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The nation's favourite antiques experts, £200 each | 0:00:02 | 0:00:04 | |
-and one big challenge. -Well, duck, do I buy you or don't I? | 0:00:04 | 0:00:08 | |
Who can make the most money buying and selling antiques | 0:00:08 | 0:00:11 | |
-as they scour the UK. -Yee-ha! | 0:00:11 | 0:00:13 | |
The aim is trade up and hope each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory | 0:00:17 | 0:00:19 | |
-can end in tatters. -60. -Get out of here. | 0:00:19 | 0:00:22 | |
So will it be the fast lane to success or the slow road | 0:00:22 | 0:00:25 | |
to bankruptcy? | 0:00:25 | 0:00:26 | |
I want to go and cry. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
JAZZY THEME | 0:00:31 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today we're back on the road with Philip Serrell and Jonathan Pratt. | 0:00:35 | 0:00:39 | |
Young Jonathan seems to be taking | 0:00:39 | 0:00:41 | |
a lot of guidance from his older road tripper. | 0:00:41 | 0:00:44 | |
-I am learning from the master. -I don't know about that. | 0:00:44 | 0:00:47 | |
You are my master, my guru. | 0:00:47 | 0:00:50 | |
Steady. | 0:00:50 | 0:00:51 | |
But when it comes to shopping | 0:00:51 | 0:00:53 | |
Philip Serrell is a lover of all things daft and different | 0:00:53 | 0:00:57 | |
and it is often the dustier the better. | 0:00:57 | 0:01:01 | |
Those fit the Serrell bill, don't they? | 0:01:01 | 0:01:04 | |
Jonathan Pratt prefers the more traditional items | 0:01:04 | 0:01:08 | |
and has a real penchant for vases. | 0:01:08 | 0:01:10 | |
Look at that baby! | 0:01:10 | 0:01:13 | |
Philip's wacky strategy seems to be working a treat. | 0:01:13 | 0:01:17 | |
From his original £200, Philip made a profit | 0:01:17 | 0:01:21 | |
and now has £273.48 to play with. | 0:01:21 | 0:01:25 | |
Sadly, by playing it safe, Jonathan's £200 has dwindled | 0:01:26 | 0:01:31 | |
and he only has £161.90 for this leg of the game. Looking serious. | 0:01:31 | 0:01:37 | |
This road trip sees the pair travelling in their 1965 Triumph TR4 | 0:01:37 | 0:01:45 | |
from Cockermouth in Cumbria all the way to Wilmslow. | 0:01:45 | 0:01:48 | |
Today, they are off to Corbridge, | 0:01:48 | 0:01:50 | |
with our final destination in Northallerton. | 0:01:50 | 0:01:54 | |
During Roman times Corbridge was a supply town for Hadrian's Wall | 0:01:55 | 0:02:00 | |
and is now well known for its quaint shops and boutiques. | 0:02:00 | 0:02:04 | |
Which is very handy, because our chaps need to shop, shop, shop! | 0:02:04 | 0:02:06 | |
This looks quite wealthy, JP. | 0:02:08 | 0:02:11 | |
-I don't like wealthy areas! -No, I think exactly that. | 0:02:11 | 0:02:14 | |
-Wealthy areas have expensive shops. -Yes. | 0:02:14 | 0:02:17 | |
Better be prepared to dig deep, then. | 0:02:17 | 0:02:19 | |
-Good stuff. -Fantastico. -Yeah. | 0:02:19 | 0:02:22 | |
Right, boys. Off in separate directions, please. | 0:02:22 | 0:02:26 | |
Philip, you go one way, Jonathan, you go the other. | 0:02:26 | 0:02:30 | |
Right, Jonathan. | 0:02:31 | 0:02:33 | |
The auction you are going to is a general sale, | 0:02:33 | 0:02:36 | |
-so please bear that in mind. -I buy whatever I see. | 0:02:36 | 0:02:39 | |
Oh, dear. What have we got there? | 0:02:39 | 0:02:42 | |
This is a copy of a Scottish stoneware chair. | 0:02:42 | 0:02:46 | |
They made these highly fired glazed garden seats, | 0:02:46 | 0:02:50 | |
which were made to look like rustic, cobbled-together branches. | 0:02:50 | 0:02:55 | |
And normally, they are this sort of size. | 0:02:55 | 0:02:58 | |
I have not seen one like this before, it's quite sweet. | 0:02:58 | 0:03:01 | |
The downside is that the arms do not match. | 0:03:01 | 0:03:03 | |
It has been broken, and lost its arm. | 0:03:03 | 0:03:05 | |
Hence, the price is only £45. | 0:03:05 | 0:03:07 | |
This could be an object that might be popular. | 0:03:07 | 0:03:09 | |
Philip is not having any luck | 0:03:09 | 0:03:12 | |
seeking out a real bargain in his shop. | 0:03:12 | 0:03:15 | |
-So... -See you in a bit. -He makes a sharp exit. | 0:03:15 | 0:03:20 | |
To join Jonathan. Matey, like. | 0:03:20 | 0:03:23 | |
I did look at the little Scottish pottery chair. | 0:03:25 | 0:03:27 | |
-Has it got a price on? -It has. | 0:03:27 | 0:03:32 | |
-20? -Best price? You wouldn't take 15? -I can't take 15, no. No. -18? | 0:03:32 | 0:03:37 | |
-Go on then, yes. -'That was a rapid change of heart!' | 0:03:37 | 0:03:40 | |
'What a pretty thing.' | 0:03:40 | 0:03:42 | |
Philip has just arrived. Coming this way. | 0:03:42 | 0:03:44 | |
Make sure you leave something, JP. | 0:03:44 | 0:03:47 | |
Are you nursing something, JP? | 0:03:49 | 0:03:50 | |
-I'm starting to model myself on you, Phil. -Get out of here! | 0:03:50 | 0:03:53 | |
Ha-ha! Right, Jonathan, it's time for you to settle up | 0:03:53 | 0:03:57 | |
for what I think is a chair up your jumper. | 0:03:57 | 0:03:59 | |
That's it. Now, zip up. | 0:03:59 | 0:04:01 | |
That's one down. I'm going to leave Phil to it, and pop over the road. | 0:04:03 | 0:04:07 | |
And Philip is not wasting any time. | 0:04:07 | 0:04:10 | |
That little ashtray in the bottom, how much is he? | 0:04:10 | 0:04:13 | |
It has got £78 on it. | 0:04:13 | 0:04:15 | |
This is by Robert Thompson of Kilburn | 0:04:15 | 0:04:17 | |
and he was known as Mouseman. | 0:04:17 | 0:04:19 | |
He was known as Mouseman because when he started working, | 0:04:19 | 0:04:22 | |
making furniture, he reckoned he was as poor as church mice | 0:04:22 | 0:04:26 | |
and so his trademark was to put this little mouse carving | 0:04:26 | 0:04:30 | |
on chairs and everything else he did. | 0:04:30 | 0:04:33 | |
-What is this, 30 years old? -Probably, yes. | 0:04:33 | 0:04:36 | |
It is one of the slightly later ones, | 0:04:36 | 0:04:38 | |
but a lot of people prefer that, | 0:04:38 | 0:04:40 | |
because that is more accessible to them. | 0:04:40 | 0:04:43 | |
It is not hundreds of pounds, is it? | 0:04:43 | 0:04:46 | |
What is the very best you can do on that? | 0:04:46 | 0:04:48 | |
£50 would be the absolute bottom line. | 0:04:48 | 0:04:50 | |
While Philip has a think about the ashtray, a Mauchline ware inkwell | 0:04:50 | 0:04:54 | |
with a jockey hat design has also caught his eye. | 0:04:54 | 0:04:57 | |
Northallerton. Yorkshire. | 0:04:57 | 0:05:00 | |
Yes, that's where the auction is. | 0:05:00 | 0:05:02 | |
Not too far away from Midland. | 0:05:02 | 0:05:04 | |
And Midland is a massive racehorse centre where they train racehorses. | 0:05:04 | 0:05:07 | |
I'm thinking that that little jockey's cap, | 0:05:07 | 0:05:09 | |
and that hoof, that might do OK there. | 0:05:09 | 0:05:12 | |
It is hardly Philip Serrell wacky and weird, is it? | 0:05:12 | 0:05:17 | |
-What's the best you could do it for, for me? -What has it got on it? | 0:05:17 | 0:05:20 | |
-You've got 75, which... -50 would be the best. | 0:05:20 | 0:05:23 | |
-The very best you can do on that is 50? No better at all? -45? | 0:05:23 | 0:05:27 | |
I am going to go for broke here. | 0:05:28 | 0:05:30 | |
-Could you do the Mouseman for 45? -OK. 45. | 0:05:30 | 0:05:32 | |
All right, thank you very much. Let me get some money out. | 0:05:32 | 0:05:36 | |
-Two more items bought then, Philip. -Have I put all my eggs | 0:05:36 | 0:05:39 | |
in one big wooden basket? Oh well, we will find out, won't we? | 0:05:39 | 0:05:42 | |
We certainly will. | 0:05:42 | 0:05:45 | |
Jonathan was also unsuccessful in the shop across the road, | 0:05:45 | 0:05:49 | |
but he is still hiding his last purchase from the curious Philip. | 0:05:49 | 0:05:53 | |
What have you bought? | 0:05:53 | 0:05:54 | |
-Just some sandwiches. -Sandwiches? I am feeling a bit peckish. | 0:05:54 | 0:05:57 | |
Poor pickings in Corbridge, so back on the road. | 0:05:57 | 0:06:00 | |
Sandwiches are in here, are they? Hello! | 0:06:00 | 0:06:03 | |
Both chaps are now heading East | 0:06:03 | 0:06:06 | |
to the Newcastle upon Tyne suburb of Jesmond | 0:06:06 | 0:06:10 | |
18 miles away. | 0:06:10 | 0:06:12 | |
Considered to be one of the more affluent residential suburbs, | 0:06:12 | 0:06:15 | |
so where better for more buying? | 0:06:15 | 0:06:17 | |
Jonathan, however, is not stopping here. | 0:06:17 | 0:06:20 | |
He is off to the theatre, darling. | 0:06:20 | 0:06:22 | |
But drops Philip off to carry on his spending. | 0:06:22 | 0:06:26 | |
-Good luck, Philip. -Yes. -I'm off to tread the boards. | 0:06:26 | 0:06:29 | |
-Enjoy the theatre, dear boy. -Thank you very much. -Bye, drive safely. | 0:06:29 | 0:06:34 | |
Hello! | 0:06:36 | 0:06:37 | |
Hello! Now, this shop doesn't exactly smack | 0:06:37 | 0:06:41 | |
of the Serrell weird and wacky. | 0:06:41 | 0:06:43 | |
Does that look familiar? | 0:06:43 | 0:06:45 | |
Seen anything you like, Philip? | 0:06:45 | 0:06:48 | |
Well, we've got five Royal Worcester plates. | 0:06:48 | 0:06:50 | |
And the greatest exponent of painting these flowers | 0:06:50 | 0:06:53 | |
on Worcester porcelain was a man called Edward Raby. | 0:06:53 | 0:06:56 | |
And prior to 1900, the Worcester porcelain factory, | 0:06:56 | 0:06:59 | |
they didn't let their painters sign their work. Edward Raby had a bit | 0:06:59 | 0:07:03 | |
of an ego and he used to work his monogram in, ER, into the foliage. | 0:07:03 | 0:07:07 | |
-When you've found that, it adds £100, doesn't it? -Of course, yes. | 0:07:07 | 0:07:10 | |
The flowers on this set are in the style | 0:07:10 | 0:07:13 | |
of an Edward Raby design. | 0:07:13 | 0:07:15 | |
But sadly, his trademark signature is nowhere to be seen. | 0:07:15 | 0:07:18 | |
-What can you do it for? -They average just over £30 each. | 0:07:18 | 0:07:22 | |
I think I've go to try and buy that for £20. | 0:07:22 | 0:07:25 | |
-You can have it for £22.50. -I'm going to buy that one off you. | 0:07:25 | 0:07:29 | |
Awfully traditional. Are you changing your game-plan, Phil? | 0:07:29 | 0:07:33 | |
-Thank you. -'While Philip is off to another shop,' | 0:07:33 | 0:07:35 | |
Jonathan is heading two miles down the road | 0:07:35 | 0:07:38 | |
to just outside Newcastle's city walls for a more theatrical affair. | 0:07:38 | 0:07:44 | |
Newcastle began as a Roman fort on Hadrian's Wall, | 0:07:44 | 0:07:47 | |
but today it is one of the largest cities in England. | 0:07:47 | 0:07:50 | |
Situated north of the River Tyne, | 0:07:50 | 0:07:52 | |
one of its most iconic views is of the seven bridges. | 0:07:52 | 0:07:57 | |
And the city wonderfully combines | 0:07:57 | 0:07:59 | |
its industrial heritage with impressive modern architecture. | 0:07:59 | 0:08:02 | |
The Journal Tyne Theatre, | 0:08:05 | 0:08:06 | |
first known simply as the Tyne Theatre, opened its doors in 1867. | 0:08:06 | 0:08:12 | |
One of the region's best-loved entertainment venues, | 0:08:12 | 0:08:16 | |
and one of the oldest working Victorian theatres in the world. | 0:08:16 | 0:08:20 | |
It is now looked after | 0:08:20 | 0:08:21 | |
by the Tyne Theatre and Opera House Preservation Trust | 0:08:21 | 0:08:25 | |
and their consultant, Brian Debnam, will show Jonathan around. | 0:08:25 | 0:08:29 | |
-Hello, Brian. Jonathan Pratt. -Good to see you. Come in. | 0:08:33 | 0:08:35 | |
First time I've been through a stage door. | 0:08:35 | 0:08:38 | |
On his arrival, Jonathan is soon following in some famous footsteps. | 0:08:38 | 0:08:43 | |
-Oscar Wilde lectured here. William Gladstone... -He lectured here? Wow. | 0:08:43 | 0:08:50 | |
-Sarah Bernhardt. -Oh, yes. Of course. | 0:08:50 | 0:08:52 | |
All the great nineteenth-century stars. And behind you... | 0:08:52 | 0:08:56 | |
is a picture of the theatre as it might have been during | 0:08:56 | 0:09:01 | |
the 1880s, showing how they used to get 3,000 people in this theatre. | 0:09:01 | 0:09:05 | |
-It seats 1,100 people today, for safety reasons. -But you can see, | 0:09:05 | 0:09:09 | |
on the top tier there, there are people hanging over the edge! | 0:09:09 | 0:09:13 | |
There is a huge amount of standing at the back of each balcony level. | 0:09:13 | 0:09:17 | |
The Victorians were smaller. | 0:09:17 | 0:09:19 | |
Obviously not as in love with health and safety as we are. | 0:09:19 | 0:09:21 | |
I am yet to go in here so this is building it up now. | 0:09:21 | 0:09:24 | |
I don't think you're going to be disappointed. | 0:09:24 | 0:09:27 | |
Time to raise the curtain. | 0:09:27 | 0:09:30 | |
And...there we go. | 0:09:30 | 0:09:33 | |
Makes the hairs on the back of your neck stand up. | 0:09:33 | 0:09:36 | |
The impressive, lavishly decorated auditorium within this Grade 1 | 0:09:36 | 0:09:41 | |
listed building was in fact the social hub for the local community. | 0:09:41 | 0:09:46 | |
They built the theatre outside the city walls | 0:09:46 | 0:09:49 | |
so that they did not need a licence from the city council. | 0:09:49 | 0:09:52 | |
Built out here among the pubs and whorehouses, | 0:09:52 | 0:09:55 | |
in the rough area of town. It has always been a people's theatre. | 0:09:55 | 0:09:59 | |
The Theatre Royal was where the posh people went. | 0:09:59 | 0:10:02 | |
The theatre still remains very much in its original condition | 0:10:02 | 0:10:06 | |
despite its conversion into a cinema after the Second World War. | 0:10:06 | 0:10:10 | |
In the '50s and '60s, the theatre went bad, | 0:10:10 | 0:10:12 | |
there was more competition and they | 0:10:12 | 0:10:14 | |
showed sleazy movies here. Which wouldn't be naughty at all, today. | 0:10:14 | 0:10:18 | |
When the building reverted back to its roots as a theatre | 0:10:18 | 0:10:22 | |
in the mid-1970s, new stars were born here. | 0:10:22 | 0:10:25 | |
In the 1980s, it was a famous amateur theatre, | 0:10:25 | 0:10:28 | |
with big amateur musicals of the stage. | 0:10:28 | 0:10:31 | |
People like Ant and Dec started their career here | 0:10:31 | 0:10:35 | |
playing munchkins in The Wizard of Oz. | 0:10:35 | 0:10:38 | |
Perhaps it is Jonathan's time to tread the boards. | 0:10:38 | 0:10:41 | |
To be, or not to be. | 0:10:41 | 0:10:45 | |
That is the question. GROANS | 0:10:45 | 0:10:48 | |
Oh dear. I think you're better off backstage, mate. | 0:10:48 | 0:10:51 | |
So, it's time to get a real sense of how Victorian theatres were run. | 0:10:51 | 0:10:56 | |
What this does, is it enables the stage above | 0:10:56 | 0:10:59 | |
to stage spectacular and extraordinary shows. | 0:10:59 | 0:11:03 | |
What you do is you pull back on this thing here. | 0:11:03 | 0:11:07 | |
-It drops the stage surface. -Right. | 0:11:07 | 0:11:09 | |
You then pull this back quite violently across here, | 0:11:09 | 0:11:13 | |
taking three or four guys to do so. | 0:11:13 | 0:11:16 | |
And then wind this up and it has got a scene on it, | 0:11:16 | 0:11:20 | |
or it had horses on it, or it had people on it, a whole chorus. | 0:11:20 | 0:11:25 | |
-They all go up. -Very clever. | 0:11:25 | 0:11:28 | |
Sadly, despite still being in working condition, | 0:11:28 | 0:11:30 | |
this original under-stage contraption | 0:11:30 | 0:11:32 | |
is no longer licensed for use. | 0:11:32 | 0:11:35 | |
And while Jonathan may not be exactly a theatre star, | 0:11:35 | 0:11:38 | |
back up in Jesmond, Philip may be about to shine in his next shop. | 0:11:38 | 0:11:42 | |
-Hiya. -Hello there. | 0:11:42 | 0:11:44 | |
Is it all right if I have a wander round, please? | 0:11:44 | 0:11:47 | |
Yep. Not a problem. | 0:11:47 | 0:11:48 | |
This place is much more your style, Philip. | 0:11:50 | 0:11:54 | |
Rather random, eh? | 0:11:54 | 0:11:56 | |
You've got a rack of woodworking tools around, I've noticed. | 0:11:56 | 0:11:59 | |
Yes, we've got a few lying around. Do you want us to go and get some? | 0:11:59 | 0:12:02 | |
Can we put all of them on there? Can I have a look at the whole lot? | 0:12:02 | 0:12:06 | |
The whole lot actually involves digging them out of the basement. | 0:12:06 | 0:12:11 | |
-They're over here. -Will you have a look at those! | 0:12:11 | 0:12:14 | |
-That's Geordie dust, you know. -Geordie dust! | 0:12:14 | 0:12:17 | |
-Oh! The glamour. -They're moulding planes, aren't they? -Yeah. | 0:12:17 | 0:12:22 | |
So you'd get a piece of wood like that, | 0:12:22 | 0:12:24 | |
and you'd run that down there, wouldn't you? And that... | 0:12:24 | 0:12:27 | |
It would be for like a skirting board. | 0:12:27 | 0:12:29 | |
I would guess they're somewhere | 0:12:29 | 0:12:31 | |
-between 1890 and 1920, aren't they? -Yeah. | 0:12:31 | 0:12:33 | |
Are you a gambling man? | 0:12:33 | 0:12:35 | |
-I'm definitely a gambling man. -I'll make an offer for the lot. | 0:12:35 | 0:12:38 | |
I've got to be looking at | 0:12:38 | 0:12:40 | |
somewhere between 20 and 30 quid to buy. Is that ideal? | 0:12:40 | 0:12:43 | |
I think we could do a deal on that. | 0:12:43 | 0:12:45 | |
Let's take them all upstairs. | 0:12:45 | 0:12:48 | |
The chaps head back into daylight so Philip can assess | 0:12:48 | 0:12:51 | |
all the woodworking tools, including the rather dusty moulding planes. | 0:12:51 | 0:12:55 | |
I'd like to buy the planes for 25 quid. | 0:12:55 | 0:12:58 | |
It's been a hard week. | 0:12:58 | 0:12:59 | |
Good man! Get in there. | 0:12:59 | 0:13:01 | |
Is there somewhere I could go and give these a bit of a wipe over? | 0:13:01 | 0:13:05 | |
I'll bring this one. I can manage this one. | 0:13:05 | 0:13:08 | |
And the executive can show the way. | 0:13:08 | 0:13:11 | |
Now, Philip's not a man afraid to get his hands dirty, | 0:13:11 | 0:13:15 | |
but he's roped in some helpers. | 0:13:15 | 0:13:17 | |
No woman allowed. Men-only club. | 0:13:17 | 0:13:20 | |
Stop messing around! Get on with it. | 0:13:20 | 0:13:23 | |
You never see Fiona Bruce doing this, you? | 0:13:23 | 0:13:25 | |
Not in a gentlemen's lavatory, you don't. | 0:13:25 | 0:13:28 | |
Fantastic, chaps. Those look all right, don't they? | 0:13:28 | 0:13:32 | |
For £25, they look the business. | 0:13:32 | 0:13:35 | |
Meanwhile, all's not well with Jonathan. | 0:13:35 | 0:13:38 | |
But will something take his fancy here? | 0:13:41 | 0:13:43 | |
I'm looking for a sort of little knickknacks, little bits and pieces. | 0:13:43 | 0:13:47 | |
-Has anything caught your eye so far? -There's a little table. | 0:13:47 | 0:13:51 | |
-Yes, we can look at that. -Sure. -I can show you that. | 0:13:51 | 0:13:54 | |
-This little table here? -I mean, it's not the most stable, admittedly. -No. | 0:13:56 | 0:14:01 | |
-I just thought, it's made of mahogany. -Uh-huh. | 0:14:01 | 0:14:05 | |
It's got a little bit of age, it's early 20th century. | 0:14:05 | 0:14:07 | |
-It's like making stuff when you're children. -Yeah. | 0:14:07 | 0:14:11 | |
-It's quite fun. -It is. | 0:14:11 | 0:14:12 | |
You have the princely sum of £25 on there. | 0:14:12 | 0:14:15 | |
And I'm wondering how much...how much I might be able to persuade you? | 0:14:15 | 0:14:19 | |
I'm Scottish. I don't discount that easily and it's discounted. | 0:14:19 | 0:14:22 | |
-If you're Scottish, you paid very little money for it. -Cheeky! | 0:14:22 | 0:14:25 | |
-But it's working. -Let's go upwards from where you start. | 0:14:25 | 0:14:28 | |
-Make me an offer. -Steady. | 0:14:28 | 0:14:31 | |
I'm going to start low | 0:14:32 | 0:14:34 | |
-and then we can haggle upwards, OK? £12.50. -£12.50? | 0:14:34 | 0:14:37 | |
-That's ridiculous. Come on, higher. -I wouldn't want to go as far as £20, | 0:14:37 | 0:14:40 | |
so, somewhere under £20. | 0:14:40 | 0:14:41 | |
Have a think about it. | 0:14:41 | 0:14:43 | |
Mm. I'd keep looking, if I were you, boy. | 0:14:43 | 0:14:46 | |
-Oil of a watermill. -Uh-huh. | 0:14:46 | 0:14:48 | |
-It says £35. Would you take an offer on that? -I certainly would. | 0:14:48 | 0:14:52 | |
I like buying pictures. They can always surprise you. | 0:14:52 | 0:14:56 | |
Early 20th century. | 0:14:56 | 0:14:57 | |
It's not badly painted. | 0:14:57 | 0:14:59 | |
It needs a clean. | 0:14:59 | 0:15:00 | |
-Yes. -When it's cleaned, the blue of the sky will come out. | 0:15:00 | 0:15:03 | |
So it's like a little discovery. | 0:15:03 | 0:15:05 | |
The person that buys it, cleans it, see how much it changes it. | 0:15:05 | 0:15:09 | |
I'd only want to pay £15 for it. | 0:15:09 | 0:15:11 | |
Right, put your best offers on the table, then. | 0:15:11 | 0:15:15 | |
I'll do the painting for... 17. | 0:15:15 | 0:15:18 | |
I will... | 0:15:18 | 0:15:19 | |
Come on. | 0:15:21 | 0:15:22 | |
-Take the picture. -Right. | 0:15:24 | 0:15:27 | |
And leave the table. As much as it pains me. | 0:15:27 | 0:15:30 | |
-I think you're making a mistake. -I know, of course you do. | 0:15:30 | 0:15:33 | |
I'll do it for 15. | 0:15:33 | 0:15:35 | |
-Go on then. -Deal. Fantastic, thank you. | 0:15:36 | 0:15:40 | |
Not bad. Her Scottish charms sold you two more items. | 0:15:40 | 0:15:45 | |
Excellent, bye-bye. | 0:15:45 | 0:15:46 | |
Time for the chaps to get back on the road together | 0:15:48 | 0:15:50 | |
and head for more buying. | 0:15:50 | 0:15:52 | |
But of a different kind. | 0:15:52 | 0:15:54 | |
So, reunited, | 0:15:54 | 0:15:56 | |
Philip and Jonathan are heading to a market in Tynemouth. | 0:15:56 | 0:16:00 | |
-What I haven't told you, Phil... -Yep. | 0:16:00 | 0:16:03 | |
..is the market opens at 10 o'clock in the morning | 0:16:03 | 0:16:06 | |
and it finishes at four o'clock. | 0:16:06 | 0:16:09 | |
-What time's it now? -It's about two. -We'd better get on with it. | 0:16:09 | 0:16:12 | |
THEY LAUGH | 0:16:12 | 0:16:14 | |
Fingers crossed, there's something decent left for you to buy. | 0:16:14 | 0:16:17 | |
Let's hope it's an undercover market, too. | 0:16:17 | 0:16:19 | |
-This is just wet. -Yeah, let's get inside. Come on. | 0:16:20 | 0:16:24 | |
In fact, today's market is actually being held | 0:16:24 | 0:16:27 | |
in the Victorian Tynemouth railway station | 0:16:27 | 0:16:30 | |
and stalls here sell everything from food and plants, | 0:16:30 | 0:16:33 | |
to valuable antiques. | 0:16:33 | 0:16:35 | |
Good luck. | 0:16:37 | 0:16:39 | |
The boys split up. So with only two hours of buying left, | 0:16:40 | 0:16:43 | |
the pressure's on. Go get those real antique bargains, Jonathan. | 0:16:43 | 0:16:48 | |
Hello. | 0:16:48 | 0:16:50 | |
What is he doing? | 0:16:50 | 0:16:52 | |
Rather sweet with little cut buckles. | 0:16:52 | 0:16:55 | |
Victorian. | 0:16:55 | 0:16:56 | |
You wouldn't take, you know... £25 or something for them? | 0:16:56 | 0:17:01 | |
No, I paid more than that for them. | 0:17:01 | 0:17:04 | |
I think I'll say no to that chap. | 0:17:04 | 0:17:06 | |
-You wouldn't sell me a box of toy cars, would you? -Absolutely. | 0:17:09 | 0:17:13 | |
-For? -£10? | 0:17:13 | 0:17:15 | |
Call it a fiver. | 0:17:15 | 0:17:16 | |
Call it seven and you've got a deal. | 0:17:16 | 0:17:18 | |
-Call it six. -OK. | 0:17:20 | 0:17:21 | |
JONATHAN LAUGHS | 0:17:21 | 0:17:23 | |
Thank you very much. Brilliant. | 0:17:23 | 0:17:25 | |
OK, I suppose there is a market for toy collecting. | 0:17:25 | 0:17:29 | |
Philip's also on the prowl for a bargain. | 0:17:29 | 0:17:33 | |
Love those clogs. | 0:17:33 | 0:17:34 | |
They look familiar. | 0:17:34 | 0:17:36 | |
-How old are they? -Aren't they Victorian? | 0:17:36 | 0:17:39 | |
They've actually been worn. | 0:17:39 | 0:17:41 | |
They've been kitted out with things rubbing up against the heel | 0:17:41 | 0:17:45 | |
-and they're shod and everything. -They're beautiful. | 0:17:45 | 0:17:48 | |
I'll have them if you sell them for 20 quid. | 0:17:48 | 0:17:50 | |
I can't because I paid 30 for them. | 0:17:50 | 0:17:52 | |
-I'll be back in a minute. -Right, OK. | 0:17:52 | 0:17:53 | |
Might try to buy them off you for your money back, | 0:17:53 | 0:17:56 | |
but we'll see how we get on. | 0:17:56 | 0:17:57 | |
With nothing else catching his eye, | 0:18:06 | 0:18:09 | |
Philip's mind is still on those clogs | 0:18:09 | 0:18:12 | |
and he's going to offer £30 for them. You watch. | 0:18:12 | 0:18:15 | |
I've got to be quick, I've got a train to catch. | 0:18:15 | 0:18:17 | |
-Look, there you are. -OK. -30 quid. | 0:18:17 | 0:18:20 | |
-All right. -I love you, you're an angel. | 0:18:20 | 0:18:23 | |
-Yes. -You are, you're ever so kind. They're fantastic. I love those. | 0:18:23 | 0:18:28 | |
-Enjoy. They're gorgeous. -Who would buy these? A doll collector? | 0:18:28 | 0:18:31 | |
No, just, sort of, women who've got, sort of, dresses | 0:18:31 | 0:18:34 | |
and they get little bits to put on. | 0:18:34 | 0:18:35 | |
Can I just say, I've not bought these because I collect dresses, | 0:18:35 | 0:18:39 | |
I have no dresses in my wardrobe. | 0:18:39 | 0:18:40 | |
Huh, the gentleman doth protest too much, methinks. | 0:18:40 | 0:18:44 | |
-Thank you my love, you're an angel. -Enjoy your day. | 0:18:44 | 0:18:47 | |
Jonathan will be mad that he's bagged those. | 0:18:47 | 0:18:49 | |
What's he up to, anyway? | 0:18:49 | 0:18:52 | |
Hornsea dog. | 0:18:52 | 0:18:54 | |
-Really? -Two quid. | 0:18:54 | 0:18:56 | |
-Go on then. -Hey! There we go. | 0:18:58 | 0:19:00 | |
JONATHAN LAUGHS | 0:19:00 | 0:19:02 | |
There you go. Thank you very much. | 0:19:02 | 0:19:05 | |
Five items bought! | 0:19:05 | 0:19:07 | |
And I've spent about, how much, 60 quid. Get in there! | 0:19:07 | 0:19:11 | |
This wasn't exactly the kind of buying I had in mind. | 0:19:11 | 0:19:14 | |
Dear, oh, dear. | 0:19:14 | 0:19:15 | |
I quite like this pair here, to be honest. | 0:19:15 | 0:19:19 | |
A pair of decanters, blown glass, with little... | 0:19:19 | 0:19:24 | |
a nice rib declaration on it. People don't use these things like they used to. | 0:19:24 | 0:19:27 | |
-Ten each. -A tenner each? -Yeah, and that's a bargain. | 0:19:27 | 0:19:33 | |
I'll be generous. | 0:19:33 | 0:19:34 | |
-Eight pounds. -For each. | 0:19:34 | 0:19:36 | |
No, for the two. | 0:19:36 | 0:19:37 | |
SELLER LAUGHS | 0:19:37 | 0:19:38 | |
I'll do 15 for the pair. Just because you're... | 0:19:38 | 0:19:43 | |
you're one of the boys. | 0:19:43 | 0:19:44 | |
Do you know what? | 0:19:44 | 0:19:46 | |
I'm on fire. | 0:19:46 | 0:19:48 | |
If you say so. | 0:19:48 | 0:19:49 | |
15 quid. Thank you very much. OK. | 0:19:49 | 0:19:51 | |
-That's it. -There we go. -Shopping complete, | 0:19:51 | 0:19:55 | |
Let's jog our memories on what each expert has bought. | 0:19:55 | 0:19:58 | |
Philip snuffled up five lots - a Royal Worcester plate, | 0:19:58 | 0:20:01 | |
a box of woodworking tools, the Mauchline inkwell, | 0:20:01 | 0:20:04 | |
a Mouseman ashtray and a pair of 19th-century children's clogs | 0:20:04 | 0:20:07 | |
totalling £167.50. | 0:20:07 | 0:20:10 | |
Jonathan parted with only £73 for his five lots - | 0:20:13 | 0:20:16 | |
An early 20th-century painting, a Scottish pottery chair, | 0:20:16 | 0:20:21 | |
a mahogany plywood table, a box of toys, | 0:20:21 | 0:20:24 | |
a pair of glass decanters and the Hornsea pottery terrier. | 0:20:24 | 0:20:28 | |
The loss of time - and what do they make of each other's items? | 0:20:28 | 0:20:32 | |
I think this is really, really interesting now because JP - | 0:20:32 | 0:20:36 | |
he's gone out there and he spent no money, he's clearly | 0:20:36 | 0:20:41 | |
disciplined himself not necessarily to buy his taste what he likes. | 0:20:41 | 0:20:44 | |
He's got a real plan and strategy. | 0:20:44 | 0:20:46 | |
I don't know whether it's going to work or not, | 0:20:46 | 0:20:49 | |
but that's what he set out to do. | 0:20:49 | 0:20:50 | |
The chair, the little chair, I think that's a really interesting lot | 0:20:50 | 0:20:54 | |
and if he hits the right market he could do well with that. | 0:20:54 | 0:20:57 | |
What about the clogs, Jonathan? | 0:20:57 | 0:20:59 | |
-To be honest, I don't really want to talk about the shoes. -Go on. | 0:20:59 | 0:21:03 | |
Well, you know. I get asked obviously round | 0:21:03 | 0:21:06 | |
to go and soften up the clients | 0:21:06 | 0:21:08 | |
and then he goes on and takes the stuff afterwards. | 0:21:08 | 0:21:10 | |
So I am annoyed, absolutely. | 0:21:10 | 0:21:11 | |
She should have said, "You can't have them." | 0:21:11 | 0:21:13 | |
Oh, Lord. On this leg of their road trip the pair have travelled | 0:21:13 | 0:21:17 | |
from Corbridge to Newcastle Upon Tyne | 0:21:17 | 0:21:20 | |
stopping off in the suburb of Jesmond and then on to Tynemouth. | 0:21:20 | 0:21:24 | |
Their last stop is the auction in the town of Northallerton. | 0:21:24 | 0:21:28 | |
Set between two national parks, Northallerton, the county town | 0:21:29 | 0:21:32 | |
of North Yorkshire, is the largest market town in the district. | 0:21:32 | 0:21:37 | |
Northallerton auctions Ltd are a long-established firm | 0:21:38 | 0:21:41 | |
holding livestock markets and antique sales. | 0:21:41 | 0:21:44 | |
Settle down, everyone. It's auction time. | 0:21:46 | 0:21:49 | |
-Here we go, here we go. -Crikey. | 0:21:49 | 0:21:50 | |
First up, Philip's Royal Worcester blush ivory plate. | 0:21:51 | 0:21:55 | |
Start me £20, straight in. | 0:21:55 | 0:21:57 | |
10 bid, £10 only bid. 10 bid all out. | 0:21:57 | 0:22:01 | |
Little money for a good bit of Royal Worcester. | 0:22:01 | 0:22:04 | |
At 10 only bid, 12 off the rail, at £12, 12, 12, selling at 12. | 0:22:04 | 0:22:10 | |
That's done well, then. | 0:22:10 | 0:22:13 | |
Whoopsy! That supposedly safe buy hasn't paid off. | 0:22:14 | 0:22:18 | |
Now for Jonathan's early 20th-century painting of a mill. | 0:22:20 | 0:22:23 | |
Start me £50 for it straight in. 50? 30? | 0:22:23 | 0:22:27 | |
Well, 20, for a start. 10 bid... | 0:22:27 | 0:22:30 | |
You've got a bidder there. | 0:22:30 | 0:22:32 | |
15... Keep going, keep going. | 0:22:32 | 0:22:35 | |
At 15, 18 bid, little money at 18. | 0:22:35 | 0:22:39 | |
Only bid all out in the ring now. At 18. At 18 bid, at £18. | 0:22:39 | 0:22:44 | |
And selling at 18. | 0:22:44 | 0:22:45 | |
I have worked it out, you know, that the less he sells stuff for, | 0:22:45 | 0:22:49 | |
the less commission you have to pay. That is the one bonus. | 0:22:49 | 0:22:52 | |
Ooh! After commission's deducted, that's not even a profit. | 0:22:52 | 0:22:57 | |
Let's hope Philip's box of woodworking tools serve him well. | 0:22:57 | 0:23:02 | |
-30 bid. At £30. -A fiver a plane. | 0:23:02 | 0:23:07 | |
50, 55, all out in the ring. | 0:23:07 | 0:23:10 | |
60, 70, 70 bid? I'll take five. At 70 bid. | 0:23:10 | 0:23:15 | |
Only 70 bid, £70 and selling at 70. | 0:23:15 | 0:23:19 | |
-That's a bit of a relief. -Good man, well done. | 0:23:19 | 0:23:22 | |
A classic Serrell. | 0:23:22 | 0:23:23 | |
Dusty lot turned him in a handsome profit. | 0:23:23 | 0:23:26 | |
Another of Philip's items, | 0:23:26 | 0:23:28 | |
the Mauchline Ware horse hoof and jockey cap inkwell. | 0:23:28 | 0:23:31 | |
Quite a bit of interest in this. £40 for a straight in? 30 bid. £30. | 0:23:31 | 0:23:36 | |
See, that's a result. | 0:23:36 | 0:23:38 | |
58. 50. All out in the ring now. 55. | 0:23:38 | 0:23:44 | |
60, 65, 65 with me. | 0:23:44 | 0:23:47 | |
I'll definitely take that. | 0:23:47 | 0:23:49 | |
Are you all done and finished at 65? | 0:23:49 | 0:23:51 | |
Ah, Philip. | 0:23:52 | 0:23:55 | |
-You're good at this, aren't you? -No, lucky. | 0:23:55 | 0:23:58 | |
Lucky, lucky, lucky. | 0:23:58 | 0:24:00 | |
Well, that trotted out at the auction, didn't it? | 0:24:00 | 0:24:03 | |
Next is Jonathan's mahogany plywood table. | 0:24:04 | 0:24:08 | |
The occasional table. Where will you start me? £5? | 0:24:08 | 0:24:11 | |
5, 10, 15, 20, 20 with me on the rail. | 0:24:11 | 0:24:17 | |
Flabbergasted. | 0:24:17 | 0:24:18 | |
I'm going to cry because it's more than my Worcester plate. | 0:24:18 | 0:24:21 | |
At £20 only bid at 20, and selling at 20. | 0:24:21 | 0:24:23 | |
And he's elated with his first decent-ish profit. | 0:24:26 | 0:24:31 | |
-I've made profit overall so far. -Don't rub it in. | 0:24:31 | 0:24:34 | |
Up now is the Mouseman ashtray, bought for £45 by Philip. | 0:24:36 | 0:24:40 | |
-£20 for it straight in. -Go on. | 0:24:40 | 0:24:43 | |
£20 bid, bid at 20, bid 22, 22, 25, all out in the ring now. | 0:24:43 | 0:24:49 | |
28, 30. 30 I'm bid. | 0:24:49 | 0:24:53 | |
At £30 bid, a harmless price for a good Mouseman piece. At 30. | 0:24:53 | 0:24:57 | |
That failed, then on, didn't it? | 0:24:57 | 0:25:00 | |
Still going. | 0:25:00 | 0:25:01 | |
32, only bid at 32, bid and selling at 32. | 0:25:01 | 0:25:04 | |
Sorry, Phil. | 0:25:05 | 0:25:07 | |
Eek, a loss. | 0:25:07 | 0:25:10 | |
It's time to see how the assorted box of toys goes. | 0:25:10 | 0:25:15 | |
10 bid, at £10. | 0:25:15 | 0:25:17 | |
-Profit, JP. -Yeah. | 0:25:17 | 0:25:19 | |
-No, no, no. Come on. -12. | 0:25:19 | 0:25:21 | |
15. 15 bid. | 0:25:21 | 0:25:23 | |
At 15, only bid at 15. | 0:25:23 | 0:25:26 | |
Take 18 where? At 15, bid and selling at 15. | 0:25:26 | 0:25:31 | |
-Well done, mate. -Steady, great. | 0:25:31 | 0:25:34 | |
I like your positive attitude. | 0:25:35 | 0:25:39 | |
-You're racing away. -I am. | 0:25:39 | 0:25:41 | |
Uh-oh, it's Philip's pair of 19th-century children's clogs next. | 0:25:41 | 0:25:46 | |
-Don't look, Jonathan. -Bit of interest in these. | 0:25:46 | 0:25:49 | |
Start me £50 straight in. 20 bid. | 0:25:49 | 0:25:51 | |
I have £20, 25, 30, 35, 40, 45. | 0:25:51 | 0:25:55 | |
All out in the ring now at £45. 45 bid. 48. | 0:25:55 | 0:26:02 | |
48 with me. At 48 I am bid. At 48 I am bid. Are you all done...? | 0:26:02 | 0:26:05 | |
And 50. 50 bid. Take two. | 0:26:05 | 0:26:08 | |
50 I am bid. 52. 52. 52. | 0:26:08 | 0:26:11 | |
54, 56, against you on the rail, 58 I am bid. At 58 I am bid, 60. | 0:26:11 | 0:26:18 | |
At 60 against you. 60 against you, try another one. | 0:26:18 | 0:26:21 | |
At 60 I'm bid and selling at £60. | 0:26:21 | 0:26:25 | |
-How about that, eh? -So, if you'd have bought those, | 0:26:25 | 0:26:27 | |
you would have made a tenner profit. | 0:26:27 | 0:26:29 | |
I didn't want to make a tenner profit, | 0:26:29 | 0:26:32 | |
I wanted to make £30 profit, Philip. | 0:26:32 | 0:26:34 | |
You owe me commission for my services. | 0:26:34 | 0:26:38 | |
They were a very clever buy, Philip. | 0:26:38 | 0:26:42 | |
Next, the rather random lot of a pair of glass decanters | 0:26:42 | 0:26:47 | |
and the Hornsea pottery terrier. | 0:26:47 | 0:26:50 | |
-A fiver for them. -He's got confidence in them, hasn't he? | 0:26:50 | 0:26:54 | |
Three, three, five, five bid. | 0:26:54 | 0:26:56 | |
-At five, eight, eight against you, 10. -go on. | 0:26:56 | 0:27:01 | |
12. 12 with me. | 0:27:01 | 0:27:03 | |
15, someone 15, come on! | 0:27:03 | 0:27:05 | |
£12, 12 bid and selling at 12. | 0:27:05 | 0:27:09 | |
So, where are you now, JP? | 0:27:09 | 0:27:11 | |
Oh, Philip, do you know, I'm in the doldrums. | 0:27:11 | 0:27:15 | |
Aha, Philip did warn you, they might not do well. | 0:27:15 | 0:27:19 | |
Last lot, although it's unlikely | 0:27:20 | 0:27:22 | |
the 19th-century Scottish pottery chair will make the profit | 0:27:22 | 0:27:25 | |
that Jonathan needs. | 0:27:25 | 0:27:28 | |
10. 10 bid. At 10, 10 only bid for it, | 0:27:28 | 0:27:31 | |
all out, left or right. Ten only. All out on the rails. | 0:27:31 | 0:27:35 | |
That's only because people don't understand it. Really. | 0:27:35 | 0:27:38 | |
At £10 only for it. | 0:27:38 | 0:27:40 | |
Are you all done and finished at £10? | 0:27:40 | 0:27:44 | |
A dreadful state of affairs! | 0:27:44 | 0:27:48 | |
Oh dear. Ending on a low with a final loss. | 0:27:48 | 0:27:52 | |
I want to go cry. | 0:27:52 | 0:27:54 | |
I can't believe it! | 0:27:54 | 0:27:56 | |
And without stating the obvious, today's winner is Philip Serrell. | 0:27:57 | 0:28:02 | |
So, let's crunch the numbers. | 0:28:02 | 0:28:04 | |
Jonathan started this leg of the trip with £161.90 | 0:28:04 | 0:28:08 | |
and after deducting auction costs, | 0:28:08 | 0:28:11 | |
ends today with an even less £150.40. | 0:28:11 | 0:28:15 | |
Philip started with £273.48, | 0:28:16 | 0:28:20 | |
and after auction costs, now has £301.96 p. | 0:28:20 | 0:28:25 | |
No wonder he's smiling. | 0:28:25 | 0:28:26 | |
Oh, JP, where do we go from here? | 0:28:26 | 0:28:28 | |
Look, Philip, YOU made money. | 0:28:28 | 0:28:31 | |
You made money. You did very, very well. | 0:28:31 | 0:28:34 | |
I am still trying to learn here. | 0:28:34 | 0:28:36 | |
I'm sure you'll have better luck next time, Jonathan. | 0:28:36 | 0:28:40 | |
as Jonathan's being somewhat outshone by his rival, | 0:28:45 | 0:28:49 | |
what's his game plan? | 0:28:49 | 0:28:51 | |
I'm going to ignore the fact that I didn't do well in the last auction, | 0:28:51 | 0:28:55 | |
or the one before and I'm going to go in | 0:28:55 | 0:28:58 | |
in my normal haphazard and jovial approach. | 0:28:58 | 0:29:01 | |
Ignorance may not be bliss, Jonathan. | 0:29:03 | 0:29:05 | |
This week's trip sees the chaps travelling 140 miles | 0:29:06 | 0:29:10 | |
from Cockermouth all the way to Wilmslow. | 0:29:10 | 0:29:14 | |
On this leg, they're heading first to the market town of Darlington in the Tees Valley | 0:29:14 | 0:29:19 | |
and eventually on to their auction in Doncaster. | 0:29:19 | 0:29:23 | |
Darlington was originally an Anglo-Saxon village. | 0:29:25 | 0:29:28 | |
The Stockton and Darlington Railway was opened in 1825 | 0:29:28 | 0:29:32 | |
and the town is proud to be home of the world's first passenger railway. | 0:29:32 | 0:29:36 | |
And there it is. Ha! | 0:29:36 | 0:29:38 | |
(AS RAILWAY ANNOUNCER) These two passengers are pulling in to their first stop. | 0:29:38 | 0:29:43 | |
Jonathan will alight at Darlington | 0:29:43 | 0:29:45 | |
and Philip will continue on to his first shop. | 0:29:45 | 0:29:48 | |
Mind the gap. | 0:29:49 | 0:29:51 | |
Time for the spending to begin. | 0:29:54 | 0:29:57 | |
-Good morning. -Good morning, Gordon. -Jonathan, how are you doing? -Very well, thank you. | 0:29:59 | 0:30:03 | |
Look at this, isn't is a wonderful place? Jam-packed. | 0:30:03 | 0:30:06 | |
Used to drive a Mini. Nothing like this, though. | 0:30:08 | 0:30:11 | |
-Sorry, I'm skitting around like a grasshopper. -Maybe Gordon has got an idea. | 0:30:13 | 0:30:17 | |
-Walk this way. -Like that?! | 0:30:18 | 0:30:20 | |
Ooh, it's an oak bureau with a price tag of £80. | 0:30:20 | 0:30:24 | |
-Nice little thing here. -From the 19...yes '20s. -'20s again. | 0:30:26 | 0:30:31 | |
Nice thing, tidy. | 0:30:31 | 0:30:32 | |
Even has a little... | 0:30:34 | 0:30:35 | |
..inside here we've got the manufacturer's tag in it somewhere. | 0:30:35 | 0:30:40 | |
-What does that say, then? -If you can read it. | 0:30:40 | 0:30:43 | |
-It's made by Lebus. -Yeah. -OK. | 0:30:44 | 0:30:46 | |
-Nice one. -I've heard of Lebus. They made a lot of desks. | 0:30:46 | 0:30:50 | |
They did a lot of roll-tops. So made by Lebus. | 0:30:50 | 0:30:53 | |
It's all there. Forget the ticket price. | 0:30:53 | 0:30:55 | |
£35 to you today. I'll be disappointed | 0:30:55 | 0:30:59 | |
if you don't double your money on this in that auction. | 0:30:59 | 0:31:03 | |
-I would take it. -Did you hear that? -I did! -JONATHAN CHUCKLES | 0:31:05 | 0:31:08 | |
How about 25, just to really help you out and take it away? | 0:31:08 | 0:31:12 | |
Do 27 and you've got a deal. | 0:31:12 | 0:31:14 | |
Oh, what the heck. | 0:31:16 | 0:31:18 | |
So one deal down. | 0:31:18 | 0:31:20 | |
But Jonathan quickly has his eye on more furniture. | 0:31:20 | 0:31:23 | |
-This is 19 sort of '60s, '70s. -About '76. | 0:31:23 | 0:31:27 | |
And the style is... I thought was quite fashionable. | 0:31:27 | 0:31:30 | |
Would you take £20 for them? | 0:31:30 | 0:31:33 | |
I would like to see them going somewhere. | 0:31:33 | 0:31:37 | |
-Put your hand there. Thank you very much. -Thank you. -Two lots bought. | 0:31:37 | 0:31:42 | |
Not bad going, he's now bagged a trio of G Plan tables for £20, | 0:31:42 | 0:31:45 | |
as well as the bureau. | 0:31:45 | 0:31:48 | |
Jonathan's buying is under way and Philip's off to his shop in Yarm. | 0:31:49 | 0:31:54 | |
11 miles east of Darlington. | 0:31:54 | 0:31:56 | |
Yarm began to thrive as a town during the Georgian period, | 0:31:56 | 0:32:00 | |
nestled on the south bank of the River Tees, | 0:32:00 | 0:32:05 | |
it has an old-world charm, with its quaint, cobbled streets and historic buildings - | 0:32:05 | 0:32:10 | |
like the 18th-century town hall. | 0:32:10 | 0:32:13 | |
Let's hope the shops Philip's heading to our as appealing as the town. | 0:32:13 | 0:32:18 | |
-How are you my dear, is it all right if I have a look round? -Probably a good idea. | 0:32:23 | 0:32:27 | |
That might hit the right note. Could be a squeeze, though! Ha. | 0:32:33 | 0:32:37 | |
This is a squeeze box that was made in London in about, what? | 0:32:39 | 0:32:44 | |
About 1891, something like that. | 0:32:44 | 0:32:47 | |
SCREECHING NOTE | 0:32:47 | 0:32:49 | |
Ooh, that's terrible, isn't it? | 0:32:49 | 0:32:53 | |
Clearly it's not just my ears that are tone deaf. | 0:32:53 | 0:32:56 | |
If you look there, there's a paper label | 0:32:56 | 0:32:59 | |
that gives you the maker's mark. | 0:32:59 | 0:33:01 | |
And this is fret cut and the think you want to look at | 0:33:01 | 0:33:05 | |
when you see this is to make sure there is no damages | 0:33:05 | 0:33:10 | |
to any of the frets, which there doesn't appear to be. | 0:33:10 | 0:33:13 | |
You just open it and squeeze it. | 0:33:13 | 0:33:15 | |
If life were that easy, Sandy. | 0:33:15 | 0:33:18 | |
Clearly, my fingers and thumbs are too fat. | 0:33:18 | 0:33:20 | |
How often do you come across these? | 0:33:22 | 0:33:25 | |
And especially complete with box. | 0:33:25 | 0:33:28 | |
And I can do you little deal on that. | 0:33:29 | 0:33:32 | |
-Sandy, you'll have to do me a fantastic deal. -Well... | 0:33:32 | 0:33:35 | |
-This has been a long time hasn't it? -It has. | 0:33:35 | 0:33:37 | |
-So you probably want to get rid of this, don't you? -I do really, yes. | 0:33:37 | 0:33:41 | |
I do. | 0:33:41 | 0:33:42 | |
How did you know it'd been in a long time? | 0:33:43 | 0:33:45 | |
-Was it the dust? -No, my love, you've got it originally marked up at 195. | 0:33:47 | 0:33:51 | |
Then you've knocked 70 quid off it | 0:33:51 | 0:33:53 | |
and you might have to knock another 70 quid off it and then who knows? | 0:33:53 | 0:33:58 | |
Philip! | 0:33:58 | 0:33:59 | |
-I'm going to have a look upstairs but hang on to that for me. -OK. -Thank you, my love. | 0:33:59 | 0:34:04 | |
I like that. | 0:34:04 | 0:34:05 | |
All this is is a little cane picnic hamper. | 0:34:06 | 0:34:10 | |
But I said.. Agh! Cor! | 0:34:11 | 0:34:13 | |
A little cane picnic hamper with a sharp nail sticking out of it! | 0:34:13 | 0:34:17 | |
Gordon Bennett! | 0:34:17 | 0:34:20 | |
I'm going to speak to Sandy and see if I can buy this. | 0:34:20 | 0:34:23 | |
Sandy, have you got your best dealing hat on? | 0:34:23 | 0:34:26 | |
Yes. | 0:34:26 | 0:34:28 | |
I'd like to give you 60 quid for that. | 0:34:28 | 0:34:29 | |
And I'd like to give you 10 quid for that. 70 quid for the two. | 0:34:29 | 0:34:33 | |
How much?! | 0:34:33 | 0:34:35 | |
-Watch my lips. -My God, she's a strong lady, this one. -Right. | 0:34:35 | 0:34:39 | |
I was thinking, and I'm really being generous here, 110. | 0:34:39 | 0:34:46 | |
What about if I gave you 80 quid for the two? | 0:34:48 | 0:34:50 | |
90. | 0:34:51 | 0:34:52 | |
-Come on, get your hand out. -I'll give you 85 for the two. Split difference. | 0:34:55 | 0:34:59 | |
-Go on. Put your hand out. -Go on, then. | 0:34:59 | 0:35:01 | |
-You're an angel. -Deal. -Thank you, my love. | 0:35:01 | 0:35:04 | |
So that works out at £75 for the squeezebox and £10 for the hamper. | 0:35:04 | 0:35:09 | |
Music to everyone's ears. | 0:35:09 | 0:35:10 | |
So the auction's in Doncaster. Doncaster is in Yorkshire. | 0:35:13 | 0:35:17 | |
If I buy Yorkshire produce and put it in there, | 0:35:17 | 0:35:20 | |
some jams and chutneys and cheese. | 0:35:20 | 0:35:22 | |
-That would be unique. -Off we go. | 0:35:22 | 0:35:23 | |
Sandy, you've been an angel. Love you lots. Speak to you soon. | 0:35:23 | 0:35:26 | |
-And you. -See you. -Thank you for everything. -Thank you, bye-bye. | 0:35:26 | 0:35:30 | |
-Good luck. -Thank you. | 0:35:30 | 0:35:33 | |
Time for a spot of lunch. | 0:35:33 | 0:35:35 | |
This is my best deal, because I'm really hungry. | 0:35:35 | 0:35:38 | |
-I tell you what, are these lobster pots? -I believe so, yes. -Really? | 0:35:38 | 0:35:43 | |
They are made out of cane. | 0:35:43 | 0:35:45 | |
Only Philip could find an item for auction in a chippy. | 0:35:45 | 0:35:49 | |
-Um, how much is fish and chips? -4.90. | 0:35:49 | 0:35:53 | |
So could I buy fish, chips and a lobster pot is, can I do that? | 0:35:54 | 0:35:59 | |
-How much? -I'll give you £7.50. Fish, chips and a lobster pot. | 0:36:01 | 0:36:07 | |
-No. -Go on then, how much? | 0:36:07 | 0:36:10 | |
15 quid? | 0:36:10 | 0:36:12 | |
-How much? -15. -No, no, no. | 0:36:12 | 0:36:14 | |
I tell you what, this is my best deal, because I'm really, really hungry. | 0:36:14 | 0:36:18 | |
Fish, chips, and a lobster pot, £10 and there is a "but" coming. | 0:36:18 | 0:36:23 | |
-Mushy peas. -Mushy peas, as well? | 0:36:24 | 0:36:26 | |
Yeah, yeah, yeah. A tenner. | 0:36:26 | 0:36:28 | |
-£10, yeah, mushy peas. -You're an angel. Thank you so much. | 0:36:28 | 0:36:33 | |
First prize for the most random catch of the day, | 0:36:33 | 0:36:36 | |
a lobster pot for £5.10. | 0:36:36 | 0:36:40 | |
About the same price as the plaice. | 0:36:40 | 0:36:42 | |
And these have got to be the best fish and chips in the north, haven't they? | 0:36:42 | 0:36:46 | |
-You're an angel, thank you. -You're welcome. | 0:36:46 | 0:36:50 | |
Gosh, I'm feeling hungry now. | 0:36:50 | 0:36:52 | |
It's really good this is. | 0:36:52 | 0:36:55 | |
He's at it again, but with a full tummy. | 0:36:55 | 0:36:58 | |
Philip is now on a mission to fill his hamper. | 0:36:58 | 0:37:00 | |
# Shopping, shopping, shopping | 0:37:00 | 0:37:03 | |
# When mommy takes me shopping # | 0:37:03 | 0:37:06 | |
I'll have some home-made jam, as well. | 0:37:06 | 0:37:08 | |
That's all right. I wanted to buy some Wensleydale, Gromit. Rambler's chutney. | 0:37:10 | 0:37:14 | |
Yorkshire biscuits. That's got be good stuff. | 0:37:14 | 0:37:17 | |
Now, I wonder if there's a Yorkshire beer? Captain Cook. | 0:37:17 | 0:37:21 | |
-I've got to buy that. -Yes. It would be rude not to. | 0:37:21 | 0:37:24 | |
I've got to be mean on price. Can I make you an offer for this stuff? | 0:37:24 | 0:37:28 | |
You can have a go. | 0:37:28 | 0:37:30 | |
Are you really haggling in a deli?! | 0:37:30 | 0:37:33 | |
-Will a tenner buy that? -Go on then, seeing as you've asked so nicely. | 0:37:33 | 0:37:38 | |
-Thank you, bye! -Bye-bye. | 0:37:38 | 0:37:40 | |
So, with a weird and wonderful combination of buys, | 0:37:40 | 0:37:44 | |
time for the boys to get back on the road. | 0:37:44 | 0:37:47 | |
How did your shop go? | 0:37:47 | 0:37:48 | |
-I did three shops. -You did how many? -Three. | 0:37:48 | 0:37:52 | |
How did you manage three? | 0:37:52 | 0:37:54 | |
-Well... -Hang on a minute. You do three times as many shops as me. | 0:37:54 | 0:37:58 | |
This is a conspiracy. There is going to be further investigation into this! | 0:37:58 | 0:38:02 | |
Little does Jonathan know that only one was actually from an antiques shop. | 0:38:02 | 0:38:06 | |
The boys are now travelling 37 miles east of Yarm | 0:38:08 | 0:38:11 | |
to Whitby in North Yorkshire. | 0:38:11 | 0:38:13 | |
It's a fantastic place. I really like it. | 0:38:13 | 0:38:16 | |
Ah, I'm off to see Captain Cook. | 0:38:16 | 0:38:19 | |
Whitby is famed for being where 18th-century British explorer and voyager Captain James Cook | 0:38:21 | 0:38:28 | |
began his life as an ordinary seaman. | 0:38:28 | 0:38:31 | |
Still dominated by its ancient abbey ruins, | 0:38:32 | 0:38:34 | |
Whitby lies at the mouth of the River Esk. | 0:38:34 | 0:38:37 | |
In Cook's time, the port was a centre for shipbuilding and whaling | 0:38:37 | 0:38:41 | |
and, today, a small fishing industry still exists. | 0:38:41 | 0:38:45 | |
Cook is renowned for charting and mapping the Pacific, | 0:38:45 | 0:38:49 | |
New Zealand and the east coast of Australia. | 0:38:49 | 0:38:52 | |
It was this harbour-side house where he started his apprenticeship. | 0:38:52 | 0:38:56 | |
Sophie Forgan, chair of the Trustees of the Captain Cook Memorial Museum, | 0:38:56 | 0:39:01 | |
will take Philip on the journey to this remarkable man. | 0:39:01 | 0:39:04 | |
-Hi. -Good to meet you. -I'm Philip. How are you? -Very well, thanks. -This is lovely, isn't it? | 0:39:06 | 0:39:12 | |
-Isn't it gorgeous? -Cook is famous for being an explorer. -He is. | 0:39:12 | 0:39:18 | |
Like a sort of a latter-day Neil Armstrong, I suppose. | 0:39:18 | 0:39:23 | |
I think that's a good comparison, | 0:39:23 | 0:39:25 | |
because not only did he discover lots of new places, | 0:39:25 | 0:39:30 | |
-he placed them on the map. -Did he? -He charted them. | 0:39:30 | 0:39:33 | |
And he charted all sorts of places that had never been charted before, | 0:39:33 | 0:39:37 | |
and he did it so accurately | 0:39:37 | 0:39:39 | |
that they were still using his charts 200 years later. | 0:39:39 | 0:39:42 | |
Time to find out more. | 0:39:42 | 0:39:45 | |
In 1768, the British admiralty wanted to explore unknown territory | 0:39:45 | 0:39:50 | |
and observed the transit of Venus from the Pacific, | 0:39:50 | 0:39:53 | |
which was to be useful for navigation. | 0:39:53 | 0:39:56 | |
They chose Cook to lead the expedition in a Whitby-built ship called the Endeavour. | 0:39:56 | 0:40:01 | |
This was to be his first of three major voyages of discovery across the globe. | 0:40:01 | 0:40:07 | |
-What was Cook's first voyage? -The first voyage starts in Plymouth. | 0:40:07 | 0:40:12 | |
Yeah. | 0:40:12 | 0:40:13 | |
And they call at Madeira | 0:40:13 | 0:40:16 | |
-and then we swap around to the other side. -Right. | 0:40:16 | 0:40:21 | |
And they go round Cape Horn and then across the Pacific | 0:40:21 | 0:40:26 | |
until they get to Tahiti. | 0:40:26 | 0:40:28 | |
Then he has secret orders from the Admiralty, which he opens, | 0:40:28 | 0:40:33 | |
and the Admiralty say go and search | 0:40:33 | 0:40:35 | |
for the great undiscovered southern continent, | 0:40:35 | 0:40:39 | |
if there be such a continent, and so he sails south, due south. | 0:40:39 | 0:40:43 | |
Doesn't find anything much, | 0:40:43 | 0:40:47 | |
so he turns westward and they hit New Zealand. | 0:40:47 | 0:40:53 | |
Discovering that it is two islands, not one. | 0:40:53 | 0:40:57 | |
Then they go westward again | 0:40:57 | 0:41:00 | |
and they hit the east coast of Australia, | 0:41:00 | 0:41:04 | |
which no-one had seen before. | 0:41:04 | 0:41:06 | |
Cook embarked on a second exploration | 0:41:06 | 0:41:09 | |
and became the first man to sail around the world | 0:41:09 | 0:41:11 | |
in both directions. But it was his third voyage, | 0:41:11 | 0:41:14 | |
to find the Northwest Passage, that would prove to be his last. | 0:41:14 | 0:41:19 | |
He was killed in Hawaii in a fracas over a stolen boat with the natives. | 0:41:19 | 0:41:25 | |
A misjudgement. | 0:41:25 | 0:41:26 | |
He didn't have enough men with him, he was killed | 0:41:26 | 0:41:29 | |
and committed to the deep, as was normal with sailors, | 0:41:29 | 0:41:32 | |
in Kealakekua Bay in Hawaii. | 0:41:32 | 0:41:35 | |
Cook was stabbed to death by islanders in 1779 | 0:41:35 | 0:41:39 | |
and so the man who radically changed our view of the world for ever | 0:41:39 | 0:41:44 | |
was never to sail again. | 0:41:44 | 0:41:46 | |
After a long day, | 0:41:48 | 0:41:49 | |
it's time for Philip to bid farewell to the museum. | 0:41:49 | 0:41:52 | |
Jonathan's also in Whitby and still on the hunt for a bargain. | 0:41:54 | 0:41:58 | |
Will he be able to seek out the truly bizarre? | 0:41:58 | 0:42:02 | |
I'm looking up at this hull of a boat and inside it you've got what | 0:42:03 | 0:42:09 | |
I can only assume is the remains of possibly a steam | 0:42:09 | 0:42:12 | |
or petrol-fired engine, so it would have had a cover and a mast. | 0:42:12 | 0:42:17 | |
People collect these things, | 0:42:17 | 0:42:19 | |
because people who are engineers like to repair these things, make these things better. | 0:42:19 | 0:42:24 | |
I might ask him about that. | 0:42:24 | 0:42:26 | |
This model of a World War II torpedo boat is priced at £85, | 0:42:26 | 0:42:32 | |
but with missing bits, I'm sure there's a deal to be done. | 0:42:32 | 0:42:35 | |
I bet you that is built to scale. Give me £50 and we'll have a deal. | 0:42:35 | 0:42:40 | |
OK. I'm going to be brave | 0:42:42 | 0:42:45 | |
and I'm going to say... | 0:42:45 | 0:42:48 | |
..all right. | 0:42:48 | 0:42:50 | |
Thank you very much. | 0:42:50 | 0:42:51 | |
-I've no idea what it's worth, but I'll say thank you. 50 quid. -OK, then. -Great. | 0:42:51 | 0:42:56 | |
That's a bold move for someone who is trailing behind. | 0:42:56 | 0:42:59 | |
Anything else worth a, er, punt? | 0:42:59 | 0:43:02 | |
-I saw the green glass vase with a silver collar. -This one. | 0:43:02 | 0:43:06 | |
Yeah. | 0:43:09 | 0:43:11 | |
I like this iridescent glass, it's like Austrian glass. | 0:43:14 | 0:43:17 | |
A bit like the Loetz factory. | 0:43:17 | 0:43:19 | |
-That's a word, I remember that one. -Silver mounting, 1905. | 0:43:19 | 0:43:23 | |
Little bit thin, but the neck's quite good. | 0:43:23 | 0:43:27 | |
I would be happy to offer you | 0:43:27 | 0:43:29 | |
not 10, | 0:43:29 | 0:43:31 | |
not 15, | 0:43:31 | 0:43:33 | |
£18. JONATHAN CHUCKLES | 0:43:33 | 0:43:36 | |
I tell you what, you give me 20 and you can have it. | 0:43:36 | 0:43:40 | |
All right? | 0:43:40 | 0:43:42 | |
What the heck, go on then. I'll take that as well. | 0:43:42 | 0:43:45 | |
Philip's now going for a spot of shopping | 0:43:46 | 0:43:48 | |
just down the road in Sleights. | 0:43:48 | 0:43:52 | |
Much of the small village sits on hillsides | 0:43:52 | 0:43:56 | |
on either side of the pretty River Esk. | 0:43:56 | 0:43:59 | |
Philip's gone to see what Eskdale Antiques have to offer | 0:44:00 | 0:44:03 | |
and immediately he can see that things here are right up his street. | 0:44:03 | 0:44:07 | |
Where else other than the antiques world can you get old quarry tiles | 0:44:09 | 0:44:13 | |
an anchor or a cartwheel? | 0:44:13 | 0:44:15 | |
-Hi, how are you, I'm Phil. -Hi. Phil Smith. -Phil, Phil. It's like an echo. How you doing? | 0:44:16 | 0:44:22 | |
All right, thanks. | 0:44:22 | 0:44:23 | |
Philip's absolutely chomping at the bit to buy something here, | 0:44:23 | 0:44:27 | |
just look at all these big, old lumps. | 0:44:27 | 0:44:29 | |
I love that spice box. What I love about that | 0:44:32 | 0:44:35 | |
is in the middle you've got a nutmeg grater and you just grate your nutmeg like that. | 0:44:35 | 0:44:42 | |
Smell that, that's absolutely lovely. | 0:44:42 | 0:44:46 | |
Mm. Spicy. | 0:44:46 | 0:44:49 | |
-Could I have a look at that one? -Yes. -How much is it first? | 0:44:51 | 0:44:54 | |
What's the ticket price on it? The ticket price is... | 0:44:56 | 0:44:59 | |
-..30. -30 quid. | 0:45:03 | 0:45:04 | |
Your pony's head goes in there. | 0:45:05 | 0:45:08 | |
-And then? -Packed out with straw with leather back to cushion it | 0:45:08 | 0:45:12 | |
and fasten your straps there and then fasten onto the cart behind. | 0:45:12 | 0:45:18 | |
Right. Deal time. | 0:45:18 | 0:45:20 | |
I'll give you 15 quid for that. | 0:45:20 | 0:45:22 | |
Go on, then. | 0:45:24 | 0:45:26 | |
-Have a deal. -I like that a lot. | 0:45:26 | 0:45:28 | |
Let's just hope somebody in Doncaster has got a pony with no harness for it. | 0:45:28 | 0:45:34 | |
Time to trot on. Trot on! | 0:45:34 | 0:45:37 | |
Reunited, the chaps are off to the seaside town of Scarborough. | 0:45:38 | 0:45:43 | |
I do want to go to the promenade, or whatever it is, in Scarborough. | 0:45:43 | 0:45:47 | |
Let's drive through the promenade first. | 0:45:47 | 0:45:49 | |
There's no point of coming to the seaside and not seeing the sea. | 0:45:49 | 0:45:52 | |
We should buy one another a stick of rock, JP. | 0:45:52 | 0:45:55 | |
Scarborough, known as the Queen of the Yorkshire coast, | 0:45:55 | 0:45:58 | |
is full of attractions. | 0:45:58 | 0:46:01 | |
The historic and dramatic looking Scarborough Castle for one, | 0:46:01 | 0:46:05 | |
but it's been a booming seaside resort for the last 360 years | 0:46:05 | 0:46:09 | |
and is still as popular as ever. | 0:46:09 | 0:46:13 | |
Sadly, there's no strolling beside the seaside for these two. | 0:46:13 | 0:46:17 | |
There's a competition to continue. | 0:46:17 | 0:46:19 | |
Let's hope Philip's last shop looks promising. | 0:46:25 | 0:46:29 | |
-You've got some good things in here, haven't you? -Lots of things. -Yeah. | 0:46:29 | 0:46:33 | |
-Just going to look at that fish. Can we get the fish down, please? -Yes, you can. | 0:46:35 | 0:46:41 | |
-I'll pop it down here. -Thank you. | 0:46:41 | 0:46:43 | |
Now the first thing we want to do is is there a label on the back? | 0:46:43 | 0:46:46 | |
There's absolutely nothing. | 0:46:46 | 0:46:48 | |
I mean, the big exponent of doing these was a man called Cooper | 0:46:48 | 0:46:52 | |
and Cooper was a great taxidermist. | 0:46:52 | 0:46:56 | |
-Is that some sort of a trout? -I think it is. -Is it the old trout?! -LAUGHTER | 0:46:58 | 0:47:03 | |
But what bothers me is condition. | 0:47:03 | 0:47:06 | |
If you look here, you can just see that he's starting to flake away. | 0:47:06 | 0:47:12 | |
What someone is going to have to do is take this out of its case | 0:47:12 | 0:47:17 | |
and remount it and re-glaze it | 0:47:17 | 0:47:18 | |
and that's going to cost what this thing is worth, really. | 0:47:18 | 0:47:22 | |
Typically, Philip's drawn to the only thing in the shop that's not theirs. | 0:47:22 | 0:47:27 | |
It's being sold for a friend who wants £150 for it. | 0:47:27 | 0:47:31 | |
-Does your man definitely want to sell this? -Yes. | 0:47:31 | 0:47:34 | |
He doesn't want it back in his house. | 0:47:35 | 0:47:38 | |
I like that and I'd like to buy it off you. | 0:47:38 | 0:47:40 | |
I am worried about condition. | 0:47:40 | 0:47:42 | |
Um, can I give you £40 for it and that's my best? | 0:47:42 | 0:47:47 | |
-Yes, sir. -You're an angel. | 0:47:47 | 0:47:49 | |
Blimey! | 0:47:49 | 0:47:51 | |
Is Jonathan having similar bargaining power next door? | 0:47:51 | 0:47:54 | |
That conjures up a strong image, doesn't it? | 0:47:56 | 0:47:59 | |
Perhaps that's something I should put in the sale. | 0:47:59 | 0:48:02 | |
Our militaria always tends to, in any sale, whether it's a general or specialist sale, | 0:48:02 | 0:48:07 | |
it always tends to do OK. | 0:48:07 | 0:48:09 | |
It's obviously depicting a battle scene in the Boer War. | 0:48:09 | 0:48:13 | |
That's a Scottish regiment. | 0:48:13 | 0:48:14 | |
It's a colour print, signed and dated in the print as 1900 | 0:48:14 | 0:48:18 | |
and this is probably a reproduction not long after that. | 0:48:18 | 0:48:22 | |
What would you sell that for? | 0:48:22 | 0:48:24 | |
-The best I could do today, Jonathan, is a tenner. -Oh, crikey. | 0:48:24 | 0:48:28 | |
How's that? | 0:48:28 | 0:48:30 | |
-Oof. -HE LAUGHS | 0:48:30 | 0:48:32 | |
Didn't expect that, did you? | 0:48:32 | 0:48:35 | |
-I'll take it for a tenner. -Yes? -Why not? | 0:48:35 | 0:48:37 | |
Jonathan's keeping his last buy under wraps. | 0:48:37 | 0:48:42 | |
So let's jog our memories as to what each expert has purchased. | 0:48:42 | 0:48:48 | |
Phillip bought five lots. | 0:48:48 | 0:48:50 | |
A Victorian squeezebox, | 0:48:50 | 0:48:51 | |
a hamper filled with Yorkshire goodies, a cane lobster pot, | 0:48:51 | 0:48:54 | |
a pony harness and a stuffed fish | 0:48:54 | 0:48:57 | |
totalling £155.10. | 0:48:57 | 0:49:00 | |
Jonathan forked out | 0:49:00 | 0:49:03 | |
a wee bit less than his rival, | 0:49:03 | 0:49:06 | |
£127 for his five items. An oak bureau, | 0:49:06 | 0:49:10 | |
a nest of G-Plan tables, | 0:49:10 | 0:49:12 | |
a model torpedo boat, | 0:49:12 | 0:49:14 | |
a Loetz-style green vase | 0:49:14 | 0:49:17 | |
and a Scottish military print from the 1900s. | 0:49:17 | 0:49:20 | |
Time to get the knives out and find out what they really think. | 0:49:20 | 0:49:26 | |
For me, the Achilles heel in the whole operation is the boat. | 0:49:26 | 0:49:30 | |
Because he paid £50 for that and I just don't see that. | 0:49:30 | 0:49:34 | |
On a bad day, it could really make, I don't know, £15 to £30, | 0:49:34 | 0:49:39 | |
something like that. | 0:49:39 | 0:49:41 | |
For me, I'd be really nervous if I owned that. | 0:49:41 | 0:49:44 | |
Crikey! I mean, Phil's gone off his rocker buying a hamper | 0:49:44 | 0:49:49 | |
and buying some jam from down the road. | 0:49:49 | 0:49:52 | |
For goodness' sake. | 0:49:52 | 0:49:53 | |
On this leg of their road trip, the pair have travelled | 0:49:53 | 0:49:56 | |
from Darlington to Yarm, Whitby, Sleights, Coxwold and Scarborough. | 0:49:56 | 0:50:03 | |
Let's see how their buys fare at auction in Doncaster | 0:50:03 | 0:50:07 | |
in South Yorkshire. | 0:50:07 | 0:50:10 | |
Oh, this must be St George's. Is this a cathedral or a church? | 0:50:10 | 0:50:14 | |
I don't know. | 0:50:14 | 0:50:15 | |
Is Doncaster a city? | 0:50:15 | 0:50:17 | |
I know a man who will tell us. OK, Tim, tell us what it is. | 0:50:17 | 0:50:21 | |
Well, chaps, St George's may look impressive, | 0:50:21 | 0:50:24 | |
but it's a church, not a cathedral, | 0:50:24 | 0:50:26 | |
and Doncaster is in fact an historic market town | 0:50:26 | 0:50:30 | |
founded in AD71 by the old Romans. | 0:50:30 | 0:50:33 | |
Sitting on the River Don, it has a rich horse-racing and railway heritage | 0:50:33 | 0:50:37 | |
and some famous faces were born there, | 0:50:37 | 0:50:39 | |
including Top Gear presenter Jeremy Clarkson. | 0:50:39 | 0:50:43 | |
Hear we are, this is it. Excellent. We've got a spot just outside. | 0:50:43 | 0:50:47 | |
Tudor Auction Rooms are house clearance specialists | 0:50:47 | 0:50:51 | |
and have been doing business in Doncaster for over 30 years. | 0:50:51 | 0:50:55 | |
I know Jonathan's trailing, but I've got a good feeling in my waters for him about this auction, | 0:50:55 | 0:51:00 | |
which auctioneer George Allen is running today. | 0:51:00 | 0:51:03 | |
Here we go. | 0:51:03 | 0:51:05 | |
First, one of Philip's more randomly acquired items from the fish-and-chip shop. | 0:51:06 | 0:51:11 | |
The cane lobster pot. 5 anywhere? 5 bid. Any advance on five? | 0:51:11 | 0:51:17 | |
Any more? All done. Tenner bid. £10. | 0:51:17 | 0:51:21 | |
-Get in there, George! -I'll have to sit down. | 0:51:21 | 0:51:26 | |
15 bid. £15. Any more? All out. Done at 15. | 0:51:26 | 0:51:32 | |
If I'd known that, I could have had another portion of chips! | 0:51:32 | 0:51:35 | |
I'm aghast. | 0:51:37 | 0:51:39 | |
He knows what he's doing, our Philip. | 0:51:39 | 0:51:41 | |
A decent profit on the lobster pot. | 0:51:41 | 0:51:43 | |
Second is Jonathan's 1900 | 0:51:43 | 0:51:46 | |
Scottish military scene print. | 0:51:46 | 0:51:50 | |
Rather nice. Very collectable. War memorabilia. 5, surely. 5 bid. | 0:51:50 | 0:51:54 | |
Any advance on 5? All done. | 0:51:54 | 0:51:57 | |
7.50 on the book. 7.50 bid. | 0:51:57 | 0:52:00 | |
-Going. -10 bid. -Oh! -12.50. -Yes! -15. | 0:52:00 | 0:52:05 | |
£15 bid. Have you all done? At £15. | 0:52:05 | 0:52:09 | |
-There you go. -That's cheap. | 0:52:10 | 0:52:13 | |
Yes, it's a couple for me. | 0:52:13 | 0:52:15 | |
Ha. Not a bad buy. The print served him well. | 0:52:15 | 0:52:18 | |
Next is Philip's pony hame. | 0:52:20 | 0:52:23 | |
Highly collectable, ladies and gentlemen. 5 bid. | 0:52:23 | 0:52:27 | |
Any advance on 5? 10. | 0:52:27 | 0:52:28 | |
15. 20. 5. 30. | 0:52:28 | 0:52:32 | |
£30 lady's in at 30. 35. New bidder. 40 bid. | 0:52:32 | 0:52:36 | |
£40 bid. | 0:52:36 | 0:52:38 | |
£40 bid. I'll take 2.50, if it will help you. | 0:52:38 | 0:52:42 | |
42.50 is back in. 45. | 0:52:42 | 0:52:46 | |
45 bid. All done at £45. | 0:52:46 | 0:52:50 | |
-The drinks are on you tonight, Phil. -They certainly are. | 0:52:50 | 0:52:54 | |
Another profit for Philip and mine's a Campari and soda. | 0:52:54 | 0:52:58 | |
Next, Philip's been at it again. It's a bad case of stuffed fish. Ha. | 0:52:58 | 0:53:02 | |
10 bid. £10. Any more? | 0:53:02 | 0:53:05 | |
15, 20, 5, 30, £30, still cheap. | 0:53:05 | 0:53:10 | |
-£30 bid. Any advance on 30? 2.50, if you like. -It's crashed and burned. | 0:53:10 | 0:53:16 | |
35, she's back in. 37.50. | 0:53:16 | 0:53:19 | |
New bidder. 40 bid. | 0:53:19 | 0:53:21 | |
£40 bid. Any advance on 40? Have you all done? At £40. | 0:53:21 | 0:53:28 | |
No complaints at all. | 0:53:28 | 0:53:29 | |
I'm quite happy now. You can give the rest away. | 0:53:29 | 0:53:32 | |
Minus commission, the fish floundered and was actually a loss for Philip. | 0:53:32 | 0:53:38 | |
Now for Jonathan's Loetz-style green vase. | 0:53:39 | 0:53:44 | |
10 bid. £10 bid. 15 bid. 20 bid. 25, 30 bid. | 0:53:44 | 0:53:50 | |
35 bid. 35 on the side. | 0:53:50 | 0:53:53 | |
35 bid. Any advance on 35? Still cheap is this. | 0:53:53 | 0:53:57 | |
-35 bid. -It is cheap, it's a great vase. -Any more? All done. | 0:53:57 | 0:54:03 | |
42.50. | 0:54:03 | 0:54:04 | |
At £42.50. Another chance. | 0:54:04 | 0:54:07 | |
At 42.50. | 0:54:07 | 0:54:09 | |
Go on, go on! | 0:54:09 | 0:54:11 | |
-That's all right, JP. -Yeah. -So after commission that's... | 0:54:11 | 0:54:15 | |
I'm on the way back! | 0:54:15 | 0:54:16 | |
You'll need a bit more than that to put you in the lead, Jonathan, or even to get you back | 0:54:16 | 0:54:21 | |
to where you started. Oh, dear. | 0:54:21 | 0:54:23 | |
It's time to see if anyone's in the mood for a picnic. | 0:54:23 | 0:54:28 | |
It's going to be red-hot tomorrow. It's the picnic basket | 0:54:28 | 0:54:31 | |
and it is full. | 0:54:31 | 0:54:33 | |
5 anywhere? 2 bid. £2 bid. £6 bid. | 0:54:33 | 0:54:39 | |
He's going to work the room. | 0:54:39 | 0:54:40 | |
8 bid on the front row. Any advance on 8, have you all done? | 0:54:40 | 0:54:44 | |
10. Very cheap that. That jam must be worth 20! 10 bid. | 0:54:44 | 0:54:48 | |
You buy it, George! | 0:54:48 | 0:54:51 | |
Any more? A bit of cake, as well! | 0:54:51 | 0:54:54 | |
12 bid. 14. We're getting better. | 0:54:54 | 0:54:58 | |
16. 18. | 0:54:58 | 0:55:01 | |
18 bid, we've got her. Any more? Done at 18. | 0:55:01 | 0:55:07 | |
See you down by the riverside. | 0:55:07 | 0:55:08 | |
-He did really well. -Tell you what, old George works them well, doesn't he? Bless him. | 0:55:08 | 0:55:14 | |
Maybe so, but you still made a loss, Philip. | 0:55:14 | 0:55:16 | |
Aha. It's the 1920s Lebus oak bureau up now. | 0:55:18 | 0:55:22 | |
10 bid. £10 bid. 15. | 0:55:22 | 0:55:26 | |
20. 25. | 0:55:26 | 0:55:28 | |
-25 bid. -Keep going. | 0:55:28 | 0:55:29 | |
25, 7.50. 20, please? 30 bid. | 0:55:29 | 0:55:34 | |
£30 bid. £30 bid. Any advance on 30? Have you all done? | 0:55:34 | 0:55:38 | |
-At £30. 43. -Oh, goodness. | 0:55:38 | 0:55:42 | |
So what are the tables going to make now? | 0:55:42 | 0:55:45 | |
They've got to make about £100 for me go in a profit, I think! | 0:55:45 | 0:55:50 | |
Well, it's not over yet, Jonathan. | 0:55:50 | 0:55:53 | |
So let's see what his nest of 1970s G plan tables make. | 0:55:55 | 0:56:00 | |
£10 bid Any advance on 10? | 0:56:00 | 0:56:02 | |
That is ridiculously cheap. | 0:56:02 | 0:56:04 | |
Are you sure? 15 bid. 20 bid. | 0:56:04 | 0:56:07 | |
Lady's in at 20. 25 bid. | 0:56:07 | 0:56:09 | |
25 bid. Any more? | 0:56:09 | 0:56:11 | |
All done at £25. | 0:56:11 | 0:56:15 | |
-Good night. -You were hard done by. I'll shake you by the hand. | 0:56:16 | 0:56:19 | |
You were hard done by, old mate. | 0:56:19 | 0:56:20 | |
He was a bit. Not a whopping profit when he needs it most. | 0:56:20 | 0:56:25 | |
Time for Philip's rosewood concertina to face the music. | 0:56:25 | 0:56:29 | |
30, 40, 50. | 0:56:29 | 0:56:31 | |
60. 70. £70 bid, lady's in at 70. | 0:56:31 | 0:56:36 | |
£80. 90, 100. | 0:56:36 | 0:56:40 | |
£100 bid. £100 bid. | 0:56:40 | 0:56:43 | |
110. 120. | 0:56:43 | 0:56:44 | |
130. | 0:56:44 | 0:56:46 | |
130. The yellow cap in at 130. | 0:56:46 | 0:56:50 | |
140. 150. | 0:56:50 | 0:56:52 | |
-£150 bid. -I feel a bit better, JP. -Are we all done? | 0:56:52 | 0:56:56 | |
At £150. | 0:56:56 | 0:57:00 | |
JONATHAN CLAPS | 0:57:00 | 0:57:02 | |
Well done, George. | 0:57:02 | 0:57:03 | |
You doubled your money, Phil. | 0:57:03 | 0:57:04 | |
And that's a fantastic profit for Philip. | 0:57:04 | 0:57:08 | |
He's got a hard act to follow. | 0:57:08 | 0:57:10 | |
Last, but by no means least, | 0:57:10 | 0:57:13 | |
Jonathan's slightly incomplete model boat. | 0:57:13 | 0:57:17 | |
This is a rather nice craft, ladies and gentlemen(!) A gunboat. | 0:57:17 | 0:57:21 | |
5 anywhere on the gunboat? 5 bid. Any advance on 5? | 0:57:21 | 0:57:27 | |
7.50 can I see? 7.50 bid. Lady's in at 7.50. | 0:57:27 | 0:57:33 | |
-A lady's going to buy it. -Interesting project. 10 bid. | 0:57:33 | 0:57:37 | |
£10 bid. 12.50 new bidder. 13.50 bid. | 0:57:37 | 0:57:41 | |
13.50, have you all done? | 0:57:42 | 0:57:45 | |
At £13.50. | 0:57:45 | 0:57:49 | |
I don't quite know what to say now, JP. | 0:57:49 | 0:57:53 | |
LAUGHTER I'll go down with my ship. | 0:57:53 | 0:57:55 | |
SPLASH! | 0:57:55 | 0:57:57 | |
And he's sunk. Ha-ha. | 0:57:57 | 0:57:58 | |
GURGLE! | 0:57:58 | 0:58:00 | |
So, with that final lot, it's safe to say | 0:58:01 | 0:58:04 | |
it's a hat-trick for Philip Serrell, | 0:58:04 | 0:58:07 | |
who has now won his third auction on the trot. | 0:58:07 | 0:58:10 | |
Jonathan started this leg of the trip with £140.40 | 0:58:11 | 0:58:14 | |
and, sadly, after auction costs, | 0:58:14 | 0:58:17 | |
ends today with even less, £126.70, to be precise. | 0:58:17 | 0:58:23 | |
Oh, dear. | 0:58:23 | 0:58:25 | |
Philip started with a healthier sum, £301.96. | 0:58:26 | 0:58:30 | |
But even minus commission, has increased that even further | 0:58:30 | 0:58:33 | |
and now has a decent £366.62. | 0:58:33 | 0:58:37 | |
Steady Eddie. | 0:58:37 | 0:58:39 | |
Surely now it's time for Jonathan to change tactics. | 0:58:41 | 0:58:45 | |
Have you got a plan for the next leg? | 0:58:45 | 0:58:47 | |
Um, as always, Philip, my plan is to have no plan. | 0:58:47 | 0:58:50 | |
-That's good enough, isn't it? -Yeah. | 0:58:50 | 0:58:51 | |
Just get in the car and drive. | 0:58:53 | 0:58:55 | |
Subtitles by Red Bee Media Ltd | 0:59:14 | 0:59:17 |