | 0:33:41 | |
-I'll do you 80, and it's a deal. -Oh, OK. -Yeah? -Go on, then. | 0:33:41 | 0:33:46 | |
You're a star. | 0:33:46 | 0:33:47 | |
It's full steam ahead | 0:33:47 | 0:33:49 | |
with this antique shopping spree, and the chaps hit the road again. | 0:33:49 | 0:33:53 | |
So, it's goodbye to Newport | 0:33:53 | 0:33:55 | |
and hello to Pen-ffynnon, near Llangeler, | 0:33:55 | 0:33:59 | |
in the neighbouring county of Carmarthenshire. | 0:33:59 | 0:34:02 | |
Apologies for any mispronunciation. | 0:34:02 | 0:34:04 | |
Mark wants to go back to school, | 0:34:04 | 0:34:06 | |
and the bell's just rung at the West Wales Museum of Childhood. | 0:34:06 | 0:34:09 | |
-I'm Mark. -Hello, Mark. I'm Hilary. Croeso. | 0:34:11 | 0:34:14 | |
Welcome to West Wales Museum of Childhood. | 0:34:14 | 0:34:17 | |
-Let me show you around. -Thank you very much. | 0:34:17 | 0:34:19 | |
This museum is packed with childhood memorabilia. | 0:34:19 | 0:34:22 | |
In fact, there are some 10,000 artefacts crammed in here, | 0:34:22 | 0:34:27 | |
much of it the personal collection of Hilary and her husband Paul, | 0:34:27 | 0:34:31 | |
who've had a passion for these things for much of their lives. | 0:34:31 | 0:34:34 | |
As well as the toys, | 0:34:39 | 0:34:40 | |
there's also a mock-up of an old classroom | 0:34:40 | 0:34:43 | |
from the first half of the 20th century, with its wooden desks, | 0:34:43 | 0:34:47 | |
chalk boards and milk bottles | 0:34:47 | 0:34:49 | |
that hark back to 1946 and the first free school milk for all. | 0:34:49 | 0:34:54 | |
There are also gruesome reminders of the tough side to school life. | 0:34:56 | 0:35:00 | |
In fact, when classes come, we actually put them in here. | 0:35:00 | 0:35:04 | |
We actually get the children writing on the slates | 0:35:04 | 0:35:08 | |
and we show them the canes. | 0:35:08 | 0:35:10 | |
-Look at that. -My goodness. -And the sound of it, I mean. | 0:35:10 | 0:35:13 | |
You just whoosh it through the air and they can imagine it. | 0:35:13 | 0:35:17 | |
And for the really sadistic teacher, a knobbly one, look at that one. | 0:35:17 | 0:35:21 | |
-What about this one? -Now, what is that? | 0:35:21 | 0:35:24 | |
-What on earth is all that about? -That's a backboard. | 0:35:24 | 0:35:27 | |
-A backboard? -If you're slouching in class, | 0:35:27 | 0:35:30 | |
if you put this bit behind your back, | 0:35:30 | 0:35:32 | |
in front of your arms, | 0:35:32 | 0:35:34 | |
you've got to stand in the corner for 20 minutes like that, that teaches you deportment. | 0:35:34 | 0:35:38 | |
Oh, really? Keeps your back upright. | 0:35:38 | 0:35:40 | |
Yes, so 20 minutes of that, you'd remember not to slouch. | 0:35:40 | 0:35:44 | |
This isn't familiar to me, but I think I might know what it is. | 0:35:44 | 0:35:47 | |
I'm just wondering.... | 0:35:47 | 0:35:48 | |
I'm trying to catch up Thomas Plant at the moment. | 0:35:48 | 0:35:52 | |
He's been doing terribly well. I'm still there. | 0:35:52 | 0:35:55 | |
Do you think you might have to wear one of these at the end? | 0:35:55 | 0:35:58 | |
I'm just wondering, if I haven't caught him by the end of the week, | 0:35:58 | 0:36:02 | |
do you think maybe I should stand in the corner with that on? | 0:36:02 | 0:36:05 | |
-Oh, yes. -Looking very solemn. -Oh, dear! | 0:36:05 | 0:36:09 | |
Oh, dear. This museum | 0:36:09 | 0:36:12 | |
also has an impressive collection of Welsh-produced toys. | 0:36:12 | 0:36:16 | |
The country was a magnet for big-name toy manufacturers, | 0:36:16 | 0:36:20 | |
like Louis Marx, | 0:36:20 | 0:36:21 | |
Triang and Mettoy, producers of Corgi toys. | 0:36:21 | 0:36:25 | |
They originally came to Wales for war work, | 0:36:25 | 0:36:29 | |
liked the place and stayed. | 0:36:29 | 0:36:31 | |
And in the 1950s, they brought in Corgi cars. | 0:36:31 | 0:36:36 | |
They wanted a name that was small, cute, and very Welsh. | 0:36:36 | 0:36:41 | |
And you've got a relatively new Queen on the throne at that point, so, Corgi. | 0:36:41 | 0:36:44 | |
-Welsh corgi, wonderful. -Absolutely. | 0:36:44 | 0:36:47 | |
And they were huge. | 0:36:47 | 0:36:50 | |
I mean, there was 5,000 people working there at one time. | 0:36:50 | 0:36:53 | |
-Not many toys are made in Wales any more, but this one is. -Ah! | 0:36:53 | 0:36:58 | |
This is a firm called Timber Kits. | 0:36:58 | 0:37:01 | |
They're up in North Wales and if you turn... | 0:37:01 | 0:37:04 | |
-There you are. -So, toys still produced in Wales. | 0:37:04 | 0:37:06 | |
-He's rather lovely, isn't he? -He's great fun. | 0:37:06 | 0:37:09 | |
Another toy that marks the end of a great manufacturing era | 0:37:09 | 0:37:13 | |
is this, the Silver Racer, | 0:37:13 | 0:37:15 | |
one of the last mechanically driven toys before the advent of batteries. | 0:37:15 | 0:37:20 | |
If you'd like to... | 0:37:20 | 0:37:22 | |
-Aha. -..see this. -I like that. -Isn't that lovely? | 0:37:22 | 0:37:27 | |
-I've had lots of motorbikes. Tinplate? -It is tinplate. | 0:37:27 | 0:37:30 | |
-1950s? -'50s, yes. | 0:37:30 | 0:37:33 | |
It's German. It's Tipco. | 0:37:33 | 0:37:35 | |
And this is in good order. Isn't that nice? Can I have a go? | 0:37:35 | 0:37:39 | |
-Yes, go on. Have a go. -It'll be fun, won't it? | 0:37:39 | 0:37:41 | |
Right, I don't know how we're going to get on this floor | 0:37:41 | 0:37:44 | |
but let's see what happens. | 0:37:44 | 0:37:47 | |
Wonderful. | 0:37:53 | 0:37:55 | |
Time to return to the world of grown-ups. | 0:37:56 | 0:37:59 | |
Thomas is on his way to Newcastle Emlyn, | 0:37:59 | 0:38:02 | |
a town perched on the banks of the River Teifi, | 0:38:02 | 0:38:05 | |
the second longest river in Wales. He's meeting Steve Furness, | 0:38:05 | 0:38:09 | |
the owner of the Emlyn Antiques Centre. | 0:38:09 | 0:38:11 | |
-Thomas. -Nice to meet you, Thomas. I'm Steve. | 0:38:11 | 0:38:13 | |
It's all right. Has it got age? I'm no great one on furniture. | 0:38:19 | 0:38:23 | |
I'm not great on furniture. | 0:38:23 | 0:38:25 | |
Don't know what I'm doing looking at it? | 0:38:25 | 0:38:27 | |
For heavens' sake, then, put it down! Huh. | 0:38:27 | 0:38:29 | |
-What's this then? -Dough bin. -Dough bin, oh, yeah. | 0:38:35 | 0:38:40 | |
Dough bins were used for mixing bread dough and allowing it to rise. | 0:38:40 | 0:38:45 | |
Fairly obvious, really. | 0:38:45 | 0:38:47 | |
This one's priced at a lot of dough - £220. | 0:38:47 | 0:38:50 | |
It's got a nice patina to it. | 0:38:50 | 0:38:53 | |
KNOCK ON WOOD | 0:38:54 | 0:38:56 | |
Got a bit of worm, but I think that's not kicking out. | 0:38:56 | 0:38:59 | |
I think it's Victorian. Would've been in a pantry. | 0:38:59 | 0:39:02 | |
A real country cottage farming thing, probably. | 0:39:02 | 0:39:05 | |
Its uses now in the home are for towels, | 0:39:05 | 0:39:08 | |
so to speak, outside a bathroom or on a landing. | 0:39:08 | 0:39:12 | |
I don't know what they're worth, I've never sold one. | 0:39:12 | 0:39:15 | |
Look, what can it be? | 0:39:15 | 0:39:17 | |
-The best on that is 150. -Really? -Yeah, really. | 0:39:18 | 0:39:22 | |
Can I offer you 100 for it? | 0:39:22 | 0:39:24 | |
125. | 0:39:24 | 0:39:26 | |
Oh, go on. | 0:39:26 | 0:39:28 | |
-125. -Go on. -120. | 0:39:28 | 0:39:31 | |
-What do people use them for round here? Blankets? -Blankets and plants. | 0:39:33 | 0:39:37 | |
-Take the top off and put plants in them. -Really? -Yeah. | 0:39:37 | 0:39:40 | |
What, for 110 quid, because you'd sell it to me for 110, wouldn't you? | 0:39:40 | 0:39:44 | |
LAUGHS | 0:39:45 | 0:39:47 | |
Yeah, I'll sell it to you for 110. | 0:39:47 | 0:39:49 | |
LAUGHS | 0:39:49 | 0:39:51 | |
Thomas is now feeling smug enough to pile some pressure | 0:39:51 | 0:39:55 | |
on his less experienced Antiques Road Tripper. | 0:39:55 | 0:39:59 | |
-You've got to start buying, Mark. -I know, I know. | 0:39:59 | 0:40:02 | |
You've been very badly behaved recently, spending very little money. | 0:40:02 | 0:40:07 | |
-Sensible. -No, I don't think it is, it's boring! | 0:40:07 | 0:40:11 | |
Quite right! So, what can Mark pull out of the bag | 0:40:11 | 0:40:15 | |
when the boys hit Haverfordwest, in Pembrokeshire, | 0:40:15 | 0:40:19 | |
a town dominated by a castle, | 0:40:19 | 0:40:21 | |
where Mark plans to offload his outspoken opponent. | 0:40:21 | 0:40:26 | |
-She's all yours. -Wonderful, I can't wait. | 0:40:26 | 0:40:28 | |
-I can't wait! -Well, don't break her. -Don't break her! | 0:40:28 | 0:40:32 | |
-Don't break her! -Now...spend some money! | 0:40:32 | 0:40:37 | |
Well, is that "Mark's got his orders," | 0:40:37 | 0:40:39 | |
or is that fighting talk from Thomas? | 0:40:39 | 0:40:41 | |
Mark gets stuck in and immerses himself in furniture - | 0:40:44 | 0:40:48 | |
and more furniture - at Tree House Antiques. | 0:40:48 | 0:40:51 | |
Donna is on standby to lend a hand, | 0:40:51 | 0:40:54 | |
and with just one item in the bag, Mark's really feeling the pressure. | 0:40:54 | 0:41:00 | |
Bit of a rush, because I've only got today - got to find something today. | 0:41:00 | 0:41:05 | |
Must find something TO-DAY. | 0:41:05 | 0:41:08 | |
Yes, TO-DAY, not...next week. | 0:41:08 | 0:41:12 | |
Can I ask you about a box over here? | 0:41:22 | 0:41:27 | |
-Little bit of damage around the keyhole, as there often is. -Yes. | 0:41:27 | 0:41:31 | |
That could have an insert or something - it's just very pretty. | 0:41:31 | 0:41:35 | |
-How much is that, can you find out for me? -Yes, I can. | 0:41:35 | 0:41:39 | |
I mean, is it a tenner, something like that? | 0:41:39 | 0:41:42 | |
-Oh, I think it would be a bit more than that? -Would it? Lots more? | 0:41:42 | 0:41:45 | |
-Could you find out for me? -I will. -Just in case - it's very pretty. | 0:41:45 | 0:41:49 | |
That's right. With not a ticket price in sight, | 0:41:49 | 0:41:53 | |
time for Donna to play "middle man" and nip round the back | 0:41:53 | 0:41:56 | |
to consult the camera-shy owner on getting a deal. | 0:41:56 | 0:41:59 | |
# Cryin' | 0:41:59 | 0:42:01 | |
# Waitin' | 0:42:01 | 0:42:03 | |
# Hopin' you'll come back | 0:42:03 | 0:42:07 | |
# I just can't seem to get you off my mi-ind... # | 0:42:07 | 0:42:11 | |
Is my luck in, Donna? How much is it? | 0:42:11 | 0:42:14 | |
Well, he wanted £20 for it, really, but we can come down a little bit. | 0:42:14 | 0:42:18 | |
-What would you...? -It's a pretty little box, not rare or anything, | 0:42:18 | 0:42:22 | |
I just...have to buy something today. If he'll do it for 15, | 0:42:22 | 0:42:26 | |
I'll have it - because I've got room, then, haven't I? | 0:42:26 | 0:42:30 | |
-Yes. That's fair enough, you can have that for 15. -Yeah? | 0:42:30 | 0:42:33 | |
-Wonderful, I've made a purchase! -That's good, we're all happy! | 0:42:33 | 0:42:37 | |
-You've got the day started. -Yes. | 0:42:37 | 0:42:39 | |
A box - not exactly the big spend we were hoping for, | 0:42:39 | 0:42:43 | |
but at least Mark's moved into double figures. | 0:42:43 | 0:42:47 | |
Oh, and there's more... | 0:42:47 | 0:42:50 | |
-Was it this one in the corner? -Right in the corner, Donna, please. | 0:42:50 | 0:42:54 | |
I rather like that. It's got to be a good price, though, Donna, honestly. | 0:42:54 | 0:42:59 | |
-How much is it? -Well... It's £50. | 0:42:59 | 0:43:02 | |
It's 50, is it? Let's have a look. | 0:43:02 | 0:43:05 | |
That's not expensive. | 0:43:05 | 0:43:08 | |
It's decorative, it's nice, people like a sun dial. | 0:43:09 | 0:43:13 | |
A little bit of paint... | 0:43:13 | 0:43:15 | |
Oh, dear, though, I don't want to pay £50, I really don't, honestly. | 0:43:15 | 0:43:19 | |
I'll tell you what, Donna, I won't mess you about - | 0:43:19 | 0:43:22 | |
you can either do it or you can't. | 0:43:22 | 0:43:25 | |
If it were 40, I'd buy it. £40, I'd buy it. | 0:43:25 | 0:43:28 | |
-Oh...! -All right? -Well, seeing as it's you! -Yeah? | 0:43:28 | 0:43:32 | |
-Yes. -And to seal the deal... | 0:43:32 | 0:43:35 | |
-Thank you, £40. -# Je t'aime | 0:43:35 | 0:43:38 | |
# Je t'aime Oui, je t'aime... # | 0:43:38 | 0:43:40 | |
Smoothy! | 0:43:40 | 0:43:43 | |
So, our new boy is finally motoring. | 0:43:43 | 0:43:46 | |
With the wind in his hair, he's heading 31 miles east | 0:43:46 | 0:43:50 | |
to Carmarthen, | 0:43:50 | 0:43:52 | |
and seems ready to take on the world - well, Thomas, anyway. | 0:43:52 | 0:43:58 | |
Must buy two more items...TO-DAY. | 0:43:58 | 0:44:01 | |
I think I'll just let Thomas carry on with his psychological warfare, | 0:44:01 | 0:44:07 | |
and let it go in one ear and out of the other. I'll do things my way, | 0:44:07 | 0:44:11 | |
and I'll get the result I need my way. | 0:44:11 | 0:44:14 | |
Oh! That's fighting talk! | 0:44:14 | 0:44:18 | |
Carmarthen claims to be the oldest town in Wales. | 0:44:18 | 0:44:22 | |
The Mount Antique Centre, where Mark is heading, | 0:44:22 | 0:44:25 | |
hasn't been around that long, but judging from the amount of stuff, | 0:44:25 | 0:44:29 | |
you'd think it had. Cor, look at that! | 0:44:29 | 0:44:33 | |
Crammed! | 0:44:33 | 0:44:36 | |
I'm looking for something with a decent profit in, obviously. | 0:44:36 | 0:44:40 | |
I don't care what it is any more - I've thrown all that to the wind. | 0:44:40 | 0:44:44 | |
Oh, hark at him! Watch out, Thomas! | 0:44:44 | 0:44:48 | |
-Gone, gone, gone... -In fact... -I like it here, interesting things. | 0:44:48 | 0:44:54 | |
Oop! Let's see what we have here. | 0:44:54 | 0:44:57 | |
That's really nice. Not very good quality, minor factory - | 0:45:00 | 0:45:04 | |
I think it's Scottish, Portobello factory, north of Edinburgh. | 0:45:04 | 0:45:08 | |
In fact, it began life in Staffordshire | 0:45:08 | 0:45:11 | |
and was sent to Edinburgh for decorating. | 0:45:11 | 0:45:14 | |
It dates from the 1920s, and with that rare Charlie Chaplin figure, | 0:45:14 | 0:45:19 | |
it's sure to appeal to movie buffs. | 0:45:19 | 0:45:22 | |
-Jack... -Hi. | 0:45:23 | 0:45:26 | |
This is great fun, great fun! | 0:45:26 | 0:45:29 | |
That's really nice. Erm, | 0:45:29 | 0:45:32 | |
I'm a ceramics man, so, immediately, got a nasty old crack there, | 0:45:32 | 0:45:37 | |
bit of restoration there... | 0:45:37 | 0:45:39 | |
I really do like it, but... but it's all in the price. | 0:45:39 | 0:45:44 | |
Erm, have you any idea? I mean, can it be considerably less? | 0:45:44 | 0:45:47 | |
-I've got to ask. -I can try and get hold of one of the traders there, | 0:45:47 | 0:45:52 | |
-that's the best way to get the best price. -OK. | 0:45:52 | 0:45:54 | |
-I will come back and let you know what they say. -Tell them I love it. | 0:45:54 | 0:45:59 | |
I really don't want to pay £52. I don't really want to pay £42. | 0:45:59 | 0:46:03 | |
But whatever I can get it for, (I've got to have it, I must buy it) | 0:46:03 | 0:46:08 | |
(it must be worth a go, it could be a sleeper in any sale anywhere.) | 0:46:08 | 0:46:13 | |
It could be the sleeper. | 0:46:13 | 0:46:15 | |
Mmm! The word "sleeper" is often used | 0:46:15 | 0:46:18 | |
to describe an antique that's been undervalued. | 0:46:18 | 0:46:21 | |
So, could Mark be onto something? | 0:46:21 | 0:46:25 | |
It's all down to that phone call to the dealer. | 0:46:25 | 0:46:28 | |
Mark, I got hold of the traders, and they said the lowest they could do | 0:46:30 | 0:46:35 | |
would be £40, and that's the absolute rock bottom. | 0:46:35 | 0:46:38 | |
-No point in offering them 35 or anything, seriously? -Seriously. | 0:46:38 | 0:46:42 | |
They wouldn't take it, I'm afraid, £40 is the absolute rock bottom. | 0:46:42 | 0:46:46 | |
-I think we've got to have that, then. -Ah! Thomas! | 0:46:46 | 0:46:50 | |
Mark's here. I hope he hasn't nicked all the bargains. | 0:46:52 | 0:46:56 | |
Well, you'd better chop, chop, then, Thomas. | 0:46:56 | 0:46:58 | |
Upstairs, Mark's finally thinking big, | 0:46:58 | 0:47:01 | |
and it's £95. | 0:47:01 | 0:47:03 | |
-Lovely pine bench, I really like that. -I can tell you, | 0:47:03 | 0:47:07 | |
the very best she will go down to on that | 0:47:07 | 0:47:10 | |
-is £70, and that's her absolute best. -That's her bottom line? -Yes. | 0:47:10 | 0:47:14 | |
Those attractive Gothic ends suggest this bench came from a chapel, | 0:47:14 | 0:47:19 | |
and Mark's hoping for some divine intervention on the price. | 0:47:19 | 0:47:24 | |
Do you think she'd do it for 60? | 0:47:25 | 0:47:27 | |
I'll give her another ring, and just... | 0:47:27 | 0:47:30 | |
-Tell her what I'm going to do with it. -I will do. | 0:47:30 | 0:47:33 | |
-It's going in a local sale and deserves to find a good home. -OK. | 0:47:33 | 0:47:38 | |
Mark - she said she'd meet you in the middle at 65, | 0:47:39 | 0:47:43 | |
but that really is the absolute lowest - no more room to move. | 0:47:43 | 0:47:48 | |
-You know, I think that's enough money, but I'll say yes. -Good lad! | 0:47:48 | 0:47:53 | |
So, with one more item in the bag - ha! - | 0:47:53 | 0:47:56 | |
and another in the back of a car, Mark heads off, | 0:47:56 | 0:47:59 | |
leaving his rival, Thomas, in danger of disturbing the peace. | 0:47:59 | 0:48:04 | |
THOMAS BLOWS ON EUPHONIUM | 0:48:04 | 0:48:07 | |
Oh, dear. Maybe he should stick to the day job. | 0:48:12 | 0:48:16 | |
I think I could have found my third purchase. | 0:48:22 | 0:48:26 | |
With vintage cars short on space, | 0:48:26 | 0:48:29 | |
these trunks would have been the answer - packed with clothes | 0:48:29 | 0:48:33 | |
and strapped to the boot or roof. | 0:48:33 | 0:48:36 | |
Now, they're popular with interior designers, | 0:48:36 | 0:48:39 | |
doubling as blanket boxes and even pieces of furniture. | 0:48:39 | 0:48:43 | |
It's another coffee table. | 0:48:43 | 0:48:45 | |
It's another coffee table, isn't it? | 0:48:45 | 0:48:49 | |
It's a... Just cleaned up, waxed up. | 0:48:49 | 0:48:52 | |
Shame it's not leather, but... I'm going to take it away. | 0:48:52 | 0:48:56 | |
If I was a porter in a railway station, | 0:48:59 | 0:49:02 | |
I don't know if I'd make a good one, | 0:49:02 | 0:49:04 | |
but I'm going to find out how much I can get it for. | 0:49:04 | 0:49:08 | |
Well, with a price tag of £49 and made of canvas and leather, | 0:49:08 | 0:49:12 | |
it's certainly worth a gamble, | 0:49:12 | 0:49:14 | |
unless there's something else, Thomas, that takes your fancy. | 0:49:14 | 0:49:17 | |
A-ha! | 0:49:18 | 0:49:21 | |
I quite like it, it's probably like a... | 0:49:21 | 0:49:24 | |
It says here, "Victorian hop or grain scoops." | 0:49:24 | 0:49:28 | |
It's Victorian, and you can imagine a big vat of grain or hops, | 0:49:28 | 0:49:33 | |
and scoop in and out it comes, you know? | 0:49:33 | 0:49:36 | |
Some big guy scooping the grain in and out. | 0:49:37 | 0:49:42 | |
It would make something great for your kitchen. | 0:49:42 | 0:49:44 | |
At 65, though, it's more rusty than rustic. | 0:49:44 | 0:49:48 | |
That's tetanus Central. | 0:49:48 | 0:49:51 | |
Maybe that's part of my bargaining. Tetanus Central. | 0:49:51 | 0:49:54 | |
Maybe Thomas is hoping this grain scoop | 0:49:54 | 0:49:57 | |
can scoop up a huge profit. Ha! | 0:49:57 | 0:50:01 | |
-I quite like it. -Right. | 0:50:01 | 0:50:03 | |
It's a good plant pot, good for your kitchen, BUT... | 0:50:03 | 0:50:06 | |
-Ah, right. -These are really dangerous. -Yeah, yeah. -Really dangerous. -They are quite sharp. | 0:50:09 | 0:50:13 | |
-What are you thinking? -20 quid, cos of that damage. | 0:50:13 | 0:50:15 | |
20 quid, I think, should be fine. | 0:50:15 | 0:50:17 | |
-I shall give him a ring, just in case. -I can't believe that. | 0:50:17 | 0:50:20 | |
Quite sharp edges on it, so would you accept a £20 offer? | 0:50:20 | 0:50:24 | |
It's your lucky day, he said 20's fine. | 0:50:26 | 0:50:29 | |
-20's fine for that? -Yep, 20's fine for that. | 0:50:29 | 0:50:31 | |
-That's all right. And the trunk... -Right. | 0:50:31 | 0:50:34 | |
I'd like to offer 30. So, 50 for the two. | 0:50:34 | 0:50:37 | |
Aye, that should be fine. Go on then, yeah. Yeah. | 0:50:38 | 0:50:40 | |
-You think so? -Yeah, well it should be fine for 30 for that, | 0:50:40 | 0:50:43 | |
-cos it's been here a while. -Has it? | 0:50:43 | 0:50:45 | |
Oh, well, that's a good sign, isn't it? | 0:50:45 | 0:50:47 | |
So, at £50 for the two, | 0:50:47 | 0:50:50 | |
could these items secure Thomas's lead in this competition? | 0:50:50 | 0:50:53 | |
Thank you very much. | 0:50:53 | 0:50:56 | |
It's time to find out, but first, let's recap what our experts are taking to auction. | 0:50:56 | 0:51:01 | |
Mark started this leg of the road trip with £287.33 | 0:51:01 | 0:51:06 | |
and has spent £168 on five auction lots, | 0:51:06 | 0:51:09 | |
buying the sundial, the pretty little box, | 0:51:09 | 0:51:12 | |
the Great Western Railway buttons, | 0:51:12 | 0:51:14 | |
the Chaplin jug and the pine bench. | 0:51:14 | 0:51:17 | |
Thomas, on the other hand, started streets ahead, on £455.78, | 0:51:17 | 0:51:24 | |
but has gambled £240 on four auction lots, | 0:51:24 | 0:51:29 | |
made up of the vintage trunk, the police truncheon, | 0:51:29 | 0:51:32 | |
the grain scoop and the dough bin. So, pleased with their purchases, | 0:51:32 | 0:51:36 | |
what do our experts think of each other's auction items? | 0:51:36 | 0:51:39 | |
Again, has he been buying safe? Yes. Has he bought bold? | 0:51:39 | 0:51:44 | |
-Not really. He's bought safe. It's a bot of a yawn-fest. -Ow! | 0:51:44 | 0:51:49 | |
His truncheon? Well, extremely rare. | 0:51:49 | 0:51:53 | |
Extremely rare. | 0:51:53 | 0:51:54 | |
If I'd have seen that before him, undoubtedly, I'd have bought that. | 0:51:54 | 0:51:59 | |
Overall, I think Thomas did very well, actually. | 0:51:59 | 0:52:01 | |
So, with no further ado, it's off to the auction. | 0:52:01 | 0:52:05 | |
Thomas and Mark started this road trip in Newport, Pembrokeshire, | 0:52:05 | 0:52:09 | |
and after a number of pit stops, they're heading for Lladeilo, | 0:52:09 | 0:52:12 | |
in Carmarthenshire, Their rendezvous with destiny, | 0:52:12 | 0:52:16 | |
auctioneers, Jones & Llewelwyn. | 0:52:16 | 0:52:19 | |
-Do you know, I always feel excited at this point. -Really? | 0:52:21 | 0:52:24 | |
-I feel extremely nervous. -This is catch-up day for me. -I think I'm not going to do very well. -Rubbish! | 0:52:24 | 0:52:28 | |
So, can Mark make up lost ground? Let's get going. | 0:52:29 | 0:52:34 | |
Oh, you might think this auctioneer was more used to selling livestock, | 0:52:34 | 0:52:38 | |
the way he speeds through the lots, so better pay attention, folks. | 0:52:38 | 0:52:42 | |
Right. Here comes Mark's sundial. | 0:52:42 | 0:52:46 | |
HE CHANTS AT SPEED | 0:52:46 | 0:52:48 | |
What a beauty. | 0:52:50 | 0:52:52 | |
25, 30 here. | 0:52:52 | 0:52:54 | |
35? 35. | 0:52:54 | 0:52:56 | |
Lovely one there. 35. | 0:52:56 | 0:52:58 | |
35. Yes, you did. 35, 159. | 0:52:58 | 0:53:01 | |
-So, what was that? -I don't know. What did it fetch? | 0:53:01 | 0:53:04 | |
-I think it was £35. -I made a loss anyway, Thomas. | 0:53:04 | 0:53:07 | |
Mm. But hardly anything to worry about at this stage, Mark. | 0:53:07 | 0:53:11 | |
Now, anyone fancy a vintage trunk for the car? | 0:53:13 | 0:53:16 | |
HE CHANTS AT SPEED | 0:53:16 | 0:53:18 | |
30, I've got 30 out the way. | 0:53:18 | 0:53:20 | |
-HE CHANTS AT SPEED -32... | 0:53:20 | 0:53:23 | |
Last call at £32. 32. | 0:53:23 | 0:53:25 | |
-Eh, got away with that. -Got away with that. | 0:53:25 | 0:53:28 | |
Only just, Thomas. Only just. | 0:53:28 | 0:53:31 | |
But now, Thomas thought this box was a Plain Jane, | 0:53:33 | 0:53:36 | |
but will the bidders agree? | 0:53:36 | 0:53:38 | |
At five, I'm bid. Five, I've got. | 0:53:38 | 0:53:41 | |
HE CHANTS AT SPEED | 0:53:41 | 0:53:43 | |
£10, I've got 10. | 0:53:43 | 0:53:44 | |
£12? | 0:53:44 | 0:53:46 | |
And again, 15, 15, 15. | 0:53:46 | 0:53:48 | |
-HE CHANTS AT SPEED -Open the gate, £20 I'm bid. And two now. | 0:53:48 | 0:53:51 | |
At £22. | 0:53:51 | 0:53:53 | |
One, one more. | 0:53:55 | 0:53:56 | |
28? 24? | 0:53:56 | 0:53:58 | |
26? 26. | 0:53:58 | 0:54:00 | |
Come on, one more. | 0:54:00 | 0:54:01 | |
27, then. 27. | 0:54:02 | 0:54:05 | |
One more? 27, he goes, there, | 0:54:05 | 0:54:07 | |
last call, last time at £27. 27. | 0:54:07 | 0:54:10 | |
-He's done well. Well done. -It did me proud. | 0:54:10 | 0:54:12 | |
Oh, Mark is nudging ahead, look. | 0:54:12 | 0:54:15 | |
But now it's Thomas's rare secret weapon. | 0:54:16 | 0:54:19 | |
Will Mark's fragile lead take a beating? | 0:54:19 | 0:54:23 | |
I've got £35 I'm bid. | 0:54:23 | 0:54:24 | |
At 35. 35. | 0:54:24 | 0:54:26 | |
£40. I've got 40 here, as well. | 0:54:26 | 0:54:27 | |
45 for you. 45. 47. | 0:54:27 | 0:54:30 | |
47. £50. 50 bid. | 0:54:30 | 0:54:32 | |
Last call, last time out. £50. | 0:54:32 | 0:54:34 | |
-PEN TAPS -73. | 0:54:34 | 0:54:36 | |
Unlucky, Thomas. Genuinely unlucky. | 0:54:36 | 0:54:39 | |
Ridiculous. Should have been £150. | 0:54:39 | 0:54:42 | |
Mm, I bet you're glad it wasn't, Mark. | 0:54:42 | 0:54:45 | |
Right. You're back in the dock. | 0:54:45 | 0:54:47 | |
Let's pray that there are some train buffs in the crowd, | 0:54:47 | 0:54:50 | |
or at least button collectors. | 0:54:50 | 0:54:53 | |
HE CHANTS AT SPEED | 0:54:53 | 0:54:55 | |
Five. Five I'm bid, then. £5 I'm bid. Selling at £5. | 0:54:55 | 0:54:59 | |
A fiver. You lost a bit of money on those, but not much, | 0:54:59 | 0:55:02 | |
because you only paid £8 for them. | 0:55:02 | 0:55:04 | |
Mm. Well, someone's got a good deal there, and it's not Mark. | 0:55:04 | 0:55:09 | |
Thomas's grain scoop is up next. | 0:55:09 | 0:55:11 | |
He made a packet on a grain measure recently, | 0:55:11 | 0:55:15 | |
so can he do it with the scoop? I bet not. | 0:55:15 | 0:55:18 | |
£28, I'm bid. At 28. | 0:55:18 | 0:55:20 | |
28, I'm bid. | 0:55:20 | 0:55:22 | |
At 28, this is a disappointing price, here. | 0:55:22 | 0:55:24 | |
£28, then. | 0:55:24 | 0:55:25 | |
Last call, last time at £28. | 0:55:25 | 0:55:29 | |
-PEN TAPS -It all adds up, Thomas. -It all adds up. | 0:55:29 | 0:55:31 | |
Well, that's one way of looking at it. | 0:55:31 | 0:55:35 | |
Now, Mark's Chaplin jug. | 0:55:35 | 0:55:38 | |
Is this the sleeper he predicted? | 0:55:38 | 0:55:40 | |
And I've got three bids on the phone | 0:55:40 | 0:55:42 | |
can I come straight in at £115, I'm bid. | 0:55:42 | 0:55:45 | |
-115?! -Go, go, go. | 0:55:45 | 0:55:47 | |
At 115. | 0:55:47 | 0:55:48 | |
£115, then. | 0:55:48 | 0:55:49 | |
I'm selling at £115. | 0:55:49 | 0:55:53 | |
< 120. | 0:55:53 | 0:55:55 | |
-I've got 120 here. -You've got to go more, sir. | 0:55:55 | 0:55:57 | |
I've got 120 here, as well. | 0:55:57 | 0:56:00 | |
130? I'm out, you're in. At 130. | 0:56:00 | 0:56:03 | |
I'm selling at £130. | 0:56:03 | 0:56:06 | |
PEN TAPS God, well done you. £90 profit. Come on, you must... | 0:56:06 | 0:56:09 | |
I'm pleased. Of course I'm pleased. | 0:56:09 | 0:56:11 | |
Well, he doesn't sound it or look it. | 0:56:11 | 0:56:14 | |
Still, that profit, before costs, | 0:56:14 | 0:56:16 | |
puts our new boy firmly in the lead today. | 0:56:16 | 0:56:18 | |
So, can Thomas's dough bin make some real bread? | 0:56:21 | 0:56:25 | |
A lovely item here now, then. | 0:56:25 | 0:56:27 | |
50. Five. 60. £60, I'm bid. | 0:56:27 | 0:56:30 | |
70, at the back. £70, I'm bid. At 70. At 70. | 0:56:30 | 0:56:34 | |
80. 90. 90. | 0:56:34 | 0:56:37 | |
100. | 0:56:37 | 0:56:38 | |
£100, I'm bid. | 0:56:38 | 0:56:40 | |
-I'm selling at 100. -TAPS PEN | 0:56:40 | 0:56:43 | |
-Could be worse. -I have lost £30. | 0:56:43 | 0:56:46 | |
It's not a lot of money to lose. | 0:56:46 | 0:56:48 | |
Well, you say that, Mark, but you're not trailing really badly. | 0:56:48 | 0:56:53 | |
And not even a disaster with the pine bench | 0:56:53 | 0:56:56 | |
will knock him off the winner's podium now. | 0:56:56 | 0:56:59 | |
£55, I'm bid. | 0:56:59 | 0:57:01 | |
At 55. At £55, I'm bid. | 0:57:01 | 0:57:04 | |
Come along, now. Go on, then. Good man. | 0:57:04 | 0:57:08 | |
At 60. £60, he owes, and at £60. | 0:57:08 | 0:57:11 | |
PEN TAPS You've had a loss. | 0:57:11 | 0:57:13 | |
I can afford a very small loss. | 0:57:13 | 0:57:15 | |
Oh, you can afford a small loss. Look at you. | 0:57:15 | 0:57:17 | |
You tell him, Thomas. | 0:57:17 | 0:57:20 | |
-3-1 up. 3-1 up to you. -I'm on schedule. | 0:57:20 | 0:57:22 | |
You're on schedule to overtake me next week. | 0:57:22 | 0:57:24 | |
-Clawing it back. -Unless I do something amazing. | 0:57:24 | 0:57:27 | |
-Which you probably will. -Probably won't. | 0:57:27 | 0:57:29 | |
Under pressure, that's when you pull it out the hat. | 0:57:29 | 0:57:31 | |
So, with the results in, it's Mark who claims victory. | 0:57:34 | 0:57:37 | |
Thomas started this leg of the road trip with a huge £455.78, | 0:57:37 | 0:57:42 | |
but lost £67.80 after auction costs, | 0:57:42 | 0:57:47 | |
leaving him with £387.98. | 0:57:47 | 0:57:50 | |
So, it just shows how unpredictable this game can be. | 0:57:50 | 0:57:54 | |
Mark, however, began with £287.33 | 0:57:57 | 0:58:01 | |
and made a profit of £42.74 after auction costs, | 0:58:01 | 0:58:06 | |
leaving him with £330.07. He looks happy. Which is nice. | 0:58:06 | 0:58:12 | |
For a change. | 0:58:12 | 0:58:13 | |
-Yeuch! Yeuch! My bottom is wet! -Come on, then. | 0:58:16 | 0:58:22 | |
I hope the car's leaking - and not Mark. Yeuch, indeed. | 0:58:22 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |