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The nation's favourite antiques experts, £200 each and one big challenge. | 0:48:02 | 0:48:06 | |
Well, duck, do I buy you or don't I? | 0:48:06 | 0:48:08 | |
Who can make the most money | 0:48:08 | 0:48:10 | |
buying and selling antiques as they scour the UK? | 0:48:10 | 0:48:12 | |
Look at the colour. | 0:48:12 | 0:48:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:48:13 | 0:48:17 | |
But it's not as easy as it looks | 0:48:17 | 0:48:18 | |
and dreams of glory can end in tatters. | 0:48:18 | 0:48:21 | |
Thank you. | 0:48:21 | 0:48:22 | |
So, will it be the fast lane to success | 0:48:22 | 0:48:25 | |
or the slow road to bankruptcy? | 0:48:25 | 0:48:26 | |
Bad luck for Tom, that's £50 down. | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip. | 0:48:29 | 0:48:31 | |
It's the fourth day of this road trip | 0:48:36 | 0:48:38 | |
and Thomas Plant and Mark Hales are once again sailing | 0:48:38 | 0:48:42 | |
through the countryside to the purr of the 1967 Sunbeam Alpine. | 0:48:42 | 0:48:47 | |
New boy Mark is keen to up his game. | 0:48:47 | 0:48:51 | |
I've got to have two good buys to catch you up. | 0:48:51 | 0:48:53 | |
Two good buys and I need you to fail miserably at the same time, | 0:48:53 | 0:48:56 | |
so it's not an easy situation. | 0:48:56 | 0:49:00 | |
Maybe you might have to take a few risks. | 0:49:00 | 0:49:02 | |
But I do have a little strategy, actually. | 0:49:02 | 0:49:04 | |
I'm desperately going to try to avoid things | 0:49:04 | 0:49:08 | |
that I think have a £10 profit. | 0:49:08 | 0:49:10 | |
Yes, good plan. | 0:49:10 | 0:49:12 | |
So, throughout the week, Thomas, a veteran antiques valuer | 0:49:14 | 0:49:17 | |
and auctioneer, has had his eye turned by a shapely figure. | 0:49:17 | 0:49:21 | |
It's so horrid, but it's...it's lovely. | 0:49:21 | 0:49:24 | |
Even her bottom is rather delightful. | 0:49:24 | 0:49:27 | |
-HONK -But has come a cropper | 0:49:27 | 0:49:29 | |
when it comes to keeping his eye on the road. | 0:49:29 | 0:49:31 | |
Oops! | 0:49:33 | 0:49:35 | |
Mark is also an auctioneer with a passion for ceramics, | 0:49:37 | 0:49:41 | |
who can see the good in every pot. | 0:49:41 | 0:49:44 | |
They're not going to set the world alight but I'm very pleased anyway. | 0:49:44 | 0:49:48 | |
But when it comes to sealing a deal, he prefers a bit of... | 0:49:48 | 0:49:52 | |
ooh-la-la. Mainly on the cheeks. | 0:49:52 | 0:49:54 | |
# Je t'aime, je t'aime | 0:49:54 | 0:49:57 | |
# Oui, je t'aime | 0:49:57 | 0:49:59 | |
# Moi, non plus... # | 0:50:01 | 0:50:03 | |
Our experts started the week | 0:50:05 | 0:50:08 | |
with £200 worth of crisp notes to spend. | 0:50:08 | 0:50:11 | |
After the third leg of this road trip, | 0:50:11 | 0:50:14 | |
Mark is being lapped by his rival. | 0:50:14 | 0:50:16 | |
So far, the new boy has made a respectable £287.33. | 0:50:19 | 0:50:26 | |
And despite suffering a recent auction defeat, | 0:50:26 | 0:50:30 | |
Thomas is still the front runner | 0:50:30 | 0:50:33 | |
with a massive £455.78 to play with. | 0:50:33 | 0:50:35 | |
Which means Mark has got to win over Lady Luck | 0:50:38 | 0:50:41 | |
to even get to smell victory. | 0:50:41 | 0:50:43 | |
I can't have you galloping away in front of me. I need to catch up. | 0:50:43 | 0:50:48 | |
This week's road trip started in Portrush in Northern Ireland | 0:50:48 | 0:50:52 | |
and takes our boys some 460 miles east to the beautiful village | 0:50:52 | 0:50:57 | |
of Pontrila, South Herefordshire, for the final showdown. | 0:50:57 | 0:51:02 | |
Today, though, they begin in Newport, Pembrokeshire, | 0:51:02 | 0:51:06 | |
and motor their 48 miles to the auction in Llandeilo in Carmarthenshire. | 0:51:06 | 0:51:11 | |
-See, we are coming into this sign at Newport. -There we are. | 0:51:13 | 0:51:17 | |
This Newport, not to be confused with the other, | 0:51:17 | 0:51:20 | |
bigger Newport in South Wales, | 0:51:20 | 0:51:22 | |
sits on the south-west Pembrokeshire Coast | 0:51:22 | 0:51:26 | |
and is known for its great beaches. | 0:51:26 | 0:51:28 | |
Sadly, though, beaches are not on the schedule today. | 0:51:28 | 0:51:32 | |
-Right, here we are, Mark. -Yes. -Look at that. | 0:51:38 | 0:51:41 | |
Right, we are going shopping. | 0:51:41 | 0:51:44 | |
They're heading for the Carningli Centre | 0:51:45 | 0:51:49 | |
a shop specialising in lots and lots of railwayana. | 0:51:49 | 0:51:53 | |
TRAIN WHISTLE | 0:51:53 | 0:51:55 | |
Thank you. | 0:51:55 | 0:51:57 | |
Right, what's Mark found? Oh, that's a big one. | 0:52:02 | 0:52:06 | |
Goodness me. What on Earth is it for, that large, | 0:52:06 | 0:52:09 | |
with one handle and it's only supposed to have one handle? | 0:52:09 | 0:52:14 | |
It's alloy. "Food mixing bowl." | 0:52:14 | 0:52:17 | |
Oh, well, they don't make them like that any more. | 0:52:17 | 0:52:20 | |
So which one of our intrepid antiques hunters | 0:52:20 | 0:52:23 | |
will bag the first bargain? Thomas, you got something? | 0:52:23 | 0:52:26 | |
Probably taken me 10-15 years to realise that this is Edelweiss. | 0:52:26 | 0:52:33 | |
But you get them in everything. | 0:52:33 | 0:52:35 | |
You get them carved out of wood, you get them on bone brooches, | 0:52:35 | 0:52:39 | |
so, you know, it's probably 1920s. | 0:52:39 | 0:52:41 | |
Switzerland and Austria were really popular places to visit, | 0:52:41 | 0:52:45 | |
not just as we go now for skiing, but it was to see the mountains. | 0:52:45 | 0:52:48 | |
I mean, I love the mountains. | 0:52:48 | 0:52:50 | |
-I love going to the mountains and I like skiing... -Eh? | 0:52:50 | 0:52:53 | |
I just love the mountains. They do something to me... | 0:52:53 | 0:52:56 | |
-Come on, concentrate, man. -After a week in the mountains... I mean, I like to spend two. | 0:52:56 | 0:53:01 | |
You sort of tend to get sort of full of energy... | 0:53:01 | 0:53:04 | |
We'll come back to him in a minute. | 0:53:04 | 0:53:07 | |
Can someone just say something sensible, please? | 0:53:07 | 0:53:10 | |
These are rather nice. | 0:53:10 | 0:53:11 | |
GWR, Great Western Railway. Buttons. | 0:53:14 | 0:53:18 | |
Very, very collectable. | 0:53:18 | 0:53:19 | |
Indeed they are. | 0:53:20 | 0:53:23 | |
These coat buttons date from the 1930s | 0:53:23 | 0:53:26 | |
and would have been worn by staff of the Great Western Railway, | 0:53:26 | 0:53:29 | |
which linked Wales and south-west England to London. | 0:53:29 | 0:53:33 | |
-Hello, Anne, I'm Mark. -Hello. -How do you do. | 0:53:33 | 0:53:36 | |
-Anne, there's no price on these. -Just £10 for the set. | 0:53:36 | 0:53:39 | |
-Aren't they lovely? -Yes. | 0:53:39 | 0:53:41 | |
I wonder. Yes. | 0:53:41 | 0:53:44 | |
They're very tempting. Very tempting. | 0:53:44 | 0:53:46 | |
I wonder, can we do a little bit with the price? | 0:53:46 | 0:53:49 | |
Could they be £7 for the six? | 0:53:49 | 0:53:52 | |
£7 for the six... Can we go for eight? | 0:53:52 | 0:53:55 | |
-Anne, they're lovely. -Right. -And £8 is fine. | 0:53:55 | 0:53:58 | |
-I'd like those, please. -Right. | 0:53:58 | 0:53:59 | |
-Thank you very much. -Thank you. -I'll have those. | 0:53:59 | 0:54:02 | |
Not the big bold buy we were hoping for, Mark, but there's still time. | 0:54:02 | 0:54:07 | |
Meanwhile, Thomas's mind is back on the job, thankfully, | 0:54:07 | 0:54:11 | |
and he's found a nice police truncheon. | 0:54:11 | 0:54:14 | |
SWR. Here it says South Wales Railway. | 0:54:14 | 0:54:18 | |
I quite like that we're in South Wales. | 0:54:18 | 0:54:21 | |
(This is a real bit of Welsh history. | 0:54:21 | 0:54:24 | |
(These truncheons, the painted ones, are widely collected.) | 0:54:24 | 0:54:28 | |
The SWR was built in 1845 to transport coal | 0:54:28 | 0:54:32 | |
from the Welsh valleys to London, | 0:54:32 | 0:54:34 | |
but only lasted 17 years before merging | 0:54:34 | 0:54:37 | |
with the Great Western Railway. | 0:54:37 | 0:54:40 | |
This railway police truncheon dates from around 1850 | 0:54:40 | 0:54:44 | |
and is priced at £100. | 0:54:44 | 0:54:46 | |
-Would you do it 80? -Can you meet me halfway? 90? | 0:54:47 | 0:54:52 | |
What, 75? | 0:54:58 | 0:55:00 | |
HE LAUGHS LOUDLY | 0:55:00 | 0:55:02 | |
No. | 0:55:02 | 0:55:04 | |
-Go on. It has got a bit of damage. -Do you know what I mean? | 0:55:05 | 0:55:09 | |
-I'll do you 80, and it's a deal. -Oh, OK. -Yeah? -Go on then. | 0:55:09 | 0:55:14 | |
You're a star. | 0:55:14 | 0:55:15 | |
Great, they're both up and running, but Thomas is off on one again. | 0:55:15 | 0:55:19 | |
Oh dear. | 0:55:19 | 0:55:21 | |
I think Mark's bought something...pedestrian. | 0:55:21 | 0:55:24 | |
I've taken a risk. What is it with me? | 0:55:24 | 0:55:27 | |
I come into a shop, I say I'm not going to spend any money, | 0:55:27 | 0:55:30 | |
and then I start buying things, taking risks. | 0:55:30 | 0:55:33 | |
But I think my risk I've taken is a good, calculated one. | 0:55:34 | 0:55:39 | |
Well, sounds like Mark's reluctance to splash some cash | 0:55:39 | 0:55:42 | |
is rubbing his rival up the wrong way. | 0:55:42 | 0:55:45 | |
I heard your very expensive purchase, £8, I think it was, wasn't it? | 0:55:45 | 0:55:50 | |
I thought you wanted to make big profits this time? More than £10! | 0:55:50 | 0:55:53 | |
It's an illness, Thomas! | 0:55:53 | 0:55:55 | |
Well, as Mark contemplates the wisdom of yet another cheap buy, | 0:55:55 | 0:55:59 | |
for the Sunbeam Alpine, it's the road again. | 0:55:59 | 0:56:03 | |
So, it's goodbye to Newport | 0:56:03 | 0:56:06 | |
and hello to Hannah Pen-ffynnon, near Llangeler, | 0:56:06 | 0:56:09 | |
in the neighbouring county of Carmarthenshire. | 0:56:09 | 0:56:12 | |
Apologies for any mispronunciation. | 0:56:12 | 0:56:14 | |
Mark wants to go back to school | 0:56:14 | 0:56:16 | |
and the bell's just rung at the West Wales Museum of Childhood. | 0:56:16 | 0:56:20 | |
-I'm Mark. -Hello, Mark. I'm Hilary. Croeso. | 0:56:21 | 0:56:24 | |
Welcome to West Wales Museum of Childhood. | 0:56:24 | 0:56:27 | |
-Let me show you around. -Thank you very much. | 0:56:27 | 0:56:29 | |
This museum is packed with childhood memorabilia. | 0:56:29 | 0:56:32 | |
In fact, there are some 10,000 artefacts crammed in here. | 0:56:32 | 0:56:37 | |
Much of it the personal collection of Hillary and her husband Paul | 0:56:37 | 0:56:41 | |
who've had a passion for these things for much of their lives. | 0:56:41 | 0:56:45 | |
As well as the toys, | 0:56:49 | 0:56:50 | |
there's also a mock-up of an old classroom | 0:56:50 | 0:56:53 | |
from the first half of the 20th century, with its wooden desks, | 0:56:53 | 0:56:57 | |
chalk boards and milk bottles | 0:56:57 | 0:56:59 | |
that hark back to 1946 and the first free school milk for all. | 0:56:59 | 0:57:04 | |
There are also gruesome reminders of the tough side to school life. | 0:57:06 | 0:57:10 | |
In fact, when classes come, we actually put them in here. | 0:57:10 | 0:57:14 | |
We actually get the children writing on the slates | 0:57:14 | 0:57:18 | |
and we show them the canes. | 0:57:18 | 0:57:20 | |
-Look at that. -My goodness. -And the sound of it, I mean. | 0:57:20 | 0:57:24 | |
You just whoosh it through the air and they can imagine it. | 0:57:24 | 0:57:27 | |
And for the really sadistic teacher, a knobbly one, look at that one. | 0:57:27 | 0:57:31 | |
-What about this one? -Now, what is that? | 0:57:31 | 0:57:34 | |
-What on earth is all that about? -That's a backboard. | 0:57:34 | 0:57:37 | |
-A backboard? -If you're slouching in class, | 0:57:37 | 0:57:40 | |
if you put this bit behind your back, | 0:57:40 | 0:57:43 | |
in front of your arms, | 0:57:43 | 0:57:44 | |
you've got to stand in the corner for 20 minutes like that, that teaches you deportment. | 0:57:44 | 0:57:48 | |
Oh, really? Keeps your back upright. | 0:57:48 | 0:57:50 | |
Yes, so 20 minutes of that, you'd remember not to slouch. | 0:57:50 | 0:57:54 | |
This isn't familiar to me, but I think I might know what it is. | 0:57:54 | 0:57:57 | |
I'm just wondering.... | 0:57:57 | 0:57:59 | |
I'm trying to catch up Thomas Plant at the moment. | 0:57:59 | 0:58:02 | |
He's been doing terribly well. I'm still there. | 0:58:02 | 0:58:06 | |
Do you think you might have to wear one of these at the end? | 0:58:06 | 0:58:08 | |
I'm just wondering, if I haven't caught him by the end of the week, | 0:58:08 | 0:58:12 | |
do you think maybe I should stand in the corner with that on? | 0:58:12 | 0:58:15 | |
-Oh, yes. -Looking very solemn. -Oh, dear! | 0:58:15 | 0:58:19 | |
Oh, dear. This museum | 0:58:19 | 0:58:22 | |
also has an impressive collection of Welsh-produced toys. | 0:58:22 | 0:58:27 | |
The country was a magnet for big-named toy manufacturers, | 0:58:27 | 0:58:30 | |
like Louis Marx, | 0:58:30 | 0:58:31 | |
Triang and Mettoy, producers of Corgi toys. | 0:58:31 | 0:58:35 | |
They originally came to Wales for war work, | 0:58:35 | 0:58:39 | |
liked the place and stayed. | 0:58:39 | 0:58:41 | |
And in the 1950s, they brought in Corgi cars. | 0:58:41 | 0:58:46 | |
They wanted a name that was small, cute, and very Welsh. | 0:58:46 | 0:58:51 | |
And you had a relatively new Queen on the throne at that point, so, Corgi. | 0:58:51 | 0:58:54 | |
-Welsh corgi, wonderful. -Absolutely. | 0:58:54 | 0:58:57 | |
And they were huge. | 0:58:57 | 0:59:00 | |
I mean, there was 5,000 people working there at one time. | 0:59:00 | 0:59:03 | |
-Not many toys are made in Wales any more, but this one is. -Ah! | 0:59:03 | 0:59:08 | |
This is a firm called Timber Kits. | 0:59:08 | 0:59:11 | |
They're up in North Wales and if you turn... | 0:59:11 | 0:59:14 | |
-There you are. -So, toys still produced in Wales. | 0:59:14 | 0:59:17 | |
-He's rather lovely, isn't he? -He's great fun. | 0:59:17 | 0:59:19 | |
Another toy that marks the end of a great manufacturing area | 0:59:19 | 0:59:23 | |
is this, the Silver Racer, | 0:59:23 | 0:59:25 | |
one of the last mechanically driven toys before the advent of batteries. | 0:59:25 | 0:59:30 | |
If you'd like to... | 0:59:30 | 0:59:32 | |
-Aha. -..see this. -I like that. -Isn't that lovely? | 0:59:32 | 0:59:37 | |
-I've had lots of motorbikes. Tinplate? -It is tinplate. | 0:59:37 | 0:59:40 | |
-1950s? -'50s, yes. | 0:59:40 | 0:59:43 | |
It's German. It's Tipco. | 0:59:43 | 0:59:45 | |
And this is in good order. Isn't that nice? Can I have a go? | 0:59:45 | 0:59:49 | |
-Yes, go on. Have a go. -It'll be fun, won't it? | 0:59:49 | 0:59:51 | |
Right, I don't know how we're going to get on this floor | 0:59:51 | 0:59:55 | |
but let's see what happens. | 0:59:55 | 0:59:57 | |
Wonderful. | 1:00:03 | 1:00:05 | |
And time to return to the world of grown-ups | 1:00:06 | 1:00:09 | |
and Thomas is on his way back to Newcastle Emlyn, | 1:00:09 | 1:00:12 | |
a town perched on the banks | 1:00:12 | 1:00:14 | |
of the River Teifi, the second longest river in Wales | 1:00:14 | 1:00:19 | |
where the majority of the population, 941, | 1:00:19 | 1:00:23 | |
according to the 2001 census, speak Welsh. | 1:00:23 | 1:00:25 | |
But Steve, owner of the Emlyn Antiques Centre, | 1:00:25 | 1:00:30 | |
is cutting Thomas some slack with the language. Thank goodness. | 1:00:30 | 1:00:33 | |
-I'm Thomas. -Nice to meet you, Thomas. I'm Steve. | 1:00:33 | 1:00:37 | |
It's all right. Has it got age? I'm no great one on furniture. | 1:00:41 | 1:00:46 | |
I'm not great on furniture. | 1:00:46 | 1:00:47 | |
Don't know what I'm doing looking at it? | 1:00:47 | 1:00:49 | |
For heavens' sake, then, put it down! Huh. | 1:00:49 | 1:00:52 | |
-What's this then? -Dough bin. -Dough bin, oh, yeah. | 1:00:57 | 1:01:02 | |
Dough bin were used for mixing bread dough and allowing it to rise. | 1:01:02 | 1:01:07 | |
Fairly obvious, really. | 1:01:07 | 1:01:09 | |
This one's priced at a lot of dough - £220. | 1:01:09 | 1:01:12 | |
It's got a nice patina to it. | 1:01:12 | 1:01:15 | |
KNOCK ON WOOD | 1:01:16 | 1:01:18 | |
Got a bit of worm, but I think that's not kicking out. | 1:01:18 | 1:01:21 | |
I think it's Victorian. Would've been in a pantry. | 1:01:21 | 1:01:24 | |
A real country cottage farming thing, probably. | 1:01:24 | 1:01:27 | |
Its uses now in the home are for towels, | 1:01:27 | 1:01:30 | |
so to speak, outside a bathroom or on a landing. | 1:01:30 | 1:01:35 | |
I don't know what they're worth, I've never sold one. | 1:01:35 | 1:01:37 | |
Look, what can it be? | 1:01:37 | 1:01:39 | |
-The best on that is 150. -Really? -Yeah, really. | 1:01:41 | 1:01:44 | |
Can I offer you 100 for it? | 1:01:44 | 1:01:46 | |
125. | 1:01:46 | 1:01:48 | |
Oh, go on. | 1:01:48 | 1:01:50 | |
-125. -Go on. -120. | 1:01:50 | 1:01:53 | |
-What do people use them for round here? Blankets? -Blankets and plants. | 1:01:55 | 1:02:00 | |
-Take the top off and put plants in them. -Really? -Yeah. | 1:02:00 | 1:02:03 | |
What, for 110 quid, because you'd sell it to me for 110, wouldn't you? | 1:02:03 | 1:02:06 | |
LAUGHS | 1:02:08 | 1:02:09 | |
Yeah, I'll sell it to you for 110. | 1:02:09 | 1:02:11 | |
LAUGHS | 1:02:11 | 1:02:13 | |
Um... | 1:02:13 | 1:02:14 | |
-Really, they do that? -Yeah. -All right. | 1:02:14 | 1:02:17 | |
I'm going to take a huge risk. | 1:02:17 | 1:02:19 | |
Good man. | 1:02:19 | 1:02:21 | |
-I don't think you're taking a risk. -You don't think so? | 1:02:21 | 1:02:24 | |
Well, he would say that, wouldn't he? | 1:02:24 | 1:02:26 | |
For a man who doesn't like to buy furniture, | 1:02:26 | 1:02:29 | |
there's a danger this bit of dough could fail to rise. | 1:02:29 | 1:02:32 | |
Thank you, sir. | 1:02:32 | 1:02:33 | |
So, with the shopping over and a nightcap beckoning, | 1:02:33 | 1:02:36 | |
our boys head for bed, ready to do battle again tomorrow. | 1:02:36 | 1:02:41 | |
It's day two, and Thomas and Mark have hit the road again, | 1:02:45 | 1:02:50 | |
but all is not well... | 1:02:50 | 1:02:53 | |
I've got a wet bottom. | 1:02:53 | 1:02:55 | |
-I don't think... -Actually, my... | 1:02:55 | 1:02:57 | |
Actually, yeah, I think I've just joined the wet bottom club! | 1:02:57 | 1:03:02 | |
Great, wet pants all day - lovely! | 1:03:02 | 1:03:04 | |
OK, then - moving along... | 1:03:04 | 1:03:07 | |
So far, Mark has only bought one item, and spent just £8. | 1:03:07 | 1:03:11 | |
-Thank you very much. -Thank you. | 1:03:11 | 1:03:14 | |
Thomas, on the other hand, is shooting for the stars. | 1:03:14 | 1:03:17 | |
He's spent a monstrous £190 on two auction lots. | 1:03:17 | 1:03:21 | |
He's now feeling smug enough to pile...some pressure | 1:03:23 | 1:03:27 | |
on his less experienced Antiques Road Tripper. | 1:03:27 | 1:03:31 | |
-You've got to start buying, Mark. -I know, I know. | 1:03:31 | 1:03:34 | |
You've been very badly behaved recently, spending very little money. | 1:03:34 | 1:03:38 | |
-Sensible. -No, I don't think it is, it's boring! | 1:03:38 | 1:03:43 | |
Quite right! | 1:03:43 | 1:03:45 | |
So, what can Mark pull out of the bag today? | 1:03:45 | 1:03:47 | |
Our boys are heading for Haverfordwest, in Pembrokeshire, | 1:03:47 | 1:03:51 | |
a town dominated by a castle, | 1:03:51 | 1:03:54 | |
where Mark plans to offload his outspoken opponent. | 1:03:54 | 1:03:57 | |
-She's all yours. -Wonderful, I can't wait. | 1:03:57 | 1:04:00 | |
-I can't wait! -Well, don't break her. -Don't break her! | 1:04:00 | 1:04:03 | |
-Don't break her! -Now...spend some money! | 1:04:03 | 1:04:07 | |
Right, off you go, Mark - | 1:04:07 | 1:04:10 | |
while Thomas is banged up here. | 1:04:10 | 1:04:14 | |
This castle has been a prison of some sort since the 12th century. | 1:04:14 | 1:04:19 | |
Even when Cromwell set about dismantling it | 1:04:19 | 1:04:22 | |
after the English Civil War, | 1:04:22 | 1:04:25 | |
a county prison sprang up within these ruined walls. | 1:04:25 | 1:04:29 | |
Only remnants of the actual jail remain, | 1:04:29 | 1:04:32 | |
but it's the castle's long association with the penal system | 1:04:32 | 1:04:37 | |
that Thomas has come to find out about. | 1:04:37 | 1:04:40 | |
-Hello. -Hello, Tom, welcome. | 1:04:40 | 1:04:42 | |
-Simon, isn't it? -Yes. -Thank you for having us, it looks fascinating. | 1:04:42 | 1:04:47 | |
This building, once the prison governor's house | 1:04:47 | 1:04:51 | |
and later the Pembrokeshire Police Headquarters, | 1:04:51 | 1:04:54 | |
is now home to the county museum. | 1:04:54 | 1:04:56 | |
Upstairs, there's a stark reminder of the type of weapon | 1:04:56 | 1:05:01 | |
used to apprehend criminals in these parts. | 1:05:01 | 1:05:04 | |
This is a particularly interesting object, | 1:05:04 | 1:05:07 | |
because we think it is one of the early Pembrokeshire Police firearms. | 1:05:07 | 1:05:13 | |
Were they such a lawless lot that the police had to be armed? | 1:05:13 | 1:05:17 | |
Mid-Victorian Haverfordwest, and the suburb of Prendergast especially, | 1:05:17 | 1:05:21 | |
were pretty rough places - you had thousands of navvies | 1:05:21 | 1:05:24 | |
who brought the railway to Haverfordwest in the 1850s. | 1:05:24 | 1:05:28 | |
-Irish navvies... -Not just Irish, but people from | 1:05:28 | 1:05:31 | |
depressed rural communities across Wales. | 1:05:31 | 1:05:34 | |
And people regularly carried knives and other sorts of weapons, | 1:05:34 | 1:05:38 | |
so the police had to be fit for duty, | 1:05:38 | 1:05:41 | |
and unfortunately, assaults on the police were very commonplace. | 1:05:41 | 1:05:45 | |
-Really? -All the records have survived, and it really was | 1:05:45 | 1:05:49 | |
a very difficult time to be a police officer. | 1:05:49 | 1:05:51 | |
I always thought it was, "Fair cop, guv, | 1:05:51 | 1:05:54 | |
"I'll come down to the station with you." | 1:05:54 | 1:05:57 | |
Unfortunately not, society was very red and raw | 1:05:57 | 1:06:01 | |
in tooth and claw, | 1:06:01 | 1:06:04 | |
and this is one of the protections that police officers could call upon | 1:06:04 | 1:06:08 | |
in an emergency - on the barrel is engraved, | 1:06:08 | 1:06:12 | |
"County of Pembroke," which means that it was an official weapon. | 1:06:12 | 1:06:16 | |
This pistol dates from 1850, | 1:06:16 | 1:06:19 | |
and would have been the last line of defence for the 78 officers | 1:06:19 | 1:06:24 | |
of the Pembrokeshire Force. | 1:06:24 | 1:06:26 | |
-Can I hold it? -Of course. -So, this is a mid-Victorian - well, 1850s - | 1:06:26 | 1:06:31 | |
mid-19th century police pistol. | 1:06:31 | 1:06:34 | |
I wonder if it was already pre-loaded, then they'd sort of just, | 1:06:34 | 1:06:38 | |
you know... Or did they stand sideways on? I bet the recall on this | 1:06:38 | 1:06:43 | |
would have been, one arm, it would have ripped your arm ligaments. | 1:06:43 | 1:06:48 | |
But if you missed them, you could use it as a real blunt force trauma | 1:06:48 | 1:06:52 | |
on their head or something. | 1:06:52 | 1:06:54 | |
Archive documents suggest that by the 19th century, | 1:06:54 | 1:06:58 | |
the police were battling a rising tide of lawlessness | 1:06:58 | 1:07:02 | |
in Haverfordwest. | 1:07:02 | 1:07:04 | |
With 76 pubs in a town of just 6,000 people, wow, | 1:07:04 | 1:07:09 | |
there was bound to be trouble! | 1:07:09 | 1:07:11 | |
For offenders, conditions at the 110-cell castle prison | 1:07:11 | 1:07:16 | |
were harsh. | 1:07:16 | 1:07:19 | |
Men, women and children have to break barrels of stones, | 1:07:19 | 1:07:23 | |
they have to work the treadmill to grind the corn, | 1:07:23 | 1:07:26 | |
-which gave an income to the prison. -Yeah. | 1:07:26 | 1:07:29 | |
And there was this horrible, repetitive task, oakum-picking, | 1:07:29 | 1:07:33 | |
which is this great black mass of tar, | 1:07:33 | 1:07:36 | |
filled with fibres, which they'd have to remove, | 1:07:36 | 1:07:40 | |
to try to reconstitute rope, which would be sold for the Royal Navy. | 1:07:40 | 1:07:44 | |
Everyone was given tasks to destroy their spirit and independence | 1:07:44 | 1:07:49 | |
and to, you know, make them cowed as much as they possibly could. | 1:07:49 | 1:07:53 | |
Prisoners also had little to eat - breakfast | 1:07:53 | 1:07:57 | |
was one pint of gruel and 8oz of bread. | 1:07:57 | 1:08:00 | |
Men, women and debtors were also separated, | 1:08:00 | 1:08:05 | |
and crimes, petty by today's standards, included | 1:08:05 | 1:08:09 | |
leaving your apprenticeship without permission | 1:08:09 | 1:08:12 | |
and having an illegitimate child. | 1:08:12 | 1:08:14 | |
While the prisoners and the police are long gone, | 1:08:14 | 1:08:18 | |
Haverfordwest's contribution | 1:08:18 | 1:08:21 | |
to eight centuries of penal history in Pembrokeshire remains standing. | 1:08:21 | 1:08:26 | |
Back down the hill, in the centre of Haverfordwest, | 1:08:26 | 1:08:30 | |
Mark's been immersed in furniture - | 1:08:30 | 1:08:33 | |
and more furniture - at Tree House Antiques. | 1:08:33 | 1:08:37 | |
Donna is on standby to lend a hand, | 1:08:37 | 1:08:40 | |
and with just one item in the bag, our boy is feeling the pressure. | 1:08:40 | 1:08:46 | |
Bit of a rush, because I've only got today - got to find something today. | 1:08:46 | 1:08:51 | |
Must find something TO-DAY. | 1:08:51 | 1:08:54 | |
Yes, TO-DAY, not...next week. | 1:08:54 | 1:08:57 | |
Can I ask you about a box over here? | 1:09:08 | 1:09:13 | |
-Little bit of damage around the keyhole, as there often is. -Yes. | 1:09:13 | 1:09:17 | |
That could have an insert or something - it's just very pretty. | 1:09:17 | 1:09:21 | |
-How much is that, can you find out for me? -Yes, I can. | 1:09:21 | 1:09:24 | |
I mean, is it a tenner, something like that? | 1:09:24 | 1:09:28 | |
-Oh, I think it would be a bit more than that? -Would it? Lots more? | 1:09:28 | 1:09:31 | |
-Could you find out for me? -I will. -Just in case - it's very pretty. | 1:09:31 | 1:09:35 | |
That's right. With not a ticket price in sight, | 1:09:35 | 1:09:39 | |
time for Donna to play "middle man" and nip round the back | 1:09:39 | 1:09:42 | |
to consult the camera-shy owner on getting a deal. | 1:09:42 | 1:09:45 | |
-# Cryin' -Cryin' | 1:09:45 | 1:09:47 | |
-# Waitin' -Waitin' | 1:09:47 | 1:09:49 | |
# Hopin' you'll come back | 1:09:49 | 1:09:52 | |
# I just can't seem to get you off my mi-ind... # | 1:09:52 | 1:09:57 | |
Is my luck in, Donna? How much is it? | 1:09:57 | 1:10:00 | |
Well, he wanted £20 for it, really, but we can come down a little bit. | 1:10:00 | 1:10:04 | |
-What would you...? -It's a pretty little box, not rare or anything, | 1:10:04 | 1:10:08 | |
I just...have to buy something today. If he'll do it for 15, | 1:10:08 | 1:10:12 | |
I'll have it - because I've got room, then, haven't I? | 1:10:12 | 1:10:16 | |
-Yes. That's fair enough, you can have that for 15. -Yeah? | 1:10:16 | 1:10:19 | |
-Wonderful, I've made a purchase! -That's good, we're all happy! | 1:10:19 | 1:10:23 | |
-You've got the day started. -Yes. | 1:10:23 | 1:10:25 | |
A box - not exactly the big spend we were hoping for, | 1:10:25 | 1:10:29 | |
but at least Mark's moved into double figures. | 1:10:29 | 1:10:33 | |
Oh, and there's more... | 1:10:33 | 1:10:36 | |
-Was it this one in the corner? -Right in the corner, Donna, please. | 1:10:36 | 1:10:40 | |
I rather like that. It's got to be a good price, though, Donna, honestly. | 1:10:40 | 1:10:45 | |
-How much is it? -Well... It's £50. | 1:10:45 | 1:10:48 | |
It's 50, is it? Let's have a look. | 1:10:48 | 1:10:51 | |
That's not expensive. | 1:10:51 | 1:10:54 | |
It's decorative, it's nice, people like a sun dial. | 1:10:55 | 1:10:59 | |
A little bit of paint... | 1:10:59 | 1:11:02 | |
I think that's great. Erm... | 1:11:02 | 1:11:05 | |
Oh, dear, though, I don't want to pay £59, I really don't, honestly. | 1:11:07 | 1:11:11 | |
I'll tell you what, Donna, I won't mess you about - | 1:11:11 | 1:11:14 | |
you can either do it or you can't. | 1:11:14 | 1:11:16 | |
If it were 40, I'd buy it. £40, I'd buy it. | 1:11:16 | 1:11:20 | |
-Oh...! -All right? -Well, seeing as it's you! -Yeah? | 1:11:20 | 1:11:23 | |
-Yes. -And to seal the deal... | 1:11:23 | 1:11:27 | |
-Thank you, £40. -# Je t'aime | 1:11:27 | 1:11:29 | |
# Je t'aime Oui, je t'aime... # | 1:11:29 | 1:11:32 | |
-Smoothy! -# Moi, non plus... # | 1:11:32 | 1:11:35 | |
So, our new boy is finally motoring. | 1:11:35 | 1:11:38 | |
With the wind in his hair, he's heading 31 miles east | 1:11:38 | 1:11:42 | |
to Carmarthen, | 1:11:42 | 1:11:44 | |
and seems ready to take on the world - well, Thomas, anyway. | 1:11:44 | 1:11:50 | |
Must buy two more items...TO-DAY. | 1:11:50 | 1:11:53 | |
I think I'll just let Thomas carry on with his psychological warfare, | 1:11:53 | 1:11:59 | |
and let it go in one ear and out of the other. I'll do things my way, | 1:11:59 | 1:12:03 | |
and I'll get the result I need my way. | 1:12:03 | 1:12:06 | |
Oh! That's fighting talk! | 1:12:06 | 1:12:10 | |
Carmarthen claims to be the oldest town in Wales. | 1:12:10 | 1:12:14 | |
The Mount Antique Centre, where Mark is heading, | 1:12:14 | 1:12:17 | |
hasn't been around that long, but judging from the amount of stuff, | 1:12:17 | 1:12:21 | |
you'd think it had. Cor, look at that! | 1:12:21 | 1:12:25 | |
Crammed! | 1:12:25 | 1:12:28 | |
I'm looking for something with a decent profit in, obviously. | 1:12:28 | 1:12:32 | |
I don't care what it is any more - I've thrown all that to the wind. | 1:12:32 | 1:12:36 | |
Oh, hark at him! Watch out, Thomas! | 1:12:36 | 1:12:40 | |
-Gone, gone, gone... -In fact... -I like it here, interesting things. | 1:12:40 | 1:12:46 | |
Oop! Let's see what we have here. | 1:12:46 | 1:12:49 | |
That's really nice. Not very good quality, minor factory - | 1:12:52 | 1:12:56 | |
I think it's Scottish, Portobello factory, north of Edinburgh. | 1:12:56 | 1:13:00 | |
In fact, it began life in Staffordshire | 1:13:00 | 1:13:03 | |
and was sent to Edinburgh for decorating. | 1:13:03 | 1:13:06 | |
It dates from the 1920s, and with that rare Charlie Chaplin figure, | 1:13:06 | 1:13:11 | |
it's sure to appeal to movie buffs. | 1:13:11 | 1:13:13 | |
-Jack... -Hi. | 1:13:15 | 1:13:17 | |
This is great fun, great fun! | 1:13:17 | 1:13:21 | |
That's really nice. Erm, | 1:13:21 | 1:13:24 | |
I'm a ceramics man, so, immediately, got a nasty old crack there, | 1:13:24 | 1:13:29 | |
bit of restoration there... | 1:13:29 | 1:13:31 | |
I really do like it, but... but it's all in the price. | 1:13:31 | 1:13:36 | |
Erm, have you any idea? I mean, can it be considerably less? | 1:13:36 | 1:13:39 | |
-I've got to ask. -I can try and get hold of one of the traders there, | 1:13:39 | 1:13:43 | |
-that's the best way to get the best price. -OK. | 1:13:43 | 1:13:46 | |
-I will come back and let you know what they say. -Tell them I love it. | 1:13:46 | 1:13:50 | |
I really don't want to pay £52. I don't really want to pay £42. | 1:13:50 | 1:13:55 | |
But whatever I can get it for, I've got to have it, I must buy it, | 1:13:55 | 1:14:00 | |
it must be worth a go, it could be a sleeper in any sale anywhere, | 1:14:00 | 1:14:05 | |
it could be the sleeper. | 1:14:05 | 1:14:07 | |
Mmm! The word "sleeper" is often used | 1:14:07 | 1:14:10 | |
to describe an antique that's been undervalued. | 1:14:10 | 1:14:13 | |
So, could Mark be on to something? | 1:14:13 | 1:14:17 | |
It's all down to that phone call to the dealer. | 1:14:17 | 1:14:20 | |
Mark, I got hold of the traders, and they said the lowest they could do | 1:14:22 | 1:14:27 | |
would be £40, and that's the absolute rock bottom. | 1:14:27 | 1:14:30 | |
-No point in offering them 35 or anything, seriously? -Seriously. | 1:14:30 | 1:14:34 | |
They wouldn't take it, I'm afraid, £40 is the absolute rock bottom. | 1:14:34 | 1:14:38 | |
-I think we've got to have that, then. -Ah! Thomas! | 1:14:38 | 1:14:42 | |
Mark's here. I hope he hasn't nicked all the bargains. | 1:14:44 | 1:14:47 | |
Well, you'd better chop, chop, then, Thomas. | 1:14:47 | 1:14:50 | |
Upstairs, Mark's finally thinking big, | 1:14:50 | 1:14:53 | |
and it's £95. | 1:14:53 | 1:14:55 | |
-Lovely pine bench, I really like that. -I can tell you, | 1:14:55 | 1:14:59 | |
the very best she will go down to on that | 1:14:59 | 1:15:01 | |
-is £70, and that's her absolute best. -That's her bottom line? -Yes. | 1:15:01 | 1:15:06 | |
The attractive Gothic ends suggest this bench came from a chapel, | 1:15:06 | 1:15:11 | |
and Mark's hoping for some divine intervention on the price. | 1:15:11 | 1:15:16 | |
Do you think she'd do it for 60? | 1:15:17 | 1:15:19 | |
I'll give her another ring, and just... | 1:15:19 | 1:15:22 | |
-Tell her what I'm going to do with it. -I will do. | 1:15:22 | 1:15:25 | |
-It's going in a local sale, and deserves to find a good home. -OK. | 1:15:25 | 1:15:30 | |
Mark - she said she'd meet you in the middle at 65, | 1:15:31 | 1:15:35 | |
but that really is the absolute lowest - no more room to move. | 1:15:35 | 1:15:40 | |
-You know, I think that's enough money, but I'll say yes. -Good lad! | 1:15:40 | 1:15:45 | |
So, with one more item in the bag - ha! - | 1:15:45 | 1:15:48 | |
and another in the back of a car, Mark heads off, | 1:15:48 | 1:15:51 | |
leaving his rival, Thomas, in danger of disturbing the peace. | 1:15:51 | 1:15:56 | |
THOMAS BLOWS ON EUPHONIUM | 1:15:56 | 1:15:59 | |
Oh, dear - maybe he should stick to the day job. | 1:16:04 | 1:16:08 | |
I think I could have found my third purchase. | 1:16:14 | 1:16:18 | |
With vintage cars short on space, | 1:16:18 | 1:16:21 | |
these trunks would have been the answer - packed with clothes | 1:16:21 | 1:16:25 | |
and strapped to the boot or roof. | 1:16:25 | 1:16:28 | |
Now, they're popular with interior designers, | 1:16:28 | 1:16:31 | |
doubling as blanket boxes and even pieces of furniture. | 1:16:31 | 1:16:35 | |
It's another coffee table. | 1:16:35 | 1:16:37 | |
It's another coffee table, isn't it? | 1:16:37 | 1:16:41 | |
It's a... Just cleaned up, waxed up. | 1:16:41 | 1:16:44 | |
Shame it's not leather, but... I'm going to take it away. | 1:16:44 | 1:16:48 | |
If I was a porter in a railway station, | 1:16:51 | 1:16:54 | |
I don't know if I'd make a good one, | 1:16:54 | 1:16:56 | |
but I'm going to find out how much I can get it for. | 1:16:56 | 1:17:00 | |
Well, with a price tag of £49 and made of canvas and leather, | 1:17:00 | 1:17:04 | |
it's certainly worth a gamble, | 1:17:04 | 1:17:06 | |
unless there's something else, Thomas, that takes your fancy. | 1:17:06 | 1:17:10 | |
A-ha! | 1:17:10 | 1:17:12 | |
I quite like it, it's probably like a... | 1:17:12 | 1:17:16 | |
It says here, "Victorian hop or grain scoops." | 1:17:16 | 1:17:20 | |
It's Victorian, and you can imagine a big vat of grain or hops, | 1:17:20 | 1:17:25 | |
and scoop in and out it comes, you know? | 1:17:25 | 1:17:28 | |
Some big guy scooping the grain in and out. | 1:17:29 | 1:17:33 | |
It would make something great for your kitchen. | 1:17:33 | 1:17:36 | |
At 65, though, it's more rusty than rustic. | 1:17:36 | 1:17:40 | |
That's tetanus central. | 1:17:40 | 1:17:43 | |
Maybe that's part of my bargaining. Tetanus central. | 1:17:43 | 1:17:46 | |
Maybe Thomas is hoping this grain scoop | 1:17:46 | 1:17:49 | |
can scoop up the same huge profit | 1:17:49 | 1:17:52 | |
his grain measure made earlier in the road trip. | 1:17:52 | 1:17:55 | |
Do you remember Portlaoise in the Republic Of Ireland? | 1:17:55 | 1:17:59 | |
Any advance in line at 340, all out and done? | 1:17:59 | 1:18:02 | |
-Fair warning to you, at 340 Euros. -GAVEL BANGS | 1:18:02 | 1:18:04 | |
-Brilliant. -Wonderful result. | 1:18:04 | 1:18:07 | |
-340? -You're going to have an awful lot to spend in Wales, aren't you? | 1:18:07 | 1:18:11 | |
Yep, a massive 250 Euros. | 1:18:11 | 1:18:13 | |
So... | 1:18:15 | 1:18:16 | |
-I quite like it. -Right. | 1:18:19 | 1:18:21 | |
It's a good plant pot, good for your kitchen, BUT... | 1:18:21 | 1:18:24 | |
-Ah, right. -These are really dangerous. | 1:18:27 | 1:18:30 | |
-Yeah, yeah. -Really dangerous. -They are quite sharp. | 1:18:30 | 1:18:32 | |
-What're you thinking? -20 quid, cos of that damage. | 1:18:32 | 1:18:35 | |
20 quid, I think, should be fine. | 1:18:35 | 1:18:37 | |
-I shall give him a ring, just in case. -I can't believe that. | 1:18:37 | 1:18:40 | |
Quite sharp edges on it, so would you accept a £20 offer? | 1:18:40 | 1:18:43 | |
It's your lucky day, he said 20's fine. | 1:18:46 | 1:18:48 | |
-20's fine for that? -Yep, 20's fine for that. | 1:18:48 | 1:18:51 | |
-That's all right. And the trunk... -Right. | 1:18:51 | 1:18:53 | |
I'd like to offer 30. So 50 for the two. | 1:18:53 | 1:18:57 | |
Aye, that should be fine. Go on then, yeah. Yeah. | 1:18:58 | 1:19:00 | |
-You think so? -Yeah, well it should be fine for 30 for, that, | 1:19:00 | 1:19:03 | |
-cos it's been here a while. -Has it? | 1:19:03 | 1:19:05 | |
Oh, well that's a good sign, isn't it? | 1:19:05 | 1:19:07 | |
So, at £50 for the two, | 1:19:07 | 1:19:10 | |
could these items secure Thomas's lead in this competition? | 1:19:10 | 1:19:13 | |
Thank you very much. | 1:19:13 | 1:19:15 | |
Well, we'll have to wait and see. | 1:19:15 | 1:19:17 | |
First they must show each other their items. | 1:19:17 | 1:19:20 | |
Hmm, this should be interesting. | 1:19:20 | 1:19:23 | |
-Here we are, Thomas. Are you ready? -I'm ready. -OK. | 1:19:23 | 1:19:26 | |
-Ta-da! -Oh, right, that's very nice. | 1:19:26 | 1:19:29 | |
-You like it? -Yeah. A sundial. | 1:19:29 | 1:19:31 | |
I didn't think you'd like that. I'm pleased. | 1:19:31 | 1:19:33 | |
How old do you think it is? | 1:19:33 | 1:19:35 | |
I don't think it's got enormous amounts of age, | 1:19:35 | 1:19:37 | |
I just thought, "It's an auction piece." | 1:19:37 | 1:19:39 | |
It's got character. | 1:19:39 | 1:19:41 | |
So, the thumbs-up from Thomas. I wonder how long that'll last? | 1:19:41 | 1:19:45 | |
Goodness me, I like that. That's lovely. | 1:19:45 | 1:19:48 | |
South Wales Railway. | 1:19:48 | 1:19:50 | |
-Very rare. -Very rare. | 1:19:50 | 1:19:51 | |
Really, really like that. Deserves to do well. | 1:19:51 | 1:19:54 | |
Now, talking of railways... | 1:19:54 | 1:19:56 | |
Just a little thing, but I couldn't resist it, as always. | 1:19:56 | 1:20:00 | |
GWR buttons, well, it's quite good. | 1:20:00 | 1:20:02 | |
It's fitting that I've bought a truncheon | 1:20:02 | 1:20:04 | |
and you bought something railway. | 1:20:04 | 1:20:06 | |
Yes. 1920s, GWR brass buttons. £8. | 1:20:06 | 1:20:10 | |
A small profit, I would have thought. Maybe two, three pounds. | 1:20:10 | 1:20:13 | |
Maybe a bit more, but knowing you, Mark... | 1:20:13 | 1:20:16 | |
-As much as that? -You have such good luck. | 1:20:16 | 1:20:18 | |
-£20. 20-25. -Yes. That's what's going to happen. | 1:20:18 | 1:20:21 | |
-I can hear it now. -I hope not. | 1:20:21 | 1:20:23 | |
Ooh, meow. | 1:20:23 | 1:20:25 | |
Now, will the grain scoop bring back auction nightmares for Mark? | 1:20:25 | 1:20:30 | |
I saw this today and I thought of you. | 1:20:30 | 1:20:33 | |
And I had a jolly good look at it and I thought, "Grain scoop? | 1:20:33 | 1:20:37 | |
"Lightning can't strike twice. | 1:20:37 | 1:20:40 | |
"I'll leave it alone, but I bet Thomas sees it." | 1:20:40 | 1:20:43 | |
-How much did you pay, Thomas? -20 quid. -Did you?! | 1:20:43 | 1:20:46 | |
Well, you can't go wrong, surely to goodness. | 1:20:46 | 1:20:49 | |
So, fair words from Mark, but I fear for his box. | 1:20:49 | 1:20:54 | |
-Does it open? -Yes, it does, Thomas. -Is there anything inside? -No, Thomas. | 1:20:54 | 1:20:58 | |
-And I think it was a good buy. -Really? | 1:20:58 | 1:21:00 | |
-It's a good little box. -It's so boring. | 1:21:00 | 1:21:02 | |
-It's not a rarity... -It's so boring. | 1:21:02 | 1:21:04 | |
..but it's clean and tidy and it's beautifully inlaid. | 1:21:04 | 1:21:08 | |
Look at the colour, the stained fruitwood... | 1:21:08 | 1:21:10 | |
-It's not beautifully inlaid. -It's beautiful. | 1:21:10 | 1:21:13 | |
I don't think he liked it, Mark. | 1:21:13 | 1:21:14 | |
So, next item. | 1:21:14 | 1:21:17 | |
You may think it's just a trunk. | 1:21:17 | 1:21:19 | |
It's actually a very fine example of a trunk. | 1:21:19 | 1:21:22 | |
It is? Oh! | 1:21:22 | 1:21:24 | |
A car trunk? Oh, well that makes a difference, doesn't it? | 1:21:24 | 1:21:27 | |
You know, it just needs a bit of waxing up, | 1:21:27 | 1:21:29 | |
it will come out beautifully. | 1:21:29 | 1:21:31 | |
It's a super trunk. A lovely size. | 1:21:31 | 1:21:33 | |
Aw, he's all sweetness. | 1:21:33 | 1:21:35 | |
But just wait till Thomas sees that battered jug. Ha! | 1:21:35 | 1:21:39 | |
You have to educate me on this one. | 1:21:39 | 1:21:41 | |
Um, large following, many Chaplin collectors, | 1:21:41 | 1:21:45 | |
and, honestly, extraordinarily rare. | 1:21:45 | 1:21:48 | |
-It's restored all the way round the rim. -No, it's not. | 1:21:48 | 1:21:50 | |
-And restored round the base. -It's not restored round the rim. | 1:21:50 | 1:21:53 | |
-Well, I can see... -There's a very small section on the rim, | 1:21:53 | 1:21:56 | |
there's some minor chips and there's a star crack in the base, | 1:21:56 | 1:21:59 | |
but this is the important thing. It could be a sleeper. | 1:21:59 | 1:22:02 | |
-That...concerns me. -Good. -That's a good thing. -Good. Good. | 1:22:02 | 1:22:06 | |
-It's a shame that it's so restored. -It's not "so restored", Thomas. | 1:22:06 | 1:22:10 | |
-And damaged and crazed. -You've got to stop knocking things. | 1:22:10 | 1:22:13 | |
Boys, boys. | 1:22:13 | 1:22:14 | |
We're talking ceramics, here. That is 98% a super jug. | 1:22:14 | 1:22:19 | |
The moulding is crisp and clean, | 1:22:19 | 1:22:22 | |
the colours'll not rub, these are overglazed colours. | 1:22:22 | 1:22:24 | |
-That's enough. You do go on, don't you? -I know, I'm sorry. | 1:22:24 | 1:22:27 | |
Well, yes. He does a bit. Still, moving swiftly on. | 1:22:27 | 1:22:31 | |
Is the top supposed to be domed? | 1:22:31 | 1:22:33 | |
It's a dough bin. | 1:22:33 | 1:22:34 | |
-LAUGHING -Jolly good. It's a dough bin. | 1:22:34 | 1:22:37 | |
It's rustic, 19th century, very country. | 1:22:37 | 1:22:40 | |
Oh, I do like that. That's lovely. | 1:22:40 | 1:22:42 | |
-Right. Here we go. -I can see exactly what it is. | 1:22:42 | 1:22:46 | |
Oh, Thomas, this is a beauty. A beauty, Thomas. | 1:22:46 | 1:22:50 | |
Good thing, actually. Nice pitch pine. I like it, I do like it. | 1:22:50 | 1:22:53 | |
I like it, too. That's why I bought it. I bought it because I liked it. | 1:22:53 | 1:22:56 | |
-Now, how much did I pay for it Thomas? -£80? -No, Thomas. £65. | 1:22:56 | 1:23:01 | |
Ooh, that's brilliant, Mark. | 1:23:01 | 1:23:03 | |
It is. But what does Thomas really, REALLY think of Mark's items? | 1:23:03 | 1:23:07 | |
Again, has he been buying safe? Yes. | 1:23:08 | 1:23:11 | |
Has he bought bold? Not really, he's bought safe. | 1:23:11 | 1:23:15 | |
It's a bit of a yawn fest. | 1:23:15 | 1:23:17 | |
Ow! | 1:23:17 | 1:23:18 | |
His truncheon? Well, extremely rare. | 1:23:18 | 1:23:22 | |
Extremely rare. | 1:23:22 | 1:23:24 | |
If I'd have seen that before him, | 1:23:24 | 1:23:26 | |
undoubtedly I would have bought that. | 1:23:26 | 1:23:28 | |
Overall, I think Thomas did very well, actually. | 1:23:28 | 1:23:32 | |
So, with no further ado, it's off to the auction. | 1:23:32 | 1:23:35 | |
Thomas and Mark started this road trip in Newport, Pembrokeshire, | 1:23:35 | 1:23:38 | |
and after a number of pit stops, | 1:23:38 | 1:23:40 | |
they're heading for Llandeilo in Carmarthenshire. | 1:23:40 | 1:23:44 | |
Their rendezvous with destiny, auctioneers Jones and Llewelyn. | 1:23:44 | 1:23:49 | |
Do you know, I always feel excited at this point? | 1:23:51 | 1:23:53 | |
-Really? I feel extremely nervous. -It's catch-up day for me. | 1:23:53 | 1:23:56 | |
-Well, I think I'm not going to do very well. -Oh, rubbish. | 1:23:56 | 1:23:59 | |
This auction house sells everything, | 1:23:59 | 1:24:01 | |
from fine antiques to household goods and furniture, | 1:24:01 | 1:24:04 | |
and master of ceremonies today is auctioneer Hethin Jones. | 1:24:04 | 1:24:09 | |
And Hethin knows what's going to happen. | 1:24:09 | 1:24:12 | |
The dough bin is the one that I like the best, | 1:24:12 | 1:24:15 | |
obviously because it's a traditional piece of furniture | 1:24:15 | 1:24:18 | |
and it should sell well. | 1:24:18 | 1:24:19 | |
The Chaplin jug, is the first one that we've ever sold in this auction | 1:24:19 | 1:24:23 | |
and I would say it's the first one that I've handled and seen. | 1:24:23 | 1:24:26 | |
Hopefully it'll make a good price today. | 1:24:26 | 1:24:29 | |
My least favourite is the trunk. I can't specifically say | 1:24:29 | 1:24:32 | |
there's something wrong with it, but it has a limited market. | 1:24:32 | 1:24:36 | |
There you are. Mark started this leg of the road trip with £287.33 | 1:24:36 | 1:24:42 | |
and has spent £168 on five auction lots. | 1:24:42 | 1:24:45 | |
Thomas, on the other hand, started streets ahead on £455.78, | 1:24:50 | 1:24:55 | |
but has gambled £240 on four auction lots. | 1:24:55 | 1:24:59 | |
So, can Mark make up lost ground? | 1:25:00 | 1:25:03 | |
Let's get going. | 1:25:03 | 1:25:05 | |
Oh, you might think this auctioneer was more used to selling livestock, | 1:25:05 | 1:25:10 | |
the way he speeds through the lots, so better pay attention, folks. | 1:25:10 | 1:25:14 | |
Right. Here comes Mark's sundial. | 1:25:14 | 1:25:18 | |
HE CHANTS AT SPEED | 1:25:18 | 1:25:20 | |
What a beauty. | 1:25:22 | 1:25:24 | |
25, 30 here. | 1:25:24 | 1:25:26 | |
35? 35. | 1:25:26 | 1:25:28 | |
Lovely one there. 35. | 1:25:28 | 1:25:30 | |
35. Yes, you did. 35, 159. | 1:25:30 | 1:25:34 | |
-So, what was that? -I don't know. What did it fetch? | 1:25:34 | 1:25:37 | |
-I think it was £35. -I made a loss anyway, Thomas. | 1:25:37 | 1:25:40 | |
Mm. But hardly anything to worry about at this stage, Mark. | 1:25:40 | 1:25:43 | |
Now, anyone fancy a vintage trunk for the car? | 1:25:45 | 1:25:48 | |
HE CHANTS AT SPEED | 1:25:48 | 1:25:50 | |
30, I've got 30 out the way. | 1:25:50 | 1:25:52 | |
-HE CHANTS AT SPEED -32... | 1:25:52 | 1:25:55 | |
Last call at £32. 32. | 1:25:55 | 1:25:58 | |
-Eh, got away with that. -Got away with that. | 1:25:58 | 1:26:00 | |
Only just, Thomas. Only just. | 1:26:00 | 1:26:03 | |
But now, Thomas thought this box was a Plain Jane, | 1:26:05 | 1:26:09 | |
but will the bidders agree? | 1:26:09 | 1:26:11 | |
At five I'm bid. Five I've got. | 1:26:11 | 1:26:13 | |
HE CHANTS AT SPEED | 1:26:13 | 1:26:15 | |
£10, I've got 10. | 1:26:15 | 1:26:17 | |
£12? | 1:26:17 | 1:26:18 | |
And again, 15, 15, 15. | 1:26:18 | 1:26:20 | |
-HE CHANTS AT SPEED -Open the gate, £20 I'm bid. And two now. | 1:26:20 | 1:26:23 | |
At £22. | 1:26:23 | 1:26:26 | |
One, one more. | 1:26:27 | 1:26:29 | |
28? 24? | 1:26:29 | 1:26:30 | |
26? 26. | 1:26:30 | 1:26:32 | |
Come on, one more. | 1:26:32 | 1:26:33 | |
27, then. 27. | 1:26:34 | 1:26:37 | |
One more? 27, he goes, there, | 1:26:37 | 1:26:39 | |
last call, last time at £27. 27. | 1:26:39 | 1:26:42 | |
-He's done well. Well done. -It did me proud. | 1:26:42 | 1:26:44 | |
Oh, Mark is nudging ahead, look. | 1:26:44 | 1:26:47 | |
But now it's Thomas's rare secret weapon. | 1:26:48 | 1:26:52 | |
Will Mark's fragile lead take a beating? | 1:26:52 | 1:26:55 | |
I've got £35 I'm bid. | 1:26:55 | 1:26:56 | |
At 35. 35. | 1:26:56 | 1:26:58 | |
£40. I've got 40 here as well. | 1:26:58 | 1:27:00 | |
45 for you. 45. 47. | 1:27:00 | 1:27:02 | |
47. £50. 50 bid. | 1:27:02 | 1:27:05 | |
Last call, last time out. £50. | 1:27:05 | 1:27:07 | |
-PEN TAPS -73. | 1:27:07 | 1:27:08 | |
Unlucky, Thomas. Genuinely unlucky. | 1:27:08 | 1:27:11 | |
Ridiculous. Should have been £150. | 1:27:11 | 1:27:14 | |
Mm, I bet you're glad it wasn't, Mark. | 1:27:14 | 1:27:17 | |
Right. You're back in the dock. | 1:27:17 | 1:27:20 | |
Let's pray that there are some train buffs in the crowd, | 1:27:20 | 1:27:22 | |
or at least button collectors. | 1:27:22 | 1:27:25 | |
HE CHANTS AT SPEED | 1:27:25 | 1:27:27 | |
Five. Five I'm bid, then. £5 I'm bid. Selling at £5. | 1:27:27 | 1:27:31 | |
A fiver. You lost a bit of money on those, but not much, | 1:27:31 | 1:27:34 | |
because you only paid £8 for them. | 1:27:34 | 1:27:36 | |
Mm. Well, someone's got a good deal there, and it's not Mark. | 1:27:36 | 1:27:41 | |
Thomas's grain scoop is up next. | 1:27:41 | 1:27:43 | |
He made a packet on a grain measure recently, | 1:27:43 | 1:27:47 | |
so can he do it with the scoop? I bet not. | 1:27:47 | 1:27:50 | |
£28 I'm bid. At 28. | 1:27:50 | 1:27:52 | |
28 I'm bid. | 1:27:52 | 1:27:54 | |
At 28, this is a disappointing price, here. | 1:27:54 | 1:27:56 | |
£28, then. | 1:27:56 | 1:27:58 | |
Last call, last time at £28. | 1:27:58 | 1:28:01 | |
-PEN TAPS -It all adds up, Thomas. -It all adds up. | 1:28:01 | 1:28:04 | |
Well, that's one way of looking at it. | 1:28:04 | 1:28:07 | |
Now, Mark's Chaplin jug. | 1:28:07 | 1:28:10 | |
Is this the sleeper he predicted? | 1:28:10 | 1:28:13 | |
And I've got three bids on the phone | 1:28:13 | 1:28:15 | |
can I come straight in at £115, I'm bid. | 1:28:15 | 1:28:17 | |
-115?! -Go, go, go. | 1:28:17 | 1:28:19 | |
At 115. | 1:28:19 | 1:28:20 | |
£115 then. | 1:28:20 | 1:28:22 | |
I'm selling at £115. | 1:28:22 | 1:28:25 | |
< 120. | 1:28:25 | 1:28:27 | |
-I've got 120 here. -You've got to go more, sir. | 1:28:27 | 1:28:29 | |
I've got 120 here as well. | 1:28:29 | 1:28:32 | |
130? I'm out, you're in. At 130. | 1:28:32 | 1:28:35 | |
I'm selling at £130. | 1:28:35 | 1:28:38 | |
PEN TAPS God, well done you. £90 profit. Come on, you must... | 1:28:38 | 1:28:42 | |
I'm pleased. Of course I'm pleased. | 1:28:42 | 1:28:44 | |
Well, he doesn't sound it or look it. | 1:28:44 | 1:28:46 | |
Still, that profit, before costs, | 1:28:46 | 1:28:48 | |
puts our new boy firmly in the lead today. | 1:28:48 | 1:28:50 | |
So, can Thomas's dough bin make some real bread? | 1:28:53 | 1:28:57 | |
A lovely item here now, then. | 1:28:57 | 1:28:59 | |
50. Five. 60. £60 I'm bid. | 1:28:59 | 1:29:02 | |
70 at the back. £70 I'm bid. At 70. At 70. | 1:29:02 | 1:29:06 | |
80. 90. 90. | 1:29:06 | 1:29:09 | |
100. | 1:29:09 | 1:29:10 | |
£100 I'm bid. | 1:29:10 | 1:29:12 | |
-I'm selling at 100. -TAPS PEN | 1:29:12 | 1:29:16 | |
-Could be worse. -I have lost £30. | 1:29:16 | 1:29:18 | |
It's not a lot of money to lose. | 1:29:18 | 1:29:20 | |
Well, you say that, Mark, but you're not trailing really badly. | 1:29:20 | 1:29:25 | |
And not even a disaster with the pine bench | 1:29:25 | 1:29:28 | |
will knock him off the winner's podium now. | 1:29:28 | 1:29:31 | |
£55, I'm bid. | 1:29:31 | 1:29:33 | |
At 55. At £55 I'm bid. | 1:29:33 | 1:29:36 | |
Come along, now. Go on, then. Good man. | 1:29:36 | 1:29:40 | |
At 60. £60, he owes, and at £60. | 1:29:40 | 1:29:43 | |
PEN TAPS You've had a loss. | 1:29:43 | 1:29:45 | |
I can afford a very small loss. | 1:29:45 | 1:29:47 | |
Oh, you can afford a small loss. Look at you. | 1:29:47 | 1:29:49 | |
You tell him, Thomas. | 1:29:49 | 1:29:52 | |
-3-1 up. 3-1 up to you. -I'm on schedule. | 1:29:52 | 1:29:54 | |
You're on schedule to overtake me next week. | 1:29:54 | 1:29:56 | |
-Clawing it back. -Unless I do something amazing. | 1:29:56 | 1:29:59 | |
-Which you probably will. -Which I probably won't. | 1:29:59 | 1:30:01 | |
Under pressure, that's when you pull it out the hat. | 1:30:01 | 1:30:04 | |
So, with the results in, it's Mark who claims victory today. | 1:30:04 | 1:30:08 | |
Thomas started this leg of the road trip with a huge £455.78, | 1:30:09 | 1:30:14 | |
but lost £67.80 after auction costs today, | 1:30:14 | 1:30:20 | |
leaving him with £387.98. | 1:30:20 | 1:30:24 | |
So, it just shows how unpredictable this game can be. | 1:30:25 | 1:30:29 | |
Mark, however, began with £287.33 | 1:30:29 | 1:30:32 | |
and made a profit of £42.74 after auction costs, | 1:30:32 | 1:30:38 | |
leaving him with £330.07 going into the final round. | 1:30:38 | 1:30:44 | |
Looks happy. Which is nice. | 1:30:44 | 1:30:46 | |
Oh, we can tell we're in Wales. | 1:30:49 | 1:30:51 | |
-We certainly can. -Drizzle. I hope the next couple of buy days | 1:30:51 | 1:30:55 | |
-aren't going to be like this. -Me, too. -Oh! | 1:30:55 | 1:30:58 | |
-Urgh! My bottom is wet! -Come on, then. | 1:30:58 | 1:31:02 | |
Oh, no. Not again. | 1:31:02 | 1:31:04 | |
I hope it's the car's fault. | 1:31:04 | 1:31:06 | |
Next time on the Antiques Road Trip, Thomas has a funny turn... | 1:31:08 | 1:31:13 | |
I need to sit down. SHE LAUGHS | 1:31:13 | 1:31:15 | |
..Mark thinks he's an estate agent... | 1:31:15 | 1:31:18 | |
A rather nice suburban detached. Two large double bedrooms. Bathroom. | 1:31:18 | 1:31:23 | |
Garden to the front and rear. | 1:31:23 | 1:31:24 | |
..and the Sunbeam Alpine... Well, has had enough. | 1:31:24 | 1:31:28 | |
The car is making an extraordinary noise. | 1:31:28 | 1:31:30 | |
It's smoking. | 1:31:30 | 1:31:32 | |
Why does this happen to me? | 1:31:32 | 1:31:34 | |
Subtitles by Red Bee Media Ltd | 1:31:40 | 1:31:44 |