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The nation's favourite antique experts, | 0:00:02 | 0:00:04 | |
£200 each and one big challenge. | 0:00:04 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
So will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week, we're in a Beetle with Scotland's Anita Manning and England's James Lewis. | 0:00:37 | 0:00:43 | |
See if you can guess which one likes rugby. | 0:00:43 | 0:00:45 | |
You get points for trying. | 0:00:45 | 0:00:47 | |
-Yeah. -That sounds like an easy game. | 0:00:47 | 0:00:50 | |
The rules of our own Calcutta Cup are much less arcane, | 0:00:52 | 0:00:56 | |
but the auction score line so far reads England - 4, Scotland - nil. | 0:00:56 | 0:01:00 | |
At £320... | 0:01:00 | 0:01:01 | |
ANITA LAUGHS | 0:01:03 | 0:01:05 | |
So on the final day, will James make it a whitewash | 0:01:05 | 0:01:09 | |
or could Anita stage a thrilling comeback? | 0:01:09 | 0:01:11 | |
I'm never going to catch him. I'll have a blooming good try, though. | 0:01:11 | 0:01:16 | |
Actually, Anita's done not too badly at all. | 0:01:16 | 0:01:20 | |
She began with £200 and now has £496.72 to spend today. | 0:01:20 | 0:01:27 | |
But James Lewis, who also began with £200, | 0:01:27 | 0:01:31 | |
is miles out in front, with £855.72 in his pocket. | 0:01:31 | 0:01:36 | |
-So, tell me, strategy? -I'm not telling you. -Charming(!) | 0:01:38 | 0:01:43 | |
BOTH LAUGH | 0:01:43 | 0:01:44 | |
This week's road trip starts out in Pateley Bridge and head south, | 0:01:44 | 0:01:49 | |
travelling via East Anglia to the West Country | 0:01:49 | 0:01:51 | |
and concluding in the Cirencester auction. | 0:01:51 | 0:01:55 | |
This leg kicks off in Bedfordshire at Woburn | 0:01:55 | 0:01:59 | |
and heads for that final auction in Cirencester. | 0:01:59 | 0:02:03 | |
Woburn, sometimes pronounced Woe-burn, has been burned down | 0:02:05 | 0:02:09 | |
and rebuilt three times, once by the Cavaliers during the Civil War. | 0:02:09 | 0:02:13 | |
The last fire was in 1724, so, | 0:02:13 | 0:02:15 | |
although it's over a thousand years old, much of the village is Georgian. | 0:02:15 | 0:02:20 | |
-James, here we are, last leg. -Where's the shop? | 0:02:20 | 0:02:25 | |
-Right in front of your eyes, James. -So here we go. You go in first. | 0:02:25 | 0:02:31 | |
This is Woburn's old town hall, now full of antiques. | 0:02:31 | 0:02:34 | |
And Anita has grabbed the dealer Elfyn for a first peek in those cabinets. | 0:02:34 | 0:02:40 | |
In these little albums of photographs, | 0:02:40 | 0:02:42 | |
the men are so solemn looking. | 0:02:42 | 0:02:44 | |
-He's not too bad. -Well... -You wouldn't have turned him down. | 0:02:44 | 0:02:49 | |
-No, I don't think he's my type. -She's definitely not my type! | 0:02:49 | 0:02:53 | |
ANITA LAUGHS | 0:02:53 | 0:02:55 | |
-I quite like that. -Yeah. We're asking £45 for that. | 0:02:55 | 0:03:00 | |
What if I say 35? | 0:03:00 | 0:03:02 | |
Cos I should say 40, but 35. | 0:03:03 | 0:03:06 | |
What I would be looking to pay for that is nearer about 20. | 0:03:06 | 0:03:11 | |
No chance. No chance. | 0:03:11 | 0:03:12 | |
-Is there no chance? -No chance. | 0:03:12 | 0:03:14 | |
I will go to £30 for it, cos I'm feeling that you... | 0:03:14 | 0:03:18 | |
Yeah, because I like it. | 0:03:18 | 0:03:21 | |
I think, at £30, you should make a few quid out of it. | 0:03:21 | 0:03:24 | |
There was another wee thing here which isn't very expensive. | 0:03:24 | 0:03:28 | |
Anita is getting close. | 0:03:28 | 0:03:30 | |
Now, what's James up to in Elfyn's cupboard? | 0:03:30 | 0:03:33 | |
He said he'd bought some new bits and bobs. Oh, that's interesting. | 0:03:33 | 0:03:39 | |
That looks Chinese. | 0:03:39 | 0:03:42 | |
The massive market at the moment in silver is in China. | 0:03:42 | 0:03:46 | |
Chinese silver is so rare that it is making way above scrap. | 0:03:46 | 0:03:51 | |
Look at this little thing. Anita bought one of these earlier on. | 0:03:51 | 0:03:55 | |
A little Georgian toothpick case. | 0:03:55 | 0:03:59 | |
Open it up, there's a little mirror inside | 0:03:59 | 0:04:01 | |
so you can see you haven't got spinach between your teeth, | 0:04:01 | 0:04:04 | |
which, I have to say, is something I should probably use more often! | 0:04:04 | 0:04:09 | |
But there is the original Georgian, little silver toothpick. | 0:04:09 | 0:04:15 | |
And what would you have on the other end of a toothpick | 0:04:15 | 0:04:18 | |
but an ear spatula? | 0:04:18 | 0:04:20 | |
So you would delve that all the way down in your ear | 0:04:20 | 0:04:25 | |
and come out with a great big wodge of wax. | 0:04:25 | 0:04:28 | |
And put it directly back in the box | 0:04:28 | 0:04:31 | |
that you're going to pick your teeth with later on. | 0:04:31 | 0:04:35 | |
I mean, really! | 0:04:35 | 0:04:37 | |
The Georgians were also very fond of their ivory, but, remember, | 0:04:37 | 0:04:41 | |
the trade in ivory has been strictly controlled | 0:04:41 | 0:04:44 | |
by the CITES international agreement of 1947. | 0:04:44 | 0:04:49 | |
That is actually copper or gold. | 0:04:49 | 0:04:54 | |
If you've got something that you're thinking might be gold, | 0:04:54 | 0:04:57 | |
or gold-plated, if you rub it... | 0:04:57 | 0:05:00 | |
the copper starts to smell. So... Oh. That smells of copper. | 0:05:00 | 0:05:06 | |
Unfortunately, it's not gold. It would have been nice. | 0:05:06 | 0:05:09 | |
But, if in doubt, give it a rub. | 0:05:09 | 0:05:12 | |
Let's leave him to it, shall we? | 0:05:12 | 0:05:15 | |
Because Anita's deal seems to have progressed. | 0:05:15 | 0:05:18 | |
Now there's a page turner involved. | 0:05:18 | 0:05:20 | |
We've got 34 on the page turner. | 0:05:20 | 0:05:23 | |
-Say, 50 for the two? -50 for the two's not bad. -It's not bad at all. | 0:05:23 | 0:05:28 | |
They're nice things. You don't have to apologise for them. | 0:05:28 | 0:05:31 | |
Yeah, that's right. And I like them. I'm really tempted. | 0:05:31 | 0:05:35 | |
-I'm really tempted. -Well, there we are. | 0:05:35 | 0:05:39 | |
I'll go for them. I was trying to be modest. | 0:05:39 | 0:05:42 | |
-Is there any further movement? -I'm sorry. | 0:05:42 | 0:05:48 | |
-Is there a tweak of a movement? -I'm... No, I'm very sorry. | 0:05:48 | 0:05:52 | |
-No, I'm going to be very hard. £50. -You're not being very hard, | 0:05:52 | 0:05:56 | |
you're being very generous, and it's a deal. | 0:05:56 | 0:05:58 | |
BOTH: Thank you very much. | 0:05:58 | 0:05:59 | |
Elfyn, go and see what James is rubbing up in your cupboard. | 0:05:59 | 0:06:03 | |
-I see you found the bits and pieces I mentioned? -Thank you. | 0:06:03 | 0:06:06 | |
Obviously, Georgian, 18th-century, nice thing. How much could it be? | 0:06:06 | 0:06:11 | |
Well, I really wanted £35 for it. | 0:06:11 | 0:06:15 | |
You've got a little bit of gold on it, of course. | 0:06:15 | 0:06:17 | |
Well, I think it's brass, or copper, rather. I gave it a good old... | 0:06:17 | 0:06:20 | |
-If you rub... Just smell that, look. -It is, actually, I know. | 0:06:20 | 0:06:24 | |
-It is copper, isn't it? -It's copper! -I'll have to watch you! | 0:06:24 | 0:06:28 | |
-I thought you might fall for it. -How much is the napkin ring? -Chinese one? | 0:06:28 | 0:06:33 | |
-Yeah. -£50. -Is it? Is it that much? -Yeah. | 0:06:33 | 0:06:37 | |
It is Chinese, late 19th, early 20th century. | 0:06:37 | 0:06:41 | |
-And you know what the market is for that sort of thing. -Yeah. | 0:06:41 | 0:06:44 | |
What could you do on it? | 0:06:44 | 0:06:46 | |
-I'll let you have it for 40. -40. -But I'm not going any lower. | 0:06:46 | 0:06:51 | |
Still a bit far for me. | 0:06:51 | 0:06:52 | |
Something else? Is he bulk buying here? | 0:06:52 | 0:06:57 | |
-You can have that for a tenner. -A tenner. | 0:06:57 | 0:06:58 | |
-The silver pencil cover is £10. -What would that be? | 0:06:58 | 0:07:04 | |
25, I would price that. You can have it for 20 if it helps you. | 0:07:04 | 0:07:07 | |
-And the silver match case is £20. -How much is the napkin ring? | 0:07:07 | 0:07:11 | |
-It is a silver one. -Yeah. -A tenner. | 0:07:11 | 0:07:15 | |
So we've got a cheap napkin ring, a silver pencil holder | 0:07:16 | 0:07:19 | |
and a match case plus the Chinese napkin ring and the toothpick case. | 0:07:19 | 0:07:23 | |
-Cor! -It comes to £105, the parcel. -All of that? -Yeah. | 0:07:23 | 0:07:28 | |
£100 if you take them all. I'll give you another fiver. | 0:07:28 | 0:07:31 | |
-The cogs are whirring. -I'm thinking...how about 90 the lot? | 0:07:34 | 0:07:39 | |
-It's against my better judgement, but OK. Yeah. -You've got a deal. | 0:07:41 | 0:07:46 | |
-Thank you. -Thank you. -That was quite something. | 0:07:46 | 0:07:49 | |
Now, time to find Anita and whisk her off. | 0:07:49 | 0:07:54 | |
Beetling from Woburn to nearby Buckingham, | 0:07:54 | 0:07:57 | |
where Anita is heading directly to jail without picking up 200. | 0:07:57 | 0:08:02 | |
-Let's hope they don't keep me in too long! -JAMES LAUGHS | 0:08:02 | 0:08:05 | |
Built in 1748 and later used as a police station, fire station | 0:08:07 | 0:08:12 | |
and even an antique shop, | 0:08:12 | 0:08:15 | |
the Old Gaol has, since the '90s, been a museum. | 0:08:15 | 0:08:18 | |
-So these are the prison cells. -The original 12 cells. | 0:08:19 | 0:08:23 | |
And this chap here, would he have been the gaoler? | 0:08:23 | 0:08:26 | |
-He's an old-fashioned peeler. -Right. A bobby. -Yeah. | 0:08:26 | 0:08:31 | |
In fact, this man was the superintendent. | 0:08:31 | 0:08:33 | |
But Anita's here to see the exhibition | 0:08:33 | 0:08:36 | |
dedicated to Flora Thompson, one of the area's finest chroniclers. | 0:08:36 | 0:08:40 | |
Flora Thompson wrote about her life as a child growing up | 0:08:40 | 0:08:44 | |
in the North Oxfordshire countryside in the late 1800s | 0:08:44 | 0:08:48 | |
in Juniper Hill, which is about nine miles from here. | 0:08:48 | 0:08:52 | |
-Could Juniper Hill be Lark Rise? -Juniper Hill IS Lark Rise. | 0:08:52 | 0:08:57 | |
Thompson's semi-autobiographical Lark Rise To Candleford trilogy, | 0:08:57 | 0:09:02 | |
which brilliantly evokes a now-vanished rural life, | 0:09:02 | 0:09:07 | |
wasn't written until the 1940s, which is amazing. | 0:09:07 | 0:09:10 | |
In a way, it's a little bit of a miracle | 0:09:10 | 0:09:12 | |
that a child from a grindingly poor background could aspire to be | 0:09:12 | 0:09:17 | |
one of our country's most celebrated local writers. | 0:09:17 | 0:09:20 | |
Young Flora became an assistant postmistress, | 0:09:20 | 0:09:23 | |
and with the help of the local library, | 0:09:23 | 0:09:25 | |
taught herself to be a writer. | 0:09:25 | 0:09:27 | |
In 1910, she won an essay competition in The Ladies' Companion, | 0:09:27 | 0:09:31 | |
and with the encouragement of her husband, | 0:09:31 | 0:09:34 | |
soon began to earn a living with her stories, articles and poems. | 0:09:34 | 0:09:38 | |
Was it an idyllic look on rural life in Buckinghamshire? | 0:09:38 | 0:09:44 | |
It was a realistic look. She wrote it as it was, | 0:09:44 | 0:09:46 | |
without any embellishment. | 0:09:46 | 0:09:49 | |
The fictional Candleford was partly based on Buckingham | 0:09:50 | 0:09:53 | |
and also inspired by another local town, | 0:09:53 | 0:09:56 | |
which is where James is heading now... | 0:09:56 | 0:09:58 | |
..travelling from Buckingham to Brackley. | 0:10:00 | 0:10:03 | |
But although Brackley has more than its fair share of splendid old buildings, | 0:10:04 | 0:10:09 | |
James' next stop certainly isn't amongst them. | 0:10:09 | 0:10:12 | |
This antique centre has to be | 0:10:12 | 0:10:16 | |
in the most unusual location | 0:10:16 | 0:10:18 | |
of any antique centre I've ever been to. | 0:10:18 | 0:10:21 | |
I mean, it's actually in the basement of the supermarket, which is... | 0:10:22 | 0:10:26 | |
slightly weird, to say the least. | 0:10:26 | 0:10:29 | |
-Hello. -Hello. | 0:10:38 | 0:10:39 | |
Those are the most wonderful quality. Hobnail-cut, possibly Irish. | 0:10:45 | 0:10:49 | |
Got a pair of them. So unusual to find a pair, but... | 0:10:49 | 0:10:54 | |
..they've been drilled. Some Philistine has taken a drill... | 0:10:56 | 0:11:02 | |
and drilled through the side of this decanter to make a lamp base out of it. | 0:11:02 | 0:11:07 | |
In perfect order with stoppers, £500-£800. | 0:11:07 | 0:11:13 | |
Drilled, 12 quid. And even at that, not worth buying. | 0:11:14 | 0:11:19 | |
Fortunately for James, there are plenty of other things down here, | 0:11:19 | 0:11:22 | |
and one cabinet he just can't take his eyes off. | 0:11:22 | 0:11:25 | |
Everything that is in here has got something about it. | 0:11:25 | 0:11:28 | |
Whoever owns this cabinet, I just love the taste, love his eye, | 0:11:28 | 0:11:33 | |
love what he's picked. | 0:11:33 | 0:11:34 | |
It's a really good object. | 0:11:38 | 0:11:40 | |
It's silver-topped, nicely hallmarked. | 0:11:41 | 0:11:45 | |
You have the WC, for William Comyns, | 0:11:45 | 0:11:49 | |
which is absolutely fantastic. | 0:11:49 | 0:11:52 | |
A bit of tortoiseshell in the top there, tortoiseshell pique, | 0:11:52 | 0:11:55 | |
where the silver is inlaid into the tortoiseshell top. | 0:11:55 | 0:11:58 | |
It's got this great big deep cover, and the whole thing hinges back. | 0:11:58 | 0:12:03 | |
Then inside, a grand stopper. | 0:12:03 | 0:12:06 | |
A lot of the time you see these called scent bottles, but they're not. | 0:12:06 | 0:12:09 | |
They're for smelling salts. | 0:12:09 | 0:12:11 | |
When this was made, which was, I should think, about 1900, 1915, | 0:12:11 | 0:12:16 | |
the time when ladies wore very tight corsets, | 0:12:16 | 0:12:20 | |
and of course the tight corsets meant they couldn't breathe very well. | 0:12:20 | 0:12:23 | |
When they're feeling a little faint, | 0:12:23 | 0:12:26 | |
they would remove the smelling salts bottle and... HE INHALES | 0:12:26 | 0:12:29 | |
..take a whiff and it would bring them round and give them a new vigour. | 0:12:29 | 0:12:33 | |
But the other thing to say, of course, is that, | 0:12:33 | 0:12:36 | |
under the 1976 CITES legislation, trade in tortoiseshell, | 0:12:36 | 0:12:41 | |
new tortoiseshell, is illegal, and rightly so. | 0:12:41 | 0:12:44 | |
This, though, it's been well gone for over 100 years. | 0:12:44 | 0:12:48 | |
-What could that be, do you think? -I'll give him a call. -Thank you. | 0:12:49 | 0:12:56 | |
-Again, it needs to be... -A lot less. -Yeah. -Mmm-hmm. | 0:12:56 | 0:13:00 | |
This is a funny little object. | 0:13:00 | 0:13:02 | |
It's made in just stamped tin, as cheap as you can find, | 0:13:02 | 0:13:07 | |
but it's marked HRH Prince Albert's aromatizer. | 0:13:07 | 0:13:13 | |
Isn't that great? | 0:13:14 | 0:13:16 | |
There's a little sliding thing there that releases a hole, | 0:13:16 | 0:13:20 | |
so I guess it's the equivalent of a 19th-century tic tac box | 0:13:20 | 0:13:25 | |
and you would shake out a little mint to refresh your breath. | 0:13:25 | 0:13:28 | |
All right, then, thank you, bye. | 0:13:28 | 0:13:31 | |
He could do that for 55. | 0:13:31 | 0:13:34 | |
55. | 0:13:34 | 0:13:35 | |
-Do you think he'd take 45 for it? -We can try him. | 0:13:38 | 0:13:41 | |
-Would you give it a go for me, please? -Sure. -Thank you. -OK. | 0:13:41 | 0:13:45 | |
-If he would take 45, that would be... And just... -Ask him what that is. -Yeah. | 0:13:45 | 0:13:48 | |
There doesn't seem to be any price with it. Thank you. | 0:13:48 | 0:13:52 | |
£45 is fine for it. | 0:13:52 | 0:13:55 | |
I mean, it's worth the 55, but, on a bad day, it might make 60. | 0:13:55 | 0:14:00 | |
Right. 45. | 0:14:00 | 0:14:03 | |
-OK. -And he says you can have that. -Really, with it in the deal? -Yes. | 0:14:03 | 0:14:07 | |
Phew, that's enough to make anyone come over all faint. | 0:14:08 | 0:14:12 | |
A nice item at a good price, plus a free gift. | 0:14:12 | 0:14:15 | |
It's been a busy day, you two. Good night. | 0:14:15 | 0:14:19 | |
Day two, and we're no nearer an understanding of the rules of rugger. | 0:14:22 | 0:14:26 | |
England are winning. Oh, that's another goal for England. Hurray! | 0:14:26 | 0:14:32 | |
Try, conversion and penalty. They'd get gold. | 0:14:32 | 0:14:36 | |
A dry conversion?! | 0:14:36 | 0:14:39 | |
Yesterday, Anita hit two home runs. No, that's not a bat. | 0:14:39 | 0:14:43 | |
It's a page turner. | 0:14:43 | 0:14:44 | |
She also bought a photo album and spent just £50, | 0:14:44 | 0:14:47 | |
leaving her with £446.72 to spend today. | 0:14:47 | 0:14:53 | |
-Can I take you round there? -You can take me where you like. I'm yours for the day. | 0:14:53 | 0:14:58 | |
Whilst James has kept the scorers very busy indeed, | 0:15:00 | 0:15:03 | |
totting up a small pile of silver, | 0:15:03 | 0:15:06 | |
a toothpick case with toothpick, a mint box and a smelling salts bottle. | 0:15:06 | 0:15:11 | |
That little lot cost him £135, leaving £720.72 to spend today. | 0:15:11 | 0:15:18 | |
It is copper, isn't it? I'll have to watch you. | 0:15:18 | 0:15:22 | |
They are heading for that auction in Cirencester, but starting out first in Woodstock. | 0:15:24 | 0:15:31 | |
Not to be confused with the site of the 1969 rock festival, | 0:15:35 | 0:15:40 | |
Oxfordshire's Woodstock - the name means "clearing in the woods", | 0:15:40 | 0:15:43 | |
is an altogether different sort of place. | 0:15:43 | 0:15:47 | |
Although King Ethelred the Unready did apparently | 0:15:47 | 0:15:50 | |
once hold an assembly here, | 0:15:50 | 0:15:52 | |
no mention ever of any hippies - | 0:15:52 | 0:15:54 | |
or old rockers like Anita. | 0:15:54 | 0:15:58 | |
-Copenhagen. -Copenhagen. | 0:16:05 | 0:16:08 | |
This is a sweet wee figure. I always like this porcelain. | 0:16:11 | 0:16:15 | |
I love it because of the quality of the glaze, | 0:16:15 | 0:16:18 | |
it's always highly glazed. | 0:16:18 | 0:16:20 | |
The figures are wonderful. | 0:16:20 | 0:16:22 | |
What I'd like to look for buying it is within | 0:16:22 | 0:16:28 | |
a region of between £20, £25. | 0:16:28 | 0:16:34 | |
You're not going to get it for £25. | 0:16:34 | 0:16:37 | |
I'm not going to get it for 25? | 0:16:37 | 0:16:39 | |
And I'm certainly not going to get it for 22? | 0:16:39 | 0:16:42 | |
That's logical, Anita. You worked that one out pretty well. | 0:16:42 | 0:16:46 | |
I know! I know! | 0:16:46 | 0:16:47 | |
I've got to try. I've got to try. | 0:16:47 | 0:16:50 | |
I can do 35 which is pretty good and I will, but that is it. | 0:16:50 | 0:16:55 | |
-Don't come back and say 32. -If you could bring that down to about 30. | 0:16:55 | 0:17:01 | |
What did I say to you? | 0:17:01 | 0:17:03 | |
35, Anita, honestly, believe me. You and I know that is all right. | 0:17:03 | 0:17:09 | |
-If you are able to be persuaded... -Anita, you are shameless. | 0:17:09 | 0:17:14 | |
£32, that's it, all right? | 0:17:14 | 0:17:16 | |
I said I wouldn't go to 32. 32. | 0:17:16 | 0:17:21 | |
-Look at you! -I'm tempted on it. | 0:17:21 | 0:17:24 | |
-Could you come to 30? -No. | 0:17:24 | 0:17:27 | |
-32. -Should I take it? -Take a punt. You'll be all right. | 0:17:27 | 0:17:34 | |
OK, I'll take your advice. You're a darling. | 0:17:34 | 0:17:37 | |
You're beautiful. Thank you very much. | 0:17:37 | 0:17:39 | |
But away from the heady delights of downtown Woodstock, | 0:17:39 | 0:17:43 | |
James is still on the road, | 0:17:43 | 0:17:45 | |
driving from Woodstock to Kingston Bagpuize. | 0:17:45 | 0:17:49 | |
Whilst Anita's finding all the treasures of Oxfordshire, Kingston Bagpuize, there it is. | 0:17:52 | 0:18:00 | |
A wonderful private home owned by Ginny. | 0:18:00 | 0:18:05 | |
Hopefully, we are in for a treasure here. | 0:18:05 | 0:18:09 | |
The place gets its curious name from the Bagpuis family, | 0:18:09 | 0:18:12 | |
Normans who lived here for over 200 years after the conquest. | 0:18:12 | 0:18:18 | |
But the current house dates mostly from the 18th century. | 0:18:18 | 0:18:21 | |
-Very nice to meet you. -And you. What a wonderful house! | 0:18:21 | 0:18:25 | |
How did your family come to get this? | 0:18:25 | 0:18:28 | |
-1939, Grace Charlotte Raphael, Aunt Marlie to us... -Aunt Marlie. Lovely. | 0:18:28 | 0:18:33 | |
-..purchased this house. -'39 is an incredible time to be buying a big house like this. | 0:18:33 | 0:18:40 | |
She moved in in June and the war started in September. | 0:18:40 | 0:18:43 | |
-Gosh. -It was used. It had evacuees from the London Blitz upstairs. | 0:18:43 | 0:18:47 | |
It played its part in the war? | 0:18:47 | 0:18:49 | |
It did and she was a special constable. | 0:18:49 | 0:18:51 | |
-Gosh. -I think that was partly so she had fuel for her Rolls-Royce. | 0:18:51 | 0:18:54 | |
Fantastic! | 0:18:54 | 0:18:57 | |
-Tell me about it. -It has this beautiful symmetry. | 0:18:57 | 0:19:01 | |
Each window is balanced. | 0:19:01 | 0:19:03 | |
This window is boarded-up because it's behind the staircase. | 0:19:03 | 0:19:09 | |
Really?! They built the house knowing the staircase would block the window | 0:19:09 | 0:19:13 | |
but they put a window in there anyway. | 0:19:13 | 0:19:16 | |
The staircase, built in the 1720s, dominates the entrance hall | 0:19:18 | 0:19:22 | |
with a handsome polished handrail supported on a turned balustrade. | 0:19:22 | 0:19:29 | |
And what a staircase! | 0:19:29 | 0:19:31 | |
It's worth blocking up a window for that staircase. | 0:19:31 | 0:19:34 | |
This is where the window would be, just there, matching this one here. | 0:19:34 | 0:19:38 | |
It was painted until 1920 when it was stripped. | 0:19:38 | 0:19:43 | |
The idea of stripping all this wood leaves me...amazed. But that's what happened. | 0:19:43 | 0:19:50 | |
Although the house is open to the public, it remains a family home, | 0:19:50 | 0:19:54 | |
beautifully proportioned | 0:19:54 | 0:19:56 | |
and furnished with some very fine pieces. | 0:19:56 | 0:19:58 | |
-Quite a bit of it French. -Wow! | 0:19:58 | 0:20:03 | |
-Amazing. -I know. -Wonderful. Goodness me. | 0:20:03 | 0:20:06 | |
Would this have been the first approach to the house? | 0:20:06 | 0:20:10 | |
Yes, until about 1860. | 0:20:10 | 0:20:12 | |
Even the trees are symmetrical! | 0:20:12 | 0:20:15 | |
That is amazing. | 0:20:15 | 0:20:18 | |
In the dining room, there's a portrait of Ginny's Aunt Marlie | 0:20:18 | 0:20:22 | |
when she was aged just three. | 0:20:22 | 0:20:24 | |
Throughout the house, there are reminders of her ownership. | 0:20:24 | 0:20:28 | |
In 1935, Marlie Raphael toured the Far East and returned | 0:20:28 | 0:20:33 | |
with a lifelong interest in all things Chinese and one very practical item. | 0:20:33 | 0:20:38 | |
-I have to say, I prefer my pillows feather. -Yes. | 0:20:38 | 0:20:41 | |
It is as early as it looks, isn't it? | 0:20:41 | 0:20:44 | |
Yes, depending on how early you think it is. | 0:20:44 | 0:20:47 | |
HE LAUGHS | 0:20:47 | 0:20:49 | |
-It looks 14th century. -I think it's 13th. | 0:20:49 | 0:20:53 | |
I have to say, I've seen them in books. I've never touched one. | 0:20:53 | 0:20:58 | |
HE LAUGHS | 0:20:58 | 0:21:01 | |
Meanwhile, back in Woodstock, Anita is taking | 0:21:01 | 0:21:05 | |
a keen interest in some blue plates, but they're not Chinese. | 0:21:05 | 0:21:08 | |
These are German so they're pre-1914. | 0:21:08 | 0:21:13 | |
They're transfer printed and they don't have huge quality. | 0:21:13 | 0:21:16 | |
It's the type of thing that, if you can get it for the right price, | 0:21:16 | 0:21:21 | |
then it may do well in a saleroom. | 0:21:21 | 0:21:23 | |
And we've got a pair. That's important. | 0:21:23 | 0:21:26 | |
I love cabinets like this and I love little figures. | 0:21:28 | 0:21:31 | |
I'm being immediately drawn to that sweet little clown. | 0:21:31 | 0:21:36 | |
Isn't he a wee darling? He's a darling. | 0:21:38 | 0:21:41 | |
Quite nicely moulded, good colour, good condition. Look at these toes. | 0:21:41 | 0:21:47 | |
They are so vulnerable but they are in good condition. | 0:21:47 | 0:21:51 | |
It's Rosenthal. | 0:21:51 | 0:21:53 | |
-Good German make. Probably from about the 1930s. -Watch out, Mike. | 0:21:56 | 0:22:03 | |
Anita's coming back for more. | 0:22:03 | 0:22:05 | |
-We've got three items here. -Yup. | 0:22:05 | 0:22:07 | |
These Victorian or Edwardian, no quality at all, churned out, | 0:22:07 | 0:22:13 | |
-transfer printing. -Absolutely. -We have got a pair there. | 0:22:13 | 0:22:17 | |
Let me see this wee guy. | 0:22:17 | 0:22:19 | |
How's about... Will you sell me him for a tenner? | 0:22:22 | 0:22:26 | |
HE LAUGHS | 0:22:26 | 0:22:29 | |
There I was thinking, "I'm going to say yes to whatever you say, that's fair enough." | 0:22:29 | 0:22:35 | |
A tenner for a Rosenthal clown?! | 0:22:36 | 0:22:38 | |
Rosenthal isn't a big deal. | 0:22:38 | 0:22:41 | |
And the other thing is, see these toes, | 0:22:41 | 0:22:44 | |
they are in perfect condition now. | 0:22:44 | 0:22:47 | |
If I buy these, I have to transport them to the auction. | 0:22:47 | 0:22:52 | |
These are so vulnerable, and there are vulnerable in there | 0:22:52 | 0:22:55 | |
-with all these people going in and out. -I've heard it all now. | 0:22:55 | 0:22:58 | |
So I've got to be responsible for your transporting them?! | 0:22:58 | 0:23:03 | |
I'll chuck in a load of bubble wrap and do his toes up. | 0:23:03 | 0:23:06 | |
You can have these two for a tenner. | 0:23:06 | 0:23:10 | |
There is no damage on them, is there? | 0:23:10 | 0:23:13 | |
No, no, no. | 0:23:13 | 0:23:14 | |
-So you'll sell me them for a tenner? -I will indeed. | 0:23:17 | 0:23:21 | |
Will you give me the two of them for 20 quid? | 0:23:21 | 0:23:26 | |
You're saying 20 and I'm saying... make it 25. | 0:23:26 | 0:23:32 | |
Go on, do the both of them for 20. | 0:23:32 | 0:23:36 | |
-20 quid. -Go on. I can't be bothered. | 0:23:45 | 0:23:50 | |
-It's only because it's my last buy. -Yeah, yeah. | 0:23:50 | 0:23:54 | |
Great stuff, Anita. Look, James is on his way, | 0:23:54 | 0:23:57 | |
hoping to spend some of that pile of his. | 0:23:57 | 0:24:00 | |
I'm looking for the town hall. | 0:24:03 | 0:24:06 | |
Is this it? | 0:24:06 | 0:24:07 | |
The town hall apparently has an antiques fair on. | 0:24:07 | 0:24:11 | |
The great thing about antiques fairs is that many of the dealers | 0:24:11 | 0:24:15 | |
don't have shops - so the stock arrives fresh to the market | 0:24:15 | 0:24:20 | |
and longing for a buyer. | 0:24:20 | 0:24:22 | |
Sometimes, with a bid. | 0:24:22 | 0:24:24 | |
Could I see the mirror, please? | 0:24:29 | 0:24:32 | |
This is a Rococo revival easel dressing table mirror. | 0:24:38 | 0:24:44 | |
It's something I fell in love with because you don't see mirrors of that scale. | 0:24:44 | 0:24:47 | |
What is it, 1900, 1910? | 0:24:47 | 0:24:51 | |
1903, William Comyns. | 0:24:51 | 0:24:54 | |
William Comyns? I've just bought a smelling salts bottle by William Comyns. | 0:24:54 | 0:24:59 | |
-It's a good maker. What could that be? -Well, I've got 695 on it. | 0:24:59 | 0:25:07 | |
I'll be looking for 500. | 0:25:07 | 0:25:10 | |
Gosh, £500. | 0:25:10 | 0:25:12 | |
Is he about to take a huge gamble on the very last day? | 0:25:12 | 0:25:16 | |
What would be your rock bottom on it? | 0:25:16 | 0:25:20 | |
-425. -It's got tiny bits of damage on the edge. | 0:25:20 | 0:25:23 | |
I'd be worried if there wasn't to be honest. | 0:25:23 | 0:25:27 | |
Very good point. It's 100 years old. | 0:25:27 | 0:25:31 | |
400, rock bottom. | 0:25:31 | 0:25:33 | |
Go on, you've got over £700, James. | 0:25:33 | 0:25:36 | |
I'd be looking more around 320, something like that. | 0:25:36 | 0:25:40 | |
Couldn't do it, James. Sorry. | 0:25:40 | 0:25:41 | |
-No? -No. | 0:25:41 | 0:25:43 | |
-340 any good? -Sorry, I couldn't. -Can you move a little bit? | 0:25:43 | 0:25:48 | |
No, I've moved considerably on that. | 0:25:48 | 0:25:52 | |
OK. | 0:25:52 | 0:25:56 | |
I don't think were going to get there. | 0:25:56 | 0:25:59 | |
-It's a shame because I like it. -Yeah, so do I. | 0:25:59 | 0:26:01 | |
It's a big lump. | 0:26:01 | 0:26:03 | |
The best maker you're likely to find. | 0:26:05 | 0:26:08 | |
Yeah, it is. There we go. | 0:26:08 | 0:26:10 | |
-It's too much for me. -You'll regret it. | 0:26:12 | 0:26:15 | |
It's such a nice mirror. | 0:26:16 | 0:26:18 | |
Hmm. | 0:26:21 | 0:26:23 | |
I love it. I really do. | 0:26:26 | 0:26:27 | |
Last offer, 380 quid. | 0:26:31 | 0:26:32 | |
-Go on then. -380 quid, you've got a deal. | 0:26:32 | 0:26:36 | |
-Well done! -What have I done?! | 0:26:36 | 0:26:39 | |
Thank you very much. I'm going to have a swift gin and tonic. | 0:26:39 | 0:26:43 | |
But before turning to drink, | 0:26:43 | 0:26:46 | |
he has nipped into the shop that Anita almost emptied earlier. | 0:26:46 | 0:26:50 | |
What's left, James? | 0:26:50 | 0:26:51 | |
They are obviously silver. They're tortoiseshell. They're hallmarked 1913. | 0:26:51 | 0:26:58 | |
They've got a price on them of £65. They could be yours for £30. | 0:26:58 | 0:27:05 | |
£30. | 0:27:05 | 0:27:07 | |
These little silver-mounted clothes brushes aren't going to make me | 0:27:10 | 0:27:14 | |
a huge profit. They're not going to be anything that excites the auction room. | 0:27:14 | 0:27:20 | |
I spent some whacking great money on that mirror | 0:27:20 | 0:27:24 | |
and I think I need to play it a bit safe with the last purchase. | 0:27:24 | 0:27:28 | |
For less than £30, they are worth buying. | 0:27:28 | 0:27:31 | |
You said 30, would you do them at 20? | 0:27:31 | 0:27:34 | |
Silver has just gone up and I've just checked. | 0:27:34 | 0:27:37 | |
-I'll do 25. -There's not a lot of silver on them. | 0:27:37 | 0:27:40 | |
25 for tortoiseshell and silver. They're all right at that. | 0:27:40 | 0:27:43 | |
22 quid and you've got a deal. | 0:27:43 | 0:27:45 | |
-Go on. That's it. -You've got a deal. Thank you very much. | 0:27:45 | 0:27:48 | |
Well done, you. | 0:27:48 | 0:27:50 | |
It's been a bit of a rollercoaster. What did they buy? | 0:27:50 | 0:27:53 | |
The first thing I bought, I rated it so much, I didn't even wrap it. | 0:27:53 | 0:27:58 | |
Is it a load of old tin? | 0:27:58 | 0:28:01 | |
-Not far off. -It's not making my temperature rise. -No, nor mine. | 0:28:01 | 0:28:08 | |
What do you think they are worth? | 0:28:08 | 0:28:11 | |
£10, £15. | 0:28:11 | 0:28:14 | |
-Is that it? -Did you think more? | 0:28:14 | 0:28:18 | |
-I thought maybe 20. -Sometimes, I'm a wee bit conservative. | 0:28:18 | 0:28:21 | |
You're mean. That's what it is. | 0:28:21 | 0:28:25 | |
I'll show you my first item. | 0:28:25 | 0:28:27 | |
I like photograph items and I think this is a particularly nice one. | 0:28:27 | 0:28:33 | |
We have maybe 50 or 60 family photographs in there. | 0:28:33 | 0:28:38 | |
-£30. -Oh, blimey! I think that's 15 love to you. | 0:28:38 | 0:28:42 | |
OK, deja vu all over again. | 0:28:42 | 0:28:46 | |
ANITA LAUGHS | 0:28:46 | 0:28:49 | |
That's a lovely wee thing. | 0:28:49 | 0:28:51 | |
That's absolutely gorgeous. | 0:28:53 | 0:28:55 | |
I seem to remember I lost money on mine. | 0:28:55 | 0:28:57 | |
-That was 25 quid. -Oh, James! | 0:28:57 | 0:29:02 | |
-How did you get that for 25 quid? -I offered him £25 and he said yes. | 0:29:02 | 0:29:06 | |
THEY LAUGH | 0:29:06 | 0:29:07 | |
Sincerest form of flattery, they say. | 0:29:07 | 0:29:10 | |
What will he make of her page turner? | 0:29:10 | 0:29:14 | |
That's your Art Nouveau inspiration... | 0:29:14 | 0:29:16 | |
That's your favourite period, isn't it? | 0:29:16 | 0:29:19 | |
I know. But I think it's quite a sweet thing. | 0:29:19 | 0:29:22 | |
-How much was it? -£20. -That's fine. | 0:29:22 | 0:29:25 | |
Good. OK. | 0:29:25 | 0:29:26 | |
-How about James' smelly items? -Oh, yes. That's lovely. | 0:29:26 | 0:29:30 | |
Tortoiseshell top, inlaid with silver. | 0:29:30 | 0:29:33 | |
Condition is so important | 0:29:33 | 0:29:36 | |
-in this type of item... -Perfect. | 0:29:36 | 0:29:38 | |
I love that. And I would have that on my dressing table. | 0:29:38 | 0:29:41 | |
Well, that would grace anybody's dressing table. | 0:29:41 | 0:29:44 | |
I mean, I really like that. | 0:29:44 | 0:29:46 | |
But it came with this... | 0:29:46 | 0:29:48 | |
Oh, no, here he goes again. | 0:29:48 | 0:29:51 | |
So what are you going to do with it? | 0:29:54 | 0:29:55 | |
I don't know. It's Prince Albert's breath-freshening mints. | 0:29:55 | 0:30:00 | |
Have you got something to put that with? | 0:30:00 | 0:30:02 | |
Maybe your wee silver things, | 0:30:02 | 0:30:04 | |
-but that should be on its own. -Yeah. | 0:30:04 | 0:30:06 | |
Sage advice, Anita. | 0:30:06 | 0:30:08 | |
This wee cheeky chappie captured my imagination. | 0:30:08 | 0:30:13 | |
-He's great, I like him. -You like him? | 0:30:13 | 0:30:15 | |
-Yeah. What did you pay? -£10. | 0:30:15 | 0:30:17 | |
You are joking! | 0:30:17 | 0:30:19 | |
-Do you think that's a good price? -You KNOW that's a good price! | 0:30:19 | 0:30:24 | |
I'm only kidding you. | 0:30:24 | 0:30:26 | |
Were those brushes a daft buy? | 0:30:26 | 0:30:28 | |
I like these. I would like them better if they were in a case, | 0:30:28 | 0:30:32 | |
but I think that these ones were probably part of a bigger set. | 0:30:32 | 0:30:36 | |
Yes. Absolutely. | 0:30:36 | 0:30:37 | |
Watch out, James! More figurines. | 0:30:37 | 0:30:40 | |
-Some more little Lladro. -No, it's Royal Copenhagen. | 0:30:40 | 0:30:43 | |
Pre-1950s, and I think the subject matter is charming. | 0:30:43 | 0:30:47 | |
The little child with her doll, rocking... It's not for you? | 0:30:47 | 0:30:52 | |
-No. -But people will find that appealing and charming. | 0:30:52 | 0:30:55 | |
She'd have been nicer if she'd been holding a rabbit. | 0:30:55 | 0:30:58 | |
A rabbit? | 0:30:58 | 0:30:59 | |
Now, wait for this... | 0:31:01 | 0:31:02 | |
James, that is a very impressive piece. | 0:31:06 | 0:31:09 | |
-Do we have a maker? -It's William Comyns. | 0:31:09 | 0:31:12 | |
-Right. -So again it's a very good maker. | 0:31:12 | 0:31:16 | |
So...I blew £380 on this lot. | 0:31:16 | 0:31:21 | |
HE GULPS | 0:31:23 | 0:31:25 | |
It'll either crash, | 0:31:25 | 0:31:29 | |
and you'll overtake me in the last lot... | 0:31:29 | 0:31:32 | |
-Or... -Fingers crossed, fingers crossed! | 0:31:32 | 0:31:36 | |
Or it might just take me over a £1,000 profit. I don't know. | 0:31:36 | 0:31:39 | |
You like a wee gamble. | 0:31:39 | 0:31:41 | |
Not normally, no! | 0:31:41 | 0:31:43 | |
OK. Next item - it's a pair of blue and white wall plaques. | 0:31:44 | 0:31:49 | |
They're German, before the First World War... | 0:31:49 | 0:31:53 | |
-They're not bad, James. But they're not great. -No. | 0:31:53 | 0:31:57 | |
And blue and white has gone out of fashion a wee bit. | 0:31:57 | 0:32:00 | |
-How much were they? -A tenner. -Oh! | 0:32:00 | 0:32:03 | |
They've got to be worth more than that. | 0:32:03 | 0:32:05 | |
It has been wonderful, James, and I have loved it. Give me a big kiss. | 0:32:05 | 0:32:09 | |
How sweet! Time to get the knives out. | 0:32:09 | 0:32:11 | |
Anita has done a classic Anita trick. She's been so careful. | 0:32:11 | 0:32:16 | |
There is no risk there, whatsoever. | 0:32:16 | 0:32:19 | |
And she's bought some nice little buys. | 0:32:19 | 0:32:21 | |
This last leg, and the last reveal, has been very, very interesting. | 0:32:21 | 0:32:28 | |
It may show us that the show isn't over | 0:32:28 | 0:32:32 | |
until the fat lady sings. | 0:32:32 | 0:32:34 | |
That sounds like a battle cry if ever I've heard one. | 0:32:34 | 0:32:38 | |
After starting out in Woburn, | 0:32:40 | 0:32:41 | |
this final leg of our trip will conclude in Cirencester. | 0:32:41 | 0:32:46 | |
Here we are, James, our very last auction. | 0:32:46 | 0:32:50 | |
I'm going to miss you! | 0:32:50 | 0:32:52 | |
I'm going to miss you too, I feel really quite sad. | 0:32:52 | 0:32:56 | |
-You sentimental old fool. -THEY LAUGH | 0:32:56 | 0:32:59 | |
And so, while Cirencester folk take a closer look at the lots, | 0:32:59 | 0:33:04 | |
let's hear what auctioneer Philip Allwood thinks of what Anita and James have bought. | 0:33:04 | 0:33:09 | |
Rosenthal clown - | 0:33:09 | 0:33:11 | |
good-looking piece of Art Deco-style porcelain. | 0:33:11 | 0:33:15 | |
I'd expect it to make £50, £80, that sort of area, to a collector. | 0:33:15 | 0:33:18 | |
Then we come to the mirror, which is by far and away the best piece. | 0:33:18 | 0:33:24 | |
A good example, and I think I'd put £800 to £1,200 on it. | 0:33:24 | 0:33:27 | |
Should be around that sort of level. | 0:33:27 | 0:33:29 | |
Anita began with £496.72, | 0:33:29 | 0:33:33 | |
and she spent a total of £102 on five auction lots. | 0:33:33 | 0:33:38 | |
-Don't let my smiles make any difference. -All right, 30 quid. | 0:33:38 | 0:33:42 | |
James started out with £855.72, | 0:33:44 | 0:33:48 | |
and he spent £537, also on five lots. | 0:33:48 | 0:33:52 | |
My God. What have I done?! | 0:33:52 | 0:33:55 | |
Anita's hopes may be faint - | 0:33:55 | 0:33:56 | |
but because James spent so much on that mirror, | 0:33:56 | 0:34:00 | |
right now she has more cash. | 0:34:00 | 0:34:02 | |
So, James, whitewash, or Anita, comeback? | 0:34:02 | 0:34:05 | |
-Now, she's teeing off. -Rightio. BOTH: Here we go! | 0:34:05 | 0:34:10 | |
The German oval pottery wall plates there. | 0:34:10 | 0:34:14 | |
£30, £40... £20 to get on, got to be £20. | 0:34:14 | 0:34:15 | |
Come on, come on! | 0:34:15 | 0:34:18 | |
-A tenner. £10, got to be £10, surely. -Oh... | 0:34:18 | 0:34:21 | |
Anybody £10? £10 I'm bid there, the lady, at £10. £12 if you like now. | 0:34:21 | 0:34:26 | |
At £12. £15. £18. | 0:34:26 | 0:34:28 | |
£20. At £20. | 0:34:28 | 0:34:31 | |
At £20, right in front of me then still, at £20. You all sure...? | 0:34:31 | 0:34:37 | |
All that adrenaline over 20 quid. | 0:34:38 | 0:34:40 | |
I know... | 0:34:40 | 0:34:41 | |
Well, she won't topple James like that, I can tell you. | 0:34:43 | 0:34:45 | |
-I was a wee bit worried when he started off. -So was I! | 0:34:45 | 0:34:48 | |
Now, what will this little bottle do? | 0:34:48 | 0:34:51 | |
If it makes 80, I'm happy. | 0:34:51 | 0:34:53 | |
If it makes 120, I'm ecstatic. | 0:34:53 | 0:34:56 | |
I can start you here on the book at £40 only, at £40 I have here. | 0:34:56 | 0:35:01 | |
At £45, £50. £55, £60. | 0:35:01 | 0:35:04 | |
£65, £70. At £70 with me, £75 now. | 0:35:04 | 0:35:08 | |
£80. £85, £90. | 0:35:08 | 0:35:10 | |
-£95, £100 now. -Go on. | 0:35:10 | 0:35:13 | |
At £95... £100, thank you. | 0:35:13 | 0:35:15 | |
-£110, sir. -Go on... | 0:35:15 | 0:35:17 | |
£110... | 0:35:17 | 0:35:18 | |
Am I going to be ecstatic? | 0:35:18 | 0:35:21 | |
At £110. £120 to me now, sir. | 0:35:21 | 0:35:24 | |
£120. £130 if you like. | 0:35:24 | 0:35:27 | |
At £120. On my left... £130. | 0:35:27 | 0:35:30 | |
-That's a good result! -At £130, £140 now. | 0:35:30 | 0:35:34 | |
-At £130... -Go on! | 0:35:34 | 0:35:36 | |
-£130 it is. -Ecstatic, James? | 0:35:37 | 0:35:40 | |
That's good. I'm pleased with that. | 0:35:40 | 0:35:42 | |
Yup, that's a great result. Putting him in the lead. | 0:35:42 | 0:35:45 | |
And next...is my favourite of yours. | 0:35:45 | 0:35:50 | |
The Rosenthal figure of a clown. | 0:35:50 | 0:35:54 | |
Ah, it's lovely. | 0:35:54 | 0:35:55 | |
And I can start you on the book here at £50 only. | 0:35:55 | 0:35:59 | |
£55, £60. £65, £70. £75, £80. | 0:35:59 | 0:36:02 | |
At £80 with me. £85, £90. £95, £100. | 0:36:02 | 0:36:06 | |
-At £100... -At the back. | 0:36:06 | 0:36:08 | |
£105, £110. £120... | 0:36:08 | 0:36:10 | |
The book's out at £120 on my right now, £130. | 0:36:10 | 0:36:13 | |
At £130, you all sure now, then, at £130...? | 0:36:13 | 0:36:17 | |
Yes! Brilliant. Well done. | 0:36:17 | 0:36:21 | |
Now, that is a cracking result, isn't it? | 0:36:21 | 0:36:23 | |
Yes! Anita's back in the race. | 0:36:23 | 0:36:26 | |
Next lot is your mixed lot. | 0:36:26 | 0:36:28 | |
Yeah, that... | 0:36:28 | 0:36:30 | |
I don't know. I think... | 0:36:30 | 0:36:32 | |
-Boring, James! -I know. | 0:36:32 | 0:36:34 | |
Well, possibly. | 0:36:36 | 0:36:37 | |
I see that, thanks to Anita, the mint box has been included. | 0:36:37 | 0:36:41 | |
At £50 I have here, at £55... | 0:36:41 | 0:36:42 | |
£55, £60. | 0:36:42 | 0:36:44 | |
£65, £70 with me. | 0:36:44 | 0:36:45 | |
At £70, £75 now. £75, £80. | 0:36:45 | 0:36:47 | |
£85, £90. | 0:36:47 | 0:36:50 | |
£95, £100. | 0:36:50 | 0:36:52 | |
£110. | 0:36:52 | 0:36:53 | |
At £110, £120 now. | 0:36:53 | 0:36:55 | |
Here on the book then at £110... | 0:36:55 | 0:36:57 | |
-£110. -Knew it all along. | 0:36:57 | 0:37:00 | |
I'll eat my words! | 0:37:00 | 0:37:03 | |
James is narrowly in the lead. | 0:37:03 | 0:37:05 | |
I think you managed to squirm out of that one. | 0:37:05 | 0:37:09 | |
I'm good at squirming. | 0:37:09 | 0:37:11 | |
Now for Anita's photo album. | 0:37:11 | 0:37:14 | |
Who'll start me? £50. £20? £20 I'm bid there. | 0:37:14 | 0:37:16 | |
£25, £30, £35. | 0:37:16 | 0:37:19 | |
£40, £45. | 0:37:19 | 0:37:21 | |
£50, £55. | 0:37:21 | 0:37:22 | |
At £55 on my left now, £55. £60 now. | 0:37:22 | 0:37:25 | |
At £55, on my left here, then. | 0:37:25 | 0:37:27 | |
-At £55, you all sure...? -Go on. | 0:37:27 | 0:37:31 | |
-There was no persuading them, was there? -Touch-and-go, touch-and-go. | 0:37:31 | 0:37:35 | |
-That's all right, James. -Nothing to get too excited about. | 0:37:35 | 0:37:39 | |
No, I think he did well at £55. I'm happy. | 0:37:39 | 0:37:42 | |
Next, the hygienic ear and tooth picking device. | 0:37:42 | 0:37:45 | |
Toothpick and ear spoon. There we go, a combination ear spoon. | 0:37:45 | 0:37:51 | |
At £30 I'm bid there, at £30. | 0:37:51 | 0:37:53 | |
£35 if you like there, £35. | 0:37:53 | 0:37:55 | |
£40, £45. | 0:37:55 | 0:37:56 | |
£50, £55. £60. | 0:37:56 | 0:37:58 | |
At £60, and selling right in front of me here... £65. | 0:37:58 | 0:38:01 | |
£70, anyone, at £70... | 0:38:01 | 0:38:02 | |
£75. At £75, how could you do without an ear spoon? | 0:38:02 | 0:38:08 | |
At £75, you all sure...? | 0:38:08 | 0:38:11 | |
-£75. -He did well. -That was the right price for it. -It was. | 0:38:11 | 0:38:16 | |
Keeps him out in front. | 0:38:16 | 0:38:18 | |
-Not a bad profit, Mr Lewis. -No, absolutely. Happy with that. | 0:38:18 | 0:38:21 | |
Now, all the way from Copenhagen... | 0:38:21 | 0:38:24 | |
Got to start you at £18 only, at £18 on the book here. | 0:38:24 | 0:38:27 | |
At £18. Take £20 now. | 0:38:27 | 0:38:29 | |
£20. £22, £25. | 0:38:29 | 0:38:31 | |
The book's out at £25, £30 now. £30, £35. | 0:38:31 | 0:38:35 | |
At £35 on my left here, at £35, £40 now anywhere? | 0:38:35 | 0:38:37 | |
At £35, it's on my left, then, at £35... | 0:38:37 | 0:38:42 | |
Told you. Rabbit. Rabbit. | 0:38:43 | 0:38:45 | |
You'd have been better with a rabbit. | 0:38:45 | 0:38:48 | |
A loss, after commission. | 0:38:48 | 0:38:50 | |
Stop rabbiting on! | 0:38:50 | 0:38:52 | |
Will your brushes do much better, James? | 0:38:52 | 0:38:55 | |
£30 to get off. | 0:38:55 | 0:38:57 | |
£20, then. Nice pair of clothes brushes... | 0:38:57 | 0:38:59 | |
-There's no dog owners in here. -A tenner! -Oh, come on! | 0:38:59 | 0:39:03 | |
£10? | 0:39:04 | 0:39:07 | |
At £10 I'm bid there, thank you, madam. £12. | 0:39:07 | 0:39:10 | |
They're worth that! | 0:39:10 | 0:39:12 | |
£18... At £18, £20 if you like now, £20. | 0:39:12 | 0:39:15 | |
At £20. You all sure now? | 0:39:15 | 0:39:17 | |
-Stop laughing! -£25... | 0:39:17 | 0:39:20 | |
At £25, go on, £30 now sir. | 0:39:20 | 0:39:22 | |
-Go on! -£25, you all done? | 0:39:22 | 0:39:26 | |
-£25! -£25. | 0:39:26 | 0:39:28 | |
Disaster. | 0:39:28 | 0:39:29 | |
They were a lot of junk. | 0:39:29 | 0:39:33 | |
She has a point. | 0:39:33 | 0:39:35 | |
Going off you, rapidly. | 0:39:35 | 0:39:37 | |
Anita's back in it, but could she thrash him with this? | 0:39:39 | 0:39:42 | |
Here it is. | 0:39:42 | 0:39:44 | |
£20... £10 to get on, got to be a tenner. | 0:39:44 | 0:39:46 | |
£5, then, £5 I'm bid there, £7. At £7, £10. | 0:39:46 | 0:39:50 | |
£12, £15. | 0:39:50 | 0:39:51 | |
At £15 at the back now, £15. £18 if you like now. | 0:39:51 | 0:39:54 | |
Go on! | 0:39:54 | 0:39:56 | |
-£18. £20, £22. -Yes... | 0:39:56 | 0:39:59 | |
£25. £28. | 0:39:59 | 0:40:01 | |
£28, £30 now. At £28, £30. | 0:40:01 | 0:40:03 | |
£35, £40. | 0:40:03 | 0:40:06 | |
At £40 it is. £45. | 0:40:06 | 0:40:09 | |
At £45. At £50 now. | 0:40:09 | 0:40:11 | |
At £45, you all sure? | 0:40:11 | 0:40:13 | |
-£45 it is. -Well done. | 0:40:13 | 0:40:17 | |
-I think you helped it along, James. -Well... That's double your money. | 0:40:17 | 0:40:21 | |
A good turn. But will it be enough? | 0:40:21 | 0:40:24 | |
Do you know, whatever happens, | 0:40:24 | 0:40:26 | |
this road trip has been the best time ever. I've loved it, you know. | 0:40:26 | 0:40:31 | |
Absolutely loved it. | 0:40:31 | 0:40:33 | |
-It's been great fun. You've got lipstick! -Don't care. | 0:40:33 | 0:40:37 | |
Really enjoyed it. | 0:40:37 | 0:40:38 | |
That's enough canoodling, it's all down to James's biggest ever spend. | 0:40:38 | 0:40:42 | |
Even a modest return on the mirror will give him overall victory. | 0:40:42 | 0:40:46 | |
Start me £305 to get on. | 0:40:46 | 0:40:48 | |
£300. For the mirror, the William Comyns mirror there, for £300 only. | 0:40:48 | 0:40:54 | |
£200... £200 I'm bid, thank you. At £200. | 0:40:54 | 0:40:57 | |
-£220 now if you like, £220. -Go on! | 0:40:57 | 0:41:01 | |
£240 if you like, £240. £260... | 0:41:01 | 0:41:04 | |
At £260 here. £260, £280... | 0:41:04 | 0:41:07 | |
At £280, £300 if you like now. | 0:41:07 | 0:41:09 | |
-At £280. £300 now then, at £280... -No way! | 0:41:09 | 0:41:13 | |
It's selling here. £280, £300. £320. | 0:41:13 | 0:41:17 | |
It's selling here at £320. | 0:41:17 | 0:41:18 | |
£340... £360. | 0:41:18 | 0:41:21 | |
£380. £400. | 0:41:21 | 0:41:23 | |
-At £400, it's selling,, though. -Go on! | 0:41:23 | 0:41:26 | |
You all sure? | 0:41:26 | 0:41:28 | |
£400 it is. | 0:41:28 | 0:41:30 | |
Well, it's a loss... | 0:41:32 | 0:41:33 | |
Yes - after commission, someone has got themselves a huge bargain. | 0:41:35 | 0:41:39 | |
Knew it was a gamble. | 0:41:39 | 0:41:41 | |
James wins the war, but today's little battle goes to Anita. | 0:41:42 | 0:41:47 | |
After paying auction costs, | 0:41:48 | 0:41:50 | |
Anita's made a profit of £131.70, | 0:41:50 | 0:41:54 | |
so she has a very respectable final total of £628.42. | 0:41:54 | 0:41:58 | |
James, on the other hand, made, after auction costs, | 0:41:58 | 0:42:03 | |
just £69.80 today, | 0:42:03 | 0:42:05 | |
but he's finished up with an excellent £925.52 for the week. | 0:42:05 | 0:42:11 | |
And, remember, all those profits go to Children In Need. | 0:42:11 | 0:42:15 | |
-The last auction. Dear me. -It's been great fun. | 0:42:15 | 0:42:18 | |
I've enjoyed every minute, you know. | 0:42:18 | 0:42:21 | |
-Every single minute. -Yeah. | 0:42:21 | 0:42:22 | |
Aw. What a lovely couple they make. | 0:42:22 | 0:42:25 | |
-A cup of tea now, James? -A cup of tea? I could do with a pint! | 0:42:25 | 0:42:30 | |
-Aw, well, I'll take you to the local hostelry, darling. -Come on, then. | 0:42:30 | 0:42:34 | |
What a week it's been. | 0:42:36 | 0:42:38 | |
The ever-so-cheeky James Lewis... | 0:42:38 | 0:42:40 | |
Hello, darling. | 0:42:40 | 0:42:41 | |
..and the ever-so-crafty Anita Manning. | 0:42:41 | 0:42:44 | |
-No! -Hello! | 0:42:46 | 0:42:48 | |
-They've had their ups... -Oh, wait a minute! | 0:42:49 | 0:42:52 | |
..and their downs. | 0:42:52 | 0:42:54 | |
but have become firm friends. | 0:42:54 | 0:42:56 | |
It's a lovely country, I've told you... | 0:42:56 | 0:42:59 | |
Next time, the glory of Scotland... | 0:42:59 | 0:43:02 | |
I can't see where we're going! | 0:43:02 | 0:43:04 | |
..featuring Charlie Ross and James Braxton. | 0:43:04 | 0:43:06 | |
You've never had a better view of the Highlands, Brackers! | 0:43:06 | 0:43:10 | |
£1,200. | 0:43:10 | 0:43:12 | |
£1,200! Brackers. | 0:43:12 | 0:43:14 | |
It's all over. | 0:43:14 | 0:43:15 | |
It's quite a ride! | 0:43:17 | 0:43:18 | |
Brackers - are you with me? | 0:43:18 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:41 |