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The nation's favourite antique experts, £200 each, one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money, buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Look at the colour. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Thank you. | 0:00:21 | 0:00:22 | |
Will it be the fast lane to success, or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
Bad luck for Thomas, £50 down. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
It's the last Road Trip for Thomas Plant and Mark Hales in their vintage 1967 Sunbeam Alpine. | 0:00:36 | 0:00:43 | |
But who loves her the most? | 0:00:43 | 0:00:45 | |
We're back in the car, so I am happy. | 0:00:45 | 0:00:47 | |
We've got a fresh, sunny... | 0:00:47 | 0:00:49 | |
-Oh, you are obsessed about this car! -I love it. | 0:00:49 | 0:00:51 | |
She's reliable, she's never let us down. | 0:00:51 | 0:00:54 | |
It's a car! | 0:00:54 | 0:00:56 | |
-She's always been there for me. I love her. -Is he all right? | 0:00:56 | 0:01:01 | |
Thomas is a veteran antiques valuer, auctioneer and Road Tripper, | 0:01:01 | 0:01:04 | |
but lately, he's been away with the fairies. | 0:01:04 | 0:01:07 | |
I love going to the mountains. I like skiing, but I just love the mountains. | 0:01:07 | 0:01:11 | |
They just do something to you, don't they? | 0:01:11 | 0:01:14 | |
And even when he seems to be with us, his mind is elsewhere. | 0:01:14 | 0:01:18 | |
If I was a porter, in a railway station, | 0:01:18 | 0:01:21 | |
I don't know if I would make a good one. | 0:01:21 | 0:01:24 | |
Auctioneer and ceramics expert Mark also finds it hard to stay focused | 0:01:24 | 0:01:30 | |
and prefers playtime instead. | 0:01:30 | 0:01:32 | |
-Can I have a go? -Yes, go on, have a go. -It would be fun, wouldn't it? | 0:01:32 | 0:01:36 | |
But when it comes to spotting a bargain, he's eagle-eyed. | 0:01:36 | 0:01:40 | |
It must be worth a go, it could be a sleeper. | 0:01:40 | 0:01:43 | |
Our experts started the week each with £200 worth of dosh, | 0:01:45 | 0:01:49 | |
and they're heading for the finishing line. | 0:01:49 | 0:01:53 | |
Mark has made small, steady profits, | 0:01:53 | 0:01:56 | |
and swollen his kitty to a respectable £330.07. | 0:01:56 | 0:02:01 | |
Thomas did very well, and then not so well, | 0:02:01 | 0:02:05 | |
now just slightly ahead on a blustering £387.98. | 0:02:05 | 0:02:12 | |
I wish I could get those heady days back of Ireland again. | 0:02:12 | 0:02:15 | |
-Thomas, you are still in front, how is that a failure? -Yeah. | 0:02:15 | 0:02:17 | |
You haven't failed. It's very exciting, it's down to the wire, isn't it? | 0:02:17 | 0:02:22 | |
It is down to the wire. | 0:02:22 | 0:02:23 | |
The boys' trip started in Portrush, Northern Ireland, | 0:02:23 | 0:02:27 | |
and is taking them through lovely Wales. | 0:02:27 | 0:02:30 | |
Pontrilas, Herefordshire hosts their decisive last auction, | 0:02:30 | 0:02:33 | |
but whoa, there. | 0:02:33 | 0:02:35 | |
Thomas and Mark first wet their shopping whistles in Hay-on-Wye, upon the Welsh border. | 0:02:35 | 0:02:42 | |
THEY BOTH SING: # We plough the fields and scatter | 0:02:42 | 0:02:45 | |
# The good seed on the land... # | 0:02:45 | 0:02:49 | |
So, in fine voice, our boys enter Hay-on-Wye, | 0:02:51 | 0:02:56 | |
famous for its number of bookshops, some 30 in all, | 0:02:56 | 0:02:58 | |
and its literary festival, | 0:02:58 | 0:03:01 | |
hence it's often dubbed the town of books. | 0:03:01 | 0:03:04 | |
But forget paperbacks, | 0:03:04 | 0:03:05 | |
it's antiques we're after. | 0:03:05 | 0:03:07 | |
Mark's heading up the hill to Bain and Murrin, | 0:03:07 | 0:03:10 | |
purveyors of the finest junk. | 0:03:10 | 0:03:14 | |
-Junk? -Lederhosen. | 0:03:14 | 0:03:16 | |
Goodness me. Great fun. | 0:03:18 | 0:03:21 | |
You do this sort of knee slapping bit, don't you, and leap up and down? | 0:03:21 | 0:03:24 | |
It's not the weather, is it? | 0:03:24 | 0:03:25 | |
Not the weather for lederhosen. | 0:03:25 | 0:03:27 | |
-Ah, goodness me. Becky? -Yes. | 0:03:33 | 0:03:36 | |
-Can I ask you, this magnificent dolls' house... -Yes. | 0:03:36 | 0:03:39 | |
-Late '50s, I would have thought. -Late '50s? | 0:03:39 | 0:03:42 | |
I love the garage, | 0:03:42 | 0:03:44 | |
I love the tin windows. | 0:03:44 | 0:03:46 | |
Tudoresque style. | 0:03:46 | 0:03:48 | |
It's big, it's decorative, it's showy. | 0:03:48 | 0:03:53 | |
25 quid? | 0:03:53 | 0:03:54 | |
£25, it's tempting, isn't it? | 0:03:54 | 0:03:57 | |
Parquet floor. | 0:04:00 | 0:04:02 | |
That's a rather nice suburban, erm, detached. | 0:04:02 | 0:04:07 | |
Erm... | 0:04:07 | 0:04:09 | |
Two large double bedrooms, bathroom, two reception rooms, | 0:04:09 | 0:04:13 | |
and single detached garage. | 0:04:13 | 0:04:16 | |
Garden to the front and rear. | 0:04:16 | 0:04:18 | |
Does he think he's on Homes Under The Hammer? | 0:04:18 | 0:04:21 | |
-Becky? -Yes. -£15? Any good? | 0:04:21 | 0:04:26 | |
It clears it off your shelf, gives you a lot more space, doesn't it? | 0:04:26 | 0:04:29 | |
20? | 0:04:29 | 0:04:32 | |
Is that your very best? 18? | 0:04:32 | 0:04:33 | |
Go on, I'll buy it if it's under £20, I will buy it. | 0:04:33 | 0:04:36 | |
-It's very cheap for 18. -Yeah, but it gives me a chance, doesn't it? | 0:04:36 | 0:04:40 | |
-You're on my side, you want me to beat Thomas, don't you? -Do I? | 0:04:40 | 0:04:44 | |
Yeah, you do. You do. | 0:04:44 | 0:04:46 | |
-Erm, go on, then. -Because I'm the new boy. | 0:04:46 | 0:04:49 | |
-Thank you, Becky. -OK. -Thank you very much indeed. £18. Yeah. | 0:04:49 | 0:04:54 | |
We'll have some fun with that, won't we? | 0:04:54 | 0:04:57 | |
Hmm. | 0:04:57 | 0:04:58 | |
At the other end of town, Thomas is at the chic-er Hay Antiques Market, | 0:04:58 | 0:05:02 | |
and with 17 rooms, there's bound to be a little treasure | 0:05:02 | 0:05:06 | |
just nestling. | 0:05:06 | 0:05:08 | |
HE LAUGHS | 0:05:08 | 0:05:11 | |
"Let them swing." | 0:05:11 | 0:05:14 | |
What a wonderful thing. "Bottoms up." | 0:05:17 | 0:05:22 | |
(Isn't that ghastly? Oh, isn't that horrible? | 0:05:22 | 0:05:26 | |
(I mean, isn't this absolutely, wonderfully kitsch? | 0:05:26 | 0:05:28 | |
(I've got to have it.) | 0:05:30 | 0:05:33 | |
Well, I think we're seeing another side to Thomas here. | 0:05:33 | 0:05:36 | |
A saucy Japanese mug for £10. Bottoms up! | 0:05:36 | 0:05:38 | |
-Glennydd? -Yes. -I've found something in your room... -Right. | 0:05:41 | 0:05:45 | |
-..which has made me giggle. I think you probably know what it is. -Yes. | 0:05:45 | 0:05:50 | |
And, erm, I've got to buy it. | 0:05:50 | 0:05:52 | |
-Right. -But obviously, I know it's not very much. | 0:05:52 | 0:05:56 | |
But you want it at rock bottom, don't you? | 0:05:56 | 0:05:59 | |
Five? | 0:05:59 | 0:06:01 | |
-Five would be ideal, that's what I had in mind. -Good. -Is that all right? | 0:06:01 | 0:06:05 | |
-That's fine. -Thank you very much. -You're welcome. | 0:06:05 | 0:06:07 | |
Yeah, but not to everyone's taste. | 0:06:07 | 0:06:10 | |
Up the road, Mark's in Fleur De Lys, | 0:06:11 | 0:06:14 | |
and under the stewardship of Sally, | 0:06:14 | 0:06:17 | |
there's not a bit of kitsch in sight. | 0:06:17 | 0:06:20 | |
Lovely Georgian chair. Look how wide it is, look at the colour of it. | 0:06:20 | 0:06:23 | |
Got to stay away from chairs at the moment though, | 0:06:23 | 0:06:26 | |
it's not the flavour of the month. | 0:06:26 | 0:06:27 | |
Nice to find a shop with antiques in it. | 0:06:27 | 0:06:30 | |
Yeah, Sally, he's right. | 0:06:30 | 0:06:32 | |
Ah-ha, isn't that lovely? Look at the front of that. | 0:06:35 | 0:06:39 | |
Isn't that beautiful? Big and showy and beautiful colours. | 0:06:40 | 0:06:45 | |
Which are typical of Nove Ware, | 0:06:45 | 0:06:48 | |
a tin-glazed earthenware much like Delft, | 0:06:48 | 0:06:51 | |
which comes from the Italian town of Nove, near Venice. | 0:06:51 | 0:06:54 | |
Pieces can fetch around £1,500 at auction, | 0:06:54 | 0:06:59 | |
but because of the damage, this one's a snip at £28. | 0:06:59 | 0:07:03 | |
Unfortunately, the base has had a lot of restoration. | 0:07:04 | 0:07:10 | |
When something has been badly restored, | 0:07:10 | 0:07:12 | |
they tend to paint over everything. | 0:07:12 | 0:07:14 | |
If you took all that off, I think you might find, | 0:07:14 | 0:07:17 | |
if you look through here, a lot of the original base. | 0:07:17 | 0:07:20 | |
It's there. Oh, we're going to have to have a go at this, aren't we? | 0:07:21 | 0:07:25 | |
-Right, Sally, my darling, my bestest friend in the world. -Oh! | 0:07:25 | 0:07:28 | |
I've got to sell this at Hereford. | 0:07:28 | 0:07:30 | |
Has it come in with something else, have you bought it well? | 0:07:30 | 0:07:33 | |
Because there's a lot of damage on it, and I want to buy it for under £20. | 0:07:33 | 0:07:37 | |
-It's one of my guest dealers. -Is it? | 0:07:37 | 0:07:39 | |
It's not knocking off too much, is it? Do you think he'd do it? | 0:07:39 | 0:07:42 | |
Could you ask him for me? | 0:07:42 | 0:07:43 | |
£18, under £20 and I'll have a go. | 0:07:43 | 0:07:46 | |
So at £28, Sally gets a-haggling | 0:07:46 | 0:07:50 | |
with the dealer on Mark's behalf. | 0:07:50 | 0:07:52 | |
And he's offering you 18... OK. | 0:07:52 | 0:07:56 | |
-20 is... -20? -Bottom line. | 0:07:56 | 0:07:59 | |
Well, for the sake of a couple of quid, to-ing and fro-ing | 0:07:59 | 0:08:01 | |
and telephoning and everything, I'll have that for 20. | 0:08:01 | 0:08:03 | |
-Right, thank you very much indeed. -I just love it. | 0:08:03 | 0:08:05 | |
-I think you'll be all right with that. -Do you like it? -Yes, I do. | 0:08:05 | 0:08:08 | |
Well, she would say that, wouldn't she? | 0:08:08 | 0:08:11 | |
So that's two in the bag for Mark. | 0:08:11 | 0:08:13 | |
Now, back at the Hay Antiques Market, Thomas has gone all teachery | 0:08:13 | 0:08:16 | |
about a glass jug. | 0:08:16 | 0:08:19 | |
This is important, from a design point of view, | 0:08:19 | 0:08:22 | |
it's Koloman Moser or Josef Hoffmann and for Lutz. | 0:08:22 | 0:08:26 | |
Lutz is a glass manufacturers from Austria. | 0:08:26 | 0:08:30 | |
It's aged, it's about 1910. | 0:08:30 | 0:08:33 | |
And what a piece of design for a jug. | 0:08:33 | 0:08:36 | |
Glass manufacturers Lutz were known for championing | 0:08:38 | 0:08:42 | |
art nouveau and deco forms of design | 0:08:42 | 0:08:44 | |
from about 1890 into the 20th century. | 0:08:44 | 0:08:48 | |
You can imagine on a hot summer's day | 0:08:48 | 0:08:52 | |
-bouncing bits of ice. -Mmm. | 0:08:52 | 0:08:54 | |
Lemonade jugs - alcoholic, I hope - and having a tremendous time. | 0:08:54 | 0:08:59 | |
Ticket price is 55. I'm going to go and negotiate on this. | 0:08:59 | 0:09:04 | |
That means a phone call to the dealer. Over to you, Glynis. | 0:09:04 | 0:09:08 | |
Oh, hello, Maggie, I wonder what would be Robin's best price | 0:09:08 | 0:09:11 | |
on your Lutz crackle-glaze jug? | 0:09:11 | 0:09:14 | |
55. | 0:09:14 | 0:09:17 | |
Yes, I suggested that, but I think he might want a little more. | 0:09:17 | 0:09:20 | |
35? | 0:09:20 | 0:09:22 | |
35? Yes, go on, she says. | 0:09:22 | 0:09:25 | |
-Really? -Yes. | 0:09:25 | 0:09:27 | |
-She's obviously in a good humour today. -Are you? | 0:09:27 | 0:09:29 | |
-She won't take any more off for good humour, then? -I don't think so. | 0:09:29 | 0:09:32 | |
-You think I've reached the limit? -I think, yes. | 0:09:32 | 0:09:34 | |
I think you'd be sort of chancing your arm after that. | 0:09:34 | 0:09:36 | |
Well, you know, nothing wrong with that. 35, OK. It's a deal. | 0:09:36 | 0:09:41 | |
-Thanks. Thanks, Maggie, goodbye. -Thank you, Maggie. | 0:09:41 | 0:09:44 | |
Meanwhile, back at Fleur De Lys, Mark is also looking for another bold bargain, | 0:09:46 | 0:09:50 | |
but maybe one that's not so damaged. | 0:09:50 | 0:09:52 | |
This is rather nice. I like this. | 0:09:54 | 0:09:57 | |
Georgian mahogany cutlery box. | 0:09:57 | 0:10:01 | |
Lovely colour. | 0:10:01 | 0:10:03 | |
Been converted into a stationery box, | 0:10:03 | 0:10:05 | |
put your letters and things in there. | 0:10:05 | 0:10:07 | |
Pens, whatever. It's lovely. | 0:10:07 | 0:10:09 | |
But the price isn't so lovely, it's a whopping £235. | 0:10:09 | 0:10:13 | |
So owner Sylvia has arrived to manage the negotiations, | 0:10:13 | 0:10:17 | |
and she doesn't look as if she takes prisoners. | 0:10:17 | 0:10:19 | |
Supposing I said 160? | 0:10:19 | 0:10:22 | |
160. | 0:10:22 | 0:10:24 | |
-Would you do it for 150? -Because it's you. -Oh, you are a darling. | 0:10:26 | 0:10:30 | |
-Oh, we're going to have a go, aren't we, Sylvia? -Yeah. -Thank you. | 0:10:30 | 0:10:36 | |
You loose woman! | 0:10:36 | 0:10:37 | |
You'll get a kiss in a minute, if you're good. | 0:10:37 | 0:10:41 | |
He's not joking, you know. | 0:10:41 | 0:10:43 | |
Now, not to be outdone, | 0:10:44 | 0:10:46 | |
Thomas is also making hay up the road with Rhona, lucky girl. | 0:10:46 | 0:10:49 | |
(I like that chalice.) | 0:10:52 | 0:10:55 | |
There's no price on it. | 0:10:55 | 0:10:57 | |
Chalices are drinking vessels considered sacred in Christian worship | 0:10:57 | 0:11:01 | |
and in literature, particularly, | 0:11:01 | 0:11:02 | |
this Holy Grail of objects is said to possess miraculous powers, | 0:11:02 | 0:11:08 | |
a thought not lost on Thomas. | 0:11:08 | 0:11:11 | |
Do you think, if I drank out of this, I'd live forever? | 0:11:11 | 0:11:15 | |
Is this the Holy Grail? Is this going to make me beat Mark? | 0:11:15 | 0:11:19 | |
You wish! At £160, it looks as if it's not the only thing Thomas is eyeing up. | 0:11:19 | 0:11:27 | |
This is a toasting goblet. Early 19th century. | 0:11:31 | 0:11:35 | |
Commemorative for the Duke of Wellington and his army, | 0:11:35 | 0:11:40 | |
at the Battle of Waterloo, for beating Bonaparte. | 0:11:40 | 0:11:43 | |
Of course, the man didn't know when to stop, really. | 0:11:43 | 0:11:45 | |
We'd had a good scrap with him at Trafalgar, on the sea, | 0:11:45 | 0:11:48 | |
and then he sort of, you know, his ugly head rose up again and we had another one. | 0:11:48 | 0:11:52 | |
Now, your rummer, please? | 0:11:52 | 0:11:55 | |
What can be the best on that one, thank you? | 0:11:55 | 0:11:58 | |
Mmm, come on, Rhona. Ticket price £38, girl. | 0:11:58 | 0:12:02 | |
£30. | 0:12:02 | 0:12:03 | |
-That doesn't seem much, does it? -No. | 0:12:05 | 0:12:08 | |
Could we... OK, that's fine. | 0:12:12 | 0:12:14 | |
-Ahh. -Tell me about that. -Well, it's a piece of blanc de Chine, Chinese. | 0:12:18 | 0:12:25 | |
It's so fine and so beautiful, and we just, even in the 18th century, | 0:12:25 | 0:12:30 | |
had such trouble making porcelain that looked like that. | 0:12:30 | 0:12:34 | |
I've had it at home for a long time because I love it. | 0:12:34 | 0:12:37 | |
What's the very, very, very best on that, please? | 0:12:37 | 0:12:42 | |
-160. -That is a huge gamble. What for all three? | 0:12:42 | 0:12:49 | |
£300 for the three items. | 0:12:49 | 0:12:52 | |
Come on, a little bit more! | 0:12:52 | 0:12:55 | |
We can't negate the history and the beauty of these objects | 0:12:55 | 0:12:58 | |
-by haggling over a couple of pounds. -OK. | 0:12:58 | 0:13:02 | |
Oh, is Thomas about to take a big risk? | 0:13:02 | 0:13:06 | |
Go for it, man! | 0:13:06 | 0:13:08 | |
-Go on, then, I'll do it. -OK. | 0:13:08 | 0:13:10 | |
-I'll pay £300. -Right. | 0:13:10 | 0:13:12 | |
I can't believe I've done that. | 0:13:12 | 0:13:14 | |
I need to sit down. | 0:13:14 | 0:13:18 | |
It's a very dangerous game I've just played. I've just played an absolute nightmare. | 0:13:18 | 0:13:24 | |
So let's see how this £300 nightmare works out. | 0:13:24 | 0:13:28 | |
Now, it's £150 for the libation cup, | 0:13:28 | 0:13:33 | |
£120 for the chalice, | 0:13:33 | 0:13:36 | |
and £30 for the glass rummer. | 0:13:36 | 0:13:38 | |
Cor, can't wait for the auction! | 0:13:38 | 0:13:40 | |
Our experts are heading onwards. | 0:13:40 | 0:13:43 | |
Next stop is to Newport, in Gwent. | 0:13:43 | 0:13:45 | |
I mean, I always imagined it to be a bit of a sort of chick magnet. | 0:13:47 | 0:13:50 | |
There's something rather coarse, Thomas, | 0:13:50 | 0:13:53 | |
about calling a 1967 Sunbeam Alpine, | 0:13:53 | 0:13:56 | |
a classic English sports car, | 0:13:56 | 0:13:58 | |
a "chick magnet". | 0:13:58 | 0:14:00 | |
So here we are in Newport, a city on the River Usk, and across which | 0:14:03 | 0:14:08 | |
engineers built, in 1906, | 0:14:08 | 0:14:12 | |
the Newport transporter bridge. | 0:14:12 | 0:14:14 | |
It takes cars, pedestrians and bikes, | 0:14:14 | 0:14:17 | |
and is now one of only eight remaining in the world. | 0:14:17 | 0:14:21 | |
What a wonderful looking thing. | 0:14:21 | 0:14:23 | |
Meanwhile, Mark is hoping to find a similar rare antique | 0:14:23 | 0:14:26 | |
to get him to the finishing line in winning time. | 0:14:26 | 0:14:30 | |
-Hello, I'm Mark. -Hello. Tony. -Hello, Tony. | 0:14:30 | 0:14:35 | |
Tony, do you know who this is? This is Thomas, after a bad night. | 0:14:35 | 0:14:39 | |
-After a bad night. -Most certainly. | 0:14:39 | 0:14:42 | |
Or after spending £300 in one go. Ha! | 0:14:42 | 0:14:46 | |
Right, let's have a look. | 0:14:46 | 0:14:49 | |
I do quite like this. It caught my eye | 0:14:49 | 0:14:51 | |
because it's a sort of art glass. | 0:14:51 | 0:14:53 | |
-'50s,'60s? -Yes. -Yeah? | 0:14:55 | 0:14:58 | |
I think I have a little bit of information in there for you. | 0:14:58 | 0:15:01 | |
Yeah, 1950s seaweed glass, and it's pre-Baxter. | 0:15:03 | 0:15:07 | |
It's made by the famous Whitefriars Company | 0:15:07 | 0:15:11 | |
and plain pieces like this 1950s smoked glass vase | 0:15:11 | 0:15:15 | |
were their staple diet before Geoffrey Baxter joined in 1954 | 0:15:15 | 0:15:19 | |
and created its celebrated textured glass range. | 0:15:19 | 0:15:24 | |
Ticket price on this, £55. | 0:15:24 | 0:15:27 | |
I won't haggle or be stupid, I just want a figure, | 0:15:28 | 0:15:32 | |
really as low as you possibly can. | 0:15:32 | 0:15:34 | |
Have a think about that. You mentioned a bit of Mauchline ware. | 0:15:34 | 0:15:37 | |
-I would like to see that. -In this cabinet. | 0:15:37 | 0:15:40 | |
I like that, Tony, that's lovely. | 0:15:40 | 0:15:41 | |
Ooh, good subject, look, | 0:15:43 | 0:15:44 | |
St Paul's Cathedral, London. | 0:15:44 | 0:15:48 | |
And it says on the base, "Lucy, 1885." Goodness me. | 0:15:48 | 0:15:52 | |
Well, that's a little bit special, isn't it? | 0:15:52 | 0:15:55 | |
Oh, indeed! | 0:15:55 | 0:15:57 | |
That personal inscription makes this turret-shaped piece rare. | 0:15:57 | 0:16:02 | |
What's more, it's a money box, | 0:16:03 | 0:16:06 | |
but at £125, it's pricey. | 0:16:06 | 0:16:08 | |
It's a lovely piece, but I've just got to buy it very cheaply, | 0:16:08 | 0:16:11 | |
or I'm not going to make a profit. | 0:16:11 | 0:16:12 | |
How much? Because I won't haggle. Real bottom line. | 0:16:12 | 0:16:15 | |
65 quid. | 0:16:15 | 0:16:17 | |
And the vase? | 0:16:17 | 0:16:18 | |
The vase, that would probably be your bargain of the day. | 0:16:18 | 0:16:23 | |
I could actually do that for 45. | 0:16:23 | 0:16:25 | |
Yeah. | 0:16:25 | 0:16:27 | |
So, £110 for the two. | 0:16:29 | 0:16:32 | |
I'll tell you what, I didn't mean to haggle, and that's the truth, | 0:16:32 | 0:16:35 | |
but I'll say it anyway, if I bought two items, | 0:16:35 | 0:16:37 | |
if I bought that for 50 and that for 35, that's 85. | 0:16:37 | 0:16:40 | |
-Does that still give you a profit? -A little bit of profit. | 0:16:40 | 0:16:44 | |
All right, well, let's have those. | 0:16:44 | 0:16:47 | |
-Thank you, Tony. -Amazing what you can get for a no-haggle haggle, eh? | 0:16:47 | 0:16:51 | |
Meanwhile, Thomas is heading out of town, or is he? | 0:16:53 | 0:16:56 | |
The car is making an extraordinary noise. | 0:16:56 | 0:17:01 | |
WHIRRING | 0:17:01 | 0:17:03 | |
I don't know what that noise is, the red button is on. | 0:17:03 | 0:17:07 | |
Erm... It's smoking. | 0:17:07 | 0:17:11 | |
So with the car out of action... | 0:17:11 | 0:17:12 | |
..Thomas is having to hitch a lift, because | 0:17:14 | 0:17:18 | |
he's on his way to Berkeley, | 0:17:18 | 0:17:20 | |
35 miles east of Newport, | 0:17:20 | 0:17:22 | |
in the county of Gloucestershire, | 0:17:22 | 0:17:25 | |
to investigate a case of a right royal murder. | 0:17:25 | 0:17:29 | |
Berkeley is a town dominated by the castle, | 0:17:33 | 0:17:38 | |
home to the Berkeley family. | 0:17:38 | 0:17:40 | |
Indeed, they are only one of three families in England | 0:17:40 | 0:17:44 | |
who can trace their ancestry back to Saxon times. | 0:17:44 | 0:17:47 | |
The castle started life as a fortress nine centuries ago, | 0:17:51 | 0:17:55 | |
but is now a stately home, | 0:17:55 | 0:17:56 | |
brimming with stunning antiques and artefacts. | 0:17:56 | 0:18:00 | |
Charles Berkeley, who is heir to the castle | 0:18:00 | 0:18:02 | |
and spent his childhood here, | 0:18:02 | 0:18:04 | |
has some riveting stories for Thomas, | 0:18:04 | 0:18:07 | |
starting with the tale of a gruesome royal murder. Wah! | 0:18:07 | 0:18:11 | |
In 1327, Edward II met his death here, | 0:18:17 | 0:18:21 | |
on the orders of the Queen and her lover. | 0:18:21 | 0:18:24 | |
His dungeon still remains virtually untouched today. | 0:18:24 | 0:18:28 | |
Why do you think... Oh, my, that's horrific. | 0:18:28 | 0:18:31 | |
Fairly gloomy, isn't it? | 0:18:31 | 0:18:33 | |
I know the sun is shining in and it looks rustic and charming, | 0:18:33 | 0:18:38 | |
apart from the skull, which is quite scary. | 0:18:38 | 0:18:42 | |
Why was he murdered here? | 0:18:42 | 0:18:45 | |
The barons were furious with Edward because he had no strength or power | 0:18:45 | 0:18:48 | |
and had got rid of a lot of the noble families. | 0:18:48 | 0:18:52 | |
He was considered, at the time, a bit of a weak King, | 0:18:52 | 0:18:54 | |
and he was eventually put to death in this cell. | 0:18:54 | 0:18:58 | |
Killing the King, though, wasn't easy. | 0:18:58 | 0:19:01 | |
This is the dungeon, Thomas, that Edward... | 0:19:01 | 0:19:05 | |
They put rotting animal carcasses in here, piled them up in this dungeon. | 0:19:05 | 0:19:09 | |
It's the only surviving dungeon in the castle. | 0:19:09 | 0:19:12 | |
30 feet down to the courtyard level. | 0:19:12 | 0:19:15 | |
They hoped to asphyxiate him from the fumes | 0:19:15 | 0:19:17 | |
from these rotting carcasses in the cell next door. | 0:19:17 | 0:19:21 | |
But he survived that and they realised, after five months, | 0:19:21 | 0:19:25 | |
that they couldn't go keeping the King here, | 0:19:25 | 0:19:27 | |
and in the end, he was murdered with a red hot poker... | 0:19:27 | 0:19:30 | |
-Yes. -..on his backside, so there was no mark on the outside of his body. | 0:19:30 | 0:19:33 | |
So everyone thought he'd died of natural causes. | 0:19:33 | 0:19:35 | |
-Was that the reason why? -That's what we're led to believe. | 0:19:35 | 0:19:38 | |
His screams were heard, so they say, over the river. | 0:19:38 | 0:19:40 | |
Doesn't bear thinking about, really. | 0:19:40 | 0:19:44 | |
Despite that gruesome episode in its history, | 0:19:44 | 0:19:47 | |
the castle's links with royalty have had their benefits though. | 0:19:47 | 0:19:51 | |
This wall hanging here, | 0:19:51 | 0:19:53 | |
it's silk and cloth mixed together, | 0:19:53 | 0:19:56 | |
made locally. The thought was that the wall hangings | 0:19:56 | 0:19:59 | |
come from Henry VIII's bedchamber at Hampton Court. | 0:19:59 | 0:20:03 | |
When Henry VIII came with Anne Boleyn, | 0:20:03 | 0:20:06 | |
soon after he'd got married, and stayed at the castle a couple of times, | 0:20:06 | 0:20:10 | |
we believe it was a gift to the family. | 0:20:10 | 0:20:12 | |
It's unbelievable to think that this hanging is | 0:20:12 | 0:20:15 | |
actually 500 years old. | 0:20:15 | 0:20:17 | |
-And the colours are still so strong. -Absolutely. | 0:20:17 | 0:20:21 | |
And it is in good condition. | 0:20:21 | 0:20:22 | |
It is in good condition, especially the higher up bits, | 0:20:22 | 0:20:25 | |
because I imagine as a child, you would like to pick. | 0:20:25 | 0:20:27 | |
My brother and I often did. | 0:20:27 | 0:20:30 | |
It's just lovely to have on this wall, it brightens it up. | 0:20:30 | 0:20:33 | |
And the royal association with Berkeley Castle didn't end there. | 0:20:34 | 0:20:37 | |
Henry VIII's daughter, Elizabeth I, made a fleeting visit | 0:20:37 | 0:20:42 | |
and went deer hunting. And in more recent times, | 0:20:42 | 0:20:45 | |
Princess Margaret and Prince Charles | 0:20:45 | 0:20:47 | |
have even passed over its illustrious threshold. | 0:20:47 | 0:20:51 | |
Well, back down to earth. Let's get a reminder | 0:20:54 | 0:20:56 | |
of what our experts have bought on the last leg of this road trip. | 0:20:56 | 0:21:00 | |
Mark has spent a healthy £273 on five lots - | 0:21:00 | 0:21:03 | |
a large dolls' house, a cutlery base, | 0:21:03 | 0:21:07 | |
an Italian pedestal vase, a Whitefriars vase and a money box. | 0:21:07 | 0:21:12 | |
Thomas, meanwhile, has parted with £340, also on five lots. | 0:21:12 | 0:21:17 | |
A Bottoms Up mug, a Lutz glass jug, | 0:21:17 | 0:21:20 | |
a Duke of Wellington toasting goblet, a porcelain libation cup | 0:21:20 | 0:21:24 | |
and a silver-plated chalice. | 0:21:24 | 0:21:26 | |
So, with their road trip nearly complete, what do Mark and Thomas really think | 0:21:26 | 0:21:32 | |
about each other's final auction items? | 0:21:32 | 0:21:34 | |
I think he's done really well | 0:21:34 | 0:21:36 | |
and he's got a really good eye, | 0:21:36 | 0:21:38 | |
so I'm really impressed, actually. | 0:21:38 | 0:21:41 | |
I am very, very impressed with the way he's done things. | 0:21:41 | 0:21:44 | |
Who knows? Let's see what happens at the auction. | 0:21:44 | 0:21:46 | |
I thought Thomas was rather clever. | 0:21:46 | 0:21:48 | |
As always, he's not shy when it comes to spending money. | 0:21:48 | 0:21:51 | |
I loved his silver-plated chalice, | 0:21:51 | 0:21:54 | |
gorgeous classical shape, lovely quality. | 0:21:54 | 0:21:58 | |
Will he make a profit? | 0:21:58 | 0:21:59 | |
I do hope so, it deserves to. | 0:21:59 | 0:22:01 | |
Right, to the auction. | 0:22:01 | 0:22:04 | |
And thankfully, the Sunbeam is back in service, so it's full steam ahead! | 0:22:04 | 0:22:09 | |
Thomas and Mark started their final leg | 0:22:12 | 0:22:14 | |
in Hay-on-Wye, and are heading inevitably | 0:22:14 | 0:22:18 | |
to auction in Pontrilas, Herefordshire. | 0:22:18 | 0:22:22 | |
Our experts' destination for this final auction showdown | 0:22:24 | 0:22:28 | |
is Ward & Co, who sell everything from objets d'art to tools and machinery. | 0:22:28 | 0:22:33 | |
-Right, Thomas. Down to the wire, Thomas. -Down to the wire. | 0:22:35 | 0:22:38 | |
This is it. | 0:22:38 | 0:22:40 | |
Come on, I'm ready for a thrashing. | 0:22:40 | 0:22:43 | |
Here we go, folks, it's the final showdown! | 0:22:43 | 0:22:45 | |
We're kicking off with | 0:22:46 | 0:22:48 | |
that smoked glass vase. | 0:22:48 | 0:22:49 | |
The auctioneer has confirmed | 0:22:49 | 0:22:51 | |
it is Whitefriars. | 0:22:51 | 0:22:54 | |
£20 to get on, 20 I've got, 20, | 0:22:54 | 0:22:56 | |
25, 30, £30 here, | 0:22:56 | 0:22:58 | |
at 30, 35, do you want? | 0:22:58 | 0:23:01 | |
£30 only bid, 40, 45 there, £50 your turn, | 0:23:01 | 0:23:05 | |
55, £60, 60, 65. | 0:23:05 | 0:23:08 | |
At £60 in the front row, | 0:23:08 | 0:23:10 | |
going away at £60. | 0:23:10 | 0:23:13 | |
Goes at 60. | 0:23:13 | 0:23:14 | |
Ooh. Almost doubled your money. | 0:23:14 | 0:23:17 | |
I said to the chap in the shop, | 0:23:17 | 0:23:19 | |
it will either be a money back | 0:23:19 | 0:23:21 | |
or it will make 65 quid. | 0:23:21 | 0:23:22 | |
It's a good start for the boy in second place. | 0:23:22 | 0:23:26 | |
So can Thomas do as well | 0:23:26 | 0:23:27 | |
with his bit of glass? | 0:23:27 | 0:23:29 | |
25 is there, thank you, 25, | 0:23:29 | 0:23:32 | |
30, 35, 40, 45, | 0:23:32 | 0:23:34 | |
50, 55, 60, 65, | 0:23:34 | 0:23:37 | |
70, 75? | 0:23:37 | 0:23:40 | |
£80, 80? 85, | 0:23:40 | 0:23:42 | |
£90, 90, 95? | 0:23:42 | 0:23:45 | |
Isn't that the lady who bought Mark's Whitefriars? | 0:23:45 | 0:23:48 | |
100. | 0:23:48 | 0:23:49 | |
Well, I'm really excited about this. | 0:23:49 | 0:23:51 | |
Yeah, 105. 110? | 0:23:51 | 0:23:53 | |
£105. | 0:23:53 | 0:23:55 | |
-I think you've woken up now, Thomas. -105. | 0:23:55 | 0:23:58 | |
You know, a part of me is delighted | 0:23:58 | 0:24:00 | |
and there's another part of me, | 0:24:00 | 0:24:01 | |
Thomas, that is not very happy. | 0:24:01 | 0:24:04 | |
All I can do is this... | 0:24:04 | 0:24:05 | |
£105?! | 0:24:05 | 0:24:08 | |
Indeed, and that puts Thomas firmly in the lead. | 0:24:09 | 0:24:13 | |
So can Mark's money box also spin a profit? | 0:24:14 | 0:24:16 | |
Start me away on this one, what do we want? Surely 50 for it... 30. | 0:24:16 | 0:24:21 | |
-Come on. -£20, ten to get away, ten, I have ten, ten, | 0:24:21 | 0:24:25 | |
15, 20, 20, 30, | 0:24:25 | 0:24:27 | |
40, 50, £50. | 0:24:27 | 0:24:29 | |
£60, £70, 75. | 0:24:29 | 0:24:31 | |
At £70 nearest the door, there's a bid for £70. | 0:24:31 | 0:24:34 | |
Goes and away at £70. | 0:24:36 | 0:24:39 | |
I was quite lucky with that. | 0:24:39 | 0:24:40 | |
Oh, he's catching up, Thomas. | 0:24:40 | 0:24:43 | |
So will it be bottoms up, | 0:24:43 | 0:24:45 | |
or bottoms down, | 0:24:45 | 0:24:46 | |
for that quirky mug? | 0:24:46 | 0:24:48 | |
£10, £5, surely? | 0:24:48 | 0:24:50 | |
£5 I have by the door. Thank you, madam, at five. | 0:24:50 | 0:24:53 | |
I'm very glad you're here. | 0:24:53 | 0:24:55 | |
At £5, I'll take six now. Six, at six, at seven, | 0:24:55 | 0:24:59 | |
at £8, nine, at ten. | 0:24:59 | 0:25:01 | |
I've got ten. At ten. Take 11 now. | 0:25:01 | 0:25:03 | |
At £10, selling. 11 just in time, | 0:25:03 | 0:25:07 | |
at 11, 12 is there. | 0:25:07 | 0:25:09 | |
-This is getting ridiculous. -Oh, shush. | 0:25:09 | 0:25:12 | |
15... At 16, madam? | 0:25:12 | 0:25:15 | |
-At 15, bid over here. -Oh, it's funny. | 0:25:15 | 0:25:17 | |
-Goes away at 15. -£15. | 0:25:17 | 0:25:19 | |
That's just ludicrous, isn't it? | 0:25:19 | 0:25:23 | |
Is this what I'm supposed to buy from now on? Novelty items. | 0:25:24 | 0:25:28 | |
Well, there's just no accounting for taste. | 0:25:28 | 0:25:32 | |
So anyone fancy a rare mock-Tudor doll's house | 0:25:34 | 0:25:36 | |
with parquet flooring and garage? | 0:25:36 | 0:25:40 | |
£50 then, at 50, take 60. | 0:25:40 | 0:25:43 | |
50, only bid. At 50. | 0:25:43 | 0:25:47 | |
At £50 it is then, goes in the front row at £50. | 0:25:47 | 0:25:49 | |
That's fair enough. | 0:25:49 | 0:25:51 | |
-You must be very pleased. -That's fair enough. | 0:25:51 | 0:25:55 | |
It made what I said it'd make and I'm quite happy. | 0:25:55 | 0:25:58 | |
-£32 in profit. -Yeah, £32. | 0:25:58 | 0:25:59 | |
Oh, come on, boys, let's have a bit more liveliness, | 0:25:59 | 0:26:03 | |
it's a profit, for goodness' sake! | 0:26:03 | 0:26:06 | |
Let's hope the Duke of Wellington | 0:26:06 | 0:26:08 | |
rummer will get a reaction. | 0:26:08 | 0:26:10 | |
£50 to get going, if you wish. | 0:26:10 | 0:26:12 | |
£50 I have, at 50, at 60, anyone? | 0:26:12 | 0:26:15 | |
Got to be sold. At £50. | 0:26:15 | 0:26:17 | |
First, second, third and last time at £50. | 0:26:17 | 0:26:21 | |
-There you are. -Listen, I think you should be pleased with that. -Why? | 0:26:21 | 0:26:24 | |
I think that's very respectable. That's OK, that. | 0:26:24 | 0:26:27 | |
Yeah, and he should be pleased, | 0:26:27 | 0:26:29 | |
because he is still leading in this race. | 0:26:29 | 0:26:32 | |
and Mark has work to do. | 0:26:32 | 0:26:33 | |
So is his cutlery box, | 0:26:35 | 0:26:37 | |
with that hefty £150 price tag, | 0:26:37 | 0:26:39 | |
going to be the answer? | 0:26:39 | 0:26:41 | |
£50 to get going, £50, who wants it £50? | 0:26:41 | 0:26:44 | |
60, 60, 70, 80, 90. | 0:26:44 | 0:26:47 | |
Ridiculous. | 0:26:47 | 0:26:49 | |
Slow, isn't it? | 0:26:49 | 0:26:50 | |
-I am worried now. -She's bidding on it. | 0:26:50 | 0:26:52 | |
100, 120, | 0:26:52 | 0:26:55 | |
140, 140. In at 160, | 0:26:55 | 0:26:58 | |
160. | 0:26:58 | 0:26:59 | |
Well done. You've done really well. | 0:26:59 | 0:27:02 | |
And, Thomas, I said it was a money-back piece and I was right. | 0:27:02 | 0:27:06 | |
Yes, but you're not going to win that way, | 0:27:06 | 0:27:09 | |
unless Thomas has a disaster. | 0:27:09 | 0:27:11 | |
His chalice is next. | 0:27:11 | 0:27:14 | |
£20, 20, I have, at 20, 20 it is, at £20, | 0:27:14 | 0:27:17 | |
20 it is, 25, 30 on the stage, | 0:27:17 | 0:27:19 | |
30, 35, down here, | 0:27:19 | 0:27:22 | |
40, I have 40, 45 now. | 0:27:22 | 0:27:25 | |
Oh, dear, I sense trouble. | 0:27:25 | 0:27:27 | |
50, 55, 55, 60, at 60, 65. | 0:27:27 | 0:27:31 | |
At £65 first, second, third and last time, at £65. | 0:27:31 | 0:27:35 | |
£55 loss. | 0:27:37 | 0:27:39 | |
That's a heinous error. | 0:27:39 | 0:27:43 | |
More of a heinous blow, I'd say, | 0:27:43 | 0:27:45 | |
and it puts Mark in the lead. | 0:27:45 | 0:27:48 | |
But can he hold onto it with this? | 0:27:49 | 0:27:52 | |
It's rare, but it's damaged. | 0:27:52 | 0:27:54 | |
£50, are you interested at £50? | 0:27:54 | 0:27:56 | |
50, at 50, 50 bid, | 0:27:56 | 0:27:59 | |
60, 60, 70, 80, 90, 100, | 0:27:59 | 0:28:03 | |
110, 120, is it? | 0:28:03 | 0:28:06 | |
At 110, bid at 110. | 0:28:06 | 0:28:08 | |
It's still cheap, but it's got to go, and I sell it at £110. | 0:28:08 | 0:28:11 | |
Brilliant, well done, you. | 0:28:11 | 0:28:14 | |
You must be really pleased? | 0:28:14 | 0:28:16 | |
I'm pleased that I was vindicated. | 0:28:16 | 0:28:19 | |
But, Mark, it was so pretty. | 0:28:19 | 0:28:21 | |
Finally, a smile. Good grief! | 0:28:21 | 0:28:25 | |
Well, it's a cliff-hanger now. | 0:28:25 | 0:28:26 | |
Thomas needs to make more than £132 before costs | 0:28:28 | 0:28:33 | |
on his libation cup to win this leg. | 0:28:33 | 0:28:35 | |
Someone start me somewhere. £50, if you like. £50. | 0:28:35 | 0:28:39 | |
Is there a glimmer? £10. | 0:28:42 | 0:28:44 | |
Oh, no. | 0:28:46 | 0:28:47 | |
Ten, I got ten. | 0:28:47 | 0:28:49 | |
15, £20, at 20, 25 now, | 0:28:49 | 0:28:50 | |
25, £30, 35, 35, | 0:28:50 | 0:28:54 | |
I got 30. This is a bargain. | 0:28:54 | 0:28:56 | |
I'll say. | 0:28:56 | 0:28:57 | |
40, five, 50, five, 60, five, | 0:28:57 | 0:29:01 | |
60 here, at 60. | 0:29:01 | 0:29:03 | |
£60, going to the phone then. | 0:29:03 | 0:29:05 | |
For the first time at 60, for the second, third and last time at £60. | 0:29:05 | 0:29:10 | |
-Good for me, bad for you. -Yeah, terrible. | 0:29:12 | 0:29:15 | |
-I think somebody just got a bargain. -They did, they did. | 0:29:15 | 0:29:18 | |
That was a telephone bidder and nobody to bid against. | 0:29:18 | 0:29:22 | |
Oh, dear. | 0:29:22 | 0:29:24 | |
Well, that's auctions for you. | 0:29:24 | 0:29:26 | |
Well, Mark, well done. | 0:29:26 | 0:29:28 | |
You've thrashed me on this one. | 0:29:28 | 0:29:30 | |
You've done really well. Come on. | 0:29:30 | 0:29:33 | |
Good fun though. | 0:29:33 | 0:29:34 | |
Thomas started this final leg of the Road Trip with £387.98, | 0:29:38 | 0:29:42 | |
but after auction costs, | 0:29:42 | 0:29:44 | |
lost £98.10, | 0:29:44 | 0:29:47 | |
leaving him with £289.88 | 0:29:47 | 0:29:50 | |
at the end of this trip. | 0:29:50 | 0:29:52 | |
New boy Mark, however, | 0:29:53 | 0:29:56 | |
began with £330.07 | 0:29:56 | 0:29:59 | |
and made a massive £96 profit after costs, | 0:29:59 | 0:30:02 | |
leaving him winning this final leg with £426.07. | 0:30:02 | 0:30:07 | |
And all that profit goes to Children in Need. | 0:30:10 | 0:30:13 | |
Come on, Mark. Well done. | 0:30:15 | 0:30:18 | |
Thank you, Thomas. | 0:30:18 | 0:30:19 | |
You must be very, very pleased with yourself. | 0:30:19 | 0:30:23 | |
-That was good fun, Thomas, that was good fun. -Good fun for you. | 0:30:23 | 0:30:27 | |
-Where to now? -I don't know, Mark, where to? | 0:30:27 | 0:30:29 | |
Onward and upward. | 0:30:29 | 0:30:32 | |
There's always another one, Thomas. Let's go and find one. | 0:30:32 | 0:30:35 | |
Sadly, there isn't another one for Thomas and Mark, | 0:30:39 | 0:30:43 | |
but didn't they do well? | 0:30:43 | 0:30:45 | |
So long, chaps! | 0:30:45 | 0:30:47 | |
It's a whole new Road Trip, | 0:30:48 | 0:30:50 | |
hitting the road with antiques experts Philip Serrell and Jonathan Pratt. | 0:30:50 | 0:30:53 | |
Between them, they have 55 years' experience in the antiques game, | 0:30:53 | 0:30:58 | |
so competition is in their blood. | 0:30:58 | 0:31:01 | |
This is the hare against the tortoise. | 0:31:01 | 0:31:05 | |
You're the tortoise, then? | 0:31:05 | 0:31:06 | |
No, I saw myself as the hare. | 0:31:06 | 0:31:09 | |
Well, we'll soon find out, won't we? | 0:31:09 | 0:31:11 | |
Philip Serrell is a hard-nosed negotiator. | 0:31:11 | 0:31:16 | |
I'll give you £65 for it. | 0:31:16 | 0:31:18 | |
Listen, I'm doing you a favour. | 0:31:20 | 0:31:23 | |
-£60. -Get out of here! | 0:31:23 | 0:31:25 | |
Jonathan Pratt sometimes seems a bit out of focus. | 0:31:27 | 0:31:32 | |
Yes... | 0:31:35 | 0:31:37 | |
I don't know what I'm doing. | 0:31:37 | 0:31:39 | |
Good. That bodes well, then(!) | 0:31:39 | 0:31:42 | |
Our pair begin their adventure with £200 each, | 0:31:42 | 0:31:47 | |
the open road in front of them, and the wind up their tails. | 0:31:47 | 0:31:52 | |
On this road trip, Philip and Jonathan will travel 140 miles, | 0:31:52 | 0:31:55 | |
through the Lake District, all the way to Wilmslow. | 0:31:55 | 0:31:58 | |
This first leg kicks off in Cockermouth, | 0:31:58 | 0:32:01 | |
before landing at auction in Kirkby Lonsdale. | 0:32:01 | 0:32:05 | |
As Cockermouth draws near, does anyone have a buying strategy? | 0:32:05 | 0:32:10 | |
I think sticking to the decorative and traditional | 0:32:10 | 0:32:14 | |
-is a good basis. -The dafter, the better, I think. | 0:32:14 | 0:32:18 | |
The ancient Cumbrian town of Cockermouth, | 0:32:24 | 0:32:26 | |
famously the birthplace of poet William Wordsworth in 1770. | 0:32:26 | 0:32:32 | |
But, for Jonathan and Philip, | 0:32:32 | 0:32:34 | |
actions must speak surely louder than words. | 0:32:34 | 0:32:38 | |
Time to shop. | 0:32:38 | 0:32:40 | |
I can't wait. I'm really looking forward to this. | 0:32:40 | 0:32:42 | |
Welcome to Cockermouth, JP. | 0:32:43 | 0:32:45 | |
D'you know where you're going? | 0:32:45 | 0:32:47 | |
The pair go their separate ways, on the hunt for the best bargain. | 0:32:47 | 0:32:51 | |
Let the battle begin. | 0:32:51 | 0:32:53 | |
And Philip's up with his first shop of the day. | 0:32:53 | 0:32:57 | |
-Morning, how are you? -Morning, squire. | 0:32:59 | 0:33:02 | |
Colin, Philip. How are you? | 0:33:02 | 0:33:04 | |
Is it all right if I just wander round? | 0:33:04 | 0:33:06 | |
Course it is. | 0:33:06 | 0:33:08 | |
After a bit of exploring, Philip's found something | 0:33:08 | 0:33:10 | |
that tickles his fancy. Not difficult. | 0:33:10 | 0:33:14 | |
Those fit the Serrell bill, don't they? | 0:33:14 | 0:33:18 | |
I think they're relatively old. | 0:33:18 | 0:33:21 | |
You can see where they've just retted in the rowlocks. | 0:33:21 | 0:33:24 | |
Can you say that before the watershed? | 0:33:24 | 0:33:27 | |
You can say that. It's a nautical term. | 0:33:27 | 0:33:29 | |
There's some mileage in these. | 0:33:29 | 0:33:31 | |
I'm going to give him £15 for those. | 0:33:31 | 0:33:33 | |
Before he tries to negotiate on the oars, | 0:33:33 | 0:33:37 | |
Philip wants to assess his options. | 0:33:37 | 0:33:39 | |
Can I have a look at that poster at the back, please? | 0:33:39 | 0:33:43 | |
There's a demand for old posters. | 0:33:43 | 0:33:45 | |
Early travel posters can make a fortune. | 0:33:45 | 0:33:47 | |
This 1940s vintage propaganda poster, | 0:33:47 | 0:33:51 | |
by artist, John Pimlott, | 0:33:51 | 0:33:53 | |
would have been printed by the National Savings Movement, | 0:33:53 | 0:33:56 | |
in an attempt to raise funds for the war effort. | 0:33:56 | 0:33:59 | |
Oh, that's a pity. | 0:34:00 | 0:34:02 | |
This has got a huge rip on the right hand side. | 0:34:02 | 0:34:05 | |
£45 will own it. | 0:34:05 | 0:34:08 | |
I'm interested in buying that, and that. | 0:34:08 | 0:34:10 | |
Don't know why I'm interested in that. Lunacy. But I like lunacy. | 0:34:10 | 0:34:14 | |
-£50 for the pair. -I'm going to say a bit less than that. | 0:34:14 | 0:34:19 | |
But we've got a starting point, haven't we? | 0:34:19 | 0:34:21 | |
-We've got to start somewhere. -Let me see if I can find something else. | 0:34:21 | 0:34:24 | |
Philip's sticking to his guns to get a good deal. | 0:34:24 | 0:34:28 | |
What on earth are those? | 0:34:31 | 0:34:33 | |
They're axle hooks, off a horse cart. | 0:34:33 | 0:34:36 | |
I can see £50 for that lot now. | 0:34:40 | 0:34:42 | |
-How about £60? -Get out of here! | 0:34:42 | 0:34:45 | |
-Meet us half way. -No, it's 50 quid, Colin. | 0:34:45 | 0:34:49 | |
-Another look. -The cards are on the table. | 0:34:49 | 0:34:51 | |
Philip's leaving Colin to mull over his offer. | 0:34:51 | 0:34:54 | |
Has his clever tactic worked? | 0:34:54 | 0:34:57 | |
-I'll give you 50 quid, and that's my best shot. -Cash? | 0:34:57 | 0:35:02 | |
-Yep. -Done. | 0:35:02 | 0:35:03 | |
-It was £40, wasn't it(?) -£50, sir. | 0:35:03 | 0:35:06 | |
Naughty. Philip's come out fighting, and with three items, | 0:35:06 | 0:35:09 | |
the competition is on. | 0:35:09 | 0:35:11 | |
Time for Jonathan to spring into action. | 0:35:11 | 0:35:14 | |
HUMS TO HIMSELF | 0:35:18 | 0:35:19 | |
Dive in there. | 0:35:19 | 0:35:21 | |
Or not. | 0:35:21 | 0:35:22 | |
Phil's probably bought two objects by now. | 0:35:24 | 0:35:29 | |
Two broken bits of wood, I expect. | 0:35:29 | 0:35:32 | |
CREEPY HORROR MUSIC | 0:35:32 | 0:35:35 | |
Those fit the Serrell bill, don't they? | 0:35:37 | 0:35:39 | |
By Jove, it looks like something's caught Jonathan's eye! | 0:35:44 | 0:35:49 | |
Ooh, look! A pretty, pink vase. | 0:35:49 | 0:35:51 | |
This is probably Monart, which is Scottish glass. | 0:35:51 | 0:35:54 | |
Monart glass was made from the 1920s | 0:35:54 | 0:35:57 | |
at the Moncrieff glass works in Scotland | 0:35:57 | 0:36:00 | |
by a family of Spaniards, called Ysart. | 0:36:00 | 0:36:03 | |
Modern glass is fashionable, cos people can put them in the home, | 0:36:03 | 0:36:06 | |
put flowers in them. | 0:36:06 | 0:36:07 | |
Also, they can collect. It's something they can research. | 0:36:07 | 0:36:10 | |
They can pick it up fairly cheaply. | 0:36:10 | 0:36:12 | |
Marked at £65, the Jonathan I know | 0:36:12 | 0:36:16 | |
won't part with that much dosh this early in the game. | 0:36:16 | 0:36:20 | |
I'd be interested in it, but only at £40. That'd be it for me. | 0:36:20 | 0:36:24 | |
-I'll see what I can do. -Thanks. | 0:36:24 | 0:36:28 | |
The thing about it is it's nice and honest. I know Phil would hate it. | 0:36:28 | 0:36:32 | |
Yes, far too jazzy for our old Phil. | 0:36:32 | 0:36:35 | |
Dusty old books are far more up his street. | 0:36:35 | 0:36:37 | |
See what I mean? | 0:36:37 | 0:36:39 | |
"The Cumberland Union Bank Book. | 0:36:40 | 0:36:43 | |
"1876". | 0:36:43 | 0:36:45 | |
This is what I really love about this business. | 0:36:46 | 0:36:48 | |
You have this fantastic social history, and it's all here. | 0:36:48 | 0:36:52 | |
If there's a Cumbrian museum, | 0:36:52 | 0:36:56 | |
and they don't buy this, there's something seriously wrong somewhere. | 0:36:56 | 0:37:00 | |
There's one price coming here, cos I've got to be mean. | 0:37:00 | 0:37:02 | |
I'll give you 30 quid for it. | 0:37:02 | 0:37:06 | |
There you are. | 0:37:06 | 0:37:07 | |
Well... | 0:37:07 | 0:37:09 | |
Good man. This is just absolutely fascinating. | 0:37:11 | 0:37:14 | |
£80 down, but four items bagged. | 0:37:14 | 0:37:17 | |
Not a bad start for Philip. | 0:37:17 | 0:37:19 | |
How's Jonathan's haggling, over £40 for the pink vase, going? | 0:37:22 | 0:37:25 | |
I've talked to the owner. | 0:37:25 | 0:37:29 | |
He'd be willing to take £42. | 0:37:29 | 0:37:31 | |
-I'll do that. -It's yours. -Only two quid more than I was asking. | 0:37:33 | 0:37:36 | |
-Exactly. -I like that. | 0:37:36 | 0:37:37 | |
I'd put it on the mantle, at home. | 0:37:37 | 0:37:40 | |
That wouldn't make you a profit though. | 0:37:40 | 0:37:42 | |
At last, it's one item down for Jonathan. | 0:37:42 | 0:37:45 | |
Now it's Philip's turn to have a squizz in the same shop. | 0:37:48 | 0:37:52 | |
Looks like they've got some really interesting things in here. | 0:37:54 | 0:37:57 | |
The auction's in Kirkby Lonsdale. | 0:38:01 | 0:38:04 | |
The least you can do is pronounce it correctly. It's "Kirby". | 0:38:04 | 0:38:08 | |
We've got Kendal. Now, there's Kirkby Lonsdale. | 0:38:08 | 0:38:10 | |
"Kirby". Oh, I give up. | 0:38:10 | 0:38:12 | |
It's £6. That's just no money at all. | 0:38:12 | 0:38:15 | |
But you're still going to drive a hard bargain, aren't you? | 0:38:15 | 0:38:19 | |
What's the best on your road map? | 0:38:19 | 0:38:21 | |
£5. | 0:38:21 | 0:38:23 | |
SHE SIGHS | 0:38:23 | 0:38:25 | |
£4. All right. That's it, £4. | 0:38:25 | 0:38:28 | |
I haven't said anything yet. Haven't said a word. | 0:38:28 | 0:38:31 | |
SHE LAUGHS | 0:38:31 | 0:38:33 | |
-That's all I've got. -Fibber! You've got over £100. | 0:38:33 | 0:38:37 | |
£3? | 0:38:37 | 0:38:38 | |
No, I'm really sticking out for £4 here. | 0:38:38 | 0:38:41 | |
I'll have it off you for £4. | 0:38:41 | 0:38:43 | |
Jonathan and I can find our way round here now. | 0:38:43 | 0:38:45 | |
With the fifth deal done already, | 0:38:45 | 0:38:47 | |
Philip's on a roll, and back on the road. | 0:38:47 | 0:38:50 | |
He lets Jonathan in on what's driving him to buy, buy, buy. | 0:38:50 | 0:38:55 | |
I'd be happy to win. | 0:38:55 | 0:38:56 | |
I don't mind what happens, as long as I come first. | 0:38:56 | 0:39:01 | |
Having seen what the Cockermouth shops had to offer, | 0:39:01 | 0:39:04 | |
our pair's next destination is another Cumbrian town. | 0:39:04 | 0:39:07 | |
Keswick. | 0:39:07 | 0:39:10 | |
Nestled between the Skiddaw mountains and Derwentwater, | 0:39:10 | 0:39:14 | |
in the Lake District, Keswick is a rather idyllic destination. | 0:39:14 | 0:39:18 | |
Also a bustling market town, | 0:39:18 | 0:39:20 | |
with the striking Moot Hall standing proudly | 0:39:20 | 0:39:24 | |
in the main square since 1813. | 0:39:24 | 0:39:25 | |
New town, new shop. New Jonathan, we hope. | 0:39:28 | 0:39:31 | |
Time to get spending. | 0:39:31 | 0:39:34 | |
I hope there's a bargain to be done in here. | 0:39:34 | 0:39:36 | |
It's a bit small for me. | 0:39:41 | 0:39:43 | |
Is there any chance I could look at a vase, here? | 0:39:45 | 0:39:49 | |
(Cheers). | 0:39:49 | 0:39:50 | |
Gosh. | 0:39:52 | 0:39:53 | |
What struck me when I saw it down the front there, | 0:39:54 | 0:39:58 | |
was the colour of the glazes and the decoration | 0:39:58 | 0:40:01 | |
is typically old Chinese. | 0:40:01 | 0:40:03 | |
So, it's likely it's a copy | 0:40:03 | 0:40:06 | |
of a second or third century vase. | 0:40:06 | 0:40:09 | |
During the Tang Dynasty in China, | 0:40:09 | 0:40:11 | |
from 618 to 907, | 0:40:11 | 0:40:14 | |
a wide range of ceramics were produced. | 0:40:14 | 0:40:16 | |
According to Jonathan, | 0:40:16 | 0:40:17 | |
this vase resembles the style from that era. | 0:40:17 | 0:40:20 | |
What would you be willing to accept for it? | 0:40:21 | 0:40:24 | |
Well, I've got 85 on it. I would do it for a straight 60 quid. | 0:40:24 | 0:40:27 | |
For me, £40. | 0:40:27 | 0:40:29 | |
-And then, it's worth a risk. -Yeah. | 0:40:29 | 0:40:32 | |
-£50 would be an absolute... -Yeah. | 0:40:32 | 0:40:34 | |
Have a think at £50. See if you can find anything else, first. | 0:40:34 | 0:40:38 | |
And he's off browsing again. | 0:40:38 | 0:40:41 | |
Come along, Jonathan. | 0:40:41 | 0:40:42 | |
Philip's got five items, compared to your one. | 0:40:42 | 0:40:45 | |
This is a Japanese cloisonne vase. | 0:40:47 | 0:40:51 | |
This is a vase made of copper, and then over the top, | 0:40:51 | 0:40:54 | |
they lay a very thin wire. | 0:40:54 | 0:40:56 | |
Between the wires of the pattern, | 0:40:56 | 0:40:57 | |
they then put in coloured enamels, which are, basically, melted glass. | 0:40:57 | 0:41:01 | |
The Japanese, at the end of the 19th century, | 0:41:01 | 0:41:03 | |
were brilliant at it. The quality of these irises is beautiful. | 0:41:03 | 0:41:08 | |
Crikey, that's odd, isn't it? | 0:41:14 | 0:41:17 | |
It's like it's been in a fire. | 0:41:17 | 0:41:18 | |
Almost like a thick lacquer's on there. | 0:41:18 | 0:41:21 | |
Something has melted the glass. | 0:41:21 | 0:41:23 | |
So, unless you were willing to accept | 0:41:23 | 0:41:27 | |
£30 for it... | 0:41:27 | 0:41:30 | |
-Shall I put it in a bag for you? -HE LAUGHS | 0:41:30 | 0:41:32 | |
I know it's damaged but, marked at £125, I'd shake on it if I were you. | 0:41:32 | 0:41:37 | |
-30 quid. -£30. -Smashing. | 0:41:39 | 0:41:42 | |
That's not a bad deal you've got! | 0:41:42 | 0:41:45 | |
My decision is to be made, whether I want to take that pot. | 0:41:45 | 0:41:48 | |
How much are you saying for that? | 0:41:48 | 0:41:50 | |
-£50. -£50 you're saying for that. Are you SURE you're saying £50? | 0:41:50 | 0:41:54 | |
-I could not go any less than £50. -You couldn't? | 0:41:54 | 0:41:57 | |
-HE SIGHS -Come on. Decision time. | 0:41:58 | 0:42:02 | |
-It's worth a punt, so I'll go for that as well. -Excellent. | 0:42:02 | 0:42:05 | |
A bit of a theme here. Japanese, Chinese. | 0:42:05 | 0:42:08 | |
I think the theme's vases, actually. | 0:42:08 | 0:42:10 | |
Jonathan's bought his third vase for auction, | 0:42:12 | 0:42:16 | |
but shopping isn't all the town of Keswick has to offer. | 0:42:16 | 0:42:18 | |
The discovery of a form of graphite called wad | 0:42:23 | 0:42:26 | |
resulted in the development of local pencil production. | 0:42:26 | 0:42:29 | |
Where better for Philip to learn about the history of Keswick pencils | 0:42:29 | 0:42:33 | |
than the Cumberland Pencil Museum? | 0:42:33 | 0:42:35 | |
Alex Farthing, the museum manager, is primed to give the full tour. | 0:42:35 | 0:42:40 | |
Welcome to the Pencil Museum! | 0:42:41 | 0:42:43 | |
I never thought I'd get excited about pencils. | 0:42:43 | 0:42:46 | |
Why pencils, here? | 0:42:46 | 0:42:48 | |
Way back in the 1500s, the story goes | 0:42:48 | 0:42:51 | |
there was a large storm, | 0:42:51 | 0:42:52 | |
and shepherds went out to tend their flock. | 0:42:52 | 0:42:54 | |
They found numerous trees fallen down on their land. | 0:42:54 | 0:42:57 | |
One of the trees had become uprooted. | 0:42:57 | 0:43:00 | |
Underneath, inside the roots, was a black substance. | 0:43:00 | 0:43:03 | |
They pulled out that black substance and thought it was coal. | 0:43:03 | 0:43:06 | |
They tried to burn it, it didn't burn. | 0:43:06 | 0:43:08 | |
But it marked their hands. Later, they marked their sheep with it. | 0:43:08 | 0:43:12 | |
That's a piece of wad. | 0:43:12 | 0:43:14 | |
The graphite is the wad, ground down with other substances, | 0:43:14 | 0:43:17 | |
to produce the graphite. | 0:43:17 | 0:43:18 | |
How does that gradually convert into a pencil? | 0:43:18 | 0:43:21 | |
I'll show you these slats. | 0:43:21 | 0:43:22 | |
-It's a slat of Canadian cedar wood. -I understand that's made... | 0:43:22 | 0:43:27 | |
You used to get tree trunks, slat them down. | 0:43:27 | 0:43:29 | |
They'd come in a specific length. | 0:43:29 | 0:43:31 | |
It's actually grooved, | 0:43:31 | 0:43:33 | |
so all the channels are grooved in. | 0:43:33 | 0:43:35 | |
Then you get round pieces of graphite. | 0:43:35 | 0:43:39 | |
You put the graphite in the bottom of the slat. It gets glued in. | 0:43:39 | 0:43:43 | |
The top slat goes on top, and you make a wooden sandwich. | 0:43:43 | 0:43:45 | |
The top gets grooved into a round, and then the bottom, | 0:43:45 | 0:43:48 | |
-and they all get separated. -I've just made a pencil. | 0:43:48 | 0:43:53 | |
Pencils are everyday writing tools, | 0:43:54 | 0:43:56 | |
but during the Second World War, | 0:43:56 | 0:43:59 | |
they became, possibly, mightier than the sword. | 0:43:59 | 0:44:02 | |
The gentleman who made this pencil | 0:44:08 | 0:44:10 | |
was called Charles Fraser-Smith. | 0:44:10 | 0:44:12 | |
He worked for MI6. | 0:44:12 | 0:44:16 | |
And worked for the Government. | 0:44:16 | 0:44:18 | |
He was instructed by the Government | 0:44:18 | 0:44:21 | |
to come up with devices, instruments, | 0:44:21 | 0:44:22 | |
that would help airmen | 0:44:22 | 0:44:25 | |
throughout the war, if they fell into enemy territory, | 0:44:25 | 0:44:28 | |
to get home again safely. | 0:44:28 | 0:44:30 | |
Charles Fraser-Smith designed | 0:44:30 | 0:44:32 | |
this brilliant secret pencil, | 0:44:32 | 0:44:35 | |
issued to RAF pilots. | 0:44:35 | 0:44:37 | |
Inside was a map of Germany, marking escape routes and safe houses, | 0:44:37 | 0:44:41 | |
and a miniscule compass, underneath the rubber. | 0:44:41 | 0:44:46 | |
If you set off into enemy territory, | 0:44:46 | 0:44:49 | |
you snapped your pencil in half, | 0:44:49 | 0:44:51 | |
and you could then pull out the little map. | 0:44:51 | 0:44:53 | |
This Gadget-designing genius | 0:44:53 | 0:44:57 | |
was actually the inspiration for Ian Fleming's character Q | 0:44:57 | 0:45:00 | |
in the James Bond novels. | 0:45:00 | 0:45:02 | |
Pay attention, Philip! | 0:45:02 | 0:45:04 | |
The wonderful part of it | 0:45:05 | 0:45:07 | |
is they were done completely secretly. | 0:45:07 | 0:45:09 | |
So, in the evenings, | 0:45:09 | 0:45:11 | |
everybody went home, | 0:45:11 | 0:45:12 | |
and a selection of management came back, with five or six other people, | 0:45:12 | 0:45:16 | |
and produced these pencils, but it looks like a normal pencil. | 0:45:16 | 0:45:19 | |
Because of the war's Secrecy Act, | 0:45:19 | 0:45:21 | |
how many of these kits were made remains a mystery, | 0:45:21 | 0:45:25 | |
but it's thought only ten remain in the world today. | 0:45:25 | 0:45:29 | |
It's really opened my eyes. | 0:45:29 | 0:45:30 | |
I'm now going to scour antique shops | 0:45:30 | 0:45:32 | |
to see if I can find a green pencil. | 0:45:32 | 0:45:34 | |
Excellent. Lovely to have you. | 0:45:34 | 0:45:36 | |
So, Philip's seen that the Lake District is the heart of discovery, | 0:45:38 | 0:45:42 | |
invention, and creation, | 0:45:42 | 0:45:45 | |
and for some, a pencil is not just a pencil. | 0:45:45 | 0:45:48 | |
Wind in their hair, | 0:45:51 | 0:45:53 | |
our boys are heading 20 miles east, to Penrith. | 0:45:53 | 0:45:57 | |
Once the capital of Cumbria, | 0:45:57 | 0:45:59 | |
this pretty town of Penrith is in the hub of the Eden Valley. | 0:45:59 | 0:46:03 | |
A wonderful medieval market town | 0:46:03 | 0:46:06 | |
that still supplies a wide surrounding area. | 0:46:06 | 0:46:09 | |
I think one of the shops is just there... | 0:46:12 | 0:46:15 | |
The gents are going head-to-head. | 0:46:15 | 0:46:17 | |
They're about to share the same shop - look out! | 0:46:17 | 0:46:20 | |
-Age before beauty. -No, no, no, no... | 0:46:20 | 0:46:23 | |
And they've come with a strategy. | 0:46:23 | 0:46:25 | |
-You go upstairs first, and then we'll swap over, yeah? -OK. | 0:46:25 | 0:46:28 | |
Sounds polite, but Philip knows that usually, the rubbish is upstairs! | 0:46:28 | 0:46:35 | |
-Right... -Philip's instinct's bang-on - what a lot of crockery. | 0:46:35 | 0:46:39 | |
Yeah, that's lovely. | 0:46:39 | 0:46:40 | |
Careful! | 0:46:40 | 0:46:43 | |
..look at that baby! Ha! | 0:46:45 | 0:46:47 | |
Walk away, Jonathan, walk away! | 0:46:47 | 0:46:49 | |
Look out, the head honcho's here to suss out the competition. | 0:46:49 | 0:46:52 | |
How are you getting on? | 0:46:52 | 0:46:54 | |
Just looking, Phil, just looking, you know. | 0:46:54 | 0:46:56 | |
Don't let him put you off, Jonathan! | 0:46:56 | 0:47:00 | |
At last! Something appealing has caught his eye... | 0:47:02 | 0:47:07 | |
She's quite a pretty young lady. I like it because it's... | 0:47:07 | 0:47:10 | |
it's just a profile of a bust of a lady, which is very simple. | 0:47:10 | 0:47:14 | |
Stamped 9C for nine carat - that's good enough. | 0:47:14 | 0:47:17 | |
It's about 1880 in date, and they're getting more fashionable now. | 0:47:17 | 0:47:21 | |
-How much is this one? -That one's 45 - it IS gold. | 0:47:21 | 0:47:25 | |
You wouldn't take £35? You'd think about it... | 0:47:25 | 0:47:29 | |
-£40. -Ha-ha! -Good tactic. | 0:47:29 | 0:47:32 | |
You must be learning from Philip. Let her ponder your offer! | 0:47:32 | 0:47:36 | |
-That little shell cameo of yours, you wouldn't do it for 35? -I would. | 0:47:36 | 0:47:41 | |
-Well, I'll take that for £35, if I may? -Very good. -Thank you. | 0:47:41 | 0:47:45 | |
Is Phil losing his mojo? | 0:47:45 | 0:47:47 | |
I'm struggling here. What about our little sewing machine? | 0:47:47 | 0:47:51 | |
That's lovely, isn't it, in its original box? | 0:47:51 | 0:47:55 | |
-It's 1960s, Sylvia. -Do you think so? -Without a shadow of a doubt. | 0:47:55 | 0:48:00 | |
-And how much do you want for it? -£22, instead of 29. | 0:48:00 | 0:48:06 | |
-Sylvia, I'll give you 15 quid for it. -No, I don't give huge discounts. | 0:48:06 | 0:48:10 | |
-I have to make a living. -Sylvia, it's time to change your policy. | 0:48:10 | 0:48:14 | |
I would love to sell you something. | 0:48:14 | 0:48:16 | |
Well, can you try a bit harder? This is my best and final shot. | 0:48:16 | 0:48:20 | |
Can I give you 18 quid for it? | 0:48:20 | 0:48:22 | |
-OK. -Sylvia, you're an angel. -I am, I know! | 0:48:22 | 0:48:25 | |
Are you going soft on us, Philip, | 0:48:25 | 0:48:28 | |
buying a child's sewing machine and giving away all these hugs? | 0:48:28 | 0:48:32 | |
Dear, oh dear, oh dear. | 0:48:32 | 0:48:34 | |
Shopping's over... | 0:48:34 | 0:48:36 | |
Steady, Phil - looks as if you could do with a lie-down, mate. | 0:48:36 | 0:48:40 | |
Both experts started this leg of the road trip with £200 each. | 0:48:41 | 0:48:45 | |
Philip spent £102 on a pair of oars, | 0:48:45 | 0:48:48 | |
a poster, two axle hubs, an accounts ledger, | 0:48:48 | 0:48:50 | |
a map, and a child's sewing machine. | 0:48:50 | 0:48:55 | |
Jonathan Pratt spent £157 on a vase that might be Chinese, | 0:48:55 | 0:49:00 | |
a piece of Scottish glassware, a Victorian gold shell cameo, | 0:49:00 | 0:49:05 | |
and a cloisonne vase. | 0:49:05 | 0:49:07 | |
What do our rivals think of each others' buys? | 0:49:07 | 0:49:10 | |
On the whole, he's got these five objects, and across the board, | 0:49:10 | 0:49:14 | |
they're pretty unimaginative. He needs to take those big, brass nuts he bought and start wearing them. | 0:49:14 | 0:49:20 | |
JP, bless him, he really had a punt, didn't he? | 0:49:20 | 0:49:23 | |
That cloisonne vase, for me, the thing about cloisonne, | 0:49:23 | 0:49:26 | |
if it's perfect, buy it, if it isn't, whatever the price - don't buy it. | 0:49:26 | 0:49:32 | |
And the vase? Well, either he's horribly wrong, | 0:49:32 | 0:49:37 | |
or I'm horribly wrong. I just wouldn't have bought that. | 0:49:37 | 0:49:40 | |
I don't think it's Chinese. I think it's probably European, | 0:49:40 | 0:49:44 | |
and I don't think it's anything like as old as he thinks it is. | 0:49:44 | 0:49:48 | |
On the first leg of their road trip, | 0:49:48 | 0:49:51 | |
the pair have travelled through Cumbria from Cockermouth to Keswick | 0:49:51 | 0:49:55 | |
and on to Penrith. | 0:49:55 | 0:49:58 | |
The final destination for today's auction is Kirkby Lonsdale. | 0:49:58 | 0:50:02 | |
Kirkby Lonsdale lies on the River Lune, | 0:50:08 | 0:50:11 | |
and the town's churchyard has breathtaking views. | 0:50:11 | 0:50:14 | |
It's an ancient settlement, recorded back in the Domesday Book | 0:50:14 | 0:50:19 | |
back in 1086. It was granted a charter to hold markets in the 13th Century, | 0:50:19 | 0:50:23 | |
which continue to thrive today. | 0:50:23 | 0:50:27 | |
The boys are heading for the auction, and it's a typical glorious British summer's day. | 0:50:27 | 0:50:33 | |
No need to shut the window, you're driving next! | 0:50:35 | 0:50:38 | |
Will Philip's safe buys or Jonathan's brave choices pay off | 0:50:38 | 0:50:42 | |
and make the most profit? | 0:50:42 | 0:50:44 | |
James Thompson Auctioneers has been a thriving business here since the 1940s, | 0:50:44 | 0:50:48 | |
and today's auctioneer is Glyn Thompson. | 0:50:48 | 0:50:51 | |
Time for the auction to begin! | 0:50:54 | 0:50:55 | |
You're looking rather learned, chaps - and smug. | 0:50:55 | 0:50:59 | |
First up, Philip's 19th-century accounts ledger. | 0:50:59 | 0:51:02 | |
Interesting local lot, the 1876 Cumberland Union Bank ledger. | 0:51:02 | 0:51:07 | |
20 to start. 20 bid, thank you. £20 bid, 25... | 0:51:07 | 0:51:11 | |
25, 30, 35, 40. | 0:51:11 | 0:51:13 | |
45, 50, 55... | 0:51:13 | 0:51:18 | |
No? 55 bid, 60 I'll take. At 55, seated to my right, | 0:51:18 | 0:51:21 | |
selling at 55. | 0:51:21 | 0:51:23 | |
Game on. | 0:51:23 | 0:51:26 | |
Don't get used to it, it's one of many - building you up for a fall. | 0:51:26 | 0:51:30 | |
A decent start, with a £25 profit. | 0:51:30 | 0:51:34 | |
Next is Philip's 1940s National Savings poster | 0:51:34 | 0:51:38 | |
by artist John Pimlott. | 0:51:38 | 0:51:40 | |
£30 for the poster? | 0:51:40 | 0:51:43 | |
Well, ten to start me. £10 bid. | 0:51:43 | 0:51:46 | |
The poster I'm selling, at £10 bid. 12, 12 bid, 14, | 0:51:46 | 0:51:50 | |
16, 18, | 0:51:50 | 0:51:52 | |
20, is it? I'm 18 bid. | 0:51:52 | 0:51:54 | |
20, beg your pardon. 20 bid, 22, 24. | 0:51:54 | 0:51:58 | |
£24, you're all out standing up. | 0:51:58 | 0:52:01 | |
Bid sat down at 24, then, selling at 24. | 0:52:01 | 0:52:04 | |
That's fair enough, did the job. | 0:52:04 | 0:52:07 | |
Only £4 profit, but a profit nevertheless. | 0:52:07 | 0:52:11 | |
-Your bit of cloisonne next. -Yeah. -I think that was a fine vase once. | 0:52:12 | 0:52:17 | |
-There is damage. -Let's hope the damage doesn't lose Jonathan money. | 0:52:17 | 0:52:21 | |
Pretty cloisonne vase, with iris decoration. | 0:52:21 | 0:52:24 | |
Well, 10 to start. | 0:52:24 | 0:52:27 | |
£10 bid, nice little iris vase. | 0:52:27 | 0:52:30 | |
12 bid, 15, 15 bid, 18. | 0:52:30 | 0:52:33 | |
20. £20 bid, two anywhere else? | 0:52:33 | 0:52:36 | |
At £20, stood up now, selling at 20. | 0:52:36 | 0:52:40 | |
Isn't going so well, JP, is it? | 0:52:42 | 0:52:46 | |
Perhaps his Scottish vase will prove more popular. | 0:52:46 | 0:52:50 | |
671 is the 1930s either Monart or Vasart | 0:52:50 | 0:52:56 | |
Scottish glass vase. | 0:52:56 | 0:52:58 | |
I have commission interest, I'll start this at £20 bid. | 0:52:58 | 0:53:02 | |
Five I'll take now, 25. | 0:53:02 | 0:53:04 | |
25. 25, 30, 35, | 0:53:04 | 0:53:08 | |
40... £40 bid. Where's five? 45. | 0:53:08 | 0:53:11 | |
45 bid. 50 if you like? | 0:53:11 | 0:53:14 | |
Get him in, get him in. | 0:53:14 | 0:53:17 | |
No, all out on the phone, at £45 in the centre of the room, | 0:53:17 | 0:53:20 | |
selling at 45. | 0:53:20 | 0:53:22 | |
Well, that's a nice £3 profit there. | 0:53:22 | 0:53:26 | |
I hate to break it to you, but after commission, it's not done that well. | 0:53:26 | 0:53:31 | |
Anyone out there want a sewing machine for their child? | 0:53:31 | 0:53:34 | |
682, the child's Vulcan tin plate sewing machine in its original box. | 0:53:34 | 0:53:43 | |
Ten bid. Thank you, £10 bid. 12, I'll take then. | 0:53:43 | 0:53:46 | |
10 bid. 12. 12 bid. | 0:53:46 | 0:53:48 | |
14. 14 bid. | 0:53:48 | 0:53:49 | |
16. 18. 18 and 20 there. | 0:53:49 | 0:53:53 | |
20 bid. | 0:53:53 | 0:53:55 | |
22. 25. | 0:53:55 | 0:53:56 | |
28. 30 bid. 30 bid. | 0:53:56 | 0:54:00 | |
Two anywhere else? At £30, all done now. | 0:54:00 | 0:54:03 | |
Selling then at 30. 340. | 0:54:03 | 0:54:05 | |
Never mind, Jonathan, but yes, Philip has made a £12 profit. | 0:54:07 | 0:54:11 | |
Let's hope Philip's next item keeps him on the road to success. | 0:54:11 | 0:54:17 | |
Nice clean example of a Bartholomew's road map. | 0:54:17 | 0:54:19 | |
10 to start me. 10 bid. Thank you, £10 bid. | 0:54:21 | 0:54:23 | |
12, I'll take, the Bartholomew's map. | 0:54:23 | 0:54:25 | |
At 12. 12 bid. 14. | 0:54:25 | 0:54:28 | |
16. 18. 20. £20 bid. | 0:54:28 | 0:54:32 | |
Two anywhere now? At £20. Selling then at 20. | 0:54:32 | 0:54:35 | |
-That was sort of all right. -Very bright. Very bright. | 0:54:35 | 0:54:39 | |
Good boy. | 0:54:39 | 0:54:41 | |
Looks like that was a wise buy. | 0:54:41 | 0:54:43 | |
Now, it's time for two of Philip's items in one lot. | 0:54:43 | 0:54:48 | |
We've amalgamated two lots here. | 0:54:50 | 0:54:52 | |
714 is the pair of wooden oars, | 0:54:52 | 0:54:56 | |
plus the Victorian carriage hubs. | 0:54:56 | 0:54:59 | |
At 30 bid. Thank you. £30 bid. 35 now I'll take. £30 bid. | 0:54:59 | 0:55:03 | |
35. 35. 40 bid. | 0:55:03 | 0:55:06 | |
45. 50 bid. 55. | 0:55:06 | 0:55:10 | |
60 bid. 65. 70. | 0:55:10 | 0:55:13 | |
75. 80. 85. | 0:55:13 | 0:55:16 | |
JP, you've gone ever so pale. | 0:55:16 | 0:55:18 | |
£85 standing up then. Selling now at 85. | 0:55:18 | 0:55:22 | |
There's a man out there with a broken-down train | 0:55:24 | 0:55:27 | |
and a boat without any oars. You've just made his day. | 0:55:27 | 0:55:30 | |
Don't lose heart, Jonathan. | 0:55:30 | 0:55:33 | |
Philip's doing rather well, though. | 0:55:33 | 0:55:35 | |
Next, it's Jonathan's Chinese, or possibly just Chinese-style vase. | 0:55:35 | 0:55:41 | |
Perhaps this will be the item that puts him back in the game. | 0:55:41 | 0:55:45 | |
£10 the globular vase. Thank you. £10 bid. | 0:55:45 | 0:55:48 | |
12 now I'll take. 12. 12 bid. 15. 18. 20. | 0:55:48 | 0:55:53 | |
22. 25. 28. | 0:55:53 | 0:55:56 | |
30 bid. £30 bid. Two anywhere else? | 0:55:56 | 0:56:00 | |
At £30 now. Selling then at 30. | 0:56:00 | 0:56:03 | |
My hopes and dreams dashed in one fall of the hammer. | 0:56:03 | 0:56:07 | |
Ouch! He didn't see that coming. Another loss. | 0:56:07 | 0:56:11 | |
726. | 0:56:11 | 0:56:13 | |
Here we are, JP. | 0:56:13 | 0:56:14 | |
But it's not over yet, Jonathan. | 0:56:14 | 0:56:17 | |
It's the last lot, and you have one more chance with your pretty brooch. | 0:56:17 | 0:56:22 | |
Victorian nine carat gold mounted shell cameo, | 0:56:22 | 0:56:24 | |
classical design. | 0:56:24 | 0:56:26 | |
20 to start me. The gold's worth that. 20 bid. | 0:56:26 | 0:56:30 | |
£20 bid. And 5. | 0:56:30 | 0:56:31 | |
25. 30. 35. 40. | 0:56:31 | 0:56:34 | |
45. 50. 50 bid. Five anywhere else? | 0:56:34 | 0:56:40 | |
Gold mounted cameo, at £50 then. Selling at 50. | 0:56:40 | 0:56:44 | |
Jonathan ended on a profit. | 0:56:44 | 0:56:45 | |
But it wasn't quite enough for him to win this leg of the game. | 0:56:45 | 0:56:49 | |
There we go. At least I've redeemed myself. | 0:56:49 | 0:56:52 | |
Soaked up a little bit of loss. | 0:56:52 | 0:56:55 | |
I will walk out with my head high now and a spring in my step. | 0:56:55 | 0:56:58 | |
Come on, let's go. | 0:56:58 | 0:57:00 | |
Which means today the winner is | 0:57:00 | 0:57:02 | |
our no-nonsense negotiator, Philip Serrell. | 0:57:02 | 0:57:04 | |
Having both started with £200 apiece, | 0:57:08 | 0:57:12 | |
after auction costs, | 0:57:12 | 0:57:13 | |
Jonathan Pratt made a loss of £38.10 on his items. | 0:57:13 | 0:57:18 | |
So for the next leg, he'll have £161.90 to spend. | 0:57:18 | 0:57:22 | |
From his original £200, | 0:57:27 | 0:57:29 | |
Philip Serrell made a profit of £73.48 after commission. | 0:57:29 | 0:57:33 | |
So he has £273.48 to carry on to the next leg. | 0:57:33 | 0:57:38 | |
Auction over! | 0:57:38 | 0:57:40 | |
So nice to see Philip's always a gracious victor. | 0:57:43 | 0:57:46 | |
Get out of here. You better drive, | 0:57:48 | 0:57:50 | |
cos I want to count my money in the passenger seat. | 0:57:50 | 0:57:53 | |
Did you leave the motor running? | 0:57:56 | 0:57:59 | |
Oh, sorry Phil. It's nice knowing you. See you later. | 0:57:59 | 0:58:03 | |
It's stuck. JP, let me in, you rat! | 0:58:03 | 0:58:06 | |
They're good friends, really! | 0:58:07 | 0:58:11 | |
This is the homoerotic poster. | 0:58:17 | 0:58:19 | |
No, not the homoerotic poster. | 0:58:19 | 0:58:22 | |
The Cumberland Union Bank ledger. | 0:58:22 | 0:58:25 |