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The nation's favourite antique experts, £200 each, one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money, buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Look at the colour. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Thank you. | 0:00:21 | 0:00:22 | |
Will it be the fast lane to success, or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
Bad luck for Thomas, £50 down. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
It's the fifth and final leg of this Road Trip | 0:00:36 | 0:00:40 | |
and Thomas Plant and Mark Hales are once more enjoying vintage motoring | 0:00:40 | 0:00:44 | |
in the 1967 Sunbeam Alpine. | 0:00:44 | 0:00:47 | |
Mark has just one thing on his mind, | 0:00:47 | 0:00:50 | |
and it's not antiques. | 0:00:50 | 0:00:52 | |
We are back in the car, so I am happy. | 0:00:52 | 0:00:55 | |
We've got a fresh, sunny... | 0:00:55 | 0:00:56 | |
-Oh, you are obsessed about this car! -I love it. | 0:00:56 | 0:00:58 | |
She's reliable, she's never let us down. | 0:00:58 | 0:01:01 | |
It's a car! | 0:01:01 | 0:01:03 | |
-She's always been there for me. I love her. -Is he all right? | 0:01:03 | 0:01:07 | |
Thomas is a veteran antiques valuer, auctioneer and Road Tripper, | 0:01:07 | 0:01:11 | |
but lately, he's been away with the fairies. | 0:01:11 | 0:01:13 | |
I love going to the mountains. I like skiing, but I just love the mountains. | 0:01:13 | 0:01:18 | |
They just do something to you, don't they? | 0:01:18 | 0:01:21 | |
And even when he seems to be with us, his mind is elsewhere. | 0:01:21 | 0:01:25 | |
If I was a porter, in a railway station, | 0:01:25 | 0:01:28 | |
I don't know if I would make a good one. | 0:01:28 | 0:01:31 | |
Auctioneer and ceramics expert Mark also finds it hard to stay focused | 0:01:31 | 0:01:37 | |
and prefers playtime instead. | 0:01:37 | 0:01:39 | |
-Can I have a go? -Yes, go on, have a go. -It would be fun, wouldn't it? | 0:01:39 | 0:01:43 | |
But when it comes to spotting a bargain, he's eagle-eyed. | 0:01:43 | 0:01:47 | |
It must be worth a go, it could be a sleeper. | 0:01:47 | 0:01:50 | |
£90 profit, come on, you must be... | 0:01:51 | 0:01:53 | |
I'm pleased, of course I'm pleased. | 0:01:53 | 0:01:55 | |
Our experts started the week each with £200 worth of dosh. | 0:01:57 | 0:02:02 | |
But after the fourth leg of this Road Trip, | 0:02:02 | 0:02:04 | |
they're in the final dash for the finishing line. | 0:02:04 | 0:02:08 | |
So far, new boy Mark has made steady profits, | 0:02:08 | 0:02:13 | |
giving him a respectable £330.07 to spend. | 0:02:15 | 0:02:17 | |
Enough to make you smile. Ooh, look at that. | 0:02:17 | 0:02:20 | |
Veteran Road Tripper Thomas started well, | 0:02:23 | 0:02:26 | |
but a series of auction losses has left him | 0:02:26 | 0:02:28 | |
only slightly ahead on £387.98, | 0:02:28 | 0:02:32 | |
and looking pensive. | 0:02:32 | 0:02:35 | |
I wish I could get those heady days back of Ireland again. | 0:02:35 | 0:02:37 | |
-Thomas, you are still in front, how is that a failure? -Yeah. | 0:02:37 | 0:02:40 | |
You haven't failed. It's very exciting, it's down to the wire, isn't it? | 0:02:40 | 0:02:44 | |
It is down to the wire. | 0:02:44 | 0:02:46 | |
This week's Road Trip started in Portrush, Northern Ireland, | 0:02:46 | 0:02:50 | |
and has taken our boys through Wales, | 0:02:50 | 0:02:53 | |
ending in Pontrilas, | 0:02:53 | 0:02:54 | |
Herefordshire. | 0:02:54 | 0:02:56 | |
But before we get to that final auction, we kick off | 0:02:56 | 0:02:59 | |
the fifth day of this journey in Hay-on-Wye, on the Welsh border. | 0:02:59 | 0:03:05 | |
THEY BOTH SING: # We plough the fields and scatter | 0:03:05 | 0:03:08 | |
# The good seed on the land... # | 0:03:08 | 0:03:12 | |
So, in fine voice, our boys enter Hay-on-Wye, | 0:03:14 | 0:03:19 | |
famous for its number of bookshops, some 30 in all, | 0:03:19 | 0:03:21 | |
and its literary festival, | 0:03:21 | 0:03:24 | |
hence it's often dubbed the town of books. | 0:03:24 | 0:03:27 | |
But forget paperbacks, | 0:03:27 | 0:03:28 | |
it's antiques we're after. | 0:03:28 | 0:03:29 | |
Mark's heading up the hill to Bain and Murrin, | 0:03:29 | 0:03:33 | |
purveyors of the finest junk. | 0:03:33 | 0:03:37 | |
-Junk? -Lederhosen. | 0:03:37 | 0:03:39 | |
Goodness me. Great fun. | 0:03:41 | 0:03:44 | |
You do this sort of knee slapping bit, don't you, and leap up and down? | 0:03:44 | 0:03:46 | |
It's not the weather, is it? | 0:03:46 | 0:03:48 | |
Not the weather for lederhosen. | 0:03:48 | 0:03:50 | |
-Ah, goodness me. Becky? -Yes. | 0:03:56 | 0:03:58 | |
-Can I ask you, this magnificent dolls house... -Yes. | 0:03:58 | 0:04:02 | |
-Late '50s, I would have thought. -Late '50s? | 0:04:02 | 0:04:05 | |
I love the garage, | 0:04:05 | 0:04:07 | |
I love the tin windows. | 0:04:07 | 0:04:09 | |
Tudoresque style. | 0:04:09 | 0:04:11 | |
It's big, it's decorative, it's showy. | 0:04:11 | 0:04:16 | |
25 quid? | 0:04:16 | 0:04:17 | |
£25, it's tempting, isn't it? | 0:04:17 | 0:04:20 | |
Parquet floor. | 0:04:23 | 0:04:25 | |
That's a rather nice suburban, erm, detached. | 0:04:25 | 0:04:29 | |
Erm... | 0:04:29 | 0:04:32 | |
Two large double bedrooms, bathroom, two reception rooms, | 0:04:32 | 0:04:35 | |
and single detached garage. | 0:04:35 | 0:04:38 | |
Garden to the front and rear. | 0:04:38 | 0:04:41 | |
Does he think he's on Homes Under The Hammer? | 0:04:41 | 0:04:44 | |
-Becky? -Yes. -£15? Any good? | 0:04:44 | 0:04:48 | |
It clears it off your shelf, gives you a lot more space, doesn't it? | 0:04:48 | 0:04:52 | |
20? | 0:04:52 | 0:04:54 | |
Is that your very best? 18? | 0:04:54 | 0:04:56 | |
Go on, I'll buy it if it's under £20, I will buy it. | 0:04:56 | 0:04:59 | |
-It's very cheap for 18. -Yeah, but it gives me a chance, doesn't it? | 0:04:59 | 0:05:03 | |
-You're on my side, you want me to beat Thomas, don't you? -Do I? | 0:05:03 | 0:05:06 | |
Yeah, you do. You do. | 0:05:06 | 0:05:09 | |
-Erm, go on, then. -Because I'm the new boy. | 0:05:09 | 0:05:11 | |
-Thank you, Becky. -OK. -Thank you very much indeed. £18. Yeah. | 0:05:11 | 0:05:16 | |
We'll have some fun with that, won't we? | 0:05:16 | 0:05:19 | |
Hmm. | 0:05:19 | 0:05:21 | |
At the other end of town, Thomas is at the chic-er Hay Antiques Market, | 0:05:21 | 0:05:25 | |
and with 17 rooms, there's bound to be a little treasure | 0:05:25 | 0:05:29 | |
just nestling. | 0:05:29 | 0:05:31 | |
HE LAUGHS | 0:05:31 | 0:05:34 | |
"Let them swing." | 0:05:34 | 0:05:36 | |
What a wonderful thing. "Bottoms up." | 0:05:40 | 0:05:44 | |
(Isn't that ghastly? Oh, isn't that horrible? | 0:05:44 | 0:05:48 | |
(I mean, isn't this absolutely, wonderfully kitsch? | 0:05:48 | 0:05:51 | |
(I've got to have it.) | 0:05:53 | 0:05:55 | |
Well, I think we're seeing another side to Thomas here. | 0:05:55 | 0:05:58 | |
A saucy Japanese mug for £10. Bottoms up! | 0:05:58 | 0:06:01 | |
-Glennydd? -Yes. -I've found something in your room... -Right. | 0:06:03 | 0:06:08 | |
-..which has made me giggle. I think you probably know what it is. -Yes. | 0:06:08 | 0:06:13 | |
And, erm, I've got to buy it. | 0:06:13 | 0:06:15 | |
-Right. -But obviously, I know it's not very much. | 0:06:15 | 0:06:19 | |
But you want it at rock bottom, don't you? | 0:06:19 | 0:06:21 | |
Five? | 0:06:21 | 0:06:24 | |
-Five would be ideal, that's what I had in mind. -Good. -Is that all right? | 0:06:24 | 0:06:27 | |
-That's fine. -Thank you very much. -You're welcome. | 0:06:27 | 0:06:30 | |
Yeah, but not to everyone's taste. | 0:06:30 | 0:06:33 | |
Up the road, Mark's in Fleur De Lys, | 0:06:34 | 0:06:37 | |
and under the stewardship of Sally, | 0:06:37 | 0:06:39 | |
there's not a bit of kitsch in sight. | 0:06:39 | 0:06:42 | |
Lovely Georgian chair. Look how wide it is, look at the colour of it. | 0:06:42 | 0:06:46 | |
Got to stay away from chairs at the moment though, | 0:06:46 | 0:06:48 | |
it's not the flavour of the month. | 0:06:48 | 0:06:50 | |
Nice to find a shop with antiques in it. | 0:06:50 | 0:06:53 | |
Yeah, Sally, he's right. | 0:06:53 | 0:06:54 | |
Ah-ha, isn't that lovely? Look at the front of that. | 0:06:57 | 0:07:01 | |
Isn't that beautiful? Big and showy and beautiful colours. | 0:07:02 | 0:07:07 | |
Which are typical of Nove Ware, | 0:07:07 | 0:07:11 | |
a tin-glazed earthenware much like Delft, | 0:07:11 | 0:07:14 | |
which comes from the Italian town of Nove, near Venice. | 0:07:14 | 0:07:17 | |
Pieces can fetch around £1,500 at auction, | 0:07:17 | 0:07:22 | |
but because of the damage, this one's a snip at £28. | 0:07:22 | 0:07:25 | |
Unfortunately, the base has had a lot of restoration. | 0:07:27 | 0:07:33 | |
When something has been badly restored, | 0:07:33 | 0:07:35 | |
they tend to paint over everything. | 0:07:35 | 0:07:37 | |
If you took all that off, I think you might find, | 0:07:37 | 0:07:39 | |
if you look through here, a lot of the original base. | 0:07:39 | 0:07:43 | |
It's there. Oh, we're going to have to have a go at this, aren't we? | 0:07:44 | 0:07:48 | |
-Right, Sally, my darling, my bestest friend in the world. -Oh! | 0:07:48 | 0:07:51 | |
I've got to sell this at Hereford. | 0:07:51 | 0:07:53 | |
Has it come in with something else, have you bought it well? | 0:07:53 | 0:07:55 | |
Because there's a lot of damage on it, and I want to buy it for under £20. | 0:07:55 | 0:08:00 | |
-It's one of my guest dealers. -Is it? | 0:08:00 | 0:08:02 | |
It's not knocking off too much, is it? Do you think he'd do it? | 0:08:02 | 0:08:04 | |
Could you ask him for me? | 0:08:04 | 0:08:06 | |
£18, under £20 and I'll have a go. | 0:08:06 | 0:08:09 | |
So at £28, Sally gets a haggling | 0:08:09 | 0:08:13 | |
with the dealer on Mark's behalf. | 0:08:13 | 0:08:15 | |
And he's offering you 18... OK. | 0:08:15 | 0:08:19 | |
-20 is... -20? -Bottom line. | 0:08:19 | 0:08:21 | |
Well, for the sake of a couple of quid, to-ing and fro-ing | 0:08:21 | 0:08:23 | |
and telephoning and everything, I'll have that for 20. | 0:08:23 | 0:08:26 | |
-Right, thank you very much indeed. -I just love it. | 0:08:26 | 0:08:28 | |
-I think you'll be all right with that. -Do you like it? -Yes, I do. | 0:08:28 | 0:08:31 | |
Well, she would say that, wouldn't she? | 0:08:31 | 0:08:34 | |
So that's two in the bag for Mark. | 0:08:34 | 0:08:36 | |
Now, back at the Hay Antiques Market, Thomas has gone all teachery | 0:08:36 | 0:08:39 | |
about a glass jug. | 0:08:39 | 0:08:42 | |
This is important, from a design point of view, | 0:08:42 | 0:08:45 | |
it's Koloman Moser or Josef Hoffmann and for Lutz. | 0:08:45 | 0:08:48 | |
Lutz is a glass manufacturers from Austria. | 0:08:48 | 0:08:53 | |
It's aged, it's about 1910. | 0:08:53 | 0:08:56 | |
And what a piece of design for a jug. | 0:08:56 | 0:08:59 | |
Glass manufacturers Lutz were known for championing | 0:09:01 | 0:09:04 | |
art nouveau and deco forms of design | 0:09:04 | 0:09:07 | |
from about 1890 into the 20th century. | 0:09:07 | 0:09:11 | |
You can imagine on a hot summer's day | 0:09:11 | 0:09:14 | |
-bouncing bits of ice. -Mmm. | 0:09:14 | 0:09:17 | |
Lemonade jugs - alcoholic, I hope - and having a tremendous time. | 0:09:17 | 0:09:22 | |
Ticket price is 55. I'm going to go and negotiate on this. | 0:09:22 | 0:09:27 | |
That means a phone call to the dealer. Over to you, Glynis. | 0:09:27 | 0:09:31 | |
Oh, hello, Maggie, I wonder what would be Robin's best price | 0:09:31 | 0:09:34 | |
on your Lutz crackle-glaze jug? | 0:09:34 | 0:09:37 | |
55. | 0:09:37 | 0:09:40 | |
Yes, I suggested that, but I think he might want a little more. | 0:09:40 | 0:09:43 | |
35? | 0:09:43 | 0:09:44 | |
35? Yes, go on, she says. | 0:09:44 | 0:09:48 | |
-Really? -Yes. | 0:09:48 | 0:09:49 | |
-She's obviously in a good humour today. -Are you? | 0:09:49 | 0:09:52 | |
-She won't take any more off for good humour, then? -I don't think so. | 0:09:52 | 0:09:54 | |
-You think I've reached the limit? -I think, yes. | 0:09:54 | 0:09:56 | |
I think you'd be sort of chancing your arm after that. | 0:09:56 | 0:09:59 | |
Well, you know, nothing wrong with that. 35, OK. It's a deal. | 0:09:59 | 0:10:03 | |
-Thanks. Thanks, Maggie, goodbye. -Thank you, Maggie. | 0:10:03 | 0:10:06 | |
Meanwhile, back at Fleur De Lys, Mark is also looking for another bold bargain, | 0:10:08 | 0:10:12 | |
but maybe one that's not so damaged. | 0:10:12 | 0:10:15 | |
This is rather nice. I like this. | 0:10:17 | 0:10:20 | |
Georgian mahogany cutlery box. | 0:10:20 | 0:10:23 | |
Lovely colour. | 0:10:23 | 0:10:25 | |
Been converted into a stationery box, | 0:10:25 | 0:10:28 | |
put your letters and things in there. | 0:10:28 | 0:10:30 | |
Pens, whatever. It's lovely. | 0:10:30 | 0:10:32 | |
But the price isn't so lovely, it's a whopping £235. | 0:10:32 | 0:10:36 | |
So owner Sylvia has arrived to manage the negotiations, | 0:10:36 | 0:10:39 | |
and she doesn't look as if she takes prisoners. | 0:10:39 | 0:10:42 | |
Supposing I said 160? | 0:10:42 | 0:10:45 | |
160. | 0:10:45 | 0:10:47 | |
-Would you do it for 150, because it's me? -Because it's you. | 0:10:51 | 0:10:54 | |
Oh, you are a darling. | 0:10:54 | 0:10:56 | |
-Oh, we're going to have a go, aren't we, Sylvia? -Yeah. -Thank you. | 0:10:56 | 0:11:01 | |
You loose woman! | 0:11:02 | 0:11:04 | |
You'll get a kiss in a minute, if you're good. | 0:11:04 | 0:11:06 | |
He's not joking, you know. | 0:11:06 | 0:11:08 | |
Now, not to be outdone, | 0:11:09 | 0:11:11 | |
Thomas is also making hay up the road with Rhona, lucky girl. | 0:11:11 | 0:11:15 | |
It's very smart here in Hay, isn't it? | 0:11:15 | 0:11:18 | |
Oh, we're all ageing hippies, | 0:11:18 | 0:11:20 | |
or trying to be ageing hippies. | 0:11:20 | 0:11:23 | |
Smart isn't something we want to be. | 0:11:23 | 0:11:25 | |
Were you once a hippy? | 0:11:25 | 0:11:27 | |
I was, erm, | 0:11:27 | 0:11:29 | |
well, I wouldn't say I was a hippy, | 0:11:29 | 0:11:32 | |
I was experimenting with every form of lifestyle. | 0:11:32 | 0:11:34 | |
-Oh, right. -Oh. I wonder what she means? | 0:11:34 | 0:11:38 | |
Well, moving on. | 0:11:38 | 0:11:40 | |
(I like that chalice.) | 0:11:46 | 0:11:48 | |
There's no price on it. | 0:11:48 | 0:11:50 | |
But an interesting object. | 0:11:50 | 0:11:52 | |
Chalices are drinking vessels considered sacred in Christian worship | 0:11:52 | 0:11:56 | |
and in literature, particularly, | 0:11:56 | 0:11:59 | |
this Holy Grail of objects is said to possess miraculous powers, | 0:11:59 | 0:12:03 | |
a thought not lost on Thomas. | 0:12:03 | 0:12:05 | |
Do you think, if I drank out of this, I'd live forever? | 0:12:07 | 0:12:11 | |
Is this the Holy Grail? Is this going to make me beat Mark? | 0:12:11 | 0:12:14 | |
You wish! | 0:12:14 | 0:12:17 | |
At £160, it looks as if it's not the only thing Thomas is eyeing up. | 0:12:17 | 0:12:22 | |
This is a toasting goblet. | 0:12:28 | 0:12:31 | |
It is 18th century, well, early 19th century. | 0:12:31 | 0:12:34 | |
Rummer. | 0:12:34 | 0:12:36 | |
Commemorative for the Duke of Wellington and his army, | 0:12:36 | 0:12:39 | |
at the Battle of Waterloo, for beating Bonaparte. | 0:12:39 | 0:12:43 | |
Of course, the man didn't know when to stop, really. | 0:12:43 | 0:12:46 | |
We'd had a good scrap with him at Trafalgar, on the sea, | 0:12:46 | 0:12:48 | |
and then he sort of, you know, his ugly head rose up again | 0:12:48 | 0:12:51 | |
and we had another one. | 0:12:51 | 0:12:52 | |
Now, your rummer, please? | 0:12:52 | 0:12:55 | |
What can be the best on that one, thank you? | 0:12:55 | 0:12:59 | |
Mmm, come on, Rhona. Ticket price £38, girl. | 0:12:59 | 0:13:02 | |
£30. | 0:13:02 | 0:13:04 | |
-That doesn't seem much, does it? -No. | 0:13:06 | 0:13:08 | |
Could we... OK, that's fine. | 0:13:12 | 0:13:15 | |
-Ahh. -Tell me about that, in your world? | 0:13:18 | 0:13:21 | |
Well, it's a piece of blanc de Chine, Chinese. | 0:13:23 | 0:13:27 | |
It's so fine and so beautiful, and we just, even in the 18th century, | 0:13:27 | 0:13:33 | |
had such trouble making porcelain that looked like that. | 0:13:33 | 0:13:35 | |
I've had it at home for a long time because I love it. | 0:13:35 | 0:13:39 | |
This beauty is, in fact, | 0:13:39 | 0:13:40 | |
a rhino horn-shaped libation cup, or drinking vessel. | 0:13:40 | 0:13:45 | |
But you'd have to love it for a whopping £185. | 0:13:45 | 0:13:48 | |
What's the very, very, very best on that, please? | 0:13:50 | 0:13:55 | |
This is parting with almost a relation. | 0:13:55 | 0:14:00 | |
-Well, yeah, I can see that. -160. | 0:14:00 | 0:14:02 | |
That is a huge gamble. | 0:14:02 | 0:14:05 | |
What for all three? | 0:14:06 | 0:14:09 | |
£300 for the three items. | 0:14:09 | 0:14:11 | |
Come on, a little bit more! | 0:14:12 | 0:14:15 | |
-Now, this is taking all the pleasure out of your visit. -Is it? | 0:14:16 | 0:14:19 | |
-It really is. -Oh. | 0:14:19 | 0:14:21 | |
No, we can't bring everything down to money. | 0:14:21 | 0:14:24 | |
No matter how good your cause, we can't sort of negate the history | 0:14:24 | 0:14:29 | |
and the beauty of these objects | 0:14:29 | 0:14:30 | |
-by haggling over a couple of pounds. -OK. | 0:14:30 | 0:14:33 | |
Oh, is Thomas about to take a big risk? | 0:14:35 | 0:14:38 | |
Go for it, man! | 0:14:38 | 0:14:41 | |
-Go on, then, I'll do it. -OK. | 0:14:41 | 0:14:43 | |
-I'll pay £300. -Right. | 0:14:43 | 0:14:45 | |
I can't believe I've done that. | 0:14:45 | 0:14:47 | |
I need to sit down. | 0:14:47 | 0:14:50 | |
It's a very dangerous game I've just played. | 0:14:51 | 0:14:53 | |
I've just played an absolute nightmare. | 0:14:53 | 0:14:56 | |
So let's see how this £300 nightmare works out. | 0:14:56 | 0:15:00 | |
Now, it's £150 for the libation cup, | 0:15:00 | 0:15:05 | |
£120 for the chalice, | 0:15:05 | 0:15:08 | |
and £30 for the glass rummer. | 0:15:08 | 0:15:10 | |
Cor, can't wait for the auction! | 0:15:10 | 0:15:12 | |
Well, after all that lot, it's surely time for a break. | 0:15:14 | 0:15:17 | |
Mark has also done with shopping. | 0:15:17 | 0:15:20 | |
He's heading south to Monmouth, | 0:15:20 | 0:15:22 | |
to learn more about Lord Nelson's scandalous private life. | 0:15:22 | 0:15:25 | |
Ooh! | 0:15:25 | 0:15:27 | |
The town's museum may be an odd place for a Nelson exhibition, | 0:15:27 | 0:15:30 | |
but it does in fact have a unique collection | 0:15:30 | 0:15:33 | |
of personal correspondence, | 0:15:33 | 0:15:36 | |
revealing intimate details of his torrid love life. | 0:15:36 | 0:15:39 | |
Ah, Nelson, one of our greatest men. | 0:15:41 | 0:15:44 | |
This has to be interesting, doesn't it? | 0:15:44 | 0:15:46 | |
There's an original thought. | 0:15:46 | 0:15:49 | |
Anyway, curator Andrew Helm is here to show Mark around. | 0:15:49 | 0:15:52 | |
-I'm Mark. -I'm Andrew. | 0:15:52 | 0:15:53 | |
The story of Nelson's personal life | 0:15:53 | 0:15:57 | |
is just as riveting as his glorious naval one, | 0:15:57 | 0:16:00 | |
being marked by a marriage, an affair, | 0:16:00 | 0:16:02 | |
and an illegitimate daughter. | 0:16:02 | 0:16:04 | |
And the museum has been lucky enough to obtain hundreds of letters | 0:16:06 | 0:16:10 | |
spelling out just what Nelson felt about his wife, Frances, | 0:16:10 | 0:16:13 | |
and his lover, Lady Emma Hamilton. | 0:16:13 | 0:16:16 | |
One of the glories of the Monmouth collection, which was put together by Lady Llangattock, | 0:16:18 | 0:16:22 | |
was her purchase of letters. | 0:16:22 | 0:16:24 | |
She bought nearly 950 individual letters and logbooks | 0:16:24 | 0:16:28 | |
and all sorts of things that were on the market, | 0:16:28 | 0:16:31 | |
round about the time of the Trafalgar centenary in 1905. | 0:16:31 | 0:16:35 | |
Nelson met his wife Frances in the West Indies, | 0:16:35 | 0:16:38 | |
but documents show they only had | 0:16:38 | 0:16:40 | |
a mere five years of domestic bliss together | 0:16:40 | 0:16:43 | |
before the relationship began to founder. | 0:16:43 | 0:16:46 | |
They had a very intense relationship from the start, | 0:16:46 | 0:16:50 | |
but eventually, things happened, and he met Lady Hamilton, | 0:16:50 | 0:16:54 | |
and poor Fanny, as she was called - Frances Nelson - was pushed aside. | 0:16:54 | 0:16:59 | |
Divorce wasn't an option, | 0:16:59 | 0:17:01 | |
so effectively, he ended up abandoning his wife | 0:17:01 | 0:17:04 | |
and living with Lady Hamilton and their illegitimate daughter. | 0:17:04 | 0:17:09 | |
Nelson had met the married Lady Emma Hamilton in Naples, | 0:17:10 | 0:17:13 | |
where they formed an enduring bond, | 0:17:13 | 0:17:16 | |
one his wife simply couldn't compete with. | 0:17:16 | 0:17:18 | |
The contrast with Fanny was really quite marked. | 0:17:18 | 0:17:21 | |
In the letters we've got, she was always worried about Nelson | 0:17:21 | 0:17:25 | |
and his victories. | 0:17:25 | 0:17:26 | |
Lady Hamilton simply celebrated his victories. | 0:17:26 | 0:17:29 | |
She was exciting? | 0:17:29 | 0:17:30 | |
She was exciting, she was excited by the man and what he did. | 0:17:30 | 0:17:34 | |
-She rejuvenated him. -She showed that. | 0:17:34 | 0:17:36 | |
Divorce was not an option for Frances, who, | 0:17:36 | 0:17:40 | |
as letters here show, | 0:17:40 | 0:17:41 | |
had to endure the humiliation of her husband's overtures | 0:17:41 | 0:17:45 | |
to his lover Emma. | 0:17:45 | 0:17:48 | |
This one was written in 1801. | 0:17:48 | 0:17:51 | |
It's after they've come back to Britain, | 0:17:51 | 0:17:53 | |
after the illegitimate daughter has been born. | 0:17:53 | 0:17:57 | |
Nelson is writing to Emma, | 0:17:57 | 0:18:00 | |
"My dearest Emma, your letter of yesterday called forth | 0:18:00 | 0:18:03 | |
"all those finer feelings of the soul, | 0:18:03 | 0:18:05 | |
"although I am not able to write so much | 0:18:05 | 0:18:06 | |
"and so forcibly mark my feelings as you can. | 0:18:06 | 0:18:12 | |
"Yet I am sure, and feel all the affection | 0:18:12 | 0:18:15 | |
"which is possible for man to feel towards woman, | 0:18:15 | 0:18:19 | |
"and such a woman." | 0:18:19 | 0:18:21 | |
And this was a relationship that was in the public eye! | 0:18:21 | 0:18:24 | |
It was a scandal of the day, but many people, | 0:18:24 | 0:18:28 | |
because of Nelson's status and what he had achieved, | 0:18:28 | 0:18:31 | |
were prepared to overlook his personal life. | 0:18:31 | 0:18:35 | |
Nelson was far too able and important to Britain's prospects, | 0:18:35 | 0:18:38 | |
in a naval war, to be completely dismissed, as it were. | 0:18:38 | 0:18:41 | |
So he was kept on and he got the appointments | 0:18:41 | 0:18:45 | |
that he needed to be able to fight the French, and eventually took the road to Trafalgar. | 0:18:45 | 0:18:50 | |
However, Frances had allies, | 0:18:52 | 0:18:54 | |
and not everyone tolerated Nelson's scandalous behaviour, | 0:18:54 | 0:18:58 | |
as a holiday trip to Wales in 1802 illustrates. | 0:18:58 | 0:19:03 | |
Two or three times, the social stigma of what they were doing | 0:19:03 | 0:19:07 | |
caught up with them and they had a couple of unfortunate incidents. | 0:19:07 | 0:19:12 | |
The Duke of Marlborough refused to meet them. | 0:19:12 | 0:19:14 | |
-He was not at home when they called a Blenheim Palace. -Did he, indeed? | 0:19:14 | 0:19:18 | |
But he was there, and when they went to Carmarthen, | 0:19:18 | 0:19:20 | |
the vicar of Carmarthen played up a little bit, refused to meet Emma. | 0:19:20 | 0:19:25 | |
Nelson left the town saying, "There are no gentlemen in Carmarthen." | 0:19:25 | 0:19:29 | |
-So they were snubbed? -They were snubbed, absolutely. | 0:19:29 | 0:19:33 | |
But Nelson dismissed his critics | 0:19:33 | 0:19:35 | |
as easily as he despised and dismissed his estranged wife's letters | 0:19:35 | 0:19:41 | |
pleading with him to return to her. | 0:19:41 | 0:19:44 | |
"Let everything be buried in oblivion, it will pass away like a dream. | 0:19:44 | 0:19:50 | |
"I can now only entreat you to believe I am most sincerely and affectionately your wife, | 0:19:50 | 0:19:55 | |
-"Frances Nelson." -HE SIGHS | 0:19:55 | 0:19:57 | |
The killer piece of this, actually, is that he sent this letter back to her. | 0:19:57 | 0:20:00 | |
He did receive it and he had his secretary write | 0:20:00 | 0:20:03 | |
on the outside cover of the letter, | 0:20:03 | 0:20:06 | |
"Opened by mistake by Lord Nelson, but not read." | 0:20:06 | 0:20:09 | |
-That makes it worse, doesn't it? -It's pretty awful, isn't it? | 0:20:11 | 0:20:13 | |
Do you know... Oh... | 0:20:13 | 0:20:15 | |
Gosh, with Nelson's death at the Battle of Trafalgar | 0:20:15 | 0:20:20 | |
came the tragic end of his great love story. | 0:20:20 | 0:20:22 | |
Lady Hamilton died in poverty in Calais, | 0:20:22 | 0:20:26 | |
shunned by Nelson's family, while Frances remained devoted | 0:20:26 | 0:20:31 | |
to his memory for the remaining 26 years of her life. | 0:20:31 | 0:20:34 | |
Dear, oh, dear. | 0:20:36 | 0:20:38 | |
On a more cheery note though, | 0:20:38 | 0:20:40 | |
our boys have done good today, | 0:20:40 | 0:20:42 | |
so off they go to bed and a well-earned rest. | 0:20:42 | 0:20:46 | |
Oh, dear. | 0:20:47 | 0:20:49 | |
It's day two, it's a damp morning and Mark's baby, | 0:20:52 | 0:20:56 | |
the Sunbeam Alpine, is feeling a bit under the weather. | 0:20:56 | 0:21:00 | |
-What's that smell? -That's burning. | 0:21:00 | 0:21:02 | |
It's over heating, it's an over-heating smell. | 0:21:02 | 0:21:05 | |
It's quite bad though, do you think the car's going to blow up? | 0:21:05 | 0:21:08 | |
-I hope so, I do like a drama, don't you? -I don't like a drama. | 0:21:08 | 0:21:12 | |
So far, Thomas has played a risky game, | 0:21:14 | 0:21:16 | |
spending most of his money, £340, on five auction lots, bless him. | 0:21:16 | 0:21:20 | |
Mark, on the other hand, has parted with a more conservative £188 | 0:21:22 | 0:21:27 | |
on three auction lots. | 0:21:27 | 0:21:29 | |
Our experts have left Monmouth | 0:21:33 | 0:21:35 | |
and are heading to Newport, in Gwent. | 0:21:35 | 0:21:37 | |
Thomas has called time on his shopping | 0:21:37 | 0:21:40 | |
and has set his sights on taunting Mark about the car. | 0:21:40 | 0:21:44 | |
I mean, I always imagined it to be a bit of a sort of chick magnet. | 0:21:45 | 0:21:49 | |
There's something rather coarse, Thomas, | 0:21:49 | 0:21:51 | |
about calling a 1967 Sunbeam Alpine, | 0:21:51 | 0:21:54 | |
a classic English sports car, | 0:21:54 | 0:21:57 | |
a chick magnet. | 0:21:57 | 0:21:58 | |
So here we are in Newport, a city on the River Usk, and across which | 0:22:02 | 0:22:07 | |
engineers built, in 1906, | 0:22:07 | 0:22:10 | |
the Newport transporter bridge. | 0:22:10 | 0:22:12 | |
It takes cars, pedestrians and bikes, | 0:22:12 | 0:22:15 | |
and is now one of only eight remaining in the world. | 0:22:15 | 0:22:19 | |
What a wonderful looking thing. | 0:22:19 | 0:22:21 | |
Meanwhile, Mark is hoping to find a similar rare antique | 0:22:21 | 0:22:24 | |
to get him to the finishing line in winning time. | 0:22:24 | 0:22:28 | |
-Hello, I'm Mark. -Hello. Tony. -Hello, Tony. | 0:22:28 | 0:22:32 | |
Your shop is an interesting mix of old and new. | 0:22:32 | 0:22:36 | |
Tony, do you know who this is? This is Thomas, after a bad night. | 0:22:39 | 0:22:43 | |
-After a bad night. -Most certainly. | 0:22:43 | 0:22:46 | |
Or after spending £300 in one go. Ha! | 0:22:46 | 0:22:49 | |
Right, let's have a look. | 0:22:49 | 0:22:53 | |
I do quite like this. It caught my eye | 0:22:53 | 0:22:55 | |
because it's a sort of art glass. | 0:22:55 | 0:22:57 | |
-'50s,'60s? -Yes. -Yeah? | 0:22:59 | 0:23:02 | |
I think I have a little bit of information in there for you. | 0:23:02 | 0:23:05 | |
Yeah, 1950s seaweed glass, and it's pre-Baxter. | 0:23:07 | 0:23:11 | |
It's made by the famous Whitefriars Company | 0:23:11 | 0:23:15 | |
and plain pieces like this 1950s smoked glass vase | 0:23:15 | 0:23:19 | |
were their staple diet before Geoffrey Baxter joined in 1954 | 0:23:19 | 0:23:22 | |
and created its celebrated textured glass range. | 0:23:22 | 0:23:28 | |
Ticket price on this, £55. | 0:23:28 | 0:23:31 | |
I won't haggle or be stupid, I just want a figure, | 0:23:32 | 0:23:35 | |
really as low as you possibly can. | 0:23:35 | 0:23:38 | |
Have a think about that. You mentioned a bit of Mauchline ware. | 0:23:38 | 0:23:41 | |
-I would like to see that. -In this cabinet. | 0:23:41 | 0:23:43 | |
I like that, Tony, that's lovely. | 0:23:43 | 0:23:45 | |
Ooh, good subject, look, | 0:23:46 | 0:23:48 | |
St Paul's Cathedral, London. | 0:23:48 | 0:23:51 | |
And it says on the base, "Lucy, 1885." Goodness me. | 0:23:51 | 0:23:56 | |
Well, that's a little bit special, isn't it? | 0:23:56 | 0:23:59 | |
Oh, indeed! | 0:23:59 | 0:24:01 | |
That personal inscription makes this turret-shaped piece rare. | 0:24:01 | 0:24:06 | |
What's more, it's a money box, | 0:24:07 | 0:24:10 | |
but at £125, it's pricey. | 0:24:10 | 0:24:12 | |
It's a lovely piece, but I've just got to buy it very cheaply, | 0:24:12 | 0:24:15 | |
or I'm not going to make a profit. | 0:24:15 | 0:24:16 | |
How much? Because I won't haggle. Real bottom line. | 0:24:16 | 0:24:19 | |
65 quid. | 0:24:19 | 0:24:21 | |
And the vase? | 0:24:21 | 0:24:22 | |
The vase, that would probably be your bargain of the day. | 0:24:22 | 0:24:27 | |
I could actually do that for 45. | 0:24:27 | 0:24:29 | |
Yeah. | 0:24:29 | 0:24:31 | |
So, £110 for the two. | 0:24:33 | 0:24:36 | |
I'll tell you what, I didn't mean to haggle, and that's the truth, | 0:24:36 | 0:24:39 | |
but I'll say it anyway, if I bought two items, | 0:24:39 | 0:24:41 | |
if I bought that for 50 and that for 35, that's 85. | 0:24:41 | 0:24:44 | |
-Does that still give you a profit? -A little bit of profit. | 0:24:44 | 0:24:48 | |
All right, well, let's have those. | 0:24:48 | 0:24:51 | |
-Thank you, Tony. -Amazing what you can get for a no-haggle haggle, eh? | 0:24:51 | 0:24:55 | |
Meanwhile, Thomas is heading out of town, | 0:24:56 | 0:24:59 | |
but all isn't well with Mark's true love. | 0:24:59 | 0:25:02 | |
The car is making an extraordinary noise. | 0:25:02 | 0:25:05 | |
WHIRRING | 0:25:05 | 0:25:07 | |
I don't know what that noise is, the red button is on. | 0:25:07 | 0:25:11 | |
Erm... It's smoking. | 0:25:11 | 0:25:14 | |
So with the car out of action... | 0:25:14 | 0:25:16 | |
..Thomas is having to hitch a lift, because | 0:25:18 | 0:25:22 | |
he's on his way to Berkeley, | 0:25:22 | 0:25:24 | |
35 miles east of Newport, | 0:25:24 | 0:25:26 | |
in the county of Gloucestershire, | 0:25:26 | 0:25:29 | |
to investigate a case of a right Royal murder. | 0:25:29 | 0:25:33 | |
Berkeley is a town dominated by the castle, | 0:25:37 | 0:25:42 | |
home to the Berkeley family. | 0:25:42 | 0:25:44 | |
Indeed, they are only one of three families in England | 0:25:44 | 0:25:48 | |
who can trace their ancestry back to Saxon times. | 0:25:48 | 0:25:50 | |
The castle started life as a fortress nine centuries ago, | 0:25:55 | 0:25:59 | |
but is now a stately home, | 0:25:59 | 0:26:00 | |
brimming with stunning antiques and artefacts. | 0:26:00 | 0:26:03 | |
Charles Berkeley, who is heir to the castle | 0:26:03 | 0:26:06 | |
and spent his childhood here, | 0:26:06 | 0:26:08 | |
has some riveting stories for Thomas, | 0:26:08 | 0:26:10 | |
starting with the tale of a gruesome royal murder. Wah! | 0:26:10 | 0:26:15 | |
In 1327, Edward II met his death here, | 0:26:21 | 0:26:25 | |
on the orders of the Queen and her lover. | 0:26:25 | 0:26:28 | |
His dungeon still remains virtually untouched today. | 0:26:28 | 0:26:32 | |
Why do you think... Oh, my, that's horrific. | 0:26:32 | 0:26:35 | |
Fairly gloomy, isn't it? | 0:26:35 | 0:26:37 | |
I know the sun is shining in and it looks rustic and charming, | 0:26:37 | 0:26:42 | |
apart from the skull, which is quite scary. | 0:26:42 | 0:26:46 | |
Why was he murdered here? | 0:26:46 | 0:26:49 | |
The barons were furious with Edward because he had no strength or power | 0:26:49 | 0:26:52 | |
and had got rid of a lot of the noble families. | 0:26:52 | 0:26:55 | |
He was considered, at the time, a bit of a weak King, | 0:26:55 | 0:26:58 | |
and he was eventually put to death in this cell. | 0:26:58 | 0:27:02 | |
Killing the King, though, wasn't easy. | 0:27:02 | 0:27:05 | |
This is the dungeon, Thomas, that Edward... | 0:27:05 | 0:27:09 | |
They put rotting animal carcasses in here, piled them up in this dungeon. | 0:27:09 | 0:27:13 | |
It's the only surviving dungeon in the castle. | 0:27:13 | 0:27:16 | |
30 feet down to the courtyard level. | 0:27:16 | 0:27:19 | |
They hoped to asphyxiate him from the fumes | 0:27:19 | 0:27:21 | |
from these rotting carcasses in the cell next door. | 0:27:21 | 0:27:25 | |
But he survived that and they realised, after five months, | 0:27:25 | 0:27:29 | |
that they couldn't go keeping the King here, | 0:27:29 | 0:27:31 | |
and in the end, he was murdered with a red hot poker... | 0:27:31 | 0:27:34 | |
-Yes. -..on his backside, so there was no mark on the outside of his body. | 0:27:34 | 0:27:37 | |
So everyone thought he'd died of natural causes. | 0:27:37 | 0:27:39 | |
-Was that the reason why? -That's what we're led to believe. | 0:27:39 | 0:27:42 | |
His screams were heard, so they say, over the river. | 0:27:42 | 0:27:44 | |
Doesn't bear thinking about, really. | 0:27:44 | 0:27:47 | |
Despite that gruesome episode in its history, | 0:27:47 | 0:27:51 | |
the castle's links with royalty have had their benefits though. | 0:27:51 | 0:27:55 | |
This wall hanging here, | 0:27:55 | 0:27:57 | |
it's silk and cloth mixed together, | 0:27:57 | 0:28:00 | |
made locally. The thought was that the wall hangings | 0:28:00 | 0:28:03 | |
come from Henry VIII's bedchamber at Hampton Court. | 0:28:03 | 0:28:07 | |
When Henry VIII came with Anne Boleyn, | 0:28:07 | 0:28:10 | |
soon after he'd got married, and stayed at the castle a couple of times, | 0:28:10 | 0:28:14 | |
we believe it was a gift to the family. | 0:28:14 | 0:28:16 | |
It's unbelievable to think that this hanging is | 0:28:16 | 0:28:19 | |
actually 500 years old. | 0:28:19 | 0:28:21 | |
-And the colours are still so strong. -Absolutely. | 0:28:21 | 0:28:25 | |
And it is in good condition. | 0:28:25 | 0:28:26 | |
It is in good condition, especially the higher up bits, | 0:28:26 | 0:28:29 | |
because I imagine as a child, you would like to pick. | 0:28:29 | 0:28:31 | |
My brother and I often did. | 0:28:31 | 0:28:34 | |
It's just lovely to have on this wall, it brightens it up. | 0:28:34 | 0:28:37 | |
And the royal association with Berkeley Castle didn't end there. | 0:28:38 | 0:28:41 | |
Henry VIII's daughter, Elizabeth I, made a fleeting visit | 0:28:41 | 0:28:46 | |
and went deer hunting. And in more recent times, | 0:28:46 | 0:28:49 | |
Princess Margaret and Prince Charles | 0:28:49 | 0:28:51 | |
have even passed over its illustrious threshold. | 0:28:51 | 0:28:55 | |
So with the day nearly over, it's time to get back to antiques, | 0:29:00 | 0:29:04 | |
and for our experts to reveal their items for the last time. | 0:29:04 | 0:29:09 | |
-I am ready. -Are you ready, Thomas? | 0:29:09 | 0:29:11 | |
-There you go, Thomas. -Ooh. | 0:29:11 | 0:29:12 | |
-Very nice. -Whitefriars? | 0:29:12 | 0:29:15 | |
-Hmm, no. -Smoked glass, Whitefriars. | 0:29:15 | 0:29:18 | |
I'm hoping very much it is Whitefriars. | 0:29:18 | 0:29:20 | |
-I think it's Whitefriars. -I don't think it's Whitefriars. -Do you not? | 0:29:20 | 0:29:23 | |
-Nope. -It's got the quality. | 0:29:23 | 0:29:25 | |
No! I think it's Scandinavian. | 0:29:25 | 0:29:27 | |
-It's not a common one. -No... -I don't think it's Scandinavian. | 0:29:27 | 0:29:31 | |
-It's not fine enough to be Scandinavian. -It's optic moulded... | 0:29:31 | 0:29:34 | |
Crumbs! We've hardly started and they're already bickering. | 0:29:34 | 0:29:38 | |
-So I'll match you with another piece of glass. -Oh, my goodness me! | 0:29:38 | 0:29:41 | |
-This is my piece of glass. -Crackle glaze. | 0:29:41 | 0:29:44 | |
-Yes, this is by Koloman Moser... -Oh, that's good. -..for Lutz. -Moser. | 0:29:44 | 0:29:48 | |
And it's circa 1910. I think they're both very nice items of glass. | 0:29:48 | 0:29:52 | |
I do like yours very much. | 0:29:52 | 0:29:53 | |
Well, at least they can agree on something. | 0:29:53 | 0:29:56 | |
It's a really good thing, that. | 0:29:56 | 0:29:58 | |
You've got to have a look at this because it's something special. | 0:29:58 | 0:30:00 | |
"St Paul's Cathedral, London. | 0:30:00 | 0:30:03 | |
"Lucy, 1885." | 0:30:03 | 0:30:04 | |
That's the thing, it's in script, | 0:30:04 | 0:30:06 | |
it hasn't just been scribbled on there, it's in script. | 0:30:06 | 0:30:09 | |
-It's written in pencil. -No, it's not pencil. | 0:30:09 | 0:30:11 | |
That's what I thought at first, then I looked further at it | 0:30:11 | 0:30:14 | |
and it's almost like copperplate. | 0:30:14 | 0:30:15 | |
It's too beautifully written to be written in pencil. | 0:30:15 | 0:30:18 | |
-Got an eraser? -It would never erase. | 0:30:18 | 0:30:21 | |
Now, what will Mark make of this next item? | 0:30:21 | 0:30:25 | |
-That is so you, Thomas. -Bottoms up! -So you. | 0:30:25 | 0:30:29 | |
With a little sort of bottom which moves. | 0:30:29 | 0:30:31 | |
I couldn't live with that on my mantelpiece! | 0:30:31 | 0:30:34 | |
Oh, it's funny though, isn't it? | 0:30:34 | 0:30:35 | |
No, it's not funny, Thomas, it's grotesque, it's horrible. | 0:30:35 | 0:30:38 | |
It's so horrible, it's saleable. | 0:30:38 | 0:30:40 | |
You've done really well with broken bits of ceramic. | 0:30:40 | 0:30:42 | |
-All the way through, broken bits of ceramic have been your forte. -Yes. | 0:30:42 | 0:30:46 | |
I think it's very decorative. | 0:30:46 | 0:30:47 | |
-Something I wouldn't have spotted or looked at. -Beautiful bowl. | 0:30:47 | 0:30:49 | |
It is a good-looking thing. | 0:30:49 | 0:30:51 | |
Indeed, it is. But can Thomas trump it with his chalice? | 0:30:51 | 0:30:56 | |
Oh, my goodness! | 0:30:56 | 0:30:58 | |
-It's plate, is it? -It's Sheffield. | 0:30:58 | 0:31:00 | |
But it's good quality plate, it certainly looks it. | 0:31:00 | 0:31:02 | |
It's very, very nice and I like that a lot. Well done, Thomas. | 0:31:02 | 0:31:06 | |
-Now... -Gosh, they're all sweetness and light now. | 0:31:06 | 0:31:09 | |
I bought it because it's a proper Georgian cutlery box. | 0:31:09 | 0:31:13 | |
I think it's lovely. I love the shape, the shape is good, lovely colour. | 0:31:13 | 0:31:17 | |
I don't think you'll have too much of a problem. | 0:31:17 | 0:31:19 | |
Right, what do we have, Thomas? Ah! | 0:31:19 | 0:31:21 | |
That's very nice indeed. | 0:31:21 | 0:31:24 | |
That's a good 19th-century wine glass, barrel shaped, | 0:31:24 | 0:31:28 | |
but forget all that, it's the acid-etched inscription, isn't it? | 0:31:28 | 0:31:32 | |
Duke of Wellington and his army, | 0:31:32 | 0:31:34 | |
with the sabre and the dove. | 0:31:34 | 0:31:36 | |
-That's great fun, that... -Yep, and a real antique. | 0:31:36 | 0:31:39 | |
Unlike the next one. | 0:31:39 | 0:31:41 | |
Oh, my goodness. I hope you've spotted the obvious. | 0:31:41 | 0:31:44 | |
-It's the rare version, with garage, Thomas. -With garage. | 0:31:44 | 0:31:48 | |
They are lovely things, these. Did you steal it at £25? | 0:31:48 | 0:31:52 | |
I bought it at £18. | 0:31:52 | 0:31:54 | |
-18, I feel quite sick. -£18. I've a keen eye, Thomas. | 0:31:54 | 0:31:57 | |
There's a profit there, isn't there? | 0:31:57 | 0:31:58 | |
-There's definitely a big profit there. -Good. -You've done really well. | 0:31:58 | 0:32:01 | |
So, to Thomas's final, but risky, item, | 0:32:01 | 0:32:04 | |
the libation cup. | 0:32:04 | 0:32:06 | |
-That's very nice. -Obviously rhino-horn shaped. | 0:32:06 | 0:32:10 | |
Yeah. Let's have a look. | 0:32:10 | 0:32:12 | |
That is something for me to worry about. | 0:32:12 | 0:32:14 | |
I have to admit, I'd lose graciously if that ran and ran. | 0:32:14 | 0:32:17 | |
I really would, because... | 0:32:17 | 0:32:18 | |
-If you saw that, would you buy it? -Yes, I would. | 0:32:18 | 0:32:20 | |
-At £150? -Yes, as it's safe, you'll get your £150 back. -Do you think so? | 0:32:20 | 0:32:24 | |
Oh, yes, definitely at the moment. | 0:32:24 | 0:32:25 | |
Hmm. Not if the bidders don't want it. | 0:32:25 | 0:32:29 | |
So with that deed done, have our experts really been upfront | 0:32:29 | 0:32:33 | |
with each other about their items? | 0:32:33 | 0:32:36 | |
I think he's done really well | 0:32:36 | 0:32:38 | |
and he's got a really good eye, | 0:32:38 | 0:32:39 | |
so I'm really impressed, actually. | 0:32:39 | 0:32:42 | |
I am very, very impressed with the way he's done things. | 0:32:42 | 0:32:45 | |
Who knows? Let's see what happens at the auction. | 0:32:45 | 0:32:47 | |
I thought Thomas was rather clever. | 0:32:47 | 0:32:49 | |
As always, he's not shy when it comes to spending money. | 0:32:49 | 0:32:52 | |
I loved his silver-plated chalice, | 0:32:52 | 0:32:55 | |
gorgeous classical shape, lovely quality. | 0:32:55 | 0:32:59 | |
Will he make a profit? | 0:32:59 | 0:33:01 | |
I do hope so, it deserves to. | 0:33:01 | 0:33:03 | |
Right, to the auction. | 0:33:03 | 0:33:06 | |
And thankfully, the Sunbeam is back in service, so it's full steam ahead! | 0:33:06 | 0:33:10 | |
Thomas and Mark started this Road Trip | 0:33:13 | 0:33:15 | |
in Hay-on-Wye, on the Welsh border, | 0:33:15 | 0:33:17 | |
and are finishing this fifth | 0:33:17 | 0:33:19 | |
and final leg at the auction | 0:33:19 | 0:33:21 | |
in Pontrilas, Herefordshire. | 0:33:21 | 0:33:23 | |
Our experts' destination for this final auction showdown | 0:33:26 | 0:33:30 | |
is Ward & Co, who sell everything from objets d'art to tools and machinery. | 0:33:30 | 0:33:34 | |
-Right, Thomas. Down to the wire, Thomas. -Down to the wire. | 0:33:36 | 0:33:39 | |
This is it. | 0:33:39 | 0:33:41 | |
Come on, I'm ready for a thrashing. | 0:33:41 | 0:33:44 | |
Wielding the gavel today is auctioneer Nigel Ward, | 0:33:45 | 0:33:49 | |
who has cast his expert eye over our boys' lots | 0:33:49 | 0:33:52 | |
and has a few words to say about them. | 0:33:52 | 0:33:55 | |
The Nove bowl, | 0:33:55 | 0:33:56 | |
it's beautifully decorated, but has been repaired, | 0:33:56 | 0:33:59 | |
so that's going to affect its value. | 0:33:59 | 0:34:01 | |
The mug, it's obviously a conversation piece, | 0:34:01 | 0:34:04 | |
I think probably someone will buy it. | 0:34:04 | 0:34:06 | |
It certainly isn't going to be big money. | 0:34:06 | 0:34:08 | |
I think the libation cup could create quite a lot of interest. | 0:34:08 | 0:34:11 | |
Mark started this leg of the Road Trip | 0:34:11 | 0:34:13 | |
with £330.07, | 0:34:13 | 0:34:16 | |
and spent £273 | 0:34:16 | 0:34:19 | |
on five auction lots. | 0:34:19 | 0:34:20 | |
Thomas, on the other hand, started ahead, | 0:34:22 | 0:34:26 | |
with £387.98, | 0:34:26 | 0:34:28 | |
and gambled most of it, | 0:34:28 | 0:34:29 | |
spending £340 also on five auction lots. | 0:34:29 | 0:34:34 | |
So with around £58 in it, can Mark make up the lost ground? | 0:34:37 | 0:34:41 | |
Here we go, folks, it's the final showdown! | 0:34:41 | 0:34:44 | |
We're kicking off with | 0:34:46 | 0:34:47 | |
that smoked glass vase. | 0:34:47 | 0:34:49 | |
The auctioneer has confirmed | 0:34:49 | 0:34:50 | |
it is Whitefriars. | 0:34:50 | 0:34:54 | |
£20 to get on, 20 I've got, 20, | 0:34:54 | 0:34:56 | |
25, 30, £30 here, | 0:34:56 | 0:34:58 | |
at 30, 35, do you want? | 0:34:58 | 0:35:00 | |
£30 only bid, 40, 45 there, £50 your turn, | 0:35:00 | 0:35:04 | |
55, £60, 60, 65. | 0:35:04 | 0:35:07 | |
At £60 in the front row, | 0:35:07 | 0:35:10 | |
going away at £60. | 0:35:10 | 0:35:12 | |
Goes at 60. | 0:35:12 | 0:35:14 | |
Ooh. Almost doubled your money. | 0:35:14 | 0:35:17 | |
I said to the chap in the shop, | 0:35:17 | 0:35:18 | |
it will either be a money back | 0:35:18 | 0:35:20 | |
or it will make 65 quid. | 0:35:20 | 0:35:22 | |
It's a good start for the boy in second place. | 0:35:22 | 0:35:25 | |
So can Thomas do as well | 0:35:25 | 0:35:27 | |
with his bit of glass? | 0:35:27 | 0:35:29 | |
25 is there, thank you, 25, | 0:35:29 | 0:35:31 | |
30, 35, 40, 45, | 0:35:31 | 0:35:34 | |
50, 55, 60, 65, | 0:35:34 | 0:35:37 | |
70, 75? | 0:35:37 | 0:35:40 | |
£80, 80? 85, | 0:35:40 | 0:35:42 | |
£90, 90, 95? | 0:35:42 | 0:35:44 | |
Isn't that the lady who bought Mark's Whitefriars? | 0:35:44 | 0:35:47 | |
100. | 0:35:47 | 0:35:48 | |
Well, I'm really excited about this. | 0:35:48 | 0:35:50 | |
Yeah, 105. 110? | 0:35:50 | 0:35:52 | |
£105. | 0:35:52 | 0:35:55 | |
-I think you've woken up now, Thomas. -105. | 0:35:55 | 0:35:57 | |
You know, a part of me is delighted | 0:35:57 | 0:35:59 | |
and there's another part of me, | 0:35:59 | 0:36:01 | |
Thomas, that is not very happy. | 0:36:01 | 0:36:03 | |
All I can do is this... | 0:36:03 | 0:36:05 | |
£105?! | 0:36:05 | 0:36:08 | |
Indeed, and that puts Thomas firmly in the lead. | 0:36:09 | 0:36:12 | |
So can Mark's money box also spin a profit? | 0:36:13 | 0:36:16 | |
Start me away on this one, what do we want? Surely 50 for it... 30. | 0:36:16 | 0:36:20 | |
-Come on. -£20, ten to get away, ten, I have ten, ten, | 0:36:20 | 0:36:24 | |
15, 20, 20, 30, | 0:36:24 | 0:36:27 | |
40, 50, £50. | 0:36:27 | 0:36:28 | |
£60, £70, 75. | 0:36:28 | 0:36:31 | |
At £70 nearest the door, there's a bid for £70. | 0:36:31 | 0:36:34 | |
Goes and away at £70. | 0:36:36 | 0:36:38 | |
I was quite lucky with that. | 0:36:38 | 0:36:40 | |
Oh, he's catching up, Thomas. | 0:36:40 | 0:36:43 | |
So will it be bottoms up, | 0:36:43 | 0:36:44 | |
or bottoms down, | 0:36:44 | 0:36:46 | |
for that quirky mug? | 0:36:46 | 0:36:48 | |
£10, £5, surely? | 0:36:48 | 0:36:50 | |
£5 I have by the door. Thank you, madam, at five. | 0:36:50 | 0:36:53 | |
I'm very glad you're here. | 0:36:53 | 0:36:54 | |
At £5, I'll take six now. Six, at six, at seven, | 0:36:54 | 0:36:58 | |
at £8, nine, at ten. | 0:36:58 | 0:37:01 | |
I've got ten. At ten. Take 11 now. | 0:37:01 | 0:37:03 | |
At £10, selling. 11 just in time, | 0:37:03 | 0:37:06 | |
at 11, 12 is there. | 0:37:06 | 0:37:09 | |
-This is getting ridiculous. -Oh, shush. | 0:37:09 | 0:37:12 | |
15... At 16, madam? | 0:37:12 | 0:37:14 | |
-At 15, bid over here. -Oh, it's funny. | 0:37:14 | 0:37:17 | |
-Goes away at 15. -£15. | 0:37:17 | 0:37:19 | |
That's just ludicrous, isn't it? | 0:37:19 | 0:37:22 | |
Is this what I'm supposed to buy from now on? Novelty items. | 0:37:24 | 0:37:27 | |
Well, there's just no accounting for taste. | 0:37:27 | 0:37:32 | |
So anyone fancy a rare mock-Tudor doll's house | 0:37:33 | 0:37:36 | |
with parquet flooring and garage? | 0:37:36 | 0:37:39 | |
£50 then, at 50, take 60. | 0:37:39 | 0:37:43 | |
50, only bid. At 50. | 0:37:43 | 0:37:46 | |
At £50 it is then, goes in the front row at £50. | 0:37:46 | 0:37:49 | |
That's fair enough. | 0:37:49 | 0:37:51 | |
-You must be very pleased. -That's fair enough. | 0:37:51 | 0:37:55 | |
It made what I said it'd make and I'm quite happy. | 0:37:55 | 0:37:57 | |
-£32 in profit. -Yeah, £32. | 0:37:57 | 0:37:59 | |
Oh, come on, boys, let's have a bit more liveliness, | 0:37:59 | 0:38:03 | |
it's a profit, for goodness' sake! | 0:38:03 | 0:38:05 | |
Let's hope the Duke of Wellington | 0:38:05 | 0:38:08 | |
rummer will get a reaction. | 0:38:08 | 0:38:10 | |
£50 to get going, if you wish. | 0:38:10 | 0:38:12 | |
£50 I have, at 50, at 60, anyone? | 0:38:12 | 0:38:15 | |
Got to be sold. At £50. | 0:38:15 | 0:38:17 | |
First, second, third and last time at £50. | 0:38:17 | 0:38:20 | |
-There you are. -Listen, I think you should be pleased with that. -Why? | 0:38:20 | 0:38:24 | |
I think that's very respectable. That's OK, that. | 0:38:24 | 0:38:26 | |
Yeah, and he should be pleased, | 0:38:26 | 0:38:29 | |
because he is still leading in this race. | 0:38:29 | 0:38:31 | |
and Mark has work to do. | 0:38:31 | 0:38:33 | |
So is his cutlery box, | 0:38:34 | 0:38:36 | |
with that hefty £150 price tag, | 0:38:36 | 0:38:39 | |
going to be the answer? | 0:38:39 | 0:38:40 | |
£50 to get going, £50, who wants it £50? | 0:38:40 | 0:38:43 | |
60, 60, 70, 80, 90. | 0:38:43 | 0:38:47 | |
Ridiculous. | 0:38:47 | 0:38:48 | |
Slow, isn't it? | 0:38:48 | 0:38:49 | |
-I am worried now. -She's bidding on it. | 0:38:49 | 0:38:51 | |
100, 120, | 0:38:51 | 0:38:55 | |
140, 140. In at 160, | 0:38:55 | 0:38:57 | |
160. | 0:38:57 | 0:38:59 | |
Well done. You've done really well. | 0:38:59 | 0:39:01 | |
And, Thomas, I said it was a money-back piece and I was right. | 0:39:01 | 0:39:05 | |
Yes, but you're not going to win that way, | 0:39:05 | 0:39:08 | |
unless Thomas has a disaster. | 0:39:08 | 0:39:11 | |
His chalice is next. | 0:39:11 | 0:39:14 | |
£20, 20, I have, at 20, 20 it is, at £20, | 0:39:14 | 0:39:16 | |
20 it is, 25, 30 on the stage, | 0:39:16 | 0:39:19 | |
30, 35, down here, | 0:39:19 | 0:39:21 | |
40, I have 40, 45 now. | 0:39:21 | 0:39:24 | |
Oh, dear, I sense trouble. | 0:39:24 | 0:39:27 | |
50, 55, 55, 60, at 60, 65. | 0:39:27 | 0:39:31 | |
At £65 first, second, third and last time, at £65. | 0:39:31 | 0:39:35 | |
£55 loss. | 0:39:36 | 0:39:39 | |
That's a heinous error. | 0:39:39 | 0:39:42 | |
More of a heinous blow, I'd say, | 0:39:42 | 0:39:45 | |
and it puts Mark in the lead. | 0:39:45 | 0:39:47 | |
But can he hold onto it with this? | 0:39:49 | 0:39:52 | |
It's rare, but it's damaged. | 0:39:52 | 0:39:54 | |
£50, are you interested at £50? | 0:39:54 | 0:39:56 | |
50, at 50, 50 bid, | 0:39:56 | 0:39:59 | |
60, 60, 70, 80, 90, 100, | 0:39:59 | 0:40:02 | |
110, 120, is it? | 0:40:02 | 0:40:05 | |
At 110, bid at 110. | 0:40:05 | 0:40:07 | |
It's still cheap, but it's got to go, and I sell it at £110. | 0:40:07 | 0:40:11 | |
Brilliant, well done, you. | 0:40:11 | 0:40:13 | |
You must be really pleased? | 0:40:13 | 0:40:15 | |
I'm pleased that I was vindicated. | 0:40:15 | 0:40:18 | |
But, Mark, it was so pretty. | 0:40:18 | 0:40:21 | |
Finally, a smile. Good grief! | 0:40:21 | 0:40:24 | |
Well, it's a cliff-hanger now. | 0:40:24 | 0:40:26 | |
Thomas needs to make more than £132 before costs | 0:40:28 | 0:40:32 | |
on his libation cup to win this leg. | 0:40:32 | 0:40:35 | |
Someone start me somewhere. £50, if you like. £50. | 0:40:35 | 0:40:39 | |
Is there a glimmer? £10. | 0:40:41 | 0:40:43 | |
Oh, no. | 0:40:46 | 0:40:47 | |
Ten, I got ten. | 0:40:47 | 0:40:48 | |
15, £20, at 20, 25 now, | 0:40:48 | 0:40:50 | |
25, £30, 35, 35, | 0:40:50 | 0:40:54 | |
I got 30. This is a bargain. | 0:40:54 | 0:40:56 | |
I'll say. | 0:40:56 | 0:40:57 | |
40, five, 50, five, 60, five, | 0:40:57 | 0:41:00 | |
60 here, at 60. | 0:41:00 | 0:41:02 | |
£60, going to the phone then. | 0:41:02 | 0:41:05 | |
For the first time at 60, for the second, third and last time at £60. | 0:41:05 | 0:41:10 | |
-Good for me, bad for you. -Yeah, terrible. | 0:41:12 | 0:41:15 | |
-I think somebody just got a bargain. -They did, they did. | 0:41:15 | 0:41:17 | |
That was a telephone bidder and nobody to bid against. | 0:41:17 | 0:41:21 | |
Oh, dear. | 0:41:21 | 0:41:24 | |
Well, that's auctions for you. | 0:41:24 | 0:41:26 | |
Well, Mark, well done. | 0:41:26 | 0:41:28 | |
You've thrashed me on this one. | 0:41:28 | 0:41:30 | |
You've done really well. Come on. | 0:41:30 | 0:41:32 | |
Good fun though. | 0:41:32 | 0:41:34 | |
Thomas started this final leg of the Road Trip with £387.98, | 0:41:37 | 0:41:42 | |
but after auction costs, | 0:41:42 | 0:41:44 | |
lost £98.10, | 0:41:44 | 0:41:46 | |
leaving him with £289.88 | 0:41:46 | 0:41:50 | |
at the end of this week. | 0:41:50 | 0:41:51 | |
New boy Mark, however, | 0:41:53 | 0:41:55 | |
began with £330.07 | 0:41:55 | 0:41:58 | |
and made a massive £96 profit after costs, | 0:41:58 | 0:42:02 | |
leaving him winning not just this final leg, but the week, | 0:42:02 | 0:42:05 | |
with £426.07. | 0:42:05 | 0:42:06 | |
And all that profit goes to Children in Need. | 0:42:10 | 0:42:13 | |
Come on, Mark. Well done. | 0:42:15 | 0:42:18 | |
Thank you, Thomas. | 0:42:18 | 0:42:19 | |
You must be very, very pleased with yourself. | 0:42:19 | 0:42:23 | |
-That was good fun, Thomas, that was good fun. -Good fun for you. | 0:42:23 | 0:42:26 | |
-Where to now? -I don't know, Mark, where to? | 0:42:26 | 0:42:29 | |
Onward and upward. | 0:42:29 | 0:42:32 | |
There's always another one, Thomas. Let's go and find one. | 0:42:32 | 0:42:35 | |
And that brings us to the end of Thomas and Mark's journey together, | 0:42:39 | 0:42:43 | |
and what a week it's been. | 0:42:43 | 0:42:45 | |
Our virgin Road Tripper made a new set of friends... | 0:42:45 | 0:42:48 | |
..and indulged his passion for pots... | 0:42:50 | 0:42:53 | |
I do like bowls. | 0:42:53 | 0:42:55 | |
I think they're a jolly good buy for the money. | 0:42:55 | 0:42:57 | |
-..and pets. -Brilliant, look at that. | 0:42:57 | 0:43:01 | |
While Thomas played it tough... | 0:43:01 | 0:43:03 | |
40? | 0:43:03 | 0:43:05 | |
60? | 0:43:07 | 0:43:08 | |
..but had a soft spot for a shapely figure. | 0:43:10 | 0:43:14 | |
Even her bottom is rather delightful. | 0:43:14 | 0:43:16 | |
Oh, he is naughty! | 0:43:16 | 0:43:18 | |
Next week on the Road Trip, | 0:43:18 | 0:43:20 | |
we have a new couple, rivals | 0:43:20 | 0:43:21 | |
Philip Serrell | 0:43:21 | 0:43:23 | |
and Jonathan Pratt. | 0:43:23 | 0:43:26 | |
Between them, they have 55 years' experience in the antiques game, | 0:43:26 | 0:43:30 | |
so it's going to be competitive. | 0:43:30 | 0:43:33 | |
This is the hare against the tortoise. | 0:43:33 | 0:43:35 | |
You're the tortoise, then? | 0:43:35 | 0:43:37 | |
I rather saw myself as the hare. | 0:43:37 | 0:43:40 | |
Ha-ha! Until next time. | 0:43:40 | 0:43:42 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:01 |