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-The nation's favourite antiques experts, £200 each and one big challenge. -Do I buy you or not? | 0:48:02 | 0:48:08 | |
-Who can make the most money buying and selling antiques as they scour the UK? -I must be mad. | 0:48:08 | 0:48:13 | |
-The aim is trade up and hope each antique turns a profit. -Oh! | 0:48:13 | 0:48:17 | |
-But it's not as easy as it looks and dreams of glory can end in tatters. -What will I do? | 0:48:17 | 0:48:22 | |
Will it be the fast lane to success or the slow road to bankruptcy? | 0:48:22 | 0:48:26 | |
-I should have kept my money in my pocket. -This is the Antiques Road Trip. | 0:48:26 | 0:48:32 | |
Yeah! | 0:48:34 | 0:48:35 | |
This week, we're on the road with two experts, Mark Stacey and Margie Cooper, raring to get shopping. | 0:48:35 | 0:48:42 | |
Let's give up on this. Because we're not good at it, are we? | 0:48:42 | 0:48:46 | |
Don't give up yet. Today's another day. | 0:48:46 | 0:48:50 | |
Margie Cooper is a dealer with a penchant for silver, | 0:48:51 | 0:48:55 | |
but can she whistle up any good bargains this week? | 0:48:55 | 0:48:58 | |
-PLAYS A NOTE -It's working. | 0:48:58 | 0:49:01 | |
Mark Stacey is a Road Trip old hand and knows how to get the dealers to dance to his tune. | 0:49:01 | 0:49:08 | |
-Do you think that I could buy that for a tenner? -A tenner? -Yes. -You must be joking! | 0:49:08 | 0:49:13 | |
So from his original £200, Mark has made a few canny purchases | 0:49:14 | 0:49:19 | |
and now has a rumbumptious £337.16 to splash about... | 0:49:19 | 0:49:25 | |
..whereas Margie also started out with £200, | 0:49:26 | 0:49:29 | |
but after a few losses, her grand total has dwindled to £192.06. | 0:49:29 | 0:49:34 | |
Not so hot. | 0:49:34 | 0:49:36 | |
-That was a bummer. -That was awful. | 0:49:36 | 0:49:39 | |
Our experts started this week's journey in Chilham, Kent, | 0:49:40 | 0:49:44 | |
and are travelling 250 miles across southern England | 0:49:44 | 0:49:47 | |
to the final showdown in Torquay, Devon. | 0:49:47 | 0:49:50 | |
Today's leg starts in the heart of the New Forest in the village of Burley, Hampshire, | 0:49:50 | 0:49:56 | |
then meanders through Dorset, ending up at an auction in Sherborne. | 0:49:56 | 0:50:01 | |
Welcome to the New Forest, | 0:50:02 | 0:50:05 | |
the largest expanse of pasture land in the south of England | 0:50:05 | 0:50:09 | |
where we find our experts, Mark and Margie, | 0:50:09 | 0:50:12 | |
gearing up their 1960 MGC for another day's antiques grazing. | 0:50:12 | 0:50:17 | |
Margie, I've just pulled over here. We're close to your shop. Look at that view! | 0:50:17 | 0:50:22 | |
-It's superb. -How are you feeling? -I'm feeling really up and running. | 0:50:22 | 0:50:26 | |
-Fourth buying leg. -You've made a bit of money. -I'm back to square one. | 0:50:26 | 0:50:31 | |
-You're slightly below square one. -You've been doing your sums again. | 0:50:31 | 0:50:35 | |
-Are you itching to get there? -I am. -You want me to take you? -Go on. | 0:50:35 | 0:50:39 | |
-Seatbelt on? -Yeah. -Money in your pocket? -Definitely in my pocket. | 0:50:39 | 0:50:43 | |
Then we're off. | 0:50:43 | 0:50:45 | |
The New Forest village of Burley has been around since the Bronze Age, | 0:50:45 | 0:50:50 | |
but became notorious in the late 1950s due to a resident white witch called Sybil Leek | 0:50:50 | 0:50:57 | |
who also happened to own an antiques shop here. | 0:50:57 | 0:51:00 | |
Nowadays, you're more likely to encounter a wild pony than a witch, | 0:51:00 | 0:51:05 | |
-but there is still a healthy trade in antiques. -Here it is. -Here we go. -Oh, lots of lovely things. -Yeah. | 0:51:05 | 0:51:11 | |
-Listen, I'll drop you off here. -OK. -I'll see you later. -Yeah. -All right? | 0:51:11 | 0:51:16 | |
Margie's first shop of the day looks promising | 0:51:16 | 0:51:19 | |
with all kinds of interesting-looking collectables from jewellery to ceramics. | 0:51:19 | 0:51:25 | |
-Vanessa? -Yes. -I'll have a quick look round. | 0:51:25 | 0:51:28 | |
Owner Vanessa runs both the shop and the ice cream parlour next door, | 0:51:31 | 0:51:35 | |
so can she find something sweet to tempt Margie? | 0:51:35 | 0:51:38 | |
Nice, little scent bottle. £50 on it, so I think that would make life a bit difficult for me. | 0:51:39 | 0:51:46 | |
Wemyss Ware. Did you pay a lot for it? | 0:51:46 | 0:51:49 | |
-80. -Yes, that's quite a lot, isn't it? | 0:51:49 | 0:51:52 | |
-I think I'm way out on the price. -OK. -I don't like them enough to even bid, really. | 0:51:52 | 0:51:57 | |
I'd really have a go if I liked them, but I'm not very keen on them. | 0:51:57 | 0:52:01 | |
Margie, you're being terribly dismissive today, but what's this tucked up high on a shelf? | 0:52:01 | 0:52:08 | |
-That's interesting. -This is an old water filter. | 0:52:08 | 0:52:11 | |
How long have you had that? I'll see if your ticket's faded. | 0:52:11 | 0:52:15 | |
Oh, it's not... Oh, gosh! That's the price. | 0:52:16 | 0:52:19 | |
-160. -We can do it for less than that. | 0:52:19 | 0:52:23 | |
Henry Doulton not only ran one of Britain's most successful pottery businesses in the 19th century, | 0:52:25 | 0:52:32 | |
he also developed ceramic water filters that removed bacteria from drinking water. | 0:52:32 | 0:52:38 | |
They were widely adopted and contributed to saving many people | 0:52:38 | 0:52:42 | |
from the ravages of cholera and typhoid. | 0:52:42 | 0:52:45 | |
-So it's Doulton Lambeth. -It's lovely. It's like Wedgwood Jasper. -It is, yeah, a little bit. | 0:52:45 | 0:52:51 | |
But how much? It's got to be... | 0:52:51 | 0:52:53 | |
-60. -60 quid? | 0:52:53 | 0:52:56 | |
£60, down from £160. | 0:52:57 | 0:53:00 | |
That's £100 off. Margie's got to go for that. | 0:53:00 | 0:53:03 | |
I don't know. Is this calling me, is this calling me? | 0:53:03 | 0:53:07 | |
-Or maybe not. -So that's... | 0:53:07 | 0:53:09 | |
-So you've had this...? -55. | 0:53:10 | 0:53:13 | |
LAUGHTER | 0:53:13 | 0:53:16 | |
That's got to be a deal, hasn't it? | 0:53:16 | 0:53:18 | |
-55. Thank you. -It's a deal. | 0:53:18 | 0:53:21 | |
Thank goodness for that! | 0:53:21 | 0:53:23 | |
Mark's travelled five miles up the road out of the New Forest to his first shop in Ringwood. | 0:53:23 | 0:53:29 | |
Lorraine Tarrant's emporium is stacked to the gunwales with gorgeous collectables | 0:53:29 | 0:53:36 | |
and all manner of decorative items, plenty for Mark to feast his eyes on. | 0:53:36 | 0:53:41 | |
And he's not afraid to confess all to the owner of this fine establishment. | 0:53:41 | 0:53:46 | |
-I need help, Lorraine. -What sort of help? | 0:53:46 | 0:53:50 | |
-Psychiatric. -Psychiatric? We all need that! | 0:53:50 | 0:53:53 | |
I think that's probably what I really need. | 0:53:53 | 0:53:56 | |
Before long, Lorraine has found something Mark might fancy. | 0:53:56 | 0:54:00 | |
I love that wooden background and the eyes are so appealing. | 0:54:00 | 0:54:04 | |
-Yeah, it's very nice. -It's really stunning. | 0:54:04 | 0:54:08 | |
Those are really rather charming. | 0:54:08 | 0:54:10 | |
-So you like your birds? -I do like my birds. | 0:54:10 | 0:54:13 | |
But even with my charm and my love of pigeons, I don't think I'll be able to afford that painting. | 0:54:15 | 0:54:22 | |
But it is lovely. What have you put on it? | 0:54:22 | 0:54:25 | |
-Shock me. -It's £850. | 0:54:25 | 0:54:27 | |
HE SIGHS | 0:54:27 | 0:54:29 | |
I'm sure we could negotiate. | 0:54:29 | 0:54:32 | |
-No, trust me, we couldn't. -We could. | 0:54:32 | 0:54:35 | |
It's only one nought out. 85 would have been nice, wouldn't it? | 0:54:35 | 0:54:39 | |
-Oh, a real antique dealer! -I know. I'm terrible. | 0:54:39 | 0:54:42 | |
After that flight of fancy, it's time to get down to some serious browsing. | 0:54:43 | 0:54:48 | |
This is, I'm guessing, | 0:54:48 | 0:54:50 | |
a sort of 1950s child's tinplate... well, hobbyhorse. | 0:54:50 | 0:54:56 | |
You sit your child in here and he holds on to these early plastic handles. | 0:54:56 | 0:55:02 | |
And he rocks and is very happy, I'm sure. | 0:55:02 | 0:55:04 | |
But what I like about it is the colours are still in quite good condition | 0:55:04 | 0:55:09 | |
and all the wood is there. | 0:55:09 | 0:55:11 | |
It's rather appealing in a sort of bygone way. | 0:55:11 | 0:55:15 | |
Time to fetch the lovely Lorraine. | 0:55:15 | 0:55:17 | |
-It's in remarkably good condition. -It is, isn't it? | 0:55:17 | 0:55:21 | |
No, I got that wrong. It's in terrible condition(!) It's worn all here and there's a lot of wear here. | 0:55:21 | 0:55:27 | |
-There's scratches everywhere. -That's where some little darling has been racing it down the road. | 0:55:27 | 0:55:34 | |
-I'm a little darling and I want to race it to auction. -Oh, race it to auction! -Be honest with me, Lorraine. | 0:55:34 | 0:55:41 | |
-Yes. -Do you think that I could buy that for a tenner? | 0:55:41 | 0:55:44 | |
-A tenner? -Yes. -You must be joking! -Really? | 0:55:44 | 0:55:47 | |
-Too much? -Do you think I get given things? -Would you do it for a fiver? | 0:55:47 | 0:55:52 | |
-Don't show me the price. -Oh, my word! -I don't want to see the price. | 0:55:52 | 0:55:56 | |
-It's too much, a tenner. We might get it for eight. -A tenner?! | 0:55:56 | 0:56:00 | |
-I just think in auction, what would they put on it? 20 to 30? -Probably, yeah. | 0:56:00 | 0:56:05 | |
-Well, I could go to 11. -11?! LAUGHTER | 0:56:05 | 0:56:09 | |
15. | 0:56:10 | 0:56:12 | |
-15? -15. | 0:56:12 | 0:56:14 | |
Oh, can I be awful? | 0:56:14 | 0:56:17 | |
-You can try. -How awful can I be with you, Lorraine, because you've got such a sweet, innocent face? | 0:56:17 | 0:56:24 | |
Could we say 13? | 0:56:24 | 0:56:27 | |
-13?! -Yes. | 0:56:27 | 0:56:29 | |
My goodness me! I've never really been this much of a bargain person. | 0:56:29 | 0:56:35 | |
-(I think we'll get it.) -I say £14 and it's yours. | 0:56:35 | 0:56:39 | |
Oh, do you know, I... | 0:56:39 | 0:56:41 | |
It's terrible. I get these blanks when I can't hear anything. | 0:56:41 | 0:56:45 | |
-I must pop my hearing aid in. No, that's a microphone. -Oh, dear. | 0:56:45 | 0:56:49 | |
-13.50. -£14, it's yours. | 0:56:51 | 0:56:53 | |
-13.50. -You're a terrible person! | 0:56:53 | 0:56:56 | |
I'm terrible, but I've got to win. | 0:56:56 | 0:56:58 | |
-You've got to win. Go on, 13.50, it's yours. -You're an angel! | 0:56:58 | 0:57:03 | |
-Thanks again. -Bye-bye! -Bye! -Bye! | 0:57:03 | 0:57:06 | |
Waiting patiently in Burley, Margie has found a new strategy to deal with her sparring partner. | 0:57:06 | 0:57:13 | |
-TOOTS HORN -Hey, look what I've got for you! | 0:57:13 | 0:57:17 | |
Margie! | 0:57:17 | 0:57:19 | |
-Oh, darling! -Fandabby-dozy! | 0:57:19 | 0:57:22 | |
Whatever I said about you, I didn't mean it. | 0:57:22 | 0:57:25 | |
-I'll hold it and you drive. -Hmm! | 0:57:26 | 0:57:29 | |
-I'll hold it. Off we go. -Oh, it's all over me. | 0:57:29 | 0:57:33 | |
-You are kind. -I know I am. | 0:57:33 | 0:57:35 | |
Stop eating my ice cream, Margie. Don't eat all the nice bits off it and leave me with the vanilla. | 0:57:35 | 0:57:42 | |
I don't think the charm offensive worked, Margie. | 0:57:42 | 0:57:46 | |
With them both in the car, they're now heading to Bournemouth. | 0:57:46 | 0:57:50 | |
Back in the early 1800s, Bournemouth was known as "Bourne Heath" | 0:57:52 | 0:57:57 | |
and was a remote desert of barren heathland, frequented only by turf-cutters, | 0:57:57 | 0:58:02 | |
fishermen and gangs of smugglers taking full advantage of the empty beaches. | 0:58:02 | 0:58:08 | |
Our pair of marauders have sailed in, hoping to plunder its treasures. | 0:58:08 | 0:58:12 | |
While Margie heads off to her next shop, | 0:58:12 | 0:58:16 | |
Mark strolls up the sea front to discover more about one of Bournemouth's great industrialists. | 0:58:16 | 0:58:22 | |
He's here to visit the Russell-Cotes Museum, an extraordinary building right on the sea front. | 0:58:22 | 0:58:28 | |
-Hello. You must be Duncan. -Nice to meet you. -I'm Mark. -Welcome to the Russell-Cotes. | 0:58:28 | 0:58:33 | |
Showing him round will be collections officer, Duncan Walker. | 0:58:33 | 0:58:38 | |
The Russell-Coteses, Annie and Merton, were a couple that lived in Bournemouth. | 0:58:41 | 0:58:46 | |
Merton owned and operated the Royal Bath Hotel which is behind us | 0:58:46 | 0:58:50 | |
and he spent his money collecting fabulous artworks and treasures from their trips around the world. | 0:58:50 | 0:58:57 | |
Finished in 1901, the house is one of Britain's last truly Victorian buildings. | 0:58:57 | 0:59:03 | |
It was built as a token of love by Sir Merton Russell-Cotes | 0:59:03 | 0:59:07 | |
for his beloved Glaswegian wife Annie | 0:59:07 | 0:59:10 | |
and combines the Italian Renaissance style with Scottish Baronial. | 0:59:10 | 0:59:15 | |
At a time when women artists were still scorned upon, Merton and Annie were keen collectors. | 0:59:15 | 0:59:21 | |
Gosh, now, that's quite a dramatic painting, Duncan! | 0:59:21 | 0:59:25 | |
That's Evelyn De Morgan's Aurora Triumphans. | 0:59:25 | 0:59:28 | |
You say De Morgan. Is that any connection to William De Morgan? | 0:59:28 | 0:59:32 | |
Yes, that's his wife who painted this in secret as her family didn't approve of her being an artist. | 0:59:32 | 0:59:38 | |
-Really? -It was sold to the Russell-Coteses as a Burne-Jones, the Pre-Raphaelite follower, | 0:59:38 | 0:59:44 | |
to the point where an unscrupulous dealer altered the signature to be Burne-Jones's. | 0:59:44 | 0:59:50 | |
You can see it there in the corner on the rock. | 0:59:50 | 0:59:53 | |
In terms of value, probably a lot less than a Burne-Jones, but it's striking. | 0:59:53 | 0:59:58 | |
-It's one of our best-selling postcards. -I might even get one myself. -Please do. | 0:59:58 | 1:00:04 | |
Merton and Annie also collected furniture | 1:00:05 | 1:00:08 | |
and Duncan is keen to show Mark one piece in particular that once belonged to an emperor. | 1:00:08 | 1:00:15 | |
-This is Napoleon's bureau. -Oh! Now tell me about this then. | 1:00:15 | 1:00:19 | |
We've had this completely restored, but this is exactly where Merton had it | 1:00:19 | 1:00:25 | |
and presumably, Merton used to use it. | 1:00:25 | 1:00:28 | |
-Sit there and imagine himself controlling half of Europe! -Yes. | 1:00:28 | 1:00:33 | |
It's very, very subtle for the former Emperor of France, isn't it? | 1:00:34 | 1:00:38 | |
-I'm sure that in the Champs-Elysees, he would have used something much grander. -Yes. | 1:00:38 | 1:00:43 | |
-It is one of our treasures. -Certainly. | 1:00:43 | 1:00:46 | |
-And I can say that I've touched it, if that's all right. -That's fine, that's fine. | 1:00:46 | 1:00:52 | |
Merton and Annie died within a year of each other in the early 1920s, | 1:00:52 | 1:00:57 | |
leaving the house and many treasures to the people of Bournemouth | 1:00:57 | 1:01:01 | |
as a museum and art gallery for all to enjoy. | 1:01:01 | 1:01:05 | |
Along the Bournemouth sea front, Margie has arrived at her second shop du jour. | 1:01:05 | 1:01:10 | |
-What a lovely shop! -Pleased to meet you. I'm Bonnie. | 1:01:10 | 1:01:14 | |
Perhaps this emporium will tempt our hard-to-please expert. | 1:01:15 | 1:01:20 | |
Little nodding figures. He's doing what all men do. | 1:01:20 | 1:01:25 | |
He's nodding his head that way. She's going, "Oh, yes, I will." "Oh, no, you won't." | 1:01:25 | 1:01:31 | |
Hmm, can't make up their minds. That reminds me of someone. | 1:01:31 | 1:01:35 | |
Could a bit of glass cut it, Margie? | 1:01:35 | 1:01:38 | |
So I think being a set of three is always nice. | 1:01:38 | 1:01:42 | |
Yeah, they're nice. | 1:01:42 | 1:01:44 | |
I think they call it ice glass. | 1:01:44 | 1:01:46 | |
-Quite attractive, aren't they? Very attractive. -Hmm. | 1:01:48 | 1:01:52 | |
Isn't that nice with the sort of cranberry snake? | 1:01:52 | 1:01:55 | |
Careful, Bonnie. Margie's coiled and ready to pounce. | 1:01:55 | 1:01:59 | |
Well, I was hoping for about 50 for the set, | 1:01:59 | 1:02:02 | |
but there's possibly a little room for manoeuvre. | 1:02:02 | 1:02:06 | |
-Yeah. -40 for the set is very... | 1:02:07 | 1:02:11 | |
-It's quite a fair price. -£40? | 1:02:11 | 1:02:14 | |
-Yes. That's the lowest I can go to, I'm afraid. Sorry. -I'm sure. | 1:02:14 | 1:02:18 | |
I'm sure. Would 38 seal it, to take the commission off, | 1:02:18 | 1:02:22 | |
if the worst comes to the worst? | 1:02:22 | 1:02:25 | |
I'm feeling sorry for you now, so yes. | 1:02:25 | 1:02:28 | |
-Done. -OK. | 1:02:29 | 1:02:31 | |
Signed and sealed, that's Margie's last purchase of the day | 1:02:33 | 1:02:37 | |
and as the sun sets over Bournemouth, it's night-night time for our dear experts. | 1:02:37 | 1:02:43 | |
It's Day Two and Mark and Margie are up with the lark and digging for worms. | 1:02:49 | 1:02:54 | |
Margie, how did you find buying yesterday? | 1:02:54 | 1:02:58 | |
-I'm quite pleased. -Nobody's listening. | 1:02:58 | 1:03:01 | |
-Are you going to tell me? -Of course I'm not going to tell you. | 1:03:01 | 1:03:05 | |
-You'll have to wait. -Are you teasing me? -No. -You're playing with me. -I'm playing with your emotions. | 1:03:05 | 1:03:11 | |
Yesterday, Margie spent £93 on two lots - | 1:03:12 | 1:03:16 | |
the Doulton water filter with classical figures | 1:03:16 | 1:03:20 | |
and the three Victorian ice glass dishes, | 1:03:20 | 1:03:23 | |
leaving her with £99.06 to spend today... | 1:03:23 | 1:03:26 | |
-Done. -OK. | 1:03:26 | 1:03:29 | |
..whilst Mark spent a mere £13.50 | 1:03:31 | 1:03:33 | |
on the 1950s tinplate rocking horse, | 1:03:33 | 1:03:36 | |
leaving him with a grand total of £323.66 to splash about today. | 1:03:36 | 1:03:41 | |
-Thanks again. -Bye-bye! -Bye! -Bye! | 1:03:44 | 1:03:46 | |
Bournemouth is a hazy memory as our duelling duo head west | 1:03:46 | 1:03:50 | |
to Owermoigne where Mark will drop Margie off | 1:03:50 | 1:03:53 | |
before heading to the shops in Dorchester. | 1:03:53 | 1:03:56 | |
-See you later, darling. -Bye. -Bye, darling. See you. -Have one on me. -Bye. | 1:03:56 | 1:04:01 | |
Margie has a date with a cider museum while Mark has another pressing concern. | 1:04:03 | 1:04:10 | |
With only one item in the bag, he's travelling six miles up the road | 1:04:10 | 1:04:14 | |
to spend all day shopping in Dorchester. | 1:04:14 | 1:04:18 | |
Dorchester worries me because it's a very expensive town, so I'll have to use all my charm. | 1:04:18 | 1:04:24 | |
Prepare yourselves, people of Dorchester. | 1:04:24 | 1:04:27 | |
This market town was immortalised as Casterbridge in Thomas Hardy's famous novel. | 1:04:27 | 1:04:33 | |
The mayor in the book auctioned off his wife and daughter. | 1:04:33 | 1:04:37 | |
I really hope Mark will stick to antiques and collectables in his first shop today. | 1:04:37 | 1:04:42 | |
-David, this is your shop? -Yeah. -How long have you had it? | 1:04:42 | 1:04:45 | |
-Just the week before Easter this year. -So it's quite new? -Yeah, it's going very well. | 1:04:45 | 1:04:50 | |
-What on earth are you doing, opening a shop in a recession? -Because everybody told me not to. | 1:04:50 | 1:04:56 | |
-If you're told not to do it, you do it. -Absolutely. | 1:04:56 | 1:04:59 | |
A-ha! So there could be some interesting negotiations ahead. | 1:04:59 | 1:05:04 | |
This is a nice early piece. This is, I think, Regency. | 1:05:04 | 1:05:08 | |
It's a little jar and cover or urn and cover. | 1:05:08 | 1:05:12 | |
Very nicely cut and various decoration with a nice sort of faceted knop. | 1:05:12 | 1:05:17 | |
That might be a possibility, actually. It's a nice, elegant piece. | 1:05:17 | 1:05:22 | |
I could see that on somebody's... | 1:05:22 | 1:05:25 | |
..sideboard filled with little sugared almonds or something like that. | 1:05:26 | 1:05:31 | |
Do you like a vase for sugared almonds? What are those sitting pretty on the window sill? | 1:05:31 | 1:05:37 | |
I seem to be in quite a glass mood today | 1:05:37 | 1:05:40 | |
because I've spotted these two slightly pink vases. | 1:05:40 | 1:05:44 | |
They are called "a pair of lizard vases". | 1:05:44 | 1:05:47 | |
You can see the sort of lizards here. | 1:05:47 | 1:05:50 | |
They look like very exaggerated newts to me. | 1:05:50 | 1:05:54 | |
They look very 1930s, don't they? They look very Art Deco. | 1:05:54 | 1:05:58 | |
But when I look underneath, there's no wear on the base. | 1:05:58 | 1:06:02 | |
I think they're almost certainly French. | 1:06:02 | 1:06:05 | |
But they are rather fun if you like newts. | 1:06:05 | 1:06:08 | |
Well, who doesn't? | 1:06:08 | 1:06:10 | |
The cut-glass urn is priced at £110 | 1:06:10 | 1:06:13 | |
and the pair of newt vases at £50. | 1:06:13 | 1:06:16 | |
David, I do quite like these two pieces. | 1:06:16 | 1:06:20 | |
-Right. -And again I just think those newts are so funny. | 1:06:20 | 1:06:23 | |
What sort of price could you do those for me? | 1:06:23 | 1:06:26 | |
-35. -35. That's quite reasonable, isn't it? | 1:06:28 | 1:06:32 | |
And what about this? | 1:06:32 | 1:06:34 | |
Oh, I'm not looking. | 1:06:34 | 1:06:36 | |
I'm not looking. | 1:06:36 | 1:06:38 | |
75. | 1:06:38 | 1:06:40 | |
75 and 35, that's 110. | 1:06:41 | 1:06:44 | |
That's quite a lot, isn't it? | 1:06:44 | 1:06:46 | |
-50. -50? -Yeah. | 1:06:46 | 1:06:49 | |
For the jar and top | 1:06:49 | 1:06:52 | |
and 25 for the pair. | 1:06:52 | 1:06:54 | |
That's 75. | 1:06:54 | 1:06:56 | |
Is it possible... I know I'm being mean. It is just because of the damage. | 1:06:56 | 1:07:01 | |
Can we do the three for £60, cash? | 1:07:01 | 1:07:03 | |
65. | 1:07:03 | 1:07:05 | |
Go on then. 65. Thank you very much, David. | 1:07:05 | 1:07:10 | |
Two more lots in the bag. Well done, Mark. | 1:07:10 | 1:07:12 | |
-Thank you very much. -I'll pop in and see you again. -Do. | 1:07:12 | 1:07:16 | |
Now, we last saw Margie disappearing off to the Mill House Cider Museum. | 1:07:16 | 1:07:21 | |
-Ah, Penny! -Hello. Nice to meet you. -Margie Cooper. -Hiya. | 1:07:21 | 1:07:25 | |
-Are you going to show me around? -Yes, come on through this way. | 1:07:25 | 1:07:29 | |
# I am a cider drinker | 1:07:29 | 1:07:32 | |
# I drinks it all of the day... # | 1:07:32 | 1:07:35 | |
It's a family-run establishment | 1:07:35 | 1:07:37 | |
and Penny, the daughter of one of the founders, is showing Margie around. | 1:07:37 | 1:07:42 | |
-We've run the museum for about the last 20 years. -Right. | 1:07:42 | 1:07:46 | |
My father bought a press when he moved from London to Dorset and decided to make a bit of cider, | 1:07:46 | 1:07:52 | |
found it was nice and the interest grew from there, really. | 1:07:52 | 1:07:56 | |
Penny's father and uncle have collected 53 pieces of machinery, some hundreds of years old, | 1:07:56 | 1:08:02 | |
from all over the West Country to form the museum. | 1:08:02 | 1:08:06 | |
-This is a horse-drawn crusher. -How old is it? -It's early 19th century. | 1:08:06 | 1:08:11 | |
So the apples would have been in the stone trough around the edge here | 1:08:11 | 1:08:15 | |
and the horse would have pulled this big stone wheel round, crushing the apples in the trough. | 1:08:15 | 1:08:21 | |
-What kind of horse would go in there? -The more elderly ones | 1:08:21 | 1:08:24 | |
because they didn't mind walking around in circles for hours on end. | 1:08:24 | 1:08:29 | |
-So an old nag? -Yes. You're welcome to have a push. -Shall I have a go? | 1:08:29 | 1:08:33 | |
-I can't budge it. -It makes you appreciate how strong the horses used to have to be. | 1:08:34 | 1:08:39 | |
-They've got four legs. I've only got two. -Yeah. | 1:08:39 | 1:08:42 | |
Once the apples were crushed, then they would need to be pressed. | 1:08:44 | 1:08:48 | |
-This is one of our oldest presses we've got up here, about 1750. -Right. | 1:08:48 | 1:08:53 | |
-You can see this one has got a wooden screw on the top. -Yeah, like a big corkscrew. -Yes. | 1:08:53 | 1:08:59 | |
-Then the apple pulp that we've already crushed... -Goes on here. | 1:08:59 | 1:09:02 | |
It would be wrapped in layers of straw to keep it all together and filter the juice out. | 1:09:02 | 1:09:08 | |
That gets squashed and juice comes out of the bottom. | 1:09:08 | 1:09:12 | |
Some of the machines are just too impractical to use now, | 1:09:12 | 1:09:16 | |
but the museum has a few examples that are in good enough working order | 1:09:16 | 1:09:21 | |
to demonstrate how cider was made the old-fashioned way. | 1:09:21 | 1:09:25 | |
This is our early 19th century scratter mill. | 1:09:25 | 1:09:29 | |
There's iron cogs in the top of there that grip the apples, | 1:09:29 | 1:09:33 | |
crush them up and push them down the bottom. | 1:09:33 | 1:09:36 | |
-You can have a go at turning the handle. -Terrific. | 1:09:36 | 1:09:39 | |
-Forwards? -Yeah. | 1:09:39 | 1:09:41 | |
Oh, it's easy. | 1:09:41 | 1:09:43 | |
When the apples are soft, it's really good. If you've got hard apples in there, it's really hard. | 1:09:46 | 1:09:52 | |
It's not as bad as I thought. Oh! | 1:09:52 | 1:09:54 | |
I expect those apples are well and truly crushed by now, so time for a bit of pressing. | 1:09:54 | 1:09:59 | |
This is a slightly smaller version of the big wood-screw press in there. | 1:09:59 | 1:10:04 | |
This is us building up our layers of straw. | 1:10:04 | 1:10:07 | |
The pulp is layered into straw, | 1:10:07 | 1:10:10 | |
which is folded over to make a kind of parcel traditionally called a "cheese". | 1:10:10 | 1:10:15 | |
In a minute, we'll squash the whole lot down and you'll see the juice come out. | 1:10:15 | 1:10:20 | |
-I can't believe how much work it is. -Yeah, it's very physical. | 1:10:20 | 1:10:23 | |
There'll be one person on each of the iron screws and they just turn them round. | 1:10:23 | 1:10:28 | |
-I have noticed there's no fat men here. -No, it does keep you very fit. | 1:10:28 | 1:10:33 | |
Even if they do drink a lot of cider. | 1:10:33 | 1:10:36 | |
-It's really coming down now. -Yeah, it really starts to come out. | 1:10:36 | 1:10:40 | |
To make this juice into cider, it would need to be barrelled for the winter, allowing it to ferment, | 1:10:40 | 1:10:46 | |
but no such luck for Margie today. | 1:10:46 | 1:10:48 | |
-Would you like to have a little taste of some juice? -I'd love to. I'll hold it under here. | 1:10:48 | 1:10:54 | |
It's like syrup, nectar. | 1:10:54 | 1:10:56 | |
-Cheers. -Cheers. -I'm glad to see you sensibly stuck to the apple juice there, Margie. | 1:10:56 | 1:11:01 | |
There's shopping to be done and you need all your wits about you. | 1:11:01 | 1:11:06 | |
In Dorchester, Mark is already on his second shop of the day - | 1:11:07 | 1:11:11 | |
the De Danann Antiques Centre, a large emporium housing the wares of about 20 dealers. | 1:11:11 | 1:11:17 | |
-Hello. -Hello. | 1:11:17 | 1:11:19 | |
-Can I have a look round? -By all means. -Thank you. | 1:11:19 | 1:11:22 | |
Our Mark's got nearly £260 burning a hole in his pocket, so surely he'll find something to please him. | 1:11:24 | 1:11:30 | |
Do you think I've lost the plot? | 1:11:30 | 1:11:33 | |
Because I do. | 1:11:33 | 1:11:35 | |
I'm rapidly losing the will to live here. | 1:11:36 | 1:11:39 | |
There's going to be something here for me. I know it, I can feel it. But where? | 1:11:41 | 1:11:47 | |
Oh, he's spotted something. | 1:11:47 | 1:11:49 | |
Somehow. | 1:11:49 | 1:11:51 | |
Do be careful. Don't hurt yourself on my part. | 1:11:51 | 1:11:55 | |
This Chinese lacquerware... | 1:11:56 | 1:11:58 | |
Can you see these winged creatures, I suppose, on the front here? | 1:11:58 | 1:12:03 | |
There's quite a bit of wear on here. It's quite nice, reasonable quality as a carving. | 1:12:03 | 1:12:08 | |
You've got a Greek key design going around here, all carved round the back as well. | 1:12:08 | 1:12:13 | |
And... | 1:12:13 | 1:12:15 | |
It must be fairly strong because it's taking my weight. | 1:12:16 | 1:12:20 | |
But have a guess what the price is. | 1:12:21 | 1:12:23 | |
-£80? -No. | 1:12:23 | 1:12:26 | |
-£100? -No, much higher than that. | 1:12:26 | 1:12:28 | |
You'll have to think a lot higher at home than that because I think I'm sitting on £145. | 1:12:28 | 1:12:35 | |
I can't see it at that, really. | 1:12:35 | 1:12:37 | |
Mark's up for some tough negotiation, but the dealer isn't in today, | 1:12:37 | 1:12:42 | |
so centre owner John gets on the blower. | 1:12:42 | 1:12:45 | |
Hello, it's John from the centre. | 1:12:45 | 1:12:47 | |
-Could you give us a call back as soon as you can? -(Answerphone.) -Thank you. | 1:12:47 | 1:12:52 | |
I hope that dealer phones you back soon, Mark, | 1:12:52 | 1:12:55 | |
because Margie is hot on your heels, | 1:12:55 | 1:12:58 | |
although with only two lots for the auction so far, she's feeling the pressure. | 1:12:58 | 1:13:05 | |
I'm just getting a bit panicky... | 1:13:05 | 1:13:07 | |
..because time is running out. | 1:13:08 | 1:13:12 | |
Time has run out for the owner of the Chinese stool too, | 1:13:12 | 1:13:17 | |
so centre owner John has decided to step in. | 1:13:17 | 1:13:21 | |
I do want to buy something here because you've all been so lovely. | 1:13:21 | 1:13:25 | |
-You couldn't take a gamble at 50? -55. -They always say that! -You know they do. | 1:13:25 | 1:13:30 | |
Come on, Mark. That's £85 off the asking price. | 1:13:31 | 1:13:35 | |
All right, 50 quid. I'll take the gamble. | 1:13:35 | 1:13:38 | |
I'm doing it. Thanks so much. I don't care what happens. I like it. | 1:13:38 | 1:13:43 | |
The deal done just in time. Here comes Margie. | 1:13:43 | 1:13:47 | |
Oh, no. | 1:13:47 | 1:13:48 | |
-Hello, Margie. -Oh, no! | 1:13:48 | 1:13:51 | |
Will you go? I'm running out of time. | 1:13:51 | 1:13:54 | |
-What do you mean, "Will I go?" -I'm panicking. | 1:13:54 | 1:13:57 | |
I've hardly seen you all day. I thought you might be missing me. | 1:13:57 | 1:14:01 | |
-Not at all. -Really? -Not one moment. | 1:14:01 | 1:14:04 | |
That was annoying, | 1:14:05 | 1:14:07 | |
bumping into his nibs. | 1:14:07 | 1:14:09 | |
-RINGS BELL -Time's up. | 1:14:10 | 1:14:13 | |
Very funny. Very funny! | 1:14:13 | 1:14:16 | |
Don't worry, Margie. Your nemesis is leaving the premises. | 1:14:16 | 1:14:22 | |
Better get on with some hard browsing! | 1:14:22 | 1:14:25 | |
I like that. That's a little bamboo magazine rack. | 1:14:25 | 1:14:30 | |
It's rather small which makes it rather nice. | 1:14:30 | 1:14:33 | |
It's a nice size, isn't it? I like the size of it. | 1:14:33 | 1:14:37 | |
And you've got this Japanese decoration. | 1:14:37 | 1:14:41 | |
The price is £48. | 1:14:41 | 1:14:44 | |
And the trade is £3 off it which is £45. | 1:14:44 | 1:14:48 | |
It would have to be a lot cheaper than that if I was to buy it. | 1:14:48 | 1:14:52 | |
The magazine rack, or Canterbury, as they're known, is one to bear in mind. Is anything else calling her? | 1:14:52 | 1:14:58 | |
So it's a flute. | 1:14:58 | 1:15:00 | |
These are very expensive to buy. | 1:15:00 | 1:15:03 | |
And unlike a violin, you can't really damage a flute, so it could be used again, couldn't it? | 1:15:04 | 1:15:10 | |
-PLAYS A NOTE -It's working. | 1:15:13 | 1:15:16 | |
I like it even more now. | 1:15:16 | 1:15:18 | |
-PLAYS HIGHER NOTE -It's getting really good. | 1:15:18 | 1:15:21 | |
Don't give up the day job, Margie. | 1:15:22 | 1:15:24 | |
So the bamboo magazine stand is £45 and the flute is £40. | 1:15:24 | 1:15:28 | |
Can the dealer do a good price? | 1:15:28 | 1:15:30 | |
If I had the two, | 1:15:30 | 1:15:33 | |
how...how do you feel about that? | 1:15:33 | 1:15:36 | |
I'm nowhere near that. | 1:15:36 | 1:15:38 | |
I was thinking of... | 1:15:38 | 1:15:40 | |
..£20 for the rack | 1:15:41 | 1:15:44 | |
and £25 for the flute. | 1:15:44 | 1:15:46 | |
Is that pushing you too hard...? | 1:15:46 | 1:15:49 | |
Yeah, OK, so we're down to 55, which is very kind of you. | 1:15:49 | 1:15:53 | |
And I've said 45. | 1:15:53 | 1:15:55 | |
Can we meet in the middle and do the deal? | 1:15:55 | 1:15:58 | |
I'd much rather be facing you, but if we can say 50 for the two, I'd be very pleased to go ahead. | 1:15:58 | 1:16:04 | |
And it is cash. | 1:16:04 | 1:16:06 | |
You're going to go for it. | 1:16:07 | 1:16:10 | |
Oh, that's very sweet. | 1:16:10 | 1:16:12 | |
Great stuff. So I can go ahead with the lady here? | 1:16:12 | 1:16:15 | |
Oh, gosh! | 1:16:15 | 1:16:17 | |
£50 for the two. That's got to be all right, hasn't it? | 1:16:17 | 1:16:21 | |
Two more items successfully bought and Margie's shopping is done and dusted. | 1:16:21 | 1:16:27 | |
-Right, thank you very much. -Thank you very much. -Fantastic. | 1:16:27 | 1:16:31 | |
A lot of kissing going on! | 1:16:31 | 1:16:34 | |
Across Dorchester, Mark's come to his very last shop of the day, | 1:16:34 | 1:16:38 | |
a large warehouse filled with all things vintage and unusual. | 1:16:38 | 1:16:42 | |
That's rather nice, isn't it? | 1:16:42 | 1:16:44 | |
The sort of thing Margie would go for. | 1:16:44 | 1:16:47 | |
Oh, you meanie! Talking of which, you've still got over £200 waiting to be spent. Get a move on! | 1:16:47 | 1:16:53 | |
# Money | 1:16:53 | 1:16:56 | |
# Burns a hole in my pocket... # | 1:16:56 | 1:16:59 | |
Perhaps proprietors Dean and Martin can dig something out to tempt you, Mark. | 1:16:59 | 1:17:05 | |
What have we got in here? Anything of interest? | 1:17:05 | 1:17:08 | |
-The old pinball machine there, that's a treasure. -That looks very interesting. | 1:17:08 | 1:17:14 | |
You know me, I like a challenge. | 1:17:14 | 1:17:17 | |
And my goodness, this is a challenge! | 1:17:17 | 1:17:19 | |
Because first of all, I have never bought or thought of buying a pinball machine. | 1:17:19 | 1:17:24 | |
Actually, Mark, this is a vintage pachinko machine, most likely from the 1970s, | 1:17:24 | 1:17:31 | |
similar to pinball, but you play it without flippers and many more balls. | 1:17:31 | 1:17:36 | |
It's still a phenomenally popular game in Japan, | 1:17:36 | 1:17:39 | |
making an annual turnover double that of the entire Japanese car industry. | 1:17:39 | 1:17:45 | |
There is something intriguing about it. I just want a bit of fun. | 1:17:45 | 1:17:49 | |
Like Cyndi Lauper, I just want to have a bit of fun. | 1:17:49 | 1:17:53 | |
For all I know, this could be the rarest model of Japanese pinball machine that could be worth £1,000. | 1:17:53 | 1:18:00 | |
On the other hand, it could be the most common and it's worth £30 or £40. | 1:18:00 | 1:18:05 | |
Brace yourself. The machine's ticket price is a hefty £300. | 1:18:05 | 1:18:09 | |
How much am I going to have to pay for this? | 1:18:09 | 1:18:12 | |
As little as possible because I don't know what it's worth, | 1:18:12 | 1:18:16 | |
but come on my journey with me and give me a round of applause if I get it. | 1:18:16 | 1:18:21 | |
I'm not sure if applause is appropriate, so will Dean and Martin strike a wizard deal? | 1:18:21 | 1:18:27 | |
-145, Mark, come on. -You couldn't go to 130? | 1:18:27 | 1:18:30 | |
Cut the deal at 140 and we're done. | 1:18:30 | 1:18:33 | |
-He's a hard man. -What am I going to do? I'm mad. | 1:18:34 | 1:18:38 | |
I don't know anything about it, but I just think it's so retro, isn't it? | 1:18:38 | 1:18:43 | |
I think I'm crazy, but you only live life once | 1:18:43 | 1:18:46 | |
and I'm going to make a massive profit on this at £140. | 1:18:46 | 1:18:50 | |
-Lovely. -Thank you very much indeed. -Cheers. | 1:18:50 | 1:18:53 | |
Where's the money? | 1:18:57 | 1:18:59 | |
LAUGHTER | 1:18:59 | 1:19:01 | |
He's either utterly foolhardy or devastatingly clever. I don't know which. | 1:19:01 | 1:19:07 | |
-Thanks a lot. -Thanks very much. -Good to meet you. Wish me luck. | 1:19:07 | 1:19:11 | |
So with the last purchase in the bag, | 1:19:11 | 1:19:14 | |
it's time for our dear experts to reveal to each other what they've bought. | 1:19:14 | 1:19:19 | |
Oh! Oh, very nice. | 1:19:19 | 1:19:22 | |
First up, Mark's Chinese stool. Or is it? | 1:19:22 | 1:19:25 | |
Is it a stool or a table? | 1:19:25 | 1:19:28 | |
-It's a... -A little table? -I think it is a table. | 1:19:28 | 1:19:31 | |
-I sat on it and it takes my weight, so it's quite strong. -I love it. | 1:19:31 | 1:19:36 | |
-The boy's done well. How much? -£50. -Oh, fine. | 1:19:36 | 1:19:40 | |
-Is that a hit? -It's a hit. I'll open my treasure chest. | 1:19:40 | 1:19:43 | |
-Yes, quite. -Here it comes. | 1:19:43 | 1:19:46 | |
-Oh! -A little... | 1:19:48 | 1:19:50 | |
I think that's rather sweet, a little sort of Canterbury... | 1:19:50 | 1:19:54 | |
-It's a small magazine rack. -Age? -About the same as you(!) | 1:19:54 | 1:19:58 | |
-1900. -I think it might be a bit earlier. -1890? -Yeah, I like it, Margie. Did you pay a lot? | 1:19:58 | 1:20:04 | |
-25. -Oh, I think that's very reasonable. | 1:20:04 | 1:20:08 | |
Will Margie be charmed by Mark's glass urn? | 1:20:08 | 1:20:11 | |
I just thought anybody with a nice retro or a nice Georgian house would love that for their sideboard. | 1:20:11 | 1:20:18 | |
-I really like it. -I thought it was very "you". | 1:20:18 | 1:20:21 | |
-Very elegant. -Yeah, that's what I meant. | 1:20:21 | 1:20:24 | |
Oh, darling! | 1:20:24 | 1:20:26 | |
-So how much? -£35. -That's OK, isn't it? | 1:20:26 | 1:20:31 | |
-I thought 50, 55 on a good day. -CLINKING SOUND | 1:20:31 | 1:20:35 | |
That rang a bell. More glass now. Margie's this time. | 1:20:35 | 1:20:39 | |
-Oh, I love it, a snake. -I know. -Where did you get that from? | 1:20:39 | 1:20:43 | |
It's ice glass. I thought it was crizzled, but it's not. | 1:20:43 | 1:20:47 | |
It's lovely to have three. That would grace anyone's dining table. | 1:20:47 | 1:20:51 | |
And that snake is very nicely decorated. | 1:20:51 | 1:20:54 | |
-It's cranberry, isn't it? -Probably. | 1:20:54 | 1:20:56 | |
-What did you pay? -Are you ready? -Yeah. | 1:20:56 | 1:20:59 | |
£38. | 1:20:59 | 1:21:02 | |
-For the three? -Yeah. -That's ridiculous. | 1:21:02 | 1:21:04 | |
-I can see those making £100. -Ah! -Unless they get broken before we get to the saleroom. | 1:21:04 | 1:21:10 | |
Do I sense the old green-eyed monster there, Mark? | 1:21:10 | 1:21:13 | |
-Those are really nice. No damage. -They're quite nicely modelled. | 1:21:13 | 1:21:19 | |
And there's quite a quirky charm to the faces of the newts. | 1:21:19 | 1:21:23 | |
-We're doing quite well today. -I hope so. | 1:21:23 | 1:21:26 | |
-So how much? -£30 for the pair. -Oh, golly gee! | 1:21:26 | 1:21:30 | |
-There's got to be a profit, hasn't there? -I hope so. | 1:21:30 | 1:21:33 | |
Can Margie whistle up some enthusiasm for her next item? | 1:21:33 | 1:21:37 | |
Even to have on the table as decoration. | 1:21:37 | 1:21:41 | |
So many of my friends in Brighton have got one of these on their table as decoration(!) | 1:21:41 | 1:21:48 | |
I'm saying, if you don't want to play it, I've put it all together and we've had a bit of a blow on it. | 1:21:48 | 1:21:54 | |
-You've had a blow on it? -To make sure it's working. | 1:21:54 | 1:21:57 | |
-£25? -Bargain. -Right. Job done. | 1:21:57 | 1:22:01 | |
Now, don't get too smug there, Mark. | 1:22:01 | 1:22:03 | |
LAUGHTER | 1:22:04 | 1:22:07 | |
-It's a seesaw, isn't it? -That is so sweet. | 1:22:07 | 1:22:11 | |
-I thought it was such a lovely piece of vintage. -£10? -A little bit more. -12? | 1:22:11 | 1:22:16 | |
£13.50. | 1:22:16 | 1:22:18 | |
You obviously drove a hard bargain! | 1:22:18 | 1:22:21 | |
-How about that? -Let me look. -It's a water filter, as you know. -I know what it is. | 1:22:21 | 1:22:27 | |
-1880-ish. -Yes. I love the children. Are they satyrs? -It's classical, isn't it? | 1:22:27 | 1:22:32 | |
-That is rather sweet. -I thought this was really quite a nice thing. | 1:22:32 | 1:22:36 | |
And it had a price tag of 160 on it. | 1:22:36 | 1:22:39 | |
-Gosh, that's a lot. -Yeah. -Lovely quality. -Yeah. | 1:22:39 | 1:22:43 | |
-55. -Gosh, that sounds terribly reasonable. | 1:22:43 | 1:22:46 | |
-It ought to make £100, £120. It's worth that. -Yeah. | 1:22:46 | 1:22:51 | |
-Are you ready for this? -I am ready. -I don't think you are, Margie. | 1:22:51 | 1:22:55 | |
-Oh, my gosh! -Told you. | 1:22:55 | 1:22:58 | |
-It's a wall-mounted pinball machine. -Oh, my goodness! -Japanese. | 1:22:58 | 1:23:03 | |
-Does it work? -I haven't the faintest idea. We can't plug it in. | 1:23:03 | 1:23:08 | |
-Don't you think it's fabulous? -Well, yeah, it is. It's very interesting. | 1:23:08 | 1:23:12 | |
-Tell me how much first. -I don't want to tell you. -You've paid a lot? | 1:23:12 | 1:23:17 | |
If I say it quickly, it might not sound bad. £140. | 1:23:17 | 1:23:20 | |
-It's a gamble, isn't it? -Do you know the market? -No. -Neither do I. | 1:23:21 | 1:23:26 | |
-I can't wait for the auction. -I can't. -I really can't. | 1:23:26 | 1:23:30 | |
We've really got some... ridiculous items, haven't we? | 1:23:30 | 1:23:34 | |
So come on then. What do they really think? | 1:23:34 | 1:23:38 | |
The Doulton water filter, I noticed a few chips around the rim. I don't know if it'll make much of a profit. | 1:23:38 | 1:23:45 | |
His Chinese little table is OK, but it's not fantastic quality. | 1:23:45 | 1:23:49 | |
Maybe he's in for £20, £30 on that. | 1:23:49 | 1:23:52 | |
I'm really pleased with mine. I'd rather have my lots than his, but I would say that! | 1:23:52 | 1:23:57 | |
The fourth leg of this road trip began in the village of Burley, Hampshire, | 1:23:57 | 1:24:02 | |
and will conclude at the auction in Sherborne, Dorset. | 1:24:02 | 1:24:06 | |
Margie's been a loser so far this week, but Mark is keeping her spirits up. | 1:24:06 | 1:24:11 | |
What can go wrong? | 1:24:11 | 1:24:13 | |
Quite a lot, actually. | 1:24:13 | 1:24:16 | |
Margie Cooper spent exactly £143 on four auction lots, | 1:24:21 | 1:24:25 | |
including a set of three ice glass compote dishes, | 1:24:25 | 1:24:29 | |
a small bamboo Canterbury and a silver-plated flute... | 1:24:29 | 1:24:32 | |
PLAYS NOTE | 1:24:32 | 1:24:34 | |
..whereas Mark Stacey pushed the boat out by spending £268.50 on five auction lots, | 1:24:35 | 1:24:41 | |
including a vintage Japanese pachinko machine, | 1:24:41 | 1:24:46 | |
a pair of Art Deco style pink vases | 1:24:46 | 1:24:48 | |
and an oriental stool. | 1:24:48 | 1:24:51 | |
I might take a long boat to China! | 1:24:51 | 1:24:53 | |
Charterhouse Auction House is the theatre of dreams today, | 1:24:53 | 1:24:57 | |
so what does our auctioneer Richard Bromell make of our experts' choices? | 1:24:57 | 1:25:03 | |
The Japanese pinball machine, there's a lot of plastic in it, it won't be dear, but someone will enjoy it. | 1:25:03 | 1:25:09 | |
The chinoiserie-decorated Canterbury, great fun. Where do you put your Country Life? | 1:25:09 | 1:25:14 | |
I think there'll be a reasonable profit on that. It's a very good, useful item. | 1:25:14 | 1:25:20 | |
Settle down, everyone. It's time for the auction to begin. | 1:25:20 | 1:25:23 | |
-I don't want to even look, Margie. -Be brave. | 1:25:23 | 1:25:27 | |
Margie's first under the hammer with her Doulton water filter. | 1:25:27 | 1:25:31 | |
Straight in at £20. At £20. 5. 30. | 1:25:31 | 1:25:35 | |
5. 40. 5. 50. | 1:25:35 | 1:25:37 | |
60. £60 in the third row. | 1:25:37 | 1:25:39 | |
£60 seated third row. Selling this time at 60, at 60... | 1:25:39 | 1:25:43 | |
I think that was very good. | 1:25:44 | 1:25:47 | |
It's a profit, but after the auction house takes off their commission, only a small one. | 1:25:47 | 1:25:52 | |
-I thought it was going to go for about 80 to 90. -Yeah, well, think again. | 1:25:52 | 1:25:57 | |
Both experts have gambled on glass, | 1:25:58 | 1:26:00 | |
so let's see how Mark's urn gets on. | 1:26:00 | 1:26:03 | |
Straight in here at £20. 20. 5. 30. 5. | 1:26:03 | 1:26:06 | |
40. 5. 50. 60. 70. | 1:26:06 | 1:26:09 | |
Against the internet at £70. | 1:26:09 | 1:26:12 | |
Selling, going away at £70, this time at 70... | 1:26:12 | 1:26:16 | |
-That's fantastic. -It's a reasonable start. | 1:26:16 | 1:26:20 | |
It looks like it paid off - a solid profit for Mark. | 1:26:20 | 1:26:24 | |
-That's cheered you up? -I've doubled my money, yeah. Thanks, Margie. | 1:26:24 | 1:26:28 | |
Now, will anyone succumb | 1:26:28 | 1:26:30 | |
to the temptations of that cranberry snake? | 1:26:30 | 1:26:33 | |
40. 5. 50. 60. £60 I have now and I'm out. | 1:26:33 | 1:26:37 | |
70. 80. 90. | 1:26:37 | 1:26:39 | |
Selling away this time at 90... | 1:26:39 | 1:26:42 | |
-Great. -I was close. | 1:26:43 | 1:26:45 | |
-I said 100. -Yes, spot-on! | 1:26:45 | 1:26:48 | |
An excellent profit for Margie, her best this week so far. | 1:26:48 | 1:26:52 | |
-That's my best one yet. -That's a good profit. -Yeah. | 1:26:52 | 1:26:56 | |
And I needed it. | 1:26:56 | 1:26:58 | |
Yes, you guessed it, more glass. Mark's this time. | 1:27:00 | 1:27:04 | |
-20. 5. 30. £30 I have. -Oh, come on. -£30. | 1:27:04 | 1:27:07 | |
£30 and away now. 5. 40. At £40 now. You're out at the back at £40. | 1:27:07 | 1:27:11 | |
Here selling, going away this time at £40, at 40... | 1:27:11 | 1:27:15 | |
-Can't be bad. -Disappointing. | 1:27:15 | 1:27:17 | |
It's a profit, but Mark clearly hoped for more. | 1:27:17 | 1:27:21 | |
I'm disappointed with those. | 1:27:21 | 1:27:23 | |
I would have liked those to have done a bit more. | 1:27:23 | 1:27:27 | |
Anyone want to learn the flute out there? | 1:27:27 | 1:27:31 | |
I'm straight in at £15. Here at £15. 20. 5. | 1:27:31 | 1:27:34 | |
30. 5. At £35. Against the internet there at £35. | 1:27:34 | 1:27:38 | |
-Oh, no. -40 at the back now, thank you. £40 standing. £40 standing. | 1:27:38 | 1:27:42 | |
Done, going, selling this time away at 40, at 40... | 1:27:42 | 1:27:46 | |
I thought that might have done a bit more actually, don't you? | 1:27:46 | 1:27:50 | |
It certainly played to someone's tune. | 1:27:50 | 1:27:53 | |
It's a profit. You're not used to those sort of things. | 1:27:53 | 1:27:56 | |
So be grateful. Don't get carried away. | 1:27:58 | 1:28:01 | |
Cheeky! Now, will Mark's pachinko machine hit the jackpot? | 1:28:03 | 1:28:07 | |
£50, the pinball machine? £50 and away for it? | 1:28:07 | 1:28:11 | |
50? £50 and away? 50? | 1:28:11 | 1:28:13 | |
-30 to start it? -Oh, no. -£30, the pinball machine? | 1:28:13 | 1:28:17 | |
Internet bid at 30. £30 I have now. £35 I have. | 1:28:17 | 1:28:20 | |
New bidder at 35. 40. 5. | 1:28:20 | 1:28:22 | |
At £45 I have. At £45 I have. £45. 50. 60. | 1:28:22 | 1:28:27 | |
-It's going up on the internet. -At £60. -Come on, a bit more. | 1:28:27 | 1:28:32 | |
-It's the internet. -Selling at 60, at 60... | 1:28:32 | 1:28:36 | |
-Oh, dear. -Oh, no. | 1:28:36 | 1:28:38 | |
£80 down! | 1:28:38 | 1:28:40 | |
It was a gamble, Mark, and you lost. Big time! | 1:28:40 | 1:28:44 | |
I did it as a favour. I wanted to come down to your level again. | 1:28:44 | 1:28:49 | |
I want to give you a chance. | 1:28:49 | 1:28:51 | |
Can Margie keep the momentum going with her bamboo Canterbury? | 1:28:51 | 1:28:57 | |
15. 20. 5. 30. 5. At 35... 40. | 1:28:57 | 1:29:00 | |
-5. 50. £50 and I'm out. -You've doubled your money. | 1:29:00 | 1:29:04 | |
At £50, the internet is out. It's seated right there at 50, at 50... | 1:29:04 | 1:29:08 | |
-Well done. You've doubled your money. -I have. Bless it! | 1:29:08 | 1:29:11 | |
Margie is making steady, good profits. Watch out, Mark! | 1:29:11 | 1:29:16 | |
You've had a very good day. Are you pleased? | 1:29:16 | 1:29:19 | |
-I'm getting there. -You are. | 1:29:19 | 1:29:21 | |
Mark's tin horse is up next. | 1:29:21 | 1:29:23 | |
Internet, £10 I have. At 10. £10, the maiden bid. | 1:29:23 | 1:29:27 | |
-10. 15. 20. £20 and away now... -It's a profit. | 1:29:27 | 1:29:31 | |
-Come on. -25. Still on the net at 25. | 1:29:31 | 1:29:34 | |
At £25 I have. At 25. Internet bid at 25. 30. | 1:29:34 | 1:29:38 | |
-Selling, going away at 30, at 30... -That's all right. | 1:29:38 | 1:29:41 | |
That's what I thought, that's what I hoped for. I hoped for £30. | 1:29:41 | 1:29:46 | |
Straight past the finishing post. Well done, Mark. | 1:29:46 | 1:29:49 | |
I'm clawing my way back, but I've only got one lot to claw with. | 1:29:49 | 1:29:53 | |
And it's you up next, Mark, | 1:29:53 | 1:29:55 | |
with the last lot of the day - | 1:29:55 | 1:29:58 | |
the Chinese table or stool or whatever it is. | 1:29:58 | 1:30:01 | |
£50 and away for it? 50? 30 for it? 30 bid, thank you. At 30. | 1:30:01 | 1:30:05 | |
5. 40. 5. 50. 60. | 1:30:05 | 1:30:07 | |
The bid is at the back at 60. | 1:30:07 | 1:30:09 | |
-I'm out now. In the room at £60. -Where's the net? | 1:30:09 | 1:30:13 | |
Selling away at 60, at 60... | 1:30:13 | 1:30:15 | |
Nope. | 1:30:15 | 1:30:17 | |
Well, it didn't save me, did it? | 1:30:18 | 1:30:21 | |
No, your dragons failed to set the auction alight. | 1:30:21 | 1:30:25 | |
I'm glad to get out of here. That's me done. | 1:30:26 | 1:30:29 | |
You might feel a bit glum, Mark, and no surprise. You've been well and truly beaten by Margie today. | 1:30:29 | 1:30:36 | |
Mark Stacey started this leg with £337.16, | 1:30:37 | 1:30:41 | |
but his gamble on that pachinko machine meant he made a crushing loss of £55.30. | 1:30:41 | 1:30:48 | |
That leaves him with £281.86 to take forward tomorrow... | 1:30:48 | 1:30:53 | |
..whereas Margie Cooper began with £192.06 | 1:30:54 | 1:30:59 | |
and made a profit of £53.80 after auction costs. | 1:30:59 | 1:31:03 | |
That makes her today's winner and gives her £245.86 to spend tomorrow. | 1:31:03 | 1:31:09 | |
Well done, Margie. | 1:31:09 | 1:31:11 | |
-Gosh! So it's all down to tomorrow. -Tomorrow is another day. | 1:31:12 | 1:31:16 | |
Join us tomorrow as Margie goes on the offensive. | 1:31:18 | 1:31:22 | |
-All right, 15 quid. -A tenner? -Stop whining. No. | 1:31:22 | 1:31:25 | |
And Mark finds a friend for life. | 1:31:25 | 1:31:28 | |
Go to sleep, little froggie. | 1:31:28 | 1:31:31 | |
Subtitles by Subtext for Red Bee Media Ltd 2012 | 1:31:51 | 1:31:55 |