Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite antiques experts. £200 each. One challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques | 0:00:08 | 0:00:11 | |
as they scour the UK? | 0:00:11 | 0:00:13 | |
The aim is to trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:16 | |
It's not as easy as it looks and dreams of glory can end in tatters. | 0:00:16 | 0:00:20 | |
I'm a loser. I'm a loser. | 0:00:20 | 0:00:23 | |
Will it be the fast lane to success, or the slow road to bankruptcy? | 0:00:23 | 0:00:26 | |
Oh! There's a mouse! There's a mouse! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's a new week and we've got two antiques maestros | 0:00:35 | 0:00:40 | |
embarking on their first-ever road trip together. | 0:00:40 | 0:00:43 | |
It's none other than David Barby and Charles Hanson. | 0:00:43 | 0:00:48 | |
# Greased Lightning Go Greased Lightning! # | 0:00:48 | 0:00:50 | |
David, don't you feel we're like Sandy and Danny | 0:00:50 | 0:00:54 | |
from Greased Lightning? | 0:00:54 | 0:00:55 | |
Well, I certainly feel as though I am stuck in the 1970s. | 0:00:55 | 0:00:59 | |
They're taking the air in a classic 1959 Hillman Minx. | 0:00:59 | 0:01:02 | |
Perfect for fostering their new friendship. | 0:01:02 | 0:01:04 | |
I think this is so iconic as a car. We've got the lovely bent seats. | 0:01:04 | 0:01:09 | |
I can rest my hand on your thigh if I really wished to, | 0:01:09 | 0:01:11 | |
but I don't want to. | 0:01:11 | 0:01:12 | |
-But you've done it twice already. -By accident! | 0:01:12 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:17 | |
# You're the one that I want | 0:01:17 | 0:01:20 | |
# You're the one that I want Ooh ooh ooh honey! # | 0:01:20 | 0:01:22 | |
Antiques valuer David Barby is known for his haggling style. | 0:01:24 | 0:01:27 | |
The infamous Barby stare. | 0:01:27 | 0:01:30 | |
But, lately, he's been forced to change tack. | 0:01:30 | 0:01:33 | |
I'll go 55. | 0:01:33 | 0:01:35 | |
SHE LAUGHS | 0:01:37 | 0:01:39 | |
How low will you stoop? | 0:01:39 | 0:01:40 | |
While his rival, Charles, | 0:01:40 | 0:01:42 | |
an auctioneer from Derbyshire, likes quirky things. | 0:01:42 | 0:01:46 | |
Much like himself. | 0:01:46 | 0:01:48 | |
The helmet is a bit greasy. | 0:01:48 | 0:01:50 | |
So, equipped with £200 each, | 0:01:50 | 0:01:52 | |
our experts are ready to roll with the punches | 0:01:52 | 0:01:54 | |
as they buy antiques to sell at auction. | 0:01:54 | 0:01:56 | |
What a price! What a price! | 0:01:59 | 0:02:01 | |
This week David and Charles are on one huge 300-mile road trip | 0:02:03 | 0:02:07 | |
that starts in Lichfield, Staffordshire, | 0:02:07 | 0:02:10 | |
stretches south to Frome in Somerset, | 0:02:10 | 0:02:12 | |
heads back up to the Wirral and finally ends in Nottingham. | 0:02:12 | 0:02:17 | |
Wow. | 0:02:17 | 0:02:18 | |
But, today, they're only moving a few inches on the map, | 0:02:20 | 0:02:23 | |
starting their shopping in Lichfield | 0:02:23 | 0:02:25 | |
and heading for the auction in Coventry. | 0:02:25 | 0:02:27 | |
One unmissable feature of Lichfield is this, | 0:02:32 | 0:02:35 | |
its impressive three-spired mediaeval cathedral. | 0:02:35 | 0:02:39 | |
The city also boasts more than 200 listed buildings, | 0:02:39 | 0:02:43 | |
which only adds to its old historical charm. | 0:02:43 | 0:02:47 | |
-Shall we pull in, David? -OK. let's have a look around. | 0:02:47 | 0:02:50 | |
Oh, do be careful! For heaven's sake! | 0:02:52 | 0:02:54 | |
David, the thing is, I know Lichfield like the back of my hand. | 0:02:54 | 0:02:58 | |
Well, this worries me, because, I think you have an unfair advantage. | 0:02:58 | 0:03:01 | |
As luck would have it, | 0:03:01 | 0:03:04 | |
Lichfield is one of Charles's old stamping grounds. | 0:03:04 | 0:03:07 | |
So, beware David, he'll know everyone. | 0:03:07 | 0:03:10 | |
But is he going to be able to make the most of it? | 0:03:11 | 0:03:15 | |
So, to the shops, and Lichfield Antiques Centre | 0:03:16 | 0:03:19 | |
is packed with goodies from over 60 specialist dealers. | 0:03:19 | 0:03:22 | |
Of course, Charles already knows that. | 0:03:22 | 0:03:25 | |
Eight months ago, I opened this Antiques Centre. | 0:03:26 | 0:03:30 | |
Officially opened it. | 0:03:30 | 0:03:32 | |
-Good morning. -Good morning. | 0:03:35 | 0:03:37 | |
Good morning. Hello, Charles. | 0:03:37 | 0:03:39 | |
-Good to see you, again. -And you too. | 0:03:39 | 0:03:40 | |
-Nice to see you, again. -Nice to see you, too. -Oh, my word. | 0:03:40 | 0:03:43 | |
-He has an unfair advantage, already. -I know David as well. | 0:03:43 | 0:03:47 | |
I'm going to insist Charles goes that direction and I go in this direction. | 0:03:47 | 0:03:51 | |
What might be? | 0:03:51 | 0:03:52 | |
-See you in a few moments, I hope. -Right, good. -Best of luck, Charles. | 0:03:52 | 0:03:55 | |
Madeleine, what I'm looking for | 0:04:01 | 0:04:04 | |
are objects which are big and decorative. | 0:04:04 | 0:04:07 | |
Not too expensive. | 0:04:07 | 0:04:08 | |
Hopefully you can help. If I'm lucky. | 0:04:08 | 0:04:11 | |
I love your necklace, by the way. | 0:04:11 | 0:04:13 | |
-Is it Art Nouveau? -Thank you, it is Art Nouveau. -Silver enamel? | 0:04:13 | 0:04:17 | |
-A true antique! Not you, Madeleine, the necklace. -Hmm, yes. | 0:04:17 | 0:04:20 | |
Er, come on, Charles. Get on with it. | 0:04:20 | 0:04:23 | |
Now, any thoughts on a strategy, Carlos? | 0:04:24 | 0:04:27 | |
I really want to find out what this auction house is like, | 0:04:27 | 0:04:32 | |
and I wonder if the young lady on the reception desk | 0:04:32 | 0:04:35 | |
might have the Internet and I can just tap in this sale room | 0:04:35 | 0:04:39 | |
and find out what the auction's like. | 0:04:39 | 0:04:42 | |
Good call. | 0:04:42 | 0:04:44 | |
So, here we go. | 0:04:44 | 0:04:45 | |
It will be a general sale. | 0:04:45 | 0:04:47 | |
That's great, that's superb. | 0:04:47 | 0:04:49 | |
Which means, they sell anything from a second-hand washing machine | 0:04:49 | 0:04:54 | |
to decorative candlesticks like these, at £14. | 0:04:54 | 0:04:58 | |
-These are a very nice. -A very nice pair of Maling Ware candlesticks. | 0:05:01 | 0:05:05 | |
They're quite Art Deco with this enamelled and printed design. | 0:05:05 | 0:05:09 | |
They must be 1930s. | 0:05:09 | 0:05:11 | |
Indeed, this was the period when Maling's Newcastle-based factory | 0:05:12 | 0:05:16 | |
produced pottery with the signature lustre glaze and gilding. | 0:05:16 | 0:05:21 | |
But is there a deal to be done? | 0:05:21 | 0:05:23 | |
What's the best price on those, Madeleine? | 0:05:24 | 0:05:26 | |
Well, you've got £14.50 on those, | 0:05:26 | 0:05:28 | |
so we could do those for £13. | 0:05:28 | 0:05:32 | |
Would you take £10 for them? | 0:05:32 | 0:05:34 | |
-We could contact the dealer and see... -Fine, OK, Madeleine. | 0:05:34 | 0:05:37 | |
-The answer was? -You're in luck. -Great. That's really good. | 0:05:41 | 0:05:44 | |
If I can't make money on a £10 purchase, when can I? | 0:05:44 | 0:05:48 | |
Now, there's a question. | 0:05:48 | 0:05:50 | |
At the other end of the shop, | 0:05:50 | 0:05:52 | |
David's also spotted something decorative. | 0:05:52 | 0:05:55 | |
A pair of late 19th-century silver shades, for candles of all things. | 0:05:55 | 0:06:00 | |
You support them like that, and then my finger is the candle | 0:06:03 | 0:06:06 | |
-and they're just so nice. -They're beautiful. | 0:06:06 | 0:06:09 | |
-I have often seen these also silk lined, as well. -OK. | 0:06:09 | 0:06:13 | |
Which is quite good. I do like those. | 0:06:13 | 0:06:16 | |
I see there's £80. | 0:06:16 | 0:06:18 | |
What's the best price on those? | 0:06:18 | 0:06:20 | |
What price are you looking for? | 0:06:20 | 0:06:22 | |
I'd like these at £50. | 0:06:22 | 0:06:23 | |
-I could speak to the dealer. -See what he has to say. | 0:06:23 | 0:06:26 | |
See what his position is. | 0:06:26 | 0:06:28 | |
-All right. -OK. -I'll just continue looking. OK. | 0:06:28 | 0:06:31 | |
Hmm. | 0:06:31 | 0:06:32 | |
What is your best price? | 0:06:32 | 0:06:34 | |
Will the dealer really go for David's daring £50 offer? | 0:06:37 | 0:06:40 | |
-The best price he could do would be 60. -60? -60. | 0:06:41 | 0:06:46 | |
-That is £20 off the original price. -£60. | 0:06:46 | 0:06:49 | |
OK. Let me come back to you on those. | 0:06:51 | 0:06:53 | |
All right, be coy. | 0:06:53 | 0:06:55 | |
With everything to play for, Charles now steps up his buying strategy. | 0:06:55 | 0:06:58 | |
His victim, Madeleine. Poor thing. | 0:06:58 | 0:07:02 | |
We're going to a fairly general auction, | 0:07:02 | 0:07:04 | |
we're going where my tactics will be to spend a bit less. | 0:07:04 | 0:07:09 | |
What I quite like, which has caught my eye, Madeleine, | 0:07:09 | 0:07:13 | |
is this wonderful corner cabinet here. Oak and mahogany. | 0:07:13 | 0:07:16 | |
You open the doors up, there we are. | 0:07:16 | 0:07:19 | |
It's missing a panel back. | 0:07:19 | 0:07:21 | |
The interior isn't in the best of states, | 0:07:21 | 0:07:24 | |
but it's a pretty little corner cupboard. | 0:07:24 | 0:07:27 | |
We all over time are bruised and battered and messed around with. | 0:07:27 | 0:07:31 | |
But this is still here. | 0:07:31 | 0:07:32 | |
Madeline's probably wishing she wasn't. | 0:07:32 | 0:07:36 | |
It could be yours for £80. | 0:07:36 | 0:07:39 | |
I would like to make an offer of £30. | 0:07:39 | 0:07:43 | |
Meet in the middle on £40? | 0:07:43 | 0:07:45 | |
Would you go, Madeleine, at £35? | 0:07:45 | 0:07:48 | |
Are you sure? | 0:07:48 | 0:07:50 | |
-All right. -Going once. -Not sure. | 0:07:50 | 0:07:53 | |
Not sure?! Oh, no! What have I done? | 0:07:53 | 0:07:55 | |
-Going twice. -Go on. | 0:07:55 | 0:07:59 | |
-Are you sure? -I'm sure. -Positive? | 0:07:59 | 0:08:00 | |
Oh, get on with it. | 0:08:00 | 0:08:02 | |
-Going, going, gone. -It's a bargain. -Madeleine, thank you, you're a star. | 0:08:02 | 0:08:06 | |
Thank goodness that's over. | 0:08:07 | 0:08:10 | |
I thought I was going to be sick, there. | 0:08:10 | 0:08:12 | |
But there's no respite for poor Madeleine. | 0:08:12 | 0:08:14 | |
David now has her in his sights over the £60 on those candle shades. | 0:08:14 | 0:08:20 | |
What do you think he'd come down to? What would you come down to? | 0:08:20 | 0:08:24 | |
We may be able to persuade him to do another £10 off. | 0:08:24 | 0:08:29 | |
-So, that's at £50 for the two. -That's £50 for two. | 0:08:29 | 0:08:31 | |
I think you've got a bargain there. | 0:08:31 | 0:08:33 | |
Right, you have a sale, Madeleine. Thank you very much indeed. | 0:08:33 | 0:08:37 | |
Keen on exploiting his Lichfield contacts, | 0:08:37 | 0:08:42 | |
local lad Charles heads across town to another friendly dealer. | 0:08:42 | 0:08:46 | |
He's on the trot. | 0:08:46 | 0:08:47 | |
We could go the more scenic route, I hope you don't mind, | 0:08:47 | 0:08:50 | |
I am sure it's this way. | 0:08:50 | 0:08:51 | |
Via the lavatories? | 0:08:51 | 0:08:53 | |
Aren't you meant to be the one with the local knowledge, Charles? | 0:08:53 | 0:08:55 | |
I have memories of a very small antiques shop this way. | 0:08:56 | 0:09:00 | |
No wonder he's so skinny. | 0:09:00 | 0:09:01 | |
Charles is off to see an old friend, | 0:09:01 | 0:09:03 | |
Jim Jordan, in the hope of finding something special. | 0:09:03 | 0:09:06 | |
Hello, Jim. Surprise. | 0:09:06 | 0:09:08 | |
-Hello, Charles! -How are you doing? | 0:09:08 | 0:09:10 | |
This is a man I have known for a long time, James Jordan. | 0:09:10 | 0:09:13 | |
-Good to see you. -Morning Charles, nice to see you. | 0:09:13 | 0:09:15 | |
What's the best bargain which I could set sail with? | 0:09:15 | 0:09:18 | |
In your opinion? | 0:09:18 | 0:09:20 | |
Definitely the little fork and shovel set. | 0:09:20 | 0:09:23 | |
I like it, it's £75. | 0:09:23 | 0:09:25 | |
-What would be the best price, Jim? -£65. -Between friends? | 0:09:25 | 0:09:28 | |
-Between friends, I'll let you have it for £60. -Tempting. | 0:09:28 | 0:09:32 | |
The fork and spade is in fact a novelty piece of Victorian cutlery, | 0:09:32 | 0:09:37 | |
and may not be one to be missed. So, what else? | 0:09:37 | 0:09:42 | |
I've got a couple of old silver pocket watches. | 0:09:42 | 0:09:46 | |
What we've got here is a tired, working order, silver pocket watch. | 0:09:46 | 0:09:52 | |
That's the Chester hallmark there, | 0:09:52 | 0:09:55 | |
the assay city shield mark. | 0:09:55 | 0:09:57 | |
Enamel dial, it's nice condition although it's missing its small | 0:09:57 | 0:10:00 | |
subsidiary seconds dial hand. | 0:10:00 | 0:10:05 | |
Likewise, this one hasn't got a glass cover. | 0:10:05 | 0:10:09 | |
They're quite nice. How much would they be to buy, those two watches? | 0:10:09 | 0:10:13 | |
That one, £30. | 0:10:13 | 0:10:16 | |
And that one, £20. | 0:10:16 | 0:10:18 | |
They're nice, aren't they? There's one more thing, Jim. | 0:10:18 | 0:10:21 | |
In the centre, just hidden behind is a cut glass slipper. | 0:10:21 | 0:10:26 | |
It's just a pretty thing, isn't it? | 0:10:27 | 0:10:29 | |
It's just a pretty thing. | 0:10:29 | 0:10:31 | |
Almost an adornment in the cabinet, to show off the jewellery. | 0:10:31 | 0:10:35 | |
Eight pounds isn't a lot for it. | 0:10:35 | 0:10:38 | |
I think I shall leave the spade, fork, and knife. | 0:10:38 | 0:10:42 | |
If I said four pounds for him, that's a deal, | 0:10:42 | 0:10:47 | |
and with the watches, | 0:10:47 | 0:10:48 | |
I must remember they're not in great condition. | 0:10:48 | 0:10:50 | |
-Would you take £25 for them? -I'll do that. -Thanks, Jim. Superb. | 0:10:51 | 0:10:54 | |
That gives me a great start. | 0:10:54 | 0:10:56 | |
-And sometimes they say it's who you know. -Er, yes. | 0:10:56 | 0:10:59 | |
Back at the first shop, David feels there's more good fruit to be picked | 0:11:02 | 0:11:07 | |
and he is getting passionate | 0:11:07 | 0:11:09 | |
about this late 19th-century arts and crafts plate. | 0:11:09 | 0:11:13 | |
It's got a nice William Morris type background, | 0:11:13 | 0:11:18 | |
and then the head, | 0:11:18 | 0:11:19 | |
with that very floppy collar all the way round. | 0:11:19 | 0:11:23 | |
At £68, I feel a haggle coming on. | 0:11:23 | 0:11:26 | |
Not surprisingly, Madeleine has left this one to colleague, Mark. | 0:11:26 | 0:11:29 | |
There's only so much you can take. | 0:11:29 | 0:11:32 | |
£68 seems an awful lot to pay. | 0:11:32 | 0:11:34 | |
I would like to see it at about £40. | 0:11:34 | 0:11:36 | |
Time to phone the dealer. | 0:11:36 | 0:11:38 | |
Thank you. | 0:11:38 | 0:11:39 | |
That, I liked. | 0:11:40 | 0:11:41 | |
That OK? 40? Thank you very much, take care now, bye. | 0:11:41 | 0:11:46 | |
You're in luck, 40 it is. | 0:11:46 | 0:11:48 | |
£40, my God. | 0:11:48 | 0:11:50 | |
He's done it again. | 0:11:50 | 0:11:52 | |
And he's not finished yet. | 0:11:52 | 0:11:54 | |
I love the engraving of the fruit and vine, | 0:11:54 | 0:11:56 | |
and the dimpled effect. | 0:11:56 | 0:11:58 | |
It's hand blown and a nice piece. | 0:11:58 | 0:12:00 | |
In fact, if you look carefully, | 0:12:00 | 0:12:03 | |
the small bubbles in the glass are reminiscent of Clutha glass, | 0:12:03 | 0:12:06 | |
originally made to designs by Christopher Dresser. | 0:12:06 | 0:12:09 | |
Using a coloured Glasgow art glass with added potassium nitrate. | 0:12:09 | 0:12:15 | |
Ticket price, £24. | 0:12:16 | 0:12:17 | |
Can you try him for £10? | 0:12:19 | 0:12:21 | |
Yes, I will give him a call for you. | 0:12:21 | 0:12:23 | |
OK, tell him that I bought the other one, see what he can do on that. | 0:12:23 | 0:12:26 | |
-No problem at all, thank you. -OK. Thank you. | 0:12:26 | 0:12:29 | |
You have £24 on it. | 0:12:31 | 0:12:34 | |
He's offering £10. | 0:12:34 | 0:12:36 | |
-That's fine, he'll do that for £10. -Oh, that's wonderful! | 0:12:37 | 0:12:40 | |
A bargain. | 0:12:40 | 0:12:42 | |
I think so, as well. | 0:12:42 | 0:12:44 | |
I'll say, at £10. | 0:12:44 | 0:12:45 | |
Right, let me out of this shop before I buy it all. | 0:12:45 | 0:12:48 | |
I think they will only be too glad | 0:12:50 | 0:12:53 | |
to see the back of David's ruthless bargaining skills. | 0:12:53 | 0:12:56 | |
Meanwhile, Charles is back on the road. | 0:12:59 | 0:13:01 | |
He's been sent to Coventry, in search of some answers. | 0:13:01 | 0:13:05 | |
Well, I've had a great morning in Lichfield, I bought four items. | 0:13:07 | 0:13:10 | |
I'm delighted. | 0:13:10 | 0:13:11 | |
And, hopefully, my star find, my two pocket watches, | 0:13:11 | 0:13:16 | |
I might find out a little more about them, | 0:13:16 | 0:13:18 | |
whether they were a real bargain, | 0:13:18 | 0:13:20 | |
by the place I am going to now, in Coventry. | 0:13:20 | 0:13:23 | |
He's heading for Coventry's watch museum. | 0:13:23 | 0:13:27 | |
In the 18th and 19th centuries | 0:13:27 | 0:13:29 | |
the city was one of three UK centres for watch and clock manufacture. | 0:13:29 | 0:13:34 | |
Charles hopes the curator, Paul Shufflebotham, | 0:13:36 | 0:13:39 | |
can tell him more about his watches. | 0:13:39 | 0:13:41 | |
The only way you can tell about watches is to check the hallmark | 0:13:46 | 0:13:50 | |
on the cases, and there's there going back to 1829. | 0:13:50 | 0:13:54 | |
Made by Vale and Rotherham. | 0:13:54 | 0:13:56 | |
With a Birmingham case. Of course, the cases were made... | 0:13:56 | 0:13:59 | |
-They would make the cases in Coventry, as well. -Would they? | 0:13:59 | 0:14:02 | |
Quite a skilled job. | 0:14:02 | 0:14:03 | |
Certain factories were making the enamel dials? | 0:14:03 | 0:14:06 | |
That would be, they came from Chapelfields | 0:14:06 | 0:14:09 | |
-and there would be one dial maker doing that on his own. -Really?! | 0:14:09 | 0:14:13 | |
Indeed. The skill of the watchmaker knew no bounds. | 0:14:13 | 0:14:17 | |
In 1948, the then Lord Mayor, | 0:14:17 | 0:14:21 | |
Harry Weston, | 0:14:21 | 0:14:22 | |
persuaded Mr Peacock who was the second last apprentice in Coventry | 0:14:22 | 0:14:26 | |
-to make a watch as a wedding present to the Queen. -Queen Elizabeth? | 0:14:26 | 0:14:30 | |
Queen Elizabeth, this was made in 1948. | 0:14:30 | 0:14:33 | |
What he did, he had two rough movements, which are two kits, | 0:14:33 | 0:14:37 | |
one he finished and it was cased and sent to the Queen. | 0:14:37 | 0:14:40 | |
This is the other movement, which we found in his shop | 0:14:40 | 0:14:44 | |
when it closed down in 2000. | 0:14:44 | 0:14:47 | |
Of course, we now know what type of movement is in the Queen's watch. | 0:14:47 | 0:14:51 | |
Well, the two watches Charles bought can't beat that, | 0:14:52 | 0:14:56 | |
but they might still have a pedigree. | 0:14:56 | 0:14:58 | |
I came across these two pocket watches, | 0:15:00 | 0:15:03 | |
which I bought on my road trip. | 0:15:03 | 0:15:05 | |
That one, I can tell you for a start, is a Coventry-made watch. | 0:15:05 | 0:15:10 | |
-Isn't that wonderful! -Yes. | 0:15:10 | 0:15:11 | |
Isn't that wonderful? | 0:15:11 | 0:15:12 | |
-In fact, it's made by one of our distant relatives. -Oh! | 0:15:12 | 0:15:15 | |
-It's not?! -That's the trademark, on the balance cog. | 0:15:15 | 0:15:18 | |
-You know what they say, Paul. It's a very small world. -It is. | 0:15:18 | 0:15:22 | |
What would you pay for the pair? | 0:15:22 | 0:15:23 | |
If you saw them at an antique fair or at auction. | 0:15:23 | 0:15:26 | |
The case in this one is very good, | 0:15:26 | 0:15:28 | |
so, I would be tempted to pay anything up to £75 or £100. | 0:15:28 | 0:15:34 | |
That's in very good condition, that. | 0:15:34 | 0:15:36 | |
This one, again, it looks a bit ropey. | 0:15:36 | 0:15:39 | |
£30 or £40 on that one. | 0:15:39 | 0:15:41 | |
-I bought the pair for £25. -Blimey. | 0:15:41 | 0:15:43 | |
-You've done well there. -Not bad, is it? | 0:15:43 | 0:15:46 | |
Perhaps you should invite him to the auction, Charles. | 0:15:46 | 0:15:50 | |
Those two pocket watches, I bought in Lichfield | 0:15:50 | 0:15:53 | |
have a certain Coventry connection. | 0:15:53 | 0:15:55 | |
We're going to Coventry, | 0:15:55 | 0:15:56 | |
they're being sold in Coventry and who knows? | 0:15:56 | 0:15:59 | |
They now might make a huge profit. Wonderful day. | 0:15:59 | 0:16:02 | |
Satisfied that he's made a good buy, Charles heads back to Lichfield. | 0:16:03 | 0:16:07 | |
Which is where David is, and it's Jim Jordan's shop again, | 0:16:09 | 0:16:14 | |
and what's the first thing he finds? | 0:16:14 | 0:16:16 | |
The very item local boy Charles was offered a £60 deal on. | 0:16:16 | 0:16:21 | |
Let's see if David can do better. | 0:16:21 | 0:16:24 | |
Want to put that price down. | 0:16:24 | 0:16:27 | |
It's a lovely replica, isn't it? | 0:16:27 | 0:16:29 | |
Isn't it nice! And Mappin and Webb, good makers. | 0:16:29 | 0:16:32 | |
Mappin and Webb are a famed company of silversmiths | 0:16:32 | 0:16:36 | |
and cutlery manufacturers with roots going back to 1774. | 0:16:36 | 0:16:40 | |
This sweet miniature fork and spade set is probably late Victorian. | 0:16:43 | 0:16:47 | |
How lovely is that? | 0:16:47 | 0:16:49 | |
I can imagine a piece of Brie on the end of there, cutting it off. | 0:16:51 | 0:16:55 | |
Picking it out with the fork. | 0:16:55 | 0:16:57 | |
It's very nice, but £75 is just a little bit too much. | 0:16:57 | 0:17:01 | |
What's the very best price you can do on that? | 0:17:01 | 0:17:04 | |
£50? | 0:17:04 | 0:17:06 | |
I need it lower than £50. | 0:17:06 | 0:17:08 | |
Uh-oh! Out comes the Barby stare. | 0:17:08 | 0:17:12 | |
-I will do it for 42, for you. -42? | 0:17:12 | 0:17:15 | |
£42, eh? What a pro. | 0:17:15 | 0:17:18 | |
Well, there's a lesson for you, Charles. | 0:17:18 | 0:17:21 | |
-James, thank you. -Pleasure. | 0:17:21 | 0:17:26 | |
David is certainly the cat that got the cream. | 0:17:27 | 0:17:30 | |
So, there endeth the first day of shopping. | 0:17:30 | 0:17:34 | |
Good night and sleep tight, road trippers. | 0:17:34 | 0:17:37 | |
It's the second day of our road trip and we start again in Lichfield | 0:17:40 | 0:17:44 | |
but it appears one of our roadtrippers has had a rough time, | 0:17:45 | 0:17:48 | |
and it wasn't down to the shopping. | 0:17:48 | 0:17:50 | |
What's happened, David?! | 0:17:51 | 0:17:53 | |
-Well... -David Barby, what's happened?! | 0:17:53 | 0:17:56 | |
-Look at that. -Mate, what have you done? | 0:17:56 | 0:17:58 | |
-I tripped last night. -You didn't?! | 0:17:58 | 0:18:00 | |
-Where? -Straight into a garden bench. | 0:18:00 | 0:18:03 | |
-You didn't?! -I did, it cut me just there. | 0:18:03 | 0:18:06 | |
This is a sympathy vote. I shall go in there, say, "What's the price... | 0:18:06 | 0:18:09 | |
"..Oh! Sorry, could you repeat that?". | 0:18:09 | 0:18:12 | |
-Have you had stitches? -There and there. -How many have you had? | 0:18:12 | 0:18:15 | |
Oh, I don't know. Glue and stitches. I feel like a panda. | 0:18:15 | 0:18:19 | |
And just as cuddly. | 0:18:19 | 0:18:22 | |
Well, he may be a bit down in the mouth, | 0:18:22 | 0:18:25 | |
but he is certainly not out, old love. | 0:18:25 | 0:18:27 | |
So far, David Barby has spent £142 on four quality lots, | 0:18:27 | 0:18:33 | |
leaving him just £58 to spend. | 0:18:33 | 0:18:37 | |
His rival, Charles Hanson, on the other hand | 0:18:37 | 0:18:40 | |
has opted for more general items, | 0:18:40 | 0:18:42 | |
parting with a mere £74 on four auction lots. | 0:18:42 | 0:18:46 | |
And that's left him with a nagging regret. | 0:18:48 | 0:18:50 | |
I almost regret not buying one item, | 0:18:52 | 0:18:54 | |
in a cabinet was a sweet little knife and condiment spoon. | 0:18:54 | 0:18:59 | |
I just saw it and I could not get him down from £60. | 0:18:59 | 0:19:03 | |
Oh, very, very nice. | 0:19:03 | 0:19:06 | |
Seems David's not letting on. | 0:19:06 | 0:19:08 | |
Now, Charles has kindly volunteered to chauffeur poor David | 0:19:08 | 0:19:13 | |
to Lichfield's Samuel Johnson Birthplace Museum | 0:19:13 | 0:19:16 | |
for an early-morning tonic of local history. | 0:19:16 | 0:19:19 | |
Well, in that fragile state, he can hardly be expected to drive himself. | 0:19:19 | 0:19:24 | |
It wouldn't be safe! | 0:19:24 | 0:19:27 | |
Waiting for David is museum curator, Joanne Wilson. | 0:19:27 | 0:19:30 | |
Perhaps she'll perk him up. | 0:19:30 | 0:19:32 | |
-Hello! -Hello! -What a greeting. How are you? | 0:19:32 | 0:19:35 | |
-I'm very well, thanks. Welcome to Johnson's Birthplace. -Thank you. | 0:19:35 | 0:19:39 | |
Seems to be working. | 0:19:39 | 0:19:40 | |
Dr Johnson made literary history in the mid 18th-century | 0:19:40 | 0:19:44 | |
with his dictionary of the English language. | 0:19:44 | 0:19:47 | |
He was born in this very house in 1709. | 0:19:47 | 0:19:51 | |
His early upbringing here laid the foundations for the monumental work. | 0:19:51 | 0:19:55 | |
Wow. | 0:19:55 | 0:19:57 | |
This was the Johnson family bookshop. | 0:19:57 | 0:20:00 | |
Where Michael Johnson, Samuel's father, had the house built, | 0:20:00 | 0:20:03 | |
this was the family business and they lived above it. | 0:20:03 | 0:20:06 | |
This very room was where Johnson discovered his love of reading. | 0:20:06 | 0:20:10 | |
Over 300 years ago. | 0:20:10 | 0:20:11 | |
Johnson left the family home in his 20s to seek his fortune in London, | 0:20:13 | 0:20:17 | |
but it wasn't until 1747, | 0:20:17 | 0:20:20 | |
when he was commissioned to write the dictionary, | 0:20:20 | 0:20:23 | |
that he came into money. | 0:20:23 | 0:20:25 | |
Up until he started in that work he was really quite a poor journalist. | 0:20:25 | 0:20:29 | |
It was only when he was approached, in 1747, to write the dictionary, | 0:20:29 | 0:20:33 | |
that his fortunes changed. | 0:20:33 | 0:20:35 | |
Why did they choose him? | 0:20:35 | 0:20:36 | |
They chose him because he was getting known by the printers | 0:20:36 | 0:20:40 | |
and publishers in the area | 0:20:40 | 0:20:41 | |
as having a fantastic knowledge of literature. | 0:20:41 | 0:20:44 | |
Almost an encyclopaedic mind and it was this quality which made him | 0:20:44 | 0:20:48 | |
perfect for writing the dictionary. | 0:20:48 | 0:20:50 | |
Have you got examples of this work? This first dictionary? | 0:20:50 | 0:20:53 | |
We have indeed! We have a first edition of his work over here. | 0:20:53 | 0:20:56 | |
My, my, my! | 0:20:56 | 0:20:57 | |
Johnson judged it would take three years to write. | 0:20:59 | 0:21:02 | |
In fact it took nine, | 0:21:02 | 0:21:04 | |
despite having several assistants. | 0:21:04 | 0:21:06 | |
This is almost a trembling moment. | 0:21:08 | 0:21:12 | |
Something so part and parcel of English history. | 0:21:12 | 0:21:16 | |
There are over 43,000 definitions in Johnson's dictionary, | 0:21:16 | 0:21:21 | |
some of which we'd find quite quirky today. | 0:21:21 | 0:21:25 | |
His definition for oats. | 0:21:25 | 0:21:27 | |
A grain which in England is generally given to horses | 0:21:27 | 0:21:30 | |
but in Scotland supports the people. | 0:21:30 | 0:21:32 | |
DAVID LAUGHS | 0:21:32 | 0:21:33 | |
What's rather lovely is that the six assistants | 0:21:33 | 0:21:36 | |
who worked with Johnson on the dictionary were all Scottish. | 0:21:36 | 0:21:39 | |
Whilst writing consumed much of Johnson's life, | 0:21:40 | 0:21:44 | |
he also had other passions, like tea drinking. | 0:21:44 | 0:21:47 | |
This is my favourite item in the museum's collection. | 0:21:47 | 0:21:50 | |
This is Johnson's teapot. | 0:21:50 | 0:21:51 | |
He was a fantastic lover of tea, | 0:21:51 | 0:21:55 | |
said to be able to drink up to 25 cups in one sitting. | 0:21:55 | 0:21:58 | |
So does my wife! | 0:21:58 | 0:21:59 | |
LAUGHTER | 0:21:59 | 0:22:00 | |
-This is beautiful. I love the teapot. -It's beautiful, isn't it? | 0:22:00 | 0:22:04 | |
-It's Jackfield Black, from Shropshire. -Yep, absolutely. | 0:22:04 | 0:22:07 | |
There's a lovely caricature next to it by Rowlandson which shows Johnson | 0:22:07 | 0:22:11 | |
basically falling asleep over a cup of tea. | 0:22:11 | 0:22:13 | |
His hostess pleading with him to finish | 0:22:14 | 0:22:16 | |
and the servant yawning at the back. | 0:22:16 | 0:22:19 | |
You can see that it's well past bedtime on the clock. | 0:22:19 | 0:22:23 | |
Johnson was also known for his scruffy appearance | 0:22:23 | 0:22:25 | |
and that's not been lost on the museum's costume department. | 0:22:26 | 0:22:30 | |
-Gosh, it's a scrubby wig. -Well, he was a scruffy chap. | 0:22:31 | 0:22:34 | |
Was he really? | 0:22:34 | 0:22:35 | |
Yes, it was actually said he'd have the front of his wig burnt, often, | 0:22:35 | 0:22:39 | |
because he'd be leaning over the candlelight to do his work. | 0:22:39 | 0:22:43 | |
Oh, God, that looks terrible. Oh! | 0:22:43 | 0:22:45 | |
You may need a hat, as well. To top it off. | 0:22:45 | 0:22:47 | |
Oh, this looks ghastly. | 0:22:47 | 0:22:49 | |
Oh, dear. | 0:22:53 | 0:22:54 | |
I don't think he was a very good-looking guy, was he? | 0:22:54 | 0:22:57 | |
DAVID LAUGHS | 0:22:57 | 0:23:00 | |
Hmm. Hardly a picture of beauty, is it? | 0:23:00 | 0:23:03 | |
But, joking apart, it's not his wig but his English dictionary | 0:23:03 | 0:23:07 | |
that Johnson will be best remembered for. | 0:23:07 | 0:23:11 | |
A remarkable piece of writing which remained pre-eminent for 150 years | 0:23:11 | 0:23:15 | |
before the Oxford English dictionary superseded it. | 0:23:15 | 0:23:19 | |
And after that tonic, | 0:23:24 | 0:23:25 | |
our intrepid road trippers are ready to get goodbye to Lichfield. | 0:23:25 | 0:23:29 | |
They're heading south to Balsall Common, | 0:23:29 | 0:23:31 | |
a village seven miles west of Coventry. | 0:23:31 | 0:23:34 | |
And here lies Old Lodge Farm Antiques, | 0:23:35 | 0:23:39 | |
with Trevor and Diane on hand to meet and greet. | 0:23:39 | 0:23:41 | |
Good to see you. | 0:23:43 | 0:23:44 | |
-Trevor, I'll give you a call if I see anything I quite like. OK? -OK. | 0:23:44 | 0:23:49 | |
Oh! Oh, there's a mouse! There's a mouse! | 0:23:49 | 0:23:53 | |
Sorry, sorry, sorry! | 0:23:53 | 0:23:54 | |
Oh, for goodness' sake, Charles, settle down. | 0:23:54 | 0:23:57 | |
It's a tiny shrew! | 0:23:57 | 0:23:58 | |
But for good measure, let's take another look. | 0:23:58 | 0:24:03 | |
Oh, there it is. | 0:24:03 | 0:24:04 | |
SPRINGING SOUND EFFECTS | 0:24:07 | 0:24:10 | |
For heaven's sake, Charles. | 0:24:10 | 0:24:12 | |
It's just the owner's pet shrew, Zebedee. | 0:24:12 | 0:24:15 | |
-Is it your pet shrew? -Yes! | 0:24:15 | 0:24:17 | |
Their pet shrew. | 0:24:17 | 0:24:20 | |
Goodness me. | 0:24:20 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:23 | |
It seems Charles is taking no chances with his trousers. | 0:24:23 | 0:24:29 | |
Red Socks, eh, Charles? | 0:24:29 | 0:24:31 | |
Natty. | 0:24:31 | 0:24:33 | |
The only way to guard against a scary shrew is to get a defence | 0:24:33 | 0:24:39 | |
and luckily help is at hand. | 0:24:39 | 0:24:41 | |
-Oh, no. -Charles and your armour. | 0:24:41 | 0:24:44 | |
-Well, maybe great shrew protectors. -Yes. | 0:24:44 | 0:24:47 | |
They could be yours for £65, as well! | 0:24:47 | 0:24:50 | |
So your foot goes in like that. | 0:24:50 | 0:24:53 | |
I might even buy them, they're quite... | 0:24:53 | 0:24:55 | |
What's the best price on them? | 0:24:55 | 0:24:57 | |
What have we got on them? £65. | 0:24:57 | 0:25:01 | |
Um...55? 55. | 0:25:01 | 0:25:03 | |
There's a helmet as well?! | 0:25:03 | 0:25:05 | |
-Yes. -Goodness me. -Put it on in case you can't get it back off! | 0:25:05 | 0:25:08 | |
Is the helmet inclusive? | 0:25:08 | 0:25:10 | |
I don't mind seeing to a shrew for you. | 0:25:13 | 0:25:16 | |
-Do you want me to see to him for you? -Yes. -Great. | 0:25:16 | 0:25:19 | |
Carlos, what do you look like? | 0:25:19 | 0:25:22 | |
Armour came in varying materials including leather, chainmail | 0:25:23 | 0:25:27 | |
and plate. | 0:25:27 | 0:25:28 | |
This suit, however, is a modern decorative version | 0:25:28 | 0:25:32 | |
and, if nothing else, it's ideal for stopping rodents, | 0:25:32 | 0:25:36 | |
or anything else, shooting up your trouser leg. | 0:25:36 | 0:25:38 | |
The dealer's not here so there's everything to play for, Charles. | 0:25:38 | 0:25:43 | |
Diana, he won't go to 30, will he? | 0:25:43 | 0:25:45 | |
30 would be my price, if he would. | 0:25:45 | 0:25:48 | |
I know it's half price, | 0:25:48 | 0:25:49 | |
but I just think it would give me a good chance. | 0:25:49 | 0:25:53 | |
-What do you think? £30. -All right, yes. | 0:25:53 | 0:25:56 | |
I came into an antique shop expecting to find | 0:25:56 | 0:25:58 | |
a glorious Royal Worcester vase, or a fine pair of silver pepperettes. | 0:25:58 | 0:26:02 | |
What have I bought? | 0:26:02 | 0:26:03 | |
An armour to protect myself from a shrew. Amazing what you come across. | 0:26:03 | 0:26:08 | |
So, with his new backseat passenger, | 0:26:09 | 0:26:12 | |
Charles heads nine miles east on a return visit to Coventry, | 0:26:12 | 0:26:16 | |
this time he's got shopping on his mind. | 0:26:16 | 0:26:20 | |
Now, just as the proprietors of the Antiques Emporium have got rid | 0:26:22 | 0:26:27 | |
of one cheeky haggler, here comes another one. | 0:26:27 | 0:26:30 | |
Hello! | 0:26:30 | 0:26:31 | |
With two black eyes, maybe David needs a suit of armour too. | 0:26:31 | 0:26:35 | |
Unlike Charles, David only has eyes, be they a little sore, | 0:26:35 | 0:26:40 | |
for traditional antiques | 0:26:40 | 0:26:42 | |
like these attractive watercolours by local artist, G Hammond. | 0:26:42 | 0:26:48 | |
The quality is quite good. | 0:26:48 | 0:26:51 | |
The artist, G Hammond, rings a bell there. | 0:26:51 | 0:26:53 | |
Either it's a local artist from the Leamington Spa, Warwick area, | 0:26:53 | 0:26:57 | |
or I have had his work before, coming through the salerooms. | 0:26:57 | 0:27:01 | |
-You've got £85, is that the pair? -No, that's £85 each. | 0:27:01 | 0:27:05 | |
That's £85 each. | 0:27:05 | 0:27:06 | |
Is that the very best you can do on that one? | 0:27:06 | 0:27:09 | |
I can do £75 on that. | 0:27:09 | 0:27:10 | |
I was thinking something like 40. | 0:27:10 | 0:27:13 | |
No, I couldn't do 40. | 0:27:13 | 0:27:14 | |
The very, very best, I'll do 65. | 0:27:14 | 0:27:18 | |
Could you do 48? | 0:27:18 | 0:27:21 | |
I am not moving off 60. | 0:27:21 | 0:27:24 | |
Crikey, Moses. | 0:27:24 | 0:27:26 | |
The famous Barby stare has failed on Diane. | 0:27:26 | 0:27:30 | |
Maybe because it's so black. | 0:27:30 | 0:27:32 | |
It's just that I think I've only got £58. | 0:27:32 | 0:27:36 | |
I would have given it to him for nothing | 0:27:36 | 0:27:38 | |
just to get him out of the shop. | 0:27:38 | 0:27:41 | |
Anyway, he is on his knees - could this be a proposal? | 0:27:43 | 0:27:49 | |
I can go up to £55. That's my max. | 0:27:49 | 0:27:51 | |
£55. | 0:27:51 | 0:27:54 | |
I'll go £55, but... | 0:27:54 | 0:27:57 | |
SHE LAUGHS | 0:27:57 | 0:27:59 | |
Just when we all thought the deal was sealed... | 0:28:01 | 0:28:05 | |
This knock on my head, I can't remember the price we agreed. | 0:28:05 | 0:28:08 | |
-Was it 45? -No, 55 was the final figure. | 0:28:08 | 0:28:14 | |
55. Let me give you £55. | 0:28:14 | 0:28:17 | |
Thank you very much indeed. | 0:28:17 | 0:28:19 | |
Ha! It must be tough handling over that last bit of cash. | 0:28:19 | 0:28:23 | |
So, with David all spent up, | 0:28:23 | 0:28:25 | |
it's left to Charles to wind up the shopping, | 0:28:25 | 0:28:29 | |
at Antiques of Earlsdon. The owner is Steve. | 0:28:29 | 0:28:32 | |
Looking for anything in particular? | 0:28:33 | 0:28:35 | |
Something a bit interesting, something that's highly decorative, | 0:28:35 | 0:28:39 | |
that's going to go down well. | 0:28:39 | 0:28:41 | |
Nothing like a bit of a desk set, | 0:28:41 | 0:28:43 | |
which we could do you a nice little...? | 0:28:43 | 0:28:45 | |
-That's the whole set there? -A whole set, marble. | 0:28:45 | 0:28:48 | |
Yeah, it's nice, isn't it? | 0:28:48 | 0:28:49 | |
Sets like this would have taken pride of place | 0:28:49 | 0:28:52 | |
on a gentleman's desk, | 0:28:52 | 0:28:54 | |
made of solid striated marble. | 0:28:54 | 0:28:59 | |
You get a blotter, two inkwells and a stationery rack. | 0:28:59 | 0:29:02 | |
The whole lot would cost you £38. | 0:29:02 | 0:29:06 | |
It's missing its glass wells, isn't it? | 0:29:06 | 0:29:08 | |
It is missing its glass wells. | 0:29:08 | 0:29:10 | |
It's a bit tired, I like the style. | 0:29:10 | 0:29:11 | |
It's striking, it's quite jazzy, | 0:29:11 | 0:29:13 | |
but, Steve, they're difficult things to sell. | 0:29:13 | 0:29:16 | |
If I was going to buy this from you I would buy it for five pounds. | 0:29:16 | 0:29:19 | |
I can't give it to you for a fiver, Charles. Sorry. | 0:29:19 | 0:29:23 | |
I was going to say, a tenner. | 0:29:23 | 0:29:24 | |
Okay. Meet me halfway, at eight pounds. | 0:29:24 | 0:29:27 | |
Right, deal. Eight quid. | 0:29:28 | 0:29:30 | |
Go on! At eight pounds. Steve, you're a star. | 0:29:30 | 0:29:33 | |
-Thanks, Steve. Are you sure? -Yep. -For eight pounds. -That's fine. | 0:29:33 | 0:29:37 | |
That was cheap. | 0:29:37 | 0:29:40 | |
Seems Charles, though, is having doubts. | 0:29:40 | 0:29:43 | |
For the first ever time I've been sold something, | 0:29:43 | 0:29:46 | |
am I happy with my eight pounds spend? | 0:29:46 | 0:29:48 | |
I'm not sure, yet. | 0:29:48 | 0:29:50 | |
Hmm, I know the feeling, | 0:29:50 | 0:29:52 | |
but I don't think you've too much to worry about. | 0:29:52 | 0:29:54 | |
So, time now for our experts to show their hand. | 0:29:54 | 0:29:57 | |
Where better than next to Coventry's stunning post-war cathedral | 0:29:57 | 0:30:02 | |
built after German bombers razed the old building to the ground. | 0:30:02 | 0:30:06 | |
All ready for the battle is Charles. | 0:30:06 | 0:30:08 | |
Oh, my! What have you got there? | 0:30:10 | 0:30:12 | |
David, this goes on like so, I say, welcome to our road trip, | 0:30:12 | 0:30:16 | |
and somehow, if I can walk, | 0:30:16 | 0:30:19 | |
carefully, without them cutting into my legs. | 0:30:19 | 0:30:22 | |
Oh, my, my! | 0:30:22 | 0:30:24 | |
Hold on, David. | 0:30:24 | 0:30:26 | |
And it's so heavy. | 0:30:26 | 0:30:28 | |
They cost me £30. | 0:30:28 | 0:30:30 | |
-The whole lot? -All in! | 0:30:30 | 0:30:32 | |
-That's very good. -Would you pay £30 for them? -No. | 0:30:32 | 0:30:35 | |
-Will they make a profit? -Yes. | 0:30:35 | 0:30:38 | |
Right, put your finger up, please. | 0:30:38 | 0:30:40 | |
Is it a reading light? | 0:30:42 | 0:30:45 | |
-What are they? -They're for candles. -Oh, of course! Oh, how nice. | 0:30:45 | 0:30:50 | |
I think because we're staying in Coventry, they might struggle. | 0:30:50 | 0:30:56 | |
This is my next lot, have a look at that, David. Just look at that. | 0:30:56 | 0:31:00 | |
-Isn't that lovely! -Isn't it! -Yeah. | 0:31:00 | 0:31:02 | |
-I think that's very attractive. -Really? | 0:31:02 | 0:31:04 | |
-David, you know... -I think it's amusing. | 0:31:04 | 0:31:08 | |
I think you paid a fiver. | 0:31:08 | 0:31:10 | |
It cost me four pounds. | 0:31:10 | 0:31:12 | |
I thought as much. | 0:31:12 | 0:31:14 | |
What's your next lot? | 0:31:14 | 0:31:15 | |
I like it a lot. I think it's up your street. | 0:31:15 | 0:31:18 | |
-In the right sale it ought make £50. -I like it. | 0:31:18 | 0:31:21 | |
The important thing is I like it. | 0:31:21 | 0:31:23 | |
-Yes... Very plain, very simple, very functional. -Yes. | 0:31:25 | 0:31:29 | |
Where's the rest of it? | 0:31:29 | 0:31:31 | |
Is it the upper section...? | 0:31:31 | 0:31:32 | |
TOGETHER: Of a floorstanding corner cupboard. | 0:31:32 | 0:31:35 | |
-It cost me £35. -That's very good value. | 0:31:35 | 0:31:39 | |
Right. | 0:31:39 | 0:31:40 | |
I like it, David. I think it's a lovely object. | 0:31:42 | 0:31:45 | |
I reckon you paid about £45 for it. | 0:31:45 | 0:31:47 | |
-A lot more? £85? £20? £10? -Yeah! -You didn't, David? | 0:31:48 | 0:31:53 | |
-I did, £10. -Oh, I say. | 0:31:53 | 0:31:55 | |
Ah! Little Malings. Very, very nice indeed. | 0:31:55 | 0:31:58 | |
What I like, I can feel candle wax. | 0:31:58 | 0:32:00 | |
-Can you really? -Yeah, I'm just scraping it off now. | 0:32:00 | 0:32:04 | |
So, they have been used on a table. | 0:32:04 | 0:32:06 | |
Let's say a dining table, or something... | 0:32:06 | 0:32:09 | |
No, those are very nice. | 0:32:09 | 0:32:11 | |
Oh, David! | 0:32:11 | 0:32:13 | |
I saw this, David, and I like this. | 0:32:13 | 0:32:15 | |
I would be very disappointed if it made less than £50. | 0:32:15 | 0:32:19 | |
I would be devastated(!) | 0:32:19 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:22 | |
My fifth item. Here we go, David. | 0:32:22 | 0:32:25 | |
It's very stylish, typical, sort of, German, strong, design. | 0:32:25 | 0:32:31 | |
-Masculine, heavy. -Chunky. | 0:32:31 | 0:32:33 | |
-What did it cost me? -30 quid? | 0:32:33 | 0:32:36 | |
-Eight pounds. -Eight pounds. That is marvellous. | 0:32:36 | 0:32:39 | |
There's certainly a profit in that, Charles | 0:32:39 | 0:32:42 | |
-Close your eyes. -Yes. | 0:32:42 | 0:32:44 | |
Don't open them. | 0:32:44 | 0:32:46 | |
Open them. | 0:32:47 | 0:32:48 | |
-Oh! This was the lot I saw in Mr Jordan's antique shop. -Yes! | 0:32:48 | 0:32:56 | |
But, Mr Jordan would not go any less than £60. | 0:32:56 | 0:33:00 | |
-I paid £42 for them. -You didn't?! -I did. | 0:33:00 | 0:33:02 | |
So, you got a whole £18 off | 0:33:02 | 0:33:04 | |
from my initial quotation. | 0:33:04 | 0:33:08 | |
I paid £42 for them. | 0:33:08 | 0:33:09 | |
-How did you do that? -I just spoke to the guy. | 0:33:09 | 0:33:11 | |
Is that how you got the black eyes? | 0:33:11 | 0:33:14 | |
LAUGHTER | 0:33:14 | 0:33:15 | |
Two very nice silver pocket watches, | 0:33:15 | 0:33:19 | |
and that one you're holding is by a Coventry maker. | 0:33:19 | 0:33:22 | |
That is brilliant. I love the cases, they're not battered. | 0:33:22 | 0:33:26 | |
-I love the, sort of, vacant cartouche on the back. -Absolutely. | 0:33:26 | 0:33:30 | |
Very nice, a nice little buy, Charles. | 0:33:30 | 0:33:32 | |
For your sixth purchase. | 0:33:32 | 0:33:35 | |
Well done. | 0:33:35 | 0:33:36 | |
I think you bought very, very well. May the best man win. | 0:33:36 | 0:33:41 | |
So, niceties apart, what do they really think of each other's lots? | 0:33:41 | 0:33:46 | |
The vase, at £10, with the little dimples | 0:33:47 | 0:33:50 | |
and that wonderful included body is a wonderful find. | 0:33:50 | 0:33:54 | |
But, I think David's bought with his mind in the clouds, | 0:33:54 | 0:33:57 | |
with what he likes, and he hasn't really bought for the saleroom. | 0:33:57 | 0:34:01 | |
So, hopefully, they might come unstuck, slightly. | 0:34:01 | 0:34:03 | |
I think Charles Hanson's items | 0:34:03 | 0:34:06 | |
was a huge eclectic mixture of goodies. | 0:34:06 | 0:34:10 | |
I think he is trying to back every avenue, | 0:34:10 | 0:34:13 | |
that he expects to find in the auction room. | 0:34:13 | 0:34:16 | |
So, after kicking off in Lichfield, | 0:34:17 | 0:34:19 | |
the first leg of this road trip comes to an end in Coventry. | 0:34:19 | 0:34:23 | |
Their destination, Warwick Auctions. | 0:34:25 | 0:34:28 | |
Before auctioneer, Chris Burns, can take up his gavel, | 0:34:28 | 0:34:31 | |
let's see what he thinks of our experts' choices. | 0:34:31 | 0:34:35 | |
I think the items to do well today is David's miniature fork and spade, | 0:34:38 | 0:34:43 | |
I think the suit of armour will do least well. Charles will struggle. | 0:34:43 | 0:34:47 | |
Charles's items should go for the general sale, better in a general. | 0:34:47 | 0:34:51 | |
David's, I think, are more for the antique collectors' sale. | 0:34:51 | 0:34:54 | |
Oops, Charles. You bought for the wrong auction! | 0:34:54 | 0:34:58 | |
But you did the research on it. | 0:34:58 | 0:35:01 | |
You silly boy, Pike. | 0:35:01 | 0:35:04 | |
David's bought for the sale. The sale is an antiques sale. | 0:35:04 | 0:35:07 | |
He's bought quality. | 0:35:07 | 0:35:09 | |
Hanson's bought, I wouldn't call it tat, | 0:35:09 | 0:35:11 | |
but the cheaper end of the market. | 0:35:11 | 0:35:13 | |
Maybe, I haven't quite catered for a fine art market. | 0:35:13 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:20 | |
Our experts started this road trip with £200 each | 0:35:20 | 0:35:23 | |
and in the last two days | 0:35:23 | 0:35:26 | |
David has spent a total of £197 on five auction lots. | 0:35:26 | 0:35:29 | |
His rival, Charles, has spent £112 on six lots. | 0:35:31 | 0:35:35 | |
Time to see if they've made the right choices. | 0:35:37 | 0:35:40 | |
Let the auction begin. | 0:35:40 | 0:35:42 | |
I feel apprehensive. | 0:35:43 | 0:35:45 | |
Positive, deep breathing, you're with me. | 0:35:45 | 0:35:48 | |
DAVID BREATHES DEEPLY | 0:35:48 | 0:35:51 | |
Right, are we ready now? | 0:35:51 | 0:35:53 | |
So, David's quirky candle shades are the first to face the bidders. | 0:35:53 | 0:35:58 | |
Lovely quality things, commission bids with me at £40. | 0:35:58 | 0:36:02 | |
-Wow! Fantastic. -Five, anywhere? Five, I've got. | 0:36:02 | 0:36:05 | |
50 with me, five, sir, 60, | 0:36:05 | 0:36:07 | |
five, 70, five. | 0:36:07 | 0:36:10 | |
80, the bid is with me at £80. | 0:36:10 | 0:36:12 | |
Five, anywhere? And selling for £80. | 0:36:12 | 0:36:17 | |
And the sale room loves them! Well, who wouldn't? | 0:36:17 | 0:36:21 | |
That's a relief. | 0:36:21 | 0:36:22 | |
David's second item, the art pottery plate, | 0:36:23 | 0:36:27 | |
and another one he haggled hard for. | 0:36:27 | 0:36:29 | |
-£30 to start him... -Sell it(!) -Come on. | 0:36:29 | 0:36:34 | |
35 with me, 38, 40. Five takes me out. Bid is in the room at £45 only. | 0:36:34 | 0:36:40 | |
50, I've got. Five. Make no mistake, the bid is in the room at £55. | 0:36:40 | 0:36:44 | |
-And selling for £55... -Down there! -£60, he's back in, five. | 0:36:44 | 0:36:50 | |
Well pointed, Mr Barby. | 0:36:50 | 0:36:52 | |
And it's selling for £60. | 0:36:52 | 0:36:55 | |
And that's another profit. | 0:36:55 | 0:36:59 | |
Charles's turn now. | 0:36:59 | 0:37:00 | |
Can his glass slipper find its Cinderella? | 0:37:00 | 0:37:04 | |
Where do you want to bid for it? | 0:37:04 | 0:37:06 | |
-£100 for it(?) -Oh, brilliant! | 0:37:06 | 0:37:08 | |
Five pounds to start him off. | 0:37:08 | 0:37:10 | |
Must be worth £5. | 0:37:10 | 0:37:11 | |
Eight pounds, I've got. 10. | 0:37:11 | 0:37:13 | |
-One more! -10, I've got. £12. -Great. | 0:37:13 | 0:37:16 | |
£15, £18? | 0:37:16 | 0:37:18 | |
-I don't believe this. -And selling for £15. | 0:37:18 | 0:37:23 | |
Well, would you believe it? | 0:37:23 | 0:37:27 | |
If that can sell, surely David's in the money with his next lot. | 0:37:28 | 0:37:32 | |
A lovely, quality glass vase. | 0:37:32 | 0:37:34 | |
Where do you want to bid for that? | 0:37:34 | 0:37:37 | |
Five pounds to start him. Eight, 10, 12, 15, 18, | 0:37:37 | 0:37:40 | |
20, 22, 25. | 0:37:40 | 0:37:43 | |
28, anywhere? | 0:37:43 | 0:37:44 | |
Selling for £25... | 0:37:44 | 0:37:48 | |
Disappointing, but still a profit, David. | 0:37:48 | 0:37:53 | |
I can't believe you make £11 on the glass slipper, | 0:37:53 | 0:37:57 | |
and on the wonderful, wonderful glass vase I only make £15. | 0:37:57 | 0:38:02 | |
Charles now needs a £55 profit to steal a lead. | 0:38:02 | 0:38:07 | |
Can his locally made watches seduce the bidders? | 0:38:07 | 0:38:12 | |
20 for them? Must be £20 worth of scrap. | 0:38:12 | 0:38:14 | |
£20, I've taken. 30, 40. | 0:38:14 | 0:38:17 | |
Gentleman standing up at £45, 50, anywhere? | 0:38:17 | 0:38:20 | |
Selling for £45... | 0:38:20 | 0:38:22 | |
-50, I've got on the internet. -Yes, 50! -God. | 0:38:23 | 0:38:26 | |
Five in the room. | 0:38:26 | 0:38:27 | |
-One more! -60? | 0:38:27 | 0:38:29 | |
That's a good buy, Charles. | 0:38:29 | 0:38:31 | |
60 on the internet, five? | 0:38:31 | 0:38:33 | |
65, in the room. | 0:38:33 | 0:38:35 | |
Selling for £65. | 0:38:35 | 0:38:38 | |
Thank you, David. Thank you. | 0:38:39 | 0:38:41 | |
-Do you know what? -What? | 0:38:41 | 0:38:43 | |
I think the guy who bought the watches was from the museum, | 0:38:43 | 0:38:46 | |
the guy who I went to see. | 0:38:46 | 0:38:48 | |
Yes, it was, Charles. | 0:38:48 | 0:38:49 | |
He has a museum, | 0:38:49 | 0:38:50 | |
and here they are. | 0:38:50 | 0:38:52 | |
Back in Coventry on public display, thanks to me. | 0:38:52 | 0:38:55 | |
I am buying for the nation, David. | 0:38:55 | 0:38:58 | |
What would we do without you, Charles? So modest, too. | 0:38:58 | 0:39:02 | |
Now for David's star buy. Eat your heart out, Charles. | 0:39:02 | 0:39:05 | |
Commission bids start me at £45. | 0:39:05 | 0:39:08 | |
50, anywhere? 50, I've got. | 0:39:08 | 0:39:10 | |
Five with me, 60. Five with me, 70. Five, 80, five. | 0:39:10 | 0:39:15 | |
-The bid's with me at £85. -Come on, come on, come on! | 0:39:15 | 0:39:18 | |
Selling for £85... | 0:39:18 | 0:39:22 | |
And I was so nearly tempted to buy them. | 0:39:23 | 0:39:25 | |
Yes, but you didn't... | 0:39:25 | 0:39:28 | |
Now, can Charles pull himself out of second place | 0:39:28 | 0:39:31 | |
with this battered half of a cupboard? | 0:39:31 | 0:39:34 | |
If I was going to be nervous on any item | 0:39:34 | 0:39:37 | |
in my first auction with you, David, this is it. | 0:39:37 | 0:39:41 | |
-Once this would have been the best part of £200-300. -Hear, hear! -Sssh! | 0:39:41 | 0:39:45 | |
Where do you want to bid for it? £40 for it? 20 for it? | 0:39:45 | 0:39:49 | |
-Five pounds for it? -Oh, my God. | 0:39:49 | 0:39:51 | |
-Oh, please! -Hammer down! Come on, hammer down! | 0:39:51 | 0:39:53 | |
£10, I've got in the room. | 0:39:53 | 0:39:55 | |
I've got 12 on the Internet. 15, sir? 15, I've got. | 0:39:55 | 0:39:58 | |
-18? -Oh, it's painful. | 0:39:58 | 0:40:00 | |
I've got 18, I've got, there. 20, two, 25. 28, anywhere? | 0:40:00 | 0:40:05 | |
Selling for £25... | 0:40:05 | 0:40:09 | |
Ouch! I bet that hurt. | 0:40:09 | 0:40:11 | |
-So, what's that? A loss of £10? -I can't believe it. | 0:40:11 | 0:40:14 | |
Plus the commission you've got to pay. | 0:40:14 | 0:40:17 | |
Right. Let's hope David's picture can cheer us all up. | 0:40:18 | 0:40:22 | |
£20 to start him off? | 0:40:22 | 0:40:23 | |
22, I've got. £25, £28, £30, 40, | 0:40:23 | 0:40:27 | |
50, five, £60? | 0:40:27 | 0:40:30 | |
Any more? A cheap lot for £55. | 0:40:30 | 0:40:33 | |
60, is back in. | 0:40:33 | 0:40:34 | |
I've got 60 in the room. 65. | 0:40:34 | 0:40:36 | |
70, at the very back. Five, 80, 90. | 0:40:36 | 0:40:41 | |
Oh, somebody appreciates it. | 0:40:41 | 0:40:43 | |
95 on the Internet. | 0:40:43 | 0:40:44 | |
100. 110, on the net. | 0:40:44 | 0:40:46 | |
Selling for £110... | 0:40:46 | 0:40:50 | |
That's put David firmly ahead by £122 before auction costs. | 0:40:50 | 0:40:56 | |
-What a price! -That was good. It was touch and go, Charles. | 0:40:56 | 0:41:00 | |
Can Charles's Maling candlesticks dent that lead? | 0:41:01 | 0:41:04 | |
Perfect condition. | 0:41:04 | 0:41:05 | |
£30 to start them? | 0:41:05 | 0:41:07 | |
10 for them? | 0:41:07 | 0:41:08 | |
-Five to start? -I don't believe it! -Five! | 0:41:08 | 0:41:10 | |
Five, I've taken. | 0:41:10 | 0:41:11 | |
Eight on the Internet. | 0:41:11 | 0:41:13 | |
10? I've got £10 in the room. | 0:41:13 | 0:41:14 | |
12, anywhere? | 0:41:15 | 0:41:16 | |
12, the hand. 15, 18, | 0:41:16 | 0:41:18 | |
20, on the Internet. Two? | 0:41:18 | 0:41:21 | |
Selling for £20. | 0:41:21 | 0:41:23 | |
Going, going, going, gone. | 0:41:23 | 0:41:25 | |
That's +10 Charles. You're good. | 0:41:25 | 0:41:28 | |
That's OK. I'm doubling up, David. I am on my way. | 0:41:28 | 0:41:30 | |
Ever the optimist. | 0:41:30 | 0:41:33 | |
I think, David, it all rests on my armour. | 0:41:33 | 0:41:36 | |
An interesting part suit of armour, ideal for a night out in the town(!) | 0:41:36 | 0:41:41 | |
Ha-ha-ha! | 0:41:41 | 0:41:43 | |
£20, I've taken. Two, anywhere? | 0:41:43 | 0:41:46 | |
22, I've got. 25, 28, 30, two? | 0:41:46 | 0:41:50 | |
32, I've got. 35, 38, 40, 42. | 0:41:50 | 0:41:55 | |
Selling for £40. | 0:41:55 | 0:41:58 | |
That's OK, £10 profit, David. | 0:41:59 | 0:42:01 | |
I'm nibbling, like that shrew almost nibbled me, David. | 0:42:01 | 0:42:04 | |
You need bites, not nibbles, to win this lark, Charles. | 0:42:04 | 0:42:08 | |
Now it's all down to that lump of a desk set. | 0:42:08 | 0:42:11 | |
Lord help us. | 0:42:11 | 0:42:12 | |
Where do you want to be for it? 10 for it? | 0:42:12 | 0:42:16 | |
£10, I've taken. The lady. | 0:42:16 | 0:42:19 | |
12, 15, 18, 20, two, 25, 28. | 0:42:19 | 0:42:25 | |
-Lady's bid of £25. -Wonderful thing. -Chipped. | 0:42:25 | 0:42:29 | |
Selling for £25... | 0:42:29 | 0:42:33 | |
Well, no surprises, there. | 0:42:35 | 0:42:36 | |
The winner... | 0:42:36 | 0:42:38 | |
..is David Barby. | 0:42:38 | 0:42:40 | |
Congratulations, a good start. We're on the road. | 0:42:40 | 0:42:43 | |
David started this first leg of the Road Trip with £200, | 0:42:43 | 0:42:48 | |
and after auction costs made a profit of £98.20. | 0:42:48 | 0:42:53 | |
Which means he ends this leg with £298.20. | 0:42:53 | 0:42:58 | |
Charles started on £200, but only made £43.80, | 0:43:01 | 0:43:07 | |
leaving him with £243.80 going into round two. | 0:43:07 | 0:43:13 | |
David, I have had another bite at. | 0:43:14 | 0:43:16 | |
I am determined now that I'm either going out with a bang, | 0:43:16 | 0:43:21 | |
or, I'm going to go out there and find the Rolls-Royce of antiques. | 0:43:21 | 0:43:24 | |
Next time on The Road Trip, we're off to Morthen, | 0:43:24 | 0:43:27 | |
where David gets a taste of Africa. | 0:43:27 | 0:43:30 | |
This is brilliant. What's it look like? | 0:43:30 | 0:43:34 | |
Charles turns Inspector Clouseau on a picture he's not sure about, | 0:43:34 | 0:43:37 | |
and then he gives David a driving lesson. | 0:43:37 | 0:43:39 | |
Don't forget, David, mirrors, signal, manoeuvre. | 0:43:39 | 0:43:42 | |
Charles, are you doing this to annoy me? | 0:43:42 | 0:43:44 | |
Subtitles by Red Bee Media Ltd | 0:44:07 | 0:44:10 |