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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you, or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money | 0:00:08 | 0:00:10 | |
buying and selling antiques as they scour the UK? | 0:00:10 | 0:00:12 | |
-Yee hah! -The aim is trade up | 0:00:12 | 0:00:14 | |
-and hope that each antique turns a profit. -Ooh! | 0:00:14 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
-60. -Get out of here! | 0:00:21 | 0:00:22 | |
So, will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
I'm going to cry. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
THEME TUNE ENDS ON JAZZY NOTE | 0:00:31 | 0:00:33 | |
Yeah. | 0:00:33 | 0:00:35 | |
Today, we're back on the antiques hunt with Philip Serrell | 0:00:35 | 0:00:39 | |
-and Jonathan Pratt. -Another day, another dollar. | 0:00:39 | 0:00:42 | |
And this pair are getting to know each other rather well. | 0:00:42 | 0:00:46 | |
-Where did you grow up, Phil? -Worcestershire. -Worcester born, and bred? | 0:00:46 | 0:00:50 | |
Worcester born, Worcester bred, | 0:00:50 | 0:00:51 | |
-strong in the arm, thick in the head! -LAUGHTER | 0:00:51 | 0:00:54 | |
Jonathan Pratt sometimes has to look long and hard to spot a gem. | 0:00:54 | 0:00:58 | |
-What can I see, eh? -Ships? | 0:00:59 | 0:01:01 | |
Philip Serrell, however, can spot a good, | 0:01:03 | 0:01:06 | |
and often rather odd buy, in an instant. | 0:01:06 | 0:01:08 | |
How much are they? | 0:01:09 | 0:01:10 | |
And with his canine skill he's slowly but surely | 0:01:12 | 0:01:14 | |
been increasing his original £200 and now has £301.96 in his pocket. | 0:01:14 | 0:01:21 | |
Or should I say piggy? | 0:01:21 | 0:01:23 | |
Jonathan, however, has been on a losing streak | 0:01:23 | 0:01:27 | |
and he only has £150.40 to shop with. | 0:01:27 | 0:01:30 | |
Back on the road in their spiffing 1965 Triumph TR4, | 0:01:32 | 0:01:37 | |
as Jonathan's being somewhat outshone by his rival, | 0:01:37 | 0:01:41 | |
what's his game plan? | 0:01:41 | 0:01:43 | |
I'm going to ignore the fact that I didn't do well in the last auction, | 0:01:43 | 0:01:46 | |
or the one before and I'm going to go in | 0:01:46 | 0:01:49 | |
in my normal haphazard and jovial approach. | 0:01:49 | 0:01:52 | |
Ignorance may not be bliss, Jonathan. | 0:01:54 | 0:01:56 | |
This week's trip sees the chaps travelling 140 miles | 0:01:57 | 0:02:02 | |
from Cockermouth all the way to Wilmslow. | 0:02:02 | 0:02:06 | |
On this leg, they're heading first to the market town of Darlington in the Tees Valley | 0:02:06 | 0:02:10 | |
and eventually on to their auction in Doncaster. | 0:02:10 | 0:02:15 | |
Darlington was originally an Anglo-Saxon village. | 0:02:16 | 0:02:19 | |
The Stockton and Darlington Railway was opened in 1825 | 0:02:19 | 0:02:23 | |
and the town is proud to be home of the world's first passenger railway. | 0:02:23 | 0:02:28 | |
And there it is. Ha! | 0:02:28 | 0:02:29 | |
(AS RAILWAY ANNOUNCER) These two passengers are pulling in to their first stop. | 0:02:29 | 0:02:34 | |
Jonathan will alight at Darlington | 0:02:34 | 0:02:36 | |
and Philip will continue on to his first shop. | 0:02:36 | 0:02:39 | |
Mind the gap. | 0:02:40 | 0:02:42 | |
Time for the spending to begin. | 0:02:45 | 0:02:49 | |
-Good morning. -Good morning, Gordon. -Jonathan, how are you doing? -Very well, thank you. | 0:02:50 | 0:02:54 | |
Look at this, isn't is a wonderful place? Jam-packed. | 0:02:54 | 0:02:58 | |
Proving that the antiques business is a small world, unbelievably, | 0:02:58 | 0:03:01 | |
one of the first things Jonathan spots is a rather familiar item. | 0:03:01 | 0:03:05 | |
-That's an interesting table. -It is a very interesting table, yes. -JONATHAN CHUCKLES | 0:03:07 | 0:03:11 | |
Who would've thought that the table Jonathan sold in the last auction | 0:03:11 | 0:03:16 | |
for £20 would have ended up in this area shop? | 0:03:16 | 0:03:19 | |
-I could buy it again, couldn't I? -No, best not, Jonathan! | 0:03:19 | 0:03:23 | |
Used to drive a Mini. Nothing like this, though. | 0:03:25 | 0:03:29 | |
-Sorry, I'm skitting around like a grasshopper. -Maybe Gordon has got an idea. | 0:03:30 | 0:03:35 | |
-Walk this way. -Like that?! | 0:03:36 | 0:03:38 | |
Ooh, it's an oak bureau with a price tag of £80. | 0:03:38 | 0:03:42 | |
-Nice little thing here. -From the 19...yes '20s. -'20s again. | 0:03:44 | 0:03:49 | |
Nice thing, tidy. | 0:03:49 | 0:03:50 | |
Even has a little... | 0:03:52 | 0:03:53 | |
..inside here we've got the manufacturer's tag in it somewhere. | 0:03:53 | 0:03:58 | |
-What does that say, then? -If you can read it. | 0:03:58 | 0:04:01 | |
-It's made by Lebus. -Yeah. -OK. | 0:04:02 | 0:04:04 | |
-Nice one. -I've heard of Lebus. They made a lot of desks. | 0:04:04 | 0:04:08 | |
They did a lot of roll-tops. So made by Lebus. | 0:04:08 | 0:04:11 | |
It's all there. Forget the ticket price. | 0:04:11 | 0:04:13 | |
£35 to you today. I'll be disappointed | 0:04:13 | 0:04:17 | |
if you don't double your money on this in that auction. | 0:04:17 | 0:04:21 | |
-I would take it. -Did you hear that? -I did! -JONATHAN CHUCKLES | 0:04:22 | 0:04:26 | |
How about 25, just to really help you out and take it away? | 0:04:26 | 0:04:30 | |
Do 27 and you've got a deal. | 0:04:30 | 0:04:31 | |
Oh, what the heck. | 0:04:34 | 0:04:36 | |
So one deal down. | 0:04:36 | 0:04:38 | |
But Jonathan quickly has his eye on more furniture. | 0:04:38 | 0:04:41 | |
-This is 19 sort of '60s, '70s. -About '76. | 0:04:41 | 0:04:45 | |
And the style is... I thought was quite fashionable. | 0:04:45 | 0:04:49 | |
-Yet they're sitting here at £49. -They're beautiful tables. | 0:04:49 | 0:04:53 | |
Would you take £20 for them? | 0:04:53 | 0:04:55 | |
I would like a bit more, but I would like to see them going somewhere. | 0:04:56 | 0:05:02 | |
-Put your hand there. Thank you very much. -Thank you. -Two lots bought. | 0:05:02 | 0:05:06 | |
Not bad going, he's now bagged a trio of G Plan tables for £20, | 0:05:06 | 0:05:09 | |
as well as the bureau. | 0:05:09 | 0:05:12 | |
Jonathan's buying is under way and Philip's off to his shop in Yarm. | 0:05:14 | 0:05:19 | |
11 miles east of Darlington. | 0:05:19 | 0:05:21 | |
Yarm began to thrive as a town during the Georgian period, | 0:05:21 | 0:05:25 | |
nestled on the south bank of the River Tees, | 0:05:25 | 0:05:29 | |
it has an old-world charm, with its quaint, cobbled streets and historic buildings - | 0:05:29 | 0:05:35 | |
like the 18th-century town hall. | 0:05:35 | 0:05:38 | |
Let's hope the shops Philip's heading to our as appealing as the town. | 0:05:38 | 0:05:43 | |
-How are you my dear, is it all right if I have a look round? -Probably a good idea. | 0:05:47 | 0:05:52 | |
That might hit the right note. Could be a squeeze, though! Ha. | 0:05:58 | 0:06:02 | |
This is a squeeze box that was made in London in about, what? | 0:06:04 | 0:06:09 | |
About 1891, something like that. | 0:06:09 | 0:06:12 | |
SCREECHING NOTE | 0:06:12 | 0:06:14 | |
Ooh, that's terrible, isn't it? | 0:06:14 | 0:06:18 | |
Clearly it's not just my ears that are tone deaf. | 0:06:18 | 0:06:21 | |
If you look there, there's a paper label | 0:06:21 | 0:06:24 | |
that gives you the maker's mark. | 0:06:24 | 0:06:26 | |
And this is fret cut and the think you want to look at | 0:06:26 | 0:06:30 | |
when you see this is to make sure there is no damages | 0:06:30 | 0:06:35 | |
to any of the frets, which there doesn't appear to be. | 0:06:35 | 0:06:38 | |
You just open it and squeeze it. | 0:06:38 | 0:06:40 | |
If life were that easy, Sandy. | 0:06:40 | 0:06:43 | |
Clearly, my fingers and thumbs are too fat. | 0:06:43 | 0:06:45 | |
How often do you come across these? | 0:06:47 | 0:06:50 | |
And especially complete with box. | 0:06:50 | 0:06:53 | |
And I can do you little deal on that. | 0:06:54 | 0:06:57 | |
-Sandy, you'll have to do me a fantastic deal. -Well... | 0:06:57 | 0:07:00 | |
-This has been a long time hasn't it? -It has. | 0:07:00 | 0:07:02 | |
-So you probably want to get rid of this, don't you? -I do really, yes. | 0:07:02 | 0:07:06 | |
I do. | 0:07:06 | 0:07:07 | |
How did you know it'd been in a long time? | 0:07:08 | 0:07:10 | |
-Was it the dust? -No, my love, you've got it originally marked up at 195. | 0:07:12 | 0:07:16 | |
Then you've knocked 70 quid off it | 0:07:16 | 0:07:18 | |
and you might have to knock another 70 quid off it and then who knows? | 0:07:18 | 0:07:23 | |
Philip! | 0:07:23 | 0:07:24 | |
-I'm going to have a look upstairs but hang on to that for me. -OK. -Thank you, my love. | 0:07:24 | 0:07:28 | |
Oh, dear. | 0:07:28 | 0:07:31 | |
I like that. | 0:07:32 | 0:07:33 | |
All this is is a little cane picnic hamper. | 0:07:35 | 0:07:39 | |
But I said.. Agh! Cor! | 0:07:40 | 0:07:41 | |
A little cane picnic hamper with a sharp nail sticking out of it! | 0:07:41 | 0:07:45 | |
Gordon Bennett! | 0:07:45 | 0:07:48 | |
I'm going to speak to Sandy and see if I can buy this. | 0:07:48 | 0:07:51 | |
Sandy, have you got your best dealing hat on? | 0:07:51 | 0:07:54 | |
Yes. | 0:07:54 | 0:07:55 | |
I'd like to give you 60 quid for that. | 0:07:55 | 0:07:58 | |
And I'd like to give you 10 quid for that. 70 quid for the two. | 0:07:58 | 0:08:01 | |
How much?! | 0:08:01 | 0:08:03 | |
-Watch my lips. -My God, she's a strong lady, this one. -Right. | 0:08:03 | 0:08:07 | |
I was thinking, and I'm really being generous here, 110. | 0:08:07 | 0:08:13 | |
What about if I gave you 80 quid for the two? | 0:08:16 | 0:08:18 | |
90. | 0:08:19 | 0:08:20 | |
-Come on, get your hand out. -I'll give you 85 for the two. Split difference. | 0:08:23 | 0:08:27 | |
-Go on. Put your hand out. -Go on, then. | 0:08:27 | 0:08:28 | |
-You're an angel. -Deal. -Thank you, my love. | 0:08:28 | 0:08:31 | |
So that works out at £75 for the squeezebox and £10 for the hamper. | 0:08:31 | 0:08:36 | |
Music to everyone's ears. | 0:08:36 | 0:08:38 | |
So the auction's in Doncaster. Doncaster is in Yorkshire. | 0:08:41 | 0:08:45 | |
If I buy Yorkshire produce and put it in there, | 0:08:45 | 0:08:48 | |
some jams and chutneys and cheese. | 0:08:48 | 0:08:50 | |
-That would be unique. -Off we go. | 0:08:50 | 0:08:51 | |
Sandy, you've been an angel. Love you lots. Speak to you soon. | 0:08:51 | 0:08:54 | |
-And you. -See you. -Thank you for everything. -Thank you, bye-bye. | 0:08:54 | 0:08:58 | |
-Good luck. -Thank you. | 0:08:58 | 0:09:00 | |
Time for a spot of lunch. | 0:09:00 | 0:09:03 | |
This is my best deal, because I'm really hungry. | 0:09:03 | 0:09:06 | |
-I tell you what, are these lobster pots? -I believe so, yes. -Really? | 0:09:06 | 0:09:11 | |
They are made out of cane. | 0:09:11 | 0:09:13 | |
Only Philip could find an item for auction in a chippy. | 0:09:13 | 0:09:17 | |
-Um, how much is fish and chips? -4.90. | 0:09:17 | 0:09:21 | |
So could I buy fish, chips and a lobster pot is, can I do that? | 0:09:22 | 0:09:27 | |
-How much? -I'll give you £7.50. Fish, chips and a lobster pot. | 0:09:29 | 0:09:35 | |
-No. -Go on then, how much? | 0:09:35 | 0:09:38 | |
15 quid? | 0:09:38 | 0:09:39 | |
-How much? -15. -No, no, no. | 0:09:39 | 0:09:42 | |
I tell you what, this is my best deal, because I'm really, really hungry. | 0:09:42 | 0:09:46 | |
Fish, chips, and a lobster pot, £10 and there is a "but" coming. | 0:09:46 | 0:09:51 | |
-Mushy peas. -Mushy peas, as well? | 0:09:52 | 0:09:54 | |
Yeah, yeah, yeah. A tenner. | 0:09:54 | 0:09:56 | |
-£10, yeah, mushy peas. -You're an angel. Thank you so much. | 0:09:56 | 0:10:01 | |
First prize for the most random catch of the day, | 0:10:01 | 0:10:04 | |
a lobster pot for £5.10. | 0:10:04 | 0:10:08 | |
About the same price as the plaice. | 0:10:08 | 0:10:10 | |
And these have got to be the best fish and chips in the north, haven't they? | 0:10:10 | 0:10:14 | |
-You're an angel, thank you. -You're welcome. | 0:10:14 | 0:10:17 | |
Gosh, I'm feeling hungry now. | 0:10:17 | 0:10:20 | |
It's really good this is. | 0:10:20 | 0:10:22 | |
He's at it again, but with a full tummy. | 0:10:22 | 0:10:26 | |
Philip is now on a mission to fill his hamper. | 0:10:26 | 0:10:28 | |
# Shopping, shopping, shopping | 0:10:28 | 0:10:31 | |
# When mommy takes me shopping # | 0:10:31 | 0:10:34 | |
I'll have some home-made jam, as well. | 0:10:34 | 0:10:36 | |
That's all right. I wanted to buy some Wensleydale, Gromit. Rambler's chutney. | 0:10:38 | 0:10:42 | |
Yorkshire biscuits. That's got be good stuff. | 0:10:42 | 0:10:44 | |
Now, I wonder if there's a Yorkshire beer? Captain Cook. | 0:10:44 | 0:10:48 | |
-I've got to buy that. -Yes. It would be rude not to. | 0:10:48 | 0:10:52 | |
I've got to be mean on price. Can I make you an offer for this stuff? | 0:10:52 | 0:10:56 | |
You can have a go. | 0:10:56 | 0:10:58 | |
Are you really haggling in a deli?! | 0:10:58 | 0:11:01 | |
-Will a tenner buy that? -Go on then, seeing as you've asked so nicely. | 0:11:01 | 0:11:05 | |
-Thank you, bye! -Bye-bye. | 0:11:05 | 0:11:08 | |
So, with a weird and wonderful combination of buys, | 0:11:08 | 0:11:12 | |
time for the boys to get back on the road. | 0:11:12 | 0:11:14 | |
How did your shop go? | 0:11:14 | 0:11:16 | |
-I did three shops. -You did how many? -Three. | 0:11:16 | 0:11:19 | |
How did you manage three? | 0:11:19 | 0:11:22 | |
-Well... -Hang on a minute. You do three times as many shops as me. | 0:11:22 | 0:11:25 | |
This is a conspiracy. There is going to be further investigation into this! | 0:11:25 | 0:11:30 | |
Little does Jonathan know that only one was actually from an antiques shop. | 0:11:30 | 0:11:34 | |
The boys are now travelling 37 miles east of Yarm | 0:11:35 | 0:11:39 | |
to Whitby in North Yorkshire. | 0:11:39 | 0:11:41 | |
It's a fantastic place. I really like it. | 0:11:41 | 0:11:44 | |
Ah, I'm off to see Captain Cook. | 0:11:44 | 0:11:47 | |
Whitby is famed for being where 18th-century British explorer and voyager Captain James Cook | 0:11:49 | 0:11:56 | |
began his life as an ordinary seaman. | 0:11:56 | 0:11:58 | |
Still dominated by its ancient abbey ruins, | 0:12:00 | 0:12:02 | |
Whitby lies at the mouth of the River Esk. | 0:12:02 | 0:12:05 | |
In Cook's time, the port was a centre for shipbuilding and whaling | 0:12:05 | 0:12:09 | |
and, today, a small fishing industry still exists. | 0:12:09 | 0:12:13 | |
Cook is renowned for charting and mapping the Pacific, | 0:12:13 | 0:12:16 | |
New Zealand and the east coast of Australia. | 0:12:16 | 0:12:19 | |
It was this harbourside house where he started his apprenticeship. | 0:12:19 | 0:12:24 | |
Sophie Forgan, chair of the Trustees of the Captain Cook Memorial Museum, | 0:12:24 | 0:12:29 | |
will take Philip on the journey to this remarkable man. | 0:12:29 | 0:12:32 | |
-Hi. -Good to meet you. -I'm Philip. How are you? -Very well, thanks. -This is lovely, isn't it? | 0:12:34 | 0:12:40 | |
-Isn't it gorgeous? -Cook is famous for being an explorer. -He is. | 0:12:40 | 0:12:46 | |
Like a sort of a latter-day Neil Armstrong, I suppose. | 0:12:46 | 0:12:51 | |
I think that's a good comparison, | 0:12:51 | 0:12:53 | |
because not only did he discover lots of new places, | 0:12:53 | 0:12:57 | |
-he placed them on the map. -Did he? -He charted them. | 0:12:57 | 0:13:01 | |
And he charted all sorts of places that had never been charted before, | 0:13:01 | 0:13:05 | |
and he did it so accurately | 0:13:05 | 0:13:07 | |
that they were still using his charts 200 years later. | 0:13:07 | 0:13:10 | |
Time to find out more. | 0:13:10 | 0:13:12 | |
In 1768, the British admiralty wanted to explore unknown territory | 0:13:12 | 0:13:18 | |
and observed the transit of Venus from the Pacific, | 0:13:18 | 0:13:21 | |
which was to be useful for navigation. | 0:13:21 | 0:13:24 | |
They chose Cook to lead the expedition in a Whitby-built ship called the Endeavour. | 0:13:24 | 0:13:29 | |
This was to be his first of three major voyages of discovery across the globe. | 0:13:29 | 0:13:35 | |
-What was Cook's first voyage? -The first voyage starts in Plymouth. | 0:13:35 | 0:13:40 | |
Yeah. | 0:13:40 | 0:13:41 | |
And they call at Madeira | 0:13:41 | 0:13:44 | |
-and then we swap around to the other side. -Right. | 0:13:44 | 0:13:49 | |
And they go round Cape Horn and then across the Pacific | 0:13:49 | 0:13:54 | |
until they get to Tahiti. | 0:13:54 | 0:13:56 | |
Then he has secret orders from the Admiralty, which he opens, | 0:13:56 | 0:14:01 | |
and the Admiralty say go and search | 0:14:01 | 0:14:03 | |
for the great undiscovered southern continent, | 0:14:03 | 0:14:07 | |
if there be such a continent, and so he sails south, due south. | 0:14:07 | 0:14:10 | |
Doesn't find anything much, | 0:14:10 | 0:14:15 | |
so he turns westward and they hit New Zealand. | 0:14:15 | 0:14:21 | |
Discovering that it is two islands, not one. | 0:14:21 | 0:14:25 | |
Then they go westward again | 0:14:25 | 0:14:28 | |
and they hit the east coast of Australia, | 0:14:28 | 0:14:32 | |
which no-one had seen before. | 0:14:32 | 0:14:34 | |
How long did it take them when they left to get back again? | 0:14:34 | 0:14:39 | |
The whole voyage was three years. | 0:14:39 | 0:14:43 | |
Cook embarked on a second exploration | 0:14:43 | 0:14:46 | |
and became the first man to sail around the world | 0:14:46 | 0:14:48 | |
in both directions. But it was his third voyage, | 0:14:48 | 0:14:51 | |
to find the Northwest Passage, that would prove to be his last. | 0:14:51 | 0:14:54 | |
These are Cook's three voyages, but he didn't make all. | 0:14:54 | 0:14:58 | |
He was killed in Hawaii in a fracas over a stolen boat with the natives. | 0:14:58 | 0:15:03 | |
A misjudgment. | 0:15:03 | 0:15:04 | |
He didn't have enough men with him, he was killed | 0:15:04 | 0:15:08 | |
and committed to the deep, as was normal with sailors, | 0:15:08 | 0:15:11 | |
in Kealakekua Bay in Hawaii. | 0:15:11 | 0:15:14 | |
Cook was stabbed to death by islanders in 1779 | 0:15:14 | 0:15:18 | |
and so the man who radically changed our view of the world for ever | 0:15:18 | 0:15:22 | |
was never to sail again. | 0:15:22 | 0:15:25 | |
After a long day, | 0:15:25 | 0:15:26 | |
it's time for Philip to read farewell to the museum. | 0:15:26 | 0:15:30 | |
Jonathan's also in Whitby and still on the hunt for a bargain. | 0:15:32 | 0:15:36 | |
-Will he be able to seek out the truly bizarre? -Good afternoon. | 0:15:36 | 0:15:40 | |
-Mr Doyle? -Mr Doyle, yes. How'd you do? | 0:15:40 | 0:15:44 | |
Oh! A bit of an Aladdin's cave here. | 0:15:44 | 0:15:46 | |
A bit of one, yes. | 0:15:46 | 0:15:48 | |
What have you found there? | 0:15:49 | 0:15:51 | |
Yuck! | 0:15:52 | 0:15:54 | |
I'm looking up at this hull of a boat and inside it you've got what | 0:15:59 | 0:16:04 | |
I can only assume is the remains of possibly a steam | 0:16:04 | 0:16:08 | |
or petrol-fired engine, so it would have had a cover and a mast. | 0:16:08 | 0:16:13 | |
People collect these things, | 0:16:13 | 0:16:15 | |
because people who are engineers like to repair these things, make these things better. | 0:16:15 | 0:16:19 | |
I might ask him about that. | 0:16:19 | 0:16:21 | |
This model of a World War II torpedo boat is priced at £85, | 0:16:21 | 0:16:27 | |
but with missing bits, I'm sure there's a deal to be done. | 0:16:27 | 0:16:31 | |
I bet you that is built to scale. Give me £50 and we'll have a deal. | 0:16:31 | 0:16:36 | |
Look at it. | 0:16:37 | 0:16:38 | |
It's a wreck! | 0:16:38 | 0:16:41 | |
You're mad! Absolutely mad. | 0:16:41 | 0:16:45 | |
No comment. Ha. | 0:16:45 | 0:16:46 | |
OK. I'm going to be brave | 0:16:48 | 0:16:52 | |
and I'm going to say... | 0:16:52 | 0:16:54 | |
..all right. | 0:16:54 | 0:16:56 | |
Thank you very much. | 0:16:56 | 0:16:58 | |
-I've no idea what it's worth, but I'll say thank you. 50 quid. -OK, then. | 0:16:58 | 0:17:02 | |
-Great. -That's a bold move for someone who is trailing behind. | 0:17:02 | 0:17:06 | |
Anything else worth a, er, punt? | 0:17:06 | 0:17:08 | |
-I saw the green glass vase with a silver collar. -This one. | 0:17:08 | 0:17:12 | |
Yeah. | 0:17:15 | 0:17:17 | |
True to form, Jonathan simply can't resist a colourful vase. | 0:17:19 | 0:17:25 | |
I like this iridescent glass, it's like Austrian glass. | 0:17:25 | 0:17:28 | |
A bit like the Loetz factory. | 0:17:28 | 0:17:29 | |
-That's a word, I remember that one. -Silver mounting, 1905. | 0:17:29 | 0:17:33 | |
-Little bit thin, but the neck's quite good. -Would you pay £30 for it? | 0:17:33 | 0:17:39 | |
I would be happy to offer you | 0:17:39 | 0:17:43 | |
not 10, | 0:17:43 | 0:17:45 | |
not 15, | 0:17:45 | 0:17:47 | |
£18. | 0:17:47 | 0:17:48 | |
JONATHAN CHUCKLES | 0:17:48 | 0:17:50 | |
I tell you what, you give me 20 and you can have it. | 0:17:50 | 0:17:53 | |
All right? | 0:17:53 | 0:17:54 | |
What the heck, go on then. I'll take that as well. | 0:17:56 | 0:17:58 | |
Ah. | 0:17:58 | 0:18:00 | |
First day of shopping done and dusted. | 0:18:02 | 0:18:05 | |
And so to bed. | 0:18:05 | 0:18:07 | |
Separately. | 0:18:07 | 0:18:09 | |
It's a brand-new day. | 0:18:17 | 0:18:19 | |
# Good morning, world It's a brand-new day | 0:18:19 | 0:18:22 | |
# A be-ba-ba ba-ba ba-ba bow! # | 0:18:24 | 0:18:26 | |
So far, Philip Serrell has spent £100.10 on three lots. | 0:18:26 | 0:18:32 | |
The squeezebox, the hamper filled with Yorkshire produce | 0:18:32 | 0:18:36 | |
and a lobster pot, leaving a whopping £201.86 to spend today. | 0:18:36 | 0:18:42 | |
Jonathan Pratt bought four lots - the oak bureau, nest of tables, | 0:18:42 | 0:18:48 | |
a model boat and a glass vase, spending £117 in total. | 0:18:48 | 0:18:52 | |
So he has only £33.44 today. | 0:18:52 | 0:18:56 | |
He'd better spend wisely. | 0:18:56 | 0:18:59 | |
Philip's now going for a spot of shopping | 0:19:02 | 0:19:05 | |
just down the road in Sleights. | 0:19:05 | 0:19:08 | |
Much of the small village sits on hillsides | 0:19:08 | 0:19:12 | |
on either side of the pretty River Esk. | 0:19:12 | 0:19:15 | |
Philip's gone to see what Eskdale Antiques have to offer | 0:19:16 | 0:19:19 | |
and immediately he can see that things here are right up his street. | 0:19:19 | 0:19:23 | |
Where else other than the antiques world can you get old quarry tiles | 0:19:25 | 0:19:29 | |
an anchor or a cartwheel? | 0:19:29 | 0:19:31 | |
-Hi, how are you, I'm Phil. -Hi. Phil Smith. -Phil, Phil. It's like an echo. How you doing? | 0:19:32 | 0:19:38 | |
All right, thanks. | 0:19:38 | 0:19:39 | |
Philip's absolutely chomping at the bit to buy something here, | 0:19:39 | 0:19:43 | |
just look at all these big, old lumps. | 0:19:43 | 0:19:45 | |
I love that spice box. What I love about that | 0:19:48 | 0:19:51 | |
is in the middle you've got a nutmeg grater and you just grate your nutmeg like that. | 0:19:51 | 0:19:58 | |
Smell that, that's absolutely lovely. | 0:19:58 | 0:20:02 | |
Mm. Spicy. | 0:20:02 | 0:20:05 | |
-Could I have a look at that one? -Yes. -How much is it first? | 0:20:07 | 0:20:10 | |
What's the ticket price on it? The ticket price is... | 0:20:12 | 0:20:15 | |
-..30. -30 quid. | 0:20:19 | 0:20:20 | |
Your pony's head goes in there. | 0:20:21 | 0:20:24 | |
-And then? -Packed out with straw with leather back to cushion it | 0:20:24 | 0:20:28 | |
and fasten your straps there and then fasten onto the cart behind. | 0:20:28 | 0:20:34 | |
Right. Deal time. | 0:20:34 | 0:20:36 | |
I'll give you 15 quid for that. | 0:20:36 | 0:20:38 | |
Go on, then. | 0:20:40 | 0:20:42 | |
-Have a deal. -I like that a lot. | 0:20:42 | 0:20:44 | |
Let's just hope somebody in Doncaster has got a pony with no harness for it. | 0:20:44 | 0:20:50 | |
Time to trot on. Trot on. | 0:20:50 | 0:20:53 | |
Jonathan, meanwhile, is galloping 40 miles to Coxwold, | 0:20:53 | 0:20:57 | |
once home to one of England's most famous authors. | 0:20:57 | 0:21:01 | |
18th-century novelist Laurence Sterne was the Vicar of Coxwold | 0:21:01 | 0:21:06 | |
for eight years, and it was while living here, | 0:21:06 | 0:21:09 | |
in the now-named Shandy Hall, | 0:21:09 | 0:21:11 | |
that he wrote his bawdy best-seller Tristram Shandy. | 0:21:11 | 0:21:15 | |
Sterne and his humour have been likened to the rudeness of Max Miller and Frankie Howerd. | 0:21:16 | 0:21:22 | |
The book is named after the haphazard main character Tristram, | 0:21:22 | 0:21:26 | |
who endures a string of calamities from birth. | 0:21:26 | 0:21:29 | |
He's his creator - Sterne's - alter ego, | 0:21:29 | 0:21:33 | |
a chaotic genius and a literary one-off. | 0:21:33 | 0:21:37 | |
Not a conventional museum, Shandy Hall is also home to curator | 0:21:37 | 0:21:41 | |
Patrick Wildgust, | 0:21:41 | 0:21:42 | |
who strives to ensure that people like Jonathan continue to visit. | 0:21:42 | 0:21:47 | |
Can I introduce you to Laurence Sterne? | 0:21:47 | 0:21:51 | |
He'd written the first two volumes of Tristram Shandy and paid for them himself. | 0:21:51 | 0:21:56 | |
This is in 1759? | 0:21:56 | 0:21:57 | |
He was sure the book would be successful, | 0:21:57 | 0:22:00 | |
but couldn't find anybody to publish it. | 0:22:00 | 0:22:03 | |
There's no name on the title page. | 0:22:03 | 0:22:05 | |
It doesn't say it's by Laurence Sterne, | 0:22:05 | 0:22:07 | |
but this portrait was painted within a few months | 0:22:07 | 0:22:10 | |
of Sterne arriving in London to find out how his book was doing. | 0:22:10 | 0:22:13 | |
And then he discovers it's a success, so he now becomes famous. | 0:22:13 | 0:22:19 | |
Despite being a vicar, the book was very risque for the time, | 0:22:19 | 0:22:25 | |
as well as being semi-autobiographical. | 0:22:25 | 0:22:28 | |
It was also an extraordinary book, because it made people laugh. | 0:22:28 | 0:22:30 | |
It entertained people and it's going against the whole grain | 0:22:30 | 0:22:34 | |
of how the 18th-century novel is supposed to be constructed. | 0:22:34 | 0:22:37 | |
That painting identified him as being the author, | 0:22:37 | 0:22:40 | |
because he's resting his elbow on the manuscript of Tristram Shandy. | 0:22:40 | 0:22:44 | |
Time to get acquainted with a few of Sterne's most loved characters. | 0:22:44 | 0:22:48 | |
So what do we have in here? | 0:22:49 | 0:22:51 | |
-Well, we have Uncle Toby. -Who's he? | 0:22:51 | 0:22:55 | |
Uncle Toby is a significant character in Tristram Shandy. | 0:22:55 | 0:22:58 | |
He is the uncle who influences Tristram's belief and attitude to life. | 0:22:58 | 0:23:04 | |
-He's a gentle, careful, considerate man. -That's nice. | 0:23:04 | 0:23:07 | |
-And he's also completely naive. -Oh. | 0:23:07 | 0:23:10 | |
JONATHAN LAUGHS | 0:23:10 | 0:23:11 | |
This proximity, with this woman - this is the Widow Wadman. | 0:23:11 | 0:23:15 | |
She is the most beautiful woman who existed in fiction. | 0:23:15 | 0:23:19 | |
Sterne encourages you to imagine how beautiful she is by not describing her word for word | 0:23:19 | 0:23:23 | |
about how she looks but he says to the reader, | 0:23:23 | 0:23:26 | |
"Here's pen and ink and just think as much of your mistress as you wish | 0:23:26 | 0:23:30 | |
"and as little of your wife as you wish to and draw her yourself." | 0:23:30 | 0:23:34 | |
If you imagine the most beautiful woman you have ever thought of, that's the Widow Wadman. | 0:23:34 | 0:23:39 | |
Hello! HE LAUGHS | 0:23:39 | 0:23:40 | |
Patrick will now show Jonathan the very room that Tristram Shandy was written in. | 0:23:40 | 0:23:46 | |
All the books on the table, what's the significance of them? | 0:23:46 | 0:23:50 | |
They're to show the visitor an indication of where Sterne got his ideas from, | 0:23:50 | 0:23:54 | |
when he was writing this book. | 0:23:54 | 0:23:56 | |
-Rabelais and Cervantes and Locke and Burton and the Bible. -OK. | 0:23:56 | 0:24:01 | |
So his works are peppered with references, | 0:24:01 | 0:24:03 | |
some of them deliberate and ones you should pick up | 0:24:03 | 0:24:06 | |
and others are in homage, or he's just pinching things. | 0:24:06 | 0:24:10 | |
He's created Shandy Hall in the book as a fictional place | 0:24:11 | 0:24:14 | |
and then when he comes here, it becomes Shandy Hall. | 0:24:14 | 0:24:17 | |
-He names it Shandy Hall when he comes here? -His friends did. | 0:24:17 | 0:24:20 | |
Is he becoming Tristram Shandy himself? | 0:24:20 | 0:24:23 | |
-You've hit on it exactly because there, "Dr Sterne, alias Tristram Shandy". -Really?! | 0:24:23 | 0:24:29 | |
It's the end of this chapter for Jonathan. So time to close the book on Shandy Hall. | 0:24:29 | 0:24:35 | |
Carefully how you go. | 0:24:35 | 0:24:37 | |
Reunited, the chaps are off to the seaside town of Scarborough. | 0:24:40 | 0:24:45 | |
I do want to go to the promenade, or whatever it is, in Scarborough. | 0:24:45 | 0:24:49 | |
Let's drive through the promenade first. | 0:24:49 | 0:24:51 | |
There's no point of coming to the seaside and not seeing the sea. | 0:24:51 | 0:24:54 | |
We should buy one another a stick of rock, JP. | 0:24:54 | 0:24:57 | |
Scarborough, known as the Queen of the Yorkshire coast, | 0:24:57 | 0:25:00 | |
is full of attractions. | 0:25:00 | 0:25:02 | |
The historic and dramatic looking Scarborough Castle for one, | 0:25:02 | 0:25:07 | |
but it's been a booming seaside resort for the last 360 years | 0:25:07 | 0:25:11 | |
and is still as popular as ever. | 0:25:11 | 0:25:14 | |
Sadly, there's no strolling beside the seaside for these two. | 0:25:14 | 0:25:18 | |
There's a competition to continue. | 0:25:18 | 0:25:21 | |
Let's hope Philip's last shop looks promising. | 0:25:27 | 0:25:31 | |
-You've got some good things in here, haven't you? -Lots of things. -Yeah. | 0:25:31 | 0:25:35 | |
-Just going to look at that fish. Can we get the fish down, please? -Yes, you can. | 0:25:37 | 0:25:43 | |
-I'll pop it down here. -Thank you. | 0:25:43 | 0:25:45 | |
Now the first thing we want to do is is there a label on the back? | 0:25:45 | 0:25:48 | |
There's absolutely nothing. | 0:25:48 | 0:25:50 | |
I mean, the big exponent of doing these was a man called Cooper | 0:25:50 | 0:25:54 | |
and Cooper was a great taxidermist. | 0:25:54 | 0:25:58 | |
-Is that some sort of a trout? -I think it is. -Is it the old trout?! -LAUGHTER | 0:25:59 | 0:26:05 | |
But what bothers me is condition. | 0:26:05 | 0:26:08 | |
If you look here, you can just see that he's starting to flake away. | 0:26:08 | 0:26:14 | |
What someone is going to have to do is take this out of its case | 0:26:14 | 0:26:18 | |
and remount it and re-glaze it | 0:26:18 | 0:26:20 | |
and that's going to cost what this thing is worth, really. | 0:26:20 | 0:26:24 | |
Typically, Philip's drawn to the only thing in the shop that's not theirs. | 0:26:24 | 0:26:29 | |
It's being sold for a friend who wants £150 for it. | 0:26:29 | 0:26:33 | |
-Does your man definitely want to sell this? -Yes. | 0:26:33 | 0:26:36 | |
He doesn't want it back in his house. | 0:26:37 | 0:26:40 | |
I like that and I'd like to buy it off you. | 0:26:40 | 0:26:42 | |
I am worried about condition. | 0:26:42 | 0:26:44 | |
Um, can I give you £40 for it and that's my best? | 0:26:44 | 0:26:49 | |
-Yes, sir. -You're an angel. | 0:26:49 | 0:26:51 | |
Blimey! | 0:26:51 | 0:26:53 | |
Is Jonathan having similar bargaining power next door? | 0:26:53 | 0:26:56 | |
That conjures up a strong image, doesn't it? | 0:26:58 | 0:27:01 | |
Perhaps that's something I should put in the sale. | 0:27:01 | 0:27:03 | |
Our militaria always tends to, in any sale, whether it's a general or specialist sale, | 0:27:03 | 0:27:09 | |
it always tends to do OK. | 0:27:09 | 0:27:11 | |
It's obviously depicting a battle scene in the Boer War. | 0:27:11 | 0:27:14 | |
That's a Scottish regiment. | 0:27:14 | 0:27:16 | |
It's a colour print, signed and dated in the print as 1900 | 0:27:16 | 0:27:20 | |
and this is probably a reproduction not long after that. | 0:27:20 | 0:27:24 | |
What would you sell that for? | 0:27:24 | 0:27:26 | |
-The best I could do today, Jonathan, is a tenner. -Oh, crikey. | 0:27:26 | 0:27:30 | |
How's that? | 0:27:30 | 0:27:32 | |
-Oof. -HE LAUGHS | 0:27:32 | 0:27:34 | |
Didn't expect that, did you? | 0:27:34 | 0:27:37 | |
-I'll take it for a tenner. -Yes? -Why not? | 0:27:37 | 0:27:39 | |
Jonathan's keeping his last buy under wraps. | 0:27:39 | 0:27:44 | |
But their next stop is the big reveal. | 0:27:44 | 0:27:47 | |
PHILIP GASPS | 0:27:50 | 0:27:51 | |
JONATHAN GIGGLES | 0:27:51 | 0:27:53 | |
Isn't that the finest quality bureau that you might have ever seen? | 0:27:53 | 0:27:57 | |
It's the best I've seen today. | 0:27:57 | 0:27:59 | |
But I do like those turned bun feet. That lifts it up from the norm. | 0:27:59 | 0:28:04 | |
And "Norm" will be pleased to hear that. | 0:28:04 | 0:28:06 | |
-TIM LAUGHS INSINCERELY -You joker, Philip! | 0:28:06 | 0:28:09 | |
My next lot is this. | 0:28:09 | 0:28:11 | |
-These are the hames. -Yes, this is...you obviously put the head of a pony, or something? | 0:28:11 | 0:28:16 | |
A pony or a donkey. | 0:28:16 | 0:28:18 | |
It's quite useful. | 0:28:18 | 0:28:19 | |
-Well, it cost me 15 quid. -15? | 0:28:19 | 0:28:23 | |
Are those G Plan or something? | 0:28:25 | 0:28:27 | |
Another mark of quality, you're saying, of course. 1970s teak, all the rage. | 0:28:27 | 0:28:31 | |
-Antique? No, teak. -Just teak, I'm afraid. | 0:28:31 | 0:28:35 | |
And they cost me... I mean, I was amazed, gobsmacked. £20. | 0:28:35 | 0:28:41 | |
I went into this antiques shop and I bought a picnic hamper, right? | 0:28:41 | 0:28:45 | |
-Yeah. -No, you see. -Have you been to the deli, or something? | 0:28:45 | 0:28:50 | |
-You haven't! -I have. | 0:28:50 | 0:28:52 | |
I thought I've got to get some good Yorkshire produce to go with it so I got some biscuits and chutney, | 0:28:52 | 0:28:57 | |
some Captain Cook beer, there's a hamper full of little goodies there. | 0:28:57 | 0:29:01 | |
And the goodies cost me a tenner and the hamper cost me a tenner. What do you reckon? | 0:29:01 | 0:29:06 | |
I like your style, Philip, I like your style. | 0:29:06 | 0:29:09 | |
Let's hope someone at the auction does, too. | 0:29:09 | 0:29:12 | |
-This is my next lot. -I like that. I do like that. | 0:29:12 | 0:29:17 | |
Loetz style, silver-mounted, | 0:29:17 | 0:29:19 | |
-circa 1904, 1905. -That's all right, then. | 0:29:19 | 0:29:24 | |
What I did, I bought fish, chips and mushy peas, right? | 0:29:24 | 0:29:27 | |
-Yeah. -And I bought that. -A linen basket. | 0:29:27 | 0:29:31 | |
Not from a fish shop, it ain't. | 0:29:31 | 0:29:33 | |
I don't know. It's a lobster pot, isn't it? | 0:29:33 | 0:29:35 | |
I'm bought fish, chips, peas and that for a tenner. | 0:29:35 | 0:29:38 | |
But I ate the fish, chips and mushy peas. | 0:29:38 | 0:29:40 | |
-So this cost you a tenner? -It cost me £5.10, | 0:29:40 | 0:29:43 | |
because the fish, chips and mushy peas with £4.90 and I ate those. | 0:29:43 | 0:29:46 | |
You're suitably unimpressed. | 0:29:46 | 0:29:48 | |
HE LAUGHS | 0:29:51 | 0:29:52 | |
-Come on, JP, you're next. -Put it away. | 0:29:52 | 0:29:54 | |
-What's next? -This is the bit I'm most scared about, | 0:29:54 | 0:29:57 | |
purely because it's not in great condition. | 0:29:57 | 0:30:02 | |
Bit's just fallen off. | 0:30:06 | 0:30:07 | |
It looks like it's been scuttled, JP. | 0:30:07 | 0:30:10 | |
People like to go to auctions and buy these mechanical engines. | 0:30:10 | 0:30:15 | |
I'm with you. Listen, if they've got lobster pots, you've got no problem with that! | 0:30:15 | 0:30:19 | |
JONATHAN LAUGHS Good point. | 0:30:19 | 0:30:22 | |
-This is a squeezebox. -Yeah. | 0:30:22 | 0:30:23 | |
OK. | 0:30:23 | 0:30:25 | |
PLAYS A FEW NOTES BADLY | 0:30:25 | 0:30:26 | |
They make money, don't they? | 0:30:31 | 0:30:32 | |
HE EXHALES They can do. They can do quite a lot of money, can't they? | 0:30:32 | 0:30:36 | |
Because they're quite unusual, quite rare. | 0:30:36 | 0:30:39 | |
-I thought I might make, if I was lucky, 200. -Cor blimey. | 0:30:39 | 0:30:43 | |
But I don't know. | 0:30:43 | 0:30:45 | |
I hope you don't. I mean, I don't mean that too cruelly. I want to try get back in the game here! | 0:30:45 | 0:30:50 | |
That's the spirit, Jonathan. | 0:30:50 | 0:30:52 | |
What about the print? | 0:30:52 | 0:30:54 | |
I think the print's worth £1 and the frame's worth £20 to £30. | 0:30:55 | 0:31:01 | |
-A tenner. -That's all right. | 0:31:01 | 0:31:03 | |
Hello! | 0:31:05 | 0:31:06 | |
HE LAUGHS | 0:31:06 | 0:31:08 | |
I got the old trout. | 0:31:08 | 0:31:09 | |
-Brilliant. -What do you think? | 0:31:10 | 0:31:12 | |
You're not brave enough to spend a lot of money on things, I know that. | 0:31:13 | 0:31:18 | |
Miaow! | 0:31:18 | 0:31:20 | |
I had to pay £40 for it. I think in the right auction, it's 100 to 150 | 0:31:20 | 0:31:25 | |
and 50 to 80 quid in the wrong auction. | 0:31:25 | 0:31:27 | |
Time to get the fish knives out, Maud, and find out what they really think. | 0:31:27 | 0:31:31 | |
For me, the Achilles heel in the whole operation is the boat. | 0:31:31 | 0:31:35 | |
Because he paid £50 for that and I just don't see that. | 0:31:35 | 0:31:39 | |
On a bad day, it could really make, I don't know, £15 to £30, | 0:31:39 | 0:31:44 | |
something like that. | 0:31:44 | 0:31:46 | |
For me, I'd be really nervous if I owned that. | 0:31:46 | 0:31:50 | |
Crikey! I mean, Phil's gone off his rocker buying a hamper | 0:31:50 | 0:31:55 | |
and buying some jam from down the road. | 0:31:55 | 0:31:57 | |
For goodness' sake. | 0:31:57 | 0:31:58 | |
On this leg of their road trip, the pair have travelled | 0:31:58 | 0:32:02 | |
from Darlington to Yarm, Whitby, Sleights, Coxwold and Scarborough. | 0:32:02 | 0:32:08 | |
Let's see how their buys fare at auction in Doncaster | 0:32:08 | 0:32:12 | |
in South Yorkshire. | 0:32:12 | 0:32:14 | |
Oh, this must be St George's. Is this a cathedral or a church? | 0:32:14 | 0:32:19 | |
I don't know. | 0:32:19 | 0:32:20 | |
Is Doncaster a city? | 0:32:20 | 0:32:22 | |
I know a man who will tell us. OK, Tim, tell us what it is. | 0:32:22 | 0:32:26 | |
Well, chaps, | 0:32:26 | 0:32:28 | |
St George's may look impressive, | 0:32:28 | 0:32:30 | |
but it's a church, not a cathedral, and Doncaster is in fact | 0:32:30 | 0:32:34 | |
an historic market town founded in AD71 by the old Romans. | 0:32:34 | 0:32:39 | |
Sitting on the River Don, it has a rich horse-racing and railway heritage | 0:32:42 | 0:32:46 | |
and some famous faces were born there, | 0:32:46 | 0:32:48 | |
including Top Gear presenter Jeremy Clarkson. | 0:32:48 | 0:32:51 | |
Hear we are, this is it. Excellent. We've got a spot just outside. | 0:32:52 | 0:32:56 | |
-Christen your boat. You should call it Hope. -I think I'm going to call it Doncaster. -Despair? | 0:32:56 | 0:33:01 | |
-Don't be horrid! -Tudor Auction Rooms, house clearance specialists, | 0:33:01 | 0:33:05 | |
have been doing business in Doncaster for over 30 years. | 0:33:05 | 0:33:09 | |
Let's hear what our auctioneer George Allen's favourite items are. | 0:33:09 | 0:33:13 | |
The G Plan nest of tables, always a winner now. | 0:33:13 | 0:33:17 | |
'70s furniture's really coming on. | 0:33:17 | 0:33:19 | |
There's dealers buying that sort of stuff. It should be a pretty good winner. | 0:33:19 | 0:33:23 | |
The squeezebox is in really good condition | 0:33:23 | 0:33:26 | |
and it's rather unusual that you get the original box. | 0:33:26 | 0:33:30 | |
There are quite a few collectors into accordions and squeezeboxes like that. | 0:33:30 | 0:33:35 | |
I should think it will do £75, £100 on that one. | 0:33:35 | 0:33:39 | |
It's probably the better item of the few that he's bought. | 0:33:39 | 0:33:44 | |
So to jog our memories on what each expert has spent, | 0:33:44 | 0:33:48 | |
Philip bought five lots totalling £155.10. | 0:33:48 | 0:33:53 | |
And Jonathan Pratt forked out a wee bit less than his rival, £127, for his five items. | 0:33:53 | 0:34:00 | |
I know Jonathan's trailing, but I've got a good feeling in my waterworks for him about this auction. | 0:34:00 | 0:34:06 | |
Here we go. | 0:34:06 | 0:34:07 | |
First, one of Philip's more randomly acquired items from the fish-and-chip shop. | 0:34:08 | 0:34:14 | |
The cane lobster pot. 5 anywhere? 5 bid. Any advance on five? | 0:34:14 | 0:34:20 | |
Any more? All done. Tenner bid. £10. | 0:34:20 | 0:34:24 | |
-Get in there, George! -I'll have to sit down. | 0:34:24 | 0:34:29 | |
15 bid. £15. Any more? All out. Done at 15. | 0:34:29 | 0:34:34 | |
If I'd known that, I could have had another portion of chips! | 0:34:34 | 0:34:37 | |
I'm aghast. | 0:34:40 | 0:34:41 | |
He knows what he's doing, our Philip. | 0:34:41 | 0:34:44 | |
A decent profit on the lobster pot. | 0:34:44 | 0:34:46 | |
Second is Jonathan's 1900 Scottish military scene print. | 0:34:48 | 0:34:53 | |
Rather nice. Very collectable. War memorabilia. 5, surely. 5 bid. | 0:34:53 | 0:34:58 | |
Any advance on 5? All done. | 0:34:58 | 0:35:01 | |
7.50 on the book. 7.50 bid. | 0:35:01 | 0:35:04 | |
-Going. -10 bid. -Oh! -12.50. -Yes! -15. | 0:35:04 | 0:35:09 | |
£15 bid. Have you all done? At £15. | 0:35:09 | 0:35:13 | |
-There you go. -That's cheap. | 0:35:14 | 0:35:17 | |
Yes, it's a couple for me. | 0:35:17 | 0:35:19 | |
Gets me off on a snail's pace. | 0:35:19 | 0:35:23 | |
Ha. Not a bad buy. The print served him well. | 0:35:23 | 0:35:26 | |
Next is Philip's pony hame. | 0:35:30 | 0:35:33 | |
Highly collectable, ladies and gentlemen. 5 bid. | 0:35:33 | 0:35:36 | |
Any advance on 5? 10. | 0:35:36 | 0:35:38 | |
15. 20. 5. 30. | 0:35:38 | 0:35:41 | |
£30 lady's in at 30. 35. New bidder. 40 bid. | 0:35:41 | 0:35:46 | |
£40 bid. | 0:35:46 | 0:35:48 | |
£40 bid. I'll take 2.50, if it will help you. | 0:35:48 | 0:35:51 | |
42.50 is back in. 45. | 0:35:51 | 0:35:56 | |
45 bid. All done at £45. | 0:35:56 | 0:36:00 | |
-The drinks are on you tonight, Phil. -They certainly are. | 0:36:00 | 0:36:03 | |
Another profit for Philip and mine's a Campari and soda. | 0:36:03 | 0:36:07 | |
No, I didn't come from Luton airport! Ha. | 0:36:07 | 0:36:11 | |
Next, Philip's been at it again. It's a bad case of stuffed fish. Ha. | 0:36:11 | 0:36:15 | |
10 bid. £10. Any more? | 0:36:17 | 0:36:20 | |
15, 20, 5, 30, £30, still cheap. | 0:36:20 | 0:36:25 | |
-£30 bid. Any advance on 30? 2.50, if you like. -It's crashed and burned. | 0:36:25 | 0:36:30 | |
35, she's back in. 37.50. | 0:36:30 | 0:36:34 | |
New bidder. 40 bid. | 0:36:34 | 0:36:36 | |
£40 bid. Any advance on 40? Have you all done? At £40. | 0:36:36 | 0:36:43 | |
No complaints at all. | 0:36:43 | 0:36:44 | |
I'm quite happy now. You can give the rest away. | 0:36:44 | 0:36:47 | |
Minus commission, the fish floundered and was actually a loss for Philip. | 0:36:47 | 0:36:53 | |
Now for Jonathan's Loetz-style green vase. | 0:36:54 | 0:36:59 | |
Lot number 202 is a very nice, iridescent glass vase | 0:36:59 | 0:37:04 | |
with the hallmarked silver, ladies and gentlemen. | 0:37:04 | 0:37:09 | |
10 bid. £10 bid. 15 bid. 20 bid. 25, 30 bid. | 0:37:09 | 0:37:14 | |
35 bid. 35 on the side. | 0:37:14 | 0:37:18 | |
35 bid. Any advance on 35? Still cheap is this. | 0:37:18 | 0:37:22 | |
-35 bid. -It is cheap, it's a great vase. -Any more? All done. | 0:37:22 | 0:37:27 | |
42.50. | 0:37:27 | 0:37:29 | |
At £42.50. Another chance. | 0:37:29 | 0:37:32 | |
At 42.50. | 0:37:32 | 0:37:34 | |
Go on, go on! | 0:37:34 | 0:37:35 | |
-That's all right, JP. -Yeah. -So after commission that's... | 0:37:35 | 0:37:40 | |
I'm on the way back! | 0:37:40 | 0:37:41 | |
You'll need a bit more than that to put you in the lead, Jonathan, or even to get you back | 0:37:41 | 0:37:45 | |
to where you started. Oh, dear. | 0:37:45 | 0:37:48 | |
It's time to see if anyone's in the mood for a picnic. | 0:37:48 | 0:37:52 | |
You know it's going to be red-hot tomorrow. It's the picnic basket | 0:37:52 | 0:37:56 | |
and it is full. | 0:37:56 | 0:37:58 | |
5 anywhere? 2 bid. £2 bid. £6 bid. | 0:37:58 | 0:38:04 | |
He's going to work the room. | 0:38:04 | 0:38:05 | |
8 bid on the front row. Any advance on 8, have you all done? | 0:38:05 | 0:38:09 | |
10. Very cheap that. That jam must be worth 20! 10 bid. | 0:38:09 | 0:38:13 | |
You buy it, George! | 0:38:13 | 0:38:16 | |
Any more? A bit of cake, as well! | 0:38:16 | 0:38:19 | |
12 bid. 14. We're getting better. | 0:38:19 | 0:38:23 | |
16. 18. | 0:38:23 | 0:38:26 | |
18 bid, we've got her. Any more? Done at 18. | 0:38:26 | 0:38:32 | |
See you down by the riverside. | 0:38:32 | 0:38:33 | |
-He did really well. -Tell you what, old George works them well, doesn't he? Bless him. | 0:38:33 | 0:38:38 | |
Maybe so, but you still made a loss, Philip. | 0:38:38 | 0:38:41 | |
Aha. It's the 1920s Lebus oak bureau up now. | 0:38:44 | 0:38:47 | |
Lovely piece. | 0:38:47 | 0:38:50 | |
Very collectable, | 0:38:50 | 0:38:51 | |
usable item. 10 bid. | 0:38:51 | 0:38:54 | |
£10 bid. 15. | 0:38:54 | 0:38:57 | |
20. 25. | 0:38:57 | 0:39:00 | |
-25 bid. -Keep going. | 0:39:00 | 0:39:01 | |
25, 7.50. 20, please? 30 bid. | 0:39:01 | 0:39:06 | |
£30 bid. £30 bid. Any advance on 30? Have you all done? | 0:39:06 | 0:39:10 | |
-At £30. 43. -Oh, goodness. | 0:39:10 | 0:39:14 | |
So what are the tables going to make now? | 0:39:14 | 0:39:17 | |
They've got to make about £100 for me go in a profit, I think! | 0:39:17 | 0:39:22 | |
Well, it's not over yet, Jonathan. | 0:39:22 | 0:39:25 | |
So let's see what his nest of 1970s G plan tables make. | 0:39:27 | 0:39:32 | |
£30 to start me. 20. | 0:39:32 | 0:39:35 | |
10 to start me. 10 bid. | 0:39:35 | 0:39:37 | |
£10 bid on the G Plan nest. Any advance on 10? | 0:39:37 | 0:39:42 | |
That is ridiculously cheap. | 0:39:42 | 0:39:43 | |
Are you sure? 15 bid. 20 bid. | 0:39:43 | 0:39:46 | |
Lady's in at 20. 25 bid. | 0:39:46 | 0:39:49 | |
25 bid. Any more? | 0:39:49 | 0:39:51 | |
All done at £25. | 0:39:51 | 0:39:54 | |
-Good night. -You were hard done by. I'll shake you by the hand. | 0:39:55 | 0:39:59 | |
You were hard done by, old mate. | 0:39:59 | 0:40:00 | |
He was a bit. Not a whopping profit when he needs it most. | 0:40:00 | 0:40:05 | |
Time for Philip's rosewood concertina to face the music. | 0:40:06 | 0:40:10 | |
It's a little beauty this one, ladies and gentlemen. | 0:40:11 | 0:40:14 | |
It's the Victorian squeezebox. | 0:40:14 | 0:40:17 | |
-Give it a little squeeze. There we go. Perfect. -Thanks, George(!) -£50 to start? | 0:40:17 | 0:40:21 | |
£20 bid. 20 bid. £20 bid. Any advance on 20? | 0:40:21 | 0:40:25 | |
30, 40, 50. | 0:40:25 | 0:40:28 | |
60. 70. £70 bid, lady's in at 70. | 0:40:28 | 0:40:32 | |
£80. 90, 100. £100 bid. | 0:40:32 | 0:40:36 | |
£100 bid. 110. | 0:40:36 | 0:40:39 | |
120. | 0:40:39 | 0:40:41 | |
130. | 0:40:41 | 0:40:42 | |
130. The yellow cap in at 130. 140. | 0:40:42 | 0:40:47 | |
150. | 0:40:47 | 0:40:48 | |
-£150 bid. -I feel a bit better, JP. -Are we all done? | 0:40:48 | 0:40:52 | |
At £150. | 0:40:52 | 0:40:56 | |
JONATHAN CLAPS | 0:40:56 | 0:40:58 | |
Well done, George. | 0:40:58 | 0:40:59 | |
You doubled your money, Phil. | 0:40:59 | 0:41:02 | |
And that's a fantastic profit for Philip. | 0:41:02 | 0:41:05 | |
He's got a hard act to follow. | 0:41:06 | 0:41:09 | |
Last, but by no means least, | 0:41:09 | 0:41:11 | |
Jonathan's slightly incomplete model boat. | 0:41:11 | 0:41:15 | |
This is a rather nice craft, ladies and gentlemen(!) A gunboat. | 0:41:15 | 0:41:20 | |
5 anywhere on the gunboat? 5 bid. Any advance on 5? | 0:41:20 | 0:41:26 | |
7.50 can I see? 7.50 bid. Lady's in at 7.50. | 0:41:26 | 0:41:31 | |
-A lady's going to buy it. -Interesting project. 10 bid. | 0:41:31 | 0:41:35 | |
£10 bid. 12.50 new bidder. 13.50 bid. | 0:41:35 | 0:41:40 | |
13.50, have you all done? | 0:41:41 | 0:41:44 | |
At £13.50. | 0:41:44 | 0:41:47 | |
I don't quite know what to say now, JP. | 0:41:47 | 0:41:51 | |
LAUGHTER I'll go down with my ship. | 0:41:51 | 0:41:54 | |
SPLASH! | 0:41:54 | 0:41:55 | |
And he's sunk. Ha-ha. | 0:41:55 | 0:41:57 | |
GURGLE! | 0:41:57 | 0:41:59 | |
So, with that final lot, it's safe to say | 0:42:00 | 0:42:03 | |
it's a hat-trick for Philip Serrell, | 0:42:03 | 0:42:05 | |
who has now won his third auction on the trot. | 0:42:05 | 0:42:09 | |
-On the whole, a good result. -Eh? | 0:42:09 | 0:42:13 | |
-For you. -Oh. -JONATHAN CHUCKLES | 0:42:13 | 0:42:16 | |
Jonathan started this leg of the trip with £140.40 | 0:42:17 | 0:42:21 | |
and, sadly, after auction costs, | 0:42:21 | 0:42:23 | |
ends today with even less, £126.70, to be precise. | 0:42:23 | 0:42:29 | |
Oh, dear. | 0:42:29 | 0:42:32 | |
Philip started with a healthier sum, £301.96. | 0:42:32 | 0:42:36 | |
But even minus commission, has increased that even further | 0:42:36 | 0:42:40 | |
and now has a decent £366.62. | 0:42:40 | 0:42:44 | |
Steady Eddie. | 0:42:44 | 0:42:46 | |
Surely now it's time for Jonathan to change tactics. | 0:42:47 | 0:42:51 | |
Have you got a plan for the next leg? | 0:42:51 | 0:42:53 | |
Um, as always, Philip, my plan is to have no plan. | 0:42:53 | 0:42:56 | |
-That's good enough, isn't it? -Yeah. | 0:42:56 | 0:42:58 | |
Just get in the car and drive. | 0:42:59 | 0:43:02 | |
Next time on the Antiques Road Trip, Jonathan goes off his rocker... | 0:43:07 | 0:43:12 | |
Yee-ha! | 0:43:12 | 0:43:15 | |
..whereas Philip is starting to feel his age. | 0:43:15 | 0:43:18 | |
Makes me feel like a dinosaur, really. | 0:43:18 | 0:43:21 | |
When you see things in an antiques centre | 0:43:21 | 0:43:23 | |
that you can remember your parents buying new. | 0:43:23 | 0:43:27 | |
A pair that truly are chalk and cheese. | 0:43:27 | 0:43:30 | |
You're going to church I'm going to a pub, | 0:43:30 | 0:43:32 | |
which I think probably sums up our respective characters. | 0:43:32 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:50 | 0:43:53 |