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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money | 0:00:08 | 0:00:10 | |
buying and selling antiques as they scour the UK? | 0:00:10 | 0:00:12 | |
I must be mad. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But, it's not as easy as it looks | 0:00:17 | 0:00:18 | |
and dreams of glory can end in tatters. | 0:00:18 | 0:00:21 | |
What am I going to do? | 0:00:21 | 0:00:22 | |
So, will it be the fast lane to success | 0:00:22 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
Wish I'd just kept my money in my pocket. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
All this week, we've been on the road with Mark Stacey and Margie Cooper, | 0:00:37 | 0:00:40 | |
and there's been some fierce competition. | 0:00:40 | 0:00:43 | |
-Are you teasing me? -No, I'm not! | 0:00:43 | 0:00:46 | |
I am teasing you. I'm playing with your emotions. | 0:00:46 | 0:00:49 | |
Mark took the early lead and hung on tight | 0:00:49 | 0:00:53 | |
until it all unravelled yesterday. | 0:00:53 | 0:00:55 | |
£80 down. | 0:00:55 | 0:00:57 | |
After a sticky start, Margie's been pulling in the profits | 0:00:57 | 0:01:01 | |
and now finds herself back in contention. | 0:01:01 | 0:01:05 | |
-Bye. -Good luck! -Thank you. | 0:01:05 | 0:01:08 | |
From his original £200, Mark's had plenty of ups | 0:01:08 | 0:01:12 | |
and then one enormous down, | 0:01:12 | 0:01:15 | |
leaving him with £281.86 to spend today. | 0:01:15 | 0:01:19 | |
-Well done. -I'm pleased with that. | 0:01:19 | 0:01:21 | |
Meanwhile, Margie also started the week with £200 | 0:01:22 | 0:01:25 | |
and a few smart buys later, she now has £245.86 to play around with. | 0:01:25 | 0:01:32 | |
I thought it was going to go for about 80-90. | 0:01:32 | 0:01:35 | |
Yeah, well, think again. | 0:01:35 | 0:01:37 | |
Our experts started their week in Chilham, Kent, | 0:01:39 | 0:01:42 | |
and have travelled over 250 miles across southern England, | 0:01:42 | 0:01:45 | |
where they faced their final showdown in Torquay, Devon. | 0:01:45 | 0:01:49 | |
We kick off in Hele near Exeter | 0:01:50 | 0:01:53 | |
and will conclude at an auction in Torquay. | 0:01:53 | 0:01:56 | |
Holding up traffic as they motor along in their 1960 MGC, | 0:01:58 | 0:02:03 | |
Mark and Margie are heading into their final day. | 0:02:03 | 0:02:07 | |
With only £40 separating them, our pair are on a mission. | 0:02:07 | 0:02:11 | |
Get on our hands and knees, get in that dust, get in that dirt, and find something! | 0:02:11 | 0:02:16 | |
Overlooking the pretty village of Hele is the local paper mill, | 0:02:17 | 0:02:21 | |
fed by the soft waters of the River Culm. | 0:02:21 | 0:02:24 | |
The Victorians built it to make high-quality writing paper. | 0:02:24 | 0:02:28 | |
Since then, it's produced the paper for five pound notes | 0:02:28 | 0:02:32 | |
and now makes the paper for teabags. | 0:02:32 | 0:02:34 | |
No tea for our experts, though, there's shopping to do | 0:02:34 | 0:02:38 | |
in one of the largest antiques emporiums in the south-west of England. | 0:02:38 | 0:02:41 | |
Mark's been here before and knows the owner, Chris Strong. | 0:02:45 | 0:02:48 | |
So, he's keen to use his insider info to get ahead of the competition. | 0:02:48 | 0:02:53 | |
-Hello, Mark. -Nice to see you again. Are you well? -Yeah, fine. | 0:02:53 | 0:02:56 | |
The thought of coming back to your place terrifies me. | 0:02:56 | 0:03:00 | |
It's so big and you've got so much to look at and it's so confusing. | 0:03:00 | 0:03:04 | |
-I have got a special room. -Have you? -Well, it's my sorting office. | 0:03:04 | 0:03:08 | |
-It's fresh stock coming in. -Can you show me, Chris? | 0:03:08 | 0:03:11 | |
I'll allow you to go up there. | 0:03:11 | 0:03:12 | |
Oh, wonderful. Going to the sorting office! | 0:03:12 | 0:03:15 | |
What a relief! | 0:03:15 | 0:03:17 | |
Going round the rest of this place could have taken hours and hours. | 0:03:17 | 0:03:21 | |
Ah... | 0:03:23 | 0:03:25 | |
We're surrounded by lots of things here | 0:03:25 | 0:03:27 | |
which I think have been here probably for decades. | 0:03:27 | 0:03:31 | |
I have found something. Now, we all know what this is. | 0:03:31 | 0:03:34 | |
This is Wemyss pottery from Scotland. | 0:03:34 | 0:03:37 | |
Very, very fragile pottery. | 0:03:37 | 0:03:39 | |
It chips and flakes and breaks very easily | 0:03:39 | 0:03:42 | |
and it's had a little bit of a chip there. | 0:03:42 | 0:03:45 | |
Chris, can you come round here a sec? How cheap can that be? | 0:03:45 | 0:03:48 | |
-Oh... -And I mean cheap. | 0:03:48 | 0:03:50 | |
-Please. -It's Wemyss, my boy! -It's what? What's Wemyss? | 0:03:51 | 0:03:55 | |
I thought you said Wemmies! | 0:03:55 | 0:03:56 | |
You can have that for 30 quid. | 0:03:56 | 0:03:59 | |
I'm sorry to be mean and I know you'll forgive me. | 0:03:59 | 0:04:03 | |
-I mean, how close can we get to £10? -Nowhere near it. | 0:04:03 | 0:04:06 | |
-25. -OK. | 0:04:06 | 0:04:09 | |
Well, we're getting closer, we're getting closer. | 0:04:09 | 0:04:11 | |
I'm going to hang onto this because I know we'll squeeze a bit more blood out of you. | 0:04:11 | 0:04:16 | |
Got the old taxidermy here. Oh, dear. | 0:04:24 | 0:04:28 | |
That one's going to escape, he's got the glass off! | 0:04:28 | 0:04:31 | |
I always think that these places are like men's haunts. | 0:04:31 | 0:04:35 | |
I don't think it's really a place for women. | 0:04:35 | 0:04:39 | |
Dear me! | 0:04:39 | 0:04:41 | |
Yes, Mark seems quite at home and now he's unearthed something else. | 0:04:43 | 0:04:46 | |
This has got a church influence because of all this gothic decoration | 0:04:46 | 0:04:51 | |
and then when you look closely, it's got traces of writing on it. | 0:04:51 | 0:04:56 | |
So, it says "Congregational Church... | 0:04:56 | 0:05:01 | |
"Founded in 1790, rebuilt in 1883." | 0:05:01 | 0:05:05 | |
I think it's very good for interior design/ | 0:05:05 | 0:05:09 | |
If you've got a big Gothic house, i would be great in a kitchen. | 0:05:09 | 0:05:12 | |
Chris does know his stuff and I'm not going to pick this up for a song, | 0:05:12 | 0:05:18 | |
not even a Sunday school song. | 0:05:18 | 0:05:21 | |
The Gothic frame is priced at £120, | 0:05:21 | 0:05:23 | |
but Mark and Chris might not be singing from the same hymn sheet. | 0:05:23 | 0:05:27 | |
How much is it, Chris? | 0:05:27 | 0:05:30 | |
-80 quid. -Oh, gosh. -That is such a good deal. | 0:05:30 | 0:05:34 | |
I was thinking they'd probably put something like 50-80 on it. | 0:05:34 | 0:05:38 | |
Hm... I would have said 80-120. | 0:05:38 | 0:05:41 | |
So, we're not one million miles away, but... | 0:05:41 | 0:05:43 | |
-I'll do another 10 on there. -So 70? | 0:05:43 | 0:05:46 | |
Hm. But don't ask for any more. | 0:05:46 | 0:05:50 | |
-Am I pushing you? -Yes. | 0:05:50 | 0:05:51 | |
-Can I ponder it a bit? -Of course. | 0:05:51 | 0:05:54 | |
I really do like it, actually. HE SIGHS | 0:05:54 | 0:05:57 | |
Margie's grabbed Chris now. | 0:06:00 | 0:06:02 | |
She's found a little corner with something more up her street. | 0:06:02 | 0:06:06 | |
It's quite nice, that, isn't it? And not very old. | 0:06:06 | 0:06:09 | |
Well, it is old, it's 80-years-old. | 0:06:09 | 0:06:12 | |
"The Sailor's Tear. | 0:06:12 | 0:06:13 | |
"He thought of those he lov'd the best | 0:06:13 | 0:06:15 | |
"A wife and infant dear | 0:06:15 | 0:06:17 | |
"And feeling fill'd the sailor's breast | 0:06:17 | 0:06:19 | |
"The sailor's eye - a tear." | 0:06:19 | 0:06:22 | |
-Oh! -You can have it for 20 quid, now you've said that. | 0:06:22 | 0:06:25 | |
Oh, no. It's not going to make much, is it? | 0:06:25 | 0:06:29 | |
Oh, here we go! | 0:06:29 | 0:06:31 | |
-All right, 15 quid. If you'll stop whining. -A tenner. -No! | 0:06:31 | 0:06:37 | |
Oh, God help us. I quite like that. | 0:06:37 | 0:06:40 | |
All right, a tenner! I'm losing money. | 0:06:40 | 0:06:43 | |
So, the deal is done at a tenner | 0:06:43 | 0:06:46 | |
and Margie's snapped up her first purchase of the day. | 0:06:46 | 0:06:49 | |
Mark's praying Chris will be kind to him too. | 0:06:50 | 0:06:54 | |
-Christopher? -Yes? | 0:06:54 | 0:06:56 | |
I don't know why, but that thing is talking to me downstairs, the churchy thing. | 0:06:56 | 0:07:00 | |
-I would say so. -And I do like Wemyss. | 0:07:00 | 0:07:04 | |
-So, what I'm thinking, if I may... -100 quid, the two? -No. | 0:07:04 | 0:07:09 | |
-Just to tempt you, is there any way we can do the two for 80? -No. | 0:07:09 | 0:07:13 | |
-Can we get close-ish to that? -100. | 0:07:14 | 0:07:17 | |
-No, that's a bit too much, Chris. -Split it, then. | 0:07:17 | 0:07:19 | |
-Because, we've got 70 on the other thing... -Split it. | 0:07:19 | 0:07:22 | |
..and you already said 25 on that. | 0:07:22 | 0:07:24 | |
-We'll split at 90. -85. -90. | 0:07:24 | 0:07:26 | |
Come on, 85. You want to, really. Come on, 85? | 0:07:26 | 0:07:29 | |
Seeing as I've had it for so long. | 0:07:29 | 0:07:31 | |
-Thank you. Thanks a lot. -All right. | 0:07:31 | 0:07:33 | |
Phew! | 0:07:33 | 0:07:35 | |
Margie's trip to Fagin's is over. She now has a treat in store. | 0:07:35 | 0:07:40 | |
She's travelling 15 miles south from Hele to Kenton, | 0:07:43 | 0:07:47 | |
to Powderham Castle. | 0:07:47 | 0:07:49 | |
Gosh, this is lovely, isn't it? | 0:07:57 | 0:07:59 | |
A beautiful day to see a beautiful castle like this. | 0:07:59 | 0:08:02 | |
She's here to meet the estate director, Simon Fishwick, | 0:08:02 | 0:08:07 | |
who will be her guide for today. | 0:08:07 | 0:08:09 | |
-Simon. -Hello! -I'm Margie. -Lovely to meet you. | 0:08:09 | 0:08:12 | |
-Welcome to Powderham. -Thank you very much indeed. | 0:08:12 | 0:08:15 | |
Powderham Castle was first built back in 1391. | 0:08:21 | 0:08:25 | |
600 years later, it's still in the same family, | 0:08:25 | 0:08:28 | |
with each generation leaving behind startling evidence of their power and wealth. | 0:08:28 | 0:08:34 | |
Their forefathers arrived from France during the 12th century | 0:08:34 | 0:08:38 | |
and apparently, married into money. | 0:08:38 | 0:08:41 | |
So, this is Sir William Courtney, him up in the portrait up here. | 0:08:41 | 0:08:45 | |
This is called a swagger portrait, by the sheer size and scale of it. | 0:08:45 | 0:08:51 | |
It was done to impress. It's done in a grand style, grand setting. | 0:08:51 | 0:08:57 | |
The interesting thing is the table in the middle, | 0:08:57 | 0:09:00 | |
which he's resting on, is that table over there. | 0:09:00 | 0:09:04 | |
That is wonderful, isn't it, to see that? | 0:09:04 | 0:09:06 | |
Along with works of art, the first viscount also commissioned | 0:09:09 | 0:09:13 | |
some staggeringly beautiful and unique pieces of furniture. | 0:09:13 | 0:09:17 | |
So, this is the anteroom. | 0:09:17 | 0:09:19 | |
This is where the women would withdraw to after dinner | 0:09:19 | 0:09:23 | |
so the men could then sit and enjoy themselves | 0:09:23 | 0:09:26 | |
and talk and things like that. | 0:09:26 | 0:09:27 | |
The main interest in this room are these two magnificent bookcases. | 0:09:27 | 0:09:31 | |
They are the first example of brass inlaid work in this country. | 0:09:31 | 0:09:37 | |
They are very, very interestingly made. | 0:09:37 | 0:09:40 | |
The first time I opened them, I almost had a heart attack. | 0:09:40 | 0:09:43 | |
-Go on, show me. -Just watch this. | 0:09:43 | 0:09:45 | |
Oh, my goodness! | 0:09:49 | 0:09:51 | |
-The whole thing moves. -Goodness gracious me! | 0:09:51 | 0:09:53 | |
And that huge pillar, when I was opening it, I thought it was going to fall. | 0:09:53 | 0:09:57 | |
-Was going to just collapse? -Yes. -Gosh, it's like a piece of engineering, isn't it? -Yes. | 0:09:57 | 0:10:01 | |
Each successive generation made additions and changes to the castle. | 0:10:01 | 0:10:06 | |
The third viscount added a huge, grand room to the library. | 0:10:06 | 0:10:10 | |
But where is? | 0:10:10 | 0:10:12 | |
There is a door somewhere. Let me show you. | 0:10:12 | 0:10:15 | |
-Is something going to move? Ah! -A secret passage. -Oh, my goodness! | 0:10:15 | 0:10:22 | |
The castle is full of secret passageways, | 0:10:24 | 0:10:27 | |
designed for the servants to have discrete access into the grand rooms. | 0:10:27 | 0:10:31 | |
This is the music room, which was built for the third Viscount | 0:10:34 | 0:10:39 | |
to celebrate his coming-of-age. Designed by James Wyatt. | 0:10:39 | 0:10:43 | |
And, unfortunately, as per nowadays, it wasn't quite ready | 0:10:43 | 0:10:48 | |
for his party, so he had to have his party in marquees in the park. | 0:10:48 | 0:10:53 | |
-But, obviously, it's a spectacular room. -Nothing changes, does? -No, no, no. | 0:10:53 | 0:10:57 | |
Well, it was definitely worth the wait. | 0:10:57 | 0:10:59 | |
But now, for Margie, sadly, it's time to leave Powderham Castle behind her. | 0:10:59 | 0:11:05 | |
Meanwhile, Mark's praying he'll find a bargain. | 0:11:05 | 0:11:09 | |
He's travelled to Newton Abbot to St Leonard's. | 0:11:09 | 0:11:11 | |
CHURCH MUSIC | 0:11:11 | 0:11:13 | |
But this is no church any longer. | 0:11:14 | 0:11:17 | |
It's been reincarnated into an antique hunter's paradise with a host of interesting items. | 0:11:17 | 0:11:25 | |
-But will anything receive Reverend Mark's blessing? -This is a tile-top table. | 0:11:25 | 0:11:32 | |
The tiles form the county of Devon, including Torquay down here, | 0:11:32 | 0:11:36 | |
which is where of course we're going to hold the auction. | 0:11:36 | 0:11:40 | |
But it's says, "Not for sale". That's a good start, isn't it (?) | 0:11:40 | 0:11:44 | |
"Not for sale - display only"... That's for sale either. | 0:11:44 | 0:11:49 | |
-It's a bit frustrating, really. -Come on, Mark! This place is huge. | 0:11:50 | 0:11:55 | |
There's got to be something. | 0:11:55 | 0:11:57 | |
# Hallelujah! Hallelujah! | 0:11:57 | 0:12:01 | |
# Hallelujah! Hallelujah! Hallelujah! Hallelujah! # | 0:12:01 | 0:12:06 | |
It's very plain. It's got this quite nice, soft-textured, ribbed base to it. | 0:12:06 | 0:12:11 | |
And it's marked underneath, "Doulton", and says £54, | 0:12:11 | 0:12:14 | |
which we're going to totally ignore, because there's no way I'm paying anywhere near £54 for it. | 0:12:14 | 0:12:19 | |
But I think, if I shout over the top of the wardrobes, | 0:12:19 | 0:12:23 | |
do you think Derek will come running? Shall we give it a go? | 0:12:23 | 0:12:26 | |
-Derek! -Hello! | 0:12:26 | 0:12:28 | |
Here! | 0:12:28 | 0:12:30 | |
-Hello. How are you? -Yes, fine. -Are you in a happy mood? -Yes, very good. | 0:12:30 | 0:12:34 | |
Cos you might be after I've made you an offer on something. | 0:12:34 | 0:12:37 | |
But I quite like this, because it's quite contemporary. | 0:12:37 | 0:12:40 | |
But I don't like the price. | 0:12:41 | 0:12:42 | |
And I think they would estimate something like £20-£30. | 0:12:42 | 0:12:47 | |
-32, how's that? -Well, that's above the estimate. | 0:12:47 | 0:12:52 | |
I mean, that's a good discount, but I honestly don't... | 0:12:52 | 0:12:56 | |
-I think that will struggle to give me a profit once I've given...paid the commission. -30, then. | 0:12:56 | 0:13:00 | |
-OK. -If that's convenient. -£30. -If you're happy with that. | 0:13:00 | 0:13:03 | |
Surprise, surprise! Mark's not happy with that. | 0:13:03 | 0:13:06 | |
-Even with £24 off the asking price. -I do like that, but £30 is too much. | 0:13:06 | 0:13:10 | |
So I'm going to be absolutely fair with Derek and I would put my offer - a £20 note - | 0:13:10 | 0:13:15 | |
in the vase and see if he takes it. | 0:13:15 | 0:13:20 | |
Derek! I do want to buy this, but I've left my offer inside there, | 0:13:20 | 0:13:26 | |
which you can have a look at in a moment. | 0:13:26 | 0:13:29 | |
I'm going to go off to the gentleman's room and when I come back, don't be rude. | 0:13:29 | 0:13:34 | |
-You can say yes or no. Is that fair? -Yes. -See you in a moment. -Yes, certainly. | 0:13:34 | 0:13:39 | |
-And I do mean I'm going to the loo. -Hurry, Derek. You haven't got long. | 0:13:40 | 0:13:45 | |
FLUSHING | 0:13:48 | 0:13:50 | |
What am I meant to say? Yes or no? | 0:13:50 | 0:13:52 | |
-Well, Derek, what you think? -It's a deal. -Thank you very much. | 0:13:54 | 0:13:58 | |
I hope he's washed his hands! | 0:13:58 | 0:14:01 | |
And I don't know about you, but I could certainly do with a lie-down, | 0:14:01 | 0:14:05 | |
which is just what our dear experts need too. | 0:14:05 | 0:14:08 | |
Night-night. | 0:14:08 | 0:14:09 | |
Day two finds our two experts contemplating the end of their journey together. | 0:14:13 | 0:14:19 | |
-MARGIE: Are you going to miss me when I'm gone? -Who said that?! | 0:14:19 | 0:14:22 | |
I think it'll take me a while to get to know how to finish a sentence again without being interrupted. | 0:14:22 | 0:14:29 | |
Yesterday, Mark spent £105 on three lots - a broken Wemyss marmalade pot, | 0:14:31 | 0:14:36 | |
a Gothic pine frame from a chapel | 0:14:36 | 0:14:38 | |
and a Royal Doulton stoneware vase, | 0:14:38 | 0:14:40 | |
leaving him with £176.86 to spend today. | 0:14:40 | 0:14:43 | |
-See you later. -Yeah. | 0:14:45 | 0:14:49 | |
Whilst Margie spent a tiny £10 on an Adams cup and saucer, | 0:14:49 | 0:14:53 | |
decorated with a galleon, leaving her with the gargantuan sum | 0:14:53 | 0:14:57 | |
of £235.86 to splash about today. | 0:14:57 | 0:15:01 | |
Good. Well you at least bought something. | 0:15:01 | 0:15:04 | |
Our experts have left Newton Abbot behind and are heading | 0:15:04 | 0:15:07 | |
for the town of Ashburton, the southern gateway to the Dartmoor National Park. | 0:15:07 | 0:15:13 | |
With just one day's shopping left, | 0:15:13 | 0:15:15 | |
the competition is really hotting up. | 0:15:15 | 0:15:17 | |
I'm excited, aren't you? | 0:15:17 | 0:15:20 | |
Yes, we're at the end of the road, at the end of the road. | 0:15:20 | 0:15:23 | |
Thanks to its position in the wilds of Dartmoor | 0:15:24 | 0:15:27 | |
with its rich deposits of tin, | 0:15:27 | 0:15:30 | |
the town of Ashburton has long been a prosperous place. | 0:15:30 | 0:15:34 | |
Oh, this is all messy! | 0:15:34 | 0:15:36 | |
-This could take some time(!) -You try! | 0:15:38 | 0:15:40 | |
I'm so relieved. | 0:15:40 | 0:15:42 | |
It's nearly over, trying to get in and out of this car. | 0:15:42 | 0:15:45 | |
Well done for eventually reversing(!) | 0:15:45 | 0:15:47 | |
No time to waste now. | 0:15:47 | 0:15:49 | |
These are the very last three shops of the week. | 0:15:49 | 0:15:52 | |
-While Mark heads into one... -Hello! The Shambles. -Indeed! | 0:15:52 | 0:15:57 | |
-It's what I feel like this morning. -Look it too(!) | 0:15:57 | 0:16:00 | |
..Margie has made a beeline across the road to Apollo. | 0:16:00 | 0:16:03 | |
This place might have everything she could possibly desire. | 0:16:03 | 0:16:06 | |
We got Aladdin's lamp, here. | 0:16:08 | 0:16:11 | |
What shall I buy? | 0:16:11 | 0:16:13 | |
And it doesn't take long before she spots something grisly. | 0:16:14 | 0:16:19 | |
Oh! Look at him. He's cute, isn't he? I love desk blotters. | 0:16:19 | 0:16:24 | |
He's got Brunnen written on the side. | 0:16:24 | 0:16:28 | |
And he's a little Swiss carved wooden bear, | 0:16:28 | 0:16:33 | |
from the early part of the 20th century. | 0:16:33 | 0:16:36 | |
£35. | 0:16:36 | 0:16:38 | |
Mmm. He's got a bit of a chipped ear. | 0:16:39 | 0:16:42 | |
I've picked him out because these little bears are quite popular. | 0:16:42 | 0:16:45 | |
Going to have to be considerably cheaper. | 0:16:45 | 0:16:48 | |
That's one to BEAR in mind! | 0:16:48 | 0:16:51 | |
-Now, what's in the cabinet? -A little hunting flask glass. | 0:16:51 | 0:16:55 | |
Got your nice little case, here, | 0:16:55 | 0:16:57 | |
which is nicely worn but in good condition. | 0:16:57 | 0:17:01 | |
A nice little glass bottle. | 0:17:01 | 0:17:04 | |
Just enough to put a bit of whisky in there or whatever you want, | 0:17:04 | 0:17:07 | |
and there, you get your little collapsible cup | 0:17:07 | 0:17:10 | |
so you needn't swill out the glass. | 0:17:10 | 0:17:13 | |
It is plated. If it was silver it would be a fortune. | 0:17:13 | 0:17:16 | |
The price on it is £38. | 0:17:16 | 0:17:20 | |
So if I can get that down | 0:17:20 | 0:17:23 | |
to say 20, | 0:17:23 | 0:17:26 | |
I'll have a little go on that. | 0:17:26 | 0:17:27 | |
MUSIC: "Frog Chorus" by Paul McCartney | 0:17:27 | 0:17:29 | |
Across the road, Mark's found something to lurve(!) | 0:17:29 | 0:17:32 | |
"Cast-iron frog, AF", it says. | 0:17:34 | 0:17:36 | |
AF means "as found", and you can see, unfortunately, | 0:17:36 | 0:17:40 | |
his back foot is missing. What a shame! | 0:17:40 | 0:17:42 | |
Don't you think that's rather amusing? | 0:17:42 | 0:17:45 | |
So I think, in somebody's pond, that would look rather fun. | 0:17:45 | 0:17:49 | |
Maybe he could dip his leg in something and hide it? | 0:17:49 | 0:17:51 | |
Go to sleep, little froggy! | 0:17:51 | 0:17:53 | |
I wonder, | 0:17:55 | 0:17:57 | |
am I leaping in to profit? Or leaping into the unknown? | 0:17:57 | 0:18:01 | |
I might be hopping mad after the sale. | 0:18:02 | 0:18:05 | |
I could go on forever with these puns, you know! | 0:18:05 | 0:18:08 | |
But it really could, I could croak it on this auction with this(!) | 0:18:08 | 0:18:11 | |
That's quite enough of that. | 0:18:11 | 0:18:14 | |
Time to shave a few of the £58 off the asking price. Ribbit(!) | 0:18:14 | 0:18:17 | |
Rob, I've rather fallen in love with your cast-iron | 0:18:17 | 0:18:21 | |
frog here with the missing flipper. | 0:18:21 | 0:18:23 | |
So I want to pay £20 for him... | 0:18:23 | 0:18:26 | |
cash. | 0:18:26 | 0:18:28 | |
-Unfortunately, you're not going to buy it. -Oh. | 0:18:28 | 0:18:30 | |
-Really? -No, you're not. -No? -No. -Oh well! | 0:18:30 | 0:18:33 | |
-I'm sorry about that. -What price were you hoping for? | 0:18:33 | 0:18:35 | |
The lowest I'll go on it's £45. | 0:18:35 | 0:18:38 | |
Gosh, that's not a lot off really, is it? | 0:18:38 | 0:18:41 | |
If I went to 30, what could you come down to, if at all? | 0:18:41 | 0:18:46 | |
-We'll do it for 30. -Can we? Oh, Rob, thank you. -It's OK. | 0:18:46 | 0:18:49 | |
Rob, thanks, that's really kind of you. | 0:18:49 | 0:18:52 | |
-But you've got to carry it out yourself! -I think I can do that. | 0:18:52 | 0:18:57 | |
So a quick-fire buy for Mark who decides | 0:18:57 | 0:19:01 | |
to pop along the road to another shop, | 0:19:01 | 0:19:03 | |
-little realising he's been spotted. -Look who's there. | 0:19:03 | 0:19:06 | |
Don't look now. | 0:19:06 | 0:19:08 | |
Look at him, he was only supposed to be going to one shop. | 0:19:08 | 0:19:11 | |
Look at him! | 0:19:11 | 0:19:13 | |
And then he spots something, too. | 0:19:13 | 0:19:16 | |
Those look quite interesting. Let's go in. | 0:19:16 | 0:19:19 | |
-Are they pewter coasters or... -Yes. | 0:19:20 | 0:19:22 | |
They're unusual. Art Nouveau. | 0:19:22 | 0:19:25 | |
They look very much Art Nouveau, don't they? | 0:19:25 | 0:19:27 | |
With those sort of stylised marigolds or whatever. | 0:19:27 | 0:19:30 | |
I think we've got six. | 0:19:30 | 0:19:31 | |
So you would place these, you see, on your table. | 0:19:31 | 0:19:34 | |
That would have been in the centre, and then you could have | 0:19:34 | 0:19:37 | |
put those for you to put your plates down for six people. | 0:19:37 | 0:19:40 | |
And you have got the six, and as you say, on some of them, | 0:19:40 | 0:19:43 | |
there are signs of wear, so people had a jolly good dinner party. | 0:19:43 | 0:19:46 | |
I think they've been well used. | 0:19:46 | 0:19:49 | |
Oh, and there's a little buckle here as well, and what's this? | 0:19:49 | 0:19:52 | |
-This is generically called a nurse's buckle, isn't it? -That's right. | 0:19:52 | 0:19:57 | |
-Just a little bit different with the dragons. -Yes. | 0:19:57 | 0:19:59 | |
And actually, if you look... | 0:19:59 | 0:20:01 | |
closely, I think it's got, actually, | 0:20:01 | 0:20:03 | |
the Prince of Wales' feathers there as well. | 0:20:03 | 0:20:05 | |
And at the bottom, it's got daffodils, I think. | 0:20:05 | 0:20:08 | |
My only problem, of course, is | 0:20:08 | 0:20:09 | |
sentimentally, I quite like it, being Welsh, but... | 0:20:09 | 0:20:13 | |
is that going to fly in Torquay? | 0:20:13 | 0:20:15 | |
I'll have to have a ponder, you know. | 0:20:15 | 0:20:17 | |
In Apollo, Margie's fallen for the bear desk blotter | 0:20:19 | 0:20:23 | |
and the hunting flask, but can she get a good deal from Dani? | 0:20:23 | 0:20:28 | |
It's got 38 on it. You got a rough idea of where you're aiming at? | 0:20:28 | 0:20:33 | |
I'm looking at, like, £20. | 0:20:33 | 0:20:35 | |
It's a very good thing. | 0:20:36 | 0:20:39 | |
It is nice. And that's a very kind offer... | 0:20:39 | 0:20:42 | |
-Yes. -..however... | 0:20:42 | 0:20:43 | |
-She's well mannered. -However... | 0:20:43 | 0:20:46 | |
-What were you thinking? -25. | 0:20:46 | 0:20:48 | |
-25. -Yeah. | 0:20:48 | 0:20:49 | |
So what if I bring this little chap in as well? | 0:20:49 | 0:20:52 | |
-Original ticket price at 35. -Yeah. | 0:20:52 | 0:20:55 | |
I mean, quite frankly, his ears are a bit chewed - | 0:20:55 | 0:20:57 | |
someone's chewed his ear. | 0:20:57 | 0:20:59 | |
But bears are always popular and... | 0:20:59 | 0:21:01 | |
I think 15 is the furthest I can go for him. | 0:21:01 | 0:21:04 | |
Because, you know... | 0:21:04 | 0:21:05 | |
I can't. I can do 20 on him and, as I say, 25 on that. | 0:21:05 | 0:21:11 | |
If I could walk out of this shop with the two of them... | 0:21:11 | 0:21:15 | |
-Yeah. -..for... | 0:21:15 | 0:21:17 | |
..for 38. | 0:21:20 | 0:21:21 | |
I think I've got a chance. | 0:21:24 | 0:21:26 | |
-I can do 40. -Yeah. | 0:21:26 | 0:21:29 | |
-And that's it? -And that is absolutely bang on, I'm afraid. | 0:21:31 | 0:21:36 | |
Right, well, I'm going to go there. | 0:21:36 | 0:21:38 | |
-Yeah? -Thank you, Dani. -You're more than welcome. | 0:21:38 | 0:21:40 | |
-Or not! -Right, yeah. | 0:21:40 | 0:21:42 | |
Yes, Dani, I sympathise completely. | 0:21:42 | 0:21:44 | |
Do you know, | 0:21:44 | 0:21:46 | |
I think our Margie seems to be getting the hang of this. | 0:21:46 | 0:21:49 | |
-That's lovely. -Thanks very much indeed. -Thank you. | 0:21:49 | 0:21:51 | |
But she's not finished yet. | 0:21:51 | 0:21:53 | |
Robert. | 0:21:53 | 0:21:55 | |
-Hello, how are you? -Margie. -Nice to meet you. | 0:21:55 | 0:21:57 | |
Yeah, under a bit of pressure now. | 0:21:57 | 0:21:59 | |
You certainly are, Margie. | 0:21:59 | 0:22:02 | |
But don't worry - Rob might have something to tempt you, | 0:22:02 | 0:22:05 | |
a Victorian extendable book stand, made of mahogany. | 0:22:05 | 0:22:09 | |
They're pretty, aren't they? | 0:22:12 | 0:22:14 | |
-Mm, that's quite a nice thing, and it's not damaged. -Yes. | 0:22:14 | 0:22:16 | |
And it's how much? | 0:22:16 | 0:22:18 | |
£38. | 0:22:18 | 0:22:19 | |
I don't know how I do it so cheap. | 0:22:20 | 0:22:22 | |
It would have to be something really annoyingly cheap, like 20 quid. | 0:22:22 | 0:22:26 | |
-20? -Yeah. | 0:22:26 | 0:22:27 | |
-OK. I'd like you to win. -Would you? | 0:22:27 | 0:22:29 | |
-Did you say that to Mark as well? -No, I didn't like him very much. | 0:22:29 | 0:22:32 | |
Well, I never! Ha! Blatant favouritism! | 0:22:32 | 0:22:35 | |
The man in question is still with Mike and Theresa, | 0:22:37 | 0:22:40 | |
considering his buckle and coasters. | 0:22:40 | 0:22:42 | |
-Out of the two items... -OK. | 0:22:42 | 0:22:44 | |
..the safer one for me, to be honest with you, is the coasters. | 0:22:44 | 0:22:47 | |
I think, if they were going into auction, | 0:22:47 | 0:22:49 | |
they would estimate them at something like £20-30. | 0:22:49 | 0:22:53 | |
So I need to try and get them for about 15. | 0:22:53 | 0:22:56 | |
-What about 18? -MARK GASPS | 0:22:56 | 0:22:58 | |
16. | 0:22:58 | 0:23:00 | |
-16, we've got a deal. -Thank you so much. That's my fifth item. | 0:23:00 | 0:23:03 | |
Thanks, guys, I really appreciate it. | 0:23:03 | 0:23:07 | |
Well, that was painless. | 0:23:07 | 0:23:08 | |
So with his final purchases in the bag, | 0:23:08 | 0:23:11 | |
at last, Mark can afford to relax. | 0:23:11 | 0:23:13 | |
No such luck for Margie. | 0:23:15 | 0:23:18 | |
It's her turn to head along to Ashton House Antiques. | 0:23:18 | 0:23:22 | |
I do hope you're keeping up. | 0:23:22 | 0:23:23 | |
And straight away, she picks up something Mark put down. | 0:23:23 | 0:23:27 | |
Typical. | 0:23:27 | 0:23:28 | |
Then we've got the good old nurses' buckles. So, what, 1980s? | 0:23:28 | 0:23:34 | |
Erm, early '70s, I think. | 0:23:34 | 0:23:36 | |
-Is it? I'm trying to see the mark. -'71, '72, like that. -Yeah, yeah. | 0:23:36 | 0:23:39 | |
But I think you've got the dragon, | 0:23:39 | 0:23:41 | |
the Prince of Wales' plumes and daffodils at the bottom, | 0:23:41 | 0:23:44 | |
just in case there's any doubt that it's Welsh! | 0:23:44 | 0:23:47 | |
THEY LAUGH | 0:23:47 | 0:23:48 | |
-So it's 68? -Yep. | 0:23:49 | 0:23:52 | |
It's not very old, but I know it's the silver content. So what...? | 0:23:52 | 0:23:56 | |
How much do you think we could do a deal with that? | 0:23:56 | 0:23:59 | |
-If I said that was £40 to you... -Mm. | 0:23:59 | 0:24:03 | |
..hopefully, that would be saleable to somebody | 0:24:03 | 0:24:06 | |
apart from a scrap dealer. | 0:24:06 | 0:24:08 | |
-Right, yeah. -And make it an attractive item for someone to buy. | 0:24:08 | 0:24:12 | |
-So you're not going to play at 38, are you? -OK, 38, yes. | 0:24:12 | 0:24:15 | |
-You're very sweet. Thank you very much. -You're welcome. | 0:24:15 | 0:24:18 | |
Phew! That's Margie's shopping all finished at last. | 0:24:18 | 0:24:22 | |
Meanwhile, Mark's got the wind in his hair | 0:24:22 | 0:24:25 | |
and his foot to the floor - | 0:24:25 | 0:24:27 | |
he's travelling 20 miles north to the city of Exeter... | 0:24:27 | 0:24:31 | |
where he'll be visiting a guildhall that is over 500-years-old. | 0:24:31 | 0:24:36 | |
Waiting to meet him is project manager Mike Walker. | 0:24:36 | 0:24:40 | |
-Hello. Is it Mike? -Yes, Mark. Hello, good to meet you. | 0:24:40 | 0:24:42 | |
-How are you? -Welcome to Tuckers Hall. | 0:24:42 | 0:24:44 | |
I'm very grateful to be here. I can't wait to go inside. | 0:24:44 | 0:24:47 | |
-Do come in. -Thank you. | 0:24:47 | 0:24:49 | |
Tuckers Hall was built back in 1471 | 0:24:49 | 0:24:53 | |
for the Guild of Weavers, Tuckers and Shearmen - | 0:24:53 | 0:24:56 | |
a group of craftsmen who controlled the business | 0:24:56 | 0:24:59 | |
of the cloth-making industry in the south-west. | 0:24:59 | 0:25:02 | |
A tucker was someone who softened woven cloth | 0:25:02 | 0:25:06 | |
by beating and trampling it in the water. | 0:25:06 | 0:25:08 | |
The trade was so prosperous, it turned Exeter into a great city, | 0:25:08 | 0:25:11 | |
with the Guild's reach stretching out far beyond our shores. | 0:25:11 | 0:25:15 | |
Some people have described it as the first cash crop. | 0:25:15 | 0:25:17 | |
Instead of just making cloth for your family to wear, | 0:25:17 | 0:25:20 | |
this was something you could sell. | 0:25:20 | 0:25:22 | |
You weren't just bartering it for a pig or a loaf of bread, | 0:25:22 | 0:25:25 | |
-it was a cash crop. -It was a quality. | 0:25:25 | 0:25:27 | |
And it went all over the world, the cloth. | 0:25:27 | 0:25:29 | |
The East India Company sold Devon cloth to Cathay, to China. | 0:25:29 | 0:25:33 | |
I'm not sure where, but as far as that. | 0:25:33 | 0:25:35 | |
It went to the Eastern Seaboard of what's now the United States. | 0:25:35 | 0:25:40 | |
Throughout the Baltic, Devon cloth was found. | 0:25:40 | 0:25:42 | |
They wanted Devon cloth to be seen around the world. | 0:25:42 | 0:25:47 | |
Such a powerful guild was determined to maintain high standards, | 0:25:56 | 0:26:01 | |
so the Hall also functioned as a court | 0:26:01 | 0:26:03 | |
for any members who stepped out of line. | 0:26:03 | 0:26:05 | |
The court would sit in session, | 0:26:06 | 0:26:09 | |
-a bit like a criminal court, I suppose. -Oh, OK. | 0:26:09 | 0:26:12 | |
And anyone who transgressed was invited to represent themselves | 0:26:12 | 0:26:16 | |
and be judged. | 0:26:16 | 0:26:17 | |
And the offender, once found guilty, I guess, | 0:26:17 | 0:26:21 | |
was invited usually to pay a contribution. | 0:26:21 | 0:26:23 | |
-This was the fine box, money in there. -Oh, yes. | 0:26:23 | 0:26:26 | |
-There were three keys. Sadly, one is missing. -Yes. | 0:26:26 | 0:26:28 | |
But the under warden, the head warden and the master | 0:26:28 | 0:26:31 | |
each had a key, and I suspect what happened | 0:26:31 | 0:26:33 | |
was on a regular basis, perhaps once a month, they came, | 0:26:33 | 0:26:36 | |
unlocked, emptied, and took the money out. | 0:26:36 | 0:26:39 | |
I'll just try... | 0:26:39 | 0:26:40 | |
Sadly, not, no. There might be a bit of a candle in there, nothing much. | 0:26:40 | 0:26:44 | |
The fine craftsmanship as a display of wealth and power | 0:26:46 | 0:26:50 | |
is carved into every detail of the Hall. | 0:26:50 | 0:26:53 | |
The panelling, put in between 1634 and 1639, really, I think, | 0:26:54 | 0:26:59 | |
an expression of, "We've arrived, and we're a powerful organisation. | 0:26:59 | 0:27:04 | |
"We're beginning to become wealthy, we're controlling the cloth trade, and this is a demonstration of that." | 0:27:04 | 0:27:10 | |
Here is some of the artefacts of the cloth trade that have been carved in, | 0:27:10 | 0:27:14 | |
and this is called a sleigh, that's part of the weaver's loom. | 0:27:14 | 0:27:17 | |
-This carving is still so crisp. -It looks good, doesn't it? | 0:27:17 | 0:27:21 | |
You could have said that was done a few weeks ago. | 0:27:21 | 0:27:24 | |
Eventually, the cloth industry was to disappear from Exeter, | 0:27:24 | 0:27:29 | |
but luckily, this hall has survived 500 years of history, | 0:27:29 | 0:27:31 | |
not to mention a near miss in the bombing in the Second World War. | 0:27:31 | 0:27:36 | |
I've had a really fun afternoon, thank you very much. | 0:27:36 | 0:27:39 | |
Yeah, thank you for coming. | 0:27:39 | 0:27:40 | |
Now, Mark has a pressing engagement with Margie. | 0:27:41 | 0:27:44 | |
It's time to reveal to each other what they bought. | 0:27:44 | 0:27:48 | |
First up, Margie's cup and saucer. | 0:27:48 | 0:27:51 | |
It's not that old, looking at the mark on it, Adams Ware. | 0:27:51 | 0:27:54 | |
I mean, that's certainly 20th century. | 0:27:54 | 0:27:56 | |
Well, I'm not worried about that, am I? | 0:27:56 | 0:27:58 | |
How much did you pay, Marjory? | 0:27:58 | 0:28:01 | |
£10. | 0:28:01 | 0:28:03 | |
Well, it's not a lot of money, is it? | 0:28:03 | 0:28:05 | |
Well, I won't bore you with the sailor's tear. | 0:28:05 | 0:28:07 | |
-You don't want me to read it to you? -No. -All right. | 0:28:07 | 0:28:10 | |
Something tells me they're not his cup of tea. | 0:28:10 | 0:28:12 | |
Ta-da! It's Mark's gothic frame. | 0:28:12 | 0:28:16 | |
Found in 1780, re-built in 1883, | 0:28:16 | 0:28:19 | |
and then it's got various things about when the services are | 0:28:19 | 0:28:23 | |
and when the Sunday school classes are, | 0:28:23 | 0:28:25 | |
but it's in that wonderful Gothic frame. | 0:28:25 | 0:28:27 | |
Well, it's most unusual. And what did you pay? | 0:28:27 | 0:28:30 | |
I paid £70 for that. | 0:28:30 | 0:28:33 | |
-It's a very, very nice thing. -I think that's very cheap. | 0:28:33 | 0:28:37 | |
-Anyone for a tipple? -Is it silver-topped? | 0:28:37 | 0:28:40 | |
Unfortunately not. It would be way out of my budget if it was. | 0:28:40 | 0:28:43 | |
-Edwardian? -I would think so. | 0:28:43 | 0:28:45 | |
It's very nice. And what did you pay for that? | 0:28:45 | 0:28:49 | |
-£20. -Well, that sounds very reasonable to me. | 0:28:49 | 0:28:52 | |
Mark's Doulton vases, next. | 0:28:52 | 0:28:55 | |
I just thought it was a nice little piece of Doulton stonework. | 0:28:55 | 0:28:58 | |
Yeah, I love the colours. One of a pair, yeah? | 0:28:58 | 0:29:01 | |
Possibly, yes, but I think it would stand on its own | 0:29:01 | 0:29:04 | |
in a small apartment or something. I thought it was very decorative. | 0:29:04 | 0:29:07 | |
-Very nice. -1900, 1910, something like that. -How much? -20. | 0:29:07 | 0:29:10 | |
-It's fair enough, isn't it? -Which I think there's... | 0:29:10 | 0:29:12 | |
-I don't know there's a huge profit in it. -No. | 0:29:12 | 0:29:14 | |
I would be happy with anything over £30. | 0:29:14 | 0:29:16 | |
I always liked these. These little... | 0:29:16 | 0:29:19 | |
-The Black Forest-y things? -Yeah. -Is he all perfect? | 0:29:19 | 0:29:22 | |
-Uh, he is. He's got a little bit of a chewed ear. -Nibble. -Yeah. | 0:29:22 | 0:29:25 | |
-Oh, and his leg has gone. -Oh, no, it hasn't. | 0:29:25 | 0:29:28 | |
But I only paid...£20. | 0:29:28 | 0:29:31 | |
Oh, well, that seems reasonable. I mean, it seems reasonable to me. | 0:29:31 | 0:29:35 | |
Will Margie find this jar sweet? | 0:29:35 | 0:29:38 | |
But I thought it was a nice, commercial little piece, | 0:29:38 | 0:29:41 | |
and I think it was very cheap. | 0:29:41 | 0:29:43 | |
Well, it must have been with this damage, here. | 0:29:43 | 0:29:45 | |
Well, it's not a lot of damage, Margie, I mean, a lot of Wemyss... | 0:29:45 | 0:29:48 | |
I don't know if you handle china a lot, but a lot of Wemyss is restored. And it was £15. | 0:29:48 | 0:29:53 | |
-SHE SIGHS -Which I think is very reasonable. That should double its money. | 0:29:53 | 0:29:57 | |
I mean, I should get £30 for that. | 0:29:57 | 0:29:58 | |
Well, you obviously know all about Wemyss. | 0:29:58 | 0:30:00 | |
-I should get 30 quid for it. -It's lovely. Very colourful. Very nice. | 0:30:00 | 0:30:04 | |
Good. | 0:30:04 | 0:30:05 | |
-You've probably seen this, cos I saw you coming out of the shop. -Mm-hmm. | 0:30:05 | 0:30:10 | |
Oh, yes, I did. Yeah, I did. | 0:30:10 | 0:30:12 | |
-And it's early 1970s, so it's modern. -Mm-hmm. | 0:30:12 | 0:30:15 | |
But I think it maybe coincided with Prince Charles' investiture. | 0:30:15 | 0:30:20 | |
-Well, it's a bit late for that. -Well, no, wasn't that early 70s? | 0:30:20 | 0:30:23 | |
-No, 1969. -Was it? Well, hang on. How old was he? 21? | 0:30:23 | 0:30:27 | |
-Yeah, but it was 1969. -Are you sure? -I'm Welsh, Margie. -Oh, yes, well... | 0:30:27 | 0:30:31 | |
I think I know when the Prince Of Wales was invested. | 0:30:31 | 0:30:34 | |
-59, 60... So, he was 20. -It was 1969, Margie. -Was it really? | 0:30:34 | 0:30:38 | |
Ooh. Is it me, or is this getting a bit tetchy? | 0:30:38 | 0:30:41 | |
And I paid 38. | 0:30:41 | 0:30:44 | |
-I think it's a jolly good item. -It's lovely. -I'm glad one of us bought it. | 0:30:44 | 0:30:47 | |
Mark's coasters now. | 0:30:47 | 0:30:49 | |
How many have we got, here? | 0:30:50 | 0:30:51 | |
Uh, six of those, as I just said to you, Marjory. | 0:30:51 | 0:30:54 | |
-Well, I didn't hear you. -And one of these, which is seven. -Yeah. | 0:30:54 | 0:30:57 | |
-Very nice. -It's rather nice, Marjory, isn't it? | 0:30:57 | 0:31:00 | |
-And how much did you pay for those? -£16. | 0:31:00 | 0:31:03 | |
A little sliding book-press? | 0:31:03 | 0:31:05 | |
-Yeah, it is. -Very nicely carved. Late Victorian? | 0:31:05 | 0:31:08 | |
-Uh, a little bit later, I think. -Do you think? | 0:31:08 | 0:31:10 | |
Mm, I thought, sort of, about 1910. | 0:31:10 | 0:31:12 | |
I thought it was a bit earlier than that, actually. | 0:31:12 | 0:31:14 | |
That's nice. That's an added bonus. | 0:31:14 | 0:31:16 | |
Uh, he was very nice and he let me have that for £20. | 0:31:16 | 0:31:20 | |
Now, that's not bad. | 0:31:21 | 0:31:23 | |
Last up, Mark's little precious. | 0:31:23 | 0:31:26 | |
-Unfortunately, he's lost his back foot. -SHE LAUGHS | 0:31:26 | 0:31:29 | |
Which is, I suppose, another thing I found... | 0:31:29 | 0:31:32 | |
But it's damned heavy, you know. | 0:31:32 | 0:31:33 | |
And I just think he has the sweetest face. I mean, look at him, Marjory. | 0:31:33 | 0:31:37 | |
Oh, well, you're really pleased, aren't you? I'm so pleased that you're pleased. | 0:31:37 | 0:31:41 | |
Mm. Well, go on, then. Let's hear what you really think. | 0:31:41 | 0:31:44 | |
His church piece, you know? The pitch-pine piece. He's really excited about it. | 0:31:44 | 0:31:48 | |
I'm not sure I would have spent £70, but he really loves it | 0:31:48 | 0:31:51 | |
and if you really love something then you've got to go for it. | 0:31:51 | 0:31:54 | |
I mean, the cup and saucer. I don't really know what to say about it. | 0:31:54 | 0:31:58 | |
I mean, I know ceramics. That would be the sort of thing | 0:31:58 | 0:32:00 | |
you'd find in a job lot of ceramics. | 0:32:00 | 0:32:02 | |
I can't see a profit in that, I'm afraid. | 0:32:02 | 0:32:05 | |
The final leg of Mark and Margie's road trip began in Hele near Exeter | 0:32:05 | 0:32:10 | |
and will conclude at the auction in sunny Torquay. | 0:32:10 | 0:32:13 | |
Our experts have certainly had some tense moments, | 0:32:15 | 0:32:17 | |
but as they head towards the auction, their spirits are high. | 0:32:17 | 0:32:20 | |
It must be the sea air. | 0:32:20 | 0:32:23 | |
You can almost smell donkeys. Can you smell donkeys? | 0:32:23 | 0:32:26 | |
Sorry about that, I think it's my breath. | 0:32:26 | 0:32:28 | |
Pooh! The final showdown will take place | 0:32:28 | 0:32:30 | |
at the West Of England auctions. | 0:32:30 | 0:32:33 | |
We've got to do it, Margie. Let's go and see what our fate is. | 0:32:33 | 0:32:36 | |
-We've got each other. -We have, if nothing else. | 0:32:36 | 0:32:38 | |
If all else fails, Margie. | 0:32:38 | 0:32:40 | |
So, what does auctioneer Warren Hunt think of our experts' choices? | 0:32:40 | 0:32:45 | |
The Edwardian hunting flask with a little plated top to it is nice, | 0:32:45 | 0:32:48 | |
but it's not going to make a lot of money. | 0:32:48 | 0:32:52 | |
The worst, in today's auction, I think might be the Gothic sign. | 0:32:52 | 0:32:57 | |
If the lettering was on there, the sky was the limit on that item, | 0:32:57 | 0:33:00 | |
but unfortunately, heavily rubbed out, | 0:33:00 | 0:33:02 | |
I don't think it's going to do very well at all. | 0:33:02 | 0:33:06 | |
Now, Margie Cooper spent £108 on five auction lots, | 0:33:06 | 0:33:10 | |
including an Edwardian hunting flask and a large Adams cup and saucer. | 0:33:10 | 0:33:16 | |
Oh, a tenner. Oh, I'm losing money. | 0:33:16 | 0:33:19 | |
Whereas Mark Stacey spent a little more - £151 on five auction lots, | 0:33:19 | 0:33:25 | |
including the 19th-century Gothic pine frame | 0:33:25 | 0:33:29 | |
and a cast-iron model of a frog. | 0:33:29 | 0:33:32 | |
You go to sleep, little froggy. | 0:33:32 | 0:33:34 | |
Could turn out to be a toad. Well, this is it. | 0:33:34 | 0:33:37 | |
No going back now, there's only £40 separating our two experts. | 0:33:37 | 0:33:41 | |
This really could be anyone's auction. | 0:33:41 | 0:33:44 | |
You've just got to be hopeful. Well, at least we've got each other. | 0:33:44 | 0:33:47 | |
We've got each other, | 0:33:47 | 0:33:48 | |
I'm not quite sure what a consolation prize that is, Marjory, | 0:33:48 | 0:33:51 | |
but he have got each other, darling. | 0:33:51 | 0:33:53 | |
First under the hammer, though, is Mark, | 0:33:53 | 0:33:56 | |
with his Art Nouveau coasters. | 0:33:56 | 0:33:59 | |
-Start the bidding at £5. -£5?! | 0:33:59 | 0:34:01 | |
Start me at five... five is bid, thank you, can I see six? | 0:34:01 | 0:34:04 | |
Got a six is bid, eight? Ten. 12. 14. | 0:34:04 | 0:34:08 | |
16. 18? Are you all done at 16? | 0:34:08 | 0:34:12 | |
-GAVEL BANGS -That's a loss, Marjory. -Not exactly a cracking start. | 0:34:12 | 0:34:15 | |
Not a great beginning, there. A break even in a loss, actually, | 0:34:15 | 0:34:19 | |
once the auction house takes off its commission. | 0:34:19 | 0:34:22 | |
Well, it could have been worse, I think. | 0:34:22 | 0:34:24 | |
Well, it should have made a profit, Marjory. They were nice. | 0:34:24 | 0:34:27 | |
Margie's cup and saucer are up next. The ones Mark hated. | 0:34:27 | 0:34:32 | |
-Five is bid, thank you, sir. -You've got a fiver, it's creeping up. | 0:34:32 | 0:34:35 | |
That's a five opening bid, can I see six? | 0:34:35 | 0:34:38 | |
Six is bid, seven? Eight. Nine. | 0:34:38 | 0:34:41 | |
Ten. 12. | 0:34:41 | 0:34:42 | |
14. 16. 18. | 0:34:42 | 0:34:45 | |
-£16, can I see 18? -Yes! | 0:34:46 | 0:34:49 | |
£16. Are we all done at 16? | 0:34:49 | 0:34:51 | |
-GAVEL BANGS -I just can't believe it. -Thanks, dove. | 0:34:51 | 0:34:55 | |
A bitter pill to swallow for Mark, because Margie's made a profit. | 0:34:55 | 0:34:59 | |
-Who'd have believed it? -Nobody. -SHE LAUGHS | 0:34:59 | 0:35:02 | |
Mark's frame is next. | 0:35:03 | 0:35:05 | |
The auctioneer wasn't keen on it, but what about the bidders? | 0:35:05 | 0:35:08 | |
Gothic pine frame, there, | 0:35:08 | 0:35:09 | |
it's a shame the writing's been slightly rubbed out. | 0:35:09 | 0:35:13 | |
Oh, well, thanks for selling it(!) | 0:35:13 | 0:35:14 | |
30 straight away, looking for 35. | 0:35:14 | 0:35:16 | |
-There you go. -35 I'm bid. 40. 45. | 0:35:16 | 0:35:20 | |
-There you go. -50. 55. -There you go. | 0:35:20 | 0:35:24 | |
At £50. Going to go at 50. | 0:35:24 | 0:35:26 | |
-GAVEL BANGS -Well done to that lady for getting a bargain. | 0:35:26 | 0:35:30 | |
But a big blow for Mark. Margie's catching up. | 0:35:30 | 0:35:33 | |
It's a general sale, it should have made more in my opinion, | 0:35:33 | 0:35:36 | |
but that's the way it happens on the day. | 0:35:36 | 0:35:39 | |
Marge's flask is up next. | 0:35:39 | 0:35:41 | |
Five is bid, thank you. Six, sir? Seven? | 0:35:41 | 0:35:44 | |
Eight. Nine. | 0:35:44 | 0:35:45 | |
Ten. 12, madam? | 0:35:45 | 0:35:47 | |
14? 16. | 0:35:47 | 0:35:48 | |
18. 20. 22. 24. | 0:35:48 | 0:35:51 | |
24, new bidder. | 0:35:51 | 0:35:53 | |
26. | 0:35:53 | 0:35:54 | |
28. £26. | 0:35:54 | 0:35:57 | |
GAVEL BANGS Oh. | 0:35:57 | 0:35:59 | |
Another small profit for Margie. Steady gains. | 0:35:59 | 0:36:02 | |
I think that should have made more, you know, | 0:36:02 | 0:36:04 | |
because it had that lovely little top on it, which collapsed. | 0:36:04 | 0:36:07 | |
-They didn't show it. -And it was in the fitted case. | 0:36:07 | 0:36:10 | |
Now, will someone love Mark's frog as much as Mark? | 0:36:10 | 0:36:14 | |
14. 16. 18. | 0:36:14 | 0:36:16 | |
20. | 0:36:16 | 0:36:17 | |
22. 24. | 0:36:17 | 0:36:19 | |
26. 28. | 0:36:19 | 0:36:21 | |
30. 32. 34. | 0:36:21 | 0:36:24 | |
36...38. | 0:36:24 | 0:36:27 | |
-It's a profit at the end on this. -There is. | 0:36:27 | 0:36:30 | |
At last. Well, I paid £30 for that and it went to 38. | 0:36:30 | 0:36:34 | |
A well-needed profit. | 0:36:34 | 0:36:36 | |
Someone's keen on animals, out there. | 0:36:36 | 0:36:39 | |
Anyone for a bear...hug? | 0:36:39 | 0:36:41 | |
30. | 0:36:41 | 0:36:42 | |
32. 34. 38. | 0:36:42 | 0:36:45 | |
-Black Forest. -Well done. -40. | 0:36:45 | 0:36:48 | |
-Wow. The bear's quite a hit. -42. | 0:36:48 | 0:36:51 | |
Can I see 44? New bidder at 44. | 0:36:51 | 0:36:53 | |
-My word. -Well done. | 0:36:53 | 0:36:55 | |
48. 50. | 0:36:55 | 0:36:59 | |
52. | 0:36:59 | 0:37:01 | |
54. | 0:37:01 | 0:37:03 | |
56. 58. | 0:37:03 | 0:37:06 | |
-60. -You never know. -65. | 0:37:06 | 0:37:09 | |
-65? 70. -You never know. | 0:37:09 | 0:37:12 | |
-£65. -For £20 -All done, 65? | 0:37:12 | 0:37:15 | |
-GAVEL BANGS You never know. -£45 profit, Marjory. | 0:37:15 | 0:37:19 | |
-Somebody wanted it. -Well done. Several people wanted it. | 0:37:19 | 0:37:22 | |
That has completely turned the tables. | 0:37:22 | 0:37:25 | |
Margie's edging ahead. | 0:37:25 | 0:37:27 | |
Well, would you believe the little bear. | 0:37:27 | 0:37:30 | |
Well done. That wrong toe. | 0:37:30 | 0:37:33 | |
And she's up again with the buckle that Mark might have bought. | 0:37:33 | 0:37:38 | |
20. Two? 24? | 0:37:38 | 0:37:39 | |
26. 28. 30. | 0:37:39 | 0:37:43 | |
Two. 34. 36. | 0:37:43 | 0:37:46 | |
38. 40. | 0:37:46 | 0:37:48 | |
Two. At £40. | 0:37:48 | 0:37:50 | |
Are we all done at 40? | 0:37:50 | 0:37:53 | |
-GAVEL BANGS -I thought that should have made more -I thought that was a better lot. | 0:37:53 | 0:37:57 | |
Sadly, after commission, that's actually a loss. | 0:37:57 | 0:38:01 | |
£40, Marjory? | 0:38:01 | 0:38:03 | |
Now, that's a disappointment. I'm surprised at that. | 0:38:03 | 0:38:06 | |
It's Margie's last lot now. | 0:38:06 | 0:38:09 | |
-Her book stand. -Start with £10. | 0:38:09 | 0:38:12 | |
Oh, come on. | 0:38:12 | 0:38:14 | |
Starting at ten, got to have ten. Ten is bid, thank you, sir. | 0:38:14 | 0:38:17 | |
And 12 is bid. 14. 16. | 0:38:17 | 0:38:20 | |
18. 20. 22? | 0:38:20 | 0:38:22 | |
20 in the front here, can I see 22? | 0:38:22 | 0:38:24 | |
Come on. Surely it's worth more than that. | 0:38:24 | 0:38:26 | |
At 20... 22 is bid. | 0:38:26 | 0:38:29 | |
24. 26. 28. | 0:38:29 | 0:38:32 | |
30. 32. 34. | 0:38:32 | 0:38:34 | |
-That's more like it, Margie. -32 in the front. | 0:38:34 | 0:38:37 | |
Are you all done at 32? | 0:38:37 | 0:38:40 | |
-GAVEL BANGS -Well done, Margie. -That's the last one. | 0:38:40 | 0:38:42 | |
-Gosh. -£12 profit. -What a relief. | 0:38:42 | 0:38:44 | |
It's another solid profit for Margie. | 0:38:44 | 0:38:48 | |
-Well done. -Thank you, love. | 0:38:48 | 0:38:50 | |
Margie's now well ahead, but Mark still has two lots to go. | 0:38:50 | 0:38:54 | |
His Doulton vase is next. | 0:38:55 | 0:38:58 | |
30. 32. 34. 36. | 0:38:58 | 0:39:01 | |
-There you go. -£34, can I see 36? | 0:39:01 | 0:39:02 | |
Oh, well, that's a reasonable profit. | 0:39:02 | 0:39:05 | |
-There you go. -40. 42. 44. | 0:39:05 | 0:39:08 | |
-(There you go.) -46. 48. | 0:39:08 | 0:39:12 | |
50. 55, madam. | 0:39:12 | 0:39:15 | |
60. | 0:39:15 | 0:39:16 | |
55? Are you all done at 55? | 0:39:16 | 0:39:19 | |
Well, I wasn't expecting that. | 0:39:19 | 0:39:20 | |
-GAVEL BANGS Has that cheered you up? -A little bit. | 0:39:20 | 0:39:23 | |
An excellent profit, and our pair are once again neck-and-neck. | 0:39:23 | 0:39:28 | |
That's your best of the day | 0:39:28 | 0:39:30 | |
-and you thought it was a bit boring, didn't you? -It was. | 0:39:30 | 0:39:33 | |
-Do you know what I'm going to do now? -What? -Buy boring bits. | 0:39:33 | 0:39:36 | |
THEY LAUGH | 0:39:36 | 0:39:38 | |
It all comes down to the last lot of the day. | 0:39:38 | 0:39:41 | |
If Mark makes the profit he hopes for, he'll be the winner. Tension. | 0:39:41 | 0:39:44 | |
And we are so close. This is going to be the decider. | 0:39:44 | 0:39:49 | |
Hold on to your hats - the deciding lot is Mark's Wemyss ware. | 0:39:49 | 0:39:54 | |
Start me at £20. | 0:39:54 | 0:39:56 | |
-Oh, come on. -10 to be off. | 0:39:58 | 0:39:59 | |
-Come on. -Got to have £10. -Oh, come on. | 0:39:59 | 0:40:03 | |
Ten? Ten is bid, thank you, madam. | 0:40:03 | 0:40:06 | |
Can I see 12? There's a £10 opening bid. | 0:40:06 | 0:40:08 | |
Oh, this is silly. | 0:40:08 | 0:40:10 | |
-12 is bid. 14. -There you go. -16. 18. | 0:40:10 | 0:40:14 | |
£18, can I see 20? | 0:40:14 | 0:40:16 | |
At £18. | 0:40:16 | 0:40:19 | |
Gosh, this is cheap. | 0:40:19 | 0:40:20 | |
-Are we all done at 18? -This is for nothing. | 0:40:20 | 0:40:24 | |
That's absolutely for nothing, I'm afraid. | 0:40:25 | 0:40:28 | |
-Maybe because it was broken, Mark. -There you go, Margie. | 0:40:28 | 0:40:32 | |
That's it. It's all over. | 0:40:32 | 0:40:34 | |
-It's over. -Bar the crying. | 0:40:34 | 0:40:37 | |
Now, let's see where that leaves us. | 0:40:37 | 0:40:40 | |
And remember - all profits go to Children In Need. | 0:40:40 | 0:40:44 | |
Mark Stacey started the final leg with £281.86 | 0:40:44 | 0:40:49 | |
and made a loss of £5.86 after auction costs, | 0:40:49 | 0:40:53 | |
leaving him with exactly £276 at the end of the journey. | 0:40:53 | 0:40:58 | |
I'm going to have to have a fan. | 0:40:58 | 0:41:00 | |
Whereas Margie Cooper kicked off with £245.86 today, | 0:41:00 | 0:41:06 | |
and made a profit of £38.78, after auction costs, | 0:41:06 | 0:41:10 | |
leaving her with a total of £284.64, | 0:41:10 | 0:41:14 | |
just nudging her into the winning position by a mere £8. | 0:41:14 | 0:41:18 | |
I can't believe it. Eight quid. | 0:41:20 | 0:41:22 | |
I won by £8 and I've beaten Mark Stacey on my first series. | 0:41:22 | 0:41:25 | |
I cannot believe it. I'm delighted. | 0:41:25 | 0:41:29 | |
Oh, Margie. You'll have me going in a minute! | 0:41:29 | 0:41:33 | |
-Ho-ho! No wonder you're smiling. -I can't believe it. | 0:41:33 | 0:41:36 | |
-We've had our highs and lows, haven't we? -What a journey. | 0:41:36 | 0:41:40 | |
-Shall we walk off into the sunset? Together? Hand in hand? -Definitely. | 0:41:40 | 0:41:44 | |
-Are we still talking? -I think we are! | 0:41:44 | 0:41:47 | |
What a week it's been. | 0:41:47 | 0:41:49 | |
Our Road Trip rookie, Marjory, has defeated a Gaelic Goliath in Mark, | 0:41:50 | 0:41:56 | |
but it wasn't always plain sailing. | 0:41:56 | 0:41:58 | |
MUSIC: "Madness" by The Specials | 0:41:58 | 0:42:01 | |
Oh, look at the cows. Oh, no, they're horses. | 0:42:01 | 0:42:04 | |
There was panic aplenty. | 0:42:04 | 0:42:07 | |
I'm in desperation and I haven't got a clue. | 0:42:07 | 0:42:09 | |
What am I going to do? It's a bit panicky now. | 0:42:09 | 0:42:12 | |
I'm beginning to panic. | 0:42:12 | 0:42:13 | |
Just getting a bit panicky. | 0:42:13 | 0:42:15 | |
-BELL TINKLES -Time's up. -Very funny. | 0:42:15 | 0:42:18 | |
And some unconventional bargaining. | 0:42:18 | 0:42:21 | |
-I have never sold a pair of police... -OBJECT CLATTERS | 0:42:21 | 0:42:24 | |
If you can stand a bit closer, darling. I haven't got BO. | 0:42:24 | 0:42:27 | |
Let's try it again, shall we? I've never sold a pair of policeman's... | 0:42:27 | 0:42:32 | |
-Handcuffs. -Thank you, I'll try it again. | 0:42:34 | 0:42:36 | |
-Where's the money? -THEY LAUGH | 0:42:36 | 0:42:39 | |
Despite the odd testy moment, Margie and Mark have struck up a friendship | 0:42:39 | 0:42:43 | |
as they've wound, wend and shopped their way from east to west. | 0:42:43 | 0:42:47 | |
You know what they say - the sun only shines on the righteous. | 0:42:47 | 0:42:51 | |
Next week, we're with veteran Road Tripper Thomas Plant | 0:42:58 | 0:43:02 | |
and new boy Mark Hales. | 0:43:02 | 0:43:04 | |
Thomas will try anything to melt the dealer's heart. | 0:43:05 | 0:43:09 | |
Halfway at 65. | 0:43:09 | 0:43:11 | |
-Oh, you do drive a hard bargain. -I'm only trying. | 0:43:11 | 0:43:13 | |
Although it doesn't always work. | 0:43:13 | 0:43:15 | |
40. | 0:43:15 | 0:43:17 | |
SHOPKEEPER LAUGHS | 0:43:17 | 0:43:18 | |
Mark may be new, but he doesn't mess about striking a deal. | 0:43:18 | 0:43:23 | |
Yup. Wrap it up for me, that's brilliant. | 0:43:23 | 0:43:25 | |
And he's a real animal lover. | 0:43:25 | 0:43:28 | |
So. An animal in distress. What do we do? | 0:43:28 | 0:43:30 | |
We give him a home, don't we? | 0:43:30 | 0:43:32 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:38 |