Episode 16 Antiques Road Trip


Episode 16

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The nation's favourite antiques experts.

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£200 each, and one big challenge.

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Well, duck, do I buy you, or don't I?

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Who can make the most money buying and selling antiques,

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as they scour the UK?

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The aim is trade up and hope each antique turns a profit.

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But it's not as easy as it looks.

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Dreams of glory can end in tatters.

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-£60.

-Get out of here!

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Will it be the fast lane to success,

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or the slow road to bankruptcy?

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I want to go and cry!

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This is the Antiques Road Trip.

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Yeah.

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It's a brand-new week and we're on the road

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with antiques experts Philip Serrell,

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and Jonathan Pratt.

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Between them, they have 55 years' experience in the antiques game,

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so competitiveness is in their blood.

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This is the hare against the tortoise.

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You're the tortoise, then?

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No, I saw myself as the hare.

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Well, we'll soon find out, won't we?

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Philip Serrell is a hard-nosed negotiator.

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I'll give you £65 for it.

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Listen, I'm doing you a favour.

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-£60.

-Get out of here!

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Jonathan Pratt sometimes seems to lack a bit of focus.

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Yes...

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I don't know what I'm doing.

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Good. That bodes well, then(!)

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Our pair begin their adventure with £200 each,

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the open road in front of them, and the wind up their tails.

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Don't you just love the Lake District?

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The British countryside's fantastic.

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On their road trip this week, Philip and Jonathan will travel 140 miles,

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starting in Cockermouth, through the Lake District,

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all the way to Wilmslow.

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Their first stop today is Cockermouth,

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eventually ending up at the auction in Kirkby Lonsdale.

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As they approach Cockermouth,

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do the pair have a buying strategy?

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I think sticking to the decorative and traditional

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-is a good basis.

-The dafter, the better, I think.

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Shops in Cockermouth, brace yourselves!

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The ancient Cumbrian town of Cockermouth

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is on the edge of the Lake District.

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Most famous for being the birthplace of poet William Wordsworth in 1770.

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Wordsworth House,

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the large Georgian home in which he was born, still exists.

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But, for Jonathan and Philip, actions speak far louder than words.

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Time to shop.

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I can't wait. I'm really looking forward to this.

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Welcome to Cockermouth, JP.

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D'you know where you're going?

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The pair go their separate ways, on the hunt for the best bargain.

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Let the battle begin.

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And Philip's up with his first shop of the day.

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-Morning, how are you?

-Morning, squire.

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Colin, Philip. How are you?

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Is it all right if I just wander round?

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Course it is.

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After a bit of exploring, Philip's found something

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that tickles his fancy.

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Not difficult.

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Those fit the Serrell bill, don't they?

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I think they're relatively old.

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You can see where they've just retted in the rowlocks.

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Can you say that before the watershed?

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You can say that. It's a nautical term.

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There's some mileage in these.

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I'm going to give him £15 for those.

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Before he tries to negotiate on the oars,

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Philip wants to assess his options.

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Can I have a look at that poster at the back, please?

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There's a demand for old posters.

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Early travel posters can make a fortune.

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Is that an old one, d'you think?

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Yes, it is.

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It's period.

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Period being how old?

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-Is that 19...?

-'4Os.

-1940s?

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Vintage propaganda posters like this,

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by artist, John Pimlott,

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would have been printed by the National Savings Movement,

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in an attempt to raise funds for the war effort,

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during both world wars

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Oh, that's a pity.

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This has got a huge rip on the right hand side.

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£45 will own it.

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I'm interested in buying that, and that.

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Don't know why I'm interested in that. Lunacy.

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£50 for the pair.

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I'm going to say a bit less than that.

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But, we've got a starting point, haven't we?

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We've got to start somewhere.

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Let me see if I can find something else.

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Philip's sticking to his guns to get a good deal.

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What on earth are those?

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They're axle hooks, off a horse cart.

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These cast iron contraptions

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would have been used to secure axles to the wheel of a railway cart.

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Explain to me how this would have worked, then.

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That's the hub, on a cart.

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Then the cartwheel slides on that spline, there,

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and that screws on.

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-Locks your wheel...

-..And holds it on.

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What's happened to them?

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They've been under water, and that's the residue of silt.

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They're in there to be cleaned up.

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-This is the Cockermouth flood?

-Yeah.

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That must have been devastating.

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It was unbelievable. Unbelievable.

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You ARE very close to a bit of water, aren't you?

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Yeah.

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I can see £50 for that lot now.

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-How about £60?

-Get out of here!

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-Meet us half way.

-No, it's 50 quid, Colin.

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Another look.

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The cards are on the table.

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Philip's leaving Colin to mull over his offer.

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Has Philip's clever tactic worked?

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-I'll give you 50 quid, and that's my best shot.

-Cash?

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-Yep.

-Done.

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-It was £40, wasn't it(?)

-£50, sir.

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Naughty.

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Philip's come out fighting, and has three items.

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And the competition's on.

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Time for Jonathan to spring into action.

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Or not.

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Sterling silver stamps, so that's relatively modern.

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Meh.

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Right, let's dive in there.

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Erm...

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..Phil's probably bought two objects by now.

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Two broken bits of wood, I expect.

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Not far off. Spooky!

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Those fit the Serrell bill, don't they?

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By Jove, it looks like something's caught Jonathan's eye!

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Ooh! A pretty, pink vase.

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This is probably Monart, which is Scottish glass.

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Monart glass was made from the 1920s

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at the Moncrieff glass works in Scotland

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by a family of Spaniards, called Ysart.

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Modern glass is fashionable, cos people can put them in the home,

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put flowers in them.

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Also, they can collect. It's something they can research.

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They can pick it up fairly cheaply.

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Marked at £65, the Jonathan I know

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won't part with that much dosh this early in the game.

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I'd be interested in it, but only at £40. That'd be it for me.

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-I'll see what I can do.

-Thanks.

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The thing about it is it's nice and honest. I know Phil would hate it.

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Yes, far too jazzy for our Philip.

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Dusty old books are far more up his street.

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See what I mean?

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He's not left that last shop,

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and now has his hands on an old accounts ledger.

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"The Cumberland Union Bank Book.

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"1876".

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Accounts ledgers, like this,

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kept an accurate record

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of individuals' finances,

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with everything hand-written.

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Colin, are we in Cumberland?

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Of course we are!

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-I don't travel very well, me.

-Now Cumbria.

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When did Cumberland become Cumbria?

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Early '70s.

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This is what I really love about this business.

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You have this fantastic social history, and it's all here.

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I'm really, really excited by this.

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If there's a Cumbrian museum,

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and they don't buy this, there's something seriously wrong somewhere.

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There's one price coming here, cos I've got to be mean.

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I'll give you 30 quid for it.

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There you are.

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Whoa! Hold your horses. He's not agreed yet.

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Is that any good?

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Well...

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Good man. This is just absolutely fascinating.

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£80 down, but four items bagged.

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Not a bad start for Philip.

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How's Jonathan's haggling, over £40 for the pink vase, going?

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I've talked to the owner.

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He'd be willing to take £42.

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-I'll do that.

-It's yours.

-Only two quid more than I was asking.

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-Exactly.

-I like that.

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I'd put it on the mantle, at home.

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That wouldn't make you much profit though.

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At last, it's one item down, for Jonathan.

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Now it's Philip's turn to have a squiz in the very same shop.

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Looks like they've got some really interesting things in here.

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Philip, let us in on your secret to a great buy.

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I think the best thing to do, mentally,

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is wander around a shop, first,

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and try and find, in my own mind, a few things I might like.

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Brilliant. Thanks(!)

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Which direction will he take in this shop?

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The auction's in Kirkby Lonsdale.

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The least you can do is pronounce it correctly. It's 'Kirby'.

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We've got Kendal. Now, there's Kirkby Lonsdale.

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'Kirby'. Oh, I give up.

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It's £6. That's just no money at all.

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But you're still going to drive a hard bargain, aren't you?

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What's the best on your road map?

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£5.

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SHE SIGHS

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£4. All right. That's it, £4.

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I haven't said anything yet. Haven't said a word.

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SHE LAUGHS

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That's all I've got.

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Fibber! You've got over £100.

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£3?

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No, I'm really sticking out for £4 here.

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I'll have it off you for £4.

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Jonathan and I can find our way round here now.

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With the fifth deal done already,

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Philip's on a roll,

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and, back on the road, he lets Jonathan in

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on what's driving him to buy, buy, buy.

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I'd be happy to win.

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I don't mind what happens, as long as I come first.

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Having seen what the Cockermouth shops had to offer,

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our pair's next destination is another Cumbrian town.

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Keswick.

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Nestled between the Skiddaw mountain range,

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and Derwentwater,

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Keswick is one of the most idyllic locations in the Lake District.

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For many years, it has been, and continues to be, a market town.

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In the 1813-built Moot Hall, in the market square,

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is one of Keswick's most prominent buildings.

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New town, new shop. Jonathan needs to up his game and get spending.

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I hope there's a bargain to be done in here.

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It's a bit small for me.

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Is there any chance I could look at a vase, here?

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(Cheers).

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Gosh.

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It's Chinese. Could be 600/700 years old.

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Or it could have been made 30 years ago.

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What struck me when I saw it down the front, there

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was the colour of the glazes and the decoration

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is typically old Chinese.

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So, it's likely it's a copy

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of a second or third century vase.

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During the Tang Dynasty in China,

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from 618 to 907,

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a wide range of ceramics were produced.

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According to Jonathan,

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this vase resembles the style from that era.

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What would you be willing to accept for it?

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Well, I would do it for a straight 60 quid,

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and that would be death on it.

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I think it's such a nice item that, as a decorative piece,

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it's worth that.

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For me, £40.

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And then, it's worth the risk, cos I could lose money on it.

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£50 would be an absolute...

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Yeah...

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Have a think at £50. See if you can find anything else, first.

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And he's off browsing again.

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Come along, Jonathan.

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Philip's got five items, compared to your one.

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This is a Japanese cloisonne vase.

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This is a vase made of copper, and then over the top,

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they lay a very thin wire.

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Between the wires of the pattern,

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they then put in coloured enamels, which are, basically, melted glass.

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The Japanese, at the end of the 19th century,

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were brilliant at it. The quality of these irises is beautiful.

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The crafting of Japanese cloisonne

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was perfected in the 19th century,

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when artist and samurai, Kaji Tsunekichi,

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mastered the intricate technique of enamelling,

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helping to popularise Japanese art in the west.

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What's going on there?

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Crikey, that's odd, isn't it?

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It's like it's been in a fire.

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Almost like a thick lacquer's on there.

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Something has melted the glass.

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So, unless you were willing to accept

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£30 for it...

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-Shall I put it in a bag for you?

-HE LAUGHS

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I know it's damaged but, marked at £125, I'd shake on it if I were you.

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-30 quid.

-£30.

-Smashing.

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That's not a bad deal you've got!

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My decision is to be made, whether I want to take that pot.

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How much are you saying for that?

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-£50.

-£50 you're saying for that. Are you SURE you're saying £50?

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-I could not go any less than £50.

-You couldn't?

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HE SIGHS

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Come on. Decision time.

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-It's worth a punt, I'll go for that, as well.

-Excellent.

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A bit of a theme here. Japanese, Chinese.

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I think the theme's vases, actually.

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Jonathan's bought his third vase for auction,

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but shopping isn't all the town of Keswick has to offer.

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The discovery of a substance called wad, a pure form of graphite,

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in Cumberland, eventually resulted

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in the development of pencil production in Keswick.

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So, where better for Philip to go

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and learn about the history of pencil making in the town,

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than the Cumberland Pencil Museum.

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Alex Farthing, the museum manager,

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will show Philip round.

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I always thought Philip was a bit of an HB.

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Welcome to the Pencil Museum!

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I never thought I'd get excited about pencils.

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Why pencils, here?

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Way back in the 1500s, the story goes

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there was a large storm,

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and shepherds went out to tend their flock.

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They found numerous trees fallen down on their land.

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One of the trees had become uprooted.

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Underneath, inside the roots, was a black substance.

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They pulled out that black substance and thought it was coal.

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They tried to burn it, it didn't burn.

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But it marked their hands. Later, they marked their sheep with it.

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That's a piece of wad.

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The graphite is the wad, ground down with other substances,

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to produce the graphite.

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Can I draw with that?

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You can, yeah.

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From the graphite mined in Cumberland,

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eventually writing instruments came into use, around 1560.

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You dig up this wad,

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and it started off by someone making a strip of graphite?

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Yes.

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-Which they put into a wooden channel?

-Yes.

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How does that gradually convert into a pencil?

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I'll show you these slats.

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It's a slat of Canadian cedar wood.

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I understand that's made...

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You used to get tree trunks, slat them down.

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They'd come in a specific length.

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It's actually grooved,

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so all the channels are grooved in.

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Then you get round pieces of graphite.

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You put the graphite in the bottom of the slat. It gets glued in.

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The top slat goes on top, and you make a wooden sandwich.

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The top gets grooved into a round. The bottom is grooved into a round,

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-and they all get separated.

-I've just made a pencil.

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Pencils may be an everyday writing tool for some...

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..but years after their creation, in World War II,

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it was a special pencil design which could mean the difference

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between life and death.

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The gentleman who made this pencil

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was called Charles Fraser-Smith.

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He worked for MI6.

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And worked for the Government.

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He was instructed by the Government

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to come up with devices, instruments,

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that would help airmen

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throughout the war, if they fell into enemy territory,

0:17:370:17:40

to get home again safely.

0:17:400:17:42

Charles Fraser-Smith designed

0:17:420:17:44

a brilliant secret wartime tool,

0:17:440:17:47

which was issued to RAF pilots.

0:17:470:17:49

Inside a hollowed-out pencil

0:17:490:17:51

was a map of Germany, marking escape routes and safe houses,

0:17:510:17:54

as well as a miniscule compass, underneath the rubber.

0:17:540:17:58

If you set off into enemy territory,

0:17:580:18:01

you snapped your pencil in half,.

0:18:010:18:03

and you could then pull out the little map.

0:18:030:18:05

Gadget-designing genius Charles Fraser-Smith

0:18:050:18:09

was actually the inspiration for author Ian Fleming's character Q

0:18:090:18:13

in his James Bond novels.

0:18:130:18:15

The wonderful part of it

0:18:170:18:19

is they were done completely secretly.

0:18:190:18:21

So, in the evenings,

0:18:210:18:23

everybody went home,

0:18:230:18:24

and a selection of management came back, with five or six other people,

0:18:240:18:28

and produced these pencils, but it looks like a normal pencil.

0:18:280:18:31

Because of the war's Secrecy Act,

0:18:310:18:33

how many of these kits were made remains a mystery,

0:18:330:18:37

but it's thought that only ten remain in the world today.

0:18:370:18:41

It's really opened my eyes.

0:18:410:18:42

I'm now going to scour antique shops

0:18:420:18:44

to see if I can find a green pencil.

0:18:440:18:46

Excellent. Lovely to have you.

0:18:460:18:48

Steady on, Philip!

0:18:480:18:51

So, Philip's seen that the Lake District is the heart of discovery,

0:18:510:18:54

invention, and creation,

0:18:540:18:57

and for some, a pencil is not just a pencil.

0:18:570:18:59

That's the end of the duo's busy first day in the Lakes.

0:19:020:19:07

Time to get some rest.

0:19:090:19:11

The next morning, the competition's hotting up,

0:19:160:19:20

and the chaps are in fighting spirit ready for another day of shopping.

0:19:200:19:25

-I'm going to beat you by hundreds of pounds.

-Really?

0:19:250:19:28

Yeah!

0:19:280:19:30

Yesterday, the gents kicked off with a healthy start.

0:19:300:19:34

Philip Serrell was chomping at the bit to buy

0:19:340:19:38

and spent £84 on a pair of oars,

0:19:380:19:40

a poster,

0:19:400:19:42

two axle hubs,

0:19:420:19:44

an accounts ledger, and a map.

0:19:440:19:47

That leaves £116 for his second day of shopping.

0:19:470:19:50

Jonathan Pratt had a slow start,

0:19:500:19:53

but soon caught his rival up,

0:19:530:19:55

and spent a total of £122 on three vases,

0:19:550:19:57

leaving him £78 for today.

0:19:570:20:01

For their second day of shopping,

0:20:020:20:04

they're heading 20 miles east, to Penrith.

0:20:040:20:07

Once known as "the capital of Cumbria",

0:20:130:20:15

the pretty town of Penrith is in the hub of the Eden Valley.

0:20:150:20:19

With its central location,

0:20:190:20:21

Penrith developed as a market town for the surrounding area,

0:20:210:20:24

and the town still retains much of its medieval layout.

0:20:240:20:29

I think one of the shops is just there...

0:20:290:20:31

The gents are going head-to-head.

0:20:310:20:33

They're off to the same shop together - look out!

0:20:330:20:37

-Age before beauty.

-No, no, no, no...

0:20:370:20:39

And they've come with a strategy.

0:20:390:20:42

-You go upstairs first, and then we'll swap over, yeah?

-OK.

0:20:420:20:45

Sounds polite, but Philip knows that usually, the rubbish is upstairs!

0:20:450:20:50

-Right...

-Meanwhile, Jonathan's overcoming some hurdles,

0:20:500:20:55

to have a root around - just as well he's fit!

0:20:550:20:59

-..and the saucepan, it's all in one.

-Yeah, that's lovely, it's fun.

0:20:590:21:04

Ugh!

0:21:050:21:07

Careful!

0:21:070:21:09

I've got three vases already, I don't know what I'm thinking, but...

0:21:130:21:17

That makes two of us!

0:21:170:21:19

..look at that baby! Ha!

0:21:190:21:24

Walk away, Jonathan, walk away!

0:21:210:21:24

Ooh! There we go.

0:21:240:21:26

-It IS more than 70, erm...

-OK.

0:21:260:21:28

Look out, the head honcho's here to suss out the competition.

0:21:280:21:33

How are you getting on?

0:21:330:21:35

Just looking, Phil, just looking, you know.

0:21:350:21:38

Don't know what it is, it's like a belt buckle almost...

0:21:380:21:41

Don't let him put you off, Jonathan!

0:21:410:21:45

At last! Something pretty has caught his eye...

0:21:480:21:52

She's quite a pretty young lady. I like it because it's...

0:21:520:21:56

it's just a profile of a bust of a lady, which is very simple.

0:21:560:22:00

Stamped 9C for nine carat - that's good enough.

0:22:000:22:03

It's about 1880 in date, and they're getting more fashionable now.

0:22:030:22:07

-How much is this one?

-That one's 45 - it IS gold.

0:22:070:22:10

You wouldn't take £35? You'd think about it...

0:22:100:22:14

-£40.

-Ha-ha!

-Good tactic.

0:22:140:22:17

You must be learning from Philip. Let her ponder your offer!

0:22:170:22:21

-That little shell cameo of yours, you wouldn't do it for 35?

-I would.

0:22:210:22:26

-Well, I'll take that for £35, if I may.

-Very good.

-Thank you.

0:22:260:22:30

There are no ladies catching Philip's eye, though.

0:22:300:22:34

I'm struggling here. What about our little sewing machine, Sylvia?

0:22:340:22:39

That's lovely, isn't it, in its original box?

0:22:390:22:43

Sylvia, this isn't very old, is it?

0:22:410:22:43

Well, no, but it's nice, I just think it's pretty.

0:22:430:22:47

-It's 1960s, Sylvia.

-Do you think so?

-Oh, without a shadow of a doubt.

0:22:470:22:51

-And how much do you want for it?

-£22, instead of 29.

0:22:510:22:57

-Sylvia, I'll give you 15 quid for it.

-No, I don't give huge discounts.

0:22:570:23:01

-I have to make a living.

-Sylvia, it's time to change your policy.

0:23:010:23:05

I would love to sell you something.

0:23:050:23:11

Well, can you try a bit harder? This is my best and final shot.

0:23:070:23:11

Can I give you 18 quid for it?

0:23:110:23:13

-OK.

-Sylvia, you're an angel.

-I am, I know!

0:23:130:23:16

Are you going soft on us, Philip,

0:23:160:23:19

buying a child's sewing machine and giving away all these hugs?

0:23:190:23:23

Dear, oh dear, oh dear.

0:23:230:23:25

Shopping's over...

0:23:250:23:27

Steady, Phil - looks as if you could do with a lie-down, mate.

0:23:270:23:31

That's right, steady him.

0:23:330:23:36

The Lake District has been home to many remarkable historical figures,

0:23:360:23:40

and Jonathan is going to find out about one of them, in Coniston,

0:23:400:23:45

30 miles south of Penrith.

0:23:450:23:48

Brantwood is an 18th-century country house which was once the home

0:23:480:23:53

of John Ruskin, a Victorian who excelled in multiple fields.

0:23:530:23:57

He was catapulted to fame as a leading art critic of the era,

0:23:570:24:02

but was also an artist, poet and radical theorist -

0:24:020:24:05

what you'd call a polymath.

0:24:050:24:08

Through his love of the Lakes,

0:24:080:24:10

Ruskin bought Brantwood in 1871, and lived there

0:24:100:24:15

until his death in 1900.

0:24:150:24:18

Today, the house is a museum, but it is kept very much as a home,

0:24:180:24:22

and Brantwood Trust director Howard Hull will give Jonathan a glimpse

0:24:220:24:27

into the life of one of England's most important

0:24:270:24:30

social and cultural figures.

0:24:300:24:32

-Ah, hello!

-Jonathan.

-Nice to meet you, lead the way, please!

0:24:320:24:37

So, this is Ruskin's study - it was the nerve centre of his world.

0:24:370:24:42

-He came here in 1871...

-That's right, a celebrity.

0:24:420:24:44

-Oh, was he?

-Yes, one of the most famous men in England,

0:24:440:24:48

desperate to get away from the burden of fame and wealth -

0:24:480:24:52

-he'd inherited a huge amount from his father...

-Yes.

0:24:520:24:55

He'd inherited the money almost at exactly the time that he'd written

0:24:550:25:00

one of the most stinging criticisms of capitalism.

0:25:000:25:03

He was full of contradictions and he knew it.

0:25:030:25:06

As well as being an artist, Ruskin was a huge admirer and champion

0:25:060:25:10

of the famous JMW Turner,

0:25:100:25:13

and avidly collected his watercolours.

0:25:130:25:16

So, this is the cabinet that Ruskin kept his Turner watercolours in.

0:25:160:25:21

I think of it as the nuclear reactor at the heart of Brantwood,

0:25:210:25:25

because it contained some of the most precious and beautiful paintings.

0:25:250:25:30

A collection of Turner watercolours, I mean,

0:25:300:25:33

that's millions upon millions of pounds in today's money.

0:25:330:25:37

Indeed. Ruskin started to collect Turners when he was quite young.

0:25:370:25:42

It became a lifelong obsession.

0:25:420:25:44

Ruskin's life was not only dominated by art

0:25:440:25:48

but also by writing.

0:25:480:25:50

Writing was the instrument of all the change and activity

0:25:500:25:54

and commission of his ideas, and you get a picture of that

0:25:540:25:57

if you look at this record of the letters that came in and out

0:25:570:26:02

-of Brantwood, and what some of the replies were.

-Right.

0:26:020:26:06

It was drawn up by his secretary, and I rather like the fact

0:26:060:26:10

that the secretary has doodled a little cartoon of Ruskin here.

0:26:100:26:14

Ruskin was sent a number of manuscripts

0:26:140:26:17

by people who wanted his feedback.

0:26:170:26:20

One entry I think is rather fun - there's a lot of regrets for delay,

0:26:200:26:25

-and this one in particular I like.

-It says, in Ruskin's hand,

0:26:250:26:29

"Sending manuscript back

0:26:290:26:32

"with regrets for its long detention -

0:26:320:26:37

"(20 years)." I mean, for goodness' sake!

0:26:370:26:41

-Where to next?

-Right, to a place where they enjoyed themselves.

0:26:410:26:45

That sounds like the place to be, come on!

0:26:450:26:49

So, this was Ruskin's drawing room.

0:26:490:26:51

This was the heart of the family life.

0:26:510:26:54

He lived here with his cousin and her husband and their growing family.

0:26:540:26:58

He loved to make things and invent things,

0:26:580:27:02

and this room is full of it - he designed the wallpaper,

0:27:020:27:06

we have a wood carving from a wood carving school that he set up

0:27:060:27:10

in the local village, and he had his own projects

0:27:100:27:13

-like this one, which was the creation of musical instruments.

-Right!

0:27:130:27:17

This is a ziphon - according to Ruskin!

0:27:170:27:21

It was designed for children to learn the rudiments of music.

0:27:210:27:25

It is like a cross between a lyre, a harp and a zither.

0:27:250:27:30

-Put it on your hip, and sort of like...

-Take it away!

0:27:300:27:35

STRINGS TWANG

0:27:350:27:39

Don't give up your day job, Jonathan!

0:27:390:27:43

Ruskin was also an inspirational lecturer,

0:27:430:27:46

and was appointed Slade Professor of Fine Art

0:27:460:27:50

at Oxford University in 1869, the oldest professorship of art.

0:27:500:27:55

Ruskin was a wonderful painter. He used his art not professionally,

0:27:570:28:01

in the sense of exhibiting them to sell,

0:28:010:28:04

but in his books and his lectures - and these are his lecture diagrams.

0:28:040:28:09

-Wow!

-That's a horse chestnut.

0:28:090:28:11

There's something rather beautiful about it. There were six in sequence,

0:28:110:28:16

-and they're the unfolding of the chestnut bud.

-Oh, OK.

0:28:160:28:19

So, it's a time lapse. I consider this to be the PowerPoint

0:28:190:28:24

of the 19th century.

0:28:240:28:26

People never forgot the lectures that he gave

0:28:260:28:31

or his writings at the time, because they were so vivid, so colourful.

0:28:310:28:36

-I've no idea how this man had so much time.

-No.

-Such a busy man.

0:28:360:28:41

Having learned about Ruskin's life -

0:28:410:28:43

one of the most multi-talented men of his day -

0:28:430:28:46

Jonathan has a date to meet another multi-talented man,

0:28:460:28:50

he's called Philip Serrell.

0:28:500:28:53

And so he's travelling back north to Penrith.

0:28:530:28:58

Let's see what the boys think of each other's buys.

0:28:580:29:02

-You show me yours first.

-Really?

0:29:020:29:04

Well, the first lot is a bit of a mixed lot, really.

0:29:040:29:08

-There's a pair of those...

-Right up your street!

-Yeah.

0:29:080:29:13

..which are axle splines, off a cart.

0:29:130:29:15

-And to go with them, because I thought...

-You've got the ca...?

0:29:150:29:19

-I guess it's what you need, if you need to build your cart...

-Yeah.

0:29:200:29:25

-..if it rains a lot!

-I paid 30 quid for the two.

0:29:250:29:28

I think that could be a profit, couldn't it?

0:29:280:29:31

-Right...

-So, I think this is Monart, 1930s.

0:29:310:29:35

What did you pay for that, JP?

0:29:350:29:37

-I paid £42.

-Guv.

-But I like it, it's in nice condition.

0:29:370:29:40

It won't be when I've dropped one of my axle stubs on it.

0:29:400:29:45

Ooh, you meanie!

0:29:430:29:45

-Me next?

-Yep.

-I bought this because...

0:29:450:29:47

-At the weekend you like to knock up a scarf or two.

-Yeah!

0:29:470:29:50

Probably 1960s, but it's never been played with, has it?

0:29:500:29:54

-No, it hasn't.

-No, don't play with it, John.

-I love the versatility,

0:29:540:29:58

-I wasn't expecting...

-B-b-b-baby, you ain't seen nothing' yet!

0:29:580:30:01

It's good quality, but I think it could have been in a fire.

0:30:040:30:09

-JP, how much did you pay for that?

-£30.

-Put it back.

0:30:090:30:13

I thought this would be eminently useful for us,

0:30:130:30:16

a road map of where we are, with some of the roads we've been on.

0:30:160:30:20

Smack bang in the middle is Kirkby Lonsdale, where the auction is.

0:30:200:30:26

So, that's worth,

0:30:230:30:26

-a tenner - you paid five pounds for it.

-Four.

0:30:260:30:30

When you go out shopping again, take somebody with you.

0:30:340:30:38

That, Jonathan, is truly dreadful.

0:30:380:30:41

-You don't like it, then?

-Is it, do you think?

-Yeah.

0:30:410:30:44

Am I going really mad here then? I thought that was potentially...

0:30:440:30:48

a couple of hundred years old.

0:30:480:30:51

The only way that's 1710 is if it's ten past five, mate.

0:30:510:30:56

Oh, no! Have I blown it already?

0:30:530:30:56

-How much did you pay for it - you haven't told me?

-£50.

0:30:560:30:59

-Right, OK.

-It's in good order, and it's decorative, Phil.

0:30:590:31:03

Fine, OK. Swiftly moving on.

0:31:030:31:06

I bought that as a poster - after John Pimlott, right?

0:31:060:31:10

And I thought, old posters are moderately collectible, aren't they?

0:31:100:31:15

-It's not in A1 condition.

-This is not a time to be spiteful

0:31:150:31:19

-just because of what I said about your pot.

-Philip, I'm not like that.

0:31:190:31:22

-Was it the image, really, the guy bearing his pecs...?

-Just shut it!

0:31:220:31:27

-..and you thought, phwor!

-I saw it and thought, "John will like that."

0:31:270:31:31

-Not overly exciting, is it?

-It depends on what you like.

0:31:310:31:35

Not as exciting as your last pot. John, I love you - what's next?

0:31:350:31:38

-Ah, well, you know your jewellery, don't you?

-Well, yes.

0:31:380:31:42

I don't see a lot of them. Just a nice little shell cameo,

0:31:420:31:46

-set in gold.

-What is that worth - you know that?

0:31:460:31:50

I think it's worth £30-50. I paid 35 for it.

0:31:500:31:53

So there's a profit there.

0:31:530:31:56

-HE BREATHES OUT

-Is that what you do? Right...

0:31:560:31:59

I think this is really, really interesting. It's Cumberland...

0:31:590:32:03

-Smells like it's come from under the stairs.

-It's Cumberland Bank Ltd,

0:32:030:32:08

in about 1870 - there's the names

0:32:080:32:10

of a load of Cumbrian people in there, and it's just a ledger.

0:32:100:32:15

I thought it was really interesting, a fantastic bit of social history.

0:32:150:32:20

Probably a wise buy, only time will tell.

0:32:200:32:23

They've not exactly held back with their opinions so far,

0:32:230:32:27

but what do they really think of each other's buys?

0:32:270:32:30

On the whole, he's got these five objects, and across the board,

0:32:300:32:34

they're pretty unimaginative. He needs to take those big brass nuts

0:32:340:32:38

he bought and start wearing them.

0:32:380:32:41

JP, bless him, he really had a punt, didn't he?

0:32:410:32:44

The vase - the thing about cloisonne, if it's perfect, buy it.

0:32:440:32:48

If it isn't perfect, whatever the price, don't buy it.

0:32:480:32:52

And the vase? Well...

0:32:520:32:55

Either he's horribly wrong, or I'm horribly wrong.

0:32:550:32:59

I just wouldn't have bought that. I don't think it's Chinese,

0:32:590:33:03

I think it's probably European,

0:33:030:33:05

and I don't think it's nearly as old as he thinks.

0:33:050:33:08

On the first leg of their road trip, the pair travelled through Cumbria

0:33:100:33:14

from Cockermouth to Keswick,

0:33:140:33:17

a brief trip to Coniston, and Penrith.

0:33:170:33:20

The final destination for today's auction is Kirkby Lonsdale.

0:33:200:33:25

Kirkby Lonsdale lies on the River Lune,

0:33:250:33:28

and the town's churchyard has breathtaking views.

0:33:280:33:31

It's an ancient settlement, recorded in the Doomsday Book, back in 1086.

0:33:310:33:36

It was granted a charter to hold markets in the 13th century,

0:33:360:33:40

which continue to thrive today.

0:33:400:33:43

The boys are heading for the auction,

0:33:450:33:47

and it's a typical British summer's day.

0:33:470:33:50

Let's hope the weather doesn't put a dampener on the chaps' spirits!

0:33:500:33:55

No need to shut the window, you're driving next!

0:33:550:33:59

Will Philip's safe buys

0:33:590:34:01

or Jonathan's brave choices make the most profit?

0:34:010:34:04

James Thompson Auctioneers is a family-run firm.

0:34:040:34:07

They've been in business since the mid-1940s.

0:34:070:34:11

Glyn Thompson is our auctioneer -

0:34:110:34:13

what does he think of Philip and Jonathan's buys?

0:34:130:34:17

The child sewing machine, it's quirky, in its original box.

0:34:190:34:23

It's in lovely condition - barely been out of the box, I would think.

0:34:230:34:27

But it's still a child's toy, so a £30-40 estimate on that one.

0:34:270:34:31

The combination of the vintage wooden oars and the

0:34:310:34:35

cast iron and brass hubs, a bit like chalk and cheese to collectors,

0:34:350:34:39

I was sceptical about putting them together.

0:34:390:34:42

The Victorian 9-carat gold brooch

0:34:420:34:44

is sweet, but the cameo isn't of great quality.

0:34:440:34:47

But with the gold content, I'd say £50-80.

0:34:470:34:51

The boys started the first leg of the competition with £200 each.

0:34:510:34:56

Philip Serrell spent a total of £102 on six items

0:34:560:35:01

which he'll put into five lots at auction -

0:35:010:35:03

it's a stitch-up! - leaving him £98 in his pocket.

0:35:030:35:09

Jonathan Pratt spent a little more of his money, £157,

0:35:100:35:15

on four lots, and he has a smaller reserve of £43.

0:35:150:35:19

It's time for the auction to begin!

0:35:220:35:25

You're looking rather learned, chaps - and smug.

0:35:250:35:29

First up, Philip's 19th-century accounts ledger.

0:35:290:35:32

Interesting local lot, the 1876 Cumberland Union Bank ledger.

0:35:320:35:37

20 to start. 20 bid, thank you. £20 bid, 25...

0:35:370:35:41

25, 30, 35, 40.

0:35:410:35:43

45, 50, 55...

0:35:430:35:48

No? 55 bid, 60 I'll take. At 55, seated to my right,

0:35:480:35:51

selling at 55.

0:35:510:35:53

Game on.

0:35:530:35:56

Don't get used to it, it's one of many - building you up for a fall.

0:35:560:36:00

A decent start, with a £25 profit.

0:36:000:36:04

Next is Philip's 1940s' National Savings poster

0:36:040:36:08

by artist John Pimlott.

0:36:080:36:10

£30 for the poster?

0:36:100:36:13

Well, ten to start me. £10 bid.

0:36:130:36:16

The poster I'm selling, at £10 bid. 12, 12 bid, 14,

0:36:160:36:20

16, 18,

0:36:200:36:22

20 is it? I'm 18 bid.

0:36:220:36:24

20, beg your pardon. 20 bid, 22, 24.

0:36:240:36:28

£24, you're all out standing up.

0:36:280:36:31

Bid sat down at 24, then, selling at 24.

0:36:310:36:34

That's fair enough, did the job.

0:36:340:36:37

Only £4 profit, but a profit nevertheless.

0:36:370:36:41

-Your bit of cloisonne next.

-Yeah.

-I think that was a fine vase once.

0:36:420:36:47

-There is damage.

-Let's hope the damage doesn't lose Jonathan money.

0:36:470:36:51

Pretty cloisonne vase, with iris decoration.

0:36:510:36:54

Well, 10 to start.

0:36:540:36:57

£10 bid, nice little iris vase.

0:36:570:37:00

12 bid, 15, 15 bid, 18.

0:37:000:37:03

20. £20 bid, two anywhere else?

0:37:030:37:06

At £20, stood up now, selling at 20.

0:37:060:37:10

-Isn't going so well, JP, is it?

-And it's a loss for Jonathan.

0:37:120:37:17

Perhaps his Scottish vase will prove more popular.

0:37:170:37:20

671 is the 1930s' either Monart or Vasart

0:37:200:37:26

Scottish glass vase.

0:37:260:37:28

I have commission interest, I'll start this at £20 bid.

0:37:280:37:32

Five I'll take now, 25.

0:37:320:37:34

25. 25, 30, 35,

0:37:340:37:38

40... £40 bid. Where's five? 45.

0:37:380:37:41

45 bid. 50 if you like?

0:37:410:37:44

Get him in, get him in.

0:37:440:37:47

No, all out on the phone, at £45 in the centre of the room,

0:37:470:37:50

selling at 45.

0:37:500:37:52

Well, that's a nice £3 profit there.

0:37:520:37:56

I hate to break it to you, but after commission, it's not done that well.

0:37:560:38:01

Anyone out there want a sewing machine for their child?

0:38:010:38:04

682, the child's Vulcan tin plate sewing machine in its original box.

0:38:040:38:13

Ten bid. Thank you £10 bid. 12 I'll take then.

0:38:130:38:16

10 bid. 12. 12 bid.

0:38:160:38:18

14. 14 bid.

0:38:180:38:19

16. 18. 18 and 20 there.

0:38:190:38:23

20 bid.

0:38:230:38:25

22. 25.

0:38:250:38:26

28. 30 bid. 30 bid.

0:38:260:38:30

Two anywhere else? At £30, all done now.

0:38:300:38:33

Selling then at 30. 340.

0:38:330:38:35

Never mind, Jonathan, but yes, Philip has made a £12 profit.

0:38:370:38:41

Let's hope Phillip's next item keeps him on the road to success.

0:38:420:38:47

Nice clean example of a Bartholomew's road map.

0:38:470:38:49

10 to start me. 10 bid. Thank you, £10 bid.

0:38:510:38:53

12 I'll take, the Bartholomew's map.

0:38:530:38:55

At 12. 12 bid. 14.

0:38:550:38:58

16. 18. 20. £20 bid.

0:38:580:39:02

Two anywhere now? At £20. Selling then at 20.

0:39:020:39:05

-That was sort of all right.

-Very bright. Very bright.

0:39:050:39:10

Good boy.

0:39:100:39:11

Looks like that was a wise buy.

0:39:110:39:13

Now, it's time for two of Philip's items in one lot.

0:39:150:39:18

We've amalgamated two lots here.

0:39:200:39:22

714 is the pair of wooden oars,

0:39:220:39:26

plus the Victorian carriage hubs.

0:39:260:39:29

At 30 bid. Thank you. £30 bid. 35 now I'll take. £30 bid.

0:39:290:39:33

35. 35. 40 bid.

0:39:330:39:36

45. 50 bid. 55.

0:39:360:39:40

60 bid. 65. 70.

0:39:400:39:43

75. 80. 85.

0:39:430:39:46

JP, you've gone ever so pale.

0:39:460:39:48

£85 standing up then. Selling now at 85.

0:39:480:39:52

There's a man out there with a broken down train

0:39:540:39:57

and a boat without any oars. You've just made his day.

0:39:570:40:00

Don't lose heart, Jonathan.

0:40:000:40:03

Philip's doing rather well, though.

0:40:030:40:05

Next, it's Jonathan's Chinese, or possibly just Chinese-style vase.

0:40:050:40:11

Perhaps this will be the item that puts him back in the game.

0:40:110:40:15

£10 the globular vase. Thank you. £10 bid.

0:40:150:40:18

12 now I'll take. 12. 12 bid. 15. 18. 20.

0:40:180:40:23

22. 25. 28.

0:40:230:40:26

30 bid. £30 bid. Two anywhere else?

0:40:260:40:30

At £30 now. Selling then at 30.

0:40:300:40:33

My hopes and dreams dashed in one fall of the hammer.

0:40:330:40:37

Ouch! He didn't see that coming. Another loss.

0:40:370:40:41

726.

0:40:410:40:43

Here we are, JP.

0:40:430:40:44

But it's not over yet, Jonathan.

0:40:440:40:47

It's the last lot, and you have one more chance with your pretty brooch.

0:40:470:40:52

Victorian nine carat gold mounted shell cameo,

0:40:520:40:54

classical design.

0:40:540:40:56

20 to start me. The gold's worth that. 20 bid.

0:40:560:41:00

£20 bid. And 5.

0:41:000:41:01

25. 30. 35. 40.

0:41:010:41:04

45. 50. 50 bid. Five anywhere else?

0:41:040:41:10

Gold mounted cameo, at £50 then. Selling at 50.

0:41:100:41:14

Jonathan ended on a profit.

0:41:140:41:15

But it wasn't quite enough for him to win this leg of the game.

0:41:150:41:19

There we go. At least I've redeemed myself.

0:41:190:41:22

Soaked up a little bit of loss.

0:41:220:41:25

I will walk out with my head high now and a spring in my step.

0:41:250:41:28

Come on, let's go.

0:41:280:41:29

Which means that today the winner is...

0:41:320:41:34

our no-nonsense negotiator, Philip Serrell.

0:41:340:41:38

Having both started with £200 apiece,

0:41:400:41:44

after auction costs,

0:41:440:41:46

Jonathan Pratt made a loss of £38.10 on his items.

0:41:460:41:52

So for the next leg he'll have £161.90 to spend.

0:41:520:41:57

From his original £200,

0:41:580:41:59

Philip Serrell made a profit of £73.48 after commission.

0:41:590:42:06

So he has £273.48 to carry on to the next leg.

0:42:060:42:13

Auction over, so good to see Philip's always a gracious victor.

0:42:130:42:18

Get out of here. You better drive,

0:42:180:42:20

because I want to count my money in the passenger seat.

0:42:200:42:22

Did you leave the motor running?

0:42:260:42:28

Oh, sorry Phil. It's nice knowing you. See you later.

0:42:290:42:33

It's stuck. JP, let me in, you rat!

0:42:330:42:36

They're good friends really.

0:42:370:42:39

Until next time then, chaps.

0:42:390:42:41

This is the homoerotic poster.

0:42:500:42:52

No, not the homoerotic poster.

0:42:520:42:54

The Cumberland Union Bank ledger. I think that's such a great...

0:42:540:42:58

On the next Antiques Road Trip,

0:42:580:43:00

Jonathan Pratt seems more interested in browsing for clothes than antiques.

0:43:000:43:05

That's rather pretty. It's my colour, I think.

0:43:050:43:08

Whereas Philip Serrell's a macho man who's not afraid to get his hands dirty.

0:43:080:43:13

I'll wash, you do the preliminary dry, you give the final dry.

0:43:130:43:16

You two are evil!

0:43:160:43:17

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