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The nation's favourite antique experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you, or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money | 0:00:08 | 0:00:10 | |
buying and selling antiques as they scour the UK? | 0:00:10 | 0:00:12 | |
I must be mad. | 0:00:12 | 0:00:13 | |
The aim is to trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks, | 0:00:17 | 0:00:19 | |
-and dreams of glory can end in tatters. -What am I going to do? | 0:00:19 | 0:00:22 | |
So, will it be the fast lane to success, or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
I should have kept my money in my pocket. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
All this week, we're on the road with two lovable antiques experts, | 0:00:37 | 0:00:41 | |
Margie Cooper and Mark Stacey. | 0:00:41 | 0:00:44 | |
Look at the cows. Oh no, they're horses! | 0:00:44 | 0:00:47 | |
Margie is a road trip rookie, | 0:00:47 | 0:00:50 | |
but as a specialist dealer in silver with years of experience | 0:00:50 | 0:00:54 | |
under her top hat, she knows how to drive a hard bargain, oh yes. | 0:00:54 | 0:00:58 | |
-That's a really nice thing. -That can be £470, if you'd like it. | 0:00:58 | 0:01:03 | |
On the other hand, fellow dealer Mark Stacey knows exactly what to snap up. | 0:01:03 | 0:01:08 | |
Vintage nutcrackers. But I won't be cracking my nuts with them. | 0:01:08 | 0:01:12 | |
Ha! And at the moment, his road trip know-how has put him firmly in the lead. | 0:01:12 | 0:01:17 | |
We've given it our best shot. | 0:01:17 | 0:01:19 | |
Well, you've done really well. I gave it my best shot and lost. | 0:01:19 | 0:01:23 | |
From his original £200, | 0:01:25 | 0:01:27 | |
Mark now has £257.02 to spend, spend, spend! | 0:01:27 | 0:01:33 | |
Whereas Margie has made losses at both auctions so far, | 0:01:33 | 0:01:37 | |
shrinking her original £200 to a worrying £162.46. | 0:01:37 | 0:01:43 | |
What a look! | 0:01:43 | 0:01:45 | |
This week's journey began in Chilham, Kent | 0:01:47 | 0:01:51 | |
and travels nearly 250 miles westwards, | 0:01:51 | 0:01:54 | |
across southern England to the final decider in Torquay, Devon. | 0:01:54 | 0:02:00 | |
Today's leg begins in Sawbridgeworth in Hertfordshire, | 0:02:00 | 0:02:03 | |
skirts round Greater London | 0:02:03 | 0:02:05 | |
and ends up with an auction showdown in Chippenham, Wiltshire. | 0:02:05 | 0:02:09 | |
Despite the drizzle, our two bosom buddies are getting on famously, | 0:02:09 | 0:02:14 | |
speeding along in their snazzy little 1960 MGC. | 0:02:14 | 0:02:18 | |
-What a day. -It's not getting any better, is it? | 0:02:18 | 0:02:22 | |
-Look at it, now we've got the rain. -Are you in second gear? -Yes. | 0:02:22 | 0:02:27 | |
-Are you listening to a word I'm saying? -Yes, I am! | 0:02:27 | 0:02:31 | |
The small town of Sawbridgeworth boomed in the 16th century, | 0:02:31 | 0:02:35 | |
thanks to its proximity to the river Stort, | 0:02:35 | 0:02:38 | |
which enabled a roaring trade in malt. | 0:02:38 | 0:02:42 | |
Two antiques centres next door to each other! | 0:02:42 | 0:02:45 | |
-Which do you fancy? -The blue one. -The blue one? | 0:02:45 | 0:02:48 | |
-I'm going to go there, but I will be in later, so don't take all day about it. -Good luck. | 0:02:48 | 0:02:53 | |
So, one gigantic antiques centre each - | 0:02:53 | 0:02:57 | |
that should be enough for anyone. | 0:02:57 | 0:02:59 | |
Sometimes, a choice like this is enough to make you long for less. | 0:02:59 | 0:03:02 | |
# More, more, more | 0:03:02 | 0:03:04 | |
# How do you like it? How do you like it? | 0:03:04 | 0:03:07 | |
# More, more, more... # | 0:03:07 | 0:03:09 | |
My word, gosh, you need hours and hours. | 0:03:09 | 0:03:13 | |
We don't have a week and a half, we only have a few hours and | 0:03:13 | 0:03:16 | |
there must be 500 cabinets at least throughout this antiques centre. | 0:03:16 | 0:03:20 | |
# How do you like it? How do you like it? # | 0:03:20 | 0:03:23 | |
More and more and more! | 0:03:23 | 0:03:24 | |
How many dealers do you have here? | 0:03:24 | 0:03:26 | |
Er... | 0:03:26 | 0:03:28 | |
-About 250 in this centre. -Good Lord. | 0:03:28 | 0:03:32 | |
SHE WHISTLES | 0:03:32 | 0:03:34 | |
Can you hear my nervous whistle? | 0:03:34 | 0:03:37 | |
Shirley owns both antiques centres, lucky girl. | 0:03:37 | 0:03:41 | |
So perhaps she can shine a light on one of the cheaper items | 0:03:41 | 0:03:45 | |
Mark's just spotted. | 0:03:45 | 0:03:47 | |
A ring - I don't suppose that's gold? For five pounds, is it? | 0:03:47 | 0:03:51 | |
Do you know what? I think not! | 0:03:51 | 0:03:52 | |
-But it's always worth having a quick look, isn't it? -You never know. | 0:03:52 | 0:03:57 | |
No, the only word it says on there is, "you're a fool, Mark". | 0:03:57 | 0:04:02 | |
No, it doesn't! No, it's just says "LUZO" - L-U-Z-0. | 0:04:02 | 0:04:07 | |
So at least it's not "loser"! | 0:04:07 | 0:04:09 | |
THEY LAUGH | 0:04:09 | 0:04:10 | |
No gold there, then. So, will this float his boat? | 0:04:10 | 0:04:14 | |
You know the story of Noah and the Ark | 0:04:14 | 0:04:16 | |
and the animals went in two by two? | 0:04:16 | 0:04:19 | |
You can get some old antique ones made in Germany which are very sought after. | 0:04:19 | 0:04:23 | |
This is not particularly old, it's probably about 1960s, '70s, | 0:04:23 | 0:04:27 | |
by the looks of it, but it's just rather fun. | 0:04:27 | 0:04:30 | |
They've used all different woods | 0:04:30 | 0:04:32 | |
for the actual animals - that's a sort of camel. | 0:04:32 | 0:04:36 | |
If I buy this and it makes a lot of money, Margie might get the hump(!) | 0:04:36 | 0:04:40 | |
SHE SNIGGERS | 0:04:40 | 0:04:42 | |
-Or crocodile tears! -Or crocodile tears. Indeed! | 0:04:42 | 0:04:46 | |
That might be me, when it sells for a fiver. | 0:04:46 | 0:04:48 | |
But it is quite a lot of money, isn't it? £30. | 0:04:48 | 0:04:51 | |
-Who owns this, Shirley? -A lady. -Is she a kind-hearted lady? | 0:04:51 | 0:04:57 | |
-Ooh, I'm not sure how kind-hearted. -That's not what I wanted to hear. | 0:04:57 | 0:05:02 | |
-Have you got a figure in mind? -Yes, but she won't like it. | 0:05:04 | 0:05:07 | |
Nor will I, I'm sure. All that hard work, all that labour. | 0:05:07 | 0:05:12 | |
-All that sawing of those little animals. -Nice try, Shirley. | 0:05:14 | 0:05:18 | |
-But Mark's not having it. Time to call the dealer. -Hold on. | 0:05:18 | 0:05:23 | |
-She'd like to talk to you. -(What's her name?) -Valerie. -Hello, Valerie. How are you? | 0:05:23 | 0:05:28 | |
I was hoping to get it for around 15, is that possible? Are you sure? | 0:05:28 | 0:05:35 | |
Oh, you are an angel, thank you so much. | 0:05:35 | 0:05:38 | |
-Thanks. -See, I should have said ten! -Did he charm you? -There's no pleasing some people. | 0:05:39 | 0:05:44 | |
How's Margie getting on? | 0:05:44 | 0:05:46 | |
That piece down there is a centrepiece, that's silver plate. | 0:05:46 | 0:05:50 | |
-That's missing the glass. -It was black when I got it, | 0:05:50 | 0:05:52 | |
-now I've had it all cleaned up and nice. -It's had a lovely glass vase. | 0:05:52 | 0:05:56 | |
Yes, that's right - on top of there. | 0:05:56 | 0:05:58 | |
So it's a table centrepiece, in silver plate. | 0:05:58 | 0:06:01 | |
Very nicely cast, nice quality. Sort of late Victorian, early 20th century? | 0:06:01 | 0:06:07 | |
-You've got 45 on it. -Since it's for you, this sounds terrible, 30. -30? | 0:06:07 | 0:06:15 | |
-Mm. 30. -I quite like that, Alan. -All right then. | 0:06:15 | 0:06:19 | |
That's one to think about. Plenty more to see, though. | 0:06:19 | 0:06:24 | |
Here's a case full of more silver - that should make Margie very happy. | 0:06:24 | 0:06:28 | |
This is a very nice little Victorian silver brooch. | 0:06:28 | 0:06:31 | |
They're not uncommon, but I like this, because it's chunky. | 0:06:31 | 0:06:34 | |
It's in good condition, it's got a nice, crisp hallmark on the back. | 0:06:34 | 0:06:38 | |
Even the locket at the back looks OK. Probably around 1885, 1890. | 0:06:38 | 0:06:45 | |
It's £23. | 0:06:45 | 0:06:46 | |
So if they'll ease the price on that, I think... Can't lose, can it? | 0:06:46 | 0:06:52 | |
Yeah, I'll get Nick and see if we can get the price down on that. | 0:06:52 | 0:06:57 | |
-We can do it for 18. -Not 15? | 0:06:57 | 0:06:59 | |
-No, I'm afraid not, the very best we can do is 18. -Yeah. | 0:06:59 | 0:07:03 | |
-Oh, go on then. -All right. Thank you very much. | 0:07:03 | 0:07:06 | |
As for Mark, well - he's going to give next door a try. | 0:07:08 | 0:07:12 | |
Normally I have a problem with things actually saying "buy me". | 0:07:12 | 0:07:16 | |
Today I'm not having that problem. | 0:07:16 | 0:07:19 | |
You have to admire his determination, though. | 0:07:19 | 0:07:22 | |
Come on, Mark, we've got to be sensible. | 0:07:23 | 0:07:26 | |
We've got to be very, very sensible. | 0:07:26 | 0:07:28 | |
How about this bit of German metalware, Mark? | 0:07:28 | 0:07:33 | |
-Did you check the marks? -I have, look - you can see it there. | 0:07:33 | 0:07:35 | |
This basket was made by a large, | 0:07:35 | 0:07:39 | |
German company called Wurttembergische Metallwarenfabrik... | 0:07:39 | 0:07:45 | |
Known for good reason as WMF, a huge producer of metal tableware. | 0:07:45 | 0:07:50 | |
Of course the problem is that the plate has come off, | 0:07:50 | 0:07:54 | |
this would have all been silver plate, as you know. | 0:07:54 | 0:07:56 | |
-And what would we have found inside there? -A middle. -A glass liner. | 0:07:56 | 0:08:00 | |
-Mm-hm. -And what are the chances of finding a glass liner to go in there? | 0:08:00 | 0:08:04 | |
-You may be lucky, but I think you'd struggle. -I think you would struggle. | 0:08:04 | 0:08:09 | |
The basket is priced at £20. Will Shirley budge on the price? | 0:08:09 | 0:08:13 | |
I think you might squeeze £2, but is that going to buy it for you? | 0:08:13 | 0:08:16 | |
18 quid? | 0:08:16 | 0:08:17 | |
HE SIGHS | 0:08:17 | 0:08:19 | |
Well, I've got to buy something, haven't I? | 0:08:19 | 0:08:22 | |
You know what it's like, if it had been a vase | 0:08:22 | 0:08:25 | |
it wouldn't have been a problem. | 0:08:25 | 0:08:27 | |
Mind, you could still put your lemons in it. | 0:08:27 | 0:08:30 | |
Course, you can never have too many baskets for your lemons, can you? | 0:08:30 | 0:08:35 | |
-So, the deal is done at £18. -Thank you so much for all your help. | 0:08:35 | 0:08:39 | |
You're welcome. | 0:08:39 | 0:08:40 | |
Margie is on the hunt for more silver. Time to revisit the centrepiece. | 0:08:40 | 0:08:45 | |
-Alan, I'm back. -Right. -Have you had any sales while I've been away? | 0:08:46 | 0:08:51 | |
-No, not yet. -Oh, dear. So you're not in a good mood, then? | 0:08:51 | 0:08:54 | |
Perhaps she'll make your day, Alan. | 0:08:54 | 0:08:57 | |
-It was £45, without the glass in the top. -Yes. | 0:08:57 | 0:09:01 | |
-And you'll... -30. It should be yours, though, because it's your age. | 0:09:03 | 0:09:07 | |
THEY LAUGH | 0:09:07 | 0:09:09 | |
I'll do it for 25, but I can't come down any more. | 0:09:11 | 0:09:14 | |
Oh, bless you. | 0:09:14 | 0:09:16 | |
-I refuse to push you any more. -That's a pleasure. | 0:09:16 | 0:09:19 | |
Thank you very much. | 0:09:19 | 0:09:21 | |
Well done, Margie. Another one in the bag. | 0:09:21 | 0:09:24 | |
And with her shopping over today, | 0:09:24 | 0:09:27 | |
it's time to get back into the trusty MG. | 0:09:27 | 0:09:29 | |
She's travelling from Sawbridgeworth to the village of Great Missenden, | 0:09:31 | 0:09:36 | |
where one of our national treasures, | 0:09:36 | 0:09:38 | |
children's writer Roald Dahl lived for much of his life. | 0:09:38 | 0:09:42 | |
# Come with me and you'll be | 0:09:42 | 0:09:46 | |
# In a world of pure imagination... # | 0:09:46 | 0:09:50 | |
It's now the home to a museum celebrating his writing | 0:09:50 | 0:09:53 | |
and archivist Jane Branfield will show Margie around. | 0:09:53 | 0:09:57 | |
-Margie Cooper. -Lovely to meet you. | 0:09:57 | 0:09:59 | |
-What a fantastic job you've got. -Yes, welcome to the museum. | 0:09:59 | 0:10:02 | |
Roald Dahl is commonly recognised | 0:10:02 | 0:10:05 | |
as one of Britain's greatest writers, | 0:10:05 | 0:10:07 | |
especially for his children's stories - | 0:10:07 | 0:10:10 | |
books like Charlie And The Chocolate Factory, James And The Giant Peach, | 0:10:10 | 0:10:15 | |
Matilda and the BFG, | 0:10:15 | 0:10:17 | |
all illustrated by Dahl's long-time collaborator, Quentin Blake, | 0:10:17 | 0:10:21 | |
are still enjoyed by millions of children all over the world. | 0:10:21 | 0:10:25 | |
All his manuscripts are kept here, along with, well, one of his shoes. | 0:10:25 | 0:10:31 | |
It's Roald Dahl's actual Norwegian sandal that he wore. | 0:10:31 | 0:10:35 | |
And when he wrote The BFG, | 0:10:35 | 0:10:36 | |
he was originally going to be wearing sort of more military, black boots, | 0:10:36 | 0:10:42 | |
and when Quentin Blake was working on the illustrations, | 0:10:42 | 0:10:44 | |
they just weren't working terribly well. | 0:10:44 | 0:10:46 | |
-Right. -And then Roald sent this in the post to Quentin | 0:10:46 | 0:10:50 | |
-and this is what the BFG has worn ever since. -"How about these?" Oh, that's hilarious. | 0:10:50 | 0:10:55 | |
Dahl kept everything he wrote - | 0:10:55 | 0:10:57 | |
every version and reversion of his famous stories, | 0:10:57 | 0:11:01 | |
some of which could have turned out quite differently. | 0:11:01 | 0:11:04 | |
His first draft of Charlie And The Chocolate Factory, | 0:11:05 | 0:11:08 | |
he showed it to his nephew and apparently he said, | 0:11:08 | 0:11:12 | |
"I think it's rotten, Uncle Roald." | 0:11:12 | 0:11:13 | |
On the very final typescript, just as it's going off to be set, | 0:11:13 | 0:11:17 | |
he goes through the whole manuscript | 0:11:17 | 0:11:20 | |
and crosses out all these WhippleScrumpets | 0:11:20 | 0:11:22 | |
and writes "Oompa-Loompa" above them. | 0:11:22 | 0:11:24 | |
# Like the Oompa-Loompa do-ba-dee-do! # | 0:11:24 | 0:11:29 | |
Roald Dahl used to write in a hut at the end of his garden, | 0:11:31 | 0:11:34 | |
in a special chair, and the museum houses a replica of it. | 0:11:34 | 0:11:39 | |
So time now to sit comfortably. | 0:11:39 | 0:11:42 | |
Margie has a treat in store - a very early draft of the BFG. | 0:11:42 | 0:11:46 | |
This is the first page of the first draft manuscript of the BFG, | 0:11:46 | 0:11:50 | |
but it's about a little boy called Jody, | 0:11:50 | 0:11:52 | |
as opposed to a little girl called Sophie. | 0:11:52 | 0:11:56 | |
-So that never went into print? -No. | 0:11:56 | 0:11:57 | |
Fascinating to be here and see all this. | 0:11:57 | 0:12:00 | |
You know how the BFG has a particular vocabulary | 0:12:00 | 0:12:03 | |
-of made-up words? -Right, yeah. | 0:12:03 | 0:12:05 | |
Well, Roald made a whole dictionary of these strange words | 0:12:05 | 0:12:10 | |
that he was going to use. | 0:12:10 | 0:12:11 | |
"Skizzleswipe." "Pifflemuffer." | 0:12:11 | 0:12:15 | |
What's a Pifflemuffer? | 0:12:15 | 0:12:17 | |
-I don't know. -"Squiffler"? | 0:12:17 | 0:12:19 | |
Yes. | 0:12:19 | 0:12:20 | |
I don't know. What an imaginative... | 0:12:20 | 0:12:25 | |
slightly eccentric man. | 0:12:25 | 0:12:26 | |
Eccentric man? Ha! That reminds me of someone. | 0:12:27 | 0:12:32 | |
Ah, yes, there's our very own Big Friendly Giant, Mark Stacey. | 0:12:32 | 0:12:36 | |
He's travelling from Sawbridgeworth to St Albans | 0:12:36 | 0:12:39 | |
on the hunt for more treasure. | 0:12:39 | 0:12:42 | |
Nowadays, this is the place where many who work in the capital | 0:12:42 | 0:12:46 | |
choose to live, but during Roman times, the city, | 0:12:46 | 0:12:49 | |
named after the first Christian martyr, | 0:12:49 | 0:12:52 | |
was the second largest after Londinium. | 0:12:52 | 0:12:55 | |
Today, with St Albans being quite well-heeled, | 0:12:56 | 0:12:58 | |
it could be difficult to find a bargain, | 0:12:58 | 0:13:02 | |
but a seasoned antiques expert like Mark | 0:13:02 | 0:13:04 | |
should be able to squeeze a deal out of this shop. | 0:13:04 | 0:13:07 | |
Vintage treen nutcrackers. | 0:13:08 | 0:13:12 | |
Rather rude, aren't they? | 0:13:12 | 0:13:13 | |
I'll leave you to make your own jokes on those, all right? | 0:13:13 | 0:13:16 | |
I'll refrain on this occasion. | 0:13:16 | 0:13:18 | |
Oh, I see now, it's a pair of legs. | 0:13:18 | 0:13:21 | |
They are only £35, which is very reasonable for what they are. | 0:13:23 | 0:13:26 | |
But I won't be cracking my nuts with them, I'm afraid. | 0:13:27 | 0:13:30 | |
Really, Mark. You did promise. | 0:13:30 | 0:13:33 | |
Well, this is good. | 0:13:33 | 0:13:34 | |
There's no price on them, so they're free. | 0:13:34 | 0:13:37 | |
I like free things. | 0:13:37 | 0:13:39 | |
They're a pair of oil-on-canvases. | 0:13:39 | 0:13:41 | |
And they're purported to be a sort of naive school. | 0:13:42 | 0:13:46 | |
I mean, looking at the costumes the people are wearing, | 0:13:46 | 0:13:48 | |
they're going to be sort of mid-19th-century. | 0:13:48 | 0:13:51 | |
Josie. I don't know what it is, I think it's the naivety of them | 0:13:51 | 0:13:54 | |
that I quite like. | 0:13:54 | 0:13:56 | |
But I do need to buy them at the right price. | 0:13:56 | 0:13:59 | |
The very, very bottom would be 80 for the pair. | 0:13:59 | 0:14:02 | |
OK. I just think that 80 might just be a little too much for me, really. | 0:14:02 | 0:14:06 | |
But I would love to have them for 60. | 0:14:06 | 0:14:09 | |
I know that's another £20 off, but what do you think about that? | 0:14:09 | 0:14:15 | |
I don't think we can go that low. | 0:14:15 | 0:14:16 | |
Perhaps we can meet you somewhere in the middle? | 0:14:16 | 0:14:19 | |
-62? -75? | 0:14:19 | 0:14:21 | |
-75?! -THEY BOTH LAUGH | 0:14:21 | 0:14:23 | |
I love "the middle". Well, let's shake hands at 70. | 0:14:23 | 0:14:27 | |
-70. All right. -Happy with that? -We'll do 70. -Lovely. Thank you. | 0:14:27 | 0:14:30 | |
Success for Mark at last. | 0:14:30 | 0:14:32 | |
Well, it's the end of the day, | 0:14:32 | 0:14:34 | |
and time for our dear experts to lay down their sleepy heads. | 0:14:34 | 0:14:37 | |
Day two finds our gruelling duo back on the road, raring to get shopping. | 0:14:43 | 0:14:48 | |
Margie's been a bit on the back foot, but it's still anyone's game. | 0:14:48 | 0:14:53 | |
Yesterday, Margie spent just £43 on two lots - | 0:14:54 | 0:14:58 | |
the Victorian silver brooch | 0:14:58 | 0:15:00 | |
and the Victorian silver-plated centrepiece - | 0:15:00 | 0:15:03 | |
leaving her with £119.46 to spend today. | 0:15:03 | 0:15:07 | |
Thank you very much, and I hope you win. | 0:15:07 | 0:15:10 | |
Whilst Mark spent £103 on three lots - | 0:15:10 | 0:15:13 | |
the wooden Noah's Ark with figures, | 0:15:13 | 0:15:15 | |
the WMF silver-plated basket | 0:15:15 | 0:15:18 | |
and the pair of 19th-century naive oil paintings... | 0:15:18 | 0:15:22 | |
What have I done? | 0:15:22 | 0:15:23 | |
..leaving him with £154.02 for the day ahead. | 0:15:23 | 0:15:28 | |
Our sparring partners have left St Albans in the dust, | 0:15:28 | 0:15:31 | |
and are heading for the market town of Farnham. | 0:15:31 | 0:15:34 | |
And Mark's going to reveal something about this place | 0:15:34 | 0:15:37 | |
that we didn't know. | 0:15:37 | 0:15:38 | |
This is a trip down memory lane for me, | 0:15:38 | 0:15:41 | |
cos about 27 years ago, | 0:15:41 | 0:15:43 | |
I started my antiques career off in the antiques centre we're going to. | 0:15:43 | 0:15:48 | |
Well, the shop in question is one of Farnham's finest - | 0:15:48 | 0:15:51 | |
Bourne Mill Antiques Centre. | 0:15:51 | 0:15:53 | |
I'm quite nervous, Margie. I haven't been here for ten years. | 0:15:53 | 0:15:57 | |
Down memory lane for you. | 0:15:57 | 0:15:58 | |
I bet it's changed, you know, but I can't wait, cos time is running out. | 0:15:58 | 0:16:02 | |
-I know. -Age before beauty, dear. | 0:16:02 | 0:16:04 | |
SHE LAUGHS | 0:16:04 | 0:16:06 | |
What, no plaque on the wall? | 0:16:06 | 0:16:07 | |
It's a huge emporium, with the antique wares | 0:16:11 | 0:16:14 | |
of over 70 dealers spread through room after room on four floors, | 0:16:14 | 0:16:19 | |
and whilst Margie gets her bearings, Mark's life is flashing before him. | 0:16:19 | 0:16:24 | |
I worked every Sunday for about 15 quid. | 0:16:24 | 0:16:27 | |
I mean, it's quite funny, because I'm excited in some ways | 0:16:27 | 0:16:30 | |
about being back and seeing it again. | 0:16:30 | 0:16:32 | |
But, of course, it is quite nerve-racking, | 0:16:32 | 0:16:34 | |
because centres are difficult things to buy from. But... | 0:16:34 | 0:16:38 | |
it's rather nice. I wish I was rather back here, really. | 0:16:38 | 0:16:41 | |
Ah, how sweet. | 0:16:41 | 0:16:43 | |
Is that a tear in my eye, | 0:16:43 | 0:16:44 | |
or something shiny in the cabinet over there? | 0:16:44 | 0:16:47 | |
There's a little match-striker, | 0:16:47 | 0:16:49 | |
which has got a silver embossed top. | 0:16:49 | 0:16:52 | |
And you keep matches in there, | 0:16:52 | 0:16:53 | |
and when you want to light your cigar or cigarette, | 0:16:53 | 0:16:56 | |
you scratch it on the glass bottom. | 0:16:56 | 0:16:58 | |
I mean, it's priced up at £50. | 0:16:58 | 0:17:00 | |
They're quite collectable in their own right. | 0:17:00 | 0:17:02 | |
I think that's the sort of thing Margie might like, as well. | 0:17:02 | 0:17:06 | |
Here's another thing Margie would like. | 0:17:06 | 0:17:09 | |
It's described as a small, hallmarked, silver tray. | 0:17:09 | 0:17:13 | |
But I think... | 0:17:13 | 0:17:15 | |
When you look in the middle there, it says "IHS", | 0:17:15 | 0:17:20 | |
and I think that's from a travelling communion set. | 0:17:20 | 0:17:22 | |
So maybe that's for putting the wafer on. | 0:17:22 | 0:17:25 | |
But it's quite heavy. | 0:17:25 | 0:17:27 | |
It's priced at £18. | 0:17:27 | 0:17:29 | |
So, you know, maybe we could put those two together... | 0:17:30 | 0:17:34 | |
and make a lot. | 0:17:34 | 0:17:36 | |
That's my cunning thought at the moment, anyway. | 0:17:36 | 0:17:39 | |
Though time is ever ticking. | 0:17:39 | 0:17:41 | |
Yes, Margie, time is ticking. | 0:17:43 | 0:17:45 | |
All I'm saying is, only two items in the bag. | 0:17:45 | 0:17:49 | |
No pressure at all! | 0:17:49 | 0:17:51 | |
Now, don't get distracted. | 0:17:52 | 0:17:55 | |
Not even by Colin Firth. | 0:17:55 | 0:17:57 | |
Gosh, I didn't know you were in this business. | 0:17:57 | 0:17:59 | |
Well, he's quite handsome. | 0:17:59 | 0:18:01 | |
I'm sure he's got enough to do without antique dealing. | 0:18:01 | 0:18:05 | |
Don't worry, Margie, there's another dashing charmer just downstairs. | 0:18:05 | 0:18:11 | |
And he's on the phone to the owner of the two little silver items. | 0:18:11 | 0:18:15 | |
It's a match-striker, which you've got £50 on, | 0:18:15 | 0:18:19 | |
and a little silver dish or tray, that you've got £18 on, | 0:18:19 | 0:18:22 | |
so it's 68 in total. | 0:18:22 | 0:18:24 | |
Is there any chance I could make you a sneaky offer on them? | 0:18:24 | 0:18:27 | |
-And then you can say no. -HE LAUGHS | 0:18:27 | 0:18:30 | |
Well, I was rather hoping to get them for around the £40 mark. | 0:18:31 | 0:18:36 | |
Or less, if you could possibly do it. | 0:18:36 | 0:18:39 | |
You would let them go for...? | 0:18:41 | 0:18:43 | |
That's wonderful. Thank you so much, Andrew. I appreciate it. | 0:18:43 | 0:18:46 | |
Take care. Bye. Bye. | 0:18:46 | 0:18:49 | |
Thank you. | 0:18:49 | 0:18:51 | |
Wow. What a lovely man. He's let me have them for £40. | 0:18:51 | 0:18:54 | |
Now, is there going to be a profit in that? | 0:18:54 | 0:18:57 | |
I have no idea, but I'm hoping to strike one. Ha ha(!) | 0:18:57 | 0:19:01 | |
TIM CHUCKLES | 0:19:01 | 0:19:02 | |
No such joy for Margie. Yet. | 0:19:02 | 0:19:05 | |
Oh, dear. I'm beginning to panic. | 0:19:06 | 0:19:08 | |
Oh, dear, dear, dear. | 0:19:08 | 0:19:11 | |
Nothing in here, nothing in here. | 0:19:11 | 0:19:13 | |
What am I going to do? | 0:19:13 | 0:19:15 | |
Every way you look, there's a little room. | 0:19:17 | 0:19:21 | |
Amazing what people buy, isn't it? | 0:19:21 | 0:19:22 | |
And it rambles on. | 0:19:23 | 0:19:24 | |
Tucked away in another corner of the antiques centre, | 0:19:34 | 0:19:37 | |
Mark's discovered his old patch - | 0:19:37 | 0:19:39 | |
the very place where he started out as a young dealer. | 0:19:39 | 0:19:42 | |
It's changed a bit over the years since I was here, | 0:19:42 | 0:19:45 | |
but I'm sure that my shelves were either these two here, or... | 0:19:45 | 0:19:50 | |
I can't remember these books being here. | 0:19:50 | 0:19:52 | |
But just think, from a couple of shelves... | 0:19:54 | 0:19:56 | |
..I've ended up where I am now. | 0:19:57 | 0:19:59 | |
There we are, there's hope for everyone. | 0:19:59 | 0:20:01 | |
I must admit, it does seem... | 0:20:02 | 0:20:03 | |
..rather like another lifetime ago, actually. | 0:20:05 | 0:20:08 | |
It's nice. It's nice looking back. | 0:20:08 | 0:20:10 | |
Huh. | 0:20:10 | 0:20:12 | |
That's very lovely but, Mark, time to force yourself to the present. | 0:20:12 | 0:20:16 | |
There's shopping to do. | 0:20:16 | 0:20:19 | |
Talking of which, where's Margie got to? | 0:20:19 | 0:20:21 | |
Well, she's had enough and has decided to travel to nearby Alton, | 0:20:23 | 0:20:27 | |
having failed to buy anything in the enormous antiques centre. | 0:20:27 | 0:20:31 | |
So now all her hopes are pinned on finding something...here. | 0:20:31 | 0:20:35 | |
"The Tiny Shop." | 0:20:35 | 0:20:37 | |
Well, it is tiny, isn't it? SHE LAUGHS | 0:20:37 | 0:20:39 | |
Very tiny. | 0:20:39 | 0:20:41 | |
I just hope there's something in here for me. | 0:20:41 | 0:20:43 | |
Otherwise I shall be back, quick-sticks, to the other place. | 0:20:43 | 0:20:47 | |
At Bourne Mill, Mark, it seems, is on a roll. | 0:20:47 | 0:20:51 | |
I saw this sign, "20% discount for cash payments on all items," | 0:20:51 | 0:20:56 | |
which always attracts the attention. | 0:20:56 | 0:20:58 | |
These are butler's trays on stands. | 0:20:58 | 0:21:01 | |
This is where, you know, | 0:21:01 | 0:21:03 | |
the butler would put the afternoon tea or the sherry. | 0:21:03 | 0:21:05 | |
But the colour of the mahogany is quite nice | 0:21:05 | 0:21:08 | |
and what's also interesting to me is it's priced up at £70, | 0:21:08 | 0:21:11 | |
so if you take 20% off that, I reckon that that is...£56. | 0:21:11 | 0:21:18 | |
Time to get on the phone to the dealer. | 0:21:18 | 0:21:21 | |
Hello, Morris, how are you? | 0:21:21 | 0:21:22 | |
Is there any more room for negotiation on that? | 0:21:22 | 0:21:25 | |
You'll take 50? | 0:21:25 | 0:21:27 | |
I know it sounds terribly mean of me, Morris, | 0:21:27 | 0:21:30 | |
but I was trying to get it nearer the 40. | 0:21:30 | 0:21:32 | |
Could you do 45 for me? | 0:21:32 | 0:21:34 | |
Are you happy with that? | 0:21:34 | 0:21:36 | |
Fantastic. Yes, very kind of you, Morris. | 0:21:36 | 0:21:38 | |
I appreciate it. I hope you continue to sell lots more in your unit. | 0:21:38 | 0:21:41 | |
Thanks, Morris. Bye-bye. And you. Thanks. | 0:21:41 | 0:21:45 | |
Well, he wished me luck. | 0:21:45 | 0:21:47 | |
And he's let me have it for 45. | 0:21:47 | 0:21:49 | |
So once Mark settled up for both the butler's tray | 0:21:49 | 0:21:52 | |
and his silver pieces, he can afford to relax. | 0:21:52 | 0:21:55 | |
-Wonderful. See you later. Thanks again. -Bye-bye. | 0:21:55 | 0:21:57 | |
He's off to the village of Selborne, just outside Alton. | 0:21:58 | 0:22:03 | |
He's here to visit the house where Gilbert White once lived, | 0:22:03 | 0:22:07 | |
the unlikely author of the best-known natural history book of all time. | 0:22:07 | 0:22:12 | |
-It must be Ronnie. -Hello, Mark. -Nice to meet you, I'm Mark. | 0:22:12 | 0:22:16 | |
Now, I'm thrilled to be here. | 0:22:16 | 0:22:17 | |
-I did visit the house once, about 20 years ago. -Good. | 0:22:17 | 0:22:20 | |
I've forgotten all about it, | 0:22:20 | 0:22:21 | |
so you're going to be my little guide extraordinaire for the day? | 0:22:21 | 0:22:25 | |
-Let me show you. -Lead on. | 0:22:25 | 0:22:26 | |
Keen collector of his work Ronnie Davidson-Houston | 0:22:27 | 0:22:31 | |
is going to show Mark around. | 0:22:31 | 0:22:33 | |
Long before David Attenborough appeared on our TV screens, | 0:22:34 | 0:22:38 | |
WAY back in 1789, | 0:22:38 | 0:22:40 | |
local village curate Gilbert White was to write a book | 0:22:41 | 0:22:44 | |
which was to change the study of the natural world forever. | 0:22:44 | 0:22:48 | |
The Natural History Of Selborne was his life's work, | 0:22:49 | 0:22:54 | |
a series of his letters to two other natural scientists of the day. | 0:22:54 | 0:22:59 | |
The book became a phenomenal success, | 0:22:59 | 0:23:02 | |
and is now believed to be the fourth most published work in the English language. | 0:23:02 | 0:23:07 | |
-The book has never been out of print since 1789. -Oh, really? No! | 0:23:07 | 0:23:10 | |
And it all began with the manuscript, | 0:23:10 | 0:23:12 | |
which is here, which the museum owns. | 0:23:12 | 0:23:15 | |
-This is the genuine...? -This is the original manuscript of the letters | 0:23:15 | 0:23:19 | |
that Gilbert White wrote to his two correspondents. | 0:23:19 | 0:23:22 | |
This 222-year-old book used to belong to Harvard University, | 0:23:23 | 0:23:29 | |
but back in 1980, the funds were raised to buy it back, | 0:23:29 | 0:23:32 | |
so it could return to Gilbert White's house. | 0:23:32 | 0:23:35 | |
How wonderful you got it back. | 0:23:37 | 0:23:39 | |
-Oh, marvellous. -I mean, cos this really is the spiritual home for it. | 0:23:39 | 0:23:44 | |
Although Gilbert did dissect specimens in his study, | 0:23:45 | 0:23:49 | |
it was his detailed observations of animal behaviour in the wild | 0:23:49 | 0:23:53 | |
that was to be truly ground-breaking. | 0:23:53 | 0:23:57 | |
Well, he made a number of original discoveries. | 0:23:57 | 0:24:00 | |
-The harvest mouse, he was the first to describe. -Oh, really? | 0:24:00 | 0:24:03 | |
The noctule bat, he first described as well. | 0:24:03 | 0:24:06 | |
And he differentiated three different species of warbler. | 0:24:06 | 0:24:11 | |
He listened to them - he knew that they had different calls. | 0:24:11 | 0:24:14 | |
And that's why people that just called them leaf warblers - | 0:24:14 | 0:24:19 | |
little brown birds, as it were - were suddenly illuminated | 0:24:19 | 0:24:23 | |
by Gilbert White to the fact that they were three different species. | 0:24:23 | 0:24:27 | |
Gilbert carried out much of his field work | 0:24:30 | 0:24:32 | |
in his beloved garden, the best views of which are from his garden. | 0:24:32 | 0:24:37 | |
Wonderful light, all-access to the garden and the surrounding areas. | 0:24:37 | 0:24:41 | |
And I can imagine him sort of setting up | 0:24:41 | 0:24:43 | |
and sitting in this room, scribbling away, | 0:24:43 | 0:24:46 | |
having noted something outside and getting it down straight away. | 0:24:46 | 0:24:49 | |
I'm sure if he was in bed, and heard something interesting outside, | 0:24:49 | 0:24:52 | |
he'd have been straight to the window with his quill and pad! | 0:24:52 | 0:24:56 | |
After a most enlightening visit to Gilbert White's house, | 0:24:56 | 0:25:00 | |
it's time for Mark to get back on the road. | 0:25:00 | 0:25:03 | |
Nearby in Alton, Margie's hoping she'll find something, | 0:25:05 | 0:25:09 | |
anything, she can buy for the auction. | 0:25:09 | 0:25:13 | |
Perhaps owner Rob might have some sympathy | 0:25:13 | 0:25:16 | |
for a poor, downtrodden, antiques expert. | 0:25:16 | 0:25:19 | |
-Right, it is a tiny shop. -It is, yes. | 0:25:19 | 0:25:21 | |
I'm trying to make a profit in a short period of time | 0:25:21 | 0:25:24 | |
-which is not the easiest thing. -No. | 0:25:24 | 0:25:26 | |
And I don't have a lot of money either. Shall I leave now? | 0:25:26 | 0:25:29 | |
If you like! | 0:25:29 | 0:25:31 | |
What's this though, lurking in Rob's cabinet? | 0:25:31 | 0:25:35 | |
That's quite a nice calendar there. | 0:25:35 | 0:25:37 | |
Birmingham, 1936, | 0:25:37 | 0:25:40 | |
engine turned, | 0:25:40 | 0:25:42 | |
a bit of a price, 75. | 0:25:42 | 0:25:45 | |
-I can do something with the price. -Can you? -Yes. | 0:25:46 | 0:25:48 | |
-So, it's a usable object... -Yes. -That would look nice on a desk. | 0:25:48 | 0:25:52 | |
Yes, £30, if you're interested. | 0:25:52 | 0:25:56 | |
That seems all right. | 0:25:56 | 0:25:58 | |
-I think you ought to buy the boat. -What? The boat? | 0:25:58 | 0:26:01 | |
How much is it? | 0:26:01 | 0:26:04 | |
It's got 85. It's got wheels as well. | 0:26:04 | 0:26:07 | |
Oh, wheels?! | 0:26:07 | 0:26:09 | |
We're digressing. You've got me on this. | 0:26:09 | 0:26:12 | |
Well spotted, Margie. | 0:26:12 | 0:26:15 | |
Diversionary tactic to the starboard. | 0:26:15 | 0:26:17 | |
But perhaps there 's a treasure box down below. | 0:26:17 | 0:26:21 | |
What's this little, papier mache box? | 0:26:21 | 0:26:23 | |
Pretty little box, isn't it? Oooh, Jennens and Bettridge. | 0:26:23 | 0:26:26 | |
Oooh, there now. The best maker. | 0:26:26 | 0:26:30 | |
-You've got the name on the base. -Yeah. | 0:26:30 | 0:26:33 | |
At the beginning of the 19th century, | 0:26:34 | 0:26:37 | |
Jennens and Bettridge were highly regarded for producing | 0:26:37 | 0:26:41 | |
high-quality papier mache wares. | 0:26:41 | 0:26:44 | |
They patented a form of inlaid decoration using materials | 0:26:44 | 0:26:48 | |
such as coloured glass, ivory, tortoiseshell, gemstones | 0:26:48 | 0:26:52 | |
and, as in this box, mother of pearl. | 0:26:52 | 0:26:54 | |
So what sort of money is it anyhow? | 0:26:57 | 0:26:59 | |
We've got 55 on it. | 0:26:59 | 0:27:01 | |
-What are you thinking? -We're back to 30 quid, aren't we? 20 or 30 quid. | 0:27:01 | 0:27:05 | |
-You're talking 25, are you? -I've got it in my head, 25. | 0:27:06 | 0:27:10 | |
That's today's price. | 0:27:10 | 0:27:11 | |
-Yeah, all right. -Do you reckon? -Yes. | 0:27:11 | 0:27:13 | |
You know what horrible people do now? | 0:27:16 | 0:27:19 | |
They add the two together, don't they? | 0:27:21 | 0:27:23 | |
Oh, no. I've fallen into a trap. | 0:27:24 | 0:27:26 | |
SHE LAUGHS | 0:27:26 | 0:27:28 | |
So there's two items. They're £25 each. | 0:27:28 | 0:27:30 | |
-Yes. -I'll take another fiver off if you want. | 0:27:30 | 0:27:33 | |
OK, you've done it. Thank you very much indeed. Put it there. | 0:27:33 | 0:27:36 | |
-All right. -Thank you. | 0:27:36 | 0:27:38 | |
So that's £45 for the calendar and the papier mache box. | 0:27:38 | 0:27:42 | |
I think you ought to buy the boat. | 0:27:42 | 0:27:45 | |
Oh, he's gone off the subject. I've lost him. | 0:27:45 | 0:27:50 | |
You are not giving up, are you, Rob? | 0:27:50 | 0:27:53 | |
It's called the Hispaniola. | 0:27:53 | 0:27:54 | |
Is it really? Does that improve things? | 0:27:54 | 0:27:57 | |
This toy boat is a model of the notorious pirate ship | 0:27:57 | 0:28:02 | |
from Robert Louis Stevenson's masterpiece, Treasure Island. | 0:28:02 | 0:28:06 | |
But, shiver my timbers, it's £85. | 0:28:06 | 0:28:09 | |
I'd take 40 for it... | 0:28:09 | 0:28:10 | |
-if you're interested, to help you out. -Yeah? | 0:28:10 | 0:28:14 | |
Well, I'd be blowed. | 0:28:16 | 0:28:19 | |
I'll have a punt at 20 quid. | 0:28:19 | 0:28:21 | |
HE GROANS | 0:28:21 | 0:28:22 | |
How about 30? | 0:28:24 | 0:28:25 | |
What do you think? | 0:28:25 | 0:28:27 | |
Yeah, OK. Done. | 0:28:28 | 0:28:31 | |
Cor, Rob saw you coming there, Margie. | 0:28:31 | 0:28:33 | |
OK, it's time for our competitive duo to reveal to each other | 0:28:33 | 0:28:37 | |
exactly what they've bought. Over tea. | 0:28:37 | 0:28:41 | |
-Da-da-da-da. -Oooh! | 0:28:41 | 0:28:44 | |
-I love the bows. -Yes? -I'm a bit worried about this. | 0:28:44 | 0:28:47 | |
-As an afterthought? Maybe you're right. -That's my feeling. | 0:28:47 | 0:28:51 | |
But for the price I paid, I just thought it was worth it. | 0:28:51 | 0:28:54 | |
You'd better tell me what you paid. | 0:28:54 | 0:28:55 | |
-And it's not difficult to find a trompe l'oeil vase. -In your own time. | 0:28:55 | 0:28:59 | |
-Erm, £25. -Oooh. | 0:28:59 | 0:29:01 | |
It's nicely carved, Margie. I think you've done a good job. Well done. | 0:29:01 | 0:29:05 | |
-Oooh! -Oh, no, this is not terribly exciting, Margie. | 0:29:05 | 0:29:07 | |
I've regretted buying it, to be honest with you. | 0:29:07 | 0:29:10 | |
-It's in a bit of a sorry state. -Very attractive plate. | 0:29:10 | 0:29:14 | |
-How much did you pay? -£18. | 0:29:14 | 0:29:16 | |
Well, that's absolutely lovely. | 0:29:18 | 0:29:20 | |
Silver seems to be the theme of the day. | 0:29:20 | 0:29:23 | |
I know we see an awful lot of them, | 0:29:23 | 0:29:24 | |
but not always that quality and condition. | 0:29:24 | 0:29:27 | |
I love it. I love the shape. I love the design. | 0:29:27 | 0:29:29 | |
I love that aesthetic, that Japonesque period. | 0:29:29 | 0:29:32 | |
-£18. -18?! -Yup. -Oh, well. | 0:29:32 | 0:29:35 | |
It's not going to be... If I got 30... | 0:29:35 | 0:29:39 | |
Yes, I'd like to see it make 30 because it is quality. | 0:29:39 | 0:29:42 | |
But what will Margie make of Mark's arc? | 0:29:42 | 0:29:45 | |
Oh, I've just broken it. | 0:29:45 | 0:29:47 | |
No, don't look, Margie. | 0:29:47 | 0:29:49 | |
Ta da! | 0:29:49 | 0:29:51 | |
Oh! Noah's Arc. | 0:29:51 | 0:29:53 | |
-Noah's Arc. -That's great. -With some animals, not all of them. | 0:29:53 | 0:29:56 | |
There's a pair of rhinos. I just thought, it's a bit of fun. | 0:29:56 | 0:29:59 | |
-There's Noah himself. -I know. -It's quirky. -It's quirky. | 0:29:59 | 0:30:03 | |
-It's amusing. -It's amusing. | 0:30:03 | 0:30:05 | |
-But is it quality? -No. Two out of three. | 0:30:05 | 0:30:08 | |
-Two out of three, Margie. -I like it. | 0:30:08 | 0:30:10 | |
-But it wasn't expensive. -How much was it? -£15. | 0:30:10 | 0:30:13 | |
Margie's papier mache box is next up for some Stacey scrutiny. | 0:30:15 | 0:30:20 | |
-Oh, yes, this is a good name, Jennens and Bettridge. -Yes. | 0:30:20 | 0:30:24 | |
-Possibly the best papier mache makers of the Victorian period. -That's the only reason I bought it. | 0:30:24 | 0:30:29 | |
-Well, There had to be a reason. -Ouch. | 0:30:29 | 0:30:32 | |
I mean, what is that flower supposed to be? | 0:30:32 | 0:30:34 | |
I don't think it matters with the name of the company. | 0:30:34 | 0:30:37 | |
Of course it matters! You're not going to put it like that, are you? | 0:30:37 | 0:30:41 | |
-Yeah, but... -It looks like a day of the triffid. | 0:30:41 | 0:30:44 | |
Let's wait and see. | 0:30:44 | 0:30:45 | |
How much did you pay for your Jennens and Bettridge? | 0:30:45 | 0:30:48 | |
-25. -Well, good luck. | 0:30:48 | 0:30:50 | |
The gloves are off now. | 0:30:50 | 0:30:53 | |
-I think they're rather charming. -They are. | 0:30:53 | 0:30:56 | |
-Do you think they're well executed? -No, but naive school isn't. | 0:30:56 | 0:31:00 | |
How much did you pay? | 0:31:00 | 0:31:02 | |
£70. | 0:31:02 | 0:31:03 | |
-Really? -Yes. | 0:31:05 | 0:31:06 | |
Wow. I am surprised. | 0:31:07 | 0:31:10 | |
-Why? -Well, it's quite a lot, isn't it? | 0:31:10 | 0:31:13 | |
Oh, what a surprise. Silver. | 0:31:14 | 0:31:17 | |
There's a theme developing here. | 0:31:17 | 0:31:20 | |
-Does it work? -Yes. It does. | 0:31:20 | 0:31:22 | |
-It works. -What's the date on it? It looks 20s, 30s. -'36. | 0:31:22 | 0:31:26 | |
Ah, well. | 0:31:26 | 0:31:28 | |
-Engine turned. -I like the engine turning. Pretty little object. | 0:31:28 | 0:31:32 | |
How much? | 0:31:32 | 0:31:33 | |
-I got it for 20. -That's a steal. | 0:31:33 | 0:31:35 | |
You should get a healthy return. | 0:31:35 | 0:31:37 | |
I do hope so. | 0:31:37 | 0:31:39 | |
-I'm not happy about this, Margie. -Why? | 0:31:39 | 0:31:41 | |
You're getting the hang of this. | 0:31:41 | 0:31:42 | |
LAUGHS | 0:31:42 | 0:31:43 | |
I'm not happy here at all. That little dish... | 0:31:43 | 0:31:46 | |
which I think is part of a travelling communion set. | 0:31:46 | 0:31:49 | |
It's the pattern. | 0:31:49 | 0:31:50 | |
I bought it with this rather nice match striker... | 0:31:50 | 0:31:53 | |
Now that is nice! | 0:31:53 | 0:31:55 | |
..which is hallmarked for about 1903 | 0:31:55 | 0:31:57 | |
and he agreed to my offer of £40... | 0:31:57 | 0:31:59 | |
-for the two. -Yeah, that's good. | 0:31:59 | 0:32:02 | |
-Is that all right? -Yes. Very good. | 0:32:02 | 0:32:04 | |
Have a look at the smile! | 0:32:04 | 0:32:06 | |
It's trapped wind. | 0:32:06 | 0:32:08 | |
Oh, my! | 0:32:12 | 0:32:13 | |
LAUGHTER | 0:32:13 | 0:32:16 | |
What on earth is that?! | 0:32:16 | 0:32:18 | |
Well, it's 1950s. Little wheel, look. | 0:32:18 | 0:32:21 | |
There's a little wheel. | 0:32:22 | 0:32:23 | |
Which is completely in proportion to the rest... | 0:32:23 | 0:32:26 | |
Excuse me, I've missed a feature. | 0:32:26 | 0:32:28 | |
-Really?! -Wheels... | 0:32:28 | 0:32:30 | |
-underneath. -Oh, how lovely. | 0:32:30 | 0:32:32 | |
That helps it on water(!) | 0:32:32 | 0:32:35 | |
A little child could run it along the floor. | 0:32:35 | 0:32:37 | |
I don't know what to say, Margie. | 0:32:37 | 0:32:39 | |
Is it a collector's item or is it not? | 0:32:39 | 0:32:42 | |
Well, I wouldn't collect it. | 0:32:42 | 0:32:43 | |
I bought this for £30. | 0:32:43 | 0:32:46 | |
OK. | 0:32:46 | 0:32:47 | |
That'll sink without trace. | 0:32:47 | 0:32:49 | |
Last up, Mark's butler's tray. | 0:32:49 | 0:32:51 | |
I think the legs have got a bit of age, Edwardian, or something. | 0:32:51 | 0:32:54 | |
-The top, I think, is early Victorian. -That's really nice. | 0:32:54 | 0:32:57 | |
-A nice mahogany one. -How much was it? -It was marked up at 70 | 0:32:57 | 0:33:01 | |
-and I got it for 45. -That's fine. | 0:33:01 | 0:33:03 | |
I think your things are probably a lot more interesting than mine. | 0:33:05 | 0:33:09 | |
Oh...I'd...I'd hate to agree with you... | 0:33:09 | 0:33:12 | |
but you're probably right. | 0:33:12 | 0:33:15 | |
As if we didn't know. Let's see what they really think. | 0:33:15 | 0:33:18 | |
My least favourite is the Jennens and Bettridge. | 0:33:18 | 0:33:21 | |
I know why Margie bought that. It's got the name, | 0:33:21 | 0:33:24 | |
but in my opinion, not a lot else. | 0:33:24 | 0:33:25 | |
I think perhaps the Noah's Ark is Mark's weakest item. | 0:33:25 | 0:33:29 | |
I don't think anything's going to stride away. | 0:33:29 | 0:33:32 | |
This leg of our trip started off in Sawbridgeworth, Hertfordshire, | 0:33:34 | 0:33:37 | |
and will conclude in Chippenham, Wiltshire. | 0:33:37 | 0:33:41 | |
Margie is lagging behind but Mark's not out of the woods yet. | 0:33:41 | 0:33:45 | |
I think you're pretending | 0:33:45 | 0:33:47 | |
and all of the sudden, wallop, on the last day. | 0:33:47 | 0:33:52 | |
Last day, Chippendale table. | 0:33:52 | 0:33:54 | |
We all like a nice Chippendale(!) | 0:33:54 | 0:33:56 | |
Speak for yourself, Mark. | 0:33:56 | 0:33:58 | |
Back in 878, Chippenham was taken over by the Danes, | 0:33:59 | 0:34:03 | |
but luckily Alfred the Great came to the rescue | 0:34:03 | 0:34:07 | |
and defeated the invaders, forcing them to withdraw from Wessex | 0:34:07 | 0:34:10 | |
and become Christians while he was at it. | 0:34:10 | 0:34:14 | |
Our two invaders are preparing for battle with each other. | 0:34:15 | 0:34:20 | |
Lovely sunshine. | 0:34:20 | 0:34:22 | |
You know what they say, the son only shines on the righteous. | 0:34:22 | 0:34:25 | |
Well, let's get in there. | 0:34:25 | 0:34:27 | |
Auctioneer Richard Edmonds will be wielding the gavel today. | 0:34:27 | 0:34:31 | |
So what does he think of our experts' choices? | 0:34:31 | 0:34:34 | |
One of my favourites is the pretty papier mache box | 0:34:34 | 0:34:37 | |
by Jennens and Bettridge. | 0:34:37 | 0:34:38 | |
It's quality, it's got a good name and it's pretty as well. | 0:34:38 | 0:34:42 | |
The paintings are rather nice. | 0:34:42 | 0:34:43 | |
They're untouched condition, | 0:34:43 | 0:34:45 | |
that's what people like when buying art, | 0:34:45 | 0:34:47 | |
they don't like it fully restored, and good subject matter as well. | 0:34:47 | 0:34:51 | |
Mark Stacey spent precisely £188 on five auction lots | 0:34:51 | 0:34:57 | |
amongst which nestle a wooden Noah's arc, | 0:34:57 | 0:35:01 | |
a butler's tray and a pair of 19th-century naive oil paintings. | 0:35:01 | 0:35:04 | |
-Wonderful, see you later. -Thank you. Goodbye. -Thanks again. | 0:35:04 | 0:35:08 | |
Margie Cooper spent somewhat less, | 0:35:08 | 0:35:10 | |
£118, | 0:35:10 | 0:35:11 | |
also on five auction lots | 0:35:11 | 0:35:13 | |
including a papier mache box, | 0:35:13 | 0:35:15 | |
a silver table calendar | 0:35:15 | 0:35:17 | |
and the Hispaniola, a model of a galleon. | 0:35:17 | 0:35:20 | |
I must be mad. | 0:35:20 | 0:35:22 | |
Time to snuggle down into that rather grand sofa now, | 0:35:22 | 0:35:25 | |
chap and chapess. | 0:35:25 | 0:35:27 | |
The auction is about to begin. | 0:35:27 | 0:35:29 | |
Here we go. | 0:35:29 | 0:35:30 | |
This could be the start of something special | 0:35:30 | 0:35:33 | |
or the beginning of something awful. | 0:35:33 | 0:35:35 | |
First up, Margie's papier mache stationary box, | 0:35:35 | 0:35:38 | |
the one Mark believes is her Achilles heel. | 0:35:38 | 0:35:43 | |
I've got one, two, three, four commissions this time. | 0:35:43 | 0:35:47 | |
I have to start at 40. Five. | 0:35:47 | 0:35:49 | |
50. Five. 60, anywhere? | 0:35:49 | 0:35:52 | |
At £55. At 55. | 0:35:52 | 0:35:54 | |
Best of the bids at £55 then. | 0:35:54 | 0:35:56 | |
It sells then at 55. | 0:35:56 | 0:35:58 | |
Margie, well done. | 0:35:58 | 0:36:00 | |
Ooh, an excellent profit of £30 for Margie's first item. | 0:36:02 | 0:36:07 | |
Could she be the comeback kid? | 0:36:07 | 0:36:10 | |
-I've made a whole £25. -35. -35! | 0:36:10 | 0:36:14 | |
Mark's arc next. | 0:36:14 | 0:36:17 | |
Will the buyers be lining up in twos? | 0:36:17 | 0:36:20 | |
-Rather nice piece. -Super lot, this. | 0:36:20 | 0:36:22 | |
One, two, three commission bids. | 0:36:22 | 0:36:24 | |
I bid 30. Start at 30. | 0:36:24 | 0:36:27 | |
Is there five? | 0:36:27 | 0:36:28 | |
At 30. At 30. | 0:36:28 | 0:36:30 | |
-Come on. -Is 30 the best of them? | 0:36:30 | 0:36:32 | |
At £30 then. All done. | 0:36:32 | 0:36:35 | |
-Be satisfied. -I'm pleased with that. | 0:36:35 | 0:36:38 | |
Maybe not top quality but someone clearly loved it. | 0:36:38 | 0:36:42 | |
Do you know, I feel quite religious after that result. | 0:36:42 | 0:36:45 | |
Hopefully no prayers will be needed | 0:36:46 | 0:36:49 | |
for Margie's silver-plated centrepiece. | 0:36:49 | 0:36:51 | |
Super quality this. | 0:36:51 | 0:36:53 | |
-Don't get carried away. -I have to start at 30. Five. 40. | 0:36:53 | 0:36:56 | |
At 40 bid. | 0:36:56 | 0:36:57 | |
Oh, go on a bit more. | 0:36:57 | 0:36:58 | |
40 on the commission. | 0:36:58 | 0:37:00 | |
-Is there five anywhere? -I think that's enough. | 0:37:00 | 0:37:02 | |
At £40 then. You're all done? You're quite sure? | 0:37:02 | 0:37:05 | |
At £40. | 0:37:05 | 0:37:06 | |
That's a bit disappointing. | 0:37:06 | 0:37:08 | |
-At least it's a profit. -It is a profit. | 0:37:08 | 0:37:10 | |
Well said, Mark. It's a profit, Margie. Be glad! | 0:37:10 | 0:37:15 | |
Two profits, what does it feel like to actually make a profit? | 0:37:15 | 0:37:18 | |
Stop being sarcastic! | 0:37:18 | 0:37:21 | |
The battle of the silver items begins. | 0:37:21 | 0:37:24 | |
Mark's basket next. Will it be a lemon? | 0:37:24 | 0:37:28 | |
30. | 0:37:28 | 0:37:29 | |
£30, surely? | 0:37:29 | 0:37:30 | |
Come on. | 0:37:30 | 0:37:32 | |
£20 away then. £20, somebody? | 0:37:32 | 0:37:34 | |
Anybody, 20? | 0:37:34 | 0:37:36 | |
-God. -Ten then. Anybody £10? | 0:37:37 | 0:37:40 | |
-That's silly. -Ten bid. | 0:37:40 | 0:37:42 | |
Thank you, madam. | 0:37:42 | 0:37:43 | |
At 10, seated. 12, standing. | 0:37:43 | 0:37:45 | |
15. 18. | 0:37:45 | 0:37:47 | |
-20. 22. -It's creeping up. | 0:37:47 | 0:37:50 | |
25. Don't stop now. | 0:37:50 | 0:37:52 | |
At £22, standing. At 22. | 0:37:52 | 0:37:55 | |
Against you, seated. £22, lady's bid then. | 0:37:55 | 0:37:57 | |
Selling then at 22... | 0:37:57 | 0:37:59 | |
-That's awful. -That's a shame. It just needed re-plating. I did say. | 0:38:01 | 0:38:06 | |
It's a profit but once the auction house knocks off | 0:38:06 | 0:38:10 | |
its well-earned commission, hardly. | 0:38:10 | 0:38:13 | |
-It's a loss. -I'm sorry for your disappointment. -Thanks, Margie. | 0:38:13 | 0:38:16 | |
There was such sincerity in that remark. | 0:38:16 | 0:38:19 | |
Ahoy there, Chippenham. Any swashbuckling bidders out there? | 0:38:19 | 0:38:23 | |
£30. | 0:38:23 | 0:38:24 | |
20 then, somebody. | 0:38:26 | 0:38:27 | |
Anybody, 20? | 0:38:27 | 0:38:29 | |
Surely, £20? | 0:38:29 | 0:38:31 | |
£10, anybody? Anybody, £10 for this? | 0:38:31 | 0:38:34 | |
Look at this. £10, thank you. £10 bid. | 0:38:36 | 0:38:39 | |
At 10. 15, anywhere? | 0:38:39 | 0:38:42 | |
-£10. -Oh, no. -Oh, Marge. | 0:38:42 | 0:38:45 | |
At £10 then. Done at ten. | 0:38:45 | 0:38:48 | |
It was all going so well for you as well, wasn't it? | 0:38:49 | 0:38:53 | |
Margie wasn't so sure about that ship. She clearly hoped for more. | 0:38:54 | 0:38:58 | |
I did like it. | 0:38:58 | 0:38:59 | |
You're being wise after the event! | 0:38:59 | 0:39:01 | |
Well, of course, I'm a man. | 0:39:01 | 0:39:03 | |
Mark's big hope up next. | 0:39:03 | 0:39:05 | |
Has he been naive or rather savvy? | 0:39:05 | 0:39:08 | |
-One, two, three commissions. -I can't look. | 0:39:08 | 0:39:11 | |
I have to go straight at 100. Ten. | 0:39:11 | 0:39:13 | |
120, anywhere? 110 bid. Is there 120? | 0:39:13 | 0:39:16 | |
120 with you. 130. | 0:39:16 | 0:39:19 | |
-140. -HE GASPS | 0:39:19 | 0:39:22 | |
150. 160. | 0:39:22 | 0:39:24 | |
170. | 0:39:24 | 0:39:26 | |
180. | 0:39:27 | 0:39:28 | |
-190. -Oh my goodness. | 0:39:29 | 0:39:32 | |
Is there 200 anywhere? | 0:39:32 | 0:39:33 | |
At £190 then, you're all done, | 0:39:33 | 0:39:36 | |
selling then at 190. | 0:39:36 | 0:39:38 | |
Well done. | 0:39:38 | 0:39:39 | |
-I'm trying to be pleased for you. -That's not a bad profit, is it? | 0:39:39 | 0:39:43 | |
A great profit for Mark putting him firmly in the lead in this leg. | 0:39:43 | 0:39:48 | |
The story was there, the provenance was there and I just thought, | 0:39:48 | 0:39:53 | |
I've got to take a chance with them. | 0:39:53 | 0:39:55 | |
Don't rub it in, Mark. | 0:39:55 | 0:39:56 | |
Perhaps someone will make a date with Margie's silver table calendar | 0:39:56 | 0:40:00 | |
-bought for £20. -Start at 25. | 0:40:00 | 0:40:02 | |
35. | 0:40:02 | 0:40:04 | |
40 anywhere? 35. 40. | 0:40:04 | 0:40:07 | |
Commissions over at 40. Five. | 0:40:07 | 0:40:09 | |
50. No? 45 then. | 0:40:09 | 0:40:11 | |
Far end, 45. Is there 50? | 0:40:11 | 0:40:13 | |
£45 then. Shout if I don't see you. | 0:40:13 | 0:40:16 | |
Selling at 45. | 0:40:16 | 0:40:18 | |
-Disappointed with that. -You've more than doubled it. | 0:40:18 | 0:40:22 | |
I'm sorry, I'm disappointed. | 0:40:22 | 0:40:24 | |
Margie clearly hoped for more. | 0:40:24 | 0:40:26 | |
But it's a decent profit. | 0:40:26 | 0:40:28 | |
I think you did well. You made £25 on it. | 0:40:28 | 0:40:31 | |
Wow. | 0:40:31 | 0:40:32 | |
Mark's hoping to light a spark | 0:40:32 | 0:40:35 | |
with his silver match striker and patent. | 0:40:35 | 0:40:38 | |
30. Five. 40. Five. | 0:40:38 | 0:40:40 | |
50, anywhere? At 45. | 0:40:40 | 0:40:42 | |
-Come on. -At 45. | 0:40:42 | 0:40:45 | |
At 45, the best of the three bids. | 0:40:45 | 0:40:48 | |
50, anywhere in the room? | 0:40:48 | 0:40:49 | |
Selling then at 45... | 0:40:49 | 0:40:52 | |
He did try hard. | 0:40:52 | 0:40:54 | |
He tried very hard there. | 0:40:54 | 0:40:56 | |
After commission, that's barely a profit. | 0:40:56 | 0:40:59 | |
Never mind, Mark. | 0:40:59 | 0:41:00 | |
You should have had a bit more for that. | 0:41:00 | 0:41:02 | |
Should have but I'm not too unhappy. | 0:41:02 | 0:41:04 | |
Margie's brooch next. | 0:41:04 | 0:41:07 | |
-Will this little beauty put her back in the running? -Starting at 15. | 0:41:07 | 0:41:11 | |
20. And five, at 25. At 25, | 0:41:11 | 0:41:14 | |
looking for 30 now. At 25. | 0:41:14 | 0:41:15 | |
At £25. | 0:41:15 | 0:41:17 | |
A pretty brooch, this, at 25 only. 30 anywhere else? | 0:41:17 | 0:41:20 | |
Have a look at this. 30 clears the commission. | 0:41:20 | 0:41:23 | |
Gentleman straight ahead of me at 30. Selling at 30... | 0:41:23 | 0:41:27 | |
That's a good profit. £12. Well done. | 0:41:27 | 0:41:31 | |
A smart profit of £12. | 0:41:31 | 0:41:33 | |
Margie's edging her way back. | 0:41:33 | 0:41:35 | |
The final lot of the day, Mark's butler's tray, bought for £45. | 0:41:36 | 0:41:41 | |
Interest with me at £40. | 0:41:41 | 0:41:44 | |
At 40. Is there five? At 40. | 0:41:44 | 0:41:46 | |
Come on. | 0:41:46 | 0:41:48 | |
-Is there five now? -Surely not?! | 0:41:48 | 0:41:50 | |
At 40. This is cheap at £40. | 0:41:50 | 0:41:53 | |
Is there five anywhere? At £40 then. | 0:41:53 | 0:41:56 | |
All done? You're quite sure? | 0:41:56 | 0:41:58 | |
-Only £40. -I can't believe it. -Selling... | 0:41:58 | 0:42:00 | |
-Oh my goodness me. -£5, Margie. That plus commission, of course. | 0:42:01 | 0:42:05 | |
Oh dear. Mark's final lot failed to deliver him a profit. Bad luck. | 0:42:05 | 0:42:10 | |
-Well, that was a bit of a bummer, wasn't it? -That was awful. | 0:42:10 | 0:42:14 | |
Not as awful as you think, actually. | 0:42:14 | 0:42:16 | |
Margie Cooper began this leg with £162.46 | 0:42:17 | 0:42:21 | |
and made a small profit of £29.60 after auction costs. | 0:42:21 | 0:42:26 | |
That leaves her with £192.06 to spend tomorrow. | 0:42:26 | 0:42:32 | |
Mark Stacey started his trip with £257.02 | 0:42:32 | 0:42:37 | |
and went on to make a robust profit of £80.14 | 0:42:37 | 0:42:41 | |
making him today's winner. | 0:42:41 | 0:42:43 | |
He now has £337.16 to take forward tomorrow. | 0:42:43 | 0:42:48 | |
-Phew. -That's not bad, is it? -That's not bad at all. | 0:42:50 | 0:42:53 | |
-You made profit, Margie! -I made profit! | 0:42:53 | 0:42:56 | |
-And I made a bit of profit. -You have. | 0:42:56 | 0:42:58 | |
More importantly, we have more money for our next round. | 0:42:58 | 0:43:02 | |
-Marvellous. I'm thrilled. -Come on. | 0:43:02 | 0:43:04 | |
Here we go. | 0:43:04 | 0:43:05 | |
-Ready? -Ready. | 0:43:08 | 0:43:09 | |
Join us tomorrow when Margie considers a career change... | 0:43:13 | 0:43:17 | |
..and Mark makes a shocking offer... | 0:43:19 | 0:43:22 | |
-A tenner?! -Yes. -You must be joking. | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:48 |